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With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year.
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. The Fujifilm X half is a quirky, funny little camera that is actually exactly what many of us have been asking for: a digital camera that tugs on the analog heartstrings, combining the usability of the modern age with the fun of times past. The thing is, the X half isn't perfect: there are some things the team would have done differently. Also, for those who enjoyed her article and video from earlier this week, Sarah takes a few minutes to answer some questions about her recent photography excursion to Iraq, too, so you won't want to miss this episode!Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro9:33 - You need to watch Sarah's video about photographing Iraq22:49 - Nikon was the best selling camera brad in Japan for the first time in the mirrorless era25:29 - Voigtlander lens lets you adjust aberration and bokeh29:07 - Blazar's new anamorphic lenses can rotate31:19 - The DJI Mavic 4 Pro was kinda sorta available in the US for a short time35:30 - Reduction of Chinese tariffs sees immediate decrease in price for some Leica products37:13 - If tariffs hold, Nikon expects to lose $70 million37:29 - Sony expects to lose $682 million37:41 - Sony raised the price of many cameras, lenses, and accessories39:11 - Let's talk X half... and what we would do differently 1:05:35 - What have you been up to?1:11:52 - Tech support1:32:49 - Feel good story of the week
Udi Wertheimer discusses Bitcoin Core's controversial OP_RETURN changes, mounting community backlash, and why Core developers are losing social capital with Bitcoiners over technical decisions they can't properly communicate.You're listening to Bitcoin Season 2. Subscribe to the newsletter, trusted by over 7,000 Bitcoiners: https://newsletter.blockspacemedia.comUdi Wertheimer, co-founder of the Taproot Wizards and famous Bitcoin provocateur, joins us to talk about the explosive OP_RETURN debate dividing the Bitcoin community. We dive deep into why Bitcoin Core developers are facing unprecedented backlash, how they've lost touch with newer Bitcoiners, and what Greg Maxwell's sudden reappearance signals about Core's weakening position. Udi offers surprising insights on both sides and proposes solutions for rebuilding trust between developers and the community.Follow our guests: @udiwertheimer**Notes:**• OP_RETURN controversy spans over a decade• Greg Maxwell returns after years of silence• Core devs disconnected from 5+ year Bitcoiners• ~50 readers engage with Bitcoin OpTech weekly• 6-month delay suggested for PR merge• JPEGs benefit from controversy attentionTimestamps:00:00 Start03:08 OP_RETURN Debate Summary10:21 SPAM on Bitcoin17:17 Is this a Core blunder?27:26 How SHOULD Core do?34:42 What if Core doesn't communicate better?37:38 What does a pleb do?-
Trump's coming for Jerome Powell — again — and Wall Street's rattled. But in crypto? We're still buying JPEGs, farming points, and memeing through the madness.Welcome back to “How It Works,” where we decode the absurd mechanics behind DeFi, DAOs, and the digital money machine.Today's episode covers:– Why Trump's attack on Powell actually matters– Why crypto keeps shrugging off macro panic– The future of monetary chaos, memecoins, and decentralized cloutWatch the full breakdown and subscribe for more daily signal.
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year.
Summary In this episode, Blockchain Wayne interviews Nathan, a crypto web3 artist, who shares his journey from traditional art to the digital realm of NFTs. They discuss the evolution of art in the crypto space, the opportunities presented by NFTs, and the global reach of digital art. Nathan emphasizes the intersection of art, politics, technology, and finance, and how this unique space allows for collaboration and connection across borders. The conversation also touches on the future of art and music in Web3, highlighting the importance of provenance in the age of AI-generated content. Takeaways Nathan's journey into art was influenced by his mother's background in the arts. He initially rejected art due to pressure but returned to it later in life. The emergence of NFTs provided Nathan with a new opportunity to express himself as an artist. Digital art allows for a global audience, breaking down geographical barriers. NFTs can empower artists in countries with limited access to traditional markets. The intersection of art, politics, and technology creates unique opportunities for collaboration. Nathan believes that the future of art will involve more integration with technology and AI. The misconception that NFTs are just JPEGs overlooks their potential in various industries. Bitcoin's scarcity is a key factor in its value proposition. Investing in Bitcoin can start with small amounts, making it accessible to everyone. Chapters 00:00 Introduction to Nathan and His Artistic Journey 03:03 The Evolution of Art in the Crypto Space 06:08 NFTs: Opportunities and Misconceptions 08:47 The Global Reach of Digital Art 12:04 Art, Politics, and Technology: A Unique Intersection 15:04 The Future of Art and Music in Web3 27:58 Closing Thoughts and Future Collaborations
Send us a textDigital ownership through blockchain transcends the basic concept of "buying JPEGs" - it represents a fundamental shift in how we interact with digital assets and communities. In this riveting conversation with Shatt, we explore how his background in gaming provided the perfect foundation for understanding NFT value propositions from day one."Follow your passions even if others don't give a shit" stands as the guiding philosophy that helped Shatt navigate the complex world of digital collecting. Unlike many who chase influencer recommendations or trending projects, Shatt's approach centers on finding art that personally resonates - whether that's animated pieces that evoke emotional responses comparable to Pixar films or works that document the cultural evolution of Web3 itself.The episode delves into the mechanisms of artist discovery in a space still lacking robust curation systems. From examining collections of established collectors to participating in curated drops like Click Create, Shatt shares practical wisdom for finding quality amid the noise. Particularly enlightening is his focus on artists who persist through bear markets - a signal of authentic artistic commitment versus opportunistic participation.We witness a collector's evolution through Shatt's hilarious recounting of his first Bored Ape purchase - sitting on his front lawn afterward, beer in hand, wondering "I don't know what I just did. It's either really stupid or really smart." This candid moment perfectly captures the leap of faith many early adopters experienced.Beyond collecting, the conversation explores how Discord voice chats create unprecedented access to knowledge sharing across experience levels, allowing newcomers to connect directly with experienced collectors and builders. This flattened social structure represents one of Web3's most transformative yet underappreciated aspects.Join us for this deep dive into authentic collecting philosophy, artist appreciation, and community building that goes far beyond surface-level trends. Whether you're a seasoned collector or NFT-curious, Shatt's perspectives offer valuable guidance for navigating this evolving landscape with intention and authenticity.https://x.com/Shatt_EthSupport the show
Dans cet épisode, nous plongeons dans les profondeurs de l'histoire des NFT avec un invité de choix : Archivist (alias @punk3606), véritable détective de la blockchain et spécialiste de ce qu'on appelle désormais l'archéologie crypto.Deux ans après sa première venue, il revient avec de nouvelles découvertes, plus profondes encore, sur les origines des NFT et du digital ownership. Il nous propose une relecture complète de l'histoire des NFTs, bien au-delà des récits classiques débutant avec les CryptoPunks ou CryptoKitties.Ce qu'on apprend dans cet épisode* Namecoin (2011), deuxième blockchain après Bitcoin, est au cœur des premières expérimentations. C'est là que se trouvent les tout premiers non-fungible assets, bien avant Ethereum.* Le premier asset non fongible de l'histoire serait D/Bitcoin, enregistré sur Namecoin en avril 2011. Il s'agissait d'un domaine .bit.* Des ASCII arts mintés dès mai 2011 (dont le célèbre “boobies”) témoignent d'une forme primitive de crypto art.* En janvier 2012, le mème F**K Yea est encodé entièrement dans un Namecoin name. Il s'agit de la première image on-chain, possédable, transférable et reconstructible.* Le duo Trent & Masha McConaghy, avec la collaboration de Vitalik Buterin, a jeté les bases d'un protocole de certification d'œuvres numériques sur la blockchain, dès 2013, bien avant Ethereum.* Le débat autour du “premier NFT” est sans fin, car il dépend de la définition choisie : technique, artistique, expérimentale, commerciale…
This week on The PetaPixel Podcast, Chris Niccolls, Jordan Drake, and I are joined by PetaPixel's mobile and computing contributing writer Ted Kritsonis to talk about the very good smartphone camera systems that North Americans might not know about or have outright disregarded.With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro08:50 - GoPro's Anamorphic lens mod is finally available12:15 - Tamron will make more prime lenses if that's what photographers want15:18 - Canon is developing 3D dual photo tech powered by Dual Pixel20:15 - Sirui is the ninth member of the L Mount Alliance23:06 - Sony and Canon tease new video cameras27:54 - The very good smartphone cameras you aren't considering 1:05:20 - What have you been up to?1:14:59 - We are going to Las Vegas1:15:41 - Never read the comments1:20:29 - Tech support1:31:51 - Feel good story of the week
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on The PetaPixel Podcast, Chris Niccolls and Jaron Schneider sit down with Fujifilm's Justin Stailey to talk about the design philosophy of the new GFX100RF and why the company made some of the decisions it did. Curious why the camera has no IBIS and is only f/4? Stailey provides some answers. Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode:00:00 - Intro... from Prague!08:34 - Fujifilm is finally getting closer to fulfilling X100VI orders11:28 - Insta360 and Leica extend their strategic partnership and promise new co-engineered products14:05 - Historic auction of Leica cameras in China was manipulated16:41 - The LSST camera has been assembled in Chile and is ready to take its first photos of the universe.20:32 - Canon commits to continuing in-house sensor development24:10 - Magnum, Fujifilm, and MPP teamed up for a massive digitization effort25:18 - The GF100RF Design Philosophy with Fujifilm's Justin Stailey58:23 - Our GF100RF thoughts that didn't make it into the hands-on video1:13:54 - What have you been up to?1:16:34 - Tech support1:29:30 - Feel good story of the week
Mikah Sargent dives deep into Archive Utility on macOS, a powerful but often overlooked tool that works behind the scenes to compress and expand files on your Mac. From creating basic zip archives to encrypted files, this episode reveals all the hidden features of this versatile utility. -How compression works - Compression algorithms look for repeating patterns in data to make files smaller, though already compressed files like JPEGs may not benefit much. -Quick compression with right-click - The fastest way to compress files is selecting them, right-clicking, and choosing "Compress," which always creates a standard zip file. -Opening Archive Utility - Access it directly by using Command+Space and typing "archive" to explore its full capabilities beyond the right-click option. -Archive Utility settings - Configure where expanded files are saved, what happens to archives after expansion, and whether to automatically expand nested archives. -Expansion options - Choose to keep, trash, or delete archives after expanding them, or move them to a specific location. -Compression options - Similar settings exist for what happens to original files after creating an archive. -Archive formats explained - Despite setting preferences in Archive Utility, the right-click "Compress" option always creates zip files regardless of settings. -Creating CPGZ archives - These compressed archives must be created by selecting a folder through the File menu, not through right-click compression. -Regular archives (CPIO) - Simple "briefcase" archives without compression, useful for bundling files without reducing size. -Apple Archive (AAR) - A Mac-specific format that uses multi-threaded compression to efficiently compact files. -Encrypted archives (AER) - Secure, password-protected archives that can be unlocked with Touch ID if saved to your keychain. -Why ZIP remains the standard - ZIP format is used for the right-click compression option because of its universal compatibility across different operating systems. Zip and unzip files and folders on Mac - https://support.apple.com/guide/mac-help/zip-and-unzip-files-and-folders-on-mac-mchlp2528/mac Host: Mikah Sargent Download or subscribe to Hands-On Mac at https://twit.tv/shows/hands-on-mac Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Mikah Sargent dives deep into Archive Utility on macOS, a powerful but often overlooked tool that works behind the scenes to compress and expand files on your Mac. From creating basic zip archives to encrypted files, this episode reveals all the hidden features of this versatile utility. How compression works - Compression algorithms look for repeating patterns in data to make files smaller, though already compressed files like JPEGs may not benefit much. Quick compression with right-click - The fastest way to compress files is selecting them, right-clicking, and choosing "Compress," which always creates a standard zip file. Opening Archive Utility - Access it directly by using Command+Space and typing "archive" to explore its full capabilities beyond the right-click option. Archive Utility settings - Configure where expanded files are saved, what happens to archives after expansion, and whether to automatically expand nested archives. Expansion options - Choose to keep, trash, or delete archives after expanding them, or move them to a specific location. Compression options - Similar settings exist for what happens to original files after creating an archive. Archive formats explained - Despite setting preferences in Archive Utility, the right-click "Compress" option always creates zip files regardless of settings. Creating CPGZ archives - These compressed archives must be created by selecting a folder through the File menu, not through right-click compression. Regular archives (CPIO) - Simple "briefcase" archives without compression, useful for bundling files without reducing size. Apple Archive (AAR) - A Mac-specific format that uses multi-threaded compression to efficiently compact files. Encrypted archives (AER) - Secure, password-protected archives that can be unlocked with Touch ID if saved to your keychain. Why ZIP remains the standard - ZIP format is used for the right-click compression option because of its universal compatibility across different operating systems. Zip and unzip files and folders on Mac - https://support.apple.com/guide/mac-help/zip-and-unzip-files-and-folders-on-mac-mchlp2528/mac Host: Mikah Sargent Download or subscribe to Hands-On Mac at https://twit.tv/shows/hands-on-mac Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Mikah Sargent dives deep into Archive Utility on macOS, a powerful but often overlooked tool that works behind the scenes to compress and expand files on your Mac. From creating basic zip archives to encrypted files, this episode reveals all the hidden features of this versatile utility. How compression works - Compression algorithms look for repeating patterns in data to make files smaller, though already compressed files like JPEGs may not benefit much. Quick compression with right-click - The fastest way to compress files is selecting them, right-clicking, and choosing "Compress," which always creates a standard zip file. Opening Archive Utility - Access it directly by using Command+Space and typing "archive" to explore its full capabilities beyond the right-click option. Archive Utility settings - Configure where expanded files are saved, what happens to archives after expansion, and whether to automatically expand nested archives. Expansion options - Choose to keep, trash, or delete archives after expanding them, or move them to a specific location. Compression options - Similar settings exist for what happens to original files after creating an archive. Archive formats explained - Despite setting preferences in Archive Utility, the right-click "Compress" option always creates zip files regardless of settings. Creating CPGZ archives - These compressed archives must be created by selecting a folder through the File menu, not through right-click compression. Regular archives (CPIO) - Simple "briefcase" archives without compression, useful for bundling files without reducing size. Apple Archive (AAR) - A Mac-specific format that uses multi-threaded compression to efficiently compact files. Encrypted archives (AER) - Secure, password-protected archives that can be unlocked with Touch ID if saved to your keychain. Why ZIP remains the standard - ZIP format is used for the right-click compression option because of its universal compatibility across different operating systems. Zip and unzip files and folders on Mac - https://support.apple.com/guide/mac-help/zip-and-unzip-files-and-folders-on-mac-mchlp2528/mac Host: Mikah Sargent Download or subscribe to Hands-On Mac at https://twit.tv/shows/hands-on-mac Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
With a PetaPixel Membership, not only can you support original PetaPixel reporting and in-depth reviews, but you can also remove ads from the website and gain access to some seriously great perks, too. Members get $15 off the Moment Store, 25% off the PetaPixel Merch Store, and now can download full-resolution RAW files and JPEGs from the latest cameras and lenses. Join today! It costs just $3 per month or $30 per year. This week on The PetaPixel Podcast, the team is joined by Waveform Podcast co-host David Imel to talk about the Sigma BF and why Chris Niccolls -- who laments the many things cut out to make it "radically simple" -- might be wrong.Check out PetaPixel Merch: store.petapixel.com/ We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro07:30 - Apple's new computers are really good, but the M4 Max is all photographers need right now13:40 - Canon won't do the alternate versions of the 1 series, won't do a high resolution version of the R116:54 - Canon is cautiously ramping compact camera production back up20:03 - Viltrox made six pro-level AF lenses for the DJI Ronin 4DThypoch is moving away from its infinity lock switches: https://petapixel.com/2025/03/06/thypoch-is-moving-away-from-its-polarizing-focus-lock-switch/29:11 - Is Chris wrong about the Sigma BF? 1:04:02 - What have you been up to? 1:09:38 - Never read the comments1:18:12 - Tech support1:27:30 - Using anamorphic lenses for still photography1:29:43 - Feel good story of the week
Do you ever get tired of manually organizing, searching for, tagging, and culling your images? We do, too - and that's where Excire can help!Excire's photo-management software harnesses AI to make tedious tasks 10x faster, easier, and more fun. Thanks to Excire, you can easily get your images organized, stay on top of culling, and instantly find any photo in your catalog—so you can spend less time managing your images and more time doing what you love! Best of all, Excire can be integrated seamlessly into your current workflow, either using the standalone image organizer, Excire Foto 2025, or the Lightroom Classic plugin, Excire Search 2024. To purchase an Excire lifetime license or to download a 14-day free trial, visit www.excire.com/en/shop! (PetaPixel viewers can receive 15% off their purchase with the special discount code PETAPIXEL.)Check out PetaPixel Merch: store.petapixel.com/We use Riverside to record The PetaPixel Podcast in our online recording studio.We hope you enjoy the podcast and we look forward to hearing what you think. If you like what you hear, please support us by subscribing, liking, commenting, and reviewing! Every week, the trio go over comments on YouTube and here on PetaPixel, but if you'd like to send a message for them to hear, you can do so through SpeakPipe.In This Episode00:00 - Intro11:03 - Apple's acquisition of Pixelmator is complete17:00 - Capture One shut down its community forum21:53 - Western Digital and SanDisk are divorcing26:33 - Harman Red 125 is a new redscale color negative film30:20 - Lucky Film is making a comeback and distributors are fighting over it33:14 - Content Credentials on Samsung's Galaxy S25 don't work on real photos, only AI36:02 - The Nikon block46:33 - PetaPixel members get access to full-resolution RAW and JPEGS from new cameras and lenses49:71 - What do you want to see from the CP+ Photography Exhibition in Japan?1:11:07 - Never read the comments1:16:55 - Tech support1:31:22 - Feel good story of the week
As we approach the five year anniversary of the podcast (and who would have thunk that would have been a thing) I never thought I would have been reading a recipe out loud. But after a bit of kerfuffle at Ant's end, I received the JPEGs required to make it possible.There is of course good reason, and it's a little complicated, but it involves fish finger apathy and me forgetting to listen to Holidays in Eden and by the time you get to the end of #228 it should all make some kind of sense. And to bring you all bang up to date, I did indeed break out the pans and bash through said recipe and, despite getting a little over-enthusiastic with one of L's devices and dicing mi onions to mush, it went down rather well with at least 50% of the household.Oh, and after consultation with L and Vibes, the man who wrote the Haynes manual for the Boeing 737 was (drum-roll) Charles Kennedy!Love'n'the-other-nobby-stilesNigellaP.S Ant apologises for being a bit snuffly.Cabin PressureTCD Merch StoreBecome Purple and support the showThe Invisible Man Volume 1: 1991-1997The Invisible Man Volume2: 1998-2014FacebookInstagramWebsite
Our hosts, Ron Hayes, Jason Loftus, and Mark Raycroft, butt heads in a lively game of Photo Feud, debating unpopular opinions in wildlife photography. Through a point-counterpoint format, each host must support a designated “for” or “against” position and delve into the pros and cons of each topic, providing insights into the evolving landscape of photography. Exploring the implications of affordable zoom lenses, the debate over the best camera to have on hand, the surge of new photography businesses following the holiday season, conservation photography and the modes of transportation used, as well as the ongoing discussion of whether shooting in RAW is necessary in the age of advanced camera technology. The conversation is lighthearted yet insightful, encouraging listeners to think critically about their photography practices and the tools they use. TakeawaysAffordable zoom lenses have changed wildlife photography dynamics.Smartphones have become essential tools for capturing moments.New photographers need to build portfolios before starting businesses.Photography requires more than just owning a good camera.The quality of a photograph is influenced by the photographer's skill.Editing plays a crucial role in the final image.The photography industry is becoming increasingly competitive.A strong portfolio requires thousands of good images.Cameras are evolving tools that require skill to use effectively.RAW files offer more editing flexibility than JPEGs.The camera's AI can make decisions that reduce the need for RAW.It's important to enjoy the process of photography.Lighthearted debates can lead to deeper insights.Sound Bites"This might be the most unpopular episode we've ever done.""Reasonably priced zooms are the worst thing to wildlife photography.""There are now 2,000 new photography businesses.""You have to train your eye for composition.""Cameras are tools, and like all tools, they evolve.""The tools have improved significantly.""It's a win-win-win when you ride your bike.""Riding a bike is silent compared to other forms.""For most uses, RAW is totally unnecessary.""The camera is making great decisions, perfect decisions.""You can't rework a JPEG as far as RAW.""It's nice to stop and think some of these things through.""Get out in the field with your best camera."Chapters00:00 Unpopular Opinions in Wildlife Photography14:57 The Impact of Affordable Zoom Lenses29:59 The Best Camera: The One You Have44:54 The Rise of New Photography Businesses34:55 The Importance of a Strong Portfolio36:20 Tools of the Trade: Cameras as Instruments38:21 Environmental Photography: Modes of Transportation Debate51:11 The RAW vs JPEG Discussion57:44 Lighthearted Conversations and Future TopicsSpecial thanks to Andrew Hearne for the idea for this podcast. @AWHearne Thanks for listening to the Beyond the Wild Podcast. Make sure to subscribe to be notified of upcoming episodes for your listening and viewing enjoyment! Beyond the Wild Podcast is sponsored by Pictureline.com and Canon USA.
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Our recent discussions of AI and the Photos Clean Up tool have brought us full circle to the bigger question: What is a photo? Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn) Sponsor: Nitro from Gentlemen Coders Currently featured by Apple as an “App We Love,” Nitro is the new photo editor and manager for Mac, iPhone and iPad from the developer of RAW Power. And now, Nitro is on sale for the holidays. You can get Nitro for 50% off until December 2nd, 2024, and 20% off after that. Designed for every photographer and every photograph, Nitro combines flexible storage options, unmatched camera support, and professional editing tools. If you liked Aperture or RAW Power, you'll love Nitro and its beautiful user interface. On the editing side, Nitro includes full masking support with AI masks, gradients, and brushes. Remove dust blemishes and other imperfections using Clone and Spot Removal tools. And, just like RAW Power, you can apply raw-specific tone and tuning adjustments. Nitro gives you more control over Apple's RAW decoder than any other app. And, it's great at editing JPEGs and HEIF images too! For organizing, your photos can live in Apple's Photos library or in the file system, with support for XMP sidecars and synchronizing metadata and edits with iCloud Photo Library. Nitro also supports more cameras and formats than Photos, Darkroom, or Photomator, including compressed Fujifilm RAW files and the Nikon HE format. And while comparing shots, synchronize pan and zoom of up to 16 images at a time. Integration with ExifTool on the Mac lets you see and compare all of the metadata in your images. Try Nitro for free for 7 days without any obligation. No subscription signup, no nonsense. And remember, you can get Nitro for 50% off until December 2nd, 2024, and 20% off after that. Check it out at https://nitrophoto.app (nitrophoto.app). Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-175-what-is-photo)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
In this episode of The Exposed Negative, Tom and Greg dive deep into the world of Photoshop actions and digital workflow efficiency. The conversation begins with Tom discussing his challenge with Photoshop actions and how he uses them primarily for screen captures and organising inspiration for mood boards. The hosts explore various techniques for creating and using actions, including colour coding, batch processing, and specific shortcuts that save time in post-production. They discuss practical techniques like dodging and burning, explaining the origins of these methods from traditional dark room photography to digital editing. The conversation meanders through topics like using tools like Stream Deck, Photoshop's image processor, and sharing tips for creating efficient workflows. They also touch on some nostalgic pop culture references, including a brief discussion about the 1980s film Short Circuit.The episode is characteristically casual and informative, with the hosts sharing personal experiences, technical insights, and inviting listeners to share their own favorite actions and shortcuts. They conclude by encouraging the audience to explore and optimize their own digital editing processes. Thank you for listening to The Exposed Negative Podcast. Running this podcast takes a lot of time and effort, and we hope you have found it helpful and interesting. If you would like to support us by buying us a beer or coffee, or by helping with the running costs of the show, we would greatly appreciate it. Please consider signing up for our Patreon (https://www.patreon.com/exposednegative) or making a one-time donation through PayPal (https://www.paypal.me/exposednegative). Thank you for your support! Here are the shownotes; The Eagle App for building image inspiration: https://en.eagle.cool/Freeform App: https://apps.apple.com/us/app/freeform/id6443742539Screenshots - save as JPEGs - https://www.idownloadblog.com/2014/07/31/how-to-change-mac-screenshot-file-format/Dodge and Burn mask technique: https://www.youtube.com/watch?v=VJbqGevHt5IShift command F - the Fade command in photoshop: https://www.youtube.com/watch?v=2x_HPPdDSlg&list=PL1chrsPtuZDJiFAdk1bd3GE-0c2PRiwsRSkin shine technique - using blend modes: https://www.youtube.com/watch?v=YlsaF-qVcvMBlend ifs explained: https://www.youtube.com/watch?v=doI1eH_nCxsMedian blur to create one colour for a seamless background: https://www.youtube.com/watch?v=1SwOfiJ2ddsImage processor tool in Photoshop: https://www.youtube.com/watch?v=OnqEMIIei-8Control & option to change your brush size: https://www.youtube.com/watch?v=2rcqHzU1YUcNotes feature in photoshop: https://www.youtube.com/watch?v=ryWAEFBUGzMAction YouTube tutorial: https://www.youtube.com/watch?v=kBrAR4o6fckKeyboard maestro: https://www.keyboardmaestro.com/main/Streamdeck: https://amzn.to/3CJvdUiPTGUI panorama: https://ptgui.com/Hazel: https://www.noodlesoft.com/
Pre-show: We’re still grumpy about the most recent member’s special Follow-up: New iPad Mini “Jelly Scrolling” is fixed? David Pierce disagrees though Submerged and Vision Pro demos (via Kevin Markham) Apple may stop producing Vision Pro soon? Some follow-up from the most recent member’s special Photo editing Exposing to the right DPReview More via Sam Doran Color spaces …are only applicable on JPEGs (via Léo Natan) Daniel Laan’s take What do we do with our computer’s color tweaks while editing (via Josh Harris) John’s thoughts on cropping Parallelizing file compression/decompression unxip (via Mihai Parparita) More from unxip author Saagar Jha Apple Archive (see also aa) “No hats, no walkmen” (via Dan Pierce) iPhone SE 4 rumors Aside: iPhone product mix from ATP #609 Overtime Case leak October Macs?
In this episode of The Ordinal Show, we welcome the team behind Mutant Hounds, a project by Novel Labs. The discussion delves into the unique features of the Ordinals Protocol on Bitcoin, emphasizing its cultural significance and technical aspects. Key topics include the process of reinscriptions, which allows multiple JPEGs on a single satoshi, and the use of recursion for creating high-definition inscribed artworks. The show also highlights the practical applications of these features in the Mutant Hounds project, where pixelated art evolves into HD art with the help of the Mutant Hounds Rune as a functional currency. The episode wraps up with advice for creators on utilizing new and innovative methods to enhance the collector's experience. The Ordinal Show is a series of regular Twitter Spaces featuring conversations with amazing people from the Bitcoin Ordinals community. Every Mon at 10:30am ET & Wed at 6:30pm ET. Hosted by Trevor.btc, Jan and Leonidas. Follow us on Twitter: https://twitter.com/TheOrdinalShow Subscribe to our Substack: https://theordinalshow.substack.com
It's that time again: new iPhones! By which we mean, of course, new Apple Cameras That Also Do Other Stuff. Kirk and Jeff are both upgrading their phones this year, largely due to the new Camera Control button but also the 48 MP (megapixel) ultra-wide camera and the new 48 MP Fusion camera that reads data fast enough to remove the shutter lag when shooting raw images. There's a lot to discuss in this bonus-length episode! Hosts: Jeff Carlson: website (https://jeffcarlson.com), Jeff's photos (https://jeffcarlson.com/portfolio/), Jeff on Instagram (http://instagram.com/jeffcarlson), Jeff on Glass (https://glass.photo/jeff-carlson), Jeff on Mastodon (https://twit.social/@jeffcarlson) Kirk McElhearn: website (https://www.kirkville.com), Kirk's photos (https://photos.kirkville.com), Kirk on Instagram (https://instagram.com/mcelhearn), Kirk on Glass (https://glass.photo/mcelhearn), Kirk on Mastodon (https://journa.host/@mcelhearn) Nitro from Gentlemen Coders Nitro is the new photo editor and manager for Mac, iPhone and iPad from the developer of RAW Power. Designed for every photographer and every photograph, Nitro combines flexible storage options, unmatched camera support, and professional editing tools. If you liked Aperture or RAW Power, you'll love Nitro and its beautiful user interface. On the editing side, Nitro includes full masking support with AI masks, gradients, and brushes. Remove dust blemishes and other imperfections using Clone and Spot Removal tools. And, just like RAW Power, you can apply raw-specific tone and tuning adjustments. Nitro gives you more control over Apple's RAW decoder than any other app. And, it's great at editing JPEGs and HEIF images too! For organizing, your photos can live in Apple's Photos library or in the file system, with support for XMP sidecars and synchronizing metadata and edits with iCloud Photo Library. Nitro also supports more cameras and formats than Photos, Darkroom, or Photomator, including compressed Fujifilm RAW files and the Nikon HE format. And while comparing shots, synchronize pan and zoom up to 16 images at a time. Integration with ExifTool on the Mac lets you see and compare all of the metadata in your images. Try Nitro for free for 7 days without any obligation. No subscription signup, no nonsense. Check it out at https://nitrophoto.app (nitrophoto.app). Show Notes: (View show notes with images at PhotoActive.co (https://www.photoactive.co/home/episode-170-iPhone16)) Rate and Review the PhotoActive Podcast! (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) Episode 165 - Sensors and LUTs (https://www.photoactive.co/home/episode-167-sensors-luts) Everything You Can Do with iPhone 16's New Camera Button (https://www.cnet.com/tech/mobile/everything-you-can-do-with-iphone-16s-new-camera-button/), CNET Episode 146 - Tea and Coffee (https://www.photoactive.co/home/episode-146-tea-coffee) Snapshots: Jeff's Snapshot: MHW-3BOMBER Mini Cube 2 Coffee Scale (https://amzn.to/4efZYOF) Kirk's Snapshot: Peak Design iPhone 16 Pro Max case (https://www.peakdesign.com/collections/mobile/products/everyday-case?variant=41298189058125) Subscribe to the PhotoActive podcast newsletter at the bottom of any page at the PhotoActive web site (https://photoactive.co) to be notified of new episodes and be eligible for occasional giveaways. If you've already subscribed, you're automatically entered. If you like the show, please subscribe in iTunes/Apple Podcasts (https://itunes.apple.com/us/podcast/photoactive/id1391697658?mt=2) or your favorite podcast app, and please rate the podcast. And don't forget to join the PhotoActive Facebook group (https://www.facebook.com/groups/photoactivecast/) to discuss the podcast, share your photos, and more. Disclosure: Sometimes we use affiliate links for products, in which we receive small commissions to help support PhotoActive.
Yes, we have all been p0wned; more Tesla recalls; Waymo honking greetings; Cruise recalls robotaxi fleet; more OpenAI content deals; Cortex delivers both fewer and more errors; just how bad was Musk's Twitter deal; billionaire calls major crypto PAC stupid & selfish; the Acolyte not getting renewed; Disney+ no longer a safe space; Chick-Fil-A streaming service; Megalopolis trailer shenanigans; revisiting Ted Lasso, House of Cards; the Anonymous; Alien: Romulus; more Overcast stuff; Sonos can't unroll app update; Procreate condemns GenAI; subscription sous vide.Sponsors:1Password Extended Access Management - Check it out at 1Password.com/xam. Secure every sign-in for every app on every device.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!Show notes at https://gog.show/662FOLLOW UPNPD Breach CheckTesla issues an in-person recall for its Model X SUVMicrosoft will release controversial Windows Recall AI search feature to testers in OctoberTexas judge blocks the FTC from enforcing its ban on noncompete agreementsIN THE NEWSWaymo director says the company's cars won't honk at each other anymoreCruise recalls robotaxi fleet to resolve federal safety probeOpenAI will now use content from Wired, Vogue and The New Yorker in ChatGPT's responsesArs Technica content is now available in OpenAI servicesThis invention has just destroyed the Internet forever: It programmes 100 million times faster than a human beingIn a leaked recording, Amazon cloud chief tells employees that most developers could stop coding soon as AI takes overBankers Have Lost So Much Money Thanks to Elon's Terrible Twitter DealBillionaire Pulls Support From Major Crypto PAC, Says It's Too ‘Stupid' and ‘Selfish'MEDIA CANDYStar Wars: The Acolyte isn't getting a second seasonDon't Expect Boba Fett to Make an Appearance In The Mandalorian and GroguAfter massive public outcry, Disney stops attempt to kill lawsuit after killing restaurant guestDisney+ is no longer a safe space after it added Hulu contentChick-Fil-A Reportedly Planning to Launch a Reality TV Streaming ServiceDenny's New Beetlejuice Menu Could Give You SandwormsMegalopolis‘s New Trailer Prepares You for a Critical BacklashLionsgate Admits Using Fake Quotes in New Megalopolis TrailerRevisting Ted LassoHouse of CardsThe AnonymousAlien: RomulusAPPS & DOODADSOvercast Account LinkApple Podcasts now has a useful web interface for browsing and listening to shows“Disappointing”: Sonos CEO says old, user-preferred app can't be re-releasediPad Illustration App Procreate Condemns Generative AIProcreateAnova will charge customers to use its sous vide app, because everything must be a subscriptionInstant Pot Accu Slim Sous Vide 800W Precision Cooker,Immersion Circulator,Ultra-Quiet Fast-Heating with Big Touchscreen Accurate Temperature and Time Control,WaterproofCLOSING SHOUT-OUTSPhil Donahue, talk show host pioneer and husband of Marlo Thomas, dies at 88Alain Delon, Seductive Star of European Cinema, Dies at 88Zorro 1975 | Alain Delon, Stanley Baker | Action, Adventure, Comedy | Full Length MovieAlain Delon's family refuse to put down pet dog the actor wanted to be buried withNasir Ahmed: An Unsung Hero of Digital Media His digital-compression breakthrough helped make JPEGs and MPEGs possibleSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome back to The Gwart Show! We are joined by the 4th most important Taproot Wizard, Udi Wertheimer, to discuss, well, male pattern baldness. We also dive into the wizards roadmap (not just JPEGS) like CATVM, the use-cases for L2s, how blockspace doesn't solve blockspace issues and why ETH Maxis just keep losing. If you are enjoying the show, please subscribe to our email list for notifications when the podcast comes out, transcripts and more. Timestamps: 00:00 Start 00:54 Taproot Wizards update 01:39 Technical roadblocks 03:34 What new tech should Bitcoin have? 05:36 Are DeGens our saviors? 10:05 Lack of product market fit for crypto tech 11:55 SOL Degen = BTC Maxi? 14:59 Is DeFi interesting at all? 18:11 CATVM 20:46 Vision for CATVM 23:39 Where are the L2 use cases? 27:12 ETH roll up roadmap 31:02 Can't scale blockspace w/ more blockspace 33:33 CATVM does NOT solve scaling 36:36 On chain lending? 40:30 BITVM 43:15 VCs backing BITVM 46:03 Are tokens NOT terrible? 51:41 ETH maxis suck at predicting the future 1:00:17 Where are we at in 5 years? Follow our host: @gwartygwart Follow our guest on Twitter: @udiWertheimer
Unlock the secrets of skyrocketing your e-commerce sales with TikTok Shop! Join us as we sit down with Michelle Barnum-Smith, a leading expert on TikTok Shop, who will reveal why this platform is revolutionizing e-commerce and how you can tap into its immense potential. From unparalleled user engagement to an all-inclusive buying experience that supports brand building and data transparency, Michelle dissects the unique advantages TikTok Shop offers over traditional platforms like Amazon. Get ready to learn how full visibility of sales data and direct customer interactions can transform your business. In this episode, we explore the seamless customer journey on TikTok Shop from sparking awareness to completing a purchase all within the app. Discover how the shift from traditional influencer marketing to a collaborative affiliate model is empowering creators to drive sales through direct rewards from TikTok. We also get into TikTok's growing prominence as a search engine for younger generations and the new shopping features that make discoverability effortless. This is a golden opportunity for sellers to leverage TikTok Shop's innovative ecosystem to maximize engagement and boost sales. Prepare to be inspired by real-life success stories and practical tips for setting up your very own TikTok Shop. We cover everything from business registration and linking social accounts to optimizing your listings and content for viral success. Michelle shares invaluable insights on inventory forecasting and the ripple effect of TikTok Shop's success on other platforms like Amazon. Plus, learn the importance of adhering to community guidelines to avoid account suspensions and ensure your business thrives on TikTok Shop. Don't miss out on this comprehensive guide to navigating and conquering TikTok Shop's dynamic marketplace! In episode 578 of the Serious Sellers Podcast, Bradley and Michelle discuss: 00:00 - Exploring TikTok Shop for Sellers 02:56 - TikTok's Influence on Consumer Purchases 06:23 - Enhanced Shopping Experience on TikTok 09:32 - Maximizing Sales Through TikTok Shop 11:04 - Reviving Live Selling With TikTok Shop 16:22 - TikTok Shop Viral Success Stories 16:40 - Success Tips for TikTok Shop Setup 19:55 - Maximizing Marketing Opportunities on TikTok 25:11 - TikTok Shop Guidelines and Best Practices 26:40 - Navigating TikTok Shop Suspension Guidelines 33:48 - Effective Creator Outreach Strategy Guide ► Instagram: instagram.com/serioussellerspodcast ► Free Amazon Seller Chrome Extension: https://h10.me/extension ► Sign Up For Helium 10: https://h10.me/signup (Use SSP10 To Save 10% For Life) ► Learn How To Sell on Amazon: https://h10.me/ft ► Watch The Podcasts On YouTube: youtube.com/@Helium10/videos Transcript Bradley Sutton: TikTok shop is one of the hottest marketplaces in 2024 to sell on. Today we're going to do a deep dive into everything you need to know to get started selling on that platform. How cool is that? Pretty cool, I think. Hello everybody and welcome to another episode of the Serious Sellers Podcast by Helium 10. I'm your host, Bradley Sutton, and this is the show that is our special Freedom Ticket monthly workshop, where we actually film live a training, a deep dive training, into a certain aspect of e-commerce and we put it later into Freedom Ticket so that you guys can benefit from it. But you guys here on the podcast are going to get the benefit of getting this training too. Now today's guest is going to be Michelle Barnum-Smith, who is definitely an expert in the field of TikTok shop and she's going to do a deep dive into like hey, what do you need to do to get started and what are some best practices? You know we've had some people on this podcast who sell on TikTok shop. You guys have heard them doing some crazy, crazy numbers, some of them even doing more than their Amazon business. So if you guys want to know what's involved with getting set up on this platform, this episode is going to be for you. Kevin King: Now, Michelle I've known for quite some time, and so today she's going to be showing you why you need to be considering TikTok and talking about some of the opportunities that are there and what she's doing to help herself and her clients actually crush it. So please welcome Michelle. Michelle: Today we've got lots of ground to cover and we're going to be talking about the TikTok shop opportunity. Just like Kevin said and Shivali said, unless you've been living under a rock, it is all the buzz, and rightly so. Some people don't realize this, but TikTok shop was born from a hashtag and the whole idea of TikTok made me buy it. This hashtag has been around for several years and it basically was like hey, I discovered this on TikTok and I went and bought it. And here I'm showing it off again because TikTok made me buy this. And essentially, TikTok shop allows businesses to showcase through engaging short videos, live streams and creator collaborations, and users can discover and purchase products directly within the app, creating a smooth and convenient shopping experience. And we're going to talk about, like, just how powerful this really is for you as brand sellers. Michelle: So the opportunity of a TikTok shop has never been hotter. I mean, essentially, we're talking about a billion monthly users. They're on the app 17 times a day, with 83% of people saying that TikTok has influenced purchase decisions on what they're doing and what they're buying. So consumers are on TikTok specifically to be entertained. They hang out for hours. One and a half billion monthly user base spending an average of 95 minutes a day on the platform. I want you to think about that. That's like at least three episodes of your favorite show on Netflix. It's, you know, it's like people are just like scrolling, scrolling, scrolling and, um, all, all times of the day, like, like we saw in that previous stat of 17 times. You know, essentially starting the app 17 times a day, kind of crazy. Um, they offer a frictionless buying experience from creator to product page, to checkout to back to scrolling in seconds, which is one of the huge reasons why TikTok and TikTok Shop is such a powerful opportunity for sellers, right this second, so you can literally go from an organic discovery experience to a checkout experience in just seconds, and you can amplify that opportunity with some certain promotional activities that we'll talk about. So, bottom line, TikTok shop really helps build brands, not just sell products, so they have more high quality traffic, more sales and repurchases, have full visibility of data, end to end loop closing data. Michelle: So one of the things that I love so much about TikTok shop is having previously just used TikTok to drive traffic to Amazon. So I have tried it a whole bunch and it is so frustrating because Amazon's a black hole. They don't share data back with you. So if you've ever tried to run ads, drive influencer content, even do social media like, just focus on the social media side of TikTok or Instagram or Facebook or whatever it might be. There's no data back from Amazon, even with using attribution, because Amazon attribution is 55% inaccurate to actually tell you what converted, what drove sales. It's kind of like a guess most of the time and if sales rise you're kind of like, okay, well, what contributed to that In TikTok shop? You know exactly what contributed to that sale. You know exactly what social posts drove how many sales. Which affiliate is your number one affiliate? If you're running ads, you know exactly how those ads are performing. Michelle: It allows you to speak directly with your viewers as well, your customers, your prospects, every step along the way. It's you the face of the brand, your brand, interacting directly with customers. So most of the time, most sellers, most consumers, don't realize that there's sellers behind their brands on Amazon. They just think that they're buying a product on Amazon. That's not the case with TikTok. TikTok gives sellers opportunity to interact directly with the customer on every step of the customer journey. So there's no question who is? You know who this relationship is with and there's serious marketing opportunities, and I'm such a marketing geek. I love all of the marketing opportunities that TikTok has. Just this, just today, they released promo codes. Super excited about that. So let's talk about the full shopping journey within TikTok. Essentially, TikTok allows you to discover through shoppable content and through short videos and lives to select, basically go and learn more from about the product on the product detail page and then actually check out and buy, place orders and check out without ever leaving TikTok. So why this is so significant? As a marketer and as a seller myself, if I have, let's say, the counter to that is on Instagram and if you've ever been influenced on Instagram, you know, let me know, raise your hand, you're watching, you're watching that content and then the person is saying, oh, go to the link in my bio and you go to the link in your bio in, and it's some linktree that may or may not have been updated and that link might take them to Amazon. Take you to Amazon, where their Amazon storefront is like laid out, all for you to have to sort through just to find the product that you were interested in that caught your attention for just a second, that interrupted your entertainment experience that you were there on Instagram to experience, and now you can't even find what it was that caught your attention. You just give up in frustration. Michelle: What I love about TikTok shop is that you can go from being entertained seeing a shoppable video, seeing something that a creator is promoting, to all the way to checkout in just seconds and back into your entertainment. That experience has very little interruption. So TikTok has several ways to checkout. Essentially, you have the opportunity to go from a shoppable video to a TikTok shop where you can see that brand's full lineup of offerings, and go to the product detail page where you can then check out. But this is not typically the shopping experience. Usually, it's you see a video. It takes you directly to the product detail page and then you just check out. These are the things and ways that you can build your brand on TikTok shop directly. So let's talk about the customer journey on TikTok versus Amazon. So previously TikTok, when it was just a social media channel, sat a little bit higher up in the customer journey. So if you guys aren't familiar, the customer journey is this idea of a funnel or this process where somebody goes from awareness to consideration, to purchase, to customer service, to going deeper in their rebuy or loyalty to that specific brand. So previously, TikTok the app, the social media side of TikTok was just in the awareness phase, the awareness and consideration phase. Just like Instagram, it was like a place of discovery, a place of entertainment, a place to maybe get educated, but it wasn't a place to purchase. That was where you would go to Amazon, and Amazon fit squarely in the consideration phase, like I need more information, I'm aware of my need already and then I'm going to purchase. So essentially, Amazon is solution solving. It's a search engine for buying. Customers are already aware of a need. They search, research and buy on Amazon. Michelle: Buyers don't hang out on Amazon for fun or entertainment, despite Amazon's best efforts with Amazon Lives, Amazon Post, Amazon Inspire, and that's really why TikTok shop has taken over in that regard. Not necessarily like I'm not saying that Amazon's going away anytime soon. Obviously that's a huge opportunity, but TikTok shop now owns the entire customer journey, from awareness through consideration, purchase, the customer service experience, all the way to rebuy opportunities, average order value increases, um rebuy rates, all sorts of things that TikTok shop makes available to sellers to be able to do and accomplish all within the TikTok shop platform. Are you guys seeing the potential and the opportunity here? And, as a marketer, this is why I'm so passionate about it, because if you own the awareness, if you are the one creating the awareness of the need and you immediately go into a checkout scenario, you win. The checkout is not okay we're making you aware and then you're being taken to a page where you and 100 other competitors are then brought up with different options and people are overwhelmed with options. It's not like that. It's literally going from awareness to checkout to back to entertainment in a matter of seconds. So TikTok really comes down to need awareness. Their focus is on entertainment and education and their goal is to keep users on the platform with their addictive algorithms. Users are made aware of products and the purchases is done within TikTok shop with quick checkouts and then buyers are back to scrolling within seconds. So that's really kind of the crux of TikTok shop there and live selling. I don't know if you guys have seen have been on the platform yet, but live selling it really had its heyday. I feel like you know as far as US consumer behavior goes in, like the late eighties, early nineties, Saturday morning infomercials Anybody remember those? Michelle: I know I was like, always sucked in. I was always sucked into those Um. And then there's QVC and home shopping network where, you know, basically little ladies hang out to buy kitchen kitchenware, but TikTok shop, specifically, is bringing live, selling back, and it's crazy's crazy, the amount of organic viewers you get checking out your products live, seeing what you have to offer live, you know, and it's a form of entertainment, so they're already on there to be entertained and then they get to watch you pitch whatever it is that you have. That's kind of crazy. And also creators we have this. Creators have been kind of like put up on this pedestal as influencers, right, and this kind of title and with that has come a little bit of a combative nature. When it comes to working with brands, right, how many of you have worked with an influencer where you've reached out to them, you've tried to recruit them and they're charging like a couple hundred dollars of post to like two thousand dollars a post, five thousand dollars a post for the honor to get to work with them. Anybody experience that. And then you're like, um, what did I get from that? I got a post. Did it do anything, right? So the awesome, the awesome thing with working with creators now is that they essentially become affiliates because TikTok is rewarding them for sales that they make through the platform. So creators are now motivated to work with brands and to push products and seek out opportunities. It's no longer just like oh well, I'm a creator and so my creative needs are above your needs as a brand. Now they're willing to be more collaborative with brands in and focusing on content that converts and that drives sales, because, at the end of the day, they want to make money right and we all want to make money, and so it makes it more of a win-win relationship. So that's one of my favorite things about this kind of shift is it goes from the honor of working with a creator and an influencer to now like okay, we're affiliates and we're in this together. Michelle: So there's kind of four native ways to discover and buy on TikTok. There's the browse area, which is shoppable videos. That's what you would generally see if you're just scrolling through TikTok. You're going to have some content that is just entertainment content. You're going to have content that's educational and informative and that sync to and our shoppable videos, basically, and shop pages. That's where you know brands show up with their brand presence, um, live shopping, like we discussed, and the shop tab. So that's the new kind of search functionality within TikTok. That's all about finding and discovery and searching for solutions. It's kind of crazy, but TikTok has now become a search engine for a certain demographic. Anybody who's less than 25 years old, instead of going to Google with their questions first, they're going to TikTok with their questions first, and it used to be that videos were what was served first in the search results and now it's product. Are you picking up? What I'm putting down? Like this is this is a significant opportunity. This is such a crazy shift and I will say that every almost like 80 to 90% of the in TikTok shop contacts that I have were recently recruited from Amazon. Like Amazon employees are moving over to TikTok shop just like clawing their way over here. So it's very soon there's gonna be some aspects that are native to Amazon that we'll start seeing show up in TikTok shop, especially this kind of search portion, the shop tab, and then the buying experience, like we've talked about, is very seamless, from the product page to the checkout page. You literally can like sync your Apple Pay with TikTok shop, click the side of your phone gosh and be back to doom scrolling in seconds, if I haven't, you know, beat that into you enough. Michelle: But let's talk about this idea and this question is TikTok shop just a distraction for you as sellers? I hear this kind of objection a lot, and from really big sellers, and so I'm a little surprised. I'm always a little surprised because, like Kevin said, I think that if you have an opportunity to make money, are you going to say no to that opportunity, especially when it's relatively zero to low cost to get started? You already have inventory. You just bring it over to TikTok. So let's talk about just some case studies really quick. Every time I talk to an Amazon seller who is looking to expand off Amazon or diversify their revenue off Amazon, they're usually happy with like, hey, if I can get 5% of my Amazon sales off Amazon, like my Shopify site or Walmart or Etsy or something, I would be happy if just 5%. So here we have a few sellers and I'm just going to cruise through here. This brand got serious about TikTok shop beginning of April and year to date, they are 8% of their Amazon sales on TikTok shop. This brand launched in September of 2023 with TikTok shop. They're one of my brands and we immediately went viral. Immediately, like the bestseller that we had became a bestseller on TikTok shop and then, as we got to know our audience a lot better and affiliates a lot better, launching products on TikTok shop with them, we saw halo effect on Amazon. Every single time that we launched a new product on TikTok shop it would go viral. It would go viral on Amazon as well. Rank would skyrocket and along with sales. So their year to date revenue is 11%. Michelle: Our biggest struggle with this brand is every time we go viral. Like it's really hard to forecast inventory for going viral. So we keep running into like our bestsellers going out of stock because they just take off. They just take off, so that I guess that is like one of the sides of TikTok shop that is a warning is that your shop could go viral and with your inventory. This seller I did a big training in Cancun back in February and in and around TikTok shop this seller was doing two sales a day before my training and after that, um, 180 sales in the week following. So I was a little proud of that. And then subsequently, uh, we've been working together and now their brands, their, uh, they have 15% of their total brand revenue, uh, of their Amazon revenue they're making on TikTok shop. I'm not going to talk a lot about these brands, because these brands are just like killing it. They're 16% of Amazon sales for this brand. This brand, gosh, they're just like. I just met with their category manager last week, their new category manager. They're number one in their category on TikTok shop, all of TikTok shop, and their year to date is 17% of their Amazon sales. So I guess you have to ask yourself, like, is it worth getting started? Like, yes, I think the answer is obvious, right, like I'm not doing a sales pitch here guys. I don't like this is you already have the inventory, right? You're already selling on Amazon. It's not too much more difficult to extend, uh, what you're doing and get started with that same inventory on TikTok shop as well. So, but there's some nuances to it and I want to talk about those nuances. So there are some keys that are necessary to a successful setup on TikTok shop. So this is where we're getting a little bit down into some specifics. On setup, I am not walking you through step-by-step a setup step-by-step at this point. This is not necessarily how to. This is more of kind of like lessons learned from setting up over 30 brands personally on TikTok shop and some of the nuances, some of the troubleshooting, some of the kind of like things to avoid, basically from a high level perspective. Michelle: So this is kind of my setup checklist to be successful, this is what. These are all the things that you have to do one time during a setup. You need to get through your business registration. You need to complete that. You need to link a TikTok social account that is US based based with your TikTok shop seller account that is US based. You need to create or connect a TikTok ads manager to that account ads manager account to your TikTok shop account. You need to get your shipping set up and your listing set up and your content optimized for TikTok shop. You need to import available reviews, meaning, if you have like and this is all legal TikTok shop owns well, TikTok is owned by a company called ByteDance and ByteDance owns lots of different tech companies. One included is the main tool that's used for importing reviews. So if you have a Shopify site or another website with reviews on it, then you can bring those reviews over. If you don't, you can import reviews from Amazon to your website and then import those reviews from Amazon. It's a little bit of a process. It's a process, but you only have to do that once. To help you build up, to start the process of building your review presence, you need to select and implement promotions for your listings, such as pre-shipping with qualifications, product discounts, flash sales. Now the new promo codes that are released, and for select accounts, if you qualify, there's now a customer marketing whole section where you can go back and offer, you know, present offers in app. So showing up in the customer's TikTok inbox, basically like they already bought from you once, or, if they're a potential client, you can get directly inside of TikTok users' inboxes with your offers. My marketing heart, it just loves this from an opportunity perspective and we can actually measure how many sales converted from those messages. I love email marketing, I love SMS marketing, I love all of that, but sometimes we just can't close all the loops. And when we're talking native platforms and the marketing opportunities that are native to that platform, we're able to see all those loops close. When it's when we're talking native platforms and the marketing opportunities that are native to that platform, we're able to see all those loops closed and the associated data with that. So we know what further to invest in, what's working, what's not working, and then, of course, they're the final step in success. A successful setup is making sure that you have an affiliate plan set up for affiliates creators to find your products and to start promoting them and to make sure free samples are available. We'll show that here in a second. Michelle: Okay, the second thing that you need to make sure that you do is to review the prohibited products list. So just because you can sell something on Amazon and Shopify doesn't mean you can sell it on TikTok shop. And this is probably like the number one thing that I see sellers screw up on, um, that they just like rush to get all of their products on TikTok shop and all of a sudden uh, they didn't ever check prohibited products and all of a sudden their account gets deactivated. Um, because they're promoting products or promoting it in such a way that's against, that's either prohibited products or against community guidelines in how you talk about it. So the most suspensions and account deactivations could be avoided by checking this first. So essentially, just, I mean you could even just search for it TikTok shop prohibited products policy and go on there or also look at their restricted categories on there as well to see is my product a prohibited product? I've been surprised how many products are not allowed on TikTok shop that are allowed on Amazon and, of course, on Shopify. You can sell whatever the heck you want to. So it's definitely one of those things that just because you can sell it somewhere doesn't mean you can sell it on TikTok shop. Michelle: And this is just from a having been through it so many times. Business registration is not what it used to be. In September, I was able to get just like a ton of brands on TikTok shop with very little effort. Now there's a few more steps. Now there's a few things that kind of slow people down. It's amazing to me how many sellers just like give up. They just roll over and they're just like oh no, I can't get it to work. And I'm like guys, you are Amazon sellers, it is selling on Amazon is not an easy thing. Why are we giving up so easily? Have some like, have some resilience here. Also, TikTok shop like says oh, your account setup failed. I wish they would use different language, because sometimes it's not true failure and sometimes it's like they're just um, you get to a certain place in the process and then the system is moving you forward, but it needs more information, like you need to submit additional documents or you need to submit them in a certain way, and so it says failure, but really it just means like you need to go add more, add more documentation or whatever it is that they're actually asking for. So my advice to you is just keep pushing forward, keep pushing through that. It is worth it in the end. And just as a little like hack is any requested documentation, even if it says that they accept PDFs and PNGs, only submit them as JPEGs. Like their system, their bots read JPEGs and more often than not they don't read PDFs. So just, even if it says it'll accept a PDF, just submit it as a JPEG. Okay, cause it will help you. And especially if you're talking to support, support. It's so crazy because support can't see submitted PDFs or PNGs, but it can see submitted JPEGs. Does that make sense? So that's a little, a little note for you to take and make sure that you're doing Okay. Michelle: This is relatively new and this has to be. This is around community guidelines. Community guidelines were updated mid last month and essentially it's just saying hey, this is the way that we behave on our platform. So there's, they become a lot more strict about what creators as well as sellers can and can't say on their product. You know, on the platform and that includes your listings and what you say about your products, especially, um, you know if something has an effect on weight or weight loss, physical performance or physiological effects or changes. So in this example, I had a seller reach out to me and they're like I don't know what I did wrong, I don't know why this account is frozen, or this product is frozen, I don't know what's wrong with it. And all I had to do was read through the title to see what the issue was. They're essentially saying this eliminates snoring and enhances facial structure and post-workout recovery claim, claim, claim, claim, claim, like you're physiological effects, physical performance, eliminate snoring. You can't say that on Amazon had. Like how can you say that? Like you can't say that on TikTok shop either? Um, and if you have any product in and around weight loss, I'm not saying it's not possible to sell on TikTok shop, it absolutely is. But how you talk about it is really critical. You cannot say weight loss, you cannot say metabolism, fat burning oh my gosh. I had another brand that was just like beside themselves. They were so like offended that TikTok shop suspended their product, their you know key seller, and I was looking through their account. It was like weight loss, metabolism, dah, dah, dah. And I'm like you can't say those things. You. You failed TikTok, you know like. You showed up like, oh well, we can sell it on Shopify. Yes, you can sell it on Shopify, because on Shopify you can say whatever the heck you want about your product. There's nobody policing what you can and can't say on your Shopify site. But this is their market and so they get to say what you can and can't say. And it's not just what you say in the text, in your title, in your bullet points, it's also what you say in the images, on the products themselves as well. So if you have packaging that you're showing and it's making claims. You got to scrub that. You got to like, get rid of it if you have infographics. So that's why I say you're not just pulling over everything that you've created for your Amazon listing or your Shopify listing. You got to be really careful in what you're bringing over and being aware of these community guidelines and what you can and can't say. These are the main ones. It's worth looking at, it's worth reading through and I do talk about that extensively in my course where I detail and outline it, but these are the top ones. Michelle: Okay, focus on your bestsellers. I often see that the second somebody gets started on TikTok shop, they bring their whole category, their whole catalog of offerings over at once and I really advise you to just test the opportunity and to learn the platform and which of your products is the best opportunity first. So too many products are a distraction to affiliates and your ops team. So, like in this example, this brand brought over gosh all of their products and anytime that they were doing creator outreach they basically all of their creator and targeted plans was just like hey, here's everything that we sell and that's a lot, that's too much. So instead we shifted their focus to okay, what's your best seller on Amazon, what's the one with the best reviews, the strongest call to action, the most obvious for how it helps a consumer? And they're like, okay, this one, their free sample request took off, the affiliate performance took off, their sales took off. So just don't flood. It's a distraction for your team. It's a distraction when you start to reach out to affiliates, so just focus on your best sellers first. Now hear me out. This is probably the biggest warning that I have for you. Second to prohibited products okay, so this is probably the biggest area that I want you to be really careful with. And don't use the shortcuts, okay. So oftentimes I see that sellers are you're on Amazon, you're on Shopify and there are apps available within TikTok shop where you can just sync your Shopify account or sync your Amazon account and sync over your listings. So all of your listing content immediately gets imported into TikTok shop, and I have seen so many issues with this. Like I've said so many times, there's things that you're saying on your listings that you can't say in a TikTok shop, and what happens, guys, is that your listings are not reviewed by human beings, right, they're reviewed by bots, and what I have seen happen so many times is that people have seen those listings and they bring over their entire catalog, like we just talked about, and they're making claims or bringing over prohibited products or something like that that they didn't know. Michelle: I didn't know and immediately they get account violations and account violations and they get a million account violations and then their account gets suspended because there's a limit to your account violations that you can receive, and then you lose your account, your account gets deactivated and it's over before you begin. So that's an extreme example, but I have seen that too many times to count what also happens, especially in the case of Shopify. For example, if you're syncing your listings, let's say you want to make a change to your TikTok shop listing, like your price or your title or something like that, because your listings are synced with these apps. You can't do that because Shopify and the Shopify listing owns the TikTok listing, so you have to go and make the change on Shopify If you want to make that change, show up on TikTok. You see how that's a problem, right? So and it's not an easy fix, it's not, it's not just like a quick separation, um, because I have a seller, like I've talked about. He's number one in his category and he set this up, his like. When he first got set up, an account manager told him to do this and they didn't know. These account managers have no clue, they really don't, um, and so he is dealing with this issue. If he were to try to separate at this point, he would have to create a new ASIN, for lack of a better term. A new listing for one of his best sellers and one of the big areas of social proof on TikTok shop is to see how many people have purchased the product. He would lose all of that history on that listing that now has like a hundred thousand purchases. So, yeah, it's, it's like a serious deal. So please don't do that. If you're wanting any kind of true shortcut, use the bulk uploading options. This is new the import product upload accelerator. Go this route if you're looking for shortcuts. But, like I said, I really do want you to like set up your listings manually first, at least the first couple, so you understand what TikTok is really looking for, so you can then go and add more products in the future. Michelle: Offer free shipping. Oh, my goodness, we're running out of time, guys, we'll send you these slides. Basically, bottom line, you set up the free shipping opportunities within the promotions tab and not when you're setting up your shipping templates and your shipping solutions. So it's a promotion and you can apply all sorts of qualifications to qualify for free shipping and fulfilled by TikTok is now a thing, and they're gonna start pushing this really, really hard. So start with your Amazon inventory, start selling via Amazon MCF syncing with TikTok shop. Once you've proven the opportunity for your brand, immediately apply for FBT as soon as you set up your TikTok shop account so that when you prove like, hey, is this an opportunity for me, cause MCF is expensive, you want to get that inventory into FBT and start taking advantage of the opportunities and like super cheap pricing that they have for fulfillment over there. Okay, I'm going to cruise through this, but, just like I showed you, there's kind of like the setup checklist and then there's the ongoing success checklist. This is what you need to do ongoing, daily, weekly, monthly to be able to make sales on TikTok shop. Really, what it comes down to is working with creators, making sure you have your free samples turned on. I have my three S's to targeted outreach, which is search, sort and then save. And just a warning if you are using bots or planning to use bots, that gosh. They've now put regulations in place where new sellers are limited and restricted on how many people they can reach out to because of these messaging bots that are out there. So I really recommend focusing on target collaborations versus and reaching out to creators that way, versus messaging and spamming methods. So this is my search and sort and save method. Essentially, you're under the find creator tab and you're searching via relevant search terms for your brand or your category. You're sorting I like to sort by GMB, and if they're fast growing that's even better, because then they're hungry, they're starting to see success, but they're not so successful yet that they you can't get the time of day with them. And then you hit the little save button over here and then when you go to target collaboration up here, you can import your saved folks I recommend at least 50 per day that you're reaching out to via this message. Kevin King: Thanks everybody for showing up today. We'll be back again next month to do this again on a whole new topic. Remember there's a replay of this, if you missed part of it, in Freedom Ticket inside the Helium 10. So if you're a member of Helium 10 at any level, there's a little button somewhere up around the top in the education section or resources section that says Freedom Ticket. You'll be able to find this recording in a few weeks in there, added as a permanent addition to the Freedom Ticket. So thanks everybody for coming today and thanks again, Michelle. Michelle: Thank you, bye, guys.
In today's episode, we explore a critical remote code execution vulnerability in the Ghostscript library (CVE-2024-29510) exploited in the wild (https://www.bleepingcomputer.com/news/security/rce-bug-in-widely-used-ghostscript-library-now-exploited-in-attacks/), the significant impact of the CDK Global cyberattack on Sonic Automotive's sales and operations (https://www.cybersecuritydive.com/news/sonic-automotive-sales-decline-cdk-attack/720722/), and the rise of the Eldorado ransomware-as-a-service targeting Windows and Linux systems (https://thehackernews.com/2024/07/new-ransomware-as-service-eldorado.html). Tune in to get the latest insights and expert opinions on these pressing cybersecurity issues. Video Episode: https://youtu.be/dGMbjah4Gho Sign up for digestible cyber news delivered to your inbox: news.thedailydecrypt.com 00:00 - Intro 01:00 - Eldorado RaaS Encrypts Windows, Linux Files 03:50 - CDK Cyberattack Cripples Sonic Automotive Sales 05:42 - Ghostscript RCE Bug Exploited in Active Attacks Thanks to Jered Jones for providing the music for this episode. https://www.jeredjones.com/ Logo Design by https://www.zackgraber.com/ Episode Tags Ghostscript, CVE-2024-29510, vulnerability, EPS, remote code execution, Linux systems, high-risk attacks, document conversion, protection, Sonic Automotive, CDK Global, cyberattack, financial performance, Ransomware-as-a-Service, Eldorado, encryption, cross-platform technologies Search Phrases How to protect against Ghostscript CVE-2024-29510 vulnerability Sonic Automotive cyberattack news Impact of CDK Global cyberattack on Sonic Automotive Eldorado ransomware encryption techniques Ghostscript EPS files exploit Ransomware-as-a-Service latest threats Financial impact of cyberattacks on automotive industry Advanced cross-platform ransomware Ghostscript remote code execution vulnerability 2024 Eldorado ransomware victims 2024 Jul9 There is a new ransomware as a service named Eldorado that is now encrypting files on both windows and Linux systems using advanced cross-platform technologies. And it's already targeted 16 victims across multiple industries since its debut in March of 2024. How does Eldorados ransomware encryption method differ from the other well-known strains, like lock bit or baboon? The effects of the CDK global ransomware attack. A few weeks ago, still remain as Sonic automotive vehicle sales have plummeted. How are CDK customers recovering and what are the longterm impacts? It might have on their financial performance. And finally. Thursday, remote code execution, vulnerability in ghost script that comes pre-installed on many Linux systems. That's now being exploited. Through EPS files disguised as JPEGs. How can you protect? The document conversion services against this go scrip, vulnerability. You're listening to the daily decrypt. It's both a sad and exciting day when we get to announce a new ransomware as a service operation. This time it's named Eldorado. And it targets both windows and Linux systems with specialized locker variants. It's specific strain of malware surfaced on March 16th, 2024. As of late June Eldorado has claimed 16 victims with 13 in the U S two in Italy and one in Croatia. And specifically it's targeting industries, including real estate education, professional services, healthcare and manufacturing. So it seems like they don't really have a type they're just looking to get their foot in the door. Eldorado. Is similar to all of the major names in ransomware as a service as it is a double extortion ransomware service which is a devilish tactic that builds on the traditional form of ransomware where threat actors. Would gain access to a network. Encrypt all the files. And then sell you the decryption key for an exorbitant amount of money. So that you can decrypt the files and carry on with your business. Well, it's now evolved to that. Plus they exfiltrate all your data and threatened to sell it on the dark web. If you don't pay. Which is much more effective because standard practices to back up your data. So you can get back up online. And if you do that correctly, Encrypting your data. It doesn't do anything because you'll be able to back it up. Oftentimes it's not done correctly. And your backups are also encrypted. But in the case, We're backups are appropriately implemented. These ransomware artists use double extortion. And this service has all the indicators that is very organized. As the affiliate program was advertised on the ransomware forum ramp, which. Indicates a level of professionalism and organization. You'd see in the top ransomware as a service groups. A security research firm was able to infiltrate this ransomware group and identified the representative as a Russian speaker. And noted that Eldorado does not share any sort of code with the previously. Leaked ransomware like locked bit or Bebout. And like mentioned before. This Target's primarily windows and Linux environments. And the encrypter comes in four different formats. ESX PSI. Yes. 6 64 when and when 64. Which enhances the flexibility and increases its threat potential across different system architectures. Eldorado uses Golang for its cross-platform capabilities. Cha-cha 20 for filing encryption and RSA. Oh, AEP for key encryption, it can also encrypt files. On shared networks using SMB. The windows variant employs a PowerShell command to overwrite the locker file with random bites before deleting it. Uh, aiming to erase the trace. Of the threat actor. And for more key indicators of compromise. Check out the article by the hacker news in our show notes. And I'm hopeful that we won't hear much more about this ransomware as a service. But given its capabilities, we probably will. This next story hits a little close to home, which is why I chose to include it in this episode as my car. Stopped working last night. And I got to spend an hour and a half on the phone with the technicians. Just trying to find me an appointment because all of the scheduling was still down due to the ransomware attack. Needless to say. I couldn't get an appointment at the dealership for. Over a month and a half. Which is in line with what the news is reporting. As an effect of the CDK global ransomware attack that happened three or four weeks ago. So Sonic automotive, which is a fortune 500 company has reported a significant drop in car sales. Since June 19th. Which is due to the fact that all their systems were down. So they weren't able to process these car sales at the same speed people. People still want to buy cars. They just can't. You know, it's kind of like fast food. Is a process that changed the market completely. As far as restaurants go. Because they're just able to serve more and more customers. Faster, thus making more money. But it's like if the stove got ransomwared and we had to take the stove down, right. There are alternate methods. Like maybe they go get some hot plates from target or whatever, but it just slows down the process. Which is exactly what ransomware can do. In fact, over 15,000 car dealerships across north America, rely on CDKs cloud-based services. And in the past couple of weeks, CDK was actually able to fully recover, bringing their core services back online. But the trickle down effect is that. These individual dealers still have to keep their services offline. Or we're unable to fully restore their services. So, yeah, this is just one example of how long it takes to recover. From a ransomware attack. And how helpless you can be if the ransomware attack happened earlier on in the supply chain, like it did here. And finally the hottest new vulnerability being exploited in the wild. Is there a remote code execution vulnerability found in the ghost script document conversion toolkit. That is widely used on Linux systems. And often integrated with software, like. Image magic Libra office. Inkscape scribe us. And all kinds of other softwares. This vulnerability affects all installations of ghost script 10. Point zero 3.0 and earlier it allows attackers to escape the dash D safer sandbox, enabling dangerous operations, such as command execution. And file IO. Attackers are exploiting this vulnerability in the wild. Using EPS files disguised as JPEG images to gain shell access to these vulnerable systems. If you work in it. And either no, or unsure. If your systems are vulnerable. Cody and labs has developed and released a postscript file. That can be used to detect these vulnerable systems. So make sure to check out the link by bleeping computer in the show notes below. So you can keep your system safe. This has been the Daily Decrypt. If you found your key to unlocking the digital domain, show your support with a rating on Spotify or Apple Podcasts. It truly helps us stand at the frontier of cyber news. Don't forget to connect on Instagram or catch our episodes on YouTube. Until next time, keep your data safe and your curiosity alive.
Ah, so it's the 4th July as I record this so Happy Independence Day to all my US friends and colleagues! In this episode, I do my regular round-up of things I've heard during judging - I was chairing the Click Expo Print Competition (the standard was incredible!) and I made a few notes from this and a few other things I've been involved in. I mention a couple of products and here are the links: EVOTO AI - https://go.evoto.ai/PaulWilkinson (if you use this link, you'll get 30 free credits!) ACDSee https://www.acdsee.com/en/index/ DXO - https://www.dxo.com/ Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Transcript EP154 - A Bit More Different (And Other Thoughts On Judging) [00:00:00] Introduction and Warm (Water) Review [00:00:00] So, let me read this out to you. I'm loving this podcast. It's like sitting in a bath of warm water in that the subject matter is gently flowing over you in a warm, friendly, soothing way. When I get to the end of the series, I'm going to start again. I think Sarah sends it to me, so I'm assuming it's on iTunes. So thank you to Skinny Latte via Apple Podcasts. Yes, it is. It's Apple Podcast. Who left that review. It made me laugh. I've never, ever. I don't think been compared to a bath of warm water, but Hey. It certainly, it certainly made me smile. And I will take a review worded like that. Poetry in its finest, in its finest watery form. [00:00:43] Podcasting Challenges and Episode 154 [00:00:43] I'm Paul, and this is the Mastering Portrait Photography Podcast. [00:00:49] Well, I blew that ambition out of the water. Didn't I, the let's do one podcast every week for the rest of the year. Uh, I've barely managed three or four, I think. It has been just one of those. years, this is episode 154. And really it's just been busy. [00:01:23] As I record this, it's the 4th of July. So, happy 4th of July, to all of our American. Listen is in so many ways. The 4th of July might be something of an independence day for us too certainly with a little luck, a day of change. [00:01:37] Busy Year and Listener Feedback [00:01:37] Um, it's just been really busy in a year like this everything's working really well, but we're having to work that little bit harder to get there. Everything's a little bit more expensive. Clients have a little less to spend and somebody wrote in the other day. And said that they were waiting for episode 154. And partly because having the podcast, this podcast out there, from someone who is living and breathing the same industry that you are. It's feeling the same things that you are going through the same processes, the same client experiences that you are is comforting. [00:02:11] And just knowing that they're not alone. So here is episode 154. In that sense, I think we really are. Um, a market, we're a collective of individuals. We're all going through the same thing, but on our own. It's useful to know. Uh, that there's other people out there going through the same thing. So I don't sleep very much. Uh, we're working flat-out I love every second of it. [00:02:35] Don't get me wrong. Having having a camera in my hands is just the most natural thing in the world. So, and taking pictures for a living. Well, I couldn't ask for a better way to put food on the table, but that's not to say it isn't really hard work. And in fitting in all of the other things that seem to have crept up into my world. Um, it just takes a little bit of time. [00:02:58] So apologies that the podcast has been a little bit more sporadic then I would have liked. Uh, before I get any further, I would just like to say thank you to everybody that filled in the questionnaire that Sarah has sent out. Um, It's really, really, really interesting. The data in it is incredibly insightful. [00:03:18] And what we're trying to understand is what do we do with Mastering Portrait Photography? How do I push it and prod it and coax it forward? Um, we're due to give a really big kick this year? That's what we're trying to do, but at this stage we weren't entirely certain where to focus. So we now have an awful lot of really insightful, useful data. And the biggest thing that's come up is that it's well-worth. I know that sounds really bizarre. You know, I know people read our articles. [00:03:48] I know people like the diagrams, our stuff is out there in Professional Photo Magazine. And this month also, In Digital Photography Magazine, you want to pick up a copy of that. On the news stand of a Professional Photo. Uh, it has gone all Digital, but Digital Photographer. Is there a paradox there that professional photo magazine is now all digital, but Digital Photography magazine, you can pick that up on it. I can't. I think there must be a paradox in there somewhere or an irony. Maybe it's an irony. I never entirely certain. The difference between an irony and a paradox. Anyway, anyway. Um, thank you to everybody who filled that in. Uh, I was due to record his podcast. This podcast was meant to be. It was meant to be a podcast from the land Rover. Uh, but it's been a very hot day. [00:04:33] I was working. A two hour drive away. So two hour drive, half hour shoot, two hour drive back, and I was going to record one, maybe two podcasts. Um, weirdly the Landrover was more rattling than usual because, and I don't know why there is a toaster in the foot well. You know, when you get into a car and you, you, you drive away and you can either clanking rattling. There's a little Chrome toaster in my foot. [00:04:56] Well, I need to pick that up with my son. Uh, anyway. [00:04:59] Family Pride and Personal Updates [00:04:59] On the topic of kids. Both my kids. I know. It's got nothing to do with photography, right. But I'm a dad and you can't help, but be proud of your children and this couple of weeks. I am beyond proud. Uh, today. Jake got his degree. Uh, Sport Technology from Loughborough University. [00:05:18] So you got a two, one. Uh, degree in BEng. In it's literally engineering with balls, there's no other way to describe it. That's what it is. They study balls and things with which to hit balls. Cricket bats, baseball, bats, golf clubs, football boots. And then they also, uh, research things like, uh, helmets. [00:05:37] So when the ball hits you, it stops you being an unconscious cricket player or backstop or whatever. Uh, so truly, truly a magnificent result for him really, really proud of him. [00:05:49] And just as proud of our daughter who has for the past few weeks just started her new job, working in London for one of the biggest creative agencies, creative marketing agencies. In the UK. Um, as a creative account manager. Uh, she's just going to tear the world apart. She's super organized, super creative, super lovely to work with. [00:06:10] She's a grafter and I could not be prouder of both of them. So forgive me for saying that and giving a shout out to my children, but Hey, my podcast. You don't have to listen to it. Uh, so where are we? Right, it has been a very busy. Uh, I think it's about six weeks since I've done an episode. [00:06:28] Workshops and Masterclasses [00:06:28] Um, so I cannot I've lost count. I usually I'll give you a quick count up of everything we've done. Numerous hearing dogs shoots a load of workshops and one-on-one master classes them. I just. Do you know what? I never thought. I honestly never thought I'd enjoy running workshops and masterclasses as much as I do. There's something. And I don't know why, but there's something really thrilling about being in a room with a few people who genuinely want to, uh, take ideas and create ideas and push boundaries and try things and discuss things. Um, and that's turning into actually a really, really, for me, a really rewarding part of our business. [00:07:10] And I never, I don't know if I ever really expected that. It's, I'm certainly not one of those people. That I want, you know what, I really love doing training because it's giving something back. It's none of that. It's not that at all. There's just an incredible buzz. Of a group of people working towards creating an image and explaining. And understanding and learning how things work and why more importantly, why we do things, why it's always, everyone tells you what. You know, when you look at things online, everything's about the what and the how, but why, why do we do things? [00:07:42] Why do we approach. Light the way we do why'd we approach the camera settings the way we do. Why, why, why, why, why? I just find the Y. So much more interesting than the what and the, how. And I think probably more valuable because if I understand why then I'll do it. If I understand the what I won't necessarily do it, it might be a useful tool or it might be a useful technique. But if I don't really get why I'm doing something, I will bin that off as just not useful. [00:08:12] But if I understand why there's a rationale to why. And so all of our workshops and masterclasses now are premised on why. Anyway, that's a slight aside we'd last week we had a couple of students work placement students that are. Uh, 15 year old and a 17 year old. Two brilliant. Uh, young students who had approached us to come and spend. A few days with us in the studio. [00:08:36] Military Photoshoot and Student Experiences [00:08:36] Uh, they came with us to the hearing dogs for shoot. And then we did, um, a shoot here, uh, with, um, a guy in military uniform. Um, it's one of those, the shots. Uh, this was the perfect sheet for me. Um, a guy said, I want to do something. Really sort of vintage modern cameras, modern lighting, all the rest of it. But he sent me a couple of pictures that must've been taken. [00:08:57] I'm going to guess in the 1940s at, I don't know the exact date, but I'm guessing around there from the style, my grandfather. Both my grandfathers had pictures like these in their military uniform. There's something about the way it's lit. Something about the way it's styled something about the way it's posed and finished. [00:09:13] And of course it's on film, black, white film. And he said, I want to, we create these, but you know, he's a, he's a soldier. He's at the very top of what you can be if you're a noncommissioned officer. Um, and he wanted to celebrate that moment. And so we photographed these incredible images and there was a moment in the shoot, where literally the hair stood up on the back of my neck and I realized what I was looking at with the same pictures that I would have seen of my grandfather's the same styling, the same vibe, same feel. [00:09:47] And it's a sort of, it's an almost indescribable styling that makes all of that hang together. Anyway, it was absolutely wonderful. And I would love to share them. But I can't because he works for one of the top secret, um, units in the military. So I've got these beautiful pictures. It's of a guy that I can never tell you about and never show the pictures. I can tell you I did the shoot because it's of course nobody knows. Uh, but it's a real shame, but I really, really, really enjoyed it. [00:10:14] So now looking around for anyone with a military uniform of the similar style, That we could do something that we could do something with I can share. So if there's any of you out there who have, uh, retired from the military, but still have your number two uniform. I'd love to. Uh, love to take some pictures just for the sheer joy of doing exactly the same thing, but then I can share them. Uh, I think the students really enjoyed it too. [00:10:38] And then the day after that, a brilliant magician . I've worked with Sam strange. Probably for 12 years, I think now. Um, incredible magician. Part of the Champions Of Magic him. Uh, Young and Strange, he works as part of a duo with Richard Young. Uh, but this was a shoot just for him. Sam Strange, wonderful guy just playing. I'm so lucky in the studio that the human beings that come in here. Uh, I think some of the nicest people in the world, I mean, I have only met a tiny proportion of the people in the world. [00:11:08] I'm sure there are other nice people. But my client base is genuinely. Uh, just a never ending stream of people who I love to spend time with a, Sam Strange. Is right up there. So he spent ages taking pictures of him. And as, as a kind of, we wanted to get some shots where he was genuine, genuinely performing. [00:11:25] So the two work placement students became instantaneously his audience, uh, some card tricks. He did these card tricks. One of the students looked quite confused. I'm not entirely certain that she understood what had just happened while she was holding the card with her name on it and a knife hole in it. Anyway. [00:11:43] It was very funny and absolutely. Uh, wonderful. We've done a load of portrait shoots. The weather has been kind for a couple of weeks. Which is a pleasure. Uh, so we've been out in the sunshine, um, And just. It's just, it's. What I came into photography to do was to laugh in the sunshine, taking beautiful pictures. Uh, so that's really, really, really lovely. Um, we've been judging the monthly's the BIPP. The BIPP the British Institute of Professional Photography. [00:12:11] Monthly's over the past couple of months. I think we've done two. Monthly since I last spoke with you, sorry. That's my bad, just busy. That's all it is. We're just busy. Um, I love doing, I love chairing the judging. [00:12:23] And then on top of that, Um, I was asked to chair the print judging for the click expo. [00:12:28] Judging Competitions and Photography Tips [00:12:28] That was up in the Midlands a couple of weeks ago, some big names there, Lindsay Adler, and a few others. Uh, with some of the photographers presenting, it was. Um, it wasn't the biggest expo in the world, but we had a really good entry into the foot print competition. And the standard is out of this. World. [00:12:45] And when you see a panel of judges, we had judges on rotation. So five judges at any one time and me chairing it. And when you see the excitement, you see the judge's eyes just light up. When they are appreciating the very best of the craft of photography, I think, you know, there's, I don't know how to explain some of this stuff. [00:13:05] Why that, you know, that feeling when you take a picture right. And you hit the button and you just know, you just know you can feel it. That's the same sensation that I think we still get when we're assessing images at the highest standard, there's something really exhilarating about it in explicable. Uh, but exhilarating. [00:13:26] I see on the flip side of that, I was laughing with our two work placement students of the other side of the line, which is when you see somebody else take a beautiful photo and they're in the same session as you. Sometimes when I'm training people, this happens to me. And, you know, with talking through staff were doing ideas and then somebody hit the button and they'll create a picture. That I wish. I'd taken and then I have to suppress. I have to suppress that kind of. I'm really jealous about that. [00:13:54] Why didn't I take that picture? I cause you call and of course you have to celebrate. The absolute, the excitement. I still get the same excitement from the picture. I just wish I'd taken it. Um, Which is quite a weird sensation. I'm getting used to that sensation because if I'm doing my job well in a workshop, I won't do. My job well in a masterclass, if I'm genuinely. Um, passing on ideas and information, then. Really people in those workshops should be creating beautiful images that I'm jealous of. It is still quite hard though. [00:14:26] Anyway, we were judging it. Click. Um, and I'm going to come back, uh, to, to that in a moment as the topic of this particular podcast. Uh, but a few bits and pieces. Uh, one of the things that occurred to me this morning, and I'm going to drop this into this podcast because it's a useful thing to remember. Um, is always remember to pack your bag so that at a single glance, you know, what's. In it. And will more importantly, what isn't. I was driving along and I do this thing. [00:14:56] If you. I don't know if you're the same as me. I'll get halfway down the road and I'll be like, did I pack my passport? And I literally, I don't know how many times I've done it. I've pulled into a lay-by and gone and checked. I still do the same with my camera kit. But this morning I was driving away and I did that thing. Have I, I packed everything I need. [00:15:14] And then actually I remembered I'd looked over the top of my bag. Um, while it was open and I know everything was there because I pack it in a way that if something is missing, I can see the gap. And it's like, oh, okay. So, um, you could do it with checklists. Of course you can be much more methodical than that, but just as a simple trick, pack your bag in a way where you can visibly see if something is missing. Right. [00:15:39] So where are we in our warm bath water? I still think that's a great review. Thank you, skinny latte. That's just like the skinny lattes. They use it named by the way. That's not just me being random. Uh, that is like the best review. I'm going to put that on a, if I ever have a poster. You know, Paul Wilkinson appearing somewhere. , it's like sitting in a bath of warm water. I don't know what to do with it, but it's, uh, please feel free everybody. To write us poetic reviews like this, and I promise you they will get read out because it's absolute genius. [00:16:10] Um, I just love that I'm going to have that printed as a poster. I'm loving this podcast is like sitting in a bath of warm water. Anyway. Um, I thought I do these regularly, um, quick updates on things that I heard or saw during um, the judging. Um, So, let me just go over some incidentally as an aside one of the reasons we use, sorry, there's lots of asides with me. You get used to that or you don't. That was funny. The night I met someone for the first time and she laughed at me and said, you're always after the punchline aren't you. And I was like, yeah, that was really. Is very astute, but it did somewhat stop me in my tracks. Um, I don't mean to be like that. I just am a. [00:16:54] One of the reasons we use a panel of judges are more than one judge. Is so that we get a more reliable score, but I was judging in the monthly's this month round. I. So I wouldn't say who the judge was, but they were very worried that their score was out of kilter with the other judge. And they had no reason to be. [00:17:14] I, I can export the judges scores and I can see exactly what's going on. Um, I'm a big data, nut, I love data. I love the data behind scoring. So I've had a look at the data and their scoring is exactly where I would hope it would be, but you don't always agree. And that's really important. If every judge for every image gave the same score, we'd only ever need one judge. That's not how it works. That is so not how it works. [00:17:43] It's not supposed to work like that. A panel of judges are all supposed to bring different experiences. Different backgrounds, different hotspots that they look for different passions, different prejudices, different biases by using a panel of judges. You will always get a different score or you should always get a different score from every judge or you haven't picked your panel of judges very well. [00:18:09] And we pick up panels of judges incredibly carefully so that they are different. They bring different ideas to the table. We pick the panel of judges so that they're going to get on, they're going to work as a team. So if there's a challenge, if there's a discussion or they're not going to get into an argument, they're going to develop. Uh, thought process, and come to a considered view. [00:18:28] That's why we use a panel of judges. It's important that the judges are reliable and they are experienced and they're top of their game. Of course. But they will give different scores. Anyway in the, from a Click. At this time and a little bit from the monthly's I thought I very quickly go through one or two things I heard. [00:18:45] It's just useful stuff. You know, there's nothing major in that. [00:18:48] Um, so paper choice. Paper choice comes up in every single printer competition I am involved in. Just does. Um, the big one, this time was be careful, where. Um, If you've got a textured paper and you print something like a baby on it with smooth skin, it can look like the baby's skin is wrinkled, particularly when the baby or the face of the baby is quite small in the frame, newborns. [00:19:12] This was typically a criticism. What's your paper choice. If you're going to. Print things that would have a smooth texture in the real world, smooth skin, that kind of thing. Use a smooth. Paper. Uh, that said if you're using fine art matte, papers, go and figure out how to get your blacks to map correctly because typically fine art matte papers. [00:19:33] Don't give you much. Uh, changed between the grades of black. It suddenly goes, it goes. Sort of dark. So you get blocked up areas that aren't quite black and then suddenly when it gets to a slightly lighter. Like a lighter tone. You'll start to see texture again. There are ways of printing for that. Go look them up. Uh, Sanjay Jogia, I'm going to give Sanjay quick shout is a brilliant printer. Brilliant technician. Uh, he does, uh, workshops and seminars on printing. You can do a lot worse and go talk to Sanjay. And he's a super lovely guy, too. [00:20:06] Uh, stray hairs. We had one assay. This was in a digital file, um, in the competition. Uh, this month there's a stray hair in the print in a file. And that's clearly on the sensor. With print and competition judging. The judges are gonna zoom these things in. They're going to look at them under a light on a light box. If it's a print, they're going to zoom it to a hundred percent on a big Eizo monitor if it's a digital competition. If there's a stray hair or a dust spot, they are going to see it. So go find your files, go, go over them and over them and over them. [00:20:35] If you want to do one in competitions, get the little details, right. Uh, because that score that dropped, I mean, so many points. It was a great image. Great idea, creatively. Brilliant. But if you're letting things like dust spots and stray hairs go through, that's not going to be regarded as competition standard. [00:20:53] Mounts. We saw some incredible mounts. [00:20:55] We saw circular mounts and oval mounts and, uh, one photographer. I don't know if it's the same author, but I've seen this technique a couple of times where they cut out the edges of the mounts of the landscape picture goes all the way across and breaks out the sides of the frame. [00:21:09] Mounting and Presentation Tips [00:21:09] Um, they're brilliant. Um, you remember that with a print competition? [00:21:12] Typically the mount is part of the puzzle. So make sure your mounts are complimentary. Make sure they are adding to the image. They're not distracting from the image. Um, make sure that your everything is super accurate, super, just square. It needs to be lined up. We had one. Uh, image where the horizon wasn't horizontal. Uh, it was a seascape. And it wasn't horizontal and it may have slipped in the mound or maybe that the author just didn't notice. [00:21:40] I don't know which of those two things is true, but of course it's not going to do that. Well, So mounting is really, really important and we do zoom in to make sure the quality. Um, is there. [00:21:50] Uh, a few dead come up with banding issues, JPEG issues. In this day and age where computers are pretty powerful and you know, the sensors and cameras are at least 14 bit these days. Um, if not 16, Um, then please do just get your techniques down. [00:22:06] So if you got a big blue sky, make sure it's a big blue sky without banding in it. Um, it's just one of those things. [00:22:12] The Debate on Titling Images [00:22:12] Uh, titling. I don't. This comes up every single time. I don't like titling. I don't think it should be necessarily part of an image competition. Um, but I'm out there as I'm in the minority. I think. Um, but I just don't like it. I think we should judge what we see in front of us. But, uh, if the competition asks for a title, enter one, create one, invent one, stick your image in an AI generator and get a title. I don't care how you do it, but put a title in on average. Now I've only heard this anecdotally and I've no idea what the research was, but anecdotally, a couple of judges told me that titles typically give you one additional mark on average, if it's a sensible title. It certainly can add poetry to it. It can add a meaning to it. So if you put a picture. I have no idea. Uh, of, uh, a sad looking child. I don't know, making this up a sad looking child with no title. Well, it's a sad looking child. Put up a sad looking child and give it the title, Daddy's Gone Again. Suddenly, you've got a very different tone to how the view is and the judges. Our assessing an image. [00:23:23] Now this is why I don't agree with it because I don't think that's how it should work. I think we should judge the image. But given it's an opportunity to get a mark or two. And given you're entering a competition, which is a game. Then play the game. And put titles in. [00:23:37] Attention to Detail in Photography [00:23:37] Uh, where are we? Um, a couple of images came up this time round, which I wrote down all details and reading this and we notebook. I carry a note book almost all of the time. [00:23:46] It's a throwback to my PhD days. I think always had a notebook. Uh, title, sorry. All details. Some so EEG cushions, this was a, an image that came in where the hole that the room had been styled to perfection. But when you looked at the sofa, It looks like. Somebody had just sat on it. So the cushions were fine. Like the back cushions, the throws and all of those, but the actual seated part of the sofa. Had been left as if somebody just sat on it, perhaps sat on it to plump up the cushions. I don't know, but it just, it drew our eye to X. Everything else in the image was so pristine. What's your details, particularly with architectural and commercial. [00:24:25] Uh, confusion. [00:24:26] Understanding Image Composition [00:24:26] This came up. Where we weren't certain or the judges, weren't certain what to make of an image. I've talked about this a few times. It's not the judges, job to decode your story. [00:24:40] It's your job as the author to tell your story in a way that the judges can get it. It's got to be approachable. Um, you can be as clever as you, like, you can be as subtle as you like, but in the end, if you're not telling the story in a way that the judges can understand decode it, that's not the judge's fault. Um, so just, you know, make sure, maybe test it on other people and see what they think at image before submitting it. [00:25:04] Uh, we saw a few of these. Uh, what have I written down? Uh, They've written down. Uh, the only image here. Okay. I wrote down if only if only is one of those things. Have you ever done that with your images where you look at an image in Lightroom and you're just like, oh, if only. If only the background was clean. If only I hadn't blown a highlight, if only the eyes were sharp. You know what I mean? [00:25:29] You have these if only moments where the image you'd done everything. Right. But then you've missed a bit. Well, don't enter those into a competition for a star. Um, There was one image that came up and. It felt to me like. It felt like a grab shot. It was a beautiful shot, but a grab shot. Now the construction of the image was one we see all the time dog in a basket, nothing particularly clever about that. Um, or, you know, rare in that, I suppose. [00:25:56] But the particular angle, the way it was framed, felt like they grabbed the shot. Now, if you said to a fine oil artist or pencil artist, or a cartoonist or a commercial air brusher, create me a picture of a dog in a basket. They would have a real angle on it. There'd be something about the way they place the objects relative to each other and relative to the frame. There'll be a way of doing it. That would have a certain aesthetic, a style, a cleanliness for me, my particular thing is I love when the lens is absolutely horizontal. Low down in the frame, preferably on the floor. If it's a subject that is on the floor so that everything for me, I feel like it climbs into that world. [00:26:42] That's just my particular aesthetic. It doesn't have to be anybody else's. I mean, please. Everybody. I'm a Muppet. I don't know what I might have out, but I liked the idea that I've done something that has a, it has a statement to it. It has a shape to it. I love the work of E.H. Shephard who drew A.A. Milne's books, um, Winnie the Pooh and house at Pooh. The corner and when we were young and all of these beautiful Christopher Robin stuff. The drawings always feel like you're in the small characters world. You're not an adult looking down at it. [00:27:13] And I think that's the point I'm trying to make is have a view. Think about it. Think as if you're drawing it, don't think of it as a photograph thing. Okay. Take a step back. If you've got time. Sometimes you don't right. If you're a news photographer, you haven't got time, but step back from your image in your head. Say, okay, these are all of the bits of the puzzle. This is, I've got one of those, two of them, three of them. I've got these colors and this shape, this light. If I was drawing this, if I slowed down and somebody said, draw those on a piece of paper. So that made sense. How would I do it? Uh, you know, there's an, there's another picture. [00:27:49] It was a picture. Um, it was a newborn picture. And there were objects in the foreground. So it was, it made it feel like the baby was amongst objects and then objects behind the baby. But what's happened is they've. Thought that because we mutter a lot, and I'll come on to this one later. don't crop things at the edges of a frame. They pulled the objects. [00:28:11] That baby is surrounded by, away from the edge of the frame, but that meant, it felt like there was only a few objects. In this instance, using the objects and cutting them at the edge of the frame as if there was millions of them receding into the distance that would have made sense. And visually it would have had an expansive feel to it, rather than I only have four of those objects, so I've placed them where I have. And it's that sense of thinking about your layer? And if you look at the very best of these types of images, The guys really do know their way round it. [00:28:41] Uh, comping compositing. Combining images. It must be invisible. We actually, as photographers, don't have a problem on the whole, unless the category says you can't use composite images. We don't have a problem with it. Judges don't worry about it. [00:28:55] We just don't want to see it. So the compositing, the bringing different images and elements together has to be invisible. Uh, there are skills to this. Practice them. Because if you, the minute a judge spots that it's a composite, it's failed in its job. I mean, obviously there are obvious composites, you know, if you're doing a. King Kong thing of a gorilla climbing, a skyscraper. Fair enough. We're going to know straight away. That's not real. But it still has to look real, has to be believable. Uh, okay. What else have we got? [00:29:26] Um, baby skin. This has come up a few times. Be careful of. Using blue and dark green style filters, filter effects in your monochrome conversions. Uh, blue filter typically turns the lips dark, which is fine. If you have, um, You've got a model and smooth skin like ultra smooth skin and makeup that's flawless because you've got red lipstick and you punch them on a Chrome with a bluish or green filter. It drops the lips to a very dark color and that could look incredible. But with babies would it also does. If there's any red in the cheeks, it makes those go blotchy too. So you have dark lips and bruised looking cheeks, and that's not really, how probably you want to have. A baby photograph, by the way, if you can hear stuff going on in the background, I've got all the windows open because it's a really warm day. Um, and I'm sitting just recording. Uh, where are we? [00:30:23] On the converse side of that. So we've got blue filters, making skin look kind of grungy and textured and blotchy. Equally, we are still seeing way too much over smoothing. Um, on the skin work. Um, it just. It doesn't look, if it doesn't look quite right, you know, and it's really subtle. I don't know how to describe it, but we know as judges, when we look at I I'm a big one for, when someone applies makeup to a face really well, really beautifully. It smooths out the lumps and bumps, but what it doesn't do is remove the texture. [00:30:59] There's still pores, there's still skin pores there're still fine hairs. There are still little tiny ripples created by blemishes underneath the makeup. So, if you want to make it look real, when you're doing digital makeup or digital smoothing. You have to remember to leave details in that show reality, even when you're doing really fine art kind of work. [00:31:21] So just what's that. Um, incidentally, a shout again to EVOTO.AI. Um, I've just had a new release of that this week. Um, incredible bit of software. Uh, in that you can control how much you do. So it's not, it's not all the bells and whistles that make these things good. What make these things good is when you can turn it down, so it's imperceptible. Uh, EVOTO.AI is actually very, very good. Please do go and have a play with that. I will drop a link down in. Uh, further down in the show notes. [00:31:54] The Importance of Image Sharpening [00:31:54] Over sharpening. Uh, this came up as a bit of a debate actually, me and Sanjay don't entirely agree on this. I don't think. My view is that you don't need to sharpen images anymore. Um, I've never heard, not once have I heard. Uh, judge say this image needed more sharpening. Not once I've heard images get critiqued, cause they're soft by the which, I mean they're blurred. And the minute you try to rescue a blurred image using, um, Topaz or, you know, any one of the sharpening tools. Unless you're really on top of it and really, really, really careful, it looks like it's sharpened. However, I've heard many times. That an image looks over sharpened over, over you see halos, you see this kind of slightly, really weird edge effect. Um, I took the decision a couple of years ago to stop sharpening my images, because it removes one or two problems when you. Because for us, we don't, uh, we produce the same file to be printed at different sizes. [00:32:49] I don't worry too much. Um, about, uh, scaling at 300 DPI for A4, 300 DPI for seven by five, three to DPI. I just give the guys one file. Um, and our sensors now is so sharp that they reproduce and they give a, for me, they give a slightly smoother finish. Um, And I've only ever been pulled upon over sharpening when I did it. [00:33:11] No one's ever pulled me up on under sharpening. So I would say don't sharpen Sanjay. Doesn't say that he says you should do sharpening, but know exactly at which point in the workflow to do it. And that's fine. Um, Sanjay is a master at this stuff. So he does sharpen. Uh, I'm using Sanjay as an example because he's one of my judges, uh, this time round. Uh, so is there an interesting thing. My, if you're not absolutely a hundred percent certain of what sharpening to do, don't do any, you'll be fine. [00:33:40] Uh, where are we? [00:33:42] Final Thoughts and Recommendations [00:33:42] Um, oh yeah, one of the things. It has come up this come up in conversation a little bit is why we as judges get so picky about which images get over the line to be a merit or a bronze. So typically with all of the associations all slightly different. But around about the 80 mark for most associations is the break point for bronze or merit. Now. The thing about a bronze or a merit is that is something that's likely to end up being used on a website or being used in social media for the association. Um, maybe with the societies, it's going to end up on their display boards at the convention. [00:34:23] And that's why we're picky. That break point between professional standard is a lot, the associations call it and a merit or bronze. That break point defines what will be displayed to the public and to the rest of the photography industry. And as such the message we're sending is that this image is what you should be trying to attain. So when I go round, if I'm, uh, if I've entered a competition, I go round and look at all of the things that have. Uh, they're being displayed in the convention or they're in the magazine or in a book. [00:34:55] I look at those images from bronze to gold. As the things I should be aiming for. And that's why as judges, we're very careful what goes over that line. And if we find a defect that we think, do you know what the photographer should have spotted that. You're going to dump marks really quickly because the judges don't want to have that out there as something that becomes an exemplar for what a successful image should be. [00:35:16] That's why. That's why that break point is so tough. Uh, so just what you, it was quite funny, this in the competition this time round. Uh, and the monthly's is, uh, one of the images looked like the horizon. Wasn't quite level, it's a digital file. So it clearly wasn't anything to do the mounting. And by the way, it was a degree or two out, which is. I don't know. I don't know why people do that. Why would you do that? Given you just put into Lightroom or Photoshop and align with the ruler to it anyway, my two judges, I'm watching both of them on, uh, our Squadcast screen. So we record these sessions. Um, One of the judges went to his EITZO monitor took the file, put it into Photoshop and checked the horizontal alignment. [00:35:57] My other judge went to a cupboard. I watched them do it, went to a cupboard behind them, opened the cupboard door, got a ruler. And started measuring her screen, which is quite weird when you're watching it on the webcam that's on her screen. She's measuring the screen. It was quite old school, but it did make me laugh. [00:36:13] Anyway, things like horizons, check them. [00:36:16] Uh, Great. Well, so if we got, oh yeah, when you're, there's a lot of actions around and even I've written a few where you're going to soften or blur the edges. Um, So there was a particular file. Where I think a baby skin had been softened. You could see that it had been, and it was fine. [00:36:36] It looked very good actually it looked like they got a good technique on it. But what they hadn't done is lift all of the skin onto a new layer, just cut it out and drag it onto a new layer and softened it there, what they done is soften it on the original layer with all of the. Um, blankets and clothing around it. And what that did is, it dragged color from the blankets into the soften skin. So you could see a slight coloration around the edges where the softening had been done. And you expect that if you're using a blur. It blurs across the boundary. So what you have to do is cut out the skin onto a new layer. So it's transparent all the way around except for the skin, soften it there, and then you can drop it back in and you'll get no color contamination. Um, but we spotted it and of course it's a real shame. [00:37:19] Uh, With babies and with faces, the light, the light source should always be above the nose. [00:37:25] I heard this said a few times by different, uh, I think I was working with Elli Cassidy who is just like one of the best judges to work with, she's lovely. Super lovely, super nice person. Um, great newborn photographer and she raised the same point as did lots of others. The light source should be above the nose, nine times out of 10. It's very rare. Do you want the light coming up from underneath? [00:37:44] Um, I love this quote. This is one of my judges. He just, he liked a particular image because it was a bit more different. If ever I have another podcast in this industry, I'm going to call it The Bit More Different Podcast because I know it's a great title. [00:37:57] It's not English, but it's a great title. [00:37:59] Um, final bit on this bit. Is cropping at the edges. We can't, I kind of talked about it a minute ago with the baby and the objects. Just look around the edges of the frame. There's an amazing news image, this time round. Loved it. I'm not going to say what it was cause I'm not gonna draw attention for the author. But there was a scene in the middle of his action in the middle. [00:38:23] And on the right-hand side of the frame, there was nothing contaminating. Everything was kind of contained, but on the left. They were knuckles and elbows poking in onto the edge of the file when just moving the crop edge in by. I dunno, a couple of hundred pixels on a six megapixel file would have removed all of that, and focused, directly on the story in the middle. And it's such a silly thing. [00:38:47] We see it all the time. Is we get sidetracked by what's going on in the middle of our picture, the bit we want people to look at it and we forget to look. All the way around the edges of the frame. I look around the edges of your frame carefully. And if there's anything there that's distracting and pulling your eye away. Just change your crop or clone them out, whichever is easy for you. [00:39:08] Um, So that's it. Those are the notes. I mean, there's loads, of course there's loads of things. I carry copious notes, but I thought those are the most interesting. Um, to talk about, uh, particularly as we're, heading towards, uh, at this time of year, when people start to hive images away ready for the competitions, uh, for the BIPP print competition. Um, and eventually, you know, the doors will open for the society's convention as well. [00:39:30] So I thought there'd be useful. Um, The other thing, a couple of updates. Where are we with things that I've been asked? Uh, to look at. Uh, where are we? DXE DXE. CXO asked me to play with. DXA labs. Uh, the DXA labs for, I think it is an, a DX oh, film pack seven. Now the XO labs. It's not really the photo lab is not really for me because it, Lightroom is at the heart of my workflow. Um, we used the XO pure raw anyway, which is brilliant, pure, or for, by the way. Brilliant. [00:40:03] Absolutely love it. Uh, so don't, for me, that's not necessarily something I'm going to put into my workflow. I'm sure it's very good. I've used it a little bit, but however, the DSO film pack, film pack seven. It's an absolute blast. Loving it just for the moment. [00:40:17] I use effects quite a lot, but I like it if I can for it not to look effected. If you see what I mean that of course, the minute you really easily apply a film preset, of course he looks effected, I'm not an idiot. Um, but I love those kinds of tones. They feel very analog to me. Uh, it's really, uh, really, really, really good. [00:40:34] So, uh, highly recommends if you get a chance to have a play with that. I'm sure they do a trial. I haven't looked. Uh, DXO Filmpack 7. And the other thing I thought I'd give a quick shout about today. Um, his ACDSee, which I've continued to use again, they approached me and asked me to have a look at it and say what I thought it's really, really good. [00:40:55] Um, it's not good at high volumes of face recognition. I discovered that as it. just crashed my computer basically. Um, but that not withstanding. It's blindingly quick is great to have it there . Lightroom for us is our management tool for all of our raw files. Um, but the RAW files get archived away, and we then have all of the JPEGs that I've generated for print. Hi res. Uh, low compression JPEGs. [00:41:21] So having ACDSee that looks over all of my Dropbox folders and keeps that as an active catalog. Is great because I can get to any image. I like, in a heartbeat. Absolutely brilliant. So I absolutely, I would highly recommend that. Um, again, I will put a link to, um, I'll put a link to ACDSee in the show notes. And then finally just a more pop-up it's our beer festival on Saturday. [00:41:45] Now. I know none of you are local, but nonetheless, um, I will be at the beer festival if anyone fancies a beer and a chat we're in, but it had them in Buckingham share. Uh, I'd love to catch up if there is anybody around, because it's, I'm hoping that there's going to be good. Um, it's like the best place to listen to music. [00:42:02] Have a nice beer. And have a great conversation. And on that happy note, I'm going to go home now and we're going to open. I hope a bottle of champagne to celebrate Jake's success and Harriet's success in her new job. Uh, the sun is shining. And then we're going to try and stay up and see the results. Of this particular, general election. [00:42:21] Again, to all our American friends have a wonderful . Uh, July 4th. [00:42:25] And I'm going to go away and be more like sitting in a bath of warm water. I remember whatever else. Be kind to yourself. Take care.
There are many factors to success and I have listed many in these podcasts, but the brutal reality is that it takes hard work. Lots of it. There isn't a silver bullet, no matter what every influencer, marketer, salesman, advertorial or Facebook campaign might try to convince you - and AI ain't gonna fix it either. All I wish is that I could stop seeing the ads that tell me otherwise! Before all that, though, I head up the episode with a quick chat with Colin Jones, CEO of The Societies Of Photographers. This is one more in my series of interviews-from-the-photography-show (I need a snappier title) and it's interesting that once more, training and education are at the forefront of his thoughts. Also, I mention a brilliant app called EVOTO.AI in this episode. At some point I'll do a deep-dive into it but rest-assured, this is well worth exploring if, like me, you create portraits for a living. The guys have kindly given me a link you can use that gives you thirty free credits when you register: https://go.evoto.ai/PaulWilkinson One great thing about this app is that you only burn a credit up when export a finished image - you can test it out on as many as you like. This means those thirty credits could be enough for you to play around with as many images as you want until you're happy and then go ahead and run an entire portrait session through! Let me know what you think! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Transcript EP153 It Takes Work And Life Would Be Boring Without Sarah Introduction to Colin Jones [00:00:00] I'm Colin Jones. I'm the CEO for the Society of Photographers. Excellent. It's lovely to see you as always, Colin. The Photography Show Experience [00:00:06] Tell me why you come to the photography show. Oh, the photography show is a great show. It's great to meet up with all the trade, seeing all the latest products and services in the industry and getting to network with other photographers. [00:00:17] It's a great show to come to. Passion for Photography [00:00:18] So, tell me why you love this industry so much. [00:00:21] Oh, I love the industry. I've always been part of the photography industry. It's been part of my family since my granddad and my dad, and it's an industry full of amazing people, creative people, uh, and, you know, so much passion for, for, for photography and for the craft of it. [00:00:35] And I love seeing people excel in the industry as well. [00:00:37] So that's all of the positives. Industry Improvements [00:00:38] But if, like everything, there was always things we could do better as an industry. If there's one thing, just one thing that you could change in this glorious passion of ours, what would it be? [00:00:48] I think I'd like to see photographers get more training, invest more time in training and more, more money in training. Uh, you know, I see, when we see people take that step and really invest in training to push not only their photography but their business, we see so much success. Uh, so I'd love to see training be more, , forefront of the industry. Importance of Training [00:01:04] When you're talking about training, what aspects do you think, photographers in the industry, certainly the industry we spend most of our time with, which is the UK industry, what do you think is the weak spot? Which direction do you think the development would be most applicable. [00:01:19] I think, uh, quite a lot of photographers, if they're in business, uh, that's where we see a lot of photographers really struggle getting clients through the door, marketing their services, uh, so that's, that's always been a big passion of mine, is getting photographers more training in the business side, but, you know, I, I genuinely think training of any kind, whether it's lighting and posing, or even just networking with your peers, uh, and getting training that way, just by talking to other photographers, uh, is a, is a real bonus. [00:01:43] Excellent. Interview Conclusion [00:01:43] Perfect answers, as always, from one of the nicest guys in the industry. Thank you, Colin. [00:01:47] Paul - Studio Rode Broadcaster V3: Uh, so that is one more of those little interviews I did at the photography show earlier this year. That was Colin Jones, the CEO of the Societies Of, Photographers. It's always interesting talking to people like Colin. I mean, not just because he's a really lovely guy. But he hears from hundreds, possibly thousands of photographers, uh, on a scale that most of us can only imagine. [00:02:11] And yet the themes still seem to be consistent. [00:02:15] It's all about education. Podcast Introduction [00:02:17] Paul - Studio Rode Broadcaster V3: And learning I'm Paul and this is the masteringportraitphotography.com podcast. [00:02:22] [00:02:36] Paul - Studio Rode Broadcaster V3: Well, it's been three weeks since the last episode and yesterday, yesterday. Wedding Anniversary Anecdote [00:02:45] Paul - Studio Rode Broadcaster V3: It was mine and Sarah's 21st wedding anniversary. She sent me a card and it simply said, imagine how boring life would be without me. Literally in quotes. Imagine how boring life would be without me. Well, this morning, She bit my toe, I was fast asleep. She bit my toe now I sleep with my feet. Out of the bottom of the duvet. [00:03:09] I've always done it. And I've no idea why, but I do. This morning. She bit my toe. And this isn't really a unique event. I think she probably does it a few times. A year I am asleep, then rudely I'm awakened. With pain. There is nothing in between those two moments except a searing sensation that someone has sunk their teeth. Into my big toe. I don't really know which bit hurts the most, the initial bite or the moments I react and pull away leaving tooth marks. This morning. She bit my toe. [00:03:46] It's true. Sarah is right. Imagine how life would be without her. Imagine how boring. It would be, frankly, I can't imagine it. I can't picture. How things would be without every morning. They're being the risk that she's going to sink her teeth into my toe. But Sarah is the person who makes me laugh the most. [00:04:07] She is the person who allows the extrovert in me out. She's the person who props me up when I'm down. And she's the person who keeps a lid on me. When I'm up. That sounds really weird, but you get the gist of it. Um, you know, I can be quite full on, I think, and it, Sarah, that just keeps things nice and steady. [00:04:28] And so thank you Sarah, for 21 years of marriage, 33 years of hilarity between the two of us. So, yes, life would be really boring without her. [00:04:41] Anyway, in the past three weeks, what has happened in our diary. Recent Portrait Sessions [00:04:46] Paul - Studio Rode Broadcaster V3: Well there have been 22 different portrait sessions, which is lovely, including one, uh, just this morning, beautiful family. Uh, so a mom with her two children and her two grandchildren. Um, just lovely out in the sunshine, a quick drive over to their house. Shot in the garden. [00:05:05] What was funny about it was every single shot. She wanted her front door in the images. Which, uh, I've had sort of, you know, big Manor houses and different things about to be part of a shoot, but I've never had one where the front door has to be prominent, but it was a joyous shoot, beautiful people. [00:05:23] They made me very welcome. [00:05:24] Cannot wait to show them their pictures. And one of the two little girls -she's three years old -was wearing a Liverpool FC football strip. Now on two levels that just filled my heart, with joy. On the one level. It's Liverpool, which happens to be the team that I also have always supported all my life I've supported. [00:05:46] And when I say supported, what I mean is occasionally I've looked at their headlines and seen the score. Or occasionally, you know, a key match comes up and I might watch the first 20 minutes of it, before it gets way too stressful for me, and I leave the room. I'm not really a supporter in the supporter sense of the word. But if I'm ever, if ever I'm asked, and this is since I've been about five years old, it's been Liverpool. And she was wearing a kit this morning and the kit was almost identical to a kit I was bought for Christmas when I think I was about eight. There's something about the styling of the current, the current kit, the red with the white collar. The cut of it, the styling of it, that's almost exactly the same as it was all of those years ago when it was Kevin Keegan and the boys playing. And so that made me happy. [00:06:36] The main reason, it made me really happy. Is isn't it amazing. Oh, is it amazing or isn't it about time? [00:06:43] Maybe it's about time. Maybe we're just getting there. That a girl turned up at the door. She's three years old and she's a football fanatic. And I know now the way it will be for her is so very different, than for instance, if my sister, when she was that age wanted to play football. Now my, my sister, cause I was a drummer, my sister wanted to play drums, but the girl's school, she went to said that wasn't lady like. How heartbreaking is that? I know we're going back quite a long time, but how heartbreaking. Is that, that you can't do something. Because it's not lady like. You can't do something because because of your gender, it doesn't fit in. It's just ridiculous. [00:07:25] And so it is so heartwarming this morning. To see this little girl in bright red, bright red Liverpool football strip, kicking a ball around the garden and loving every single second of it. And unlike my sister, where I think life in that particular time. In the late eighties, early nineties. You know, Society's, it was sort of prevented things like that. I know this little kid that won't be the case. For her, at least. I trust it won't be the case for her. Hearing Dogs Shoots [00:07:57] Paul - Studio Rode Broadcaster V3: So wonderful shoot this morning, 22 portraits shoots over the past three weeks, we'd done five Hearing Dogs shoots. Uh, two of those have been out on a location and they've been so joyous, so profoundly joyous. Um, the one yesterday was of one of our recipients whose Hearing Dog has essentially. Been a lifesaver. [00:08:18] I mean, I, I hear this quite a lot, but I really do think, uh, the lady I photographed with her dog yesterday, she's in her mid twenties. Um, Is just, was just an inspiration, really the relationship with the dog, the way they were, the joy that dog has brought, um, And it was just a magical shoot. And one of the things about these all, I mean, all portrait shoots, I think, but in particular with shoots like the Hearing Dogs is as much as I'm providing a service, as much as I'm providing images that they can use for fundraising and publicity and PR and marketing and all of these things. Is, they provide me with a sense of, what's the right word, they energize me. They give me energy and positivity. I come away from these shoots so much more full of life than I do when I arrive at them. I just think. It's just incredible. The joy that a photography can bring, not just to the people I'm photographing, but also, uh, to me. [00:09:22] Uh, we've had five cleanse that was a bit abrupt, sorry about that. I don't know. I maybe I just couldn't think of a good point to wind up on, but being a portrait photographer is a thing of joy. [00:09:33] It is a thing of life is a thing of positivity and energy. Um, and I suppose that's what I'm trying to get to. It really is something, but it's not a one way street. I get as much energy and joy out of these shoots as my client's do. Client Reveals and Workshops [00:09:48] Paul - Studio Rode Broadcaster V3: Uh, we've also had five client reveals. Uh, just wonderful. I love it when the clients come to see that images, we never quite certain what we're going to sell. But, uh, it's just a lovely thing to see the reaction to people when they see their pictures sometimes surprise. In fact, nearly, always surprise at how beautiful the pictures can be, I don't know why they're surprised they've come to us. They've come to us because they've seen what I can do for others. Um, and yet still the surprise very often it's clients who've been to us before, and they're still surprised. Maybe I should work harder at explaining what we, what we do, but that element of surprise. It's a lovely thing when it's done in the, in the reveal room and tomorrow we've got a little wedding, it was just a two person wedding uh, who are coming to see their pictures. And again, massively looking forward to that. Uh, we've run one one-on-one masterclass. [00:10:37] I love the one-on-one masterclasses. Because of course, every topic, every topic can be on the table. We don't need to worry about. Uh, suiting or fulfilling the requirements of four or five people. It's just one person and we can play, we can talk, uh, we can jump between different topics. We can try different things out depending on their needs. [00:10:57] Anything from business all the way through to how to prep your files for Photoshop. It doesn't really make any difference to us. And so for that, it's just a wonderful thing to do. [00:11:07] We've also done a, an off-camera flash workshop. Now the off-camera flash workshops are by far the hardest. Even this morning, a little shoot. Um, when I met bumped into the little girl, Uh, in her Liverpool outfit, Liverpool kit. I decided one of the shots we would do would be, uh, like a FIFA or UEFA. Uh, footballer's pose because all footballers are contracted to do these things so that when, uh, the, the, the TV companies roll out or, or show the team list or whatever, or feature a player, there's footage of every player walking into shot and standing a very particular way, they lit a very particular way. Um, and you can do that quite happily out in the garden with some off-camera flash. [00:11:50] So even this morning I was using. Off camera flash, and you have to sort of pause a little bit and think, okay. And you, you have to build the shot setting by setting. Then it's not as straightforward as it is just using TTL. You could just use TTL on your flash guns. Uh, but you get sort of slightly erratic results if you do that. You have to understand how, uh, the shutter speed, the aperture, the ISO, they all interact to give you the output you're looking for. And this morning absolutely nailed it. But when you're trying to teach it, trying to get those principles across in a way that is clear, a way that is concise and a way that is repeatable so that you will delegates can leave. And use that, those techniques themselves. Isn't trivial. [00:12:41] It's the, of all the things we teach here at the studio, I think. It's the hardest. And I know it's the hardest because when I'm suddenly faced with having to get the settings right for myself on a shoot, invariably I'll change the wrong thing at the wrong moment. And it's like, oh, bugger. bugger Having to go back. And figure it out. Uh, so it was, it was lovely to do a brilliant day, lots of laughter and one that Sarah was away for. [00:13:07] So thank you to Katie and James who stepped in. And Katie stepped into the role of, of Sarah, because she had to go and look after my in-laws new puppy for eight days, honestly, she's come back exhausted that, that Sarah, that is not the puppy. Uh, she's come back. Absolutely exhausted. The puppy goes to sleep at midnight. The puppy wakes up at six and there's very little in between. It's on and off. Uh, and it's on from 6:00 AM to midnight and it's off from midnight til six. She was absolutely shattered. So, uh, she was away the week when we running the workshop, unfortunately. And it couldn't be helped, not a lot of sidestepping, but Katie, thank you very much for stepping in. And being sort of a surrogate, Sarah and helping me make sure that everything ran. Uh, smoothly. BIPP Qualifications Judging [00:13:53] Paul - Studio Rode Broadcaster V3: Uh, also this last week we have done a full day of qualifications judging for the BIPP, the British Institute of Professional Photography. Um, It's a wonderful thing. Qualifications are such an amazing thing to be a part of. And I mean, that from both sides of the line. [00:14:12] I kind of draw inspiration from the candidates, the people putting their images in for assessment and I draw inspiration from the judges, but in very different ways. [00:14:24] The candidates, of course. It takes quite a lot of bravery, I think, to submit your images. I mean, we've all been through it, but it still is quite a thing to do. To submit your images in for assessment as qualification, because you don't know, you don't truly know, even the mentors don't truly know, whether a panel is going to be successful or not. [00:14:45] , we did eight panels in a day. I'm chairing it. [00:14:48] So I'm not really a judge in that sense anymore. I chair it and make sure it's run smoothly And the process is meticulous in the way we do it, so that it's fair and equitable for every single candidate. [00:15:03] Firstly, the candidate sets up their panel and the judges, get to assess the images. At the end of that first assessment , we take a vote. Then have a discussion and then we take a second vote. And the reason we do it like that is so that the judges get to make up their minds independently with no influence. They're just assessing the images on their own. And on an individual basis. Then we vote. And then as a discussion and in that discussion, It's about the judging team, the panel of judges arriving at a decision that is, a combination of their own independent view and the views of the other four judges. And it's important that it's done like that because every judge has a different experience, different influences and skills for how they assess the images. [00:15:53] And so when the judges talk, each judge gets the opportunity to address the panel, and talk about why they think their decision is the right one. But they're also listening to the other four judges and taking into account, maybe things they haven't noticed or maybe things that they just don't prioritize quite the same way. [00:16:17] And listening to these six judges or five at a time, but the six judges in discourse, listening, giving their views, knowing when to be brave and when to stand their ground, but also know when to flex, and acknowledge that may be another photographer, another judge has more experience in an area or a spotted, something that they haven't, that that was exhilarating in the extreme, because the panel of judges each time there was a discussion , they came to decision and the whole panel doesn't have to be unanimous, but the whole panel of judges respects and understands the outcome of the process. [00:16:56] Now, of course the delegate might not. That is other candidate rather than might not. That is true. And it wasn't a hundred percent pass, uh, in terms of each of the panels. And it's always heartbreaking. I wish the candidates could see behind the curtain while we come to the decision. That's not part of the process that we've opened up just yet. Um, that may come in the future as we get our arms around a way of doing that, that is. Uh, fair. But genuinely when a panel was unsuccessful, you could almost hear everybody in the room, you can almost hear their hearts. Breaking. [00:17:37] When we say, we're sorry. We mean it. Because we would love every single panel to be a successful panel. We would love that. But in the end. It's a, it's a balancing act between making sure that we reward the endeavor, we reward the work. But the standards have to be high. They have to be. Consistent. They have to be something that when people look at the letters you put on the wall. They mean something and sadly they can only mean something. [00:18:12] If we hold our ground, on, uh, the standards, the process, and the reasons why certain panels will succeed where other panels may not make it this particular time, but what an absolute what an absolute privilege to be in the room with those judges, looking at those panels, the panels were stunning. Even the ones that were unsuccessful this time round, the panels were stunning. [00:18:34] So a huge, thank you. To the six judges who came and provided their skills, their eyes, their experience to, assess each of the candidates work [00:18:47] And what a beautiful thing to be a part of. [00:18:50] Um, what else? What have I written in my notes? Personal Reflections and Future Plans [00:18:52] Paul - Studio Rode Broadcaster V3: So, yeah, I've drank a little too much this week and exercised a little too little. That's something I'm now feeling very guilty about. And this afternoon, it's Saturday afternoon. And I sat and thought. Shall I go home and get on the exercise, bike or shall I record a podcast. [00:19:06] And I thought, oh, I better record this podcast, but trust me when this is recorded. I'm going to go home and do a little bit more exercise than I have this week. This week I've barely slept. I've been working in London. I've been working in Essex. I've been working here locally. This stuff has got to go out. [00:19:23] I've written an article for professional photo magazine, big shout out to those guys, by the way, the online magazine looks fantastic that's Professional. Uh, Photo Magazine. Uh, but what, uh, what a week it has been, [00:19:36] uh, final note, . Final note this week. Um, it's been a real run of it just at the moment in that. Product Reviews and Recommendations [00:19:43] Paul - Studio Rode Broadcaster V3: Lots of photographic suppliers have been approaching us to feature their product on either the podcast or masteringportraitphotography.com, or just getting it into our hands so that we can talk about it. And I have a really strict policy here, um, that I'll only talk about things and promote things that I use that are part of our business, part of our workflow, because if they are worth talking about, then trust me. I've already had a look I'm already using it. [00:20:11] So this one has, this came in yesterday. Um, and I'll put the link in the show notes. We use a bit of software, or we've been exploring a bit of software called EVOTO - E V O T O, which is it's an AI retouching package. [00:20:27] Now I know I can feel a few of you are hackles going up and bloomin' AI. retouching automated and all of those things. Why do I like it? Well, I like it because you have total control. So in the same way that we use actions in Photoshop, we put up, um, check layers. And do dodging and burning. This takes some of that drudgery out. [00:20:50] I say, drudgery that, sorry, that sounds dreadful. I don't mean it to sound like that because actually I love retouching. Balancing Business and Creativity [00:20:56] Paul - Studio Rode Broadcaster V3: I love it when I've got an hour. And a beautiful picture that I can just work up, but my business model, doesn't allow me to do that for 22 portrait shoots in three weeks. It just doesn't. [00:21:08] Now I could outsource it, I suppose. But I've never been really that happy with the results when I've done that. I find, I find things, come back, just looking a little bit plastic. Um, of course I could pay really high-end retouches, but I work in social photography, not commercial retouching. Obviously, if it's going to be the cover of Vogue, I can spend thousands on a single image being retouched, but that's not my world. [00:21:31] My world is a very solid, very dynamic, very successful social photography. Uh, outfit and. Although I like the images to have a really high fashion look for an awful lot of my work, trying to find techniques to do that quickly is not straightforward. Discovering EVOTO: A Game-Changer for Retouching [00:21:48] Paul - Studio Rode Broadcaster V3: Um, so when EVOTO suddenly emerged a few months ago, it's still sort of in beta, at least a lot of the functions are. Um, it's E V O T O you can go download it. [00:21:59] Um, this particular piece of software allows you a huge amount of control and there are two. Uh, bits of Photoshopping that I really don't enjoy. I don't mind. I love I say. I don't mind. I love skin retouching. I love working at the colors. I love all of that side of it. I really don't like fixing crosshairs, and I don't like fixing creased clothes. [00:22:21] So there's a two things there, there are others, but those are two things I really just find irritating for whatever reason. EVOTO Features and Benefits [00:22:28] Paul - Studio Rode Broadcaster V3: Well, EVOTO on its own, it would be worth the effort of just fixing those, um, it does crosshairs brilliantly and it will take the majority of creases out of pretty much any type of clothing. [00:22:41] And even if that was all it did, that would be worth the money, but it does so much more. It helps me in so many ways. It's helping us automate and create a higher finish. But it's still looking natural, still looking like they, the images haven't been retouched, I'll do a deep dive into it at some point. Uh, but the guys have been in touch, and I do have a promo code. Uh, if you fancy it again. Uh, put that in the notes, but it's https://go.evoto.ai/PaulWilkinson capital P capital w all one word, Paul Wilkinson. And if you go there and sign up. Uh, you will get 30 free credits, which allow you to have a play. [00:23:28] So you'll get 30 free credits. The other thing about the software, which I really like is that you pay to finish the image so you can load it up with as many images as you like and run your, your settings on it and run. Basically all of that, the whole of the software. But you only get charged when you export the finished images out. [00:23:50] Now it's not perfect yet. Uh, only works on certain types of files. It won't work on PSD files. It works on TIFs or RAW files. Uh, or JPEGs, but trust me, it's an absolute godsend. Uh, particularly if you don't overuse it, if you just keep on the right side of the line. The images look natural, they look polished. They look finished. That you've got no crosshairs and even the clothes can get a little bit of an iron. So I'll put that link in the show notes. And if you follow the link, you will get, uh, 30 free credits. By the way, I get no kickback on this. I'm getting nothing out of it. It's just, I talked to the guys. Because I use the software. And I said I would happily, uh, promote it because I think it's, it's absolutely. Uh, brilliant. [00:24:37] And then anybody, the whole point of this podcast is to make life a little bit easier for anybody, uh, doing portrait. Uh, photography. Navigating the Photography Business Landscape [00:24:44] Paul - Studio Rode Broadcaster V3: So anyway, on to what is, I suppose, as much as it ever is the topic of a podcast, these are just, you know, It's the diary of a working pro in stuff that occurs to me as we, as I get all my life. Um, but here's the primary topic of this particular. Uh, podcast and in a sense. It's a little bit of a moan. I just, I don't like to moan. [00:25:07] It's not my style, but this is just a little bit of a protest protest. Sounds better than moan. Maybe. A little bit of a protest. Evaluating Business Advice and Authenticity [00:25:15] Paul - Studio Rode Broadcaster V3: Which is the sheer number of adverts I get in all of my social feeds with people telling me they have the answer. They can make my photography business successful. They can find me thousands of clients. [00:25:29] They have a six-figure photographic business. They can tell me how they did it. No one, no one has the answer. It's all lots of small parts. And when I'm looking for help, I look basically for three. Three things more or less. And these. These are three things that it would have to have if I'm going to use someone for some help. [00:25:48] Firstly, do I admire their pictures? Do I admire their pictures? Do I want or understand why they create what they do? Is it something. That's in tune. With me and what I want. [00:26:01] A couple of people have come into our studio and said, well, you could do it like this, you could turn the whole space into two working studios, have two photographers in each run, eight shoots. Uh, in each, uh, part of your space per day, that's 16 shoots. Per day, you need to get a sales team onto the calls, do cold calling to lead generation, and you could run a multi-million pound business. Well, I could. But I don't want to. Because those photos are not the photos that I want to take. Um, and besides I want to take them, I love creating pictures. That's part of why we do this. The idea of not creating pictures anymore is not part of my business plan. What I've got to always figure out is how to make this business as profitable as I can, given the caveat, I left a very well-paid job in the city to do it. I left a career and a life of money and shares and shareholder value, and watching stock markets and being a partner in a firm. [00:26:56] I left all of that behind me because it wasn't, what I wanted. What I wanted to do was create beautiful images and make life just a little bit better for people myself included. Um, so that the idea of doing that, so. I will only ever look for someone who's creating pictures. I truly admire. [00:27:12] Secondly, , does that business, the business they're describing, does it look like my business vision? [00:27:18] So whatever it is, they're trying to sell me. Is that part of my vision. [00:27:23] And thirdly, do I like the person who purports to give me that information. [00:27:29] If those three things are true, there may be, I'll dig into it a little bit further, but if any, one of those isn't true. I'm not going there. And I get so many ads with people, waving their camera around, telling me some number or rather. You know, I don't know. [00:27:43] I've created a six figure business in three weeks. Um, I did it all from the comfort of my own home. I mean, there's even ads. Now I get the, tell me they don't need a photographer. You can set up. A headshot business without ever using a photographer. And if I get one more of those ads from someone who clearly doesn't understand. What. Personal branding really is it's the clue is in the title, personal. It's not AI generated. [00:28:09] I know you can change hairdos and suits. And I use AI everywhere. Trust me. But there's a big difference in the, if you think about the one word you have to have in personal branding, authenticity is at the heart of it. An AI can't give you that. I mean, you can't synthesize authenticity. There's no such thing. Synthetic authenticity is an oxymoron, it is not a thing it's either authentic or ain't. So, uh, I'm sort of very. They're very cynical about those things and they, and these people are always waving a camera around at me, sometimes with the lens cup still on. I assume that it's because the Metta or social media algorithms reward, people waving a camera around. [00:28:53] So it gets it higher up in my feed and it definitely works as long as it's aimed at me. So I've got hundreds of these things. And they're always, there was a very particular type of person. They're always very bouncy and extrovert and energetic. And I like that. I'm bouncy and energetic and extrovert. Um, but I'd like to know, that their business has been running for 10 years or 15 years. [00:29:17] I'd like to know. That they consistently do these pictures with real clients, the kind of clients that we find, the kind of clients that are in tune with our business. Um, Now of course, when I dig into them and actually have a hunt around. 99% of them are paper thin. There's nothing underneath there's no, it's not substantiated by any real world. Business acumen or business experience. Some of them will have been successful, but you can feel that they are now going into training because the success of the business has probably beginning to wane. [00:29:51] I'm looking for a long-term sustained business. If what I want to run is a longterm sustained business. I'm looking for somebody who can do what I want to do. Um, Now it is true. It is true that you can be a great coach without being a sporting star on your own or vocal coach to rockstars. They're not quite the same thing, being good at something and being able to coach in it. Not quite the same thing as being a star in it. [00:30:18] I understand that. But I really do want to know that the war stories I'm going to learn from are real, that someone's been out there, someone's done it. That they've walked the walk and ideally are still walking the walk I'd much rather learn from a business than from a trainer. If you get what I mean. I want to go to a consultant . Who's still running up business. They're still learning. They're still evolving. I mean, goodness knows. In the UK, we're about to go into a general election. The dates of that have just been released, and if there's one thing I know about elections and anything sort of like, um, referenda, anything like that. Is the phones, just go that little bit quieter. So no matter what happens up until July the fourth, which is the election date, I know that the market will be ever so slightly suppressed because people don't wake up during election campaigning and think first as they wake up, I need to get some photos. That's just not what happens. [00:31:16] People wake up and thinks, you know, What's Rishi Sunak said today, or where are we headed with the election or any one of a million other things, but photography just gets down the list a little bit, further. So I know we're about to go into a quiet period and what I want is someone who's been through that knows that's what's coming knows that the little intricacies of running a business over a long period of time are far more than you can do something like this in 42 days, or in just three weeks, you can have this success or with just one camera and one lens and working from home, you can telemarket to a thousand people. [00:31:49] I don't care about any of that. What I want to know is do they run a business that looks a little bit like mine? And I know that they've been there, seen it, done it and are still doing it. Um, now. The Importance of Hard Work and Superpowers [00:32:00] Paul - Studio Rode Broadcaster V3: A couple of episodes ago, I talked about four things, four things, I think are consistent to successful. Photographers that's energy, optimism, enthusiasm, and confidence. [00:32:12] I stand by that. They're very much there, but they're not all of it. And I did say that in a podcast, they're just the foundation stones. That, not the whole building there. The bit. They're the bedrock or the foundation, everything can be built on, but they are not. The whole building, maybe I'll get over the coming months to talk about each of the different areas that I think you probably need to get to map it out. [00:32:35] Maybe that'd be a good idea. if I draw it all out. Uh, maybe actually create a little bit, maybe I should stand in front of a camera and wave my camera around with my lens cap on and say, I've got the answer for you. I don't, I don't have the answer. I've just spotted some things that are consistent with people who are successful, energy, optimism, enthusiasm, and confidence. But you'll also need some other stuff. [00:32:58] And one of them is just hard work over a period of time. Call it, practice. Call it graft, call it wherever you want. It's doing it over a long period of time so that you have your chops down. You graft at it. You'll get some breaks. You'll miss some breaks. You'll have a bit of good luck, you know, have a little bit of bad luck. That's life. There isn't a silver bullet for this, and you really do need to plow through it. So these little ads that come up and say, I've got the answer for you in the next three weeks, you can do this. Um, then just, I'm just doubtful. [00:33:32] I certainly don't buy into them. And every time I have sort of investigated, they've come up short now we all have superpowers. We do. But we don't all have the same superpowers and there's no one superpower you need, you need a suite of them. But you can't have everything. It's just not possible to be good at everything. Um, my superpowers, I suppose, are I am a grafter I work hard. I can read light. I love, I love technology. I know it's slightly ironic that I'm muttering about some of the AI stuff given I've got a PhD in AI. I adore technology. And I get on with people. Well, mostly I get on with people. But I am not for instance, an avant-garde creative photographer. I'm not edgy. I'm not a visionary. I'm certainly not a master, of marketing or a sales. [00:34:22] I'm non of those things, but I work hard. At it, I love doing it. And so I do a lot of it. And I particularly love being amongst people. And I love being amongst people when I've got a camera. And if I'm, I suppose I, if I think about it, I can create a portrait. In almost any light. If I can see it. Well, probably I can use it. Those are my superpowers, but everyone will have different superpowers. Some of you will be amazing at business. Some of us will be amazing at marketing and sales. Some of us will be amazing photo shoppers. And fine artists things that I'm not. Um, but that's my superpower. Those are my superpowers. Uh, I'm a grafter can read light love tech and I get on well with people. [00:35:07] But even then in and of itself. that's not enough. It's a damn good start, but it's not enough. I've got to learn and I have learned as much as I can about everything else. I'm still learning. I'm still on that journey. We're still running. Uh, business that I've learned how to do it alongside Sarah. Sarah. and myself, we've worked out how to do it. [00:35:27] We've had a corporate background. So we were exposed to the fundamental principles of running businesses, which is really useful. But I've learnt how to run our little business, how to sell. We've learned how to sell stuff. We've learned how to market, we've learnt how to do those things. Using what I would consider to be natural tools. Um, so using the S the superpowers that we have, the ability to get on well with people, the ability to create a picture, actually, after that, you don't need to do too much on the sales side, a couple of little bits and pieces. [00:35:55] There are techniques. But for us, we've just lent into our natural talents. Um, of really liking our clients and really enjoying being there with them and really enjoying, creating images of them. Uh, and so that's how we've learned how to run a business and we're still learning. [00:36:12] But I do wish I could stop receiving ads from people, waving a camera at me telling me that they all 25 years old of them. Are the answer. Well, they may be the answer, but they're not the answer. that I would look for. They can't change my business only I can change my business and I'm very, very picky. About who I take advice from. Final Thoughts and Farewell [00:36:37] Paul - Studio Rode Broadcaster V3: Anyway, thank you for listening. [00:36:39] If you have enjoyed this, please do let us know. Please do leave us a rating on iTunes or wherever it is, you get your podcasts and also please do subscribe. So the minute we publish the next one. Bang. There is. In your in-tray or in your list, on your library, on your latest or on your alerts or wherever it is. That it pings up when you listen to your podcasts, please also head over to mastering portrait photography.com, which is. the spiritual home of this podcast. But also of course includes a ton of stuff all about the love. The passion, the creativity in the business of mastering. Portrait photography. If you're curious about any of the workshops and one-on-one masterclasses that we run, um, where there's a whole suite of them. I go back to the thing I said earlier, though. If you think we're the kind of thing you'd like to do. [00:37:23] If we creating pictures that you'd like to learn how to do, and if you think actually you'd like to learn it from us. And then please do head over to, uh, paulwilkinsonphotography.co.uk. And there you will find the, um, Coaching section, but just Google paulwilkinsonphotography.co.uk workshops and you will find us. [00:37:41] So on that happy note, I'm going to go, I think. And have a beer in the sunshine with my wife. And lament the fact that I've got one very sore, big toe. Whatever else you do. Be kind to yourself. Take care.
Softsimon from Mempool joins us to discuss Bitcoin fees, spam, fixing the filters, the Blocksize Wars, and much more! Key Takeaways: Data transactions, such as JPEGs and token transfers, contribute to fee spikes in Bitcoin. High fees are necessary to price out spam and non-essential transactions. The debate between big blockers and small blockers centers around decentralization and user control in Bitcoin. Roger Ver's book promoting Bitcoin Cash as the true Bitcoin is seen as a failed attempt to gain support. New users should understand the history and context of the Bitcoin Cash fork. Bitcoin has experienced multiple forks due to disagreements and attempts to hijack the protocol. Bitcoin's resistance to change is a key feature that protects it from being easily manipulated. Mempool is working on transaction acceleration services to help users with stuck transactions. Transparency is important in the Bitcoin ecosystem, and Mempool aims to provide an open and auditable transaction acceleration service. Connect with Softsimon and Mempool: https://x.com/softsimon_ https://mempool.space/ Connect with Us: https://www.freedomfootprintshow.com/ https://twitter.com/FootprintShow https://twitter.com/knutsvanholm https://twitter.com/lukedewolf Thanks to our sponsors - check out there websites for info: BitBox: https://bitbox.swiss/freedom Bitcoin Adviser: https://content.thebitcoinadviser.com/freedom Orange Pill App: https://www.orangepillapp.com/ Support the Show: If you value what we do here at the Freedom Footprint Show, consider sending us some value back. You can send us a boost or stream us some sats on Fountain. Check out https://www.fountain.fm/ You can support us directly with Bitcoin on Geyser Fund: https://geyser.fund/project/freedom/ The Freedom Footprint Show is a Bitcoin podcast hosted by Knut Svanholm and Luke de Wolf. In each episode, we explore everything from deep philosophy to practical tools to emit freedom dioxide to expand your freedom footprint. This isn't a show for bitcoin news or analysis - we dig into the deep topics that are important to us and to our guests. Join us if you want to go deeper down the rabbit hole of Bitcoin and related freedom-go-up technologies and ideas!
Here are some whiteboard drawings that might help you with pharm at https://www.memorizingpharm.com/drawingpharm1. Then, change the 1 to 2, or a 3, and so on to get to the next one. Let me know your thoughts in the comments.
Bitcoin core developer Peter Todd joins The Mining Pod to discuss mining pool centralization threat vectors, MEV on Bitcoin, JPEGS, and hidden attacks to Bitcoin.Follow along on your favorite podcast player of choice by clicking here.We headed down to Bitcoin ++ in Austin, Texas last week to discuss all things Bitcoin development, and it turns out mining is a big part of that!We sat down with Peter Todd, a Bitcoin core developer with extensive work on decentralizing Bitcoin's tech stack. We dig into pool centralization threats, the what and if of miner extractable value on Bitcoin and what he thinks of JPEGs on Bitcoin!Chapter Markers:00:00:00 Start00:02:35 Open Timestamps does election fraud00:07:19 Timestamp the internet?00:08:19 Peter Todd Intro00:10:45 Antpool block template use00:16:33 Does Stratum V2 solve pool control?00:17:18 Ocean Pool00:18:19 Developers Incentivisation00:20:19 Mining Testnet00:21:30 Resetting Testnet00:21:56 Ordinal Streisand Effect00:24:16 OP_RETURN00:24:58 1MB Runes incoming w/ Libra Relay?00:28:23 MEV is dangerous00:30:35 RBF transactions00:31:20 MEV types00:32:53 Libra Relay vs Core filters00:34:50 Libra Relay is a political project00:36:10 Suggestions for miners00:37:36 OP_CAT00:42:40 OP Code predictionPublished twice weekly, "The Mining Pod" interviews the best builders and operators in the Bitcoin and Bitcoin mining landscape. Subscribe to get notifications when we publish interviews on Tuesday and a news show on Friday!
Show Notes On this week's podcast, Dan and Kris climb aboard the SAG Cartoon Express to discuss another classic Sonic the Hedgehog episode, but not THAT Sonic the Hedgehog show. The OTHER Sonic show that was airing at the same time, which was just called Sonic the Hedgehog. Not confusing at all! Anyway, the episode was called No Brainer, and it certainly was an episode of a TV show. But was it better than The Adventures of Sonic the Hedgehog? How did Sonic survive after eating a chili dog from a vending machine in a sewer? Who put that vending machine there in the first place? We may never know. At the top of the show, Kris explains why he was sick for most of the week, and why he wound up freezing cold, watching The Flash on his phone on the floor of the local mall. Meanwhile, Dan had to drive extreme distances for a combination of hospital visits and specialized chicken finger restaurants. Meanwhile, Cave Story is still excellent, Dadish 3D delivers hot Dadish action in 3 dimensions, Pokemon Scarlet is exactly as janky as everyone said, and more! Finally, in Week Old News, Tomb Raider has been CENSORED by the woke agenda!!! OR HAS IT?!? Sensationalist headlines would have you believe it was a nefarious plot to suck all the joy out of viewing tiny, out of focus JPEGs of a hyper-polygonal Lara Croft, but is there more to the story? Plus, Infogrames is back (and still hard to pronounce), an interview about the Tetris CD-i soundtrack is saved, Nintendo 64 NSO gets a rather bizarre update, and a whole lot more. Enjoy! Useful Links Support us on Patreon StoneAgeGamer.com Safe at Home Rescue theGEEKwriter Shoot the Moon Stitches Art of Angela SAG's theme Song “Squared Roots” by Banjo Guy Ollie What's New at Stone Age Gamer Morph 4K Advanced Upscaler Retro Fighters Battler GC Pro XYAB Products now available at SAG Social Stuff Join us on Discord! Stone Age Gamer YouTube Twitch Geekade Facebook Stone Age Gamer Facebook Geekade Twitter Stone Age Gamer Twitter Geekade Instagram Stone Age Gamer Instagram YouTube Geekade Contact Us Break Music Cave Story - Mischievous Robot Extreme G - Title Tetris (CD-i) - Level 2 Sonic the Hedgehog Intro
This is The Thirty Third Episode of the Visual Scholar Podcast - With Tim Mcburnie. Let's look at how Tracking relates to your artistic progress! (Yeah this can sound a bit analytical.... but trust me it's critical for overcoming many of the natural pitfalls we can fall into as aspiring artists!) Below is in Automagically generated summary so you can check out the content and also to help with search functionality! ---Artistic progress can often feel elusive, especially when you're just starting out or deeply immersed in your work. It's not uncommon to struggle with recognizing your own development, which can lead to frustration or even a loss of motivation. However, tracking your progress visually can significantly change this dynamic. This simple yet effective practice involves collecting images of your work over time. By creating a visual timeline, you can more clearly see improvements, changes in style, and the evolution of your skills. This isn't just about confirming that you're getting better; it's about understanding the nature of your growth and the specific areas you've improved in. For many, the benefits of this practice become particularly clear when comparing older works with more recent ones. This comparison can provide a tangible sense of advancement and can be particularly encouraging during periods of self-doubt or stagnation. Moreover, this visual record can serve as a valuable tool for reflection and learning, highlighting both strengths and areas for further development. By making this a regular practice, you establish a habit that not only motivates but also deeply informs your artistic journey. It serves as a personal archive that you can refer to, learn from, and draw inspiration from throughout your career. CHOOSE A STORAGE MEDIUMDecide where you will store your images. This could be a digital folder on your computer or cloud storage like Dropbox or Google Drive. The key is to choose a platform that you find easy to access and reliable. COLLECT REGULARLYMake it a habit to save images of your artwork regularly. This could be daily, weekly, or whenever you complete a piece. The important part is consistency. ORGANIZE BY DATEArrange your images chronologically. This helps in easily seeing your progress over time. Most digital platforms automatically record the date an image is saved, which can help in organizing. HIGH-QUALITY IMAGESEnsure the images are of good quality. If you work digitally, save JPEGs or PNGs directly. For traditional media, take well-lit, high-resolution photographs of your work. CONSIDER PUBLIC SHARINGFor additional motivation and feedback, consider sharing your progress on social media platforms like Instagram, ArtStation, or a personal blog. This not only creates a backup of your work but also allows you to engage with a community that can provide support and constructive criticism. REVIEW REGULARLYSet a routine to review your collected images. This could be every few months or at least once a year. Use this time to reflect on your growth, identify trends in your work, and assess areas needing improvement. KEEP EVERYTHINGInclude both your successes and failures. Every piece of art, regardless of its quality, is a step in your development and provides valuable insights into your artistic process and growth.--- This Podcast is designed to help you demystify the world of Art, Productivity, and Creativity. So you can get better faster, and enjoy your Art Journey. We discuss Drawing, Painting, Illustration and Entertainment Design. Along with Productivity and Career Advice. Learn more about Tim Mcburnie: Learn Drawing and Illustration at The Drawing Codex: www.thedrawingcodex.com Check out this podcast with video on Youtube: https://www.youtube.com/@Tim-Mcburnie Spotify Link: open.spotify.com/show/6VbdwbiZqy8nqb90ruKQCX?si=21b9c1d02c85419f Apple Podcasts: podcasts.apple.com/us/podcast/the-visual-scholar/id1678505411 www.thedrawingcodex.com/podcasts/the-visual-scholar Check out The Drawing Codex Youtube Channel: https://www.youtube.com/@TheDrawingCodex Portfolio: www.timmcburnie.com www.artstation.com/tim-mcburnie www.instagram.com/timmcburnie twitter.com/timmcburnie
In this episode of the Crazy Wisdom podcast, Stewart Alsop interviews Jonas Lamis about his journey from early computer programming to becoming a partner at Medicaid and a notable collector of JPEGs and NFTs. Lamis shares stories about his father's transition from physical to computer art in the 1980s, detailing the influence it had on his own interests in digital art and collectibles. The conversation also explores Lamis' involvement with NFTs through Ethereum and Flamingo DAO, highlighting the evolution of digital art from generative projects like CryptoPunks and ArtBlocks to emerging AI art. Lamis unveils his work on digital 3D assets and the future of digital ownership, emphasizing the significance of blockchain technology in ensuring self-sovereign digital experiences. Lastly, Lamis introduces StoryBank, an AI-driven project aimed at preserving personal memories and stories, suggesting the potential for creating a digital twin as a form of digital immortality. The discussion also touches on the technical aspects of integrating digital collectibles with real-world items and the transformative potential of generative AI in various domains. Timestamps 00:07 Exploring Jonas Lamis' Fascination with NFTs and His Father's Artistic Legacy 02:56 The Evolution of Personal Computing: A Nostalgic Journey 05:45 Diving Deep into the World of NFTs and Crypto 10:29 The Impact of AI on Art and the Future of Digital Creation 22:01 The Future of NFTs, Gaming, and 3D Digital Worlds 28:20 Exploring the Intersection of Blockchain, Fashion, and Digital Identity 43:40 StoryBank: Preserving Personal Histories Through AI 49:08 Envisioning Digital Immortality and the Future of AI Key Insights Legacy of Art and Technology Intersection: Jonas Lamis shared the story of his father, a noted artist who transitioned from physical sculptures to computer-generated art in the early 1980s. This narrative highlights the profound impact of technology on art, demonstrating how the advent of computers with graphic capabilities inspired traditional artists to explore new forms of digital expression. This early blend of art and technology in Lamis's family background laid the foundation for his interest in digital art and NFTs, illustrating the generational influence of technological innovation on artistic practice. Evolution of Computing and Programming: Jonas recounted his early experiences with computing, specifically with the IBM PC Junior, and learning to program in BASIC without the resources like the internet or YouTube, relying instead on programming manuals and magazines. This insight provides a glimpse into the nascent days of personal computing, where learning to code was a more manual and discovery-based endeavor, emphasizing the significant advancements in accessibility and resources for learning technology over the years. The Rise of NFTs and Crypto Art: Jonas Lamis's journey into the world of NFTs began with his exposure to the cryptocurrency scene in San Francisco around 2013-2014 and eventually led to his active participation in the NFT market, particularly with Flamingo DAO. This trajectory showcases the evolution of NFTs from a niche interest to a significant cultural and economic phenomenon within the art and technology communities, highlighting the growing appreciation and market for digital art. Community and Innovation in Digital Art: The conversation touched on the importance of community in the NFT and digital art space, as exemplified by Lamis's involvement with Flamingo DAO. This insight stresses the role of communal efforts in curating, collecting, and valuing digital art, pointing to the collaborative nature of the digital art ecosystem and how it fosters innovation and discovery in the art world. Impact of AI on Art and Creativity: Lamis discussed the transformative effect of AI on the art world, particularly through AI-generated art and its integration into platforms like Flamingo DAO. This reflection highlights the ongoing revolution in creativity and artistic production, where AI tools are not only creating new art forms but also challenging traditional notions of authorship and artistic value. Digital Legacy and Personal History: Jonas Lamis's project, StoryBank, was inspired by the desire to capture and preserve personal histories through AI, sparked by the loss of his mother and the realization of the unrecorded stories. This insight underscores the growing significance of digital legacy and the potential of AI to capture and immortalize personal narratives, reflecting broader themes of memory, history, and the human desire to be remembered. The Future of Digital Identity and Immortality: The discussion ventured into the concept of digital twins and the potential for digital versions of individuals to exist independently, serving as repositories of personal memories and experiences. This idea opens up philosophical and ethical considerations about identity, consciousness, and the nature of existence in a digital age, suggesting a future where the boundaries between the physical and digital selves become increasingly blurred, and digital immortality becomes a tangible possibility.
Today on the Ether we have Filament discussing the intersection of JPEGS and DeFi featuring the Galactic Punks. You'll hear from Abhitej, Rebel Defi, and more! Recorded on March 21st 2024. Make sure to check out the newest tracks from Finn and the RAC FM gang over at ImaginetheSmell.org! The majority of the music at the end of these spaces can be found streaming over on Spotify, and the rest of the streaming platforms. Thank you to everyone in the community who supports TerraSpaces.
Today on the Ether we have Filament discussing the intersection of JPEGS and DeFi featuring Seiyans NFT. You'll hear from Abhitej, Pratyaksh, and more! Recorded on March 20th 2024. Make sure to check out the newest tracks from Finn and the RAC FM gang over at ImaginetheSmell.org! The majority of the music at the end of these spaces can be found streaming over on Spotify, and the rest of the streaming platforms. Thank you to everyone in the community who supports TerraSpaces.
This is MEMENTO, Adafruit's DIY programmable camera dev board. With MEMENTO, you can take photos using the Fancy camera software with CircuitPython. You take photos and save them as JPEGs or animated GIFs. You can even apply image filters like this GameBoy-like effect. You can use the built-in buttons to change settings like the photo resolution and switch between different image filters. Memento https://www.adafruit.com/product/5420 MEMENTO camera kit https://www.adafruit.com/product/5843 Memento Learn Guide https://learn.adafruit.com/adafruit-memento-camera-board Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------
This is MEMENTO, Adafruit's DIY programmable camera dev board. With MEMENTO, you can take photos using the Fancy camera software with CircuitPython. You take photos and save them as JPEGs or animated GIFs. You can even apply image filters like this GameBoy-like effect. You can use the built-in buttons to change settings like the photo resolution and switch between different image filters. Memento https://www.adafruit.com/product/5420 MEMENTO camera kit https://www.adafruit.com/product/5843 Memento Learn Guide https://learn.adafruit.com/adafruit-memento-camera-board Visit the Adafruit shop online - http://www.adafruit.com ----------------------------------------- LIVE CHAT IS HERE! http://adafru.it/discord Subscribe to Adafruit on YouTube: http://adafru.it/subscribe New tutorials on the Adafruit Learning System: http://learn.adafruit.com/ -----------------------------------------
Today on Rekt FM the Rekt Gang has a chat with Filament discussing the intersection of JPEGS and DeFi. You'll hear from Zerk.eth, _Trendy, Abhitej, Em
Suddenly it washed over me - that odd euphoric sensation of contentment. No idea what triggers it, but it's well worth holding onto! Also in this episode, a quick review of ACDSee 10 (the Mac version). If you'd like to try it yourself, please use this link (there is no kickback or finance attached, but it does let the guys at ACDSee know that the referral has come from me and the Mastering Portrait Photography Podcast!) Enjoy! Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk. Full Transcript: EP146 On Being Content [00:00:00] Introduction and Studio Update [00:00:00] So in an effort to keep up my weekly episodes , I am recording this mid afternoon on a Tuesday, which normally would be fairly busy here in the studio, but given I've got two people who are off sick, with both Michelle and Sarah coughing and spluttering and generally not feeling very well. [00:00:16] So with a degree of persuasion, managed to get both of them to go home. I'm assuming they are now wrapped up in duvets drinking brandy or whiskey or possibly just Lemsip. And so I suddenly found myself with some time in the studio during normal working hours. So this is episode 146 being recorded when, well, I could be doing a million other things. [00:00:41] I'm Paul and this is a very distracted Mastering Portrait Photography podcast. [00:01:03] Now if you look at the list of things I should be doing, it's long, it's complicated, there's a lot to do in the studio just now, but I quite like recording the podcast, and so I am somewhat using it as a distraction. Displacement, I think is what it's called, and I'm going to record this episode. [00:01:22] Mastering Dogs and Their Owners Portraiture Photography Workshop [00:01:22] It's not that long since the last episode, so it's not like I've done a million different things, but yesterday we ran a Mastering Dogs and Their Owners Portraiture Photography, I can't remember the title, ah, uh, workshop, which essentially is a Photographing dogs with their owners. [00:01:37] Had the most incredible bunch of people as delegates and also as models. One of the great things about running these workshops, of course, is that we can bring in models who are regular clients. Steve and Ambra and their dog Luna, and then Gemma who came in the afternoon with her dogs Luke, and, archie. [00:01:58] It was just brilliant. Spent the whole day laughing, the whole day answering questions and discussing things about photography, not just how to take these pictures, but why we take these pictures. And certainly from the point of view of running a business. The weather held, it was gorgeous and sunny, a little too sunny, with that low raking February sunshine that we don't get enough of, and when we do get it, of course, as a photographer, I moaned that it was too harsh, uh, for some of what we were doing, particularly when we were trying to photograph in an alley where I needed both walls to have the same light, more or less, and of course the sun sort of threw that out the window, but hey, you know, what can you do when you get those days? [00:02:39] It was a fantastic day, and loved every second of it, I've created some images that I really like, and more importantly, I think our delegates went away with ideas and enthusiasm and determination and confidence, possibly more than they did when they arrived, which is the right way around, and if you ever give when we're delivering workshops, the great thing is not It's not about technical stuff really, it's about having the confidence to go and do it, because without that, it doesn't matter how good you are with a camera, or how good you are with Photoshop, you're not going to run any kind of business. [00:03:14] You'll never produce anything. You need the confidence to do it in the first place. So a big shout out to all the guys that came on the workshop yesterday, and a huge thank you to my clients. [00:03:22] ACDSee Software Review [00:03:22] Uh, before I get into the nuts and bolts of the podcast I want to give a quick shout out to the guys at ACDSee. [00:03:30] That's letter A, letter C, letter D, and the word 'See' S E E. A brilliant bit of software. It's a bit of software that I first used, I was trying to remember when they asked me to get involved. I was trying to remember when I last used it. I think I used version 1. I think it came free on the front of a magazine. [00:03:49] It was I think, recalling it was shareware back then. Shareware is not really such a common model, but back then, I'm guessing 15 or 16, maybe even longer years ago. Um, and it was an amazing piece of software primarily because it was super fast and It has the ability to preview files and organize files for you in an incredibly quick way. [00:04:13] And anyway, the guys at ACDSee asked me if I'd review it and then talk about it. So, cards on the table here. I have been given a free copy of ACDSee to see what I think. I'm on version 10, it's the MacStudio version. And so I've been bunged a free license, which I've been using for the past couple of months. [00:04:34] So it's not really, this isn't a paid commercial. Genuinely, I'm using the software and I said I would talk about it if I liked it. But I'd hate anyone to think that I wasn't being straight up and honest when I'm talking about it. And clearly I've been given a free license. But of course, here's the but in all of this stuff is I will never talk about anything on this podcast that I haven't had first hand experience of. [00:04:58] Somebody did ask me, there is someone has asked me to review like an energy drink from the US to use it for a while and then talk about what I think. Sadly though you can't get it in the UK so I had to go back to them and say I can't do that until you've got a supply chain or an importer over here. [00:05:15] And then of course I will try it and let you know what I think. So I won't talk about anything that I don't have first hand experience of there are many reasons for doing this podcast but being able to be authentic in the middle of it is the bit that under pins it. So what are my thoughts on this version of ACDSee? [00:05:31] So this is version 10, the Mac version. Um, so okay, straight up, slightly mixed bag, but don't I don't take that as anything other than there's just one little bit that I'm not happy about. So when they approached me, so when ACDSee approached me, I was beyond excited to do it. Firstly, I got to play with a bit of software that I used an awful lot back in the day. [00:05:57] And it was wonderful to be using the same software again. There's a degree of nostalgia, I suppose, about that. And it's always good to see a great piece of software, as it was, not only survive, but expand and become even more useful. The second reason I was excited about it, so I went and did a quick hunt around before I committed to giving it a go, is everything I read talked about the new AI keywording tools, and they looked incredible. It would help me enormously if using a bit of AI inside the software that I have on my computer, as opposed to going online and doing round tripping and all of those things, if I had some AI software that would help me identify with some very simple keywords. I'm not after that. Detailed keywords, but very simple keywords that would let me find, for instance, like a low key studio portrait, or a high key dog image, you know those, I'm talking really quite basic stuff. [00:06:50] Now we manage our catalogue really well, but stuff slips through, and with keywording, you know what it's like, you get one folder, I've got to archive it, I've run out of disk space, I need to move some stuff today, do I keyword it now? No, I'll do it later, and of course by do it later, what I actually mean is, it doesn't get done. [00:07:07] So, that was What I was looking forward to the the speed and the simplicity of this piece of software as it used to be, but also with some of the new AI stuff in particular, the keywording. And so I suppose the question is how did it do? Brilliantly, I think, is the word I'd use. It is still blazingly quick. [00:07:27] It's an unbelievable piece of software from that point of view. It's faster than using the Finder on the Mac or Pathfinder I also use. It's incredibly fast. Now, let me just clarify how I've used it or how I'm using it right now. Lightroom is at the heart of our workflow. All of our live catalogues. All of our live RAW files, all of our live PSDs are in Adobe Lightroom . [00:07:52] And what do I mean by live? Live just means the job is not yet archived. I looked earlier and there's about 75, 000 assets in Lightroom at any one point. That includes all of our live jobs but also our portfolio, our portfolio of heroes. Now, I've configured Lightroom in a very particular way so when I run an export of JPEGs that are going to go to the client, they're going to go into album designs anything that's flagged with five stars, the little bit of code in the background that I've written spits those out into a series of Dropbox folders that are organized in line with the jobs. [00:08:27] So, let's say there's a Le Manoir wedding Tom and Amy get married at Le Manoir on a date. When I spit those files out, there'll be an equivalent Dropbox folder that contains anything that was ranked with five stars. So it allows me to have these heroes in Dropbox. And we've been doing that for about eight years. [00:08:45] So you can imagine just how many images and folders we have in Dropbox running that little bit of the catalogue. But when I archive the folder away, when it's done, the job's finished, Tom and Amy have got their wedding album, then we remove all of the files off our live drives, remove the catalog components from Lightroom, and obviously new stuff has come in. [00:09:07] Those heroes, though, still need to be active, and they stay active in Dropbox, a series of Dropbox folders that I have. And it's always a little bit of a pain trawling up and down them. Well, ACDSee solves that, because once I visited a folder with this software, All of the thumbnails stay in its catalogue. [00:09:24] So it's as if I can browse things that go across folders. There's this thing called the Image Well, which is brilliant. I can find things by flags. I can find things by colour labels. It's absolutely phenomenal. So at the moment, I've got about a quarter of a million. There's about 250, 000 JPEGs in ACDSee. [00:09:47] It's really, really fast. And one of the things I really have liked about it, which is useful for me, is, and this is the bit of the AI that is working, is the facial recognition. Now, no Lightroom has facial recognition, but of course, in the end I don't use Lightroom for longer than the job is live for any folder. [00:10:05] Whereas this is folders that go back historically. And I'm not really that worried about identifying every face. What I am interested in is having the faces all looking at me in a series of thumbnails that I can scroll through and go, Do you know what, I remember that shoot or I remember that image. [00:10:22] That's what I'm looking for. Then I can find the shoot and then I can expand that to all of the other images. And on top of that, slightly weirdly, Hehe. I found myself just smiling this morning as I was trawling through this big page of thumbnails of my clients. It's all my clients faces looking back at me and smiling. [00:10:39] And it was really nice. It was a bit of a trip down memory lane, I think, for many of these. And I know that's not its intended purpose, but if you ever want a pick me up It's simply look in this folder on ACDSee of faces looking back at you, of all these clients, and of course the memories that go with it. [00:10:57] And it is rapid, I mean it's unbelievably quick in the way it does it. And it's really useful to have that. Now on the indexing side, it's a little bit, you have to get your head around it a little bit. It indexes any folder you've visited. Browsed. However, there is also a behind the scenes index that you can get ticking over, which will run whenever you're not using your computer and ACDSee is open. [00:11:20] So gradually over time, it picks up the files and it pops them pops all the thumbnails together and categorizes them for you. So it's really really useful. On top of that, a nice little touch that I've only really discovered this morning is that your license includes the use of a thing called SendPix. [00:11:38] This won't be useful to everybody, but it's quite a nice little bit of software. So it's, if you can imagine I suppose a hybrid version of something like Zenfolio which is a catalogue system for images for your clients and WeTransfer which is a way of sending files to your clients. It's sort of in between the two. [00:11:58] What it allows you to do is select a load of images, send them to someone but instead of sending them directly it creates a short lived online gallery. It's there for a couple of weeks, I think, looking at the dates it gave me. And that allows your client, or whoever you're sending them to, to log in, see the images, and download what they need. [00:12:15] So in a sense, it's like WeTransfer, but with an interactive component. And it's equally, it's a little bit like Zenfolio, but with a gallery that only lasts for a couple of weeks. So you don't have to worry about taking them up and taking them down, and all that kind of thing. It's only there for the time you need it. [00:12:30] And, surprisingly It's actually really useful, which I hadn't seen coming. It wasn't a bit of the software. I certainly didn't pick that up when I said yes to reviewing ACDSee, but it's incredibly useful. Now, sadly, the software doesn't integrate with Dropbox properly. There is no integration with Dropbox, which is a shame. [00:12:47] It would have been really nice. It does have an integration with iCloud, but I don't use that, so I can't comment on that part of it. But it would have been quite nice. It's no big deal. Doesn't really change my usage of it. And all in all, there are just dozens of little functions that make finding and retrieving files that you have on your folders and drives really easy. [00:13:09] It makes it fast, it makes it visually interesting. I haven't used the editing tools because for us, everything we do is edited in Lightroom on the RAW files and the PSDs. I suppose it could be useful if I do pick up a file, I just think, you know what? I wish that was slightly brighter, I wish that was slightly darker, or something like that. [00:13:26] I know there are some quite sophisticated tools in there, but that's not the part of the puzzle I've been interested in. And I think the license for the Mac version is about 99, and it's absolutely worth it. [00:13:38] Sadly, the AI keywording is in the Windows version but not the Mac, but still [00:13:42] I think it's absolutely worth it. Anyway, now whether that fits into your workflow is entirely down to you. [00:13:49] Only you can answer that question. Now bear with me, I'll come back in a minute. [00:13:53] Reflections on Happiness and Contentment [00:13:53] I've got a phone call to answer. [00:13:55] So sorry about that, I had to answer the phone. It was the editor, it was Terry, the editor of Professional Photo Magazine, who we regularly write for calling about the next edition, which is very exciting, as always. I've no idea, I've no idea in the final edit where I'll leave that cut in, or whether I'll just gloss over it. [00:14:15] Either way, as I was trundling in this morning, I don't know whether this happens to you, but it happens to me occasionally, where It's just this, it's almost a feeling of euphoria, and it's happened to me a couple of times today, whether it's just chemistry, whether it's just, I don't know, I've no idea. But today, I felt like everything was good in the world. [00:14:37] And, it's a real sort of skill, I suppose, in being completely comfortable with where you are. We had a text this morning. Someone was asking, how are things out in the industry? And I can only answer from our experience. And right now, we're doing well . Everything is busy phone's ringing, even this morning. [00:14:56] We had an enquiry for a wedding just come through. We've got enquiries for headshots and commercial. Portraiture feels maybe a little bit squidgier than it has been on the economy. But all in all, our business is running really well and I'm really happy. [00:15:07] I'm very satisfied with my lot. Now, I don't mean to be self satisfied, that's not what I'm saying, but I think the art of being content with your lot is a tricky one. Now don't get me wrong, I'm incredibly ambitious and driven and impatient. I want everything to happen and I want it all to happen now, but the reality of course is things are slower. [00:15:27] So I get frustrated with it, of course I do. But trying to find the space in my head to be content is a skill that I am still learning, I guess. It's really easy not to be happy. Even this morning, Sarah had the radio on, and the news came on, and I could feel myself just getting wound up. The state of our economy, we have a particularly crappy government at the moment, and I'd like to say that's specific to the UK. [00:15:57] I've got friends all over the world, and I keep, as best I can, I keep abreast of world news, and I think it might just be a global phenomenon. The kinds of people who you'd really want to lead you are not the kinds of people who we have leading us, I don't think. So it's easy to feel down, the weather's pretty rubbish, it's that time of year, you know, it's grey. [00:16:18] Yesterday we had this phenomenal day of beautiful weather, but today, well, it's back to normal, it's chucking it down. But yet, even though it was cold and dark, I still found myself skipping into work this morning. Life is okay. And being happy with yourself is not that straightforward, I don't think. Jake, our son, was asking me if I liked myself and I thought that's an interesting question and I don't really have a satisfactory answer. [00:16:45] Some days I like bits of me, some days I feel dreadfully insecure, but I'm always confident that on balance I'm alright. I feel alright, I'm on the whole nice to people, I try really hard not to be nasty to anybody. There are people I like more than others, of course there are. You know, you marry the one you like the most, right? [00:17:09] And she's incredible. So being happy with your lot. I think is something you can do and it just washed over me this morning, maybe it's the fact that we ran the workshop yesterday and I was around people who I liked [00:17:23] And even writing up the notes on ACDSee, it still feels really strange saying ACDSee, when I grew up in the 70s and the 80s, when ACDC was a band for those about to rock and all of that stuff. So it sounds really weird when I say it, but writing my notes on ACDSee I had to look through thousands of images that had dropped into our Heroes folders, which reminded me of the things we do. [00:17:46] And on top of that, of course, I put the facial recognition on, and that reminded me of all of the incredible people we do it for. And if it wasn't enough that I came in skipping down the road as an image, right? What we do for a living, the things we create, and the people we create these things for, what an honour. [00:18:05] not only ACDSee, but Sarah spent the past couple of days designing the most incredible book. A Tramontino book is the range from Graphistudio. And it's full of the same pictures, these pictures that we took in the past 12 months. It's a collection of some of our Favourite moments, I guess, out of 2023. A mix of clients and some dogs, all sorts of bits and pieces. [00:18:31] One or two award winning images. But mostly, it's just a celebration of the people we work with. And I can't wait for that to come, for Sarah to get it made, uh, and Graphistudio to get it, to get it made. [00:18:47] The Joy of Photography [00:18:47] It'll be beautiful, I know that. But more importantly, it will sit on our coffee table, and every time I feel flat, or I feel like, Oh, do you know what? I'm not sure how I feel about all of this. I can go down and have a look at it, just as I do with one or two other bits down there. [00:19:00] And it reminds me, just What a lovely job this is, and I can't wait to have that actually on our coffee table, not just as an advert for the product, and of course it is a great advert for the product, a Graphistudio product I may have mentioned we're ambassadors for Graphistudio, so there's my cards on the table again, but in the end, I am really lucky, and we are really lucky, to have a skill that allows me to create the pictures that we do, for the people that we do, the moments that we get to enjoy, the places that we get to visit, and the joy, that we get. [00:19:36] It's easy to get distracted by life, but sometimes it's worth focusing on what it is I do. And for whatever reason that happened subconsciously this morning, but I probably should make it happen more of a deliberate thing as I go. [00:19:52] Still ambitious, still competitive, still driven, still want it all to happen today. But maybe it just takes a little bit of time. . [00:19:59] Conclusion and Workshop Information [00:19:59] And on that happy note, I'm going to wrap up. If you're curious about our workshops, please do head over to Paul Wilkinson Photography and look for the coaching and workshops section. Eventually we're going to move all of those across into Mastering Portrait Photography, but for now they're all still on my normal website. [00:20:19] I'll put a link if you're curious about ACDSee and want to download a copy to have a play. I recommend you do actually, I've really I've grown to love it. I have two screens on my Mac, two huge 27 inch monitors, and ACDSee sits permanently on my right hand monitor whenever I'm doing any design work or doing anything for the websites. [00:20:39] It's there because I have easy and straightforward access to all of our hero images, all of my favourite images. It's incredible as a tool like that. It slots in alongside Lightroom for me. At least it won't replace it, though I'm sure the guys at ACDSee would love it too. That's not, for me, the function that it serves, but does that make it still worthwhile? [00:21:00] I think it does, and I, for one, will renew my license when the time comes up. So I shall put a link down in the show notes for you to head across. It does have my name in it. I don't get a kickback from it. I think it just allows the guys at ACDSee to see that it came through me. And I'll also put it on our Facebook group for all of the people that have been on our workshop community. [00:21:19] But All in all, I highly recommend it. [00:21:23] In the meantime, I hope the weather is a little nicer where you are. I hope it's more like yesterday than today. But whatever else, keep skipping, keep smiling, remember that what we do is an incredible job. I'm Paul, and whatever else, be kind to yourself. [00:21:38] Take care.
HT1802 - JPGs vs RAW, Again The flexibility of a RAW file has always seemed such a better strategy that I've never given JPEGs out of the camera a second thought. I recently had an chance to see Gordon Laing's book touting the virtues of shooting JPEGs out of the camera. I understand the challenge, and have to admit that Laing's images are terrific. I thought that maybe I need to try this, just for fun. Until, that is, I remembered Adobe's Enhanced DeNoise and Super Sharpen, newly introduced software solutions that only work on RAW files.
Welcome to the last live Bombcast of the year! We have a great time zipping around in The Finals, reset our futures in God of War: Valhalla, and flip dwellings in House Flipper 2! We also have an extended chat about the unfortunate Insomniac leaks, the discovery of a possible Luigi in Super Mario 64, and your emails!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5928697/advertisement
Better Fuji Photos Episode 41: Tips for Using Fujifilm's Color Chrome Effect Fujifilm's camera manuals leave much to be desired when discussing Color Chrome Effect and Color Chrome FX Blue. What exactly do they do? When would you use them? And how? Color Chrome Effect settings (which may or may not be found on certain cameras) help you avoid oversaturating specific colors by decreasing the luminance of those colors, effectively giving you a wider range of tones in colors close to oversaturation. This can really help photographers photographing for in-camera JPEGs. They will not affect the RAW file. When using these settings: Remember that they will respond differently to each film simulation A setting that looks good for one film simulation might look like garbage in another The Color Chrome FX Blue setting works great as an "artificial polarizer" to get the same effect with skies You can preview setting effects either from the Image Quality menu or programming them to the Q Menu (ep. 31) Accompanying web article: https://jmpeltier.com/color-chrome-effect-color-chrome-fx-blue/ Perfect Fujifilm In-Camera JPGs course: https://photocourses.link/jpg Fujifilm Photographer Membership: https://photocourses.link/fujimembers Use the code "POD20" for 20% off all courses. Please subscribe, rate, and review wherever you prefer to listen to your podcasts so we can keep this show going. If you ever have any questions that you'd like to have answered in an episode, please send me an email at mail@jmpeltier.com. End music: Dylan Sitts - Tahoe Trip
Better Fuji Photos Episode 39: Processing with Fujifilm's In-Camera RAW Converter If you're striving for the perfect in-camera JPEGs but want to change something simple on a photograph you already captured, like the exposure or the white balance, no need to take that file to a computer to make the changes! Use your in-camera RAW converter. To do this: You must be recording the RAW file (Image Quality setting: RAW or FINE+RAW) Press the Q button while reviewing an image in Playback mode Unfortunately, you can't preview the changes as you make them. You'll need to adjust a setting, press Q to preview that change, and then press BACK to go back to the editing menu. Go through the list of image quality settings you want to change, and when you're happy with the preview, press OK to save it as a new JPEG at the end of your camera roll. Want to see a list of what's available, with some further information? Here's the full web article: https://jmpeltier.com/fujifilm-in-camera-raw-converter/ Fujifilm Photographer Membership: https://photocourses.link/fujimembers. Use the code "POD20" for 20% off. Please subscribe, rate, and review wherever you prefer to listen to your podcasts so we can keep this show going. If you ever have any questions that you'd like to have answered in an episode, please send me an email at mail@jmpeltier.com. End music: Dylan Sitts - Tahoe Trip
In this episode, special guest host Cam Thompson from CoinDesk and Sam talk about all of the latest stories and deep dive into metaverse learning and how the German Intelligence division is using NFTs to recruit talent.Cam Thompson is CoinDesk's web3 journalist and is also a host of the “Carpe Consensus” podcast on the CoinDesk Podcast network. Cam and Sam break down the latest stories and trends on what is happening in AI, NFTs and metaverse learning.Links mentioned from the podcast: Brycent Playing the Nike x Fortnite collaborationAlethea AI and ChatGPTGerman Intelligence Uses NFTs to Recruit TalentUNIC Metaverse Masters DegreeCam on TwitterFollow us on Twitter: Sam Ewen, Avery Akkineni, CoinDesk, Vayner3From our sponsors:Web3 offers budding opportunities for brands to create more value for their customers, engage fans and build immersive communities. But that doesn't come without its risks. Chainalysis helps Fortune 500 brands better understand and manage the risks in Web3 through proactive assessments on chain monitoring, investigations, training and more so that they can focus on building a roadmap for long-term growth. Learn more about how Chainalysis can help your company grow in Web3 at www.chainalysis.com/genc.-PayPal provides a secure and convenient platform for converting dollars into crypto. Start exploring new Web3 applications with peace of mind knowing that PayPal has your back. Buy, sell, HODL, transfer, send and checkout with crypto. All with PayPal. Get started today at PayPal.com/crypto.-WineChain revolutionizes fine wine as an alternative asset class on Polygon. Top wineries mint rare cuvées as NFTs backed by physical bottles, tradable on our marketplace. Experience unmatched liquidity and seamless storage and shipping. Create your account at winechain.co to access our most exciting drops of the summer!-"Gen C" features hosts Sam Ewen and Avery Akkineni, with editing by Jonas Huck. Executive produced by Jared Schwartz and produced by Uyen Truong and Eleanor Pahl. Our theme music is "1882” by omgkirby x Channel Tres with editing by Doc Blust. Artwork by Nicole Marie Rincon.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to “The Chopping Block” – where crypto insiders Haseeb Qureshi, Tom Schmidt, and Robert Leshner, chop it up about the latest news. In this episode, Taproot Wizards instigator Eric Wall joins the show to discuss the rise of Ordinals and what it means for the future of Bitcoin. Will inscriptions and BRC-20 tokens bring a slew of Ethereum-style problems to the original blockchain? Listen to the episode on Apple Podcasts, Spotify, Overcast, Podcast Addict, Pocket Casts, Stitcher, Castbox, Google Podcasts, TuneIn, Amazon Music, or on your favorite podcast platform. Show highlights: how Eric has set up a “war” between the “laser-eye tribe” and the “magicians” how the Bitcoin maxi community is different from the normal Bitcoin user base whether Ordinals fixes the lack of demand for Bitcoin block space what Taproot is and what it enabled on the Bitcoin network the MEV problem that could arise in Bitcoin now that demand for block space is going up whether Bitcoin's values resemble a religion whether the increased demand for Bitcoin block space is good for the network, even if it's fueled by JPEGs and “shitcoins” why so many people got worried about Ledger Recover why Robert thinks that Ledger's new service is “terrifying” and why Haseeb is not so concerned whether Bitcoin is becoming a unit of account once again Hosts Haseeb Qureshi, managing partner at Dragonfly Robert Leshner, founder of Compound Tom Schmidt, general partner at Dragonfly Guest Eric Wall, cofounder of Taproot Wizards Previous appearances on Unchained: Eric Wall and Udi Wertheimer on Why Bitcoin Maximalism Is 'Like a Shitcoin Community' Is Bitcoin Doomed to Fail? Eric Wall and Justin Bons Face Off Why Terra Collapsed and Whether an Algo Stablecoin Can Ever Succeed Disclosures Links CoinDesk: Ledger Bats Back Criticism of New Wallet Recovery Service The Blocksize Wars Revisited: How Bitcoin's Civil War Still Resonates Today Nic Carter: There's No Such Thing as High Fees on Bitcoin Unchained: ‘Backdoor' for Seed Phrases? Ledger's New Recovery Feature Spooks Users ‘Technically' Possible to Extract User Keys? Ledger Addresses Deleted Tweet Haseeb Qureshi's thread on Ledger Recover Previous coverage of Unchained on Ordinals and BRC-20s: Bitcoin's BRC-20 Mania: Is It Sustainable? Bitcoin Ordinal NFTs Are Hot and Getting Hotter. What's the Hype About? Learn more about your ad choices. Visit megaphone.fm/adchoices
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