Podcasts about bandlab

An old man spies on his neighbours - with dangerous repercussions.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror, all lovingly recorded and edited by hand.“TWITCH” by Jasper L'Estrange. Copyright (c) 2026.CREATOR'S NOTE: These recordings may contain sound effects and music because that's what I personally like to listen to, and what I enjoy making. As you will see from the comments, a lot of the listeners also like it. If it's not your thing, please feel free to listen to the many other narrators who are voice-only. I'm sure they'll be glad to hear from you.0:00 "Twitch"39:21 A tribute to Rebecca Lloyd

A grieving traveller in twentieth century London, drawn to morbid curiosities, encounters a mysterious old man with an extraordinary claim.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GORGON” by Clark Ashton Smith, 1932.

WARNING: This story contains mild swearing and some adult themes.A rift develops between two adolescent boys when their friendship with a seasonal worker at the funfair seems to coincide with sinister events in their hometown. An original story © copyright of Jasper L'Estrange.

A woman becomes intrigued by the strange activity of the Willards and their children.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “WILLARD'S CURIOS” by Rebecca Lloyd.

Seeking shelter from the run, a courting couple find themselves in an apparently abandoned "Waxworks" and become startled by its chamber of horrors...This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “WAXWORKS” by W. L. George, 1922.

A bored barrister, stranded by rain in a lonely mountain inn, meets the oddly persistent Mr Tallent who proceeds to read to him. Years later, a death, a will, and a box of interminable manuscripts draw the narrator back into Tallent's orbit, where questions of legacy, obsession, and a strangely lingering presence begin to surface. A wry, quietly uncanny tale about the burdens of bad art and the ghost it can leave behind.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “MR TALLENT'S GHOST” by Mary Webb, 1926.

A renowned botanist starts behaving strangely when he returns from an expedition to Brazil.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MOANING LILY” by Emma Vane, 1935.CREATOR'S NOTE: Someone has pointed out that the sound effect of a telephone used in this episode is a vintage 1930s British telephone and an American phone would have had a different ring. Hopefully this won't break the immersion of the story for you...

Two more short stories by Barry Pain. In "The Magnet" (1901), the Reverend Ingram Shallow becomes obsessed with the recent train crash that has shaken the local community. In "Rose Rose" (1910) an artist's model determines to fulfil the terms of her contract.This is an original recording by Jasper L'Estrange.0:00 "The Magnet"15:04 "Rose Rose"33:08 OutroA MESSAGE FROM JASPER:Wow! Someone in the comments pointed out that EnCrypted Horror is five years old. And then YouTube confirmed it by putting a little icon of a birthday cake in my channel dashboard. Aww it fear worms the cockles of me 'art it do an no mistake. Perhaps, if I'd realised, I ought to have done something extra special for this 5th Anniversary Episode. What's it supposed to be? Wood? Well, I wood have if I'd known. Anyway, a bit more Barry Pain doesn't hurt. Thanks to everyone who has ever listened, subscribed, commented, liked or hyped, shared, recommended to a friend, become a Patreon patron, bought me a coffee or a Ko-fi, been a recent convert, long-time listener, friend of the show, regular commenter or lifelong lurker... You make it all worthwhile. *Blows nose, rubs dust out of eyes* As you were.

Two short stories by Barry Pain. In "The End of a Show" (1901), a quack showman has the opportunity to perform an act of charity. In "Not on the Passenger-List" (1915) a man attempts to console a distraught woman whose voyage to England sees her stalked by a supernatural presence.This is an original recording by Jasper L'Estrange.0:00 "The End of a Show"12:47 "Not on the Passenger-List"45:42 Outro

A wealthy American by the name buys the supposedly haunted Barton Cross Manor and, with the help of the local vicar, begins to unearth a story of alchemy, hidden treasure, death and demonology. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE TWELVE APOSTLES” by Eleanor Scott, 1929.

A cowboy believes himself to be cursed after he commits a terrible atrocity.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE DEAD REMEMBER” by Robert E. Howard, 1936.CREATOR'S NOTE: These recordings contain sound effects and music because that's what I personally like to listen to, and what I enjoy making.

After an Indian rajah's servant commits a shocking act of violence the rajah condemns him to an extreme punishment meant to keep him restrained forever. But the man's thirst for vengeance knows no bounds.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “HIS UNCONQUERABLE ENEMY” by W. C. Morrow, 1889.

Having moved to a rural Shropshire, a mother becomes worried about her teenage son – and why he seems drawn to the copse at Rickett's field.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE RINGERS” by Rebecca Lloyd, 2015. Read with permission.

Lieutenant Ward Harrison is sent to find out what is delaying the meteorological monitoring of a planned colonial base on the planet Mars. Vintage sci-fi horror from “Amazing Stories” magazine.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “MONSOONS OF DEATH” attributed to Gerald Vance, 1942.

VALENTINE'S SPECIAL***IMPORTANT NOTE: This episode contains dark humour. It also contains brief and very occasional mild swearing. If you're offended by the words "g-dd-mn", "bl--dy", "p*ss*d" or "s**t" (used once apiece) and you think hearing them will upset you or ruin your day, PLEASE DON'T LISTEN. This is your warning. I've had a bit of grief for this on YouTube and it's not my intention to upset anyone, so just give this one a miss. No harm done. I won't be at all offended. It's just meant to be a bit of fun and I rushed to finish it and get it out on time for Valentine's weekend***ABOUT THE EPISODEThree macabre interconnected stories for Valentine's Day: a caller to a radio station has a strange story to tell; a late-night conversation between a driver and his passenger; a May-December romance runs into problems.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror.

A chess fanatic inherits a chess set with a sinister and chequered history…and has to play for his life.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE HAUNTED CHESSMEN” by E.R. Punshon, 1916. EDITORIAL NOTE: The source text I read this from gives the name "Casablanca" as a chess champion. I don't know if this was a deliberate thing or a misprint, but I now realise this ought to have been "Capablanca". Hopefully this won't affect your enjoyment too much.

While on an expedition in the Canadian north woods, something begins to kill off the party – a mysterious something that “burns” patterns into everything in its path, including rock, and pursues its prey relentlessly.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE THING FROM – ‘OUTSIDE'” by George Allan England, 1923.

Howard, long-suffering general dogsbody at White Lawns residential home, hatches a plan after hearing the bizarre story of his employer's nose operation. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “HOWARD'S FRIENDS” by Rebecca Lloyd, 2012.

A professor of comparative religion is drawn to investigate a remote part of Cornwall following a spate of disappearances.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE LIVING STONE” by E. R. Punshon, 1939.

Asked whether he's ever experienced the sensation of “the other man on the rope”, seasoned mountaineer Sir Andrew Poursuivant regales his companion Bill with a story of a harrowing ascent up the Dent du Géant…a climb that has haunted him ever since.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE THIRD SHADOW” by H. R. Wakefield, 1950.

A man is haunted from childhood by a recurring, deeply unsettling dream in which he always finds himself visiting the same gloomy house, meeting the same strange family, and being led toward a particular room at the top of the house. As the years pass, the dream evolves in disturbing ways. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE ROOM IN THE TOWER” by E. F. Benson, 1912.Happy Christmas and New Year everybody! See you in 2026!

A university museum curator receives a mezzotint print depicting a country house. At first glance, the image seems ordinary, but on repeated viewings it begins to change in unsettling ways. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MEZZOTINT” by M. R. James, 1904.

One winter's evening, a man, dogged by depression, encounters a mysterious figure who challenges his perception of time and fulfillment. But what is the true nature of his visitor?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GLASS OF SUPREME MOMENTS” by Barry Pain, 1892.

A wealthy British businessman living in colonial Egypt finds his comfortable life begin to unravel when he is haunted by the mysterious sound of footsteps that seem to follow him through the streets at night.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE STEP” by E.F. Benson, 1931.Supporting my workIf you like, you can donate in the following ways:Patreon: https://www.patreon.com/encryptedpodYouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/joinOne-off donation: https://ko-fi.com/encryptedpodcastYou can now also say THANKS (on YouTube) with a SUPER THANKS!LIKE, COMMENT, SHARE - it all helps the show survive and prosper!If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

Two wintry fireside tales. In “The Vanishing House” by Bernard Capes, a group of travelling musicians are passing the night in a country inn when their banjo player shares a mysterious story about his grandfather. In “On the Northern Ice” by Elia Wilkinson Peattie, a groomsman follows a beautiful skating apparition on his way to a wedding.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE VANISHING HOUSE” by Bernard Capes (1898). “ON THE NORTHERN ICE” by Elia Wilkinson Peattie (1898).

Visiting a friend on the East Anglian coast, a man learns of a supernatural happenings that have followed a tragic motor accident. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE DUST-CLOUD" by E. F. Benson, 1906.

An unhappily married man takes his wife on holiday to Switzerland with a view to killing her.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “AN ALPINE DIVORCE” by Robert Barr, 1893.

In today's episode, I was planning to start a new action figure project - attempting to turn a Rocketeer figurine that I found on eBay in to an articulated action figure.  A number of years ago, my brother encouraged me to use the social media platform Blue Sky as an alternative to Twitter/X.  I did make a profile and processed to do nothing with it other than do what I often do when I find a new platform - I start looking for Rocketeer stuff.  One of the first things I posted was the discovery of a Rocketeer theme gashapon set that was available in Japan.  Gashapon are little toys or souvenirs you can buy in plastic capsules from vending machines.  These sorts of things were all over the place in the 80s, though what you got there was of generally pretty low quality.  Still, the idea of a little toy in a capsule stuck with me long enough to inspire me to want to make little resin figurines of Logan and Aurora from The Thirteenth Hour.  Their diminutive size was no surprise!  There is also something alluring about the fact toys like this comes from a machine and that you don't exactly know what you will get.  The more common US equivalent - the blind bag / box concept - is essentially the same thing with more expense and less flair (no machine involved).I was able to find a set of all the Rocketeer gashapon via a retailer in Hong Kong, I believe, which was cheaper.  My favorite piece of the set was a GI Joe sized figurine of Cliff about to take off to chase the zeppelin:Go to https://13thhr.wordpress.com/2025/11/17/the-thirteenth-hour-podcast-536-and-like-a-hood-ornament-83-starting-a-new-rocketeer-resin-casting-project-and-making-a-new-rocketeer-theme/ for pictures.I remember thinking at the time - wouldn't this make a good articulated figure?  And the idea never really went away.  So I've decided to try first to make a duplicate of the figure that I can cut up and modify.  The figure does split in half, so in these pictures, I have planned some vents in places I thought might not fill.And that was going to be this week's episode ... but the silicone I had bought for the project turned out to be bad (one bottle leaked and the other was solid).So I pivoted midway back to music and decided to make a Rocketeer marching tune for the Rocketeer 8bit style game I have been making.  I tapped out the tune initially on the keyboard and then made the track itself on Bandlab.   You can hear the track towards the end of the episode.  It's not quite done, but it's pretty much what I was looking for to accompany the flying / running parts of the game.I have been fortunate to have been on a few podcasts lately - both about the process of becoming an author, starting a podcast, making toys, making music, etc.  This clip from the Planet Texas Podcast on toymaking is pretty much what we were talking about above.  You can listen/watch the whole conversation over on Youtube.   Thanks, Javier, for having me on!I was also on Let's Talk Media with Vedant Akhauri for another fun conversation.  Check out the episode on Spotify.  Thanks, Vedant, for having me on!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk

To settle her father's debts the beautiful Alison Mercer is betrothed to mysterious archaeologist Simeon Stroud. But when dashing Hugh Davenant arrives in their village he comes with rumours of Stroud's dabblings in ancient Aztec rites...This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE OWL” by F.A.M. Webster, 1931.About the story:"The Owl” by F.A.M. Webster . First published in "At Dead of Night" edited by Christine Campbell Thomson, 1931 (pub. Selwyn & Blount). Later published in Weird Tales magazine, August 1933.Music credits:Music used : "LEVIATHAN” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/H4eDE9NnFmU?si=10Nx78Ot-B0Ux2lMSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : “DEEP DARK” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/FMHbF8TBfyU?si=EUo2fOpueKiOiF0JSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used : “DARK LANDS” composed and produced by “Vivek AbhishekMusic link: https://youtu.be/krP80v2x6PY?si=EQgkTdZqnjx34do9SUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used: “THE CORRIDOR” composed and produced by “Vivek Abhishek”Music link: https://youtu.be/r0EWPSHD8lY?si=rwJBaHGEoQdtGXbeSUBSCRIBE us on YOUTUBE: https://bit.ly/3qumnPH Follow on Facebook : https://bit.ly/33RWRtP Follow on Instagram : https://bit.ly/2ImU2JVMusic used with permission by VIVEK ABHISHEK https://www.youtube.com/@VIVEKABHISHEK/videosSound effects: All sound effects sourced at Freesound*.*Used with the following licence: https://creativecommons.org/publicdomain/zero/1.0/ The recording was created using Audacity and BandLab. Podcast hosted by Spotify.

When a US Navy exploratory ship finds a tramp steamer that went missing some years before, the mystery surrounding its disappearance becomes closer to being solved when a passenger's journal is uncovered. But what really happened aboard the Wellington and what became of its crew?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “SARGASSO” by Ward Muir, 1908.

In today's episode, I'm continuing what I started last week, working out "The Unicorn Theme" by Tangerine Dream from the Legend soundtrack. I worked out some of the basic notes last week, and this week I'm adding more as well as the left hand chords.  Though not recorded in the podcast, while I was wrapping up the mixing of what I'd done, I remembered one of the other verses I'd forgotten.  I did most of this in Bandlab, the DAW I've been working to learn this past fall.  This ended up a great project to showcase the strength of a tool like this since I didn't need to rehearse the piece over and over until I could play it mistake-free like before.  I could play and record little segments, one at a time, and essentially save my progress as I was going along.   I may add to it in the coming weeks as I work out other parts of the theme, but I am pretty happy with what I managed to cobble together so far!  This theme was definitely one of the influences behind the sound I was trying to create when making The Thirteenth Hour soundtrack, so it's actually long overdue that I finally try to figure out how to play it.  I'm actually not sure why I didn't try before!Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/11/03/the-thirteenth-hour-podcast-534-musical-interlude-trying-to-figure-out-music-from-legend-1985-part-2/

A journalist with an interest in crime and the supernatural is invited by a disliked former colleague to investigate a strange item that has come into the man's possession.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE GREEN BOTTLE” by Bernard Capes, 1902.

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Two stories by J.D. Beresford. In “The Misanthrope” a man pays a visit to a hermit living on a Cornish island to find out what drove him there. In “The Little Town” a traveller finds himself in a mysterious place watching an even more mysterious performance.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MISANTHROPE” and “THE LITTLE TOWN” by J.D. Beresford (1918).

In today's episode, I'm pretty much wrapping up the track I started last week for an episode that my brother and I recorded a few weeks ago based on a setting in his role playing game, Mappa Mundi.  I'm using the same DAW (digital audio workspace) I started learning how to use last month, the free web-based program Bandlab. Part of the reason for the past month and a half of making tracks this way was to warm up to the idea of making music entirely digitally (since that is what most people in the niche I probably most closely align with musically - synthwave - use).  I must confess as a nonjoiner, I tend to ignore, be oblivious to, and occasionally even take perverse pleasure in being the contrarian.  So I was using a more analog approach until now, mostly because it just worked.   But now I can see the benefits.  Yes, there are downsides (it's basically all done in front of a computer), but I think it's a worthwhile investment to learn this program and then progress to some of the more commonly used DAWs that most music producers use.  They are just tools, after all, and at the end of the day, any tool is just that.What I still don't know if using a DAW actually saved me any time.  I actually don't think so.  That might because of the ongoing learning curve.  But it might also be due to the capability of fiddling more with things on a more microscopic level, whereas the analog world involved more guesswork and the necessity of being okay with imperfection, even with the finished product (as anyone who has heard the pops and hisses of records and cassettes can attest to).  With things going digital, I can see the capacity to fiddle endlessly and never fully finish anything.  So we will have to see.This episode also made a little mention of Jane Goodall, one of my heroes, who passed away recently.  I brought it up since the premise of the track is that you're a naturalist/explorer observing a supernatural phenomenon in the world of the game (cue pixelated depiction below), but though she gave a lot to the world due to her work and her passing marks the end of an era in some ways, I actually don't she'd want people to be sad and pessimistic at her passing.  She championed for people to have hope (since 2022 she did a podcast she called her Hopecast, after all).  She championed for local change.  She championed for us to remember that one does not need to go to the ends of the Earth to find adventure or do good - good starts right in front of you with your own life, your own family, your own community - a great thing, I think, to keep in mind in uncertain times.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. https://13thhr.wordpress.com/2025/10/06/the-thirteenth-hour-podcast-530-musical-interlude-finishing-ice-giant-part-2-2/

Young Viola's childhood is made less lonely by her mysterious companion “Binns” – but is he fairy, familiar or something more sinister?This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “YOUNG MAGIC by Helen de Guerry Simpson, 1925.

Out walking in the countryside, a man spots something different about a hill in Symondsbury, Dorset. Intrigued, he finds himself inexorably drawn into the ancient battle between good and evil. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE HILL” by R. Ellis Roberts, 1923.

In today's episode, I'm working on a new track for an episode that my brother and I recorded a few weeks ago based on a setting in his role playing game, Mappa Mundi.  I'm using the same DAW I started learning how to use last month, the free web-based program Bandlab,  which I have found is great for quickly storing ideas for later.  When I was working on "The Hunt" last month, I had the idea for an arpeggiated pattern than might fit once scene where your character reacts with a mix of awe and respect at an ice giant (see the pixelart depiction below) that lumbers by on the snowy tundra, leading a train of transfixed animals.  But I didn't have a chance to work on it fully until now.  So this week, I'd able to get into the weeds with it.  Speaking of which, here is the completed version of "The Hunt" that I submitted to the contest.  Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/29/the-thirteenth-hour-podcast-529-musical-interlude-working-on-ice-giant/

In today's episode, I'm building on what I have been discussing the past three weeks as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab which also have a companion mobile app.  While it doesn't do everything, it does far more than I expected it to do.  I have tried to resist the temptation to fall back on my analog ways and cheat the purpose of this exercise :)At this point, the track is 90% done.  Just some fine tuning left to do with the final mix.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/22/the-thirteenth-hour-podcast-528-musical-interlude-working-on-a-dark-synth-track-for-a-shadow-in-the-moonlight-part-4/

In today's episode, I'm building on what I started discussing last week as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab, which is supposedly the easiest one to start using, though I will say that I have found none of the ones I have tried intuitive or especially user friendly.  That said, connecting a keyboard to the computer has helped a great deal, and I expect that the initially hassle will have longer term payoffs in terms of flexibility and range of tools at my fingertips when making new tracks than I would have doing it all analog.  So, I'm trying to not throw my hands up in frustration and go back to what I know since the whole point was to learn how to use a DAW in order to make this track.  This is the main melody behind the track.One of the soundtracks that served as an influence was William Goldstein's score for the Chuck Norris film Forced Vengeance.  There is an Eastern flair to it (the film takes place in Hong Kong) that is perfect for one of these schlocky 80s martial arts films along with an ominous tone and plenty of tastefully done 80s synth.   You can actually listen to the entire thing on William Goldstein's YT channel.Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!https://13thhr.wordpress.com/2025/09/15/the-thirteenth-hour-podcast-527-musical-interlude-working-on-a-dark-synth-track-for-a-shadow-in-the-moonlight-part-3/

An old man starts to fear for his safety when he suspects his live-in carer is not quite what he seems.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “DON'T GET AROUND MUCH ANYMORE” by Jasper L'Estrange.

In today's episode, I'm building on what I started discussing last week as I continue to make a dark synth track to accompany one of the many hunting scenes in The Thirteenth Hour prequel, A Shadow in the Moonlight, about a cursed hunter who has to spend eternity hunting an enchanted deer.  I've wanted to learn to use a desktop based DAW to make and edit music so am using this track as a way to do that.  I've settled on the free web-based program Bandlab, which is supposedly the easiest one to start using, though I will say that I have found none of the ones I have tried intuitive or especially user friendly.  That said, connecting a keyboard to the computer has helped a great deal, and I expect that the initially hassle will have longer term payoffs in terms of flexibility and range of tools at my fingertips when making new tracks than I would have doing it all analog.  So, I'm trying to not throw my hands up in frustration and go back to what I know since the whole point was to learn how to use a DAW in order to make this track.In addition, I have been experimenting with another digital tool called Nauk Nauk to make short videos of the toys I've made.  The app is basically generative AI specific to action figures and making them move.  I'm not super for or against this kind of technology, and while I touch on some of the operational pros and cons of using this kind of tech (at least from what I can see), this is one I can get behind.  Who doesn't want to see their toys come to life? Especially ones you've made!  Case in point - this one of Beverly Switzler is my favorite so far: https://www.tiktok.com/@13thhr/video/7547184629434813710?is_from_webapp=1&sender_device=pc&web_id=7547583918360708621Thanks for listening!∞∞∞∞∞∞∞Once Upon a Dream, the second Thirteenth Hour soundtrack, is now out in digital form and on CD!   It is out on most major streaming services such as Bandcamp, Spotify, and YouTube Music.  (If you have no preference, I recommend Bandcamp since there is a bonus track there and you will eventually be able to find tapes and special editions of the album there as well.)  The CDs are out now!-Check out the pixelart music videos that are out so far from the album:-->Logan's Sunrise Workout: www.youtube.com/watch?v=K7SM1RgsLiM-->Forward: www.youtube.com/watch?v=Z9VgILr1TDc-->Nightsky Stargazing: www.youtube.com/watch?v=2S0p3jKRTBo-->Aurora's Rainy Day Mix: https://youtu.be/zwqPmypBysk∞∞∞∞∞∞∞∞ Signup for the mailing list for a free special edition podcast, a demo copy of The Thirteenth Hour, and access to retro 80s soundtrack!Like what you see or hear? Consider supporting the show over at Thirteenth Hour Arts on Patreon or adding to my virtual tip jar over at Ko-fi. Join the Thirteenth Hour Arts Group over on Facebook, a growing community of creative people.Have this podcast conveniently delivered to you each week on Spotify,  iTunes, Stitcher, Player FM, Tunein, and Googleplay Music.Follow The Thirteenth Hour's Instagram pages: @the13thhr for your random postings on ninjas, martial arts, archery, flips, breakdancing, fantasy art and and @the13thhr.ost for more 80s music, movies, and songs from The Thirteenth Hour books and soundtrack.Listen to Long Ago Not So Far Away, the Thirteenth Hour soundtrack online at: https://joshuablum.bandcamp.com/ or Spotify.  Join the mailing list for a digital free copy.  You can also get it on CD or tape.Website: https://13thhr.wordpress.comBook trailer: http://bit.ly/1VhJhXYInterested in reading and reviewing The Thirteenth Hour for a free book?  Just email me at writejoshuablum@gmail.com for more details!

A grandmother warns her grandchildren not to pick blackcurrants where they grow in a particular spot in the village. When asked why, she relates to them a strange piece of local history. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “AN EVENING'S ENTERTAINMENT" by M.R. James, 1925.TECHNICAL NOTE: I'm having some trouble with my recording microphone - probably to do with humidity. I ended up recording this story three times before I got a decent audio and there are even some rough parts in this one which I've done what I can with. Hopefully it won't affect your enjoyment too much.

A sceptical researcher incurs the wrath of a sinister occultist and soon finds himself embroiled in strange, escalating events. As fear mounts and time runs short, he must uncover the truth behind the mysterious forces pursuing him. “CASTING THE RUNES” (1911) is a chilling tale of unseen menace and supernatural revenge.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror.

In The Tombs prison, New York, preparing to be hanged for a crime he didn't commit, Harry Jessup has a supernatural experience with far-reaching repercussions.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE MAN WITH THE BROWN BEARD” by Nathaniel P. Babcock (a.k.a. Nathaniel T. Babcock), 1896.

A man is dogged by the vision of a seemingly innocuous rural scene that he becomes convinced is a harbinger of death.This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “BEYONDARIL” by John Metcalfe (1971).

Dmitri Vietze is the founder and CEO of Rock Paper Scissors, a leading PR and marketing agency that helps music tech innovators tell compelling stories. Since launching the agency in 1999, Dmitri has remained at the forefront of music technology and innovation, also founding StoryAmp, a DIY PR platform. He hosts the Music Tectonics Podcast, curates the Rock Paper Scanner newsletter, and organizes the annual Music Tectonics Conference. A respected speaker and community builder, Dmitri is a trusted voice in the evolving intersection of music, media, and technology.In this episode, Dmitri Vietze shares how artists can navigate the evolving music industry by leveraging technology, storytelling, and strategic PR to build sustainable careers. Key Takeaways:Why defining your music as a hobby or a career is a crucial first step for long-term success.How innovative tools like Moises and BandLab are transforming music creation and monetization.The role of PR, networking, and the Music Tectonics Conference in building industry connections and career momentum.---→ Learn more about Dmitri and his work at MusicTectonics.comBook an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

When Esor McIre, in his duties as County Surveyor, is called upon to inspect the property of his old schoolfriend Carlton, it awakens an old curiosity about his friend's family. But what he finds there is strange beyond his imagination. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “CARLTON'S FATHER” by Eric Ambrose (1936).Supporting my workIf you like, you can donate in the following ways:Patreon: https://www.patreon.com/encryptedpodYouTube channel membership: https://www.youtube.com/c/EnCryptedClassicHorror/joinOne-off donation: https://ko-fi.com/encryptedpodcastYou can now also say THANKS (on YouTube) with a SUPER THANKS!LIKE, COMMENT, SHARE - it all helps the show survive and prosper!If you want to discuss the show, talk business, or have any ideas for stories you'd like to hear in future episodes, contact me: encryptedpod@gmail.com

John is joined by American singer and songwriter d4vd, to talk about how he wrote and recorded his debut album ‘Withered'.  David Burke, aka d4vd, broke into music after beginning to produce tracks of his own to accompany Fortnite videos. Having taught himself how to make music on BandLab and uploading tracks online, he first saw success with the single ‘Romantic Homicide', becoming a viral hit. He has since released multiple singles and two EPs ‘Petals to Thorns', which charted on the Billboard 200, and ‘The Lost Petals'.  In this episode, John and David dig into the creative process behind his debut album ‘Withered' and chart David's journey from YouTuber to recording artist. They discuss the details of producing with BandLab on his phone, creating his own vocal chain presets from scratch, and the themes of vulnerability and emotion behind this new record. Tracks discussed: Romantic Homicide, Crashing, You Left Me First TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Withered' here. ‘Darkroom, Interscope Records' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Focusrite Interface Apple Airpods Shure BETA 58 BandLab BandLab FX BandLab EQ BandLab Vintage Limiter BandLab Univerb Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove

Specialized platforms and social media have empowered musicians to tap into niche audiences, igniting a quiet revolution in the music industry. Despite the dominance of viral hits, a new wave of artists, labels and businesses are redefining success by building dedicated fanbases with focused, niche strategies. This conversation, live from SXSW, features Charlie leading a conversation with: LP Giobbi, a producer, jazz-trained pianist, and activist who spends 300 days a year touring between festival stages, club floors, and studios. Nabil Ayers, president of Beggar's Group, home to multiple indie labels including 4AD, Matador Records, Rough Trade, and XL Recordings. Dani Deahl, a DJ, producer, and head of communications and creator insights at BandLab, the most popular digital audio workstation worldwide. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices