Podcasts about wadler

We talk with Dr. Wadler about the latest technology to gather data in hurricanes.  Dr Lillo talks with us about the latest developments of AI and Hurricane forecasting.This show begins in progress.Support the Show.Suggest a topic or ask a question: alex@wxguide.comVisit our conference site: www.hurricanecenterlive.comThanks for listening and please share with your friends and co-workers.

Ben Wadler is a sculptor making pottery under the name Special Vessels. Borrowing forms freely from found and imagined architecture, comic books, video games, psychedelia, erotica, calligraphy, and cake decoration — Ben's pieces evoke a faux history that feels both sacred and silly. Reverent and irreverent. Ben likes to imagine the work serving as the first point of contact with an alien race, and how it would look in the vacuum of space. Until then, Ben listens for distant radio signals on WFMU, emanating from his home planet of New Jersey. Ben studied sculpture at the Royal College of Art in London, at Kunstakademie Düsseldorf, and at Bard College in Annandale-on-Hudson, New York. Ben is currently based in Vienna and Tel Aviv.   http://ThePottersCast.com/988

The subject of this episode's paper — Propositions as Types by Philip Wadler — is one of those grand ideas that makes you want to go stargazing. To stare out into space and just disassociate from your body and become one with the heavens. Everything — life, space, time, existence — all of it is a joke! A cosmic ribbing delivered by the laws of the universe or some higher power or, perhaps, higher order. Humanity waited two thousand years, from the time of the ancient Greeks through until the 1930s, for a means to answer questions of calculability, when three suddenly arrived all at once: General recursive functions by Gödel in 1934, with functions of sets of natural numbers. Lambda calculus by Alonzo Church in 1936, with anonymous single-variable functions. Turing machines by Alan Turing in 1937, with a process for evaluating symbols on a tape. Then it was discovered that these three models of computation were, in fact, perfectly equivalent. That any statement made in one could be made in the others. A striking coincidence, sure, but not without precedent. But then it was quietly determined (in 1934, again in 1969, and finally published in 1980) that computation itself is in a direct correspondence with logic. That every proposition in a given logic corresponds with a type in a given programming language, every proof corresponds with a program, and the simplification of the proof corresponds with the evaluation of the program. The implications boggle the mind. How could this be so? Well, how could it be any other way? Why did it take so long to discover? What other discoveries like this are perched on the precipice of revelation? Philip Wadler is here to walk us through this bit of history, suggest answers to some of these questions, and point us in a direction to search for more. And we are here, dear listener, to level with you that a lot of this stuff is miserably hard to approach, presented with the symbols and language of formal logic that is so often inscrutable to outsiders. By walking you through Wadler's paper (and the much more approachable Strange Loop talk), and tying it in with the cultural context of modern functional programming, we hope you'll gain an appreciation for this remarkable, divine pun that sits beneath all of computation. Links => patreon.com/futureofcoding — but only if you back the Visual Programming tier!! I'm warning you! Wadler's Strange Loop talk Propositions as Types Cocoon is good. It's not, like, Inside or Limbo good, but it's good. Actually, just play Inside. Do that ASAP. Hollow Knight, also extremely good. Can't wait for Silksong. But seriously, if you're reading this and have haven't played Inside, just skip this episode of the podcast and go play Inside. It's like 3 hours long and it's, like, transformatively great. Chris Martens has done some cool work (eg) bringing together linear logic and games. Meh: Gödel, Escher, Bach by Douglas Hofstadter Yeh: Infinity and the Mind by Rudy Rucker Heh: To Mock a MockingBird by Raymond Smullyan. The hierarchy of automata Games: Agency as Art The Incredible Proof Machine is what some would call a "visual programming language" because proofs are programs. But it's actually really cool and fun to play with. Approach it like a puzzle game, and give it 10 minutes or so to get its hooks into you. "Stop Doing Logic" is part of the Stop Doing Math meme. Unrelated: Ivan's song Don't Do Math. Bidirectional Type Checking, a talk by David Christiansen List Out of Lambda, a blog post by Steve Losh Nobody noticed that these links were silly last time, so this time I'm drawing more attention to it: Ivan: Mastodon • Email Jimmy: Mastodon • Twitter This link is legit: DM us in the FoC Slack https://futureofcoding.org/episodes/068See omnystudio.com/listener for privacy information.

Casey's Lisa Hamilton chats with Naomi Wadler who, at age 11, captivated millions at a 2018 March For Our Lives event in Washington, D.C. Now 15, Naomi continues to connect with audiences and advocate against gun violence. In this episode, Wadler about her rapid rise as a youth advocate, how parents — and politicians — can support young leaders, and what kids should keep in mind as they speak up and seek out meaningful change. Learn more at https://www.aecf.org/blog/naomi-wadler-on-raising-youth-voices-and-youth-advocates

In Episode 52  Lynn Morstead  & Kelli Soika talk with CoHousing Houston member PD Wadler about his road to cohousing and some of his experiences of cohousing to-date. PD reflects on the various threads that lead him to this decision, from visiting friends who live in cohousing in Massachusetts, to the difference between a chosen and family of origin and how COVID has awakened all of us to the importance of an interconnected life.Let us know if you have any comments or ideas by emailing us at info@cohousinghouston.com.

In the following podcast, you'll hear the edited audio of Saskia's live Instaview with Jewish theatre Practitioner Leora Wadler. They discuss Jewish identity in the theatre and studying applied theatre as well as how to celebrate Hanukkah. If you are looking for another podcast to listen to, the Contributors release the Voice Extra Podcast every Saturday, where they talk about the pieces they've produced and the culture they've been enjoying. If you liked this podcast please consider helping us to make more with a donation of any amount at voicemag.uk/donate. Thanks to Kevin MacLeod for use of the track Thief in the Night, you can find more of his work on Incomputech.com Tom Inniss was the executive producer.

We're back with the third in our 5-part series on e-sourcing platforms, and this week we're looking at how e-sourcing can fit into a wider scope covered by a software solution. How can an e-sourcing requirement be married together with upstream and downstream features to create a mini-suite centred around vendor management, with e-sourcing at its core? This is what my guest this week, David Wadler, has created with the Vendorful platform, and he's here to walk us through how this approach can reduce the need for too many SaaS applications in one organisation. Does a Mini Suite of Best-of-Breed Vendor Relationship Management Trump "One Trick Pony" Software? NYC native David starts by giving us some history of his background and how he kind of fell into software engineering and growing a startup after living abroad in France for a number of years. His first experience of procurement was serendipitous, having sold his first software company to Lexmark, who then engaged him on an assignment to look into costs in their IT category. He quickly realised that the sourcing process was broken and was very administrative and manual, and hence Vendorful as a concept was born! E-Sourcing vs. Vendor Management PlatformThe idea for Vendorful was borne out of an initial concept to build a sourcing tool for IT. As customers demanded more and more features, they followed a strategy they called customer driven development. As David explains, this was based on features that existing customers were asking for rather than internally driven by product strategy. This resulted in Vendorful growing initially to serve e-sourcing beyond the IT category, and then ultimately to become what it is now; a vendor lifecycle management platform which covers some of the activities further upstream and downstream which would have been conducted on email or spreadsheets. Moving from Excel and ERP to one single platformDavid knew they were onto something when a customer contacted them requesting something that had nothing relating to e-sourcing. He gives an example of supplier onboarding and management where a customer was manually typing in and uploading documents into an ERP system, and managing the records through an Excel spreadsheet which was manually updated. Knowing that there was a better way, this led Vendorful to be developed into more of a full stack vendor management system, covering much more than just e-sourcing. Indeed, eliminating a lot of manual processes around vendor lifecycle management (VLM) is one of the key attributes they now see as their USP. VLM platform plus P2P integration outside of ERPVendorful doesn't touch any steps of the procure-to-pay (P2P) process and instead sees itself as a platform that would go hand-in-hand with a best-of-breed P2P platform. This tech stack is a very viable alternative to one of the established source-to-pay (S2P) suites, or indeed trying to perform this activity natively in an ERP system with, inevitably, the need to revert to email and Excel for some of the process and analysis. They see their segment and price point as being particularly competitive to mid-sized businesses and even to some enterprises who perhaps want something more user-friendly or versatile. Their cost is in the low 6-figure ($) typically versus price tags of over $1 million for enterprise level S2P suites. David quips that it was once described by a sales executive for one of the suites as "Google Docs for Procurement"! Defending market position from the bigger suitesIf the suites see them potentially as a danger and move into their market segment, what ways can they differentiate themselves and compete with companies with a much bigger marketing budget? Vendorful is a new product and is not built on a legacy tech stack that is over 10 years old. It is seen as more versatile and is able to cope with more complexity, based on some of the feedback they have received from customers who have done RFIs and

Charley Wadler - a senior at the University of Wisconsin-Madison with internship experiences on both the team and agency sides - joins the pod to preview the 21-22 season for four NBA teams. We do a deep dive on the teams' past offseasons, on-court outlooks, and predicted outcomes for this season. Twitter: https://twitter.com/charleywadler Instagram: https://www.instagram.com/charleywadler/

Todd Wadler is a former investment banker and is the co-founder of BoxUnion and the current CEO of Title Boxing.  Todd talks to us about starting BoxUnion, how he grew it into a profitable business, and how he applied the lessons he learned to over 150 franchise locations with Title Boxing. Connect with Todd here: https://www.linkedin.com/in/todd-wadler-85513a18/ This podcast is brought to you by Glofox, a gym software management company. If you are looking to accelerate growth, work efficiently and deliver a well-branded boutique customer experience, check us out at http://www.glofox.com/

On this episode we sit down with CEO Todd Wadler & CRO Felicia Alexander of Box Union & Title Boxing, and chat all things marketing, operations, the franchise opportunity, and more. Join our VIP text club: https://inboundtxt.com/t/8xJ7Bd0 - Send guest / topic recommendations. - Connect with us - Become a franchisee. We can connect you with a brand you are interested in OR an expert broker to find the right brand for you. - Join now for a chance to win $250 (visa gift card giveaway) Get registered for Springboard Or Young Conference: www.franchisors.com

A former investment banker for almost 24 years with entrepreneurship in his DNA, Todd is the CEO of Title Boxing Club and Co-Founder of Box Union. He chats with Pete about his experiences going from banking into the entrepreneurial world of building a brick and mortar business from the ground up. On the parallels (and differences) between the two, he jokes, "Investment banking is an unbelievable training ground . . . we're not going deal to deal, but rather within the company, topic to topic so it's kind of similar. It works well with my A.D.D!" For anyone considering buying into a franchise, this episode in particular provides some fantastic takeaways and questions to ask.

Where relational semantics for parametric polymorphism often includes a lemma called Identity Extension (discussed in Episode 10, on the paper "Types, Abstraction, and Parametric Polymorphism"), RelTT instead has a refinement of this called Identity Inclusion. Instead of saying that the interpretation of every closed type is the identity relation (Identity Extension), the Identity Inclusion lemma identifies certain types whose relational meaning is included in the identity relation, and certain types which include the identity relation. So there are two subset relations, going in opposite directions. The two classes of types are first, the ones where all quantifiers occur only positively, and second, where they occur only negatively. Using Identity Inclusion, we can derive transitivity for forall-positive types, which is needed to derive induction following the natural generalization of the scheme in Wadler's paper (last episode).

In this episode, Hall welcomes David Wadler angel investor and CEO of Vendorful, Inc. Located in New York, Vendorful is a standalone SaaS product delivered via public or private cloud. In addition, it can be integrated into existing procurement software stacks, allowing organizations to drive more return on their existing investment. Vendorful saves time and money while driving increased value for businesses of all types and sizes, from SMB to enterprise. David was the CEO and co-founder of a company called Twistage, where he turned an idea into a profitable multimillion-dollar business and an exit to a Fortune 1000 company. He is a seasoned software/digital media executive with a decidedly entrepreneurial bent. Over the course of his career, he’s spent time in sales, software development, product management, and even crafting narratives as a writer.  David tells Hall how he sees the industry evolving, what excites him and gives advice to both entrepreneurs and investors.Visit Vendorful at     David can be reached via LinkedIn at , on Twitter at and via email at . 

McKinley, Jesse. [“It Can't Win All The Tonys (Can It?).”](www.nytimes.com/2001/06/01/movies/it-can-t-win-all-the-tonys-can-it.html?searchResultPosition=207) The New York Times, 1 June 2001.Gates, Anita. [“A Few Free Peeks at Those Dancing Feet.”](www.nytimes.com/2001/06/03/tv/cover-story-a-few-free-peeks-at-those-dancing-feet.html?searchResultPosition=14) The New York Times, 3 June 2001.Pogrebin, Robin. [“'Producers' Shatters Tony Award Record With 12 Prizes; 'Proof' Takes Best Play And 2 Other Awards.”](www.nytimes.com/2001/06/04/theater/producers-shatters-tony-award-record-with-12-prizes-proof-takes-best-play-2.html?searchResultPosition=126) The New York Times, 4 June 2001.Gardner, Amanda. [“Tony Awards' New Jersey Ties.”](www.nytimes.com/2001/06/03/nyregion/theater-tony-awards-new-jersey-ties.html?searchResultPosition=2) The New York Times, 3 June 2001.Mandell, Jonathan. [“It's Broadway's TV Moment, but Who's Watching?”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-it-s-broadway-s-tv-moment-but-who-s-watching.html?searchResultPosition=8) The New York Times, 20 May 2001.[“Springtime for Show Biz.”](www.nytimes.com/2001/05/09/opinion/springtime-for-show-biz.html?searchResultPosition=28) The New York Times, 9 May 2001.McKinley, Jesse. [“New Referee For the Tonys.”](www.nytimes.com/2000/10/27/movies/on-stage-and-off-new-referee-for-the-tonys.html?searchResultPosition=32) The New York Times, 27 Oct. 2000.Tommasini, Anthony. [“They Do Write 'Em Like They Used To.”](www.nytimes.com/2001/05/20/arts/they-do-write-em-like-they-used-to.html?searchResultPosition=59) The New York Times, 20 May 2001.Kisselgoff, Anna. [“Where Everything Clicks.”](www.nytimes.com/2001/06/29/movies/critic-s-notebook-where-everything-clicks.html?searchResultPosition=14) The New York Times, 29 June 2001.Pogrebin, Robin. [“Elevating the Broadway Pit; A Legendary Conductor Shapes Musicals With His Baton.”](www.nytimes.com/2000/04/19/theater/elevating-the-broadway-pit-a-legendary-conductor-shapes-musicals-with-his-baton.html?searchResultPosition=24) The New York Times, 19 Apr. 2000.Brantley, Ben. [“How Karaoke Conquered Broadway.”](www.nytimes.com/2001/02/25/theater/spring-theater-how-karaoke-conquered-broadway.html) The New York Times, 25 Feb. 2001.Singer, Barry. [“A Crash Course in the World of Mel.”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-a-crash-course-in-the-world-of-mel.html?searchResultPosition=9) The New York Times, 20 May 2001.Brantley, Ben. [“A Scam That'll Knock 'Em Dead.”](www.nytimes.com/2001/04/20/movies/theater-review-a-scam-that-ll-knock-em-dead.html?searchResultPosition=21) The New York Times, 20 Apr. 2001.McKinley, Jesse. [“It's Springtime for Producers Of Broadway's 'Producers'.”](www.nytimes.com/2001/04/25/theater/it-s-springtime-for-producers-of-broadway-s-producers.html?searchResultPosition=1) The New York Times, 25 Apr. 2001.[“Real Producers Are Nothing Like Bialystock. Right?”](www.nytimes.com/2001/06/03/theater/theater-real-producers-are-nothing-like-bialystock-right.html?searchResultPosition=74) The New York Times, 3 June 2001.Pogrebin, Robin. [“The Brothers Viertel, a Theatrical Tag Team.”](www.nytimes.com/2001/02/11/theater/theater-the-brothers-viertel-a-theatrical-tag-team.html?searchResultPosition=22) The New York Times, 11 Feb. 2001.Pogrebin, Robin. [“'Producers' Sets Tony Nomination Record.”](www.nytimes.com/2001/05/08/theater/producers-sets-tony-nomination-record.html?searchResultPosition=90) The New York Times, 8 May 2001.[“'The Producers' Dominates Drama Desk Awards, Taking Record 11.”](www.nytimes.com/2001/05/21/nyregion/the-producers-dominates-drama-desk-awards-taking-record-11.html?searchResultPosition=41) The New York Times, 21 May 2001.Brantley, Ben. [“Reproducing 'The Producers': Replacements in Star Roles Feel Their Way.”](www.nytimes.com/2002/05/03/movies/theater-review-reproducing-producers-replacements-star-roles-feel-their-way.html?searchResultPosition=99) The New York Times, 3 May 2002.Purnick, Joyce. [“Metro Matters; Dissecting The Mania On 44th Street.”](www.nytimes.com/2001/04/23/nyregion/metro-matters-dissecting-the-mania-on-44th-street.html?searchResultPosition=130) The New York Times, 23 Apr. 2001.Robertson, Campbell. [“Springtime for Hit's End: 'The Producers' to Close.”](www.nytimes.com/2007/02/23/theater/23prod.html?searchResultPosition=32) The New York Times, 23 Feb. 2007.Sternbergh, Adam. [“The History of The Producers: Part III - Nymag.”](nymag.com/nymetro/movies/features/15251/) New York Magazine, 2 Dec. 2005.Simon, John. [“Blazing Twaddle - Nymag.”](nymag.com/nymetro/arts/theater/reviews/4618/) New York Magazine, 30 Apr. 2001.[“GOLD RUSH.”](www.newyorker.com/magazine/2001/05/07/gold-rush. ) The New Yorker, 19 June 2017.Rosen, Marjorie. [“Dressing Ulla And the Rest: Isn't It Iconic?”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-dressing-ulla-and-the-rest-isn-t-it-iconic.html?searchResultPosition=11) The New York Times, 20 May 2001.Stracher, Cameron. [“The Way We Live Now: 5-27-01: How To Get Into 'The Producers'; That's the Ticket.”](www.nytimes.com/2001/05/27/magazine/the-way-we-live-now-5-27-01-how-to-get-into-the-producers-that-s-the-ticket.html?searchResultPosition=147) The New York Times, 27 May 2001.Brantley, Ben. [“How Karaoke Conquered Broadway.”](www.nytimes.com/2001/02/25/theater/spring-theater-how-karaoke-conquered-broadway.html) The New York Times, The New York Times, 25 Feb. 2001.Pogrebin, Robin. [“Ticket Sales for 'Producers' Break Broadway Record.”](www.nytimes.com/2001/04/21/theater/ticket-sales-for-producers-break-broadway-record.html?searchResultPosition=3) The New York Times, 21 Apr. 2001.Tierney, John. [“The Big City; Scalping Law May Be Ready For Execution.”](www.nytimes.com/2001/05/18/nyregion/the-big-city-scalping-law-may-be-ready-for-execution.html?searchResultPosition=180) The New York Times, 18 May 2001.McKinley, Jesse. [“Exit the Stars Of a Broadway Phenomenon.”](www.nytimes.com/2002/03/17/theater/exit-the-stars-of-a-broadway-phenomenon.html?searchResultPosition=84) The New York Times, 17 Mar. 2002.Newman, Andy. [“O.K., They're Actors, Not the Producers.”](www.nytimes.com/2002/03/18/nyregion/ok-they-re-actors-not-the-producers.html?searchResultPosition=142) The New York Times, 18 Mar. 2002.McKinley, Jesse. [“Nathan Lane's Successor in 'The Producers' Is Fired.”](www.nytimes.com/2002/04/15/arts/nathan-lanes-successor-in-the-producers-is-fired.html?searchResultPosition=27) The New York Times, 15 Apr. 2002.McKinley, Jesse. [“How an Actor Landed On Top in 'Producers'.”](www.nytimes.com/2002/04/16/theater/how-an-actor-landed-on-top-in-producers.html?searchResultPosition=39) The New York Times, 16 Apr. 2002.Pogrebin, Robin. [“'Producers' Stars' Encore?”](www.nytimes.com/2003/08/06/theater/producers-stars-encore.html?searchResultPosition=23) The New York Times, 6 Aug. 2003.[“'The Producers' Notches a $1.6 Million Week.”](www.nytimes.com/2004/01/06/theater/the-producers-notches-a-1.6-million-week.html?searchResultPosition=76) The New York Times, 6 Jan. 2004.Simon, John. [“The (Re)Producers - Nymag.”](nymag.com/nymetro/arts/theater/reviews/6014/) New York Magazine, 20 May 2002.Marks, Peter. [“Enjoying the View From Over the Top.”](www.nytimes.com/2001/05/20/arts/theater-the-tony-awards-enjoying-the-view-from-over-the-top.html?searchResultPosition=10) The New York Times, 20 May 2001.Witchel, Alex. [“'This Is It -- As Happy AsI Get, Baby' Nathan Lane.”](www.nytimes.com/2001/09/02/magazine/this-is-it-as-happy-as-i-get-baby-nathan-lane.html) The New York Times, 2 Sept. 2001.Scott, A. O. [“'The Producers'.”](www.nytimes.com/video/movies/1194817102554/the-producers.html?searchResultPosition=4) The New York Times, 15 Dec. 2005.Hoberman, J. [“When The Nazis Became Nudniks.”](www.nytimes.com/2001/04/15/movies/film-when-the-nazis-became-nudniks.html?searchResultPosition=29) The New York Times, 15 Apr. 2001.Ellis, Lindsay. [Mel Brooks, The Producers and the Ethics of Satire about N@zis](www.youtube.com/watch?v=62cPPSyoQkE&t=2s) YouTube, Jun 2, 2017.Brantley, Ben. [“You've Got to Come Back a . . . You Know.”](www.nytimes.com/2001/05/03/theater/theater-review-you-ve-got-to-come-back-a-you-know.html?searchResultPosition=33) The New York Times, 3 May 2001.Gates, Anita. [“A Broadway Fable Frames A Real-Life Comeback.”](www.nytimes.com/2001/08/21/theater/a-broadway-fable-frames-a-real-life-comeback.html?searchResultPosition=1) The New York Times, 21 Aug. 2001.McKinley, Jesse. [“The Checks Are Bouncing At 'Bells Are Ringing'.”](www.nytimes.com/2001/06/13/theater/the-checks-are-bouncing-at-bells-are-ringing.html?searchResultPosition=1) The New York Times, 13 June 2001.McKinley, Jesse. [“ON STAGE AND OFF.”](www.nytimes.com/2001/06/08/movies/on-stage-and-off.html?searchResultPosition=4)The New York Times, 8 June 2001.Pogrebin, Robin. [“The Party's Hardly Over for Faith Prince.”](www.nytimes.com/2001/05/01/theater/the-party-s-hardly-over-for-faith-prince.html?searchResultPosition=9) The New York Times, 1 May 2001.McKinley, Jesse. [“Comden and Green's Office. They're on Broadway. Any Message?”](www.nytimes.com/2001/04/12/theater/comden-and-green-s-office-they-re-on-broadway-any-message.html?searchResultPosition=10) The New York Times, 12 Apr. 2001.Wadler, Joyce with Jesse McKinley. [“BOLDFACE NAMES.”](www.nytimes.com/2001/05/30/nyregion/boldface-names-552313.html?searchResultPosition=4) The New York Times, 30 May 2001.Pogrebin, Robin.[ “'Rocky Horror Show' Is to Rock Again.”](www.nytimes.com/2001/10/17/theater/rocky-horror-show-is-to-rock-again.html?searchResultPosition=1) The New York Times, 17 Oct. 2001.Brantley, Ben. [“That Sweet Transvestite Doing the Time Warp Again.”](www.nytimes.com/2000/11/16/theater/theater-review-that-sweet-transvestite-doing-the-time-warp-again.html?searchResultPosition=6) The New York Times, 16 Nov. 2000.O'Brien, Richard. [“THEATER; The Job He Found Was Writing a Hit.”](www.nytimes.com/2000/11/05/arts/theater-the-job-he-found-was-writing-a-hit.html?searchResultPosition=7) The New York Times, 5 Nov. 2000.Strauss, Neil. [“Chasing Hard After Luck.”](www.nytimes.com/2001/05/16/arts/the-pop-life-chasing-hard-after-luck.html?searchResultPosition=12) The New York Times, 16 May 2001.Finn, Robin. [“A Determined Rocker Takes On Broadway.”](www.nytimes.com/2000/12/07/nyregion/public-lives-a-determined-rocker-takes-on-broadway.html?searchResultPosition=9) The New York Times, 7 Dec. 2000.Lemon, Brendan.[“THEATER; Audiences Today Are Getting in on the Act.”](www.nytimes.com/2000/10/08/arts/theater-audiences-today-are-getting-in-on-the-act.html?searchResultPosition=11) The New York Times, 8 Oct. 2000.Rakoff, David. [“The Way We Live Now: 10-29-00: Questions for Dick Cavett; Time Warp.”](www.nytimes.com/2000/10/29/magazine/the-way-we-live-now-10-29-00-questions-for-dick-cavett-time-warp.html?searchResultPosition=15) The New York Times, 29 Oct. 2000.Veer, Greg Vander. [“Keep Dancing.”] (vimeo.com/153283760)Feingold, Michael. [“Into the Past.”](www.villagevoice.com/2001/04/10/into-the-past/) The Village Voice, 10 Apr. 2001.Holland, Bernard. [“Why Opera Isn't the Word For Sondheim.”](www.nytimes.com/2001/07/29/theater/music-why-opera-isn-t-the-word-for-sondheim.html?searchResultPosition=2) The New York Times, 29 July 2001.Singer, Barry. [“'Follies' Shows It, Too, Is Still Here.”](www.nytimes.com/2001/03/25/theater/theater-follies-shows-it-too-is-still-here.html?searchResultPosition=4) The New York Times, 25 Mar. 2001.Ostlere, Hilary.[“An Octogenarian With All the Moves.”](www.nytimes.com/2001/03/25/theater/dance-an-octogenarian-with-all-the-moves.html?searchResultPosition=27) The New York Times, 25 Mar. 2001.Pogrebin, Robin. [“Backstage Pins And Needles.”](www.nytimes.com/2001/03/16/movies/backstage-pins-and-needles.html?searchResultPosition=21) The New York Times, 16 Mar. 2001.Delatiner, Barbara. [“A Broadway Return After 50 Years.”](www.nytimes.com/2001/03/04/nyregion/a-broadway-return-after-50-years.html?searchResultPosition=20) The New York Times, 4 Mar. 2001.Gavin, James. [“Polly Bergen's Life-Tested Role.”](www.nytimes.com/2001/03/25/arts/polly-bergens-lifetested-role.html?searchResultPosition=18) The New York Times, 25 Mar. 2001.Brantley, Ben. [“A Gritty Vision Of Faded Gold.”](www.nytimes.com/2001/04/06/movies/theater-review-a-gritty-vision-of-faded-gold.html?searchResultPosition=13) The New York Times, 6 Apr. 2001.Wolf, Matt. [“A Miniaturist Fitting a Gem Into a Smaller New Setting.”](www.nytimes.com/2001/03/25/theater/theater-a-miniaturist-fitting-a-gem-into-a-smaller-new-setting.html?searchResultPosition=10) The New York Times, 25 Mar. 2001.Holden, Stephen. [“Passion Throbs in Sondheim's Bitter Valentine.”](www.nytimes.com/2001/05/30/theater/critic-s-notebook-passion-throbs-in-sondheim-s-bitter-valentine.html?searchResultPosition=2) The New York Times, 30 May 2001.Mordden, Ethan. [“An Elegy for an Era, 'Follies' Itself Goes On.”](www.nytimes.com/2001/03/25/theater/an-elegy-for-an-era-follies-itself-goes-on.html?searchResultPosition=8) The New York Times, 25 Mar. 2001.Franklin, Nancy. [“Out of the Past.”](www.newyorker.com/magazine/2001/04/23/out-of-the-past-9 ) The New Yorker, 23 Apr. 2001.Filichia, Peter. *Broadway Musicals: The Biggest Hit & the Biggest Flop of the Season 1959 to 2009.* Applause Books, 2010.Brooks, Mel, and Tom Meehan. The Producers: the Book, Lyrics and Story behind the Biggest Hit in Broadway History - How We Did It. Miramax, 2002.*Recording "The Producers" - A Musical Romp with Mel Brooks* Produced by Masterworks Broadway, 2001.

Moelis & Company's Craig Wadler joins Elana Duré to discuss M&A activism and how issuers should react when investors place a proposed deal under pressure. View all of the products offered by Insightia by visiting our website. 

Kwanza Jones hosts the inaugural SUPERCHARGED Summit, with featured panelist Todd Wadler & Felicia Alexander, co-founders of BoxUnion along with Jake & Jazz Smollett, TV personalities and authors of The Family Table.

Legendary sports photographer Andrew Bernstein hosts "Legends of Sport" on PodcastOne and convinces Chet that shooting hockey may be the most dangerous activity on earth.

There are similarities between being a Research Associate focused on genetically-engineered yeast and being the Executive Director of a food media non profit. That's what host Dana Cowin discovered as she interviewed Caity Moseman Wadler of Heritage Radio Network, who has held both positions. On this episode of Speaking Broadly, Wadler explains that tenacity, search for workable solutions, acceptance of failure and appreciation of small victories are applicable no matter the field. Listen in as Wadler shares more thoughts on navigating your career when the path isn't clear. As the head of a listener-supported radio station, Wadler also imparts practical advice for people on the path to podcasting who want to know how to get a show on air. Speaking Broadly is powered by Simplecast

Julie has a reputation for building dynamic partnerships. But her experience raising children of color in our society gives her a unique perspective on how to start a dialogue about race in this country. Julie adopted two daughters from Ethiopia. How do we raise more socially & faith conscious children? Expand your mindset to understand how bias informs your decisions. Gain insight on how to start the much-needed conversation about race with your children and yourself. (2 of 2)

Julie has a reputation for building dynamic partnerships. But her experience raising children of color in our society gives her a unique perspective on how to start a dialogue about race in this country. Julie adopted two daughters from Ethiopia. How do we raise more socially & faith conscious children? Expand your mindset to understand how bias informs your decisions. Gain insight on how to start the much-needed conversation about race with your children and yourself. (2 of 2)

Julie has a reputation for building dynamic partnerships. But her experience raising children of color in our society gives her a unique perspective on how to start a dialogue about race in this country. Julie adopted two daughters from Ethiopia. How do we raise more socially & faith conscious children? Expand your mindset to understand how bias informs your decisions. Gain insight on how to start the much-needed conversation about race with your children and yourself. (1 of 2)

Julie has a reputation for building dynamic partnerships. But her experience raising children of color in our society gives her a unique perspective on how to start a dialogue about race in this country. Julie adopted two daughters from Ethiopia. How do we raise more socially & faith conscious children? Expand your mindset to understand how bias informs your decisions. Gain insight on how to start the much-needed conversation about race with your children and yourself. (1 of 2)

What does it take to lead design at an legendary brand, such as MTV? This week, Jeni speaks with Scott Wadler, who has provided creative leadership to some of the most iconic brands in the world including MTV, Comedy Central, and Nickelodeon.

How to make ad-hoc polymorphism less ad hoc - Wadler & BlottRepresentable Functors part 1Representable Functors part 2Representable Functors part 3Mealy MachineMoore Machinepurescript-automataCategory Theory by Tom LaGatta