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Seven years between Star Wars films, and the galaxy came back with a tin-can dad, a green gremlin, and a muscled teenage Hutt with an identity crisis. Matthew Fox of Star Wars Generations joins Pete Wright, Justin Jaeger, and Ocean Murff on The Film Board to work through all of it — the parts that soar, the parts that drag, and the twenty minutes in a swamp that made everyone forget they were watching a puppet.The panel is split on the Swole Hutt (Ocean is in, Pete is out), united on Ludwig Göransson's score, and divided on whether this is a movie or just the best three episodes of a Mandalorian season that never got made. Martin Scorsese shows up as an informant and somehow steals the room. Sigourney Weaver shows up as a character and somehow doesn't. The question the table keeps circling: did Star Wars prove it belongs in theaters, or did it prove Ocean right all along?Full show notes and resources: HereThis episode on The Film Board: The Lunchbox Mandalorian • Mandalorian and Grogu**************************************************************************This episode is a production of Star Wars Generations, an Ethical Panda podcast and part of the TruStory FM Entertainment Podcast Network. Check out our website to find out more about this show and our sister podcast Superhero Ethics.We want to hear from you! Keep up with our latest news and send us feedback, questions, or comments via social media or email.TikTok · Twitter/X · Instagram · Facebook · EmailTo learn more about co-host Erin and her incredible cosplay: Instagram · TikTokJoin the conversation in the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want even more content while supporting the podcast? Become a member! For $5 a month or $55 a year you get access to bonus episodes and bonus content at the end of most episodes — and you can even give membership as a gift. Sign up here.You can also support us through our sponsors:Purchase a lightsaber from Level Up Sabers, run by friend of the podcast Neighborhood Master Alan.Use Audible for audiobooks. Sign up for a one-year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.
Send us Fan MailA Star Wars movie is back in theaters, and we walk out with the most predictable outcome possible: all of us have opinions. Mandalorian And Grogu gives us a big-screen dose of Din Djarin, Grogu cuteness, and creature-driven chaos, but it also raises a real question about what a theatrical Star Wars film should feel like in 2026. Are we here for a simple, rewatchable adventure, or do we need heavier stakes and a clear franchise-shifting arc?We get into what worked for us, from the Anzellans (big Babu Frik energy) to the surprisingly fun lore bits and the craft that still makes this corner of the galaxy feel tangible. We debate whether Grogu shows real growth, how the story leans into fatherhood, and why some moments land harder when you frame them as a “son protecting his dad” story. We also talk pacing, action fatigue, and why the movie can feel like a stitched-together season run instead of a standalone event.Then we go deeper on the meta stuff Star Wars fans love to argue about: marketing, trailers that don't tease a hook, Disney Plus vs theatrical storytelling, and how the “Imperial warlords” thread may be tied to bigger plans like Rangers of the New Republic and the long-dreamed Heir to the Empire direction. Plus, we shout out Ludwig Göransson's score and the theater audio experience that genuinely elevates key scenes.If you've seen Mandalorian And Grogu, come hang with our takes, then tell us yours. Subscribe for next week, share this with a Star Wars friend, and leave us a five-star review if you want to help Project Geekology reach more listeners.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbABaby Boomers: The Strangest GenerationA light look at growing up in the 60's and 70's, TV, music, family life, politics,...Listen on: Apple Podcasts SpotifySupport the show
On this episode Dom and Ben are once again joined by Jeff White to continue their ongoing discussion about The Mandalorian And Grogu. This week they take a closer listen to the musical score for the film, talking about all the new themes, their favorite tracks, and how Ludwig Göransson's unique style interfaces with the rest of the saga's soundtracks. Later they dive into all the recent news regarding Star Wars gaming, including extensive new trailers for Galactic Racer and Zero Company. Plus, what happened to Black Sun? Will we ever get The Force Unleashed 3? And can Jeff and Ben finally convince Dom to play PowerWash Simulator 2? Tune in for all of that and so much more! Join the Star Wars Underworld Network Discord Subscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Email: swunderworld@gmail.com
[School of Movies 2026] The first Star Wars movie released in cinemas after seven long years since The Rise of Skywalker. It's a crowd-pleaser, a simple, space western from the director of Cowboys & Aliens, Zathura and Iron Man 1 & 2. And not a lot of people showed up for it, which feels like a damn shame, since just the experience of being sat there with the Ludwig Göransson score blasting through a sound system that costs a hundred times what most of us have in our living room was quite extraordinary. There's also something to be said for the miraculous creations we get to see blown up to proportions suited to IMAX, from the gestalt entity of Mando himself, to the pugilist son of Jabba the Hutt, and most especially the special little green gremlin who we get to spend some unexpectedly intense close time with. This film has been easy to dismiss, but there's more to it than the homogenisation of Disney Plus affords us. This week's After School Club: Happy Birthday to Me (1981) Next Week: Masters of the Universe (2026)
El equipo de padre e hijo favorito de todos en la galaxia muy, muy lejana llega a la pantalla grande para cazar ex imperiales y tener una gran aventura con los otros muppets más lindos de la nueva era de Star Wars, los anzellans. Junto a Max García (del podcast "La Pregunta Es") hacemos la RE: seña y miramos peleas de gladiadores hutt musculosos never pony. Además, MaGnUs y Eze analizan la última temporada de The Boys, que seguirá con spin-offs, pero cierran la serie original con el acabose. A ver que tal les sale. Con música de Ludwig Göransson, Long Distance Calling, y Dennis Leary. Próximo programa: Spider-Noir / Masters of the Universe. ------------------------------------- #perdidoseneleter #StarWarsTheMandalorianAndGrogu #TheBoys#cine #peliculas #TV #series #StarWarsTheMandalorian #cienciaficcion #spaceopera #comics #superheroes
Christoph Dittrich, Generalintendant der Städtischen Theater Chemnitz, hatte 2015 die Idee, dass Chemnitz sich als Kulturhauptstadt 2025 bewerben sollte, saß später in den vorbereitenden Gremien und war zwei Jahre Interimsgeschäftsführer der Kulturhauptstadt GmbH. 2021 übernahm Stefan Schmidtke. Zusammen gebaren sie bereits damals die Idee sich für die Ausrichtung des Festivals „Theater der Welt“ im Jahr 2026 zu bewerben. Vom 18. Juni bis 05. Juli nun findet es statt, ausgerichtet von den Theatern Chemnitz, der Festival Academy Brüssel und der Kulturhauptstadt Europas Chemnitz 2025 GmbH. Deutschlands größtes internationales Festival für zeitgenössische Bühnenkunst wird seit 1981 alle drei Jahre in einer anderen Stadt ausgetragen. An 18 Festivaltagen werden in diesem Jahr in Chemnitz 33 Produktionen von Künstlerinnen und Künstlern aus allen Kontinenten zur Aufführung kommen. Erstmals in der Geschichte des Festivals teilte sich ein neunköpfiges internationales Kuratoren-Team die künstlerische Leitung. Fragen von Identität, Herkunft, Machtverhältnissen und Sichtbarkeit ziehen sich durch zahlreiche Produktionen. Eröffnet wird das Festival am 18. Juni mit „Paper Planet“ des australischen „Polyglot Theatre“ und mit der europäischen Erstaufführung von „Split Tooth: Saputjiji“ von der kanadischen Künstlerin Tanya Tagaq.In Dresden wurde Christoph Dittrich 1966 geboren. Bereits während der Schulzeit erhielt er einen Instrumental-. Gesangs- und Chorleiter-Ausbildung. Von 1986 bis 1991 studierte er an der Hochschule für Musik „Carl Maria von Weber“ in Dresden Tuba, Gesang und Musikpädagogik. Zudem nahm er Kammermusik-Unterricht in der Meisterklasse von Prof. Ludwig Güttler. 1987 gründete Christoph Dittrich das Blechbläser-Ensemble „Dresden Brass Quintet“, mit dem er zahlreiche Konzert gab, Festivals besuchte und CDs aufnahm. Von 1991 bis 2002 war er Musiker und dramaturgischer Mitarbeiter der Elbland Philharmonie Sachsen und von 2002 bis 2012 deren geschäftsführender Intendant. Ab 2006 gab es eine Zusammenarbeit mit dem Theater Junge Generation Dresden. Christoph Dittrich hielt zudem Gastvorlesungen an der TU Dresden und der Dresden International University und promovierte 2008 im Bereich Musikwissenschaften zu Komponisten der 1960er bis 1980er Jahre. Im gleichen Jahr übernahm er die Leitung der Meissner Burgfestspiele. Mit der Spielzeit 2013/2014 wurde Christoph Dittrich Generalintendant der Städtischen Theater Chemnitz. Er ist über diese Tätigkeit hinaus Vorstandsmitglied des Landesverbandes Sachsen des Deutschen Bühnenvereins, den er von 2010 bis 2019 als Vorsitzender führte. 2020 wurde Christoph Dittrich zum Präsidenten der Kulturstiftung des Freistaates Sachsen gewählt. Moderation: Carsten TeschRedaktion: Angelika Zapf
Aquesta setmana viatgem a una galàxia molt llunyana per analitzar a fons The Mandalorian and Grogu, el gran retorn de Star Wars al cinema. Parlem de les nostres impressions generals, del seu esperit aventurer i de com Jon Favreau ha convertit la sèrie en una autèntica experiència cinematogràfica. Comentem el gran salt tècnic de la pel·lícula i el retorn dels efectes pràctics amb criatures espectaculars. També repassem la banda sonora de Ludwig Göransson i les múltiples referències a la trilogia original, Clone Wars i Rebels. A la part amb espòilers entrem de ple en les grans escenes de la pel•lícula: la batalla inspirada en Hoth, Rotta el Hutt, els bessons Hutt, Embo, la Dragonsnake i el viatge emocional de Grogu, que ens deixa alguns dels millors moments del film. Un especial carregat de Star Wars, aventures galàctiques i amor per l'univers creat per George Lucas que us farà somriure. Us acompanyen l'Ignasi Arbat, la Marta Sanz i en Roger Darth Segador com a estrella convidada. Web: https://www.ningunoesperfecte.cat Patreon: https://www.patreon.com/ningunoesperfecte
In questa puntata si parla di The Mandalorian & Grogu, il film che segna il ritorno di Star Wars al cinema e che, allo stesso tempo, dà una sensazione molto precisa: più che un vero film concepito per il grande schermo, sembra una stagione di The Mandalorian trasformata in corsa in un lungometraggio. La recensione parte proprio da qui: da un film che funziona, che ha dentro quasi tutto quello che i fan della serie si aspettano di vedere, ma che lascia anche la sensazione di un'occasione solo parzialmente sfruttata. Perché se da una parte The Mandalorian & Grogu è un prodotto solido, piacevole e coerente con il suo mondo, dall'altra da Star Wars sul grande schermo era lecito aspettarsi qualcosa di più grande, più ambizioso e più cinematografico. Una recensione pensata per capire se il film sia davvero un ritorno in grande stile o più semplicemente un buon prolungamento di una formula già conosciuta. (00:00) Il ritorno di Star Wars al cinema(03:12) I lati positivi: CGI, Ludwig Göransson e le scene d'azione(04:57) La questione Jeremy Allen White come Rotta The Hutt(06:09) Valutazione finale Learn more about your ad choices. Visit megaphone.fm/adchoices
Christian Ashley and Kevin Schaeffer dive into the latest pop culture happenings in this "What's New(s)" episode of Systematic Geekology, focusing on some major highlights that are sure to tickle the fancy of every geek out there. Right off the bat, they discuss the buzzing Mandalorian and Grogu film, where the dynamics of their favorite characters unfold in a galactic adventure that's both fun and familiar. They also take a good look at the new Lanterns trailer, which promises to bring a mix of intrigue and nostalgia to DC fans, while dissecting the Marvel Special Presentation, "The Punisher: One Last Kill," which brings a darker, gripping narrative that fans have been craving. It's a laid-back chat packed with insightful commentary and witty banter, as they explore how these new entries resonate within a shared Christian perspective, while also reflecting on what's next for these beloved franchises. Stick around for a journey through the multiverse of pop culture that's as enlightening as it is entertaining! Systematic Geekology's episode brings listeners into the heart of geek culture, where hosts Kevin Schaefer and Christian Ashley navigate through a treasure trove of topics. The episode begins with an upbeat vibe, as the hosts share their excitement about the latest Punisher special. Kevin and Christian dive into the character's complex psyche, discussing how he struggles with the demons of his past while also facing new threats. Their conversation is peppered with humor and relatable commentary, making it feel like a chat among friends rather than a formal analysis. They reflect on the narrative choices made in the special, examining what works and what could have been improved, all while celebrating the iconic status of Frank Castle in the Marvel universe. As the episode unfolds, the hosts seamlessly transition to discussing the future of DC, particularly the Green Lanterns series. They express their mixed feelings about the direction of the characters and the creative choices behind the new trailer. This segment showcases their knowledge of the source material, as they delve into the complexities of adapting beloved characters for the screen. The witty repartee between Kevin and Christian keeps the energy high, and listeners can sense their genuine passion for the topics at hand. The discussion touches on the cultural significance of these characters and the evolving landscape of superhero narratives, inviting viewers to reflect on their own experiences as fans. The episode concludes with a spirited discussion about the Mandalorian movie, where Kevin and Christian share their candid thoughts on the film's execution and character arcs. They analyze the pacing, the visual aesthetics, and the overall impact of the movie within the Star Wars franchise. Their insights are balanced with humor, as they acknowledge the fun elements while also critiquing the narrative structure. This blend of light-hearted banter and thoughtful analysis creates an engaging listening experience for fans of all ages. By the end of the episode, listeners are left with a sense of anticipation for what's next in the comic and sci-fi realms, as the hosts encourage audience interaction and engagement with the show.Takeaways:In this episode, Kevin and Christian dive into the latest geek culture, including the new Punisher special, which they both agree is a decent addition but could have been better executed.The Lanterns trailer has sparked mixed feelings among the hosts, with Christian expressing excitement but caution about character ages and development in the story.They discuss the Mandalorian and Grogu movie, noting that while it was enjoyable, it felt more like a series of episodes cobbled together rather than a standalone film.Kevin highlights the score by Ludwig Göransson as one of the film's standout features, capturing the essence of Star Wars while adding his unique touch to it.Christian points out that the most character growth in the Mandalorian movie comes from Radha the Hutt, who has evolved since his appearance in the Clone Wars, showcasing depth in unexpected characters.The duo debates the future of the Star Wars franchise and the importance of maintaining high standards for narrative quality in future films, noting that the love for Star Wars should not lower expectations..Be sure to check out our merch, find extra content, and become an official member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Check out all of our "What's New(s)" series:https://player.captivate.fm/collection/5abf15a7-d441-4638-8a4a-66ccf85e3343.Listen to our other Marvel episodes:https://player.captivate.fm/collection/fb519d38-2d9b-4f82-b041-81b81613543c.Listen to all of our Star Wars episodes:https://player.captivate.fm/collection/8a69b978-b30c-4515-9e5d-a38a84cc367f.Check out other episodes with Kevin:https://player.captivate.fm/collection/84fd7d06-cf1f-48e5-b358-09a01c5a6bc9.Check out other episodes with Christian:https://player.captivate.fm/collection/ebf4b064-0672-47dd-b5a3-0fff5f11b54cMentioned in this episode:Join our Facebook group and Discord ServerFind our Facebook group, "Priests to the Geeks", then join our Discord server with this link to continue on the conversation with us!DiscordFollow us on Instagram and BlueSky to keep up to date!Follow our show on our socials to keep up to date and get some exclusive content and fun memes!Systematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.Donate to our Show / Check Out Free ExtrasCheck out our show on Fourthwall to donate to the podcast or get free extra content!SG on FourthwallThe Anazao Podcast NetworkBe sure to check out the network website to see other podcasts trying to engage honestly with Scripture, Theology, Pop Culture, Martial Arts, Science, and more!Anazao Podcast Network
Not only have Mando and Gorgu arrived in theatres, but NAD has arrived as a permanent co-host on TRIAD Of The FORCE! Perfect timing too since today we, at long last, discuss the return of Star Wars to cinemas with the release of THE MANDALORIAN AND GROGU!There has been a lot of anticipation about this film and after many years since the release of The Rise Of Skywalker, we all wondered if this would be a triumphant return. Today we review this film and talk at length about what worked and didn't work, from Rotta The Hutt, to Ludwig Göransson's score, but especially the story and journey of Din Djarin and Grogu.We're so exactly to finally talk about a new Star Wars in cinemas, and especially as a complete triad! • • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, Nad, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: https://bsky.app/profile/triadoftheforce.bsky.socialInstagram: https://www.instagram.com/triadoftheforce/YouTube: https://www.youtube.com/c/TriadoftheForce/If you like us, get some merch and help the channel:TeePublic: https://www.teepublic.com/user/triad-of-the-force• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (https://linktr.ee/Grushkov).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.
Star Wars returns to the big screen for the first time in years with Mandalorian & Grogu — but does it actually feel like an event movie?In this episode of Cognitive Recalibration, Sravan and Bhaskar break down the latest Star Wars theatrical release, discussing:⚔️ The movie's “side quest” structure
25 de mayo, fecha sagrada para los ñoños de Star Wars, y justo nos sentamos a hablar de The Mandalorian and Grogu, la película que trae de vuelta la saga al cine después de años sin estrenos en pantalla grande. Y claro, el corazoncito fan se alegra: vuelve Mando, vuelve Grogu / Baby Yoda, hay acción, hay ternura, hay chistes para los cabros chicos, hay easter eggs y hasta aparece Martin Scorsese haciendo de soplón galáctico. Pero también hay una pregunta que no nos pudimos sacar de la cabeza: ¿esto era realmente una película de Star Wars o era la temporada 4 de The Mandalorian disfrazada de estreno cinematográfico? En este episodio hablamos de por qué la peli entretiene, por qué funciona para familias y fans de la serie, pero también por qué se siente más chica que una verdadera aventura de Star Wars. Comentamos el peso de John Williams, la música de Ludwig Göransson, el rol de Grogu, la aparición de Sigourney Weaver, la voz de Jeremy Allen White como Rotta the Hutt y el estado medio raro en que está Star Wars en el cine. Porque sí: uno la pasa bien. Pero también queda esa sensación de: “ya, bacán… la vuelvo a ver cuando salga en Disney+”.
Tonight on Damn You Hollywood, we're reviewing Star Wars: The Mandalorian and Grogu, the first theatrical Star Wars film since The Rise of Skywalker and the cinematic continuation of the hit Disney+ series. Directed by Jon Favreau and co-written with Dave Filoni and Noah Kloor, the film follows Din Djarin and Grogu as they work with the New Republic to rescue Rotta the Hutt while uncovering new Imperial threats in the fractured post-Empire galaxy. Pedro Pascal returns alongside Sigourney Weaver, Jeremy Allen White, and Jonny Coyne, with Ludwig Göransson once again handling the score. Originally conceived as The Mandalorian Season 4 before the Hollywood strikes and Lucasfilm's pivot back toward theatrical releases, the film represents Disney's attempt to transform streaming-era Star Wars back into event cinema. Mixed critical reactions have praised Pascal and Göransson while questioning whether the series' episodic DNA fully translates to the big screen.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
A Star Wars movie is back in theaters for the first time since 2019! In this episode of Hyperspace Theories, Tricia Barr and B.J. Priester kick off our analysis of The Mandalorian and Grogu with a discussion of the major storytelling decisions underlying the film, which is directed by Jon Favreau and co-written by Favreau, Dave Filoni, and Noah Kloor (The Book of Boba Fett). As the sixth movie of the Disney era and the first Star Wars film built upon source material from outside the preceding movies – specifically the three seasons of the Disney+ streaming series The Mandalorian as well as adjacent series The Book of Boba Fett and Ahsoka – the creation of The Mandalorian and Grogu faced a number of challenges not previously faced by theatrical Star Wars, including an imperative to produce the movie on a considerably smaller budget than the Sequel Trilogy releases while reviving fan and customer enthusiasm for Star Wars on the big screen and the ancillary merchandise revenue that has long accompanied Star Wars films. This context in the state of the franchise explains a number of key decisions about the story built for The Mandalorian and Grogu, including the desire to acknowledge the full range of previous Star Wars stories and fans, from the Original Trilogy and Expanded Universe to the Prequels, The Clone Wars, and Disney-era films, animation, and publishing. We also examine the themes found at the heart of the story, and the non-Star Wars cinematic influences on Favreau's movie. We then revisit a frequent aspect of the Hyperspace Theories podcast: examining how Star Wars' longstanding association with the monomyth story structure shapes the tale being told in The Mandalorian and Grogu. Unsurprisingly, as a standalone film rather than a segment within a trilogy, The Mandalorian and Grogu readily aligns with the cinematic story structure expressed by Christopher Vogler, a distillation and updating of the classical monomyth found in the work of Joseph Campbell. This plot structure also guides the character arcs for The Mandalorian and Grogu, which features the two titular characters as well as significant character development for a third: Rotta the Hutt, who faces his own father-son thematic turmoil as well as pivotal choices about his path in life and the future he seeks for himself in the galaxy far far away. Related Links: Fangirls Going Rogue: A Special Look at The Mandalorian and Grogu (April) Fangirls Going Rogue: Episode 26.4 Countdown to The Mandalorian and Grogu (April) Fangirls Going Rogue: Interview with The Mandalorian and Grogu's Jon Favreau and Dave Filoni (May) Fangirls Going Rogue: Doug Chiang, John Knoll, and Ludwig Göransson Discuss Making The Mandalorian and Grogu (May) Fangirls Going Rogue: Episode 26.6 The Mandalorian and Grogu Behind-the-Scenes and Review (May) Social Media: Tricia Barr (@fangirlcantina) Instagram | Threads | Blue Sky B.J. Priester (@redpenoflex) Instagram | Threads | Blue Sky Fangirl Zone on Facebook
Seven years after The Rise of Skywalker, the saga finally got off the couch, and what it brought back was a tin-canned dad, a green gremlin, and a teenage Hutt with a glandular disorder. The Film Board lands split right down the middle, mostly in the affectionate way. Everyone agrees the adventures of Grogu are the heart of the thing. Everyone also agrees the plot is thin enough to read a newspaper through, and that this plays less like a movie than like the best three episodes of a Mandalorian season nobody got to make.Pete, JJ, and Ocean are joined by Matthew Fox, host of the Star Wars Generations podcast, and the table works through all of it: whether a jacked, English-speaking Rotta the Hutt is the dumbest swing or the most heroic one (Ocean is buying, Pete is not), why Sigourney Weaver got cast in a role that forgot to be a character, the Martin Scorsese cameo that weirdly lands, and the swamp sequence where Grogu plays caretaker to a poisoned Mando and the whole room finally forgets it is watching a puppet. Ocean makes the case for television as the franchise's natural home, Pete keeps glancing over his shoulder at Andor, and somebody floats the idea of just letting Matthew run Lucasfilm.The scores are in, and the panel landed in a tight cluster. Ludwig Göransson's score gets the home-run vote. The swole Hutt gets the side-eye.Connect with the ShowThe Film Board is part of the Next Reel Family of Film Podcasts. Find everything at thenextreel.com. Follow the show and rate every movie with us at letterboxd.com/thenextreel. Get member-only extended episodes at trustory.fm/join.Watch & DiscoverWatch Now: Apple TV | LetterboxdOriginal Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Pete | JJ | Steve | Tommy | Andy | Ocean Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible
pWotD Episode 3309: The Mandalorian and Grogu Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 165,391 views on Sunday, 24 May 2026 our article of the day is The Mandalorian and Grogu.Star Wars: The Mandalorian and Grogu (titled The Mandalorian and Grogu on-screen) is a 2026 American science fiction film directed by Jon Favreau, who co-wrote the film with Dave Filoni and Noah Kloor. Produced by Lucasfilm and Fairview Entertainment, and distributed by Walt Disney Studios Motion Pictures, it is part of the Star Wars franchise and is a continuation of the Disney+ television series The Mandalorian (2019–2023). Pedro Pascal stars as Din Djarin / The Mandalorian—who was also portrayed on set by Brendan Wayne and Lateef Crowder—alongside Jeremy Allen White, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. In the film, which is set following the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target.Favreau and Filoni wrote a fourth season of The Mandalorian by February 2023, but production was delayed by the 2023 Hollywood labor disputes. During this time, Lucasfilm re-evaluated their plans for the franchise and decided to prioritize a Mandalorian film over the fourth season. The Mandalorian and Grogu was announced in January 2024 with Favreau directing and co-writing with Filoni and Kloor, and Pascal reprising his role from the series. Filming began in California by August 2024 and was completed by that December. Further casting was revealed around and after filming, including the return of various characters from The Mandalorian and other Star Wars media. The series's composer Ludwig Göransson returned to score the film.Star Wars: The Mandalorian and Grogu premiered on May 14, 2026, at TCL Chinese Theatre in Los Angeles, and was released in the United States on May 22. The Mandalorian and Grogu had a reported cost of $300 million for marketing and the budget. It has grossed $165 million worldwide and received mixed reviews, with critics praising the score and Pascal's performance, while criticizing the plot, visuals, and action sequences.This recording reflects the Wikipedia text as of 12:33 UTC on Tuesday, 26 May 2026.For the full current version of the article, see The Mandalorian and Grogu on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Amy.
This is the way. We are starting our review of The Mandalorian and Grogu with a discussion of the music, the opening scenes, the opening scenes, Sigourney Weaver, and much more. It is finally time to start talking about The Mandalorian and Grogu. We're spending the first fifteen minutes sharing our experiences seeing the movie and non-spoiler thoughts about the film as a whole. After that, we start diving into the details. Part two of our discussion will be coming at the end of the week, so make sure you subscribe to the podcast on your podcatcher of choice. In this fully armed and operational episode of Podcast Stardust, we discuss: Our experiences seeing the movie for the first time in theaters, Our non-spoiler thoughts about the movie (ending around the 15 minute mark of the podcast), Ludwig Göransson's soundtrack and our initial reactions, Thoughts about the opening text and title sequence, The opening scene and how Jay missed it, The New Republic pilots, Sigourney Weaver, and Adelphi Squadron scenes, The appearance of Zeb, The Mandalorian's acquisition of a new Razorcrest, and much, much more. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts. Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.
Review các phim ra rạp từ ngày 22/05/2026:STAR WARS: MANDALORIAN VÀ GROGU – T13Đạo diễn: Jon FavreauDiễn viên: Martin Scorsese, Pedro Pascal, Sigourney WeaverThể loại: Hành Động, Phiêu LưuĐế Chế tàn bạo đã sụp đổ, nhưng những lãnh chúa chiến tranh của phe Đế Chế vẫn còn rải rác khắp thiên hà. Khi Nền Cộng hòa Mới nỗ lực bảo vệ những gì Quân Nổi Loạn đã chiến đấu để giành lấy, họ đã nhờ đến sự trợ giúp của thợ săn tiền thưởng Mandalorian - huyền thoại Din Djarin (Pedro Pascal) và cậu bé học việc Grogu. “Star Wars: The Mandalorian and Grogu” của đạo diễn Jon Favreau, với sự tham gia của Sigourney Weaver và sản xuất bởi Jon Favreau, Kathleen Kennedy, Dave Filoni, và Ian Bryce; cùng với phần nhạc được sáng tác bởi Ludwig Göransson.BÀI TRÙNG PHÁ ÁN – T16Đạo diễn: PARK Chul-hwanDiễn viên: BAE Seong-woo, JUNG Ga-ram, E Som, CHO Han-cheul, YOON Kyung-hoThể loại: Bí ẩn, Hài, Tội phạmCựu cảnh sát trọng án Jae-hyuk "bị ép buộc" phải hợp tác cùng tân binh Joong-ho để điều tra một vụ trộm nhỏ trong thị thấn, nhưng lại mở ra hàng loạt manh mối liên quan đến vụ án mạng đã đóng hồ sơ tại Seoul. Bất chấp sự cản trở từ cảnh sát Gangnam, cả hai quyết tâm truy tìm hung thủ thật sự trong cuộc điều tra đầy những bí ẩn về 2 kẻ tình nghi trong cùng 1 vụ án.LÀNG KHÁT MÁU – T18Đạo diễn: Koji ShiraishiDiễn viên: Eiji Akaso, Miho KannoThể loại: Kinh DịMột biên tập viên tạp chí chuyên điều tra hiện tượng kỳ bí bỗng nhiên mất tích. Người đồng nghiệp trẻ Ozawa Yūki (do Eiji Akaso thủ vai) và nhà báo Seno Chihiro (do Miho Kanno đóng) bắt đầu lần theo những dấu vết còn sót lại. Những manh mối họ tìm thấy liên quan đến nhiều sự kiện bí ẩn: trẻ em mất tích, các vụ hoảng loạn tập thể, video livestream rùng rợn… Tất cả đều dẫn đến “một nơi nào đó ở vùng Kinki” – một địa điểm đầy ám ảnh mà dường như không ai muốn nhắc tới.LÀNG TRÙNG TANG – T18Đạo diễn: Ginanti RonaDiễn viên: Fedi Nuril, Ali Fikry, Wavi ZihanThể loại: Kinh DịSiêu phẩm kinh dị tiếp theo từ nhà sản xuất Ác Linh Trong Xác Mẹ, Lọ Lem Chơi Ngải và Con Nít Quỷ Làng Trùng Tang theo chân Fitri (Wavi Zihan) – một nữ tư vấn viên quyết tâm làm sáng tỏ vụ bạo lực học đường liên quan đến cậu học sinh nghèo Jaya (Ali Fikry), giữa bối cảnh những lời kêu cứu bị phớt lờ và sự thật dần chìm trong im lặng. Thế nhưng, càng đào sâu, Fitri càng đối mặt với những hiện tượng rùng rợn: những người liên quan lần lượt gặp kết cục bí ẩn, rồi lại xuất hiện như chưa từng có chuyện gì xảy ra. Một thế lực siêu nhiên đang thao túng dân làng, khiến họ đối diện với “bản thể bóng tối” của chính mình – Qorin.Phim Điện Ảnh Doraemon: Nobita và Lâu Đài Dưới Đáy Biển (Phiên bản mới)Đạo diễn: Tetsuo YajimaDiễn viên: Wasabi Mizuta, Megumi Oohara, Yumi Kakazu, Subaru Kimura, Tomokazu Seki,...Thể loại: Hoạt Hình, Phiêu LưuBước vào kì nghỉ hè, Nobita và các bạn tranh cãi chí chóe về địa điểm cắm trại. Theo đề xuất của Doraemon, cả nhóm quyết định cắm trại giữa lòng đại dương! Sử dụng bảo bối thần kì “xe Buggy chạy dưới nước” và “đèn pin thích nghi”, 5 bạn nhỏ tận hưởng chuyến cắm trại dưới đáy biển, gặp gỡ vô vàn sinh vật lí thú trên đường đi. Sau khi phát hiện một chiếc tàu đắm, nhóm bạn đã gặp chàng thanh niên bí ẩn El. Thật bất ngờ, anh ta lại là cư dân đáy biển, sống tại “liên bang Mu”, một vùng biển rộng lớn! Vốn căm ghét người mặt đất, cư dân đáy biển không thể nào tin tưởng Nobita và các bạn. Đúng lúc đó, lời thông báo “lâu đài quỷ... đã bắt đầu phục sinh!!” được truyền tới. “Lâu đài quỷ” khiến cư dân đáy biển khiếp sợ, rốt cuộc là gì? Đặt trọn niềm tin vào bè bạn trong lồng ngực, chuyến phiêu lưu vĩ đại quyết định số phận của trái đất, bắt đầu!-----------------------------------------------#8saigon #reviewphimrap #STARWARSMANDALORIANVAGROGU #langtrungtang #langkhatmau
Star Wars: The Mandalorian and Grogu (called The Mandalorian and Grogu on screen) is a 2026 American science fiction film directed by Jon Favreau, who co-wrote the film with Dave Filoni and Noah Kloor. Produced by Lucasfilm and Fairview Entertainment, and distributed by Walt Disney Studios Motion Pictures, it is part of the Star Wars franchise and is a continuation of the Disney+ television series The Mandalorian (2019–2023). Pedro Pascal stars as Din Djarin / The Mandalorian—who was also portrayed on set by Brendan Wayne and Lateef Crowder—alongside Jeremy Allen White, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. In the film, which is set following the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target.Favreau and Filoni wrote a fourth season of The Mandalorian by February 2023, but production was delayed by the 2023 Hollywood labor disputes. During this time, Lucasfilm re-evaluated their plans for the franchise and decided to prioritize a Mandalorian film over the fourth season. The Mandalorian and Grogu was announced in January 2024 with Favreau directing and co-writing with Filoni and Kloor, and Pascal reprising his role from the series. Filming began in California by August 2024 and was completed by that December. Further casting was revealed around and after filming, including the return of various characters from The Mandalorian and other Star Wars media. The series's composer Ludwig Göransson returned to score the film.Star Wars: The Mandalorian and Grogu premiered on May 14, 2026, at TCL Chinese Theatre in Los Angeles, and was released in the United States on May 22. The film received mixed reviews, with critics praising the score and Pascal's performance, while criticizing the plot, visuals, and action sequences. Hosted on Acast. See acast.com/privacy for more information.
The Geek Buddies with John Rocha, Michael Vogel and Shannon McClung
⚠️ SPOILER REVIEW: Star Wars: The Mandalorian & Grogu | Geek Buddies Din Djarin and Grogu have finally made the leap to the big screen — and the Geek Buddies have THOUGHTS. John Rocha, Michael Vogel and Shannon McClung sit down for a full spoiler-filled breakdown of Star Wars: The Mandalorian & Grogu. Nothing is off limits — we're diving deep into every moment, every twist, and everything this movie means for the future of Star Wars!
For this week's main podcast review, Ema Sasic, Josh Parham, and Giovanni Lago review and discuss "The Mandalorian And Grogu," starring Pedro Pascal, Jeremy Allen White, Brendan Wayne, Lateef Crowder, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. Written and directed by Jon Favreau, and co-written by Dave Filoni and Noah Kloor,, the film is part of the "Star Wars" franchise and a continuation of the Disney+ television series "The Mandalorian" (2019–2023). In the film, set after the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target. This is the first time a "Star Wars" film has been in theaters since "The Rise Of Skywalker." What did the team think of it? Please tune in as they discuss the story, the craftsmanship, including Ludwig Göransson's score, the future of the franchise, and more in this SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
On a very special episode of This is the Waycast, Gio is joined by original Waycast hosts Elizabeth and Zach to discuss The Mandalorian and Grogu. They discuss their scores, initial thoughts, the artistry of Lucasfilm, Grogu's future, The Mandalorian's future, Carl Weathers/Greef Karga, Colonel Ward, Rotta the Hutt, Star Wars planets, Embo, the balancing act of holding back, Zeb, did Ahsoka Season 2 affect this film?, Jon Favreau, Star Wars: Galaxy's Edge synergy, Star Wars: Starfighter, what should The Mandalorian and Grogu be compared to?, Ludwig Göransson, remnants of the Rangers of the New Republic, Dave Filoni's Heir to the Empire, Dave Filoni's leadership of Lucasfilm, and so much more.Follow the hosts and let us know what you thought of today's episode!Giovanni Delgadillo: @GioDelNopeElizabeth Pfeiffer: @elizabethpfeifZach Perilstein: @TripleZ_87Check out Boardwalk Times, the Destination for True Disney Parks Fans Plus Everything Else.Website: https://boardwalktimes.net/Twitter: https://twitter.com/boardwalktimesInstagram: https://www.instagram.com/boardwalktimesCredits:Music: "Future Gladiator" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Deze aflevering van Nerd Culture is ook te bekijken op https://youtu.be/-mWBrDFxai8 Deze week schuiven Daan, Koos en Huey aan voor een bomvolle aflevering van Nerd Culture vol grote fantasy-, sci-fi- en filmfranchise-updates. Koos bespreekt zijn IMAX-ervaring met Star Wars: The Mandalorian & Grogu vanuit Pathé Schouwburgplein Rotterdam, terwijl de heren ook duiken in de toekomst van Middle-earth nu Peter Jackson nóg meer Lord of the Rings-films wil maken, waaronder mogelijk zelfs The Silmarillion. Star Wars: The Mandalorian & Grogu Review Koos is deze week naar Pathé Schouwburgplein in Rotterdam geweest voor de IMAX-vertoning van Star Wars: The Mandalorian & Grogu, de eerste Star Wars-film sinds The Rise of Skywalker. In de podcast bespreekt hij uitgebreid hoe de overstap van Disney+ naar het grote doek uitpakt voor Din Djarin en Grogu. De film voelt duidelijk als een voortzetting van The Mandalorian-serie, met Pedro Pascal opnieuw als Mando en Jon Favreau en Dave Filoni stevig aan het roer van het verhaal. Tegelijkertijd roept de film ook vragen op over de toekomst van Star Wars in de bioscoop: werkt deze meer episodische stijl wel als volwaardige blockbuster? Koos deelt zijn ervaringen met de IMAX-presentatie, de actie, de muziek van Ludwig Göransson en de ontvangst van de film, die wisselende reviews kreeg ondanks sterke reacties op Pascal en de sfeer van de Star Wars-wereld. Peter Jackson wil meer Lord of the Rings films maken Peter Jackson lijkt nog lang niet klaar te zijn met Middle-earth. Terwijl The Hunt for Gollum en Shadow of the Past al in ontwikkeling zijn bij Warner Bros., laat Jackson nu doorschemeren dat hij nóg grotere Tolkien-verhalen naar het witte doek wil brengen. Volgens de regisseur raken de appendices van The Lord of the Rings langzaam uitgeput en wil hij liever aan de slag met “meatier” materiaal zoals The Silmarillion en Unfinished Tales. Dat zou gigantisch nieuws zijn voor Tolkien-fans, want die verhalen bevatten enorme oorlogen, mythologische figuren en de diepste lore van Middle-earth die we tot nu toe nauwelijks in live-action hebben gezien. Opvallend is ook dat de Tolkien Estate sinds het overlijden van Christopher Tolkien veel opener lijkt te staan tegenover nieuwe verfilmingen. Timestamps 00:00:00 Nerd Culture #25900:03:53 Wat hebben we gekeken/gelezen/geluisterd?00:04:08 Star Wars: The Mandalorian & Grogu00:27:20 Euphoria00:32:10 Avatar: The Last Airbender Season 2 Trailer00:34:38 Peter Jackson wil nog meer Lord of the Rings films00:42:38 Joker is een inspiratie voor The Hunt for Gollum00:45:12 Spider-Noir Final Trailer00:48:42 Lanterns Trailer00:51:18 De nieuwe James Bond moet overlopen van sex appeal00:56:33 Een eerste blik op Metal Sonic in Sonic the Hedgehog 400:59:27 Masters of the Universe Final TrailerWil je adverteren bij de podcast Nerd Culture óf misschien bij een andere podcast van ILVY Network? Mail dan naar management@ilvy.com en/of kijk even op de website: https://ilvy.com/podcastSee omnystudio.com/listener for privacy information.
El universo Star Wars se expande y se muda de formato en una nueva entrega de Estamos de Cine. Tres años después de que bajara el telón el fenómeno televisivo "THe Mandalorian" en Disney +, Dan Djarin y Grogu continúan su aventura en las salas de cine de todo el mundo. El omnipresente Pedro Pascal vuelve a enfundarse el casco del cazarrecompensas para guiar a su pequeño Yoda en una aventura cinematográfica que promete prolongar el idilio del público con la saga. ¿Logrará este salto convencer tanto a los devotos de la serie como al público general? Roberto Lancha abre el debate en las ondas. Pero también piden paso en nuestro Filtro Luchini el terror y el humor cinéfilo francés. El pasajero nocturno y Asesinato en la tercera planta son dos de los platos fuertes de la semana, junto a novedades como La bestia o las españolas "Dos días" y "Cowgirl". Y en nuestro recodo final, en la sección de Bandas Sonoras, también nos ponemos nuestras mejores galas interestelares para analizar el gtan momento creativo del aclamado compositor Ludwig Göransson. Tras dejarse notar en proyectos de la talla de Black Panther, Tenet u Oppenheimer, analizamos cómo le ha sentado el salto a la gran pantalla a las partituras que originalmente creara para el universo mandaloriano. Un programa de cine en Radio Castilla-La Mancha que no te puedes perder. ¡Dale al play y vive el séptimo arte con nosotros!
Dominic, Ben, and Chris are reunited (in person!), along with Matthew and Din, to share their initial thoughts on The Mandalorian and Grogu. They talk about their experiences seeing their first new Star Wars movie in almost seven years, including the IMAX 3D presentation. They break down what this movie showed us about Din Djarin and Grogu as characters, how Rotta the Hutt has evolved since The Clone Wars movie, and the role of the New Republic and Imperial Remnant in the movie. Plus, reaction to Ludwig Göransson's score, Embo's role in the movie, and why this might be the most important Star Wars movie in decades. All this and much more! Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU
Dominic, Ben, and Chris are reunited (in person!), along with Matthew and Din, to share their initial thoughts on The Mandalorian and Grogu. They talk about their experiences seeing their first new Star Wars movie in almost seven years, including the IMAX 3D presentation. They break down what this movie showed us about Din Djarin and Grogu as characters, how Rotta the Hutt has evolved since The Clone Wars movie, and the role of the New Republic and Imperial Remnant in the movie. Plus, reaction to Ludwig Göransson's score, Embo's role in the movie, and why this might be the most important Star Wars movie in decades. All this and much more!
Finalmente è uscito il tanto atteso nuovo film di Star Wars e in questo episodio di Comlink si cominciano a fare le prima valutazioni approfondite e ricche di spoiler sul film The Mandalorian & Grogu, analizzando se l'opera rappresenti un vero salto cinematografico o semplicemente una quarta stagione televisiva compressa per il grande schermo.La discuzzione è onesta, evidenziando i punti di forza della pellicola, come i combattimenti coreografati e la colonna sonora di Ludwig Göransson, ma contrapponendoli a critiche sulla banalità dei dialoghi e su alcune sequenze ritmiche controverse, in particolare quella che vede Grogu prendersi cura di un Mando vulnerabile.Tra riflessioni sull'introduzione di personaggi come Rotta the Hutt ed Embo e il valore dell'esperienza familiare vissuta in sala, i ragazzi di Empira provano a dare un voto finale su quello che viene definito un film dichiaratamente pensato per le nuove generazioni di fan.YouTube: https://www.youtube.com/@EmpiRa2010 Twitch: https://www.twitch.tv/empiratvFacebook: https://www.facebook.com/empirafanclubInstagram: https://www.instagram.com/empirastarwarsfanclub/
On this special bonus episode, Caitlin and Charlotte interview The Mandalorian and Grogu's award winning composer, Ludwig Göransson (SINNERS, OPPENHEIMER, BLACK PANTHER) at a cocktail hour on the film's set and archival storage in Los Angeles. Tune in to hear: How does it feel to have been composing music for these characters for the last 8 years? Is there a part in the film and score Ludwig is most excited for fans to hear? Who would Ludwig invite to his Star Wars dinner party? …and much much more! PS: Apologies for the wind breaking through in the audio! Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fangirls Going Rogue: Star Wars Conversation from a Female POV
The Mandalorian and Grogu is almost here! We have a packed episode that includes highlights from a special pre-launch event hosted by Disney with the creative minds behind the magic, including Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor); exciting information about Galaxy's Edge at Disney Parks in Florida and California, details from the movie's World Premiere, a non-spoiler review of The Mandalorian and Grogu. Composer Ludwig Göransson, production designers Doug Chiang and Andrew L. Jones, prop master Josh Roth, and visual effects supervisor John Knoll discuss expanding The Mandalorian from Disney+ to the big screen. From Ludwig Göransson's iconic Mandalorian theme and massive new orchestral score, to Doug Chiang's philosophy of balancing classic Star Wars aesthetics with fresh new ideas, this episode dives deep into the artistry behind the film. The team also shares stories about building practical sets, designing new props and weapons, creating stop-motion droids, and filming stunning Razor Crest miniature shots using cutting-edge LED technology. Plus hear fun behind-the-scenes stories involving Grogu, Sigourney Weaver, runaway mouse droids, giant jungle sets, puppeteers, and how the filmmakers continue George Lucas' vision of a lived-in Star Wars galaxy. Be sure to check back next week for a detailed spoiler-filled discussion about the movie! Related Tricia Barr recaps The Mandalorian and Grogu preview screening. Our full roundtable interview with Dave Filoni and Jon Favreau Our Maul – Shadow Lord review episode with special guest Teresa Delgado Donate to Starlight Children's Foundation through LiningUp.net Worldbuilding In Maul – Shadow Lord from Hyperspace Theories podcast Maul – Shadow Lord Breakdown and Music Analysis via Skywalking Through Neverland Social Media Fangirls Going Rogue Threads | Instagram Tricia Barr Threads | Instagram Sarah Woloski Threads | Instagram Richard Woloski Threads | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!
Coffee With Kenobi: Star Wars Discussion, Analysis, and Rhetoric
Star Wars: The Mandalorian and Grogu is upon us! Join Mason Zehr and me for an incredible journey to Hollywood, California, for the red carpet premiere of the new Star Wars film. On this epic show, join us as we tour the Lucasfilm prop archive and model shop curated by Jon Favreau, board the cockpit of the film-used Razor Crest, tour the New Republic's ACTUAL Adelphi base, and attend a private event with Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor). Plus, James Burns (Jedi News) joins us as we give a spoiler-free review of The Mandalorian and Grogu and discuss our adventures on the Hollywood red carpet. Pull up a chair, grab your favorite mug, and have some Coffee With Kenobi!Coffee With Kenobi's Travel Partner – MEI/Mouse Fan Travel:Book your next adventure to Galaxy's Edge, Walt Disney World, Disneyland, Disney Cruise Line, and more with Coffee With Kenobi's trusted travel partner, MEI Travel & Mouse Fan Travel. For expert assistance with planning your next trip, visit: CoffeeWithKenobi.com/MouseFanTravelSupport Coffee With Kenobi with the CWK Alliance:Become a member of the CWK Alliance and gain exclusive access to our weekly podcast, CWK Pour-Over, including both audio and video versions! Support the show and enjoy bonus content by signing up here:CoffeeWithKenobi.com/CWKAllianceListen to CWK Pour-Over on Spotify:Keep up with CWK Pour-Over, our weekly show that dives deeper into Star Wars and popular culture! Listen on Spotify and never miss an episode:CoffeeWithKenobi.com/SpotifyWatch CWK on YouTube:Subscribe to our YouTube channel for video content, behind-the-scenes footage, and more Star Wars discussion. Visit:CoffeeWithKenobi.com/YouTubeJoin the CWK Community:Be part of the conversation! Join the CWK Cafe, a place for Star Wars fans to connect, share ideas, and discuss all things Star Wars. Join here: CoffeeWithKenobi.com/CommunityShop CWK Merchandise:Looking for Coffee With Kenobi gear? Check out our shop for shirts, hoodies, stickers, phone cases, and more: CoffeeWithKenobi.com/ShopContact Info for Dan Zehr:Email: danz@coffeewithkenobi.comX (Twitter): @MrZehrInstagram: @danzehrcwkThreads: @danzehrcwkPurchase Dan Zehr's Star Wars Books: Get your hands on the latest Star Wars books by Dan Zehr! Available now.Music Credit:"Eye to Eye" by Steve TorokThanks for listening, and have a great week. This is the podcast you're looking for!Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.Follow Coffee With Kenobi:X (Twitter): @CoffeeWithKenobiInstagram: @CoffeeWithKenobiThreads: @CoffeeWithKenobiFacebook: Coffee With KenobiYouTube: Coffee With Kenobi YouTube ChannelBluesky: @coffeewithkenobi
WE WERE THERE! Back from Los Angeles, we are still pinching ourselves. It's been 5 long years since a Star Wars movie hit the big screen, and being at the world premiere of The Mandalorian and Grogu at the historic Chinese Theater was an absolute dream.From staying in Santa Monica and diving into secret Imagineer tours (no photos allowed, but we have stories!) to meeting legendary creators like Doug Chiang and Ludwig Göransson, this trip was a massive milestone for us.We break down the entire trip report, give our spoiler-free first reaction to the movie, and hang out with the best community in the galaxy.This is the way.
Conversations with the Creative Forces Behind the Film Recorded on the green carpet at the World Premiere, this episode of Byte brings listeners directly into the excitement surrounding The Mandalorian and Grogu. from the carpet arethe filmmakers, designers, performers, and artists who shaped the movie — from the earliest concept sketches to the final mix. Featuring Dave Filoni, John Knoll, Doug Chiang, Andrew L. Jones, Brendan Wayne, Ludwig Göransson, and Sarah Finn, this episode captures the passion and precision behind bringing Din Djarin and Grogu to the big screen. SAVE 17% ON PLUS
Tune in as Andy (Fat Dude Digs Flicks Movie Podcasts) returns to the podcast as it rolls out the 2026 Oscars recap! Another awards season has passed us by, and it's fitting to say that this year was relatively enjoyable compared to all the messy toxicity from last year (remember Emilia Pérez?) Timothée Chalamet's comment on ballet and opera, contrasting opinions towards F1, Diane Warren's persistent quest for an Oscar win, appreciation for Ludwig Göransson, and the continuing presence of Palestine at the Oscars emerge as some of the subjects for this episode.Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Andy: Nothing Tastes As Good by Luke Dumas and Clair Obscur: Expedition 33• Arthur: GossipReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree
Superstar-DJ Amber Broos heeft al meer gereisd dan Luke Skywalker in alle Star Wars-films opgeteld. Ooit vertelde ze in deze podcast dat ze Disneyfan is, maar ook dat ze grote Star Wars fan is. Toen volgde ze graag ‘The Mandalorian'. En nog steeds.We hebben het over hoe Jon Favreau Disney+ een flagship-serie bezorgde met westernklassiekers, praktische effecten en een 5 miljoen dollar kostende Grogu-pop. Over Pedro Pascal die niet altijd in het pak zit. En over Troy Kotsur die een compleet nieuwe gebarentaal creëerde voor de Tusken Raiders.We hebben het ook over de kippenvel-momenten dankzij de muziek van Ludwig Göransson en het concept art in de aftiteling. We vragen ons af of Mandalorianen hun helm mogen afzetten om te kussen. En waarom ‘moeten' we eerst een stuk ‘The Book of Boba Fett' kijken om te kunnen volgen in seizoen 3 van ‘The Mandalorian'?Als Amber ooit (al was het maar een figuranten-)rolletje krijgen in het Star Wars-universum, is haar leven compleet. Of waarom geen nieuwe DJ in een Star Wars-cantina? Hopelijk luisteren ze bij Lukasfilm mee.
We're diving into the revolutionary music of The Mandalorian, and exploring how it redefined the sound of Star Wars. We analyse the ongoing contribution of Ludwig Göransson to the franchise and the role Joseph Shirley played in scoring season three, as well as EACH providing three of our favourite pieces of music from the show. We also hear YOUR thoughts and answer some great Patreon questions.Support the show via Patreon at patreon.com/starwarssessions from as little as £2/$2/€2 a month and get loads of BONUS EPISODES! Find Star Wars Sessions on Instagram, X, Threads, Bluesky, Facebook, TikTok, and YouTube. Contact us at hellothere@starwarssessions.co.ukIntro background music by Kfir Ochaion - remixed by Star Wars Sessions.For everything Sessions, head to starwarssessions.co.ukFor GALAXYPALOOZA news and updates, head to galaxypalooza.co.uk Hosted on Acast. See acast.com/privacy for more information.
WELCOME back to the Web of Music Soundtrack show here on the network. Its been a year but we are back with some new coverage this time covering the Venom Trilogy of films, Venom, Venom let There be Carnage and Venom The Last Dance. The composers for these films Academy Award winner Ludwig Göransson, Marco Beltrami, and Dan Deacon. Hope you enjoy this new episode to the network ABOUT SPIDEY-DUDE.COM & THE SPIDEY-DUDE RADIO NETWORK: Spidey-dude.com was created in 1998 as Spideydude's Spider-Man Page, before becoming Spideydude.com, morphing into the current URL in 2011. The Spideydude Radio Network was... Continue reading
Test visar: Rester av bekämpningsmedel i mycket mat / Rapport: Ingenjörer, präster och officerare kan få lätt att få jobb / Sverige tog tre guld och fyra brons i Paralympics / Svenska kompositören Ludwig Göransson fick en Oscar Lyssna på alla avsnitt i Sveriges Radios app. Av Ingrid Forsberg och Jenny Pejler.
"One Battle After Another" had a big night at the 98th Academy Awards, collecting six Oscars, including the big three for Paul Thomas Anderson: Best picture, best director and best adapted screenplay. But there were plenty of other highlights, including Amy Madigan winning her first 40 years after her only other nomination, Michael B. Jordan winning over Timothée Chalamet for best actor and touching tributes to Rob Reiner, Diane Keaton and Robert Redford. In this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz break down the winners and losers, discuss Conan O'Brien's hosting duties, the unique fashions of the night and Sean Penn's absence. 2026 ACADEMY AWARDS WINNERS Best picture “One Battle After Another” Best Actor Michael B. Jordan, “Sinners” Best Actress Jessie Buckley, “Hamnet” Best Supporting Actress Amy Madigan, “Weapons” Best Supporting Actor Sean Penn, “One Battle After Another” Director Paul Thomas Anderson, “One Battle After Another” Original Song “Golden” from “KPop Demon Hunters,” EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park Original Score “Sinners,” Ludwig Göransson. Animated Film “KPop Demon Hunters” International Film “Sentimental Value,” Norway Documentary Feature “Mr. Nobody Against Putin” Casting Cassandra Kulukundis, “One Battle After Another” Best Sound Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta, “F1” Cinematography Autumn Durald Arkapaw, “Sinners” Original Screenplay “Sinners,” Ryan Coogler Adapted Screenplay “One Battle After Another,” Paul Thomas Anderson Live Action Short Film (tie) “The Singers” and “Two People Exchanging Saliva” Animated Short Film “The Girl Who Cried Pearls” Documentary Short Film “All the Empty Rooms” Visual Effects Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, “Avatar: Fire and Ash” Production Design Tamara Deverell and Shane Vieau, “Frankenstein” Film Editing Andy Jurgensen, “One Battle After Another” Makeup and Hairstyling Mike Hill, Jordan Samuel, Cliona Furey, “Frankenstein” Costume Design Kate Hawley, “Frankenstein” About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories. Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
Garrett Chaffin-Quiray and Ed Rosa discuss the blockbuster and Academy Award-winning Best Picture of 2023.***Referenced media:“American Fiction” (Cord Jefferson, 2023)“Anatomy of a Fall” (Justine Triet, 2023)“Barbie” (Greta Gerwig, 2023)“The Holdovers” (Alexander Payne, 2023)“Killers of the Flower Moon” (Martin Scorsese, 2023)“Maestro” (Bradley Cooper, 2023)“Past Lives” (Celine Song, 2023)“Poor Things” (Yorgos Lanthimos, 2023)“The Zone of Interest” (Jonathan Glazer, 2023)“Following” (Christopher Nolan, 1998)“He-Man and the Masters of Universe” (Lou Scheimer, 1983-1984)“Mr. Belvedere” (Frank Dungan and Jeff Stein, 1985-1990)“Batman Begins” (Christopher Nolan, 2005)“The Dark Knight” (Christopher Nolan, 2008)“The Dark Knight Returns” (Christopher Nolan, 2012)“Inception” (Christopher Nolan, 2010)“Tenet” (Christopher Nolan, 2020)“Dunkirk” (Christopher Nolan, 2017)“The Prestige” (Christopher Nolan, 2006)“Memento” (Christopher Nolan, 2000)“The Conqueror” (Dick Powell, 1956)“The Day After” (Nicholas Meyer, 1983)“Threads” (Mick Jackson, 1984)“Guardians of the Galaxy Vol. 3 “ (James Gunn, 2023)“Mission: Impossible – Dead Reckoning Part One” (Christopher McQuarrie, 2023)“Rain Man” (Barry Levinson, 1988)“Terminator 2: Judgment Day” (James Cameron, 1991)Audio quotation:“Oppenheimer” (Christopher Nolan, 2023), including the songs “Can You Hear the Music”, “Kitty Comes to Testify”, “Gravity Swallows Light”, and “Fission” by Ludwig Göransson, https://www.youtube.com/playlist?list=PLDisKgcnAC4QJDGcv7BafiO3tqpRYrTXe“He-Man and the Masters of Universe” (Lou Scheimer, 1983-1984), including “Masters of the Universe” by Shuki Levy and Haim Saban, https://www.youtube.com/watch?v=7yeA7a0uS3A“Mr. Belvedere” (Frank Dungan and Jeff Stein, 1985-1990), including “According to Our New Arrival” by Judy Hart-Angelo and Gary Portnoy and performed by Leon Redbone, https://www.youtube.com/watch?v=k-GML1pWkww“The Conqueror (1956) original theatrical trailer”, posted by Ham Nauseam, https://www.youtube.com/watch?v=EHt0Pb8rkXU“Threads (1984) - BBC4 intro”, posted by Shadow TV Network, https://www.youtube.com/watch?v=OhBC2Jb-2rc“Fireplace Sound Effect | Royalty free Sound Effects”, posted by BurghRecords, https://www.youtube.com/watch?v=jG64aIasFiw“Terminator 2: Judgment Day” (James Cameron, 1991), including “‘Main Title (Terminator 2 Theme)'” by Brad Fiedel, https://www.youtube.com/watch?v=CnQm2_cAZvo&list=RDCnQm2_cAZvo&start_radio=1
Nesta edição do podcast cinematório café, nós analisamos o filme "Pecadores" (Sinners, 2025), de Ryan Coogler, recordista de indicações do Oscar 2026 e da história da premiação. O longa concorre a 16 estatuetas, incluindo as de Melhor Filme, Direção, Roteiro Original, Ator para Michael B. Jordan, Atriz Coadjuvante para Wunmi Mosaku e Ator Coadjuvante para Delroy Lindo. No Globo de Ouro, o longa venceu os prêmios de Melhor Trilha Sonora Original, composta por Ludwig Göransson, e Realização Cinematográfica e de Bilheteria. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema No podcast, nós discutimos -- com spoilers -- como "Pecadores" mescla o drama racial com o cinema de horror, reinventando e honrando características próprias dos filmes de vampiros. Nós também comentamos aspectos do longa que envolvem o desenho de som, a trilha sonora, o visual requintado e conceitos como tempo espiralar e imortalidade. Quem se senta à mesa conosco neste podcast é a crítica, curadora, pesquisadora e professora Yasmine Evaristo. Confira a minutagem em que cada assunto é abordado: 00:00:00 - Introdução 00:06:42 - Um novo tipo de filme de vampiros 00:14:28 - Criando cenas com o som 00:19:04 - Visual requintado, beleza diferenciada 00:30:47 - Fogo, Fumaça e Fuligem 00:36:08 - A sequência sublime e o tempo espiralar 00:42:34 - Sammie, Buddy Guy, o dom e o poder 00:57:26 - Imortalidade e infinito 01:03:32 - Vampirismos 01:10:52 - Montagem, razão de aspecto e memória oral 01:18:33 - Considerações finais O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.
Join us for a behind-the-scenes conversation with Academy Award®-nominated cinematographer Autumn Durald Arkapaw about her work on “Sinners” — and the creative choices that shaped the film's look from the very early stages of conception. Autumn breaks down how she and director Ryan Coogler developed the visual language together, from camera and lens selection to lighting strategies designed to support performances, tone, and mood, especially in those challenging night scenes. Along the way, she reflects on collaboration, preparation, and the real on-set problem-solving that is always involved in filmmaking. “How our team collaborates: It's the authority [director Ryan Coogler] gives each department to pour themselves into it… everyone has a say, your opinion matters. Any great filmmaker knows that it's never about one department… When we approach stuff, we want the lighting to be a character, but we also want it to feel of the space — and so that requires us to collaborate very closely with production design… When you give people that respect and you consider them and you give them that authority, they work very hard for you and they care.” —Autumn Durald Arkapaw, ASC, Director of Photography, “Sinners” Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Watch our previous episode with the Oscar-nominated sound team behind “Sinners.” Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
Garrett Chaffin-Quiray and Ed Rosa discuss one of 2025's biggest blockbusters.***Referenced media:“Swingers” (Doug Liman, 1996)“The Parent Trap” (David Swift, 1961)“From Dusk Til Dawn” (Robert Rodriguez, 1996)“The Lost Boys” (Joel Schumacher, 1987)“Fright Night” (Tom Holland, 1985)“Lord of the Dance” (Michael Flatley, 1996)“Battlestar Galactica” (Ronald D. Moore, 2003-2009)“Star Trek: The Next Generation” (Gene Roddenberry, 1987-1994)“True Blood” (Alan Ball, 2008-2014)“Assault on Precinct 13” (John Carpenter, 1976)“Fruitvale Station” (Ryan Coogler, 2013)“Black Panther” (Ryan Coogler, 2018)“Black Panther: Wakanda Forever” (Ryan Coogler, 2022)“Creed” (Ryan Coogler, 2015)“Creed II” (Steven Caple, Jr., 2018)“Creed III” (Michael B. Jordan, 2023)“The Wire” (David Simon, 2002-2008)“Parenthood” (Jason Katims, 2010-2015)“Marty Supreme” (Josh Safdie, 2025)“School Daze” (Spike Lee, 1988)“True Grit” (Joel and Ethan Coen, 2010)Audio quotation:“Swingers” (Doug Liman, 1996)“Sinners” (Ryan Coogler, 2025), including the songs “Old Corn Liquor”, written by Joe Thompson and performed by Rhiannon Giddensa and Justin Robinson; “Séance” written and performed by James Blake and Ludwig Göransson; “I Lied to You”, written by Ludwig Göransson and Raphael Saadiq and performed by Miles Caton; “This Little Light of Mine” written by an unknown lyricist and performed by Miles Caton; “Rocky Road to Dublin” written by D.K. Gavan and performed by Jack O'Connell, Brian Dunphy, and Darren Holden; and “Sinners”, written by Rod Wave, Tarkan Kozluklu, Darius Poviliūnas, Kyris Mingo, Leonard Denisenko, and Travis Harrington and performed by Rod Wave, https://www.youtube.com/watch?v=dYcUz4vv5NU&list=PLeuk4c_cVcyrflkPU-2bQLHXw71Q-f7GO&index=14
Masskjutningen i Örebro har fått många skolor att satsa mer på säkerhet / Minusgrader i hela landet och det fortsätter vara kallt / Svenska kompositören Ludwig Göransson vann två Grammys / Radio Sweden på lätt svenska fyller tio år - hör lyssnare! Lyssna på alla avsnitt i Sveriges Radios app. Av Jenny Pejler och Ingrid Forsberg.
A round-up of the main headlines in Sweden on February 2nd 2026. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/producer: Kris Boswell.
If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
The sound of “Sinners” is bold, immersive, and essential to the film's emotional power — a standout achievement that has earned the film a spot on the shortlist for Best Sound at this year's upcoming Academy Awards®. We're joined by re-recording mixer and sound designer Steve Boeddeker, supervising sound editor Benny Burtt, re-recording mixer Brandon Proctor, and production sound mixer Chris Welcker to break down how they layered music, dialogue, and sound design to shape the film's mood, rhythm, and storytelling, including that incredible sequence conjuring musical spirits from the past and the future. “This comes back to Ryan being bold and taking big swings. From the effects standpoint, this was obviously a big music moment, so we were doing whatever we could to not mess it up. We started by being very specific with anything we cut, and anything we cut, we cut in rhythm with the music… And then Ryan really just wanted to be in Sammy's head, so it ended up being effects getting out of the way almost entirely, with just a few moments standing out.”—Benny Burtt, Supervising Sound Editor, “Sinners”Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
In today's episode I chat with artist, composer, and record producer Prateek Rajagopal about building bold, immersive music. Prateek breaks down how he balances "feel" with technique, why rhythm is his north star, and how hardware synth/modular workflows can turn raw electric current into musical building blocks for composition and world-building. We also focus on Prateek's experience composing for "In the Current of Being," a haptic VR experience directed by Cameron Kostopoulos that tells the true story of Carolyn Mercer, a survivor of electroshock conversion therapy. Prateek Rajagopal is a film composer, record producer, and artist by way of Oman and India, known for his boundary-pushing work across film, immersive media, and music. He is the executive music producer and composer at KOST AI, where he scored In The Current of Being, which won SXSW 2025, premiered at Cannes Immersive 2025, and the 2025 Tribeca Film Festival. In the film and television world, Prateek has collaborated, written, and produced music on major studio projects including Trolls Band Together (Justin Timberlake), Star Wars' The Mandalorian Season 3, and Creed III (Michael B. Jordan), as part of the team under Joe Shirley and Oscar-winning composer Ludwig Göransson; a path he began after being selected for USC's prestigious Screen Scoring program. Most recently, he has returned to his musical roots through close collaboration with electronic composer and producer Bobby Krlic (Midsommar, BEEF, Beau Is Afraid). Outside of film, Prateek is the chief songwriter and guitarist of GUTSLIT, India's leading death metal export.
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Steve Suminski, Los Angeles and Bay Area studio musician and freelancer. About Steve: Steven Suminski is an active freelance and studio trombonist in the Los Angeles and San Francisco Bay Areas. He currently serves as Guest Principal Trombone with the Los Angeles Chamber Orchestra and holds posts as Principal Trombone with Symphony San Jose, Opera Santa Barbara and the Riverside County Philharmonic. Steven has appeared with many premier ensembles in the area, including the Los Angeles Philharmonic, Los Angeles Opera, Hollywood Bowl Orchestra, Santa Barbara Symphony, Long Beach Symphony and Los Angeles Master Chorale. As a studio musician he has recorded for film and television projects working with composers such as John Williams, Christophe Beck, Michael Giacchino, James Newton Howard, Ludwig Göransson and countless others. Passionate about chamber music and performing new works, he is a member of the acclaimed Modern Brass Quintet and is a founding member of the award winning group Brass Pacifica, currently working for the educational division of the Music Center of Los Angeles. Steven began playing trombone at the age of nine, eventually moving to Los Angeles to study music performance at the University of Southern California. Currently he lives in the Los Angeles area and maintains an active teaching studio at Riverside City College.
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