Podcast appearances and mentions of alejandro amen

Welcome, you depraved ghouls and ghost enthusiasts, to another episode of Sitting in the Dark—the podcast where we ask the truly vital horror questions, like, “Is this house cursed by restless spirits, or is it just what happens when unresolved trauma and black mold get into a knife fight?” This week, host Tommy Metz III is joined by fellow ghost provocateurs Pete Wright, Kynan Dias, and Kyle Olson to dig into haunted house horror—though not just your average “the walls are bleeding, but let's still stay the night” tales. No, we're talking haunted spaces—as in, Session 9, Ouija: Origin of Evil, and The Others—three films that prove the scariest thing in any building isn't the wallpaper peeling off the walls… it's the emotional wreckage you brought with you.Tommy kicks things off with a haunted homage to asbestos removal (yes, really), leading a deep dive into Brad Anderson's Session 9—the only film that will make you afraid of abandoned hospitals and David Caruso's dramatic whisper-acting. Then it's on to Mike Flanagan's miraculous studio rescue, Ouija: Origin of Evil—the rare horror prequel that's smarter than its brand deal, sharper than its title suggests, and way too good to be based on a board game. Finally, the gang closes the coffin lid on Alejandro Amenábar's The Others, Nicole Kidman's masterclass in weaponized repression, ghostly guilt, and why sunlight is overrated anyway.Along the way, expect critical mass levels of hot takes on ghost psychology, asbestos-based metaphors, PG-13 trauma horror, and why the real haunted house is sometimes the one you build inside your own mind. So pull the blackout curtains tight, polish your crucifixes, and maybe call your therapist—because tonight, we're not just sitting in the dark. We are the dark.Film SundriesThe List on LetterboxdWatch the movies discussed:Session 9: Apple • Amazon • LetterboxdOuija: Origin of Evil: Apple • Amazon • LetterboxdThe Others: Apple • Amazon • Letterboxd (00:00) - Welcome to Sitting in the Dark (07:32) - Do you LOVE Ghost Stories (10:02) - Thinking about Haunted House Tales (16:28) - Session 9 (24:20) - Mysterious Peanut Butter (26:04) - Session 9 (35:43) - Ouija: Origin of Evil (55:16) - The Others Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Follow the other podcasts in The Next Reel's family of film podcasts:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next Reel Film PodcastJoin the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdPeteKyleTommyKynanWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

El pasado fin de semana tuvimos la oportunidad de ir al cine a ver la primera película del cineasta español Alejandro Amenábar y quedamos encantados con con ella. También nos aterró, aunque por diferentes razones

THIS HOUSE IS OURS!! The Others Full Reaction Watch Along!! https://www.patreon.com/thereelrejects With Nicole Kidman starring in HOLLAND on Prime Video (and receiving ample praise for her role in Babygirl), Roxy Striar & Andrew Gordon give their Reaction, Recap, Commentary, Analysis, & Spoiler Review for 2001's The Others!! Visit https://huel.com/rejects to get 15% off your order Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Join Roxy Striar and Andrew Gordon as they unravel the haunting mysteries of Alejandro Amenábar's 2001 horror masterpiece, The Others. In this atmospheric ghost story, Nicole Kidman (Moulin Rouge, Eyes Wide Shut, AMC Theaters) delivers a tour-de-force performance as Grace Stewart—a protective mother living in a secluded, creaking mansion with her two photosensitive children. As unexplained events escalate, eerie secrets about the house and its occupants begin to surface, leading to one of cinema's most unforgettable twists. Kidman anchors the film with her captivating portrayal of Grace. Supporting her, Fionnula Flanagan (celebrated for her work in The Others and other dramatic classics) brings a mysterious depth to the character of Mrs. Mills, while Christopher Eccleston (known for his compelling roles in Doctor Who and Shallow Grave) adds an extra layer of intrigue with his enigmatic presence. Not to be overlooked, Eric Sykes (a familiar face from British comedy and film classics) delivers a quietly unsettling performance that perfectly complements the film's chilling atmosphere. Roxy & Andrew break down every spine-tingling moment—from the suspenseful buildup of the mansion's dark corridors and the iconic, atmospheric scenes with billowing curtains to the shocking twist that redefines everything you thought you knew. Whether you're a longtime fan of this classic horror or experiencing it for the first time, join us for an in-depth reaction and review that explores every eerie detail and hidden secret. Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

¿Estás totalmente seguro de no estar viviendo en un sueño? ¡Abre los ojos! Tras el éxito sorpresa de Tesis, Alejandro Amenábar ya se había convertido en uno de los cineastas españoles que más expectativas generaba. El listón estaba alto y se atrevió con este más difícil todavía de thriller, ciencia ficción, amor, sueños y pesadillas ¿Quieres despertar? Presentan Carlos Cubo e Ismael Rubio. Edición Carlos Cubo. Síguenos, Comparte, Comenta y dale al LIKE, ¡¡Gracias!! ➡️ Únete gratis a nuestro grupo de Telegram https://t.me/tiemposdevideoclub ➡️ Camisetas, Tazas y Merchandising https://latostadora.com/shop/TDV ➡️ Invitándonos a un café en https://ko-fi.com/tiemposdevideoclub ➡️ Visita nuestras RRSS https://allmylinks.com/tdvideoclub ➡️ Contáctanos en tiemposdevideoclub@hotmail.com ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/1476931

*whispers* Time for a classic. Jonny and Aileen discuss The Others. In 1945, immediately following the end of Second World War, a woman who lives with her two photosensitive children on her darkened old family estate in the Channel Islands becomes convinced that the home is haunted. Jonny and Aileen also talk about Chilean-Spanish director Alejandro Amenábar, The Jersey Channel Islands and memento mori photo albums. Remember to subscribe, rate and review! Follow our redes sociales: BlueSky: @uyquehorror.bsky.social TikTok: @uyquehorror Insta: @uyquehorror Twitter: @Uy_Que_Horror Find all the películas we cover on our LinkTree. Join our Patreon!   Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode we review Alejandro Amenábar's The Others.

Steven Soderbergh's new PRESENCE is an unconventional haunted house story with a twist that reminded us of 2001's THE OTHERS, though to say exactly why risks spoiling how Alejandro Amenábar performs his own twist on a comparatively traditional haunted house story. That twist forms the foundation of our discussion this week, which freely roams spoiler territory as we consider how the ending revelation shapes our understanding of THE OTHERS' perspective on religion and the afterlife, and how the film's abundant symbolism lines up with its narrative as a ghost story. Then in Feedback, we revisit our recent “Fanged Attraction” pairing with a couple of listeners offering their own interpretations of BRAM STOKER'S DRACULA and NOSFERATU. Please share your thoughts about THE OTHERS, PRESENCE, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Learn more about your ad choices. Visit megaphone.fm/adchoices

Given their shared source material, Robert Eggers' NOSFERATU and Francis Ford Coppola's BRAM STOKER'S DRACULA understandably have a lot overlap in terms of plot and character, but the two films are miles apart in their interpretation of that source material, particularly as applied to its titular vampire. We're of split opinions on Eggers' bleak, monster-forward characterization of Orlock, especially how it plays against NOSFERATU's ideas about female desire and sexuality, but agree it provides a fascinating counterpoint to Coppola's florid spin on the Count as a tragic romantic antihero. We examine that contrast further in Connections alongside other character parallels — the Renfields, the Van Helsings, the maidens fair — as well as how the two films' diverging styles each reinforce their filmmaker's take on the title character. And in place of Your Next Picture Show, we offer some impromptu reflections on the life and work of David Lynch, who died the day this episode was recorded.  Please share your thoughts about BRAM STOKER'S DRACULA, NOSFERATU, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Steven Soderbergh's PRESENCE and Alejandro Amenábar's THE OTHERS Learn more about your ad choices. Visit megaphone.fm/adchoices

Programa Vivir Rodando 203 (18ª Temporada / 18 Enero 2025) Invitado: Pepe Aracil La década de los noventa en España fue una época especial (quizás como todas las décadas). Viniendo de los siempre absurdamente magnificados años ochenta, los noventa vivieron el subidón nacional de los Juegos Olímpicos de Barcelona o la Expo de Sevilla, la factura en modo de crisis que pagamos después y un más que supuesto renacimiento final. Pero España, a partir especialmente de mitad de los noventa, vivió una especie de resurgir en su cine nacional, con una comunión entre público, críticos y cineastas poco vista. Esta corriente, que algunos ponen como un hito importante en la historia del cine español y otros como algo más exagerado que otra cosa, sucedió por muchos factores. Uno de ellos fue la unión de unos cineastas con una trayectoria, a los que se podría llamar veteranos, y una nueva corriente de cineastas que hacían unas películas algo distintas a lo habitual pero profundamente españolas. Los Fernando Trueba, Pedro Almodóvar, José Luis Cuerda, Vicente Aranda, Pilar Miró, José Luis Garci o Gonzalo Suárez se juntaron con recién llegados como Álex de la Iglesia, Julio Medem, Icíar Bollaín, Mariano Barroso, Fernando León, Alejandro Amenábar, La Cuadrilla, entre otros muchos. Lo que ocurrió en el cine español de los noventa se puede hablar desde términos de industria, económicos, sociales... Hablar de subvenciones, productores más o menos maléficos, politiqueos varios, productoras... Este programa de VR no va de eso. En este espacio el que escribe estas lineas, el creador y conductor del programa Raúl Cornejo, y su invitado, Pepe Aracil, vamos a enfocar este espacio de una forma donde juegan la memoria, lo sentimental, el aprendizaje y lo emocional. Un programa de nombres y sensaciones, desordenado, apasionado y algo caótico, como suelen ser los aprendizajes emocionales de la entrada en la edad adulta. Es este programa de VR, memorias del cine español de los noventa.

Filmmaker Pascal Plante (director of Red Rooms, one of our favorite movies of the year) joins to discuss Spanish filmmaker Alejandro Amenábar's 1996 debut, Thesis. While riveting simply at the topical level of its tense genre thrills, the movie also metatextually concerns itself with the moving image as a mediated reflection of our corporeal realities, the push-pull of commercialism and artistry, and the ethics of satisfying a violent culture's sublimated desires for shocking, exploitative imagery. We discuss Amenábar's preternatural capacity behind the camera; how his ability to mystify with the language of cinema allows viewers to recognize their complicity in the film's graphic scenarios as spectators while never sacrificing the raw thrills of moviegoing. Then, citing Michael Haneke's writing, we discuss the nature of violence in media, the responsibilites of the artist, and the morbid concept of mindless entertainment. Finally, we connect the film's subject matter to that of Pascal's latest, discussing parallels, distinctions, and the reward of watching films that assume their audience's intelligence. Red Rooms is available now on VOD and on Region A Blu Ray from Vinegar Syndrome.Get access to all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.....Our theme song is "Mirror" by Chris Fish. 

Oriol Paulo, director de películas como El Cuerpo, Contratiempo o Durante la tormenta y actualmente triunfando con la serie La última noche en Tremor, nos acompaña en este viaje en el tiempo hacia los orígenes y la evolución de la ciencia ficción. Y grandes de este género como Nacho Vigalondo, Alex de la Iglesia y Alejandro Amenábar se suman al recorrido.

On this week's Halloween episode of Queer Cinema Catchup, Joe and Allison are joined by Sydney Thompson, Chelsea Duff, and Monica Heidt of the horror movie podcast Spooky Tuesday to dissect Alejandro Amenábar's 2001 film 'The Others.' Their discussion covers everything from Nicole Kidman's A+ performance to the film's thematic grappling with faith to some first-time reactions to that twist. 00:26 Introduction to Queer Cinema Catch Up00:40 Meet the Spooky Tuesday Team02:08 First-Time Viewing and Childhood Experiences of 'The Others'05:15 Themes and Twists07:39 Comparing 'The Others' to Other Horror Films13:18 Aesthetics and Rules18:18 Emotional Impact and Personal Reflections22:06 A Mysterious Encounter22:37 Christopher Eccleston's Role23:30 The Haunting Realization24:58 Unraveling the Family's Fate27:23 The Intruders and the Seance37:02 The Power of Light and Mirrors43:57 Faith and Belief in 'The Others' Hosted on Acast. See acast.com/privacy for more information.

This week on the #WatchTowerFilmPodcast we close out our Halloween series! Just in time for spooky day itself this week! Join us as we discuss a film which many loved upon its release. A movie many applauded as a return to good ‘scary' campfire storytelling through the cinematic medium. Alejandro Amenábar's “The Others” is the Halloween poison this week! Dive in with us as we discuss style vs substance, the tumultuous making of the film, and the amazing dedication Nicole Kidman brings to this film. All this and more on this week's show!

Hey everyone, this week we have Caleb's pick for SPOOKTOBER! This pick comes to us from director Alejandro Amenábar and is “The Others.” This film is very hard to talk about without spoiling the film, but it takes place in 1945 at the end of the war where we find Nicole Kidman giving some new caretakers the tour of the house before giving them the job. The film gets very interesting when her daughter and son start to see “Others” in the home and Nicole suspects that ghosts are inhabiting the home. This film was a blast to talk through and we hope you enjoyed it too. Film Discussed: The Others (2001) Letterboxd: Eric Peterson: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Five star reviews left on the pod get read out loud!

You need to stay away from the light! Or do you? What is light anyway? What is truth, what is meaning, what is words? We try getting to the bottom of all of this by discussing the 2001 ghost movie The Others.   Nicole Kidman is Grace, a young mother who seems to have misplaced her marbles. She's alone in an enormous house with two little moppet children who can't go into the light because of an illness [citation needed]. For some reason, she still needs to open the curtains every day and pretend like everything's okay. Grace, we're here to tell you: surrender. Keep those curtains closed. Don't bother cleaning. Adopt the darkness, like Bane. You'll be happier.   Anyway, this movie rules, and it's a great contrast from last week's bloody meta mess movie, Scream.   Bonus video: We play The Trailer Challenge(™), where we recall lines from trailers of long ago that stick in our craw, then watch the trailers to see if we're remembering them correctly. Watch it on our Twitter, Instagram, or TikTok.   Next week: The Texas Chainsaw Massacre 2 (1986) with special guest JT the Talking Head!    Time stamps: 00:06:13 — Our personal histories with The Others 00:18:51 — History segment: Gothic horror; director Alejandro Amenábar; star Nicole Kidman 00:32:19 — In-depth movie discussion 01:29:36 — Final thoughts and star ratings   Sources: “The Others: Something in This House” by Philip Horne | Criterion, 2023 - https://bit.ly/3ZOB3x7 “The Others at 20: the haunted house movie that reinvigorated the genre” by Scott Tobias | The Guardian, 2021 - https://bit.ly/4gTeltQ    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9

In honor of Hispanic Heritage Month, here's a look at two fine spooky chillers: Alejandro Amenábar's The Others, starring Nicole Kidman, and Guillermo del Toro's Crimson Peak, starring Mia Wasikowska! A pair of films that show both directors at the top of their game - plus, behind-the-scenes fun facts, poll results, interactive trivia, and listener shout-outs!

En esta sesión platicamos sobre la primera película de Alejandro Amenábar con ambiente universitario, tintes slashers y una gran premisa sobre la investigación de una chica para su proyecto de tesis de título: "Violencia Audiovisual en la Sociedad Contemporánea"  ¿Y tú, ya terminaste tu Tesis?

Este episodio, el último de la serie con la que os hemos acompañado este verano, se lo hemos dedicado al cine español. Hemos recuperado cinco reportajes de cinco películas clave de nuestro cine de los años 80 y 90: “Deprisa, deprisa” de Carlos Saura, “El día de la bestia” de Alex de la Iglesia, “El crack” de José Luis Garci, “Tesis” de Alejandro Amenábar y “Ópera prima” de Fernand o Trueba.

This week on the Talk Without Rhythm Podcast I'm fulfilling a Patreon Pick from TWoRP Legionnaire Reno D. Reno requested I take a look at the 2023 Quebec flick Red Rooms aka Les chambres rouges, and I opted to pair it with Alejandro Amenábar's 1996 debut Thesis aka Tesis. [00:00] INTRO [01:44] The Good, the Bad, and the Odd Promo [02:27] RANDOM CONVERSATION [11:45] Thesis (1996) [50:33] Red Rooms (2023) [01:24:41] FEEDBACK [01:30:06] ENDING MUSIC: Snuff by Slayer Buy Thesis (1996) Buy Red Rooms (2023) Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Ayyyy. Cómo nos flipa el verano. La brisa del mar, este tiempo lento y nutritivo, nuestros cuerpos perfectos y bronceadísimos transpirando cultura y sensibilidad… Bienvenidos una Cultureta más a nuestra sección favorita: VOCES QUE ECHAMOS DE MENOS. Esta semana, directamente en el top 3 de la añoranza… María Dolores Pradera, Miguel Jackson, Luis Eduardo Aute y Antonio Vega. Exclusiva de la semana: La novela ‘Los alemanes' se convertirá en la nueva película de Alejandro Amenábar.  Escuchamos a tres de los talents elegidos para interpretar los papeles principas. De nada. Crítica ciega de la semana, ‘HERE', DE ROBERT ZEMECKIS.  Otra vez Eric Roth en el guion y Alan Silvestri en la banda sonora. Maravillosas interpretaciones de Tom Hanks y Robin Wright Penn, a los que adoramos. Peliculón absoluto. En unos meses estará en los cines. Vayan a verla. 

Ayyyy. Cómo nos flipa el verano. La brisa del mar, este tiempo lento y nutritivo, nuestros cuerpos perfectos y bronceadísimos transpirando cultura y sensibilidad… Bienvenidos una Cultureta más a nuestra sección favorita: VOCES QUE ECHAMOS DE MENOS. Esta semana, directamente en el top 3 de la añoranza… María Dolores Pradera, Miguel Jackson, Luis Eduardo Aute y Antonio Vega. Exclusiva de la semana: La novela ‘Los alemanes' se convertirá en la nueva película de Alejandro Amenábar.  Escuchamos a tres de los talents elegidos para interpretar los papeles principas. De nada. Crítica ciega de la semana, ‘HERE', DE ROBERT ZEMECKIS.  Otra vez Eric Roth en el guion y Alan Silvestri en la banda sonora. Maravillosas interpretaciones de Tom Hanks y Robin Wright Penn, a los que adoramos. Peliculón absoluto. En unos meses estará en los cines. Vayan a verla. 

Ayyyy. Cómo nos flipa el verano. La brisa del mar, este tiempo lento y nutritivo, nuestros cuerpos perfectos y bronceadísimos transpirando cultura y sensibilidad… Bienvenidos una Cultureta más a nuestra sección favorita: VOCES QUE ECHAMOS DE MENOS. Esta semana, directamente en el top 3 de la añoranza… María Dolores Pradera, Miguel Jackson, Luis Eduardo Aute y Antonio Vega. Exclusiva de la semana: La novela ‘Los alemanes' se convertirá en la nueva película de Alejandro Amenábar.  Escuchamos a tres de los talents elegidos para interpretar los papeles principas. De nada. Crítica ciega de la semana, ‘HERE', DE ROBERT ZEMECKIS.  Otra vez Eric Roth en el guion y Alan Silvestri en la banda sonora. Maravillosas interpretaciones de Tom Hanks y Robin Wright Penn, a los que adoramos. Peliculón absoluto. En unos meses estará en los cines. Vayan a verla. 

Ana Torrent sostiene la Tesis de Amenábar, acompañada por un principiante Fele Martínez, el estudiante solitario y cinéfilo, y Eduardo Noriega, el pijo atractivo y psicópata. En el primer largo de Amenábar con guion escrito mano a mano con Mateo Gil, Ángela prepara su tesis doctoral sobre la violencia en el mundo audiovisual. El rechazo y atracción que pueda ejercer sobre la estudiante, ya en la primera secuencia al apearse del metro no podrá evitar mirar al suicida partido en dos. Amenábar parte de esa premisa para su thriller situado en la Facultad de Ciencias de la Información donde él mismo estudió, con algo más de veinte años impactó al público en los 90, muy poco antes que llegara la revolución digital, aún no existían los móviles ni internet. Hoy, a un clic del ratón uno puede acceder a cualquier tipo de imagen, linchamientos, torturas reales, decapitaciones, esa violencia es la que duele ver, la del cine es falsa, y en aquellos 90 no era tan fácil acceder a ella, la recuerdo en las primeras páginas del Interviú, y en algunas películas morbosas como “Rostros de Muerte”, cintas en VHS como las que colecciona Chema. La cámara se mueve con fluidez tras los movimientos de esa comunidad universitaria de profesores y estudiantes. Un guion algo ingenuo, con carreritas por los pasillos que bordean el ridículo entre la chica y el pijo, de pronto el depredador perseguido persigue a la presa, de pronto el jovenzuelo Chema en un túnel subterráneo guarda la compostura cuando se apaga la luz, más templado que Harry el Sucio en los suburbios de San Francisco. El mismo Amenábar declara que este film agasajado en los Goya con varios premios fue producto de la ignorancia, impulsado por su profesor de la Universidad José Luis Cuerda, que forma parte del equipo educativo en la película también, Amenábar era un talento con muchas ideas, en posteriores películas se tomará más tiempo para trabajar mucho mas parcelas como la factura del argumento o el diseño de producción (Los otros, Mar adentro, Mientras dure la guerra…). Esta noche sostenemos la mirada de Ángela a través de una Sony XT-500… Salvador Limón, Zacarías Cotán, Raúl Gallego y Chari Medina.

Como cada semana, recibimos a un invitado de cine. Y el de esta, es ya un viejo conocido del programa. Se trata del actor Miguel Rellán que acaba de terminar de rodar su papel hace apenas una semana para la nueva película de Alejandro Amenábar: El cautivo. Una cinta que narra las vivencias y aventuras de un joven Miguel de Cervantes durante su cautiverio en Argel.Y en la recta final de este tiempo cinéfilo, recordamos a dos figuras de la interpretación. La cómica y entrañable actriz, Rafaela Aparicio, que brilló en títulos como Mamá cumple 100 años (Carlos Saura) y El extraño viaje (Fernando Fernán Gómez) y el icónico y elegante actor que dio vida a Batman en los 60, Adam West.Escuchar audio

Dos actores que tuvieron un triste y trágico final protagonizan el episodio de esta semana. Uno es Johnny Weissmüller el más famoso Tarzán que ha conocido el cine. Tuvo su momento de gloria pero no pudo o no supo reconvertirse a tiempo y quedó para siempre encasillado en un personaje que incluso acabó llevándole a la locura. El otro es el italiano Massimo Troisi. Se cumplen 30 años de la muerte de este actor que dejó su último aliento en el rodaje de una película: “El cartero y Pablo Neruda”. Su historia de amor al cine y a esta película conmocionó al mundo entero en los años 90. Hemos charlado con el actor Fernando Tejero que va a protagonizar la próxima película de Alejandro Amenábar y en la sección dedicada al mejor cine de ciencia-ficción tenemos esta semana “Hijos de los hombres”, del mejicano Alfonso Cuarón, una película ambientada en el futuro pero que parece un retrato del presente.

En esta edición del espacio Teide, el Dr. Pedro Tarquis explora la memoria protestante en España y su influencia en la sociedad moderna. También nos informa del curso de verano en la Facultad de Teología de Asambleas de Dios en Córdoba, diseñado para recuperar y destacar esta memoria histórica, con la participación del Secretario de Estado de Memoria Democrática. Además, analizamos la reciente decisión del Gobierno español de reconocer el Estado palestino y sus implicaciones políticas. El Dr. Tarquis nos ofrece una perspectiva crítica sobre esta medida y comenta las controversiales declaraciones de Yolanda Díaz. También comentamos la interesante trama de la película "Mientras dure la guerra" de Alejandro Amenábar, que destaca la relación entre Unamuno y el pastor protestante Atilano Coco y finalizamos con la lectura del poema "Olivo truncado de Israel" compuesto por el propio Pedro Tarquis.

Samuel Escobar fue a Lima en 1951 para estudiar Letras en la que para muchos, es la primera universidad que hubo en América, San Marcos, fundada en la época colonial española por la orden dominicana, mucho antes que las de Estados Unidos. Samuel está allí durante las celebraciones del tercer centenario, que vienen a dar conferencias algunos de los mayores pensadores europeos. Es un momento de agitación política en que resurge el socialismo democrático de Haya de la Torre, que enseñó en el colegio evangélico de San Andrés en Lima, fundado por un misionero presbiteriano de la Iglesia Libre de Escocia, Juan A. Mackay. Mackay fue catedrático de filosofí­a en San Marcos en los años 20, después de estudiar español en la universidad de Salamanca, conocer a Unamuno y pasar por la Residencia de Estudiantes en Madrid, donde estaban artistas como Dalí, Lorca y Buñuel. Samuel se licenció en pedagogía en San Marcos. En Lima se hace bautista, conoce a Lilly Artola en la iglesia y se casa con ella en 1958. Va al congreso mundial de jóvenes bautistas en Río de Janeiro en 1953 y a la vuelta conoce a Mackay en Buenos Aires, que estaba entonces en Princeton, enfrentado a la "caza de brujas" anticomunista del senador McCarthy. En este programa Escobar habla de todas estas cosas con José de Segovia. La sintonía de esta serie de programas sobre la vida de Samuel es de un acordeonista francés que colaboró con Piazzolla, Richard Galliano (Tango Pour Claude). Hay fragmentos de documentales entre medio, sobre la historia de la Universidad de San Marcos por la televisión peruana, Haya de la Torre por la embajada colombiana en Lima, la historia de los bautistas por el proyecto BITE y del programa de TVE (Buenas Noticias) sobre Unamuno y los protestantes. Los fondos musicales son de Deborah Joy Winans para la serie Greenleaf (Take Me To The Water), la versión instrumental al piano del mismo himno por Earl Stewart Jr., así como la banda sonora original de la película sobre Unamuno, "Mientras dure la guerra", por Alejandro Amenábar.

We continue our Camp Cinema season in our third episode covering Sugar and Spice (2001) and Vanilla Sky (2002)Special Guest: Good friend and frequent guest, MollyThe early Aughts was a bizarre time in American culture. The heady surge of the late 90s into Y2K was quicky benzo'd by 9/11 and the wars in Afghanistan and Iraq. Our two selections for the 2000s were written and produced before the big comedown, and they both definitely have a "we can do anything" vibe. Sugar and Spice deftly somersaulted through the byzantine development process at New Line Cinema, who were likely distracted by their massive production of Lord of the Rings trilogy at the time. What could have easily been a teen movie cash-in is a rather spunky, satirical, and fun mess. Does it work? No, but it is sassy enough to not care. Vanilla Sky is not fun. Here Cameron Crowe's grandiose vision was blinded by his fiery ambition. Coming off his best film, Almost Famous, Crowe decided to tackle a remake of Alejandro Amenábar's 1997 Spanish film Abre Los Ojos. Vanilla Sky does not align with the traditional definition of camp, but it certainly seems to be the bullseye of what Susan Sontag called Naive Camp. It is a film so devoutly serious about something so frivolously stupid.

En este nuevo Realidad y Ficción recordamos el brutal e insólito Crimen del rol de 1993, en el cual dos psicópatas amparados en un juego acabaron despiadada y aleatoriamente con la vida de Carlos Moreno. Una atrocidad que dejó a la sociedad impactada y que los medios más carroñeros aprovecharon para demonizar a los juegos de rol. Tal suceso, dio pie por supuesto a todo tipo de ficciones que o bien directamente buscaban adaptar el crimen o que, cogiéndolo como base generaron otras historias similares. Una de ellas fue la de la novela Nadie conoce a nadie de Juan Bonilla que llevaría al cine Mateo Gil ayudado por su amigo Alejandro Amenábar y de la cual os vamos a hablar en el segundo bloque del programa. Se viene al programa Javi Ramírez para comentar la película junto a Salva Vargas. Este programa cuenta con la producción ejecutiva de nuestr@s mecenas, l@s grandes, l@s únicos Kamy, Lobo Columbus, Enfermera en Mordor, Xama, Javier Ramírez, David, Rebe Sánchez, Ibai Martínez, La Casa del Acantilado, Shinyoru, José Percius, Diana y Francisco Javier Chacón. ¿Quieres ayudarnos a seguir mejorando y creciendo? Pues tienes varias opciones para ello. Dándole Me gusta o Like a este programa. Por supuesto estando suscrito para no perderte ninguno de los próximos episodios, y ya para rematar la faena, compartiendo el podcast con tus amigos en redes sociales y hablando a todo el que te cruce en la calle de nosotros…. Y todo esto encima, GRATIS!!! Y si ya nos quieres mucho, mucho, mucho y te sobra la pasta…. Puedes hacerlo económicamente de varias formas: Apoyo en iVoox: En el botón APOYAR de nuestro canal de iVoox y desde 1,49€ al mes: https://go.ivoox.com/sq/1355645?utm_source=embed_support_new&utm_medium=support&utm_campaign=new_embeds Invitándonos a una birra en Ko-Fi: por solo 2€ nos puedes apoyar en: https://ko-fi.com/criterioceropodcast Patreon: por sólo 3€ al mes en: https://patreon.com/CriterioCeroPodcast PayPal: mediante una donación a criterioceropodcast@gmail.com También nos podéis ayudar económicamente de forma indirecta si tenéis pensado suscribiros a las modalidades Premium o Plus de iVoox al hacerlo desde estos enlaces: Premium Anual: https://www.ivoox.vip/premium?affiliate-code=df7fcdce0de3ec559a4ec6985a364001 Premium Mensual: https://www.ivoox.vip/premium?affiliate-code=7b9e4ad7e2279c217770d022dba91599 iVoox Plus Mensual: https://www.ivoox.vip/plus?affiliate-code=758a7520886be57f1f8feb11510a2124 Con cada rupia que nos llegue sufragamos los costes del programa al mes, invertiremos en mejorar los equipos y por supuesto, nos daremos algún que otro capricho . Las recompensas por apoyarnos se explican en nuestro blog: https://criterioceropodcast.blogspot.com/2023/08/quieres-ayudar-criterio-cero-mejorar.html Y también puedes seguirnos en nuestras diferentes redes sociales: En Telegram en nuestro grupo: https://t.me/criteriocerogrupo En Facebook en nuestro grupo: https://www.facebook.com/groups/630098904718786 Y en la página: https://www.facebook.com/criterioceropodcast ✖️ En X (el difunto Twitter) como @criteriocero En Instagram como criterioceropodcast En TikTok como criteriocero ✉️ Para ponerte en contacto con nosotros al correo criterioceropodcast@gmail.com De paso aprovechamos para recomendaros podcasts que no debéis perderos: Hudson´s Podcast, Puede ser una charla más, Luces en el horizonte, La Catedral Atroz, La guarida del Sith, Crónicas de Nantucket, Más que cine de los 80, Fílmico, Tiempos de Videoclub, Sector Gaming , El Dátil de ET, La Casa del Acantilado, Kiosko Chispas

Open your eyes… Today we are reviewing 2001's Vanilla Sky. A privileged young man must rediscover himself after an accident leaves him disfigured and broken. Directed and Screenplay Adapted by: Cameron CroweOriginal Screenplay “Abre Los Ojos” by: Alejandro Amenábar and Mateo GilStarring: Tom Cruise, Penélope Cruz, and Cameron DiazCome on in and have a listen! What do you think of this movie? What are others like it you enjoyed? We'd love to hear from you! Please like, follow, subscribe, share.

Tom and Jenny discuss the classic 2001 gothic horror ghost story, written and directed by Alejandro Amenábar and starring Nicole Kidman. Thanks Xánada for sending us the movie! Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, and follow us on Twitter and Instagram. Also check out Jenny's horror … Continue reading Movie Time: The Others (2001)

The ghouls watch a box office smash with the Nicole Kidman hit, The Others (2001). From wiki: “The Others (Spanish: Los otros) is a 2001 gothic supernatural psychological horror film written, directed and scored by Alejandro Amenábar, starring Nicole Kidman, Fionnula Flanagan, Christopher Eccleston, Elaine Cassidy, Eric Sykes, Alakina Mann and James Bentley. Set in 1945 Jersey, it focuses on a woman and her two young photosensitive children who experience supernatural phenomena in their large manor after the arrival of three new servants.”But also! I Think You Should Leave on VHS, Shock Treatment, Twins of Evil, The Milky Way, Josh is a playwright again, Rogue Machine, Pennies from Heaven, Day of the Locust, They Shoot Horses, Don't They?, Dangerous Liasons, Bram Stoker's Dracula, Mildred Pierce, Mike Flanagan, Clown House, Don't Look Now, and more!NEXT WEEK: Taxidermia (2006)Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel 

“Sooner or later, they will find you.” This podcast is like a ship. The episode must be held as if it were water … by opening and closing the doors. Mix up the world of the living and the dead as the Lady Killers tackle intruders, death photography, ghost pianos, and a murderous mother in Alejandro Amenábar's The Others. It's time to uncover the gravestones. If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe)

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” tenemos una película española del año 1996. Se trata de “Tesis” la película con la que un joven Alejandro Amenábar cambió el cine español para siempre con su opera prima rodada siendo todavía un estudiante. Además en nuestra sección “El callejón oscuro” os traigo a Amarjeet Sada, un niño de 8 años de edad de India que se convirtió en el asesino serial más joven del mundo tras asesinar a sangre fría a tres bebes, una de ellas era su propia hermana. Tiempos: Sección principal: del 00:03:50 al 01:50:12 Sección “El callejón oscuro”: del 01:50:13 al 02:37:03 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Gay homosexuals Nick and Joseph discuss ⁠⁠⁠⁠The Others - a 2001 gothic supernatural psychological horror film written, directed, and scored by Alejandro Amenábar, starring Nicole Kidman. Additional topics include: Bruce Willis "incommunicative" DoorDash deception The deaths of Burt Young and Suzanne Somers And too many films to mention Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046 Find merch here: https://fishjellyfilmreviews.myspreadshop.com/all Venmo @fishjelly Visit their website at www.fishjellyfilms.com Find their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767 Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms) Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/ Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson --- Support this podcast: https://podcasters.spotify.com/pod/show/fish-jelly/support

The Others (1999) Dir. Alejandro Amenábar. Written by Amenábar. Starring Nicole Kidman, Fionnula Flanagan and Alakina Mann. That's So Gothic releases episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014- Licensed under Creative Commons Attribution Noncommercial (3.0)

Pray you don't get lost in the fog because we're heading to Jersey Island to discuss spooky ghost things in Alejandro Amenábar's 2001 film The Others! Joining us for the conversation is Nichole Goble, the host of the Bodies of Horror podcast! Join us as we trace the origins of the film through Tom Cruise(???) and Dimension Films(??????) before going all in on the atmospheric charms of this Gothic horror gem. From Nicole Kidman's powerful performance, to a look at the film through a lens of disability, we've got you covered. Plus: much discussion on Catholicism and the afterlife, the not-always-clear rules of the film, and the happiest version of filicide you'll ever find in a horror film. Reference: > Ernesto R. Acevedo-Muñoz. Horror of allegory: The Others and its contexts. Contemporary Spanish cinema and genre Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote > Nichole: @BodiesHorror Be sure to support the boys on Patreon!  Theme Music: Alexander Nakarada  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, a listener suggestion sends us into overtime on the sci-fi genre as we look at a film that approaches some concepts we've dug in on with past episodes, but using its own unique approach. So join us as we check out Alejandro Amenábar's Open Your Eyes from 1997. Dustin lays down some connections with other beloved mind-bending flicks; some of which we've covered for prior episodes. Jason throws some shade at the film's Tom Cruise helmed American remake Vanilla Sky. But before all that, the trailer for the new Exorcist movie is upon us and the hosts aren't so sure how ready they are for another round of whatever was going on with the most recent Halloween trilogy. And so much more! Special thanks to @Urban_Groucho for suggesting we check this one out. Got a movie you champion? A hidden gem you think needs more love? Just want to see more discussion on a particular film? We want to check out the movies you suggest to us. Write in at genreexposure@gmail.com or contact us on your favorite form of social media and shoot us a movie recommendation. Part of the Prescribed Films Podcast Network (www.thepfpn.com) What We've Been Watching: -Jason: Barbie (2023) & Takeshi's Castle (2023) -Dustin: Insidious: The Red Door (2023) & Mortal Kombat Legends: Scorpion's Revenge (2020) Show Notes: -Open Your Eyes Trailer -Stream Open Your Eyes on Freevee -Go check out the trailer for The Exorcist: Believer -Related Film: Deliver Us From Evil -Related Film: Vanilla Sky -Related Film: Aeon Flux -Related Film: Hollow Man -Related Scene: The Troma Crash -Related Mythology: Janus -Related Film: The Matrix -Related Film: The Terminator -Related Film: The Beyond -Related Film: The Devil's Honey -Related Song: Risingson by Massive Attack -Related Series: The Sandman  -Related Film: Torente -Related Film: The Others -Related Film: The Vanishing -Related Film: Ringu -Related Film: The Ring -Related Story: The Turn of the Screw -Related Author: Philip K. Dick -Related Novel: Ubik -Related Film:  Blade Runner -Related Film: Total Recall -Related Film: Minority Report -Related Film: A Scanner Darkly -Related Film: Radio Free Albemuth -Related Series: The Man in the High Castle -Related Story: Do Androids Dream of Electric Sheep? -Related Topic: Whitley Strieber -Related Topic: Anamnesis -Related Book: The Exegesis of Phillip K. Dick -Related Book: VALIS -Related Film: Avalon -Related Film: Lost Highway -Related Film: Mulholland Drive -Related Film: Inland Empire -Related Film: Inception -Related Film: Vertigo -Related Film: Come True -Related Film: Jacob's Ladder -Related Band: X Japan Next Time: Zoom Up: Murder Site (1979)

Esta semana se han conocido detalles del inicio del rodaje de la nueva película de Alejandro Amenábar, el director de cine español más taquillero de la historia. Su nueva obra es anunciada en El Callejón del Escribano, que reflexiona sobre una de las películas más importantes del momento: "Un blanco fácil". 

Vanilla Sky is a 2001 American science fiction thriller film directed, written, and co-produced by Cameron Crowe. It is an English-language remake of Alejandro Amenábar's 1997 Spanish film Open Your Eyes, which was written by Amenábar and Mateo Gil. The film stars Tom Cruise, Penélope Cruz (reprising her role from the original film), Cameron Diaz, Jason Lee, and Kurt Russell. It follows a magazine publisher who wakes up in a different reality, after his lover kills herself.

Open Your Eyes (Spanish: Abre los ojos) is a 1997 Spanish film co-written, co-scored and directed by Alejandro Amenábar and co-written by Mateo Gil. It stars Eduardo Noriega, Penélope Cruz, Chete Lera, Fele Martínez and Najwa Nimri.

December means one thing: Happy Cruisemas, from our home to yours. This month we welcome back special Cruise correspondent and BWDR torchbearer Elizabeth Cantwell to discuss Cameron Crowe's 2001 Vanilla Sky. Surrealist rom com or indulgent puzzle film? Flop or parable? We get into needle drops, Crowe's self-referentiality, whether Cruise is always more or less wearing a mask, is Brian real, what got lost in translation (from Alejandro Amenábar's Abre los ojos), the Citizen Kane of it all, are rich people likable, Cameron Diaz's tour de force, and more.For further reading, check out our own Ethan Warren on Vanilla Sky back in 2020, and Robin Bell at Den of Geek. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad.Find all 100+ issues of Bright Wall/Dark Room, including December's ode to romantic comedies of which this may or may not be one, at brightwalldarkroom.com. Please subscribe, rate, and honor us with a review. We're on Twitter @BWDR and @TheBWDRPodcast, and you're welcome to show support via our Patreon. We welcome listener feedback and sponsorship inquiries at editors@brightwalldarkroom.com. And thanks for spending the year with us.

Notes:The Verbivore mentions a TED Talk on Ghost stories that explored why we tell them. That presentation was made by Coya Paz under the title “Hauntings, Histories, & Campfire Tales: What Ghost Stories Tell Us”.Also, we want to acknowledge that the creatures from I Am Legend the novel are more like vampires and the Darkseekers from I am Legend the film are like a vampire and zombie hybrid. We're talking about them here in relation to the infection that's the catalyst that causes them to change. Here are a few articles and videos we referenced for this conversation:- Monster Complex Article “Zombie Q&A—Jonathan Maberry: “Zombie Stories Are Not About Zombies”- Youtube Video “How (Not) To Tell a Meaningful Zombie Story | Like Stories of Old”- Youtube Video “Hauntings, Histories, & Campfire Tales: What Ghost Stories Tell Us | Coya Paz | TEDxDePaulUniversity”- Youtube Video “The dark history of zombies - Christopher M. Moreman | TED-Ed”- Youtube Video “How to make your writing suspenseful - Victoria Smith | TED-Ed”- YouTube Video “Lessons from a terrified horror researcher | Mathias Clasen | TEDxAarhus”- YouTube Video “What horror films teach us about ourselves and being human | Dr. Steven Schlozman | TEDxNashville”We touch on several of our previous podcast episodes. They are as follows:- Episode 161: Monster In The House Stories- Episode 162: Setting as a Monster- Episode 163: Vampires and WerewolvesBooks and Films Mentioned: - The Beauty and the Beast by Marie Le Prince de Beaumont - Shaun of the Dead – Directed Edgar Wright - World War Z: An Oral History of the Zombie War by Max Brooks - Crimson Peak – Directed by Guillermo del Toro - Coco – Directed by Lee Unkrich and Adrian Molina - The Dead Romantics by Ashley Poston - I am Legend by Richard Matheson - I am Legend – Directed by Francis Lawrence - Warm Bodies by Isaac Marion - Warm Bodies – Directed by Jonathan Levine - The Others – Directed by Alejandro Amenábar - The Turn of the Screw by Henry James - Rebecca by Daphne du MaurierMusic from: https://filmmusic.io ‘Friendly day' by Kevin MacLeod (https://incompetech.com) Licence: CC BY (https://creativecommons.org/licenses/by/4.0/)

Thank you for joining us for this episode on an Irish legend, Fionnula Flanagan. As a star of Alejandro Amenábar's The Others (2001), she felt perfect for our second Halloween ‘22 instalment... We also go beyond that spooky favourite and dive into some of her other most noteworthy film work, including James Joyce's Women (Michael Pearce, 1985), Waking Ned (Kirk Jones, 1998), Divine Secrets of the Ya-Ya Sisterhood (Callie Khouri, 2002) and The Guard (John Michael McDonagh, 2011). In keeping with the theme, Scott then quizzes Michael on some iconic stars of Halloween favourites. How will he fare in identifying some iconic Scream Queens? We then wrap up the episode by pitching a fantasy film role we'd adore to see land at Fionnula's feet in the not-too-distant future. Please join us, enjoy this episode and follow us on social media to stay updated! We're @dontknow_her on Twitter and Instagram. And you can support us here. --- Send in a voice message: https://anchor.fm/dontknowherpod/message

SUBSCRIBE NOW for early access and exclusive bonus episodes at WWW.PATREON.COM/ROTTENREWIND All good things must come to an end. Today, we have to say goodbye to our month long retrospective on the Rotten works of America's last movie star, Tom Cruise. Critic and writer Logan Kenny returns to the podcast to help us dissect the most divisive film of Cruise and director Cameron Crowe's careers, 2001's "Vanilla Sky." Crowe and Cruise made their long awaited reunion at the turn of the century with an ambitious remake of director Alejandro Amenábar's "Open Your Eyes," bringing back original Penelope Cruz to star alongside Cameron Diaz, Kurt Russell and Jason Lee. The results weren't quite a disaster, but to this day, the film has divided audiences and critics, potentially altering the future of both Cruise and Crowe's careers. A distinctive, challenging piece of American pop cinema, "Vanilla Sky" joins the ranks of misunderstood masterpieces like Spike Lee's "Bamboozled," Jane Campion's "In the Cut" and David Cronenberg's "Crash" as one of the defining films of the podcast.

Our penultimate episode of our Artisan miniseries covers OPEN YOUR EYES (Abre los ojos)! We discuss the similarities and differences between this film and VANILLA SKY (2001), Alejandro Amenábar + Cameron Crowe's careers and bring it all home talking about CATS & DOGS (2001). Twitter: @AlmostMajor Kevin: @kevbonesy on Twitter/Letterboxd Bryden: @BrydenDoyle on Twitter + @JDoyle on Letterboxd Charlie: @ctnash91 on Twitter/Letterboxd

We're back, and Mummy has gone mad! We are very excited to cover The Others this week after quite a wild ride to get it here. This gothic psychological horror movie, written, directed, and scored by Alejandro Amenábar, stars an impeccably dressed Nicole Kidman, a sometimes unnecessarily creepy Fionnula Flanagan, and two exceedingly British children, and we are here for all of it. Thanks to Theo for this excellent recommendation!--Don't forget to rate, review, and subscribe to the show!--Want us to cover your favorite scary movie?Let us know at ohthatsascarymovie@gmail.com--Music in this episode:OTASM Theme song:Music from Uppbeat (free for Creators!):https://uppbeat.io/t/danijel-zambo/fairytalesLicense code: 5WEXHXHOK30CKEKU

*** Caution: This Episode Contains Spoilers. If you haven't seen The Others, we highly recommend you watch it before listening to this episode! *** The Others is a 2001 gothic supernatural psychological horror film written, directed, and scored by Alejandro Amenábar. The film stars Nicole Kidman, Fionnula Flanagan, James Bentley, and Alakina Mann. The plot focuses on a woman mourning the loss of her husband in WWII within an old English manor with her two children while strange events begin to occur around them.  If you have anything to add to the discussion, please don't hesitate to do so by reaching out to us on social media @TheFilmFlamers, or call our hotline and leave us a message at 972-666-7733!            Order The Others on Blu-Ray: https://amzn.to/3Mkc9Mi       Out this Month: Week 1: Shooting the Flames Week 2: Eyes Wide Shut Week 3: The Others Week 4: Hot Takes Patreon: Nicole Kidman Poll!     Coming in June 2022: Basic Instinct Showgirls      Get in Touch:  Support us on Patreon: https://www.patreon.com/TheFilmFlamers  Visit our Store: https://teespring.com/stores/thefilmflamers Facebook: https://www.facebook.com/TheFilmFlamers/ Twitter: https://twitter.com/TheFilmFlamers NEW! Letterboxd: https://letterboxd.com/thefilmflamers/ Our Website: https://www.filmflamers.com  Call our Hotline: 972-666-7733     Our Patrons: BattleBurrito Benjamin Gonzalez Bennet Hunter Brandon Anderson CenobiteBetty Dan Alvarez Daveruff87 Dr. Joe Erica Huff Gia-Ranita Pitt George Kimberly McGuirk-Klinetobe Kyle Kavanagh Lisa Libby Loch Hightower Matthew McHenry Nicole McDaniel Nikki (phillyenginerd) Orion Yannotti Penelope Perfecta Erecta Poodie Castle Robert B. Sean Homrig The Unknown Patron Walstrich   Sweet dreams...      "Welcome to Horrorland" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ "Orange" - Topher Mohr and Alex Elena: https://youtu.be/Vh-FWjjtcTM 

Jonathan se obsesionó con poder controlar sus sueños. Cuando logró tener sueños lúcidos pudo responderse preguntas sobre su relación con Dios y se abrió un espacio para explorar diferentes visiones creativas — un sueño lúcido es un lienzo en blanco. Esta es, sí, una conversación sobre cómo tener sueños lúcidos (una pista: hay que tener un diario), pero también es una conversación sobre cómo los sueños nos ayudan a sanar, a aprender y a crear.Jonathan Romero es estudiante de doctorado en el programa de español y portugués en la Universidad de Princeton. Es escritor, poeta, cineasta, documentalista y chamuyero profesional. Lo encuentran en Instagram como @phosphosphos.Pueden encontrarnos en su aplicación de podcasts favorita, como @expertosdesillon en Instagram, @ExpertoSillon en Twitter o pueden escribirnos a expertosdesillon[arroba]gmail[punto]com. Nos sostenemos gracias a oyentes como ustedes. Si quieren apoyarnos pueden unirse a nuestro grupo de Patreons en patreon.com/expertosdesillon.Expertos de Sillón es un podcast donde conversamos con nuestros invitados e invitadas sobre sus grandes obsesiones, sus placeres culposos o sus teorías totalizantes acerca de cómo funciona el mundo. Es un proyecto de Sillón Estudios. Conducen Alejandro Cardona y Sebastián Rojas. Produce Sara Trejos. Asistencia de producción de Paula Villán.REFERENCIASLibros y textos📌 El túnel de Ernesto Sabato📌 Ensayo sobre la ceguera de José Saramago📌 El Tercer Reich de los sueños de Charlotte Beradt📌 Aura de Carlos Fuentes📌 La invención de Morel de Adolfo Bioy Casares📌 La flor de Coleridge de Jorge Luis Borges📌 Libro de sueños de Jorge Luis Borges📌 El sueño de Coleridge de Jorge Luis Borges📌 Kubla Khan de Samuel Taylor Coleridge📌 Alicia en el país de las maravillas de Lewis Carroll📌 El cuento más hermoso del mundo de Rudyard KiplingPelículas📌 Inception (2010) de Christopher Nolan📌 Jogo de Cena (2007) de Eduardo Coutinho📌 Mulholland Drive (2001) de David Lynch📌 Abre los ojos (1997) de Alejandro Amenábar This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit expertosdesillon.substack.com

Join us this week as we take a deep dive into Alejandro Amenábar's 2001 'The Others.' We spend another week fawning over Nicole Kidman, debate if this is the spookiest film ever made, and have a real good time. Follow us on Social Media- Follow us on Facebook- facebook.com/HHYNSPodast Follow us on Twitter, Instagram, & Letterboxd- hhynspod Check out our Patreon- patreon.com/hhynspod. A special thank you to our patrons- Caitlin Matthews, Stephen Woosley & Neehar Phadke.