Podcast appearances and mentions of richard teitelbaum

Episode 176 Chapter 35, Live Electronic Music— Historical Practices. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 35, Live Electronic Music— Historical Practices from my book Electronic and Experimental music.   Playlist: LIVE ELECTRONIC MUSIC—HISTORICAL PRACTICES   Time Track Time Start Introduction –Thom Holmes 01:34 00:00 1.     Karlheinz Stockhausen, “Mikrophonie I” (1964) from Mikrophonie I · Mikrophonie II.   Mikrophonist 1, Johannes Fritsch; Mikrophonist 2, Harald Bojé; Electronic Filters and Potentiometers 1, Karlheinz Stockhausen; Electronic Filters and Potentiometers 2, Hugh Davies, Jaap Spek; Tam-tam, Aloys Kontarsky; Tam-tam, Fred Alings.  Brüsseler Version 1965 recorded at WDR, Cologne. 07:24 01:42 2.     AMM, “In The Realm Of Nothing Whatever” (1966) from AMMMusic 1966. Cello, Accordion, Clarinet, Transistor Radio, Lawrence Sheaff; Electric Guitar, Transistor Radio, Keith Rowe; Music by, Cardew, Prévost, Rowe, Sheaff, Gare; Percussion, Eddie Prévost; Piano, Cello, Transistor Radio, Cornelius Cardew; Tenor Saxophone, Violin, Lou Gare. Recorded on the 8th and 27th June 1966 at Sound Techniques. 13:22 09:06 3.     Musica Elettronica Viva (MEV), “SpaceCraft” (1967) from MEV 40. Mbira Thumb Piano Mounted On A Ten-litre Agip Motor Oil Can, Contact Microphones, Amplified Trumpet, Voice, Alvin Curran; Amplified Glass Plate With Attached Springs, Contact Microphones, Frederic Rzewski; Homemade Synthesizer from Electronic Organ Parts, Allan Bryant; Moog Modular Synthesizer, Contact Microphones, Voice, Richard Teitelbaum; Tenor Saxophone, Ivan Vandor; Voice, Carol Plantamura. 30:45 22:26 4.     David Tudor, “Rainforest Version One” (1968) from Rainforest. Live electronics, David Tudor, Takehisa Kosugi. Used transducers to amplify objects. Recorded by Rob Miller. 21:50 53:10 5.     Karlheinz Stockhausen, “Kurzwellen” (1968), excerpt from Festival of Hits. Composed By, Mixed By, Electronics, Filters, Potentiometers, Karlheinz Stockhausen; Electronium, Harald Bojé; Tamtam, Alfred Alings, Rolf Gehlhaar; Piano, Aloys Kontarsky; Electric Viola, Johannes G. Fritsch. This is the opening of this long work, excerpted for this strange collection of greatest “hits” by Stockhausen (you had to be in 1970 to understand this). Kurzwellen is a piece where the musicians need to improvise and react to signals they receive on randomly tuned shortwave radios. This is from the Cologne recording made in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969 (53'30), which was record 2 of the original 2-record set. By the way, this ensemble also featured the Electronium Pi, made by Hohner beginning in 1952. It was a monophonic, electronic keyboard instrument and was an add-on instrument for the piano mounted under the keyboard, which is the model used by Stockhausen. His keyboardist, while Harald Bojé used the accordion-like model. 06:19 01:14:56 6.     The Music Improvisation Company, “Tuck” (1970) from The Music Improvisation Company. Electric Guitar, Derek Bailey; Live Electronics, Hugh Davies; Percussion, Jamie Muir; Soprano Saxophone, Evan Parker. 03:00 01:21:14 7.     David Tudor, “Rainforest IV” (1973) from Rainforest IV.  Composed in 1973 by David Tudor; performed by Composers Inside Electronics (David Tudor, Martin Kalve, Philip Edelstein, Ralph Jones, Bill Viola, John Driscoll). Recorded at the exhibition "Für Augen und Ohren - Von der Spieluhr zum akustischen (Environment (For eyes and ears - from the mechanical clock to the acoustic environment)" at the Akademie der Künste, Berlin, January 1980. 25:12 01:24:24 8.     Maryanne Amacher, “"Head Rhythm 1" And "Plaything 2" (1999) from Sound Characters (Making The Third Ear). Electroacoustic composer of sound installations, best known for her incorporation of otoacoustic emissions -- sounds that seem to be emanating from inside one's own head. This track plays with that concept and sets your brain up to experience itself, so to speak. 10:04 01:49:36 9.     Caroline Park, “Grain 5” (2011) from Grain. This is a cassette release by Park, often known her for generative composition work and electronic improvisations based on parameters that she defines. Recorded, performed by Caroline Park. 09:05 01:59:32 10.   Caterina Barbieri. “This Causes Consciousness To Fracture” (2017) from Patterns Of Consciousness.  Italian composer and musician from Bologna. This album was created using analog synthesis. Barbieri has said, “In Patterns of Consciousness I was interested in exploring the power of sound on our consciousness. I wanted to explore how a pattern creates a certain state of consciousness and how the gradual transformation of that pattern can affect that state of consciousness. I believe that sound is a tool for the exploration, reconfiguration and expansion of human perceptions.” I find this to be in a similar psychological vein as the Amacher work also heard in this episode. 22:44 02:08:36 11.   Sarah Davachi, “First Cadence” (2021) from Antiphonals. Composed, recorded, performed, Mellotron (bass flute, recorder, oboe), Tape Echo, Sarah Davachi. 05:48 02:31:20 12.   Asha Tamirisa, “Live Performance,”(2023) at the Waterworks 2023: Festival of Experimental Sound. Laptop synthesis, snare drums, Asha Tamirisa. Soundtrack for a video recorded by Wenhua Shi & Nick Stevens, video editing by Nick Stevens, and audio recording and mixing, Matthew Azevedo. 25:10 02:37:02   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Markets get a gut punch on the wild AI ride. Big tech reporting – some interesting moves. Inflation – PCE inline. And our guest, Carson Block, Founder of Muddy Waters Research  NEW! DOWNLOAD THIS EPISODE'S AI GENERATED SHOW NOTES (Guest Segment) Carson Block is the Chief Investment Officer of Muddy Waters Capital LLC, an activist investment firm.  Muddy Waters conducts extensive due diligence based investment research on companies around the globe. Mr. Block is also the founder of Zer0es TV (www.zer0es.tv), an online channel dedicated to short selling related video content. Bloomberg Markets Magazine named Mr. Block as one of the “50 Most Influential in Global Finance” in 2011.  The following year, Muddy Waters received the prestigious Boldness in Business Award from the Financial Times. In September 2015, Mr. Block was featured in the book, The Most Dangerous Trade: How Short Sellers Uncover Fraud, Keep Markets Honest, and Make and Lose Billions, by former Bloomberg writer Richard Teitelbaum. He is also featured in the 2018 documentary The China Hustle. Mr. Block appears frequently as a commentator on Bloomberg Television, CNBC and the BBC. He has written op-eds in the Wall Street Journal, Financial Times, and New York Times on various topics related to improving corporate governance and market transparency.  Prior to forming Muddy Waters, Mr. Block was an entrepreneur in China and worked as a lawyer in the Shanghai office of the U.S. law firm Jones Day. In 2007, he co-authored Doing Business in China for Dummies, a primer on doing business in China.  He holds a B.S. in business from the University of Southern California and a J.D. from the Chicago-Kent College of Law, where he has also served as an adjunct professor. Follow @muddywatersre Learn More at http://www.ibkr.com/funds Follow @andrewhorowitz Looking for style diversification? More information on the TDI Managed Growth Strategy - https://thedisciplinedinvestor.com/blog/tdi-strategy/ eNVESTOLOGY Info - https://envestology.com/ Stocks mentioned in this episode: (CVNA), (TSLA), (GLD), (VNM)

Episode 104 Experimental Music for Pipe Organ Playlist Bengt Hambraeus, “Doppelrohr II” (1956) from Cologne - WDR: Early Electronic Music (1992 BV Haast Records). All compositions are productions of the 'Studio für elektronische Musik des Westdeutschen Rundfunks Köln.' The earliest work I can find that combines electronic music on tape with sounds created using a pipe organ. 3:54 Bengt Hambraeus, “Constellations II For Organ Sounds” (1959) from Constellations & Interferences (1968 Limelight). Composed and played on the pipe organ by Bengt Hambraeus. 16:02 Bengt Hambraeus, “Responsorier For Two Organs, Solo Voice, Mixed Choir And Church Bells” (1964, final section) from Max Reger Och Bengt Hambræus (1970 SR Records). Swedish release conducted by Eric Erickson. Composed by, Organ, Bengt Hambræus; Choir, Kammarkören, Radiokören; Organ, Karl-Erik Welin; Tenor Vocals, Christer Solén.11:14 Christian Wolff, “For 1, 2 or 3 People” (1964) from A Second Wind For Organ (1968 Odyssey). Baroque Organ by David Tudor, Liner Notes by Richard Teitelbaum; Produced by David Behrman. 9:37 Hans Otte, “Touches” (1965) from Gerd Zacher, Organ (1970 Heliodor). Composed by Hans Otte; pipe organ, Gerd Zacher. 12:46 Mauricio Kagel, “Improvisation Ajoutée” (1966) from A Second Wind For Organ (1968 Odyssey). Organ by David Tudor; Liner Notes by Richard Teitelbaum; Produced by David Behrman. 13:41 Juan Allende-Blin, “Sons Brisés - In Memoriam Lothar Schreyer” (1967) from Gerd Zacher, Organ (1970 Heliodor). Composed by Juan Allende-Blin; pipe organ, Gerd Zacher. 12:36 György Ligeti, “Etude No. 1 "Harmonies" (1967)” from Aventures - Nouvelles Aventures / Volumina / Etude No. 1 "Harmonies" (1969 Candide). Organ of The Kaiser-Wilhelm Gedächtniskirche, Berlin, Gerd Zacher. 6:51 Morton Feldman, “Intersection 3” (1953/1969) played by Gerd Zacher from Gerd Zacher, Orgel (1970 DGG). Zacher was an accomplished organist who had a reputation for interpreting contemporary works. This work is a realization for organ of a work from 1953, which Feldman offered to Zacher for this project. The work was originally intended for piano and written with David Tudor in mind. The original Intersection was written in 1952 and was created as part of John Cage's project for works on magnetic tape. 2:36 Gerd Zacher, “Ré” (1969) from Gerd Zacher, Orgel (1970 DGG). Composed and performed by Gerd Zacher; vocals, Juan Allende-Blin. 8:35 Diane Bish, “Laudation” from Bish, Bach & Baroque (1978 Suncoast). Interesting, oddball combination of pipe organ and synthesizer. Ms. Bish was an accomplished American organist, composer, conductor, author, organ designer, television producer and television host. Written by Diane Bish and played on pipe organ (117-rank Ruffatti pipe organ made in Padua, Italy) and ARP Pro Soloist synthesizer mounted above the organ manuals. 5:25 Sarah Davachi, “For Organ” (2015) from All My Circles Run (2017 Students of Decay). Davachi is a Canadian electroacoustic musician based in Los Angeles, primarily working with organ, piano, synthesizer, strings, woodwinds. This work is for solo pipe organ and was recorded live at Knox United Church, Calgary, Alberta, Canada on June 14, 2017. 8:02 Jonas Olesen and Sandra Boss, Teaser (excerpt) from New Works for Organ (2016 private). Work for pneumatic church organ, MIDI controlled pipe organ and prepared pump organ. Premiere at Koncertkirken, Copenhagen DK. Friday May 27th, 2016. 1:43 Opening background music: György Ligeti, “Volumina (Original Version 1961/62)” from Aventures - Nouvelles Aventures / Volumina / Etude No. 1 "Harmonies" (1969 Candide). Organ of The Kaiser-Wilhelm Gedächtniskirche, Berlin, Gerd Zacher. 16:57 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

David Grubbs: On Derek Bailey Excerpts from Roulette concerts between 1986-99 by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023. https://roulette.org/

Excerpts from Roulette concerts by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, between 1986-99 Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023.

Dopo il ritorno nel '70 da Parigi, le strade di Leo Smith e Anthony Braxton si erano separate. Nell'ottobre del '74 però Smith è di nuovo in studio di incisione con Braxton, per un brano in trio con Richard Teitelbaum (negli anni sessanta a Roma uno degli animatori di Musica Elettronica Viva) che viene pubblicato nell'album di Braxton Trio and Duet. Nel febbraio del '76 poi Smith è di nuovo con Anthony Braxton per l'incisione dell'album di Braxton Creative Music Orchestra 1976; la formazione è molto ampia, oltre venti musicisti, e qualificatissima, praticamente una all stars (fra i componenti Roscoe Mitchell, Jon Faddis, George Lewis, Muhal Richard Abrams, Frederic Rzewski, Teitelbaum, Karl Berger, Dave Holland, Barry Altschul), le composizioni sono di Braxton, ma Smith ha un ruolo di rilievo in questo album che è un lavoro molto significativo nella produzione di Braxton degli anni settanta: suona in due dei sei brani dell'album, ma dirige l'orchestra in altri tre.

Dopo il ritorno nel '70 da Parigi, le strade di Leo Smith e Anthony Braxton si erano separate. Nell'ottobre del '74 però Smith è di nuovo in studio di incisione con Braxton, per un brano in trio con Richard Teitelbaum (negli anni sessanta a Roma uno degli animatori di Musica Elettronica Viva) che viene pubblicato nell'album di Braxton Trio and Duet. Nel febbraio del '76 poi Smith è di nuovo con Anthony Braxton per l'incisione dell'album di Braxton Creative Music Orchestra 1976; la formazione è molto ampia, oltre venti musicisti, e qualificatissima, praticamente una all stars (fra i componenti Roscoe Mitchell, Jon Faddis, George Lewis, Muhal Richard Abrams, Frederic Rzewski, Teitelbaum, Karl Berger, Dave Holland, Barry Altschul), le composizioni sono di Braxton, ma Smith ha un ruolo di rilievo in questo album che è un lavoro molto significativo nella produzione di Braxton degli anni settanta: suona in due dei sei brani dell'album, ma dirige l'orchestra in altri tre.

On this week's episode, The Pack is joined by a former punk-rocker and current Senior Contributing Writer for Institutional Investor magazine. Richard Teitelbaum (@rteitelbaum100 on Twitter) is a journalist and author specializing in the financial markets. Richard is the author of The Most Dangerous Trade: How Short Sellers Uncover Fraud, Keep Markets Honest, and Make and Lose Billions (John Wiley, 2015), about the life and lore of the short selling community, a must-read for any who follow The Dark Side. Currently he is writing in-depth profiles and fascinating investigative stories for Institutional Investor. Previously, he oversaw corporate finance coverage as News Editor at The Wall Street Journal. At Bloomberg News Richard covered hedge funds, investment banks, and the financial crisis. His investigative reports examined the TARP bailout, the disclosure of nonpublic information by the U.S. Treasury Department to market participants, and the New York Federal Reserve Bank's role in the AIG takeover. On this podcast, we talk about Richard's book, the obvious mental issues you need to have to be an activist short seller, and some potential topics for a new book for Richard that range from the history of short selling to a biography of AOC. The Packs also uncovers some of Richard's investigative techniques, and hears who were the most memorable interviews he's done, and others that he would like to forget.    Sit back, have a drink, and enjoy.. Links   https://www.linkedin.com/in/richard-teitelbaum-17b27517/   https://www.amazon.com/Most-Dangerous-Trade-Billions-Bloomberg/dp/1118505212  

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Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

Andrew Cyrille is the last man standing from the first wave of free jazz drummers. He and Milford Graves, Sunny Murray, and Rashied Ali really revolutionized jazz rhythm in their playing with Cecil Taylor, Albert Ayler, John Coltrane and other musicians in the early to mid '60s. Their influence was huge, and each of them brought a different perspective and instantly identifiable style to the music. What I hear when I listen to Andrew Cyrille, whether he's playing with Cecil Taylor or Anthony Braxton or in any other situation, is an incredible precision and consideration. He really seems to be thinking about every single strike and placing it with unbelievable care, even when he's playing ridiculously fast.In the last few years, Cyrille has been making some really interesting records as a leader for ECM. He started in 2016 with The Declaration of Musical Independence, which featured Bill Frisell on guitar, Richard Teitelbaum on synth, and Ben Street on bass, then he made Lebroba with Frisell and Wadada Leo Smith, and now he's got a new album out, The News, which features Frisell and Street again but has David Virelles on piano instead of Teitelbaum. And right before that string of records, in 2015, he was on guitarist Ben Monder's album Amorphae. And I also want to mention a record he did in 2017, Dione, a trio record with Ivo Perelman and Matthew Shipp. He's had an incredible career as a sideman, too, working with David Murray, Leroy Jenkins, Muhal Richard Abrams, Marion Brown, Horace Tapscott, Peter Brötzmann, and of course he's also one of the members of Trio 3 with Oliver Lake and Reggie Workman — they played at the 2021 Vision Festival, where he also presented a solo tribute to Milford Graves.We talk about Graves a lot in this interview, as well as Cyrille's approach to rhythm and to music generally, and a lot of other things. It's funny, the conversation has kind of a false ending, because I had been told by his publicist that he only wanted to talk for a half hour, and I negotiated us up to 45 minutes, and then at the 45 minute mark I started saying goodbye and thanking him for his time, and he showed no interest in stopping, so we kept going and probably could have talked for another half hour. If you do enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks!Music featured in this episode:Andrew Cyrille/Wadada Leo Smith/Bill Frisell, “Worried Woman” (Lebroba)Andrew Cyrille, “Go Happy Lucky” (The News)Support Burning Ambulance on Patreon • Get the Burning Ambulance email newsletter

Muddy Waters Research founder Carson Block  is our guest. We dive into the history of some of the greatest frauds in years and how he helped to uncover many of these. China is in the spotlight Carson explains the fascinating rise and fall of Orient Paper and Sino-Forest. But the real deal we discuss is how passive investing may be creating a ticking time bomb. The math of how passive investing (ETFs) lever markets and price. We also talk about the benefit of short-selling and how there is still a place for Carson Block is the Chief Investment Officer of Muddy Waters Capital LLC, an activist investment firm. Muddy Waters conducts extensive due diligence based investment research on companies around the globe. Mr. Block is also the founder of Zer0es TV (www.zer0es.tv), an online channel dedicated to short selling related video content. Bloomberg Markets Magazine named Mr. Block as one of the “50 Most Influential in Global Finance” in 2011. The following year, Muddy Waters received the prestigious Boldness in Business Award from the Financial Times. In September 2015, Mr. Block was featured in the book, The Most Dangerous Trade: How Short Sellers Uncover Fraud, Keep Markets Honest, and Make and Lose Billions, by former Bloomberg writer Richard Teitelbaum. He is also featured in the 2018 documentary The China Hustle. Muddy Waters gained fame in 2011 following the publication of its research on Sino-Forest Corp., which exposed the company as a massive fraud. Activist campaigns conducted by Muddy Waters have led to numerous financial restatements by companies, eight de-listings, over $100 million in restitution paid to investors, and over $50 million paid to regulators. Mr. Block appears frequently as a commentator on Bloomberg Television, CNBC and the BBC. He has written op-eds in the Wall Street Journal, Financial Times, and New York Times on various topics related to improving corporate governance and market transparency. Prior to forming Muddy Waters, Mr. Block was an entrepreneur in China and worked as a lawyer in the Shanghai office of the U.S. law firm Jones Day. In 2007, he co-authored Doing Business in China for Dummies, a primer on doing business in China. He holds a B.S. in business from the University of Southern California and a J.D. from the Chicago-Kent College of Law, where he has also served as an adjunct professor. Follow @muddywatersre Follow @andrewhorowitz Financial Advisors - Looking to switch custodians? Check out Interactive Brokers! Learn More at http://www.ibkr.com/ria OurCrowd’s investment professionals leverage their extensive network to review some of the most promising private companies and startups in the world. Today, you can join OurCrowd’s investment in Future Family — Future Family is a category-leading platform combining fintech and digital health to provide affordable, personalized fertility care. Check it out at http://www.ourcrowd.com/tdi Looking for style diversification? More information on the TDI Managed Growth Strategy - https://thedisciplinedinvestor.com/blog/tdi-strategy/ eNVESTOLOGY Info - https://envestology.com/ Friday Pre-Market Run-Down Webinar Registration - https://www.triggercharts.com/webinar-pre-market-rundown-fridays/ Stocks mentioned in this episode: (OSTK), (GSX), (YY), (NNOX)

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Ep #116 - This week on the Marketing Geeks Podcast, hosts Justin Womack and Andros Sturgeon are joined by Carson Block, an infamous and world renowned activist short-seller who has been featured on major media outlets like CNBC, Bloomberg, Business Insider, etc, and highlighted in the hit documentary movie “The China Hustle.” Carson Block is known for documenting and alleging fraudulent accounting practices in publicly traded Chinese companies. In this interview, we explore his journey from international entrepreneur to "FEARED" and respected short seller. ALSO... Check out Ep #106 as well where we sat down with Dan David, the narrator and main protagonist of 'The China Hustle' film. Carson Block is the founder and Chief Investment Officer of Muddy Waters Capital, LLC, which is a manager of private funds focused on activist investing. He was named to the Bloomberg BusinessWeek “50 Most Influential in Global Finance” list in 2011. Prior to Muddy Waters, Carson started the first self storage business in Mainland China, co-authored “Doing Business in China for Dummies”, and practiced law with Jones Day in Shanghai, PRC. He was also featured in the book, "The Most Dangerous Trade: How Short Sellers Uncover Fraud, Keep Markets Honest, and Make and Lose Billions," by Richard Teitelbaum, former Bloomberg writer. Learn More About Carson Block and Muddy Waters Capital: Visit the Muddy Waters Website at: https://www.muddywatersresearch.com/ Follow Carson Block (@muddywatersre) on Twitter at: https://twitter.com/muddywatersre More On ‘The China Hustle’ Documentary Film: Watch the film on Hulu at: https://www.hulu.com/movie/the-china-hustle-c53845f0-5822-4309-b1e1-7b4c2b48db4f From the producers of Enron: The Smartest Guys In The Room comes a Wall Street heist story about a still-unfolding financial crime so big, it has the power to affect all of our wallets. Investors on the fringes of the financial world feverishly seek new alternatives for high-return investments in the global markets and have found a goldmine in China. But when one investor discovers a massive web of fraud, everything else is called into question. Jed Rothstein’s documentary rings the alarm on the need for transparency in an increasingly deregulated financial world by following those working to uncover the biggest heist you’ve never heard of. -- Please support the show by subscribing, rating and leaving a written review. We really appreciate receiving written reviews from listeners that enjoy the show and get value from it. Connect & message the Marketing Geeks, Justin Womack and Andros Sturgeon, on LinkedIn: Justin Womack: https://www.linkedin.com/in/justinwomack1/ Andros Sturgeon: https://www.linkedin.com/in/androssturgeon We are looking to feature guest voicemails on the show so please send us your voicemail for consideration. (See bottom of show notes for link to leave voice messages). Want to be a guest on the Marketing Geeks Podcast or suggest someone? Please email us at info@marketinggeekspodcast.com Visit our website www.MarketingGeeksPodcast.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/marketing-geeks/message Support this podcast: https://anchor.fm/marketing-geeks/support

ZEMPEKS radio play part 3 by Ashely Bedet https://wp.me/p7JxQG-4h Profile on Richard Teitelbaum, improviser, composer, & synthesizer playerPlaylist: Ashley Bedet - ZEMPEKS- Experimental Radio Play Part III Stomatal BloomSmithsonian Folkways Recordings. - Humor: kitten and the birdBrian and Roger Eno - Rose QuartzRoger Eno - A-Typical WaltzDurutti Column - Sketch for SummerHaruomi Hosono - PhilharmonyMusica Elettronica Viva/ Richard Teitelbaum - The Sound PoolRichard Teitelbaum/George Lewis - Homage to Charles ParkerRichard Teiitelbaum/Yokoyama - Ronin's LamentRichard Teiltelbaum - Cantorial Choir/Instrumental Interlude/Chaos and DestructionDidem Basar - Bird SongChristine Ott - SiriusRachel Therrien - SyncronicityPOSTNAMERS - Cruelly Unmade

Questa notte torniamo su alcuni ascolti recenti che abbiamo particolarmente apprezzato. Nella puntata diamo anche spazio al ricordo di tre musicisti diversi ma ugualmente straordinari: Richard Teitelbaum, Manu Dibango e Hal Wilner

a cura di Alessandro Achilli. Musiche di Igor' Stravinskij, Motor Totemist Guild, 4!, Christoph Irniger Pilgrim, Michael Formanek Elusion Quartet, George Lewis (seconda parte)

a cura di Alessandro Achilli. Musiche di Igor' Stravinskij, Motor Totemist Guild, 4!, Christoph Irniger Pilgrim, Michael Formanek Elusion Quartet, George Lewis (seconda parte)

Por Pachi Tapiz. Cuatro novedades del sello británico Leo Records en la entrega 482 de HDO Hablando de oídas, como suele ser habitual con nombres de relumbrón (Marilyn Crispell, Ivo Perelman, Mat Maneri, Hank Roberts, Richard Teitelbaum...), y propuestas libres que además de interesantes en algún caso son exquisitamente inclasificables (Fourth Page): Fourth Page (Charlie Beresford, Carolyn Hume, Peter Marsh, Paul May): The Forest From Above Marilyn Crispell - Tanya Kalmanovitch - Richard Teitelbaum: Dream Libretto Ivo Perelman - Mat Maneri - Mark Feldman - Jason Hwang: Strings 1 Ivo Perelman - Mat Maneri - Hank Roberts - Ned Rothenberg: Strings 2 Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Una institución viva del jazz, el baterista Andrew Cyrille, reúne a Bill Frisell (guitarra), Ben Street (contrabajo) y Richard Teitelbaum (piano y sintetizadores) para ofrecer "The declaration of musical independence". En esta edición de 'Club de Jazz' del 14 de octubre de 2016, declaramos nuestra dependencia de la música escuchando buena música, como la de "Ida Lupino", trabajo que reúne a dos jóvenes maestros del jazz italiano, el pianista Giovanni Guidi y el trombonista Gianluca Petrella, con el veterano maestro francés Louis Sclavis (clarinete) y con el baterista USAmericano Gerald Cleaver. Además, "The inner spectrum of variables", ambicioso proyecto del baterista Tyshawn Sorey con técnicas de conducción; estreno del Elda Trio, con Emilia Martensson (voz), Janez Dovc (acordeón) y Adriano Adewale (percusión). Para abrir, la inspiración de la gran diva egipcia Oum Kalthoum en la música de la Piccola Orchestra Gagarin y en el proyecto "Kalthoum" del trompetista libanés Ibrahim Maalouf. Toda la información y derechos: http://www.elclubdejazz.com

Una institución viva del jazz, el baterista Andrew Cyrille, reúne a Bill Frisell (guitarra), Ben Street (contrabajo) y Richard Teitelbaum (piano y sintetizadores) para ofrecer "The declaration of musical independence". En esta edición de 'Club de Jazz' del 14 de octubre de 2016, declaramos nuestra dependencia de la música escuchando buena música, como la de "Ida Lupino", trabajo que reúne a dos jóvenes maestros del jazz italiano, el pianista Giovanni Guidi y el trombonista Gianluca Petrella, con el veterano maestro francés Louis Sclavis (clarinete) y con el baterista USAmericano Gerald Cleaver. Además, "The inner spectrum of variables", ambicioso proyecto del baterista Tyshawn Sorey con técnicas de conducción; estreno del Elda Trio, con Emilia Martensson (voz), Janez Dovc (acordeón) y Adriano Adewale (percusión). Para abrir, la inspiración de la gran diva egipcia Oum Kalthoum en la música de la Piccola Orchestra Gagarin y en el proyecto "Kalthoum" del trompetista libanés Ibrahim Maalouf. Toda la información y derechos: http://www.elclubdejazz.com