Podcasts about ludwig g

Llega el ecuador de septiembre a Radio Castilla-La Mancha y, con Roberto Lancha a los mandos, los micrófonos de Estamos de Cine se abren para repasar la actualidad del séptimo arte. - Mientras en el horizonte cinematográfico ya se atisba el esperadísimo estreno de 'La bola negra', la nueva cinta de Los Javis llamada a hacer historia en los Goya y buscar su oportunidad en los Óscar, la cartelera de este fin de semana guarda un plato fuerte inesperado y rompedor: 'Bad Apples' (Manzanas podridas) es una propuesta británica protagonizada por Saoirse Ronan que brilla con luz propia como una joya transgresora en medio de un paisaje general algo gris Esta cinta británica, que cruza sin rodeos la línea de lo políticamente correcto y se proyecta en versión original al no haberse doblado al castellano, se alza como lo mejor de los últimos días a pesar de no contar con la presencia que merecería en salas comerciales - Para dar las explicaciones oportunas sobre este fenómeno y desgranar por qué han decepcionado las películas llamadas a mandar en la taquilla, se suman al programa los filtradores habituales, Alberto Luchini y Raquel Hernández En su punto de mira títulos de gran tirón comercial que no han estado a la altura, como la secuela de 'Prácticamente magia', la comedia española 'Plan perfecto' o la también propuesta de terror 'El nido'. Ante la amenaza de veredictos implacables en el Filtro Luchini, buscamos sobreponernos al cruce de espadas samurais abriendo las puertas a la gran música de cine, En su regreso al programa, Ángel Luque cumple con una más apetecible tarea pendiente del verano: repasar la grandeza de la BSO de La Odisea, del imparable Ludwig Göransson.

Homer adaptations. Sarah Watt, Jeremy Downing and William Chen discuss The Odyssey (2026) and O Brother, Where Art Thou? (2000), two adaptations of Homer's epic poems The Illiad and The Odyssey. We allude to the artistry of Christopher Nolan and Joel and Ethan Coen, aka The Coen Brothers - writer and directors of the two films. We discuss the music of both films, namely the O Brother, Where Art Thou album and the score of The Odyssey by Ludwig Göransson. Our conversation focuses on our reactions to The Odyssey, with general enjoyment found across the three hosts. We compare the archetypes across both films, discussing what each adaptation brings to the core characters, settings and ideas. We spend some time talking about O Brother, Where Art Thou's creative flourishes. We return to The Odyssey and laude Samantha Morton's performance as Circe, including the practical visual effects used in her scenes. We then move on to talk about the stacked cast in The Odyssey, including: Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Elliot Page, Himesh Patel, Mia Goth, Logan Marshall-Green, Charlize Theron, Zendaya, Jon Bernthal, Lupita Nyong'o, Benny Safdie and John Leguizamo.

Check out Cam's latest novel / audio drama here! The Odyssey is almost too massive and influential to discuss in one podcast, but we're gonna do our best. In this overstuffed episode, we are breaking down all the spectacle, substance, and surprises of this gut-punch of a movie. Topics include: the effect of format across IMAX / 70mm / D-BOX, the relationship between runtime and pacing, Ludwig Göransson's electric score, an analysis of the Trojan Horse through the frame of GRRM's Red Wedding, echoes between Homer and Tolkien, an argument that Homer invented almost every subgenre of horror, Nolan's powerfully indirect approach to creature design, an avalanche of comparisons to Oppenheimer, and a very special segment with Tristan where we go deep on the tricky art of adaptation. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com 00:00 Introduction 01:24 The Trial of IMAX 04:12 Impressions 13:37 Runtime & Pacing 22:33 Music 23:38 The Red Wedding 28:16 Lord of the Rings 29:26 The Grey Havens 31:21 The Scouring of the Shire 34:03 Homer Invented Horror 42:04 Matt Damon 45:06 Creature Design 48:37 Magic in the Margins 55:39 Oppenheimer Comparison 01:04:03 Historical Accuracy 01:10:14 Adaptation 01:44:50 Closing Thoughts

It's been a long journey settlers, and we've finally made it home. But there is no path home that does not demand a price. You can only choose who pays it.If you like what you hear, follow us on Spotify and opt-in to get notified when we drop future episodes. Better yet, get in touch and keep up with our score-settling antics on TikTok or Instagram.

Christopher Nolan has taken on one of the oldest stories ever told—and naturally, we needed two episodes to talk about it.The Popcorn Poseidon is joined by Dr. Dare to review The Odyssey, Nolan's massive 2026 adaptation of Homer's epic. In Part 1, we keep things mostly spoiler-light and answer the most important question: Should you watch this movie?We break down five reasons to see The Odyssey, why IMAX matters, Ludwig Göransson's incredible score, the enormous practical production, and why some of the online backlash feels completely overblown.Then it's time to Review the Reviews, where 10/10 declarations of “god tier filmmaking” collide headfirst with one-star complaints about pacing, acting, music and apparently everything else Nolan dared put on screen.We also dig into the absurd scale of the production—including full-size sets, planted olive trees, live sheep, Trojan horses being dragged through the dunes and practical effects that look so good you'll swear they're CGI.And whenever something seems strange?Don't worry.It was probably as Nolan intended.#TheOdyssey #ChristopherNolan #TheOdysseyMovie #MattDamon #Nolan #IMAX #LudwigGoransson #MovieReview #FilmReview #MoviePodcast #GreekMythology #Homer #ShouldYouWatchThis #PopcornPriest #ThePopcornPoseidon

"La odisea" (2026), música de Ludwig Göransson.

P3:s musikredaktör Mari Hesthammer om musikstaden Linköping. Anton Lundholms Ludwig Göransson-intervju. Emily ger oss det senaste herrmodet och Tina Mehrafzoon bjuder på snackisarna inför Way Out West. Lyssna på alla avsnitt i Sveriges Radios app. Avsnittsbeskrivning:Senaste herrtrenderna är handväskor, paljetter, ballerinaskor och sjalett. Man pursen är inte längre queerkodad, och Haaland är på det.Linköping blir årets Musikhjälpen-stad! P3:s musikreporter Mari Hesthammer gästar oss och guidar oss genom stadens tre vise män: Lars Winnerbäck, Ludwig Göransson och Tobias Forge.Vår producent Anton Lundholm berättar historien bakom den enda intervjun vi lyckats få med Ludwig Göransson på flera år. Hans pappa hade skrivit på Facebook att hans coverband skulle spela och att sonen skulle dyka upp. Ett klassiskt pappamove.Tina Mehrafzoon är på plats i Göteborg och ger oss snackisarna inför Way Out West. Vem gästar Zara Larsson? Frustrationen över The xx och oron för om Lily Allens teaterföreställning kommer att gå hem hos festivalpubliken.Programledare: Assaad Daoudi och Emily Dahl

本期节目是个“老友局”，方老师、小寒老师和划水怪在北京相聚，在《奥德赛》上映前，他们从这部史诗聊起，发现当下无数人都踏上了大规模的“奥德赛”式流浪：漫长、迂回、没有方向，却必须前行。三人对比了北京与上海的社交差异，感慨如今见面常被利益权衡填满，那种纯粹松弛、漫无目的的交谈正变得稀缺。他们梳理了两种人生状态：一边是全年无休、被客户随时召唤的自由职业者，一边是踏实买菜做饭、融入烟火的普通人。从观鸟随笔到唐宋诗词，再到《论语》与《洛神赋》，那些无法变现的无用热爱，反而搭建起跨越时空的精神共鸣。聊到最后他们发现，人人都会走过迷茫漂泊的阶段，重要的不是找到终点，而是学会与自己和解。更多精彩内容，欢迎收听本期节目~主播 / 相征 郭小寒 方佳翮音频后期 / 陆凯BBBBUDDHA音频上传 / 恬恬-本节目由深夜谈谈 Midnight Network出品 -Timeline00:00:15 许久未见的小寒和方老师来啦00:03:33 “奥德赛时期”的归属感00:11:29 自由职业真的自由么？00:21:06 急于“贴标签”的时代00:27:58 年轻人别躺平00:41:30 观鸟与散步00:51:17 无用之用的知识有什么用？00:58:31 deep time与无效社交 01:05:32 音乐节的偶遇，警醒到现在？01:18:31 说去“观鸟”就去了？！01:27:39 《论语》与《诗经》有大智慧！01:45:45 观察者与投入者02:01:04 《洛神赋》里的趣事 02:15:54 James Blake,Travis Scott,Ludwig Göransson - When I'm Home恰逢周年，大内十三周年限定主题周边正式上线。在香港的俚语里，“My Cup Of Tea”代表合心我意、投缘，于是我们将Tea替换成T恤的缩写Tee，于是就有了“MY CUP OF TEE 係我杯茶”的周年主题。而本次周边分为是定制马克杯、主题T恤两款单品，也推出了成套纪念礼盒（礼盒附赠随机主播签名嗷）～藏式金刚断烦恼，紫檀咒珠守心安。二十八宿催红鸾，甲子莲蓬伴流年。大内上新四款手串，愿你遇事不慌，少些内耗，遇见真心，白首不离。微信搜索小程序“大内夜市”，把祝福戴在腕间，日子自有光亮。奔赴天山下的阿拉木图，给自己放个假！Gorillaz、Jack White 等传奇乐队轮番开唱。划水怪&miya带队大内专属小团，雪山峡谷、实弹射击、湖畔晚餐尽收眼底。2026.08.20-08.25​，诚邀你用旷野与音乐清空焦虑，共赴一场线下出逃，重置紧绷一整年的身心。​微信搜索小程序“大内夜市”，即可报名～​深夜谈谈招聘啦，本次开放岗位全职：1、视频编导（北京/上海） 2、商务BD&AE （上海）感兴趣的朋友们请发送求职信+简历+个人作品请发送至邮箱jobs@midnightalks.com-你还可以在这里找到我们：小红书：@深夜谈谈、@相征terry、 @miyaB站：@大内密谈midnightalks视频号&抖音：@深夜谈谈微博：@大内密谈微信公众号：大内密谈商务合作邮箱：biz@midnightalks.com加听众群：加深夜谈谈子微信（微信号:SYTT-midnightalks2）并回复【听众群】即可进群。

Max studied composition and jazz piano at the Eastman School of Music, where he spent countless hours in the library studying scores and learning from educators who deeply influenced his creative work. After studying composition and jazz piano, Max went on to work in film scoring, music preparation, and orchestration on projects connected to composers such as John Williams, Danny Elfman, Alan Silvestri, Ludwig Göransson, and Jeff Beal. In this episode, Max and I also discuss how we collaborated to create the original intro music for this podcast. Together, we explored different ideas, exchanged feedback, and shaped a piece that captured the identity and energy of this podcast—showing how music and visual effects share the same goal of creating emotion and telling a story. Max also shares stories from his time at JoAnn Kane Music Service, preparing piano arrangements for The Mandalorian, and orchestrating the Netflix film They Cloned Tyrone. We also talk about perfectionism, procrastination, deadlines, creative community, and the importance of creating your own opportunities. We also discuss the importance of being a good peer, building a creative community, and helping others succeed. Max also shares one of the most important lessons he has learned throughout his career: when opportunities are not handed to you, sometimes you have to create them yourself. https://maxberlinmusic.com/

We discuss the already over-discussed Christopher Nolan adaptation of Homer's classic poem. Mark, Lawrence, Sarahlyn and Al discuss their cinema-going experiences, Ludwig Göransson's soundtrack, choices re. the book-to-film transition, the various performances, the Emily Wilson connection, and more. Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get 15% off OneSkin with the code PMP at oneskin.co/PMP.

C'est l'un des plus grands événements de l'année ciné 2026 : Christopher Nolan adapte L'Odyssée d'Homère, et on en parle forcément dans 24FPS, le podcast ciné avec ou sans spoiler ! Dans la première partie sans spoiler de l'émission, Julien et Jérôme reviennent sur ce récit fondateur et sur les coulisses du projet de Nolan avant de donner leur avis. Puis à partir de 1:17:58 ils évoquent toutes les principales scènes du film avec des analyses plus poussées et plaine de spoilers. Bonne écoute, et n'hésitez pas à partager votre avis sur la prestation de Ben Affleck dans Gone Girl ! Crédits musicaux : Odysseus de Ludwig Göransson, issu de l'album The Odyssey - Original Motion Picture Soundtrack (2026)

I denne uge svinger Tom Holland sig endnu engang gennem New Yorks gader i den nye Spider-Man film. Men gør han det bedre end Tobey Maguire eller Andrew Garfield, der tidligere har spillet Spider-Man? Det vender vi i denne time, hvor vi også kigger ind i Christopher Nolans lydunivers. I mange år har Hans Zimmer lavet soundtracket til Christopher Nolans film, men i de seneste tre Nolan-film har den yngre filmkomponist Ludwig Göransson stået for den opgave. Vi tegner et portræt af Göranssons lyd. Medvirkende: Oliver Breum, vært P1 Debat og Kanye-fan. Simon Størup, stifter og redaktør hos lokalmediet Heromkring. Jesper Hansen, filmkomponist. Mads Rosenkrantz Grage, der er manusforfatter og instruktør. Damla Erdölek, skriver om film og musik i Soundvenue. Vært: Morten Runge. Producer: Anders Skytte Agergaard. Redaktør: Lasse Lauridsen.

Homer’s Odyssey, a 12,000-line, nearly 3,000-year-old epic poem, is one of the foundational texts of Western literature. (It’s also one of the oldest surviving sequels!) It has inspired a list of movies as varied as Stanley Kubrick‘s 2001: A Space Odyssey, the Coen brothers’ O Brother, Where Art Thou?, and The SpongeBob SquarePants Movie. But there haven’t been very many straight screen adaptations of its full story. Christopher Nolan’s The Odyssey is just the second full-length feature film adaptation of Homer’s Odyssey ever made. It is 173 minutes long. It reportedly cost $250 million to make. And it is currently the No. 1 movie in the world, having grossed $666.7 million in just 12 days in theaters. This hour, rock star classicist and translator Emily Wilson joins us to talk Homer, Nolan, and everything in between. Plus: We impanel a full Nose to parse and dissect the movie as only the Nose can. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Taught writing for a long time at Trinity College Emily Wilson: A classicist who has published verse translations of Homer, Seneca, Sophocles, and Euripides; her new book, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature, is out in September, 2026, in the United States Bill Yousman: Professor of media studies at Sacred Heart University Music featured (in order): Disco Ulysses – Vulfpeck Tales of Brave Ulysses – Cream Take the Long Way Home – Supertramp Zeus’s Law – Ludwig Göransson Ithaca – Ludwig Göransson When I’m Home – James Blake, Travis Scott, Ludwig Göransson Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

With Nolan tackling one of the world's greatest adventures in The Odyssey, we enlist two guests, Mike Zimm a Homer scholar and our own Diogenes in Prof. Shai (@⁠⁠slyjester⁠⁠). We also DRAFT favorite sword & sandal movies plus share listener rankings of Nolan's 13 movies. 55 minutes in, we review other July 2026 movies: BLUE Heron, The INVITE, Minions & MONSTERS, TUNER, Mother MARY, Over Your DEAD Body, Girls Like GIRLS. Blindspot Swap reviews Menashe (2017) and They Shoot Horses Don't They (1969) + Classics Corner.SPOILERS only for The Odyssey (and briefly for Life of Pi!)Outre is "Odyssey" from the soundtrack by Ludwig Göransson

Good morning lovely listeners, and welcome to another splendid installment of Stace & Barry In The Morning; bringing you the very best in Saturday morning geek entertainment! This month, our dynamic duo dive into the Doomsday, Resident Evil, and Clayface trailers, before Supergirl makes an appearance, Barry is Ride Or Die for a new TV series, and Stace plugs her other podcast because she's seen too many awesome things of late. All this, plus some cracking pieces of score from Jerry Goldsmith and Ludwig Göransson. Grab your breakfast beverage of choice, and enjoy!

Deep Cut welcomes back dear friend and frequent guest Thanmye Lagudu to share his love for Indian filmmaker Christopher Nolan (iykyk) and his twisty Tenet. Listen as we all get a headache trying to make sense of Nolan's (overly?) complicated plot: protagonists, time travel, character archetypes, race, temporal sphincters, and Nolan's new collaborators in Jennifer Lame and Ludwig Göransson, and Robert Pattinson abound. And listen to the very end for an easter egg…www.deepcutpod.com our socials and discord server with our FREE patreon go thereTimestamps:00:00:00 Intro00:02:56 Introducing Thanmye00:09:59 Introducing Tenet00:11:21 General reactions00:19:46 Guesteral pincer movement00:22:34 The bromance00:25:03 The Protagonist / Determinism00:30:00 Bond / le Carre comparisons00:33:45 Climactic / action scenes00:38:52 Emotional truth, vs Interstellar00:42:07 Ludwig Göransson score00:43:04 Editing with Jennifer Lame00:48:16 Thanmye's favorite things about Tenet00:54:25 "Indie" solutions / Tactile filmmaking00:59:45 Nolan as auteur 01:01:53 Nolan male archetype01:08:21 Hopes for The Odyssey01:11:43 Nolan as "Indian" filmmaker01:14:06 More from Thanmye

En este Mediterráneo viajamos por algunos de los festivales que este verano reúnen músicas de distintas orillas: La Mar de Músicas de Cartagena, Ethno Catalonia de Banyoles, La Notte della Taranta y Paredes de Coura. Conocemos a YASMiNNA, actriz y música que convierte diez años de vida en las canciones de HYPERSENSIBLE. Y cerramos el viaje con La Odisea: la nueva película de Christopher Nolan, el valor de leer el clásico de Homero y la conexión con las odiseas contemporáneas del Mediterráneo. Suena en Mediterráneo: María Marín — Yo Quiero a MaiVirginie Dembelé — MougnounTerrae - Virgínia AmpostaALGARADA — Barco de PapelBab L' Bluz — ImazighenAntonio Castrignanò — Aria CaddhipulinaJulia Mestre — O Amor ÉM.I.A. — BordersYASMiNNA — MDMA YASMiNNA — A Mon PereLudwig Göransson — IthacaJames Blake, Travis Scott & Ludwig Göransson — When I'm HomeAntònia Font - AlegriaEscuchar audio

FINALLY WATCHING CHRISTOPHER NOLAN'S OSCAR WINNING FILM! The Odyssey has audiences celebrating his incredible filmography, making this the perfect time to revisit his Academy Award-winning masterpiece. Join Tara Erickson & Jackie Bonsignore as they experience Oppenheimer (2023) for the first time, reacting to the gripping story of J. Robert Oppenheimer and the creation of the atomic bomb. From the unforgettable Trinity Test sequence and Ludwig Göransson's breathtaking score to the film's nonlinear storytelling, powerhouse performances, and haunting finale, this Oppenheimer movie reaction dives into one of the greatest films of the decade. ● Build credit fast and get your first month for just a dollar at https://www.getkikoff.com/rejects today. Thanks to Kikoff for sponsoring us! In this Oppenheimer movie reaction, Oppenheimer full movie reaction, review, and breakdown, Tara & Jackie react to Christopher Nolan's (The Dark Knight Trilogy, Interstellar, The Odyssey) Best Picture-winning historical drama starring Cillian Murphy as J. Robert Oppenheimer (Peaky Blinders, 28 Days Later), Emily Blunt as Kitty Oppenheimer (A Quiet Place, Edge of Tomorrow), Matt Damon as Gen. Leslie Groves (The Martian, The Bourne Identity), Robert Downey Jr. as Lewis Strauss (Iron Man, Sherlock Holmes), Florence Pugh as Jean Tatlock (Dune: Part Two, Little Women), Josh Hartnett as Ernest Lawrence (Black Hawk Down, Trap), Benny Safdie as Edward Teller (Uncut Gems, The Curse), accompanied by Ludwig Göransson's Oscar-winning score (Black Panther, Tenet). From the race to build the atomic bomb and the breathtaking Trinity Test to the political fallout, unforgettable courtroom confrontations, and the film's thought-provoking final moments, Tara & Jackie discuss why Oppenheimer became Christopher Nolan's most celebrated achievement, earning seven Academy Awards, including Best Picture, Best Director, Best Actor, and Best Supporting Actor, while cementing its place as one of the defining films of the 2020s. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram:  https://www.instagram.com/taraerickson/ Twitter:  https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle, Joe, and Rick review the 2026 American epic action fantasy film, "The Odyssey." Directed and written by Christopher Nolan, based on Homer's Odyssey, with music by Ludwig Göransson. The film stars Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, Charlize Theron, and Jon Bernthal. Enjoy!

En el último programa de la temporada Mary Carmen Rodríguez se adentra en la pareja por antonomasia de toda una generación como es la formada por Tom Holland y Zendaya que este mes hacen doblete conjuntamente en la cartelera. Una de esas películas es "La odisea" que lleva a que Iker González Urresti abra La Música Clásica De Nuestro Tiempo con el análisis de una banda sonora que puede volver a llevar hacerle ganar el Oscar a Ludwig Göransson. Además el recuerdo In Memoriam a los actores Sam Neill y Brenda Fricker. Spooky a los mandos técnicos. ¡Muchas gracias por escucharnos!

The Odyssey (2026) Directed by: Christopher Nolan Written by: Christopher Nolan Starring: Matt Damon, Anne Hathaway, Tom Holland, Robert Pattinson, Charlize Theron, Samantha Morton, Zendaya, Lupita Nyong'o, Elliot Page, John Leguizamo, Benny Safdie, Jon Bernthal, Himesh Patel, Mia Goth, Bill Irwin, Travis Scott IMDB: [IMDB LINK] Episode Summary In this episode of Mindframes, Michael and Dave discuss The Odyssey (2026), Christopher Nolan's three-hour adaptation of Homer — a $250 million epic and the first narrative feature shot entirely on IMAX 70mm. The discussion covers Nolan as an auteur and whether the "never made a bad movie" claim holds up, the practical-effects approach to the Cyclops and Circe, the deliberately cold Northern palette imposed on the Mediterranean, Ludwig Göransson's score, and an ensemble so large the hosts concede they can't get to everyone. After the ratings, the spoiler section turns to the film's central choice: the Olympian gods have been removed while the monsters remain, and what that does to Odysseus' moral agency. Comparisons range across Nolan's own filmography, Troy, The Northman, and the sword-and-sandal epics of the 1950s and '60s. Reviews Michael: 4.5 / 5 — came out thinking four, and it has only grown in his esteem since. Praises the baseline of visual and musical quality, Damon working better as a lead than expected, and a supporting cast that carries every stop on the journey. Docks it for a cast so crowded it distracts, and for an ending too in love with its own moralism. Dave: 4.5 / 5 — would watch it again in a heartbeat. Calls it a film that grabs hold of empire, heroism, reverence, and humility all at once, and rates the separation of gods from monsters as pitch perfect. His one dent in the fender: the film plays a little episodic, a series of very large encounters rather than a single build. Thematic Discussion The Odyssey removes the Olympians but keeps the monsters. Circe, the Sirens, and the Cyclops are all simply part of the natural world here; it's Athena and Zeus who stay shadowy and inferred. Michael's reading is that this absence exists to hand moral agency back to Odysseus — if the gods were visibly steering, his guilt over the Trojan Horse wouldn't be his to carry. That guilt is framed through xenia, the Greek code of hospitality. Odysseus offered a gift that turned out to be murder, and comes to believe that breaking that norm is what set his civilization's collapse in motion. The hosts draw the parallel to the erosion of political and social norms in contemporary America, and to the film's closing turn — the Bronze Age is ending because of the Sea Peoples, and the Greeks realize they are the Sea Peoples. The episode's central disagreement is over Athena. Dave reads her as constructed: she wears the face of a priestess Odysseus watched his own men murder in her temple, and the film is showing how humans build gods out of guilt and the sense that something is sacred. Michael pushes back that the film sustains a genuine ambiguity — the idea that gods appear in human form is planted repeatedly, and the priestess is decapitated at the exact moment Athena's statue is, which leaves open that Odysseus may believe they killed a god. He points to the same ambiguity in the Cyclops' cry to Poseidon, which some of the crew claim to hear and neither Odysseus nor the audience does. Neither host resolves it, and both prefer it that way. Michael's position is that the ambiguity is the answer rather than the absence of one — something underpins their world that they don't fully see and are damaging anyway, whether that's Zeus and Poseidon or simply decency and the value of human life. Dave, arriving from a position of religious faith, says he likes that Odysseus has to live in the same uncertain world the rest of us do. The structural evidence they land on: Homer ends with a deus ex machina, Athena descending to stop the cycle of revenge. Nolan cuts it. Nobody intervenes, so Odysseus abdicates, gives the throne to Telemachus, and sails west with Penelope — a change that hands the ending's moral weight entirely to the man. Timestamps Time Segment 00:00 Intro & setup 05:08 Nolan's filmography — is he an auteur? 08:51 Practical filmmaking and visual style 09:37 IMAX 70mm and the limits of the format 14:40 Hoyte van Hoytema 17:16 Why the Mediterranean looks cold 19:39 Ludwig Göransson's score 25:20 Travis Scott, the bard, and the casting discourse 28:56 The ensemble 39:39 Reviews & ratings 49:56 Spoiler section begins 52:18 Xenia and the collapse of norms 54:50 The gods and moral agency 56:12 The Athena reveal 1:01:46 The case for ambiguity 1:05:03 "We're the Sea Peoples" 1:09:02 The ending Nolan changed 1:19:36 Final interpretation debate — are the gods there? 1:26:49 Closing thoughts Films & Directors Mentioned Memento — Christopher Nolan Inception — Christopher Nolan The Prestige — Christopher Nolan Interstellar — Christopher Nolan Dunkirk — Christopher Nolan Tenet — Christopher Nolan Oppenheimer — Christopher Nolan Troy The Northman Dune Saving Private Ryan Fruitvale Station — Ryan Coogler Creed — Ryan Coogler Black Panther — Ryan Coogler Sinners — Ryan Coogler Minority Report The Whale Anemone Disclosure Day — Steven Spielberg Barbie Michael John Ford and Monument Valley Hans Zimmer The sword-and-sandal epics of the 1950s and '60s Contact Web: https://mindframesfilm.com Facebook: Mindframes Network: Now Playing Network Email: info@mindframesfilm.com

On this week's episode of the Movie Pals Podcast, we're diving into one of the year's biggest cinematic events as Christopher Nolan brings The Odyssey (2026) to the big screen! ⚠️ FULL SPOILERS ⚠️ We discuss Nolan's ambitious adaptation of Homer's legendary epic, Matt Damon's performance as Odysseus, the incredible practical effects, Ludwig Göransson's score, and whether this ranks among Christopher Nolan's greatest films. Then it's time for The Action Vault! James reviews his Arnold Schwarzenegger pick, The Running Man (1987), discussing the action, one-liners, stalkers, Damon Killian, and whether this cult classic deserves to be remembered as one of the greatest action films of the 80s. Finally, a brand-new host and action star are randomly selected... but you'll have to listen to find out which movie enters next week's Action Vault! Episode Breakdown 00:00 - Intro 00:22 - Review of The Odyssey (2026) 52:35 - The Action Vault 53:53 - Review of James' Action Vault Pick (The Running Man) 01:22:06 - Next Action Vault Pick 01:23:04 - Outro Thanks for listening! Be sure to follow us on your favorite podcast platform and check out all of our socials below!

Christopher Nolan does not do anything small, so of course his Odyssey is shot entirely on IMAX film, scored on Bronze Age instruments, and staged with a sixty-foot practical Cyclops in an actual cave full of actual bees. Pete Wright, Tommy Metz III, Ocean Murff, and Steve Sarmento pull up an oar for The Film Board's monthly round-table to figure out what all that machinery is actually in service of — because the surprising thing about The Odyssey isn't the spectacle. It's that Nolan takes Homer's victory lap and turns it into a reckoning.Full spoilers throughout. The board digs into how the film reframes the hero: Matt Damon's Odysseus is a man who's very good at winning and increasingly sick about what winning costs, the Trojan Horse recast from clever trick to war crime, the whole story quietly asking whether "war hero" is a contradiction in terms. They get into Nolan the skeptic making a fantasy — the gods pushed to the psychological margins, Athena reimagined as guilt wearing Zendaya's face — and how a stacked cast (Anne Hathaway, Tom Holland, Charlize Theron, Samantha Morton, Robert Pattinson as a suitor you will genuinely want dead) grounds all the myth in something human.But the craft you guys… Ludwig Göransson's relentless, orchestra-free score built from gongs and scrap metal; the editing that makes a 172-minute movie move; the new camera Nolan had built and the reels that had to change every three minutes mid-scene. Steve saw it in the pristine 70mm format and comes back a little evangelized. Is a 98% Rotten Tomatoes score is earned or just the Nolan logo doing its work? What is the film is really saying about who we root for in a war? Plus, stick around past the credits for a genuine argument about whether the gods exist in this movie at all.The Film Board is a monthly round-table on new theatrical releases. Part of The Next Reel family of film shows at thenextreel.com.Links & NotesChristopher Nolan on The Daily Show with Jon Stewart — the interview Pete cites, where Nolan says Oppenheimer is the only reason this got made. YouTube · Deadline recap"Blucifer" — the Denver airport horse Pete wants to stab. It's Luis Jiménez's "Blue Mustang," and, fittingly for this episode, a piece of it fell on and killed the artist before it was finished. Blue Mustang – WikipediaThe Sea Peoples / Late Bronze Age collapse — the real history behind "we are the people from the sea." Sea Peoples – Wikipedia · Late Bronze Age collapseHow Göransson built the score — no orchestra, Bronze Age instruments, thirty-five gongs, scrap metal. VarietyThe custom IMAX camera and 70mm format we kept raving about. PetaPixel: IMAX's new large-format film cameraErrol Morris's "Interrotron" — Tommy's reference for the mirror rig that let Damon and Hathaway fake eye contact. Interrotron – WikipediaThe Odyssey on Rotten Tomatoes — the 98% critics / 96% audience split we land on. Rotten TomatoesRead-alongs (Homer & friends)Homer's The Odyssey — the source; Pete's got the audiobook queued on Libby. Free text: Project GutenbergVirgil's the Aeneid — Steve's "same war, Trojan side" reference. Project Gutenberg Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Pete | JJ | Steve | Tommy | Andy | Ocean Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

Dave & Cody are joined by film professor Paul to review Christopher Nolan's The Odyssey, which just posted the biggest live-action opening of 2026 and the best reviews of Nolan's career. The table digs into Ludwig Göransson's score, the IMAX cinematography, the 60-foot Cyclops puppet, Robert Pattinson's genuinely repulsive heel turn, and John Leguizamo's surprise best-in-career performance. Dave makes the case that softening Odysseus's hubris costs the third act its humility, and lays out a Pastor's Corner connecting the film's Sea Peoples references to the real Bronze Age collapse and what happens to a civilization that loses its faith. Plus a recast, an Argos tribute, and a spirited defense of Taco Bell.SPOILER WARNING: Full spoilers for The Odyssey after the news segment.Movie reviewed: The Odyssey (2026) — Written and directed by Christopher Nolan. Starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Zendaya, Charlize Theron, Elliot Page, Jon Bernthal, and John Leguizamo. In theaters now.

For this week's main podcast review, Lauren LaMagna, Josh Parham, Dan Bayer, Giovanni Lago and Brendan Hodges join me for the first time on video to review and discuss the latest cinematic event from Christopher Nolan, "The Odyssey" starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, Charlize Theron, Benny Safdie, Jon Bernthal, John Leguizamo, Bill Irwin, Himesh Patel, Corey Hawkins, Mia Goth, Logan Marshall-Green, Travis Scott, Eliott Page & James Remar. An adaptation and production that represents everything as big as movies can get in 2026, Nolan's telling of Homer's epic poem has generated a ton of conversation for its new IMAX technology, its breathtaking practical set pieces, seemingly controversial casting decisions, its symbolism, themes, and other adaptation choices, the performances from its massive A-list Hollywood cast, and the score by Ludwig Göransson. Zeus welcomes you all. It's an epic-sized review for an epic-sized film, and we ask you to please come on the journey with us as we discuss these topics, its chances at awards season, and more in our SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Plongez au cœur du nouveau chef-d'œuvre de Christopher Nolan, qui adapte avec brio le mythe d'Homère porté par Matt Damon, Anne Hathaway et Tom Holland. Découvrez l'interview exclusive de Zendaya, l'interprète d'Athéna, qui nous raconte ses premiers pas intimidants face à Matt Damon sur ce plateau titanesque. Une épopée magistrale et presque garantie sans effets spéciaux, rythmée par la bande-son hors norme de Ludwig Göransson.

The topic: Christopher Nolan’s The Odyssey is turning out to be the event of the summer, with screenings selling out at theaters a year in advance. Nolan shares how he adapted the Greek epic for a modern audience. On what makes a successful adaptation: “If somebody watching the film who read the poem in high school or something, who doesn’t know it that well but knows it pretty well — if that person feels that my additions or my allusions actually were from the poem, then I think I've succeeded.” The dialogue: “I’m not having the actors speak with mid-Atlantic or some British accents the way Hollywood in the 50s or 60s often did… We want it to be more accessible than that.” The sound and score: “[Ludwig Göransson] is trying to create a soundscape that is as much a part of the sense of place as the sound effects. So in a way we’re trying to blur the boundaries completely between music and sound effects.” New technology: “This blimping system, it’s essentially a high-tech box you put the [70MM IMAX] camera in and it silences it. And so for the first time ever, we could do the entire film that way.” Does the format matter? “They’re all drawn from this massive negative, so they can be as sharp and clear as possible. We’re able to fill the screen with the brightest and clearest image no matter what format you see it in.

Odyseja czyli opowieść o ludzkim losie, wyborach, przeznaczeniu i tęsknocie. Ten podcast powstaje dzięki Patronite: https://patronite.pl/karolinakp Zasubskrybuj kanał: https://www.youtube.com/@karolinakorwinpiotrowska8501 0:00:00 Intro 0:02:55 Wprowadzenie 0:08:56 Historia, która fascynuje filmowców 0:17:22 Christopher Nolan 0:20:05 Ścieżka dźwiękowa Ludwiga Göranssona 0:22:20 Ludwig Göransson - The Odyssey Official Trailer Music 0:24:06 jak jest Odyseja? 0:32:10 Efekty specjalne 0:36:49 Odys 0:39:45 Kobiety w Odysei 0:50:40 Podsumowanie 0:58:37 Maria Pawlikowska-Jasnorzewska - „Lato”. Czyta Agnieszka Żulewska 1:01:25 Outro 1:03:51 SIENNA SPIRO - Great Expectation (Official Music Video).mp3 Linki: Instagram: https://www.instagram.com/karolinakp/ WWW: https://kkpmedia.pl Posłuchaj na innych platformach: https://linktr.ee/karolinakp

DON'T TRY TO UNDERSTAND IT... FEEL IT. As our journey toward Christopher Nolan's The Odyssey continues, John Humphrey & Andrew Gordon experience Tenet (2020) for the first time, reacting to Nolan's most ambitious sci-fi thriller. From the breathtaking opera siege, inverted hallway fight, jaw-dropping 747 plane crash, highway chase, temporal pincer movement, and mind-bending ending, this Tenet reaction is packed with theories, confusion, and appreciation for one of Nolan's boldest films. Tenet Reaction (Full Length Watch Along):   / thereelrejects   Limited Time Offer – Make healthy eating simple. Get Huel today with my exclusive offer of 15% OFF online with my code REJECTS at huel.com/REJECTS. New Customers Only. Thank you to Huel for partnering and supporting our show! In this Tenet movie reaction, Tenet full movie reaction, and review, John & Andrew react to Christopher Nolan's (Oppenheimer, Inception) time-bending espionage thriller starring John David Washington as The Protagonist (BlacKkKlansman, The Creator), Robert Pattinson as Neil (The Batman, Mickey 17), Elizabeth Debicki as Kat (The Crown, Guardians of the Galaxy Vol. 3), Kenneth Branagh as Andrei Sator (Belfast, Murder on the Orient Express), and Michael Caine as Sir Michael Crosby (The Dark Knight Trilogy, Interstellar), featuring an unforgettable score by Ludwig Göransson (Oppenheimer, Black Panther). From temporal inversion and the spectacular practical effects to Neil's emotional arc, the Sator Square mystery, and one of Christopher Nolan's most debated endings, John & Andrew discuss whether Tenet deserves another look and why it remains one of Nolan's most fascinating films ahead of The Odyssey. Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Seven years between Star Wars films, and the galaxy came back with a tin-can dad, a green gremlin, and a muscled teenage Hutt with an identity crisis. Matthew Fox of Star Wars Generations joins Pete Wright, Justin Jaeger, and Ocean Murff on The Film Board to work through all of it — the parts that soar, the parts that drag, and the twenty minutes in a swamp that made everyone forget they were watching a puppet.The panel is split on the Swole Hutt (Ocean is in, Pete is out), united on Ludwig Göransson's score, and divided on whether this is a movie or just the best three episodes of a Mandalorian season that never got made. Martin Scorsese shows up as an informant and somehow steals the room. Sigourney Weaver shows up as a character and somehow doesn't. The question the table keeps circling: did Star Wars prove it belongs in theaters, or did it prove Ocean right all along?Full show notes and resources: HereThis episode on The Film Board: The Lunchbox Mandalorian • Mandalorian and Grogu**************************************************************************This episode is a production of Star Wars Generations, an Ethical Panda podcast and part of the TruStory FM Entertainment Podcast Network. Check out our website to find out more about this show and our sister podcast Superhero Ethics.We want to hear from you! Keep up with our latest news and send us feedback, questions, or comments via social media or email.TikTok · Twitter/X · Instagram · Facebook · EmailTo learn more about co-host Erin and her incredible cosplay: Instagram · TikTokJoin the conversation in the Star Wars Generations and Superhero Ethics channels on the TruStory FM Discord.Want even more content while supporting the podcast? Become a member! For $5 a month or $55 a year you get access to bonus episodes and bonus content at the end of most episodes — and you can even give membership as a gift. Sign up here.You can also support us through our sponsors:Purchase a lightsaber from Level Up Sabers, run by friend of the podcast Neighborhood Master Alan.Use Audible for audiobooks. Sign up for a one-year membership or gift one through this link.Purchase any media discussed this week through our sponsored links.

Send us Fan MailA Star Wars movie is back in theaters, and we walk out with the most predictable outcome possible: all of us have opinions. Mandalorian And Grogu gives us a big-screen dose of Din Djarin, Grogu cuteness, and creature-driven chaos, but it also raises a real question about what a theatrical Star Wars film should feel like in 2026. Are we here for a simple, rewatchable adventure, or do we need heavier stakes and a clear franchise-shifting arc?We get into what worked for us, from the Anzellans (big Babu Frik energy) to the surprisingly fun lore bits and the craft that still makes this corner of the galaxy feel tangible. We debate whether Grogu shows real growth, how the story leans into fatherhood, and why some moments land harder when you frame them as a “son protecting his dad” story. We also talk pacing, action fatigue, and why the movie can feel like a stitched-together season run instead of a standalone event.Then we go deeper on the meta stuff Star Wars fans love to argue about: marketing, trailers that don't tease a hook, Disney Plus vs theatrical storytelling, and how the “Imperial warlords” thread may be tied to bigger plans like Rangers of the New Republic and the long-dreamed Heir to the Empire direction. Plus, we shout out Ludwig Göransson's score and the theater audio experience that genuinely elevates key scenes.If you've seen Mandalorian And Grogu, come hang with our takes, then tell us yours. Subscribe for next week, share this with a Star Wars friend, and leave us a five-star review if you want to help Project Geekology reach more listeners.Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbABaby Boomers: The Strangest GenerationA light look at growing up in the 60's and 70's, TV, music, family life, politics,...Listen on: Apple Podcasts SpotifySupport the show

On this episode Dom and Ben are once again joined by Jeff White to continue their ongoing discussion about The Mandalorian And Grogu. This week they take a closer listen to the musical score for the film, talking about all the new themes, their favorite tracks, and how Ludwig Göransson's unique style interfaces with the rest of the saga's soundtracks. Later they dive into all the recent news regarding Star Wars gaming, including extensive new trailers for Galactic Racer and Zero Company. Plus, what happened to Black Sun? Will we ever get The Force Unleashed 3? And can Jeff and Ben finally convince Dom to play PowerWash Simulator 2? Tune in for all of that and so much more! Join the Star Wars Underworld Network Discord Subscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU Email: swunderworld@gmail.com

[School of Movies 2026] The first Star Wars movie released in cinemas after seven long years since The Rise of Skywalker. It's a crowd-pleaser, a simple, space western from the director of Cowboys & Aliens, Zathura and Iron Man 1 & 2. And not a lot of people showed up for it, which feels like a damn shame, since just the experience of being sat there with the Ludwig Göransson score blasting through a sound system that costs a hundred times what most of us have in our living room was quite extraordinary. There's also something to be said for the miraculous creations we get to see blown up to proportions suited to IMAX, from the gestalt entity of Mando himself, to the pugilist son of Jabba the Hutt, and most especially the special little green gremlin who we get to spend some unexpectedly intense close time with. This film has been easy to dismiss, but there's more to it than the homogenisation of Disney Plus affords us. This week's After School Club: Happy Birthday to Me (1981) Next Week: Masters of the Universe (2026)

El equipo de padre e hijo favorito de todos en la galaxia muy, muy lejana llega a la pantalla grande para cazar ex imperiales y tener una gran aventura con los otros muppets más lindos de la nueva era de Star Wars, los anzellans. Junto a Max García (del podcast "La Pregunta Es") hacemos la RE: seña y miramos peleas de gladiadores hutt musculosos never pony. Además, MaGnUs y Eze analizan la última temporada de The Boys, que seguirá con spin-offs, pero cierran la serie original con el acabose. A ver que tal les sale. Con música de Ludwig Göransson, Long Distance Calling, y Dennis Leary. Próximo programa: Spider-Noir / Masters of the Universe. ------------------------------------- #perdidoseneleter #StarWarsTheMandalorianAndGrogu #TheBoys#cine #peliculas #TV #series #StarWarsTheMandalorian #cienciaficcion #spaceopera #comics #superheroes

Not only have Mando and Gorgu arrived in theatres, but NAD has arrived as a permanent co-host on TRIAD Of The FORCE! Perfect timing too since today we, at long last, discuss the return of Star Wars to cinemas with the release of THE MANDALORIAN AND GROGU!There has been a lot of anticipation about this film and after many years since the release of The Rise Of Skywalker, we all wondered if this would be a triumphant return. Today we review this film and talk at length about what worked and didn't work, from Rotta The Hutt, to Ludwig Göransson's score, but especially the story and journey of Din Djarin and Grogu.We're so exactly to finally talk about a new Star Wars in cinemas, and especially as a complete triad! • • •TRIAD Of The FORCE is a STAR WARS+ podcast hosted by Gus, Nani, Nad, & Chase—Puerto Rican and queer creators sharing deep dives, and heartfelt conversations from a galaxy far, far away. Featured on the STAR WARS CELEBRATION Podcast Stage (2022 & 2023), we explore STAR WARS, fantasy, comic books, and other POP-culture media honestly. We engage in inclusive commentary across film, TV, books, comics, and beyond with humor, critical analysis, and cultural perspective (without the toxicity).Follow TRIAD Of The FORCE at:BlueSky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/triadoftheforce.bsky.social⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/triadoftheforce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TriadoftheForce/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you like us, get some merch and help the channel:TeePublic: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/triad-of-the-force⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• • •Acknowledgement: The Intro and Outro music is the Triad of the Force Theme, composed and performed by Grushkov with full permission for use by Grushkov (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/Grushkov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).• • •This channel is not affiliated in any way with Lucasfilm Ltd. LLC, The Walt Disney Company, or any of their affiliates or subsidiaries.

Tonight on Damn You Hollywood, we're reviewing Star Wars: The Mandalorian and Grogu, the first theatrical Star Wars film since The Rise of Skywalker and the cinematic continuation of the hit Disney+ series. Directed by Jon Favreau and co-written with Dave Filoni and Noah Kloor, the film follows Din Djarin and Grogu as they work with the New Republic to rescue Rotta the Hutt while uncovering new Imperial threats in the fractured post-Empire galaxy. Pedro Pascal returns alongside Sigourney Weaver, Jeremy Allen White, and Jonny Coyne, with Ludwig Göransson once again handling the score. Originally conceived as The Mandalorian Season 4 before the Hollywood strikes and Lucasfilm's pivot back toward theatrical releases, the film represents Disney's attempt to transform streaming-era Star Wars back into event cinema. Mixed critical reactions have praised Pascal and Göransson while questioning whether the series' episodic DNA fully translates to the big screen.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

A Star Wars movie is back in theaters for the first time since 2019! In this episode of Hyperspace Theories, Tricia Barr and B.J. Priester kick off our analysis of The Mandalorian and Grogu with a discussion of the major storytelling decisions underlying the film, which is directed by Jon Favreau and co-written by Favreau, Dave Filoni, and Noah Kloor (The Book of Boba Fett). As the sixth movie of the Disney era and the first Star Wars film built upon source material from outside the preceding movies – specifically the three seasons of the Disney+ streaming series The Mandalorian as well as adjacent series The Book of Boba Fett and Ahsoka – the creation of The Mandalorian and Grogu faced a number of challenges not previously faced by theatrical Star Wars, including an imperative to produce the movie on a considerably smaller budget than the Sequel Trilogy releases while reviving fan and customer enthusiasm for Star Wars on the big screen and the ancillary merchandise revenue that has long accompanied Star Wars films. This context in the state of the franchise explains a number of key decisions about the story built for The Mandalorian and Grogu, including the desire to acknowledge the full range of previous Star Wars stories and fans, from the Original Trilogy and Expanded Universe to the Prequels, The Clone Wars, and Disney-era films, animation, and publishing. We also examine the themes found at the heart of the story, and the non-Star Wars cinematic influences on Favreau's movie. We then revisit a frequent aspect of the Hyperspace Theories podcast: examining how Star Wars' longstanding association with the monomyth story structure shapes the tale being told in The Mandalorian and Grogu. Unsurprisingly, as a standalone film rather than a segment within a trilogy, The Mandalorian and Grogu readily aligns with the cinematic story structure expressed by Christopher Vogler, a distillation and updating of the classical monomyth found in the work of Joseph Campbell. This plot structure also guides the character arcs for The Mandalorian and Grogu, which features the two titular characters as well as significant character development for a third: Rotta the Hutt, who faces his own father-son thematic turmoil as well as pivotal choices about his path in life and the future he seeks for himself in the galaxy far far away. Related Links: Fangirls Going Rogue: A Special Look at The Mandalorian and Grogu (April) Fangirls Going Rogue: Episode 26.4 Countdown to The Mandalorian and Grogu (April) Fangirls Going Rogue: Interview with The Mandalorian and Grogu's Jon Favreau and Dave Filoni (May) Fangirls Going Rogue: Doug Chiang, John Knoll, and Ludwig Göransson Discuss Making The Mandalorian and Grogu (May) Fangirls Going Rogue: Episode 26.6 The Mandalorian and Grogu Behind-the-Scenes and Review (May) Social Media: Tricia Barr (@fangirlcantina) Instagram | Threads | Blue Sky B.J. Priester (@redpenoflex) Instagram | Threads | Blue Sky Fangirl Zone on Facebook

Seven years after The Rise of Skywalker, the saga finally got off the couch, and what it brought back was a tin-canned dad, a green gremlin, and a teenage Hutt with a glandular disorder. The Film Board lands split right down the middle, mostly in the affectionate way. Everyone agrees the adventures of Grogu are the heart of the thing. Everyone also agrees the plot is thin enough to read a newspaper through, and that this plays less like a movie than like the best three episodes of a Mandalorian season nobody got to make.Pete, JJ, and Ocean are joined by Matthew Fox, host of the Star Wars Generations podcast, and the table works through all of it: whether a jacked, English-speaking Rotta the Hutt is the dumbest swing or the most heroic one (Ocean is buying, Pete is not), why Sigourney Weaver got cast in a role that forgot to be a character, the Martin Scorsese cameo that weirdly lands, and the swamp sequence where Grogu plays caretaker to a poisoned Mando and the whole room finally forgets it is watching a puppet. Ocean makes the case for television as the franchise's natural home, Pete keeps glancing over his shoulder at Andor, and somebody floats the idea of just letting Matthew run Lucasfilm.The scores are in, and the panel landed in a tight cluster. Ludwig Göransson's score gets the home-run vote. The swole Hutt gets the side-eye.Connect with the ShowThe Film Board is part of the Next Reel Family of Film Podcasts. Find everything at thenextreel.com. Follow the show and rate every movie with us at letterboxd.com/thenextreel. Get member-only extended episodes at trustory.fm/join.Watch & DiscoverWatch Now: Apple TV | LetterboxdOriginal Theatrical Trailer Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Pete | JJ | Steve | Tommy | Andy | Ocean Shop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

This is the way. We are starting our review of The Mandalorian and Grogu with a discussion of the music, the opening scenes, the opening scenes, Sigourney Weaver, and much more.   It is finally time to start talking about The Mandalorian and Grogu. We're spending the first fifteen minutes sharing our experiences seeing the movie and non-spoiler thoughts about the film as a whole. After that, we start diving into the details.   Part two of our discussion will be coming at the end of the week, so make sure you subscribe to the podcast on your podcatcher of choice.   In this fully armed and operational episode of Podcast Stardust, we discuss: Our experiences seeing the movie for the first time in theaters, Our non-spoiler thoughts about the movie (ending around the 15 minute mark of the podcast), Ludwig Göransson's soundtrack and our initial reactions, Thoughts about the opening text and title sequence, The opening scene and how Jay missed it, The New Republic pilots, Sigourney Weaver, and Adelphi Squadron scenes, The appearance of Zeb, The Mandalorian's acquisition of a new Razorcrest, and much, much more. Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram. Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.

⚠️ SPOILER REVIEW: Star Wars: The Mandalorian & Grogu | Geek Buddies Din Djarin and Grogu have finally made the leap to the big screen — and the Geek Buddies have THOUGHTS. John Rocha, Michael Vogel and Shannon McClung sit down for a full spoiler-filled breakdown of Star Wars: The Mandalorian & Grogu. Nothing is off limits — we're diving deep into every moment, every twist, and everything this movie means for the future of Star Wars!

For this week's main podcast review, Ema Sasic, Josh Parham, and Giovanni Lago review and discuss "The Mandalorian And Grogu," starring Pedro Pascal, Jeremy Allen White, Brendan Wayne, Lateef Crowder, Jonny Coyne, Martin Scorsese, and Sigourney Weaver. Written and directed by Jon Favreau, and co-written by Dave Filoni and Noah Kloor,, the film is part of the "Star Wars" franchise and a continuation of the Disney+ television series "The Mandalorian" (2019–2023). In the film, set after the fall of the Galactic Empire, Djarin and his apprentice Grogu are enlisted by the New Republic to rescue Rotta the Hutt (White) in exchange for information on a target. This is the first time a "Star Wars" film has been in theaters since "The Rise Of Skywalker." What did the team think of it? Please tune in as they discuss the story, the craftsmanship, including Ludwig Göransson's score, the future of the franchise, and more in this SPOILER-FILLED review. Thank you for listening, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

On a very special episode of This is the Waycast, Gio is joined by original Waycast hosts Elizabeth and Zach to discuss The Mandalorian and Grogu. They discuss their scores, initial thoughts, the artistry of Lucasfilm, Grogu's future, The Mandalorian's future, Carl Weathers/Greef Karga, Colonel Ward, Rotta the Hutt, Star Wars planets, Embo, the balancing act of holding back, Zeb, did Ahsoka Season 2 affect this film?, Jon Favreau, Star Wars: Galaxy's Edge synergy, Star Wars: Starfighter, what should The Mandalorian and Grogu be compared to?, Ludwig Göransson, remnants of the Rangers of the New Republic, Dave Filoni's Heir to the Empire, Dave Filoni's leadership of Lucasfilm, and so much more.Follow the hosts and let us know what you thought of today's episode!Giovanni Delgadillo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@GioDelNope⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Elizabeth Pfeiffer: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@elizabethpfeifZach Perilstein: @TripleZ_87Check out Boardwalk Times, the Destination for True Disney Parks Fans Plus Everything Else.Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://boardwalktimes.net/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://twitter.com/boardwalktimes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/boardwalktimes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Credits:Music: "Future Gladiator" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

Dominic, Ben, and Chris are reunited (in person!), along with Matthew and Din, to share their initial thoughts on The Mandalorian and Grogu. They talk about their experiences seeing their first new Star Wars movie in almost seven years, including the IMAX 3D presentation. They break down what this movie showed us about Din Djarin and Grogu as characters, how Rotta the Hutt has evolved since The Clone Wars movie, and the role of the New Republic and Imperial Remnant in the movie. Plus, reaction to Ludwig Göransson's score, Embo's role in the movie, and why this might be the most important Star Wars movie in decades. All this and much more! Join the Star Wars Underworld Network DiscordSubscribe on YouTube Subscribe on Spotify Subscribe and Review on Apple Podcasts Facebook: www.facebook.com/swunderworld Twitter: @TheSWU

Dominic, Ben, and Chris are reunited (in person!), along with Matthew and Din, to share their initial thoughts on The Mandalorian and Grogu. They talk about their experiences seeing their first new Star Wars movie in almost seven years, including the IMAX 3D presentation. They break down what this movie showed us about Din Djarin and Grogu as characters, how Rotta the Hutt has evolved since The Clone Wars movie, and the role of the New Republic and Imperial Remnant in the movie. Plus, reaction to Ludwig Göransson's score, Embo's role in the movie, and why this might be the most important Star Wars movie in decades. All this and much more!

On this special bonus episode, Caitlin and Charlotte interview The Mandalorian and Grogu's award winning composer, Ludwig Göransson (SINNERS, OPPENHEIMER, BLACK PANTHER) at a cocktail hour on the film's set and archival storage in Los Angeles. Tune in to hear:  How does it feel to have been composing music for these characters for the last 8 years?  Is there a part in the film and score Ludwig is most excited for fans to hear?  Who would Ludwig invite to his Star Wars dinner party?  …and much much more!  PS: Apologies for the wind breaking through in the audio!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this special bonus episode, Caitlin and Charlotte interview The Mandalorian and Grogu's award winning composer, Ludwig Göransson (SINNERS, OPPENHEIMER, BLACK PANTHER) at a cocktail hour on the film's set and archival storage in Los Angeles. Tune in to hear:  How does it feel to have been composing music for these characters for the last 8 years?  Is there a part in the film and score Ludwig is most excited for fans to hear?  Who would Ludwig invite to his Star Wars dinner party?  …and much much more!  PS: Apologies for the wind breaking through in the audio!  Join our Patreon community and unlock bonus episodes + more! Our website! Follow us on Twitter/X @skytalkerspod Follow us on TikTok @skytalkers Follow us on Facebook Follow us on Instagram @skytalkerspodcast Follow Charlotte on Twitter/X @crerrity Follow Caitlin on Twitter/X @caitlinplesher Email us! hello@skytalkers.com For ad inquiries please email: skytalkers@58ember.com Please note this Episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Mandalorian and Grogu is almost here! We have a packed episode that includes highlights from a special pre-launch event hosted by Disney with the creative minds behind the magic, including Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor); exciting information about Galaxy's Edge at Disney Parks in Florida and California, details from the movie's World Premiere, a non-spoiler review of The Mandalorian and Grogu. Composer Ludwig Göransson, production designers Doug Chiang and Andrew L. Jones, prop master Josh Roth, and visual effects supervisor John Knoll discuss expanding The Mandalorian from Disney+ to the big screen. From Ludwig Göransson's iconic Mandalorian theme and massive new orchestral score, to Doug Chiang's philosophy of balancing classic Star Wars aesthetics with fresh new ideas, this episode dives deep into the artistry behind the film. The team also shares stories about building practical sets, designing new props and weapons, creating stop-motion droids, and filming stunning Razor Crest miniature shots using cutting-edge LED technology. Plus hear fun behind-the-scenes stories involving Grogu, Sigourney Weaver, runaway mouse droids, giant jungle sets, puppeteers, and how the filmmakers continue George Lucas' vision of a lived-in Star Wars galaxy. Be sure to check back next week for a detailed spoiler-filled discussion about the movie! Related Tricia Barr recaps The Mandalorian and Grogu preview screening. Our full roundtable interview with Dave Filoni and Jon Favreau Our Maul – Shadow Lord review episode with special guest Teresa Delgado Donate to Starlight Children's Foundation through LiningUp.net Worldbuilding In Maul – Shadow Lord from Hyperspace Theories podcast Maul – Shadow Lord Breakdown and Music Analysis via Skywalking Through Neverland Social Media Fangirls Going Rogue Threads | Instagram Tricia Barr Threads | Instagram Sarah Woloski Threads | Instagram Richard Woloski Threads | Instagram Facebook Public | Private You must answer the 3 questions to join the Private Facebook group!

Star Wars: The Mandalorian and Grogu is upon us! Join Mason Zehr and me for an incredible journey to Hollywood, California, for the red carpet premiere of the new Star Wars film. On this epic show, join us as we tour the Lucasfilm prop archive and model shop curated by Jon Favreau, board the cockpit of the film-used Razor Crest, tour the New Republic's ACTUAL Adelphi base, and attend a private event with  Ludwig Göransson (Music By), Doug Chiang (Production Designer), Josh Roth (Prop Master), and John Knoll (VFX Supervisor). Plus, James Burns (Jedi News) joins us as we give a spoiler-free review of The Mandalorian and Grogu and discuss our adventures on the Hollywood red carpet. Pull up a chair, grab your favorite mug, and have some Coffee With Kenobi!Coffee With Kenobi's Travel Partner – MEI/Mouse Fan Travel:Book your next adventure to Galaxy's Edge, Walt Disney World, Disneyland, Disney Cruise Line, and more with Coffee With Kenobi's trusted travel partner, MEI Travel & Mouse Fan Travel. For expert assistance with planning your next trip, visit: CoffeeWithKenobi.com/MouseFanTravelSupport Coffee With Kenobi with the CWK Alliance:Become a member of the CWK Alliance and gain exclusive access to our weekly podcast, CWK Pour-Over, including both audio and video versions! Support the show and enjoy bonus content by signing up here:CoffeeWithKenobi.com/CWKAllianceListen to CWK Pour-Over on Spotify:Keep up with CWK Pour-Over, our weekly show that dives deeper into Star Wars and popular culture! Listen on Spotify and never miss an episode:CoffeeWithKenobi.com/SpotifyWatch CWK on YouTube:Subscribe to our YouTube channel for video content, behind-the-scenes footage, and more Star Wars discussion. Visit:CoffeeWithKenobi.com/YouTubeJoin the CWK Community:Be part of the conversation! Join the CWK Cafe, a place for Star Wars fans to connect, share ideas, and discuss all things Star Wars. Join here: CoffeeWithKenobi.com/CommunityShop CWK Merchandise:Looking for Coffee With Kenobi gear? Check out our shop for shirts, hoodies, stickers, phone cases, and more: CoffeeWithKenobi.com/ShopContact Info for Dan Zehr:Email: danz@coffeewithkenobi.comX (Twitter): @MrZehrInstagram: @danzehrcwkThreads: @danzehrcwkPurchase Dan Zehr's Star Wars Books: Get your hands on the latest Star Wars books by Dan Zehr! Available now.Music Credit:"Eye to Eye" by Steve TorokThanks for listening, and have a great week. This is the podcast you're looking for!Become a supporter of this podcast: https://www.spreaker.com/podcast/coffee-with-kenobi-star-wars-community-conversation--3271982/support.Follow Coffee With Kenobi:X (Twitter): @CoffeeWithKenobiInstagram: @CoffeeWithKenobiThreads: @CoffeeWithKenobiFacebook: Coffee With KenobiYouTube: Coffee With Kenobi YouTube ChannelBluesky: @coffeewithkenobi 

WE WERE THERE! Back from Los Angeles, we are still pinching ourselves. It's been 5 long years since a Star Wars movie hit the big screen, and being at the world premiere of The Mandalorian and Grogu at the historic Chinese Theater was an absolute dream.From staying in Santa Monica and diving into secret Imagineer tours (no photos allowed, but we have stories!) to meeting legendary creators like Doug Chiang and Ludwig Göransson, this trip was a massive milestone for us.We break down the entire trip report, give our spoiler-free first reaction to the movie, and hang out with the best community in the galaxy.This is the way.