Podcasts about ludwig g

En unos días marcados por el Festival de Cannes en este podcast repasamos de la mano de Mary Carmen Rodríguez algunas de las Palmas de Oro más destacadas que el certamen ha entregado a lo largo de su historia. En La Música Clásica De Nuestro Tiempo de Iker González Urresti el nuevo trabajo de Ludwig Göransson, la BSO de "Los pecadores", uno de los fenómenos cinematográficos del año. En Leer cine, la biblioteca sonora de Carlos López-Tapia, "La araña" de Lars Kepler. El programa se completa con las apuestas de Colgados de la plataforma y la crítica de las favoritas "Una quinta portuguesa", "Nuestra querida profesora", "La historia de Souleymane" y "La buena letra". Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

We rarely cover movies here at Switched On Pop. But after seeing Ryan Coogler's new vampire musical Sinners, we knew we had to make an exception. The movie is an ode to Black music. Throughout its over two hour runtime, the film pays tribute to the blues: nodding to the musicians, instruments, and melodies that make it a foundational genre in the American musical canon. There's also Irish folk vampires, original music from Ludwig Göransson, and a whole lot of history – perfect for Charlie and Nate to sink their teeth into. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mostly Superheroes Podcast: Spoiler-Free Review of Sinners (2025) This episode of Mostly Superheroes features a spoiler-free review of Sinners (2025), the latest horror thriller starring Michael B. Jordan in dual roles. Scotty caught this one on The Big Show at Alamo Drafthouse St. Louis, where the immersive experience made the film's eerie atmosphere even more intense. About the Film Sinners is directed by Ryan Coogler, marking his fifth collaboration with Jordan after Fruitvale Station, Creed, and both Black Panther films. The film is produced by Proximity Media and distributed by Warner Bros. Pictures. Set in 1932 Mississippi, Sinners follows twin brothers Smoke and Stack, World War I veterans who return home to start fresh. Their plans to open a juke joint take a dark turn when supernatural forces descend upon their town. The cast includes Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, and Delroy Lindo. The film's cinematography is handled by Autumn Durald Arkapaw, with editing by Michael P. Shawver and a score composed by Ludwig Göransson. Box Office & Budget Sinners premiered on April 3, 2025, and was released theatrically on April 18. With a budget of $90–100 million, the film has already grossed over $236 million worldwide, making it the fifth highest-grossing film of the year. It opened with $48 million domestically, outperforming expectations and earning an “A” CinemaScore—an extremely rare feat for a horror film. Behind-the-Scenes Fact Principal photography took place from April to July 2024. The film was shot using IMAX cameras, enhancing its visual depth and intensity. Warner Bros. secured distribution rights after a competitive bidding war, highlighting the industry's confidence in Coogler and Jordan's ability to deliver a compelling original story. See Movies with Mostly Superheroes Want to experience films like Sinners in the best possible way? Catch screenings with Mostly Superheroes at Alamo Drafthouse St. Louis, where fans can engage with the community and win prizes. Plus, with Alamo's Season Pass, you can see unlimited movies, up to one per day, with reserved seating and exclusive perks. Stay tuned for more reviews, discussions, and movie nights with Mostly Superheroes! www.mostlysuperheroes.com ©2025 Carrogan Ventures, LLC

C'est le mois d'avril 2025, et voici la sélection de films de 24FPS, le podcast ciné avec ou sans spoiler ! Voici la liste des 11 films abordés sans spoiler par Julien et Jérôme : Death Of A Unicorn de Alex Scharfman (à partir de 0:02:23) The Amateur de James Hawes (à partir de 0:05:30) Mr Wolff 2 (The Accountant 2) de Gavin O'Connor (à partir de 0:14:16) Minecraft Le Film de Jared Hess (à partir de 0:23:12) Les Linceuls de David Cronenberg (à partir de 0:51:17) Ravage (Havoc) de Gareth Evans (à partir de 1:00:48) Drop Game de Christopher Landon (à partir de 1:10:09) Warfare de Ray Mendoza et Alex Garland (à partir de 1:17:47) Thunderbolts* de Jake Schreier (à partir de 1:24:39) Bob Trevino Likes It de Tracie Laymon (à partir de 1:39:14) Sinners de Ryan Coogler (à partir de 1:43:40) Et à partir de 2:09:12 ils finissent de parler de Sinners, mais cette fois avec de gros spoilers ! Bonne écoute, et n'hésitez pas à partager votre avis sur l'équilibre du scénario de Sinners ! Crédits musicaux : Smokestack Twins de Ludwig Göransson, issu de l'album Sinners - Original Motion Picture Score (2025)

Wir pausieren kurz, das neue Kabinett hat uns gebrochen, aber wir kommen schnellstmöglich wieder!Schaut bis dahin Sinners von Ryan Coogler und hört den Soundtrack von Ludwig Göransson! Hosted on Acast. See acast.com/privacy for more information.

Every settler has a past, and every sinner has a future. Ryan Coogler and Ludwig Göransson have delivered what's sure to be one of the films of the year if not the decade, and we've got until sunrise to discuss it.Ev's score: 9.8 / Al's score: 9.7 / Ky's score: 9.3Musical term: Call and response (music)Instrumental Instrument: Dobro 1932 CyclopseIf you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram

Min 5: EL CONTABLE 2 El Contable 2 (The Accountant 2) es la secuela del thriller de acción de 2016 protagonizado por Ben Affleck. Dirigida nuevamente por Gavin O'Connor, retoma la historia del contable forense autista Christian Wolff, quien combina sus habilidades matemáticas con una vida secreta como vigilante. La secuela adopta un enfoque diferente al de su predecesora, transformándose en una especie de "buddy movie" de los años 90, con la incorporación de Jon Bernthal, encarnando al hermano trasgresor del protagonista. Una apuesta que ha entretenido a nuestros críticos, pero que peca de restar protagonismo a las escenas de acción que habrían mejorado la sensación final. De ahí el aprobado justo que se lleva en nuestro Filtro Luchini. NOTA EDC: 2,5 estrellas Min 14: UNTIL DAWN ?Until Dawn (2025) es una adaptación cinematográfica del aclamado videojuego de terror de Supermassive Games. Dirigida por David F. Sandberg (¡Shazam!) y escrita por Blair Butler y Gary Dauberman. La historia sigue a Clover (Odessa A'zion) y sus amigas, quienes, un año después de la desaparición de la hermana de Clover, Melanie, viajan al remoto valle donde ocurrió la tragedia. Allí, en un centro de visitantes abandonado, son perseguidas por un asesino enmascarado que las mata una a una, solo para despertarse al inicio de la misma noche. Atrapadas en un ciclo mortal, enfrentan amenazas cada vez más aterradoras. Nuestra experta en Hobby Consolas reconoce que es un buen ejemplo de adaptación de videojuego y Luchini, pese a sus miedos iniciales, reconoce que hasta se ha reído en algunas de las secuencias más sangrientas. Con todo, Until Dawn, tampoco pasa del aprobado. NOTA EDC: 2,5 estrellas Min 21: EL ÚLTIMO SUSPIRO El último suspiro ( Le Dernier Souffle) supone el regreso del veterano director franco-griego Costa-Gavras. A sus 92 años, el cineasta ofrece una obra que aborda con sensibilidad y profundidad el tema de la muerte digna y los cuidados paliativos, inspirada en el ensayo homónimo de Régis Debray y Claude Grange. Luchini da fe de su calidad y del aprendizaje vital que ofrece, pero avisa que no es para sentarse a verla con el ánimo bajo. NOTA EDC: 3,5 estrellas Min 27; THE END The End es el primer largometraje de ficción del director Joshua Oppenheimer, conocido por sus documentales The Act of Killing y La mirada del silencio. Ambientada dos décadas después de un apocalipsis global, la historia sigue a una familia compuesta por Padre (Michael Shannon), Madre (Tilda Swinton) e Hijo (George MacKay), que vive en un lujoso búnker construido en una mina de sal. El hijo, de 20 años, nunca ha visto el mundo exterior. La llegada de una joven (Moses Ingram) a la entrada del búnker altera la aparente armonía familiar, desencadenando tensiones y cuestionamientos sobre su existencia aislada. Vista y analizada por Raquel Hernández, es de esas propuestas en las que, o entras y quedas fascinado, o no entras y sales de la sala con sabor agridulce. La crítico de Hobby Consolas se queda en el segundo grupo y la aprueba por los pelos. NOTA EDC: 2,5 Min 32: LA ISLA DE LOS FAISANES La isla de los faisanes (Faisaien Irla) es el primer largometraje de ficción del director vasco Asier Urbieta. Ambientada en la Isla de los Faisanes, un pequeño islote en el río Bidasoa cuya soberanía comparten España y Francia, la película aborda la crisis migratoria en esta frontera natural, inspirándose en hechos reales ocurridos en 2021. Debú meritorio de Urbieta que, para Luchini, no pasa sin embargo de las 2,5 estrellas. Min 34: TODO LO QUE NO SÉ También llega a las salas la ópera prima directora Ana Lambarri. La película ofrece una mirada íntima y honesta sobre las tensiones emocionales y sociales que enfrentan muchas mujeres contemporáneas, especialmente aquellas que rondan los 35 años y se sienten atrapadas entre expectativas incumplidas y responsabilidades familiares. NOTA EDC: 2,5 estrellas Min 35: LA PELÍCULA DE TU VIDA: ARTURO MENOR En este capítulo de Estamos de Cine contamos con el toledano Arturo Menor. Biólogo, naturalista, guionista, director de fotografía y director de cine de naturaleza, nominado al Goya hace dos años por "Iberia Naturaleza Infinita" nos explica porqué el largometraje documental francés "Nómadas del viento" es el título que ha marcado su vida y sobre todo su trayectoria profesional. Min 38: ESPECIAL BSO "LOS PECADORES": UN GORANSSON DE OSCAR La banda sonora de Los pecadores (Sinners), compuesta por Ludwig Göransson, ha sido aclamada por la crítica como una de las obras más ambiciosas y emocionalmente resonantes del cine reciente. Esta colaboración entre Göransson y el director Ryan Coogler, quienes ya habían trabajado juntos en Creed y Black Panther, se sumerge en las raíces de la música afroamericana del sur de Estados Unidos para crear una experiencia sonora única. Recogiendo el pañuelo que nos lanzó hace una semana Raquel Hernández en su crítica, Ángel Luque y Roberto Lancha ofrecen una degustación de alto nivel de una de las composiciones clave del año. NOTA EDC. 4,5 estrellas

This week, John was the only one of us who saw “Sinners” on Easter, so he offers a spoiler-free mini-review before the boys get to their featured conversation, “Black Swan”: Films of 2010. The random year generator spun 2010, a repeat for us (The Social Network, Incendies), so we break down the film year, the news year, and dive into a conversation about this psychological thriller that hit three artists- two of whom once took dance classes…- close to home! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 3:03 “Sinners” mini-review; 12:09 Gripes; 14:51 2010 Year in Review; 34:20 Films of 2010: “Black Swan”; 1:18:08 What You Been Watching?; 1:21:48 Next Week's Movie Announcement Additional Cast/Crew: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder, Barbara Hersey, Benjamin Millepied, Sebastian Stan, Janet Montgomery, Toby Hemingway, Mark Margolis, Charlotte Aronofsky, Kurt Froman, Sarah Lane, Darren Aronofsky, Mark Heyman, Andres Heinz, John J. McLaughlin, Ckint Mansell, Matthew Libatique, Michael B Jordan, Ryan Coogler, Saul Williams, Jack O'Connell, Ludwig Göransson. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Variety, Israel, Sinners, Vampires, The Town Podcast, That 70s Show, crocs, Australian Accents, Ballet, Commercial Ballet, Contemporary Ballet, Dance, France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir. 

Send us a textA stunning achievement in genre filmmaking, "Sinners" transports us to the Mississippi Delta of 1932 where twin brothers find themselves caught between supernatural evil and the harsh realities of Jim Crow America. Ryan Coogler's masterful direction elevates what could have been a standard vampire tale into something truly extraordinary – a rich, textured exploration of brotherhood, community, and survival against impossible odds.Michael B. Jordan delivers what might be his career-best performance, portraying twins Smoke and Stack with such distinct personalities that you'll forget you're watching one actor in dual roles. The brothers return to their hometown with dreams of uplifting their community through music and business, only to face threats both supernatural and all-too-human. When Irish vampire Jack O'Connell arrives with his coven, promising eternal life but demanding blood sacrifice, the brothers must decide what they're willing to sacrifice to protect their people.Shot on breathtaking 70mm IMAX by cinematographer Autumn Durald Arkapaw (the first woman to use this camera format), every frame feels like a painting that deserves to be studied. The film embraces darkness in ways few mainstream movies dare, creating a visual language that enhances both the horror elements and the historical setting. Ludwig Göransson's blues-infused score weaves throughout, becoming as essential to the storytelling as the dialogue itself.What makes "Sinners" truly special is how it refuses to be contained by genre expectations. Coogler seamlessly blends horror, drama, action, and even musical elements without ever losing focus on the emotional core of his story. The supporting cast shines throughout – Haley Steinfeld brings fire and strength, newcomer Miles Catton impresses in his debut, and Delroy Lindo delivers gravitas as Delta Slim. Yuami Masuku's portrayal of a hoodoo practitioner adds another layer to this richly textured world.Don't miss this landmark film that critics are calling the most original and exciting theatrical experience of the year. See it in IMAX if possible – your eyes, ears, and heart will thank you.Support the show

This week we review Ryan Coogler's Sinners. Is this movie cursed, or is Horror Movie Talk cursed? Stay tuned to find out. Synopsis Sinners stars Michael B Jordan and Michael C Jordan as twin brothers Smoke and Stack returning from Chicago with ill gotten gains to their hometown in rural prohibition era Mississippi. They immediately work on establishing their own juke joint to entertain and profit off the locals. They go around town recruiting old friends and relatives to help and successfully have a grand opening. When the music pierces the time and space as it is prone to do, it captures the attention of nearby evil… things. Wacky hijinx ensue. Review of Sinners Ryan Coogler writes and directs his first horror film coming off of his success with blockbusters like Black Panther and Creed. Here he obviously draws inspiration from Robert Rodriguez's From Dusk Till Dawn, where it feels like one genre and then suddenly shifts into a horror film. However, we are given fair warning from the opening scene that shit is about to go down. There is a lot going on in this film. It explores a lot of ideas about good and evil, guilt, exploitation, racism, the transcendence of music, and pro tips on how to eat pussy. Not all of these themes are fully explored or necessarily land, but I have to respect the ambition and swing for the fences attitude of Coogler with this film. The film does have a great cast, with fully fleshed out characters and relationships. It spend a lot of time with the setup so that when the killing starts to happen there are real stakes (no pun intended). It feels like a Stephen King novel in the best way. A large element of the film is the music, with several musical sequences featuring blues, folk music, and weird afro-blues-rock-hiphop-pop fusion. The musical director on the film is swedish composer Ludwig Göransson, which is probably the most promising new film composer in recent years having scored The Mandelorian, Oppenheimer, Black Panther, and more. In my opinion, he is out of place here, and a lot of the musical score seems out of place and distracting. For a film about delta blues and juke joints, they seem almost embarrassed to include a lot of it. Overall, the film was very good. It held my attention, features a setting and characters that are interesting, and delivers some great monster moments. Score 9/10

Sinners is a 2025 American southern gothic supernatural horror film written, co-produced, and directed by Ryan Coogler. Set in 1932 in the Mississippi Delta, the film stars Michael B. Jordan in dual roles as twin brothers who return to their hometown to start again, only to be confronted by a supernatural evil. The film also features Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, Delroy Lindo, and Li Jun Li.Coogler began developing the genre film through his production company Proximity Media by January 2024, when Jordan was cast. Warner Bros. Pictures acquired distribution rights the next month following a bidding war, and casting for additional roles took place in April. Principal photography took place from April to July 2024.Sinners premiered on April 3, 2025, and was theatrically released in the United States on April 18, by Warner Bros. Pictures. The film received critical acclaim, with reviewers praising Coogler's direction and the music developed by Ludwig Göransson. Sinners has grossed $63.5 million worldwide.

Pete and Trevor (and special guests Justin and Anthony) went to see the Ryan Coogler original vampire period piece Sinners in glorious 70mm IMAX. Written and director by Coogler (his best effort to date), Sinners stars Michael B. Jordan in a dual role as the “Smokestack Twins”, with supporting performances by Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, and Delroy Lindo. The movie was scored by Ludwig Göransson, and filmed by Autumn Durald Arkapaw, in what is one of the best sounding and looking movies of the decade. Listen for our immediate reactions after leaving the theatre, including our summary of some technical problems with the film reel at the Vaughan Cineplex in Toronto. We are also giving away a free subscription to Letterboxd Patron: https://boxd.it/Gbt3OYou can check out Anthony on Reddit at u/anthonylavadoJustin is on Letterboxd at TheLonelyGoatThanIntro and history with Ryan Coogler (0:00)Favourite Actor in 2 roles movies(18:30)Upcoming schedule (Project Superman) (28:25)Spoiler-free (With Anthony)(37:50)Spoiler-free (53:50)Spoiler talk(1:03:40)Ending review from the future(1:46:20)

Ryan Coogler's new film, Sinners, is now out in theaters, and with this film getting incredible critic and audience scores, we just had to check it out for ourselves to see if it's REALLY as good as everyone is saying it is. With that being said, we went full SPOILERS with this review, so if you haven't seen the film yet, you have been warned!​Ryan Coogler's Sinners is a genre-defying Southern gothic horror set in 1932 Mississippi. Michael B. Jordan stars in dual roles as twin brothers Smoke and Stack, WWI veterans who return home to open a juke joint with their musically gifted cousin Sammie (Miles Caton). Their dream of creating a safe haven for Black culture is shattered when a sinister force—led by an Irish vampire named Remmick (Jack O'Connell)—descends upon their community, turning the opening night into a battle for survival.​Blending supernatural horror with themes of racial injustice, cultural appropriation, and artistic legacy, Sinners is Coogler's most personal and ambitious film to date. Shot in large-format IMAX and featuring a haunting score by Ludwig Göransson, the film has earned critical acclaim for its bold storytelling and powerful performances.​Follow us on all our socials! linktr.ee/overunderpodSupport the podcast on Patreon! patreon.com/overunderpodJoin our Discord server! discord.gg/Zqev7jEnXzBusiness Inquiries: overunderpodcastshow@gmail.comGrow your YouTube channel w/ VidIQ!vidiq.com/r?code=9cFKKLPodcast Hosts: Dylan DeAngelis and Jason GongIntro/Outro Music: Leva - The Vortex (Instrumental Version)Socials ---> https://linktr.ee/overunderpod

Aedín talks to two-time Oscar award winning composer Ludwig Göransson. He took home the gold statuettes for Best Original Score for Black Panther and Oppenheimer, and he has scored one of this weekend's new releases, Sinners, directed by Ryan Coogler. (c) Getty

This week's Empire Podcast (episode 664 if you're keeping score!) is more packed with goodness than your average Easter egg. Not only do Chris Hewitt, Helen O'Hara, and Alex Godfrey get into a discussion about what exactly makes a musical a musical (along with an impromptu visit to a certain mountain), but they tackle the week's movie news, including the revelation that the Oscars will finally have a Best Stunt Design category (note: this was recorded, due to the Easter holidays, before the new Fantastic Four trailer and Star Wars movie news. We'll get to those next week), and review Ryan Coogler's Sinners, Alex Garland and Ray Mendoza's Warfare, and the new Steve Coogan film, The Penguin Lessons. And if that weren't enough, our guest egg overcracketh, as Chris sits down with Steve Coogan and co-star Jonathan Pryce, [21:13 - 33:16 approx] and Sinners' genius composer, Ludwig Göransson, [1:31:25 - 1:45:01 approx] while Alex has an engrossing chat with Warfare's directors, Ray Mendoza and the other Alex G. [52:19 - 1:07:55 approx] And finally, there's an excerpt from Chris' wonderful spoiler special chat with The Monkey director, Osgood Perkins. [1:46:16 - 1:57:31 approx] Our full spoiler special for that movie is now up in our spoiler special feed. Phew, told you it was a packed show. Enjoy!

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 137 Sam is joined by composer Ludwig Göransson.  Ludwig has chosen Fruitvale Station (85mins), his first feature film working with frequent collaborator director Ryan Coogler. The 2013 movie stars Michael B. Jordan, Melonie Diaz, Kevin Durand, Chad Michael Murray and Octavia Spencer. Sam and Ludwig discuss his long working relationship with Ryan Coogler, including working together on his new film Sinners, and composing the score for their first film Fruitvale Station. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a tip at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Blue Sky:  @90minfilmfest.bsky.social Instagram: @90MinFilmFest Tweet: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by Sam Clements. Edited and produced by Louise Owen. Guest star Ludwig Göransson. Additional editing and sound mixing by @lukemakestweets. Music by Martin Austwick. Artwork by Sam Gilbey. 

Director Ryan Coogler is back to deliver us more goods on the big screen with his latest original film, of course with Michael B. Jordan, Sinners. The trailers for this film have been absolutely fascinating and the hints over the years of Coogler's next project being an original and a horror film were extremely exciting to me. That's because I don't think he's made a single movie below the 'great' level. I enjoy his two Black Panther films immensely and about equally. The two more impressive outings in his career so far though have been his debut feature Fruitvale Station, a heartbreaking true story, and one of the greatest sports films of all-time: Creed, a legacy sequel that managed to top anything that had come before... and the original Rocky won Best Picture! Coogler is one of the best working directors, as I've clearly established, and him managing to make a high-budget, genre-blender and still managing to maintain the rights is just such a boss move, while the very easy next step for him would have been to continue immediately with what would've been a surefire hit in Black Panther III. Anyhow, is this movie as good as the rave reviews so far have indicated? Find out in this NON-SPOILER review!Sinners:Written and Directed by: Ryan CooglerProduced by: Ryan Coogler, Zinzi Coogler, Sev OhanianExecutive Producers: Pete Chiappetta, Rebecca Cho, Will Greenfield, Ludwig Göransson, Andrew Lary, Anthony TittanegroCo-Producers: Tina Anderson, Kenneth YuAssociate Producer: Ammar MohamedMusic by: Ludwig GöranssonDirector of Photography: Autumn Durand Arkapaw Edited by: Michael P. ShawverCasting by: Francine MaislerProduction Design by: Hannah BeachlerCostume Design by: Ruth E. CarterCast: Michael B. Jordan, Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Benson Miller, Delroy LindoSynopsis: Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

I spoke to Oscar-winning composer Ludwig Göransson about his new movie Sinners. As well as working with legends such as Chris Nolan and Childish Gambino. Hosted on Acast. See acast.com/privacy for more information.

Diane and Sean discuss one of biggest movies of Marvel's phase 3 releases (whatever that means), Black Panther. Episode music is, "A King's Sunset", by Ludwig Göransson, featuring Baaba Maal from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

温馨提示：本节目为2025年2月10日录制内容的修复，因录制过程中出现不明干扰，后期反复修整，多次生成导出，希望能给各位听到对的版本。最近在重温《黑客帝国》后，划水怪时常在思考这样一个问题“我们的世界是真实存在的吗？”佛教认为所有感知到的世界都是虚妄的，唯有破除这些幻象，才能有所觉悟。于是划水怪找来了方老师，看看能否找到这个问题的答案。佛学中有哪些虚无主义的哲学观点？这些观点与现代科学能否互相印证？当我们陷入某种虚无主义该如何自处？如果你也对这些问题感兴趣，欢迎收听本期节目！更多精彩内容，敬请锁定本期节目。主播 / 相征 方佳翮音频后期 / 陆凯BBBBUDDHA音频上传 / Observer-本节目由深夜谈谈 Midnight Network出品 -Playlist:02:00:38 Ludwig Göransson - FREEPORTTimeline:00:02:02 重温《黑客帝国》00:08:30 一梦如是00:15:01 五蕴皆空的智慧00:18:10 六祖慧能与笛卡尔00:22:14 佛教哲学与现实世界的对应00:34:28 佛教须弥山与现代宇宙观的关联00:41:18 从海森堡不确定性原理到佛学哲学的探讨00:46:31 又回到21:1701:03:44 非自然现象该如何解释01:16:56 天选之子们的灵感与天赋01:27:44 人类重复性的活动01:41:22 世界树与神话体系的现代解读01:55:01 尽职尽责扮演好npc大内夜市近期上新！大内人气玄学嘉宾张无梦特别推荐5款文玩手串，旺人缘、增桃花、添财运、保健康、增智慧，咱敲多了电子木鱼，转多了赛博锦鲤，不如给自己来条趁手法器。微信搜索「大内夜市」即可购买！深夜谈谈开年招聘啦，欢迎新同事！目前开放内容运营、AE客户执行、BD商务拓展、视频编导、电商/旅行运营实习生岗位，求职信+简历+个人作品，请发送至邮箱：jobs@midnightalks.com！深夜谈谈签下了日本独立小众清酒品牌倉本KURAMOTO 系列清酒中国独家代理权，3款独具特色的清酒已在夜市上线，恰逢春节，正是送给亲友的走心年货，微信小程序搜索「大内夜市」即可购买！-深夜谈谈播客网络旗下播客：大内密谈、枕边风、空岛、随便聪明、淮海333-你还可以在这里找到我们：小红书：@深夜谈谈子、@相征terryB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈子微博：@大内密谈 微信公众号：大内密谈商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号: aidanei17301214531）并回复【听众群】即可进群。

Marvel's 2018 film Black Panther not only broke box office records, it also changed perceptions of Black superheroes and African culture. As the first film to feature a Black superhero, the film's director and writers wasted zero time taking up space in an industry that traditionally lacks BIPOC representation. Joining the team was Ruth E. Carter, whose skill in blending African-American history and contemporary culture through fashion, combined with her determination to showcase Black excellence, won an Academy Award in 2019.rnrnrnNow through April 6th, Clevelanders will have the opportunity to be up close to the outfits created by Carter, in conjunction with the Cleveland Orchestra's performance of Ludwig G?ransson's Oscar-winning score from Black Panther on March 28-29. It is a rare opportunity to see what it looks like when communities can tell their own stories through their creativity, and shift narratives for lasting change.

Diane and Sean return from a holiday break with Ryan Coogler's, Creed. Episode music is, "You're a Creed", by Ludwig Göransson from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  BlueSky: WhyDoWeOwnThisDVD-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the show

Walking the plank with SKELETON CREW Subscribe to Thank the Maker on YouTube Support Thank the Maker on Patreon: patreon.com/thankthemakerpod Find the finest garments and accessories in the galaxy at rsvlts.com"! Donate to "WHAT CHOICE? - Star Wars Fans For Abortion Access" at gofundme. Get Thank the Maker merch: thankthemakermerch.com Thank The Maker on social media: instagram.com/thankthemakerpod instagram.com/armorpartyshow Follow the hosts on social media: instagram.com/adamtheskull instagram.com/nickbayside instagram.com/williamryankey instagram.com/hondosupply twitter.com/nickbayside twitter.com/williamryankey twitter.com/hondosupply Movie scores, composers, classical music, Daisy Ridley, Steven Spielberg, Coldplay, The Imperial March, The Force Awakens, The Mandalorian, Ludwig Göransson, Princess Leia, Ahsoka, Anakin Skywalker, Ahsoka Tano, Rosario Dawson, Hayden Christensen, Obi-Wan Kenobi, Andor, The Book of Boba Fett, The Bad Batch, The High Republic, Galaxy's Edge, Disney+ Day, Hondo Supply, Armor Party, Kathleen Kennedy, Star Wars Celebration, Star Wars Black Series, Temuera Morrison, Black Krrsantan, Mark Hamill, Luke Skywalker, Cad Bane, Princess Leia, Vivien Lyra Blair, Carrie Fisher, Tales of the Jedi, --- Support this podcast: https://podcasters.spotify.com/pod/show/thankthemaker/support

RYAN KEY RETURNS to talk about the life and works of the greatest living musician! Subscribe to Thank the Maker on YouTube Support Thank the Maker on Patreon: patreon.com/thankthemakerpod Find the finest garments and accessories in the galaxy at rsvlts.com"! Donate to "WHAT CHOICE? - Star Wars Fans For Abortion Access" at gofundme. Get Thank the Maker merch: thankthemakermerch.com Thank The Maker on social media: instagram.com/thankthemakerpod instagram.com/armorpartyshow Follow the hosts on social media: instagram.com/adamtheskull instagram.com/nickbayside instagram.com/williamryankey instagram.com/hondosupply twitter.com/nickbayside twitter.com/williamryankey twitter.com/hondosupply Movie scores, composers, classical music, Daisy Ridley, Steven Spielberg, Coldplay, The Imperial March, The Force Awakens, The Mandalorian, Ludwig Göransson, Princess Leia, Ahsoka, Anakin Skywalker, Ahsoka Tano, Rosario Dawson, Hayden Christensen, Obi-Wan Kenobi, Andor, The Book of Boba Fett, The Bad Batch, The High Republic, Galaxy's Edge, Disney+ Day, Hondo Supply, Armor Party, Kathleen Kennedy, Star Wars Celebration, Star Wars Black Series, Temuera Morrison, Black Krrsantan, Mark Hamill, Luke Skywalker, Cad Bane, Princess Leia, Vivien Lyra Blair, Carrie Fisher, Tales of the Jedi, --- Support this podcast: https://podcasters.spotify.com/pod/show/thankthemaker/support

If you would like to give us feedback on how were doing follow us at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cd6sNqvnav⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/senornerdpodcast Venom is a 2018 American superhero film featuring the Marvel Comics character Venom. The first film in Sony's Spider-Man Universe (SSU), it was directed by Ruben Fleischer from a screenplay by the writing team of Jeff Pinkner and Scott Rosenberg, along with Kelly Marcel. Tom Hardy stars as Eddie Brock and Venom alongside Michelle Williams, Riz Ahmed, Scott Haze, and Reid Scott. In the film, struggling journalist Eddie gains superpowers after becoming the host of an alien symbiote, Venom, whose species plans to invade Earth. Following Venom's appearance in Spider-Man 3 (2007), Sony Pictures attempted to develop a spin-off film based on the Venom character, which was stalled due to issues with the company's ongoing Spider-Man franchise. In March 2016, work began on a new version that would start a new shared universe featuring the non-Spider-Man Marvel characters that the studio possessed film rights to. Sony also originally intended for the Venom film to share the world of the Marvel Cinematic Universe film Spider-Man: Homecoming (2017), but ultimately distanced the film from Spider-Man. Sony's Columbia Pictures produced the film in association with Marvel Entertainment.[5] In March 2017, Rosenberg and Pinkner were set to write, with Fleischer and Hardy added in May; Marcel subsequently joined to rewrite the script. Filming took place from October 2017 to January 2018 in Atlanta, New York City, and San Francisco. The film was primarily inspired by the comic book miniseries Venom: Lethal Protector (1993) and the story arc "Planet of the Symbiotes" (1995). Ludwig Göransson was hired to compose the film's score, marking his second Marvel film after Black Panther (2018). Venom premiered at the Regency Village Theater on October 1, 2018, and was theatrically released in the United States on October 5. Despite receiving generally negative reviews from critics, Hardy's performance and the character's relationship with Venom were praised, and the film became the seventh-highest-grossing film of 2018, earning over $856 million worldwide and setting several box office records for an October release. It is followed by two sequels: Venom: Let There Be Carnage, which was released on October 1, 2021, and Venom: The Last Dance, which is scheduled for release on October 25, 2024. Venom: Let There Be Carnage is a 2021 American superhero film featuring the Marvel Comics character Venom. The sequel to Venom (2018) and the second film in Sony's Spider-Man Universe (SSU), it was directed by Andy Serkis from a screenplay by Kelly Marcel. Tom Hardy stars as Eddie Brock and Venom alongside Michelle Williams, Naomie Harris, Reid Scott, Stephen Graham, and Woody Harrelson. In the film, Eddie and the alien symbiote Venom must face serial killer Cletus Kasady (Harrelson) after he becomes the host of an offshoot of Venom named Carnage. Venom was intended by Sony Pictures to be the start of a new shared universe, and plans for a sequel began during production on the first film. Harrelson was cast to make a brief appearance as Cletus at the end of Venom, with the intention of him becoming the villain Carnage in the sequel. Official work on the sequel began in January 2019, with Hardy and Harrelson confirmed to return along with Marcel as writer. Serkis was hired as director that August, partly due to his experience working with computer-generated imagery (CGI) and motion capture technology, which was an important part of portraying Venom and Carnage in the film. Filming took place at Leavesden Studios in England from November 2019 to February 2020, with additional filming in San Francisco in February. The title was announced in April 2020. Marco Beltrami was hired to compose the film's score, replacing Ludwig Göransson from the previous film.

THE BLADE MOVIE?! Follow Us On The Socials For Exclusive Content: https://www.patreon.com/thereelrejects Follow Us On Socials: https://www.instagram.com/reelrejects/  https://www.tiktok.com/@thereelrejects?lang=en From The Duo Behind Creed & Black Panther Comes An American gothic Supernatural Horror Movie - Sinners Trailer Reaction & Breakdown starring Michael B Jordan, Hailee Steinfeld, & Delroy Lindo, with music by Ludwig Göransson. After the success of Fruitvale Station& Marvel Studios Black Panther Wakanda Forever, so excited to see what this team brings to the silver screen - perfect vampire trailer in time for Halloween! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Music Used In Manscaped Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In this exciting episode of Film & Whiskey, we dive into the Marvel Cinematic Universe with a review of the groundbreaking 2018 film, "Black Panther." Join us as we explore the cultural impact, themes, and performances that make this movie a standout. In the second half of the episode, we shift gears to a rich and flavorful whiskey review of Jim Beam Black Bourbon. Timestamps: 0:00 - Intro 5:57 - Brad Explains 8:45 - Performances, Themes 35:04 - Jim Beam Black Bourbon Whiskey review 45:30 - Two Facts and a Falsehood 50:48 - Final Analysis 1:01:50 - Let's Make it a Double and Final Scores Welcome back to another episode of Film & Whiskey, where we blend our love for great films and exceptional whiskey. This week, we're thrilled to discuss one of the most influential movies in recent years, "Black Panther." Directed by Ryan Coogler, this 2018 Marvel film not only broke box office records but also left a lasting impact on cultural representation in cinema. We start with an in-depth review of "Black Panther," exploring the intricacies of T'Challa's character and his journey as the king of Wakanda. Our discussion delves into the movie's themes of identity, power, and heritage. We highlight standout performances from the cast, including Chadwick Boseman, Michael B. Jordan, and Lupita Nyong'o, and analyze the dynamics between T'Challa and Killmonger. Our conversation covers the significant cultural impact of the film, its critical reception, and its success at the box office. We discuss the visual effects and the costume design that brought the world of Wakanda to life. The soundtrack, composed by Ludwig Göransson, also gets its due praise for perfectly complementing the film's narrative. Switching gears, we dive into our whiskey segment with a review of Jim Beam Black Bourbon. Known for its extra aging process, this bourbon offers a deeper flavor profile that we can't wait to share with you. Whether you're a seasoned whiskey enthusiast or a newcomer, our detailed tasting guide will give you everything you need to appreciate this bourbon. Film & Whiskey Podcast. New episodes every Tuesday. Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/filmwhiskey/support

Jakob Stegelmann og Ida Rud fortæller om store filmkomponister og spiller det bedste af deres musik.

BrownTown takes on “Black Panther: Wakanda Forever” (2022) with Alderhomies Rossana Rodriguez (33rd) and Jessie Fuentes (26th) in the first for Whiskey & Watching installment of 2024! BrownTown and the return guests breakdown the film and its predecessor's social impact and commentary on imperialism, geo-politics, science and spirituality, diasporic traditions, Black and Brown solidarity, and so much more. Originally recorded May 30, 2024.Mentioned in episode:BnB Alum Ricardo Gamboa on Chicago's Gaza Ceasefire resolution#TreatmentNotTrauma campaign and planUS-Indian Boarding School History2020 Cicero & Cermak: Black & Brown Tensions (1, 2, 3)--GUESTSAlderwoman Rossana Rodriguez (33rd), now in her second term, is the Chair of the Committee on Health and Human Relations for the Chicago City Council. Rossana was born and raised in Puerto Rico and started organizing at six years old when her community had to fight for access to running water. Organizing soon became a fundamental part of her life and remains her main tool within her work in government. Rossana came to Chicago after austerity and budget cuts forced her to leave her job as a drama teacher in Puerto Rico. She originally moved to Albany Park to work as a theatre director with a youth theatre company 14 years ago and chose to stay and organize around housing, education, immigrant rights, and mental health. She is the chief sponsor for the Treatment Not Trauma legislation and continues to organize with grassroots organizations to transform Chicago. Follow Rossana on Facebook, Instagram, (personal, political) and Twitter (personal, political). Stay up to date with her City Council work and 33rd ward services at Rossanafor33.org.Alderperson Jessie Fuentes (26th) is a queer Latina grassroots organizer, educator, and public policy advocate with over a decade of experience in education, criminal justice reform, affordable housing, community development and sustainability. A lifelong Chicagoan and resident of the Northwest side, Jessie spent most of her formative years growing up and working in Humboldt Park. Through personal resilience, community support and restorative justice, Jessie turned her most traumatic life experiences into tools to uplift others facing similar circumstances. In her previous roles as an educator and Dean of Students at Roberto Clemente Community Academy and as an organizer around issues of violence prevention, housing affordability, and re-entry for returning citizens, she convened and connected community stakeholders to create community-driven solutions to the biggest problems facing Humboldt Park. Jessie recently served as the Director of Policy and Youth Advocacy at the Puerto Rican Cultural Center. She Co-chaired the Violence Prevention program of the Illinois Latino Agenda and is also a Founding Member of the Illinois Latino Agenda 2.0, focusing on community development and Latine equity. Follow Jessie on Facebook (personal, political), Instagram (personal, political), and Twitter (personal, political). Stay up to date with her City Council work and 26th ward at Jessiefor26thward.com. Opinions on this episode only reflect David, Caullen, Rossana, and Jessie as individuals, not their organizations or places of work. CREDITS: Intro soundbite and episode photo from Black Panther: Wakanda Forever trailer and outro music Con La Brisa by Ludwig Göransson from the movie's soundtrack. Audio engineered by Kiera Battles.--Bourbon 'n BrownTownFacebook | Twitter | Instagram | Site | Linktree | PatreonSoapBox Productions and Organizing, 501(c)3Facebook | Twitter | Instagram | Site | Linktree | Support

Pls support PPM by subscribing to the Independent Cork Board Researchers Union on Patreon, which grants access to all Premium Feed eps & the Discord. Your generous patronage can empower ParaPower Mapping for years to come: patreon.com/ParaPowerMapping Using SK Bain's "The Most Dangerous Book in the World: 9/11 as Mass Ritual" as a kind of critically paranoid grimoire, we survey the strange numerological, mythological, & occult synchronicities mutual to 9/11 & 3/22, not excluding the fact that two of the infamous Bush Crime Family architects of the first were also Bonesmen, and that the latter coincidentally occurred on the same Yale Secret Society's high holy day. I'm talking about Skull & Bones. We begin to splay out some of the evidence I've been compiling in my sus Christopher Nolan dossier, including the fact that his production designer is Aleister Crowley's nephew (lending credence to this notion that the film "Tenet" could be evoking both 9/11 & 3/22, as the 9/11 mass ritual was rich w/ Crowleyian imagery & some would argue functioned, in part, as an homage or invocation of the Beast 666) and we also illustrate Chris Nolan + Nathan Crowley's working relationship w/ under-fire MIC contractor B o e i n g during "Tenet" filming, who loaned them 4 helicopters & sold them a 747 they crashed into the side of a fabricated Oslo Airport (again evoking 9/11). We dig in deep on how "Tenet" was based on the two dimensional acrostic or magic square known as the Sator Square, and that its historical use as a talisman or charm and its numerological properties (which we proceed to locate in various aspects of the Crocus attack) is further evidence supporting this notion that "Tenet" presaged the Crocus attack & that it may even be a televisual component of some sort of mass brainwashing MegaRitual stretching from 9/11 to 3/22—perhaps intended to reify the earlier psyop false flag & the War on Terror that it birthed through Crowley's Law of Reversal. We talk about how the Sator Square is made up of palindromes and how there are exactly 8228 days b/w 9/11 & 3/22, in other words a numerical palindrome, further underlining this idea that the two attacks could combine into a kind of occult palindrome. We talk the material particulars of the Crocus attack: some of the sus inconsistencies like the feeble security presence on the day, the fact that the developer behind the Crocus shopping center & concert hall is an Azerbaijani billionaire Russian oligarch who has acted as the liaison b/w Putin & Trump in the past, and purported crypto payments for the attackers. We begin to parse some of the differing analysis of the deep event... Including the Russian FSB's assertions that it was Western intel & Ukrainian backed and the conflicting claiming of responsibility by ISIS-K, which a Dutch-owned expat paper in Russia and NATO bureaucrats have been repeating ad nauseam. We illustrate just how curious it is that the US Embassy's warned citizens to avoid "concert halls & shopping centers" approx two weeks prior to the attack, a prescient alert that smacks of plausible deniability. And we muse about how the Nolan film "Tenet" is like a recruitment advert or promotional propaganda for an elite secret society w/in Western intelligence that has self-assigned the task of ensuring that history remains on its deterministic rails, and how its celebration of spy agencies combined w/ quasi-Crowleyian occult trappings gives off a distinctly esoteric fascist vibe... A kind of Blavatsky-esque ideology of Chosen One/ Ascended Master supremacy that results in the forming of this shadow bureaucracy that controls the flow of time & a single man assuming the mantle of arbiter of all things. Weird. The complete notes & index viewable on the Patreon. Songs: | Ludwig Göransson - "Rainy Night in Talinn" | |Ludwig Göransson - "Inversion" | | Ozzy Osborne - "Mr. Crowley" | | Ludwig Göransson - "Meeting Mr. Neil" | | T r e v or M o o r e - " K i t t y H i s t o r y " |

Subscribe to the PPM Patreon to access the entirety of "3/22 as Mass Ritual (Pt. I)": patreon.com/ParaPowerMapping You can also support the show at: http://ko-fi.com/parapowermapping We're taking a momentary break from the Cork Board Church series & the Brother Klonny persona to examine another prob f a l s e flag. We're conducting a comp paranoid analysis of the Crocus terror attack, 9/11, & the Christopher Nolan film Tenet to explore the notion that said time-manipulating spy caper flick's opening sequence was predictive programming of the onslaught on the concert hall in Moscow & that this recent tragedy may have been a capstone or furtherance of that deadly magical working, the mass sacrificial ritual complex known as 9/11 or Sept. 11th. Using SK Bain's The Most Dangerous Book in the World: 9/11 as Mass Ritual as a kind of critically paranoid grimoire, we dig into the strange numerological, mythological, & occult synchronicities mutual to 9/11 & 3/22, not excluding the fact that two of the infamous Bush Crime Family architects of the first were also Bonesmen, & that the latter coincidentally occurred on the same Yale Secret Society's high holy day. I'm talking about Skull & Bones. We begin to splay out some of the evidence I've been compiling in my sus Chris Nolan dossier, including the fact that his prod designer is Aleister Crowley's nephew (lending credence to this notion that the film "Tenet" could be evoking both 9/11 & 3/22, as the 9/11 mass ritual was rich w/ Crowleyian imagery & some would argue functioned, in part, as an homage or invocation of the Beast 666) and we also illustrate Chris Nolan + Nathan Crowley's working relationship w/ under-fire MIC contractor B o e i n g during Tenet filming, who loaned them 4 helicopters & sold them the 747 they crashed into the side of a fabricated Oslo Airport (evoking the Pentagon on 9/11). We explain how Tenet was based on the two dimensional acrostic or magic square known as the Sator Square, and that its historical use as a talisman or charm and its numerological properties (which we proceed to locate in various aspects of the Crocus attack) are further evidence supporting this notion that Tenet presaged the Crocus attack & that it may even be a televisual component of some sort of mass brainwashing MegaRitual stretching from 9/11 to 3/22—perhaps intended to reify the earlier psyop false flag & re-calcify the War on Terror that it birthed through Crowley's Law of Reversal. We talk about how the Sator Sq is made up of palindromes and how there are exactly 8228 days b/w 9/11 & 3/22, in other words a numerical palindrome, further underlining this idea the 2 attacks could combine into a kind of occult palindrome. We even find time to talk about 3/22 & the Crocus terror attack's proximity to this imminent solar eclipse on April 8th, which will coincide w/ the launching of 3 NASA rockets named after the Egyptian chaos serpent Apep & the booting up of the Large Hadron Collider at CERN. We talk about how both of these imminent events are rife w/ Crowleyian symbolism & significance, trotting out AC's ritual for Apep (which talks about child sacrifice & vampirism, grimace), Jack Parson's shadow over the rocket launch, & CERN's well-documented appreciation for esoterica & eschatological shit (see the statue of Shiva outside their complex, etc). We unpack 3/22's material inconsistencies & other sus evidence: the anemic security presence; the fact Crocus City Hall's name evokes a Hermetic etiological myth w/ sacrificial connotations; how the Azerbaijani Russian oligarch developer who constructed the venue has liaised w/ Trump on behalf of Putin in the past; the conflicting false flag rhetoric being put forward by both Russian intel & the Western media outlets who serve as propaganda arms of the hegemon that seeks to Balkanize said country; etc. Sub to the Patreon to view the full notes. Songs: | Ludwig Göransson - "Rainy Night in Talinn" | | Ludwig Göransson - "Inversion" |

Composer and Alarm Will Sound Percussionist Chris P. Thompson talks about being a contemporary concert musician, Zoom dance parties, and the greatest 'song' he's ever heard in his entire life, "The Grid" by Philip Glass from the score to Koyaanisqatsi Plus, Katherine and Scott talk about the Oscar wins for Billie Eilish and Ludwig Göransson, seeing recent guest Jordan Miller of The Beaches in concert, and the latest Ariana Grande album, eternal sunshine.    Pre-order Chris P. Thompson's new solo album Stay The Same on bandcamp and follow him on instagram @chrispthompson   @gr8songpod on twitter, instagram, and tiktok @ScottInterrante on instagram @Katherinethegr8 on instagram Theme music: "Kratos In Love" by Skylar Spence Mixing Assistance by Michael Isabella Podcast Art designed by Roger Feeley-Lussier We're now on YouTube! Like And Subscribe, as they say, @gr8songpod

Fancy wins an Oscar for best podcast host with a Spanish accent and reviews the 2024 Oscars. 0:00 Fancy Being a Better Oscars Host than Jimmy Kimmel6:09 Christopher Nolan, Cillian Murphy, Robert Downey Jr.10:05 Emma Stone, Lily Gladstone, Da'vine Joy Randolph14:05 The Boy and the Heron, Spider-Man: Across the Spiderverse15:27 Oppenheimer vs Killers of the Flower Moon Cinematography18:08 Poor Things, Yorgos Lanthimos, Martin Scorsese22:06 Zone of Interest, Society of the Snow27:08 Maestro, John Williams, Ludwig Göransson31:10 Billie Eilish, Flamin' Hot, I'm Just Ken!33:15 Best Picture Nominees, Past Lives, American Fiction38:46 Godzilla: Minus One, Greta Gerwig42:10 The Holdovers, Anatomy of a Fall, Bradley Cooper Holler-out on SOS VHS at: https://holler.baby/sosvhs Join the 7EQUIS Discord: ⁠https://discord.gg/954zkYtPv8⁠ Follow Andres Rosende (aka Fancy from Bad Friends): ⁠https://www.instagram.com/fancyb.1⁠ Catch Andres every week on Bad Friends: youtube.com/@badfriends  Send us your SOS VHS  fan mail!SOS VHS c/o 7EQUIS LLCP.O. Box 5154Glendale, CA 91221 BUY THE EQUIPMENT WE USE!MICROPHONE: https://amzn.to/3WcEZnACAMERA: https://amzn.to/3ohqT7WHEADPHONES: https://amzn.to/3IqGY1PTRIPODS: https://amzn.to/3ohIigwSWITCHER: https://amzn.to/42eSyEs This is a 7EQUIS PRODUCTION ⁠https://www.7equis.netSee omnystudio.com/listener for privacy information.

The 94th Academy Awards capped off a huge year for Christopher Nolan's "Oppenheimer" as it won best pitcture, best director (Nolan), best actor (Cillian Murphy), best supporting actor (Robert Downey Jr.) plus three more for seven total Oscars. But two other films that were expected to be the biggest challengers fell flat, with "Barbie" and "Killers of the Flower Moon" combining for a single Oscar. In this special episode of Streamed & Screened, Bruce Miller and Terry Lipshetz break down the surprises and snubs, talk about host Jimmy Kimmel and the pacing of the show, and even take a slight glance ahead to next year. 94TH ACADEMY AWARDS WINNERS BEST PICTURE “Oppenheimer” BEST ACTRESS Emma Stone, “Poor Things” BEST ACTOR Cillian Murphy, “Oppenheimer” SUPPORTING ACTOR Robert Downey Jr., “Oppenheimer” SUPPORTING ACTRESS Da’Vine Joy Randolph, “The Holdovers” DIRECTOR Christopher Nolan, “Oppenheimer” LIVE ACTION SHORT FILM “The Wonderful Story of Henry Sugar” SOUND “The Zone of Interest,” Tarn Willers and Johnnie Burn ORIGINAL SCORE “Oppenheimer,” Ludwig Göransson ORIGINAL SONG “What Was I Made For?” from “Barbie” VISUAL EFFECTS “Godzilla Minus One” FILM EDITING “Oppenheimer,” Jennifer Lame DOCUMENTARY SHORT FILM “The Last Repair Shop” DOCUMENTARY FEATURE “20 Days in Mariupol” CINEMATOGRAPHY “Oppenheimer,” Hoyte Van Hoytema ANIMATED SHORT FILM “WAR IS OVER! Inspired by the Music of John & Yoko” ANIMATED FILM “The Boy and the Heron” ORIGINAL SCREENPLAY “Anatomy of a Fall,” Justine Triet and Arthur Harari ADAPTED SCREENPLAY “American Fiction,” Cord Jefferson MAKEUP AND HAIRSTYLING “Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston PRODUCTION DESIGN “Poor Things,” James Price, Shona Heath and Zsuzsa Mihalek COSTUME DESIGN “Poor Things,” Holly Waddington INTERNATIONAL FEATURE FILM “The Zone of Interest” (United Kingdom) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin.

To celebrate Oscar Sunday, we're returning to our talk with Oppenheimer composer Ludwig Göransson! To begin, Göransson describes the collaborative process with director Christopher Nolan (6:48), the instrument at the heart of the film (9:30) and its hauntingly beautiful theme (11:06). Then, we walk through Ludwig's instinctive approach to making music (13:07), his coming of age in Sweden (15:20), and the influence of Metallica and Danny Elfman (18:51). On the back-half, Ludwig reflects on his early years in Los Angeles (24:56), finding kinship with director Ryan Coogler (27:55) and polymath Donald Glover (34:53), and how he slowly began to understand his voice (38:21). To close, he shares how his process has evolved from Black Panther to Oppenheimer (42:30), the potential impact of AI on the music industry (44:58), and what he hopes for in the years ahead (49:15). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. See omnystudio.com/listener for privacy information.

Episode 35 - SPOILER Review: Oppenheimer (2023)Two special guests, Papa Hozour and Kathy Garber, join me today to talk about the latest Christopher Nolan epic which seems to be on a clear path to sweep at the upcoming Oscars.After years of success at Warner Bros, his major minor tantrum over the disaster that was the movie “Tenet” and Warner Bros and its irresponsible rollout, Nolan seems to have found his stride at Universal Pictures taking up this “lower budget” ($100 million) feature and within that budget Universal giving him carte blanche on how to deliver that film. I don't hide that I don't exactly see this Director in the best light and yet it is what it is - I absolutely loved the film “Oppenheimer”. Cillian Murphy, Robert Downey Jr, Emily Blunt (doesn't get talked about enough for this movie) and so many others that make up this amazing cast. No actor (no matter how big or small their scene is) has their screen time wasted in this film. Ludwig Göransson (Composer), Jennifer Lame (Editor), Hoyte Van Hoytema (Cinematographer), Christopher Nolan (Writer/Producer/Director) - the entire team behind the camera also played key roles in catapulting this movie to being a brilliant epic that has endless rewatchability.“Oppenheimer” is available to stream on Peacock and is available to rent and or purchase on all platforms.  This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit sohrabsmovieq.substack.com

It's a brand new and action-packed Yaddle Chattle!   Join Darth David and Jedi Jared as they chat about The Phantom Menace returning to theaters on May 3rd!   What is the highlight of Episode One?   Plus...Samuel L. Jackson says he wants Mace Windu to return to the Galaxy!   Meanwhile, Ian McDiarmid discusses Palpatine's...um...romantic side.   And, Ludwig Göransson discusses making future music for Star Wars!   It's a spectacular episode that you need to experience today!   May the Force be with you!

Oppenheimer has already won a whole host of awards, it is nominated for an impressive for 13 BAFTA's and 13 Oscars.  Our guests today were a vital part of bringing this incredible movie to life and they are all nominated in the perspective fields for the a BAFTA's & an Oscar's. - - Cinematographer Hayte Van Hoytema - Editor Jennifer Lame - Oscar winning composer Ludwig Göransson - We are sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ providing you access to the largest online therapy service in the world. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get 10% off⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ your first month at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠betterhelp.com/lifeinfilm⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Host - Actor/Writer ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elliot James Langridge⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Please contact (Scott Marshall Partners) - ⁠'Oppenheimer' is out now, The BAFTA's are on 18th February The Oscar's are on the 10th March - Thank you to our guests and⁠ to Organic PR & as always thank you to our Sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BetterHelp⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. - If you enjoyed this episode, please review and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You Tube ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠etc and please share. It makes a huge difference. - Join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, @LIFEINFILMpod & For early and uncut episodes check of the Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/Lifeinfilmpodcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠- #oppenheimer #oppenheimeredit #HayteVanHoytema #cinematography #JenniferLame #edit #editor #LudwigGöransson #composer #baftatv #baftatvawards #bafta #oscars #fyp #film #podcast #foryou #mostembarrassingmoment #sixdegreesofkevinbacon #elliotjameslangridge #podcast #lifeinfilm #lifeinfilmpodast --- Send in a voice message: https://podcasters.spotify.com/pod/show/life-in-film-podcast/message

Mord i Göteborg och sprängning i Stockholm, SiS-hem riskerar att göra unga mer kriminella, svenske Ludwig Göransson vann Grammy för filmmusiken till Oppenheimer. Lyssna på alla avsnitt i Sveriges Radio Play. Programledare Jenny Pejler, reporter Tomas Lauffs.

In this special episode audio from our live screening of ‘Oppenheimer' at IMAX in Los Angeles, Sean is joined by cinematographer Hoyte Van Hoytema, editor Jennifer Lame, and composer Ludwig Göransson to discuss the making of one of the biggest and best movies of the year: Christopher Nolan's ‘Oppenheimer.' Host: Sean Fennessey Guests: Hoyte Van Hoytema, Jennifer Lame, and Ludwig Göransson Senior Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Zelenskyj talade på svensk konferens, Kvikkjokk först kallas och sedan varmast, Ludwig Göransson vann Golden Globe för filmmusiken till Oppenheimer. Lyssna på alla avsnitt i Sveriges Radio Play. Programledare Jenny Pejler, reporter Tomas Lauffs.

2023 is nearly over, and to lead into the new year, The Film Scorer keeps you up to date on recent releases (perfect to chat about with your family over the holidays) by covering some of the best and most notable film scores released from July through September of this year, featuring scores like Oppenheimer by Ludwig Göransson, Teenage Mutant Ninja Turtles: Mutant Mayhem by Trent Reznor and Atticus Ross, Bottoms by Leo Birnberg and Charli XCX, and many more! Keep your eye on The Film Scorer website for reviews and articles covering some of these scores, including detailed writeups and lists.

Ludwig Göransson is one of the most accomplished and distinctive film composers of the 21st century. In 2020, after working on the movie Tenet together, acclaimed director Christopher Nolan hired Göransson to score what has become one of the biggest movies of 2023: Oppenheimer. Ludwig, who emigrated to Los Angeles from his native Sweden in 2007, has racked up dozens of writing, producing and scoring credits. He started out working in TV and he eventually started scoring films with his old college friend Ryan Coogler. Ludwig composed music for all of Coogler's hit movies including Fruitvale Station, the Creed series, and both Black Panther films—the first of which won him the Academy Award for Best Original Score in 2019. On today's episode Justin Richmond talks to Ludwig Göransson about his incredible body of work as a composer and producer. He explains how his rigorous musical training in Sweden prepared him to write the complex sections of the Oppenheimer score. Ludwig also plays some of the more moving sections of the score for us in effort to show us how he came up with one of the best soundtracks of the year. You can hear a playlist of some of our favorite Ludwig Göransson songs HERE.See omnystudio.com/listener for privacy information.

Welcome to Episode 8 of Trailer Therapy! This week Brian and Bryan teach an intro to trailers course for listeners who want to know more about the industry being discussed on the show every week. They also chat about Ludwig Göransson, films they've recently watched, and the new trailers that came out this week. There's a new recurring segment, which finds Bryan and Brian interpreting vague or confusing notes that listeners have received. Send your vague (and anonymous) notes from a custom or brief for consideration on a future episode. This week's featured trailers include two using music from the hosts: Madame Web and Unsung Hero. Let's not forget Garfield, Percy Jackson and the Olympians, Imaginary, and Ted the Series! -- Madame Web (trailer):⁠ https://www.youtube.com/watch?v=WAyzEOeeBZw Unsung Hero (trailer): https://www.youtube.com/watch?v=_mYkDJ1vBg4 -- Send us your questions and topic suggestions via email (⁠⁠⁠⁠help@trailertherapypod.com⁠⁠⁠⁠) or social media with hashtag #TrailerTherapyPod -- Twitter: ⁠⁠⁠⁠⁠https://twitter.com/TrailerTherapy⁠⁠⁠⁠⁠ Instagram:  ⁠⁠⁠⁠⁠https://www.instagram.com/trailertherapypod⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠http://www.facebook.com/trailertherapy⁠⁠⁠⁠⁠ -- Join our official Discord community to chat with the hosts & other listeners, share tips, and find trailer music collaborators: ⁠⁠⁠⁠https://discord.gg/uwA34UNKrK ⁠⁠⁠⁠ -- Please leave a review on Apple Podcasts and let us know what you like about the podcast and what you would like us to discuss in the future. We love hearing from you! 

Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Today we are sharing an episode of one of our favorite shows on the Pushkin network, Talk Easy, hosted by Sam Fergoso. In this episode Sam talks to the renowned Swedish music producer and composer, Ludwig Göransson. Ludwig is a Grammy and Academy award winning producer and composer who scored Ryan Coogler's Black Panther, The Mandalorian, and most recently he scored Christopher Nolan's epic, Oppenheimer. He's also produced records and wrote songs for HAIM, Rihanna, Adele, and Childish Gambino. He's a truly talented musician who's reenergizing modern films compositions. We hope you enjoy this chat as much as we do!See omnystudio.com/listener for privacy information.

Musician and composer Este Haim has had quite the year. Today, she reflects on HAIM's eventful summer as part of Taylor Swift's The Eras Tour (5:45), her pivot into scoring feature films (8:40), including Netflix's You Are So Not Invited to My Bat Mitzvah (13:12), growing up in a family band called Rockenhaim (17:46) and the formative musicians that inspired her and her sisters as teenagers in Los Angeles (21:41). On the back-half, Este describes the early years of HAIM (29:30), the band's collaboration with producer and composer Ludwig Göransson (33:08), their debut album Days Are Gone (37:55), and the misogyny embedded in the music industry (39:15) that fueled their third record, Women in Music Pt. III (43:55). To close, a love letter to LA (47:54) and a tribute to Talking Heads' Tina Weymouth (56:00), and how both have shaped Este's journey, on and off stage (1:00:55).See omnystudio.com/listener for privacy information.

For over a decade, composer and record producer Ludwig Göransson has created some of the defining music of our time. This week, he sits with Sam to discuss his latest work in Oppenheimer. At the top, Göransson describes the collaborative process with director Christopher Nolan (6:48), the instrument at the heart of the film (9:30) and its hauntingly beautiful theme (11:06). Then, we walk through Ludwig's instinctive approach to making music (13:07), his coming of age in Sweden (15:20), and the influence of Metallica and Danny Elfman (18:51). On the back-half, Ludwig reflects on his early years in Los Angeles (24:56), finding kinship with director Ryan Coogler (27:55) and polymath Donald Glover (34:53), and how he slowly began to understand his voice (38:21). To close, he shares how his process has evolved from Black Panther to Oppenheimer (42:30), the potential impact of AI on the music industry (44:58), and what he hopes for in the years ahead (49:15).See omnystudio.com/listener for privacy information.

Ludwig Göransson isn't a stranger to the power music can play in film.He's the composer behind the blockbuster "Black Panther" series, which earned him an Academy Award for Best Original Score in 2019. Now, he's back with "Oppenheimer." It's a historical epic that tells the life story of the father of the atomic bomb.He joins us to talk about his many collaborations and the music that shapes his life and work.Want to support 1A? Give to your local public radio station and subscribe to this podcast. Have questions? Find out how to connect with us by visiting our website.

"Oppenheimer" finally releases in various formats, including IMAX 70mm, at select locations this weekend. The latest film from Academy Award-nominated filmmaker Christopher Nolan marks the second time he's collaborated with Academy Award-winning composer Ludwig Göransson ("Black Panther") following their work on "Tenet." With a three-hour running time and faced with mixing the epic with the intimate to tell a story from J. Robert Oppenheimer's point of view, the score is a grand, immersive, sonic experience that may stand as the composer's best work yet. Göransson was kind enough to spend some time talking with me about his work on the film, which has generated a ton of awards season buzz. Please take a listen below and be sure to check out the film in theaters this weekend. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited - https://www.regmovies.com/static/en/us/unlimited Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture