Podcasts about Tulsa sound

Purchased by the legendary Leon Russell in a deal struck at the diner across the street, Tulsa's Church Studio has become an iconic piece of music history. All-time greats like Tom Petty, George Harrison, Eric Clapton, and Stevie Wonder recorded there while the former real-life church was used as the home of Shelter Records in the 1970s, and the walls still very much contain a musical soul. On this week's show we meet up with Teresa Knox, who revived the Church Studio after it had sat vacant for many years. Today it is a first-rate recording studio once again, as well as a key tourist destination for music fans. Church Studio's Carney Fest, a celebration of Leon Russell's top-hat showmanship and legacy as a godfather of the Tulsa Sound musical style and movement, takes place Saturday, May 3.   Also on this week's episode, the editors discuss some of the historical sites in Oklahoma they love to visit, and podvents triggers some old prom memories. 

The guys get an earful and an education on the Tulsa Sound and sketch comedy when a listener asks about Leon Russell’s drummer. Support the show on Patreon See the show on YouTube Visit the show on Instagram Visit the show on Facebook SHOW NOTES: https://kendrasteinereditions.wordpress.com/2021/02/08/gary-busey-discusses-leon-russell/ https://www.ranker.com/list/the-13-craziest-things-gary-busey-has-ever-done/carly-kiel https://www.nytimes.com/1978/07/23/archives/folksiness-is-gary-buseys-film-career-the-one-who-taught-me-poetic.html https://tvnews.vanderbilt.edu/broadcasts/113660 https://www.remindmagazine.com/article/21166/gary-busey-life-after-death-1988-accident-howie-mandel-podcast https://www.latimes.com/archives/la-xpm-1988-12-05-me-711-story.html https://www.upi.com/Archives/1989/03/01/Buseys-anti-helmet-stance-unchanged-despite-crash/5243604731600/ https://www.tumblr.com/uncle-gary-busey/190159738563/gary-busey-and-teddy-jack-eddy https://okma.fandom.com/wiki/Carp https://www.mazeppa.com/ https://www.okhistory.org/publications/enc/entry?entry=BU022 https://tulsatvmemories.com/mazeppa.html https://tulsatvmemories.com/chew.html https://tulsatvmemories.com/mazmurg.html Tulsa World article (1992): https://www.mazeppa.com/about-mazeppa https://thislandpress.com/2011/01/23/mazeppa-the-uncanny-film-festival-and-camp-meeting/ https://en.wikipedia.org/wiki/Jim_Halsey https://www.oklahoman.com/story/entertainment/columns/brandy-mcdonnell/2016/11/13/master-of-space-and-time-leon-russell-dies/60638176007/ https://en.wikipedia.org/wiki/Tulsa_sound https://thechurchstudio.com/leon-russell-going-back-to-tulsa-one-more-time https://en.wikipedia.org/wiki/Will_O%27_the_Wisp_(album) https://en.wikipedia.org/wiki/The_Buddy_Holly_Story

The guys get an earful and an education on the Tulsa Sound and sketch comedy when a listener asks about Leon Russell’s drummer… Support the show on Patreon. Follow us on Instagram. Check out the website. SHOW NOTES: https://kendrasteinereditions.wordpress.com/2021/02/08/gary-busey-discusses-leon-russell/ https://www.ranker.com/list/the-13-craziest-things-gary-busey-has-ever-done/carly-kiel https://www.nytimes.com/1978/07/23/archives/folksiness-is-gary-buseys-film-career-the-one-who-taught-me-poetic.html https://tvnews.vanderbilt.edu/broadcasts/113660 https://www.remindmagazine.com/article/21166/gary-busey-life-after-death-1988-accident-howie-mandel-podcast https://www.latimes.com/archives/la-xpm-1988-12-05-me-711-story.html https://www.upi.com/Archives/1989/03/01/Buseys-anti-helmet-stance-unchanged-despite-crash/5243604731600/ https://www.tumblr.com/uncle-gary-busey/190159738563/gary-busey-and-teddy-jack-eddy https://okma.fandom.com/wiki/Carp https://www.mazeppa.com/ https://www.okhistory.org/publications/enc/entry?entry=BU022 https://tulsatvmemories.com/mazeppa.html https://tulsatvmemories.com/chew.html https://tulsatvmemories.com/mazmurg.html Tulsa World article (1992): https://www.mazeppa.com/about-mazeppa https://thislandpress.com/2011/01/23/mazeppa-the-uncanny-film-festival-and-camp-meeting/ https://en.wikipedia.org/wiki/Jim_Halsey https://www.oklahoman.com/story/entertainment/columns/brandy-mcdonnell/2016/11/13/master-of-space-and-time-leon-russell-dies/60638176007/ https://en.wikipedia.org/wiki/Tulsa_sound https://thechurchstudio.com/leon-russell-going-back-to-tulsa-one-more-time https://en.wikipedia.org/wiki/Will_O%27_the_Wisp_(album) https://en.wikipedia.org/wiki/The_Buddy_Holly_Story https://www.barnesandnoble.com/w/petty-warren-zanes/1122597923

Listen in as we dive into the stories from Tulsa's legendary guitarists' showcasing the Tulsa Sound. Special guest host Amy Guthmiller leads the conversation. Paul Benjaman promotes his up and coming new album. Check out the You Tube of the Tulsa Tempo Podcast for more footage of live music from these premier guests. https://www.youtube.com/channel/UC67cjZGIzb9_GRFrSTuQGog

The Tulsa World's former music writer joins the podcast to discuss his ambitious and detailed five-part series on the early pioneers of rock 'n' roll in Tulsa and how that led to the creation and evolution of what's called the Tulsa Sound. Related Part I: Local kids change Tulsa from a swing town to a rock 'n' roll town Part II: Gambling, drinking, guns and bombs: Tulsa's early rock 'n' roll gigs felt like Wild West Part III: Tulsa musicians in 1950s were colorblind, even if society wasn't Part IV: The rise of rock 'n' roll in Tulsa: How radio shaped a music revolution Part V: Exploring the Tulsa sound: Origins, influences and impact | From the Archive Contact us Scene Writer Jimmie Tramel: Email | Twitter | Follow his stories Scene Writer James D. Watts Jr.: Email | Twitter | Follow his stories Scene Editor Nicole Marshall Middleton:  Email | Twitter Follow Tulsa World Scene: Facebook | Twitter Contact Tulsa World Editor Jason Collington: Email Subscribe to this podcast on: Apple | Google | Spotify  

Hosts Arielle Davis and Kolby Webster introduce this episode of Focus: Black Oklahoma, our second broadcast. This originally aired on KWGS in March of 2020. In our first story, we learn what Hunger Free Oklahoma is doing to keep children across the state fed amongst the many disruptions of the COVID 19 crisis. Executive Director Chris Bernard takes us through the connections from food insecurity to the school to prison pipeline, health outcomes, college and career readiness, and disease prevention. Find out more at mealsforkidsok.org & hungerfreeok.org.With the Tulsa Race Massacre Centennial Anniversary on the horizon, and Mayor G. T. Bynum's commitment to uncover the mass graves that resulted from the massacre. Many Tulsans are experiencing polarized responses for how the city can move forward in a way that honors descendants and Black Tulsans who live with the aftermath of a destroyed community. Crystal Patrick speaks with Rev. Robert Turner (who was at historic Vernon AME Church at the time the story aired) about the complexities. Allison Ikley-Freeman is running for re-election in Oklahoma State Senate District 37. District 37 includes parts of Jenks, Sand Springs, and Tulsa. Ikley-Freeman was first elected in 2017 during a special election. With deep roots in Tulsa, Ikley-Freeman's parents are McLain grads who still live in Sperry, Ikley-Freeman spent formative years in Turley. [As of the publication of this remastered podcast, Ikley-Freeman now goes by Taten Freeman]Richard Baxter, also known as Negro Spiritual 121, is a formerly justice involved paralegal and activist. who has recently embarked on a unique campaign to help North Tulsa residents. Continuing our international coverage of intimate partner violence, we explore simple solutions to combat the issue. Here is Kristi Eaton reporting from a Somalian region in Ethiopia. Could discussion over tea help prevent intimate partner violence in refugee settings? That's what two researchers, Dr. Vandana Sharma and Dr. Jennifer Scott, from Harvard University schools are trying to find out.Musically, there are two worlds in Tulsa. The Tulsa sound, Leon Russell, J. J. Cale, and Paul Benjamin. Then there's the soul, composed of rhythm and blues, a southern touch of spirit, of call and response, and harmonious ballads. Talent, like the Gap Band, Full Flava Kings, and Fay and Bobby Moffett all of whom represent some of the artists not given the same invitation to the Tulsa Sound table. Written Quincy considers this in the second installment of his series on performing artists in Tulsa, discrimination, and what he calls the Brown Code.Just Mercy, directed by Destin Daniel Creighton, is a film and number one bestselling true story of a man, Walter McMillan, portrayed by Jamie Foxx, who was wrongly convicted and incarcerated in 1980s Alabama. Through this story we find out about the Equal Justice Initiative, founded by the book's author Bryan Stevenson, played by Michael B Jordan. Other stand out performances include Herbert Richardson, portrayed in the film by Rob Morgan, and Oklahoma's own Tim Blake Nelson's performance of Ralph Myers. Focus Black Oklahoma film reviewer, Devin Williams, has our review. Focus: Black Oklahoma is produced in partnership by Public Radio Tulsa, the Tulsa Artist Fellowship, and Tri-City Collective and is broadcast from the studios of Public Radio Tulsa on the campus of the University of Tulsa. Our theme music is by Moffat Music. Our contributing music artist on this broadcast is Malachi Burgess (Mali Music, Mali Motives).Additional music is contributed by Two Piece. The executive producers of Focus: Black Oklahoma are Quraysh Ali Lansana and Scott Gregory. The Associate Producers are Bracken Klar and Ali Shaw. Focus: Black Oklahoma is produced in partnership with KOSU Radio, Tulsa Artist Fellowship, and Tri-City Collective. Additional support is provided by the...

Thursday, June 22 - Sunday, June 25 is the official ‘918 Tulsa Sound Weekend' at the Tulsa Driller's stadium! Meg, Garrett, and Jarrod sit down with Driller's Justin Gorski to chat about baseball, the contributors to the Tulsa Sound era, and so much more. Check it out!

Debbie Campbell had a versatile and memorable voice and stage presence, starting her career at the age of 15 with the Kandy Kanes. Later, she hit it big with the band Buckwheat, but eventually settling down in Tulsa, Okla. where she not only contributed to the Tulsa Sound, but produced solo recordings that covered genres from jazz to country. Her stepson, Lynz Floren, joins us to talk more about his podcast that will share more about her life and career.

ADA ODA (62 TV Records) - Un Amore Debole - Mai Mai Mai KOMET CITY (La Suisse Primitive) - Don't Go to Srangers, A Tribute to the Tulsa Sound under The Loving light Of JJ Cale - Lonely Tune feat Julien Marty ABRAXAS (Suicide Squeeze) - Monte Carlo - Pricmatic DEATH VALLEY GIRLS (Suicide Squeeze Records) Islands in the sky - What Are The Odds The MEN (Fuzz Club records) New York City - Hard Livin' DANGERHOUSE : EDDY CURRENT SUPPRESSION RING (Goner Records) - Primary Colors - Memory Lane GILLA BAND (Rough Trade) - Most Normal - Backwash ADA ODA (62 TV Records) - Un Amore Debole - Niente Da Offrire ADA ODA (62 TV Records) - Un Amore Debole - Non So Che Cosa Ne Sara Di Me IN MY HEAD (Noko, 11/11/2022) - Summer is a river - Too much of a girl (2'08) CASS McCOMBS (Anti-, 2022) - Heartmind - Unproud warrior OU Belong to heaven DUMB (Mint Records) - Pray 4 Tomorrow - 30 Degrees ADA ODA (62 TV Records) - Un Amore Debole - Un Amore Debole

This week we take a listen to the 1971 debut LP by J.J. Cale Naturally. Though not a household name, J.J. Cale (or Johnny Cale as he was originally known) was a songwriter, singer, engineer, and guitarist of great renown among his fellow musicians. He has penned songs made famous by other artists (Lynyrd Skynyrd, Poco, and, most famously Eric Clapton) and he may well be one of the most influential guitarist in rock.  A pillar if the "Tulsa Sound" (whatever that is), his laid back approach and his guitar style has inspired many a great axe man. Some contend that it has even been outright copied by others (albeit, subconsciously -- hello, Mark Knopfler). This, his debut, contains some of his best-known tunes, such as "They Call Me The Breeze", "After Midnight", and "Magnolia". Find out what makes this artist and this album so influential.

On dit de lui qu'il est l'héritier du « Tulsa Sound », ce style insaisissable qui a fait la notoriété du chanteur JJ Cale. Mais Paul Benjaman a su sortir des sentiers battus pour imposer son propre style en incluant la plupart des styles de musique américaine, y compris des éclairs de rock, de jazz, de funk, de be-bop et de swing. Le groupe tourne sans relâche dans les régions du Midwest, des Rocheuses et du Sud-Ouest des Etats-Unis et passe au Blues Café accompagné de Dom Ferrer pour sa toute première tournée française !Nous recevons également le chanteur Kent, de passage par le Blues Café Live, pour parler de son dernier album Scherzando.

Iconic Tulsa musician Ann Bell stopped by with her old partner in crime, Jim Sweney, to talk about getting her start in music as a high schooler, having Leon Russell as a roommate, and making music with another Tulsa legend, Jim Sweney. They'll be joining forces for a special reunion show at Maggie's Music Box this weekend.

In their latest episode, Grace Wood, James Watts and Jimmie Tramel preview upcoming Scene features including Tulsa ties to the late Star Trek actress Nichelle Nichols; "Pretty Woman' book with Oklahoma ties; and Tulsans create organic soil for healthier plants. Related content: Actress Nichelle Nichols, who played Uhura in Star Trek, dies at 89 Review: Latest Ah-Sigh-E location carries on smooth tradition Upcoming features: Still boldly going: After Nichelle Nichols' death, longtime friend from Tulsa carries legacy forward Previewing a feature on 'Pretty Woman' book 'One Way Ticket to L.A.: How A Nurse From Ohio Found Love in Hollywood' Home-grown: Tulsans create organic soil for healthier plants Previewing a feature of Tulsa Sound pioneer Ann Bell Previewing a feature on The Hulett Collection Review of "Something Rotten!" by Theatre Tulsa Scene Writer Jimmie Tramel: Email | Twitter | Follow his stories Scene Writer Grace Wood: Email | Twitter | Follow her stories Scene Writer James Watts: Email | Twitter | Follow his storiesSupport the show: https://tulsaworld.com/See omnystudio.com/listener for privacy information.

Jeff sits down at Teegarden Studios with David Teegarden, Grammy Award-winning musician and one of Tulsa's most prominent recording artists as he shares some memories from his very early musical career.David is one of the musicians who shaped the unique fusion of rockabilly, jazz, country, gospel, and blues into what has been known as The Tulsa Sound.He speaks about how he got started playing drums, about his very early performing experiences, and some reflections from when he moved to LA in the early 60's to do studio work with Leon Russell and JJ Cale. He also talks about his experiences recording the "B side" of JJ Cale's song, "After Midnight," which was covered by Eric Clapton several years later.

Welcome to Tulsa Talks presented by Tulsa Regional Chamber. I'm your host Tim Landes.My guest on this episode has been providing the soundtrack for fun Sunday nights at the Colony for a decade. He's also played just about every stage in Tulsa during his nearly 30-year career. If there was a Mount Rushmore for modern Tulsa musicians Paul Benjaman's sunglassed smiling face would be there representing the new Tulsa Sound. Paul has toured all over the US and Europe, and played many music festivals, including representing our city and state's music scene numerous times at South By Southwest. Since 2010, he has been featured on multiple Horton Records releases, including a few studio albums. He also appears on the 2020 compilation “Back to Paradise: A Tulsa Tribute to Okie Music” where he covers JJ Cale, Don White, Steve Pryor and Teegarden & Van Winkle.” Paul learned from legendary guitarist Junior Brown and has worked with Steve Earle, Jamie Johnson, George Porter Junior of The Meters, John Densmore of The Doors, Kris Kristofferson, Rita Coolidge, Gary Busey and many more. There was also an appearance on the Tonight Show with Jimmy Fallon as sideman for the T Bone Burnett produced Secret Sisters.  When he's not playing live music, he's been helping others learn how to play guitar for 25 years through as an instructor at Guitar House of Tulsa. We featured a great article on the business earlier this year that is linked in the show notes. We discuss his musical origins, his long career in music and what has kept him in Tulsa all this time. We talk about the current state of the music scene and what he's got in the works and lots more. Following our conversation, you can hear his song, “Sneaker.” He is a really cool dude and a heck of a musician. I'm so happy we finally got the chance to talk. A reminder: you can always find weekly music listings every Monday at TulsaPeople.com. Also, be sure to subscribe to this podcast channel, so you can hear all our featured conversations and our twice-monthly mini episodes of About Town. OK let's get this going. This is Tulsa Talks with Paul Benjaman.  

We had a blast hanging with the extraordinary Jana Jae! Her sweet demeanor brightened our day and her amazing fiddle playing was an unexpected delight.Jana has built a solid solo career, drawing upon her diverse musical background. Her one-of-a-kind style blends country fiddling, western swing, bluegrass, pop, and the classics, producing thrilling performances and critical acclaim. Jana got her big break at a Buck Owens concert in Redding, California when she was invited to take the stage and play “Orange Blossom Special.” Buck was one of the first “big names” to recognize her talents and offered her a job as the first female member of his “Buckaroos” band. She later became part of the regular team of performers on the “Hee Haw” show and has appeared with such country music greats as Chet Atkins, Roy Clark, Ray Stevens, The Oakridge Boys, Mel Tillis, Ricky Skaggs and the Nitty Gritty Dirt Band. Listen in and learn about this exceptional and delightful musician who will charm you as she charmed us! FROM THE CHAMBER: The podcast’s name is inspired by the rare and exquisite subterranean echo chambers housed beneath the legendary The Church Studio in Tulsa, Oklahoma. We’ll be taking a deep dive into all things music with all of your favorite recording artists, producers, engineers, actors, and many other notable music fans and connoisseurs. Our mission is simple: to celebrate great music and the masterful art of capturing, enjoying, and promoting it.Location: Harwelden Mansion’s “Earl’s Chamber” in Tulsa, OklahomaGuests: Jan JaeCo-Hosts: Cade Roberts & Lisa JonesExecutive Producer: Teresa KnoxProducer: John MossFilmed and Edited By: Grassfire CreativeStinger Music: Written and Recorded by Cade RobertsSubscribe to the official The Church Studio YouTube channel: https://www.youtube.com/thechurchstudioFollow The Church Studio:Facebook: https://www.facebook.com/TheChurchStudioInstagram: https://www.instagram.com/thechurchstudioTwitter: https://twitter.com/TheChurchStudioWebsite: https://thechurchstudio.com/PodcastPodcast: http://fromthechamber.buzzsprout.com/#janajae #fiddle #heehaw #tulsasound #buckowens #ChetAtkins #RoyClark #RayStevens #TheOakridgeBoys #MelTillis #RickySkaggs #NittyGrittyDirtBand.Historic Harwelden Mansion and B&BNational Landmark built in 1923 Historic Mansion in Tulsa, Oklahoma, Event Center, Wedding Venue, Bed & Breakfast, Historic Tours, Mansion Merchandise www.harweldenmansion.com The Church Studio Merchandise StoreEnjoy online shopping for super-soft T-shirts, Candles, Stickers, Hats, mugs, hoodies, & more!www.thechurchstudio.com/shopSupport the show: https://thechurchstudio.com/foundation/Historic Harwelden Mansion and B&B 1923 Historic Mansion in Tulsa, Oklahoma, Event Center, Wedding Venue, Bed & BreakfastThe Church Studio Merchandise Store Enjoy online shopping of super-soft T-shirts, Candles, Stickers, Hats, mugs, hoodies, & more!Support the show (https://thechurchstudio.com/foundation/)

TO WATCH A VIDEO OF THIS INTERVIEW, GO TO INSPIRING CONVERSATIONS PODCAST CHANNEL OR VIEW DIRECTLY AT https://youtu.be/dN-XDtPl_PAJeff sits down with Dustin Pittsley to hear about what his music means to him at a deeper level, how he got started playing music and creating art, and what about the last few months have been like for him as an artist and as a human being.He also offers some reflections about the inner experience of performing live for an audience both in the U.S. and abroad and the differences between that and performing online. As the conversation concludes, he also offers his thoughts about the Tulsa Sound and why the Tulsa music community means so much to him.To learn more about Dustin's music, visithttp://dustinpittsley.com/

Con este programa culminamos la temporada número 47 de TOMA UNO y no sabemos si tendrá continuación a partir de septiembre. En los últimos 18 años, nunca nos habíamos tomado vacaciones en estas fechas... hasta el presente. Tendremos todo el mes de Agosto para preparar una próxima temporada a conciencia, aunque seguiremos contactados a través de las redes sociales. Nos hemos enterado de la muerte durante la pasada semana de Jamie Oldaker, socio fundador y batería de los Tractors, además de un respetado músico de sesión para artistas como Eric Clapton, Bob Seger o Leon Russell, entre otros muchos. Nativo de Tulsa, en Oklahoma, formó los Tractors junto al trístemente desaparecido Steve Ripley. Nos dejaron canciones inolvidables como "Baby Likes to Rock It" en 1994, a cuya presentación oficial asistimos aquel año en Nashville durante la celebración de la Fan Fair. Hace 15 años, el ahora desaparecido Jamie Oldaker publicó en el sello Concord el álbum Mad Dogs & Okies, donde cio todo el protagonismo a invitados tan brillantes como Clapton, J.J. Cale, Ray Benson, Vince Gill, Willie Nelson o Tony Joe White. Era un homenaje a la herencia musical de su estado natal, Oklahoma, y por lo tanto no podía faltar el legendario J.J. Cale, con su voz y su guitarra en “Daylight”, un tema propio que ejemplariza a la perfección el Tulsa Sound. Es evidente que Margo Price no deja indiferente a nadie. Así ocurrió con sus críticas directas a la administración Trump y ahora la amplitud de miras de su nuevo álbum, That's How Rumors Get Started. La artista de Aledo, en Illinois, sigue aventurandose por todos los caminos que se abren a su paso y tampoco ha dejado fuera el legado que Muscle Shoals ha dejado en la escena de la Americana. Esas influencias clásicas que van mucho más allá de Nashville se reflejan en "Prisoner of The Highway", donde habla de los músicos en gira y en el que el Southern rock y el góspel se confunden, conformando uno de los cortes más sobresalientes de un álbum que mira con cariño hacia el rock clásico. Los que se consideran más puristas ya han levantado la voz y las quejas. El susto al saber que Sturgill Simpson era el co-productor aún no se lo han quitado de encima. Ethan Johns, un productor curtido al lado de nombres tan eclécticos y sonoros como Ray LaMontagne, Paul McCartney o Kings of Leon, ha sido el encargado de trabajar al lado de Mary Chapin Carpenter, a la que se llevó hasta los estudios Real World de Peter Gabriel en Bath, al suroeste de Inglaterra, para grabar The Dirt And The Stars, el nuevo álbum de la cantante compositora de Nueva Jersey, que explora los desafíos del presente desde una visión íntima y personal. Mary Chapin compuso estas canciones en su granja de Virginia antes de la pandemia, y deja momentos tan intensos como “Secret Keepers”, un recordatorio de aquellas experiencias irremplazables que nunca desaparecen. Que las cicatrices desaparezcan no significa que lo haga el dolor que las produjeron. The Dirt And The Stars supone la primera colección de nuevas canciones desde que hace cuatro años publicó The Things That We Are Made Of. En 2018 lanzó junto a Ethan Johns y en los estudios de Peter Gabriel Sometimes Just The Sky que, excepto el tema que lo dio nombre, era una celebración de sus 30 años de carrera discográfica con nuevas versiones de algunas de sus canciones más queridas. Lori McKenna, la compositora y vocalista de Stoughton, en el estado de Massachusetts, se mantiene en la senda de construir grandes canciones que profundizan en sus experiencias personales y que vienen a ser, en cierto modo, una versión femenina de lo que puedan suponer Jason Isbell o Sturgill Simpson. En el tema central de su nuevo álbum, The Balladeer, recién editado, nos encontramos con el temor de que el cantar sobre una relación feliz impida, precisamente, el reconocimiento que suele tenerse por las composiciones que describen relaciones dolorosas y desgraciadas. Parece ser casi una norma en Courtney Marie Andrews que no haya demasiado optimismo en sus propuestas, y en este séptimo registro se mantiene la tónica. Desde el delicioso vals de apertura, "Burlap String", hasta el final no hay una sola nota de más y su voz persiste en el convencimiento más absoluto. La joven cantante y compositora de Arizona que cumplió 29 años el pasado diciembre ha querido que su nuevo trabajo, Old Flowers, sea precisamente un disco de ruptura, con el riesgo que suponen que exista una cantidad ingente de discos que tratan sobre esas tensiones emocionales. La autocompasión puede resultar empalagosa y siempre estás en el difícil equilibrio de que una canción sea un terrible cliché terapéutico o que se convierta en un clásico intemporal. Hace cuatro años debutaba un cuarteto de Sheridan, en Wyoming, llamado The Two Tracks con un disco homónimo que se convirtió en el mejor álbum del año para la emisora pública de aquel estado. Aquello supuso que al año siguiente Will Kimbrough quisiera hacer su presentación como productor con Postcard Town y que ahora persista en esa labor con Cheers to Solitude, su nuevo disco, con un sonido familiar enraizado en la tradición que supone un paso significativo hacia adelante con respecto a sus propuestas previas. Se editará a mediados de agosto y fue grabado en el mítico The Butcher Shoppe de Nashville, muy pocos meses antes de que se viera obligado a cerrar para reconstruirlo. Un tema como “All Women Are Healers” es en cierto modo un himno de apoyo a las mujeres, inspirado en el título de un libro de curación natural. El protagonismo de ellas en los cambios y la conciencia de combatir ciertos los estándares sociales y prejuicios a los que las mujeres aún se enfrentan en el mundo está muy presente. Con sus raíces en Texas, Evan Ogden se inspira en los clásicos que escuchó por primera vez en los discos de su abuelo, pero su interés está en que las nuevas generaciones también receptivas a esas propuestas que como en “Thunderstorms” provoca una tormenta emocional parecida a las muchas que van apareciendo lentamente a nuestro alrededor. Volvemos a encontrarnos con reflexiones muy honestas y personales de un joven músico de Austin que descubrió muy pronto lo significativo que fue el country de los años 1940, aquel que plantó las semillas para apreciar el impacto de una música conmovedora. Omnivore sigue dando sorpresas a los coleccionistas con ediciones puntuales que recuperan tesoros inesperados e inéditos. Esta vez se trata de escarbar en los archivos del trío América y conformar Heritage II: Demos/Alternate Takes 1971-1976 como una continuación del primer volumen publicado en 2017. En esta ocasión las canciones se han centrado, excepto las dos primeras, en dos álbumes producidos por George Martin: Holiday de 1974 y Hideaway del 76. El sexto trabajo de América fue Hideaway, grabado en el Caribou Ranch de Nederland, en el estado de Colorado cuando América estaba culminando su carrera en Warner Bros. Allí encontramos "Amber Cascades", una canción de Dewey Bunnell con una letra abstracta de tonos espirituales cuyo arrope instrumental evoca el soleado sur de California bajo el sol. La mezcla alternativa que podemos escuchar por primera vez de su tercera toma enfatiza el carácter de la composición en sí misma, sin las armonías vocales ni la orquestación que escuchamos en su edición original. Hace exactamente 45 años, los Eagles alcanzaban el primer puesto de las listas con el álbum One Of These Nights. Fue el aldabonazo definitivo en aquel verano de 1975, consiguiendo con él un Grammy como mejor grupo de pop tras permanecer durante cinco semanas en la cima de las listas generales. Pero Bernie Leadon abandonaría la banda en diciembre de ese mismo año al no comulgar con la dirección musical tomada. El álbum One of These Nights nos dejó aún cierto protagonismo de Bernie Leadon, que participó en la composición de hasta tres de las nueve piezas del trabajo, incluyendo "Hollywood Waltz", un tema que pasó demasiado inadvertido y en el que compartía autoría con Don Henley, Glenn Frey y su hermano, Tom Leadon, que había sido socio fundador de Mudcrutch, la primitiva banda de Tom Petty. Tras tocar el bajo con Linda Ronstadt, se unió a Silver, un grupo de country-rock californiano. En 2007, Tom Petty volvió a contar con su tocayo en la reforma de Mudcrutch. Sin abandonar a la banda californiana, el pasado miércoles, Don Henley cumplía 73 años, desde su nacimiento en la tejana Gilmer y crecer en Linden. Militó en los Four Speeds, que pasaron a llamarse Felicity, luego estuvo en Shiloh y de ahí a los Eagles. Por primera vez en su carrera, Don Henley logró hace cinco temporadas que uno de sus álbumes en solitario alcanzara la cima de las listas. Cass County, su último trabajo, debutó en el No. 1 de las de country. El artista tejano regresó de manera decidida a los sonidos de sus comienzos con un álbum que rezuma tradición en el fondo y nl las formas. La estrecha colaboración entre Don Henley y Stan Lynch, socio fundador de los Heartbreakers de Tom Petty, fue vital en la composición de muchos de los nuevos temas, pero en canciones de la categoría de “Waiting Tables”, posiblemente la mejor de aquel trabajo, participaron también Timothy B. Schmit y Steuart Smith en la creación y contó con Jamey Johnson en los coros. “Take It Easy” de los Eagles fue la canción con la que comenzamos la primera temporada de TOMA UNO allá por 1973 y es la que hoy escuchamos para cerrar la número 47 del programa. Aunque no estaremos en antena, seguiremos en las redes sociales y nos encantaría que fuera posible vernos en los conciertos, porque la música sigue siendo cultura y apoyamos una #cultura segura. Confiamos en volver a primeros de Septiembre en la nueva temporada de Radio 3. Nos encantaría seguir cumpliendo años juntos. Escuchar audio

Christian has the immense pleasure of getting to know two of Tulsa's finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It's out now. So for some good old down home rock n roll, go get the record wherever you get your tunes!Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones' first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell's Shelter Records label.Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard. Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more.Eventually, Casey joined Tulsa's multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure!Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale's Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he's played on all of his albums since then.When they weren't on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town. Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt's home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn't to satisfy anyone's record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other's musical company; music for music's sake. There's a purity to that. So they have a new record out this week called ‘Heaven Forever', produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music. They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms.http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa's finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It's out now. So for some good old down home rock n roll, go get the record wherever you get your tunes!Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones' first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell's Shelter Records label.Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard. Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more.Eventually, Casey joined Tulsa's multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure!Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale's Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he's played on all of his albums since then.When they weren't on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town. Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt's home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn't to satisfy anyone's record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other's musical company; music for music's sake. There's a purity to that. So they have a new record out this week called ‘Heaven Forever', produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music. They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms.http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa’s finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It’s out now. So for some good old down home rock n roll, go get the record wherever you get your tunes! Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones’ first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell’s Shelter Records label. Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard.  Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more. Eventually, Casey joined Tulsa’s multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure! Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale’s Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he’s played on all of his albums since then. When they weren’t on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town.  Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt’s home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn’t to satisfy anyone’s record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other’s musical company; music for music’s sake. There’s a purity to that.  So they have a new record out this week called ‘Heaven Forever’, produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music.  They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms. http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/ https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa’s finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It’s out now. So for some good old down home rock n roll, go get the record wherever you get your tunes! Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones’ first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell’s Shelter Records label. Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard.  Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more. Eventually, Casey joined Tulsa’s multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure! Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale’s Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he’s played on all of his albums since then. When they weren’t on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town.  Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt’s home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn’t to satisfy anyone’s record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other’s musical company; music for music’s sake. There’s a purity to that.  So they have a new record out this week called ‘Heaven Forever’, produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music.  They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms. http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/ https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Janvier 2020 - Cow-boy des temps modernes, ce musicien autodidacte est descendu des montagnes de la région, pour aller trouver sa véritable source d'inspiration à Tulsa (Oklahoma), où la scène musicale a, depuis longtemps, développé un son spécifique, le Tulsa Sound. Si ce style est désormais gravé dans sa palette sonore, Dom Ferrer a aussi l'amour des belles rencontres et une volonté immuable de vivre sa passion, des ingrédients qu'il nous communique en quartet dans le Blues Café.

In this episode, Jeff sits down for a one-time (or maybe the first installment of several) at Teegarden Studios with David Teegarden, Grammy Award-winning musician and one of Tulsa's most prominent recording artists as he shares some memories from his very early musical career.David is one of the musicians who shaped the unique fusion of rockabilly, jazz, country, gospel, and blues into what has been known as The Tulsa Sound.He speaks about how he got started playing drums, about his very early performing experiences, and some reflections from when he moved to LA in the early 60's to do studio work with Leon Russell and JJ Cale. He also talks about his experiences recording the "B side" of JJ Cale's song, "After Midnight," which was covered by Eric Clapton several years later.

Leo Feathers a self taught guitar player began playing in Tulsa Bands and Night Clubs at 15 years old. He would play with fellow legends, Leon Russell, David Gates, J.J. Cale, Chuck Blackwell and others. He would become an A list Nashville Session player along with playing in the Leon Russell Band.

Ronnie Dunn honed his stage presence and his musical skills, working in the Tulsa Music schene for over 19 years before getting The Nashville call.

Blueroomess es un grupo con sonoridades de antaño y clara influencia de la música tradicional norteamericana de raíces. Fundado en Barcelona por el guitarrista y compositor Juanma Casado y la vocalista Paola Graziano. Juntos comenzaron a componer mezclando sus influencias, surgiendo así una mezcla cálida de folk, country y blues con el carácter y estilo laid back del Tulsa Sound y a la vez con la fuerza y dinamismo del Skiffle. El repertorio de la banda consta principalmente de temas propios y algunas versiones, llevadas a su estilo, de artistas como Emmylou Harris, The Byrds, Townes Van Zandt, y Hank Williams, entre otros. Os ofrecemos el concierto del Old Rooster Fest! Dale al play!

Blueroomess es un grupo con sonoridades de antaño y clara influencia de la música tradicional norteamericana de raíces. Fundado en Barcelona por el guitarrista y compositor Juanma Casado y la vocalista Paola Graziano. Juntos comenzaron a componer mezclando sus influencias, surgiendo así una mezcla cálida de folk, country y blues con el carácter y estilo laid back del Tulsa Sound y a la vez con la fuerza y dinamismo del Skiffle. El repertorio de la banda consta principalmente de temas propios y algunas versiones, llevadas a su estilo, de artistas como Emmylou Harris, The Byrds, Townes Van Zandt, y Hank Williams, entre otros. Os ofrecemos el concierto del Old Rooster Fest! Dale al play!

Claude Russell Bridges, was born in Lawton, Oklahoma, April 2, 1942. Russel as he was known then, showed his music ability early as a child. Russel became an accomplished musician playing in and around Tulsa while in Jr. High and High School. Russel and his band, gets their big break. This chapter of his story, shares Leon Russell the Early Years.

Tulsa, Oklahoma is Home to Legendary Music Venues and Music Museums. We take you around Tulsa and share Tulsa's Music Heritage that's being saved from the Wrecking Ball. Tulsa may someday be known as the Music Capital of the Country. Stand by for That One.

Cari Outlaws !!! Questa settimana vogliamo portarvi nel polveroso Oklahoma e narrarvi le vicende della vita dell’inventore del Tulsa Sound, l’uomo che forse ha avuto il numero maggiore di cover (anche insospettabili) nell’ambiente, l’uomo che purtroppo in pochi conoscono, l’uomo che vive nell’ombra del Folk/Blues. Ladies & Gentlemen…..Tonight on the Stage…..The One & Only…..The Breeze […]