Horror Movie Talk

Today's episode, voted by our patrons is I Saw the Devil, the Korean revenge thriller/horror film. Synopsis I saw the Devil is a 2010 Korean thriller about Soo-hyeon (Lee Byung-hun), a grieving husband seeking revenge against his wife's killer (Choi Min-sik). Unlike most revenge films, this one is not about him finding the killer to bring them to justice, it's about tormenting and psychologically breaking a monstrous serial killer. It helps that the husband is basically Korean James Bond and has accrued plenty of PTO. Review of I Saw the Devil This is legit one of the best thrillers I have ever seen. It's well written, and it doesn't waste a minute of it's 2:24 runtime. It makes me miss the serial killer thrillers of the late nineties and 2000s. As with any thriller, people may argue whether or not it is a horror movie. I ignore these people, because they have too much time on their hands. and this is on letterboxes top 250 horror movies, so that's something. I will say if you are looking for disturbing and gory imagery, this film has it. I Saw the devil doesn't shy away from giving us the killer Jang Kyung-chul's perspective, which can be disturbingly voyeuristic and horrifying in its simplicity. The brutal confrontation scenes with the protagonist being a proto John Wick balances out the film with a sense of catharsis and perverse satisfaction of the killer getting his comeuppance. However, they come at a price. The film asks the viewer “can a man use evil against evil and come out unscathed?” . This is one of those movies that's so perfect in its concept and construction that it makes me wonder how it hasn't been done before. It's deceptively simple, but is actually an impressive balancing act of being disturbing, thrilling, funny, and ultimately satisfying. Score 10/10

Synopsis In a post apocalyptic world, Nic cage raises two teenage boys he rescued as babies. Unfortunately for cage he is made aware of the simple fact that teenagers don't stop being teenagers just because everyone's lives are at stake. These two boys couldn't be more different and are constantly arguing, picking on each other and getting into mischief. Each night the young boys and their father batten down the hatches and prepare for the invasion of strange and mystical creatures that threaten to break down the doors and devour them all. It is soon discovered that their bunker may not be as safe as they once hoped and the family must learn how to take responsibility for themselves and survive in this impossibly desolate world.  Review of Arcadian Another day, another random horror movie starring Nic cage. This man will really take any role at this point, which is unfortunate because I feel like he was underutilized in this film. Not that I think cage has to be the main character in every movie he is in, but his character is pretty quickly disposed of for the majority of the movie which i think may not have been the right move. This cant even really be classified as a true Nic cage movie, as he is more of a supporting character with very little screentime. Despite that, I think the other characters manage this movie pretty well on their own. I like the brothers and their differing personalities. Each one brings their own emotional struggle to the film and I felt like I could relate to each of them in different ways. For the first half of the movie the monsters are well obscured in the darkness, and the glimpses that we do get of them are pretty terrifying. However eventually we get a little more “showing the monster” than I think is warranted and they end up looking a little silly by the end of it. There is some good character development, emotional moments, and intense scenes which make this movie a pretty easy watch. I didn't find myself checking the time hardly at all, and I was really interested to see how things would play out. The themes of having to grow up too fast, and taking ownership of your own mistakes are well played out. Score 7/10

Synopsis In this installment of Final Destination a young woman named Iris defies death while on a romantic date with her boyfriend saving many lives. But death wont be cheated so easily. These sleepy citizens may have lived to see another day, but fate is on a mission to hunt them down. Years later, Iris's children and grandchildren are caught in the crosshairs as death creeps along their bloodline leaving them in…shall we say…sticky situations.  Review of Final Destination: Bloodlines I have never been a fan of the final destination movies. They have one gimmick, and they stick to it no matter what which usually leaves me counting the remaining survivors in an attempt to guess how much longer I have to sit there and watch the movie. I was pleasantly surprised by this film. Don't get it wrong folks, it is exactly the same gimmick as before, but I felt like this movie uses a little more charm than other Final Destination movies I've seen. There are multiple nods and winks to the audience as the film sets up laughably stupid death scenes, just to pull back and be like “just kidding. You really thought we would kill the character off with this stupid trick?” Only for the rug to be pulled as another equally as stupid death scene unravels in a bloody mess. It subverted my expectations a couple times and genuinely caught me off guard with some horrific events that I did not see coming. The red herrings keep the movie interesting, as you can never really know when something is about to happen. The camera is zooming in on this warning label showing a man being crushed by a vending machine. Is that important? No. But for a second you thought it was. The deaths are gruesome but somehow look kind of real. These movies have a history of showcasing the most elaborate Rube Goldberg death scenes that while creative have never felt interesting to me. But this movie felt different. I really liked every death in the movie and I think its worth going to the theatre to experience them on the big screen.  Score 7/10

Tigers Are Not Afraid is a harrowing tale of young children trying to survive among cartels, ghosts, and dream logic. Listen to our full review this week on Horror Movie Talk. Synopsis Tigers Are Not Afraid is a horror/fantasy/drama that takes place in a border Mexican town devastated by drug cartel crime. Estrella is a young girl who is given three wishes by a teacher and after she discovers her mother has been killed, she joins a gang of other child orphans. While they are on the run from a cartel, Estrella tries to use her wishes, but they don't come true how she wants them to, and she is haunted by the ghosts of cartel victims. Review of Tigers Are Not Afraid This is a beautiful and ugly movie. Very quickly you realize that the real horror in the movie is the reality in which these kids live and not from the supernatural elements. It is reminiscent of early Guillermo del Toro movies and reminded me of the Brazilian City of God. However this film is unique in its composition and blend of genres. The majority of the plot and suspense comes from the dramatic real life elements of the story. You are drawn in by these children who are too young, too helpless, and too poor. They are pathetic in the truest sense of the word, since the strongest emotions elicited by the film are pity and sadness. The supernatural and horror elements of the film are ever present, but take a backseat for the most part. The audience is give. room to interpret whether they are “real” or only in the mind of estrella. For me, it's an undeniably effective film. I was brought to tears several times throughout the movie, especially at the end. It's a beautiful evocative film. Moments of beauty are created in the ugly apocalyptic surroundings. Moments of wonder and hope are present but rare, giving contrast to the horrors surrounding them. It's a great film, and has stuck with me for the past three days since watching it. I'd put it up against any of my favorites in the genre. Score 10/10 Support Guest Alicia Berbenick @bene_and_the_gesserits https://www.beneandthegesserits.com https://www.etsy.com/shop/beneandthegesserits

Synopsis This film follows Kakihara, a sadomasochistic yakuza whose boss goes missing. He sets out on a path of kidnapping and torture to find the man who did this, only to find out that the culprit, Ichi, is a complete sadistic psychopath. Chaos and gore ensue. Review This movie is a lot better than I remember, and I remember loving it. The opening sequence hooks you immediately, with sped up camera movements and manga like color grading at times. This reveals to the viewer that what you're about to watch isn't a typical action/horror film. This movie does have its problems, as it has laughably bad CGI at times, but if you can get past those three or four shots you can enjoy this movie. My other issue with the film is the treatment of the women on screen. It's absolutely devastating, depraved, and nausea inducing. To be fair, mostly everyone dies in this movie and whether you're a woman or not in this world, you're gonna get tortured. So I guess it's kinda fair in the end. At first glance it's very much torture porn, but there's a real story there that provokes humanity's most suppressed subconscious emotions. Ichi the Killer exemplifies the unpredictability of human perseverance and the utmost underbelly of society. This movie does not beg you to sympathize or revel in its grotesqueness. It wants you to be uncomfortable, it does not want you to like these characters at all. I love cinema that makes me squirm. I would be remiss not to mention that the costumes are divine, especially our main man Kakihara's fly suits. The iridescent one he wears in his final scene is stunning.  I really do love this movie, it can be extremely tough to watch at some particularly gory times, but it's great if you can stomach it. Just don't try to eat dinner while you watch it.  Score 8/10

Synopsis Peter Neal played by Anthony Franciosa is a famous author of crime/mystery novels. After the release of his new hit book Tenebrae, Peter travels to Rome to promote his story through interviews and morning talk shows. However, Peter is quickly caught up in a real-life mystery involving brutal deaths linked to his book. The police (big fans of his work by the way) keep Peter in the loop as they work together to crack the case, but things quickly get out of hand as the murders stack up. But forget about the violent crimes, the real question everyone is dying to know the answer to is, “Are Peter's books sexist?” Review of Tenebrae Tenebrae is a 1982 Italian Giallo film written and directed by Dario Argento, who you may recognize from the hit classic Suspiria. For some reason, I really struggled to get into this movie for the first thirty minutes, but as the themes of the movie started to reveal themselves I became far more interested in seeing the rest of the film play out. I expected this movie to be just as easy to predict as most mystery horror -who-done-it movies tend to be these days, but I was pleasantly surprised to find that I guessed the killer incorrectly not once, not twice, but like six times. The movie does a great job at misdirecting your focus and creates a web of motives for everyone involved until you are sure the killer is definitely this person! Only for that person to die in the very next scene. This happens all the way up to the end of the movie, and the audience is left in the dark about a lot until the last 10 minutes. I enjoyed this more than I expected to.  Score 8/10

Synopsis Until Dawn follows Clover and her group of friends as they travel the country following her missing sister Melanie's trail. After meeting a kind old man at a gas station who points them in the right direction, the crew finds themselves waiting out a rainstorm in a spooky abandoned motel. Clover is desperate to find her sister, and clues within the building lead her to think that Melanie was here. All seems to be going according to plan until disaster strikes and our young hip protagonists are plunged into a life-or-death fight with a masked maniac Michael Myers wanna be. Review of Until Dawn I did not know that this was a movie adapting a video game until the movie started with the PlayStation Logo. Having not seen the trailer and bringing zero experience playing Until Dawn into my viewing experience, I think I was set up perfectly. The premise of the movie, which I'm going to spoil now so if you don't want to know skip this part but I assume it gives this away in the trailer and game, is that people who enter the motel are stuck in some sort of hellish time warp, causing them to relive their deaths over and over. The movie did a great job of setting up the characters in the beginning and I was starting to feel very invested in their relationships when suddenly every character except for Clover was killed within 5 minutes. I was baffled and about ready to give this movie a very low score for undermining its own character development, when suddenly I was introduced to the time warp aspect and it all finally made sense. Its a really fun idea, and it has the built-in advantage of being able to pack in lots of fun and gory death scenes without losing its main cast or requiring a ridiculous amount of characters. I felt that the acting was pretty good, the story was far more filled out than most video game movies are, and the themes that emerged towards the end were satisfying. The movie suffers from some of the same things other video game movies like Silent Hill suffer from, such as needing to introduce all of the iconic bad guys without having the time to tell the audience who or what they are. Who is this masked killer? Don't worry about it. He's just evil. Who is this witch? Don't think too hard. She's just one of the bad guys. I enjoyed this movie quite a lot more than I expected to, but it is still far from a perfect film. Score 8/10

This week we review Ryan Coogler's Sinners. Is this movie cursed, or is Horror Movie Talk cursed? Stay tuned to find out. Synopsis Sinners stars Michael B Jordan and Michael C Jordan as twin brothers Smoke and Stack returning from Chicago with ill gotten gains to their hometown in rural prohibition era Mississippi. They immediately work on establishing their own juke joint to entertain and profit off the locals. They go around town recruiting old friends and relatives to help and successfully have a grand opening. When the music pierces the time and space as it is prone to do, it captures the attention of nearby evil… things. Wacky hijinx ensue. Review of Sinners Ryan Coogler writes and directs his first horror film coming off of his success with blockbusters like Black Panther and Creed. Here he obviously draws inspiration from Robert Rodriguez's From Dusk Till Dawn, where it feels like one genre and then suddenly shifts into a horror film. However, we are given fair warning from the opening scene that shit is about to go down. There is a lot going on in this film. It explores a lot of ideas about good and evil, guilt, exploitation, racism, the transcendence of music, and pro tips on how to eat pussy. Not all of these themes are fully explored or necessarily land, but I have to respect the ambition and swing for the fences attitude of Coogler with this film. The film does have a great cast, with fully fleshed out characters and relationships. It spend a lot of time with the setup so that when the killing starts to happen there are real stakes (no pun intended). It feels like a Stephen King novel in the best way. A large element of the film is the music, with several musical sequences featuring blues, folk music, and weird afro-blues-rock-hiphop-pop fusion. The musical director on the film is swedish composer Ludwig Göransson, which is probably the most promising new film composer in recent years having scored The Mandelorian, Oppenheimer, Black Panther, and more. In my opinion, he is out of place here, and a lot of the musical score seems out of place and distracting. For a film about delta blues and juke joints, they seem almost embarrassed to include a lot of it. Overall, the film was very good. It held my attention, features a setting and characters that are interesting, and delivers some great monster moments. Score 9/10

Synopsis Eight college friends reunite the evening before one of their weddings to catch up, hang out, and unexpectedly play a game that will change all of their lives forever. Review I like this movie a lot. It's so much fun. It's fast paced, the lighting and editing keeps you highly engaged, and the plot is simple but effective. I love the interpersonal drama that carries most of the movie, and without giving too much away, how it all plays out is very interesting. The first time I watched this I definitely didn't anticipate the final twist, which was really exciting. Although this isn't traditionally scary, the thought of it happening to you sends a shiver down your spine. It's a very fun, lively movie and I had a blast watching it again for the pod. Before we get into any spoilers whatsoever, I believe this is a movie watched best going in blind, so pause the show here and come back when you've seen this. Score 8/10

Synopsis The Woman in the Yard is a blumhouse produced movie about a family living on a farm trying to make ends meet after a disastrous car accident which left the father dead, and mother crippled. As this broken home traverses the everyday trials of a grieving family, a mysterious woman appears on a chair in their front yard. Attempting to speak to the woman reveals very little about her motivations, so the family barricades themselves in the house hoping to wait her out. Without electricity, a working vehicle or cell phones, the mother and her two children are completely isolated. Review of The Woman in the Yard The cinematography is strikingly beautiful for such a low effort film. While the acting ranges from really good at times to borderline over-acting, the script does not do our actors any favors. This leaves the film lacking in character development and meaningful relationships. The movie is very barebones as far as plot, and hardly anything of interest happens most of the movie. It starts with a good idea, but completely undercuts it by having the woman in the yard be normal looking and unthreatening. The ending is ambiguous, which may be a good thing for some viewers, but for me it contains too many loose ends and "what if"s. Score 3/10

This week we review Death of a Unicorn! Stay tuned to find out whether the laughs are real or mythological. Synopsis Paul Rudd plays the hapless single father Elliot to Jenna Ortega's, art history student Ridley. They both go on a work trip to a remote estate of Elliot's boss in a former wilderness preserve. While on driving there, they accidentally collide with a horse beast with a horn protruding out of it's head. Just a single horn. Like a uni-horn. When they try to hide the evidence from the CEO and his family, wacky low jinks ensue. Review of Death of a Unicorn While this film has an interesting premise and a good cast, the words that kept playing through my mind while watching this is “half baked”. Not like the wacky movie staring Jim Bruer and Dave Chappell, but more like a mouthful of hot brownie batter. It sounds good, but is actually disappointing. While there were a few situations in which I did laugh, they were few and far between, because what this horror comedy lacked most was jokes and bits.  The characters were all 2 dimensional, which in a comedy can be counteracted with broad caricature, but the writing here attempts to be subtle and low key with poor results. In fact, Paul Rudd's character, ostensibly the second protagonist ends up being so wishy washy, that I was confused if he was supposed to be one of the villains. Jenna Ortega isn't as stone faced as usual, but she doesn't have much to work with here. In fact most of her dialogue felt like it must have read [fill in later]. Probably the most successfully subtle character is Anthony Carrigan's Griff the butler. There were some good gory death moments. The expected impalements are here. There are some good headsplosions. But it's not enough. I usually think it's a cop out to say a movie's CGI is bad, but for a movie dependent on monster design, they should have spent a little more time and money dialing in the unicorns. Score 4/10

Synopsis Hush follows Maddy (Kate Siegel), a deaf writer living in the middle of nowhere. She settles in for a quiet night of working when her friend turns up screaming and bloody at her door, but Maddy does not notice. The assailant figures out Maddy is deaf and a deadly game of cat and mouse ensues. Review The first time I watched this movie I really enjoyed it, but upon second watch it wasn't as effective for me. I think it's because if you know how it ends, it's not going to be as exciting the second time around. I still liked it and Mike Flanagan is an incredible director, I very much enjoy most of the stuff he puts out. It's a typical home invasion movie and the twist of having a deaf protagonist is inventive and works well. Kate Siegel is always great to watch, and the antagonist is pretty good as well. It's a simple movie, and it works best to watch it without knowing what happens. It's not the best, but it's a quick 80 minutes and satisfies the horror itch. Score 6/10 http://patreon.com/horrormovietalk

Synopsis Eraserhead is a movie about an awkward man named Henry who reconnects with his lost lover Mary over a lovely dinner of small chickens. They're the same as the big chickens except for small. After finding out the shocking news that Mary has given birth to Henry's child, the two get hitched and strap in for the slow steady life of a settled family. The baby soon causes turmoil in the young couple's life and Henry must learn what fatherhood truly means in the depths of the sleepless nights and constant screaming. There's some other stuff that happens but honestly I don't know what any of it means. Review of Eraserhead Eraserhead is one of those movies that I want to like more than I do. The whole time I'm watching it I'm sitting there thinking to myself “Yes! This is so unique and thought-provoking. I'm so glad art like this exists! …how much longer is left of this movie? I found myself checking the runtime at several points hoping it was almost over only to realize only 15 minutes had passed by. However, to this movie's credit, it truly is a spectacle. Many have likened this movie to what experiencing a nightmare or a strange dream feels like. Time moves awkwardly slow, a low hum and sharp static hang over most of the scenes, and even the mere movements of the characters feel so off. If you are going into this movie expecting to understand it or get the message, you may be disappointed to find that there may not even be one. Though despite Lynches ethereal style of movie making I still feel like I caught themes of the stress of marriage and fatherhood, dealing with overbearing prudish in-laws, and the horror that is whatever newborns simply are. As a father of a small baby myself, I felt an attachment to the small creature that they attempted to pass off as a premature child, and the sheer fragility of an infant felt close to home for me. This movie pulled off the exact feat it was going for. It made me feel something. Even if that something was an eerie, stilted, boring, nervous feeling, at least its something. I said a lot of negative things but in reality I actually do find value and even enjoyment in this movie in a weird kind of way. Score 7/10

Due to recent controversy with the recent Scary Movie episode featuring Horror Movie Talk (HMT) owner David Day, We are releasing the following announcement to the press.

This week we're reviewing SCARY MOVIE, a spoof of 90s slashers and more. Here to defend 90s humor with me is David Day, stay tuned. Synopsis A masked killer stalks a group of dumb teenagers a year after they accidentally kill a man. Borrowing from the major plot lines and scenes of Scream and I know what you did last summer, this slapstick raunchy comedy properly spoofs the major teen horror movies of the late nineties. Review of Scary Movie It's been a long time since I originally saw Scary Movie in the theater, and to me it was a breath of fresh air. You can debate the consistency of the quality of humor, but what you can't debate is the pace of the humor. The jokes per minute is strong in this movie, and even if one bit doesn't land, there will be another one that will in about a minute. What is really crazy is how timely some of the jokes are in a movie 25 years old. You've got mentions of diddy parties, trans in competitive sports, and teacher sex scandals.  Score 10/10

Synopsis This film follows the teenage Jessie, played by Elle Fanning, who moves to LA with dreams of becoming a model. She meets some veterans in the industry, Rubi, Gigi, and Sarah and forms a friendship turned rivalry with them as they all try to make it to the top. Jessie soon learns the ways of the cutthroat world of modeling, and how everyone around her would do heinous things for her youthful beauty. Review I absolutely love this film. This is my third watch, and I swear it has gotten better every time I've seen it. The cinematography, coming from the iconic Nicolas Winding Refn, is something to be revered. The way he uses color and light and blocking to symbolize changes in character's personalities and ways of life is astounding. This film is gorgeous, and the message it conveys is something that women can all understand and relate to, regardless if you're a model or not. It's a deep dive on beauty standards and the predatory nature of society towards women, and little girl's beauty in general. This isn't scary at all visually, but there are some horrific scenes and imagery that might make you look away from the screen. All in all, it's a fantastic film, and criminally underrated. Score 10/10

Are you scared of toy monkeys? Should you be? Listen/watch our review of The Monkey (2025) to find out. Synopsis When twin brothers Bill and Hal discover a treasure trove of souvenirs in their absentee father's closet, they find a toy drumming monkey. Soon they discover that whenever they turn it's key, a horrific death occurs in their vicinity. After inadvertently killing a loved one, they decide to hide the monkey down a well to protect others. Two decades later Hal discovers that the monkey is killing again, and he must track down the Monkey and stop it with his teen son. Review This film is Osgood Perkins followup to Longlegs and is an adaptation of a Stephen King short story. I didn't know what to think going into it. The trailer had a a strong sense of dark humor, but since Perkins' other films didn't rely on humor as much, I wasn't sure if he could deliver. But deliver he did. This fast paced death fest is fueled by a great script full of dry dialogue as a counterpoint to the absurdity of the plot. It's like a cross between Final Destination movies and Dragnet. Theo James does the heavy lifting as the hapless Hal being tortured by not only The Monkey, but also by almost everyone he meets. His resigned everyman is the perfect straight man for the insanity happening around him. The insanity takes the form of crazy, over the top deaths that are served in a steady drip line throughout the movie. It's got decapitations, explosions, trampling, and more. Score 9/10

Bullying works! I finally made the guys watch a David Lynch Film! Synopsis Fire Walk With Me serves as a prequel to the hit 90s tv show Twin Peaks, following the seemingly inexplicable murder of a high school girl named Teresa Banks, investigated by FBI Agent Chet Desmond (Chris Isaak) and Agent Sam Stanley (Kiefer Sutherland). Flash forward to a year later and we get to go back to Twin Peaks to see the last few days of the tragic Laura Palmer's (Sheryl Lee) life, and the events that led to her untimely demise. Review I originally watched Twin Peaks in high school due to seeing so much about it on Tumblr and it ended up being my intro to Lynch's work. I love the show so I checked out the movie afterwards and it blew my mind. This is either the third or fourth time I've seen it, and it's just as effective as the first. It's eccentric and unsettling enough to keep you on your toes as you watch, but it also keeps so many secrets to the truth about Twin Peaks, about Bob, about Laura that it leaves you wanting more (and then you can watch The Return to satisfy that itch). It's an incredibly dreadful movie, starting with the jarring beginning played like a buddy cop movie, with a dead girl who isn't Laura, within a town not as welcoming and heartwarming as Twin Peaks is. Cut to Laura's final days, and as a fan you are excited to feel some sense of stability, of normalcy, but that is all soon ripped away from you as you experience the horrors alongside Laura. It's a harrowing film, a divisive film, a horrifying and dreadful viewing experience with little catharsis but a whole lot of secrets that without watching it you would feel lie you missed out on something special. This is truly one of my favorite films of all time, and definitely my favorite David Lynch movie. It is such a special thing to peer into Laura's world, albeit very stressful and depressing. Score 10/10

Synopsis Heart Eyes is about Ally, a boss girl who isn't interested in romance. When she meets a new boy at the coffee shop that could be the one, disaster strikes as a masked killer comes to her town with the goal of brutally murdering couples on Valentine's Day. Will Ally find love? Will she finally let her guard down enough to let someone into her life? Will she clean her disgusting apartment? I have no idea.  Review of Heart Eyes  Look, I'm not so prideful that I can't admit when I am wrong. I said very openly that this movie was going to suck, but honestly, it didn't. It's surprisingly self-aware in its dialogue and genuinely pretty funny throughout the film. The opening scene starts the movie off so strong and I was already having fun 5 minutes into the movie. However, this movie suffers from the same problems all slasher movies do, it's a slasher movie and slashers are dumb. The reveal at the end feels lazy and copy paste. It's a blatant rip-off of another slasher movie, but I won't spoil it here, so just trust me when I say that it's not very original. I had fun watching this movie, but it wasn't anything to rush to the theater to see.  Score 6/10

If you could rent the perfect girlfriend, would you...? Synopsis Iris is the perfect girlfriend for Josh. She dotes on him, is nice to his friends, is honest, doesn't argue, and has sex whenever he wants. It's like she was made for him. When Josh and his Iris are visiting his friends in a remote lakeside getaway owned by a Russian billionaire, a sudden death throws the weekend into chaos. Iris finds out that not everything is as it seems in her and Josh's relationship, and has to fight for her life to get away. Review of Companion I wish the second trailers didn't spoil the premise of the movie, because I think the film would be even more impactful if you don't know one of the main plot points. I thought the first trailer with the candle under her arm and the arm burning was enough to entice me to the theater. Companion isn't entirely unique, there are other movies and recent HBO series that deal with similar concepts. The difference in Companion is the tone and perspective of the film. It's told from Iris's perspective, and as the revelations are made it adds layers of complexity for the other characters. The tone is fun, but not campy. It strikes a nice balance that definitely explores some of the darker implications and aspects of the plot without getting weighed down.  The writer/director Drew Hancock comes from mostly TV sitcoms which explains the light and breezy dialogue. I really liked the production design and music choices. They really hearken back to 50s americana. Sophie Thatcher and Jack Quaid are both great in this. Sophie brings an innocence and earnestness to her character that is believable and not over the top. Jack Quaid's character has the most interesting arc from loving boyfriend to mega creep incel which is fun to watch and discover through Iris's eyes. There's not many laugh out loud moments, but there are a lot of subtle moments that got me chuckling. My only real complaint is that it was relatively predictable, but it had enough going on to maintain my interest. I liked it, but overall I think it's only above average. Score 7/10

Synopsis When a family of four moves into a new house, the teenage daughter Chloe (played by Callina Liang) suspects they are not alone, and with the recent passing of her best friend looming in her mind, she thinks the presence in the house is the ghost of her late friend. Her mother, Rebecca (played by Lucy Liu) and brother, Tyler (played by Eddy Maday) choose to not believe Chloe because of her state of grief, while her dad, Chris (played by Chris Sullivan) tries to help his daughter. When the whole family witnesses Tyler's bedroom become destroyed with no logical explanation, they all start to believe Chloe's grief filled fantasies might have more basis in fact than fiction. Review I had not heard one single thing about this film, I hadn't even seen a trailer for it, but when Bryce said, “we gotta review the new Soderbergh horror movie that comes out this week,” I was very intrigued, and I was not disappointed. This movie hit home for me in ways that I did not expect, and I usually don't get too emotional over horror since we watch at least one horror movie a week, but this one hit hard for many different personal reasons. The way that it is shot is very inventive, I've seen it done before in passing parts of films but never the whole runtime, and I really enjoyed it. I think it would be great to go into this movie blind like I did, that's how the viewer will probably get the most out of it. The twists were unexpected, I never guessed what would happen next the whole way through, and the few red herrings worked themselves expertly into the plot. This is more of a psychological thriller/family drama than pure horror, and I really liked it. Not very scary on the surface, but emotionally it is raw, and sad, and horrifying. Score 8/10 patreon.com/horrormovietalk http://horrormovietalk.com

Synopsis Wolf Man is a movie about Blake, a family man struggling to make his marriage work and to be a better man than his father was. When Blake gets a letter in the mail informing him that his father who went missing years earlier has finally been officially declared dead by the state, he and his family leave their busy city life to pack up his father's old farmhouse and spend some time in the mountains. The wooded area surrounding the house is ominous and filled with local legends of men with the face of the wolf, but surely it's a good idea to bring your wife and young daughter to live there for a summer. If I were to spend anymore time talking about the synopsis of this movie I would end up giving everything away as there isn't much more to this film. Review of Wolf Man (2025)  When I saw the trailer for Wolfman I was disappointed. Except for An American Werewolf in London, I've never seen a werewolf movie that wasn't extremely middle of the road, and from the marketing, this movie looked to be no different. But I was wrong. It was actually somehow a little worse than middle of the road. I was excited to see Julia Garner cast as the female lead because I've really enjoyed her performances in other things such as Ozark, Inventing Anna, and The Assistant. But I was surprised to find that her character was bland and uninteresting. At first, I figured she kind of butchered the role, but it soon became apparent that the real problem was the writing. The dialog felt cold and emotionless. Even during scenes that were supposed to be touching, suspenseful, or exciting, all of the characters seemed to deliver the most boring inhuman lines. The worst case of this was the daughter played by Matilda Firth. It was as if the writers had never met a child in real life and were just guessing at what a child might speak like. The result is a family that I couldn't care less about. The reveal towards the end of the movie is very easy to see coming and I was able to call it about 10 minutes into the movie. The monster design is uninteresting, the movie drags on, and it gives no meaningful contribution to the werewolf subgenre. Score 4/10

Synopsis In this spooky tale, two love birds living in a large yet ugly home head into town to pick up some supplies for their miniature models like glue and paint and whatever you nerds use to make little models, and in a shocking turn of events drive their car off a bridge and into a river. After making their way home they start to notice something disturbing. They died. Yet their love knows no bounds, so they start this new chapter of their undead lives with optimism. However, the underworld seems to be some sort of eternal DMV which kind of puts a damper on their staycation. How could things get any worse?! Uh oh! A new family moves into their home and they are really annoying. Hookwinks ensue, and disaster strikes upon meeting a ghoulish fellow named Beetlejuice. Will they survive this nightmare? No! Cause they are already dead. Review of Beetlejuice Beetlejuice is a fantastic movie. And Michael Keaton who plays Beetlejuice is the best part. He's funny and inappropriate and pretty much exactly what you would expect some asshole to become if he had a few hundred years to stew in his undead filth. As all Tim Burton films are, the aesthetic is very weird, goth, and colorful. It's Rated PG somehow even though it has two F-bombs, but honestly I kind of stand by that rating cause I watched this movie when I was like 8 and I never felt like any scenes or lines were out of place. It's a good romp for the whole family. The strange teleportation desert scenes feel pretty dated, but they are still charming. I dont really have anything bad to say about this movie.  Score 10/10

In this the first annual Golden Talks, the hosts review the year 2024 in horror movies, discussing their best and worst films, as well as aggregate scores from their reviews. The conversation is filled with humor and banter as they reflect on their experiences with various horror films, highlighting both the enjoyable and the dreadful aspects of the genre. They also delve into the rankings of new releases and share their thoughts on the impact of these films on the horror landscape. In this conversation, the hosts delve into their thoughts on various horror films, including a critique of the Beetlejuice sequel, a ranking of their top five new releases, and a discussion on the quality of recent horror movies. They explore unique themes in horror, engage in a light-hearted debate about mattress sizes, and reflect on their aggregate scores for movies reviewed throughout the year. The conversation culminates in a discussion about the best and worst patron picks, revealing the challenges of audience selections in film. In this episode, the hosts reflect on their movie selections, discuss score discrepancies, and analyze their aggregate scores for the year. They delve into download statistics to gauge audience engagement and conclude with a light-hearted discussion about host dynamics and awards, including who might be the 'worst host'.

Synopsis Tell me, does evil come from within us, or beyond? This film follows Ellen (played by Lily-Rose Depp), and her husband, Thomas (played by Nicholas Hoult) as Thomas takes a new job that requires him to go to a strange land to broker a real estate deal with the mysterious Count Orlok. While Ellen begs him not to go, he does anyways, and she starts having nightmares and fits of madness while he's away. Thomas quickly realizes he's in for a lot more than a house sale once he arrives at the Count's castle, and Ellen, Thomas, and a gang of professors and doctors have to work together to defeat the darkness. Review Excellent is not a good enough word to describe this movie. It is exceptional, phenomenal, show-stopping, incredible, stupendous. This is truly a spectacle to see in the theater. The costuming is gorgeous and intricate. Every single actor brought their A-game. The atmosphere and set dressing completely immerse you into the world of 1838 Germany and the mysteries of the vampire. The physical acting from Lily-Rose Depp was completely unexpected yet welcomed and hopefully revered by all, you truly are watching a master work her craft. Nicholas Hoult was incredibly convincing as Thomas and incredibly hot, per usual. Willem Dafoe and Ralph Ineson occasionally add a solid comic relief while also driving the plot forward. Also, it is so entertaining and the pacing is perfect so the 132 minute run time passes you by like a soft summer breeze.  I don't even know how to review this film to accurately describe how awe-struck I was while watching it. I wanted to stand up in the theater like I was watching the Superbowl. This was my Superbowl. My one complaint is that I wish they hadn't told us who played Count Orlok because Bill Skarsgård is completely unrecognizable as the illustrious vampire. This is Count Orlok like we've never seen, as in the original it was a silent film so it was impossible to hear his voice, and in the Herzog version he is portrayed as more of a melancholy creature battling with isolation and immortality. In this film, he is terrifying, he is demanding, he is alluring and intoxicating, he is sexy and fearsome and seemingly rules the world. The viewer falls under his spell just like his on screen victims. This movie is a masterpiece; it is true gothic horror, it is incredibly sexy, it is gripping, it is haunting, I want to go see it again right now. Also, I want to emphasize that while I wrote this, I kept getting frustrated by the fact that no positive adjective will be 100% accurate at describing how incredible this film is. Score 10/10

Synopsis Caveat is about a man named Isaac who suffers from amnesia after a tragic accident. Isaac is hired by a man who claims to be his good friend before the accident Moe Barrett, to go to a secluded house and watch after his niece Olga who suffers from schizophrenia. Upon arriving at the dilapidated house Isaac is told the frightening catch of his new job. Since Olga is terrified of someone attacking her in her sleep, Isaac must wear a chain that keeps him anchored to certain portions of the house. Not a good deal if you ask me, but after some convincing Isaac accepts the job. Olga's mother is also missing, and her father is recently dead. Wacky hijinks ensue.  Review of Caveat Caveat definitely has its issues. I think my biggest problem with this movie is just the look of it. Most shudder-exclusive movies that I've seen tend to lean very heavily into the spooky house syndrome, and this movie is no exception. The house in this movie is almost comically decrepit. My other issue with this movie is that I have a difficult time believing that anyone would accept this job of being chained to a house for multiple days at a time. I mean talk about a fire hazard. But with that being said, I think this movie is very creepy and does a great job at building suspense. Its visuals can border on nightmare fuel and the screaming foxes in the background sent chills down my spine. There's enough to this movie to keep me entertained the whole way through.  Score 6/10

This week we review Stuart Gordon's 1985 schlock classic: Re-animator. Does it go too far for modern audiences? Listen to find out. Synopsis Loosely based off of H.P. Lovecraft's short story “Herbert West - Reanimator” this film stars Jeffery Combs as Herbert West, a weird genius science student that just arrived at the Miskatonic University. He immediately clashes with his professor in asserting superior knowledge over theories surrounding brain death, and makes him an enemy. Also in his class is Dan Cain, who rents a room to Herbert. Dan is dating the dean's daughter and is mainly in this movie to be choked. As Herbert West experiments with a new serum, he discovers he has unlocked the secret to reanimating the dead. After confirming it's efficacy with small animals, he seeks to experiment on dead humans. Review of Re-Animator Re-animator pure B-movie schlock done right. It pulls no punches with intense gore, nudity, and dark humor. It's the spiritual sci-fi counterpart to Evil Dead, which came out four years earlier. Dennis Paoli, the writer, came from the world of experimental theater in Chicago, and he brought a solid foundation with a surprisingly tight script.  Both him and the director Stuart Gordon wanted to create an homage to Frankenstein, and succeeded with Re-Animator. It really does recapture some of the straight faced humor of the original 1930s Frankenstein, but turns up everything to 11. The special effects are sometimes laughably bad, but still endearing. Particularly the reanimated psycho cat is like something off of a cheap SNL sketch, but still ends up being very entertaining. They didn't even try to get a rating, since it would most likely get an X. Somehow they still toe the line for decency, editing some shots just right before they get too exploitative to ruin the fun. Mainly that's what this movie is: A lot of fun. This film should be studied for how to pull off low-budget campy horror. Score 10/10

Synopsis Red Christmas follows a blended family headed by matriarch Diane (Dee Wallace) as they prepare to celebrate Christmas together. When an unexpected cloaked figure pops up on their doorstep and insists on reading a letter he wrote for his mother to the family, long time secrets Diane has been keeping are revealed, along with a suspicious murderous spree.  Review There is a fine line between a campy movie and a really bad movie, and this film toes that line swimmingly. The movie is insane, it makes no sense at times, it's funny, it's wacky, it has really good kills, and it's a Christmas movie. What better way to get into the Christmas spirit than to watch someone get axed hotdog style. I like this movie for its campiness, it's very entertaining and while a lot of the plot is not logical, it is a fun slasher movie that you can enjoy with a cup of hot cocoa and some figgy pudding. It's not the best movie of all time but it's not trying to be. It's trying to be a campy slasher romp, and that's exactly what it is. If you can ignore the screwed up ‘message' of the movie and just focus on how lovely Dee Wallace is, then you can enjoy this film. Score 7/10

Do you want to feel like you are watching someone play a video game when you watch a movie? Well Silent Hill is the right movie for you. Synopsis Rose Da Silva brings her adopted daughter, Sharon, to the eerie ghost town of Silent Hill, hoping to find a cure for Sharon's mysterious condition and learn why she is having nightmares about the town. Following a police chase and a brutal car accident, Sharon vanishes. Rose finds herself in a spooky ookie alternate dimension that occasionally turns into an even spookier OOKIER dimension filled with unimaginable horrors. As she frantically searches for her missing daughter she meets the townsfolk and finds out the towns LORE. Review of Silent Hill Having not played the video game this film is based on, I can already tell you that's its a faithful adaptation. Because watching the first half of this film is like watching someone play a video game. And unfortunately they are not very good at it. I was left craving more cut scenes or maybe more scenes cut. Some of the iconic imagery from the game of Pyramid head and the nurses are wedged in as non-sequiturs. I assumed that the film would make some kind of effort to explain them, but nope. I still have no idea what their significance is to the story.   The thing that the movie really has going for it is production design, and vibes. The film is very moody and feels oppressive. Unfortunately, the writing and acting is distractingly bad at times. Honestly, it felt like they spent all the budget on the production design, and then midway realized they never bothered with a script. The last half of the movie redeems itself in some ways. The action and horror ramps up, the exposition finally gives us something to hold on to, and it actually ends up telling a story. Overall, I felt like the film was too slow and uneven. There was some great body horror and memorable scenes, but unfortunately they are wrapped in a pretty forgettable movie. Score  4/10

Synopsis Stir of Echoes is about a lovely couple named Tom and Maggie. Tom, played by Kevin Bacon in maybe his greatest role ever is put in a hypnotic trance by Maggie's sister at a dinner party. After having him put a needle through his hand which is super not cool, Tom is awoken from his mystic slumber. But something is off. He can see... ggggggg-Ghosts! Through his newfound second sight, Tom is about to do some miraculous things and fight crime. Just kidding he doesn't fight crime but he does do some pretty incredible things. Meanwhile, their son Jake is also a psychic and stirs up some trouble in the neighborhood when he claims to have visions of a young girl who went missing six months prior. Review of Stir of Echoes I went into Stir of Echoes cautiously. It did not look good; I had never heard of it, and the first act was beginning to confirm my doubt. It feels a little convoluted and messy, and you dont really know where the movie is headed. Certain scenes initially felt random and confusing, but as the movie progressed, I began getting more and more invested. While Stir of Echoes is not a very scary movie, the mystery did reel me in and by act 2 I was pretty invested in uncovering the truth. Kevin Bacon does a really good job of portraying a decent into madness and for half of the movie basically acts like a homeless schizophrenia person. It's a joy to watch. Without giving anything away about the ending I will say that by the time the movie was over everything felt like it was wrapped up well and I no longer felt that the movie was convoluted.  Score 7/10

Synopsis 30 Days of Night is a movie about Eben and Stella, a married couple in Alaska going through separation and a possible future divorce. Eben, the sheriff, is preparing his small town for the 30 days of night, where the sun doesn't rise for a full month. Explain that flat-earthers. When trying to leave Alaska before the impending darkness Stella misses her flight, trapping her in the town. Although the 30 days of darkness is typically a challenge, Eben is wholly unprepared to deal with the invasion of deadly monsters that lie in wait. As darkness descends the creators wreak havoc (some might even say ravish) the town, and in the end, everyone gets more dark than they bargained for.  Review of 30 Days of Night This movie reminds me of Midnight Mass with its secluded small town and monsters to terrorize it. And I LOVE Midnight Mass. But 30 Days of Night is a much more straight-ahead story. There is no bigger picture or message being told, it's just vampires, blood, and guts. I appreciated the family and character dynamics introduced in the first act, but honestly by act two when people start dying I didn't really care who they were or how they were important to the story. It's vampire time baby! The tension between Eben and his estranged wife Stella doesn't really translate well, and they seem to have no tension between them at all once the danger presents itself. I respect the vampire lore in this movie a lot more than I do of movies that turn vampires into this sexy, mystical creature which at least for me takes the fear out of the design. Here the vampires are fast, strong, and animalistic with sharklike razor teeth. Much more interesting if you ask me.  Score 6/10

Watch as Bryce and Max jump at the opportunity to talk about their missions as Sydney and Jordyn look on with glazed eyes. Synopsis Two naive Mormon missionaries, sister Barnes and sisterPaxton knock on the door of Mr. Reed, a lead that expressed interest in learning about the church of jesus christ of latter day saints. Mr. Reed, played by High Grant, is charming and warm to the ladies, but begins directly challenging their beliefs. As the Sisters get more and more uncomfortable they discover that they have been trapped inside the house and are given the monty hall choice of exiting through the door marked belief or the one marked disbelief. Review of Heretic I can recognize this as not a fantastic movie, however, I was thoroughly entertained for my own reasons. Having served a mission for the church of Jesus Christ of latter day saints, I was pumped to see a Hollywood movie premise around the experience, which is very unique. Most of my enjoyment was from picking apart what they got wrong and what they got right, so your mileage will vary. That being said, it's a unique premise, and the themes of religion, belief, and doubt are rarely given this much thought and analysis in a horror movie.  I thought the performances were great. I love Hugh Grant as a character actor more than as a romantic lead. He is properly menacing as a spider entrapping these women in his web. The female leads both did very well, especially Sophie Thatcher portraying the awkward earnest humor of a Mormon Missionary. The writing and pacing is very inconsistent. Some stretches of exposition dumps come off as heavy handed and preachy. There were some character inconsistencies, and I'm sure there are plenty of plot holes to fill. The first act is definitely the best, and most of it you see in the trailer. The dread and terror as the Sisters slowly realize that they are in real danger and try to navigate politely out of the situation is really spot on. Score 6/10

Synopsis Possum is about a disgraced puppeteer named Philip who is fired from his job after an unknown workplace incident and returns to his childhood home to destroy his puppet and face his past. While Philip wanders around his old town trying to make sense of his traumatic past, a local schoolboy goes missing. Philips's uncle Maurice lives a lifestyle of squaller and filth as a squatter in Philips's old home, and the two have a lovely and passionate reunion. Uh just kidding Philip hates Maurice, and the two have many strained and uncomfortable conversations over the course of the movie. Philip attempts multiple times to rid himself of his creepy puppet who he calls possum, and learns more about his past along the way. Review of Possum Possum is a very slow burn with minimal dialogue and odd acting styles. The actor playing the main character, Philip, looks like he has no idea how to stand like a normal human being, and I love that. The movie is low-budget, and it definitely shows. The whole thing was basically just filming a man running around with a puppet. Not much happens for the majority of the movie, and sometimes it feels like you are watching pretty much nothing. But, there are layers to this film. It is all about running from your trauma, and how you can't escape it unless you face it. The puppet is creepy, the house is disgusting, Maurice is disgusting-er, and I was left with a rotten and hollow feeling after watching this movie. Score 7/10

Synopsis Oz Perkins's debut feature film follows two girls, Kat and Rose, who attend a Catholic boarding school in upstate New York. When both of their parents fail to pick them up for February break, Rose is put in charge of taking care of Kat. We also follow an older girl named Joan, who seems as if she has escaped a psych ward and is on the run, when she meets a respectful couple who offer to take her to where she needs to go. Kat believes her parents have died and they are no longer going to pick her up, while Rose struggles with the possibility of being pregnant and does not look after Kat like she was supposed to. Suspicions about Kat's late night unsupervised hijinx and Joan's motivations for traveling rise as the mysteries unfold to the viewer's unsuspecting but curious eyes. Review I love this film. This is either the third or fourth time I've watched it and I always forget how it ends. The mystery of all of the characters and their motivations is intriguing and special. Right off the bat with the scary dream sequence as the first scene of this film, I was hooked. The vibe is foreboding, horrifying, creepy, just all around a feeling of dread through the entire 95 minute runtime. It is tight, it is full of suspense and grief, and it is a genius way to tell the story like writer director Oz Perkins does. There is honestly nothing wrong with this film in my eyes, it is fully perfect. It is horrible, but you feel for each of the characters. You want to dive into their brains and Perkins does a good job at letting you know their feelings and motivations at every stop. The twist near the end is damn near perfect. I will always love this movie. Better than Longlegs in my opinion. Score 10/10

Synopsis The smile virus/demon from Smile is back and is tormenting a young pop star named Skye Riley. Skye is a recovering addict attempting to relaunch her career with a world tour. While visiting her former dealer to score some pain killers for a back injury, she witnesses him commit suicide in front of her and infect her with some kind of ancient evil. Adding to the pressures of fame, rehearsals, and recovery; she is beset by hallucinations of people with creepy smiles out to get her. Review of Smile 2 This smile demon concept is like the lovechild of The Evil Dead and It Follows, and frankly, I'm a fan. This film was artistically made, delved deep into themes of trauma and mental health in a unique and terrifying way. I couldn't help but think of the public mental breakdowns of celebrities like Brittany Spears while watching this movie. It really gives perspective into the pressures of a job where hundreds of people are relying on you to perform. That and the inherent creepiness of parasocial relationships with fans that are obsessed with you. It made it hard to tell where the demon ended and where this pop star's surreal reality began.  I thought Naomi Scott was great to watch as Skye. She has very expressive eyes and portrayed the terror and helplessness of her situation very well. Parker Finn, the writer/director of this and the previous film is a talent to watch. I can't wait to see what he comes up with outside of this franchise. Score 9/10

Synopsis Terrifier 3 is a sweet hallmark-esk Christmas movie about a middle-class family working through the stress of the holiday season. Mom is bored with her suburban lifestyle and Dad is constantly tired at work because he keeps being woken up by sweet little Suzy who has crazy dreams when she has too much sugar before bed. Oh yeah, and a clown dressed as Santa possessed by the devil wielding an ax is there as well. In reality, terrifier 3 is the continuation of the Terrifier franchise featuring Art the Killer Clown. After resurrecting once again Art meets up with an old friend and begins a brand new killing spree. With Christmas just days away the hustle and bustle of holiday commercialism does a fantastic job of masking the fact that there is an eclectic killer dressed in bizarre mime clothes killing multiple people everywhere he goes in gruesome and disturbing ways. It's clear that Art is dead set on finding new and inventive ways to kill people and in this installment Art really goes for new territory. He's like the Luis and Clark of killing, he's just gotta map out that new lush land. Sienna from the last movie is back as well and trying to recover from her trauma but doesn't really have time to do that since she is about to experience trauma anew. Review Terrifier 3, terrifier 3. What more can be said about Terrifier 3 that has not yet been said. My utterance is yet a meager portion. For the true understanding lies in the viewing experience. I will never be able to explain this movie to you in a way that will give you the visceral experience I had in the theater watching flesh rip from bone. Maybe herein lies the perfect word to describe Terrifier 3. It separates. Skin from muscle. A lower jaw from the upper jaw. Left butt cheek from right butt cheek. Every way in which a body can be torn asunder, Terrifier 3 will separate. Separate the boys from the men. The weaklings from the strong. The feeble from the stable. And the queasy from the iron stomachs. I had a great time watching this disgusting movie. However, I won't pretend it was a perfect movie. It was pretty predictable. I knew Art would kill people and that Art killing people would take up a significant portion of the runtime, most of which doesn't add much to the actual plot. But hey, that's just terrifier baby. Score 8/10

Synopsis A woman called Darling is hired to house sit at a fancy, old, big haunted house in the middle of New York City. As she spends her days alone, she figures out the house's ghostly past and slowly succumbs to the madness of the house's, and her own, lore. Review I first watched this movie back in high school and thought it was the epitome of slow burn, creepy, woman-goes-insane horror films. As I have a lot more horror movie experience now (and film experience in general), I realize that this is basically a rip off of Repulsion (1965). This isn't to say it's a bad movie by any means; the many jump cuts and jump scares keep you on your toes (it could be argued that there are too many of these quick scenes), and there is an overall eerie feeling that is hard to shake once you finish. But, it's not the best movie of a woman going insane. There are plenty of those, horror or not, that execute the trope a lot better than this one did. The first act is boring as all hell but the second and third ramp up the action just a little bit, and the main actress Lauren Ashely Carter is a very good Kristen Stewart type. Contrary to how I sound, I do enjoy this film, just not as much as I did when I was 16. Score 6/10

Synopsis The Devil's Rejects is about three people that embody what Democrats imagine Trump voters to be. In this sequel to House of 1000 Corpses, the Firefly family are on the run from the law. Along the way, they wantonly murder and torture innocent victims for their enjoyment. And that's pretty much it really. No themes are explored. No lessons are learned. It's mostly just everyone yelling “fuck you” to each other for an hour and 46 mins. Review of The Devil's Rejects Is it “good”? No. It's not good, But I will say it's about 50% better than House of 1000 Corpses. It has a higher budget, is more artistically shot, and has a few ok moments in it. However, like House, this is really a big bag of nothing. It's just like watching pigs wallow in the mire. Instead of pigs, it's annoying and psychotic white trash, and instead of a mire, it's gore and swearing. I tapped into my Mormon brain while watching this, and thought to myself, they are so disrespectful. It literally took me 5 hours to get through between the forced ad breaks, and my self imposed breaks. It's just a slog and doesn't really have any redeeming artistic merit to justify itself. Anything really interesting is stolen from another movie that did it better. Why Patrons do you do this to us? Why?  Score 3/10

Synopsis The Substance follows Elisabeth Sparkle, a big time celebrity host of an 80s workout tv show, who turns 50 years old and gets sacked in pursuit of someone younger and “hotter” to host the show. After getting in a car crash, she meets a mysterious stranger who tells her about the substance, which can create a younger, more beautiful, better version of yourself. Lizzie decides to go through with this, and the results change the rest of her life forever. Review This movie is a doozy. It's fun and stylistic and seemingly poses an important question about misogyny in Hollywood, women not being allowed to age, the emphasis on beauty no matter how painful, etc, but the commentary falls flat. In Coralie Fargeat's first film, Revenge, I noticed a very similar occurrence. There is potential in The Substance for important discussions, but it turns into an extremist monster-esque chaotic clusterfuck instead of really giving us some answers, or at least worthwhile commentary. The film is more concerned about style than substance (which is ironic because of the name) and I think that works in its favor in certain areas, and works against it in others. Overall it is interesting, definitely a new trope and the setup is promising, there are some incredible shots and set dressings and the color scheme is captivating. Demi Moore gives an all time performance. There are some really great scenes but ultimately the execution of this film and its message or lack thereof is not where I'd want it to be or expect it to be. Score 6/10

Synopsis While on vacation, or holiday as the British say, the American expat Dalton family meet another family of three headed by Paddy (James McAvoy). After they return to their flat in London, they receive a postcard from Paddy inviting them to spend a long weekend with their family at their farm in the Western countryside of Britain. Initially hesitant, since they barely know each other, the Daltons decide to go. As the weekend progresses, Paddy's jovial irreverent demeanor reveals a more overbearing and nefarious personality underneath. By the time they find out how much danger they are in, it's too late, and the Daltons fight to escape. If you think that that synopsis is too spoilery, you should see the trailer! Review of Speak No Evil (2024) As many of you know, this is a remake of a Danish film of the same name that only came out two years ago. I was the only one here that hasn't seen it before my viewing, so my experience with it is different from Max and Sydney. I think it gives my review less of a bias. I think this movie is really good. On it's own it is a very compelling thriller that is well crafted and acted. James McAvoy really shines as Paddy, and perfectly strikes the tone of an overbearing line pusher with a barely contained rage underneath. Scoot McNairy and Mackenzie Davis playing ben and Louise act as the perfect foil to Paddy and each others characters.  I found the set up and character development throughout the film to be rich and interesting, and it made the awkward and disturbing situations more interesting because it felt very real. The fans of the original will have a real beef with the ending, which is way more Hollywood and safe for a thriller, but for me it still works great. Score 8/10

Synopsis Beetlejuice Beetlejuice picks up thirty years after the events of the first film, with Delia Deetz being a famous artist, Lydia having her own ghost adventures type show, and her daughter Astrid being a goth angsty teen. The Deetz family has to deal with the sudden loss of the paternal figure in their lives while also grappling with their own individual battles. When Astrid, played by Jenna Ortega, gets stuck in the afterlife and Beetlejuice's ex wife Delores, played by Monica Belluci, starts stalking him, Lydia makes another glorious deal with Beetlejuice to save her daughter and get Monica Belluci off Beetlejuice's back. Chaos ensues. Review As I've said many times, I am not a big fan of sequels. I was not very excited to see this, since it is a sequel so many years after the first I figured it was another cash grab. That very well might be true, but I unexpectedly had a really fun time watching this. Michael Keaton soars as the titular character once again, and with this star studded cast, it is almost a perfect comedy. Catherine O'Hara remains one of the funniest women who has ever set foot on screen, and the welcome additions of Willem Dafoe and Justin Theroux also put in the work to get some laughs. A few complaints are that I think I liked the practical effects and primitive CGI in the first movie a lot better than I liked the new CGI stuff in this one. It looked corny and even though this movie isn't geared towards kids, the sandworm looked like something out of a Nick Jr. tv show. Also, there were a lot of moving parts that could have been cut down to one A and one B plot. All in all it is a very fun, new take on the Beetlejuice universe, and I loved it.  Score 8/10

Synopsis Incantation is a classic tale of three ghost hunters who travel to a secluded village in order to learn more about their spooky traditions and gather footage for their Youtube channel. However their journey quickly goes from silly to incredibly horrifying. Years later, the curse of the mother Buddha deity still remains. Review of Incantation Incantation is one of my favorite horror movies in recent years. Its kind of a hidden gem with no theatrical release. A lot of people in the horror community talk about wanting to find a movie that is actually scary and I really do think that this is it. I don't want to hype it up too much for those of you who haven't seen it because I don't want you to have unrealistic expectations, but when I watched this movie for the first time I had to pause it and turn on the lights because I got too scared. It pulls the viewer into the story making you apart of the nightmare and for that this feels more like an experience than a movie. It wastes no time and gets scary within 5 minutes. If you haven't checked it out please do yourself a favor and watch Incantation. Score: 10/10

Synopsis On a live broadcast during Halloween on sweeps week in 1977, a failing late night talk show starring Jack Delroy (played by David Dastmalchian) interviews a cult survivor supposedly possessed by a demon. The audience is amazed and horrified by the demonstration and Delroy soon finds himself out of his depth. But instead of heeding caution, he doubles down on the bit to save his show from cancellation to disastrous consequence. Review of Late Night with the Devil This movie has a great premise. What if you showed Regan from The Exorcist on a talkshow next to obvious fake psychics and debunkers that often appeared on late night. The talk show is a format that everyone is familiar with, and even the guests previous to the possessed little girl should all be recognizable stand ins for real life talk show guests such as Uri Gellar and James Randi. The biggest setback is that the writing and acting a little too on-the-nose, and it ends up feeling a little cringe. In what could be a super compelling and real-feeling found footage film, the artificiality really pulls you out of the moment and you definitely feel like you are watching a movie. It's like when you see a movie or show about a stand up comedian, and the actor isn't able to be convincingly funny but is met with uproarious laughter from the fake audience. It's a type of uncanny valley that is created when actors aren't able to match the charisma and timing of a seasoned professional, in this case, talk show host.  They made the genius move to explain that this is a failing talk show, so Jack Delroy's wooden presence and indiscernible personality actually sells the “why”. That being said, this movie does have some good bones. The plot structure and utilization of the talk show format is great. It lends a new backdrop to the horror cliche of demonic possession. The tension ramps up convincingly, and the inevitable trainwreck that is foreshadowed is satisfying. I just wish they would have aimed for more realism in the writing and acting. Score 6/10

Synopsis Alien Romulus is about a young woman named Rain, and her Robot Brother Andy are stuck on a slave labor planet that never sees sunlight. On the day they finish their slave sentences and have technically earned their freedom, they are told that another 6 years have randomly been added. This is incredibly devastating for Rain, but not so much for Andy cause he is a robot and has zero emotion the whole movie. Anyways, Rain's friends convince her and Andy to join them in a dangerous plan to hijack an abandoned ship in their planet's orbit and use it to travel to a free planet. Upon entering space and eventually the abandoned ship, things start to become more and more eerie. Dead bodies are everywhere, gravity randomly turns off and back on, and the ship is in ruins. The deeper into the ship the group travels, the more Alien they experience, and everyone gets just a bit more Romulus than they were hoping for.  Review of Alien Romulus Alien Romulus is a really good-looking sci-fi with great visuals and a tense atmosphere. The vibes on the ship feel creepy, and there are enough interesting moments to keep me entertained for the most part. My trouble with this movie is that we dont really care about any of the characters except for Rain and Andy, and there are like 5 other characters. The movie drops little hints about these people's lives like “Oh this person is pregnant” or “This person's mom was killed by a robot” but it never really explores these things and in the end, I just didn't care about any of these people. The movie also doesn't really add anything all that new to the franchise. The ending does have something new which I won't spoil, and I actually found pretty cool, but for the most part, the movie kept being like “hey! Remember face huggers!” or “hey! Remember the chest-bursting scene from the original! What if we did that again! Cool right?” and that was just starting to get a little boring. The movie is 2 hours long and while I was pretty engaged with it for the first half, the second half dragged a little for me. Its not a terrible movie, but I'm gonna give it a score of  Score 5/10

If I had a nickel for every horror movie starring a main cast member of Euphoria released this year, I'd have three nickels, which isn't a lot, but it's weird that it's happened thrice. This episode we talk about Cuckoo a new limited release horror movie out now in theaters written and directed by Tilman Singer. Stay tuned whores Synopsis This movie is about an American girl dragged along to a resort in the Bavarian Alps. Something seems off about the way that random guests barf all the time, and how time loops back on itself for some reason. I mean, it could drive a person Cuckoo! Review of Cuckoo This one has a lot going on in it, and in the best of ways feels like an X-files episode. It's hard to guess where it's going. It was really twisty turny. I mean they usually do twisty turny, but this one is REALLY twisty turny.  Hunter Schafer plays the protagonist Gretchen, the moody teen overcoming a recent tragedy, and she does really well in this. Her performance is helped with some of the most convincing bruise and cut makeup as she is pretty beat up through the majority of the film The scares are few, but the tension is high. Singer does a good job at maintaining the feeling of being trapped in various ways. First as being a teen dragged along with the family, then as a patient in a hospital, then as a prisoner almost of the resort. Dan Stevens also is great as the smarmy resort owner bad guy. It is engaging throughout, but starts to get a little sketchy towards the end where it feels like it has to wedge in all the necessary exposition. I'm still confused about why some stuff happened at the end and felt like there were still some loose ends with explaining the “Cuckoo”, but overall it felt satisfying. Score 8/10

Synopsis Trap is a movie that follows Cooper, a seemingly normal dad who takes his daughter, Riley, to her favorite artist's concert. Once there, Cooper is told that the whole concert is a trap to catch a serial killer who is colloquially called The Butcher. Plot twist (but not a plot twist because it is given in the trailer) is that Cooper is the Butcher, and he needs to find a way to escape the heavily guarded arena without getting caught. Review I was very excited for this movie, I thought the trailer looked awesome and M Night has some good hits (The Visit, Signs, obviously The Sixth Sense). After about fifteen minutes of pure concert, I was completely checked out. This movie is boring, it is unfulfilling, the trailer gives away most of the interesting plot. Even though a serial killer trying not to get caught while surrounded by SWAT teams and the FBI is really high stakes, the movie doesn't make that apparent whatsoever. The classic ending “twist” that M Night always does falls flat in this one, and at that point I was honestly just waiting for it to be over. Josh Hartnett is an impeccable actor, but with this crappy script he didn't have much to work with, and most of the other actors are not up to his caliber. I didn't care much for the characters and overall it was just boring. A complete drag. The only character that was redeemable was the vendor played by Jonathan Langdon, his performance solidified by the fun post credit scene. And when Josh Harnett took his shirt off, it gained a point back in my book. I can see this getting mixed reviews, like most of M Night's films, and I am a part of the dislike club. Score 3/10

Synopsis Oddity is a morality tale about why you shouldn't cross witchy women. When a blind woman's sister is murdered in a remote country estate, she uses her arcane knowledge and abilities to uncover the true identity of her murderer.  Review of Oddity I really liked this movie. It came under the radar and we almost didn't review it, but I'm glad we did, because I think I actually did like this one better than Longlegs. The film starts out basically with a prologue of what you see in the trailer, and acts as a really taut short film. A Woman answers the door to a creepy one eyed man that says that she's not safe inside and needs to let him in. We are given just enough information to make this situation plausible and build dread. That is a common thread through the film. We are given just enough information to constantly be uneasy and uncertain throughout the whole film. It really is structurally impressive, plot-wise. There isn't a ton of character development, but there is a constant stream of revelations and situations that keep the film engaging.  One criticism may be that there isn't much of an emotional element in the film, the characters all seem very cold. However, each character has enough of a personality and backstory to make their interactions and decisions interesting. There are several moments and lines that had me laughing out loud, including the ending. There were also some really effective jumpscares. On the surface, this movie utilizes a lot of tropes that are crutches for a lot of supernatural horror movies. The spooky dark house. The strange sounds in the darkness. Stretches of tense silence leading up to jump scares. But for some reason, instead of rolling my eyes, I was truly engaged with this movie. I think it's because all of the reality-based elements seem plausible, and all the supernatural elements seem interesting or novel.  I think it's a great movie, and honestly I don't have any real criticisms or anything that bothered me with it.  Score  10/10 Interview with Amber Victoria from The Skeleton Key Odditorium Bryce: Today, we welcome Amber Victoria, owner and operator of the Skeleton Key Auditorium Museum and Oddity Shop in Portland, Oregon. It's a retail shop that specializes in oddities, antiques, curiosities, Gothic art, gifts, crystals, tarot cards, dolls, metaphysical items, clothing, and souvenirs. The auditorium is a historical museum designed to provide intrigue and a better understanding of the human experience through exploring the strange, unusual, and gloomy characteristics of our history. It was recently voted as the runner-up for Portland's Best Museum, just underneath the multi-million dollar Portland Art Museum and OMSI. So, it's pretty high praise for a museum. Anyways, welcome, Amber Victoria! Sydney: Welcome! Amber: Hello. Yay, thank you. Thank you for having me. Bryce: So, Amber, why don't you tell us a little bit about how you got started? What's the story with you and the Skeleton Key? Amber: Well, it kind of started almost 10 years ago. I've always loved old things and was more of a Ren fair kind of person. I was doing immersion events and collected a lot of odd things. Eventually, I started collecting too much stuff, so I began selling items at Curiosities Vintage Mall about nine years ago. It just evolved from there. People really liked my odd things, so I decided to open a brick-and-mortar shop in 2020. And here we are, still doing it. Bryce: So, when did you open the brick-and-mortar shop? Amber: I opened it in 2020 on Belmont. It was a small oddity shop, about 600 square feet. When the lease was up, we moved downtown, and I brought my partner along. We decided to open a museum because there was so much knowledge and so many items. People were always asking questions, and we wanted to educate and preserve these items in a fun, interactive space full of oddities. Bryce: Awesome.

Synopsis Grave Encounters follows a Zak Baggins/Ghost Adventures type crew while they film their first season of the titular show, constantly in search of new scares and not afraid to create their own for movie magic. They go to stay at an abandoned mental hospital in Maryland, where they get locked inside for 8 hours in hopes of getting some good footage and getting the hell out of there. Not expecting to see anything out of the ordinary, they are in for more than they bargained for. Review of Grave Encounters This is a very fun movie. There's plenty of things to laugh at throughout to relieve you from the unexpected jump scares of ghouls and goblins. It's not as serious and dreadful as something like Paranormal Activity, but it's not trying to be something like that. They don't waste much time getting into the nitty gritty of how haunted the asylum really is. The pacing is good and the scares are effective even on a repeat watch. The main problem I have with this movie is that the end drags on for a bit too long, it could have been a little tighter in the beginning and in the end, but the meat in the middle works. All in all, it is a good scary movie, it's a fun time, but as you watch it multiple times it gets less effective.  Score 7/10

Synopsis In Longlegs, the FBI is on a manhunt for a mysterious killer named Longlegs, who somehow convinces whole families to kill each other and themselves. Agent Lee Harker is on the case and she is quickly shown to have psychic powers, or at least half psychic powers which may be useful to the FBI. The details of the murders and the clues left behind are creepy, and Agent Harker must first learn to piece together her past before she can finally piece together this case.  Review of Longlegs Longlegs is a long-awaited horror movie that gained interest through vague and ominous marketing, as well as keeping the plot of the movie close to the chest. I had absolutely no idea what this movie was about going in, but I had high expectations simply because so many people were talking about this movie. The movie is very well shot and the atmosphere is creepy the entire time. It has a similar feel to movies like Silence of the Lambs and Seven but is maybe a little slower than both of those movies. Any time Nicholas Cage is on screen I am having a great time. His character feels interesting and is visually scary to look at with his makeup, and his voice gave me chills. My only complaints about this movie was that some of the dialogue felt super cheezy, especially when they are talking about the devil and worshiping satan. I think they could have maybe come up with something a tad more original. In my opinion, worshiping the devil doesn't really feel scary, it just feels a little bit cringe. The movie was also a little slow and probably could have benefited from a few more scary scenes in the middle of the movie, but other than that it was pretty fun Score 8/10

Synopsis Maxxxine follows the titular character as she attempts to leave the porno film industry and enter into mainstream Hollywood. She's haunted by her past and is traumatized by the events of X that happened 6 years previously where she was the sole survivor of a homicidal elderly couple (spoilers). While struggling with the trauma and the difficulties of navigating Hollywood, several of her friends and acquaintances are murdered by a mysterious figure with black leather gloves. Will she achieve hollywood stardom? Will she be charged for murdering an elderly woman in Texas? Will she foil Dr Claw's plan to use a missile silo to launch a missile to destroy Metro City? Watch Maxxxine or skip forward to our spoiler section to find out. Review of Maxxine Maxxine continues the exploitation genre throwback vibe of X and Pearl, but this one is much less stylized, and frankly, less horror focused. It's more of a thriller/horror that is about as close as you come to an American Giallo. Maxine is surrounded by colleagues and acquaintances, but the maximum extent of the character development for them is “gay”. They end up all being disposable fodder for the prototypical faceless Giallo villain. Maxxxine, as we've seen in X is super capable and driven, and it ends up being one of the pitfalls of the movie. She is such a bad bitch that you never really believe she is in danger. Therefore, there isn't much of an arc in her character or the plot. It ends up being a waiting game to learn whodunnit. The cast is great, and includes Kevin Bacon doing an impression of Daniel Craig's Cajun accent. Giancarlo Esposito plays a character that isn't a rip off of Gus Fring, and there are other actors too. This film is a tribute to 80s cinema, and as such Ti West limited technology to that of the time period. It doesn't really seem noticeable in terms of quality of the visuals, but there are some very visceral practical effects that 80s horror fans will love. It's an enjoyable movie, and if you liked X and Pearl, this is a good capper, but for me it wasn't as interesting as those films. Score 7/10

Synopsis 1408 is a film that follows Mike Enslin, played by John Cusack, a corny horror novelist who specializes in writing about the scariest, spookiest places he's ever been. Although he spends a lot of time in “haunted” places, he has never seen any paranormal activity and does not believe in ghosts. He then receives a cryptic postcard from the Dolphin Hotel in New York City that states, “Don't stay in 1408.” Intrigued by this gesture and not at all deterred, he goes against the wishes of the postcard and of the staff of the hotel and books the room, hoping to finally get scared. Review This is the ultimate sleeper pick. This movie is not very well known or well talked about in horror movie communities, to my knowledge anyway, and after a second viewing I firmly believe this is one of the best horror movies. The viewer is never bored, stuff happens so quickly and so often in this film that it was extremely difficult to take notes on it because I almost always missed something. The pacing is something to look up to, it keeps you engaged from the moment you turn it on to the moment it ends. It is scary and certainly anxiety inducing. This is a great adaptation of a Stephen King and even if you don't love Stephen King, you will love this movie if you are a horror fan. There are not many problems with this movie. Sometimes the directing style is a bit dated and the acting can be a little slapstick at times, but it doesn't fully take away from how good it is. It is definitely not perfect, but it is entertaining and quite dreadful. Score 8/10