Podcast appearances and mentions of Ethan Iverson

NICOLÁS NAVARRETE “CONTIENDA” 3 y 4 de Noviembre de 2024, Estudio La Bandurria, Santiago de Chile Salvaje (Ft. Agustín Moya, Nicolás Vera) 5. En Camino, 6. Tendida Bajo Las Estrellas (Ft. Agustín Moya)Nicolás Navarrete – Flauta traversa, composiciones (3,5); Santiago Monroy – Piano, composiciones (6); Milton Russell – Contrabajo; Cristian Baltazar – BateríaInvitados: Agustín Moya (3,6) y Nicolás Vera (3) BILLY HART QUARTET “JUST” New York, December, 2021Showdown, Layla joy, Aviation, South HamptonMark Turner (ts) Ethan Iverson (p) Ben Street (b) Billy Hart (d) MARIA SCHNEIDER ORCHESTRA:“ALLEGRESSE” “ALLEGRESSE” New York, January 26 & 27, 2000Hang Gliding [solos: Greg Gisbert y Rich Margitza] “DATA LORDS” – Mount Vernon, NY, August 30-September 2, 2019 Stone Song [solo: Steve Wilson saxofón soprano] Continue reading Puro Jazz 10 de abril, 2025 at PuroJazz.

NICOLÁS NAVARRETE “CONTIENDA” 3 y 4 de Noviembre de 2024, Estudio La Bandurria, Santiago de Chile Salvaje (Ft. Agustín Moya, Nicolás Vera) 5. En Camino, 6. Tendida Bajo Las Estrellas (Ft. Agustín Moya)Nicolás Navarrete – Flauta traversa, composiciones (3,5); Santiago Monroy – Piano, composiciones (6); Milton Russell – Contrabajo; Cristian Baltazar – BateríaInvitados: Agustín Moya (3,6) y Nicolás Vera (3) BILLY HART QUARTET “JUST” New York, December, 2021Showdown, Layla joy, Aviation, South HamptonMark Turner (ts) Ethan Iverson (p) Ben Street (b) Billy Hart (d) MARIA SCHNEIDER ORCHESTRA:“ALLEGRESSE” “ALLEGRESSE” New York, January 26 & 27, 2000Hang Gliding [solos: Greg Gisbert y Rich Margitza] “DATA LORDS” – Mount Vernon, NY, August 30-September 2, 2019 Stone Song [solo: Steve Wilson saxofón soprano] Continue reading Puro Jazz 10 de abril, 2025 at PuroJazz.

Pianist and composer, Ethan Iverson, formerly of The Bad Plus, on working solo, standards v hits, and the music of Igor Stravinsky. He plays The Cooler, Dublin on Friday March 14th, and Triskel, Cork on Saturday 15th.

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durée : 00:59:57 - Billy Hart Quartet "Just" - par : Nicolas Pommaret - Après vingt ans d'existence, le Billy Hart Quartet – composé de Mark Turner, Ethan Iverson et Ben Street – se distingue principalement par son ouverture stylistique. Parution de "Just" chez ECM.

ETHAN IVERSON QUARTET WITH TOM HARRELL “COMMON PRACTICE” Live “Village Vanguard, New York, 2017Philadelphia creamer, Out of nowhere, Jed from TeaneckTom Harrell (tp) Ethan Iverson (p) Ben Street (b) Eric McPherson (d) JAZZMEIA HORN AND HER NOBLE FORCE “DEAR LOVE” c. 2021 Let us (Take our time), Lover come back to me, Where is freedom ? (1)Jazzmeia Horn (vcl) acc by Freddie Hendrix (tp) Corey Wilcox (tb) Bruce Williams (as) Keith Loftis (ts) Jason Marshall (bar) Sullivan Fortner (org-1) Keith Brown (p) Keith Wheeler (b) Anwar Marshall (d) and others EASTERN REBELLION “MOSAIC” New York, December 14 & 16, 1990Sunflower, John's bluesRalph Moore (ts) Cedar Walton (p) David Williams (b) Billy Higgins (d) Continue reading Puro Jazz 21 de noviembre, 2024 at PuroJazz.

ETHAN IVERSON QUARTET WITH TOM HARRELL “COMMON PRACTICE” Live “Village Vanguard, New York, 2017Philadelphia creamer, Out of nowhere, Jed from TeaneckTom Harrell (tp) Ethan Iverson (p) Ben Street (b) Eric McPherson (d) JAZZMEIA HORN AND HER NOBLE FORCE “DEAR LOVE” c. 2021 Let us (Take our time), Lover come back to me, Where is freedom ? (1)Jazzmeia Horn (vcl) acc by Freddie Hendrix (tp) Corey Wilcox (tb) Bruce Williams (as) Keith Loftis (ts) Jason Marshall (bar) Sullivan Fortner (org-1) Keith Brown (p) Keith Wheeler (b) Anwar Marshall (d) and others EASTERN REBELLION “MOSAIC” New York, December 14 & 16, 1990Sunflower, John's bluesRalph Moore (ts) Cedar Walton (p) David Williams (b) Billy Higgins (d) Continue reading Puro Jazz 21 de noviembre, 2024 at PuroJazz.

Esta semana, dedicamos una nueva sesión de Rebelión Sónica a la destacada banda del jazz estadounidense The Bad Plus, con música de su nuevo disco “Complex Emotions” y de “Prog” de 2007. Lanzado por el sello Mack Avenue el 08 de noviembre, “Complex Emotions” es el segundo disco de la agrupación en formato de cuarteto tras ser por largos años un trío, con los fundadores Reid Anderson en bajo acústico y sintetizador y Dave King en batería y sintetizador, más el guitarrista Ben Monder y el saxofonista Chris Speed. Según el texto de promoción, la banda ha dado un paso audaz con “Complex Emotions”. Después de 21 años de redefinir su sonido, los miembros fundadores decidieron expandir la banda, lo que ha permitido “desbloquear nuevas posibilidades creativas, que son completamente investigadas en “Complex Emotions””. El título del álbum, extraído de una frase utilizada durante mucho tiempo por Anderson y King, refleja las amplias exploraciones musicales que han determinado el viaje de la banda. Al elegir este título, The Bad Plus “indica que el grupo reconfigurado ha descubierto nuevas profundidades de su potencial creativo”, remata la declaración que se puede leer en la web de la disquera. En la parte final del programa, viajamos al pasado en la obra del conjunto, para escucharlos con material de su álbum de 2007 “Prog”, cuando eran un trío con Ethan Iverson en el piano. Rebelión Sónica se transmite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena

En este episodio de La Montaña Rusa, hemos escuchado a Peter Epstein; Nicholas Payton; Moose Loose; Roberto Ottaviano; Neus Plana; Le Boeuf Brothers; Ethan Iverson. Seguir leyendo La Montaña Rusa. Episodio 38.2024. en La Montaña Rusa Radio Jazz.

Jazz88's Peter Solomon spoke with pianist Ethan Iverson, who played piano with the Bad Plus for seventeen years. Iverson discusses his recent Blue Note release 'Technically Acceptable,' as well as his passion for crime fiction and his controversial New York Times essay critiquing George Gershwin's 'Rhapsody in Blue.' Iverson performs with bassist Anthony Cox and drummer Kevin Washington at Crooners on Saturday, August 31st.

Jazz88's Peter Solomon spoke with pianist Ethan Iverson, who played piano with the Bad Plus for seventeen years. Iverson discusses his recent Blue Note release 'Technically Acceptable,' as well as his passion for crime fiction and his controversial New York Times essay critiquing George Gershwin's 'Rhapsody in Blue.' Iverson performs with bassist Anthony Cox and drummer Kevin Washington at Crooners on Saturday, August 31st.

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durée : 00:59:39 - Phoenix - par : Nathalie Piolé -

Some technically new music from Ethan Iverson, Simon Lasky, 30 years of EST and some elegant people from the Doncaster Jazz Alumni.

Chamber jazz, field recordings, and deep deep deep interplay are at the heart of this exciting playlist. The playlist features Ethan Iverson; Bex Burch; Sanne Rambags [pictured], Vincent Courtois, Julian Sartorius; Trish Clowes, Ross Stanley; Kenneth Jimenez; Sharel Cassity, Colleen Clark - Alliance. Detailed playlist at https://spinitron.com/RFB/pl/18648961/Mondo-Jazz (from "Victory Is Assured (Alla Breve)"). Happy listening!

ERENA TERAKUBO A TIME FOR LOVE Paramus, NJ, August 16, 2015On a misty night, Time after time, Folklore, 88, SoonErena Terakubo (as) David Hazeltine (p,org-1) David Williams (b) Lewis Nash (d) ETHAN IVERSON TECHNICALLY ACCEPTABLE Conundrum, Victory is assured (Alla breve), Technically acceptable, The feeling is mutual (1) Ethan Iverson (p,comp) Thomas Morgan (b) Simón Willson (b-1) Kush Abadey (d) Vinnie Sperrazza (d-1) Rob Schwimmer (theremin-2) LEE KONITZ THE NEW SOUNDS New York, March 8, 1951Ezz-thetic, Odjenar, Hi Beck, Yesterdays (mr out)Miles Davis (tp) Lee Konitz (as) Sal Mosca (p) Billy Bauer (g) Arnold Fishkin (b) Max Roach (d) New York, March 13, 1951Indian summer, Duet for saxophone and guitarLee Konitz (as) Billy Bauer (g) Continue reading Puro Jazz 22 febrero 2024 at PuroJazz.

Zwei verschiedenen Piano-Trios, ein Duo mit einem Theremin und eine Solo-Piano Sonate in drei Teilen – Ethan Iverson hat für sein neues Album «Technically Acceptable» alle Register gezogen. Seine Musik ist stilbreit, aufmunternd, virtuos aber nie überladen. Gleich vier Trio-Formationen finden Platz in der heutigen Sendung. Florestan Berset, Norbert Pfammatter und Francesco Losavio loten die Grenzen zwischen Form und improvisierten Klangflächen aus, wobei es durchaus mal kratzen darf. A Vol dOiseau heisst ihr Debut-Album. Das Piano-Trio TROJA mit Peter Zihlmann, Patrick Sommer und Andreas Wettstein lädt mit ihren Bedtime Stories zum Kuscheln im Bett ein, mit verträumten Klängen und schlafraubenden Sekundenzeigern. Saxofonist Christoph Grab interpretiert Thelonious Monk, wie man ihn noch kaum kennt. Grab hat sich für sein Quintett Reflections und seinem neuen Album «Oneness» Stücken bedient, die auch Kennerinnen und Kennern nicht sehr vertraut sind. (00:01:34) Josefa Ibarra (00:08:26) Buch «Hot – Jazz als frühe Popkultur» - Beitrag von Annina Salis (00:12:50) TROJA (00:22:16) Christoph Grab & Reflections – Beitrag von Jodok Hess (00:37:21) Ethan Iverson (00:47:26) Florestan Berset, Norbert Pfammatter und Francesco Losavio - - Die gespielten Titel / Interpret:innen (Album | Label) Conundrum/ Ethan Iverson Das Piano-Trio TROJA mit Peter Zihlmann, Patrick Sommer und Andreas Wettstein lädt mit ihren Bedtime Stories zum Kuscheln im Bett ein, mit verträumten Klängen und schlafraubenden Sekundenzeigern. Saxofonist Christoph Grab interpretiert Thelonious Monk, wie man ihn noch kaum kennt. Grab hat sich für sein Quintett Reflections und seinem neuen Album «Oneness» Stücken bedient, die auch Kennerinnen und Kennern nicht sehr vertraut sind. (00:01:34) Josefa Ibarra (00:08:26) Buch «Hot – Jazz als frühe Popkultur» - Beitrag von Annina Salis (00:12:50) TROJA (00:22:16) Christoph Grab & Reflections – Beitrag von Jodok Hess (00:37:21) Ethan Iverson (00:47:26) Florestan Berset, Norbert Pfammatter und Francesco Losavio - - Die gespielten Titel / Interpret:innen (Album | Label) Conundrum/ Florestan Berset, Francesco Losavio, Norbert Pfammatter (A vol d'oiseau | Fundacia Sluchaj Records) Komm, süsser Schlummer / Troja (Bedtime Stories | Unit Records) Something in Blue / Christoph Grab and Reflections (Oneness | Lamento Records) Eres el viento | Latidos / Josefa Ibarra (Vuelos vol. 1 | La pena) Fairytale | Hearin' the Clock Tick | R.E.M. / Troja (Bedtime Stories | Unit Records) Who Knows | Skippy / Thelonious Monk (The Complete Blue Note Recordings | Blue Note) Who Knows | Skippy / Christoph Grab and Reflections (Oneness | Lamento Records Something in Blue / Thelonious Monk (The Complete Black Lion and Vogue Recordings | Mosaic Records)  Round Midnight | Piano Sonata: Rondo | Victory is Assured / Ethan Iverson (Technically Acceptable | Fundacia Sluchaj Records) Bienvenue | A vol d'oiseau | Blue / Florestan Berset, Francesco Losavio, Norbert Pfammatter (A vol d'oiseau | Fundacia Sluchaj Records)

Aus dem Dschungel der Neuveröffentlichungen - heute mit: Abdullah Ibrahim: 3 | Ethan Iverson: Technically Acceptable | Gush: Afro Blue (Sendung vom 12.2.)

4e émission de la 58e session...Cette semaine, piano trio et jazz moderne! En musique: Ethan Iverson sur l'album Technically Acceptable  (Blue Note, 2024); Vijay Iyer, Linda May Han Oh, Tyshawn Sorey sur l'album Compassion  (ECM, 2024); JD Allen sur l'album This  (Savant, 2023); Jason Adasiewicz sur l'album Roscoe Village, The Music of Roscoe Mitchell  (Corbett vs. Dempsey, 2023); Mary Halvorson sur l'album Cloudward  (Nonesuch, 2024); Friends & Neighbors sur l'album Circles  (Clean Feed, 2024)...

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Oggi a Cult: Marcello Lorrai e Claudio Ricordi su "Prometeo" di Luigi Nono, riproposto a Venezia per il centenario della nascita del compositore; Aldo Grasso presenta la mostra "Non ha l'età" alle Gallerie d'Italia di Torino, dedicata alle immagini del Festival di Sanremo; Monica Nappo sulla sua regia di "Top Girls" di Caryl Churchill; Saul Beretta sui due appuntamenti, alla Reggia di Monza e alla Cascina Cuccagna di Milano, del pianista jazz Ethan Iverson...

Claudia Villela, Edward Simon, Veronica Swift, Donald Vega, Artemis, Harold Lopez-Nussa, Ethan Iverson, Vijay Iyer, Kris Davis, Sharon Minemoto, Bellbird, Allison Burik, Ruiqi Wang, Roxane Reddy, Esperanza Spalding and Cecile McLorin SalvantPlaylist: Claudia Viella - Cartas Ao VentoEdward Simon, featuring Magos Herrera, Reuben Rogers, Adam Cruz and Luis Quintero - FemininaVeronica Swift, featuring Luis Quintero - The Show Must Go OnDonald Vega, featuring Lewis Nash, John Patitucci and Luis Quintero - As I TravelArtemis - Balance of TimeHarold Lopez-Nussa - Cake a la ModaEthan Iverson - Who Are You, Really?Vijay Iyer, featuring Linda May Han Oh and Tyshawn Sorey - Prelude: OrisonKris Davis, featuring Terri Lyne Carrington, Val Jeanty, Trevor Dunn, Julian Lage - Nine HatsSharon Minemoto - As Luck Would Have ItBellbird, featuring Claire Devlin, Allison Burik, Eli Davidovici & Mili Hong - If You Can't Swim, DanceAllison Burik - Be the DragonRuiqi Wang - Fragments for Subduing the SilenceRoxane Reddy - WiltedEsperanza Spalding - Nao Ao Marco TemporalCecile McLorin Salvant - Fenestra

Vinnie Sperrazza is a Brooklyn-based jazz drummer, composer, bandleader, author, and educator noted for his versatility and commitment to new music. Born in Utica, NY, Sperrazza moved to Brooklyn after completing his studies at William Paterson University, where he was mentored by pianist James Williams. He leads the groups Vinnie Sperrazza Trio, featuring Ethan Iverson and Michael Formanek, whose first album was released in March 2023, and Vinnie Sperrazza Apocryphal, with a new album coming later in 2023, featuring Loren Stillman, Brandon Seabrook, and Eivind Opsvik. He is part of several collectives, including Ember, with Caleb Curtis and Noah Garabedian with a new album out August 2023, the Choir Invisible, with Chris Tordini and Charlotte Greve, and Landline, featuring Chet Doxas, Jacob Sacks, and Zack Lober. Additionally, he is a member of Matt Bauder's Hearing Things, the Hank Roberts Sextet, Michael Formanek's Drome Trio, and many other NYC-based groups. He tours regularly with the Mark Morris Music Ensemble, led by Ethan Iverson, playing Iverson's scores and arrangements. Also a committed writer, Sperrazza's Substack entitled Chronicles has been active since October 2022 and features over 40 in-depth articles focused on the history of jazz and jazz drumming, with deep dives on well-known and lesser-known figures including Pete LaRoca, Ralph Peterson, and Phillip Wilson, among many others. An experienced clinician, Sperrazza's teaching emphasizes fundamentals and awareness, principles upon which he's built his musical life.

Thrilled to feature two friends with new music from 2024, Ted Cruz and Ethan Iverson, and as they are both pianists of some renown, catered the whole mixtape to piano greatness. From airy ambient feathered kisses to pounding the keys with an anvil- whichever is your preference in style of play, there is plenty of tickling of the ivories for everyone's immense enjoyment. Other artists include Ketil Bjørnstad, Cluster, Brian Eno, Satoko Fujii, Tatsuya Yoshida, Nina Simone, Sun Ra, Yann Tiersen, Hailu Mergia, Sigur Rós and more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the Burning Ambulance Podcast! To find out about upcoming episodes, as well as all things Burning Ambulance, sign up for our free weekly newsletter.It's been a long time since I've done one of these. In fact, the last episode was released in December of 2022. I talked then to film critic Walter Chaw about his book on the work of director Walter Hill. Since then, a lot's been going on. Most notably, I wrote a book of my own, In The Brewing Luminous: The Life And Music Of Cecil Taylor, which will be released this year. It's the first full-length biography and critical analysis of Taylor, who is not only a hugely important jazz musician – along with Ornette Coleman, Albert Ayler and others, he was one of the pioneers of free jazz and really pushed the music forward in undeniable ways – but is also, I believe and argue in the book, a brilliant and under-recognized American composer whose work spans a much broader range than many people realize.Ethan Iverson is also a really interesting American composer. You could be reductive about it and call him a synthesist of old and new pop and jazz styles, but he has a strong and recognizable voice that becomes easy to hear the more of his music you listen to. There are chords and types of melodies that he favors that set him apart from his peers, and he's got a real attraction to big hooks, which manifested in the Bad Plus's work in a number of ways and shows up in his solo work too. The Bad Plus developed a reputation for piano trio covers of pop songs that people often seemed to think were ironic, but were in fact performed from a perspective of real love for compositional form. A great tune is a great tune. And it's worth remembering that they also recorded Igor Stravinsky's Rite of Spring, which is an avant-garde landmark but also has some really kick-ass and highly memorable melodies. After all, it was originally written for dancers.Ethan's new album, Technically Acceptable, is his second record for Blue Note and he's doing some things on it that he's never done before. First of all, he's playing with two different rhythm sections that are made up of musicians more or less his own age, even younger than himself. Until now, he's tended to record with older players, legends like Jack DeJohnette, Albert "Tootie" Heath, Billy Hart, Paul Motian, Ron Carter, etc. This is his first time post-Bad Plus making an album entirely with musicians of his own generation. Also, it includes a solo piano sonata – three movements, fifteen minutes, a through composed classical piece that still manages to fit under the umbrella of jazz in a George Gershwin meets Fats Waller kind of way. This album is a real showcase for him as a composer.Ethan and I talk about Cecil Taylor in the interview you're about to hear. We also talk about his work and how it's evolved over the years, the economics of surviving as a jazz musician in the 21st century, and we talk about other piano players of his generation like Jason Moran, Aaron Diehl, Aaron Parks, Jeb Patton, and Sullivan Fortner. We talk about diving into the music's history, and about how there's as much to learn and draw from in the music of the 1920s and 1930s as in the music of the 1960s and afterward, and about the increasing movement toward composition in current jazz. This is his second time on the podcast – a couple of years ago, I interviewed him alongside Mark Turner, because they'd made a duo album together. But this time it's a one on one conversation, and I hope you'll find it as interesting as I did.

durée : 00:59:07 - Ethan Iverson - par : Alex Dutilh - Pour son deuxième album Blue Note, le pianiste, compositeur - et critique influent - Ethan Iverson continue de confronter formes classiques et innovations. Entouré de jeunes musiciens, il signe de nouvelles compositions, reprend Roberta Flack et Thelonious Monk, et grave sa première sonate.

durée : 00:59:07 - Ethan Iverson - par : Alex Dutilh - Pour son deuxième album Blue Note, le pianiste, compositeur - et critique influent - Ethan Iverson continue de confronter formes classiques et innovations. Entouré de jeunes musiciens, il signe de nouvelles compositions, reprend Roberta Flack et Thelonious Monk, et grave sa première sonate.

In August, West Virginia University announced that it would be dissolving its Department of World Languages, Literature and Linguistics. And a couple months after that, my school Middlebury College, chose to eliminate a faculty position in its creative writing department. As someone studying English Literature, and who cares deeply about the future of humanities education, I was curious to talk to someone who has been thinking about what the study of the humanities looks like in today's world. Merve Emre is the Shapiro-Silverberg University Professor of Creative Writing and Criticism at Wesleyan University and a contributing writer at The New Yorker. She was also a judge for The 2022 International Booker Prize. I've read her essays on various literary topics at The New Yorker, and other publications and it's obvious that her criticism strives to innovate literary study for a changing world. I've been talking a lot about criticism on this show this year. I spoke to Christian Lorentzen over the summer about the future of literary criticism, an art that's been required to reinvent and revitalize itself over the past few years. And my conversations with Jerome Lowenthal and Ethan Iverson focused on how classical music and jazz are received. I think studying the way we approach and talk about art and culture is crucial to the function of the humanities and this conversation gets to the heart of that.  Merve and I start by talking about the school and the trends that literature departments are seeing, but then we progress to a larger discussion about access to the humanities. Merve is a strong advocate for treating aesthetic experience as a social good, and this takes us to the end of our conversation where we try to articulate how the academy and public media, and social media can simultaneously further the reach and scope of humanities education and dissemination in their own ways. This was another work of audio criticism. Regardless of whether you're interested in literature or culture, the topics we discussed are ubiquitous in today's society, and if there's one throughline in all the episodes of Cultural Mixtapes, it's the importance of art in our world. New Yorker Page Recommendations Middlemarch - George Eliot Inland - Gerald Murnane R.P. Blackmur F. O. Matthiessen Elizabeth Hardwick Renata Adler Rebecca West

MIKI YAMANAKA – SHADES OF RAINBOW Vancouver, BC, Canada, February 6, 2023That ain't Betty, Shades of rainbowMark Turner (ts) Miki Yamanaka (p,el-p,comp) Tyrone Allen (b) Jimmy Macbride (d) HERB ELLIS – MEETS JIMMY GUIFFREI Los Angeles, March 26, 1959Goose grease, When your lover has gone, Remember, You knowArt Pepper, Bud Shank (as) Richie Kamuca, Jimmy Giuffre (ts) Lou Levy (p) Herb Ellis (g) Jim Hall (rhythm-g) Joe Mondragon (b) Stan Levey (d) BAD PLUS & JOSHUA REDMAN – THE BAD PLUS/JOSHUA REDMAN Brooklyn, NY, July, 2012Dirty blonde, Silence is the question Joshua Redman (ts) Ethan Iverson (p) Reid Anderson (b) David King (d) Continue reading Puro Jazz 14 diciembre 2023 at PuroJazz.

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THE COOKERS – LOOK OUT !  – Englewood Cliffs, NJ, April 11 & 12, 2016 The mystery of Monifa Brown, Cat's out the bag, Traveling lady Eddie Henderson, David Weiss (tp) Donald Harrison (as) Billy Harper (ts) George Cables (p) Cecil McBee (b) Billy Hart (d) MARK TURNER / ETHAN IVERSON – TEMPORARY KINGS  – Lugano, Switzerland, June, 2017 Lugano, Dixie's dilemma, Yesterday's bouquet Mark Turner (ts) Ethan Iverson (p) TERELL STAFFORD / DICK OATTS – BRIDGING THE GAP  – Englewood, N.J., March 5, 2009 Bridging the gap, Time to let go, JCO farewell Terell Stafford (tp,flhrn) Dick Oatts (as) Gerald Clayton (p) Ben Williams (b) Rodney Green (d) Continue reading Puro Jazz 27 noviembre 2023 at PuroJazz.

Ok we're asking the big questions here. Bill Evans. Is he the GOAT or is it all just hype? In this episode, Peter and Adam get into these questions and more. Is there room for these topics in the jazz climate today?Check out Ethan Iverson's articles on the topic:1. https://ethaniverson.com/interview-with-nicholas-payton/2. https://ethaniverson.com/2021/06/07/bill-evans-at-the-bohemia/Peep the episode on Brad Mehldau right HEREHave a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio

As part of this mini series on the past and future of the music industry, I wanted to speak to another person who's been a force in the industry for years. I came across an article in The Nation that was called The End of the Music Business. This piece presented the history of a century in recorded music that began with pre-war 78-rpm gramophone records, and ended with the onset of streaming websites. The thesis of the piece was that the most notable development in these hundred years was the LP, which marked the apex of commercial music making and album sales. The piece was written by Jazz Pianist Ethan Iverson. Ethan has been in the industry for over 20 years, and is now a mainstay of jazz clubs in New York and all over the country.  He was a founding member of the avant-garde jazz trio The Bad Plus in the year 2000 and he stayed with the group for 17 years. In addition to being a jazz pianist, Ethan also has written prolifically about music, and culture for years on his blog DO THE MATH, and now his Substack TRANSITIONAL TECHNOLOGY.  Ethan and I began with this piece in The Nation. And he talked through his experience in the music industry, and his predictions for where things may go. But from there we started exploring his intricate career in Jazz. Ethan has traversed through the genre, from The Bad Plus, which served as a bridge between contemporary jazz and popular music, to his current compositions, such as a piano sonata, which strive to place Jazz in conversation with classical music. As you know, I'm fascinated by work that asks complicated questions about the genre it originates from. So this last idea is where we ended our conversation. and as someone who's studied both styles and performed in both traditions, Ethan may be an apt person to think about the future of American music. This was a wonderful conversation that covered over a hundred years of American music, had a lovely Tony Bennett cameo, and forced me to think about pushing the boundaries and changing the terms we use to define genres of music. Ethan's Substack Ethan's Blog (Archive) Every Note is True - Blue Note Records The End of the Music Business - The Nation Recommendations Barbie Movie Henning Mankell's Crime Fiction Other Artists Mentioned Tony Bennett Billy Hart Thelonious Monks Ron Carter Duke Ellington Ornette Coleman McCoy Tyner Miles Davis John Coltrane Charlie Parker Charles Ives Conlan Nancarrow

Last week we focused our playlist on some of our favorite tracks from the first six months of the year. Evidently two hours were not enough and we could not play them all… so here we are going through the rest of the best. The playlist features Vicente Archer; Enzo Carniel, Hermon Mehari, Damien Varaillon, Stéphane Adsuar; John Hadfield [pictured], Kinan Azmeh; Vinnie Sperrazza, Ethan Iverson, Michael Formanek; Rachel Eckroth; Darren Johnston; Ralph Alessi; Jacob Young, Mats Eilertsen, Audun Kleive; and Asher Gamedze. Detailed playlist at https://spinitron.com/RFB/pl/17612249/Mondo-Jazz (up to "Out Stepped Zim").  Happy listening!

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This week we focus on three fascinating releases which celebrate the genius and legacy of Don Cherry, after starting with a tribute to Led Zeppelin, Emma Rawicz's new project, one of the best piano trios I've heard in a long time, lead by a drummer, and new music by Michael Formanek. The playlist features Francesco Bearzatti; Emma Rawicz; Vinnie Sperrazza, Ethan Iverson, Michael Formanek; Peter Broetzmann, Majid Bekkas, Hamid Drake [pictured]; Kahil El'Zabar, Ethnic Heritage Ensemble, Dwight Trible, David Ornette Cherry; Jamie Breiwick; and Ken Vandermark. Detailed playlist at https://spinitron.com/RFB/pl/17298446/Mondo-Jazz (up to "Guinea"). Happy listening! Photo credit: Luciano Rossetti.

An eclectic set of music starting with Hartford based guitarist Frank Varela. Next is a new release from Terri Lyne Carrington celebrating women jazz composers. LP and the Vinyl cover a pop tune and drummer from Charlie Brown Christmas classic covers Charles Mingus. More from Joe Farrell, Charles McPherson, Ethan Iverson and young vibraphonist Joel Ross round out the set. Playlist Artist ~ Name ~ Album Frank Varela ~ Ganja Groove ~ Grandma's Revenge Terri Lyne Carrington ~ Respected Destroyer ~ New Standards, Vol. 1 LP and the Vinyl ~ Everybody Wants to Rule the World ~ Heard and Seen Jerry Granelli ~ Boogie Stop Shuffle ~ Dance Hall Joe Farrell ~ Sonic Text ~ Sonic Text Charles McPherson ~ Karen ~ First Flight Out Ethan Iverson ~ Confirmation ~ The Purity of the Turf Joel Ross ~ WAIL ~ The Parable Of The Poet

Abrimos este número 05.2023 con el último trabajo del pianista Ethan Iverson, Every Note Is True, publicado en 2022. Después escuchamos al pianista noruego Arne Torvik junto a su trío en Northwestern Songs, del 2021. Nuestro Clásico de la Semana fue de nuevo el gran Bill Evans al que rescatamos en este concierto inédito y recientemente publicado, Morning Glory: The 1973 Concert at the Teatro Gran Rex, Buenos Aires. En Jazz en Español, descubriremos juntos el estupendo trabajo del guitarrista argentino Gastón De La Cruz, quien junto a su Quinteto, publicó en 2022, Constelaciones. Seguir leyendo La Montaña Rusa 05.2023. Ethan Iverson. Arne Torvik Trio. Bill Evans. Gastón De La Cruz Quinteto. Asaf Sirkis. en La Montaña Rusa Radio Jazz.

This week, we welcome bassist Reid Anderson and drummer Dave King to The JAZZIZ Podcast. Anderson and King are two of the founding members of The Bad Plus, one of the defining bands of 21st-century jazz. After over a decade as an acclaimed piano trio, with Ethan Iverson first and Orrin Evans later, Anderson and King have reinvented The Bad Plus as a dynamic quartet with guitarist Ben Monder and saxophonist Chris Speed. This is the lineup featured on their new, self-titled album, which is due out on September 30 via Edition Records. Despite the major change in the lineup, the band's objective of challenging conventions and pushing their unique approach to jazz in boundary-breaking new directions remains unaltered. Their music, as well as this podcast conversation, testifies to their passion, drive and intent. --- Support this podcast: https://anchor.fm/jazziz/support

Wadada Leo Smith & Jack DeJohnette, Ethan Iverson, Orrin Evans & Kevin Eubanks, The Bad Plus, Julian Lage, Mike Bono, Natalie Cressman & Ian Faquini, Jamile & Tony Davis, Randy Napoleon, Jocelyn Gould, John Scofield, Gerald Clayton, Kate Wyatt, Ariane Racicot and Augustine Yates.Playlist: Wadada Leo Smith, featuring Jack DeJohnette - Sandalwood and SageEthan Iverson, featuring Larry Grenadier and Jack DeJohnette - The Eternal VeritiesEubanks Evans Experience, featuring Orrin Evans and Kevin Eubanks - I Don't KnowThe Bad Plus - Sun WallJulian Lage - AuditoriumMike Bono - FloatNatalie Cressman, Ian Faquini - Auburn WhisperJamile, Tony Davis - Day In Day OutRandy Napoleon - Fan-O-GramJocelyn Gould - Sweet LorraineJohn Scofield - Trance de jourGerald Clayton, featuring Maro - Just a DreamKate Wyatt - ArtifactAriane Racicot - VertigeAugustine Yates - An Open Window - Reprise

'Whistling in the dark' es el título del disco de Denise Donatelli, producido por Larry Klein, en el que la cantante estadounidense interpreta composiciones de Burt Bacharach como 'The look of love', 'Anyone who have a heart' o 'Walk on by'. Del disco del guitarrista brasileño Daniel Santiago 'Song for tomorrow' las canciones 'Clara manhã' -con Aaron Parks- y 'Mundo' -con Pedro Martins-. Y del disco póstumo de Elza Soares 'Elza ao vivo no Municipal', grabado dos días antes de que nos dejara con 91 años, 'Dura na queda', 'Lata d´água', 'Comportamento geral', 'Maria da Vila Matilde' y 'Mulher do fim do mundo'. Abre el pianista Ethan Iverson con 'She won´t forget me' y cierra el clarinetista y saxofonista Eddie Daniels con 'Trem noturno'. Escuchar audio

Gonzalo Rubalcaba, Ethan Iverson, Orquestra Jazz de Matosinhos / Rebecca Martin / Larry Grenadier, Mark Turner, Tigran Hamasayan, Zela Margossian, Nadje Noordhuis, Dave Douglas, Kazemde George, Stefan Hegerat, Chris Pruden, Karl Silveira, Kurt Elling, Danilo Perez, Tania Gill, Ariane Racicot, Michael WeissPlaylist: Gonzalo Rubalcaba, featuring Jack DeJohnette and Ron Carter - PromenadeEthan Iverson, featuring Jack DeJohnette and Larry Grenadier - Goodness KnowsOrquestra Jazz de Matosinhos, Rebecca Martin, Larry Grenadier - Brother, Can You Spare a Dime?Mark Turner, featuring Jason Palmer, Joe Martin and Jonathan Pinson - Waste LandTigran Hamasyan , featuring Mark Turner - All The Things You AreZela Margossian Quintet - ForecastNadje Noordhuis - GullfossDave Douglas, featuring Berlinde Deman, Marta Warelis, Frederik Leroux, Tomeka Reid & Lander Gyselinck - We BelieveKazemde George, featuring Sami Stevens, Isaac Wilson, Tyrone Allen II & Adam Arruda - HaitiStefan Hegerat - SchlossChris Pruden - West Edmonton MallKarl Silveira - Rye & LilacsKurt Elling, featuring Charlie Hunter, DJ Harrison and Corey Fonville - CircusDanilo Perez featuring the Global Messengers - La Muralla (Glass Walls) Suite: Calling for the DawnTania Gill Quartet - Climate StrikerAriane Racicot - Bicycle RideMichael Weiss - Persistence

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This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 17th March 2022 Artist - Track - Album - Year New Standard Quintet    Another Time, Another Place    Another Time, Another Place    2021 Gabor Bolla Quintet    Blue Tarif    On the Move    2021 Scott Burns, John Wojciecowski, Geof Bradfield    Corea    Tenor Time    2022 Melissa Aldana    Los Ojos de Chile    12 Stars    2022 Adonis Rose and the New Orleans Jazz Orchestra feat. Cyrille Aimée    Down    Petite Fleur    2021 Jami Templeton    Can't Help Lovin' That Man    The Shape of My Heart    2022 Irene Jalenti    Alma Desnuda    Dawn    2021 Mark Wade Trio    The Soldier and the Fiddle    True Stories    2021 Bill O'Connell    Chaos    A Change is Gonna come    2022 Quentin Angus    Enigma    The State of Things    2022 Cecile McLorin Salvant    Wuthering Heights    Ghost Song    2022 Javon Jackson    Sometimes I Feel Like a Motherless Child    The Gospel According to Nikki Giovanni    2021 Doug Scarborough    Tinder and Spark    The Color of Angels    2022 Roxy Coss    Disparate Parts    Disparate Parts    2022 Ethan Iverson    The Eternal Verities    Every Note is True    2022 Dan Carillo & Common Ground    Que Dios Bendiga a la Mariposas (God Bless the Butterflies)    Witness    2021 Danilo Pérez feat. The Global Messengers    Al-Musafir Blues    Crisálida    2022 The post The Creative Source (#CreativeSource) – 17th March 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

We are lovin' the jazz journey Courtney Pine's lined up for you this episode.  First off is South Korean wunderkind Jihye Lee and her on-fire Orchestra, before some eternal truths from pianist Ethan Iverson.  Kick off your shoes for a sensual groove with Omar, and a retro-luscious dreamscape from Brazil's Marcos Resende.  Is that Sarah Vaughan?  No and yes! It's Melanie Charles revisioning her in a totally surreal and cool duet. Portugal's best kept jazz secret Mário Laginha gives us a triotastic palette cleanser, before the energy ball that is Kinetika Bloco whops Duke Ellington's Caravan carnival style down the road to our final prayer: Javon Jackson's Sweet Chariot, Swingin' Low with some gospel-tinged calypso grooves.  Now that's an episode we're ALL gonna be talkin' about…www.linktr.ee/courtneypineglobal

“Once you can play your instrument, the next question is ‘are you listening to what is going on around you...” From THE BASS GUITAR CHANNEL RADIO SHOW broadcast in February 2021 host David C. Gross and Know Your Bass Player“honcho” Tom Semioli talk with bassist Larry Grenadier. Larry talks about the merits of streaming and the traditional album format, digging deep into Art Tatum and classical music, his recordings with Jack DeJohnette, Ethan Iverson, David Sanchez, Joshua Redman, Paul Motion, Brad Meldau, Pat Metheny, D'Angelo, Charles Lloyd, Wolfgang Muthspiel, and his solo bass album “The Gleaners” among other topics!Here is a link to the tunes we played during the radio broadcastLarry Grenadier Playlist

The Heath Brothers are jazz legends—2002 NEA Jazz master Percy was a bassist, 2003 NEA Jazz Master Jimmy was saxophonist, composer, and arranger and now their youngest brother Albert, known to all as Tootie, a virtuosic percussionist, has now joined them as a 2021 NEA Jazz Master.  Tootie Heath's talent was apparent a young age—he was still in high school when he performed with Thelonious Monk. In fact, the list of musicians who have sought him out reads like a who's who in jazz: John Coltrane, Dexter Gordan, Yusef Lateef, Art Farmer, Anthony Braxton, Ethan Iverson. The list goes on and on; after all, Heath has performed on more than 100 recordings. But note the range of styles of these musicians. Heath is known for his extraordinary versatility as a drummer—eager to play various styles of jazz as well as immerse himself in the music and rhythms of other cultures. Yet, there's never any mistaking Heath's own distinctive musical voice. And it was a voice that was nurtured from an early age at his home in Philadelphia where he grew up surrounded by music. In this podcast, Tootie Heath talks about his musical roots, his talented brothers, some of the celebrated musicians he's performed with, and his commitment to embracing different musical styles. He's funny, irreverent, and a born story-teller with great stories to tell.

Featuring Brooklyn gypsy-jazzers The Showdown Kids, Durham NC fusion maestros The Hot at Nights, young lions Mark Turner and Ethan Iverson on the ECM label; + two other-worldy beings: James ‘Blood' Ulmer and Thelonious Monk; arguably the greatest American musician (Miles Davis); arguably the greatest Brazilian musician (Milton Nascimento); and arguably the best rock n roll singer, Mr. Robert Plant (with Phil Collins on drums!)