Podcasts about Jonathan Sterne

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' “phenomenology of impairment.” This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatment Volte: An instrumental post rock band The Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' “phenomenology of impairment.” This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatment Volte: An instrumental post rock band The Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' “phenomenology of impairment.” This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatment Volte: An instrumental post rock band The Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' “phenomenology of impairment.” This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatment Volte: An instrumental post rock band The Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the “Dork-o-phone,” a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' “phenomenology of impairment.” This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatment Volte: An instrumental post rock band The Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: “The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System,” by Eric Branch, San Francisco Chronicle, September 29, 2020. “The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads,” by the Pick Six Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: “The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System,” by Eric Branch, San Francisco Chronicle, September 29, 2020. “The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads,” by the Pick Six Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: “The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System,” by Eric Branch, San Francisco Chronicle, September 29, 2020. “The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads,” by the Pick Six Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: “The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System,” by Eric Branch, San Francisco Chronicle, September 29, 2020. “The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads,” by the Pick Six Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: “The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System,” by Eric Branch, San Francisco Chronicle, September 29, 2020. “The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads,” by the Pick Six Podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode:  Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape.   Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.   An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library.  Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.   Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).  The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.   The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score.  Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode:  Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape.   Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.   An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library.  Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.   Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).  The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.   The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score.  Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode:  Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape.   Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.   An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library.  Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.   Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).  The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.   The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score.  Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

How to think about the contradictory figure of R. Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode:  Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape.   Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter “The Disruptive Nature of Listening: Today, Yesterday, Tomorrow” (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.   An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library.  Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.   Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).  The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.   The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score.  Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

R. Murray Schafer recently passed away on August 14th 2021. If you're someone who works with sound or enjoys sound art or experimental music–or you've just thrown around the word “soundscape”–you've probably engaged with his intellectual legacy. Schafer was one of Canada's most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician's ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound.  This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer's critics–Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer's associates to understand the person, his creative works, and his lasting impact on the study of sound: Ellen Waterman, ethnomusicologist, flutist, and Schafer expert Hildegard Westerkamp, soundscape composer and member of the World Soundscape Project Eric Leonardson, sound artist and President of the World Forum for Acoustic Ecology Creative works heard on today's show: Listen, a short film on Schafer, directed by David New. Snowforms, R. Murray Schafer The Greatest Show, R. Murray Schafer The Crown Of Ariadne, R. Murray Schafer Wolf Music V: Nocturne, R. Murray Schafer Le Testament, Ezra Pound Loving, R. Murray Schafer Beneath the Forest Floor, Hildegard Westerkamp Miniwanka, R. Murray Schafer   Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer. Today's show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

R. Murray Schafer recently passed away on August 14th 2021. If you're someone who works with sound or enjoys sound art or experimental music–or you've just thrown around the word “soundscape”–you've probably engaged with his intellectual legacy. Schafer was one of Canada's most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician's ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound.  This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer's critics–Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer's associates to understand the person, his creative works, and his lasting impact on the study of sound: Ellen Waterman, ethnomusicologist, flutist, and Schafer expert Hildegard Westerkamp, soundscape composer and member of the World Soundscape Project Eric Leonardson, sound artist and President of the World Forum for Acoustic Ecology Creative works heard on today's show: Listen, a short film on Schafer, directed by David New. Snowforms, R. Murray Schafer The Greatest Show, R. Murray Schafer The Crown Of Ariadne, R. Murray Schafer Wolf Music V: Nocturne, R. Murray Schafer Le Testament, Ezra Pound Loving, R. Murray Schafer Beneath the Forest Floor, Hildegard Westerkamp Miniwanka, R. Murray Schafer   Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer. Today's show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

R. Murray Schafer recently passed away on August 14th 2021. If you're someone who works with sound or enjoys sound art or experimental music–or you've just thrown around the word “soundscape”–you've probably engaged with his intellectual legacy. Schafer was one of Canada's most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician's ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound.  This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer's critics–Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer's associates to understand the person, his creative works, and his lasting impact on the study of sound: Ellen Waterman, ethnomusicologist, flutist, and Schafer expert Hildegard Westerkamp, soundscape composer and member of the World Soundscape Project Eric Leonardson, sound artist and President of the World Forum for Acoustic Ecology Creative works heard on today's show: Listen, a short film on Schafer, directed by David New. Snowforms, R. Murray Schafer The Greatest Show, R. Murray Schafer The Crown Of Ariadne, R. Murray Schafer Wolf Music V: Nocturne, R. Murray Schafer Le Testament, Ezra Pound Loving, R. Murray Schafer Beneath the Forest Floor, Hildegard Westerkamp Miniwanka, R. Murray Schafer   Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer. Today's show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

R. Murray Schafer recently passed away on August 14th 2021. If you're someone who works with sound or enjoys sound art or experimental music–or you've just thrown around the word “soundscape”–you've probably engaged with his intellectual legacy. Schafer was one of Canada's most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician's ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound.  This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer's critics–Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer's associates to understand the person, his creative works, and his lasting impact on the study of sound: Ellen Waterman, ethnomusicologist, flutist, and Schafer expert Hildegard Westerkamp, soundscape composer and member of the World Soundscape Project Eric Leonardson, sound artist and President of the World Forum for Acoustic Ecology Creative works heard on today's show: Listen, a short film on Schafer, directed by David New. Snowforms, R. Murray Schafer The Greatest Show, R. Murray Schafer The Crown Of Ariadne, R. Murray Schafer Wolf Music V: Nocturne, R. Murray Schafer Le Testament, Ezra Pound Loving, R. Murray Schafer Beneath the Forest Floor, Hildegard Westerkamp Miniwanka, R. Murray Schafer   Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer. Today's show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

Today we feature an excerpt from our nearly 2-hour bonus episode for Patrons. In the full interview from last season's episode "Dork-o-Phonics," Jonathan Sterne discusses topics such as the early days of sound studies, how his upbringing and a music school rejection led him to sound, his illness and vocal impairment, and a lot of fascinating ideas about voice, media, disability, and more. Continue reading → The post Bonus Episode: Jonathan Sterne [excerpt] appeared first on Phantom Power.

This week, please join author Jonathan Sterne and Associate Editor Shinya Goto as they discuss the article "Association of COVID-19 With Major Arterial and Venous Thrombotic Diseases: A Population-Wide Cohort Study of 48 Million Adults in England and Wales." Dr. Carolyn Lam: Welcome to Circulation on the Run, your weekly podcast summary and backstage pass to the Journal and its editors. We're your co-hosts. I'm Dr. Carolyn Lam, associate editor from the National Heart Center and Duke National University of Singapore. Dr. Greg Hundley: And I'm Dr. Greg Hundley, associate editor, director of the Pauley Heart Center at VCU Health in Richmond, Virginia. Dr. Carolyn Lam: Oh, Greg, we've got a special treat for everyone today. We have a third co-host and he is none other than Peder Myhre from Norway! Really adding to the diversity of our podcast: me from Asia, you from the US, and Peder from Europe. Welcome, Peder. Dr. Peder Myhre: Thank you so much, Carolyn. It's truly an honor to be here and I'm looking forward to being part of this podcast today. Dr. Carolyn Lam: Awesome. Well, here we go. Looks like we have a feature paper, Greg? Dr. Greg Hundley: Absolutely, Carolyn. Peder, welcome. So, listeners, our feature today will involve COVID-19 and its association with arterial and venous thrombotic diseases. But before we get to that, we're going to all grab a cup of coffee from all over the world and get into some of the other articles in the issue. Peder, Carolyn, how about I go first? My first study involves a prospective cohort of 94,000 individuals from the UK Biobank, who had device-measured physical activity from 2013 to 2015 and were free from myocardial infarction and heart failure. Now, Peder and Carolyn, the study was performed because although objectively measured physical activity has been found associated with acute cardiovascular outcomes, it has not been found associated with heart failure and, of course, a syndrome that's been expanding worldwide. As such this study led by Carlos Celis-Morales from the University of Glasgow aimed to investigate the dose response relationship between device-measured physical activity and heart failure by intensity of the physical activity. Now physical activity was measured with a wrist-worn accelerometer and time spent on light, moderate, and vigorous intensity physical activity was extracted. Incidental heart failure was ascertained from linked hospital and death records. Dr. Peder Myhre: Wow, Greg. That sounds amazing. Tell us, what did they find? Dr. Greg Hundley: You bet, Peder! These investigators found that, compared with participants who undertook no moderate to vigorous intensity physical activity, those who performed 150 to 300 minutes per week of moderate intensity physical activity or 75 to 150 minutes per week of vigorous intensity physical activity were at lower risk of heart failure. Now, interestingly, the association between vigorous intensity physical activity and heart failure was a reverse J-shaped curve with a potentially lower risk reduction above 150 minutes per week. And so, the take-home message for this first paper is that device-measured physical activity, especially moderate intensity physical activity, was associated with a lower risk of heart failure. Probably current vigorous intensity physical activity recommendations should be encouraged, but not necessarily increased. In contrast, increasing moderate intensity physical activity may be beneficial, even among those meeting current recommendations. Dr. Peder Myhre: Wow, Greg. That was a great summary. And the second original research article today is about high density lipoproteins. As you know, raising HDL cholesterol levels to prevent cardiovascular disease remains a hot topic. HDL plays a key role in reverse cholesterol transport and may be cardioprotective and reduce infarct size in the setting of myocardial injury. Lecithin cholesterol acyl transferase, LCAT, is the rate limiting enzyme in the reverse cholesterol transport and a recombinant human LCAT called MEDI6012 has previously been shown to increase HDL cholesterol. So in this study from the corresponding author, Marc Bonaca from University of Colorado School of Medicine, the investigators in the real team is 63B multicenter placebo control trial investigated whether randomized patients to, MEDI6012 or placebo would reduce the infarct size as measured by cardiac MRI, 10 to 12 weeks after the STEMI. Dr. Greg Hundley: Very interesting, Peder. So, MRI assessments of LV mass after PCI. So, what did they find? Dr. Peder Myhre: So, Greg, the authors successfully enrolled 593 patients with a median age of 62 years and 78% males. And the median time from symptom onset to randomization was 146 minutes and only 13 minutes from hospitalization to randomization. And the index MI was anterior in 70% and 65% had TIMI Flow grade 0-1. And then to the main results at 12 weeks, the infarct size did not defer between the treatment group. So that was a 9.7% infarct size for MEDI6012 versus 10.5% for placebo with a P value of 0.79. And there was also no difference in noncalcified black volume. So the authors conclude that enhanced reverse cholesterol transport with recombinant human LCAT did not reduce infarct size or late regression of noncalcified coronary REPL at 12 weeks. Okay, Greg. So tell me about the 3rd paper you have today? Dr. Greg Hundley: Peder, what a great description on that previous paper, beautiful job there. So Peder, this next article pertains to cardio toxicity related to the administration of anthracycline-based chemotherapy. And an example would be Doxorubicin. And this occurs in patients often with certain types of cancer. As you know, Doxorubicin is still utilized for the treatment of leukemia, lymphoma, soft tissue sarcoma and in the setting of adjuvant breast cancer treatment. And so to this end, the authors, led by Lorrie Kirshenbaum from St. Boniface Hospital abstract research, wanted to assess cytokine mediated inflammation in myocellular injury, as a result of some of the inflammation that's induced by the administration of Doxorubicin. So as a little bit of background, cytokines, such as TNF alpha, have been implicated in cardiac dysfunction and toxicity associated with Doxorubicin. Now, while TNF alpha can elicit different cellular responses, including survival or death, the mechanisms underlying these divergent outcomes in the heart really somewhat remain cryptic. The E3 ubiquitin ligase, TRAF2, provides a critical signaling platform for K63 length poly ubiquitin nation of rip K1, crucial for NF-kB activation by TNF alpha and survival. Whether alterations in TNF alpha, TRAF2, NF-kB activation signaling underlie the cardiotoxic effects of Doxorubicin, remains poorly understood. So herein, these authors investigated TRAF2 signaling in the pathogenesis of Doxorubicin cardio toxicity. Dr. Peder Myhre: Oh wow, Greg. So we're talking mitochondrial dysfunction in Doxorubicin cardiomyopathy. So please tell me, what did they find and what were the clinical implications? Dr. Greg Hundley: Very nice. Peder, you remind me of Carolyn, asking me the clinical implications. Okay, so first, in mouse models and in vitro measures in rats, mouse and human pluripotent stem cell derived cardiomyocytes, these investigators monitored TNF alpha levels, LDH, cardiac ultra structure and function, mitochondrial biogenics, as you just suggested, and cardiac cell viability. They found that a novel signaling axis exists that functionally connects the cardiotoxic effects of Doxorubicin to proteasomal degradation of TRAF2. Disruption of the critical TRAF2 survival pathway by Doxorubicin, sensitizes cardiomyocytes to TNF alpha and BNIP3 mediated necrotic cell death. Perhaps, interventions that stabilize TRAF2, so here's the clinical implication, may prove beneficial in mitigating the cardiotoxic effects in cancer patients undergoing anthracycline-based chemotherapy. Dr. Carolyn Lam: So Greg, he may sound like me, but this is me going what an amazing summary and especially in something that is your specialty cardio-oncology, that's amazing. Thank you. Peder, I assume you've got one more paper? Dr. Peder Myhre: So Greg, now I'm going to sound like you and say that we are going to stay within the world of preclinical science. So genome-wide association studies have identified many genetic loci that are robustly associated with coronary artery disease. However, the underlying biological mechanisms are still unknown for most of these loci, hindering the progress to medical translation. And there is evidence to suggest that the genetic influence of coronary artery disease sociability may partly act through vascular smooth muscle cells. So corresponding author, Shu Ye from University of Leicester, performed genotyping, RNA sequencing and cell behavior assays on the large bank of vascular smooth muscle cells with an N of almost 1500. And through these extensive analysis, they saw to identify genes whose expression was influenced by coronary artery disease associated variants. Dr. Greg Hundley: Very nice, Peder. So, more about cardiac gene expression. So, what did they find? Dr. Peder Myhre: Approximately 60% of the known coronary artery disease associated variants show statistically significant effects in vascular smooth muscle cells and the study identified 84 candidate causal genes whose expression quantitative trait, loci signals in vascular smooth muscle cells, significantly co-localized with reported coronary artery disease association signals, of which 38 of them are potentially druggable, so, that was the clinical implications. The authors conclude that a large percentage of coronary artery disease loci can modulate genes, gene expression in vascular smooth muscle cells and influence these cell behavior. Several candidate causal genes identified are likely to be druggable and thus represent potential therapeutic targets. And Greg, accompanying this paper is a beautiful editorial by doctors O'Donnell and Bradner entitled "Bridging the Gap to Translating Genome-Wide Discoveries into Therapies to Prevent and Treat Atherosclerotic Cardiovascular Disease." Dr. Greg Hundley: Very nicely done Peder, very nicely done. Well, as usual, we have some other items, we call it in the mail bag because we receive these wonderful research letters and also research correspondence. So I'll go first. First, Dr. Al-Khatib has a research letter entitled, "Duration of Anticoagulation Interruption before Invasive Procedures and Outcomes in Patients with Atrial Fibrillation Insights from the Aristotle Trial." And also there's a nice ECG analysis by Dr. Tsai entitled, "A Peculiar Wide-Complex Tachycardia During Flecainide Treatment." Dr. Peder Myhre: Nice, Greg, and there's also an exchange on letters to the editors and the response from Professors Zhao and Ding, and again, a response from Professor Zhang regarding the prior letter by Jin et al. pertaining to the previously published article "Micro RNA, 210 Controls, Mitochondrial Metabolism and Protects Heart Function in Myocardial Infarction." Dr. Greg Hundley: Beautifully done, Peder. Oh, wow. Welcome to this team. We're so excited to have you. And now Carolyn, I think we're going to jump over to that feature discussion and learn a little bit more about COVID-19 and arterial and venous thrombotic disease. Dr. Carolyn Lam: You bet! Let's go, Greg and Peder. Now we all know that infection with COVID 19 induces a pro-thrombotic state, but the long term effects of COVID-19 on the incidence of vascular disease, both arterial and venous, remain unclear. That is until today's feature paper. We're so grateful to have corresponding author Dr. Jonathan Stern, from the University of Bristol, as well as our associate editor, Dr. Shinya Goto from Tokai University School of Medicine to join us and discuss this very important paper today. Jonathan, could you start us off on telling us why it's so important to look at this? Haven't we always known that infections, COVID or not, are associated with pro-thrombotic state? So what's so different about what you did and what you found this time? Dr. Jonathan Stern: So, yes, I think we already knew that serious infections, in particular infections leading to hospitalization, can result in thrombotic events, either arterial or venous. And it was also clear from January, February, March 2020, that COVID led to very serious infection and therefore was likely to lead to vascular events. The questions that we set out to address, beyond simply establishing that COVID does indeed do this, was to quantify by how much COVID multiplies the rate at which these thrombotic events occurred, to do that separately for different events, such as myocardial infarction, stroke, venous thromboembolism, pulmonary embolism. And then to importantly, because we analyzed a very large dataset, which we might want to talk about, to try to separate out the amount by which the rating events was multiplied over time and in important subgroups, for example, in hospital people who were hospitalized for their COVID, compared with people who weren't hospitalized for their COVID, by age and sex, and by other demographic characteristics. Dr. Carolyn Lam: I love that, you see, that really set out the novel information this added with, may I add, very important clinical implications, which we'll get to them. You've already teed me up to talk about this 48 million adults that you managed to look at. Oh my goodness! Tell us, how in the world did you do that? Dr. Jonathan Stern: Well, I think the first thing to say is that it's my absolute privilege to talk about this paper on behalf of a really incredible team that put the work together. And a lot of that work, or that work started with really unlocking the power of NHS data because of the COVID pandemic. So in the UK, we have a national health service, free at the point of delivery to everybody. The NHS assembled electronic health records, and there's been a long and proud history of research based on electronic health records in the UK. But for the first time, because of the pandemic, a combined data resource for the whole of England, so that's a population of about 58 million people, was established and that linked primary care data - data from family doctors, data on secondary care hospital admissions, data on COVID testing and subsequently, although it's not the subject of this paper, data on vaccination. So those data were all linked and put into one place within what's called a trusted research environment with very strict controls on what can be output from the environment in order to protect patient privacy. And that was really done during 2020. And then the analyses for this paper took place during 2021, and it was an enormous amount of work by a large and absolutely fantastic team of people across multiple UK universities and national health service institutions. Dr. Carolyn Lam: Wow. Bravo! We talk about big data, we talk about using it. I trained in the NHS system. Who knew that this could come out to reveal such important results? So thank you for that as a background, but now, tell us what you found please? Dr. Jonathan Stern: So we found that rates of these conditions, they were primarily acute lymph infarction and ischemic stroke, which we grouped together with other conditions as arterial thrombotic events, and then deep vein thrombosis and pulmonary embolism, which we grouped together with other conditions as venous events. And we found that rates were substantially multiplied immediately after a diagnosis of COVID by up to 748 times, that the amount by which rates were multiplied diminished with time since COVID, but importantly that even six months to a year after that first diagnosis of COVID, rates of venous events were still about double in people who'd had COVID, compared to people who had COVID. And we found, it seemed quite clear that the persistence of the elevated risk was longer for venous events than for arterial events. Dr. Carolyn Lam: Just really fascinating results and Shinya, could I ask, what are your thoughts on this? And as you were managing this paper, the implications? Dr. Shinya Goto: First of all, thank you very much, Jonathan, for choosing saturation for your great paper. I'm handling quite a lot of papers, but your paper was very attractive. As Carolyn mentioned, it's huge data! 48 million, it's surprising, and also you also pick up booster rate of arterial embolism event for years, and you have also shown adjusted rate is initially increased quite a lot and then decreased gradually. And even after two months, three months still, there is a persisted higher risk. And as you mentioned, for the venous thrombo embolism, it's persisted for more than year to year. It's surprising. COVID-19's a different disease. Perhaps COVID-19 infection cuts to the vascular endarterial cell, perhaps, your research raised a lot of research questions, like endarterial damage induced by COVID-19 in the past 6 months; I would say more than half a year to one year. So that mechanistical insight is very important. And you raise a lot of any clinical questions. Dr. Jonathan Stern: Well, thank you very much for your kind words and you are right, I think we are left with questions about maybe in three areas. Firstly, for how long is there an elevation in risk? I should probably say, for those who haven't read the paper, that these results relate to events that occurred in England and Wales during 2020. And so that is in an era before vaccination and when we were dealing with the original variant, and to some extent, the alpha variant. So we are still waiting to see what the implications were over longer periods, and we will be doing that, we will be extending follow up. In fact, we are at the moment extending those results. I think, secondly, we are left with questions about the mechanisms, which you articulated, and thirdly, there's the question about, well, what are the implications for clinical management of patients with COVID-19? And in particular, for patients who've had severe COVID-19, for example, severe enough to be hospitalized for it? Dr. Shinya Goto: Yeah, you have also showed a very important point that even known hospitalization for COVID-19, the risk of thrombosis becomes high. So it's very surprising. And even non-hospitalized patients have a higher risk of thrombosis. That is probably the huge difference between other virus infections and COVID-19. Dr. Jonathan Stern: Yes. The good news, if you weren't hospitalized for your COVID, is that the elevation in risk declines more rapidly for people with less severe COVID who weren't hospitalized than for people with more severe COVID who were hospitalized. But nonetheless, as you say, particularly in the first week, two weeks, three weeks after COVID, there is a clear elevation in the risk of both arterial and venous events, even if you were not hospitalized for your COVID. We should probably also bear in mind that these results for 2020, when there were severe constraints for some of the time on health service resources. So you probably had to be pretty sick to get hospitalized at that time. Dr. Carolyn Lam: That was a very important caveat that you just highlighted. So thank you for contextualizing those findings for us, Jonathan, but then I kind of wish all podcast guests were like you, and you already asked a question, I was going to ask you. Which is, okay, so what's the clinical implication? Should we all be taking some low dose NOAC or aspirin? Whether you're hospitalized or not? Or if you were in 2020? Because, jokes aside, I know that you found some very important risk factors? Or these events which had clinical implications? Could you expand on it? Dr. Jonathan Stern: So maybe I'd start by saying that we didn't find that these patterns varied dramatically either by sex or by age. And in fact, when we were planning the analyses, I was convinced that we would see dramatic differences in these hazard ratios by age. And, broadly speaking, the facts on a multiplicative scale, the amount by which your rate is multiplied, looked similar across age groups and by sex. On the other hand, we did see the amount by rates of arterial and venous events were multiplied, appeared greater in people of Asian ethnicity or Black ethnicity than in people of White ethnicity. A counterintuitive finding was that the amount by which your rate was multiplied is lower, if you've had a prior event than if you hadn't. Those are the sorts of extents to which we can say something about how your own characteristics predict the consequences once you've had COVID. In terms of management, obviously the pandemic has been tumultuous for medicine and for medical research and things have moved on greatly since the pre-vaccination era, 2020 and early 2021, to which these analyses relate. So the first thing to say is, don't get hospitalized with COVID, and the best way to not be hospitalized with COVID, is to be fully vaccinated for COVID. And that's a message that I think the whole of the medical profession has communicated loudly and clearly for a long time now. So the second thing is, well, okay, what about if, nonetheless, you got COVID, particularly severe COVID, and we discussed this in the team extensively, and I particularly want to mention the senior clinical author, Dr. Will Whiteley from the University of Edinburgh in this regard, and I think the main message here is that risk factor management, cardiovascular risk factor management is always important, but it's probably particularly important in people who've had severe COVID to review risk factor management and make sure that existing guidelines in terms of cholesterol lowering, blood pressure lowering and so on, are being adhered to. We don't... So the most important thing is adherence to existing cardiovascular risk management guidelines. I think we don't have evidence that specific additional interventions are indicated in people who've had COVID, and COVID now in the era of Omicron and widespread vaccination is not the same as COVID during 2020. Dr. Shinya Goto: Jonathan, you have raised a very important issue. I strongly recommend all audiences to read this paper. We have to know persistent or higher risk of myocardial infarction, ischemic stroke, may be controlled more regularly controlled. Don't fear the COVID-19 infection to visiting the healthcare professional. In my country, some of the population stopped coming to the healthcare professional because they fear so much about infection from the hospital or clinic. But it's very important to keep that regular control like static and blood pressure control. Maybe we don't have that data about aspiring or not, but strong message your paper gave is that risk factor control after COVID-19 is very important. Dr. Jonathan Stern: I completely agree. Dr. Carolyn Lam: And I would add to that, remember the days when people were stopping their ACE inhibitors and so on for those fear? So what a great message and thank you for giving us a little bit of a peek into the future of what you're planning next with more follow up, in a population that is vaccinated from a different strain perhaps. And I think this still encourages hopefully more trials and research into this whole area of how we should be managing these patients. Well, thank you so much both of you for discussing this very, very current relevant, important paper. Thank you for publishing it in circulation with us. And to the audience, thank you for joining us today. From Greg and I, you've been listening to Circulation on the Run, and don't forget to tune in again next week. Speaker 6: This program is copyright of the American Heart Association, 2022. The opinions expressed by speakers in this podcast are their own and not necessarily those of the editors or of the American Heart Association. For more, please visit ahajournals.org.

How many microphones are in the room you are in? Did you count the ones in your earbuds? On your phone? Your smart device? On this episode of The Futures Archive Lee Moreau and Liz Danzico discuss the microphone as an embedded technology, and the power it commands from center stage to tucked away in a drawer. With additional insights from Susan Schmidt Horning, Jonathan Sterne, and Meryl Alper.

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation… Continue reading →

In this final episode of Season 4 two graduate students, Hannah Hunter and Bailey Hilgren, chat with Claudia about some of the core themes and tensions to emerge from the season. This includes a focus on sound methodologies, such as issues with how we collect animal sounds to how (or even indeed whether) there is something special about sound in trying to understand the lives of animals.    Date Recorded: 2 May 2022 Bailey Hilgren is a musicologist and sound studies scholar about to begin a PhD in ethnomusicology at New York University. Her most recent research project traced environmentalists' construction of a wilderness area in northern Minnesota as a primarily silent place, an idea and legal practice that has undermined non-human animal agency and limited Ojibwe sovereignty in related but distinct ways. She holds master's degrees in Environmental Studies from the University of Oregon and Historical Musicology from Florida State University, and she completed undergraduate studies in biology and music performance from Gustavus Adolphus College.  Hannah Hunter is a PhD Candidate at the Sonic Arts of Place Laboratory at Queen's University. Her research explores the intersections of animals, sounds, and extinction through the case study of the Ivory-billed Woodpecker. Hannah is particularly interested in how we can build relationships with distant and lost beings through sound, and how sound may be a potent force for representing and challenging the sixth mass extinction. Connect with Hannah via email (hannah.hunter@queensu.ca) or on Twitter (@HannahfHunter)  Featured: Animal Musicalities: Birds, Beasts, and Evolutionary Listening by Rachel Mundy; Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson; The Audible Past: Cultural Origins of Sound Reproduction by Jonathan Sterne; Introduction to Special Issue Ethics in Multispecies Research by Lauren van Patter and Heather Rosenfeld; Audible Infrastructures: Music, Sound, Media edited by Kyle Devine and Alexandrine Boudreault-Fournier; Hope in the Dark by Rebecca Solnit. Thank you to A.P.P.L.E for sponsoring this podcast; the Sonic Arts Studio and the Sonic Arts of Place Laboratory for sponsoring this season; Gordon Clarke (Instagram: @_con_sol_) for the bed music, Jeremy John for the logo, and Hannah Hunter for the Animal Highlight. Support the show via Patreon.  

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Diminished Faculties: A Political Phenomenology of Impairment (Duke UP, 2022) begins by calling into question a fundamental principle of orthodox phenomenology (and, for that matter, a great deal of humanities research): that of a fully self-aware unchanging subject who can provide a coherent account of its own experience, one which is commensurable and legible to others. Having foregrounded that instead ‘living means changing', and that ‘everything in the narration of experience is a distortion', Sterne suggests that attending to the realities of a world that is full of impairments helps one to more fully understand, and perhaps fight against, the expected norms that structure the social world. After laying out his case for an ‘impairment phenomenology', Sterne turns to three kinds of impairment: vocal impairment, hearing loss, and fatigue - or as he puts it in our interview, ‘not speaking well, not hearing well, and not feeling well'. Through a careful analysis of the history, treatment, and highly varied sets of cultural attitudes toward these impairments, Sterne makes a compelling case for considering impairment as central to all human experience, raising vital political questions for accommodating bodily variety. Diminished Faculties is written in a range of registers – containing a detailed guide to an imagined exhibition of ‘new vocalities', a User Guide to impairment theory, and a personal account of vocal paralysis – and synthesises cutting-edge theory from disability studies, sound studies, queer theory and much more. The book is written with generosity and a sense of humour, and will leave any reader thinking differently about how to understand issues of experience, agency and disability. In our interview Jonathan mentions one of his favourite works ‘exhibited' in the book's imaginary exhibition, ‘Masque' by Hodan Youssouf. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode, Landon Morrison explores the delegation of speaking and listening to musical machines while interviewing three guests: Carmine Emanuele Cella, Jonathan Sterne, and Mehak Sawnhey. This episode was produced by Landon Morrison and Megan Lyons. Original music by Landon Morrison. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season01/ (https://smt-pod.org/episodes/season01/).

Jonathan Sterne is one of the most influential scholars working on sound and listening. His 2003 book, The Audible Past: Cultural Origins of Sound Reproduction, had a formative influence on the then-nascent field of sound studies. His 2012 book, MP3: The Meaning of a Format, was both a fascinating cultural history and a deep meditation on the purpose of compression technology in capitalism. Today, Sterne talks to Phantom Power about his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke UP 2022). Specifically, he tells the story of the "Dork-o-phone," a vocal amplifier he wears to give talks or communicate in loud spaces. Jonathan explains why he wears the Dork-o-phone, what it's taught him about voice, technology, and disability, and how his experience informs Diminished Faculties' "phenomenology of impairment." This is the third and final part of our series, Voices. Although you don't need to listen to the other episodes first to enjoy this one, here are the links to part one and part two. All of this episode's sound art and music are performed by Jonathan Sterne and/or groups he appears in: Cancerscapes: Recordings made during Sterne's thyroid cancer treatmentVolte: An instrumental post rock bandThe Buddha Curtain: solo electronic music Jonathan Sterne is Professor and James McGill Chair in Culture and Technology at McGill University. He does research in sound studies; media theory and historiography; science and technology studies; new media; disability studies; music; and cultural studies. You can read Jonathan Sterne's cancer diaries at https://www.cancerscapes.ca.

In this first episode of a three-part series called Voices, we're listening to the sound of American football—specifically the role of voices in the NFL. We start with a rather quirky story from NFL history that speaks to how the voice intersects with our ideologies around both disability and gender. It's about a player whose voice stopped working the way it once did, revealing that football isn't just a competition between teams on the gridiron—it's a competition of audibility and vocal toughness. And like the rest of our Voices series, it opens up fascinating questions about what a voice actually is, what it does, and what it means, to us and to those around us.  Our guest is Travis Vogan, a prolific sports media scholar at the University of Iowa. Vogan has written books on ABC Sports, ESPN, boxing movies, and those “voice of God” NFL Films. We also hear briefly from sound scholar Jonathan Sterne, who will feature prominently in an upcoming episode of this Voices series. Some of this episode is based on the article “The 12th Man: Fan Noise in the Contemporary NFL,” published in Popular Communication by Mack Hagood and Travis Vogan in 2016. If you don't have institutional access, you can also find the PDF here. Other things heard or mentioned in this episode: "The Wild Story of the 49ers, Steve DeBerg, and a Shoulder-Pad Speaker System," by Eric Branch, San Francisco Chronicle, September 29, 2020. "The UNBELIEVABLE Story of Steve DeBerg's Loudspeaker Shoulder Pads," by the Pick Six Podcast.

In 1946 Bing Crosby was the king of media. He was the movie star, the pop star and his radio show was reaching a third of american living rooms each week.  But then, it all started to fall apart. His ratings were plummeting and his fans were fleeing. Bing however, was not going down without a fight.  Today, the story of how Bing Crosby and some stolen Nazi technology won his audience back, changed media forever and accidentally broke reality along the way.  Mixtape is reported, produced, scored and sound designed by, me, Simon Adler with original music throughout by me. Invaluable reporting and production assistance was provided by Eli Cohen. Special thanks to: Michele Hilmes, Pete Hammer, Rich Flores, Mara Mills, Jonathan Sterne, Claudia Mewes. Though their voices weren't in the piece, input certainly was. And to Mary Crosby and Robert Bader, for opening up Bing's archive for us and enabling us to fill this episode with so much of Bing's music. Support Radiolab by becoming a member today at Radiolab.org/donate.    

How to think about the contradictory figure of R Murray Schafer? A renegade scholar who used sound technology to create an entirely new field of study, even as he devalued the very tools of its trade. A gifted composer who claimed a sincere appreciation for indigenous cultures, yet one who, perhaps, could only love them on his own terms, only as they fit into his sweeping vision for Canadian music. An erudite reader with a deep knowledge of world cultures, who nevertheless dismissed Canada's most multicultural areas as less than truly Canadian. And a man, who despite a bomb-throwing persona on the page, is described by those who knew him as a kind and generous person. Today we speak to Jonathan Sterne, Mitchell Akiyama, and Hildegard Westerkamp to learn the critiques and contradictions of Schafer. Perhaps the greatest testament to his lasting legacy is the fact that we aren't done arguing with him. Works discussed in this episode:  Jonathan Sterne's first book, The Audible Past, includes critiques of Schafer's work, especially his concept of schizophonia. His chapter “Soundscape, Landscape, Escape” (PDF, in the edited volume Soundscapes of the Urban Past) traces the intellectual and audiophile histories of Schafer's term soundscape.   Listen, a short film on Schafer directed by David New, includes Shafer's claim that recorded sounds are not “real sound.” Hildegard Westerkamp's Kits Beach Sound Walk presents a subtler way of thinking about “schizophonic” sounds. Her chapter "The Disruptive Nature of Listening: Today, Yesterday, Tomorrow" (in the edited volume Sound Media Ecology) reexamines the World Soundscape Project through the political lenses of the 1970s and today.    An episode of the CBC radio program “Soundscapes of Canada” is available at the Canadian Music Centre's music library.  Rafael de Oliveira, Patrícia Lima, and Alexsander Duarte‘s interview with Schafer in Corfu, Greece is available on YouTube.   Mitchell Akiyama's critique of the World Soundscape Project appears in “Unsettling the World Soundscape Project: Soundscapes of Canada and the Politics of Self-Recognition” (on the sound studies blog Sounding Out) and in his chapter “Nothing Connects Us but Imagined Sound” (in the edited volume Sound, Music, Ecology).  The program notes (PDF) to Schafer's North/White contain his dismissal of urban Canadians (page 43). Dylan Robinson's book Hungry Listening opens with Schafer's insulting words about “Eskimo music” and contains a critique of the way Schafer appropriates indigenous music to create his “Canadian” music.   The Vancouver Chamber Choir shares this performance of Schafer's “Miniwanka” complete with a side scrolling presentation of the graphic score.  Today's music was by R. Murray Schafer, Vireo, and Blue the Fifth.

As campuses across the country have returned to in-person education this fall, requests by faculty for accommodations have been routinely ignored or denied. So for our first episode for Season 2, we reached out to three members of the Accessible Campus Action Alliance (ACAA), an organization of disability studies scholars and activists that has called on universities to do better with their statement “Beyond High Risk,” first released back in June of 2020 and updated in July of 2021. Aimi Hamraie, Jonathan Sterne & Bess Williamson challenge the celebration of being “back to normal” and the failing accommodations systems that have put financial considerations over the safety of faculty and students. Our hosts learn that the very technologies that made teaching online possible last year arose from the needs and responses of the disabled community. But now that universities are pushing in-person instruction, administrations are refusing access to them. In the final segment, Jonathan, Bess, and Aimi discuss what it would mean to build institutions imbued with an ethic of care that recognizes our mutual vulnerability and dependency. For more information on the ACAA, read their statement and follow them on Twitter. Accessible Campus Action Alliance (2021), "Beyond 'High-Risk': Update for 2021," https://bit.ly/accesscampusalliance. @accesscampus About our guests Aimi Hamraie is Associate Professor of Medicine, Health, & Society and American Studies at Vanderbilt University and director of the Critical Design Lab. Jonathan Sterne is Professor and James McGill Chair in Culture and Technology in the Department of Art History and Communication Studies at McGill University. His book Diminished Faculties: A Political Phenomenology of Impairment will be available in January 2022. @jonathansterne Bess Williamson is Associate Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago @besswww Collegeland is produced and edited by Craig Eley and Jade Iseri-Ramos Research assistance and publicity by Danyel Ferrari Theme music by Josh Wilson Show cover art by Margaux Parker Episode cover art designed by erhui1979 on iStock A special thanks to the North Carolina Humanities Council and the Robert F. and Jean E. Holtz Center for Science and Technology Studies for their support. Want to get in touch? Email us at collegelandpod@gmail.com or send us a voice memo on Anchor.fm.

R. Murray Schafer recently passed away on August 14th 2021. If you're someone who works with sound or enjoys sound art or experimental music--or you've just thrown around the word "soundscape"--you've probably engaged with his intellectual legacy. Schafer was one of Canada's most influential avant-garde composers. He was also the creator of acoustic ecology, the founder of the World Soundscape Project, and the author of the classic book The Soundscape: Our Sonic Environment and the Tuning of the World. He brought a musician's ear to the field of ecology and he brought an ecological perspective to music. And he bequeathed us a generative vocabulary for talking about and thinking about sound. This is the first of a two-part series on R. Murray Schafer. Next month, we speak with two of Schafer's critics--Mitchell Akiyama and Jonathan Sterne. But today, we speak with three of Schafer's associates to understand the person, his creative works, and his lasting impact on the study of sound: Ellen Waterman, ethnomusicologist, flutist, and Schafer expertHildegard Westerkamp, soundscape composer and member of the World Soundscape ProjectEric Leonardson, sound artist and President of the World Forum for Acoustic Ecology Creative works heard on today's show: Listen, a short film on Schafer, directed by David New.Snowforms, R. Murray SchaferThe Greatest Show, R. Murray Schafer The Crown Of Ariadne, R. Murray SchaferWolf Music V: Nocturne, R. Murray SchaferLe Testament, Ezra PoundLoving, R. Murray SchaferBeneath the Forest Floor, Hildegard WesterkampMiniwanka, R. Murray Schafer Special thanks to Elisabeth Hodges for translation assistance, Alex Blue V for our outtro music, and Craig Eley for his dramatic turn as R. Murray Schafer. Today's show was produced and edited by Mack Hagood with additional editing by Ravi Krishnaswami.

Video and transcript: In this talk, Jonathan Sterne provides a brief overview of some of the themes of his new book, Diminished Faculties: A Political Phenomenology of Impairment (Duke, December 2021) and a deeper dive into the approach to the voice he develops therein. Impairments are usually understood as the physical or biological substrates of culturally produced disabilities, but in the book, Sterne considers them as a political and theoretical problem in their own right. Impaired voices present a particularly interesting problem. Most discussions of the voice frame it as a human faculty that is connected to self and agency, as when we say that a political group “has a voice,” or when the tone of voice is taken as expressing a speaker’s inner meaning or selfhood. But how to understand voices that are produced prosthetically? In this talk Sterne will consider his own experiments with vocal prostheses alongside projects and practices that locate voice outside the human body, and that question its connection to agency. He concludes with some reflections on the capture of voices by corporations like Otter.ai in their contract with Zoom. Bonus for those who like their talks to be “meta”: this will be a talk on Zoom that will theorize the condition of talking on Zoom. Jonathan Sterne (sterneworks.org) teaches in the Department of Art History and Communication Studies at McGill University. He is author of Diminished Faculties: A Political Phenomenology of Impairment (Duke, 2021); MP3: The Meaning of a Format (Duke 2012), The Audible Past: Cultural Origins of Sound Reproduction (Duke, 2003); and numerous articles on media, technologies and the politics of culture. He is also editor of The Sound Studies Reader (Routledge, 2012) and co-editor of The Participatory Condition in the Digital Age (Minnesota, 2016). With co-author Mara Mills, he is working on Tuning Time: Histories of Sound and Speed, and he has a new project cooking on artificial intelligence and culture.

This week we talk with Dr. Jonathan Sterne, a professor at McGill University here in Montreal who teaches under the faculty of Communications Studies. Some of his areas of study include sound studies, media theory and historiography, science and technology studies, new media, disability studies, music, and cultural studies. In this episode, we discuss the changing music culture within the pandemic and the interaction of music and disability. Dr. Sterne & McGill: https://www.mcgill.ca/ahcs/people-contacts/faculty/sterne Audio Credit: Isaac Teague Instagram: @chaissac_tea

Interviewer: Mark Bookman Date recorded: 26 October 2020 This episode of Asian Ethnology Podcast features Frank Mondelli, a doctoral candidate at Stanford University. Frank recently returned from research in Japan and is currently working on his doctoral dissertation on the social, technical, and political history of assistive technologies for deafness and hearing impairment in 20th century Japan. Frank discusses his recent work on the history of hearing aids in 1950s Japan, how he became interested in assistive technology, and how thinking about assistive technology can help us think about accessibility and inclusivity during the COVID-19 pandemic. This episode is part of the "Disability and Japan in the Digital Age" project run through the Anthropological Institute, Nanzan University. Publications discussed in this episode Mills, Mara and Jonathan Sterne. “Dismediation – Three Proposals, Six Tactics” in Disability Media Studies, ed. Elizabeth Ellcessor and Bill Kirkpatrick

On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important than its form. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a koan, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision. REFERENCES McLuhan, [Understanding Media](https://en.wikipedia.org/wiki/UnderstandingMedia)_ The Playboy interview (https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan) McLuhan and Quentin Fiore, [The Medium is the Massage: An Inventory of Effects](https://en.wikipedia.org/wiki/TheMediumIstheMassage) Graham Harman (https://en.wikipedia.org/wiki/Graham_Harman), American philosopher Clement Greenberg (https://en.wikipedia.org/wiki/Clement_Greenberg), American critic Dale Pendell, [Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft](https://www.amazon.com/gp/product/1556438052/ref=dbsadefrwtbiblvppii2) Brian Eno (https://en.wikipedia.org/wiki/Brian_Eno), British composer Marshall and Eric McLuhan, The Laws of Media: The New Science (https://utorontopress.com/ca/laws-of-media-1) _ Jonathan Sterne, _The Audible Past: Cultural Origins of Sound Reproduction (https://www.dukeupress.edu/the-audible-past) Eric McLuhan and Frank Zingrone (editors), The Essential McLuhan (https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951) Charles A. Reich, [The Greening of America](https://en.wikipedia.org/wiki/TheGreeningofAmerica)_ David Fincher (director), The Social Network (https://www.imdb.com/title/tt1285016/) _ Gilles Deleuze, _Cinema I (https://www.upress.umn.edu/book-division/books/cinema-1) _and _Cinema II (https://www.upress.umn.edu/book-division/books/cinema-2) Jean Gebser, The Ever-Present Origin (https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694) Eric Havelock,_ Preface to Plato (https://www.hup.harvard.edu/catalog.php?isbn=9780674699069)_ Walter J. Ong (https://en.wikipedia.org/wiki/Walter_J._Ong), American theorist Plato, [Republic](https://en.wikipedia.org/wiki/Republic(Plato))_

It's been a minute, so in this short episode, we update you on what's happening with Phantom Power and what's coming in 2020. The big (and sad) news is that co-host cris cheek is departing. After two years of lending his unique voice, ideas, and turns of phrase to the show--not to mention producing fantastic episodes like his interview with This Heat's Charles Hayward--cris has decided to refocus on his many other creative endeavors.  We will miss cris, but the show will go on. And he's been kind enough to let us continue using his golden intro! Check out the pod to hear about some of our upcoming 2020 episodes, with guests including Colin Black, Harriet Ottenheimer, Jonathan Sterne, and Siavash Amini.   

La abundancia de publicaciones relacionadas con el arte sonoro en los últimos tiempos -quizá una forma de compensar la ausencia de ellas durante demasiados años del pasado- nos anima a presentar de nuevo un monográfico de Ars Sonora dedicado a libros de reciente aparición. Comenzamos comentando dos exposiciones del MACBA (Museo de Arte Contemporáneo de Barcelona) relacionadas con la creación sonora experimental, cuyos respectivos catálogos representan importantes hitos bibliográficos. En primer lugar, la muestra titulada "Christian Marclay. Composiciones" -que se celebró entre abril y septiembre de 2019, y que comisarió Tanya Barson- examinó la obra del autor suizo-estadounidense "a través de su dedicación a la composición, entendida como un ordenamiento de sonidos en el tiempo y el espacio, pero también como composición visual". Por otra parte, la exposición "Takis", dedicada al escultor griego Panagiotis Vassilakis (1925-2019), comisariada por Guy Brett, Michael Wellen y Teresa Grandas, puede visitarse desde el 22 de noviembre de 2019 hasta el 19 de abril de 2020, y también ha propiciado un recomendable catálogo en el que se describen trabajos relacionados con el magnetismo, la luz y la electricidad en el dominio visual, pero también -y muy destacadamente- en el sonoro. A continuación nos centramos en varias publicaciones recientes de la editorial de la Universidad de Duke, cada vez más activa en el ámbito de los estudios sonoros. "Hush. Media and Sonic Self-Control", de Mack Hagood, destaca entre esas novedades procedentes de Duke University Press por su original aproximación a las tecnologías destinadas a crear espacios "protegidos" a través del sonido. No tan interesante resulta "Remapping Sound Studies", editado por Gavin Steingo y Jim Sykes, con aportaciones de Jessica A. Schwartz, Louise Meintjes, Tripta Chandola, Michele Friedner, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Shayna Silverstein, Ben Tausig y Hervé Tchumkam; si bien resulta indiscutible el valor de sus exploraciones de músicas procedentes de África, el sudeste asiático, latinoamérica o la Micronesia -entre otras áreas del mundo-, en realidad el mero hecho de que sean investigadores instalados en algunos de los más poderosos centros universitarios del planeta -a menudo radicados en los Estados Unidos- no solamente limita el alcance y el interés de esos estudios, sino que incurre en contradicciones relativas al propósito y la forma de empoderar o dar voz a colectividades tradicionalmente silenciadas o subalternadas. Por su parte, "Sound Objects", editado por James A. Steintrager y Rey Chow -que reúne contribuciones de Jairo Moreno, Georgina Born, Michael Bull, Michel Chion, John Dack, Veit Erlmann, Brian Kane, John Mowitt, Pooja Rangan, Gavin Steingo, Jonathan Sterne y David Toop- aporta nuevas y sugerentes perspectivas acerca de la noción de "objeto sonoro" inicialmente planteada por Pierre Schaeffer. Concluimos nuestro repaso de las últimas ediciones llevadas a cabo por Duke University Press con "Digital Sound Studies", editado por Mary Caton Lingold, Darren Mueller y Whitney Trettien, una aproximación al cruce entre dos campos académicamente emergentes: las humanidades digitales y los estudios sonoros. Nos detenemos, también, en "Metaphonics. The Field Works Listener's Guide", publicado por la editorial independiente Jap Sam Books, que propone un curioso recorrido a través de trabajos recientes vinculados a la fonografía y al paisajismo sonoro. Y no podía faltar, como en casi todos nuestros programas dedicados a lo libresco, la alusión a la deslumbrante labor editorial de Bloomsbury, en este caso a través de un pequeño volumen titulado "Podcasting. The Audio Media Revolution", firmado por Martin Spinelli y Lance Dann. Concluimos el programa con una breve recensión de "El giro notacional", de José Iges y Manuel Olveira, un texto dedicado a la exposición homónima que ambos comisariaron en 2019 para el MUSAC de León (y a la que nosotros dedicamos una edición monográfica de Ars Sonora hace ahora justamente un año). Tanto en aquella muestra como en este libro se contemplan las estrategias relacionadas con sistemas notacionales aplicados desde los años sesenta del pasado siglo por artistas de diversas disciplinas. El libro, que supera en su análisis los contornos de la citada exposición, ha sido editado por Fernando Castro Flórez, director de la Colección Infraleves del CENDEAC (Murcia). Las audiciones que complementan nuestros comentarios incluyen obras de Christian Marclay -la grabación de "Zoom Zoom", una de las performances que desarrolló en el MACBA, en este caso junto a la vocalista Shelley Hirsch-, Michel Chion -"Train De Pianos, Op. 1"-, y diversas muestras de los trabajos presentados en el libro "Metaphonics. The Field Works Listener's Guide". Escuchar audio

With the popularity of autonomous sensory meridian response (ASMR) videos on YouTube and social-media platforms, sound has become an integral part of understanding and exploring embodiment. Yet the fascination with sound has a long history beyond the digital realm. The San Francisco Museum of Modern Art new-media curator, Rudolf Frieling, aptly described The 40 Part Motet by the artist Janet Cardiff as “sound as sculpture.” In a similar vein, this episode seeks to explore the history and convergence of analog and digital technologies in the production of experimental sound. The show’s topic is also inspired by Jonathan Sterne’s research and scholarship on the MP3 format, which reveals not only the evolution of the MP3 but also how this sonic commodity produced a science of sound connected to telephony and music and drew distinctions between public and private sound. In this episode, sound as a medium for creative practice and inquiry is examined through a conversation with the artist and scholar, Anna Friz. -- Subscribe to Art Practical on iTunes to catch PRNT SCRN as soon as it publishes! Check us out on Instagram (@prnt_scrn_ap) and Twitter (@PRNTSCRN1). #APaudio.

Stone, bronze, iron... glass? In his recent thought and writing, transdisciplinary artist and thinker Michael Garfield defines modernity as an age of glass, arguing that the entire ethos of our era inheres in the transformative enchantments of this amorphous solid. No one would deny that glass plays a central role in our lives, although glass does have a knack for disappearing into the background, at least until the beakers or screens crack and shatter. Glass is weird, and like a lot of weird things, it can serve as a lens (so to speak!) for observing our world from strange new angles. In this episode, Michael joins Phil and JF to talk through the origins, the significance, and the fate of the Glass Age. Michael Garfield (http://weirdstudies.com/guests/garfield) is a musician, live painter, and futurist. He is the host of the brilliant Future Fossils Podcast (https://itunes.apple.com/us/podcast/future-fossils/id1152767505?mt=2). REFERENCES Michael Garfield's website (http://michaelgarfield.net/) + Patreon (https://www.patreon.com/michaelgarfield) + Medium (https://medium.com/@michaelgarfield) + Bandcamp (http://michaelgarfield.bandcamp.com) Michael Garfield, "The Future is Indistinguishable from Magic" (https://medium.com/@michaelgarfield/the-future-is-indistinguishable-from-magic-5b9596a4ea) (This is the essay we discuss that was unpublished at the time of the recording) Michael Garfield, "The Future Acts Like You" (https://medium.com/@michaelgarfield/the-future-acts-like-you-7848b55475d5) Michael Garfield, "The Evolution of Surveillance Part 3: Living in the Belly of the Beast" (https://medium.com/@michaelgarfield/the-evolution-of-surveillance-part-3-living-in-the-belly-of-the-beast-2a42538ee2) Artist David Titterington's Patreon page (https://www.patreon.com/posts/16115658) Richard Doyle, On Beyond Living: Rhetorical Transformations of the Life Sciences (https://www.sup.org/books/title/?id=797) Corning, "The Glass Age" (https://www.youtube.com/watch?v=12OSBJwogFc) (corporate video) Jean-Paul Sartre, Baudelaire (https://www.amazon.com/Baudelaire-Jean-Paul-Sartre/dp/0811201899) John David Ebert, "On Hypermodernity" (https://cultural-discourse.com/on-hypermodernity/) John C. Wright, The Golden Age (https://www.amazon.com/Golden-Age-John-C-Wright/dp/0765336693) J.R.R. Tolkien, [The Lord of the Rings](https://en.wikipedia.org/wiki/TheLordoftheRings) Timothy Morton, Hyperobjects (https://www.upress.umn.edu/book-division/books/hyperobjects) Christopher Knight and Alan Butler, Who Built the Moon? (https://www.amazon.com/Who-Built-Moon-Christopher-Knight/dp/1842931636) Pink Floyd, [The Dark Side of the Moon](https://en.wikipedia.org/wiki/TheDarkSideoftheMoon)_ Marshall McLuhan, [The Gutenberg Galaxy](https://en.wikipedia.org/wiki/TheGutenbergGalaxy) Marshall McLuhan, [The Medium is the Massage](https://en.wikipedia.org/wiki/TheMediumIstheMassage) Spinoza, Ethics (http://www.gutenberg.org/ebooks/3800) Charles Taylor, The Malaise of Modernity (https://www.cbc.ca/radio/ideas/the-1991-cbc-massey-lectures-the-malaise-of-modernity-1.2946849) Martine Rothblatt, [Virtually Human: The Promise and the Peril of Digital Immortality](https://www.amazon.com/Virtually-Human-Promiseand-Perilof-Immortality/dp/1250046912) John Crowley, [Little, Big](https://en.wikipedia.org/wiki/Little,Big)_ Jose Arguelles, Dreamspell Calendar (http://www.13moon.com/dreamspell.htm) William Irwin Thompson, Lindisfarne Tapes (https://centerforneweconomics.org/envision/legacy/lindisfarne-tapes) Jonathan Sterne, The Audible Past (https://www.dukeupress.edu/the-audible-past) Karl Schroeder, “Degrees of Freedom,” in Heiroglyph: Stories and Visions for a Better Future (https://www.amazon.com/Hieroglyph-Stories-Visions-Better-Future/dp/0062204718) Michael Garfield, “Being Every Drone (https://medium.com/@michaelgarfield/being-every-drone-the-future-of-xr-robotic-telepresence-19f12889da78)” Henri Bergson, Creative Evolution (https://www.amazon.com/Creative-Evolution-Henri-Bergson/dp/0486400360) Special Guest: Michael Garfield.

Where does the ear meet the eye? “Seeing and Illustrating Music” includes the voices of Cretien van Campen, Ben Street, Sherry Turner DeCarava, Chia-Jung Tsay, Richard Brody, Christian Wolff, Ryan Vigil, Robert Simpson, Jonathan Sterne, Carlene Stevens, Patrick Feaster, Karen Topp, Eric Wahlforss, Nicholson Baker, Berthold Hoeckner, Petr Janata. Produced by Zack Ezor, Conor Gillies, Qainat Khan, and Dan Mauzy. Special thanks to Deanna Archetto and Tom Richards for providing audio from the Daphne Oram Collection at Goldsmiths, University of London. Editing help from Katherine Gorman and Erika Lantz. Artwork by Robert Beatty. From WBUR, Boston’s NPR News Station.

MP3: The Meaning of a Format (Duke University Press, 2012) is a fascinating study of the MP3 as a historical, cultural, conceptual, and social phenomenon. In the course of an account of the MP3 that has surprising connections to telephony and the economics of perception, Jonathan Sterne usefully shifts our attention from media-in-general to a more specific focus on material formats, “the stuff beneath, beyond, and behind the boxes our media come in.” MP3 explores the process by which AT&T learned how to make money from the gaps in human hearing. By the 1980s, Sterne shows, engineers had developed methods for using what cannot be heard within the audible spectrum as the basis for a system of data compression for digital sound transmission. The same decade saw a subgroup of the International Organization for Standardization, the Moving Picture Experts Group (MPEG), devise a standard for digital video and audio with the help of a series of tests that gauged listeners’ levels of sonic annoyance. Sterne shows how the MP3 format emerged out of these overlapping material and social contexts of perception, technics, and experimentation. There are cat pianos and cat telephones (not what you think!) here, as well as accounts of cybernetics and information theory, histories of the domestication of noise, considerations of the challenge of archiving digital mashups, and vignettes about Suzanne Vega and Tom’s Diner. It’s a wonderful book about an important part of our daily media landscape, and it was great fun to talk about it! A review of MP3: The Meaning of Format can be found in Public Books here. Learn more about your ad choices. Visit megaphone.fm/adchoices

MP3: The Meaning of a Format (Duke University Press, 2012) is a fascinating study of the MP3 as a historical, cultural, conceptual, and social phenomenon. In the course of an account of the MP3 that has surprising connections to telephony and the economics of perception, Jonathan Sterne usefully shifts our attention from media-in-general to a more specific focus on material formats, “the stuff beneath, beyond, and behind the boxes our media come in.” MP3 explores the process by which AT&T learned how to make money from the gaps in human hearing. By the 1980s, Sterne shows, engineers had developed methods for using what cannot be heard within the audible spectrum as the basis for a system of data compression for digital sound transmission. The same decade saw a subgroup of the International Organization for Standardization, the Moving Picture Experts Group (MPEG), devise a standard for digital video and audio with the help of a series of tests that gauged listeners’ levels of sonic annoyance. Sterne shows how the MP3 format emerged out of these overlapping material and social contexts of perception, technics, and experimentation. There are cat pianos and cat telephones (not what you think!) here, as well as accounts of cybernetics and information theory, histories of the domestication of noise, considerations of the challenge of archiving digital mashups, and vignettes about Suzanne Vega and Tom’s Diner. It’s a wonderful book about an important part of our daily media landscape, and it was great fun to talk about it! A review of MP3: The Meaning of Format can be found in Public Books here. Learn more about your ad choices. Visit megaphone.fm/adchoices

MP3: The Meaning of a Format (Duke University Press, 2012) is a fascinating study of the MP3 as a historical, cultural, conceptual, and social phenomenon. In the course of an account of the MP3 that has surprising connections to telephony and the economics of perception, Jonathan Sterne usefully shifts our attention from media-in-general to a more specific focus on material formats, “the stuff beneath, beyond, and behind the boxes our media come in.” MP3 explores the process by which AT&T learned how to make money from the gaps in human hearing. By the 1980s, Sterne shows, engineers had developed methods for using what cannot be heard within the audible spectrum as the basis for a system of data compression for digital sound transmission. The same decade saw a subgroup of the International Organization for Standardization, the Moving Picture Experts Group (MPEG), devise a standard for digital video and audio with the help of a series of tests that gauged listeners’ levels of sonic annoyance. Sterne shows how the MP3 format emerged out of these overlapping material and social contexts of perception, technics, and experimentation. There are cat pianos and cat telephones (not what you think!) here, as well as accounts of cybernetics and information theory, histories of the domestication of noise, considerations of the challenge of archiving digital mashups, and vignettes about Suzanne Vega and Tom’s Diner. It’s a wonderful book about an important part of our daily media landscape, and it was great fun to talk about it! A review of MP3: The Meaning of Format can be found in Public Books here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest Jonathan Sterne and WFMU's Benjamen Walker https://www.wfmu.org/playlists/shows/46730

Guest Jonathan Sterne and WFMU's Benjamen Walker http://www.wfmu.org/playlists/shows/46730