Podcasts about Mudcrutch

This week, hosts Jim DeRogatis and Greg Kot interview guitarist and songwriter Mike Campbell of Tom Petty and the Heartbreakers. They talk about his new autobiography, working with Bob Dylan and his continued love for music.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Tom Petty, "Runnin' Down a Dream," Full Moon Fever, MCA, 1989The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Tom Petty and the Heartbreakers, "Breakdown," Tom Petty and the Heartbreakers, Shelter, 1976Johnny Cash, "Folsom Prison Blues," Johnny Cash with His Hot and Blue Guitar!, Sun, 1957The Paul Butterfield Blues Band, "Born In Chicago," The Paul Butterfield Blues Band, Elektra, 1965Mudcrutch, "Scare Easy," Mudcrutch, Reprise, 2008Tom Petty and the Heartbreakers, "Refugee," Damn the Torpedoes, Backstreet, 1979Tom Petty and the Heartbreakers, "Here Comes My Girl," Damn the Torpedoes, Backstreet, 1979Tom Petty and the Heartbreakers, "Don't Do Me Like That," Damn the Torpedoes, Backstreet, 1979Tom Petty, "Free Fallin'," Full Moon Fever, MCA, 1989Tom Petty and the Heartbreakers, "Even the Losers," Damn the Torpedoes, Backstreet, 1979Tom Petty and the Heartbreakers, "A Woman In Love (It's Not Me)," Hard Promises, Backstreet, 1981The Beatles, "Taxman," Revolver, Parlophone, 1966Tom Petty, "I Won't Back Down," Full Moon Fever, MCA, 1989Tom Petty and the Heartbreakers, "American Girl," Tom Petty and the Heartbreakers, Shelter, 1976Common, "The Light," Like Water for Chocolate, MCA, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week's guest curator is Kevin Brown, host of the Tom Petty Project, and we're crafting a playlist filled with our favorite songs from across Tom Petty's career: from his work with Tom Petty & The Heartbreakers, to Mudcrutch, the Traveling Wilburys and more!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape X: https://x.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape Threads: https://www.threads.net/@myweeklymixtape  Bluesky: https://bsky.app/profile/myweeklymixtape.bsky.social  TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's guest curator is Kevin Brown, host of the Tom Petty Project, and we're crafting a playlist filled with our favorite songs from across Tom Petty's career: from his work with Tom Petty & The Heartbreakers, to Mudcrutch, the Traveling Wilburys and more!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape Twitter/X: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

In celebration of the new Deluxe Edtion of Long After Dark, the fifth studio album by Tom Petty and the Heartbreakers, we take a detailed look at how it was made. After Tom Petty connected with Mike Campbell and Benmont Tench to form Mudcrutch in Gainesville, Florida in 1970, they ended up relocating to Los Angeles. There they were able to sign a deal with Shelter Records, but Mudcrutch broke up soon after, leaving Petty under contract as a solo artist. Campbell and Tench began playing in a band with fellow Floridians, Ron Blair and Stan Lynch and they reconnected with Petty to form Tom Petty and the Heartbreakers. Their self-titled debut album was released in 1976 with You're Gonna Get It following in 1978, and they built up a following in the UK especially. For their third album, they teamed up with producer Jimmy Iovine and spent many months recording what became Damn the Torpedoes. The album ended up being a breakthrough for the band, giving them mainstream success for the first time. They continued working with Iovine for their fourth album, Hard Promises. At this point, Ron Blair left the band so they brought in Howie Epstein on bass. They began working on their fifth album, which was produced by Iovine again. Long After Dark was eventually released in 1982. In this episode, drummer Stan Lynch describes where the band was at in this period when they had achieved their dream of success and were trying to figure out where to go next musically. Lead guitarist Mike Campbell explains his collaboration process with Petty for several songs where he would present a fleshed out demo for Petty to write lyrics to. Adria Petty describes being 8 years old when this record came out and shares her memories of this time when her father was writing from darker and more personal place than before. Producer and archivist Ryan Ulyate talks about the country leaning outtakes from these sessions and how Petty left high quality material off the record as he focused on structuring a cohesive album. With Long After Dark (Deluxe Edition), we get a chance to hear an alternative direction for the album that presages the more acoustic songs that Petty would embrace in his later career. From a dark and edgy sound to the record to Petty viewing songwriting as a job to experimenting musically with drum loops and synthesizers to engineer Shelly Yakus being an unsung hero to the band coming to the end of their work with Jimmy Iovine to welcoming the new format of MTV with the “You Got Lucky” video, we'll hear the stories of how the record came together.

Join us in celebrating Tom Petty’s birthday by welcoming his daughter, artist/director Adria Petty to the pod. Adria talks about what it was like losing her father and how she is working through the emotions by honoring him. She shares deeply about the impact he had on her as an artist and her commitment to keeping his legacy alive by releasing and reissuing music and film from his archive. We talk about his Gainesville roots, his first band Mudcrutch, the film ‘Heartbreakers Beach Party’, his generosity and so much more! Adria then launches Amy Helm who discusses her new album, ‘Silver City’, and her experiences on the road from her current tour. She talks about collaborations she has done, and what is next for her. Stay till the end to hear a live version of her song, ‘Money on 7’. -----------------  LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com  LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft  TWITTER https://twitter.com/LaunchLeft  INSTAGRAM https://www.instagram.com/launchleft/  FACEBOOK https://www.facebook.com/LaunchLeft  --------------------- IN THIS EPISODE:  [1:35] Adria talks about losing her father to fentanyl.  [9:08] What is Adria’s connection to Gainesville?  [14:12] When things get tough, how does Adria use art to get through?  [20:19] How can we express our shared humanity and come back together as people? [21:12] What was it like for Adria to have to go through her dads estate and discover all he left behind?  [32:34] Adria discusses Heartbreakers Beach Party and what it’s about.  [35:55] Amy Helm joins the show to talk about her album, What the Flood Leaves Behind.  [38:15] Amy shares about being on the road and touring.  [43:12] We hear about Amy’s record and collaborators she worked with.  [52:03] What types of workshops is Amy creating? [55:28] Listen to a snippet of Money on 7 by Amy Helm.   KEY TAKEAWAYS:  Allow yourself to grieve and feel the loss of someone you love, but also think of the joyful times and how they would want you to be living your life now.  Music, poetry, and art are a beautiful way to create and share your emotions, pain, positivity with the world. It is a way for people to connect with one another.  Tom Petty’s legacy lives on with his daughter, Adria, and all the work that she is doing to continue putting his music and talent out to the world.   RESOURCE LINKS:  LaunchLeft Podcast Smart Link   Links for Adria Petty: Adria Petty's Instagram  Adria Petty's Website    Links for Amy Helm: Amy Helm's Instagram  Amy Helm's Facebook    BIOGRAPHIES:  Adria Petty’s Bio Adria Petty is an American director, editor, art director, and artist.    Amy Helm’s Bio When creating her fourth album, the soulful and reflective Silver City, Amy Helm was guided by her North Star: women’s voices. “Women whispering, singing, shouting their stories - speaking the truth. I wanted to dig into that inherited narrative and reach for what I could.” The epistolary anthology is a collection of conversations that travel through time, exploring and celebrating womanhood in all its complexities. Silver City blends the folk twang of Helm’s childhood with gospel and soul, drawing inspiration from varied stories: the life of Helm’s great-grandmother, the story of a young fan struggling with substance abuse, Helm’s own life as a single mother and hard-touring singer. Recorded at Levon Helm Studios in Woodstock, New York, and produced by Josh Kaufman, the album finds Helm exploring themes of womanhood, single motherhood, and personal struggles, offering songs that are deeply personal and narrative-driven. With Silver City, Helm embraces the beauty of age, survival, and transformation through her powerful, story-rooted performances.

Hoy en La Gran Travesía, con motivo del que sería 74º cumpleaños de Tom Petty, recuperamos sus grandes temas en esta primera parte que abarca desde sus inicios con Mudcrutch y la formación de los Heartbreakers en 1976, hasta el año 1989, cuando salió a la venta Full Moon Fever. ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Silvia Rotlant, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC, Juan Carlos Ramírez, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Jarebua, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, José Luis Orive, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Javi Dubra, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

"Damn The Torpedoes" – volle Kraft voraus, damals wie heute. Mit ihrem dritten Studioalbum schafften es Tom Petty And The Heartbreakers endgültig auf die ganz großen Bühnen des Rock 'n' Roll. Tom Petty And The Heartbreakers haben alle Songs gemeinsam live im Studio von Mike Campbell eingespielt – und das hört man auch. Petty selbst soll mal gesagt haben, dass jeder Song von diesem Album mit einer einzigen Akustikgitarre spielbar sein soll – und das ist er, so SWR1 Musikredakteurin Katharina Heinius. Der Erfolg des Albums, insbesondere ihres ersten Songs "Refugee", ist auch der Tatsache zu verdanken, dass das Video zum Song unerwartet ab 1981 auf MTV in Rotation gelaufen ist. Die Band drehte das Video ursprünglich als Promo für eine Fernsehshow, bei der sie nicht vor Ort spielen wollten. Dass dieses Video durch den Musik-Videosender MTV ein zweites Leben eingehaucht bekommen würde, hatte keiner voraussehen können. Doch der erfolgreichste Song des Albums wurde "Don't Do Me Like That". Er erreichte die Top 10 der Billboard Hot 100 Charts in den Vereinigten Staaten und wurde zu einem der bekanntesten Hits der Band. __________ Über diese Songs vom Album "Damn The Torpedoes" wird im Podcast gesprochen (21:19) – "Refugee"(31:02) – "Here Comes My Girl"(40:55) – "Even The Losers"(45:05) – "Don't Do Me Like That"(50:47) – "Louisiana Rain"__________ Über diese Songs wird außerdem im Podcast gesprochen (05:34) – "God's Gift To Man" von Tom Petty And The Heartbreakers(10:00) – "Depot Street" von Mudcrutch(11:34) – "American Girl" von Tom Petty And The Heartbreakers(50:08) – "Don't Do Me Like That" von Mudcrutch__________ Alle Shownotes und weiterführenden Links zur Folge "Damn The Torpedoes" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/tom-petty-and-the-heartbreakers-damn-the-torpedoes-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Today's episode is part two of my wonderful conversation I had with Nora Hayward Olsen; her answers to my ten questions. Nora hit me with a new artist I'd never heard of and was most apologetic about her decision in the choice between Mudcrutch and The Traveling Wilburys! Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/@thetompettyprojectAll music other than the piano version of Wildflowers, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producer: Paul RobertsSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

Text usIn today's episode, guest host Uncle Jesse took listeners on a thrilling ride through spooky stories from the old west. With eerie tales that captured the essence of a time when the west was still wild and untamed, Uncle Jesse kept the suspense high and the chills rolling. The episode featured background music from the Appaloosa Suite and closed with the haunting song Scare Easily by Mudcrutch.Support the Show.Ye olde march shop https://www.aohmerch.comDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43

Part 2 of my conversation with guest Phil Stacey about the music of 2008. Show notes: Phil's #5: My Morning Jacket changes things up Jay's #5: Big space rock ripper from Black Mountain Phil's #4: Springsteen-inspired indie rock from the Gaslight Anthem Jay's #4: Stephen Malkmus gets jammy  Phil's #3: Tom Petty's early band Mudcrutch gets back together Jay's #3: Sloan with an economical power pop release Phil's and Jay's #2: Dark, inspired record from the Gutter Twins Phil's #1: Brooding classic from Death Cab for Cutie  Jay's #1: The Hold Steady hits an anthemic peak  Craig Finn is an atypical yet terrific frontman Favorite songs: "Stay Positive" (Jay), "I Will Possess Your Heart" (Phil) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Today's episode is my ten questions with the amazing Mark Lindsey. As a veteran of over 40 Heartbreakers shows and as a guy who has seen Mudcrutch, Bob Dylan, ELO, and Bob Dylan live, my questions about opening acts, shows Mark would like to see, and Mudcrutch or the Wilburys became all the more interesting. His picks for people to cover Tom Petty songs were also on the money!Don't forget that Mark runs the Sight and Sound Care charity that provides free vision care, including examinations, contact lenses and glasses to musicians and music industry workers all across the US. So if you want to find out more about Sight and Sound Care and even make a donation, please visit: https://www.sightsoundcare.comDon't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise. If you want merchandise for this podcast, please check out https://www.teepublic.com/user/eight-ninety-eight/albums/245634-tom-petty-projectA last very special thanks to Paul Zollo. Without his book, Conversations with Tom Petty, this podcast wouldn't be nearly as much fun to research.Support this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

Yup! It's been 11 years since Laguna's ONLY FM Station, KXFM, was founded! To celebrate this milestone The Coast Highway Shuffle Show is doing what it always does.....play great music for your enjoyment! Listen in for great songs from Foo Fighters, Mudcrutch, Steve Stevens, Paul Carrack, The Fixx, Ryan Adams, The Pawnshop Kings, Eric Gales, Counting Crows and SO MANY more! Plus, we share a 3 song "headset" in a tribute to the late Rudolph Isley of the great Isley Brothers Band!! Enjoy, and HAPPY ANNIVERSARY!!!!

Charlie Souza discusses Mudcrutch; working with Gregg Almann and Tom Petty & the Heartbreakers; the early-70s bands--glam rock White Witch, blues rock Cactus, and rock Bacchus; and Radio St. Pete. [...]

Charlie Souza discusses Mudcrutch; working with Gregg Almann and Tom Petty & the Heartbreakers; the early-70s bands--glam rock White Witch, blues rock Cactus, and rock Bacchus; and Radio St. Pete. [...]

YUH 145 is yet another Aaron's Audio Edibles, and this time it is 2, the second album by Mudcrutch.  In the mid 1970's Tom Petty, guitarist Mike Campbell and bassist Benmont Tench were gaining a reputation in Gainesville Florida.  Their brand of southern tinged rock and roll was so well received the boys decided to take the next step.  When they took a road trip to Hollywood in search of their dream, they landed an album deal snd decided to upgrade their ambiguous band name to Tom Petty and the Heartbreakers.  2016's 2 was the second album by the re-formed group.  Our returning guest, Admin Thea from the Rock and Roll Heaven Podcast, was fortunate to catch them in a small venue on the tour to support the record, and gives us a full report!  YeahUhHuh #Midcrutch #tompetty  #Podcast #RockAndRollHeavenpodcast #mikecamobell #thedirtknobs #tompettyandtheheartbreakers  2 Mudcrutch Track list Phil's Rankings 1. Trailer 2  Dreams of Flying 3 Beautiful Blue 4 Beautiful World 5 I Forgive it All 6 The Other Side of the Mountain 7 Hope 8 Welcome to Hell 9 Save Your Water 10 Voctim of Circumstance 11 Hungry No More 2 Mudcrutch on Spotify https://spotify.link/KQF2xVCsyDb YUH Theme by David T and Mojo 3 https://www.amazon.com/Insanity-Sobriety-Blues-David-Mojo3/dp/B091N8BJNB Midnite Vultures on Spotify: https://open.spotify.com/album/5Mk8LGoWoPg0igqQXprzfR?si=O4AJK6r2R6OggFlD6VDc6w Rock and Roll Heaven Podcast on Spotify ⁠https://open.spotify.com/show/02fL1VgT7JDmYcRhtvvOP1?si=uzy69JnBQUm6XulGX1SRog&app_destination=copy-link⁠ Rock snd Roll Heaven on Facebook (Thea is the admin): ⁠https://www.facebook.com/RockandrollLT?mibextid=LQQJ4d⁠ Yeah Uh Huh Social Stuff: Yeah Uh Huh on TikTok  https://www.tiktok.com/@yeahuhhuhpod Yeah Uh Huh on Facebook  https://facebook.com/YeahUhHuhPod Yeah Uh Huh on Twitter  https://twitter.com/YeahUhHuhPod Yeah Uh Huh on Spotify   https://open.spotify.com/show/7pS9l716ljEQLeMMxwihoS?si=27bd15fb26ed46aa Yeah Uh Huh on Apple Podcasts   https://podcasts.apple.com/us/podcast/yeah-uh-huh/id1565097611 Yeah Uh Huh Website:  https://yeah-uh-huh.wixsite.com/yeahuhhuhpod --- Send in a voice message: https://podcasters.spotify.com/pod/show/yeah-uh-huh/message

I stand corrected about Jimmy Buffett's success, not to mention his impact on our culture. I mentioned on the radio show and podcast the numbers of recordings. Here are the facts: 32 studio albums, 11 compilation albums, 14 live LPs, one soundtrack LP and 67 singles! Jimmy was a very busy guy. He brought out the “party” in people. He also got melancholic. Like He Went to Paris. He wrote after meeting a musician, a one-armed veteran of the Spanish Civil War. It was a song he rarely played live and found out that Bob Dylan liked the song, and it was later recorded by Waylon Jennings and Doug Supernaw. Thank you, Jimmy and if you don't mind, save us a place in the next room. There's also a new journey we're on to hear where some successful artists were before they gained their star. Tom Petty's Mudcrutch, Ed King's Strawberry Alarm Clock and Skynyrd and so on. This time it's Gerry Rafferty, with 3 different groups. Good stuff. Fairly historical. Hope you like. Sure, there's a boatload of great LP cuts from the 60s and 70s. Your financial support of Tales Vinyl Tells is so appreciated from all who have already signed up and those who will in the future. Maybe today? Check out my story at patron.podbean.com/talesvinyltellssupport. Hat tip and thanks to each and all of you for listening/reading/sharing. Listen live at 5PM Central time on RadioFreeNashville.org, in Nashville at 103.7 & 107.1 FM, and the podcast is a replay of the radio program on http://www.studiomillswellness.com/tales-vinyl-tells, as well as a lot of podcast spots, Google, Apple, Spotify etc.

Col palinsesto autunnale Bollicine torna al vecchio orario (17.35) e dedica la prima puntata, dopo quasi sei anni dalla sua scomparsa, a Tom Petty: una cavalcata lunga quarant'anni tra dischi solisti e illustri collaborazioni, come i Traveling Wilburys (il supergruppo con Dylan e Harrison tra gli altri) e i Mudcrutch.

This episode's guest is Kevin Brown, who is the host of an absolute must listen podcast for any Tom Petty fan called “The Tom Petty Project”. Kevin digs into Tom Petty's catalogue, starting with the first track from the debut Heartbreakers album, all the way through to the final song from ‘Mudcrutch 2'. He also gets into the outtakes, B-sides, and other Tom Petty related material. With today being TP's birthday, Kevin is here to talk about the legacy of Petty's music, some of Kevin's favorite Tom Petty books and more!Listen to a playlist of the music discussed in this episode: https://open.spotify.com/playlist/0D0Gaqeqw4qRVYQAOguJ6r?si=e08850cf0b8e43f5Listen to "The Tom Petty Project" podcast: https://podcasts.apple.com/us/podcast/the-tom-petty-project/id1580769475Follow "The Tom Petty Project" Podcast:Facebook: www.facebook.com/thetompettyprojectTwitter: https://mobile.twitter.com/tompettyprojectInstagram: www.instagram.com/thetompettyprojectThe Booked On Rock Website: https://www.bookedonrock.comFollow The Booked On Rock with Eric Senich:FACEBOOK: https://www.facebook.com/bookedonrockpodcastTWITTER: https://twitter.com/bookedonrockINSTAGRAM: https://www.instagram.com/bookedonrockpodcastSupport Your Local Bookstore! Find your nearest independent bookstore here: https://www.indiebound.org/indie-store-finderContact The Booked On Rock Podcast:thebookedonrockpodcast@gmail.comThe Booked On Rock Music: “Whoosh” & “Nasty” by Crowander (https://www.crowander.com)

La emisión de nuestro capítulo 100 coincide el quinto aniversario de la inesperada muerte de Tom Petty, el 2/10/2017. Motivo por el que le dedicamos un sentido homenaje para rememorar su historia, la de sus discos y la de sus canciones, a través de 19 temas con los que repasamos toda su discografía, en solitario, con sus Heartbreakers y con Mudcrutch. Tom Petty nunca ha actuado España, así que casi todos los temas seleccionados son versiones en vivo para apreciar su garra y carisma. Una sobredosis accidental de medicamentos para paliar los dolores de su cadera rota, el insomnio y la ansiedad, le provocó un paro cardiaco, cuando estaba en plena gira por sus 40 años de carrera rockera. No he sido consciente de ello, pero poco a poco, mi admiración por Tom Petty es absoluta. Así que creo que una muy buena forma de celebrar este capítulo 100 es homenajearlo. Esta son las canciones que nos sirven de guía: TOM PETTY & THE HEARTBREAKERS - American Girl - Tom Petty & The Heartbreakers TOM PETTY & T. H. - I Need To Know - You´re Gonna Get It TOM PETTY & T. H. - Century City - Damn The Torpedoes TOM PETTY & T. H. - A Woman In Love - Hard Promises TOM PETTY & T. H. - You Got Lucky - Long After Dark TOM PETTY & T. H. - Southern Accents - Southern Accents TOM PETTY & T. H. - Jammin´ Me - Let Me up (I´ve Had Enough) TOM PETTY - Running Down A Dream - Full Moon Fever TOM PETTY & T. H. - Mary Jane´s Last Dance - Greatest Hits TOM PETTY - You Wreck Me - Wildflowers THE LONG RYDERS - Walls (She´s The One) - Psychedelic Country Soul TOM PETTY & T. H. - Oh Well (Fleetwood Mac) - The Live Anthology TOM PETTY & T. H. - Have Love, Will Travel - The Last DJ TOM PETTY - Square One - Highway Companion TOM PETTY & T. H. – I Should Have Known - Mojo TOM PETTY & T. H. - Fault Lines - Hypnoptic Eye MUDCRUTCH - Lost In Your Eyes (Mudcrutch Outtake) MUDCRUTCH - Trailer - Mudcrutch 2 TOM PETTY - It´s Good To Be King – Wildflowers

La emisión de nuestro capítulo 100 coincide el quinto aniversario de la inesperada muerte de Tom Petty, el 2/10/2017. Motivo por el que le dedicamos un sentido homenaje para rememorar su historia, la de sus discos y la de sus canciones, a través de 19 temas con los que repasamos toda su discografía, en solitario, con sus Heartbreakers y con Mudcrutch. Tom Petty nunca ha actuado España, así que casi todos los temas seleccionados son versiones en vivo para apreciar su garra y carisma. Una sobredosis accidental de medicamentos para paliar los dolores de su cadera rota, el insomnio y la ansiedad, le provocó un paro cardiaco, cuando estaba en plena gira por sus 40 años de carrera rockera. No he sido consciente de ello, pero poco a poco, mi admiración por Tom Petty es absoluta. Así que creo que una muy buena forma de celebrar este capítulo 100 es homenajearlo. Esta son las canciones que nos sirven de guía: TOM PETTY & THE HEARTBREAKERS - American Girl - Tom Petty & The Heartbreakers TOM PETTY & T. H. - I Need To Know - You´re Gonna Get It TOM PETTY & T. H. - Century City - Damn The Torpedoes TOM PETTY & T. H. - A Woman In Love - Hard Promises TOM PETTY & T. H. - You Got Lucky - Long After Dark TOM PETTY & T. H. - Southern Accents - Southern Accents TOM PETTY & T. H. - Jammin´ Me - Let Me up (I´ve Had Enough) TOM PETTY - Running Down A Dream - Full Moon Fever TOM PETTY & T. H. - Mary Jane´s Last Dance - Greatest Hits TOM PETTY - You Wreck Me - Wildflowers THE LONG RYDERS - Walls (She´s The One) - Psychedelic Country Soul TOM PETTY & T. H. - Oh Well (Fleetwood Mac) - The Live Anthology TOM PETTY & T. H. - Have Love, Will Travel - The Last DJ TOM PETTY - Square One - Highway Companion TOM PETTY & T. H. – I Should Have Known - Mojo TOM PETTY & T. H. - Fault Lines - Hypnoptic Eye MUDCRUTCH - Lost In Your Eyes (Mudcrutch Outtake) MUDCRUTCH - Trailer - Mudcrutch 2 TOM PETTY - It´s Good To Be King – Wildflowers

Un californiano llamado Dean Chamberlain, miembro fundador de The Motels, y un londinense, Gary Tibbs, bajista de Adam And The Ants o de Roxy Music, publicaron como Code Blue un único disco homónimo en 1980 junto al batería Randall Marsh, batería de Mudcrutch, el grupo embrión de Tom Petty and The Heartbreakers. Reunidos ambos recientemente con otro batería llegan a España por vez primera y actuarán esta noche en doble sesión en Madrid. Willie Nile estará de gira la semana que viene. DISCO 1 FRIENDSHIP … Breathe Me (ESCALETA) DISCO 2 WILLIE NILE The Day The Earth Stood Still (1) DISCO 3 THE NATIONAL Weird Goodbyes (feat. Bon Iver) (ESCA)  DISCO 4 CODE BLUE Face To Face (Cara A del single)  DISCO 5 THE MOTELS Suddenly Last Summer (Cara 1 Corte 2)  DISCO 6 THE MOTELS Counting (ESCA)  DISCO 7 CODE BLUE Whisper/Touch (Cara A Corte 1) DISCO 8 CODE BLUE Burning Bridges (Cara A Corte 5) DISCO 9  CODE BLUE Other End Of Town (Cara B Corte 1) DISCO 10 CODE BLUE Sweet Misery (Cara B Corte último) DISCO 11 MERRICK (CHRIS HUGHES) & TIBBS Call Of Wild (ESCA) Escuchar audio

Hey folks! Today's episode covers the superb, Don't Do Me Like That, which is the first track from side two of Damn the Torpedoes. If you want to check out the song before we dig into it, you can find it here: https://youtu.be/EFkJ_BOz88E I start the episode by paying tribute to Taylor hawkins, one of the most brilliant and charismatic rock drummers of the past two decades, who we sadly lost this past week. Check out this fantastic video of him talking drums and music here: https://youtu.be/PwjEc8S0PRoYou can find the 1974 Mudcrutch version of the song here: https://youtu.be/vuEdZVX4B-8If you want to hear what a leslie sounds like and see how it works, check out this really short video here: https://youtu.be/F4XSZ1haPk4 And if you want to go deep on the recording process, including what types of mics were used for different instruments etc. check out the superb "Produce Like a Pro" episode featuring Damn the Torpedoes engineer Shelley Yakus here: https://youtu.be/5zoCsq-oBjA If you are able to donate to humanitarian aid relief efforts in Ukiraine, financially, the Red Cross is coordinating a large-scale effort which you can contribute to by visiting their website here: https://donate.redcross.ca/page/100227/donate/1Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including the theme song, provided by Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

Hey all. Today is Jake Thistle's 18th birthday and I wanted to put out this edit which showcases the songs he played during the live stream that we did on February 2nd. There are six Tom Petty (and the Heartbreakers) songs, 1 Mudcrutch song and one of Jake's originals in this episode and hope you enjoy them all as much as I did. Don't forget to check out Jake's Youtube channel here: https://www.youtube.com/c/jakethistleYou should also support him by going to his website to pick up music and merchandise: https://jakethistle.com/If you are able to donate to humanitarian aid relief efforts in Ukiraine, financially, the Red Cross is coordinating a large-scale effort which you can contribute to by visiting their website here: https://donate.redcross.ca/page/100227/donate/1Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show:Facebook: https://www.facebook.com/thetompettyprojectTwitter: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyproject/YouTube: https://www.youtube.com/channel/UCt6BLRWuuAR43zHpNKIirOwAll music, including theme song provided by Randy Woods. Check him out at https://www.randywoodsband.com/Logo provided Ed Booth, who you can find here: https://edboothart.com/Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

DEV WULF The story of the native Houstonian begins with his hometown as the opening backdrop for a long journey in musical identity. From playing in bars on Saturdays and churches on Sundays, the Texicana frontman would gain a versatile understanding of multiple genres spanning from rock, hip-hop, blues, and country. Since his move to Dallas in 2008, the Americana singer would go on to open for national acts including Shane McDonald, Leagues, Grace Potter, Devon Gilfillian, Black Joe Lewis, Sir Earl Toon (Kool & the Gang), and Grady Spencer & the Work while performing with the band and as himself. While continuing his active work with Texicana, he is currently sitting in as a lead guitarist and vocalist for rapper, Moses Uvere. TEXICANA! “What would happen if we started a band together?” As Chris J Norwood and Dev Wulf recall, that's the resonating question at a round table in an old East Dallas bar; just audibly above an old cash-operated jukebox. Lakewood Landing would be the birthplace of a new idea between a trio of musicians and a few beers. The buzzing room of ideas would later evolve into an Americana outfit with joining members, Chris Pitts and Kelly Huffman, offering a unique rhythm section drawing from folk, rock, country, and jazz. Starting with little known icons, Big Star and Mudcrutch as influencing introductions, Texicana's early releases gave insight to their creative beginning with cover tunes, followed by their debut EP, No Good Reason. The Dallas Observer describes Texicana's nostalgic Americana and bluesy rock “as good for the soul,” during a time when COVID-19 closed down the country. Their latest offering, “Little Bit of Trouble,” continues to offer that good-for-the-soul feeling with songs that, as Central Track put it, “…feel like a trip down Elm Street with the windows down.” Texicana has gone on to win Best Folk & Americana Act and Best New Act of 2020 by the Dallas e-magazine Central Track, nominated Best Americana Act by the Dallas Observer, and winner of 91.7 KXT's Tiny Cake Contest. They've shared the stage with national acts Grace Potter, Devon Gilfillian, Black Joe Lewis, Southern Avenue, and Grady Spencer & The Work. Their EP, “Little Bit of Trouble,” is the latest to be released by Texicana and is available digitally wherever music is available. You can follow Dev Wulf on Instagram as @wulfsounds and Texicana as @texicanaband. Visual Promotions (Dropbox links) Dev Wulf: (Photo by Rico Deleon, @ricostudios) https://www.dropbox.com/s/jh72nvnqjlcm9a3/407E1D50-C6D2-4E2F-8EC8-2660073E6951.jpeg?dl=0 Texicana: (in order of appearance: Chris J Norwood, Dev Wulf, Chris "CP" Pitts, and Kelly Huffman. Photo by Rico DeLeon, @ricostudios) https://www.dropbox.com/s/vcj8yh9vxdmz1ad/Texicana-101521DWide_ricostudios-6822.jpg?dl=0 Other Links: Spotify https://open.spotify.com/artist/362xoEjEFgj1Z3MychMYBt?si=_0inybgqSc-j76F2U6GL6A Texicana Website www.texicanaband.com --- Support this podcast: https://podcasters.spotify.com/pod/show/grayson-mask/support

Today's episode is a very special one for me. I threw a hail mary and contacted Jon Scott a few weeks ago to see if he'd be willing to jump on a call with me to discuss Tom Petty and dig into his Memoir, Tom Petty and Me (My Rock n Roll Adventures With Tom Petty). To my delight, he agreed, and we recorded a long, wide-ranging conversation on the 18th of October. Rather wonderfully, this means that I'm able to release the episode on Tom's birthday by way of a small tribute. The conversation has been broken into two parts as I wanted to preserve as much of our discourse as possible as I thoroughly enjoyed it and hope that you will to! Please note that there is some profanity in this episode, which is all used in context of actual quotes from Jon's book.Make sure you check out Jon's website. If you're downloading this today, he has a two for one offer to purchase his fantastic book right now. I cannot recommend it highly enough and if you're a Pettyhead who hasn't read it, you're really missing out. Go to Jon's website at https://tompettyandme.com/In the episode, Jon talks about the live version of Breakdown recorded at the Capitol in 1977, which you can listen to hear: https://youtu.be/mx0JBnvJk24. He also mentions the Mudcrutch song Depot Street, which you can find here: https://youtu.be/wHPe2yPAQYYThis was an absolute thrill for me to record and edit and I hope you enjoy listening to Jon as much as I did.Don't forget to follow us on social media:FB: https://www.facebook.com/thetompettyprojectTW: https://twitter.com/TomPettyProjectIG: https://www.instagram.com/thetompettyproject/Support this show http://supporter.acast.com/the-tom-petty-project. See acast.com/privacy for privacy and opt-out information.

Welcome to our first ever fan-picked topic! We asked what you most wanted to hear, and Tom Petty was the clear winner. Leah walks through his entire musical career, from Mudcrutch to solo work, and everything in between. As a special bonus, you'll hear from Brian Colburn from Playlist Wars about the album Wildflowers (and more!). Visit Our Website: https://www.shewillrockyou.com Follow us on TikTok: https://www.tiktok.com/@shewillrockyoupodcast Follow us on Instagram: https://www.instagram.com/shewillrockyoupodcast Shop Our Merchandise: https://she-will-rock-you.creator-spring.com/ About the Show: The goal of She Will Rock You has always been to educate our listeners. Whether that is about a classic rock artist or a new and emerging artist. We want to help promote new rock artists, especially those who are women or minorities. Rock and roll is not dead, and we aim to do everything that we can to spread the love. --- Send in a voice message: https://anchor.fm/she-will-rock-you/message Support this podcast: https://anchor.fm/she-will-rock-you/support

In part one of their Tom Petty Heavy Hitters episode TJ2 of the Rock and Roll Heaven Podcast challenged their listeners to come up with a set list for one of Tom's pet projects, The traveling Wilburys. We thought about listing them on one of their social media sites. But as we reviewed The Traveling Wilburys Volume 1 and 3 and some of the non-Wilbury work the members of the super group produced, Sissi, Aaron and I decided to do a companion podcast with our own picks where we could talk about them. We navigated through some chaos and confusion about the nature of the task to come up with the following. Check the social media sites at the bottom for the complete lists... Rules - 4 songs by each of the members of the Traveling Wilbury's. These couldbe from any song the artist appeared on in any capacity. Wide open. In the case of George Harrison, Beatle songs were permitted (why wouldn't they be?). Petty's work with Mudcrutch? Absolutely! You get the idea. - 4 songs from the two albums the group released as a band. Pretty simple. - 4 encores. This one really went sideways. Both Aaron and Lisa claim I did not make the encore stipulations clear, so I will take the blame. In the end, we did a composite of 4 tunes we all mostly agreed upon. But if there was one aspect of this homework assignment we failed it was this one. Socials https://twitter.com/YeahUhHuhPod https://instagram.com/YeahUhHuhPod https://facebook.com/YeahUhHuhPod https://yeah-uh-huh.com           --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/lisa-huey/message

In the years since Tom Petty's passing, his music rings authentic and sounds just as it was meant to be - timeless. We uncover why he is, and they are, the band that has best represented American Rock music for 40 years – a deserved title for Petty and the Heartbreakers. And we choose the Essential 7  - the albums of Tom Petty. It's a band with a long history, going back to the original Mudcrutch days. Giving them the nod as the quintessential American rock and roll band is no small honor. Petty and his boys owned the whole package, and they shared it on album and on stage for 40 years. Writing, passion, craftsmanship, music loved across age groups.  loud American rock and roll guitars, sweet-ass rock and roll hooks. Links: "She's The One" Documentary Hear our extra Spotify playlist for this episode: The Essential 7 Albums of Tom Petty / Songs + More Subscribe to RockPopandRoll: Apple Podcasts Spotify Stitcher Google Podcasts Or wherever you get your podcasts. Contact us: EMAIL: rockpoprollpodcast@gmail.com  TWITTER: http://twitter.com/80srockpopandroll WEBSITE: rockpopandroll.com

Damn the Torpedoes is the third studio album by Tom Petty and the Heartbreakers, and is the album where the group truly broke out into serious commercial success.  They had done well with their first album, with "Breakdown" breaking into the top 40, and "American Girl" receiving some air play.  But this album took the group to a different level.  Damn the Torpedoes was their first top 10 album, peaking at number 2 on the Billboard album charts for 7 weeks.  They were unfortunately kept out of the number 1 slot by the release of Pink Floyd's The Wall.Tom Petty and the Heartbreakers are Mike Campbell on guitars and keyboards, Benmont Tench on keyboards and backing vocals, Ron Blair on bass, Stan Lynch on drums and backing vocals, and of course Tom Petty on lead, rhythm guitar, and harmonica.  Petty also produced the album.Damn the Torpedoes takes its name from Admiral Farragut's famous Civil War quote, but also reflects an attitude that the band was feeling.  At the time ABC Records was their distributor and assigned the contract to MCA.  Petty said that they couldn't assign the contract without permission.  MCA sued, and Petty declared bankruptcy as a strategic move to keep MCA at bay.  They finally settled by signing a new contract with Backstreet Records, which was an MCA subsidiary.The times were good for Petty's style of throwback rock and roll.  Disco was quite commercial and beginning to wane, and New Wave was just beginning its run.  MTV would also be a couple of years in the future.  The rock world was starved of solid rock and roll, and Petty was ready to step into the void with tight, radio-friendly singlesWe think this album is a winner, but as you know, even the losers get lucky sometimes! RefugeeThis is the second single from the album, released in January 1980.  It went to number 15 on the Billboard Hot 100.  Petty and Mike Campbell wrote this, and it was one of the first songs Campbell wrote.  The song reflects the band's reaction to the pressures of the music business, and the struggle they had with MCA.What Are You Doin' In My Life?A deeper cut, this track is about a stalker girl that the guy can't make go away.  "Well, you're the last woman in the world that thrills me.  Now you got my girlfriend trying to kill me.  Honey, my friends think that I've gone crazy.  Can't you figure out that you ain't my baby?"Even The LosersBelieve it or not, this was not released as a single on the album outside of Australia.  There's a story behind this song.  Petty had a crush on a girl named Cindy in junior high school.  Years later in Gainesville, Florida, he hooked up with Cindy.  The next morning, Cindy told him their relationship consisted of only that night.  During that night, Petty realized that he needed to be in a rock and roll band, and this song sums up that night.Don't Do Me Like ThatThis is the first single from the album.  Petty wrote the song back in 1974 with a band called Mudcrutch.  This was Petty's first top 10 hit, reaching number 10 on the Billboard Hot 100.  The singer relays the story of a friend who got his heart broken, and asks that his girlfriend not do the same.  I really like the sound of the organ on this piece. ENTERTAINMENT TRACK:The Rose by Bette Midler (Main Theme from the motion picture The Rose)The song was a huge hit for Midler.  She played the main character, Mary Rose Foster, in this movie loosely based on the life of Janis Joplin. STAFF PICKS:You're Only Lonely by JD SoutherRob starts off the staff picks with a track  from Detroit born, Amarillo raised JD Souther.  His former roommate, Glenn Frey, sings backup on this song, along with Phil Everly and Jackson Browne.  JD Souther co-wrote a number of songs for the Eagles, which explains why this song may have a bit of an Eagles sound to it. Driver's Seat by Sniff N' The TearsWayne's brings us a one hit wonder.  It maintains a simple chord structure throughout, but builds in intensity as the song progresses.  Although we think of it as a driving song, the lyrics are really about disjointed feelings following a breakup, and not understanding how things would be over with someone you had been with so long.Good Girls Don't by The KnackBrian's staff pick was the follow-up to the massive hit "My Sharona."  Lead man Doug Fieger wrote this song in 1972, but couldn't get anyone to pick it up at the time.  He hated it by the time The Knack tried it, and they got it right in one take. Jane by Jefferson StarshipBruce brings us a hit from Jefferson Starship while Georgia native Mickey Thomas was front man.  It peaked at number 14 on the Billboard Hot 100.  Bassist David Freiberg wrote the lyrics (along with Jim McPherson) inspired by an old girlfriend. INSTRUMENTAL TRACK:Is There Anybody Out There by Pink FloydWhen The Wall kept Damn the Torpedoes stuck at number two, Tom Petty told Westwood One, "I love Pink Floyd but I hated them that year."

Show Notes - Show 23 Steve Litchfield and Ted Salmon Join Us at MeWe Chewing Gum for the Ears - Steve - Ted The Noughties! Coldplay, Parachutes (2000) U2, All That You Can’t Leave Behind (2001) Sigur Ros, () (2002) Bruce Springsteen, The Rising (2002) Amy Winehouse, Back to Black (2006) Duffy, Rockferry (2008) Mudcrutch, Mudcrutch (2008) Karnataka, Strange Behaviour (2004) Touchstone, Wintercoast (2009) Catatonia, Equally Cursed & Blessed (2000) Garbage, Beautiful Garbage (2001) Norah Jones, Come Away With Me (2002) Vanessa Carlton, Be Not Nobody (2002) Dido, Life for Rent (2003) Ian Hunter, Strings Attached (2003) Joss Stone, Mind Body & Soul (2004) Amy Winehouse, Frank (2003) The Cast, Sweeney Todd: The Demon Barber of Fleet Street (2007) Regina Spektor, Far (2009) Amy Winehouse: The Final Goodbye Thanks Links Amazon Steve - DropBox Steve - Amazon Ted - PayPal Me Ted Links of Interest PodHubUK - Twitter - MeWe PSC Group - PSC Photos - FlickR - PSC Classifieds - WhateverWorks - Better Before - Camera Creations - TechAddictsUK - The TechBox - Chewing Gum for the Ears - Projector Room - PixelSwim - coolsmartphone - Gavin's Gadgets - Ted's Salmagundi - Steve's Rants'n'Raves - Ted's Amazon - Steve's Amazon

Además de miembro de los Heartbreakers y colaborador de Fleetwood Mac, Mike Campbell ha estado tocando desde hace 15 años en un cuarteto llamado los Dirty Knobs, con un toque que recordaba a Mudcrutch. “Irish Girl” es uno de los 13 cortes que conforman su álbum de debut Wreckless Abandon, que quedó en el limbo con la llegada de la pandemia Es un tema lleno de poesía del propio Mike Campbell inspirado por haber estado conduciendo a altas horas de la madrugada de regreso a su casa escuchando a Van Morrison en la radio. Al llegar al hogar escribió el tema. Durante la pandemia, los Avett Brothets anunciaban la edición de The Third Gleam, con los hermanos Scott y Seth Avett junto al bajista Bob Crawford regresando a los primeros tiempos de la formación. A lo largo del proyecto escriben sobre el prejuicio histórico, la fe, la disparidad económica, la violencia con las armas de fuego, el encarcelamiento, la redención y la mortalidad. Todo ello arropado por una casi espartana sencillez instrumental. “Victory” es uno de los momentos mágicos de esa publicación de ocho canciones. Es una forma perfecta de compartir el arte en lo que parece ser una noche relativamente larga y oscura. El pasado martes supimos sobre los premios de la Americana Music Association, que suele ser el momento cumbre de su anual AmericanaFest, que reparte actuaciones y eventos por Nashville durante una semana y que debido a la pandemia fueron cancelados. Nacida en Nashville, Brittany Haas es la nueva Instrumentista del Año para la AMA. En TOMA UNO la conocimos formando parte de una banda de bluegrass como Crooked Still, donde coincidió con Aoife O'Donovan, actualmente en I'm with Her. Aquel grupo de Boston se dio un respiro y a partir de 2018, Brittany Haas es miembro de Hawktail. El último trabajo del cuarteto es Formations, donde está incluida “Annbjørg”, inspirada en una de sus héroes del violín, Annbjørg Lien. John Prine fue elegido Artista del Año. Desgraciadamente, el artista murió el 7 de abril con 73 años. Con Brandi Carlile en los coros vocales, “Boudless Love”, compuesto por John Prine junto a Pat McLaughlin y Dan Auerbach, fue otro de esos regalos tan maravillosos como inesperados que repartió a lo largo de sus muchos años de magisterio. Se convirtió en el último álbum de un artista que regresaba con un disco de temas nuevos tras 13 años sin hacerlo. Con el productor Dave Cobb supervisando las sesiones, The Tree of Forgiveness parece grabado en una reunión informal a la luz de una fogata nocturna, sin nada impostado, convirtiendo la veteranía de su protagonista es un activo más que en un inconveniente. El vocalista Eric Burton, que siempre nos recuerda a Steve Winwood, y el guitarrista Adrian Quesada formaron Black Pumas hace tres años y en el pasado 2019 publicaron su disco de debut con el nombre del dúo como título, siendo nominados al Grammy como Mejor Nuevo Artista. Quesada había formado parte del Grupo Fantasma, una banda de toques latinos. Se encontraron en Austin, Texas, y decidieron aunar fuerzas como Black Pumas y moverse en el terreno de la Americana, sin olvidar su respeto por los sonidos de Curtis Mayfield y el soul de los 70 y 80. "Confines" es una de las canciones que han convencido a la Americana Music Association para premiarlos como Artistas Emergentes del año. The Highwomen han sido las grandes triunfadoras de la última edición de los premios de la Americana Music Association. La última sensación femenina en forma de supergrupo reunió en formato de cuarteto a Brandi Carlile, Maren Morris, Natalie Hemby y Amanda Shires, que fue la que tuvo la idea inicial como respuesta a la falta de mujeres sonando en las emisoras de radio. El nombre tiene que ver con The Highwayman, el supergrupo formado en los 80 por Johnny Cash, Willie Nelson, Waylon Jennings y Kris Kristofferson. “Redesigning Women” fue el single de anticipo de su álbum de debut que produjo Dave Cobb La canción, compuesta por Natalie Hemby y Rodney Clawson, trata sobre la maternidad, las luchas profesionales, las expectativas sociales y los distintos roles que desempeñan las mujeres diariamente. Su disco homónimo también fue premiado como Álbum del Año y su tema “Crowded Table”, una canción que Natalie Hemby y Brandi Carlile compusieron con Lori McKenna y que se convirtió en un himno que desde que la estrenaron en el último Newport Folk Festival en el que participaron. La nueva canción de Michaela Anne, con un vídeo especialmente divertido y un título que lo explica todo, “If I Wanted Your Opinion”, formó parte del último álbum de la artista de Brooklyn, que creció a saltos entre Washington, California, Virginia, Michigan e incluso Italia. Ha sido esa personalidad errante la que definió las características de ese trabajo, Desert Dove, en el que reflexiona sobre la soledad, el amor, la conexión entre las personas y, por supuesto, la carretera. Ese un álbum, que no ha tenido continuación lógica debido a la pandemia, se ha convertido en vital para su progresión, contando con el apoyo de Sam Outlaw y Kelly Winrich de Delta Spirit, con quienes se marcho hasta San Clemente, en California, para completar una colección exuberante de sueños musicales, con el cielo como límite. Kacy & Clayton, que pasaron por España el pasado año, y Marlon Williams han encontrado en el álbum Plastic Bouquet, que publicarán a mediados de diciembre, la mejor manera de compartir su cariño por la tradición musical, aunque Saskatchewan, en Canadá, y Christchurch, en Nueva Zelanda, no están precisamente cerca. La química es evidente en temas como "I Wonder Why". Firefall fue una excelente banda de folk rock en la segunda mitad de los 70 y primeros 80. Sus miembros habían tenido experiencias en distintas formaciones anteriores, pero sería su encuentro en la banda de acompañamiento de Chris Hillman tras su debut en solitario con Slippin’ Away cuando se gestó el proyecto. Apareció Rick Roberts desde los Flying Burrito Brothers y se sumaron Jock Bartley, Mark Andes, Larry Burnett, David Muse y Michael Clarke, el ex batería de los Byrds. Así nació Firefall, que todavía sigue en activo como demuestra la publicación de su último trabajo de estudio, Comet, un soplo de aire fresco con mucho de emotiva mirada por el retrovisor como ocurre en “Way Back When”, que recuerda aquellos convulsos tiempos de los 60. The Wild Feathers utilizaron estos tiempos de confinamiento para poner al día sus archivos y recopilar canciones que ahora han completado Medium Rarities En el álbum encontramos maquetas, caras B y algunas curiosas versiones inéditas como "Blue" de los Jayhawks, "Almost Cut My Hair" de Crosby Stills, Nash & Young y "Guitar Man" de Bread, cuyo líder, David Gates, se hizo octogenario hace unos días. Ese nativo de Tulsa, en Oklahoma, empezó tocando junto a Leon Russell en los bares de la zona hasta que se marchó a California, formando Bread en Los Angeles y pasando a ser uno de los mejores ejemplos del llamado soft rock de los 70. “Guitar Man” fue el tema central de su quinto álbum. Calexico han regresado justo a tiempo para la Navidad y su nuevo álbum tiene que ver con esta etapa. Se trata de Seasonal Shift, convertido fundamentalmente en una celebración intercultural focalizada en los recuerdos. En el trabajo, Joey Burns y John Convertino han incluido un par de versiones de Tom Petty e incluso John y Yono, además de tener invitados de muy distintos puntos geográficos, lo que lleva a abarcar desde el fado portugués a las canciones populares mexicanas. “Hear The Bells” es una historia que podría tener distintos significados y que esta vez se ha centrado en las tradicionales de estas fechas que se mantienen en Tucson, Arizona, donde la pareja tiene su base de operaciones. Cada año, en la fecha más cercana a la Navidad hay una canción que siempre suena en el tiempo de TOMA UNO para transmitir los mejores deseos de cara a estas fiestas. Los más veteranos oyentes saben que se trata de “Colorado Christmas”, el maravilloso regalo navideño que compuso Steve Goodman y nos transmitieron desde 1987 la Nitty Gritty Dirt Band. El grupo ha grabado en más ocasiones la canción, pero esta fue la primitiva versión, en la que contaron con Emmylou Harris en los coros. Con ella queremos expresaros el enorme cariño y respeto que sentimos por cada uno de vosotros, desearos lo mejor para terminar de una vez con este extraño 2020 y confiar en que el próximo año todo sea infinitamente mejor y, además, nos veamos en los conciertos. ¡Feliz Navidad! Escuchar audio

Turntable Tuesday!The Dirty Knobs' "Wreckless Abandon"This week Andrew shares some background on the brand new release led by Mike Campbell from Tom Pettys' Heartbreakers band, Mudcrutch, and Fleetwood Mac. This over one decade old band has just released an incredible album of music that will rock your world. "The Dirty Knobs" are something to hear! Listen in for the background on the album as well as the latest tour details as of this week.Don't miss this episode! Tune in, subscribe, and listen!This is the unedited and raw companion podcast to my blog and photo gallery at:https://www.andrewtalbert.com/http://www.worldwidemusicmedia.com Series 2020  Episode 21

Mike Campbell, guitarist, co-writer and original Heartbreaker talks to Rick Rubin about growing up with Tom Petty, working on Wildflowers and about his new album, Wreckless Abandon, with band The Dirty Knobs. It’s the first band Mike’s ever been a part of without Petty - who he started playing with in the early 70’s in Mudcrutch. And it’s the first time Rick’s been able to catch up with Mike since Tom’s passing. They talk about their work together and how the Heartbreakers always managed to find new life ... plus Mike, for the first time, tells the story of how he wrote the riff for “Runnin' Down A Dream." Subscribe to Broken Record's YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast You can also check out past episodes here: https://brokenrecordpodcast.com/ You can find some of our favorite songs by and featuring Mike Campbell by clicking HERE — enjoy! Learn more about your ad choices. Visit podcastchoices.com/adchoices

1- Sam Davidson , Going Home (New 2020)2-Minefield,Alone Together ( New Single2020)3-Wily Bo Walker/E.D. Brayshaw,Walk In Chinese Footsteps (New Single 2020)4-Kilfeather , Beneath The Silence (New Single 20205-The Kokomo Kings,Buckle Up (New Single 2020)6- Ricky Warwick,Fighting Heart ( New Single 2020)7-Thunder,Last One To Turn Out The Lights(New Single 2020)8-Zenith Moon, Illuminate ( new Single 2020)9-Mojo Preachers,Tattooed Heart(Man Made Made Monster2019)10-Catfish,Broken Down (Exile In. lockdown live!)Making a Scene,The Turn It Up interview  1- Catfish blues band,Break Me Down  2- Catfish Blues band,Ghosts3- Catfish Blues Band,Soulbreaker11- Blackberry Smoke, Shaking Hands With The Holy Ghost (The Whippoorwill 2012)12-Sam Davidson,Lucy May( new 2020)13-Mojo Preachers, Well Worn Friend ( Man Made Monster 2019)14-Black Track blues Band ,Dixie Grill ( Your Baby Has Left 2020)15-George Harrison,Got My Mind Set On You (Cloud Nine 1987)16-Cam Cole ,New Age Blues-( I See 2019)17-Jesper Binzer,Save Your Soul(New Single 2020)18-Steve Wynn.,Make It Up to you (new 2020)19-Blended Brew,Electrified Looser(Shove It Down2020)20-Diamond Head , It’s Electric ( title track 2020)21-Mudcrutch,The Wrong Thing To Do(Mudcrutch 2008)22-Tiffany Pollock Eric Johanson,Diamonds On The Crown ( Blues In My Blood 2019)23-Kenny Wayne Sheppard, Blue On Black(Trouble is 1987)24-Beck And Depp, Isolation (single 2019)25-Calum Jones,One For The Road(Single2020)26-Eric Schenkman, I’m Alright (Who Shot   John 2019)27-John Angus,I’ve Got Your Number.28-Big Pacific,Welcome To The Party29-Ricky Warwick ,Can’t Wait For  Tomorrow(Belfast Confetti 2009)The Producers pick  30-Cream ,Tales Of Brave Ulysses( Disraeli Gears)31-Frank Marino, Juggernaut (Title Track  32-The Walk Offs ,Sorry For Nothing (New Single 2020)33-Kick The Bucket Blues Band ,Swamp Babies 202034-John Angus, Heartbreak Hotel ( 2020)35-The Mighty Mojos,25seconds36-Catfish, The Root Of All Evil ( Exile In Lockdown live )37-AC/DC,Back In Black ( title track 1980)38-The Mighty Mojos , White Lightning  39-King King ,Dance Together (New Single 2020)40- Sam Davidson,Pretty Woman Of Mine.

En la madrugada del pasado viernes se emitió en video HD el primero de los conciertos temáticos que Lucinda Williams ha grabado con el título de Lu's Jukebox en apoyo de promotores y salas de conciertos, que están sufriendo los rigores de esta pandemia. La entrada da derecho a verlo durante 48 horas después de su emisión. Runnin’ Down A Dream: A Tribute To Tom Petty fueron 13 canciones durante casi una hora y entre ellos se encontraba este desafío contra la opresión y las dificultades que es "I Won't Back Down", uno de los cortes del debut de Tom Petty en solitario con el álbum Full Moon Fever en 1989. La canción fue fruto de la colaboración de Petty con su buen amigo Jeff Lynne. Como ya adelantamos hace algunas semanas, el segundo de los seis conciertos previstos hasta final de año se emitirá el próximo jueves 12 de noviembre y se llama Northern Souls: From Memphis To Muscle Shoals & More. Una semana después, el día 19, llegará Bob's Back Pages: A Night Of Bob Dylan's Songs. Además, está prevista la edición posterior en CD y vinilo de toda la serie. En Runnin’ Down A Dream: A Tribute To Tom Petty, el debut de la serie de conciertos temáticos de Lucinda Williams, hubo momentos tan solemnes como “Wildflowers”, la canción que dio nombre al segundo álbum en solitario del músico de Florida. Un trabajo que fue recortado a un álbum sencillo, pero que ahora ha sido reeditado en amplios formatos que nos permiten tomar conciencia del estado anímico y artístico de Tom Petty en 1994. Hoy se cumplen exactamente 26 años de la edición de Wildflowers de Tom Petty, el más personal de los registros del artista de Gainsville. Y desde hace 15 días está en el mercado Wildflowers & All The Rest, esa reedición en la que el músico estuvo trabajando hasta su muerte. De esta forma, ahora podemos escuchar canciones tan sutiles como “There Goes Angela (Dream Away)”, otra muestra de sus maquetas caseras. Wildflowers fue un disco en el que intervinieron todos los miembros de los Heartbreakers, con esa llegada a la batería de Steve Ferrone como sustituto de Stan Lynch en la formación. Mike Campbell ha sido siempre uno de los músicos más activos de los Heartbreakers. Es un excelente guitarrista y compone espléndidas canciones que han sido grabadas por artistas de mucho prestigio. Sabíamos que Campbell tocaba desde hacía 15 años en una banda llamada los Dirty Knobs, con el guitarrista Jason Sinay, el batería Matt Laug y el bajista Lance Morrison. En cierto sentido, recordaba a Mudcrutch, de quienes también formó parte en cuanto a dar rienda suelta a sus inquietudes por recordar ciertos sonidos clásicos del rock. A finales de noviembre se publicará definitivamente Wreckless Abandon, el álbum de debut del cuarteto que se frenó con la llegada de la pandemia y la imposibilidad de hacer giras. Puro rock de raíces norteamericanas, colaboraciones de Benmont Trench y Chris Stapleton y canciones de la intensidad de “Fuck That Guy”, con un vídeo perfectamente actualizado. Ayer se editó Recollections, el nuevo Ep de Wynonna, con cinco versiones muy personales interpretadas de forma espontánea. Así encontramos clásicos como "Feelin' Good" de Nina Simone, una versión enternecedora de "Angel From Montgomery" de John Prine o “Ramble On Rose” de Grateful Dead junto a Bob Weir. Compuesto por Jerry García y Robert Hunter, "Ramble On Rose", uno de esos temas de la banda californiana que generan más preguntas que respuestas, fue interpretado por primera vez por Grateful Dead en el Auditorio Northrop Auditorium en el campus de la Universidad de Minnesota en Minneapolis, exactamente el 19 de octubre de 1971, el día en que Keith Godchaux tocó en directo por primera vez con los Dead. Neon Cross ha fortalecido la carrera de Jaime Wyatt y ha afianzado la personalidad de la artista californiana. La producción tan afinada de Shooter Jennings ha reforzado sus propuestas sonoras para contar sus luchas reales contra el dolor, la adicción y la aceptación de su sexualidad. Esto último se refleja en "Rattlesnake Girl", arropado en ciertos elementos cercanos a la psicodelia. Cantar, como hace Jaime, sobre su orientación sexual no es algo que se aborde con frecuencia en la country music, por lo que escucharlo de una mujer que aún está despegando en ese género resulta audaz y emotivo. Es el último de sus singles y una de las canciones que ha impactado en las emisoras de country en estas fechas. Nos hemos acercado esta vez a la gran pantalla para hablar de una nueva película, que se llama Yellow Rose y protagoniza la actriz Eva Noblezada, de padre filipino y madre mejicana. Trata sobre Rose García, una niña filipina indocumentada que sueña con dejar algún día su pueblecito de Texas para cantar música country. Todo cambia cuando detienen a su madre por inmigración y ella huye hasta la ciudad de Austin, conocida como la capital del mundo de la música en directo. Eva Noblezada canta así “Square Peg”, uno de los momentos más emotivos de la película y que sigue la tradición de la música country a la perfección, contando con la ayuda de su compañero de reparto, Dale Watson, un veterano músico de country que estuvo el pasado año en España y que en la cinta ayuda a la joven a salir adelante. Él ha compuesto todas las canciones de la película junto a su directora, Diane Paragas, también de origen filipino. J.D. Souther ha firmado algunas de las canciones más representativas de la música popular estadounidense de las últimas décadas, entre ellas “New Kid In Town” o “The Best Of My Love” para los Eagles, o "White Rhythm and Blues" y “Faithless Love” para Linda Ronstadt, con quien tuvo una estrecha relación. Mañana, este nativo de Detroit, en Michigan, cumplirá 75 años. Es uno de los mejores ejemplos del country rock californiano de los 70, cuando la Costa Oeste norteamericana seguía en plena ebullición creativa y las colinas de Hollywood eran el punto de encuentro de los más grandes músicos de aquel país. En 1972, este nativo de Detroit, en Michigan, lanzaba su disco de debut en solitario, mientras compartía aventuras con los Eagles, de quien fue un miembro más en la sombra. Aquel disco de título homónimo tenía entre sus temas este “The Fast One” que no hemos podido olvidar. Aquel primer disco de J.D. Souther con su nombre en el título tenía entre sus temas este “How Long” que ni los Eagles pudieron olvidar, convirtiéndose en single de anticipo de su último trabajo, el doble álbum Long Road Out Of Eden. Así lo recordó el propio Glenn Frey para los oyentes de TOMA UNO. John David Souther formó Longbranch/Pennywhistle con su amigo Glen Frey antes de componer con él y Don Henley algunos de los temas más relevantes de la primera etapa de los Eagles, con quienes le relacionan muy directamente. Por entonces, su vecino era un tal Jackson Browne, que le presentó a David Geffen, que acababa de crear un sello discográfico llamado Asylum Records. Este escuchó algunas de sus canciones y le invitó a grabar un álbum. También hemos querido escuchar al propio Souther en 1973 cantando “Doolin’ Dalton”, un tema cuya autoría compartió con Don Henley, Glenn Frey y Jackson Browne, considerado como uno de los puntos álgidos del segundo álbum de los Eagles, Desperado, grabado en los estudios londinenses de Island con la producción de Glynn Johns. Aquel proyecto bien puede ser considerado como conceptual, al estar centrado en los forajidos del viejo Oeste. De hecho, el director Sam Peckinpah pensó en convertirlo en un filme de cowboys. Cinco años después de aquel primer álbum llegó Black Rose, con una lujosa producción del británico Peter Asher, antiguo miembro de Peter & Gordon, 10 nuevas canciones propias y una lista de colaboradores espectacular en la que encontramos a Lowell George, Joe Walsh, Waddy Wachtel, Jim Keltner, Andrew Gold, Russ Kunkel, Donald Byrd y Stanley Clarke, además de a David Crosby, Art Garfunkel, Don Henley y Glen Frey, que añadiendo sus voces. Tras su debut discográfico, y aunque su reputación como compositor iba creciendo y eran muchos los amigos y colegas que le pedían material, John David Souther trabajó con Chris Hillman y Richie Furay en un proyecto conjunto llamado The Souther-Hillman-Furay Band. En el primero de los dos álbumes que grabaron se encontraba “Border Town”, que hoy podemos escuchar en su maqueta original. Aunque nació en Detroit, se crio en la tejana ciudad de Amarillo, y recibió sus primeras influencias musicales de un artista de Texas tan fundamental como Roy Orbison. En 1979, mostró sin tapujos aquellas inclinaciones estilísticas cuando lanzó su tercer álbum como solista You’re Only Lonely, al que daba nombre un tema que evocaba las formas del tristemente desaparecido músico de Vernon. Era casi obligado que J.D. Souther estuviera presente en la mítica Black & White Night que homenajeó al artista de maravillosa voz y pésima suerte. Escuchar audio

Hace 70 años nació Tom Petty... Seguimos sin hacernos a la idea de haber perdido a uno de los mayores creadores del rock de todos los tiempos. Aquí un pequeño homenaje que incluye su carrera en solitario, con los Heartbreakers de Mike Campbell y Benmont Tench, los Travelling Wilburys como Muddy Wilbury o Charlie T. Wilbury, con Mudcrutch, sus primeros compis, e incluso escuchando sus canciones en voces de grandes mujeres como Linda Ronstadt, Stevie Nicks, Maria McKee o Carmen Boza. DISCO 1 MUDCRUTCH June Apple (10) California DISCO 2 TOM PETTY California (SHE’S THE ONE - 10) DISCO 3 TRAVELLING WILBURYS Last Night (Cd 1 - 4) DISCO 4A LADIES & GENTLEMEN… Even The Losers (ALMOST - 18) avanzado 55 segs DISCO 4B TOM PETTY & The Heartbreakers Even The Losers (THE LIVE ANTHOLOGY Cd 1 - 3) DISCO 5 TOM PETTY & The Heartbreakers You Got Lucky (SPOILED & MISTREATED - 1) DISCO 6 TOM PETTY & The Heartbreakers Stop Draggin' My Heart Around [Demo] (THROUGH THE CRACKS - 10) DISCO 7 TOM PETTY & The Heartbreakers Wildflowers (THE LIVE ANTHOLOGY Cd 2 - 3) DISCO 8 LINDA RONSTADT The Waiting (1) DISCO 9 LONE JUSTICE Ways To Be Wicked (Cara 1 Corte ) DISCO 10 STEVIE NICKS & TOM PETTY & The Heartbreakers I Will Run To You (Cd 1 - 7) DISCO 11 CARMEN BOZA Free Fallin’ (ALMOST - 17) TOM PETTY INTERVIEW (17) DISCO 12 MUDCRUTCH Don't Do Me Like That (THROUGH THE CRACKS - 4) DISCO 13 MUDCRUTCH Shady Grove (1) DISCO 14 TOM PETTY & The Heartbreakers Breakdown (TOM PETTY & THE HEARTBREAKERS - 2) DISCO 15 TOM PETTY All Right For Now (FULL MOON FEVER Cara 1 Corte 5) Escuchar audio

To celebrate the release of Tom Petty's Wildflowers & All The Rest box set, Rick Rubin connected with Heartbreakers keyboardist, Benmont Tench for a conversation. Benmont started playing with Tom back in Florida with a band called Mudcrutch. He stayed with Tom as they became the Heartbreakers, moved to LA, created some of the most memorable music of all time and was ultimately with him all the way until the last Tom Petty and the Heartbreakers performance at the Hollywood Bowl in 2017. Benmont is a massive talent who's also done plenty of work as a sideman for Bob Dylan, Stevie Nicks, U2, Johnny Cash and a ton of others. Rick and Benmont talk about all of this and share memories of their time in the studio together. Subscribe to Broken Record's YouTube channel to hear old and new interviews, often with bonus content: https://www.youtube.com/brokenrecordpodcast You can also check out past episodes here: https://brokenrecordpodcast.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hoy, con motivo del próximo fin de semana que le dedicaremos en Radio Free Rock a lo mejor de Tom Petty y el Rock americano, rescatamos la primera parte del programa especial dedicado a toda su trayectoria desde la formación de Mudcrutch. Sus mejores canciones, rarezas y directos...y también en formato vídeo desde nuestra web https://radiofreerock.com/podcast-la-gran-travesia/

Ayer se cumplieron 3 años de la muerte de Tom Petty. El 2 de Octubre de 2017 recibimos aquella triste noticia. Tom Petty había sido encontrado inconsciente a consecuencia de un paro cardíaco y fue trasladado al Centro Médico de UCLA en Santa Mónica, California, donde falleció. Fue una sobredosis "accidental" de medicamentos para paliar el dolor de su cadera rota, el insomnio, la ansiedad y la depresión. Estaba celebrando sus 40 años de carrera con una gran gira y faltaban 18 días para que hubiera cumplido 67 años. Los más fieles seguidores de Tom Petty & The Heartbreakers, aquellos que se inscribieron en el Highway Companions Fan Club de la banda, recibieron una copia de Hypnotic Eye, el último trabajo del grupo por entonces, y un álbum exclusivo grabado en directo y titulado Live 2013 con tomas de las actuaciones de Tom Petty el año anterior en el Beacon Theatre de Nueva York y el Fonda Theatre de Los Angeles, además de algunos de los momentos más destacados de su aparición en el Bonnaroo Festival. De su paso por la Gran Manzana queda esta versión impecable de “So You Want To Be A Rock N' Roll Star”, una canción compuesta por Jim McGuinn y Chris Hillman para que los Byrds la incluyeran en su LP de 1967, Younger Than Yesterday. Estoy convencido de que Tom Petty siempre soñó que era el miembro oculto de los Byrds. Una implacable versión de “I Feel a Whole Lot Better” abría en 1989 la segunda cara del primer LP en solitario de Tom Petty, Full Moon Fever, y es un ejemplo más de la adoración que el artista de Florida tenía por los Byrds. La colaboración con Jeff Lynne fue fundamental en aquel sonido. Sin embargo, en un principio, la compañía discográfica no estaba satisfecha con el disco y se plantearon no publicarlo ya que, decían, que no había ni un single para editar. "Free Fallin'" les hizo cambiar de opinión. Fue la mejor despedida de la década de los 90. Aunque nos pueda parecer mentira, esta obra de arte llamada "Leave Virginia Alone" es una de las 10 canciones que quedaron fuera de la primitiva edición de Wildflowers. El artista de Gainsville la compuso en el 93, un año antes de la edición del disco. Eso sí, algún seguidor impenitente de Rod Stewart, como nuestro amigo Ignacio, la recordará formando parte de su álbum del 95 A Spanner in the Works. Por suerte, Mark Seliger y Adria Petty, hija de Tom, han conformado un vídeo delicioso protagonizado por la actriz Casimere Jollette, de la serie de Netflix sobre el mundo del ballet Tiny Pretty Things. Hay personajes inolvidables, en el mejor de los sentidos, y ese es el caso de Tom Petty, el artista de Florida que nos abandonó hace tres años. Su carrera en solitario nos dejó tres álbumes impagables y el segundo de ellos, el mítico Wildflowers de 1994 se convirtió en una de las joyas de su discografía. En realidad, todos los Heartbreakers estuvieron al lado de su líder, excepto el batería Stan Lynch que fue sustituido por Steve Ferrone. “Somewhere Under Heaven” forma parte del segundo de los álbumes de la reedición de Wildflowers, en concreto el llamado All The Rest. Era una de las 10 canciones que quedaron fuera de la edición original de 1994. "Crawling Back to You" reflejó, como todo aquel Wildflowers, los 20 años de fracaso de Tom Petty en su matrimonio con Jane Benyo, de quien se divorciaría dos años más tarde. Había estrofas como "Estoy tan cansado de estar cansado/Seguro que la noche seguirá al día/La mayoría de las cosas que me preocupan/Nunca suceden de todos modos". Las sesiones de grabación de Wildflowers comenzaron en 1992, cuando el músico de Florida tenía la intención de dar continuidad a su debut en solitario Full Moon Fever del 89. Pero Petty había llegado a un acuerdo con Warner, con quien había grabado como miembro de los Traveling Wilburys, a pesar de que junto a los Heartbreakers pertenecía a MCA. Aunque mantuvo a Rick Rubin como co-productor junto a su compañero Mike Campbell, decidió tomar el mando de aquel proyecto. Gracias a la familia de Petty y a sus archivos, se ha recuperado esta maqueta de uno de los temas punteros de aquel registro como es el caso de “You Don’t Know How It Feels”. En este caso, está grabada en su estudio casero un año antes de la edición del disco y los seguidores impenitentes del músico encontrarán diferencias en la letra, como una muestra más del proceso de creación. Esta versión de “You Don’t Know How It Feels” da una sensación mucho más íntima y personal de la original. Además, encontramos un verso que más tarde aparecería en la penúltima canción de aquel mismo álbum. Wildflowers fue el segundo álbum de Tom Petty como artista en solitario allá por 1994, que abrió con la canción que lo dio nombre genérico. Rick Rubin aportaba de nuevo su trabajo en la producción junto a Petty y Mike Campbell para llevar a cabo aquella aventura. El próximo 1 de noviembre se cumplirá un cuarto de siglo de su publicación. El próximo 16 de octubre aparecerá, por fin, Wildflowers & All The Rest, el proyecto más personal en el que Tom Petty estuvo centrado tras la publicación en 2014 de su último álbum con los Heartbreakers, Hypnotic Eye. Su intención primitiva era publicar las 10 canciones que no se incluyeron en el disco original, y que él llamaba All the Rest. Pero se ha añadido mucho más. En la cuádruple edición de lujo y dentro de las llamadas Home Recordings, con 15 cortes, de los que 12 son versiones nunca editadas y 3 son canciones inéditas, vamos a encontrar esta maqueta del tema central, “Wildflowers”, grabada en su estudio casero. A mitad de agosto de 1994 y dentro de las sesiones de grabación de Wildflowers se registró “Wake Up Time” que cerró aquel proyecto como décimo quinto tema. En esta reedición podemos escuchar la versión original, una “home recordings” y, además, esta toma alternativa que tan solo aparece en el quinto CD de la Super Deluxe Edition que han titulado Alternate Takes (Finding Wildflowers). El músico de Gainsville nunca olvidó que aquel segundo de sus álbumes en solitario de 1994 debía haber sido un disco doble, y fue dejando algunas muestras en distintas publicaciones posteriores. Tras su muerte, todos los planes de reedición se pospusieron hasta que se resolvió una demanda entre las hijas de Petty, Adria y Annakim, y su viuda Dana, el pasado año. Tom Leadon, hermano de Bernie Leadon, encontró a Tom Petty en los Epics y juntos formaron Mudcrutch en 1970 con Randall Marsh , añadiendo muy pronto a Mike Campbell y pasando a ser un quinteto tras la incorporación de Benmont Tench. La influencia de Leon Russell en la personalidad musical de Petty era relevante en aquellos tiempos y, de hecho, firmaron un contrato en 1974 con Shelter Records y se marcharon a Los Angeles, California. Publicaron un single en 1975, compuesto por él, sin ninguna repercusión y se disolvieron a finales de aquel año. Sin embargo, Petty, Campbell, y Tench, junto a Stan Lynch y Ron Blair formaron los Heartbreakers unos meses más tarde. En aquella reunión de 2007 para grabar con los miembros originales de Mudcrutch, quedaron para la historia canciones como “Orphan Of The Storm”. Tom Petty era el bajista de la banda, como su buen amigo Chris Hillman en los Byrds. The Live Anthology es una obra de arte convertida en colección de actuaciones de Tom Petty & The Heartbreakers a lo largo de su carrera que apareció hace 10 años. Existe una edición de lujo con los cuatro CDs de la edición estándar más un quinto CD de material también grabado en directo, dos DVDs nunca editados, un vinilo remasterizado de su álbum de 1976 Official Live 'Leg, y un disco Blu-ray disc con las 62 canciones de la caja, a la que se añade un poster de un concierto, reproducciones de pases de backstage, un libreto de lujo y una litografía. En ese quinto CD se encuentra esta versión del clásico “Ballad Of Easy Rider”, grabada en directo en el concierto de Nochevieja de 1978 en Santa Monica, California. Easy Rider se ha convertido en una de las películas de culto para los amantes de las road movies. Peter Fonda y Dennis Hopper la protagonizaron y dirigieron, contando con un joven Jack Nicholson entre los actores. "I Won't Back Down" será recordada por muchos como el primer single extraído del álbum Full Moon Fever, el debut de Tom Petty en solitario allá por 1989. Compuesta junto a su buen amigo Jeff Lynne, estrecho colaborador en la autoría de canciones para este registro, resultó ser un desafío contra las dificultades y la opresión. El tema fue muy radiado a raíz de los acontecimientos del 11 de Septiembre de 2011, y Tom Petty la interpretó de esta forma junto a los Heartbreakers a un ritmo más lento que el original en el espacio America: A Tribute To Heroes. Escuchar audio

Inspirado por um trecho do documentário do Tom Petty sobre a primeira banda dele, Mudcrutch, o Wayne Coyne compôs o disco mais recente do Flaming Lips, “American Head”. Episódio sobre o álbum que a gente já adianta: é maluco como sempre e nostálgico como nunca. (no melhor sentido dos duas coisas!) Siga nossas redes: instagram e twitter --- Send in a voice message: https://anchor.fm/musicacronica/message

In this episode: we’re joined by Ben & Wayne, co-hosts of the Records Revisited Podcast to celebrate the amazing catalog of Tom Petty, including his work with The Heartbreakers, Mudcrutch, Stevie Nicks and much more!    CONNECT WITH TUNESTILES FACEBOOK: facebook.com/tunestilespodcast INSTAGRAM: instagram.com/tunestilespodcast TWITTER: twitter.com/tunestiles EMAIL: tunestilespodcast@gmail.com LISTENER LINE: (908) 975-9375   FOR MORE ON RECORDS REVISITED: WEBSITE: recordsrevisited.podomatic.com FACEBOOK: facebook.com/recordsrevisitedpodcast TWITTER: twitter.com/podcastrecords INSTAGRAM: instagram.com/recordsrevisitedpodcast

Con este programa culminamos la temporada número 47 de TOMA UNO y no sabemos si tendrá continuación a partir de septiembre. En los últimos 18 años, nunca nos habíamos tomado vacaciones en estas fechas... hasta el presente. Tendremos todo el mes de Agosto para preparar una próxima temporada a conciencia, aunque seguiremos contactados a través de las redes sociales. Nos hemos enterado de la muerte durante la pasada semana de Jamie Oldaker, socio fundador y batería de los Tractors, además de un respetado músico de sesión para artistas como Eric Clapton, Bob Seger o Leon Russell, entre otros muchos. Nativo de Tulsa, en Oklahoma, formó los Tractors junto al trístemente desaparecido Steve Ripley. Nos dejaron canciones inolvidables como "Baby Likes to Rock It" en 1994, a cuya presentación oficial asistimos aquel año en Nashville durante la celebración de la Fan Fair. Hace 15 años, el ahora desaparecido Jamie Oldaker publicó en el sello Concord el álbum Mad Dogs & Okies, donde cio todo el protagonismo a invitados tan brillantes como Clapton, J.J. Cale, Ray Benson, Vince Gill, Willie Nelson o Tony Joe White. Era un homenaje a la herencia musical de su estado natal, Oklahoma, y por lo tanto no podía faltar el legendario J.J. Cale, con su voz y su guitarra en “Daylight”, un tema propio que ejemplariza a la perfección el Tulsa Sound. Es evidente que Margo Price no deja indiferente a nadie. Así ocurrió con sus críticas directas a la administración Trump y ahora la amplitud de miras de su nuevo álbum, That's How Rumors Get Started. La artista de Aledo, en Illinois, sigue aventurandose por todos los caminos que se abren a su paso y tampoco ha dejado fuera el legado que Muscle Shoals ha dejado en la escena de la Americana. Esas influencias clásicas que van mucho más allá de Nashville se reflejan en "Prisoner of The Highway", donde habla de los músicos en gira y en el que el Southern rock y el góspel se confunden, conformando uno de los cortes más sobresalientes de un álbum que mira con cariño hacia el rock clásico. Los que se consideran más puristas ya han levantado la voz y las quejas. El susto al saber que Sturgill Simpson era el co-productor aún no se lo han quitado de encima. Ethan Johns, un productor curtido al lado de nombres tan eclécticos y sonoros como Ray LaMontagne, Paul McCartney o Kings of Leon, ha sido el encargado de trabajar al lado de Mary Chapin Carpenter, a la que se llevó hasta los estudios Real World de Peter Gabriel en Bath, al suroeste de Inglaterra, para grabar The Dirt And The Stars, el nuevo álbum de la cantante compositora de Nueva Jersey, que explora los desafíos del presente desde una visión íntima y personal. Mary Chapin compuso estas canciones en su granja de Virginia antes de la pandemia, y deja momentos tan intensos como “Secret Keepers”, un recordatorio de aquellas experiencias irremplazables que nunca desaparecen. Que las cicatrices desaparezcan no significa que lo haga el dolor que las produjeron. The Dirt And The Stars supone la primera colección de nuevas canciones desde que hace cuatro años publicó The Things That We Are Made Of. En 2018 lanzó junto a Ethan Johns y en los estudios de Peter Gabriel Sometimes Just The Sky que, excepto el tema que lo dio nombre, era una celebración de sus 30 años de carrera discográfica con nuevas versiones de algunas de sus canciones más queridas. Lori McKenna, la compositora y vocalista de Stoughton, en el estado de Massachusetts, se mantiene en la senda de construir grandes canciones que profundizan en sus experiencias personales y que vienen a ser, en cierto modo, una versión femenina de lo que puedan suponer Jason Isbell o Sturgill Simpson. En el tema central de su nuevo álbum, The Balladeer, recién editado, nos encontramos con el temor de que el cantar sobre una relación feliz impida, precisamente, el reconocimiento que suele tenerse por las composiciones que describen relaciones dolorosas y desgraciadas. Parece ser casi una norma en Courtney Marie Andrews que no haya demasiado optimismo en sus propuestas, y en este séptimo registro se mantiene la tónica. Desde el delicioso vals de apertura, "Burlap String", hasta el final no hay una sola nota de más y su voz persiste en el convencimiento más absoluto. La joven cantante y compositora de Arizona que cumplió 29 años el pasado diciembre ha querido que su nuevo trabajo, Old Flowers, sea precisamente un disco de ruptura, con el riesgo que suponen que exista una cantidad ingente de discos que tratan sobre esas tensiones emocionales. La autocompasión puede resultar empalagosa y siempre estás en el difícil equilibrio de que una canción sea un terrible cliché terapéutico o que se convierta en un clásico intemporal. Hace cuatro años debutaba un cuarteto de Sheridan, en Wyoming, llamado The Two Tracks con un disco homónimo que se convirtió en el mejor álbum del año para la emisora pública de aquel estado. Aquello supuso que al año siguiente Will Kimbrough quisiera hacer su presentación como productor con Postcard Town y que ahora persista en esa labor con Cheers to Solitude, su nuevo disco, con un sonido familiar enraizado en la tradición que supone un paso significativo hacia adelante con respecto a sus propuestas previas. Se editará a mediados de agosto y fue grabado en el mítico The Butcher Shoppe de Nashville, muy pocos meses antes de que se viera obligado a cerrar para reconstruirlo. Un tema como “All Women Are Healers” es en cierto modo un himno de apoyo a las mujeres, inspirado en el título de un libro de curación natural. El protagonismo de ellas en los cambios y la conciencia de combatir ciertos los estándares sociales y prejuicios a los que las mujeres aún se enfrentan en el mundo está muy presente. Con sus raíces en Texas, Evan Ogden se inspira en los clásicos que escuchó por primera vez en los discos de su abuelo, pero su interés está en que las nuevas generaciones también receptivas a esas propuestas que como en “Thunderstorms” provoca una tormenta emocional parecida a las muchas que van apareciendo lentamente a nuestro alrededor. Volvemos a encontrarnos con reflexiones muy honestas y personales de un joven músico de Austin que descubrió muy pronto lo significativo que fue el country de los años 1940, aquel que plantó las semillas para apreciar el impacto de una música conmovedora. Omnivore sigue dando sorpresas a los coleccionistas con ediciones puntuales que recuperan tesoros inesperados e inéditos. Esta vez se trata de escarbar en los archivos del trío América y conformar Heritage II: Demos/Alternate Takes 1971-1976 como una continuación del primer volumen publicado en 2017. En esta ocasión las canciones se han centrado, excepto las dos primeras, en dos álbumes producidos por George Martin: Holiday de 1974 y Hideaway del 76. El sexto trabajo de América fue Hideaway, grabado en el Caribou Ranch de Nederland, en el estado de Colorado cuando América estaba culminando su carrera en Warner Bros. Allí encontramos "Amber Cascades", una canción de Dewey Bunnell con una letra abstracta de tonos espirituales cuyo arrope instrumental evoca el soleado sur de California bajo el sol. La mezcla alternativa que podemos escuchar por primera vez de su tercera toma enfatiza el carácter de la composición en sí misma, sin las armonías vocales ni la orquestación que escuchamos en su edición original. Hace exactamente 45 años, los Eagles alcanzaban el primer puesto de las listas con el álbum One Of These Nights. Fue el aldabonazo definitivo en aquel verano de 1975, consiguiendo con él un Grammy como mejor grupo de pop tras permanecer durante cinco semanas en la cima de las listas generales. Pero Bernie Leadon abandonaría la banda en diciembre de ese mismo año al no comulgar con la dirección musical tomada. El álbum One of These Nights nos dejó aún cierto protagonismo de Bernie Leadon, que participó en la composición de hasta tres de las nueve piezas del trabajo, incluyendo "Hollywood Waltz", un tema que pasó demasiado inadvertido y en el que compartía autoría con Don Henley, Glenn Frey y su hermano, Tom Leadon, que había sido socio fundador de Mudcrutch, la primitiva banda de Tom Petty. Tras tocar el bajo con Linda Ronstadt, se unió a Silver, un grupo de country-rock californiano. En 2007, Tom Petty volvió a contar con su tocayo en la reforma de Mudcrutch. Sin abandonar a la banda californiana, el pasado miércoles, Don Henley cumplía 73 años, desde su nacimiento en la tejana Gilmer y crecer en Linden. Militó en los Four Speeds, que pasaron a llamarse Felicity, luego estuvo en Shiloh y de ahí a los Eagles. Por primera vez en su carrera, Don Henley logró hace cinco temporadas que uno de sus álbumes en solitario alcanzara la cima de las listas. Cass County, su último trabajo, debutó en el No. 1 de las de country. El artista tejano regresó de manera decidida a los sonidos de sus comienzos con un álbum que rezuma tradición en el fondo y nl las formas. La estrecha colaboración entre Don Henley y Stan Lynch, socio fundador de los Heartbreakers de Tom Petty, fue vital en la composición de muchos de los nuevos temas, pero en canciones de la categoría de “Waiting Tables”, posiblemente la mejor de aquel trabajo, participaron también Timothy B. Schmit y Steuart Smith en la creación y contó con Jamey Johnson en los coros. “Take It Easy” de los Eagles fue la canción con la que comenzamos la primera temporada de TOMA UNO allá por 1973 y es la que hoy escuchamos para cerrar la número 47 del programa. Aunque no estaremos en antena, seguiremos en las redes sociales y nos encantaría que fuera posible vernos en los conciertos, porque la música sigue siendo cultura y apoyamos una #cultura segura. Confiamos en volver a primeros de Septiembre en la nueva temporada de Radio 3. Nos encantaría seguir cumpliendo años juntos. Escuchar audio

Born Thomas Earl Petty in Gainsville, Florida in 1950, Tom Petty quit high school at the age of 17 to join southern-rock group Mudcrutch. Moving to LA, Tom Petty & The Heartbreakers were formed in 1975 out of the remnants of Mudcrutch, and the rest is history.

On the latest episode of the Roots Revival Podcast we discuss the one and only Tom Petty! We talk about our favorite Tom Petty songs, The Heartbreakers, The Traveling Wilburys, and Mudcrutch. We covered a lot of ground in this episode and one thing is very clear…Tom Petty was a cool dude and an incredible songwriter that loved making awesome music. This episode is sponsored by Rockit Music Gear. As always email jack@jackbarksdale.com for questions or show ideas.

Jeri Heiden's discussion closes out with amazing stories about Tom Petty, P!NK, Janet Jackson, Mudcrutch and more. SmogDesign is Jeri's company and I suggest you check them out to see all the amazing designs they do for the music industry and more.

Today on The Neil Haley Show's Caregiver Dave Celebrity Segment, Caregiver Dave and The Total Tutor Neil Haley will interview Jon Scott, Author Of Tom Petty And Me. As the rock world remembers Tom Petty with the October anniversaries of his death and birth, Jon Scott, the long-time friend and former record label radio promo man who saved the legendary rocker's career “with a vengeance” en route to Hall of Fame status some 40 years ago is devoting the entire month to celebrating Petty's life through the special relationship chronicled in Scott's book, TOM PETTY AND ME: My Rock ‘N' Roll Adventures with Tom Petty (CB Publishing, 191 pp., $25). On his latest rock ‘n' roll adventure with Petty, Scott will be crisscrossing the country in October to join fans at celebrations in Gainesville, FL, where Petty grew up, and Los Angeles, where he landed 1974 in search of his first record deal with his band, Mudcrutch, and remained until his untimely passing as a Rock and Roll Hall of Famer rocked the music world two years ago, Oct. 2, 2017. Scott will be joining Petty fans in Gainesville Oct. 17-18 for several events at Tom Petty Weekend, honoring “Gainesville's Favorite Son.” He returns home to Los Angeles on Petty's 69th birthday, Oct. 20, to host Tom Petty's Birthday, a four-hour celebration at Petty Cash Taqueria & Bar with live music by noted Petty tribute artists.

We had the opportunity to interview The Shelters!The Shelters fan a fresh flame with classic fuel on their 2019 second full-length, Jupiter Sidecar [Warner Records]. Ebbing and flowing between rock ‘n’ roll roots, surf swagger, synth swells, and unassuming pop ambition, the Los Angeles based group—Chase Simpson [vocals, guitar], Josh Jove [guitar, vocals], and Sebastian Harris [drums]— thread it all together with catchy melodic hooks and handcrafted instrumentation.“In many ways, the record really shows we’re a California band,” affirms Chase. “There’s a bit of the beach. There’s a bit of the desert. There’s a bit of the seventies L.A. rock scene still around. We’re definitely old souls who have been exposed to great stuff—but we’re here in 2019.”“All of the sounds are old school gear played by live musicians,” adds Josh. “We’re a rock ‘n’ roll band open to combining a bunch of inspirations we love.”This approach quietly cemented them as a fan and critical favorite following the release of their self-titled full-length, The Shelters, in 2016. Produced by none other than the late Tom Petty, the debut garnered widespread praise from the likes of W Magazine, Rolling Stone, and Paste who noted, “The band’s sound successfully marries elements of ‘70s and ‘80s rock and roll with a modern flair.” Between the album release and dropping the Really Wanted You 7-inch a year later, the boys canvased the country alongside The Head and the Heart, Royal Blood, The Killers, Gary Clark Jr., Band Of Horses, BRONCHO, Tom Petty and the Heartbreakers, Mudcrutch and more logging over hundreds of shows in two years. Meanwhile, the single “Rebel Heart” caught fire, racking up close to 14 million total streams. Not to mention, actress Juno Temple starred in the accompanying 2017 visual for “Gold.”While The Shelters have found a way to triumph again in the studio, they faced their biggest challenge in the wake of Petty’s tragic passing. For the first time, they found themselves in the studio without the producer who in many ways was the musical and spiritual compass for the band. Petty was even the initial catalyst for their union as a band, encouraging them to work hard at songwriting and offering them time in his home studio to hone their craft.Now with Petty gone, The Shelters returned to his home studio Shoreline Recorders in Malibu to mourn the loss of their friend and mentor; and in the process learned to rely on one another like never before.“When he was here, Tommy took the stance like Mr. Miyagi or Yoda,” continued Josh. “He knew we had it in us. We didn’t realize it until we got in there without him though.”“Starting was the hardest part,” admits Chase. “We’d been on the road for two years and hadn’t been writing songs. Tommy would take our heads out of the fish bowl and get us back on track. So, Josh and I leaned on each other.”“We definitely have something to prove,” Chase continues. “Obviously, we want to make Tommy proud. Even more so, we want to step out of his shadow and come into our own. We knew we had to do something exciting and different to carry on being The Shelters.”Chase and Josh spent over a year writing and recording at Shoreline. Each personally employed no less than twelve instruments, including tambura, analog synths, and more. As Chase honed his production acumen on Pro Tools, Josh explored his guitar under the influence of everything from Duane Eddy, Les Paul and Merle Travis, to Spirit, Television and The Stone Roses. With the framework in place, they holed up in Sunset Sound with producer Joe Chiccarelli [The White Stripes, The Strokes, Morrissey] in order to track Jupiter Sidecar. Rounding out the sound, Ken Andrews [Paramore, Nine Inch Nails] mixed the album and GRAMMY® Award-winning engineer Emily Lazar [Beck, The Killers] handled mastering at the Lodge.“We had worked hard in the studio prior to meeting Joe and actually kept about 75 percent of the original demos intact,” says Josh. “We had the spirit from what we did in Malibu and combined our experimental nature with Joe’s production. We needed a producer, and he really brought in some different ideas. We struck a push-and-pull sonically.”It becomes clear on the first single “You’re Different.” Sharp, yet fuzzy riffs entwine with a steady beat before culminating on a chantable hook and synth-sounding iridescent guitar solo.“‘You’re Different’ focuses on the power of individuality and also the struggle of change within oneself,” says Simpson. “It’s an internal conversation I have when I think about how I’ve changed over time, and through the experiences I’ve had in my life. It’s hard to know how you should feel about it – whether it’s something to embrace or fear.”Penned by Josh, “Waiting for Life To Begin” would be the last tune the guitarist shared with Petty. Heavy thoughts in the lyrics and sweeping strings underscore an urgent energy.On the other end of the lyrical spectrum, baritone surf guitar cruises through a synthesizer arpeggio, organ and tape echo on the immediately danceable “Tangled Up,” a song that celebrates “feeling so in love or over the moon you’re lifted out of this world.”Everything concludes on “Can’t Go Home.” Orchestral guitars and a driving rhythm build towards a final moment of clarity. “We wanted to push through hardship and not let anything stand in our way,” states Chase when considering the album closer. “We couldn’t go home, but we could start over. It was the final song I got to show Tommy before we went on tour. The chorus wasn’t right at the time, so I worked really hard to fix it and make it right. I proved I could do it lyrically.”In the end, Jupiter Sidecar marks the moment The Shelters become both who their mentor believed they could be and who they were meant to be all along…“These songs are really reflective of the place we were in,” Chase continues. “We pushed ourselves hard when writing and dug deep to capture the moment and the spirit of this band.”Now that their hard work in the studio is done for now, Chase reflects on The Shelters’ aims for the short and long term. “We’d love for a room of people to be singing these songs back to us. We’re just regular guys making music. If that happens, there would be nothing better in the world. We think Tommy would dig that.”Credits: Theme Song: Scott Russo & Design: Oscar RodriguezWe want to hear from you! Please email Tera@BringinitBackwards.comwww.BringinitBackwards.com

Wrapping up our Nancy-fest today with the final Nightmare movie to star our beloved protagonist Nancy Thompson - A NIGHTMARE ON ELM STREET (2010)! Listen to us learn all about the southern rock band Mudcrutch before moving onto the wholly unrelated topic of horror movies and their reboots! Does this gritty reboot live up to the rest of the franchise? Were the new versions of Freddy and Nancy successes? Are the iconic kills anywhere to be found? Anywhere? Visit our Twitter: Twitter.com/ThrillerClubPod Or even our Instagram: Instagram.com/ThrillerClubPod Like the new intro tune? Enjoy the musical styling of one Joey Pants: instagram.com/pantshappened/

Quizmasters Lee and Marc are joined by Mike Kiniry, host and co-creator of WGCU's Thee Song Stories Podcast for an all music trivia episode. Round One WHAT ALBUM? - On what album would you find Queen's hit song "Bohemian Rhapsody"? MOVIE SOUNDTRACKS - What singer-songwriter wrote songs for the movies Walk Hard and Get Him to the Greek? Dan Bern MORE MOVIE SOUNDTRACKS - What indie rock songwriting legend contributed to the soundtrack of and appears several times in There’s Something About Mary? WGCU INTERSTITIAL MUSIC - Music from which anime series was used as interstitial music during the late night jazz program until the program was discontinued in 2018? FAMOUS BIRTHPLACES - In what country was singer Dave Matthews born? MUSIC & NASA - On August 14, 1997, what song by Moxy Fruvous was used by NASA to wake the crew of STS-85? FORT MYERS SCENE HISTORY - What was the name of the house band of The Liquid Café in Downtown Fort Myers? BAND MEMBERS - Richard Wright and Nick Mason are members of what famous band? THE POLICE - What are the names of all five albums by The Police released from 1978 to 1983, in order from earliest to most recent? CANADIAN SUPERSTARS - What Egyptian-canadian singer, author and anti-war activist has a net-worth of $10 million, mostly made by singing children's songs? Missed Corrections "FYI: Refueling was banned in Formula 1 in 2009 so no refueling during pit stops. I Don't think 1 second stops would be possible with refueling!" - submitted by Gary "Episode 8: Rumplesnailtskin, roughly around the 50 minute mark the question/challenge was to name all '7' of the historical figures that Bill and Ted bring from the past to the present. I immediately paused your podcast out of disgust, wrote down all -8- of those figures, and then pressed play. Rod Loomis' performance may have been forgettable, but Sigmund Freud hitting on girls in the mall was not!" - submitted by Aaron Round Two VIDEO GAME SOUNDTRACKS - Singer-Songwriter Jonathan Coulton wrote the song “Still Alive” for what video game? WHAT BAND IS IT? - What is the name of the band that had a popular song in the early 2010's and has a lesser known song called "All I Need" (which is Mike's favorite song to wake up to)? LYRICS - "We skipped the light fandango" is the first line to what song by what band? BAND NAME ORIGINS - The band name “Barenaked Ladies” was conceived by band members Steven Page and Ed Robertson while pretending to be snooty rock critics and inventing backstories and names for the backing band of what artist? CLASSICAL HITS - What famous and familar song by what composer was not published until 40 years after his death? CANADA - Celine Dion, Bryan Adams, Rush and Moxy Fruvous all hail from the great white North. How Many provinces and territories are there in Canada? WORLD MUSIC ICONS - Described as ‘combination of blaring horn sections, antiphonal vocals, the singers quasi-rapping Pidgin English, and percolating guitars, all wrapped up in a smouldering groove’ afrobeat is a genre and sound developed by what Nigerian bandleader who was also known as “The Black President”? MIKE'S ROCK BESTIE - Which rock band did Mike's best friend almost end up the lead singer of as a result of a YouTube cover? ISLAND FOLK MUSIC - What was the name of Jacques Cousto's research vesell, which shares the name with an island folk music? Final Questions SONG IDENTIFICATION - What world famous country artist released a song in 1977 about a puppy who showed up on someone's doorstop on a stormy night and died because God didn't want the little girl to be alone in Heaven? ROCK STAR ORIGINS - What singer left the band Mudcrutch to go out on their own? MUSIC ON TV - Who plays Promotions Manager Zak Yankovich in HBO’s Vinyl? Weekly Wrap-up April 15, 2019 @ 3 Pepper Burrito Co. – The Wet Boiz (74 pts.) April 17, 2019 @ Bury Me Brewing Co. – The Moist Men (95 pts.) April 18, 2019 @ No. 3 Craft Brews & Beer Bar – Peanut the Dog & The Squeaky Chairs (88 pts.) Upcoming LIVE Know Nonsense Trivia Challenges April 22, 2019 - Downtown Fort Myers, FL – 7:30 PM @ 3 Pepper Burrito Co. April 24, 2019 – Fort Myers, FL – 7:00 PM @ Bury Me Brewing Co. April 25, 2019 – Cape Coral, FL – 7:30 PM @ No. 3 Craft Brews & Beer Bar Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Tommy (The Electric Mud) and Tim (Pat's Garden Service) Thank you, Team Captains – Kristen & Fletcher Thank you, Proverbial Lightkeepers – Sarah, Brina, Karly, Kristopher, Josh, Gil, Sheri, Shaun, Lucas and Max Thank you, Rumplesnailtskins – Nick, Mike J., Mike C. If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support." Special Guest: Mike Kiniry.

Pat and Kyle welcome Comedian Geoff Tate back to the show to pay tribute to musical legacy of the one and only Tom Petty. #HeartBroken

Vandaag met muziek van Mudcrutch, Bob Dylan, Cat Power, Mary Gauthier, Joey Ramone en Jane Birkin.

So much great music this year and we spin the latest from John Paul Keith, Adam Lopez, The Guana Batz, Deke Dickerson & Bloodshot Bill, Hillbilly Casino and Babe Miller!  Plus rockers from Gene Vincent, Boz Boorer (with Sarah Vista), The 24th Street Wailers, Buddy Holly, Hayden Thompson, Johnny Cash, Dwight Yoakam, our instru-Mental Breakdown and our Heavy Hitter Triple Threat segment about Jerry Lee Lewis with covers from Brian Setzer and Mudcrutch (featuring Tom Petty).   Intro Voice Over- Rob "Cool Daddy" Dempsey Intro Music Bed:  Brian Setzer- "Rockabilly Blues"   James Intveld & The Rockin' Shadows- "You're My Baby" Dwight Yoakam- "The Big Time" Hillbilly Casino- "Dog On A Chain" Boz Boorer (with Sarah Vista)- "Make A Circuit With Me" The 24th Street Wailers- "Cursed" John Paul Keith- "Throw It On Me Baby" The Guana Batz- "Girl On A Motorbike" Babe Miller- "1200 Building" instru-Mental Breakdown Clarence "Gatemouth" Brown- "Oakie Dokie Stomp" Omar & The Howlers- "Omar's Boogie" Johnny Cash- "I Love You Because" Hayden Thompson- "Love My Baby" Heavy Hitter Triple Threat: Jerry Lee Lewis- "Breathless" (take 3) Brian Setzer- "Great Balls Of Fire" Mudcrutch- "High School Confidential" Adam Lopez & The San Joaquin Valley Boys- "Coffee Every Morning" Gene Vincent- "Temptation Baby" Deke Dickerson & Bloodshot Bill- "Bad Biscuit" Buddy Holly- "Little Baby" Outro Music Bed:  Eddie Angel- "Brawl"

Special guest: Adah Fitzgerald, owner of Main Street Books DavidsonTom Petty and Mudcrutch in GainesvilleEdgar Odell LovettSkull Island: Reign of KongShinola journalsElevator Pitch GeneratorDavid Sedaris will come to DavidsonAuthor Vivian HowardKannapolis Intimidators Notebook PromptsTheft by Finding by David SedarisCalypso by David SedarisClairefontaine pocket notebookField Notes Coastal Edition

RARE & SCRATCHY ROCK 'N ROLL _054 – THE COMPLETE HIT SINGLES HISTORY OF TOM PETTY This episode salutes a member of the Rock & Roll Hall of fame whose record sales topped more than 80 million copies during his lifetime, making him one of the most successful rock stars in the world over the course of five decades beginning in the 1970s. He was a multi-talented singer, songwriter, guitarist, music producer, and television and movie actor. He supported his record buyers by forcing a major label to roll back prices on LPs. He was instrumental in the comeback of a faded 1960s rock icon. He was a strong advocate for causes that ranged from international relief and rescue programs to promoting creative independence for radio disc jockeys. We’ll relate those stories and a whole lot more as we spotlight the late and much beloved Tom Petty. We’ve collected all his hit singles along with chart data about the hit albums that generated them, plus some great information from our resident "Rockogolist," Ken Deutsch, and you’ll hear it all here. 

Number 3 of our 5 most popular podcasts of 2017 Keyboard legend Benmont Tench (Tom Petty and the Heartbreakers, Mudcrutch) returns to the show as Beatles Month rolls on. Benmont unpacks the multi-layered genius of Beatles for Sale opening track ‘No Reply', explores why the Beatles R'n'B roots are at the heart of their greatness, recalls how his first exposure to the band scared him as a kid, why the Heartbreakers avoided playing Beatles covers, wonders about his friend Ryan Adams' recent discovery of the Beatles albums and talks about his relationship with Ringo Starr across 20+ years of playing on each other's records. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

Chip and Jeff enjoyed a perfect autumn evening of chatting while running with super special guest Kristen Herrmann of Ben FM. The following topics were discussed: morning radio, Philly Roller Derby, rabid raccoons, Tom Petty, 80s music quiz, Laura Branigan, "Runner or Roller Derby" quiz, rowing, Temple Crew, Nicole Atkins, Financial Guru Gregg Gethard, Asbury Park, Wonder Bar, Philly PAWS, Gloria the dog, Mudcrutch, Shady Maple Smorgasbord, Secret Pants, Kinky Boots, Hamilton and a whole lot of Broadway musical talk.

In which we go over the long career & legacy of one of my all-time favorite artists, the late Tom Petty. As the everyman's rock star, between the Heartbreakers, the Wilburys, Mudcrutch & solo work, he's left behind one of the most solid & timeless discographies in rock. However, for a guy that's never cared for flashy videos or reinventing himself for the times, this may have ended up a double-edged sword. Find out why I (along with more casual fan Johnny) believe that in this special retrospective episode. // SONGS PLAYED IN ORDER: Saving Grace (Highway Companion, 2006), I Should Have Known It (Mojo, 2010), Make It Better (Southern Accents, 1985), Asshole (Songs & Music from "She's the One", 1996), Hungry No More (Mudcrutch 2, 2016), Joe (The Last DJ, 2002), Echo, (Echo, 1999), We Stand a Chance (Long After Dark, 1982), Anything That’s Rock ‘N’ Roll (self-titled, 1976). // Check out more on the Mad Sounds YouTube channel, and follow us on Twitter! // Mark @SpinItReviews, Johnny @Viralrak

Tom Petty: We Got Lucky

När Fredrik klev ner i källaren på krogen Hannas på Södermalm i Stockholm en sen kväll på 90-talet så var det med tron om att han tillhörde en extremt liten och utvald skara människor som var där för att se Tom Petty göra en exklusiv spelning med the Mudcrutch. Och har "Guben i lådan" sketchen med Martin Ljung "stood the test of time" bättre än Mr Beans penvässarsketch? Och var det ett sliding doors moment som gjorde att Filip inte idag lever i en frireligiös tillvaro i en mellanstor stad i Florida?

Billboard staffers look back on Tom Petty's impact as one of rock's best hitmakers and most iconoclastic voices. From "American Girl" to "Mary Jane's Last Dance" to "Wildflowers" to his work with Traveling Wilburys and Mudcrutch, we're talking favorites, lesser known gems and his importance to the genre. See acast.com/privacy for privacy and opt-out information.

Keyboard legend Benmont Tench (Tom Petty and the Heartbreakers, Mudcrutch) returns to the show as Beatles Month rolls on. Benmont unpacks the multi-layered genius of Beatles for Sale opening track 'No Reply', explores why the Beatles R'n'B roots are at the heart of their greatness, recalls how his first exposure to the band scared him as a kid, why the Heartbreakers avoided playing Beatles covers, wonders about his friend Ryan Adams' recent discovery of the Beatles albums and talks about his relationship with Ringo Starr across 20+ years of playing on each other's records. My Favorite Album is a podcast unpacking the great works of pop music. Each episode features a different songwriter or musician discussing their favorite album of all time - their history with it, the making of the album, individual songs and the album's influence on their own music. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos. If you've got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

Before Tom Petty and the Heartbreakers were Tom Petty and the Heartbreakers, classic American rock icons, they were just five kids from Gainesville, Florida who had driven cross country to Los Angeles with $200 and hopes of landing a record deal for their southern rock group Mudcrutch. Their ascent would be a slow one: the group signed with Shelter Records in 1974 and released a single, only to be dropped from the label. The band broke up. The band got back together and found themselves with a new opportunity to release an album — this time with a better name: Tom Petty and the Heartbreakers. Released in 1976, Tom Petty and the Heartbreakers’ self-titled debut is an amalgamation of styles and influences. It travels from classic blues to swampy country to classic ‘50s rock in songs that are abruptly short and full of anxious, pulsing rhythms that weren’t too deviant from the emerging punk scene. It’s no wonder people didn’t know what to do with them or how to classify them when the album was released. Though the album contains songs that are now staples of American pop culture, ingrained in our collective consciousness — songs like “American Girl” and “Breakdown” — it would be a few years before Tom Petty and the Heartbreakers cemented their status as household name rock stars — but it’s a status they’ve held onto. In this episode, we discuss the variety of musical influences on early Heartbreakers work, dive into Tom Petty’s sparse songwriting style, and talk about why Tom Petty and the Heartbreakers’ enduring, four decade long careers truly inspire us.

Segundo Programa subjetivo y arbitrario del Ranking 2016 emitido por las radios. Los discos que sacaron Metallica, Weezer, Melissa Etheridge, The Lumineers, Skinny Lister, Sting, Neko Case & KD Lang & Laura Veirs, Alejandro Escovedo, Joe Bonamassa, Pretenders, Mewithoutyou, Band of Skulls, Yoko Ono, Blink 182, Bettie Serveert, Ziggy Marley, Steven Tyler, The Coral, The Kills, Mudcrutch, Black Mountain Prophet, Kenye West, Holy Bouncer, Mumford & Sons & Baaba Mal, PJ Harvey, Leonard Cohen, Patti Smith en la entrega del premio Nobel

Segundo Programa subjetivo y arbitrario del Ranking 2016 emitido por las radios. Los discos que sacaron Metallica, Weezer, Melissa Etheridge, The Lumineers, Skinny Lister, Sting, Neko Case & KD Lang & Laura Veirs, Alejandro Escovedo, Joe Bonamassa, Pretenders, Mewithoutyou, Band of Skulls, Yoko Ono, Blink 182, Bettie Serveert, Ziggy Marley, Steven Tyler, The Coral, The Kills, Mudcrutch, Black Mountain Prophet, Kenye West, Holy Bouncer, Mumford & Sons & Baaba Mal, PJ Harvey, Leonard Cohen, Patti Smith en la entrega del premio Nobel

Segundo Programa subjetivo y arbitrario del Ranking 2016 emitido por las radios. Los discos que sacaron Metallica, Weezer, Melissa Etheridge, The Lumineers, Skinny Lister, Sting, Neko Case & KD Lang & Laura Veirs, Alejandro Escovedo, Joe Bonamassa, Pretenders, Mewithoutyou, Band of Skulls, Yoko Ono, Blink 182, Bettie Serveert, Ziggy Marley, Steven Tyler, The Coral, The Kills, Mudcrutch, Black Mountain Prophet, Kenye West, Holy Bouncer, Mumford & Sons & Baaba Mal, PJ Harvey, Leonard Cohen, Patti Smith en la entrega del premio Nobel

Segundo Programa subjetivo y arbitrario del Ranking 2016 emitido por las radios. Los discos que sacaron Metallica, Weezer, Melissa Etheridge, The Lumineers, Skinny Lister, Sting, Neko Case & KD Lang & Laura Veirs, Alejandro Escovedo, Joe Bonamassa, Pretenders, Mewithoutyou, Band of Skulls, Yoko Ono, Blink 182, Bettie Serveert, Ziggy Marley, Steven Tyler, The Coral, The Kills, Mudcrutch, Black Mountain Prophet, Kenye West, Holy Bouncer, Mumford & Sons & Baaba Mal, PJ Harvey, Leonard Cohen, Patti Smith en la entrega del premio Nobel

On the historic night of the Chicago Cubs first World Series win in 108 years, the Tripodcast got back together to record their review of the Mudcrutch album "2". Listen in to hear the guys talk about music, movies, TV, and of course some talk about the Chicago Cubs.Listen Here! 

Benmont Tench, founding member of Tom Petty & The Heartbreakers, has played on nearly every Petty album over the years -- even the ones not credited to the Heartbreakers, such as Full Moon Fever and Wildflowers. His trademark keys are all over classic songs like "Refugee," "The Waiting," "Don't Do Me Like That" and so many more, which you can hear on the recently-reissued Greatest Hits 2LP set, now back on vinyl for the first time in over 20 years, with an alternate cover to boot! Tench is also a member of Mudcrutch with Petty and Heartbreakers guitarist Mike Campbell (a group that pre-dates the Heartbreakers, who released and toured on their second album earlier this year) and has performed/recorded with a staggering list of music's elite, including Bob Dylan, Johnny Cash, Aretha Franklin, Emmylou Harris, Ryan Adams and Fiona Apple. Today, Benmont gives us one of the most passionate arguments for vinyl that we've been lucky enough to share on the podcast. There's plenty of Petty talk here, but Ben's strident defense of musicians getting their due, his concern about America's current "war on beauty," and his humility in having worked with some of the best songwriters in the business make this a must-hear episode. Ben's music can be found at benmonttench.com or tompetty.com. Follow Ben on Twitter @benchten and Instagram @benmonttench.  

Blake Christiana of Yarn plays tracks from This Is The Year and talks about the band’s rebuilding year, writing country music in NYC, and the positive vibes in their music. Also on this week’s episode I’ve got the new rock & roll album from Hymn For Her and new music from Waiting For Henry, Josh Harty, Silver Lake 66 and the Royal Hounds. I’ve also got more new music from Mudcrutch, Willie Nelson, Dale Watson, & Lydia Loveless. "Blake Christiana’s close-knit band Yarn gets a fresh start" originated from Americana Music Show.

Sara Watkins plays tracks from Young In All The Wrong Ways and talks about her solo work, maturing as a songwriter, and the videos she’s making to support the album. This week I’ve got the new live Dale Watson album and the new Lydia Loveless rock album. Plus another track from that amazing Michael Rank album, more from Eli Paperboy Reed, Mudcrutch, Tift Merritt, BJ Barham, and an old school blues track from Lead Belly. "Sara Watkins focuses on her songwriting (Ep313)" originated from Americana Music Show.

Hayes Carll plays tracks from Lovers and Leavers and talks about writing for this phase of his life, his recent Merle Haggard cover, and his run in with Townes Van Zandt fans. Also this week I’ve got that new Michael Rank album and the new Boo Ray country rock album Plus there’s more of that Eli Paperboy Reed album, the awesome blues album from Lonesome Shack, another track from that Bonnie Bishop soul album, some John Doe & The Sadies, Mudcrutch, Wild Ponies, Tony Joe White, and Colvin & Earle. "Hayes Carll sings the troubadour’s life (Ep312)" originated from Americana Music Show.

Joe Evans of Left Lane Cruiser plays tracks from Beck In Black, tells the story behind the album name, discusses the lineup changes and why he sticks to the duo format. Also this week I’m excited to say I’ve got the new Mudcrutch album and the new Eli Paperboy Reed album. Hot dang! Plus another track from the Colvin & Earle album and new music from Amanda Shires, Honey Island Swamp Band, and Martha Fields. I’ve also got a classic track from Little Junior & The Blue Flames. "Joe Evans of Left Lane Cruiser pays tribute to ex-band mate (Ep311)" originated from Americana Music Show.

Marc Stakenburg en Joost Verbunt zijn er weer met MusicTrails. Muziek van Mudcrutch, Black Keys, Paul Simon en Jeff Buckley

Marc Stakenburg en Joost Verbunt zijn er weer met MusicTrails. Muziek van Mudcrutch, Black Keys, Paul Simon en Jeff Buckley

In the latest episode of The Next Track, Doug Adams and Kirk McElhearn welcome special guest Chris Connaker who runs the Computer Audiophile website to discuss high-resolution audio. What are the pros? The cons? Is high-res for you? “Is high-resolution worth it? There really is no definitive answer to that…” Show notes: The Computer Audiophile website High-resolution audio: Episode #3 – Everything You've Ever Wanted to Know about Audio File Formats Gimell Records, John Taverner – Missa Corona spinea Why do CDs use a sampling rate of 44.1 kHz? Hdtracks JRiver Media Center Fiio X7 portable audio player roon The Dark Art of Mastering Music – Pitchfork Our next tracks: Kirk: Roadies Doug: 2, Mudcrutch If you like the show, please subscribe in iTunes or your favorite podcast app, and please rate the podcast. Special Guest: Chris Connaker.

We were running down a dream on today's episode, talking to Westword music editor Katie Moulton about her absolute obsession, Tom Petty. Alone, with the Heartbreakers, with Mudcrutch, she loves every version. Join us as we talk about why Tom Petty is one the the most underrated American musicians, and why he probably likes it that way.

Mark's on paid leave this episode for disciplinary reasons. With that being the case Shanon had to get a little creative. Shanon has a couple special guests this episode. Rather than talking about just one movie, there are five different movies this week. Mudcrutch, Tiger Army, and Railbenders provide the soundtrack this week. 

So, Memorial Day weekend we banked a not quite minisode. In this one we ramble on about Mudcrutch, Angeldu$t, and The Julie Ruin (which if you ever pick up one artist from this podcast, The Julie Ruin would be it). Lou revisits some long form psychedelic rock and Jaime talks Marvel movies.

In this podcast, we cover the following albums that came out in May 2016: James Blake - The Colour In Anything Death Grips - Bottomless Pit Anohni - Hopelessness White Lung - Paradise Kaytranada - 99.9% Twin Peaks - Down in Heaven Julianna Barwick - Will LUH - Spiritual Songs for Lovers To Sing Dan Michaelson & the Coastguards - Memory Mark Pritchard - Under the Sun Yoni & Geti - Testarossa David Bazan - Blanco Fruit Bats - Absolute Loser Kikagaku Moyo - House in the Tall Grass Adia Victoria - Beyond the Bloodhounds Hard Working Americans - Rest in Chaos Kvelertak - Nattesferd Islands - Should I Remain Here At Sea? Islands - Taste Modern Baseball - Holy Ghost Karl Blau - Introducing Karl Blau Jessy Lanza - Oh No Chance the Rapper - Coloring Book Wolf Parade - EP 4 (EP) Ariana Grande - Dangerous Woman Mutual Beneift - Skip a Sinking Stone Car Seat Headrest - Teens of Denial Marissa Nadler - Strangers Andy Shauf - The Party Mudcrutch - 2 Saosin - Along the Shadow Real Friends - The Home Inside My Head Thrice - To Be Everywhere Is to Be Nowhere PUP - The Dream is Over Big Thief - Masterpiece Holy Fuck - Congrats Pelvis - R.I.P. Tom Hummer - Dystopian Blues

Kiko Veneno es hoy nuestro invitado. Presenta un doble álbum, Doble Vivo (con dos maneras de afrontar el directo, en solitario o muy bien acompañado. “Es un formato inesperado y un poco a contracorriente.”Hablamos con él de su extensa y variada trayectoria, el futuro, la inspiración, sus colaboradores, y la actualidad musical y cultural en nuestro país“. No veo yo que sea un momento en el que cuajen todas las cosas nuevas que se hacen en la música aquí. La cultura padece igual que la nevera los recortes. Veo músicos jóvenes con muy buenas ideas pero no creo que esas aportaciones se puedan convertir en un movimiento. Hay que vencer muchas barreras para eso. La cultura y el arte necesitan alcanzar un estatus diferente al que tienen ahora, tendrían que ocupar el puesto que ocupan los videojuegos, las finanzas y, hasta te diría, el hombre del tiempo.”Además revisamos los nuevos álbumes de Emily Loizeau, Allen Toussaint, Mudcrutch y la rareza, ahora ya oficial, que es la remezcla a cargo de Timo Maas y James Teej de uno de los más celebres temas de Paul McCartney en su etapa con Wings.

Tom Petty's first band from the seventies, reunited for their debut album.

New Collaborations, Cayucas, Black Keys, Jerry Garcia, Charlie Musselwhite + Judith Owen, Spunj, Milt Jackson, Mudcrutch, Kate Bush, Whitton, ... Birthdays for Johnny Ace, Les Paul, Jackie Wilson