Podcasts about bandlab

Two stories by J.D. Beresford. In “The Misanthrope” a man pays a visit to a hermit living on a Cornish island to find out what drove him there. In “The Little Town” a traveller finds himself in a mysterious place watching an even more mysterious performance.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MISANTHROPE” and “THE LITTLE TOWN” by J.D. Beresford (1918).

In today's episode, I'm pretty much wrapping up the track I started last week for an episode that my brother and I recorded a few weeks ago based on a setting in his role playing game, Mappa Mundi.  I'm using the same DAW (digital audio workspace) I started learning how to use last month, the free web-based program Bandlab. Part of the reason for the past month and a half of making tracks this way was to warm up to the idea of making music entirely digitally (since that is what most people in the niche I probably most closely align with musically - synthwave - use).  I must confess as a nonjoiner, I tend to ignore, be oblivious to, and occasionally even take perverse pleasure in being the contrarian.  So I was using a more analog approach until now, mostly because it just worked.   But now I can see the benefits.  Yes, there are downsides (it's basically all done in front of a computer), but I think it's a worthwhile investment to learn this program and then progress to some of the more commonly used DAWs that most music producers use.  They are just tools, after all, and at the end of the day, any tool is just that.What I still don't know if using a DAW actually saved me any time.  I actually don't think so.  That might because of the ongoing learning curve.  But it might also be due to the capability of fiddling more with things on a more microscopic level, whereas the analog world involved more guesswork and the necessity of being okay with imperfection, even with the finished product (as anyone who has heard the pops and hisses of records and cassettes can attest to).  With things going digital, I can see the capacity to fiddle endlessly and never fully finish anything.  So we will have to see.This episode also made a little mention of Jane Goodall, one of my heroes, who passed away recently.  I brought it up since the premise of the track is that you're a naturalist/explorer observing a supernatural phenomenon in the world of the game (cue pixelated depiction below), but though she gave a lot to the world due to her work and her passing marks the end of an era in some ways, I actually don't she'd want people to be sad and pessimistic at her passing.  She championed for people to have hope (since 2022 she did a podcast she called her Hopecast, after all).  She championed for local change.  She championed for us to remember that one does not need to go to the ends of the Earth to find adventure or do good - good starts right in front of you with your own life, your own family, your own community - a great thing, I think, to keep in mind in uncertain times.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. https://13thhr.wordpress.com/2025/10/06/the-thirteenth-hour-podcast-530-musical-interlude-finishing-ice-giant-part-2-2/

Young Viola's childhood is made less lonely by her mysterious companion “Binns” – but is he fairy, familiar or something more sinister?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “YOUNG MAGIC by Helen de Guerry Simpson, 1925.

Out walking in the countryside, a man spots something different about a hill in Symondsbury, Dorset. Intrigued, he finds himself inexorably drawn into the ancient battle between good and evil. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE HILL” by R. Ellis Roberts, 1923.

In today's episode, I'm working on a new track for an episode that my brother and I recorded a few weeks ago based on a setting in his role playing game, Mappa Mundi.  I'm using the same DAW I started learning how to use last month, the free web-based program Bandlab,  which I have found is great for quickly storing ideas for later.  When I was working on "The Hunt" last month, I had the idea for an arpeggiated pattern than might fit once scene where your character reacts with a mix of awe and respect at an ice giant (see the pixelart depiction below) that lumbers by on the snowy tundra, leading a train of transfixed animals.  But I didn't have a chance to work on it fully until now.  So this week, I'd able to get into the weeds with it.  Speaking of which, here is the completed version of "The Hunt" that I submitted to the contest.  Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/29/the-thirteenth-hour-podcast-529-musical-interlude-working-on-ice-giant/

In today's episode, I'm building on what I have been discussing the past three weeks as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab which also have a companion mobile app.  While it doesn't do everything, it does far more than I expected it to do.  I have tried to resist the temptation to fall back on my analog ways and cheat the purpose of this exercise :)At this point, the track is 90% done.  Just some fine tuning left to do with the final mix.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/22/the-thirteenth-hour-podcast-528-musical-interlude-working-on-a-dark-synth-track-for-a-shadow-in-the-moonlight-part-4/

Join us as we dive into the fascinating journey of Hazel Savage, a trailblazer in AI and music tech. Discover her unique insights on entrepreneurship, and her experiences in building and selling a successful AI company. Hazel shares her candid thoughts on the challenges and triumphs of innovation, offering valuable lessons for aspiring entrepreneurs.If you're looking for a business and entrepreneurship podcast that will inspire, motivate and educate you, through the personal business journeys and entrepreneurial lessons learnt of Leeds business owners then this is the podcast for youINTRODUCING HAZEL SAVAGEWith 18 years experience in the music industry, Hazel is a music-tech lifer, guitarist and currently the CEO at Syntho. Previously, in 2018 Hazel was the CEO and Co-Founder of Musiio, an AI startup which sold to SoundCloud in 2022. She started her music-tech journey as an early employee at Shazam and has also had the privilege and experience to work at Pandora Internet Radio, Universal Music, BandLab and HMV.Hazel travels globally speaking at conferences and talking to catalogue owners about the value of artificial intelligence integration and digital transformation in the music industry. As a female founder in the heavily male-dominated industries of music and tech, Hazel seeks to offer insights with interesting and humorous anecdotes, as well as easy-to-follow explanations and use cases of artificial intelligence technology.EPISODE HIGHLIGHTS[00:00:00] Introduction to Syntho and Hazel's journey[00:02:30] Retirement and the call to action[00:05:15] The Incubator experience, finding a co-founder[00:10:34] From Idea to Execution; Starting Musio[00:16:15] Navigating the Exit; selling Musio[00:32:30] Back to the grind and embracing the hustle[00:36:00] How to ideate for a start-up idea[00:45:00] Building Leeds Angels3 KEY TAKEAWAYS & BUSINESS LEARNINGSHave strong beliefs, but loosely heldGet as many experts as possible to kick the tyres on your business ideaIf you don't have bad days, you can't have good days3 MOMENTS TO LOOK OUT FOR“What is your non-consensus view of the world?"“People are arseholes..."“When I told people what I was doing, lots of them said, "Well that won't work will it" "VALUABLE RESOURCES FOR YOUWebsite: www.leedsbusinesspodcast.com LinkedIn - https://www.linkedin.com/company/leeds-business-podcast/Work with Phil - www.philfraser.co.uk Website: https://www.leedsangels.co.uk/LinkedIn: https://www.linkedin.com/in/hazelrebeccasavage/Shout out: https://www.linkedin.com/in/crispin1/https://auditsu.com/DON'T FORGET THE LEEDS BUSINESS PODCAST ‘FAIR DEAL'My half of the agreement; Every week I bring you inspiring Leeds Business people FOR FREE.Your half of the deal - Share this episode with TWO people who you think will get value from itYOU MAY ALSO LIKEMaking a hobby a 'proper' business - Leeds United podcast, The Square Ball

In today's episode, I'm building on what I started discussing last week as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab, which is supposedly the easiest one to start using, though I will say that I have found none of the ones I have tried intuitive or especially user friendly.  That said, connecting a keyboard to the computer has helped a great deal, and I expect that the initially hassle will have longer term payoffs in terms of flexibility and range of tools at my fingertips when making new tracks than I would have doing it all analog.  So, I'm trying to not throw my hands up in frustration and go back to what I know since the whole point was to learn how to use a DAW in order to make this track.  This is the main melody behind the track.One of the soundtracks that served as an influence was William Goldstein's score for the Chuck Norris film Forced Vengeance.  There is an Eastern flair to it (the film takes place in Hong Kong) that is perfect for one of these schlocky 80s martial arts films along with an ominous tone and plenty of tastefully done 80s synth.   You can actually listen to the entire thing on William Goldstein's YT channel.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/15/the-thirteenth-hour-podcast-527-musical-interlude-working-on-a-dark-synth-track-for-a-shadow-in-the-moonlight-part-3/

An old man starts to fear for his safety when he suspects his live-in carer is not quite what he seems.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “DON'T GET AROUND MUCH ANYMORE” by Jasper L'Estrange.

In today's episode, I'm building on what I started discussing last week as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab, which is supposedly the easiest one to start using, though I will say that I have found none of the ones I have tried intuitive or especially user friendly.  That said, connecting a keyboard to the computer has helped a great deal, and I expect that the initially hassle will have longer term payoffs in terms of flexibility and range of tools at my fingertips when making new tracks than I would have doing it all analog.  So, I'm trying to not throw my hands up in frustration and go back to what I know since the whole point was to learn how to use a DAW in order to make this track.In addition, I have been experimenting with another digital tool called Nauk Nauk to make short videos of the toys I've made.  The app is basically generative AI specific to action figures and making them move.  I'm not super for or against this kind of technology, and while I touch on some of the operational pros and cons of using this kind of tech (at least from what I can see), this is one I can get behind.  Who doesn't want to see their toys come to life? Especially ones you've made!  Case in point - this one of Beverly Switzler is my favorite so far: https://www.tiktok.com/@13thhr/video/7547184629434813710?is_from_webapp=1&sender_device=pc&web_id=7547583918360708621Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

A grandmother warns her grandchildren not to pick blackcurrants where they grow in a particular spot in the village. When asked why, she relates to them a strange piece of local history. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “AN EVENING'S ENTERTAINMENT" by M.R. James, 1925.TECHNICAL NOTE: I'm having some trouble with my recording microphone - probably to do with humidity. I ended up recording this story three times before I got a decent audio and there are even some rough parts in this one which I've done what I can with. Hopefully it won't affect your enjoyment too much.

A sceptical researcher incurs the wrath of a sinister occultist and soon finds himself embroiled in strange, escalating events. As fear mounts and time runs short, he must uncover the truth behind the mysterious forces pursuing him. “CASTING THE RUNES” (1911) is a chilling tale of unseen menace and supernatural revenge.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror.

In The Tombs prison, New York, preparing to be hanged for a crime he didn't commit, Harry Jessup has a supernatural experience with far-reaching repercussions.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MAN WITH THE BROWN BEARD” by Nathaniel P. Babcock (a.k.a. Nathaniel T. Babcock), 1896.

A man is dogged by the vision of a seemingly innocuous rural scene that he becomes convinced is a harbinger of death.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “BEYONDARIL” by John Metcalfe (1971).

Dmitri Vietze is the founder and CEO of Rock Paper Scissors, a leading PR and marketing agency that helps music tech innovators tell compelling stories. Since launching the agency in 1999, Dmitri has remained at the forefront of music technology and innovation, also founding StoryAmp, a DIY PR platform. He hosts the Music Tectonics Podcast, curates the Rock Paper Scanner newsletter, and organizes the annual Music Tectonics Conference. A respected speaker and community builder, Dmitri is a trusted voice in the evolving intersection of music, media, and technology.In this episode, Dmitri Vietze shares how artists can navigate the evolving music industry by leveraging technology, storytelling, and strategic PR to build sustainable careers. Key Takeaways:Why defining your music as a hobby or a career is a crucial first step for long-term success.How innovative tools like Moises and BandLab are transforming music creation and monetization.The role of PR, networking, and the Music Tectonics Conference in building industry connections and career momentum.---→ Learn more about Dmitri and his work at MusicTectonics.comBook an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

When Esor McIre, in his duties as County Surveyor, is called upon to inspect the property of his old schoolfriend Carlton, it awakens an old curiosity about his friend's family. But what he finds there is strange beyond his imagination. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “CARLTON'S FATHER” by Eric Ambrose (1936).Supporting my workIf you like, you can donate in the following ways:Patreon: https://www.patreon.com/encryptedpodYouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/joinOne-off donation: https://ko-fi.com/encryptedpodcastYou can now also say THANKS (on YouTube) with a SUPER THANKS!LIKE, COMMENT, SHARE - it all helps the show survive and prosper!If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

The new curate in a remote village fails to heed the local superstitions surrounding a mysterious monolith (menhir) known as “The Grey Gammer”.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MENHIR” by N. Dennett (1934). Compiled in “Panics: A Collection of Uneasy Tales” (ed. Unknown). Published by Phillip Allan.

Two stories about lonely travellers seeking shelter…who find more than they bargained for. In “The Lover of the Dead”, a stranded motorist uncovers a grisly secret, while “The Witch Finder” sees the titular character's past catch up with him. These stories are from the grotesque imagination of Frederick Cowles and taken from his book “The Night Wind Howls”.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE LOVER OF THE DEAD” and “THE WITCH FINDER” by Frederick Cowles (1938).About the story:"The Lover of the Dead” and “The Witch Finder” by Frederick Cowles. First published in “The Night Wind Howls” by Frederick Cowles. Published by Frederick Muller Ltd, 1938.Music credits:Music used : "TOGETHER” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/7_vTXCRzZwI?si=iZrsdOOXBdVvk_U1SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : “THE CORRIDOR” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/r0EWPSHD8lY?si=cwmtE21gHcQ_bU0KSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : "EVIL DEAD RISES” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/xYluYDkr1io?si=wf0snSw0uLv6WFW3SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : "THE LAST LETTER” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/vjMC2SJjvZo?si=PjCZ6xNvJWbShCs9SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used with permission by VIVEK ABHISHEK https://www.youtube.com/@VIVEKABHISHEK/videosSound effects:  All sound effects sourced at Freesound*.*Used with the following licence: https://creativecommons.org/publicdomain/zero/1.0/ The recording was created using Audacity and BandLab.

When two friends hiking in the Pennines become lost, they think their fortunes have changed when they find refuge in the old Roper house. But as the night draws in and the house begins to reveal its dark secrets, they discover all is not what it seems.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE TRAINS” by Robert Aickman (1951). Compiled in “The Wine-Dark Sea” by Robert Aickman. Published by Faber & Faber. Read with permission.

After being run over by a traction engine, Mr Tilly – now a spirit – elects to keep his appointment at a séance with the famed medium Mrs Cumberbatch. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror.“MR. TILLY'S SEANCE” by E.F. Benson (1922).

When a worker at the local potteries burns to death in a freak industrial accident, the Reverend Noah Scallard develops a morbid obsession with his parishioner's unfortunate demise.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE FIRING-CHAMBER” by John Metcalfe (1962).

Nothing will ever be the same again for a country doctor when his son finds something deeply disturbing buried in the ground.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE UNDERBODY” by Alison V. Harding (1949).Sorry it's been a while. Spotify took down about 60 episodes over a spurious copyright claim and their support staff were, shall we say, less than supportive. It made me not want to post to Spotify because I don't receive any direct revenue from them (unlike YouTube whose ad revenue effectively makes this project financially viable). However, a few people have reached out to me asking me to continue uploading audio podcasts so here we are...About the story:"The Underbody” by Alison V. Harding. First published in Weird Tales magazine, November 1949.Music credits:Music used : "SUMULA” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/76xn--eCfwk?si=dZlrOMhXaoIXcNENSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : “PRESENCE” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/IJDMfZzZmME?si=hWpdl1d26C1lNPE5SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : "SPIDER” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/4gMfrLCGHFY?si=t3AbU1Y1YLM2QqLvSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : "VISCIOUS” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/WB4Wh_60mfo?si=P5EGo1U1WDn82t9BSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : "THE SEARCH” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/b1OyOl_CHE4?si=P-SqGIpkRlBYF43RSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVSound effects:  All sound effects sourced at Freesound*.*Used with the following licence: https://creativecommons.org/publicdomain/zero/1.0/ The recording was created using Audacity and BandLab. Podcast hosted by Spotify.

YouTube SpotifyBioSanitatem is a Latin word meaning “soundness of mind.”Saint Tatum is a Canadian rapper making sounds for your mind.The connection? Saint Tatum, born Benjamin Michael Scott, borrowed from the Latin for hisartist name, inspired by the healing positivity of the ancient term.At 16 years old, and having just released his first mixtape, Are You Awake Yet, he hasn't hadmuch time to build a music career. But Saint Tatum is already making his mark. His new work isgaining an international audience, making it clear that the sky's the limit for the young artist.Are You Awake is made up of six tracks that explore emotion and atmosphere. He creates in hisgarage studio using a Mac and the online digital audio workstation BandLab. While he likes theDAW's interface and effects, he has also found collaborators through the platform's interactivefeatures.Saint Tatum's approach to lyrics puts emotion before storytelling. “I really resonate off offeeling,” he says. In practice, this means a layered approach to sound, contrasting positive andnegative voices and energies.While some lyrics are pre-written, like for tracks “The Mirage” and “Don't Ask Me Why,” onothers he takes a looser approach. “I just kinda let the bars come to me rather than overthinkingthem,” he says, describing his approach as like painting a picture.On the mixtape, Saint Tatum worked with YouTube beatmakers Auxiliary Beats, Vinnyx.Prod,2Facest, Yakinata, Goth Helma, and James J.The EP's title, Are You Awake Yet, comes from a personal place of self-determination — andself-discovery. “I was going through a point in my life where I was… doing a bunch of not greatthings,” he says. By making a conscious decision to move away from negativity and pride, hewas able to break out of a cycle: “I realized staying the same was wasting my time, and changewas the only way forward.”This personal journey is what makes Are You Awake Yet so compelling. Even when Tatum'svoice is buried under layers of reverb or melted into a dreamy beat, tracks like “Love It LikeThat” pulse with vulnerability. If his music sounds like mumble rap, it's because he wants it to —or, as he puts it, “mumble trap.” Artists like Lil Skies, Lil Xan, and Rae Sremmurd were majorinfluences. But Saint Tatum is not copying. He's channeling.“I love making people feel the same way I did when I heard some of my favorite artists,” hesays. “That changed my life. I want to give that back.”Saint Tatum is completely independent — no label, no manager, no PR team — and he isalready thinking big. He's got an eye on the long game, and a clear sense of who he is as anartist. “Even if nobody listens, I'll still be making music. Living without being who I truly am wouldtake everything away from me.”For now, his focus is on connecting with listeners all over the world. Fans far and wide areresponding to the positive and healing sounds in the musical paintings of Saint Tatum.With a new mixtape ready to drop in the coming weeks, interested listeners should follow SaintTatum today. Don't miss your chance to get an early seat on the bandwagon of this rising star.Become a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.

John is joined by American singer and songwriter d4vd, to talk about how he wrote and recorded his debut album ‘Withered'.  David Burke, aka d4vd, broke into music after beginning to produce tracks of his own to accompany Fortnite videos. Having taught himself how to make music on BandLab and uploading tracks online, he first saw success with the single ‘Romantic Homicide', becoming a viral hit. He has since released multiple singles and two EPs ‘Petals to Thorns', which charted on the Billboard 200, and ‘The Lost Petals'.  In this episode, John and David dig into the creative process behind his debut album ‘Withered' and chart David's journey from YouTuber to recording artist. They discuss the details of producing with BandLab on his phone, creating his own vocal chain presets from scratch, and the themes of vulnerability and emotion behind this new record. Tracks discussed: Romantic Homicide, Crashing, You Left Me First TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Withered' here. ‘Darkroom, Interscope Records' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Focusrite Interface Apple Airpods Shure BETA 58 BandLab BandLab FX BandLab EQ BandLab Vintage Limiter BandLab Univerb Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove

In this episode the guys discuss the the ask the question Will BANDLAB Challenge FL Studio One Day? Is getting users to use your DAW when theyre young the most powerful way to ensure mass user growth? Are plugins in different countries in different languages? Is The LS 208 the new workforce mic of our generation? Is transitioning from recording engineer to mix engineer difficult? Lets find out.If you're a producer and want to get on Colossal, and sell more beats, register now at colossal.fm/producers - and it's free, no subscription costs!➡️https://colossal.fmhttps://www.instagram.com/colossal_apphttps://www.tiktok.com/@colossal.apphttps://www.youtube.com/@colossal-app➡️ Get Our Rosetta Plugins: https://cutt.ly/RwAEmuRF➡️ Our Site: https://www.helpmedevvon.com Please subscribe to our YouTube and rate our podcast it helps us a lot!➡️ https://linktr.ee/mystudionerdsFollow Ushttps://www.instagram.com/helpmedevvon➡️Join this channel to get access to perks:https://www.youtube.com/channel/UCGyDjbX9F9ARt_8sgv5kGDg/joinFollow The CastDevvon Terrellhttps://instagram.com/helpmedevvonLJhttps://instagram.com/prodbyljeanHere is L.Jean channel! https://youtube.com/@SweataWeathaCourtney Taylorhttps://instagram.com/officialcourtneytaylor#podcast #mixing #mastering

What is the secret of the curiously empty seat on the Embankment between the Avenue and Westminster Bridge?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “ON THE EMBANKMENT” by Hugh E. Wright (1919).CREATOR'S NOTE: Due to some copyright confusion, Spotify have alerted me to the fact that 61 episodes of the podcast (basically most of the early episodes that feature a piece of music called "The Black Waltz" as a theme tune) may soon disappear from the platform. I am trying to resolve this. The composer allows his music to be used under a creative commons licence provided he receives attribution, so I'm not sure what's going on. But if you find episodes disappearing from Spotify...that's what's happened!

Dark rumours surround a famous stage ventriloquist. Does his dummy contain the soul of his former partner?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE DEVIL DOLL” by Frederick E. Smith (1955).CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. They will be glad to hear from you.

Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with: LP Giobbi, a producer, jazz-trained pianist, and activist who spends 300 days a year touring between festival stages, club floors, and studios. Nabil Ayers, president of Beggar's Group, home to multiple indie labels including 4AD, Matador Records, Rough Trade, and XL Recordings. Dani Deahl, a DJ, producer, and head of communications and creator insights at BandLab, the most popular digital audio workstation worldwide. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Having relocated their family to her husband's ancestral home, Laura becomes concerned by their daughter's increasingly naughty and wilful behaviour, and her husband's darkening mood, leading her to believe Lichen Hall is not all it seems.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE PLAYFELLOW” by Lady Cynthia Asquith (1929).About the story:"The Playfellow” by Lady Cynthia Asquith. First published in “Shudders” (1929, ed. Cynthia Asquith, pub. Hutchinson). Later collected in “This Mortal Coil” by Lady Cynthia Asquith (1947, pub. Arkham House).Music credits:Music used : "DEEP DARK” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/FMHbF8TBfyU?si=8qeZpawq1L0niXyISUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : TARTINI'S DREAM” composed and produced by Vivek AbhishekMusic link: https://www.youtube.com/watch?v=OKanA-7CliUSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used :”CURSED” composed and produced by Vivek AbhishekMusic link: https://youtu.be/RywCuFpMo_Q?si=ZOqH3BzOzRFxTk3KSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used :”DEAD EVIL RISES” composed and produced by Vivek AbhishekMusic link: https://youtu.be/xYluYDkr1io?si=1W9NOOKWtYhYbzjISUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVSound effects: All sound effects sourced at Freesound*.*Used with the following licence: https://creativecommons.org/publicdomain/zero/1.0/ The recording was created using Audacity and BandLab. Podcast hosted by Spotify.

Walking in the Cotswolds, a man encounters a strange garden with unfinished walls and its even stranger owner. But what – or who – is this fortress designed to keep out?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GARDEN THAT WAS DESOLATE” by Ulric Daubeny (1919).CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. They will be glad to hear from you.

A family adopts a stray poodle who charms its way into their lives, but were the strange portents that heralded the little dog's arrival more than shadow…?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “MORE THAN SHADOW” by Dorothy Quick (1954).

This is a free preview of a paid episode. To hear more, visit theculturejournalist.substack.comFrom AI song generators like SUNO and Udio to “knob-free,” browser-based DAWs like BandLab, a rash of new music production apps and software is wooing creators with the promise of shortcutting the time and elbow grease it traditionally takes to make music. But is quicker and more effortless necessarily better? Montreal-based writer and musician Devon Ha…

A recently married man becomes convinced that his wife is haunted by a disturbing doppelgänger – perhaps a “fetch” – that only he can see. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “FETCH” by Rebecca Lloyd (2016).For more information about the author and her work, please visit her website: https://www.beccalloyd.org/

A bus driver recalls the highs and lows of his life in this dark and blackly comic monologue. This is a bit of an experiment for me, inspired by the popular character monologues written by Alan Bennett that were broadcast on British television in the 1990s. If people like it, I may make it the start of an occasional series called "Talking Dead".“THE BUS DRIVER'S FEAR OF CHANGE” by Jasper L'Estrange. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. You can hear me discuss this story by listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters.CREATOR'S NOTE: These recordings may contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you. The stories I choose to read I choose because I like them - not that they're all perfect or that I agree with all the sentiments expressed, but because I find something in them to recommend them. If I were to read only what I consider to be the few perfect vintage horror stories I should have recorded about twenty and stopped. But everything I read has something in it that appeals to my taste. Tastes differ, so you might not agree with my choices, but that doesn't make you right.

Visiting Munich on his way to Transylvania, an Englishman ignores the warnings of the hotelier and coach driver in order to explore an abandoned village on the pagan festival of Walpurgis Night. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “DRACULA'S GUEST” by Bram Stoker (1897).

 POP STOP 15 for MXTR FM  Jan 22, 2025 edition -SHACKNATION 17 (Reverbnation Campaign #11 Oct-Dec 2024) We're covering our latest radio submission campaign with the company Reverbnation and Bandlab! We found many great artists for you to adore from pop to hip hop to edm and more! Over 500 submitted but only 22 made the cut! We're looking for the best of the crop from each campaign! We hope you enjoy all these indie artists who are very small hidden acts that need your help! Please share the Halshack! Thank you! Go find everything show related at Halshack.comYou fans are the BEST!! See you next week! 

When their son leaves for university, a couple's discovery of some old photographs and letters in the attic reveals a family secret and sets in motion a disturbing chain of events. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE LILY-WHITE BOY” from the book “Haunted Tales” by Adam Macqueen (2024). This story is copyright © Adam Macqueen and read with the author's permission. “Haunted Tales” by Adam Macqueen is a collection of supernatural stories that were originally sent in place of Christmas cards to the author's friends and family. Collected and published by Swift Press, this excellent volume is described as being “a collection in the grand tradition of ghost stories – to be read by the fire in the depths of winter”. “Haunted Tales” is available to buy in bookshops and online. For more information, visit the publisher's website: https://swiftpress.com/book/haunted-tales/ Adam Macqueen is a novelist and journalist and writer of non-fiction. Visit the author's website: https://adammacq.wordpress.com/ You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters.

With the Stennings and their guests gathered round the fireplace on Christmas Eve, Northanger offers to share a very different ghost story, based on a strange and baffling encounter of the year before. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “GANTHONY'S WIFE” by E. Temple Thurston (1926). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.

Two sisters share a premonition of a violent burglary the night after Christmas…one which threatens to be realised when they receive a knock at the door. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “BOXING NIGHT” by E. F. Benson (1923). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.

Researching Scandinavia for a travel guide, a writer named Wraxall is invited on to the estate of the De La Gardie family where he becomes obsessed with a 17th century nobleman (noted for his cruelty and occult practices) whose body rests in the mausoleum. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “COUNT MAGNUS” by M. R. James (1904). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters.

With preparations underway for another lavish family Christmas, the Braxton estate is buzzing with activity. But the digging up of a fir tree from the grounds seems to trigger a chain of misfortune. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “LUCKY'S GROVE” by H. Russell Wakefield (1940). Supporting my work If you like, you can donate in the following ways: Patreon: https://www.patreon.com/encryptedpod YouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/join One-off donation: https://ko-fi.com/encryptedpodcast You can now also say THANKS (on YouTube) with a SUPER THANKS! LIKE, COMMENT, SHARE - it all helps the show survive and prosper! If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

Sitting down to dinner on Christmas Eve, the Marriner family are pleasantly surprised when Christmas “waits” pay them a visit, singing carols at their door. But when they refuse Mr. Marriner's money the family begins to wonder what they want. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE WAITS” by L. P. Hartley (1961). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters.

A newlywed couple venture to Cornwall for their honeymoon, but when night falls they find themselves hopelessly lost…until they find a sign pointing to an isolated fishing village. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “CHRISTMAS HONEYMOON” by Howard Spring (1939). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. ho are voice-only. I'm sure they'll be glad to hear from you.

John Mudbury is returning home to his wife and children, laden with Christmas presents, when he experiences a brush with mortality that profoundly changes him. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “TRANSITION” by Algernon Blackwood (1913). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters.

Returning, somewhat reluctantly, to her childhood home to rendezvous with her recently bereaved niece, Isabelle Crosland soon becomes entangled in a sinister mystery. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE CHINESE APPLE” by Marjorie Bowen (1948). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.

Two friends staying at a hotel in out-of-season Seaburgh meet fellow guest Paxton, a young man whose curiosity has led him to seek out a buried Anglo-Saxon crown…with unfortunate consequences. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “A WARNING TO THE CURIOUS” by M. R. James (1925). You can hear me discuss this story on an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. Supporting my work If you like, you can donate in the following ways: Patreon: https://www.patreon.com/encryptedpod YouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/join One-off donation: https://ko-fi.com/encryptedpodcast You can now also say THANKS (on YouTube) with a SUPER THANKS! LIKE, COMMENT, SHARE - it all helps the show survive and prosper! If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

Returning from work one winter evening, a lonely Londoner discovers a magical place when his journey home leads him down a road he has never seen before… This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “OBERON ROAD” by A. M. Burrage (1924).

A governess experiences a strange sequence of events over the course of one hot summer's day, involving a young child, a visiting uncle, and a sinister patch of land where nothing grows. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE TRANSFER” by Algernon Blackwood (1911). You can hear me discuss this story by becoming a channel member and listening to an upcoming episode of The EnCrypted Postmortem, my bonus show for paying YouTube channel members and Patreon supporters. CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.

In this episode of Working Class Audio, Matt discusses Julie Kahryns extensive experience in the music industry as a producer, sound designer, composer, and educator. With a background spanning from criminal justice to a full-time music career, Julie has worked on a wide range of projects, including crafting unique audio samples for top software companies such as Ableton, Output, Cherry Audio, Splice, and Bandlab, as well as supervising music for films, and composing original scores. In This Episode, We Discuss: Career Shift From Justice Roles: Producer, Composer, Designer Teaching at Berklee NYC Early Music Influences Mentor Tony Kniff's Guidance Learning Logic Pro Income From Samples Film Music Supervision Balancing Creativity and Business Parenthood's Career Impact Building Artist Confidence Collaborative Mixing Work Income Diversification Influences: Brian Eno, Laurie Anderson Film Scoring Techniques Matt's Rant: Your Health Links and Show Notes: Julie's Site (iamsnowangel.com) Credits: Guest: Julie Kathryn Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau WCA Theme Music: Cliff Truesdell

Topics Covered:1. Google ruled an illegal monopoly   - How to change default search engine on iPhone and Android2. Troubleshooting Paramount+ on 2017 Samsung TV3. Bandlab app for music creation on iPad4. Flight tracking apps: Flighty and App in the Air5. Cash App breach settlement6. Running Windows on Mac computers   - Boot Camp for Intel-based Macs   - VMware Fusion Pro for Apple M Silicon chips7. Samsung TV screen darkening issue8. iPhone Bluetooth and WiFi connectivity problems9. PointsYeah tool for travel planning with points10. Google retiring Chromecast after 11 years11. Roku launching new 24/7 free sports channel12. Fitbit Ace LTE new features13. Samsung stove recall14. Google TV Streamer 4K as smart home hub15. Disney raising streaming prices16. Apple Watch life-saving stories17. Aptera Motors solar electric car development Guests:- Bart Welch from PointsYeah- Steve Fambro from Aptera Motors Note: Links provided may be affiliate links. Rich On Tech - Weekly Tech News, Tips, and Gadget Reviews Host: Rich DeMuroAirs: 11 AM - 2 PM PT on KFI AM 640 and syndicated on 350+ stations nationwideStream: Live on the iHeartRadio App or subscribe to the podcastContact: Call 1-888-RICH-101 (1-888-742-4101) to join inWebsite: RichOnTech.tvSocial Media: Follow Rich on X, Instagram, and FacebookSee omnystudio.com/listener for privacy information.