Podcasts about Shelter Records

Purchased by the legendary Leon Russell in a deal struck at the diner across the street, Tulsa's Church Studio has become an iconic piece of music history. All-time greats like Tom Petty, George Harrison, Eric Clapton, and Stevie Wonder recorded there while the former real-life church was used as the home of Shelter Records in the 1970s, and the walls still very much contain a musical soul. On this week's show we meet up with Teresa Knox, who revived the Church Studio after it had sat vacant for many years. Today it is a first-rate recording studio once again, as well as a key tourist destination for music fans. Church Studio's Carney Fest, a celebration of Leon Russell's top-hat showmanship and legacy as a godfather of the Tulsa Sound musical style and movement, takes place Saturday, May 3.   Also on this week's episode, the editors discuss some of the historical sites in Oklahoma they love to visit, and podvents triggers some old prom memories. 

In celebration of the new Deluxe Edtion of Long After Dark, the fifth studio album by Tom Petty and the Heartbreakers, we take a detailed look at how it was made. After Tom Petty connected with Mike Campbell and Benmont Tench to form Mudcrutch in Gainesville, Florida in 1970, they ended up relocating to Los Angeles. There they were able to sign a deal with Shelter Records, but Mudcrutch broke up soon after, leaving Petty under contract as a solo artist. Campbell and Tench began playing in a band with fellow Floridians, Ron Blair and Stan Lynch and they reconnected with Petty to form Tom Petty and the Heartbreakers. Their self-titled debut album was released in 1976 with You're Gonna Get It following in 1978, and they built up a following in the UK especially. For their third album, they teamed up with producer Jimmy Iovine and spent many months recording what became Damn the Torpedoes. The album ended up being a breakthrough for the band, giving them mainstream success for the first time. They continued working with Iovine for their fourth album, Hard Promises. At this point, Ron Blair left the band so they brought in Howie Epstein on bass. They began working on their fifth album, which was produced by Iovine again. Long After Dark was eventually released in 1982. In this episode, drummer Stan Lynch describes where the band was at in this period when they had achieved their dream of success and were trying to figure out where to go next musically. Lead guitarist Mike Campbell explains his collaboration process with Petty for several songs where he would present a fleshed out demo for Petty to write lyrics to. Adria Petty describes being 8 years old when this record came out and shares her memories of this time when her father was writing from darker and more personal place than before. Producer and archivist Ryan Ulyate talks about the country leaning outtakes from these sessions and how Petty left high quality material off the record as he focused on structuring a cohesive album. With Long After Dark (Deluxe Edition), we get a chance to hear an alternative direction for the album that presages the more acoustic songs that Petty would embrace in his later career. From a dark and edgy sound to the record to Petty viewing songwriting as a job to experimenting musically with drum loops and synthesizers to engineer Shelly Yakus being an unsung hero to the band coming to the end of their work with Jimmy Iovine to welcoming the new format of MTV with the “You Got Lucky” video, we'll hear the stories of how the record came together.

The Shirts [mm:ss] "Teenage Crutch" The Shirts Capitol Records SW-11791 1978 (US pressing) (see below) The Shirts [mm:ss] "Reduced to a Whisper" The Shirts Harvest 5C 062-06 717 1978 (Netherlands pressing) That's right, not one but 2 (two!) tracks from The Shirts' debut album. Normally, I am not one to buy 2 copies of the same album, but when I was in Amsterdam a couple of years ago, I came across the Netherlands pressing with a more stylized cover and couldn't resist. They were one of the original CBGB bands that saw more success in Europe. You can also spot lead singer Annie Golden in the film adaptation of Hair (Forman, 1979) (https://youtu.be/VN5zup3b7fw?si=859TcqBo5ArA0iD2). Philharmonic Symphony of New York, Dimitri Mitropoulos [mm:ss] "Second Movement: Allegretto" Shostakovich: Symphony No. 5 Op. 47 Columbia Masterworks ML 4739 1962 Composed by the Soviet Russian Shostakovich in 1937, this recording dates to 1953. Robyn Hitchcock [mm:ss] "Socrates in Thin Air" Shufflemania! Tiny Ghost Records TINY GHOST 07 2022 Great outing from Mr. Hitchcock from a couple of years ago. Joined here by Soft Boy cohort Kimberley Rew on guitar. Los Campesinos! [mm:ss] "5 Flucloxacillin" Sick Scenes Wichita WEBB500LP 2017 The wonderful 6th album from these Cardiff folks. Self-financed, no less! There is a supercute video for this song done in the style of the BBC show Flog It! (https://youtu.be/aoqs0PJ12zM?si=rIefWNr2Mwj3F3-d) Thompson Twins [mm:ss] "We Are Detective" Side Kicks Arista AL 6607 1983 So much floppy hair. The trio's third single from their third album. A suitably 80s video was also made for this track. (https://youtu.be/l2SMSoblH3Y?si=jw9yBHEFqSlCRxvH) Raspberries [mm:ss] "Tonight" Side 3 Capitol Records SMAS-11220 1973 Speaking of third albums. This song was the first of three singles from the album and reached number 69 on the Hot 100. Rush [mm:ss] "New World Man" Signals Mercury SRM-1-4063 1982 Rush's only Top 40 single, oddly enough. From the last album produced by Terry Brown. Sure, I could have chosen "Subdivisions" but if you were like me and were a suburban early-teenage male when this album came out, it was pretty inescapable and hence not really necessary to revisit. Boz Scaggs [mm:ss] "Lido Shuffle" Silk Degrees Columbia PC 33920 1976 Speaking of ubiquitous songs from my youth. With Mr. Scaggs himself on the Moog riffs. Sqürl [mm:ss] "John Ashbery Takes a Walk" Silver Haze Sacred Bones Records SBR-316 2023 Jim Jarmusch and Carter Logan, assisted here by Charlotte Gainsbourg in an homage to the poet John Ashbery. There's a nice moody video to accompany this song as well (https://youtu.be/EdlCG4aw7Q4?si=nQisL8r1JTM_vHrk). Klaus Nomi [mm:ss] "Falling in Love Again" Simple Man RCA Victor PL 37702 1982 A contemporary update of the Marlene Dietrich classic (https://youtu.be/8gAo2aR_tUw?si=jpfY2F2guahlnPea) from the iconic Klaus Nomi's second album. Kris Kristofferson [mm:ss] "The Pilgrim - Chapter 33" The Silver Tongued Devil and I Monument Z 30679 1971 If I were Donnie Fritts (which I can only aspire to), I would have definitely had my name legally changed to Funky Donnie Fritts. Nine Inch Nails [mm:ss] "Sin (Short)" Sin TVT Records TVT2617-1 1990 Why it seems like 33 1/3 years ago that this album was released. Frank Sinatra [mm:ss] "When Somebody Loves You" Sinatra '65 Reprise RS-6167 1965 That is some bizarre stereo separation. Frank Sinatra [mm:ss] "Witchcraft" Sinatra's Sinatra Reprise Records R9-1010 1963 Some of Frank's big hits, recompiled here for his own label. Dwight Twilley Band [mm:ss] "I'm on Fire" Sincerely Shelter Records SRL-52001 1976 Some primo power pop kicking off Dwight Twilley Band's debut outing on the already-doomed at the time Shelter Records. Music behind the DJ: "Diamonds Are Forever (Instrumental)" by John Barry

Show #1036 A Case For The Blues 01. Rosie Flores - Simple Case Of The Blues (3:38) (Simple Case Of The Blues, The Last Music Company, 2019) 02. Mighty Joe Young - Got A Bad Case Of Loving You (5:54) (Blues With A Touch Of Soul, Delmark Records, 1971) 03. Phantom Blues Band - Just In Case (4:45) (Still Cookin', VizzTone Records, 2020) 04. Moon Martin - Bad Case Of Lovin' You (3:52) (Shots From A Cold Nightmare, Capitol Records, 1978) 05. Robert Palmer - Bad Case Of Loving You (3:12) (Secrets, Island Records, 1979) 06. Koko Taylor - Bad Case Of Loving You (4:24) (Force Of Nature, Alligator Records, 1993) 07. Patty Tuite - Hard Case Of The Blues (5:35) (Hard Case Of The Blues, Thread City Productions, 2022) 08. RB Stone - A Bad Case Of Blues Goin' On (5:08) (Loosen Up!, Middle Mountain Music, 2013) 09. Monster Mike Welch - In Case You Care (4:33) (Nothing But Time, Gulf Coast Records, 2023) 10. Abraham Laboriel - Case Of The Blues (9:55) (YouTube, 2013) 11. Paladins - Bad Case Of Love (4:16) (The Paladins, Wrestler/Big Beat Records, 1987) 12. BB King - Bad Case Of Love (2:18) (45 RPM Single, Kent Records, 1961) 13. Big Joe and the Dynaflows - Bad Case Of Love (2:29) (You Can't Keep A Big Man Down, Severn Records, 2010) 14. Guy King - Bad Case Of Love (4:23) (Truth, Delmark Records, 2016) 15. Johnny Neel, Tommy Lepson, Dave Chappell - Basket Case (4:34) (East Coast Sound, Rip Bang Records, 2015) 16. Climax Blues Band - Brief Case (4:03) (A Lot Of Bottle, Harvest Records, 1970) 17. Todd Snider - Just In Case (2:44) (Happy To Be Here, Oh Boy Records, 2000) 18. The 44's With Special Guest Kid Ramos - Pleading My Case (3:34) (Americana, Rip Cat Records, 2012) 19. Emilie Schiøtt - Case Of Blues (2:49) (After The Rain, Etco Records, 2017) 20. Don Preston - A Minor Case Of The Blues (3:56) (Been Here All The Time, Shelter Records, 1974) 21. Medeski Scofield Martin & Wood - In Case The World Changes Its Mind (3:41) (Out Louder, Indirecto Records, 2006) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Show #1033 Blues Masters 01. Big Bill Broonzy - Where The Blues Began (2:56) (78 RPM Shellac, Columbia Records(?), 1945) 02. Magic Sam - Love Me With A Feeling (2:07) (45 RPM Single, Cobra Records, 1957). 03. JB Lenore & His Combo - I'll Die Tryin' (3:04) (45 RPM Single, JOB Records, 1953) 04. John Lee Hooker - Sugar Mama [1952] (3:15) (House Of The Blues, Chess Records, 1959) 05. Little Walter - Flying Saucer [1956] (3:04) (Boss Blues Harmonica, Chess Records, 1972) 06. Koko Taylor - Love You Like A Woman (2:10) (Koko Taylor, Chess Records, 1969) 07. Muddy Waters - She's 19 Years Old [1971] (11:00) (The Lost Tapes, Blind Pig Records, 1999) 08. Buddy Guy - I Smell A Rat [1979] (9:11) (Stone Crazy!, Alligator Records, 1981) 09. George 'Harmonica' Smith - Blues In The Dark [1955] (2:55) (Oopin' Doopin' Doopin', Ace Records, 1982) 10. Bessie Smith - Gin House Blues [1926] (3:13) (St. Louis Blues CD+DVD, Musicpro/Unforgettable, 2005) 11. BB King - Walking Dr. Bill (3:36) (My Kind Of Blues, Crown Records, 1961) 12. Tommy McClennan - Bottle It Up And Go (2:47) (78 RPM Shellac, Bluebird Records, 1939) 13. Junior Wells - You Say You Love Me (3:15) (Southside Blues Jam, Delmark Records, 1970) 14. Otis Spann - It Must Have Been the Devil (2:39) (45 RPM Single, Checker Records, 1954) 15. John Lee "Sonny Boy" Williamson - Apple Tree Swing [1948] (2:29) (The Original Sonny Boy, Saga Blues, 2004) 16. Sonny Boy Williamson II - Peach Tree [1960] (2:27) (In Memoriam, Chess Records, 1965) 17. Lowell Fulson - Reconsider Baby [1954] (3:11) (Chess Chartbusters Vol.6, Chess Records, 2008) 18. Freddie King - Reconsider Baby (4:01) (Texas Cannonball, Shelter Records, 1972) 19. Memphis Slim - Living Like A King [1952] (2:48) (Boogie Uproar-Gems from the Peacock Vaults, One Day Music, 2014) 20. Howlin' Wolf - Moanin' At Midnight [1951] (2:53) (Chess Chartbusters Vol.1, Chess Records, 2008) 21. Elmore James - Whose Muddy Shoes [1953] (3:16) (Slidin'-A Collection Of Blues 'Slide' Guitar, Chess/Charly Records, 1991) 22. Champion Jack Dupree - Can't Kick The Habit (3:43) (Blues From The Gutter, Atco Records, 1959) 23. Walter Horton - Groove Walk (3:15) (The Soul Of Blues Harmonica, Argo Records, 1964) 24. T-Bone Walker - Evenin' (2:36) (T-Bone Blues, Atlantic Records, 1959) 25. The Big Three Trio - Big Three Stomp [1949] (3:05) (Poet Of The Blues, Columbia Records, 1998) 26. Robert Johnson - Cross Road Blues [1936] (2:40) (The Complete Recordings, Columbia Records, 1996) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Buckle up, Oklahoma! It's another

Stephen Mahoney returns to our premiere series with the title track from his debut LP on the coveted Diffuse Reality imprint. We premiere the title track ‘Revised Revolutions', a gritty rolling techno groove that wastes no time in getting straight to the point, while poignant atmospheres slither around the dusty rhythm. Stephen Mahoney‘s graft in studio has resulted in a number of EPs, resulting in his debut on Coincidence Records a number of years ago. He subsequently founded Shelter Records, which had releases from Volster, Aubrey, Lars Huismann, Flexure, Ben Gibson, and a Lee Holman remix. Stephen and Jamie Behan formed the duo Flexure, who had two singles released and played at New Faces at Tresor. Stephens most recent endeavour and vocation Delinquent Delivery formed in Autumn 2018 from Lockertmatik, Nathan Jones and Stephen Mahoney. Followed by Rustal, Stuey Lyons and Jon Hussey and Jack Jennings and most recently Jon Hussey & Stuey Lyons, James Cherry, Snakebite 616 & Stephen Mahoney. Stephen's 8 track debut album on Diffuse Reality see's the Dublin native draw dark and mechanical inspirations while still holding firmly onto his hypnotic sound. The album certainly reflects some of Stephen's inspirations, as trickles of classic Regis and Surgeon cuts seep through the album. High grade functional techno from the Delinquent Delivery boss man. Stephen Mahoney -------------------------- SC: @stephen_mahoney FB: www.facebook.com/djstephenmahoney/ Four Four Magazine

Hi Friends, FamilyHere is an Episode for your listening enjoyment that I was absolutely honored to be asked to do. Shelter Records did a Special live event back in November of this year on Twitch .tvhere is my musical presentation for this event. I hope you enjoy this as much as I enjoyed putting it together. Remember you can catch me LIVE on Saturday afternoon from 3-5pm (cst), 4-6pm (est) exclusively at Twitch.tv/celestethedj. as always its my pleasure to connect with you musically, one blend at a time!

CLASSIC MIX Ep.28 * Exclusive Long Mix * 'The most emblematic House Classic tunes on podcast' Episode selected & mixed by Sebastien Jesson [The Deepness] 01 Frankie Feliciano present First World - Ordinary folk (1991 Nervous Records) 02 Kings Of Tomorrow - I hear my calling (1996 Zestland Records) 03 Connie Harvey - Thank you lord [Victor Simonelli Gospel Club Mix] (1994 Bassline Records) 04 Blaze - Why can't we live together [Blaze Remix] (1993 Shelter Records) 05 Fibre Foundation - Free your mind [Bonus Dub] (1995 Big Big Trax) 06 Kamar - I need you [50% Club Mix] (1993 Madhouse Records) 07 Kenlou - The bounce (1995 Maw Records) 08 Ten City - My peace of heaven [International 12 Mix] (1992 Atlantic) 09 Davina - Don't you want it (1992 Happy Records) 10 Don Carlos - Alone [Joey Negro Re-Edit] (1991 Calypso Records) 11 Kerri Chandler - Harder gets higher (1997 King Street Sounds) 12 Melanie Williams - Everyday thang [Frankie's Classic Def Mix] (1994 Columbia) 13 Freedom Williams - Voice of freedom [Bass Hit Dub] (1993 Columbia) 14 Next Phase feat Helen Bruner & Terry Jones - Piece of mind (1997 Sub-Urban Records) 15 Barbara Tucker - Beautiful people [The Deepness NY Stompin Dub] (1994 Strictly Rhythm) 16 Logic - The flavor of love [The Deepness 2019 Rework] (1994 Strictly Rhythm) 17 Frankie Knuckles feat Adeva - Walkin [Grant Nelson's Filthy Dub Version] (1995 Virgin Records) 18 Joe T Vanelli feat Csilla - Voices in harmony [Frankie Feliciano Remix 1] (1994 Nervous Records) 19 Urban Soul - Show me [Him & Her Mix] (1997 King Street Sounds) 20 Black Sheep - Strobelight honey [Def Mix Joey Negro Edit] (1992 Mercury) 21 Jodeci - You got it [Cosmack Dub] (1994 MCA Records) 22 The Kentros - No way but our love [Jazzy Groove Dub] (1994 Playtime Records) More infos on DEEPINSIDE.co.uk © November 2019 DEEPINSIDE Media

Show #959 Last Century Blues 01. Colin James - Triple Shot (4:00) (Colin James & the Little Big Band II, Elektra/Asylum Records, 1998) 02. John Dummer Band - Time Will Tell (3:24) (Blue, Vertigo Records, 1972) 03. Jimmy Johnson - Talking 'Bout Chicago (4:50) (North // South, Delmark Records, 1982) 04. Carey Bell - Good Luck Man (5:24) (Good Luck Man, Alligator Records, 1997) 05. Freddie King - Me And My Guitar (4:07) (The Texas Cannonball, Shelter Records, 1972) 06. Kid Bangham & Amyl Justin - I Go Crazy (3:48) (Pressure Cooker, Tone-Cool Records, 1997) 07. Sonny Landreth - Congo Square (5:14) (Down In Louisiana, Epic Records, 1985) 08. Savoy Brown - Highway Blues (4:04) (Boogie Brothers, Deram Records, 1974) 09. Finis Tasby - The Sun Is Shining (4:46) (Jump Children, Evidence Music, 1998) 10. Fenton Robinson - Nightflight (3:55) (Nightflight, Alligator Records, 1984) 11. Son Seals - Four Full Seasons Of Love (2:50) (Midnight Son, Alligator Records, 1976) 12. Scott Henderson - Smelly Ol' Dog Blues (7:59) (Dog Party, Mesa Records, 1994) 13. Livin' Blues - Midnight Blues (3:18) (Blue Breeze, Ariola Records, 1976) 14. Downchild Blues Band - Please Forgive (2:58) (Dancing, Special Records, 1974) 15. Mark Dufresne - A Song In There (3:08) (There's A Song In There, Jeromed Records, 1999) 16. Paul Mark & the Van Dorens - Credit Line (4:13) (Disposable Soul, Radiation Records, 1997) 17. Pete Haycock - Follow That Frog (3:03) (Guitar And Son, IRS Records, 1987) 18. Clarence Gatemouth Brown - Just Lippin' (3:10) (Pressure Cooker, Alligator Records, 1985) 19. Ford Blues Band - Somebody Help Me (4:28) (The Ford Blues Band, Blue Rock'It Records, 1999) 20. Al Copley & the Fabulous Thunderbirds - Good Understanding (6:48) (Good Understanding, Bullseye Blues, 1994) 21. Barry Levenson - Cobra Days/Blue Tears (7:13) (Heart to Hand, Storyville Records, 1998) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

TECH CLUBBERS PODCAST W/ STEPHEN MAHONEY Acid, Techno, Chicago, Electro, Breaks & Progressive has dominated most of Stephen Mahoney's record buying life, Pascal Feos and Gataneo Parisio being early influences. There was also a fusion with Dublin Nightlife in the late 90's, Francois and Eamon Doyle D1 Records had a massive impact as did sets from Surgeon, Dave Clarke, Robert Armani, Carl Craig. Stephen all the while had been producing Eps which saw it's first release on Coincidence Records and then started Shelter Records which saw releases from Volster, Aubrey, Lars Huismann, Flexure, Ben Gibson, Mary Velo and a remix from Lee Holman. Became one half of duo Flexure, with Jamie Behan, which saw two releases and a date at New Faces at Tresor. A new label is formed now entitled Delinquent Delivery which saw it's first releases in the Autumn 2018 from Lockertmatik and Nathan Jones and Stephen Mahoney. TRACKLIST: Disx3 - Shattered Part 2 ( Denise Rabe Remix ) [ Out Of Place ] Matrixxman x Setaoc Mass - Sacrifice [ SK_Eleven ] Antonio De Angelis - Stulaya [ K S R ] Slight Function - Magnetic Pulse [ 777-Output ] Antonio De Angelis - Exam [ K S R ] Troy - Chainsaw [ K S R ] Roll Dann - Darkness of the Deep [ MindTrip ] Arnaud Le Texier - Jet Pack [ Children Of Tomorrow ] Snakebite 616 - The Student Dimi Angelis - Burning bush [ Mord Records ] Oliver Rosemann - Chinese Water Torture [ Recorded Things ] Stephen Mahoney - Empyreal Dreams [ Children Of Tomorrow ] Atonism - Satellite [ Warok ] Stephen Mahoney - Magnetic North [ Children Of Tomorrow ] Krenzlin – Moments [ Driving Forces Recordings ] James Ruskin - Version ( 2019 Re Master ) [ Tresor Records ] Stephen Mahoney - Expansion Vessel [ Children Of Tomorrow ] Dimi Angelis - Green Powder [ K S R ] Roll Dann - Save the Energy [ Soma Records ] Stef Mendesidis - Critical Ratio [ Clergy ] Antonio De Angelis - Junes [ K S R ] Insolate - Platform [ Symbolism ] Szmer - PG9 [ Out Of Place ] Rustal - Olliphe Planetary Assault Systems – Devotion [ Token ] Temudo & Nørbak - I Will Guide Thy Hand [ Modularz ] Pfirter & Nørbak - Conquer Fear [ MindTrip ] Roll Dann - Red Rhythms [ MindTrip ] Lee Holman - Neutralis [ Science Cult ] Follow STEPHEN MAHONEY here: Facebook: https://www.facebook.com/djstephenmahoney Instagram: https://instagram.com/dj_stephenmahoney Soundcloud: https://soundcloud.com/stephen_mahoney Bandcamp: https://delinquentdelivery.bandcamp.com/ Contact: Stephen.mahoney-art@gmail.com Follow TECH CLUBBERS here: Web: https://www.techclubbers.com/ Facebook: https://www.facebook.com/TechClubbers/ Instagram: https://www.instagram.com/techclubbers/ Soundcloud: https://soundcloud.com/techclubbers Mixcloud: https://www.mixcloud.com/TechClubbersRadio/ Youtube: https://www.youtube.com/c/TechClubbers Contact: info@techclubbers.com

Our Local Selection mix is back this week, with a top drawer techno mix from one of Dublin's best, Stephen Mahoney. Stephen's pieced together an excellent driving techno trip. Stephen Mahoney has been an avid record collector and selector for many years, Pascal Feos and Gataneo Parisio being early influences. Throughout the late 2000's he was involved with various Collectives and DJ'd various venues of the cities underground. Stephen also ran Analog Club night which saw Dj sets from Volster & Insolate. Stephen all the while had been producing Eps which saw it's first release on Coincidence Records and then started Shelter Records, which saw releases from Volster, Aubrey, Lars Huismann, Flexure, Ben Gibson and a remix from Lee Holman. Stephen Became one half of duo, Flexure with Jamie Behan, which saw two releases and a date at New Faces at Tresor. A new label is formed now entitled Delinquent Delivery which saw its first releases in the Autumn 2018 from Lockertmatik, Nathan Jones and Stephen Mahoney. Followed by Rustal, Stuey Lyons and Jon Hussey and Jack Jennings. Stephen's productions have been continuing to garner respect and support from the scenes biggest luminaries and his productions are gaining an International audience. Stephen Mahoney -------------------------- SC: @stephen_mahoney FB: www.facebook.com/djstephenmahoney/ Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

DEEP DIVES & tiny curations Podcast Episodes Available Today: http://tinycurations.com Listen NOW on Pandora: https://www.pandora.com/search/tiny%20curations/ Hear the playlist on Spotify: https://open.spotify.com/playlist/7DLG8kTLZN8IT60M76F0W7?si=ca9bd5e11e4e4149 01 - A Song For You 02 - Tight Rope 03 - If It Wasn't for Bad - Elton John and Leon Russell 04 - Cant Seem To Get A Line On You - The Rolling Stones The Master of Time and Space, Leon Russell from Tulsa, Oklahoma passed away 5 years ago today at the age of 74. Leon played the piano, among other things. In the 60's, he was a part of the legendary set of studio musicians, known as the Wrecking Crew. Performing with a who's who, including The Concert for Bangladesh with George Harrison and also along with others in the likes of Bob Dylan, Badfinger, and many more. Other musicians started finding his music and recording them and making hits with his songs. Like Delta Lady, from Joe Cocker. The song I only really started to dig when watching him recorded live in the 70's, in the documentary "A Poem is a Naked Person". The documentary was only released in 2015 at South by. For 40 years, the film went unreleased. It features Leon live and onstage in his heyday. And that's where I really got to see the man shine as a live performer. The rest of them film is Leon bouncing around Oklahoma, his recording studio, The Church Studio in Tulsa recording country and western album "Hank Wilson's Back Vol 1" under the moniker of Hank Wilson. He would end up releasing 4 volumes over his career under the alias. The documentary also showed Leon building a house and hiring a young artist, Jim Franklin, to paint his pool with his own psychedelic art, before it is filled with water. Jim Franklin would become known for his posters, around the Armadillo World Headquarters in Austin and featuring Armadillos. Now there stands a full life sized bronze statue of Leon Russell in his signature top hat, and with his beard and longhair, it is located outside The Church Studio, commissioned by non-other than Jim Franklin. His most well-known song would most likely be "A Song for You" off of his first album on his own Shelter Records, a record company that he started, the album was release in 1970. Many artists have recorded it over the years. Willie did a version in 1973 with just him and Trigger. The song closed out the "Shotgun Willie" album, the first to feature his guitar Trigger. But one of my favorite versions is from Ray Charles. He recorded it in 1993, but the live version he did that same year for Willie's 60th Birthday Party is my favorite. There is another version out that for another Willie special, featuring him along with both Ray Charles and Leon Russell. But now let's hear the man do it how he does it on his piano, here is "A Song For You" with the lines "I love you in a place where there's no space or time", but these are the words on his own gravestone, his own lyrics from the song: "And When My Life is Over, Remember When We Were Together, we were alone and I was singing this song for you": The last song on the "Shotgun Willie" album, the first album to feature Trigger. Trigger would again appear on Willie's next album "Red Headed Stranger" and then again for all the rest of his albums from that point on. I was lucky enough to see Leon many times. --- Send in a voice message: https://anchor.fm/tiny-curations/message

Twitter: @podgaverockInsta: @podgaverockJJ Cale 1972 “After Midnight” from the album "Naturally" released on Shelter Records. Written by JJ Cale and produced by Johnny Cale.Personel:J.J. Cale - guitar, vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Johnny CashNeil YoungVan Morrison

Twitter: @podgaverockInsta: @podgaverockJJ Cale 1972 “After Midnight” from the album "Naturally" released on Shelter Records. Written by JJ Cale and produced by Johnny Cale.Personel:J.J. Cale - guitar, vocalsCover:Performed by Josh Bond and Neal MarshIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Norm McDonaldJimmy KimmelOJ SimpsonFrank StalloneChristopher WalkenSteven WrightJames CagneyDirty WorkWill FerrellAdam CarrollaBob HopeJohn MaherBeckWidespread Panic “Travelling Light”Eric ClaptonBill MurrayStanley KubrickThe Grateful DeadBob Dylan “Knocking on Heaven's Door”Jerry  GarciaMerle SaundersBob Dylan “Nashville Skyline”JJ Cale “Crazy Mama”Bob Dylan “Tonight I'll Be Staying Here With You”Mark KnophlerJohn PrineRobert DeNiroThe Leather Coated Minds “Take a Trip Down the Sunset Strip”Leon RussellVan Morrison “Into the Mystic”Procol Harum “Whiter Shade of Pale”Merle HaggardJunior KimborughJJ Cale “I'll Make Love To You Anytime”REO SpeedwagonBoogie Nights Delaney BramlettTaj MahalBen HarperThe Texas GentlemanRy CooderKeb MoMuddy Waters “Catfish Blues”Muddy Waters “Rolling Stone”Lynyrd Skynyrd “Call Me the Breeze”JJ Cale “Ride Me High”JJ Cale “Magnolia”JJ Cale “Don't Go to Strangers”JJ Cale “Cocaine”JJ Cale “Sensitive Kind”Tears for Fears “Shout”Eric Clapton “24 Nights”Eric Clapton “Crossroads”Jerry Garcia and Merle Saunders “Fire Up”Derek TrucksStevie WinwoodMaggie Bell

Ayer se cumplieron 3 años de la muerte de Tom Petty. El 2 de Octubre de 2017 recibimos aquella triste noticia. Tom Petty había sido encontrado inconsciente a consecuencia de un paro cardíaco y fue trasladado al Centro Médico de UCLA en Santa Mónica, California, donde falleció. Fue una sobredosis "accidental" de medicamentos para paliar el dolor de su cadera rota, el insomnio, la ansiedad y la depresión. Estaba celebrando sus 40 años de carrera con una gran gira y faltaban 18 días para que hubiera cumplido 67 años. Los más fieles seguidores de Tom Petty & The Heartbreakers, aquellos que se inscribieron en el Highway Companions Fan Club de la banda, recibieron una copia de Hypnotic Eye, el último trabajo del grupo por entonces, y un álbum exclusivo grabado en directo y titulado Live 2013 con tomas de las actuaciones de Tom Petty el año anterior en el Beacon Theatre de Nueva York y el Fonda Theatre de Los Angeles, además de algunos de los momentos más destacados de su aparición en el Bonnaroo Festival. De su paso por la Gran Manzana queda esta versión impecable de “So You Want To Be A Rock N' Roll Star”, una canción compuesta por Jim McGuinn y Chris Hillman para que los Byrds la incluyeran en su LP de 1967, Younger Than Yesterday. Estoy convencido de que Tom Petty siempre soñó que era el miembro oculto de los Byrds. Una implacable versión de “I Feel a Whole Lot Better” abría en 1989 la segunda cara del primer LP en solitario de Tom Petty, Full Moon Fever, y es un ejemplo más de la adoración que el artista de Florida tenía por los Byrds. La colaboración con Jeff Lynne fue fundamental en aquel sonido. Sin embargo, en un principio, la compañía discográfica no estaba satisfecha con el disco y se plantearon no publicarlo ya que, decían, que no había ni un single para editar. "Free Fallin'" les hizo cambiar de opinión. Fue la mejor despedida de la década de los 90. Aunque nos pueda parecer mentira, esta obra de arte llamada "Leave Virginia Alone" es una de las 10 canciones que quedaron fuera de la primitiva edición de Wildflowers. El artista de Gainsville la compuso en el 93, un año antes de la edición del disco. Eso sí, algún seguidor impenitente de Rod Stewart, como nuestro amigo Ignacio, la recordará formando parte de su álbum del 95 A Spanner in the Works. Por suerte, Mark Seliger y Adria Petty, hija de Tom, han conformado un vídeo delicioso protagonizado por la actriz Casimere Jollette, de la serie de Netflix sobre el mundo del ballet Tiny Pretty Things. Hay personajes inolvidables, en el mejor de los sentidos, y ese es el caso de Tom Petty, el artista de Florida que nos abandonó hace tres años. Su carrera en solitario nos dejó tres álbumes impagables y el segundo de ellos, el mítico Wildflowers de 1994 se convirtió en una de las joyas de su discografía. En realidad, todos los Heartbreakers estuvieron al lado de su líder, excepto el batería Stan Lynch que fue sustituido por Steve Ferrone. “Somewhere Under Heaven” forma parte del segundo de los álbumes de la reedición de Wildflowers, en concreto el llamado All The Rest. Era una de las 10 canciones que quedaron fuera de la edición original de 1994. "Crawling Back to You" reflejó, como todo aquel Wildflowers, los 20 años de fracaso de Tom Petty en su matrimonio con Jane Benyo, de quien se divorciaría dos años más tarde. Había estrofas como "Estoy tan cansado de estar cansado/Seguro que la noche seguirá al día/La mayoría de las cosas que me preocupan/Nunca suceden de todos modos". Las sesiones de grabación de Wildflowers comenzaron en 1992, cuando el músico de Florida tenía la intención de dar continuidad a su debut en solitario Full Moon Fever del 89. Pero Petty había llegado a un acuerdo con Warner, con quien había grabado como miembro de los Traveling Wilburys, a pesar de que junto a los Heartbreakers pertenecía a MCA. Aunque mantuvo a Rick Rubin como co-productor junto a su compañero Mike Campbell, decidió tomar el mando de aquel proyecto. Gracias a la familia de Petty y a sus archivos, se ha recuperado esta maqueta de uno de los temas punteros de aquel registro como es el caso de “You Don’t Know How It Feels”. En este caso, está grabada en su estudio casero un año antes de la edición del disco y los seguidores impenitentes del músico encontrarán diferencias en la letra, como una muestra más del proceso de creación. Esta versión de “You Don’t Know How It Feels” da una sensación mucho más íntima y personal de la original. Además, encontramos un verso que más tarde aparecería en la penúltima canción de aquel mismo álbum. Wildflowers fue el segundo álbum de Tom Petty como artista en solitario allá por 1994, que abrió con la canción que lo dio nombre genérico. Rick Rubin aportaba de nuevo su trabajo en la producción junto a Petty y Mike Campbell para llevar a cabo aquella aventura. El próximo 1 de noviembre se cumplirá un cuarto de siglo de su publicación. El próximo 16 de octubre aparecerá, por fin, Wildflowers & All The Rest, el proyecto más personal en el que Tom Petty estuvo centrado tras la publicación en 2014 de su último álbum con los Heartbreakers, Hypnotic Eye. Su intención primitiva era publicar las 10 canciones que no se incluyeron en el disco original, y que él llamaba All the Rest. Pero se ha añadido mucho más. En la cuádruple edición de lujo y dentro de las llamadas Home Recordings, con 15 cortes, de los que 12 son versiones nunca editadas y 3 son canciones inéditas, vamos a encontrar esta maqueta del tema central, “Wildflowers”, grabada en su estudio casero. A mitad de agosto de 1994 y dentro de las sesiones de grabación de Wildflowers se registró “Wake Up Time” que cerró aquel proyecto como décimo quinto tema. En esta reedición podemos escuchar la versión original, una “home recordings” y, además, esta toma alternativa que tan solo aparece en el quinto CD de la Super Deluxe Edition que han titulado Alternate Takes (Finding Wildflowers). El músico de Gainsville nunca olvidó que aquel segundo de sus álbumes en solitario de 1994 debía haber sido un disco doble, y fue dejando algunas muestras en distintas publicaciones posteriores. Tras su muerte, todos los planes de reedición se pospusieron hasta que se resolvió una demanda entre las hijas de Petty, Adria y Annakim, y su viuda Dana, el pasado año. Tom Leadon, hermano de Bernie Leadon, encontró a Tom Petty en los Epics y juntos formaron Mudcrutch en 1970 con Randall Marsh , añadiendo muy pronto a Mike Campbell y pasando a ser un quinteto tras la incorporación de Benmont Tench. La influencia de Leon Russell en la personalidad musical de Petty era relevante en aquellos tiempos y, de hecho, firmaron un contrato en 1974 con Shelter Records y se marcharon a Los Angeles, California. Publicaron un single en 1975, compuesto por él, sin ninguna repercusión y se disolvieron a finales de aquel año. Sin embargo, Petty, Campbell, y Tench, junto a Stan Lynch y Ron Blair formaron los Heartbreakers unos meses más tarde. En aquella reunión de 2007 para grabar con los miembros originales de Mudcrutch, quedaron para la historia canciones como “Orphan Of The Storm”. Tom Petty era el bajista de la banda, como su buen amigo Chris Hillman en los Byrds. The Live Anthology es una obra de arte convertida en colección de actuaciones de Tom Petty & The Heartbreakers a lo largo de su carrera que apareció hace 10 años. Existe una edición de lujo con los cuatro CDs de la edición estándar más un quinto CD de material también grabado en directo, dos DVDs nunca editados, un vinilo remasterizado de su álbum de 1976 Official Live 'Leg, y un disco Blu-ray disc con las 62 canciones de la caja, a la que se añade un poster de un concierto, reproducciones de pases de backstage, un libreto de lujo y una litografía. En ese quinto CD se encuentra esta versión del clásico “Ballad Of Easy Rider”, grabada en directo en el concierto de Nochevieja de 1978 en Santa Monica, California. Easy Rider se ha convertido en una de las películas de culto para los amantes de las road movies. Peter Fonda y Dennis Hopper la protagonizaron y dirigieron, contando con un joven Jack Nicholson entre los actores. "I Won't Back Down" será recordada por muchos como el primer single extraído del álbum Full Moon Fever, el debut de Tom Petty en solitario allá por 1989. Compuesta junto a su buen amigo Jeff Lynne, estrecho colaborador en la autoría de canciones para este registro, resultó ser un desafío contra las dificultades y la opresión. El tema fue muy radiado a raíz de los acontecimientos del 11 de Septiembre de 2011, y Tom Petty la interpretó de esta forma junto a los Heartbreakers a un ritmo más lento que el original en el espacio America: A Tribute To Heroes. Escuchar audio

Show #840 King Thing Again It is the Dutch king's birthday this week. So Spinner put together a royal show agian. Stay safe and enjoy this King Thing. 01. ZZ Top - Nasty Dogs And Funky Kings (2:46) (Fandango!, London Records, 1975) 02. Bluesix - King Of The New York Streets (5:37) (Ready, Tramp Records, 2008) 03. Muddy Waters - I'm A King Bee (3:51) (King Bee, Blue Sky Records, 1981) 04. Monti Amundson - King's New Clothes (4:18) (The Obvious Rock, Munich Records, 1994) 05. The Radio Kings - Everything's Gonna Be All Light (5:20) (The Radio Kings, CoraZong Records, 2009) 06. Freddie King - Pulpwood (7:14) (The Texas Cannonbal, Shelter Records, 1972) 07. JP Soars - Freddie King Thing (3:17) (Let Go Of The Reins, Whiskey Bayou Records, 2019) 08. Ray Wylie Hubbard - The Ballad Of The Crimson Kings (4:44) (Dangerous Spirits, CRS/Philo Records, 1997) 09. Blues Boy Kings - Can't Get Any Worse (3:48) (Blues Boy Kings, self-release, 2011) 10. Blues 'n' Trouble - King Tut's Wah Wah Hut (1:00) (Down to the Shuffle, Tramp Records, 1991) 11. The Kokomo Kings - Silicone Brain (2:28) (Too Good To Stay Away From, Rhythm Bomb Records, 2017) 12. BB King - How Blue Can You Get (5:09) (Live in Cook County Jail, ABC Records, 1971) 13. Keb' Mo' - Riley B. King (5:17) (Keep It Simple, Okeh Records, 2004) 14. Dr. John - Kingdom Of Izzness (3:37) (Locked Down, Nonesuch Records, 2012) 15. Katy Hobgood Ray - Kings, Queens, And Jesters (4:06) (I Dream Of Water, Out Of The Past Music, 2019) 16. Eddie 9V - Bending With The Kings (3:01) (Left My Soul in Memphis, Hubbub! Music, 2019) 17. Danny Gatton - Sky King (6:41) (Cruisin' Deuces, Elektra Records, 1993) 18. Sass Jordan - Palace Of The King (3:40) (Rebel Moon Blues, Stony Plain Records, 2020) 19. Seth Rosenbloom - Palace Of The King (3:38) (Keep On Turning, Holmz Music, 2019) 20. Bugs Henderson Group - Shuffle King (6:28) (At Last, Armadillo Records, 1978) 21. Chris Daniels & the Kings - All For The Love Of Lill (2:47) (Louie Louie, Moon Voyage Records, 1998) 22. Guy King - King Thing (5:42) (Truth, Delmark Records, 2016) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Christian has the immense pleasure of getting to know two of Tulsa's finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It's out now. So for some good old down home rock n roll, go get the record wherever you get your tunes!Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones' first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell's Shelter Records label.Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard. Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more.Eventually, Casey joined Tulsa's multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure!Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale's Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he's played on all of his albums since then.When they weren't on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town. Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt's home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn't to satisfy anyone's record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other's musical company; music for music's sake. There's a purity to that. So they have a new record out this week called ‘Heaven Forever', produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music. They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms.http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa's finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It's out now. So for some good old down home rock n roll, go get the record wherever you get your tunes!Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones' first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell's Shelter Records label.Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard. Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more.Eventually, Casey joined Tulsa's multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure!Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale's Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he's played on all of his albums since then.When they weren't on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town. Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt's home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn't to satisfy anyone's record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other's musical company; music for music's sake. There's a purity to that. So they have a new record out this week called ‘Heaven Forever', produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music. They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms.http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa’s finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It’s out now. So for some good old down home rock n roll, go get the record wherever you get your tunes! Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones’ first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell’s Shelter Records label. Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard.  Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more. Eventually, Casey joined Tulsa’s multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure! Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale’s Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he’s played on all of his albums since then. When they weren’t on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town.  Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt’s home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn’t to satisfy anyone’s record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other’s musical company; music for music’s sake. There’s a purity to that.  So they have a new record out this week called ‘Heaven Forever’, produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music.  They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms. http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/ https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Christian has the immense pleasure of getting to know two of Tulsa’s finest musicians, Casey Van Beek and Walt Richmond, who are two parts of the Casey Van Beek and the Tulsa Groove band and they have a new album called, Heaven Forever. It’s out now. So for some good old down home rock n roll, go get the record wherever you get your tunes! Casey was born in Holland but raised in Los Angeles from the age of five, and fit right in to the burgeoning local ‘60s rock scene. By his teens he was playing bass and singing in The Vibrants, who opened for The Dave Clark Five and The Rolling Stones’ first L.A. area show, and also toured with Peter and Gordon. He moved on to backing the wonderful Linda Ronstadt, along with two guys named Don Henley and Glenn Frey. When the duo left to start the Eagles, Casey headed to Tulsa with Don Preston to record with the Shelter People, part of Leon Russell’s Shelter Records label. Tulsa surprised him—the blues, country, and rockabilly had fermented there into a mellow blend called the Tulsa Sound, and he quickly discovered that the bands in town were playing as much Freddy King and B.B. King as Merle Haggard.  Then he realized he was home, a place where the music vibes were right, and where you could get out of town into open country in five minutes. It took a while to find his way into the scene, but fairly soon he was in a band with Walt Richmond and Jim Byfield. And is once more. Eventually, Casey joined Tulsa’s multi-platinum, Grammy-nominated band The Tractors, which included Casey, Walt Richmond who also joins us today, and the future Tulsa Groove member Ron Getman. Do you remember the hit Baby Likes to Rock It. Got them to the White House and we will talk about that for sure! Three members of the Groove (Richmond, Byfield, and Steve Hickerson), would back Bonnie Raitt during her tenure in Tulsa, playing shows in the area to (successfully!) protest the construction of the Black Fox Nuclear Power Plant. Walt would go on to play on Tulsan JJ Cale’s Grammy-winning Gold album collaboration with Eric Clapton, The Road to Escondido, so impressing Eric that he’s played on all of his albums since then. When they weren’t on the road collaborating with people like Clapton, Cale, Bonnie Raitt, Linda Ronstadt, or Bill Medley, they played around town.  Casey and Walt Richmond began to get tight, first recording Christmas songs, then writing original Christmas songs, then gathering at Walt’s home studio to record more of their own originals and favorite covers, selecting the best players around to add their touches on a few songs at a time.This wasn’t to satisfy anyone’s record contract or dreams of stardom, but out of camaraderie and an enjoyment of each other’s musical company; music for music’s sake. There’s a purity to that.  So they have a new record out this week called ‘Heaven Forever’, produced by Walt Richmond, that showcases what they are capable of when they focus their in-demand skills on their own music.  They are carrying on the legendary Tulsa sound of forerunners like Leon Russell, JJ Cale and Elvin Bishop, the band is adding their own new flavors while keeping that historic tradition alive for current and future generations.Heaven Forever by Casey Van Beek and the Tulsa Groove is set for release on April 24, 2020, via the Little Village Foundation. It will be available on all the major digital platforms. http://littlevillagefoundation.com/casey-van-beek-and-the-tulsa-groove/ https://www.amazon.com/Heaven-Forever-Casey-Tulsa-Groove/dp/B084ZB8NBY/ref=sr_1_1?dchild=1&keywords=van+beek+tulsa&qid=1587677592&s=dmusic&sr=1-1

Ruby Andrews [00:20] a side: "You Ole Boo Boo You" b side: "Gotta Break Away" Zodiac Records ZR-1020 1971 A pretty excellent slow burn single from 1971 on Chicago's Zodiac Records. Made it up to 47 on the R&B charts. Ike & Tina Turner [05:43] a side: "You Should'a Treated Me Right" b side: "Sleepless" Sue Records 765 1962 This rollicking single from Ike & Tina only made it to number 89 on the Hot 100. What gives? The Okmoniks [13:01] a side: "You Want What I Ain't Got/Little Bit More Hate/Locked in the Trunk of Your Ford Blues" b side: "You Want What I Ain't Got/Little Bit More Hate/Locked in the Trunk of Your Ford Blues" In+Fi 001 2002 Some excellent Tucson garage rock from the early aughties. Rod Stewart [18:44] a side: "You Wear It Well" b side: "True Blue" Mercury Records 7330 1972 A little bit of a Maggie May retread but not too shabby either. Made it to 13 on the US hot 100 in 1972. Pretty sweet Ron Woods rocker on the b-side. Dwight Twilley Band [27:12] a side: "You Were So Warm" b side: "Sincerely" Shelter Records SR-40450 1974 The second single from Twilley's Los Angeles sessions with Shelter Records. Sadly this one did not get any traction. Love the guitar bits on the b-side. Johnny Burnette [32:21] a side: "You're Sixteen" b side: "I Beg Your Pardon" Liberty Records F-5528 1960 This creepy watered-down outing by rockabilly artist Burnette reached number 8 on the Hot 100 in 1960. The Thirteenth Floor Elevators [37:19] a side: "You're Gonna Miss Me" b side: "Tried to Hide" International Artists Records 107-A 1966 This is the national release of their first Contact Records single from 1966. And yes, that mysterious sound you heard is an electric jug. Amazingly this made it to number 55 on the Hot 100, and in San Francisco it actually cracked the top 10. The Impressions [42:05] a side: "You've Been Cheatin'" 1965 b side: "Never Let Me Go" 1963 Collectables COL 3725 An MCA "Collectable" reissue featuring The Impressions 1965 single "You've Been Cheatin" which made it to number 33, and the b-side is from their 1962 album The Impressions. Music behind the DJ: "Push the Button, Max!" by Henry Mancini

CLASSIC MIX Ep.28 'The most emblematic House Classic tunes on podcast' Episode selected & mixed by Sebastien Jesson [The Deepness] 01 Frankie Feliciano present First World - Ordinary folk (1991 Nervous Records) 02 Kings Of Tomorrow - I hear my calling (1996 Zestland Records) 03 Connie Harvey - Thank you lord [Victor Simonelli Gospel Club Mix] (1994 Bassline Records) 04 Blaze - Why can't we live together [Blaze Remix] (1993 Shelter Records) 05 Fibre Foundation - Free your mind [Bonus Dub] (1995 Big Big Trax) 06 Kamar - I need you [50% Club Mix] (1993 Madhouse Records) 07 Kenlou - The bounce (1995 Maw Records) 08 Ten City - My peace of heaven [International 12 Mix] (1992 Atlantic) 09 Davina - Don't you want it (1992 Happy Records) 10 Don Carlos - Alone [Joey Negro Re-Edit] (1991 Calypso Records) 11 Kerri Chandler - Harder gets higher (1997 King Street Sounds) 12 Melanie Williams - Everyday thang [Frankie's Classic Def Mix] (1994 Columbia) More infos on DEEPINSIDE.co.uk © November 2019 DEEPINSIDE Media

The Wilson Brothers, Ronnie, Charlie and Robert all from Tulsa, Oklahoma with help from Leon Russell would leave Tulsa's small clubs to opening, in a stadium, in front of 50,000 Screaming fans for Leon Russell.

Ronnie Dunn honed his stage presence and his musical skills, working in the Tulsa Music schene for over 19 years before getting The Nashville call.

Nils Lofgren, Dwight Twilley, Amy Helm, Keller Williams, and Mike Portnoy join Eric in conversation to share memories and pay tribute to the life and work of Tom Petty. Hear Nils Lofgren share memories of bringing Tom Petty & The Heartbreakers on their first UK tour in 1977, Dwight Twilley shares memories of the early days at Shelter Records and appearing on each other's early recordings, Amy Helm talks about how Tom's music has been a real soundtrack to her life, Keller Williams shares details of his Pettygrass bluegrass tribute to Tom Petty, and Mike Portnoy's high school memories of competing with the Tom Petty poster on his girlfriend's wall. Lots of funny stories, behind the scenes memories, praise, kind words, laughter and tears in homage to one of the world's greatest, gone too soon. Part 2 of 3.

show#70709.02.17 Batten Down The Hatches!! 1. Lightnin' Willie - Can't Get That Stuff from No Black No White Just Blues 2017 Laureate Lane Music (2:54) 2. B. Christopher Band - Ruby from Four From The Sun 2017 Indie (3:58) 3. Hamilton Loomis - Come And Get Me from Basics 2017 Ham-Bone Records (7:00) 4. Al Basile - Blues Got Blues from Quiet Money 2017 Sweetspot Records (4:12) 5. Antry - Devil Gone Fishing from Devil Don't Care 2017 Tres Lobas Enterprises (4:01) 6. Shinbone Star - Devil On My Shoulder from Whiskey & Gin 2017 self-release (6:15) 7. John Campbell - Bad Night Blues from A Man And His Blues 1988 Blue Rock'It (4:16) 8. Ronnie Earl & the Broadcasters - Wednesday Night at the Bull from Still River 1994 Audioquest (5:04) 9. James Day And The Fish Fry - Weather Blues from Southland 2014 VizzTone (3:56) 10. Trevor Sewell - Fade To Grey from Calling Nashville 2017 Independent (7:37) 11. Mindi Abair And The Boneshakers - Had To Learn The Hard Way from The EastWest Sessions 2017 Pretty Good For A Girl Records (4:32) 12. Aaron Williams & the Hoodoo - Let Me Love You from 10:49 2011 self-release (3:32) 13. Barrence Whitfield & the Savages - The Blues Is A Thief from Ow! Ow! Ow! 1987 Rounder Select (5:21) 14. Downchild Blues Band - Money Trouble from Dancing 1980 Atmosphere (4:28) 15. Erja Lyytinen - Slowly Burning from Stolen Hearts 2017 Tuohi Records (4:14) 16. Dexter Shaw & The Wolftones - She Likes Her Bottle Gin from Dexin' 2017 Rhythm Bomb (3:27) 17. Chicken Shack - Night Life (cd bonus-track) from 100 Ton Chicken 1969 Blue Horizon (5:20) 18. El Fish - Sam Cigar from Blue Coffee 1996 HKM (4:28) 19. Nico Wayne Toussaint - New Man Out Of Me from Southern Wind Blowin' 2007 Dixiefrog (4:57) 20. Bobby Rush - Train And My Hound Dog from Look At What You Gettin' 2008 Deep Rush Records (4:28) 21. Don Leady - Fat Wolf Blues from Hillbilly Boogie Surfin' Blues 2013 self-release (2:33) 22. The Gas House Gorillas - Burglar In The House Of Love from Five Gorillas Walk Into A Bar 2008 self-release (2:52) 23. Dr. John - Big Shot from Locked Down 2012 Nonesuch (3:48) 24. Freddie King - Pulpwood from The Texas Cannonbal (Bonus Tracks) 1972 Shelter Records (7:14) 25. King Pug - I Met the Devil from Water Pressure 2013 Orchard (3:25) 26. Savoy Brown - Flood in Houston from Getting To The Point 1968 Parrot (3:54)

Though the Dwight Twilley Band only had one hit (Twilley had another on his own), Twilley and partner Phil Seymour created an enduring and highly memorable brand of power pop that blended Beatlesque pop and Sun rockabilly “slapback” echo. Only a fraction of the band's early output was made available at the time, but these records are highly revered by power pop aficionados. According to the legend, Dwight Twilley met Phil Seymour in 1967 at a theater where they had gone to see the Beatles' “A Hard Day's Night.” After the film they immediately went to Twilley's house to start writing and recording. The two continued the partnership over the next several years, calling themselves Oister and recruiting another part-time member, Bill Pitcock IV, on lead guitar. After developing their sound in their homemade studio, “the Shop,” they decided to take a stab at professional recording and headed out to Nashville, though they ended up stopping first at the legendary Sun Studios. Jerry Phillips (Sam's son) was impressed enough to team them up with former Sun artist Ray Harris, who introduced them to “the Sun sound,” roughing up their Beatles-obsessed style a bit and creating a unique and endearing sound. The two signed to Shelter Records in 1974. Their first single, “I'm on Fire,” became a national hit in 1975, peaking at number 16, with relatively no promotion. During an appearance on American Bandstand, the band previewed what was to be the follow-up single, “Shark,” an equally infectious, hit-worthy rocker. The success of the film “Jaws” caused the label to reject the single, however, to keep them from becoming perceived as a cash-in novelty act. This was just the beginning of bad luck that would plague the group from that point on. Their follow-up single and completed album went unreleased for 18 months due to label problems, and a second album recorded in England was left unreleased altogether, creating a myth around the band in some circles while the general public quickly lost interest. The belated follow-up single, “You Were So Warm,” ended up failing due to distribution problems. Predictably, when the album “Sincerely” was finally released, it failed as well. Seymour and Twilley befriended the like-minded Tom Petty and contributed backing vocals on several tracks. Petty repaid the favor for their second album, “Twilley Don't Mind,” for Arista in 1977. Despite the once again unquestionably high quality of songs, the album stiffed as well. Seymour left the band the following year, pursuing a brief solo career before lymphoma cut his life short in 1993. Twilley carried on as a solo act, releasing “Twilley” for Arista in 1979 and “Scuba Divers” for EMI America in 1982, and found success again with “Jungle” in 1984, when he scored his second hit with “Girls.” His album “Wild Dogs” went unnoticed on its 1986 release by CBS Associated Records. In addition, Twilley recorded an album in 1980, “Blueprint,” that remains unreleased and contributed one track to the 1992 “Wayne's World” soundtrack, “Why You Want to Break My Heart.” In 1993, DCC released “The Great Lost Twilley Album,” which collected a fraction of the “hundreds” of unreleased songs Twilley and Seymour recorded in the early, ill-fated days. Two newly recorded songs appeared on the best-of collection “XXI” in 1996, and in 1999, Twilley released both another rarities collection, “Between the Cracks, Vol. 1” (Not Lame Archives), and his first new album in 13 years, “Tulsa” (Copper). In 2001, Twilley released “The Luck” (Big Oak), an album he had actually completed in 1994. The seasonal EP “Have a Twilley Christmas” (DMI) appeared in 2004, followed by Twilley's ninth studio album, “47 Moons,” in 2005. In 2007 he signed to Gigatone Records and a deluge of Twilley releases followed, including reissues of “Tulsa” and “47 Moons” (with bonus tracks), seven volumes of “Rarities” discs, and a compilation of tracks recorded after Twilley left CBS, Northridge to Tulsa. In 20...

Before Tom Petty and the Heartbreakers were Tom Petty and the Heartbreakers, classic American rock icons, they were just five kids from Gainesville, Florida who had driven cross country to Los Angeles with $200 and hopes of landing a record deal for their southern rock group Mudcrutch. Their ascent would be a slow one: the group signed with Shelter Records in 1974 and released a single, only to be dropped from the label. The band broke up. The band got back together and found themselves with a new opportunity to release an album — this time with a better name: Tom Petty and the Heartbreakers. Released in 1976, Tom Petty and the Heartbreakers’ self-titled debut is an amalgamation of styles and influences. It travels from classic blues to swampy country to classic ‘50s rock in songs that are abruptly short and full of anxious, pulsing rhythms that weren’t too deviant from the emerging punk scene. It’s no wonder people didn’t know what to do with them or how to classify them when the album was released. Though the album contains songs that are now staples of American pop culture, ingrained in our collective consciousness — songs like “American Girl” and “Breakdown” — it would be a few years before Tom Petty and the Heartbreakers cemented their status as household name rock stars — but it’s a status they’ve held onto. In this episode, we discuss the variety of musical influences on early Heartbreakers work, dive into Tom Petty’s sparse songwriting style, and talk about why Tom Petty and the Heartbreakers’ enduring, four decade long careers truly inspire us.

Artist Name: Kerri Chandler Web: http://www.kerrichandler.com/ Biography:Kerri 'Kaoz' Chandler has been injecting soul into music since the early 90s, making him one of house music’s originators.Kerri Chandler is a house legend, icon, inspiration, key figure, and a true house music purveyor. An ambassador of the natural and instinctive 4/4 beat, Kerri’s influences can be traced back to New Jersey growing up in a family of jazz musicians. His father, a respected deejay, provided Kerri with a rich background in the origins of soul, disco and the New York Underground Sound (known also as “Garage” music). Kerri began playing records at the Rally Record Club in East Orange, New Jersey at the tender age of thirteen and it was only a natural progression for him to become interested in production.Since the signing of his first single SuperLover/Get It Off by Atlantic in 1991, Kerri began producing a prolific body of work that has helped coin him one of the most respected house producers in the world. This has been achieved by remaining true to his style. When listening to tracks such as the Atmosphere EP on Shelter Records and the seminal A Basement, Redlight & A Feeling album on Madhouse, one has to marvel at Kerri’s ability to not compromise his unique sound for commercial gain. His ability to blend tradition and innovation produces avant-garde music with soulful roots reaching back into the history of Afro-American music. Kerri masters rhythm and space piecing together vocals and instruments with uncanny precision delivering beautiful monster jams.A spiritual man, Kerri prays before making a record. Each project is an attempt to inject his free spirit into a groove. His command and mastery of rhythm allows him to create fleshy excitement, not mechanical repetition. His now legendary bass-lines go from heavy and heady to playful and quirky while remaining deliriously intoxicating. His fusions, clamped to the beat of his unique thundering kick drum, redefine house music at every turn. His hooks are loving details, paying attention to horn hits, washes of synthesizers, and catchy choruses creating songs with brutal drive. A believer in peace and harmony, Kerri blames soulful house’s positive vibes for its failure to make it commercially, as its openness to influences are difficult for many to accept.Kerri is fascinated by technology and its application to creativity. He has built his own studio and spends hours developing newer and more forward-thinking computer programs to revolutionize the way we think of traditional deejay mixing. Kerri uses his deejay sets to inject a spirit into the dance floor by playing “live” sets during which he remixes tracks whenever he can by incorporating every possible element, including visual and musical. Armed with two laptop computers, thousands of music files, his own handmade mini-mixer and a cutting-edge imagination, Kerri manages to wow audiences around the globe while inspiring debate and envy in top industry circles about his new toys.Never straying from his roots, Kerri has proved he’s remained loyal to the underground movement by producing contemporary classics like Bar-a-Thym and Back To The Raw. The future is very bright for Kerri who is now signing and releasing productions through his new record label imprints: Max Trax, Grei Matter and Lost Tribes of Ibadan. With such a hot hand, he is the man of the house and undoubtedly will be responsible for many new classics to come.If you think all house sounds the same, has no soul and is just four to the floor, then I suggest you do some rethinking and check out Kerri Chandler’s latest releases and back catalogue…You’ll be glad you did!

Here's a detailed tracklist of what's been played in this episode: 1. MM / KM (Mix Mup & Kassem Mosse) - MM KM End To Funk [Trilogy Tapes] 2. Roger Gerressen - Somebody Shouldve Told You [Wolfskull Ltd.] 3. Daze Maxim - Tomorrow Universe [Hello? Repeat] 4. Marvin Dash - Untitled 2 [Workshop 14] 5. Gerry Read - Bozza [Delsin] 6. Yennek - Withou You (House Mix) [Art Of Dance] 7. STL - Space Warriors [Something] 8. STABLO 9995 - A1 [STABLO] 9. Delano Smith - I Fly (Unreleased Instrumental Mix) [Undertones] 10. Mysterious People - The Flow [Yoshitoshi] 11. Care Company - Vol. 2 A1 [Sense Music] 12. Makam - Glacial Valley [Pariter] 13. The Clover - Goodies [Bosconi Records] 14. Eddie Richards - Mbaby [Dy-Na-Mix] 15. Dub Syndicate Productions - Work It Out [Nice ‘N’ Fruity] 16. Exploit - Particle Funk [Monography] 17. The Persuader - What Is The Time, Mr Templar [Svek] 18. Corinna Joseph - Live Your Live with Me (Roger S Narcotic Dub) [Atlantic Jaxx] 19. Developer - Migrations [Modularz] 20. Mad Max - Afrika [unGleich] 21. Claude Young - Changing Factors [Frictional Recordings] 22. Conforce - Be There At Night [Clone Basement Series] 23. Nick Hoppner - November Rain [Liebe Detail] 24. Mosca - Eva Mendez [FORTHCOMING Hypercolour] 25. Dario Zenker - Tassel [Vakant] 26. Die Roh - Esploratori [FORTHCOMING Vae Victis] 27. Care Company - Vol. 2 B1 [Sense Music] 28. Truncate - Truncate (Dub) [Truncate] 29. Tha Poke - Uncommon Sense [Iridite] 30. Kerri Chandler - The Climax 2 [Shelter Records] 31. Aphrodisiac - Song Of The Siren [Rushhour] 32. Altered Natives - Raaatid Einstein [Fresh Minute Music] 33. Claude Young - Motion [Logic Records] http://soundcloud.com/no-ufos http://www.facebook.com/noufos http://www.twitter.com/no_ufos http://www.mixcloud.com/NoUFOs http://ufosnoufos.tumblr.com

Long overdue but it's finally here! Featuring tunes from DJ Rasoul, Manuel Tur, Rocco and more.. Artist: Title [Label] 1. DJ Rasoul: Deep Inside (Deep Mix) [Uncut Records] 2. Lars Behrenroth Feat. Chezere: The Way You Move [Deeper Shades Recordings] 3. Atjazz Feat. Dawne B: Parallels (Charles Webster 2008 Remix) [NRK] 4. Manuel Tur Feat. Blakkat: Golden Complexion (Live Dub) [Freerange Records] 5. Kerri Chandler: Climax 1 [Shelter Records] 6. G. Family Feat. Antonio Lyons: Night Shift [Real Tone Records] 7. Roland Clark & Steal Vybe: See The Light [Steal Vybe Music] 8. Rocco: Fuck Da Day [Real Tone Records] 9. Franck Roger: I'm Waiting [Franck Roger Productions] 10. Kiloo & Phonique: The Passion (Manuel Tur & DPlay Remix) [Ladies & Gentlemen] 11. Kentphonik: Sunday Showers [Stalwart Recordings]

Expand your Mind-FM 30 The Thirty Issue Hallo. Jubiläumsausgabe! 30 Ausgaben! Cool. Deswegen habe ich heute eine ganz normale schöne Sendung für euch, dich sich mit aktueller elektronischer Musik befasst. Ich mag Clubmusik und ihr auch! Auf die nächsten 30! xxx Playlist: 01 Sven Weisemann - Xine Zero (Wandering Rec) 2009 02 Pepe Bradock - Path Of Most Resistance (Atavisme) 2009 03 Motor City Drum Ensemble - Raw Cuts # 6 (MCDE) 2009 04 Kerri Chandler - Track 1(157 Shelter Records) 1993 05 John Talabot - Sunshine (Hivern Disc) 2009 06 Jarvis Cocker - You're In My Eyes (Discosong) (Pilooski Edit) (Rough Trade) 2009 07 Alfredo de la Fé - Hot to Trot (Criollo Records) 1979 08 Sofrito Specials - African Disco Power (Atlantic Conveyor Re-work) (Sofrito Specials) 2008 09 Jive Rhythm Trax - 112 BPM (Jive) 1982 10 Âme - Setsa (Innervisions) 2009 11 Peter Kruder - Before Night Falls (Compost Black) 2009 12 Pantha du Prince - Behind The Stars (Dial) 2009 13 Ben Klock Feat. Elif Biçer - Goodly Sin (Robert Hood Remix) (Ostgut Ton) 2009 14 Shit Robot - Simple Things (Work It Out) (Serge Santiágo Mix) (DFA) 2009 15 Wax - No. 20002 A-Seite (Wax?) 2009 16 Rebolledo Feat. Matias Aguayo - Pitaya Frenesí (Vocal) (Cómeme) 2009 17 Motor City Drum Ensemble - Raw Cuts # 5 (MCDE) 2009 18 Bon Iver - Blood Bank (Skinny Friedman DJ Edit) (Jagjaguwar) 2009 mixed by Alexander Expander