Japanese drummer, electronic musician and composer
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7 episodes with Ikue Mori
7 episodes with Ikue Mori
2 episodes with Ikue Mori
3 episodes with Ikue Mori
4 episodes with Ikue Mori
2 episodes with Ikue Mori
3 episodes with Ikue Mori
2 episodes with Ikue Mori
4 episodes with Ikue Mori
Episode 178 Chapter 37, Contemporary Software and Synthesis. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 37, Contemporary Software and Synthesis from my book Electronic and Experimental music. Playlist: CONTEMPORARY SOFTWARE AND SYNTHESIS Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1. Barry Truax, “Sonic Landscapes No. 3” (1977 revision). From the album Sonic Landscapes: Electronic and Computer Music (Melbourne Records, Canada). “A spatial environment for four computer synthesized soundtracks.” 15:16 01:36 2. Robert Hood. “Spirit Levels” (1994) from Internal Empire. Written, performed, and produced by Robert Hood. 05:06 16:50 3. Ikue Mori, “Abacus—Blue Parrot” (1996) from Garden. Composed, performed, produced, drum Machines, effects, Ikue Mori. 10:57 10:57 21:56 4. Ghost, “Aramaic Barbarous Dawn” (2004) from Hypnotic Underworld. 03:15 32:52 5. Outputmessage (Bernard Farley), “REM State” (2004) from Oneiros. Written, performed, and produced by Bernard Farley. 04:33 36:08 6. TOKiMONSTA, “Let Me Trick You” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 03:27 40:40 7. TOKiMONSTA, “Line to Dot” (2010) from Cosmic Intoxication EP. Jennifer Lee is a producer from Los Angeles, California, USA. 02:50 44:06 8. Harold Budd, “Jane 1” (2014) from Jane 1-11. Composed, performed, produced by, Harold 07:42 47:00 9. Sophie, “Elle” (2013) from Bipp/Elle. Electronics, vocals, composed and performed by Sophie Xeon. Sophie was primarily known for electronica dance music. 03:39 54:42 10. William Basinski & Richard Chartier, “Divertissement” excerpt (2015). Composition and computer synthesis, Richard Chartier and William Basinski. 08:36 58:20 11. Thom Holmes, “Numbers” (2017) from Intervals. A composition using recordings of numbers stations as the primary source, combined with audio processing and software synthesis. 05:57 01:06:54 12. Ami Dang, “Conch and Crow” (2019) from Parted Plains. Sitar, electronics, audio processing, voice, Ami Dang. 06:00 01:12:50 13. Jeff Mills, “Canis Major Overdensity” (2020) from The Universe: Galaxy 1. Written, performed, and produced by Jeff Mills. 07:42 01:18:48 14. Pamela Z, “Ink” (2021). Commissioned and presented by VOLTI, artistic director Robert Geary; executive producer Barbara Heroux; performed by VOLTI. Music by Pamela Z. 18:08 01:26:32 15. Ryuichi Sakamoto, “20220214” (2022) from 12. Composed, produced, performed by Ryuichi Sakamoto. In answer to a question about how these recordings were done, Sakamoto replied: “They were all recorded in the small studio that was in my temporary abode in Tokyo. Depending on the piece, two or four mics were used to record the piano.” 09:10 01:44:38 16. QOA (Nina Corti), “Sauco” (2022) (04:22), “Liquen” (2022) (02:50), “Yatei” (2022) (03:04), “Muitu” (2022) (03:16) from SAUCO. Side 1 of this release from this Argentinian composer-performer. “Sonic journey crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind, and Earth. Each track is an exploration of sound's constant transformation, akin to dragonfly particles swimming in the air. Like waves occupying a space in the spectrum, the compositions work with the movement, condensation, and lightness of the air.” 13:33 01:53:50 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
Hörspielmeditation • Der rechte Fuß auf den linken Oberschenkel, die Wirbelsäule ganz senkrecht, die Augen nur einen Spalt geöffnet - für einen Anfänger ist es schwer, die Haltung der Zazen-Sitzmeditation längere Zeit durchzuhalten, ohne sich zu bewegen oder in Gedanken abzuschweifen. | Von Werner Penzel, Ikue Mori und Fred Frith | Mit Andrea Hörnke-Trieß | Originalton-Aufnahmen: Ayako Mogi | Zitate von Kodo Sawaki | aus dem Japanischen von Muho Nölke | Komposition: Ikue Mori, Fred Frith | Realisation: Werner Penzel | BR 2015
Japanese musician and composer Ikue Mori is widely known for her innovative work in experimental electronic music. Having initially gained recognition as a drummer for the avant-garde rock band DNA with Arto Lindsay in the late 1970s, she helped define the band's distinct sound. As her career evolved, Mori transitioned to using electronics and computers, exploring sound manipulation and producing intricate soundscapes that blend noise, rhythm, and melody. Her solo projects and collaborations with artists across genres have earned her a reputation as a pioneering force in the world of experimental music. In this episode, she discusses how songs by Ennio Morricone, Les Baxter, and Masuru Sato formed her sensibilities. Mori will perform at this year’s Big Ears Festival in Knoxville in March in her project with Zeena Parkins, Phantom Orchard.See omnystudio.com/listener for privacy information.
Fosforo 1738: I brani della striscia numero 2 della settimana: Tandem Playlist; Scrimshire - Blackthorn; Guru Guru - Salto Mortadella; Lauren Mayberry - Something in the Air; Lars and The Hands of Light - Me Me Me (Trentemøller remix); Mira Lu Kovacs - 84; Ikue Mori, Robert Quine, Marc Ribot - El Dorado; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Fosforo 1731: I brani della striscia numero 3 della settimana: Tandem Playlist; Ikue Mori, Robert Quine, Marc Ribot - Painted Desert; Nico - Secret Side (John Peel Session 20th February 1971); Luísa Maita - Fio da Memória; Remy Le Boeuf`s Assembly of Shadows - Stop and Go; Rolling Stones - I Got The Blues (Live); Thiago França - Cabecinha no Ombro; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Composer, harpist, and multi-instrumentalist Zeena Parkins and the projects Phantom Orchard with electronic percussion artist Ikue Mori and a duo with electronic sound artist Laetitia Sonami. Alongside excerpts from performances at Roulette, Parkins discusses process, technique, and history. Parkins returns to Roulette on Oct. 24 2024 with Ikue Mori and their Phantom Orchard project.https://roulette.org
Composer, harpist, and multi-instrumentalist Zeena Parkins introduces the projects Phantom Orchard with electronic percussion artist Ikue Mori and a duo with electronic sound artist Laetitia Sonami. Alongside excerpts from performances at Roulette, Parkins discuses process, technique, and history. Parkins returns to Roulette on Oct. 24, 2024 with Ikue Mori and their Phantom Orchard project.
IMA is the electro-percussion project of electronic sound artist Amma Ateria and percussionist Nava Dunkelman. The duo has been presented in residency at The Stone, San Francisco Electronic Music Festival, San Francisco Art Institute, and Stanford University and collaborated with Ikue Mori, Fred Frith, John Zorn, Matmos, and many others. IMA will perform The Flowers Die in Burning Fire on the final night of this year's Other Minds Festival on September 28, 2024. In the interview, we talk about the duo's early collaborations, perception of time in music, and the influence of Japanese poetry. Music: “Meshes of the Afternoon” from The Flowers Die in Burning Fire by IMA (Buh Records); “Notion of Time” from The Flowers Die in Burning Fire by IMA (Buh Records); “Ende” from The Flowers Die in Burning Fire by IMA (Buh Records) Follow IMA on Facebook and Instagram. imanoise.me Follow us on Facebook, Instagram, and Twitter. otherminds.org Contact us at otherminds@otherminds.org. The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).
The trombonist Jim Staley traces his path from playing in a Vietnam-era Army band and as an orchestral musician; through encounters with influential mentors and techniques; and musical awakenings that led to a career as a master improviser and Director of Roulette, the New York City concert series. With musical appearances by John Zorn, Ikue Mori, Zeena Parkins, Bill Frisell, Fred Frith, Chris Cochrane, Derek Bailey, Joey Baron, Kyoko Kitamura, and Ciro Baptiste with recordings captured between 1986 and 2015. Staley will be honored with an all-star Gala at Roulette on June 6, 2024.https://roulette.org/
The trombonist Jim Staley traces his path from playing in a Vietnam-era Army band and as an orchestral musician; through encounters with influential mentors and techniques; and musical awakenings that led to a career as a master improviser and Director of Roulette, the New York City concert series. With musical appearances by John Zorn, Ikue Mori, Zeena Parkins, Bill Frisell, Fred Frith, Chris Cochrane, Derek Bailey, Joey Baron, Kyoko Kitamura, and Ciro Baptiste with recordings captured between 1986 and 2015. Staley will be honored with an all-star Gala at Roulette on June 6, 2024.
Rick talks about the life and death of his friend guitarist Robert Quine. Quine was a legendary musician who was remains relatively unknown, but chances are you have heard his playing. His collaborators included Richard Hell & the Voidoids, Lou Reed (notably on The Blue Mask), Brian Eno,[2] John Zorn, Ikue Mori, Marc Ribot, Marianne Faithfull (Strange Weather), Lloyd Cole, Matthew Sweet and Tom Waits. Theme music by Freaky Wilderness
Nel '92 John Zorn e Marc Ribot firmarono un manifesto sulla "nuova cultura radicale ebraica": trent'anni fa la presa di posizione di Zorn e Ribot rappresentò uno spartiacque rispetto alla percezione della presenza ebraica nella musica americana innovativa del Novecento, molto più diffusa di quello che si era abituati a pensare: dalla maggior parte dei grandi autori del Great American Songbook e fino a Bacharach, da moltissimi dei più importanti jazzmen bianchi ad alcune decisive figure del rock, come Bob Dylan, Lou Reed, Iggy Pop, da un minimalista come Steve Reich a molti degli americani di Musica Elettronica Viva, e poi moltissimi dei protagonisti dell'avantgarde bianca newyorkese emersa fra anni settanta e ottanta di cui Zorn è stato il catalizzatore. Nel '95 Zorn con la sua etichetta Tzadik vara la collana Great Jewish Music, nella quale nel '97 pubblica un doppio Cd dedicato alla musica di Bacharach: prodotto da Zorn, con venti brani realizzati da un ampio assortimento di formazioni e artisti, da Wayne Horvitz a Dave Douglas, da Marc Ribot a Joey Baron, da Zeena Parkins a Ikue Mori, da Medeski Martin and Wood a Bill Frisell, il volume della Tzadik è un originale omaggio a Bacharach e un brillante spaccato della scena avantgarde newyorkese di fine Novecento.
David Grubbs: On Derek Bailey Excerpts from Roulette concerts between 1986-99 by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023. https://roulette.org/
Excerpts from Roulette concerts by improvising activist guitarist Derek Bailey, with commentary by musician/professor/author David Grubbs (Records Ruin The Landscape). Emerging from the London free improv scene, between 1986-99 Bailey tapped New York musicians to engage in his wildly diverse Company Weeks, in groupings and pairings with John Zorn (sax), Carlos Zingaro (violin), Ikue Mori (electronic percussion), Jim Staley (trombone), Ciro Baptiste (percussion), Jamaladeen Tacuma (bass), Calvin Weston (drums), Susie Ibarra (percussion), Richard Teitelbaum (electronics), and Greg Bendian (percussion). John Zorn is honoring Derek Bailey with three Nights of Improvisation at Roulette, Jan. 19-21, 2023.
Pianist and composer SATOKO FUJII, “an improviser of rumbling intensity and generous restraint” (Giovanni Russonello, New York Times), is one of the most original voices in jazz today. For more than 25 years, she has created a unique, personal music that spans many genres, blending jazz, contemporary classical, rock, and traditional Japanese music into an innovative synthesis instantly recognizable as hers alone. “Fujii's music troubles the divide between abstraction and realism. . . . All of this amounts to abstract expressionism, in musical form. But it's equaled by her rich sense of simplicity, sprung from the feeling that she is simply converting the riches of the world around her into music,” writes Giovanni Russonello in the New York Times. A prolific composer for ensembles of all sizes and a performer who has appeared around the world, she was the recipient of a 2020 Instant Award in Improvised Music, in recognition of her “artistic intelligence, independence, and integrity.” Her talent as a big band composer, arranger, and leader have been recognized numerous times in DownBeat Critics Polls. The New York City Jazz Record has twice named her Artist of the Year. In 2021, El Intruso named her Pianist of the Year. Since she burst onto the scene in 1996, Fujii has led and recorded with some of the most consistently creative ensembles in modern improvised music. She recorded her 100th CD as leader or co-leader live in concert in September 2022. To mark the milestone, she wrote a new suite, Hyaku: One Hundred Dreams, featuring trumpeters Wadada Leo SmithandNatsuki Tamura, tenor saxophonist Ingrid Laubrock, bassoonist Sara Schoenbeck, electronics artist Ikue Mori, bassist Brandon Lopez, and drummers Tom Rainey and Chris Corsano. Among the groups she led are a piano trio with Mark Dresser and Jim Black (1997-2009), and an electrifying avant-rock quartet featuring drummer Tatsuya Yoshida of The Ruins (2001-2008). In addition to a wide variety of small groups of different instrumentation, Fujii also performs in a duo with trumpeter Natsuki Tamura, with whom she's recorded eight albums since 1997. She and Tamura are also one half of the international free-jazz quartet Kaze, which has released five albums since their debut in 2011. Fujii has established herself as one of the world's leading composers for large jazz ensembles, prompting Cadence magazine to call her “the Ellington of free jazz.” Since 1996, she has released a steady stream of acclaimed albums for jazz orchestras and in 2006 she simultaneously released four big band albums: one from her New York ensemble, and one each by three different Japanese bands. In 2013 she debuted the Satoko Fujii Orchestra Chicago at the Chicago Jazz Festival and two years later debuted the new Satoko Fujii Orchestra Berlin. With 2016 marking her 20th year in creative music, Fujii performed concerts once a month in cities around the world, including solo concerts and with her duo with Tamura performed with special guests. She also presented performance with small and large ensembles. During her 60th birthday year in 2018, a milestone known as Kanreki in Japan, Fujii celebrated by releasing one new CD a month. In keeping with the Kanreki tradition of reflecting on the past while looking to the future, the 12 albums included releases by groups that Fujii has led or been part of for years, such as Kaze, Orchestra Berlin, and Orchestra Tokyo, as well as new groups and collaborations with Australian keyboardist Alister Spence; Mahobin, a cooperative quartet featuring Lotte Anker, Ikue Mori, and Tamura; and a new trio, This Is It! In addition to playing accordion in Tamura's Gato Libre, she pursues a fruitful collaboration with bassist Joe Fonda. Together, the duo has released five recordings, sometimes adding guests like Tamura and Gianni Mimmo. In 2019, she recorded Confluence, an album of intimate, highly interactive duets with drummer Ramon Lopez. When the pandemic forced her to stay home for more than a year, she remained musically active, converting her home practice room into a recording studio and producing her seventh solo album, Hazuki; and a duet with Tamura, Keshin. She also collaborated by swapping sound files over the Internet, releasing the duet albums Prickly Pear Cactus with Ikue Mori; Thread of Light with bassist Joe Fonda; and Underground by Futari, her duo project with vibraphonist Taiko Saito. She also explored the use of computer editing to shape a solo release, Piano Music. In this episode, Satoko shares her background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
A propos de Bernie KrauseDerrière la porte Jean PoinsignonKoroni (solo de flûte) Musique DayakDas insekt Der PlanLes insectes Maurice JarreRetour vers la canopée. Jean PoinsignonLes éphémères Knud ViktorRobert et les insectes. Albert MarcoeurMireille Dick AnnegarnAji fly FoodmanFly eye Daniel JohnstonFly in the pool Boards of CanadaLa terre est rouge Cha Cha GuitriPhase IV Saul Bass 1974La maladie des fourmis Guigou Chenevier & Sophie JausserandLe roi des fourmis Michel PolnareffLa cigale et la fourmi Charles TrenetBumble Boogie Freddy MartinBee Oh DialectBusy Bee Arthur AskeyEphemeroptera Ikue MoriLe bourdonnements des abeilles Pygmées BakaMélodie d'harmoniques (insectes) Papua New GuineaThe insect dancers Dave ClarksonInsect fear Cavern Of Anti-MatterInsects IQ ZeroLa Métamorphose Franz Kafka lecture de Dominique BlancRitual with Giant Hissing Madagascar CockroachesMetamorphoses God is GodThe naughty little flea Miriam MakebaCulex pipiens André-Jacques Andrieu et Bernard DumortierGreen mosquito The Tune RockersUn papillon Hector ZazouPhylopn Mira Calix
Yuka C. Honda: Fairyland Composer and musician Yuka C. Honda reflects on a remarkable musical trajectory, serendipity, and new directions. Widely known for the project Cibo Matto, this program is illustrated with excerpts from a 2016 performance at the Roulette Concert Hall in NYC with drummer Susie Ibarra and electronic percussionist Ikue Mori. Photo: Sophie Caby. https://roulette.org/
Composer and musician Yuka C. Honda reflects on a remarkable musical trajectory, serendipity, and new directions. Widely known for the project Cibo Matto, this program is illustrated with excerpts from a 2016 performance at the Roulette Concert Hall in NYC with drummer Susie Ibarra and electronic percussionist Ikue Mori. Photo: Sophie Caby.
Welcome to another episode of Aquarium Drunkard Transmissions. This week on the show, Daryl Black Eagle Jamieson and guitarist Yonatan Gat join us to discuss their collaborative work as Medicine Singers, which pairs the powwow drum and the voices of the Eastern Medicine Singers with Yonatan's electrified guitar and contributions from experimental composer Joe Rainey, Ikue Mori of DNA, Thor Harris of Swans, previous Transmissions guest Laraaji, and the late jamie branch. Tapped into a kind of frenzied energy, the album is an overpowering force, and it features a transcendent cover of Link Wray's immortal “Rumble.” Ahead of a performance September 24 at Pioneer Works with guests Lee Ranaldo, Laraaji, and Thor Harris, Jamieson and Gat join us to discuss their collaboration. A quick word: sorry about some of the audio in this one; there was an issue with a connection, but the conversation is more than worth it. Thanks for checking out Transmissions. If you dig the show, please consider leaving a five star rating or a review—or just forwarding your favorite episodes to a friend. We're a part of the Talkhouse Podcast Network. Next week on the show: Medicine Singers.
Ikue Mori: Electric Fairy Tales The atmospheric sounds of composer, drummer, electronic percussionist, and media artist Ikue Mori, an innovative and influential figure in the global experimental music scene, in solo and collaborative works, compositions based on fairy tales, and stories of an adventurous career from NoWave punk drummer with legendary band DNA, projects with John Zorn, puppetry and technology, and more. Featuring collaborators Zeena Parkins, Tania Caroline Chen, Okkyung Lee, Sylvie Courvoisier, Jim Black, Arto Lindsay, and Yoshimio. All recorded at Roulette between 1997-2019. https://roulette.org/
The atmospheric sounds of composer, drummer, electronic percussionist, and media artist Ikue Mori, an innovative and influential figure in the global experimental music scene, in solo and collaborative works, compositions based on fairy tales, and stories of an adventurous career from NoWave punk drummer with legendary band DNA, projects with John Zorn, puppetry and technology, and more. Featuring collaborators Zeena Parkins, Tania Caroline Chen, Okkyung Lee, Sylvie Courvoisier, Jim Black, Arto Lindsay, and Yoshimio. All recorded at Roulette between 1997-2019.
Playlist Computer Magic (Danielle Johnson), “Data” from Danz (2018 Channel 9 Records). US. Written, Recorded, Arranged, Produced, Mixed, Mastered by, Danielle Johnson. 1:57 Angie, “The Computer Did” from The Computer Did (1984 Munich Records). Netherlands. Producer, A. Bredehoft, C. Wegener, K. Marvin; Technician, Wil Hesen; Written by C. Wegener. 3:15 Kraftwerk, “Computer Love” from Computer World (1981 EMI). Germany. Hardware, Matten & Wiechers Bonn, Peter Bollig, Mr. Lab & Friend Chip Berlin, Hermann Poertner, Gerd Rothe; Software, Guenter Froehling, Emil Schult, Pit Franke, Karl Klefisch, Computergraphics System Bernd Gericke Erlangen, Falk Kuebler, Martin Tewis, Carol Martin, Takeshi Shikura, Ian Flooks, Marvin Katz, Maxime Schmitt, Ralf Hutter, Karl Bartos, Wolfgang Flur, Florian Schneider. Kling Klang Studio: Joachim Dehmann, Guenter Spachtholz. 7:17 Little Computer People Project (Anthony Rother), “Little Computer People (Karl Bartos Remix)” from Little Computer People (Remixes) (1998 Psi49net). Germany. Produced, Performed by The Little Computer People Project (Anthony Rother); remixed by Karl Bartos. 5:31 Doris Norton, “Parallel Interface” from Personal Computer (Durium 1984). Italy. Arranged, composed, synthesizers by Doris Norton; keyboards, Antonio Bartoccetti. 4:27 The Microbes, “Computer” from Computer (1980 DJM Records). UK. Produced, Written by, C. Chiappe, J. Chegwin, O. Falquero. 2:32 Zapp & Roger Featuring Shirley Murdock and Charlie Wilson, “Computer Love” from The New Zapp IV U (1985 Warner Brothers). US. Produced, written by, Larry “Zap” Troutman, Roger Troutman; mixed by Roger Troutman. Backing Vocals Aaron Blackmon, Billy Beck, Bobby Glover, Charlie Wilson, Dale Degroat, Donna Sloss, Gregory Jackson, Jannetta Boyce, Ray Davis, Rhonda Stevens, Robert Jones, Roger Troutman, Shirley Murdock, Wanda Rash, Zapp Troutman; Bass Guitar, Aaron Blackmon, Roger Troutman, Zapp Troutman; Drums, Damian Black, Lester Troutman, Edited by Zapp Troutman; Horns, Carl Cowen, Jerome Derrickson, Michael Warren, Robert Jones; Keyboards, Bernie Worrell, Billy Beck, Dale Degroat, Greg Jackson, Roger Troutman, Zapp Troutman; Lead Guitar, Rhythm Guitar, Aaron Blackmon, Roger Troutman; Lead Vocals Greg Jackson; Mixed by Lester Troutman, Zapp Troutman; Percussion, Larry Troutman, Lester Troutman, Robert "Kuumba" Jones. 4:43 Raymond Scott, “IBM Probe” from Manhattan Research Inc. (2000 Basta). US. Music from 1963-64. Outtakes from the music and sound effects created for the promotion of the IBM MT/ST (Magnetic Tape/Selectric Typewriter), an early word processor. Remember those? 1:54 Ugliman, “Computer” from Computer (1985 10 Roosevelt Ave.). Jamaica. Producer, Harry J; Written by H. Johnson, R. Crawford. 4:00 Ikue Mori, “Abacus—Blue Parrot” from Garden (1996 Tzadik). US. Composer, performer, producer, drum Machines, effects, Ikue Mori. 10:57 Jóhann Jóhannsson, “IBM 1401 Computer Manual” (2006 4AD). UK/Iceland. The IBM 1401 was a mainframe computer introduced by IBM in 1959. Orchestra, The City Of Prague Philharmonic Orchestra; Orchestrated by Arnar Bjarnason, Jóhann Jóhannsson; Hammond B3 organ, Piano, Celesta, Bells, Jóhann Jóhannsson; IBM 1401 Data Processing System recorded by Elías Davídsson, Jóhann Gunnarsson, Örn Kaldalóns; Written, arranged, produced by Jóhann Jóhannsson. Jóhannsson's father had worked as an engineer on this computer and recorded some musical snippets when the machine was retired in 1971 that were used by his son to make parts of this recording. “The orchestra was recorded at Barrandov Studios, Smecky Soundstage in Prague in September 2005. Additional recordings were made in Reykjavik, Skálholt, Florence, Madrid, Zurich, Piran and Rennes during the period 2003-2006. Mixed in Syrland, Reykjavik in February 2006. Tracks two and three feature the voice of "an unknown instructor from an IBM 1401 Data Processing System maintenance instruction tape found in my father's attic. All electronic sounds were derived from the IBM 1401 Data Processing System and the Hammond B3 organ with Ring Modulator, Distortion and Filter pedals. The music and sounds of the IBM 1401 Data Processing System were recorded by Jóhann Gunnarsson, Örn Kaldalóns and Elías Davídsson in Reykjavik in 1971. The musical fragment played by the computer is from the hymn "Ísland Ögrum Skorid" by Sigvaldi Kaldalóns, used by kind permission. 42:25 The work is organized as follows: Part 1 / IBM 1401 Processing Unit Part 2 / IBM 1403 Printer Part 3 / IBM 1402 Card Read-Punch Part 4 / IBM 729 II Magnetic Tape Unit Part 5 / The Sun's Gone Dim and The Sky's Turned Black 12. Kate Bush, “Deeper Understanding” from Director's Cut (2011 Fish People). UK. A different edit from the official album version. Bass, John Giblin; Computer, Albert McIntosh; Drums, Steve Gadd; Harmonica, Brendan Power; Written, produced, vocals, keyboards, Kate Bush; Performer (Beryl Van Heem), Hazel Pethig; Performer (Professor Need), Terry Jones; Performer (Toll), Remi Butler; Vocals, Trio Bulgarka; Vocals Featuring, Yanka Rupkhina. 4:53 Opening background music: Outputmessage (Bernard Farley), “Switch” from Oneiros (2004 Echelon Productions). Written, performed, and produced by Bernard Farley. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.
In this episode, we have the privileged to have a conversation with Abigail Child who has produced over 30+ films and has 6 books! I got to interview her for the LA Femme Festival on her most recent film The Origins of Species which covers how AI Robotics are being manufactured, built, and their intention of what role they will play within society! This is such a golden conversation on what are the practical steps we can take to make a difference during the time of AI leading the way and be informed about the ethical issues occurring with this! Make sure to check out the film at either of these linkshttps://www.originofthespeciesfilm.com/https://www.abigailchild.com/Tune in to receive the frequency. I love you,ColleenWebsiteFacebookInstagramAbigail Child has been at the forefront of experimental writing and media since the 1980s, having has completed more than fifty film/video works and installations, and written 6 books. An acknowledged pioneer in montage, Child addresses the interplay between sound and image, to create in the words of LA Weekly: “…a political filmmaking that's attentive to form.” Her major projects include Is This What You Were Born For?: a 7-part work; B/Side: a film that negotiates the politics of internal colonialism; 8 Million: a collaboration with avant-percussionist Ikue Mori that re-defines "music video"; The Suburban Trilogy: a modular digi-film that prismatically examines a politics of place and identity; and MirrorWorlds: a multi-screen installation that incorporates parts of Child's "foreign film" series to explore narrative excess. Her most recent work is a trilogy of feature films, including UNBOUND, an imaginary 'home movie' of the life of Mary Shelley, teenage author of Frankenstein; ACTS & INTERMISSIONS, on the life of anarchist Emma Goldman in America; and ORIGIN OF THE SPECIES that explores human-machine interactions and gender roles in the 21st century.Child's books include 6 of poetry (A Motive for Mayhem, Scatter Matrix, and Mouth To Mouth among them) and one of the critical writings: THIS IS CALLED MOVING: A Critical Poetics of Film (2005). As a professor at the School of the Museum of Fine Arts, Boston (1999-2016), Child has been instrumental in building an interdisciplinary media/film program.https://www.originofthespeciesfilm.com/https://www.abigailchild.com/
SOLENOÏDE, émission de 'musiques imaginogènes' diffusée sur 30 radios dans le monde
Solénoïde (08.11.2021) - Naviguez sur les mers agitées de la création musicale au féminin ! Pour cela, nous avons affrété une caravelle très particulière où ont été convoquées instrumentistes et compositrices de toutes obédience et de toutes nationalités. Soit un casting hétéroclite mis au service d'un mix où les frontières entre pop et musiques expérimentales sont éminemment poreuses...
"Tekufah" Electric Masada: At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD) Este misil sonoro está interpretado por John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen, Cyro Baptista. La composición, cómo no, es obra de John Zorn. © Pachi Tapiz, 2021 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. El tema y el disco en que aparecía se han mencionado en varias ocasiones en Tomajazz. Entre otras, como una de las Razones para amar el jazz (https://www.tomajazz.com/web/?p=39115); y por Adolphus Van Tenzing en la sección Tomajazz Recomienda... (https://www.tomajazz.com/web/?p=11595). En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast.
In this July 2017 conversation with Ken Vandermark, Ikue Mori discusses the gender divide in the New York music scene of the 1970s, her gradual shift from drum set to drum machines to laptop, and her recent work with video. This episode is sponsored by Astral Spirits Records (http://astralspirits.bandcamp.com/ (astralspirits.bandcamp.com)): “The New Wave of Heavy Free Jazz since September 2014.”
Shelley Hirsch: Primal Impulses Equal parts composer, vocalist, and storyteller Shelley Hirsch is universally admired for an astounding gift firing off free association between words and sounds, which is our focus in this edition. Here with collaborators keyboardist/arranger Simon Ho, turntablist Christian Marclay, guitarist Kazuhisa Uchihashi, pipa master Min Xiao Fen, electronic percussionists Ikue Mori & Samm Bennett, cellist Okkyung Lee, keyboardist David Weinstein, and Horst Rickels' Mercurius Wagen https://roulette.org/
Equal parts composer, vocalist, and storyteller Shelley Hirsch is universally admired for an astounding gift firing off free association between words and sounds, which is our focus in this edition. Here with collaborators keyboardist/arranger Simon Ho, turntablist Christian Marclay, guitarist Kazuhisa Uchihashi, pipa master Min Xiao Fen, electronic percussionists Ikue Mori & Samm Bennett, cellist Okkyung Lee, keyboardist David Weinstein, and Horst Rickels' Mercurius Wagen.
We take off with another upcoming gem from Georgia Anne Muldrow and land with John Zorn and the first (of what will certainly be many) box set dedicated to his delightful Bagatelles. In the middle a mini-section on the Palladino bass-dinasty which acts as a bridge between two of the hot scenes of today, London's and LA's. From there we dive in the latter with a special focus on the fascinating new releases by Sam Gendel, Carlos Niño, Zane Carney, Henry Solomon and Logan Kane. The playlist features Georgia Anne Muldrow; H ZETTRIO; Dzhian & Kamien; Tom Misch, Yussef Dayes, Rocco Palladino; Pino Palladino, Blake Mills; Sam Gendel; Carlos Niño; Zane Carney; Henry Solomon, Logan Kane; JOMORO; R+R=NOW; Sana Nagano; John Zorn, Mary Halvorson, Erik Friedlander, Michael Nicolas, Trigger, and Ikue Mori. Detailed playlist at https://spinitron.com/RFB/pl/12923792/Mondo-Jazz (up to Ikue Mori). Happy listening! Photo credit: Luke Marantz.
Fra i più brillanti musicisti europei di area jazzistica affermatisi nel nuovo millennio - compirà quarant'anni nel prossimo maggio - Alexander Hawkins da qualche anno ha trovato un interlocutore non occasionale nella Intakt, e in puntate di Jazz Anthology del 2019 e 2020 che potete trovare in podcast abbiamo seguito le sue uscite con l'etichetta svizzera: siamo adesso alla quarta, Togetherness Music, un ambizioso lavoro all'incrocio fra scrittura e improvvisazione, con una compagine di sedici elementi dalla fisionomia abbondantemente cameristica in cui figura però anche un maestro della free music europea come il sassofonista Evan Parker con improvvisazioni senza compromessi al sax soprano. Gli interessi della Intakt si estendono anche a musiche di ricerca che non rientrano propriamente in un'area definibile come jazzistica: nel caso del duo di Fred Frith - altro artista che ha con la Intakt un rapporto importante - e di Ikue Mori c'è comunque una fantastica dimensione improvvisativa, che si coniuga con il rumorismo e l'elettronica in seducentissimi paesaggi sonori, vivissimi, giocosi, pieni di humour e di musicalità.
Fra i più brillanti musicisti europei di area jazzistica affermatisi nel nuovo millennio - compirà quarant'anni nel prossimo maggio - Alexander Hawkins da qualche anno ha trovato un interlocutore non occasionale nella Intakt, e in puntate di Jazz Anthology del 2019 e 2020 che potete trovare in podcast abbiamo seguito le sue uscite con l'etichetta svizzera: siamo adesso alla quarta, Togetherness Music, un ambizioso lavoro all'incrocio fra scrittura e improvvisazione, con una compagine di sedici elementi dalla fisionomia abbondantemente cameristica in cui figura però anche un maestro della free music europea come il sassofonista Evan Parker con improvvisazioni senza compromessi al sax soprano. Gli interessi della Intakt si estendono anche a musiche di ricerca che non rientrano propriamente in un'area definibile come jazzistica: nel caso del duo di Fred Frith - altro artista che ha con la Intakt un rapporto importante - e di Ikue Mori c'è comunque una fantastica dimensione improvvisativa, che si coniuga con il rumorismo e l'elettronica in seducentissimi paesaggi sonori, vivissimi, giocosi, pieni di humour e di musicalità.
The violinist/composer discusses her classical training, mastering improvisation, Korean heritage, and introduces us to musical examples recorded at Roulette with collaborators including Marco Cappelli, Susie Ibarra, Rubin Kodheli, Ikue Mori, Michael Nicolas, Vongku Pak, and the Talujon Percussion Ensemble.
Jennifer Choi -- Bowing Up The violinist/composer discusses her classical training, mastering improvisation, Korean heritage, and introduces us to musical examples recorded at Roulette with collaborators including Marco Cappelli, Susie Ibarra, Rubin Kodheli, Ikue Mori, Michael Nicolas, Vongku Pak, and the Talujon Percussion Ensemble. https://roulette.org/
"An eclectic mix of music today’s episode of The Jazz Hole, including tracks from the brand new album Different Roots by Rodrigo Faina and Change Ensemble and from the futuristic album Arcade by the Toronto-based Griffith Hiltz Trio. Also from Toronto is vibraphonist Dan McCarthy, who recorded his brand new album “A Place Where We Once Lived” in Brooklyn, NY the day before permanently returning to Toronto. Buenos Aires composer and saxophonist Camila Nebbia’s new EP In another Night, In Another World with pianist, vocalist and composer Maya Keren and bassist Akiva Jacobs. Plus music from a project that was created in two different cities during the pandemic, laptop and electronics artist Ikue Mori in New York along with pianist Satoko Fujii & trumpeter Natsuki Tamura in Kobe, Japan. Rodrigo Faina and Change Ensemble - “Opening”, “Deep, Dark and Blue” & “An Installment Of Time” Album: Different Roots Rodrigo Faina (cond, e-g), Fanny Alofs (voc), Marieke Franssen (fl), Ilse Eijsink, Lars Wouters (cl, b-cl), Paul van der Feen (ss, as), Kees Krabben (as), Iman Spaargaren (ts), Nils van Haften (ss, ts, bs), Stefan Liedtke (bassoon), Marc Kaptijn, Erwin ter Bogt (tp, flh), Gerard Kleijn (flh), Victor Belmonte (tb, b-tb), Daniel Quiles Cascant (tb), Dave Kutz (tuba), Guillermo Celano (e-g), Folkert Oosterbeek (p, rhodes), Clemens van der Feen (b), Marcos Baggiani (d, perc), Jasper Le Clercq (violin) and Nina Hitz (cello) ------- Griffith Hiltz Trio - “WCW” & “Thunder Ninja” Album: Arcade Johnny Griffith (as, ts, syn), Nathan Hiltz (g, b pedals) and Neil MacIntosh (d) Dan McCarthy - “Sonder” & “Trail Marker” Album: A Place Where We Once Lived Dan McCarthy (vib), Thomas Morgan (b) and Rudy Royston (d) Camila Nebbia, Maya Keren, Akiva Jacobs – “The Night” & “Alas Rotas” Album: In Another Night, In Another World Camila Nebbia (ts, composer “Alas Rotas”), Maya Keren (p, voc, composer “The Night”) and Akiva Jacobs (b) ------- Ikue Mori, Satoko Fujii, Natsuki Tamura - Prickly Pear Cactus Album: Prickly Pear Cactus Ikue Mori (electronics), Satoko Fujii (p) and Natsuki Tamura (tp) 00:00 - The Jazz Hole with Linus (Opening by Rodrigo Faina and Change Ensemble) 03:34 - Deep, Dark and Blue - Rodrigo Faina and Change Ensemble 09:34 - An Installment Of Time - Rodrigo Faina and Change Ensemble 14:21 - WCW - Griffith Hiltz Trio 20:26 - The Jazz Hole with Linus 22:07 - Thunder Ninja - Griffith Hiltz Trio 27:35 - Sonder - Dan McCarthy 32:47 - Trail Marker - Dan McCarthy 40:32 - The Jazz Hole with Linus 43:53 - The Night - Camila Nebbia, Maya Keren, Akiva Jacobs 50:16 - Alas Rotas - Camila Nebbia, Maya Keren, Akiva Jacobs 57:25 - The Jazz Hole with Linus 58:27 - Prickly Pear Cactus - Ikue Mori, Satoko Fujii, Natsuki Tamura 64:19 - Finish "
Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. ## Berichte aus dem rasenden Stillstand - Vorletzte Sounds aus und gegen XX_XX. 1. Eno/Fripp - An Index Of Metals – Evening Star – Editions EG 2. Die Arroganten Sorben - Cut...cantabile – The S.O.S. Remixed Versions – Noiseworks 3. Rumpeln - Digit Pecialis – Rumpeln/Daniel Door: Summer Of Delete – Jahmoni 4. Dieter Zobel - 35,00 – MEZ 31,00 – Kröten Kassetten 5. Glyn Bigga Bush - Stories/Cairo Wonk/Ballache Mansions – Sunken Foal Stories – Jahmoni 6. Dieter Zobel - Gum Sweet Gum – Fetisch – Kröten Kassetten 7. Jörg Thomasius - Überdachtes Klavier – After Eight – Selfrelease 8. Monolake - Gantt Exodus – Archaeopteryx – Monolake / Imbalance Computer Music vs. Erweiterter OrGasmus (unveröffentlicht) 9. Namahage - WakuWaku Doom – WakuWaku Doom EP – Zone Dog 10. General Strike - (Parts of) My Body – Body/(Parts of) My Body 7" – Canal 11. Sly & Robbie - Haul & Pull Up – Red HillS Road – TAXI + TABOU1 12. Vladislav Delay, Sly Dunbar, Robbie Shakespeare – 513 – 500-Push-Up – Sub Rosa 13. Wulffluw XCIV - Nyege Digital Immersion – Ngoma Injection – Hakuna Kulala 14. Palo Alto feat Rhys Chatham - Différence et Répétion – Difference And Repetion – Sub Rosa 15. Bill Laswell - The Acid Lands – Opening Performance Orchestra, Bill Laswell, Iggy Pop feat William S. Burroughs: The Acids Lands – Sub Rosa 16. DJ Marcelle/Another Nice Mess - Schedule Idea Exchange – Saturate The Market, Now! – Jahmoni 17. Mark Nauseef, Ikue Mori, Evan Parker, Bill Laswell – Majuu – Near Nadir – Tzadik 18. C Jones, Ale X - Dub the Nation Dub – Kalimba Is My Telephone in Dub – Echo Beach 19. Cuts - Dissolution – Unreal – Village Green Recordings 20. Exile Di Brave feat Gavsborg - Run – Equiknoxx Music 21. Batu - SYX – V.A.: Sharpen, Moving – Timedance 22. Jah Schulz - Dub Over Science – Dub Over Science – Basscomesaveme 23. Ben Chatwin - War Of Ants – The Hum – Village Green Recordings 24. Flaming Tunes - Raindrops From Heaven – Flaming Tunes – Superior Viaduct * Sendung vom 16. Dezember 2020 ## Zonic Radio Show Süd Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. Thematisch frei zwischen Musik, Literatur und Kunst changierend, gibt es von tieftauchenden popkulturellen Features über experimentelle Klangstücke oder Sound & Poetry- Mixe bis zum Hangeln durch den News-Jungle eines extrem offenen musikalischen Spektrums alles zu hören, was potentielle Relevanz im stetig sich ausbreitenden Zonic-Kosmos hat. Und über dessen Rand hinaus! Die Wort- & Musikauswahl liegt bei Zonic-Herausgeber Alexander Pehlemann. *
Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. ## Berichte aus dem rasenden Stillstand - Vorletzte Sounds aus und gegen XX_XX. 1. Eno/Fripp - An Index Of Metals – Evening Star – Editions EG 2. Die Arroganten Sorben - Cut...cantabile – The S.O.S. Remixed Versions – Noiseworks 3. Rumpeln - Digit Pecialis – Rumpeln/Daniel Door: Summer Of Delete – Jahmoni 4. Dieter Zobel - 35,00 – MEZ 31,00 – Kröten Kassetten 5. Glyn Bigga Bush - Stories/Cairo Wonk/Ballache Mansions – Sunken Foal Stories – Jahmoni 6. Dieter Zobel - Gum Sweet Gum – Fetisch – Kröten Kassetten 7. Jörg Thomasius - Überdachtes Klavier – After Eight – Selfrelease 8. Monolake - Gantt Exodus – Archaeopteryx – Monolake / Imbalance Computer Music vs. Erweiterter OrGasmus (unveröffentlicht) 9. Namahage - WakuWaku Doom – WakuWaku Doom EP – Zone Dog 10. General Strike - (Parts of) My Body – Body/(Parts of) My Body 7" – Canal 11. Sly & Robbie - Haul & Pull Up – Red HillS Road – TAXI + TABOU1 12. Vladislav Delay, Sly Dunbar, Robbie Shakespeare – 513 – 500-Push-Up – Sub Rosa 13. Wulffluw XCIV - Nyege Digital Immersion – Ngoma Injection – Hakuna Kulala 14. Palo Alto feat Rhys Chatham - Différence et Répétion – Difference And Repetion – Sub Rosa 15. Bill Laswell - The Acid Lands – Opening Performance Orchestra, Bill Laswell, Iggy Pop feat William S. Burroughs: The Acids Lands – Sub Rosa 16. DJ Marcelle/Another Nice Mess - Schedule Idea Exchange – Saturate The Market, Now! – Jahmoni 17. Mark Nauseef, Ikue Mori, Evan Parker, Bill Laswell – Majuu – Near Nadir – Tzadik 18. C Jones, Ale X - Dub the Nation Dub – Kalimba Is My Telephone in Dub – Echo Beach 19. Cuts - Dissolution – Unreal – Village Green Recordings 20. Exile Di Brave feat Gavsborg - Run – Equiknoxx Music 21. Batu - SYX – V.A.: Sharpen, Moving – Timedance 22. Jah Schulz - Dub Over Science – Dub Over Science – Basscomesaveme 23. Ben Chatwin - War Of Ants – The Hum – Village Green Recordings 24. Flaming Tunes - Raindrops From Heaven – Flaming Tunes – Superior Viaduct * Sendung vom 16. Dezember 2020 ## Zonic Radio Show Süd Die Zonic Radio Show ist die hör-mediale Erweiterung der Kulturerscheinung Zonic. Thematisch frei zwischen Musik, Literatur und Kunst changierend, gibt es von tieftauchenden popkulturellen Features über experimentelle Klangstücke oder Sound & Poetry- Mixe bis zum Hangeln durch den News-Jungle eines extrem offenen musikalischen Spektrums alles zu hören, was potentielle Relevanz im stetig sich ausbreitenden Zonic-Kosmos hat. Und über dessen Rand hinaus! Die Wort- & Musikauswahl liegt bei Zonic-Herausgeber Alexander Pehlemann. *
This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 14th January 2021 Artist - Track - Album - Year Bob Holz Riptide Live in New York & L.A. 2020 The Jazz All Stars Log Jammin Le Coq Records Presents… Vol. 1 2020 Henry Robinett Quartet I Thought About You Then Again: Jazz Standards Volume 2 2020 The Charlie Apicella Trio Beautiful Love Classic Guitar 2021 Larry Newcomb Quartet feat. Jake Newcomb You Stepped Out of a Dream Love, Dad 2020 The Len Pierro Jazz Orchestra Voyage The Third Quarters 2020 Sylwester Ostrowski & Jazz Forum Talents Confirmation Jammin' with KC 2020 The Generations Quartet Blackbird Invitation 2020 Clifton Anderson Sonny Says Been Down This Road Before 2019 Richard Howell Try Not to Dance Moon Over Tiburon 2020 The Grasso-Ravita Jazz Ensemble Circles Jagged Spaces 2020 Howard Johnson & Gravity Right Now Right Now 1997 Howard Johnson & Gravity Appointment in Ghana Gravity!!! 1996 Howard Johnson & Gravity Evolution Testimony 2017 KoMaGa Trio Idle Talk Foxing Hour 2020 Ikue Mori, Satoko Fujii & Natsuki Tamura Overnight Mushroom Prickly Pear Cactus 2020 The post The Creative Source (#CreativeSource) – 14th January 2021 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
"The Jazz Hole and Linus Wyrsch wish you a Happy New Year! This year’s first episode kicks off with a humorous conversation with two of the most celebrated musicians in contemporary improvised music: pianist and composer Satoko Fujiii and her husband of more than 30 years, trumpet player and composer Natsuki Tamura. Combined, this music power couple has released over 100 albums. In November and December alone, they came out with 3 new albums that they discuss today: their duo album Pentas, their album Mantle with drummer Ramon Lopez (both out on November 6th via Not Two Records) and their album Prickly Pear Cactus (out on December 4th via Libra Records), which was actually recorded in two different cities during the pandemic with laptop and electronics artist Ikue Mori. Satoko Fujii & Natsuki Tamura - “Not Together” & “Pentas” Album: Pentas (Tribute to Eric and Chris Stern) Satoko Fujii (p, composer “Not Together) and Natsuki Tamura (tp, composer “Pentas”) Ikue Mori, Satoko Fujii, Natsuki Tamura - “Prickly Pear Cactus” & “In The Water” Album: Prickly Pear Cactus Ikue Mori (electronics), Satoko Fujii (p) and Natsuki Tamura (tp) Natsuki Tamura, Satoko Fujii, Ramon Lopez - “Nine Steps To The Ground” & “Encounter” Album: Mantle Natsuki Tamura (tp, composer “Encounter”), Satoko Fujii (p, composer “Nine Steps To The Ground”) and Ramon Lopez (d) 00:00 - The Jazz Hole with Linus 02:50 - Not Together - Satoko Fujii, Natsuki Tamura 06:15 - Pentas - Satoko Fujii, Natsuki Tamura 12:11 - The Jazz Hole with Linus 13:59 - Interview with Satoko Fujii & Natsuki Tamura, Part I 25:15 - Prickly Pear Cactus - Ikue Mori, Satoko Fujii, Natsuki Tamura 31:04 - Interview with Satoko Fujii & Natsuki Tamura, Part II 36:25 - In The Water - Ikue Mori, Satoko Fujii, Natsuki Tamura 43:15 - Interview with Satoko Fujii & Natsuki Tamura, Part III 51:21 - Nine Steps To The Ground - Natsuki Tamura, Satoko Fujii, Ramon Lopez 58:15 - The Jazz Hole with Linus 59:01 - Encounter - Natsuki Tamura, Satoko Fujii, Ramon Lopez 68:41 - Finish "
Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a sumergirse en parte del álbum debut de I.P.Y., el súper trío conformado por tres artistas de crucial importancia del avant-garde japonés: Ikue Mori, Phew y YoshimiO. El disco, que fue editado en octubre por el sello del compositor estadounidense John Zorn, Tzadik Records, se grabó en el Club U.F.O. de Tokio y la música resultante fue editada y mezclada durante los meses de cuarentena a principios de 2020. De acuerdo a Tzadik, se trata de una propuesta “sorprendente y poderosa de una reunión fabulosa y esencial de tres superestrellas de la música de avanzada”. Haciendo un resumen de las extensas carreras de las tres titulares del disco, Ikue Mori fue integrante de la banda DNA y una vital fuerza creativa de la escena del Downtown de Nueva York; Phew fundó el grupo Aunt Sally en 1978 y ha sido parte de incontables proyectos solistas y en colaboración y YoshimiO es una integrante principal de bandas de la importancia de Boredoms, Saicobab y OOIOO. En la parte final del programa, viajamos al pasado en la historia de Ikue Mori, para escucharla con material de su disco para música de cine y películas de 1998, simplemente titulado “B/Side”. Como siempre, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción y curatoría de Héctor Aravena. A continuación, conoce las carátulas de los álbumes que sonarán en el capítulo 42 de la temporada 2020 del programa.
Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a sumergirse en parte del álbum debut de I.P.Y., el súper trío conformado por tres artistas de crucial importancia del avant-garde japonés: Ikue Mori, Phew y YoshimiO. El disco, que fue editado en octubre por el sello del compositor estadounidense John Zorn, Tzadik Records, se grabó en el Club U.F.O. de Tokio y la música resultante fue editada y mezclada durante los meses de cuarentena a principios de 2020. De acuerdo a Tzadik, se trata de una propuesta “sorprendente y poderosa de una reunión fabulosa y esencial de tres superestrellas de la música de avanzada”. Haciendo un resumen de las extensas carreras de las tres titulares del disco, Ikue Mori fue integrante de la banda DNA y una vital fuerza creativa de la escena del Downtown de Nueva York; Phew fundó el grupo Aunt Sally en 1978 y ha sido parte de incontables proyectos solistas y en colaboración y YoshimiO es una integrante principal de bandas de la importancia de Boredoms, Saicobab y OOIOO. En la parte final del programa, viajamos al pasado en la historia de Ikue Mori, para escucharla con material de su disco para música de cine y películas de 1998, simplemente titulado “B/Side”. Como siempre, Rebelión Sónica se transmite por radio Rockaxis los miércoles a las 10, 17 y 23 horas -se repite los domingos a las 19-, con la conducción y curatoría de Héctor Aravena. A continuación, conoce las carátulas de los álbumes que sonarán en el capítulo 42 de la temporada 2020 del programa.
"Tune in to The Jazz Hole with Linus to hear brand new jazz sounds. Today that includes music from “Sand Storm”, a brand new album by Kaze & Ikue Mori. Kaze is an international quartet that brings together trumpeter Natsuki Tamura and pianist Satoko Fujii (two of Japan’s foremost improviser-composers) with trumpeter Christian Pruvost and drummer Peter Orins from the French improvisers collective Muzzix. They are joined by the pioneering laptop player Ikue Mori. You also get to enjoy a selection from “Aura” by the Argentinian saxophonist and composer Camila Nebbia and from “4K” by the Ottawa-based quartet Modasaurus (led by Carleton University professor, pianist and composer James McGowan). Kaze & Ikue Mori - Kappa Album: Sand Storm Ikue Mori (electronics), Christian Pruvost (tp, flh), Natsuki Tamura (tp, voc, composer), Satoko Fujii (p) and Peter Orins (d) Camila Nebbia - “Las manos” & “Al costado del río” Album: Aura Camila Nebbia (ts), Valentin Garvie (tp), Ingrid Feniger (b-cl, as), Daniel Iván Bruno (tb), Damián Bolotín (vio), Violeta García (cello), Juan Bayon (b), Axel Filip and Omar Menendez (d) Modasaurus - “Crazy Ceilidh” & “Chaconne and Fugue” Album: 4K James McGowan (p, kbds), Alex Moxon (e-g), JP Lapensee (e-b), Jamie Holmes (d) and Norman Glaude (harm on “Crazy Ceilidh”) 00:00 - The Jazz Hole with Linus 02:13 - Kappa - Kaze, Ikue Mori 17:49 - The Jazz Hole with Linus 20:02 - Las manos - Camila Nebbia 24:51 - Al costado del río - Camila Nebbia 33:42 - The Jazz Hole with Linus 35:18 - Crazy Ceilidh - Modasaurus 45:58 - The Jazz Hole with Linus 46:37 - Chaconne and Fugue - Modasaurus 57:44 - Finish "
This content is for Members only. Come and join us by subscribing here In the meantime, here’s some more details about the show: It’s a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he’ll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 3rd September 2020 Artist - Track - Album - Year Wolff Clark Dorsey Within You Without You Play Sgt. Pepper 2020 Brian Andres Trio Latino On Green Dolphin Street Mayan Suite 2020 The John Santos Sextet Bernal Heights Art of the Descarga 2020 José Rizo's Mongorama Fiesta de Charagueros Mariposas Cantan 2020 Ray Mantilla Martinez Rebirth 2020 Brian Landrus For Now For Now 2020 Gonzalo Rubalcaba & Aymée Nuviola El Güararey de Pastora Viento y Tiempo 2020 Mafalda Minnozi Jogral Sensorial 2020 Brian Landrus For Whom I Imagined For Now 2020 Benny Rubin Jr. Quartet Flint Water Crisis Know Say or See 2020 Paul Carr Nomophobia The Real Jazz Whisperer 2020 Matt Renzi Twenty Six for Three Arm-Sized Legging 2020 Duotrio In the Bright and Deep In the Bright and Deep 2020 Harrycane Orchestra Voyager Dark Makam 2020 Fahir Atakoğlu Ying and Yang For Love 2020 The George Colligan Trio Lost on Fourth Avenue Live in Arklow 2020 Gato Libre Yamaneko Koneko 2020 Kaze & Ikue Mori Noir Poplar Sand Storm 2020 Kaze & Ikue Mori Suna Irashi Sand Storm 2020 The post The Creative Source (#CreativeSource) – 3rd September 2020 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.
edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.
edicamos Rebelión Sónica al importante cantante, guitarrista, compositor, improvisador y productor estadounidense de origen brasileño, Arto Lindsay. En primer lugar lo escuchamos en su faceta más experimental con material del disco “Largest Afternoon”, que grabó junto al cuarteto integrado por él en guitarra, el baterista Phil Sudderberg y los vientistas Ken Vandermark y Joe McPhee. El álbum de improvisación libre, publicado el 23 de diciembre de 2019, fue grabado en una sesión en 09 de febrero de aquel año en el estudio Experimental Sound de Chicago. Luego, viajamos al pasado en la extensa obra del artista, para destacar dos de sus bandas de distintas épocas: Ambitious Lovers y DNA. En el primer caso, escucharemos música de “Lust” de 1991, tercer y último disco de la agrupación que unió funk, pop y bossa nova entre mediados de los 80 y principios de los 90. Finalmente retrocedemos diez años más al pasado, para sumergirnos en el sonido de DNA, una de las agrupaciones claves del No Wave, con material del EP de 1981, “A Taste Of DNA”. Proyecto de Lindsay junto a Ikue Mori y Robin Crutchfield –reemplazado por Tim Wright-, que definió el rock avant-garde underground estadounidense de fines de los 70 y principios de los 80.
Hilary talks to Ava Mendoza about sedans, music store paranoia, and the nuances of being “you go girl”-ed. AVA'S BIO AVA MENDOZA is a Brooklyn-based guitarist, singer, songwriter and composer. Born in 1983, she started performing her own music, and as a sidewoman and collaborator in many different projects, as soon as she was legally allowed into clubs. As a guitarist, Mendoza has received acclaim for her technique and viscerality. Her most ongoing work is as leader of experimental rock band Unnatural Ways, and as a solo performer on guitar/voice. In any context she is committed to bringing expressivity, energy and a wide sonic range to the music. Mendoza has toured throughout the U.S. and Europe and recorded/performed with musicians including Carla Bozulich, Fred Frith, Adele Bertei, Malcolm Mooney, Steve Shelley, Mike Watt, Ikue Mori, Mick Barr, William Hooker, Nels Cline, John Zorn, Jamaaladeen Tacuma, William Parker, Hamid Drake, Matt Mitchell, Jon Irabagon, Matana Roberts, members of Caroliner, ROVA, Negativland, the Violent Femmes, and more. Recordings are available on labels Tzadik, Astral Spirits, Weird Forest, Clean Feed, Resipiscent, and New Atlantis. Friendly critics have quoted: “It's… Ava Mendoza's deconstructing of blues and punk into brutal shredfests that's causing a ruckus in NYC's DIY hubs” (Brad Cohan, Noisey.Vice). “A wizard on a semi-circle of effects pedals, but… equally adept with FX-less technique," (Lars Gotrich, NPR). "Mendoza plays these songs. She makes them sing. Her technique is impeccable, but her playing is astonishingly expressive. She doesn't just bend blue notes; she wads them up into a ball and throws them up against a wall... Mendoza knows what she does better than almost anyone else on the planet, which is tell stories with her guitar." (Aiding & Abetting). She was featured as one of Guitar World‘s “10 Female Guitarists You Should Know”. BRANDS/SHOPS MENTIONED Peavey / Fender / Radack Guitars / Seymour Duncan / Brooklyn Lutherie / Line 6 / Boss / Boomerang BANDS/ARTISTS AVA'S PLAYED WITH or COLLABORATED WITH/MENTIONED Devin Hoff / Trevor Dunn / Malcolm Mooney / Steve Shelley / Devin Brahja Waldman / Peter Conheim / Alex Marcelo / Unnatural Ways / Tatsuyo Yoshido / Daniel Moreno OTHER BANDS/ARTISTS MENTIONED Minutemen / Mike Watt / Nels Cline / Carla Bozulich / Mr. Bungle / Fantomas / CAN / Negativland / Ruins / Violent Femmes / Echo & the Bunnymen / Fred Frith / Shellshag / Jennifer Shagawat / Jessica Pavone / Jessica Ackerley / Sally Gates OTHER MENTIONS Astral Spirits Records / Relative Pitch Records / RIOT RI / Seizure's Palace Studio / Gowanus Sound / Monheim Triennale AVA'S HOT TIPS -Make sure to test everything the repair person does before you leave the shop -To prevent string breakage, wind your strings around the peg as much as possible -Graphite on nut and saddles keeps your guitar in tune with heavy tremolo use AVA'S LINKS http://avamendozamusic.com (Website) https://www.instagram.com/avamendozamuzak/ (Instagram) Facebook MID-RIFF LINKS http://hilarybjones.com/midriffpodcast (Website) http://instagram.com/midriffpodcast (Instagram) http://facebook.com/midriffpodcast (Facebook) https://www.hilarybjones.com/gender-music-gear-survey (Gender and Music Gear Survey) CREDITS Ava's Bumper Track: “Dogbodies" byhttps://www.rachelblumberg.com/archcapemusic ( )https://unnaturalways.bandcamp.com/album/unnatural-ways (Unnatural Ways) Theme Music: "Hedonism" byhttps://towanda.bandcamp.com/ ( )https://towanda.bandcamp.com/ (Towanda) Artwork byhttps://www.juliagualtieri.com/ ( )https://www.juliagualtieri.com/ (Julia Gualtieri)
Under the direction of artist and curator Matthew Higgs, White Columns gallery of New York City gave life to its record label ‘The Sound of White Columns’ to publish the organization’s longstanding collaborations with musicians that has included such as Thurston Moore, Kim Gordon, Meredith Monk and many more. In between the highly referenced artists present in this episode, there's an intruder, a very prolific composer, that released more than ten thousand songs on Youtube and Spotify, but this is another story. The episode features: Martin Creed, Tussle, Ikue Mori and Julianna Barwick, Kim Gordon, David Robbins, The Hungry Food Band, Malcolm Mooney, Karl Holmqvist, David Van Tieghem, Meredith Monk and Christopher Knowles.
We hang out with Shoko Nagai and Satoshi Takeshi and hear tracks from her amazing TOKALA project... Shoko Nagai is a versatile musical artist who improvises and performs with world-renowned musicians on piano and accordion and composes original scores for films and live performances. As a teenager in her native Japan, Nagai was trained on Yamaha's electronic organ, the "Electone," to perform popular music. Since moving to the U.S. from Japan and studying classical and jazz music at Berklee, she has adapted her mastery of the keyboard to prepared piano, accordions, the melodica and other instruments, often inspired by the minimalist approach of composer Takemitsu Toru. Whether she is performing Klezmer, Balkan or experimental music, Nagai is a charismatic presence onstage, who hypnotizes audiences with her intense focus and virtuoso sound. Since moving to New York in 1999 she has been dubbed an "MVP" of the downtown jazz scene, performing with John Zorn, Erik Friedlander, Ikue Mori, Marc Ribot, Frank London, Matana Roberts, Miho Hatori (Cibo Matto), Satoshi Takeishi, Butch Morris, Elliot Sharp, Jeremiah Lockwood and many eclectic performers. Nagai frequently tours internationally, performing in Sweden (2009 Nobel Prize ceremony for German writer, Herta Muller), Italy (Napoli Teatro Festival 2015), Austria (Saalffelden Jazz Festival 2014), France (Banlieues Bleues 2012), Switzerland (Rote Fabrik 2012), Holland (Bimhuis 2012), Japan (Fuji Rock Festival 2012), Israel (Romanian Institute 2011), Canada (Suoni Popolo Festival 2008), Germany (Moers Jazz festival 2007), and Brazil (resfest 2007) and in the U.S. (Newport Jazz Festival 2015, Saratoga Jazz Festival 2008). She has received grants from JazzJants (Painted Bride Arts Center) in 2008 and the New York Foundation for the Arts in 2010. Nagai's compositions for films include, L'amour Cache (2007), directed by Alessandro Capone and conducted by Butch Morris, as well as a trio of films directed by Linda Hoaglund: ANPO: Art X War (2010 Toronto, DOC NYC, Vancouver, and Hong Kong film festivals), Things Left Behind, (2012) produced by Japan's national broadcaster, NHK, and The Wound and The Gift, narrated by Vanessa Redgrave (Vancouver, DOC NYC, Tokyo FilmX 2014). CARE (2016 DOC NYC, AFI DOCS, Sheffield Doc Fest, Reelworld Impact Award) directed by Diredre Fishel “Connection beyond genre and contrasting elements, in quest for the essence” is what Japanese-born musician/improviser Satoshi Takeishi strives for in his performances, whether behind a drum set, a hybrid percussion set or computer-based electronics. With over 30 years’ experience in live performances and recording sessions around the world, executing in styles of Jazz, Rock, Contemporary Classical, Avant Garde, Experimental Electronic, Latin, South American, Arabic and African music, Takeishi moves among diverse musical environments. Rather than a specialist of any one style, Takeishi constantly strives for an integration of his diverse musical experience and knowledge.
a cura di Alessandro Achilli. Musiche di The Who, Willem Breuker, Kevin Coyne & Dagmar Krause, The Worlds of Love, Van Dyke Parks, Human Feel, Alexander Hawkins, Univers Zero (seconda parte)
a cura di Alessandro Achilli. Musiche di The Who, Willem Breuker, Kevin Coyne & Dagmar Krause, The Worlds of Love, Van Dyke Parks, Human Feel, Alexander Hawkins, Univers Zero (seconda parte)
In the underground music scene of New York City, bassist, engineer, educator Kato Hideki is a most crucial participant. Before moving to New York City in 1992 Kato was an original member of Otomo Yoshihide's Ground Zero. Since arriving in New York, he has worked closely with John Zorn, Ikue Mori, Eyvind Kang, Fred Frith, Marc Ribot and Zeena Parkins among many others. He was born and raised in Nagoya, Japan and has played on many of my favorite records to come out of New York in the last twenty five years. A great talk with a great guy.
Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! En HDO 476, décimo primera entrega en exclusiva para los mecenas de HDO escuchamos el segundo CD de At The Mountain Of Madness. Live In Europe (Tzadik, 2005. 2CD) de los Electric Masada… o lo que es lo mismo John Zorn, Marc Ribot, Jamie Saft, Ikue Mori, Trevor Dunn, Joey Baron, Kenny Wollesen y Cyro Baptista. Comienza con “Tekufah” un misil sonoro sin parangón. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz.
Por Pachi Tapiz. En 2018 la pianista Satoko Fujii cumple 60 años. Para celebrar su aniversario, la artista nipona está publicando cada uno de los meses de este año una grabación. Aunque en HDO ya hemos escuchado unas cuantas de estas grabaciones, en HDO 469 volvemos nuestros oídos sobre las tres últimas grabaciones publicadas entre julio y septiembre: intelsat (Alister Spence Music), dúo con el teclista (aquí al Fender Rhodes preparado) Alister Spence; Live at Big Apple in Kobe (Libra Records) del grupo Mahobin en el que participan Lotte Anker (saxo), Natsuki Tamura (trompeta), Ikue Mori (electrónica), además de la propia Fujii; Mizu (Long Song Records), un dúo con Joe Fonda grabado en octubre y noviembre de 2017 en Bélgica y Alemania, y que es toda una lección de cómo entender y desarrollar la improvisación, como ocurre en la sublime “Rik Bevernage” que es el tema que suena en el programa. Como complemento a estas tres grabaciones suenan dos temas pertenecientes a sendas grabaciones lideradas por el trompetista Natuski Tamura, compañero no únicamente en distintos proyectos de la pianista: Dragon Nat (Libra Records) de Tamura en solitario, y Hada Hada (Libra Records, 2003) publicado a nombre del Natsuki Tamura Quartet y en el que se puede escuchar a Fujii a los sintetizadores en un tema rezumante de Jazz Rock. Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com
Elektrinės pasakos: Zeena Parkins (*1956) ir Ikue Mori (*1953). Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis
Elektrinės pasakos: Zeena Parkins (*1956) ir Ikue Mori (*1953). Laidos vedėjai Šarūnas Nakas ir Mindaugas Urbaitis
Based in Brooklyn since 1994, Briggan Krauss is a saxophonist and composer whose work explores the sonic possibilities of his instrument in great detail. He's released several records under his own name, leading bands like 300 and H-Alpha. In addition to his solo and group projects, he's worked closely with a broad range of artists from Bill Frisell to Ikue Mori, Antony to Satoko Fuji, and is widely known for his contributions to Steven Bernstein's long-running Sex Mob. Most recently he has begun an extensive study of the electric guitar and has been releasing a series of solo saxophone recordings entitled "The Art of the Saxophone".
In celebration of International Women's Day, this episode of Sound It Out features songs by women from around the world who make music of an experimental sort. While most of the tracks you will hear are soothing and listenable, there are also a few selections that provide an 'ear cleaning' treatment, to use R. Murray Schafer's expression: they may not be pleasant but the unpleasantness is good for you. Artists: Joëlle Léandre, Catherine Jaunaiux, Ikue Mori, Julianna Barwick, Kim Gordon, Jane Rigler, France-Marie Uitti, Susie Ibarra, and Sainkho Namtchylak. The research for this episode is influenced by Dana Reason Myers' doctoral dissertation(2002): The Myth of Absence: Representation, Reception and the Music of Experimental Women Improvisors. Sound It Out airs on CFRU in Guelph on Tuesdays at 5pm. New episodes usually appear on a fortnightly basis. Sound It Out is produced and hosted by Rachel Elliott in conjunction with the International Institute for Critical Studies in Improvisation. This episode aired on March 13th, 2018.
A lo largo de las últimas semanas el trompetista Wadada Leo Smith y la pianista Satoko Fujii han publicado cuatro nuevas grabaciones, dos lideradas por cada uno de ellos, coincidiendo en una de ellas ambos músicos. En HDO 332 suenan Solo: Reflections and Meditations On Monk (Wadada Leo Smith. TUM Records, 2017) cuyo título indica bien a las claras el contenido musical de esta obra; Najwa (Wadada Leo Smith junto a Michael Gregory Jackson, Henry Kaiser, Brandon Ross, Lamar Smith, Bill Laswell, Pheeroan akLaff y Adam Rudolph; TUM Records, 2017), en una formación posiblemente inédita con cuatro guitarristas, bajo eléctrico, batería, percusión y trompeta con composiciones de Wadada Leo Smith; Aspiration (Wadada Leo Smith, Natsuki Tamura, Satoko Fujii, Ikue Mori; Libra Records, 2017) con otra formación inusual de dos trompetistas, piano y electrónica (magnífico el papel de Mori); Live At Jazz Room Cortez (Satoko Fujii Quartet con Keisuke Ohta, Natsuki Tamura, Satoko Fujii, Takashi Itani; Cortez Sound, 2017). Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.
7e émission de la 37e session... Cette semaine, du jazz moderne, un peu de freebop et avant-jazz! En musique: Mario Allard sur l'album Diaporama (Multiple Chord Music, 2017); Mark Guiliana Jazz Quartet sur l'album Jersey (Motéma, 2017); Binker and Moses sur l'album Journey To The Mountain Of Forever (Gearbox, 2017); Cortex sur l'album Avant-Garde Party Music (Clean Feed, 2017); Matt Mitchell sur l'album A Pouting Grimace (Pi Recordings, 2017); Satoko Fujii, Wadada Leo Smith, Natsuki Tamura, Ikue Mori sur l'album Aspiration (Libra, 2017)...
7e émission de la 37e session... Cette semaine, du jazz moderne, un peu de freebop et avant-jazz! En musique: Mario Allard sur l'album Diaporama (Multiple Chord Music, 2017); Mark Guiliana Jazz Quartet sur l'album Jersey (Motéma, 2017); Binker and Moses sur l'album Journey To The Mountain Of Forever (Gearbox, 2017); Cortex sur l'album Avant-Garde Party Music (Clean Feed, 2017); Matt Mitchell sur l'album A Pouting Grimace (Pi Recordings, 2017); Satoko Fujii, Wadada Leo Smith, Natsuki Tamura, Ikue Mori sur l'album Aspiration (Libra, 2017)...
Werner Penzel, Fred Frith und Ikue Mori im Gespräch mit Norbert Lang über das Hörspiel "Zen ist die größte Lüge aller Zeiten" (BR 2015)
Mit Andrea Hörnke-Trieß / Originalton-Aufnahmen: Ayako Mogi / Zitate von Kodo Sawaki aus dem Japanischen von Muho Nölke / Komposition: Ikue Mori, Fred Frith / Realisation: Werner Penzel / BR 2015 / Länge: 51'22 // Der rechte Fuß auf den linken Oberschenkel, die Wirbelsäule ganz senkrecht, die Augen nur einen Spalt geöffnet - für einen Anfänger ist es schwer, die Haltung der Zazen-Sitzmeditation längere Zeit durchzuhalten, ohne sich zu bewegen oder in Gedanken abzuschweifen.
"En palabras de otros" es un podcast mensual en el que invitamos a escritores a leer y comentar cuentos publicados en las páginas de Letras Libres. En este episodio, Verónica Murguía lee "El encuentro", de Guadalupe Nettel, que fue publicado en Letras Libres en junio de 2011 y puede leerse aquí: http://www.letraslibres.com/revista/convivio/el-encuentro Música: "Improvisation I", de Ikue Mori, Ned Rothenberg y Alex Waterman; "Sunsets and Rockers", de Rebecca Foon. www.freemusicarchive.com
Werner Penzel verbrachte mehrere längere Aufenthalte in dem japanischen Zen Kloster Antai-ji, nördlich von Kobe auf einem schwer zugänglichen Hochplateau gelegen. Er näherte sich dem Ort gemeinsam mit den Musikern Fred Frith und Ikue Mori in freien Improvisationen und ließ seine Erfahrungen in ein Hörstück und in ein Filmprojekt münden. // directed & photographed: werner Penzel / composed & performed: Fred Frith, Ikue Mori / violin: Ada Gosling / percussion: Bernd Settelmayer / original sound recording & editing: Ayako Mogi / studio recording & mixing: Peter Hardt / quotes: Kodo Sawaki / translated: Muho Nölke / reda by Andrea Hörnke-Trieß / from the books "Zen ist die größte Lüge aller Zeiten" & "An Dich" (Angkor Verlag) / Werner Penzel Filmproduktion & Recycled TV AG / BR Hörspiel und Medienkunst 2015
Organized by Lebanese artist Tarek Atoui, "Visiting Tarab" will incorporate elements of the world’s largest collection of Classical Arab music as interpreted by 16 musicians and sound artists ranging in expertise from hip hop to electronic and contemporary music. Atoui invited sixteen musicians and sound artists from different origins and practices to Beirut to explore the world’s largest and most extensive collection of Classical Arab music. The result of this research will be the performance in New York City and will feature the artist as well as Anti-Pop Consortium, Uriel Barthelemi, Jonathan Butcher, Mira Calix, DJ Spooky, Lukas Ligeti, Robert Lowe, Raz Mesinai, Zeena Parkins, Ikue Mori, Sara Parkins, Elliott Sharp, Zafer Tawil and Georges Ziadeh.
Programme de Shayna Dunkelman pour webSYNradio : Music curated and mixed by Shayna Dunkelman Nov 2011 in Brooklyn, NY avec Zeena Parkins, Guðmundur Steinn Gunnarsson, Kevin Shea Adams, Ferrante and Teicher, Toru Takemitsu, James Tenney, Maryclare Brzytwa, Matt Marks, Preshish Moments, The Norman Conquest, Peter B, Slow Children, Wiener Kids, Ches Smith And These Arches, People Like Us and Wobbly, Cornelius, John Zorn, Caleb Burhans, Theresa Wong, Ayako Kataoka, Ikue Mori, Prefuse 73
A ROOTS & ACID, ROOF MUSIC, BOARDS OF AFRICA, DUB MIX MADE FOR MY GOOD FRIENDS AT WWW.PERCUSSIONLAB.COM http://www.percussionlab.com/sets/djolive/let_us_live_mix Synthesism - Barry Vercoe Titanium Expose - Sonic Youth Night Bus - Burial Friend Version - Rhythum & Sound What do you want - SYR5 Kim Gorden, Ikue Mori & Dj Olive Shut Me Mouth - Ranking Dread Postlude - Ilhan Mimaroglu & Freddie Hubbard Prince - Prince Jammy & The Aggrovators Southern Comfort - Burial Jah Give Us Life - Wailing Souls Table of the Elements 7" - Hans Reichel Downfall - Armando Thanks And Praise - Horace Andy Dark Days_ Fat Feddy's Drop Surreal Bass_ L-Wiz Ghetto Rock - Reggae Regular Acid Pandemonium - Mundo Muzique The Black Star Liner - Reggea Reggular My Country - Cornell Campbell Akazehe Par Deux Jeunes Filles - Musique du Burundi Fly Away Home - Pablo Gad Run Run Run - Capital Letters Log On Dub - In Fine Style The Number One - Stenchman Thank You For Last Night - Cygnus Gimme Gimme African Love - African Brothers Are You Shivering - Inuit Throat And Harp Songs Any Dub You Like - Easy Star All-Stars Smooth Criminal - MIchael Jackson Acapella Album Cr Acid Trax 1 - Sysex Talking's Taken Over - Martin Campbell Kingstown - Kode9 & The Spaceape Akazehe Par Une Jeune Fille - Musique du Burundi Respect Due - Pad Anthony Happy Cycling - Boards Of Canada Steppers - Scientist Everywhere I Dub - Martin Campbell Jah Children Cry - African Princess Ernie - Fat Freddy's Drop Shepard's Tune - Turkey Traditional Songs & Music Ethiopian Version - Ethiopian Iration Blood Relatives & Idre Neverland - Mala Goat Stare - Loefah Del Fuego - Fat freddy's drop Baby - Authentic Sound Effects Vol 8 plus a few secret treats
Slow Melody in Bhairavi by Terry Riley. Les Yeux Fermés & Lifespan. Elision Fields. Infinity in the Shape of a Poodle (for Björk Guðmundsdóttir) by Marcus Schmickler with Hayden Chisholm. Amazing Daze. Häpna. Jinx (Version) by Kammerflimmer Kollektief. Jinx. staubgold. les ondes silencieuses by colleen. les ondes silencieuses. leaf. Take it Easy by Ikue Mori. […]
"In 1913 Futurist Luigi Russolo developed several noise machines, which he named ‘intonarumori’. In his manifesto, The Art of Noise, Russolo argued that musical instruments could no longer satisfy man's thirst for sounds. Almost 100 years later, people are still exploring the possibilities of sound. This is what I tried to capture in this mix - testing the limits of sound, from shrieking highs to almost imperceptible lows, finding new ways of interpreting and portraying life through the medium of sound. Despite including over 100 artists, the mix by no means represents a completist viewpoint; so many perhaps important artists in the development of 'noise' were left out. It was not my intention to do a 'who's who' of noise music, but rather to show how the exploration of sound has developed over time and how fascinating these explorations are. I did at times take into account the historical significance of the piece/artist when choosing tracks, although I was steered mainly by what was sonically interesting to me. Well that's it - the mix should speak for itself. If you are interested in digging deeper please follow the links provided. Listen at maximum volume and enjoy." Marolo, January 2007 Tracklisting: Luigi Russolo – Risveglio Di Una Cita (1913) Marcel Duchamp – La Mariée Mise À Nu Par Ses Célibataires, Même John Cage – Imaginary Landscape 1 (1939) John Cage – Imaginary Landscape (1942) Halim El-Dabh – Wire Recorder Piece (1944) Pierre Schaeffer – Etude Aux Chemins De Fer (1948) Hugh Le Caine – Dripsody (1949) Edgar Varese – Interpolation, 3rd Interpolation (1954) John Cage – Radio Music (1956) 15 minutes Iannis Xenakis – Diamorphoses (1957) György Ligeti – Continuum, Glissandi (1957), Artikulation (1958) György Ligeti – Pièce Électronique #3 (1958) Edgard Varèse – Poème Electronique (1960) Stockhausen – Kontakte (1960) Tod Dockstader – Four Elementary Tapes ¾ (1963) Stockhausen – Telemusik (1966) Beatriz Ferreyra – Demeures Aquatiques (1967) AMM – Ailantus Glandulosa (1966) Wozard Of Iz – Blue Poppy (1968) Pierre Henry – Prologue (1968) Jean-Claude Risset – Flight & Countdown (1968) Delia Derbyshire / John Peel – Voice Treatment (1969) La Monte Young – The Volga Delta (1969) 30 minutes Morton Subotnick – Wild Bull Part 2 (1968) Jean-Claude Risset – Mutations (1969) François Bayle + Robert Wyatt + Kevin Ayers – It (1970) Iannis Xenakis – Hibiki-Hana-Ma (1970) Luc Ferrari – Presque Rien (1971) Yoko Ono – Toilet Piece (1971) Laurie Spiegel – Sediment (1972) La Monte Young – From Poem For Chairs, Tables, Benches, Two Sounds Faust – 11 (1973) Throbbing Gristle – Whorls of Sound (1975) Alvin Lucier – The Duke Of New York (1976) BBC Radiophonic Workshop – Central Control Room In Exillon City, Styre's Scouting Machine, Atomic Reactor Runs Wild (1978) Chrome – Inacontact / I am the Jaw (1979) Whitehouse – Politics (1980) Maurizio Bianchi – Industrial (1980) 45 minutes Merzbow – Music Concret/Tape Dada (1980) NON – Pagan Muzak Loops (1980) Frieder Butzmann – Tales of Death (1981) Esplendor Geometrico – PIE (1981) MB – Treblinka (1981) Throbbing Gristle – Medicine (1982) Borsig – Zu Den Anderen Gerollt Werden/Helmut (1982) E.g Oblique Graph – Black Cloth (1982) Esplendor Geometrico – Disco Rojo (1982) Consumer Electronics – Keloid (1982) SPK – War of Islam (1983) Alison Knowles – Assemblage (1984) Diamanda Galás – Panoptikon (1984) Controlled Bleeding – Knees And Bones (1985) Zoviet France – Signal (1986) Butthole Surfers – Hay (1987) 1 hour Merzbow – Chopin is Dead (1987) Hanatarash – Frogirl (1988) Esplendor Geometrico – Mekano-Turbo (1988) John Watermann – Still Warm (1989) Voice Crack & Borbotomagus – Untitled (1991) Jackofficers – Flush (1991) Iannis Xenakis – S.709 (1992) Scanner – Untitled (1993) Melvins - Magic Pig Detective (1994) Merzbow - Ananga-Ranga (1994) Fennesz – 3 (1995) Vromb – Facteur Humaine iii (1996) Mike Patton - I Killed Him Like a Dog, Screams Of The Asteroid, Porno Holocaust, Catheter, Raped On A Bed Of Sand (1996) 1 hour 15 minutes Restgeraeusch – 1H / 1Min (1996) Oval – Shop in Store (1996) Lucien Monbuttou – Kpiele, I Find The Enemy (1997) Jonathan Azande – Opaque Misery (1997) Francis Dhomont – Scherzo (1997) Aube – Vent Finalzinho (1997) Electricity – Dunia Wanja Wa Fujo, Indlela Yababi (1997) National Bird – Wakar Uwa Mugu (1997) Godfrey J Kola – Somalia! (1997) Mbuti Singers - Massacre Rite (1997) Jim O’Rourke – There As (1997) Toys’r’us – Untitled (1997) Fraughman – Of The Elements (1998) Boredoms – Super Shine (1998) Merzbow – Munchen (1998) 1 hour 30 minutes Merzbow – Soft Water Rhinoceros (1998) Scalpel – 2.08 (1998) Dumb Type – Zero Radius (1998) ATR – Brixton Academy (1999) Merzbow & Genesis P-orridge – Flowering Pain (1999) Voice Crack – Green Ellipse/Red Square (1999) Shizuo – Untitled (1999) Maldoror – Baby Powder on Peach Fuzz (1999) Zipper Spy – Untitled (2000) Dolores Dewberry – Paragraph (2000) Diane Nelson – Dissected Insect (2000) Winterkälte – Toxic Hotspot (2000) Signal – Centrum (2000) Massimo - Hey Babe, Let Me See Your USB And I'll Show You My Firewire (2001) 1 hour 45 minutes DJ Smallcock – YinYue (2001) Ryoji Ikeda – 00010 (2001) Cyclo – C4 C9 (2001) Tripod Sardine – TV (2000) Speedranch – Halfway up the Stairway of Mucus (2001) Fennesz / Jim O'Rourke / Peter Rehberg – We Will Diffuse You (2002) Huren – Satem (2002) Vromb – Subréalité (2002) Coh – Hurt Later / Terra Beyond / In Spaces Between (2002) Massimo – 6-1-8 (2002) Merzbow – Tadpole / Forgotten Land (2002) Merzbow – Black Gun Red (Kim Cascone mix) (2003) Wlliam Basinski – Disintegration Loops DLP4 (2003) KK Null – Andromeda 2 (2003) Space Machine – 4 (2004) Chessmachine – 16 Move (2004) 2 hours Zeena Parkins & Ikue Mori – Miura (2004) Otomo Yoshihide - Where There's Smoke, There's Weapons (2004) The Lappetites – Funeral (2005) Merzbow – Merzbuta track 4 (2005) Zeena Parkins – 16 Feet + Cello (2006) Drifting Stranger – Oh Daddy Love Me Good (2007)
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