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Not only have Mando and Gorgu arrived in theatres, but NAD has arrived as a permanent co-host on TRIAD Of The FORCE! Perfect timing too since today we, at long last, discuss the return of Star Wars to cinemas with the release of THE MANDALORIAN AND GROGU!There has been a lot of anticipation about this film and after many years since the release of The Rise Of Skywalker, we all wondered if this would be a triumphant return. Today we review this film and talk at length about what worked and didn't work, from Rotta The Hutt, to Ludwig Göransson's score, but especially the story and journey of Din Djarin and Grogu.We're so exactly to finally talk about a new Star Wars in cinemas, and especially as a complete triad! • • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, Nad, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: https://bsky.app/profile/triadoftheforce.bsky.socialInstagram: https://www.instagram.com/triadoftheforce/YouTube: https://www.youtube.com/c/TriadoftheForce/If you like us, get some merch and help the channel:TeePublic: https://www.teepublic.com/user/triad-of-the-force• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (https://linktr.ee/Grushkov).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.
Tonight on Damn You Hollywood, we're reviewing Star Wars: The Mandalorian and Grogu, the first theatrical Star Wars film since The Rise of Skywalker and the cinematic continuation of the hit Disney+ series. Directed by Jon Favreau and co-written with Dave Filoni and Noah Kloor, the film follows Din Djarin and Grogu as they work with the New Republic to rescue Rotta the Hutt while uncovering new Imperial threats in the fractured post-Empire galaxy. Pedro Pascal returns alongside Sigourney Weaver, Jeremy Allen White, and Jonny Coyne, with Ludwig Göransson once again handling the score. Originally conceived as The Mandalorian Season 4 before the Hollywood strikes and Lucasfilm's pivot back toward theatrical releases, the film represents Disney's attempt to transform streaming-era Star Wars back into event cinema. Mixed critical reactions have praised Pascal and Göransson while questioning whether the series' episodic DNA fully translates to the big screen.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
A Star Wars movie is back in theaters for the first time since 2019! In this episode of Hyperspace Theories, Tricia Barr and B.J. Priester kick off our analysis of The Mandalorian and Grogu with a discussion of the major storytelling decisions underlying the film, which is directed by Jon Favreau and co-written by Favreau, Dave Filoni, and Noah Kloor (The Book of Boba Fett). As the sixth movie of the Disney era and the first Star Wars film built upon source material from outside the preceding movies – specifically the three seasons of the Disney+ streaming series The Mandalorian as well as adjacent series The Book of Boba Fett and Ahsoka – the creation of The Mandalorian and Grogu faced a number of challenges not previously faced by theatrical Star Wars, including an imperative to produce the movie on a considerably smaller budget than the Sequel Trilogy releases while reviving fan and customer enthusiasm for Star Wars on the big screen and the ancillary merchandise revenue that has long accompanied Star Wars films. This context in the state of the franchise explains a number of key decisions about the story built for The Mandalorian and Grogu, including the desire to acknowledge the full range of previous Star Wars stories and fans, from the Original Trilogy and Expanded Universe to the Prequels, The Clone Wars, and Disney-era films, animation, and publishing. We also examine the themes found at the heart of the story, and the non-Star Wars cinematic influences on Favreau's movie. We then revisit a frequent aspect of the Hyperspace Theories podcast: examining how Star Wars' longstanding association with the monomyth story structure shapes the tale being told in The Mandalorian and Grogu. Unsurprisingly, as a standalone film rather than a segment within a trilogy, The Mandalorian and Grogu readily aligns with the cinematic story structure expressed by Christopher Vogler, a distillation and updating of the classical monomyth found in the work of Joseph Campbell. This plot structure also guides the character arcs for The Mandalorian and Grogu, which features the two titular characters as well as significant character development for a third: Rotta the Hutt, who faces his own father-son thematic turmoil as well as pivotal choices about his path in life and the future he seeks for himself in the galaxy far far away. Related Links: Fangirls Going Rogue: A Special Look at The Mandalorian and Grogu (April) Fangirls Going Rogue: Episode 26.4 Countdown to The Mandalorian and Grogu (April) Fangirls Going Rogue: Interview with The Mandalorian and Grogu's Jon Favreau and Dave Filoni (May) Fangirls Going Rogue: Doug Chiang, John Knoll, and Ludwig Göransson Discuss Making The Mandalorian and Grogu (May) Fangirls Going Rogue: Episode 26.6 The Mandalorian and Grogu Behind-the-Scenes and Review (May) Social Media: Tricia Barr (@fangirlcantina) Instagram | Threads | Blue Sky B.J. Priester (@redpenoflex) Instagram | Threads | Blue Sky Fangirl Zone on Facebook
pWotD Episode 3309: The Mandalorian and Grogu Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 165,391 views on Sunday, 24 May 2026 our article of the day is The Mandalorian and Grogu.Star Wars: The Mandalorian and Grogu (titled The Mandalorian and Grogu on-screen) is a 2026 American science fiction film directed by Jon Favreau, who co-wrote the film with Dave Filoni and Noah Kloor. Produced by Lucasfilm and Fairview Entertainment, and distributed by Walt Disney Studios Motion Pictures, it is part of the Star Wars franchise and is a continuation of the Disney+ television series The Mandalorian (2019–2023). Pedro Pascal stars as Din Djarin / The Mandalorian—who was also portrayed on set by Brendan Wayne and Lateef Crowder—alongside Jeremy Allen White, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. In the film, which is set following the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target.Favreau and Filoni wrote a fourth season of The Mandalorian by February 2023, but production was delayed by the 2023 Hollywood labor disputes. During this time, Lucasfilm re-evaluated their plans for the franchise and decided to prioritize a Mandalorian film over the fourth season. The Mandalorian and Grogu was announced in January 2024 with Favreau directing and co-writing with Filoni and Kloor, and Pascal reprising his role from the series. Filming began in California by August 2024 and was completed by that December. Further casting was revealed around and after filming, including the return of various characters from The Mandalorian and other Star Wars media. The series's composer Ludwig Göransson returned to score the film.Star Wars: The Mandalorian and Grogu premiered on May 14, 2026, at TCL Chinese Theatre in Los Angeles, and was released in the United States on May 22. The Mandalorian and Grogu had a reported cost of $300 million for marketing and the budget. It has grossed $165 million worldwide and received mixed reviews, with critics praising the score and Pascal's performance, while criticizing the plot, visuals, and action sequences.This recording reflects the Wikipedia text as of 12:33 UTC on Tuesday, 26 May 2026.For the full current version of the article, see The Mandalorian and Grogu on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Amy.
This is the way. We are starting our review of The Mandalorian and Grogu with a discussion of the music, the opening scenes, the opening scenes, Sigourney Weaver, and much more. It is finally time to start talking about The Mandalorian and Grogu. We're spending the first fifteen minutes sharing our experiences seeing the movie and non-spoiler thoughts about the film as a whole. After that, we start diving into the details. Part two of our discussion will be coming at the end of the week, so make sure you subscribe to the podcast on your podcatcher of choice. In this fully armed and operational episode of Podcast Stardust, we discuss: Our experiences seeing the movie for the first time in theaters, Our non-spoiler thoughts about the movie (ending around the 15 minute mark of the podcast), Ludwig Göransson's soundtrack and our initial reactions, Thoughts about the opening text and title sequence, The opening scene and how Jay missed it, The New Republic pilots, Sigourney Weaver, and Adelphi Squadron scenes, The appearance of Zeb, The Mandalorian's acquisition of a new Razorcrest, and much, much more. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts. Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.
The Geek Buddies with John Rocha, Michael Vogel and Shannon McClung
⚠️ SPOILER REVIEW: Star Wars: The Mandalorian & Grogu | Geek Buddies Din Djarin and Grogu have finally made the leap to the big screen — and the Geek Buddies have THOUGHTS. John Rocha, Michael Vogel and Shannon McClung sit down for a full spoiler-filled breakdown of Star Wars: The Mandalorian & Grogu. Nothing is off limits — we're diving deep into every moment, every twist, and everything this movie means for the future of Star Wars!
For this week's main podcast review, Ema Sasic, Josh Parham, and Giovanni Lago review and discuss "The Mandalorian And Grogu," starring Pedro Pascal, Jeremy Allen White, Brendan Wayne, Lateef Crowder, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. Written and directed by Jon Favreau, and co-written by Dave Filoni and Noah Kloor,, the film is part of the "Star Wars" franchise and a continuation of the Disney+ television series "The Mandalorian" (2019–2023). In the film, set after the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target. This is the first time a "Star Wars" film has been in theaters since "The Rise Of Skywalker." What did the team think of it? Please tune in as they discuss the story, the craftsmanship, including Ludwig Göransson's score, the future of the franchise, and more in this SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
On a very special episode of This is the Waycast, Gio is joined by original Waycast hosts Elizabeth and Zach to discuss The Mandalorian and Grogu. They discuss their scores, initial thoughts, the artistry of Lucasfilm, Grogu's future, The Mandalorian's future, Carl Weathers/Greef Karga, Colonel Ward, Rotta the Hutt, Star Wars planets, Embo, the balancing act of holding back, Zeb, did Ahsoka Season 2 affect this film?, Jon Favreau, Star Wars: Galaxy's Edge synergy, Star Wars: Starfighter, what should The Mandalorian and Grogu be compared to?, Ludwig Göransson, remnants of the Rangers of the New Republic, Dave Filoni's Heir to the Empire, Dave Filoni's leadership of Lucasfilm, and so much more.Follow the hosts and let us know what you thought of today's episode!Giovanni Delgadillo: @GioDelNopeElizabeth Pfeiffer: @elizabethpfeifZach Perilstein: @TripleZ_87Check out Boardwalk Times, the Destination for True Disney Parks Fans Plus Everything Else.Website: https://boardwalktimes.net/Twitter: https://twitter.com/boardwalktimesInstagram: https://www.instagram.com/boardwalktimesCredits:Music: "Future Gladiator" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/
Dominic, Ben, and Chris are reunited (in person!), along with Matthew and Din, to share their initial thoughts on The Mandalorian and Grogu. They talk about their experiences seeing their first new Star Wars movie in almost seven years, including the IMAX 3D presentation. They break down what this movie showed us about Din Djarin and Grogu as characters, how Rotta the Hutt has evolved since The Clone Wars movie, and the role of the New Republic and Imperial Remnant in the movie. Plus, reaction to Ludwig Göransson's score, Embo's role in the movie, and why this might be the most important Star Wars movie in decades. All this and much more! Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU
On this special bonus episode, Caitlin and Charlotte interview The Mandalorian and Grogu's award winning composer, Ludwig Göransson (SINNERS, OPPENHEIMER, BLACK PANTHER) at a cocktail hour on the film's set and archival storage in Los Angeles. Tune in to hear: How does it feel to have been composing music for these characters for the last 8 years? Is there a part in the film and score Ludwig is most excited for fans to hear? Who would Ludwig invite to his Star Wars dinner party? …and much much more! PS: Apologies for the wind breaking through in the audio! Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices
Fangirls Going Rogue: Star Wars Conversation from a Female POV
The Mandalorian and Grogu is almost here! We have a packed episode that includes highlights from a special pre-launch event hosted by Disney with the creative minds behind the magic, including Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor); exciting information about Galaxy's Edge at Disney Parks in Florida and California, details from the movie's World Premiere, a non-spoiler review of The Mandalorian and Grogu. Composer Ludwig Göransson, production designers Doug Chiang and Andrew L. Jones, prop master Josh Roth, and visual effects supervisor John Knoll discuss expanding The Mandalorian from Disney+ to the big screen. From Ludwig Göransson's iconic Mandalorian theme and massive new orchestral score, to Doug Chiang's philosophy of balancing classic Star Wars aesthetics with fresh new ideas, this episode dives deep into the artistry behind the film. The team also shares stories about building practical sets, designing new props and weapons, creating stop-motion droids, and filming stunning Razor Crest miniature shots using cutting-edge LED technology. Plus hear fun behind-the-scenes stories involving Grogu, Sigourney Weaver, runaway mouse droids, giant jungle sets, puppeteers, and how the filmmakers continue George Lucas' vision of a lived-in Star Wars galaxy. Be sure to check back next week for a detailed spoiler-filled discussion about the movie! Related Tricia Barr recaps The Mandalorian and Grogu preview screening. Our full roundtable interview with Dave Filoni and Jon Favreau Our Maul – Shadow Lord review episode with special guest Teresa Delgado Donate to Starlight Children's Foundation through LiningUp.net Worldbuilding In Maul – Shadow Lord from Hyperspace Theories podcast Maul – Shadow Lord Breakdown and Music Analysis via Skywalking Through Neverland Social Media Fangirls Going Rogue Threads | Instagram Tricia Barr Threads | Instagram Sarah Woloski Threads | Instagram Richard Woloski Threads | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!
Coffee With Kenobi: Star Wars Discussion, Analysis, and Rhetoric
Star Wars: The Mandalorian and Grogu is upon us! Join Mason Zehr and me for an incredible journey to Hollywood, California, for the red carpet premiere of the new Star Wars film. On this epic show, join us as we tour the Lucasfilm prop archive and model shop curated by Jon Favreau, board the cockpit of the film-used Razor Crest, tour the New Republic's ACTUAL Adelphi base, and attend a private event with Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor). Plus, James Burns (Jedi News) joins us as we give a spoiler-free review of The Mandalorian and Grogu and discuss our adventures on the Hollywood red carpet. Pull up a chair, grab your favorite mug, and have some Coffee With Kenobi!Coffee With Kenobi's Travel Partner – MEI/Mouse Fan Travel:Book your next adventure to Galaxy's Edge, Walt Disney World, Disneyland, Disney Cruise Line, and more with Coffee With Kenobi's trusted travel partner, MEI Travel & Mouse Fan Travel. For expert assistance with planning your next trip, visit: CoffeeWithKenobi.com/MouseFanTravelSupport Coffee With Kenobi with the CWK Alliance:Become a member of the CWK Alliance and gain exclusive access to our weekly podcast, CWK Pour-Over, including both audio and video versions! Support the show and enjoy bonus content by signing up here:CoffeeWithKenobi.com/CWKAllianceListen to CWK Pour-Over on Spotify:Keep up with CWK Pour-Over, our weekly show that dives deeper into Star Wars and popular culture! Listen on Spotify and never miss an episode:CoffeeWithKenobi.com/SpotifyWatch CWK on YouTube:Subscribe to our YouTube channel for video content, behind-the-scenes footage, and more Star Wars discussion. Visit:CoffeeWithKenobi.com/YouTubeJoin the CWK Community:Be part of the conversation! Join the CWK Cafe, a place for Star Wars fans to connect, share ideas, and discuss all things Star Wars. Join here: CoffeeWithKenobi.com/CommunityShop CWK Merchandise:Looking for Coffee With Kenobi gear? Check out our shop for shirts, hoodies, stickers, phone cases, and more: CoffeeWithKenobi.com/ShopContact Info for Dan Zehr:Email: danz@coffeewithkenobi.comX (Twitter): @MrZehrInstagram: @danzehrcwkThreads: @danzehrcwkPurchase Dan Zehr's Star Wars Books: Get your hands on the latest Star Wars books by Dan Zehr! Available now.Music Credit:"Eye to Eye" by Steve TorokThanks for listening, and have a great week. This is the podcast you're looking for!Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.Follow Coffee With Kenobi:X (Twitter): @CoffeeWithKenobiInstagram: @CoffeeWithKenobiThreads: @CoffeeWithKenobiFacebook: Coffee With KenobiYouTube: Coffee With Kenobi YouTube ChannelBluesky: @coffeewithkenobi
WE WERE THERE! Back from Los Angeles, we are still pinching ourselves. It's been 5 long years since a Star Wars movie hit the big screen, and being at the world premiere of The Mandalorian and Grogu at the historic Chinese Theater was an absolute dream.From staying in Santa Monica and diving into secret Imagineer tours (no photos allowed, but we have stories!) to meeting legendary creators like Doug Chiang and Ludwig Göransson, this trip was a massive milestone for us.We break down the entire trip report, give our spoiler-free first reaction to the movie, and hang out with the best community in the galaxy.This is the way.
Conversations with the Creative Forces Behind the Film Recorded on the green carpet at the World Premiere, this episode of Byte brings listeners directly into the excitement surrounding The Mandalorian and Grogu. from the carpet arethe filmmakers, designers, performers, and artists who shaped the movie — from the earliest concept sketches to the final mix. Featuring Dave Filoni, John Knoll, Doug Chiang, Andrew L. Jones, Brendan Wayne, Ludwig Göransson, and Sarah Finn, this episode captures the passion and precision behind bringing Din Djarin and Grogu to the big screen. SAVE 17% ON PLUS
Tune in as Andy (Fat Dude Digs Flicks Movie Podcasts) returns to the podcast as it rolls out the 2026 Oscars recap! Another awards season has passed us by, and it's fitting to say that this year was relatively enjoyable compared to all the messy toxicity from last year (remember Emilia Pérez?) Timothée Chalamet's comment on ballet and opera, contrasting opinions towards F1, Diane Warren's persistent quest for an Oscar win, appreciation for Ludwig Göransson, and the continuing presence of Palestine at the Oscars emerge as some of the subjects for this episode.Create your podcast today! #madeonzencastrHere's how you can learn more about Palestine and IsraelHere's how you can keep up-to-date on this genocideHere's how you can send eSIM cards to Palestinians in order to help them stay connected onlineGood Word:• Andy: Nothing Tastes As Good by Luke Dumas and Clair Obscur: Expedition 33• Arthur: GossipReach out at email2centscritic@yahoo.com if you want to recommend things to watch and read, share anecdotes, or just say hello!Be sure to subscribe, rate, and review on iTunes or any of your preferred podcasting platforms!Follow Arthur on Twitter, Goodpods, StoryGraph, Letterboxd, and TikTok: @arthur_ant18Follow Arthur on Bluesky: @arthur-ant18Follow the podcast on Twitter: @two_centscriticFollow the podcast on Instagram: @twocentscriticpodFollow Arthur on GoodreadsCheck out 2 Cents Critic Linktree
Superstar-DJ Amber Broos heeft al meer gereisd dan Luke Skywalker in alle Star Wars-films opgeteld. Ooit vertelde ze in deze podcast dat ze Disneyfan is, maar ook dat ze grote Star Wars fan is. Toen volgde ze graag ‘The Mandalorian'. En nog steeds.We hebben het over hoe Jon Favreau Disney+ een flagship-serie bezorgde met westernklassiekers, praktische effecten en een 5 miljoen dollar kostende Grogu-pop. Over Pedro Pascal die niet altijd in het pak zit. En over Troy Kotsur die een compleet nieuwe gebarentaal creëerde voor de Tusken Raiders.We hebben het ook over de kippenvel-momenten dankzij de muziek van Ludwig Göransson en het concept art in de aftiteling. We vragen ons af of Mandalorianen hun helm mogen afzetten om te kussen. En waarom ‘moeten' we eerst een stuk ‘The Book of Boba Fett' kijken om te kunnen volgen in seizoen 3 van ‘The Mandalorian'?Als Amber ooit (al was het maar een figuranten-)rolletje krijgen in het Star Wars-universum, is haar leven compleet. Of waarom geen nieuwe DJ in een Star Wars-cantina? Hopelijk luisteren ze bij Lukasfilm mee.
Sinners (2025), música de Ludwig Göransson
We're diving into the revolutionary music of The Mandalorian, and exploring how it redefined the sound of Star Wars. We analyse the ongoing contribution of Ludwig Göransson to the franchise and the role Joseph Shirley played in scoring season three, as well as EACH providing three of our favourite pieces of music from the show. We also hear YOUR thoughts and answer some great Patreon questions.Support the show via Patreon at patreon.com/starwarssessions from as little as £2/$2/€2 a month and get loads of BONUS EPISODES! Find Star Wars Sessions on Instagram, X, Threads, Bluesky, Facebook, TikTok, and YouTube. Contact us at hellothere@starwarssessions.co.ukIntro background music by Kfir Ochaion - remixed by Star Wars Sessions.For everything Sessions, head to starwarssessions.co.ukFor GALAXYPALOOZA news and updates, head to galaxypalooza.co.uk Hosted on Acast. See acast.com/privacy for more information.
WELCOME back to the Web of Music Soundtrack show here on the network. Its been a year but we are back with some new coverage this time covering the Venom Trilogy of films, Venom, Venom let There be Carnage and Venom The Last Dance. The composers for these films Academy Award winner Ludwig Göransson, Marco Beltrami, and Dan Deacon. Hope you enjoy this new episode to the network ABOUT SPIDEY-DUDE.COM & THE SPIDEY-DUDE RADIO NETWORK: Spidey-dude.com was created in 1998 as Spideydude's Spider-Man Page, before becoming Spideydude.com, morphing into the current URL in 2011. The Spideydude Radio Network was... Continue reading
Den ersten Grammy als Bandleader, für dieses Album? Den hat Sullivan Fortner nicht kommen sehen. Das Album entstand spontan, mit einer ad hoc Band. Sullivan Fortner, dieser brillante Pianist, scheint sich nicht allzu viel aus Preisen zu machen. Das sei das schöne an seiner Kunst, sagt er: Jeder Tag sei ein neues weisses Blatt. Der Grammy für das «Best Jazz Instrumental» Album dürfte ihn dennoch gefreut haben, auch wenn er bereits in der Vergangenheit liegt – und er sich selbst sowieso nicht als Jazzmusiker versteht. Es geht ihm um Musik, nicht um Genres. Und darum, Mensch zu sein. 00:20 – Talk Sullivan Fortner erzählt, wo er war, als er von seinem Grammy erfahren hat. Warum er sich selber nicht Jazzpianist nennt. Und er verrät, ob er mit der Sängerin Cécile McLorin Salvant wirklich zusammen ist. 23:38 – Wochenrückblick (Zeitpunkt der Aufnahme: Freitag, 20.03., 12 Uhr) Vom Grammy für Sullivan Fortner zum Oscar für Ludwig Göranssons Filmmusik zum Film «Sinners». Der schwedische Komponist ist ein Wahlamerikaner, der dank der Blues-Begeisterung seines Vaters zur Gitarre kam und dank der Gitarre schliesslich zur Zusammenarbeit mit dem Regisseur von «Sinners», Ryan Coder. 40:45 – Konzert-Tipp Eine Uraufführung der Schweizer Komponistin Cécile Marti in Basel verspricht ein Klangabenteuer. 45:15 – Musikfrage Mit der Musikwissenschaftlerin Cristina Urchueguía: Warum heisst der Ton H ausserhalb des deutschen Sprachraums überall B? 49:30 – Neu in meiner Playlist «In My Dreams», das neue Album von Bill Frisell – ein Gitarrist, der immer wieder zu überraschen vermag.
In questa puntata di Spin-Off commentiamo gli Oscar 2026 tra vincitori, sorprese, momenti imbarazzanti e polemiche infinite. Parliamo della vittoria di Michael B. Jordan, del trionfo di Paul Thomas Anderson, del peso di Sinners durante la serata e della discussione che divide tutti su Timothée Chalamet.Dentro l'episodio trovi anche le curiosità più assurde della notte degli Oscar, il dominio di Ludwig Göransson, il nome-record di Joe Letteri, una Teyana Taylor scatenata, i problemi tecnici più imbarazzanti della cerimonia, il discorso di Jessie Buckley, il perizoma di Channing Tatum, i momenti migliori e peggiori della serata e il verdetto finale sulle nostre scommesse Oscar.Una puntata tra analisi, ironia e polemica pura, per rivivere tutto quello che è successo nella notte più importante di Hollywood.(00:00) Cold opening e intro (05:28) Curiosità a caso: mogli e mariti inaspettati(06:54) Ludwig Göransson e a sorpresa l'uomo più nominato di sempre: Joe Letteri(11:01) Teyana Taylor scatenata(12:56) Gli imbarazzanti problemi tecnici(19:47) Il perizoma di Channing, il discorso di Jessie Buckley, prese per il culo generali(23:39) L'angolo dei numeri e la polemica su Timothée Chalamet(29:11) Commenti sparsi sui vincitori e prosegue la polemica su Chalamet(40:55) Momenti peggiori e momenti migliori degli Oscar(46:23) I vincitori delle scommese sugli Oscar
durée : 00:05:01 - Ludwig Göransson : un compositeur abonné aux Oscars - par : Max Dozolme - Comment gagner trois Oscars en moins de dix ans ? Mode d'emploi avec Ludwig Göransson et Max Dozolme ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Test visar: Rester av bekämpningsmedel i mycket mat / Rapport: Ingenjörer, präster och officerare kan få lätt att få jobb / Sverige tog tre guld och fyra brons i Paralympics / Svenska kompositören Ludwig Göransson fick en Oscar Lyssna på alla avsnitt i Sveriges Radios app. Av Ingrid Forsberg och Jenny Pejler.
"One Battle After Another" had a big night at the 98th Academy Awards, collecting six Oscars, including the big three for Paul Thomas Anderson: Best picture, best director and best adapted screenplay. But there were plenty of other highlights, including Amy Madigan winning her first 40 years after her only other nomination, Michael B. Jordan winning over Timothée Chalamet for best actor and touching tributes to Rob Reiner, Diane Keaton and Robert Redford. In this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz break down the winners and losers, discuss Conan O'Brien's hosting duties, the unique fashions of the night and Sean Penn's absence. 2026 ACADEMY AWARDS WINNERS Best picture “One Battle After Another” Best Actor Michael B. Jordan, “Sinners” Best Actress Jessie Buckley, “Hamnet” Best Supporting Actress Amy Madigan, “Weapons” Best Supporting Actor Sean Penn, “One Battle After Another” Director Paul Thomas Anderson, “One Battle After Another” Original Song “Golden” from “KPop Demon Hunters,” EJAE, Mark Sonnenblick, Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seon and Teddy Park Original Score “Sinners,” Ludwig Göransson. Animated Film “KPop Demon Hunters” International Film “Sentimental Value,” Norway Documentary Feature “Mr. Nobody Against Putin” Casting Cassandra Kulukundis, “One Battle After Another” Best Sound Gareth John, Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo and Juan Peralta, “F1” Cinematography Autumn Durald Arkapaw, “Sinners” Original Screenplay “Sinners,” Ryan Coogler Adapted Screenplay “One Battle After Another,” Paul Thomas Anderson Live Action Short Film (tie) “The Singers” and “Two People Exchanging Saliva” Animated Short Film “The Girl Who Cried Pearls” Documentary Short Film “All the Empty Rooms” Visual Effects Joe Letteri, Richard Baneham, Eric Saindon and Daniel Barrett, “Avatar: Fire and Ash” Production Design Tamara Deverell and Shane Vieau, “Frankenstein” Film Editing Andy Jurgensen, “One Battle After Another” Makeup and Hairstyling Mike Hill, Jordan Samuel, Cliona Furey, “Frankenstein” Costume Design Kate Hawley, “Frankenstein” About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
Nyheterna Radio 06:00
Vad står på spel inför söndagens Oscarsgala? Och hur ser chanserna ut för svenskarna Stellan Skarsgård och Ludwig Göransson? Hör våra filmexperter Roger Wilson och Emma Engström. Lyssna på alla avsnitt i Sveriges Radios app. LITTFEST I UMEÅ FIRAR 20-ÅRSJUBILEUM......men vad har Sveriges största litteraturfestival betytt för norrländsk litteratur? Vi kopplar upp vår reporter Joakim Silverdal, på plats på festivalen, som har sällskap av poeten och artisten Mattias Alkberg och Sara Meidell, författare och kulturchef på Västerbottens-Kuriren.I HUVUDET PÅ MILO RAU – MANNEN BAKOM ”RAGE” OCH PJÄSEN OM PELICOT Den schweiziske regissören och dramatikern Milo Rau är ett av de mer omtalade namnen i teatervärlden just nu. På svenska scener spelas både hans pjäs ”Rage” och ”Pelicot-rättegången” i vår. P1 Kulturs Lisa Bergström ringde upp dramatikern som är känd för att göra teater om samhällets mest dunkla hörn.KLASSIKERN: ”YMCA” – FRÅN GAYFLIRT TILL TRUMP-ANTHEM Veckans klassiker handlar om en låt som tagit sig från 70-talets svettiga gaydiscon till att idag vara en låt som kanske främst förknippas med USA:s president Donald Trumps valmöten. Roger Wilson vet mer.Programledare: Lisa BergströmProducent: Henrik Arvidsson
"Sinners" set the record for most Oscar nominations with 16. "One Battle After Another" isn't far behind with 13. "One Battle" was considered the early favorite for many awards, but "Sinners" has been coming on strong during awards season. Which film will win the night? Will Paul Thomas Anderson finally win an Oscar? Can Timothée Chalamet top Leonardo DiCaprio and Michael B. Jordan? We'll know soon enough with the 98th Academy Awards airing Sunday night (ABC and Hulu, 7 p.m. EDT). On this week's episode of Streamed & Screened, co-hosts Bruce Miller and Terry Lipshetz discuss the two films and the favorites to win the major categories. Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
Garrett Chaffin-Quiray and Ed Rosa discuss the blockbuster and Academy Award-winning Best Picture of 2023.***Referenced media:“American Fiction” (Cord Jefferson, 2023)“Anatomy of a Fall” (Justine Triet, 2023)“Barbie” (Greta Gerwig, 2023)“The Holdovers” (Alexander Payne, 2023)“Killers of the Flower Moon” (Martin Scorsese, 2023)“Maestro” (Bradley Cooper, 2023)“Past Lives” (Celine Song, 2023)“Poor Things” (Yorgos Lanthimos, 2023)“The Zone of Interest” (Jonathan Glazer, 2023)“Following” (Christopher Nolan, 1998)“He-Man and the Masters of Universe” (Lou Scheimer, 1983-1984)“Mr. Belvedere” (Frank Dungan and Jeff Stein, 1985-1990)“Batman Begins” (Christopher Nolan, 2005)“The Dark Knight” (Christopher Nolan, 2008)“The Dark Knight Returns” (Christopher Nolan, 2012)“Inception” (Christopher Nolan, 2010)“Tenet” (Christopher Nolan, 2020)“Dunkirk” (Christopher Nolan, 2017)“The Prestige” (Christopher Nolan, 2006)“Memento” (Christopher Nolan, 2000)“The Conqueror” (Dick Powell, 1956)“The Day After” (Nicholas Meyer, 1983)“Threads” (Mick Jackson, 1984)“Guardians of the Galaxy Vol. 3 “ (James Gunn, 2023)“Mission: Impossible – Dead Reckoning Part One” (Christopher McQuarrie, 2023)“Rain Man” (Barry Levinson, 1988)“Terminator 2: Judgment Day” (James Cameron, 1991)Audio quotation:“Oppenheimer” (Christopher Nolan, 2023), including the songs “Can You Hear the Music”, “Kitty Comes to Testify”, “Gravity Swallows Light”, and “Fission” by Ludwig Göransson, https://www.youtube.com/playlist?list=PLDisKgcnAC4QJDGcv7BafiO3tqpRYrTXe“He-Man and the Masters of Universe” (Lou Scheimer, 1983-1984), including “Masters of the Universe” by Shuki Levy and Haim Saban, https://www.youtube.com/watch?v=7yeA7a0uS3A“Mr. Belvedere” (Frank Dungan and Jeff Stein, 1985-1990), including “According to Our New Arrival” by Judy Hart-Angelo and Gary Portnoy and performed by Leon Redbone, https://www.youtube.com/watch?v=k-GML1pWkww“The Conqueror (1956) original theatrical trailer”, posted by Ham Nauseam, https://www.youtube.com/watch?v=EHt0Pb8rkXU“Threads (1984) - BBC4 intro”, posted by Shadow TV Network, https://www.youtube.com/watch?v=OhBC2Jb-2rc“Fireplace Sound Effect | Royalty free Sound Effects”, posted by BurghRecords, https://www.youtube.com/watch?v=jG64aIasFiw“Terminator 2: Judgment Day” (James Cameron, 1991), including “‘Main Title (Terminator 2 Theme)'” by Brad Fiedel, https://www.youtube.com/watch?v=CnQm2_cAZvo&list=RDCnQm2_cAZvo&start_radio=1
Nesta edição do podcast cinematório café, nós analisamos o filme "Pecadores" (Sinners, 2025), de Ryan Coogler, recordista de indicações do Oscar 2026 e da história da premiação. O longa concorre a 16 estatuetas, incluindo as de Melhor Filme, Direção, Roteiro Original, Ator para Michael B. Jordan, Atriz Coadjuvante para Wunmi Mosaku e Ator Coadjuvante para Delroy Lindo. No Globo de Ouro, o longa venceu os prêmios de Melhor Trilha Sonora Original, composta por Ludwig Göransson, e Realização Cinematográfica e de Bilheteria. - Visite a página do podcast no site e confira material extra sobre o tema do episódio - Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema No podcast, nós discutimos -- com spoilers -- como "Pecadores" mescla o drama racial com o cinema de horror, reinventando e honrando características próprias dos filmes de vampiros. Nós também comentamos aspectos do longa que envolvem o desenho de som, a trilha sonora, o visual requintado e conceitos como tempo espiralar e imortalidade. Quem se senta à mesa conosco neste podcast é a crítica, curadora, pesquisadora e professora Yasmine Evaristo. Confira a minutagem em que cada assunto é abordado: 00:00:00 - Introdução 00:06:42 - Um novo tipo de filme de vampiros 00:14:28 - Criando cenas com o som 00:19:04 - Visual requintado, beleza diferenciada 00:30:47 - Fogo, Fumaça e Fuligem 00:36:08 - A sequência sublime e o tempo espiralar 00:42:34 - Sammie, Buddy Guy, o dom e o poder 00:57:26 - Imortalidade e infinito 01:03:32 - Vampirismos 01:10:52 - Montagem, razão de aspecto e memória oral 01:18:33 - Considerações finais O cinematório café é produzido e apresentado por Renato Silveira e Kel Gomes. A cada episódio, nós propomos um debate em torno de filmes recém-lançados e temas relacionados ao cinema, sempre em um clima de descontração e buscando refletir sobre imagens presentes no nosso dia a dia. Quer mandar um e-mail? Escreva seu recado e envie para contato@cinematorio.com.br.
Join us for a behind-the-scenes conversation with Academy Award®-nominated cinematographer Autumn Durald Arkapaw about her work on “Sinners” — and the creative choices that shaped the film's look from the very early stages of conception. Autumn breaks down how she and director Ryan Coogler developed the visual language together, from camera and lens selection to lighting strategies designed to support performances, tone, and mood, especially in those challenging night scenes. Along the way, she reflects on collaboration, preparation, and the real on-set problem-solving that is always involved in filmmaking. “How our team collaborates: It's the authority [director Ryan Coogler] gives each department to pour themselves into it… everyone has a say, your opinion matters. Any great filmmaker knows that it's never about one department… When we approach stuff, we want the lighting to be a character, but we also want it to feel of the space — and so that requires us to collaborate very closely with production design… When you give people that respect and you consider them and you give them that authority, they work very hard for you and they care.” —Autumn Durald Arkapaw, ASC, Director of Photography, “Sinners” Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Watch our previous episode with the Oscar-nominated sound team behind “Sinners.” Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
Garrett Chaffin-Quiray and Ed Rosa discuss one of 2025's biggest blockbusters.***Referenced media:“Swingers” (Doug Liman, 1996)“The Parent Trap” (David Swift, 1961)“From Dusk Til Dawn” (Robert Rodriguez, 1996)“The Lost Boys” (Joel Schumacher, 1987)“Fright Night” (Tom Holland, 1985)“Lord of the Dance” (Michael Flatley, 1996)“Battlestar Galactica” (Ronald D. Moore, 2003-2009)“Star Trek: The Next Generation” (Gene Roddenberry, 1987-1994)“True Blood” (Alan Ball, 2008-2014)“Assault on Precinct 13” (John Carpenter, 1976)“Fruitvale Station” (Ryan Coogler, 2013)“Black Panther” (Ryan Coogler, 2018)“Black Panther: Wakanda Forever” (Ryan Coogler, 2022)“Creed” (Ryan Coogler, 2015)“Creed II” (Steven Caple, Jr., 2018)“Creed III” (Michael B. Jordan, 2023)“The Wire” (David Simon, 2002-2008)“Parenthood” (Jason Katims, 2010-2015)“Marty Supreme” (Josh Safdie, 2025)“School Daze” (Spike Lee, 1988)“True Grit” (Joel and Ethan Coen, 2010)Audio quotation:“Swingers” (Doug Liman, 1996)“Sinners” (Ryan Coogler, 2025), including the songs “Old Corn Liquor”, written by Joe Thompson and performed by Rhiannon Giddensa and Justin Robinson; “Séance” written and performed by James Blake and Ludwig Göransson; “I Lied to You”, written by Ludwig Göransson and Raphael Saadiq and performed by Miles Caton; “This Little Light of Mine” written by an unknown lyricist and performed by Miles Caton; “Rocky Road to Dublin” written by D.K. Gavan and performed by Jack O'Connell, Brian Dunphy, and Darren Holden; and “Sinners”, written by Rod Wave, Tarkan Kozluklu, Darius Poviliūnas, Kyris Mingo, Leonard Denisenko, and Travis Harrington and performed by Rod Wave, https://www.youtube.com/watch?v=dYcUz4vv5NU&list=PLeuk4c_cVcyrflkPU-2bQLHXw71Q-f7GO&index=14
Masskjutningen i Örebro har fått många skolor att satsa mer på säkerhet / Minusgrader i hela landet och det fortsätter vara kallt / Svenska kompositören Ludwig Göransson vann två Grammys / Radio Sweden på lätt svenska fyller tio år - hör lyssnare! Lyssna på alla avsnitt i Sveriges Radios app. Av Jenny Pejler och Ingrid Forsberg.
A round-up of the main headlines in Sweden on February 2nd 2026. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/producer: Kris Boswell.
If there's one recurring theme each year, it's to expect the unexpected. "Sinners" earned a record 16 nominations for the 98th Academy Awards. And then there was the blockbuster "Wicked: For Good," which was shut out. It was a day of extremes and surprises when the Oscar nominations came out on Thursday. In this week's episode, co-hosts Bruce Miller and Terry Lipshetz talk about the biggest snubs and which films could dominate when statuettes are handed out on Sunday, March 15. And we wrap the show with the new "Game of Thrones" spinoff series on HBA, "A Knight of the Seven Kingdoms." Complete list of 2026 Oscar nominees Best picture: "Bugonia," "F1," "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sentimental Value," "Sinners," "Train Dreams." Lead actress: Jessie Buckley, "Hamnet;" Rose Byrne, "If I Had Legs I'd Kick You;" Renate Reinsve, "Sentimental Value;" Emma Stone, "Bugonia;" Kate Hudson, "Song Sung Blue." Lead actor: Timothée Chalamet, "Marty Supreme;" Leonardo DiCaprio, "One Battle After Another;" Ethan Hawke, "Blue Moon;" Michael B. Jordan, "Sinners;" Wagner Moura, "The Secret Agent." Supporting actress: Elle Fanning, "Sentimental Value;" Inga Ibsdotter LilIeaas, "Sentimental Value;" Amy Madigan, "Weapons;" Wunmi Mosaku, "Sinners;" Teyana Taylor, "One Battle After Another." Supporting actor: Jacob Elordi, "Frankenstein;" Sean Penn, "One Battle After Another;" Stellan Skarsgård, "Sentimental Value;" Benicio del Toro, "One Battle After Another;" Delroy Lindo, "Sinners." Director: Paul Thomas Anderson, "One Battle After Another;" Ryan Coogler, "Sinners;" Chloé Zhao, "Hamnet;" Josh Safdie, "Marty Supreme;" Joachim Trier, "Sentimental Value." Original song: "Golden" from "KPop Demon Hunters," "Train Dreams" from "Train Dreams," "Dear Me" from "Diane Warren: Relentless," "I Lied To You" from "Sinners," "Sweet Dreams Of Joy" from "Viva Verdi!" Original score: "Bugonia," Jerskin Fendrix; "Frankenstein," Alexandre Desplat; "Hamnet," Max Richter; "One Battle After Another," Jonny Greenwood; "Sinners," Ludwig Göransson. Animated film: "Arco," "Elio," "KPop Demon Hunters," "Little Amélie or the Character of Rain," "Zootopia 2." International film: "The Secret Agent," Brazil; "It Was Just an Accident," France; "Sentimental Value," Norway; "Sirât," Spain; "The Voice of Hind Rajab," Tunisia. Documentary feature: "The Perfect Neighbor," "The Alabama Solution," "Come See Me in the Good Light," "Cutting Through Rocks," "Mr. Nobody Against Putin." Casting: "Hamnet," "Marty Supreme," "One Battle After Another," "The Secret Agent," "Sinners." Best sound: "F1," "Frankenstein," "One Battle after Another," "Sinners," "Sirāt." Cinematography: "Frankenstein," "Marty Supreme," "One Battle After Another," "Sinners," "Train Dreams." Original screenplay: "Blue Moon," Robert Kaplow; "It Was Just an Accident," Jafar Panahi, with script collaborators Nader Saïvar, Shadmehr Rastin, Mehdi Mahmoudian; "Marty Supreme," Ronald Bronstein and Josh Safdie; "Sentimental Value," Eskil Vogt and Joachim Trier; "Sinners," Ryan Coogler. Adapted screenplay: "Bugonia," Will Tracy; "Frankenstein," Guillermo del Toro; "Hamnet," Chloé Zhao and Maggie O'Farrell; "One Battle After Another," Paul Thomas Anderson; "Train Dreams," Clint Bailey and Greg Kwedar. Live action short film: "Butcher's Stain," "A Friend of Dorothy," "Jane Austen's Period Drama," "The Singers," "Two People Exchanging Saliva." Animated short film: "Butterfly," "Forevergreen," "The Girl Who Cried Pearls," "Retirement Plan," "The Three Sisters." Documentary short film: "All the Empty Rooms," "Armed Only with a Camera: The Life and Death of Brent Renaud," "Children No More: Were and Are Gone," "The Devil Is Busy," "Perfectly a Strangeness." Visual effects: "Avatar: Fire and Ash," "F1," "Jurassic World Rebirth," "The Lost Bus," "Sinners." Production design: "Frankenstein," "Hamnet," "Marty Supreme," "One Battle After Another," "Sinners." Film editing: "F1," "Marty Supreme," "One Battle After Another," "Sentimental Value," "Sinners." Makeup and hairstyling: "Frankenstein," "Kokuho," "Sinners," "The Smashing Machine," "The Ugly Stepsister." Costume design: "Avatar: Fire and Ash," "Frankenstein," "Hamnet," "Marty Supreme," "Sinners." About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is the retired editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin. The show was named Best Podcast in the 2025 Iowa Better Newspaper Contest. Theme music Thunder City by Lunareh, used under license from Soundstripe. YouTube clearance: FV694ULMCJQDG0IY
Filmkomponist Alexandre Desplat kann sich für "Frankenstein" über eine weitere Oscar-Nominierung freuen. Auch Scores von Max Richter und Ludwig Göransson sind im Rennen.
The sound of “Sinners” is bold, immersive, and essential to the film's emotional power — a standout achievement that has earned the film a spot on the shortlist for Best Sound at this year's upcoming Academy Awards®. We're joined by re-recording mixer and sound designer Steve Boeddeker, supervising sound editor Benny Burtt, re-recording mixer Brandon Proctor, and production sound mixer Chris Welcker to break down how they layered music, dialogue, and sound design to shape the film's mood, rhythm, and storytelling, including that incredible sequence conjuring musical spirits from the past and the future. “This comes back to Ryan being bold and taking big swings. From the effects standpoint, this was obviously a big music moment, so we were doing whatever we could to not mess it up. We started by being very specific with anything we cut, and anything we cut, we cut in rhythm with the music… And then Ryan really just wanted to be in Sammy's head, so it ended up being effects getting out of the way almost entirely, with just a few moments standing out.”—Benny Burtt, Supervising Sound Editor, “Sinners”Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Also, be sure to catch our previous episode about the music of “Sinners,” with Two-time Academy Award-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson on YouTube. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
In today's episode I chat with artist, composer, and record producer Prateek Rajagopal about building bold, immersive music. Prateek breaks down how he balances "feel" with technique, why rhythm is his north star, and how hardware synth/modular workflows can turn raw electric current into musical building blocks for composition and world-building. We also focus on Prateek's experience composing for "In the Current of Being," a haptic VR experience directed by Cameron Kostopoulos that tells the true story of Carolyn Mercer, a survivor of electroshock conversion therapy. Prateek Rajagopal is a film composer, record producer, and artist by way of Oman and India, known for his boundary-pushing work across film, immersive media, and music. He is the executive music producer and composer at KOST AI, where he scored In The Current of Being, which won SXSW 2025, premiered at Cannes Immersive 2025, and the 2025 Tribeca Film Festival. In the film and television world, Prateek has collaborated, written, and produced music on major studio projects including Trolls Band Together (Justin Timberlake), Star Wars' The Mandalorian Season 3, and Creed III (Michael B. Jordan), as part of the team under Joe Shirley and Oscar-winning composer Ludwig Göransson; a path he began after being selected for USC's prestigious Screen Scoring program. Most recently, he has returned to his musical roots through close collaboration with electronic composer and producer Bobby Krlic (Midsommar, BEEF, Beau Is Afraid). Outside of film, Prateek is the chief songwriter and guitarist of GUTSLIT, India's leading death metal export.
IT'S MAGIC WHAT WE DO. We conclude NOTEVEMBER, a month dedicated to horror musicals, with this year's cultural phenomenon, SINNERS! Join Anneliese and I as we discuss why two Michael B Jordans are better than one, why Ludwig Göransson is HIM, and more in this TWO HOUR episode… Enjoy! Follow Would You Die? on IG @wouldyoudieshow Twitter @wouldyoudieshow Facebook @ Would You Die? Email wouldyoudiepodcast@gmail.com for business inquiries Follow Austin everywhere @austinmtorres Follow Anneliese everywhere @whimsiwillow Join us on Patreon! https://www.patreon.com/wouldyoudiepodcast Subscribe to our YouTube Channel! You can find my short films, Spooky Spotlight hosted by Deanna Hope, and much more! Visit the FANGORIA store: shop.fangoria.com/wouldyoudieshow Use Promo Code: WOULDYOUDIESHOW The Would You Die? Podcast can also be found on TikTok @wouldyoudiepodcast. Follow Austin on Letterboxd @austinmtorres. Follow me on Bluesky @austinmtorres.bsky.social NEW Music is composed by Josie Palmer @josiepalms Podcast produced by Jeremy Lippitt @annuallyfunny Podcast graphics created by Crosshook Creative @crosshookcreative Watch my short film, The Blood Witch, here: https://www.youtube.com/watch?v=7Foz3PeQKJ4 Watch my short film, Spider, here: https://youtu.be/IJlqp9QJ1qo Watch my short film, Ice Scream, here: https://youtu.be/tghxuuJjPxM Watch my short film, Best Day Ever, here: https://youtu.be/WDJbfRl2Qh4 Find Three Y's Men Media here! ThreeYsMenMedia.com
Two-time Academy Award®-winning composer Ludwig Göransson and Executive Music Producer Serena Göransson join us to discuss the powerful use of music in Ryan Coogler's “Sinners,” recently nominated for six 2026 GRAMMY® Awards. In this conversation with music journalist Jon Burlingame, the Göranssons share how integral music was to the film's storytelling — and how their close collaboration with Coogler shaped the creative process from start to finish.“Serena and I were there, on the dub stage, almost every day… [Director] Ryan [Coogler] is an incredible collaborator. He wants to hear ideas… take it in, and make difficult decisions. He really wanted this to be such an immersive experience... That's why he really spent time on the mix, like panning things around, making it create an experience… Sometimes I had to pinch myself and think to myself, Ryan and I, we've been doing this since USC, and our first studio film. We were young and we had a great experience. But at the same time, when you get started, people always think, oh, these guys don't know what they're doing. And there's a lot of things that you have to prove. And now we're at this stage in our professional careers where we are experienced and also have more responsibilities and can really create in a different way… and try to push the envelope as much as we can.”—Ludwig Göransson, Composer, “Sinners”Be sure to check out “Sinners,” now streaming on HBO Max, in Dolby Vision® and Dolby Atmos®. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Steve Suminski, Los Angeles and Bay Area studio musician and freelancer. About Steve: Steven Suminski is an active freelance and studio trombonist in the Los Angeles and San Francisco Bay Areas. He currently serves as Guest Principal Trombone with the Los Angeles Chamber Orchestra and holds posts as Principal Trombone with Symphony San Jose, Opera Santa Barbara and the Riverside County Philharmonic. Steven has appeared with many premier ensembles in the area, including the Los Angeles Philharmonic, Los Angeles Opera, Hollywood Bowl Orchestra, Santa Barbara Symphony, Long Beach Symphony and Los Angeles Master Chorale. As a studio musician he has recorded for film and television projects working with composers such as John Williams, Christophe Beck, Michael Giacchino, James Newton Howard, Ludwig Göransson and countless others. Passionate about chamber music and performing new works, he is a member of the acclaimed Modern Brass Quintet and is a founding member of the award winning group Brass Pacifica, currently working for the educational division of the Music Center of Los Angeles. Steven began playing trombone at the age of nine, eventually moving to Los Angeles to study music performance at the University of Southern California. Currently he lives in the Los Angeles area and maintains an active teaching studio at Riverside City College.
Shocktober continues! This week, The Nomads of Fantasy sink their teeth into Sinners (2025), Ryan Coogler's Southern Gothic vampire story set in the 1930s. We break down its haunting mix of horror and history, exploring Michael B. Jordan's dual roles, Ryan Coogler's direction, and the film's deep themes of sin, faith, and survival. With stunning visuals by Autumn Durald Arkapaw, music by Ludwig Göransson, and production design by Hannah Beachler, Sinners proves that even in the dark, beauty and terror can coexist.Join us as we continue our month of chills with this soulful, blood-soaked entry in Shocktober — one that's as thought-provoking as it is terrifying.
Jake, Seth and Conor come together from their disparate corners of the world for good times and great company, much like the poor souls of Sinners, Ryan Coogler's 2025 Horror Masterpiece (?)! Starring Michael B. Jordan, Hailee Steinfeld, Michael B. Jordan (again), Delroy Lindo and Miles Caton and directed, written and produced by the incredible Ryan Coogler. I normally don't do this, but also have to call out composer Ludwig Göransson, for an incredible soundtrack, score and musical experience.
Linktree: https://linktr.ee/AnalyticJoin The Normandy For Additional Bonus Audio And Visual Content For All Things Nme+! Join Here: https://ow.ly/msoH50WCu0KIgnite your inner bounty hunter as Analytic Dreamz unleashes a gripping reaction to the official trailer for Star Wars: The Mandalorian and Grogu, unveiled September 22, 2025, and blasting into IMAX theaters May 22, 2026. Directed by Jon Favreau and co-written with Dave Filoni, this high-stakes sequel to the Disney+ saga thrusts Din Djarin (Pedro Pascal) and Grogu into the fray of a fractured galaxy: the Empire's remnants clash with the fragile New Republic, enlisting the armored warrior and his pint-sized Force-sensitive apprentice for a pulse-racing mission that promises epic dogfights, lightsaber skirmishes, and clan-of-two loyalty tested to the brink.Analytic Dreamz breaks down the trailer's visual feast—the resurrected Razor Crest slicing through hyperspace, Grogu's adorable yet potent Force feats like levitating foes and zapping monsters with green sludge, and heartwarming glimpses of Baby Yoda swimming or tinkering with Anzellan allies under Din's watchful beskar gaze. He spotlights triumphant returns: Garazeb "Zeb" Orrelios (voiced by Steven Blum) in full live-action glory, the irrepressible Babu Frik delivering "Good shot, baby!" quips, and a shadowy tease of Sigourney Weaver as enigmatic Colonel Ward, alongside Hutt cartel intrigue and rancor-like beast brawls that evoke classic practical-effects menace. Ludwig Göransson's score pulses with thematic thunder, bridging TV intimacy to cinematic spectacle.Does this trailer signal Star Wars' theatrical renaissance, weaving Rebels lore into a multiverse-ready epic, or does the post-Rise of Skywalker shadow demand bolder risks? Analytic Dreamz debates box-office potential, Grogu's evolving Jedi path, and how Favreau's vision elevates Mando's lone-wolf arc amid Imperial warlords' chaos—questioning if it outshines Ahsoka crossovers or sets up Rey's trilogy. For Mandalorian and Grogu trailer breakdowns, Star Wars movie reactions, Pedro Pascal updates, and Disney+ spinoff analyses, this segment is your beskar-clad essential. Subscribe to Notorious Mass Effect for more Analytic Dreamz deep dives into galactic adventures that redefine heroism and heart. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Kyle, Joe, and Rick review the horror film "Sinners." Directed and written by Ryan Coogler with music by Ludwig Göransson. The film stars Michael B. Jordan, Miles Caton, Jack O'Connell, Wunmi Mosaku, Hailee Steinfeld, and Delroy Lindo. We ranked the 11 songs from the soundtrack and picked our favorite lines, characters, performers, and scenes. Enjoy!
HE MANDALORIAN SEASON 4 (SORTA)!! Enter Here For The RR Tron Ares IMAX Screening Giveaway: https://forms.gle/2GWGWMQuABTFignF8 The Mandalorian & Grogu Trailer Reaction, Recap, Commentary, Breakdown, Analysis & Spoiler Review!! Pedro Pascal returns as Din Djarin in the first big-screen Star Wars film since The Rise of Skywalker, with Baby Yoda/Grogu by his side as they join the New Republic to face off against Imperial remnants. This official trailer from Lucasfilm and Jon Favreau shows AT-AT battles, Grogu piloting tech with the Anzellan species, speeder chases, snowtroopers, and explosive action set against the struggle to protect the galaxy after the fall of the Empire. Sigourney Weaver joins the cast as Colonel Ward (Alien, Ghostbusters), Jeremy Allen White (The Bear, The Iron Claw) stars as Rotta the Hutt, and Jonny Coyne (The Blacklist) appears as an Imperial warlord. With cameos from Zeb Orrelios (Star Wars Rebels) and more, the trailer teases big Force moments and Grogu's evolving bond with Mando. Directed by Jon Favreau with Dave Filoni, music by Ludwig Göransson, and produced by Lucasfilm/Disney, this film opens May 22, 2026. Featuring Greg Alba & John Humphrey from Reel Rejects, we look at every shot, reference, and theory—plus how it sets up the larger Star Wars universe alongside Disney+ shows like The Mandalorian, Ahsoka, Skeleton Crew, and the upcoming The Acolyte. Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
The rich tradition of Southern-fried vampires continues with Ryan Coogler's Sinners, a masterful mash-up of Delta blues, Irish folk, and the horrors of cultural appropriation. Paul, Arlo, and Eric rave about Michael B. Jordan's dual performance as twin gangsters Smoke and Stack, Ludwig Göransson's eclectic score, the frankness with which it explores America's long history of racism, and Coogler's audacious style. Plus, Paul finally saw the How to Train Your Dragon live-action remake. NEXT: punches get personal with Thunderbolts*. BREAKDOWN 00:00:37 - Intro / Banter 00:21:18 - Sinners 02:12:22 - Outro / Next LINKS ‘Sinners' Is More Than Enough To Chew On by Adam Nayman, The Ringer ‘Sinners' Opens Portals Between Blues, Rap, Heaven and Hell by Sheldon Pearce, NPR By Refusing To Do a ‘Sinners' Sequel, Ryan Coogler Is Protecting Everything We Love About His Horror Masterpiece by Jessica Toomer, Collider MUSIC “I Lied to You” by Miles Caton, Sinners (Original Motion Picture Soundtrack) (2025) “Will Ye Go, Lassie Go?” by Lola Kirke, Peter Dreams, Brian Dunphy, Daren Holden & Jack O'Connell, Sinners (Original Motion Picture Soundtrack) (2025)
We rarely cover movies here at Switched On Pop. But after seeing Ryan Coogler's new vampire musical Sinners, we knew we had to make an exception. The movie is an ode to Black music. Throughout its over two hour runtime, the film pays tribute to the blues: nodding to the musicians, instruments, and melodies that make it a foundational genre in the American musical canon. There's also Irish folk vampires, original music from Ludwig Göransson, and a whole lot of history – perfect for Charlie and Nate to sink their teeth into. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week we review Ryan Coogler's Sinners. Is this movie cursed, or is Horror Movie Talk cursed? Stay tuned to find out. Synopsis Sinners stars Michael B Jordan and Michael C Jordan as twin brothers Smoke and Stack returning from Chicago with ill gotten gains to their hometown in rural prohibition era Mississippi. They immediately work on establishing their own juke joint to entertain and profit off the locals. They go around town recruiting old friends and relatives to help and successfully have a grand opening. When the music pierces the time and space as it is prone to do, it captures the attention of nearby evil… things. Wacky hijinx ensue. Review of Sinners Ryan Coogler writes and directs his first horror film coming off of his success with blockbusters like Black Panther and Creed. Here he obviously draws inspiration from Robert Rodriguez's From Dusk Till Dawn, where it feels like one genre and then suddenly shifts into a horror film. However, we are given fair warning from the opening scene that shit is about to go down. There is a lot going on in this film. It explores a lot of ideas about good and evil, guilt, exploitation, racism, the transcendence of music, and pro tips on how to eat pussy. Not all of these themes are fully explored or necessarily land, but I have to respect the ambition and swing for the fences attitude of Coogler with this film. The film does have a great cast, with fully fleshed out characters and relationships. It spend a lot of time with the setup so that when the killing starts to happen there are real stakes (no pun intended). It feels like a Stephen King novel in the best way. A large element of the film is the music, with several musical sequences featuring blues, folk music, and weird afro-blues-rock-hiphop-pop fusion. The musical director on the film is swedish composer Ludwig Göransson, which is probably the most promising new film composer in recent years having scored The Mandelorian, Oppenheimer, Black Panther, and more. In my opinion, he is out of place here, and a lot of the musical score seems out of place and distracting. For a film about delta blues and juke joints, they seem almost embarrassed to include a lot of it. Overall, the film was very good. It held my attention, features a setting and characters that are interesting, and delivers some great monster moments. Score 9/10
This week's Empire Podcast (episode 664 if you're keeping score!) is more packed with goodness than your average Easter egg. Not only do Chris Hewitt, Helen O'Hara, and Alex Godfrey get into a discussion about what exactly makes a musical a musical (along with an impromptu visit to a certain mountain), but they tackle the week's movie news, including the revelation that the Oscars will finally have a Best Stunt Design category (note: this was recorded, due to the Easter holidays, before the new Fantastic Four trailer and Star Wars movie news. We'll get to those next week), and review Ryan Coogler's Sinners, Alex Garland and Ray Mendoza's Warfare, and the new Steve Coogan film, The Penguin Lessons. And if that weren't enough, our guest egg overcracketh, as Chris sits down with Steve Coogan and co-star Jonathan Pryce, [21:13 - 33:16 approx] and Sinners' genius composer, Ludwig Göransson, [1:31:25 - 1:45:01 approx] while Alex has an engrossing chat with Warfare's directors, Ray Mendoza and the other Alex G. [52:19 - 1:07:55 approx] And finally, there's an excerpt from Chris' wonderful spoiler special chat with The Monkey director, Osgood Perkins. [1:46:16 - 1:57:31 approx] Our full spoiler special for that movie is now up in our spoiler special feed. Phew, told you it was a packed show. Enjoy!
温馨提示：本节目为2025年2月10日录制内容的修复，因录制过程中出现不明干扰，后期反复修整，多次生成导出，希望能给各位听到对的版本。最近在重温《黑客帝国》后，划水怪时常在思考这样一个问题“我们的世界是真实存在的吗？”佛教认为所有感知到的世界都是虚妄的，唯有破除这些幻象，才能有所觉悟。于是划水怪找来了方老师，看看能否找到这个问题的答案。佛学中有哪些虚无主义的哲学观点？这些观点与现代科学能否互相印证？当我们陷入某种虚无主义该如何自处？如果你也对这些问题感兴趣，欢迎收听本期节目！更多精彩内容，敬请锁定本期节目。主播 / 相征 方佳翮音频后期 / 陆凯BBBBUDDHA音频上传 / Observer-本节目由深夜谈谈 Midnight Network出品 -Playlist:02:00:38 Ludwig Göransson - FREEPORTTimeline:00:02:02 重温《黑客帝国》00:08:30 一梦如是00:15:01 五蕴皆空的智慧00:18:10 六祖慧能与笛卡尔00:22:14 佛教哲学与现实世界的对应00:34:28 佛教须弥山与现代宇宙观的关联00:41:18 从海森堡不确定性原理到佛学哲学的探讨00:46:31 又回到21:1701:03:44 非自然现象该如何解释01:16:56 天选之子们的灵感与天赋01:27:44 人类重复性的活动01:41:22 世界树与神话体系的现代解读01:55:01 尽职尽责扮演好npc大内夜市近期上新！大内人气玄学嘉宾张无梦特别推荐5款文玩手串，旺人缘、增桃花、添财运、保健康、增智慧，咱敲多了电子木鱼，转多了赛博锦鲤，不如给自己来条趁手法器。微信搜索「大内夜市」即可购买！深夜谈谈开年招聘啦，欢迎新同事！目前开放内容运营、AE客户执行、BD商务拓展、视频编导、电商/旅行运营实习生岗位，求职信+简历+个人作品，请发送至邮箱：jobs@midnightalks.com！深夜谈谈签下了日本独立小众清酒品牌倉本KURAMOTO 系列清酒中国独家代理权，3款独具特色的清酒已在夜市上线，恰逢春节，正是送给亲友的走心年货，微信小程序搜索「大内夜市」即可购买！-深夜谈谈播客网络旗下播客：大内密谈、枕边风、空岛、随便聪明、淮海333-你还可以在这里找到我们：小红书：@深夜谈谈子、@相征terryB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈子微博：@大内密谈 微信公众号：大内密谈商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号: aidanei17301214531）并回复【听众群】即可进群。
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