Podcasts about The Modern Lovers

Desde sus inicios, el boxeo se ha nutrido principalmente de jóvenes procedentes de guetos, barrios y suburbios en los que escaseaban las oportunidades de conseguir un progreso sin salirse de la ley. Por eso ha sido históricamente el deporte más sensible a cualquier cambio social o demográfico. Eso explica la extraordinaria eclosión de boxeadores judíos, especialmente a partir de los años veinte. Un período en el que los emigrantes judíos en Estados Unidos acabarían convirtiéndose en el grupo étnico con mayor número de boxeadores profesionales, aportando a la historia grandísimos campeones mundiales. Del gran Benny Leonard a Jackie Fields, de Abe Attell al inimitable Barney Ross. Un fenómeno muy llamativo, aunque también por razones sociológicas, relativamente corto en el tiempo. De la misma manera que fácilmente identificamos a irlandeses e italianos con el boxeo profesional de principios del siglo XX, el importante predominio de boxeadores judíos es un fenómeno muy poco destacado y que a menudo causa extrañeza.Y sobre todo muy poco conocido, incluso dentro de la propia historiografía judía. Hoy nos centraremos en los orígenes sociológicos de este curioso fenómeno y nos centraremos en las primeras grandes figuras del boxeo estadounidense de principios de siglo XX. Corte 1: “Jerusalem, New York, Berlin” Vampire Weekend Corte 2: “Better”, Regina Spektore Corte 3: “Government Centre”, Jonathan Richman and the Modern Lovers

Tribute to a recently-departed comrade."nothing is over, that is the only certainty. the other certainty is that everything ends, even this" -Poem (Sept 26, 2023)Clip from Occupy Oakland: https://x.com/poetryc0mmunity/status/1917001969467838652Reading from The Totality for Kids at Bowery Poetry Club in 2006: https://www.youtube.com/watch?v=EgfMT58xkTgYoutube clip of Joshua talking about his book on the Modern Lovers' song Road Runner: https://www.youtube.com/watch?v=d6qc8EqN_XI&t=468sRiot. Strike. Riot pdf: https://fighttowin.noblogs.org/files/2020/06/riot-strike-riot-intro.pdfOn "Old Town Road": https://communemag.com/the-high-rise-and-the-hollow/Cleaning up fascist trash right up to the end: https://x.com/outsidadgitator/status/1916845565725520303 ideo/1Episode image from a painting by Dianna Settles: https://www.instagram.com/platonicyouth/Full Commie Camp episode: https://www.patreon.com/posts/ep-57-old-road-w-28280348Check out Jamie's awesome new podcast Party GirlsSongs: Modern Lovers - Road RunnerJoshua Clover's sing-a-long cover of Old Town Road by Lil Nas X

"GPYR" I'm admittedly a bit fixated on a 16 year old Josh Joplin getting in the van and driving away from his family, his friends and high school in order to blaze his own musical trail out there in the American wild, but I think I'm mostly fixated on that for both its ambition and its bravery. For starters, it's cool that Josh had the belief the world would find him--and it did. But to know that or believe that at 16 is remarkable--when I was 16 I was staying up late watching Letterman and making mix tapes for girls and had no ambition that would get me in a van by myself and head down the highway peddling my wares. But Josh Joplin did. And we talk about that a great deal because I'm in awe of him doing something most 16 year olds couldn't have done. All these years later, the DC born Joplin has almost fifteen albums under his belt, and each one further proves his uncanny genius. From his first album A Present For Hitler--which is maybe one of the best debut album titles ever--to his new one GPYR, Joplin has demonstrated he's a songwriter of tremendous poeticism and unreasonable melodic smarts. I'll get to GPYR in a second--but before I do, let me give you a few biographical bits; he's toured all over the U.S. as well as Europe and Australia, been on Conan and Letterman, had his albums produced by Jerry Harrison of the Talking Heads and the Modern Lovers, had his music appear in shows like Scrubs, Dawsons Creek, Party of Five and Roswell, was neighbors with Dan Zanes of the Del Fuegos, he's put out several fabulous albums with Garrison Starr under the name Among The Oak And Ash and In 2015, Joplin founded the award-winning film production company NarrowMoat. Reuniting with his trusty pals in the Josh Joplin Group, GPYR finds Joplin sounding better than ever. Bringing to mind Reckoning-era R.E.M. and the later work of Tommy Keene, GPYR is a thoughtful blend of jangling indie rock and stirring folk both of which are augmented by sweeping musical architecture that heightens the emotional quality of this powerful, dramatic and altogether thrilling album. www.joshjoplingroup.com (http://www.joshjoplingroup.com) www.bombshellradio.com www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooksonline.com Instagram + Bluesky: @emberspodcast Email: editor@stereoembersmagazine.com

This time on the Spindle, John and Marc dig into the 1993 Stereolab 7-inch "John Cage Bubblegum" b/w "Eloge D'Eros," with their special guest Mike Schulman, who released this great record on his label Slumberland, which continues to put out great music to this very day. Hear Mike tell the tales of hooking up with this great band—and putting pieces of bubblegum inside the 7-inch sleeve!Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Send us a textWelcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: The Beatles by Daniel Johnston (2006)Song 1: Ruby Soho by Rancid (1995)Song 2: Picture Perfect by The Regrettes (2017)Song 3: Dance For Me by Queen Latifah (1989)Song 4: Heavy is the Crown by Linkin Park (2024)Song 5: Downtown Train by Tom Waits (1985)Song 6: The Logical Song by Supertramp (1979)Song 7: A Kiss to Build a Dream On by Louis Armstrong (1951)Song 8: Roadrunner by The Modern Lovers (1976)Song 9: Living in the Past by Jethro Tull (1969)Song 10: Boulevard of Broken Dreams by Green Day (2004)

Hoy en La Gran Travesía os dejamos el especial dedicado al año 1975, donde podréis escuchar a 10cc, Led Zeppelin, Modern Lovers, Ramones, John Lennon, Eric Clapton, ZZ Top, Dictators, Bob Dylan, Aerosmith, John Fogerty, Rod Stewart, Neil Young, Paul Simon... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs https://npqeditores.com/producto/la-gran-travesia-del-rock/ ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Gezkurra, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Vuelve Conexiones MZK donde volvemos a recordar los recopilatorios Late Night Tales, como os dijismos cada uno de ellos comisariado por una banda o artista. La propuesta, por la que ya han pasado músicos como Groove Armada, Belle & Sebastian, The Flaming Lips, Arctic Monkeys, MGMT o Air, invita a músicos destacados a seleccionar y mezclar pistas que conformen una compilación ideal para la escucha nocturna, de ahí su nombre. Otra de sus particularidades es que la mayoría de ellas, incluyen una versión del propio grupo protagonista, que se integra en el contenido final. Si en el programa anterior disfrutamos de la de los franceses air, hoy hemos querido recuperar otra de las más redondas, la realizada por Fatboy Slim, o sea Norman Cook, dj y productor y una de las instituciones del breakbet junto a artistas como The Prodigy o The Chemical Brothers, aunque previamente le conocimos como bajista de The Housemartins. Su sesión es una auténtica gozada de cerca de setenta minutos que arranca con mitos como los Modern Lovers o Nick Lowe, y que termina derivando hacia otros sonidos de todo tipo de pelaje, de Kraftwerk (a quienes versiona) a The Velvet Underground, Sly & The Family Stone o Tom Jobim. Dirige Manuel Pinazo. Suenan: 1."Spanish Stroll" Mink DeVille 2. "Roadrunner" Modern Lovers 3. "I Love the Sound of Breaking Glass" Nick Lowe 4. "Midnight Rider" Paul Davidson 5. "Express Yourself" Hopeton Lewis 6. "Monkey Spanner" Dave & Ansell Collins 7. "Ire Feelings (Leggo Skanga)" Rupie Edwards 8. "Three Piece Suit" Trinity 9. "Wish I Didn't Miss You" Angie Stone 10. "I Can Dig It Baby" Little Beaver 11. "Your Kiss Is Sweet" Syreeta 12. "I'll Keep a Light In My Window" Ben Vereen 13. "Brother Where Are You?" ("Matthew Herbert remix" version from Verve//Remixed 2) Oscar Brown Jr. 14. "Mory" Yoro Kery Goro 15. "Linus and Lucy" Vince Guaraldi Trio 16. "Blue Skies" Willie Nelson 17. "Just Dropped In (To See What Condition My Condition Was In)" Kenny Rogers & The First Edition 18. "Don't Lay Your Funky Trip on Me" Señor Soul 19. "Radioactivity" Kraftwerk 20. "Who Loves the Sun" The Velvet Underground 21. "Zombie Jamborie" Sandpebbles 22. "From a Logical Point of View" Robert Mitchum 23. "Satisfied 'N' Tickled Too" Taj Mahal 24. "My World" Sly & The Family Stone 25. "Tema Da Desilusao Garota De Ipanema" Tom Jobim 26. "Everything Is Everything" Bootsy CollinsEscucha este episodio completo y accede a todo el contenido exclusivo de Conexiones MZK. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/286835

Hoy en La Gran Travesía, en esta tercera parte sobre la historia del punk sonarán The Modern Lovers, Dr Feelgood, Pere Ubu, Radio Birdman, Devo, Pink Fairies, The Saints, The Real Kids, Rocket from the Tombs, Deviants, Electric Eels,... ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Nacho, Javito Bike, Alberto, Tei, Pilar Escudero, Utxi 73, Blas Castellote, Moy, Silvia Rotlant, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Edgar Xavier Sandoval, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Felix Lorente, Jarebua, Noni, Arturo Soriano, Gemma Codina, Nicolás, Raquel Jiménez, Francisco Quintana, Pedro, SGD, José Luis Orive, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Sergio, Suibne, Javifer, Javi Dubra, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez y a los mecenas anónimos.

In this episode of the Watchung Booksellers Podcast, Margot Sage-EL sits down with author Emma Straub, owner of Books Are Magic in Brooklyn, to talk about writing and running a bookstore.Emma Straub is the New York Times bestselling author of six books for adults: the novels This Time Tomorrow, All Adults Here, The Vacationers, Modern Lovers, Laura Lamont's Life in Pictures, and the short story collection Other People We Married. She is also the author of two picture books, Gaga Mistake Day, which she co-wrote with her mother, and Very Good Hats. She is a Guggenheim Foundation Fellow and her work has been published in more than 20 languages. Emma and her husband own Books Are Magic, an independent bookstore in Brooklyn, New York,Margot Sage-EL is the owner emeritus of Watchung Booksellers. She continues to work on author events and bookstore activities. When not at the store, she is busy running around town with her grandkids.Resources:WORD BookstoreBooks Are MagicBookCourt Closing Greenlight BookstoreCommunity BookstoreEast Side MagsBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Silver Stream Studio in Montclair, NJ. The show is edited by Kathryn Counsell and Bree Testa. Special thanks to Timmy Kellenyi and Derek Mattheiss. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!

"Free& Easy" épisode 172 Dimanche 08/09/24 Patryck Albert present : intro....Who , Sir Bald & los Hairies , Mings , Beatles , Keefmen , Isaaac Rother & the Phantoms , Primitives , Pat Todd & the Rankoutsiders , Doors , J .Prozac , Grip Weeds , Flamin' Groovies , Hipbone Slim & the Kneejerks , Dirtbombs, Barrence Whitfield & his Savages , Modern Lovers , Troggs , Cynics , Miracle Workers , Alice Cooper , Dee Rangers , Flamin' Sideburns , Boeing Duvven Beautiful Soup , Paul Messis , Roson Hang up ..... Dig it or pass your way ....Dudes & Chickies !

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1-2 years off4 points: 3-5 years off1 point: 6-10 years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Sheep Go to Heaven by Cake (1998)Song 1: Whirlpool by Meat Puppets (1991)Song 2: High Ticket Attractions by The New Pornographers (2017)Song 3: Concrete and Clay by Unit Four Plus Two (1965)Song 4: Didn't I (Blow Your Mind) by New Kids on the Block (1986)Song 5: New York City by cub (1994)Song 6: Kansas City by The New Basement Tapes (2014)Song 7: I'm a Little Airplane by Jonathan Richman & the Modern Lovers (1977)Song 8: Looking for a Kiss by New York Dolls (1973)Song 9: Maybe I Know by Leslie Gore (1964)Song 10: Dressed to Kill by New Found Glory (2000)

Mark C (Municipal Man) joins the show for the first time to travel back to the 60's and tackle this Hammond Organ-rich disc of Doors-esque goodness. Which songs made our picks? Listen in and find out. www.notthatbadcast.com Facebook - https://www.facebook.com/onlyonecast Social Media - @onlyonecast (X, Instagram, Threads, Bluesky) Learn more about your ad choices. Visit megaphone.fm/adchoices

Canciones de sonido refrescante o temática refrigerante para ayudar a combatir el bochorno del verano.(Foto del podcast; Carrito de helados en Madrid en 1959)Playlist;(sintonía) THE VENTURES “Summer in the City”CONCHITA VELASCO “Qué calor”SUGAR DADDY and THE CEREAL KILLERS “The ice cream man”THE SWINGIN’ NECKBREAKERS “Ice wáter”RAMONES “Touring”RANGONES “Quero tomar sorvete”THE MUTANT MONSTER BEACH PARTY “Go Lil’ Camaro Go”BARRACUDAS “Summer fun”SURFIN’ LUNGS “Beach bound”MELOPEA “Siempre haciendo surf”THE RUBINOOS “1 2 3 forever”DOLLY MIXTURE “Everything and more”CARLOS BISSO y SU CONEXIÓN Nº5 “En el verano”BRUNO LOMAS y SUS ROCKEROS “Una noche de verano”THE JORDANS “Summertime”THE SILVER THUNDERS “Summer in the city”AIRBAG “Jonathan Richman”JONATHAN RICHMAN and THE MODERN LOVERS “Ice cream man (live)”Escuchar audio

En nuestro club subterráneo te invitamos a disfrutar de un brebaje sonoro oscuro y vicioso, insinuante y misterioso, todo preparado con ritmo de baile de catacumba.Playlist;(sintonía) KING COLEMAN “Down in the basement”ALLAH-LAS “No werewolf”LIMIÑANAS “Je ne sui spas très drogué”ALAN VEGA, ALEX CHILTON y BEN VAUGHN “Candy man #2”KID CONGO POWERS “Goldin’ browne”FIFTY FOOT COMBO “Plastic dreams”THE GORIES “There but for the grace of God go I”DIM STARS “Baby huey”POWERSOLO “Knucklehead”WILDEBEESTS “Mongoloid”THE STOOGES “Loose”IVY GREEN “I’m sure we’re gonna make it”THE FLESHTONES “Legend of a wheelman”GUN CLUB “Sex beat”MODERN LOVERS “She cracked”NRBQ “White horse”BOSSHOSS “Sabotage”THE HILLBILLY MOON EXPLOSION “Chick habit”MANO NEGRA “King of Bongo”THE CRAMPS “Kizmiaz”Escuchar audio

In this episode, Scott interviews Jerry Harrison about his storied musical journey. They discuss his musical beginnings and explore stories about how Jerry met Jonathan Richman, formed the Modern Lovers, then went on to join Talking Heads. Jerry also discusses the music scene of New York in the ‘70s, and the development of punk rock. Along the way, the pair talk about the remastering process of Talking Heads' legendary concert film, Stop Making Sense, and how it feels to be reunited with the band after many years. Jerry also gives a glimpse into his work as a music producer. Finally, he shares some of his top 5's, including his top 5 punk bands, and top 5 things he misses about NYC in the ‘70s. Tune in for an entertaining conversation with Jerry Harrison, and if you enjoy this episode, be sure to subscribe and share with your friends! Get up to 48% off your first subscription or 20% off one time purchases with code LIPPS at checkoutwww.magicmind.com/lipps#sponsored #Ad

Sonido acústico e inmediato con melodías soleadas. Buenas vibraciones, descaro y sencillez arrebatadora. El trío valenciano presenta su debut, ‘Somos’.Como decía la canción de Paul Weller: si parpadeas, te lo pierdes. La chispa del buen pop es tan fugaz que más vale aprehenderla en plena combustión. Porque todo en Yo Somos es espontaneidad, frescura, instinto. Los valencianos Quique Gallo, Xema Fuertes y Cayo Bellveser son ahora mismo el power trio más arrebatador del panorama musical estatal. Lo suyo es la inmediatez, la economía de medios, la radiante luminosidad de esas canciones que no necesitan más que una guitarra acústica, un bajo, una caja con escobillas y dos o tres minutos para seducir. Y a correr. Las suyas son melodías brillantes como soles, alentadas por el ejemplo de ilustres maestros de la distancia corta como Jonathan Richman y sus Modern Lovers, Violent Femmes, The Jam, The Wave Pictures, The Moldy Peaches o Stanley Brinks. Y saben muy bien que juegan a la contra, en esta era de producciones hinchadas artificialmente, coros subrayados con aspiraciones épicas e intensidades impostadas, diseñadas con el gran festival entre ceja y ceja. Nada de eso va con ellos. Son outsiders convencidos. Las doce canciones del homónimo 'Somos' revelan el triunfo de lo sencillo, que no siempre tiene por qué ser lo más fácil.Escuchar audio

In the early 1970s, Jonathan Richman assembled a band that recorded a groundbreaking set of songs fusing garage-rock sensibilities with his own entirely unique worldview. Unfortunately, before The Modern Lovers managed to complete a proper album, Richman's musical interests drifted into an entirely different direction, ultimately leading to the dissolution of this version of the band. The collection of recordings that finally saw release as 1976's The Modern Lovers stands as a snapshot of a band at a specific moment in time and has served as an endless source of inspiration for punk and indie artists ever since. Take a spin past the Stop and Shop and join us with the radio on for a chat about this groundbreaking classic.Cohosts: Dan Watkins, Rich Bunnell, Phil MaddoxComplete show notes: https://discordpod.com/listen/143-the-modern-lovers-the-modern-lovers-1976Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

BLAKE O'CONNOR is an absolutely brilliant songwriter and award winning artist from Australia. His popularity and fan base brought him to America on the heels of his #1 album.  WILLIAM MATHENY is a multi-instrumentalist from Morgantown, West Virginia. His musical style has been compared to the likes of Elvis Costello, Nick Lowe, Marshall Crenshaw, and The Modern Lovers' Jonathan Richman. He comes to WoodSongs with a brand new album, "That Grand, Old Feeling."

Welcome back to LaunchLeft! Today we are celebrating our 150th episode! This episode is a unique one, where Rain left voicemail questions for singer, songwriter and guitarist, Jonathan Richman. We then hear Jonathan’s responses in the form of voice memos, answering Rain’s inquisitive questions from how music found Jonathan, to learning his purest form of eroticism, and everything in between. Then Jonathan launches singer-songwriter, Jesse DeNatale. In this conversation, we learn how music found Jesse and about his musical career. We have the honor of hearing a snippet of Jesse’s song The Hands of Time from his latest album. Join the celebration in this great episode! -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE:  [2:45] How did music find Jonathan Richman? [4:31] What advice does Jonathan have for young musicians/young artists? [5:32] Jonathan describes something he could draw to be animated. [6:07] What are the enduring preoccupations that arise again and again, and what has stuck with Jonathan even from childhood? [8:03] Jonathan explains his love of the song, The Wind, by Nolan Strong and Diablo. [10:44] What is the purest form of eroticism for Jonathan? [22:28] Jonathan introduces the artist that he wants to launch, Jesse De Natale. [23:26] The episode switches over to a conversation between Rain and Jesse DeNatale.  [26:30] How did music first find Jesse DeNatale? [31:18] Tune in to hear The Hands of Time by Jesse DeNatale.   KEY TAKEAWAYS:  [4:39] Advice for young artists: Do what you like for you, don’t worry about what the audience is going to like.  [28:44] Music finds you, it finds you in songwriting and song creation. The first inspirations are given from the gods, that first idea, and then it's up to you to continue to create it.    RESOURCE LINKS:  LaunchLeft Podcast Smart Link Links for Jonathan Richman:  Jonathan Richman's Instagram  Jonathan Richman's Bandcamp Link  Jonathan Richman - Wikipedia  Links for Jesse DeNatale Jesse DeNatale's Website  Jesse DeNatale's Instagram  Jesse DeNatale's Bandcamp Link  Jesse DeNatale's Facebook    BIO for Jonathan Richman: Jonathan Richman (born May 16, 1951) is an American singer, songwriter and guitarist. In 1970, he founded the Modern Lovers, an influential proto-punk band. Since the mid-1970s, Richman has worked either solo or with low-key acoustic and electric backing. He is known for his wide-eyed, unaffected, and childlike outlook, and music that, while rooted in rock and roll, is influenced by music from around the world.   BIO for Jesse DeNatale Jesse DeNatale is a singer-songwriter in Northern California. He was born in San Francisco. He has released three critically acclaimed records: Shangri-La West (2000) Soul Parade (2006) and The Wilderness (2021). His next release, The Hands of Time, will be available July 14th 2023. We are excited to announce that it will also be on Blue Arrow Records. His music has been described as evocative and hopeful, a combination of poetry and storytelling. Over the years his love of various musical genres has inspired him to expand his ideas of songwriting as he continues to find a way to reflect back the realities of being alive.Rich with imagery, intelligence and passion, his music remains timeless. Its soulful accessibility is what has garnered him praise from other artists and has kept his devoted fans listening.

We had a very eclectic show this week, covering loads of genres! Loads of classics from: Interpol, Santigold, The Stranglers, Modern Lovers, The Streets, The Jam, The Beat, The Specials, and more.We featured some new(er) tracks from Little Man Tate, DIIV, Elbow, For Tet, Hermanos Gutiérrez, Ride, and Low Girl.As promised, we're Making Mondays Happy Again!For more info and tracklisting, visit https://thefaceradio.com/side-effects.Tune into new broadcasts of Side Effects, LIVE, Monday from 2 - 4 PM EST / 7 - 9 PM GMT on The Face Radio.Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com.Facebook: https://www.facebook.com/sideeffectsbkInstagram: https://www.instagram.com/sideeffectsbkTwitter: https://www.twitter.com/sideeffectsbkEmail: kurtis@thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another dreary winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Kali Uchis.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lenny Kravitz, "Fly Away," 5, Virgin, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kali Uchis, "¿Cómo Así?," Orquídeas, Geffen, 2024Kali Uchis, "Me Pongo Loca," Orquídeas, Geffen, 2024Kali Uchis, "Pensamientos Intrusivos," Orquídeas, Geffen, 2024Kali Uchis, "Igual Que Un Ángel," Orquídeas, Geffen, 2024Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018James Brown, "Funky Drummer (Pt. 1 & 2)," Funky Drummer (Single), King, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NOTE: This is an updated replay of my amazing chat with Emma Straub, the New York Times-bestselling author of six books for adults, including her novel This Time Tomorrow … She is also the author of three picture books, the first of which, Very Good Hats, was published in January 2023. Congrats Emma! Enjoy … New York Times bestselling author, Emma Straub, spoke to me about why everything in life is timing, how to write a book for yourself, time travel, and her latest This Time Tomorrow. Emma is the bestselling author of six novels — including All Adults Here, The Vacationers, Modern Lovers, and Laura Lamont's Life in Pictures — the short story collection Other People We Married. Her books have been published in 20 countries.  Her latest, This Time Tomorrow, has been named One of the Most Anticipated Books of 2022 by Vogue, Oprah, Entertainment Weekly, Glamour, Good Housekeeping, Marie Claire, Harper's Bazaar, Reader's Digest, Today, Parade, Thrillist, Pop Sugar, Lithub and more. Described as "...a moving father-daughter story and a playful twist on the idea of time travel," author Michael Chabon called the book "...a beautifully made, elegant music box of a novel that sets in motion its clever clockwork of delight—then breaks your heart with its bittersweet, lingering song.” Emma and her husband also own Books Are Magic, a popular independent bookstore in Brooklyn, New York.  In this file Emma Straub and I discussed: Why getting an MFA helped her slow down her writing How she met everyone in publishing at an indie bookshop  The unique perspective of Xennials How to find confidence and pages while being off-balance  Why she'd drink less Olde English if she could go back  And a lot more! Stay calm and write on ... emmastraub.net This Time Tomorrow a Novel by Emma Straub 'This Time Tomorrow' is the time travel book millennials need - USA Today Emma Straub on Facebook Emma Straub on Instagram Emma Straub on Twitter Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

Chip and Jeff wrap up 2023 with a fun chat! They discuss Christmas traditions, bad swing bands, kangaroos, parties are fun, big dogs, Christmas Eve Miracle on Lincoln Drive, eggnog, figgy pudding, eating contests, cookies, the feast of the seven fishes, The Bear, hiding food, shoegaze, Pee-wee's Playhouse Christmas Special, Brooklyn Nine-Nine, Only Murders in The Building, Modern Lovers, The Kinks, Darlingside, Christmas Songs Yes or No, Todd Glass, and much more festive goodness!

Sesión cocinada sin rumbo fijo, guiados por la mera diversión, aunque apostando en todo momento por la experimentación. Vanguardia minimalista, krautrock, sintetizadores, atmósferas etéreas, torbellinos sónicos o rockanrollers como Marcel Bontempi o Powersolo arrimándose al trip hop o el rap. Playlist;(sintonía) PASCAL COMELADE “Russian roulette” (Stranger in paradigm, 2006)PASCAL COMELADE & LIMIÑANAS “Le Rififi brille en jaune” (Boom Boom, 2023)THE LIMIÑANAS “Je ne suis pas très drogue” (The Limiñanas, 2010)MARCEL BONTEMPI “Go down” (single, 2023)POWERSOLO “Plasma crystal dope” (Egg, 2006)CAN “Spoon” (Ege Bamyasi, 1972)SUICIDE “Keep your dreams” (single, 1976)ALAN VEGA, BEN VAUGHN & ALEX CHILTON “Fat City” (Cubist blues, 1996)ALEX CHILTON “Hey! Little child” (Like flies on sherbert, 1979)MODERN LOVERS “She cracked” (Modern Lovers, 1976)DAVID BOWIE “Pablo Picasso” (Reality, 2003)TELEVISION “1880 or so” (Television, 1992)LUNA “Double feature” (Penthouse, 1995)MARTIN REV “I made you cry” (See me ridin’, 1996)ALAN VEGA “Goodbye darling” (Saturn strip, 1983)Escuchar audio

Chris and Mike's Beer Chat - The podcast about enjoying beer! - CMBC Episode 125 - New BeerlandIn this episode we try some IPAs from New England BreweriesBeers: The Fens - Trillium BrewingFocal Banger - The AlchemistVicinity - Trillium BrewingHeady Topper - The Alchemistemail us: cmbcpodcast@gmail.com like us: http://www.facebook.com/cmbcpodcast youtube: http://www.youtube.com/cmbcpodcast twitter: @CMBCPodcastInstagram: CMBC_PodcastThanks to Lynn and Sheri for joining usMusic: New England - Jonathan Richmond & the Modern Lovers

Tawny and Lisa welcome writer, teacher, and retired indie rock drummer, Freda Love Smith. Her new memoir, I Quit Everything explores addiction, intoxication, and the twilight of her musical career. They talked about Freda's experiment taking time off from alcohol, sugar, caffeine, weed, and social media during the pandemic. For some people, those not experiencing full-blown addiction, quitting for a period of time can lead to intentionality when engaging with any substance later. Music Minute features The Modern Lovers. Buy I Quit Everything on Bookshop Buy I Quit Everything on Amazon Checkout Freda's playlist for I Quit Everything Read Freda's essay for Lithub about narrating her audiobook Find Freda on Instagram This episode is sponsored by the sober entrepreneurs at Sour Humanoid vinegar. Add a splash of these artisanal vinegars to your dinner to brighten up the flavor of your protein and veggies. Order a bottle today at sourhumanoid.com and follow them at @sourhumanoid  Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze Subscribe to Tawny's advice column, "Beyond Liquid Courage" Purchase Lisa's memoir, Girl Walks Out of a Bar

Deep Cuts Lost & Found celebrates the spirit of '76 - 1976. Featuring Flamin' Groovies, Pere Ubu, The 101ers, David Bowie, Modern Lovers, Peter Tosh and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

As a member of both the Modern Lovers and Talking Heads, Jerry Harrison has had a profound impact of rock music. Along with his solo work, he's also produced some of equally influential acts, including the Violent Femmes, General Public and the Bogmen. Harrison took at extended break from touring, following the end of the David Byrne-free trio, The Heads. His LinkedIn tells the story of a successful businessman, including – most recently – cofounding equity crowdfunding platform, RedCrow. The keyboardist recently returned to touring, however, celebrating the 40th anniversary of the Talking Heads' Remain in Light, alongside guitar Adrian Belew. Hosted on Acast. See acast.com/privacy for more information.

This week Sarah talks with Sonny Smith about the creative process and what he has learned about sustaining inspiration for his music over multiple decades and many style changes. About Sonny Smith Sonny Smith (born 1972) is an American musician, playwright and multimedia artist from San Francisco.[1] He has released fourteen albums since 2000, largely with group Sonny & The Sunsets.. His work has variously encompassed blues, folk, pop and rock elements. AllMusic noted that his 2002 album, This Is My Story, This Is My Song, lifted him from obscurity to cult status.[1] Smith is a songwriter in the tradition of Ray Davies whose songs are often populated by characters with an emphasis on outcasts, weirdos, freaks, death, love and atypical transformation. They sometimes recall the 1950s era doo wop of The Falcons combined with the direct sincerity and positive spirit of Modern Lovers' Jonathan Richman, the kitchen sink wisdom of Michael Hurley and the absurdity of The Hairy Who? art collective, as well as the dark confessional humor of cartoonists like Robert Crumb. Show Notes RSVP for The Side Woo x ICA SF event on Sunday November 5th, 3-5pm. https://www.eventbrite.com/e/the-side-woo-x-ica-sf-what-gets-in-the-way-of-inspiration-tickets-729930229967?aff=oddtdtcreator Artist Page on Spotify https://open.spotify.com/artist/189npwiCoBxlFNEDfiOtqu?si=KSrcJlFiQeiOAo65bcuriQ Pitchfork Review of A New Day With Possibilities https://pitchfork.com/reviews/albums/sonny-and-the-sunsets-new-day-with-new-possibilities/ About The Side Woo Host & Creator: Sarah Thibault Sound & content editing: Sarah Thibault Studio and equipment provided by The Space Program Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoo/message

Jerry Harrison of Talking Heads,talks about his work on the new remastered 40th Anniversary audio release of the Stop Making Sense live soundtrack on the occasion of a new theatrical release of filmmaker Jonathan Demme's landmark concert film.  Kristin Hersh (Throwing Muses, 50 Foot Wave) chats with Paul about her arresting new solo album Clear Pond Road (Fire Records). RSD co-founder Carrie Colliton breaks some news about a special event with Killer Mike in NYC, and both she and Paul pour one out for Jimmy Buffett and Gary Wright to whom this episode is dedicated. For the latest RSD news go to RecordStoreDay.com. Podcast written, produced, engineered, and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Sponsored by Dogfish Head Craft Brewery, Tito's Handmade Vodka, and Crosley turntables.  Please subscribe and listen to the RSD Podcast wherever you get your podcasts and by all means blab about us to your music loving friends. Also, make more friends, it's good to have friends.    

This mixtape looks at the long lasting impression made by the Velvet Underground and Lou Reed. Starting off with a Feelies cover and including a live cover by the Modern Lovers. Also a look at the outsider women who took up the cause, or at least instruments - and made the DIY Indie Pop aesthetic their own. Featuring Butthole Surfers, Girls At Our Best, Antena, Galaxie 500, Orange Juice and more. Tune into new broadcasts of Matt Pape Mixtape, Friday from 12 - 1 AM EST / 5 - 6 AM GMTFor more info visit: https://thefaceradio.com/matt-pape-mixtape///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Local writer Sean Maloney explains how the '70s scene in Boston set the stage for the Modern Lovers, and why Jonathan Richman continues to provide inspiration for some of the biggest acts of all time. He also claims it used to be cheap to live in Cambridge. What a life! In addition, we've got tangents on famous male virgins, coaching trees, and the local-music Mount Rushmore. Send us a Text Message.

Helen and Gavin chat about Barbie and Oppenheimer, and it's Week 85 from the list of Rolling Stone's 500 Best Songs Ever, numbers 80 to 76; What'd I Say by Ray Charles, Back to Black by Amy Winehouse, Reach Out (I'll Be There) by The Four Tops, Roadrunner by The Modern Lovers, and I Walk the Line by Johnny Cash.

Hoy hemos preparado una ensalada de rocknroll utilizando la receta de Bomp Records. Todo lo que vas a escuchar en este episodio procede de las valijas de aquella indispensable escudería californiana, sello independiente fundado por Greg Shaw y Suzy Shaw a mediados de los años 70. Bomp y la filial Voxx Records se convirtieron en baluarte del power pop, el punk rock, la new wave y el renacer del garage. Playlist; (sintonía) JON and THE NIGHTRIDERS “Rumble at Waikiki” IGGY and THE STOOGES “I got a right” THE MODERN LOVERS “She cracked” DMZ “Busy man” THE MIRACLE WORKERS “Already gone” THE CRAWDADDYS “I can never tell” THE PANDORAS “Hot generation” STIV BATORS “It’s cold outside” NIKKI and THE CORVETTES “Just what I need” THE BARRACUDAS “Surfer’s are back” RODNEY AND THE BRUNETTES “Little GTO” THE ZEROS “Beat your heart out” THE BREAKAWAYS “Walking out on love” THE ROMANTICS “First in line” THE PLIMSOULS “Millions miles away” FLAMIN GROOVIES “You tore me down” WILLIE ALEXANDER and THE BOOM BOOM BAND “Kerouac” SKY SAXON and SS20 “Born to be wild” Escuchar audio

Rain welcomes Jim White who launches Ane Diaz today on LaunchLeft. Jim and Ane have an interesting history of 20 years, culminating in collaborating in the recording studio for her new record Despechada. Jim's ascent to fame followed an unconventional route that few artists experience. An author, composer and musician, Jim shares how David Byrne had a lot to do with lifting him up early in his career. Hailing from Venezuela, Ane possesses a captivating narrative behind the music she brings to life, the process of working with Jim and co-producer Paul Fonfara in the studio, and how she came to release Despechada on LaunchLeft’s label. Tune in to hear about the journey of these two talented individuals and stay to the end for the inspired song 'Carmela'. Album Ane Diaz Despechada: https://ingrv.es/despechada-6x4-m -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [01:57] Jim explains how he fell into the art of music and the other visual arts he’s explored.  [10:18] Jim talks about his unique sound, the people who formed his career and the breaks he got early on in his career.  [15:00] Jim shares how he and Ane met and how all the parts came together magically to produce her music.  [30:00] Ane is excited to share Venezuelan folk songs with people who are not Latino.  [31:42] The story of Yma Sumak.  [34:48] Ane shares her love for Venezuela and the history of the music, and she also reflects on the experience of working with Jim.  [40:29] The group discusses how the arts are funded in different parts of the world and Minnesota. The show closes with Carmela by Ane Diaz.  KEY TAKEAWAYS:  Often, you don’t need to understand the language of the art. You can feel the expression of what it is saying.  It’s exciting to work with musicians who are willing to work outside of their comfort zone. Towns that invest in the arts thrive because they bring people who want to live there and visit.  BIOGRAPHY:  “Despechada means heartbroken or without your soul,” explained Ane Díaz about the title of her evocative new album, out June 9th via LaunchLeft. “It’s a very powerful word used for love affairs, but that’s also how I feel about losing my country.” The beloved homeland that inspired Díaz is her birthplace of Caracas, Venezuela, where she was first exposed to the music she would go on to reimagine for Despechada. And while she moved to the United States decades ago, and carved her own path in the alternative music scene, now she is melodiously facing her innate homesickness with these songs, handpicked by her mother, on an intimate Venezuelan folk LP. The result is a sonically lush and lyrically nostalgic journey through her heritage.    “For people that lose their country, there’s always this sadness — this thing you can’t go back to,” said the singer and multi-instrumentalist. “That’s why I called it Despechada. “As time has passed, my memory of my country is fading. It’s almost like a loved one you’ve lost. I don’t want to forget their face or forget how they felt. So it’s this fear of losing my country that made me record this album.” The new record is being released by Rain Phoenix’s LaunchLeft, a Los Angeles-based label. Phoenix met Díaz in the late ‘80s in Gainesville, Florida’s thriving music scene. Their then-bands shared countless bills and even toured together. During the 1990s, Phoenix and Díaz connected again in The Causey Way, a punk-rock band on Jello Biafra’s Alternative Tentacles label. By 2001, Diaz had formed her own band, Producto, comprising original songs sung in both English and Spanish. Along the way, her dynamic discography has earned praise from the likes of Jonathan Richman of The Modern Lovers (with whom she opened for in 2018) and Michael Stipe of R.E.M.  Looking back, Díaz said the long road through the American underground is what ultimately led her back to her Venezuelan roots. “After I went through a few genres, I realized, ‘this is me,’” Díaz reflected. “It’s my bliss. It’s really where my voice lives.” Aiding in the production, mixing and mastering of Despechada are Jim White, Paul Fonfara and John Keane. “I approached Jim White because his music is exactly what I wanted for these songs,” Díaz said. White is an acclaimed American singer-songwriter, visual artist and author. “He understands sounds that are non-traditional. He knows how to create sounds with tin cans and forks ... it’s a super organic feeling. I wanted him to help create an environment that wasn’t anywhere else, something altogether unique in regard to these traditional folk songs, and I think he masterfully delivered. ” Her family roots are further utilized through the album’s cover art, which features a painting by her brother Miguel. “We have the same nostalgia, he and I. You can see it in his paintings,” Díaz said. “This one is really beautiful. It’s my cousin Vanessa sleeping.” Though, that sense of family is something that pervades her work on Despechada — just ask her old friend Michael Stipe, who said this about her catalog: “To meet her, to see her perform, to hear her music, to hear her voice ... you sense something,” Stipe said. “There is a familiarity; there’s that kind of thing. That electric pulling … that you feel when amongst family.”  Despechada TRACKLIST: Clavelito Colorado  Pueblos Tristes Mi Nostalgia El Colibri Carmela Fulgida Luna Mi Negra Angelitos Negros  Sombra De Los Medanos  Duerme Negrito RESOURCE LINKS Podcast - LaunchLeft Jim White Music - Website Jim White - Facebook Ane Diaz Music - Website Ane Diaz - Instagram Ane Diaz - Twitter

Viajamos a 1976, cuando los Eagles dominaban las listas de ventas colocando 47 millones de copias de su “Hotel California”. Nosotros seleccionamos otros artefactos favoritos de ese mismo año, algo más subterráneos y mucho más rockanroleros pero también clásicos o icónicos de su tiempo Playlist; RAMONES “Judy is a punk” (ST) RADIO BIRDMAN “I-94” (Burn my eye EP) SEX PISTOLS “Anarchy in the U.K.” (7’’) THE VIBRATORS “Whips and furs” (7’’) EDDIE AND THE HOT RODS “Teenage depression” (Teenage depression) BLONDIE “In the flesh” (ST) TOM PETTY and THE HEARTBREAKERS “Anything that’s rock’’roll” (ST) THE MODERN LOVERS “She cracked” (ST) DR FEELGOOD “Stupidity” (Stupidity) THIN LIZZY “The boys are back in town” (Jailbreak) LOU REED “Crazy feeling” (Coney island baby) DAVID BOWIE “Golden years” (Station to station) FLAMIN GROOVIES “Shake some action” (Shake some action) PATTI SMITH “Ask the angels” (Radio Ethiopia) ACDC “Ride on” (Dirty deeds done dirt cheap) Escuchar audio

This is an excerpt from a patrons-only episode. To hear the full podcast, plus much much more, become a patron at Patreon.com/LoveMessagePod. Jeremy and Tim conclude this mini-series on the 1975 Schizo-Culture conference with a look at some of the other contributors to the event. They explore the rhizomatic theories of Gilles Deleuze and discuss desire with Felix Guattari, taking in the Steppe nomads, molecular revolution, and explaining why trees are bad as they go. We also hear about the composer John Cage and his Zen Buddhist influences, the Mudd Club, the internal pressures the conference faced, and ask whether it could be seen as a success.  Plus, minimalism, the Modern Lovers, and the meaning of ‘schizo' in the conference title. Books: Deleuze and Guattari - A Thousand Plateaus William Burroughs - Naked Lunch Tracklist: Spontaneous Music Ensemble - Forty Minutes pt.1 John Cage - 62 Mesostics Re Merce Cunningham Steve Reich - Music for 18 Musicians Eliane Radigue - Triptych pt.1 The Modern Lovers - Roadrunner

Baxie welcomes back three-time Grammy Award winner Cheryl Pawelski from Omnivore Recordings! Cheryl talks about winning the Grammy for co-producing the 20th Anniversary Super Deluxe Edition box set of Wilco's "Yankee Hotel Foxtrot"! She also talks about some of the company's current projects including reissues of NRBQ, Jonathan Richman & The Modern Lovers, the Night Crickets, and Janis Joplin with Jorma Kaukanen. Amazing! Listen on Apple Podcasts, SoundCloud, Stitcher, Spotify, Google Podcasts, and on the Rock102 website!

In this episode of Suburban Underground, Steve picked an hour of songs by artists who have names that tie into Valentine's Day.  The songs don't, necessarily, but the artist names do.  Get it?  You will.  Artists this week are: The Heartbreaks, The Lovetones, American Heartbreak, Love Spit Love, Loverboy, The Wildhearts, Kiss, Joan Jett & The Blackhearts, The Exploding Hearts, Affairs Of The Heart, My Bloody Valentine, Embrace, Kisses, Secret Affair, Gary Valentine, The Romantics and Modern Lovers. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock  

Album Openers. You gotta start somewhere. Put the needle on the record and let the good times roll as the gang reviews some of their favorite lead tracks. Featuring Pixies, The Cars, The Modern Lovers, The Cure, Simple Minds and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emma Straub is the New York Times-bestselling author of four other novels--All Adults Here, Modern Lovers, The Vacationers, and Laura Lamont's Life in Pictures--and the short story collection Other People We Married. Her books have been published in twenty countries. She and her husband own Books Are Magic, an independent bookstore in Brooklyn, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices

Of the Modern Lovers. Of the Talking Heads. We cover it all!See omnystudio.com/listener for privacy information.

Lydia from Gustaf is on the podcast! We have an amazing discussion about pop punk nostalgia, Gustaf's super busy year of touring, and Lydia's love of Gary Puckett and the Union Gap. We also reminisce on growing up in Boston, throwing impromptu childhood  family talent shows, and contemplate using color theory to boost our mood on boring work days. Discover bonus eps, playlists, and more on Patreon: https://www.patreon.com/agrrrlstwosoundcents✨ MORE ABOUT GUSTAF ✨Gustaf is a five-piece art punk band from Brooklyn, NY whose records fuse the infectious danceability of ESG and Bush Tetras with the frenetic energy of The Modern Lovers and The Fall. They have shared stages with Cage the Elephant, Beck, Bush Tetras, Martin Rev, James Chance, IDLES, Wet Leg, Foals, and Yard Act. Their debut album, 'Audio Drag for Ego Slobs,' is available on all DSPs. ✨ KEEP UP TO DATE WITH GUSTAF ✨Web: https://www.gustaftheband.comBandcamp: https://gustaf-nyc.bandcamp.comInstagram: https://www.instagram.com/gustaf_nyc/Twitter: https://twitter.com/gustaf_nycFacebook: https://www.facebook.com/Gustafnyc/YouTube: https://www.youtube.com/channel/UCsDiUNBEe2u60AyLC_evQKgSpotify: https://open.spotify.com/artist/6QqLYrbjh5CnfMG7z5r96EApple Music: https://music.apple.com/us/artist/gustaf/282771888✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://agrrrlstwosoundcents.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/grrrlsoundcents

Chad and Keith try to grapple with the legendary punk-precursor album while Canis Caesar Augustus tries to steal the show

Hello, stars! Welcome back to another episode of the pod. In today's episode, I reveal my Seattle roots while asking what the hell is up with Tacocat? I school fellow music podcaster Isabel Corp on this pop-punk feminist iconic group. Izzy hosts the podcast Sounding Out with Izzy: A Grrrl's Two Sound Cents Podcast and runs a blog where she highlights non-binary, women, and queer femme people in the music industry. Izzy invited me into a collaboration to each introduce the other to a band from our home towns. I chose the sparkly, feminist palindromic Tacocat, who carried me through shitty coming of age moments, and inspired me to dream of more. Stay tuned for my feature on Izzy's show to learn about Boston's The Modern Lovers. Listen to Tacocat: https://www.youtube.com/watch?v=lvbtJLKe7Fo https://tacocat.bandcamp.com/ Follow Izzy and listen to her podcast: https://agrrrlstwosoundcents.com/ https://www.instagram.com/agrrrlstwosoundcents/ CREDS// Pod Logo: Callan Moore Intro music: Afterspace Editing/mixing: me

Grudgingly yet proudly acknowledging their middle-aged-ness, Evan and Andrew call in a ringer to shed some light on what the hell David Bowie is imagining when he thinks of Young Americans. Pimps? Hustlers? Richard Nixon?!? Had this guy even BEEN to America?!? Along the way, our hosts reminisce about their viral collaboration “It's Corn,” Bruce Springsteen plagiarism, whether cocaine can make you a fascist*, and, for no discernible reason, revisit Andrew's worst opinion. *yes. Guest: Julian Shapiro-Barnum of Recess Therapy. Starting TODAY you can tune into video versions of Punch Up The Jam episodes! You can watch the video version of this episode HERE! Walk-in music: ‘Leaving L.A.' by Deliverance; 'American Boy' by Estelle; 'A Plea For Tenderness' by Jonathan Richman and The Modern Lovers.' Follow Punch Up The Jam on Twitter and Instagram Get the punch-ups for yourself and support the show on Patreon Like the show? Rate Punch Up The Jam 5 stars on Spotify and Apple Podcasts and leave a review for Andrew and Evan. Advertise on Punch Up The Jam via Gumball.fm See omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Sign up for our Patreon for bonuses and more! www.themidnightrainpodcast.com    Do you happen to swear? Is it something you happen to do when you stub your pinky toe on the coffee table? What about when you've just finished dinner and you pull that glorious lasagna out of the oven, burn yourself and then drop your Italian masterpiece on the floor, in turn burning yourself once again? Odds are that if you're listening to this show, you have a rather colorful vernacular and aren't offended by those that share in your “darker” linguistic abilities. Those dramatic and often harsh, yet exceedingly hilarious words, have a pretty amazing history. Were they written in manuscripts by monks? Or, did we find them used by regular people and found in prose like the names of places, personal names, and animal names? Well, could they tell us more about our medieval past other than just that sex, torture, plagues and incest was all the rage? Let's find out!   Fuck   Let's start with our favorite word. Let's all say it together, kids. “Fuck!” This most versatile yet often considered one of the worst of the “bad words” doesn't seem to have been around in the English language prior to the fifteenth century and may have arrived later from the German or th Dutch. Leave it to those beautiful Germans to introduce us to such a colorful word. In fact, the Oxford English Dictionary says it wasn't actually used until 1500. However, the name of a specific place may have been used even earlier.   Many early instances of fuck were said to actually have been used to mean “to strike” rather than being anything to do with fornicating. The more common Middle English word for sex was ”swive”, which has developed into the Modern English word swivel, as in: go swivel on it. Some of the earliest instances of fuck, seen to mean “hitting” or “striking,” such as Simon Fuckebotere (from in 1290), who was more than likely in the milk industry, hitting butter, or Henry Fuckebeggar (1286/7) who may have, hit the poor.   The earliest examples of the word fuck in the English language appeared in the names of places. The first of these is said to be found near Sherwood in 1287: Ric Wyndfuk and Ric Wyndfuck de Wodehous. These both feature a kestrel known as the Windfucker which, we must assume, went in the wind. The next definite example comes from Bristol 1373 in Fockynggroue, which may have been named for a grove where couples went for “some quiet alone time.”   However, Somewhere among the indictment rolls of the county court of Chester (1310/11), studied by Dr. Paul Booth of Keele University (Staffordshire), a man whose Christian name was Roger is mentioned three times. His less Christian last name is also recorded. The name being mentioned repetitively pretty much means it did not result from a spelling mistake but rather it's the real thing. Meaning, the man's full name was Roger Fuckebythenavele. Not only does his second name move back the earliest use of fuck in its modern sense by quite a few decades; it also verifies that it is, in fact, a Middle English word. But of course, there are those fuckers that will undoubtedly debate it's fucking origin.   The stem *fukkō-, with its characteristic double consonant, is easy to explain as a Germanic iterative verb – one of a large family of similar forms. They originated as combinations of various Indo-European roots with *-nah₂-, a suffix indicating repeated action. The formation is not, strictly speaking, Proto-Indo-European; the suffix owes its existence to the reanalysis of an older morphological structure (reanalysis happens when people fail to analyze an inherited structure in the same way as their predecessors). Still, verbs of this kind are older than Proto-Germanic.   *fukkō- apparently meant to ‘strike repeatedly, beat' (like, say, “dashing” the cream with a plunger in a traditional butter churn). Note also windfucker and fuckwind – old, obsolete words for ‘kestrel'.   A number of words in other Germanic languages may also be related to fuck. One of them is Old Icelandic fjúka ‘to be tossed or driven by the wind' < *feuka-; cf. also fjúk ‘drifting snowstorm' (or, as one might put it in present-day English, a fucking blizzard). These words fit a recurrent morphological pattern observed by Kroonen (2012): Germanic iteratives with a voiceless geminate produced by Kluge's Law often give rise to “de-iterativised” verbs in which the double stop is simplified if the full vocalism or the root (here, *eu rather than *u) is restored. Kluge's law had a noticeable effect on Proto-Germanic morphology. Because of its dependence on ablaut and accent, it operated in some parts of declension and conjugation, but not in others, giving rise to alternations of short and long consonants in both nominal and verbal paradigms.   If the verb is really native (“Anglo-Saxon”), one would expect Old English *fuccian (3sg. *fuccaþ, pl. *fucciaþ, 1/3sg. preterite *fuccode, etc.). If these forms already had “impolite” connotations in Old English, their absence from the Old English literary corpus is understandable. We may be absolutely sure that *feortan (1/3 sg. pret. *feart, pret. pl. *furton, p.p. *forten) existed in Old English, since fart exists today (attested since about 1300, just like the word fuck) and has an impeccable Indo-European etymology, with cognates in several branches. Still, not a single one of these reconstructed Old English verb forms is actually documented (all we have is the scantily attested verbal noun feorting ‘fart(ing)').   One has to remember that written records give us a strongly distorted picture of how people really spoke in the past. If you look at the frequency of fuck, fucking and fucker in written English over the last 200 years, you may get the impression that these words disappeared from English completely ca. 1820 and magically reappeared 140 years later. Even the first edition of the Oxford English Dictionary pretended they didn't exist. The volume that should have contained FUCK was published in 1900, and Queen Victoria was still alive.   According to the Oxford English Dictionary: Forms:  α. 1500s fucke, 1500s– fuck; also Scottish pre-1700 fuk.   Frequency (in current use):  Show frequency band information Origin: Probably a word inherited from Germanic. Etymology: Probably cognate with Dutch fokken …   In coarse slang. In these senses typically, esp. in early use, with a man as the subject of the verb. Thesaurus » Categories » intransitive. To have sexual intercourse. ▸ ?a1513   W. Dunbar Poems (1998) I. 106   Be his feirris he wald haue fukkit.   transitive. To have sexual intercourse with (a person). In quot. a1500   in Latin-English macaronic verse; the last four words are enciphered by replacing each letter with the following letter of the alphabet, and fuccant has a Latin third-person plural ending. The passage translates as ‘They [sc. monks] are not in heaven because they fuck the wives of Ely.' [a1500   Flen, Flyys (Harl. 3362) f. 47, in T. Wright & J. O. Halliwell Reliquiæ Antiquæ (1841) I. 91   Non sunt in cœli, quia gxddbov xxkxzt pg ifmk [= fuccant uuiuys of heli].]   transitive. With an orifice, part of the body, or something inanimate as an object. Also occasionally intransitive with prepositional objects of this type. [1680   School of Venus ii. 99   An hour after, he Ferked my Arse again in the same manner.]   transitive. To damage, ruin, spoil, botch; to destroy, put an end to; = to fuck up 1a at Phrasal verbs 1. Also (chiefly in passive): to put into a difficult or hopeless situation; to ‘do for'. Cf. also mind-fuck v. 1776   Frisky Songster (new ed.) 36   O, says the breeches, I shall be duck'd, Aye, says the petticoat, I shall be f—d.   transitive. U.S. To cheat; to deceive, betray. Frequently without. 1866   G. Washington Affidavit 20 Oct. in I. Berlin et al. Black Mil. Experience in Civil War (1982) v. xviii. 792   Mr. Baker replied that deponent would be fucked out of his money by Mr. Brown.   transitive. In oaths and imprecations (chiefly in optative with no subject expressed): expressing annoyance, hatred, dismissal, etc. Cf. damn v. 6, bugger v. 2a. See also fuck it at Phrases 2, fuck you at Phrases 1b. 1922   J. Joyce Ulysses ii. xv. [Circe] 560   God fuck old Bennett!   Phrases   Imprecatory and exclamatory phrases (typically in imperative or optative with no subject expressed sense).  P1. Expressing hostility, contempt, or defiant indifference. Categories » go fuck yourself and variants. 1895   Rep. Senate Comm. Police Dept. N.Y. III. 3158   By Senator Bradley: Q. Repeat what he said to you? A. He said, ‘Go on, fuck yourself, you son-of-a-bitch; I will give you a hundred dollars'; he tried to punch me, and I went out.   fuck you. 1905   L. Schindler Testimony 20 Dec. in People State of N.Y. Respondent, against Charles McKenna (1907) (N.Y. Supreme Court) 37   Murray said to me, ‘Fuck you, I will give you more the same.' And as he said that, I grabbed the two of them.   P2. fuck it: expressing dismissal, exasperation, resignation, or impetuousness. 1922   E. E. Cummings Enormous Room iv. 64   I said, ‘F— it, I don't want it.'   P3. fuck me and elaborated variants: expressing astonishment or exasperation. 1929   F. Manning Middle Parts of Fortune II. xi. 229   ‘Well, you can fuck me!' exclaimed the astonished Martlow. Cunt Cunt is a vulgar word for the vulva or vagina. It is used in a variety of ways, including as a term of disparagement. Reflecting national variations, cunt can be used as a disparaging and obscene term for a woman in the United States, an unpleasant or stupid man or woman in the United Kingdom, or a contemptible man in Australia and New Zealand. However, in Australia and New Zealand it can also be a neutral or positive term when used with a positive qualifier (e.g., "He's a good cunt"). The term has various derivative senses, including adjective and verb uses.   Feminist writer and English professor Germaine Greer argues that cunt "is one of the few remaining words in the English language with a genuine power to shock". The earliest known use of the word, according to the Oxford English Dictionary, was as part of a placename of a London street, Gropecunt Lane. Use of the word as a term of abuse is relatively recent, dating from the late nineteenth century. The word appears not to have been taboo in the Middle Ages, but became that way toward the end of the eighteenth century, and was then not generally not allowed to be printed until the latter part of the twentieth century.   There is some disagreement on the origin of the term cunt, although most sources agree that it came from the Germanic word (Proto-Germanic *kunto, stem *kunton-), which emerged as kunta in Old Norse. The Proto-Germanic form's actual origin is a matter of debate among scholars. Most Germanic languages have cognates, including Swedish, Faroese, and Nynorsk (kunta), West Frisian, and Middle Low German (kunte), Middle Dutch (conte), Dutch kut (cunt), and Dutch kont (butt), Middle Low German kutte, Middle High German kotze ("prostitute"), German kott, and maybe Old English cot. The Proto-Germanic term's etymology ia questionable.   It may have arisen by Grimm's law operating on the Proto-Indo-European root *gen/gon "create, become" seen in gonads, genital, gamete, genetics, gene, or the Proto-Indo-European root guneh or "woman" (Greek: gunê, seen in gynaecology). Relationships to similar-sounding words such as the Latin cunnus ("vulva"), and its derivatives French con, Spanish coño, and Portuguese cona, or in Persian kos (کُس), have not been conclusively demonstrated. Other Latin words related to cunnus are cuneus ("wedge") and its derivative cunēre ("to fasten with a wedge", (figurative) "to squeeze in"), leading to English words such as cuneiform ("wedge-shaped"). In Middle English, cunt appeared with many spellings, such as coynte, cunte and queynte, which did not always reflect the actual pronunciation of the word.   The word, in its modern meaning, is attested in Middle English. Proverbs of Hendyng, a manuscript from some time before 1325, includes the advice:   (Give your cunt wisely and make [your] demands after the wedding.) from wikipedia. The word cunt is generally regarded in English-speaking countries as unsuitable for normal publicconversations. It has been described as "the most heavily tabooed word of all English words".   Quoted from wikipedia: Some American feminists of the 1970s sought to eliminate disparaging terms for women, including "bitch" and "cunt". In the context of pornography, Catharine MacKinnon argued that use of the word acts to reinforce a dehumanisation of women by reducing them to mere body parts; and in 1979 Andrea Dworkin described the word as reducing women to "the one essential – 'cunt: our essence ... our offence'".   While “vagina” is used much more commonly in colloquial speech to refer to the genitals of people with vulvas than “cunt” is, its  origins are defined by its service to male sexuality, making “cunt” —  interestingly enough — the least historically misogynistic of the two. “Cunt” has also been used in Renaissance bawdy verse and in Chaucer's Canterbury Tales, but it was not until Shakespeare's era that its meaning began to fundamentally shift, during the dawn of Christian doctrine.   Arguably, if cunt simply means and refers to “vagina”, then why would that be bad? Vaginas are pretty great! They provide people with pleasure, they give life, and they're even a naturally developed lunar calendar! So, why would a person refer to another, assumedly pissy person as a vagina?    So, should we as society fight the negative stereotypes and embrace the term cunt again? It's a tiny word that bears a lot of weight, but it should be anything but scary or offensive. It can be a massive dose of love instead of an enormous force of hate if we actively define our vocabulary rather than letting it define us.   Words only have that type of power when the uptight, vanilla flavored, missionary only Karen's and Kevin's of the world decide they don't like them. This has been going on for as long as we've been using words. So, let's take it back. We love you, ya cunts!   coarse slang in later use. Thesaurus » Categories » The female genitals; the vulva or vagina. Cf. quaint n.1 a1400   tr. Lanfranc Sci. Cirurgie (Ashm.) (1894) 172   In wymmen þe necke of þe bladdre is schort, & is maad fast to the cunte. 1552   D. Lindsay Satyre Procl. 144   First lat me lok thy cunt, Syne lat me keip the key. 1680   Earl of Rochester et al. Poems 77   I fear you have with interest repaid, Those eager thrusts, which at your Cunt he made. 1865   ‘Philocomus' Love Feast iii. 21   I faint! I die! I spend! My cunt is sick! Suck me and fuck me!   A woman as a source of sexual gratification; a promiscuous woman; a slut. Also as a general term of abuse for a woman. 1663   S. Pepys Diary 1 July (1971) IV. 209   Mr. Batten..acting all the postures of lust and buggery that could be imagined, and..saying that the he hath to sell such a pouder as should make all the cunts in town run after him.   As a term of abuse for a man. 1860   in M. E. Neely Abraham Lincoln Encycl. (1982) 154   And when they got to Charleston, they had to, as is wont Look around to find a chairman, and so they took a Cunt   A despised, unpleasant, or annoying place, thing, or task. 1922   J. Joyce Ulysses ii. iv. [Calypso] 59   The grey sunken cunt of the world.   Bitch   Women were frequently equated to dogs in Ancient Greek literature, which was used to dehumanize and shame them for their alleged lack of restraint and sexual urges. This is believed to have originated from the hunter goddess Artemis, who was frequently depicted as a pack of hounds and was perceived to be both beautiful and frigid and savage. According to popular belief, the term "bitch" as we use it today evolved from the Old English word "bicce," which meant a female dog, about the year 1000 AD. The phrase started out as a critique of a woman's sexuality in the 15th century but eventually evolved to signify that the lady was rude or disagreeable.   Clare Bayley has connected this growth of the term "bitch" as an insult to the suffrage struggle and the final passage of women's suffrage in the early 20th century, particularly the 1920s. Men were intimidated when women started to challenge their subordinate roles in the patriarchal power structure, and the phrase started to be used to ferocious and irate females. Men's respect for women and the prevalence of the term are clearly correlated, since usage of the term rapidly decreased during World War II as men's appreciation of women's contributions to the war effort increased.   However, as they competed with women for employment after the war ended and the men went back to work, the word's usage increased once more. As the housewife paradigm started to fade away during the war, the position of women in the workplace and society as a whole underwent an irreparable change. However, males perceived the presence of women in the workforce as a challenge to their supremacy in society.   With songs like Elton John's "The Bitch is Back" ascending the charts in 1974, the slur became more common in mainstream culture and music in the latter decades of the 20th century. As a result of artists like Kanye West and Eminem using the term "bitch" to denigrate women and depict violence against them in their lyrics, hip-hop culture has also long been accused of being misogynistic.   We just need to look at Hillary Clinton's recent campaign for president in 2016 to understand how frequently this slur is leveled at women, especially those in positions of authority who are defying patriarchal expectations and shattering glass ceilings. Rep. AOC being called a "fucking bitch" by a GOP Rep. is another similar example. It is evident that the usage of the phrase and the degree to which males regard women to be a danger are related.   bitch (v.)   "to complain," attested from at least 1930, perhaps from the sense in bitchy, perhaps influenced by the verb meaning "to bungle, spoil," which is recorded from 1823. But bitched in this sense seems to echo Middle English bicched "cursed, bad," a general term of opprobrium (as in Chaucer's bicched bones "unlucky dice"), which despite the hesitation of OED, seems to be a derivative of bitch (n.).   bitchy (adj.) 1925, U.S. slang, "sexually provocative;" later (1930s) "spiteful, catty, bad-tempered" (usually of females); from bitch + -y (2). Earlier in reference to male dogs thought to look less rough or coarse than usual. The earliest use of "bitch" specifically as a derogatory term for women dates to the fifteenth century. Its earliest slang meaning mainly referred to sexual behavior, according to the English language historian Geoffrey Hughes:   The early applications were to a promiscuous or sensual woman, a metaphorical extension of the behavior of a bitch in heat. Herein lies the original point of the powerful insult son of a bitch, found as biche sone ca. 1330 in Arthur and Merlin ... while in a spirited exchange in the Chester Play (ca. 1400) a character demands: "Whom callest thou queine, skabde bitch?" ("Who are you calling a whore, you miserable bitch?").   In modern usage, the slang term bitch has different meanings depending largely on social context and may vary from very offensive to endearing, and as with many slang terms, its meaning and nuances can vary depending on the region in which it is used.   The term bitch can refer to a person or thing that is very difficult, as in "Life's a bitch" or "He sure got the bitch end of that deal". It is common for insults to lose intensity as their meaning broadens ("bastard" is another example). In the film The Women (1939), Joan Crawford could only allude to the word: "And by the way, there's a name for you ladies, but it isn't used in high society - outside of a kennel." At the time, use of the actual word would have been censored by the Hays Office. By 1974, Elton John had a hit single (#4 in the U.S. and #14 in the U.K.) with "The Bitch Is Back", in which he says "bitch" repeatedly. It was, however, censored by some radio stations. On late night U.S. television, the character Emily Litella (1976-1978) on Saturday Night Live (portrayed by Gilda Radner) would frequently refer to Jane Curtin under her breath at the end of their Weekend Update routine in this way: "Oh! Never mind...! Bitch!"   Bitchin' arose in the 1950s to describe something found to be cool or rad. Modern use can include self-description, often as an unfairly difficult person. For example, in the New York Times bestseller The Bitch in the House, a woman describes her marriage: "I'm fine all day at work, but as soon as I get home, I'm a horror....I'm the bitch in the house."Boy George admitted "I was being a bitch" in a falling out with Elton John. Generally, the term bitch is still considered offensive, and not accepted in formal situations. According to linguist Deborah Tannen, "Bitch is the most contemptible thing you can say about a woman. Save perhaps the four-letter C word." It's common for the word to be censored on Prime time TV, often rendered as "the b-word". During the 2008 U.S. presidential campaign, a John McCain supporter referred to Hillary Clinton by asking, "How do we beat the bitch?" The event was reported in censored format:   On CNN's "The Situation Room," Washington Post media critic and CNN "Reliable Sources" host Howard Kurtz observed that "Senator McCain did not embrace the 'b' word that this woman in the audience used." ABC reporter Kate Snow adopted the same location. On CNN's "Out in the Open," Rick Sanchez characterized the word without using it by saying, "Last night, we showed you a clip of one of his supporters calling Hillary Clinton the b-word that rhymes with witch." A local Fox 25 news reporter made the same move when he rhymed the unspoken word with rich.   A study reported that, when used on social media, bitch "aims to promote traditional, cultural beliefs about femininity". Used hundreds of thousands of times per day on such platforms, it is associated with sexist harassment, "victimizing targets", and "shaming" victims who do not abide by degrading notions about femininity   Son of a bitch The first known appearance of "son-of-a-bitch" in a work of American fiction is Seventy-Six (1823), a historical fiction novel set during the American Revolutionary War by eccentric writer and critic John Neal.  The protagonist, Jonathan Oadley, recounts a battle scene in which he is mounted on a horse: "I wheeled, made a dead set at the son-of-a-bitch in my rear, unhorsed him, and actually broke through the line." The term's use as an insult is as old as that of bitch. Euphemistic terms are often substituted, such as gun in the phrase "son of a gun" as opposed to "son of a bitch", or "s.o.b." for the same phrase. Like bitch, the severity of the insult has diminished. Roy Blount Jr. in 2008 extolled the virtues of "son of a bitch" (particularly in comparison to "asshole") in common speech and deed. Son of a bitch can also be used as a "how about that" reaction, or as a reaction to excruciating pain. In politics the phrase "Yes, he is a son of a bitch, but he is our son of a bitch" has been attributed, probably apocryphally, to various U.S. presidents from Franklin Roosevelt to Richard Nixon. Immediately after the detonation of the first atomic bomb in Alamogordo, New Mexico, in July 1945 (the device codenamed Gadget), the Manhattan Project scientist who served as the director of the test, Kenneth Tompkins Bainbridge, exclaimed to Robert Oppenheimer "Now we're all sons-of-bitches." In January 2022, United States President Joe Biden was recorded on a hot mic responding to Fox News correspondent Peter Doocy asking, "Do you think inflation is a political liability ahead of the midterms?" Biden responded sarcastically, saying, "It's a great asset — more inflation. What a stupid son of a bitch." The 19th-century British racehorse Filho da Puta took its name from "Son of a Bitch" in Portuguese. The Curtiss SB2C, a World War 2 U.S. Navy dive bomber, was called "Son-of-a-Bitch 2nd Class" by some of its pilots and crewmen. In American popular culture, the slang word "basic" is used to derogatorily refer to persons who are thought to favor mainstream goods, fashions, and music. Hip-hop culture gave rise to "basic bitch," which gained popularity through rap music, lyrics, blogs, and videos from 2011 to 2014. "Bros" is a common word for their male counterparts. Other English-speaking nations have terms like "basic bitch" or "airhead," such as modern British "Essex girls" and "Sloane Rangers," as well as Australian "haul girls," who are noted for their love of shopping for expensive clothing and uploading films of their purchases on YouTube. Oxford English Dictionary  transitive. To call (a person, esp. a woman) a bitch. 1707   Diverting Muse 131   Why how now, crys Venus, altho you're my Spouse, [If] you Bitch me, you Brute, have a care of your Brows   transitive. To behave like a bitch towards (a person); to be spiteful, malicious, or unfair to (a person); to let (a person) down. 1764   D. Garrick Let. 23 Aug. (1963) II. 423   I am a little at a loss what You will do for a Woman Tragedian to stare & tremble wth yr Heroes, if Yates should bitch You—but she must come.   intransitive. To engage in spiteful or malicious criticism or gossip, esp. about another person; to talk spitefully or cattily about. 1915   G. Cannan Young Earnest i. x. 92   It's the women bitching at you got into your blood.   intransitive. Originally U.S. To grumble, to complain (about something, or at someone). Frequently collocated with moan. 1930   Amer. Speech 5 238   [Colgate University slang] He bitched about the course.   †3. intransitive. To back down, to yield. Obsolete. rare. 1777   E. Burke Let. 9 May in Corr. (1961) III. 339   Norton bitched a little at last, but though he would recede; Fox stuck to his motion.   Shit shit (v.) Old English scitan, from Proto-Germanic *skit- (source also of North Frisian skitj, Dutch schijten, German scheissen), from PIE(proto indo-european) root *skei- "to cut, split." The notion is of "separation" from the body (compare Latin excrementum, from excernere "to separate," Old English scearn "dung, muck," from scieran "to cut, shear;" see sharn). It is thus a cousin to science and conscience.   "Shit" is not an acronym. Nor is it a recent word. But it was taboo from 1600 and rarely appeared in print (neither Shakespeare nor the KJV has it), and even in the "vulgar" publications of the late 18c. it is disguised by dashes. It drew the wrath of censors as late as 1922 ("Ulysses" and "The Enormous Room"), scandalized magazine subscribers in 1957 (a Hemingway story in Atlantic Monthly) and was omitted from some dictionaries as recently as 1970 ("Webster's New World"). [Rawson]   It has extensive slang usage; the meaning "to lie, to tease'' is from 1934; that of "to disrespect" is from 1903. Also see shite. Shat is a humorous past tense form, not etymological, first recorded 18th century.   To shit bricks "be very frightened" attested by 1961. The connection between fear and involuntary defecation has generated expressions in English since the 14th century. (the image also is in Latin), and probably also is behind scared shitless (1936).   shit (n.) Middle English shit "diarrhea," from Old English scitte "purging, diarrhea," from source of shit (v.). The general sense of "excrement" dates from 1580s (Old English had scytel, Middle English shitel for "dung, excrement;" the usual 14c. noun for natural discharges of the bodies of men or beasts seems to have been turd or filth). As an exclamation attested in print by 1920 but certainly older. Use for "obnoxious person" is by 1508; meaning "misfortune, trouble" is attested from 1937. Shit-faced "drunk" is 1960s student slang; shit list is from 1942. Shit-hole is by 1937 as "rectum," by 1969 in reference to undesirable locations. Shitload (also shit-load) for "a great many" is by 1970. Shitticism is Robert Frost's word for scatological writing.   Up shit creek "in trouble" is by 1868 in a South Carolina context (compare the metaphoric salt river, of which it is perhaps a coarse variant). Slang not give a shit "not care" is by 1922. Pessimistic expression same shit different day is attested by 1989. To get (one's) shit together "manage one's affairs" is by 1969. Emphatic shit out of luck is by 1942. The expression when the shit hits the fan "alluding to a moment of crisis or its disastrous consequences" is attested by 1967.   Expressing anger, despair, surprise, frustration, resignation, excitement, etc. 1865   Proc. Court Martial U.S. Army (Judge Advocate General's Office) U.S. National Arch.: Rec. group 153, File MM-2412 3 Charge II.   Private James Sullivan...did in contemptuous and disrespectful manner reply..‘Oh, shit, I can't' or words to that effect.   Ass/Asshole The word arse in English derives from the Proto-Germanic (reconstructed) word *arsaz, from the Proto-Indo-European word *ors-, meaning "buttocks" or "backside". The combined form arsehole is first attested from 1500 in its literal use to refer to the anus. The metaphorical use of the word to refer to the worst place in a region (e.g., "the arsehole of the world"), is first attested in print in 1865; the use to refer to a contemptible person is first attested in 1933. In the ninth chapter of his 1945 autobiography, Black Boy, Richard Wright quotes a snippet of verse that uses the term: "All these white folks dressed so fine / Their ass-holes smell just like mine ...". Its earliest known usage in newspapers as an insult was 1965. As with other vulgarities, these uses of the word may have been common in oral speech for some time before their first appearances in print. By the 1970s, Hustler magazine featured people they did not like as "Asshole of the Month." In 1972, Jonathan Richman of Modern Lovers recorded his song "Pablo Picasso", which includes the line "Pablo Picasso was never called an asshole."   Until the early 1990s, the word was considered one of a number of words that could not be uttered on commercial television in the United States. Comedian Andrew Dice Clay caused a major shock when he uttered the word during a televised MTV awards show in 1989. However, there were PG-13 and R-rated films in the 1980s that featured use of the word, such as the R-rated The Terminator (1984), the PG-13-rated National Lampoon's Christmas Vacation (1989), and the PG-rated Back to the Future (1985). By 1994, however, vulgarity had become more acceptable, and the word was featured in dialog on the long-running television series NYPD Blue, though it has yet to become anything close to commonplace on network TV. In some broadcast edits (such as the syndication airings of South Park), the word is partially bleeped out, as "assh—". A variant of the term, "ass clown", was coined and popularized by the 1999 comedy film Office Space.   The word is mainly used as a vulgarity, generally to describe people who are viewed as stupid, incompetent, unpleasant, or detestable. Moral philosopher Aaron James, in his 2012 book, Assholes: A Theory, gives a more precise meaning of the word, particularly to its connotation in the United States: A person, who is almost always male, who considers himself of much greater moral or social importance than everyone else; who allows himself to enjoy special advantages and does so systematically; who does this out of an entrenched sense of entitlement; and who is immunized by his sense of entitlement against the complaints of other people. He feels he is not to be questioned, and he is the one who is chiefly wronged.   Many would believe the term ass to be used to describe an ungulate or a hoofed mammal of the smaller variety. Those people would be correct. However ass would be used as slang to describe the incompetence of people as they seem to resemble that of a donkey. Slow and stupid. We don't see donkeys in this manner but the people of old may have.   A stupid, irritating, or contemptible person; a person who behaves despicably. Cf. arsehole n. 3, shithole n. 2. Quot. 1954, from a story originally told in 1933, provides evidence for the development of this sense from figurative uses of sense 1. [1954   V. Randolph Pissing in Snow (1976) lxx. 106   When God got the job [of making men and women] done,..there was a big pile of ass-holes left over. It looks to me like the Almighty just throwed all them ass-holes together, and made the Easton family.]   Dick/dickhead   Dick is a common English language slang word for the human penis. It is also used by extension for a variety of slang purposes, generally considered vulgar, including: as a verb to describe sexual activity; and as a term for individuals who are considered to be rude, abrasive, inconsiderate, or otherwise contemptible. In this context, it can be used interchangeably with jerk, and can also be used as a verb to describe rude or deceitful actions. Variants include dickhead, which literally refers to the glans. The offensiveness of the word dick is complicated by the continued use of the word in inoffensive contexts, including as both a given name (often a nickname for Richard) and a surname, the popular British dessert spotted dick, the classic novel Moby-Dick, the Dick and Jane series of children's books, and the American retailer Dick's Sporting Goods. Uses like these have given comic writers a foundation to use double entendre to capitalize on this contradiction. In the mid-17th century, dick became slang for a man as a sexual partner. For example, in the 1665 satire The English Rogue by Richard Head, a "dick" procured to impregnate a character that is having difficulty conceiving:   “The next Dick I pickt up for her was a man of a colour as contrary to the former, as light is to darkness, being swarthy; whose hair was as black as a sloe; middle statur'd, well set, both strong and active, a man so universally tryed, and so fruitfully successful, that there was hardly any female within ten miles gotten with child in hugger-mugger, but he was more than suspected to be Father of all the legitimate. Yet this too, proved an ineffectual Operator.”   An 1869 slang dictionary offered definitions of dick including "a riding whip" and an abbreviation of dictionary, also noting that in the North Country, it was used as a verb to indicate that a policeman was eyeing the subject. The term came to be associated with the penis through usage by men in the military around the 1880s.   The term "dick" was originally used to describe a vile or repulsive individual in the 1960s.   A stupid, annoying, or objectionable person (esp. a male); one whose behaviour is considered knowingly obnoxious, provocative, or disruptive. Cf. dick n.1 6. 1960   S. Martinelli Let. 28 Dec. in C. Bukowski & S. Martinelli Beerspit Night & Cursing. (2001) 132   You shd listen to yr own work being broadcast [on the radio]... You cd at least tell ME when to list[en] dickhead!   Twat noun Slang: Vulgar. vulva. First recorded in 1650–60; perhaps originally a dialectal variant of thwat, thwot (unattested), presumed Modern English outcome of Old English thwāt, (unattested), akin to Old Norse thveit “cut, slit, forest clearing” (from northern English dialect thwaite “forest clearing”)   What does twat mean? Twat is vulgar slang for “vagina.” It's also used, especially in British English slang, a way to call someone as stupid, useless, or otherwise contemptible person. While twat has been recorded since the 1650s, we don't exactly know where it comes from. One theory connects twat to the Old English term for “to cut off.” The (bizarre) implication could be that women's genitalia were thought to be just shorter versions of men's.   Twat was popularized in the mid-1800s completely by accident. The great English poet Robert Browning had read a 1660 poem that referred, in a derogatory way, to a “nun's twat.” Browning thought a twat must have been a kind of hat, so he incorporated it into his own work.   Words for genitalia and other taboo body parts (especially female body parts) have a long history of being turned into abusive terms. Consider a**, d*ck, p***y, among many others. In the 1920s, English speakers started using twat as an insult in the same way some use a word like c**t, although twat has come to have a far less offensive force than the c-word in American English. In the 1930s, twat was sometimes used as a term of abuse for “woman” more generally, and over the second half of the 1900s, twat was occasionally used as slang for “butt” or “anus” in gay slang.   Twat made headlines in June 2018 when British actor Danny Dyer called former British Prime Minister David Cameron a twat for his role in initiating the Brexit referendum in 2016—and then stepping down after it passed.   Twat is still common in contemporary use as an insult implying stupidity, especially among British English speakers.   Even though it's a common term, twat is still vulgar and causes a stir when used in a public setting, especially due to its sexist nature. Public figures that call someone a twat are often publicly derided. Online, users sometimes censor the term, rendering it as tw*t or tw@t.   If you're annoying, you might be accused of twattiness; if you're messing around or procrastinating, you might be twatting around; if you're going on about something, you might be twatting on. Twatting is also sometimes substituted for the intensifier ”fucking”.   As a term of abuse: a contemptible or obnoxious person; a person who behaves stupidly; a fool, an idiot. Now chiefly British. The force of this term can vary widely. Especially when applied to a woman, it can be as derogatory and offensive as the term cunt (cunt n. 2a), but it can also be used (especially of men) as a milder form of abuse without conscious reference to the female genitals, often implying that a person's behaviour, appearance, etc., is stupid or idiotic, with little or no greater force than twit (twit n.1 2b). 1922   ‘J. H. Ross' Mint (1936) xxxv. 110   The silly twat didn't know if his arse-hole was bored, punched, drilled, or countersunk. The top 10 movies with the most swear words: The Wolf of Wall Street (Martin Scorsese, 2013) – 715 Uncut Gems (Josh and Benny Safide, 2019) – 646 Casino (Martin Scorsese, 1995) – 606 Jay and Silent Bob Strike Back (Kevin Smith, 2001) – 509 Fury (David Ayer, 2014) – 489 Straight Outta Compton (F. Gary Gray, 2015) – 468 Summer of Sam (Spike Lee, 1999) – 467 Nil By Mouth (Gary Oldman, 1997) – 432 Reservoir Dogs (Quentin Tarantino, 1992) – 418 Beavis and Butt-Head Do America (Mike Judge, 1996) – 414

Talking Heads and The Modern Lovers are two of the most influential bands of the '70s and many would argue two of the best bands ever. And Jerry Harrison was in them both. Jerry and Marc talk about the blending of modern art and rock music that both of those bands helped pioneer and the environment in New York City that allowed groups like The Velvet Underground, Blondie, and The Ramones to thrive. They also get into the tensions behind the scenes with the Talking Heads members and Jerry's rekindled friendship with Modern Lovers frontman Jonathan Richman. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

As the leader of Galaxie 500 and Luna, Dean Wareham is an indie rock legend. Hosts Jim DeRogatis and Greg Kot talk with Wareham about five albums that shaped his music over the course of his career. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:Galaxie 500, "Tugboat," Today, Aurora, 1988Dean Wareham, "Cashing In," I Have Nothing To Say To The Mayor Of L.A., Double Feature, 2021Velvet Underground, "Waiting For My Man (Live)," 1969 Velvet Underground Live With Lou Reed, Mercury, 1974Velvet Underground, "What Goes On (Live)," 1969 Velvet Underground Live With Lou Reed, Mercury, 1974Velvet Underground, "Friends," Squeeze, Polydor, 1972Velvet Underground, "Over You (Live)," 1969 Velvet Underground Live With Lou Reed, Mercury, 1974Lene Lovich, "Bird Song," Flex, Stiff, 1979The Feelies, "The Boy With the Perpetual Nervousness," Crazy Rhythms, Stiff, 1980The Feelies, "Crazy Rhythms (Live)," Unreleased, NA, 1986The Feelies, "Loveless Love," Crazy Rhythms, Stiff, 1980The Clash, "The Magnificent Seven," Sandinista!, CBS, 1980The Clash, "Lose This Skin," Sandinista!, CBS, 1980The Clash, "Career Opportunities," Sandinista!, CBS, 1980The Clash, "Garageland," The Clash, Epic, 1979Galaxie 500, "Don't Let Our Youth Go To Waste," Today, Aurora, 1988Modern Lovers, "Don't Let Our Youth Go To Waste," The Original Modern Lovers, BOMP, 1981Dean Wareham, "The Past Is Our Plaything," I Have Nothing To Say To The Mayor Of L.A., Double Feature, 2021Jonathan Richman and the Modern Lovers, "Chewing Gum Wrapper," Rockin' And Romance, Twin/Tone, 1985Jonathan Richman and the Modern Lovers, "The Baltimores," Rockin' And Romance, Twin/Tone, 1985Luna, "Moon Palace," Penthouse, Elektra, 1995Jonathan Richman and the Modern Lovers, "Down In Bermuda," Rockin' And Romance, Twin/Tone, 1985Jonathan Richman and the Modern Lovers, "I Must Be King," Rockin' And Romance, Twin/Tone, 1985New Order, "Dreams Never End," Movement, Factory, 1981New Order, "Dreams Never End (Live)," Unreleased, NA, 1981New Order, "Temptation 12"," (Single), Factory, 1982Howard, "Falling," Religion, Fashion People, 2015Andy White, "Religious Persuasion," Rave On Andy White, Stiff, 1986Men At Work, "Who Can It Be Now?," Business As Usual, Columbia, 1981Velvet Underground, "Who Loves The Sun," Loaded, Cotillion, 1970Old 97's, "Barrier Reef," Too Far To Care, Elektra, 1997X, "The Hungry Wolf," Under The Big Black Sun, Elektra, 1982

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another pandemic winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Mitski. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:The Go-Go's, "Vacation," Vacation, I.R.S., 1982Mitski, "Working For the Knife," Laurel Hell, Dead Oceans, 2022Mitski, "The Only Heartbreaker," Laurel Hell, Dead Oceans, 2022Mitski, "Stay Soft," Laurel Hell, Dead Oceans, 2022Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018Kiss, "Strutter," Kiss, Casablanca, 1974