Podcasts about Incantation

Empieza temporada con el verano todavía en la piel y nuevas músicas para recorrer sus orillas. De Galicia a Mallorca, Argelia, Ceuta, Melilla y Oriente Próximo, escuchamos a Baiuca, Syna Awel, Kazdoura, Rabie Houti o Asayel. Nos detenemos en IWA Fest de Melilla que calienta motories y el Posidònia Fest de Mataró que ya piensa en la próxima edición. Terminamos en Marsella, mirando hacia Fiesta des Suds con Kena Womo. Un viaje entre fronteras, raíces y músicas que las transforman.Suena en Mediterráneo:Baiuca & Carlos Ares — NoitadaJúlia Colom — Sa teva barcaSyna Awel — IncantationPrince Alla & Hal C — Jah Is My Rock (Remix)Kazdoura — TaaRabie Houti — BeraniAchraf Maghrabi — LghorbaBedouin Burger — NomadQueralt Lahoz — YNEPNAmmar 808 — AhyallilaMahmood Shalabi — Nashwa (Euphoria)Asayel — Smo AlayYASMiNNA — A mon PèreKena Womo — Beira MarEscuchar audio

Intro song by Meodow Vista Media. Shayne Plunkett and Jesse Wright collaborate to form the music production studio Meadow Vista Media. You can find them and their work online: Spotify https://open.spotify.com/artist/7r0yfh00Q8jqNbtP28rGKa Apple Music https://music.apple.com/us/artist/meadow-vista-media/1683846162 Twitter @fabiotheiguana (Shayne Plunkett) @MVM_studio Instagram and YouTube @meadowvistamedia Buy our book, The Ultimate Random Encounters Book: bit.ly/RandomBook Find out more about the show at our website: www.vre.show Show pins and more: shop.vre.show Support us on Patreon: www.patreon.com/VRE Follow us @VRECast

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Taiwanese cinema is internationally celebrated for the auteurs of the Taiwan New Cinema. Yet over the past fifteen years, ghosts, demons, curses and haunted screens have become increasingly prominent, turning horror from a marginal genre into an important strand of Taiwan's popular cinema. Professor Corrado Neri's new book, Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture (Anthem Press, 2026), explores this transformation. Neri argues that Taiwanese horror has reached a new stage of maturity: it is now an established industrial category, has diversified across genres and media, and has developed a sophisticated capacity to address Taiwan's social, historical and technological anxieties. The book also launches the new short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'. In this podcast conversation, Dr Ming-yeh Rawnsley talks with Professor Neri about what Taiwanese horror can tell us about Taiwan itself. Their discussion moves from ghosts and folklore to democracy, historical memory, digital culture and changing understandings of identity. Themes include: Why horror? – how a once-marginal genre became an important part of Taiwanese cinema. Taiwan as a ‘Ghost Nation' – why ghosts offer powerful ways of thinking about Taiwan's contested history and identity. Horror, democracy and historical memory – how liberalisation opened new possibilities for confronting difficult histories, notably the White Terror in Detention. Religion, folklore and the supernatural – how beliefs, rituals and local legends provide filmmakers with distinctive cultural resources. Digital ghosts – how smartphones, social media, gaming and screen culture have transformed haunting. Gender, sexuality and queer horror – how films such as Marry My Dead Body use supernatural conventions to explore changing social identities. Taiwan within Asian horror cinema – how Taiwanese filmmakers engage with regional traditions while developing recognisably local forms. One of the book's most compelling arguments is that the supernatural provides a productive language for exploring Taiwan's relationship with its past and present. Detention transforms the political violence of the White Terror into a spectral landscape of memory, guilt and historical reckoning. The Tag-Along, The Rope Curse and Incantation bring folklore and ritual into contact with cameras, smartphones and social media. Taiwanese horror is also transmedial. Detention moved from video game to feature film, television series and novel; The Bridge Curse and Incantation have extended into gaming, while The Tag-Along has expanded into webtoon and virtual reality. Horror thus forms part of a wider creative ecosystem in which cinema intersects with digital media, popular culture and Taiwan's cultural-content industries. Taiwanese horror therefore deserves attention beyond horror enthusiasts or film specialists. These films frighten, surprise and sometimes make audiences laugh, but their ghosts also carry history. They negotiate memories of authoritarianism and democratisation, questions of gender and sexuality, and move between temples, cinemas, video games and smartphone screens. The ghosts haunting contemporary Taiwanese cinema are rarely just ghosts. They offer another way of asking questions about Taiwan: how the past survives in the present, how identities are continually remade, and how a rapidly changing society chooses to remember—and imagine—itself. Dr Ming-yeh T. Rawnsley is a Research Associate at the Centre of Taiwan Studies, SOAS University of London, and a host for the New Books Network. She is also a co-editor (with Professor Gary Rawnsley) of the short book series, ‘Anthem Impact in Asian Media, Cinema and Communications'.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailThis episode we look at found footage films with WILLOW CREEK from 2013 and INCANTATION from 2022.In Mom & Mac chat we talk about the power of narrative TV, Jeffrey Dean Morgan and tough old guys, the loss of a running coach, dog loss, and still learning how to interact with people appropriately.WILLOW CREEK (from IMDB): A man and his girlfriend camp in the woods to capture firsthand evidence of Bigfoot.INCANTATION (from IMDb): Six years ago, Li Ronan was cursed after breaking a religious taboo. Now, she must protect her daughter from the consequences of her actions.*The movie I was referring to is called BACKCOUNTRY, not "Black Mountain". We covered this film in Episode 78 Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

On today's Metal Breakdown Daily, host Scott Penfold covers a massive day for tour news and a high-profile legal resolution in the world of heavy music. Deathcore Goes Arena-Sized: Lorna Shore has officially booked their largest tour of Australia and New Zealand to date for October 2026. Supporting their 2025 record I Feel The Everblack Festering Within Me, the band is hitting stadiums and arenas across the Southern Hemisphere. We break down the stacked lineup featuring Whitechapel, The Acacia Strain, and Organectomy, and provide the key dates for the upcoming ticket onsales. Summer Slaughter Leg 2: Hardcore legends Hatebreed are set to headline the second leg of the 2026 Summer Slaughter Tour. Starting August 20, the trek features an "absolute caveman" lineup including Terror, Incantation, Gates to Hell, Torture, and Creeping Death. We discuss Jamey Jasta's update on the band's impending independent studio album and what to expect from this brutal run. Ahren Stringer Sentenced: Former The Amity Affliction bassist Ahren Stringer appeared in an Australian court this week following a high-speed driving incident. We look at the details of the 191 km/h chase, Stringer's surprising new career as an undertaker for the Queensland Police, and the final verdict delivered by the Magistrate. In This Episode: Lorna Shore: Full Australia/New Zealand tour dates and presale info. Hatebreed: Summer Slaughter Leg 2 lineup and album updates. Ahren Stringer: The fallout from the Victoria freeway incident and his license disqualification. Self Checkout: A quick look at Stringer's new project with Gus Farias. STAY LOUD: Catch the 24/7 heavy stream and more exclusive metal news at LoadedRadio.com or on the official Loaded Radio App.

Send us Fan MailThis episode we talk about what Daniel from The Cobwebs Channel calls "Weird Horror" films. We had a look at THE LAIR OF THE WHITE WORM from England, and TOGETHER from the US.We have a nice ramble about Mother's Day, mothers in general, mothers in specific, Ari Aster films, bad dads, bad therapists, work, and prejudice in the UK.Next time we will be watching the Found Footage films INCANTATION from Taiwan and WILLOW CREEK from the US.Thank you for all your support! It means the World of Horror™ to us, truly! Gerry Entriken: WoHo Outro ThemeSupport the showOpening Theme "Bucket" by Gerry EntrikenClosing Theme "Mop" by Gerry Entriken Interstitial Musicalso by Gerry Entriken. We love you, Gerry!Subscribe to the Podcast for a Special shout-out!World of Horror's InstagramMom's InstagramMac's InstagramDonate to Translifeline

This week's episode features Absolum, Trash Goblin, ChainStaff, Legacy of Kain: Ascendance, Hotel Barcelona, and Incantation. Anyway and as always, thank you for watching or listening, I hope you enjoy this here episode, and I hope you have a wonderful wonderful rest of your day. (And if you haven't already, or are a listener and not a watcher, please like, subscribe, hit the bell, and all that jazz; it may not seem like much, but it goes a long way in helping support the show and site in general. I would appreciate it greatly.)

Today we will be talking about Incantation! #incantation #horror #scary #foundfootageTwitter/X: https://x.com/fieldofscreamInstagram: https://www.instagram.com/field_of_screams123/ Patreon: https://patreon.com/FieldofScreamsPodcast Email: fieldofscreams123@gmail.com

This is a great guest for episode 200! What a cool guy and legend!

Garza sits down in-person with John McEntee & Luke Shively. Guitar players from death metal band INCANTATION. https://instagram.com/incantation_officialSPONSORS: https://thejackrack.com USE CODE Garza10 for 10% OFF!00:00 - Learning From Bands05:56 - Food Drives & Musically Fed13:49 - Riff: Chalice17:29 - How Luke Joined the Band18:58 - Ohio Pumpkin Festival22:36 - Dismemberment34:15 - TONEX ONE40:39 - Luke's Pedalboard43:40 - Approach to Lead Guitar48:33 - Riff: Demonic Incarnate1:00:29 - Dean Guitars1:04:41 - Using Modern Gear1:08:44 - Riff: Devoured Death & Pinch Harmonics1:12:58 - Riffs That Shaped Death Metal1:18:09 - Influencing & Inspiring Bands1:21:41 - 3 Albums to Check Out1:29:44 - New Album1:32:37 - TikTok Knows You

My guest this week is Charlie Koryn , live drummer for Incantation. We had a great chat while Incantation was on tour support Belphegor in Toronto. Charlie talks about his introduction to old school death metal, how he got the gig with Incantation and how he tries to keep the drums as true to the album as possible. Big shout out to Los Cabos Drumsticks in this episode for being the best drumstick company in the world! GET MORE ⬇️ PATREON ➡ patreon.com/weretalkindrums MERCH ➡ were-talkin-drums-podcast.creator-spring.com INSTAGRAM ➡ instagram.com/weretalkindrums YOUTUBE ➡ https://www.youtube.com/@weretalkindrumspodcast TWITCH ➡ http://Twitch.tv/coryhdrummer Austin Archey MixWave Drum Kit - https://mixwave.com/products/lorna-shore-austin-archey

It's the first episode of Pedal TV News, a new venture in the Pedal To The Metal family that strictly news. In this first episode, we have stories on Ozzfest, Blackbraid, Twisted Sister, Killswitch Engage, Nine Inch Nails, Incantation, Terror, and more. Be sure to check the Youtube page for more content and as always subscribe to the channel.

What Really Happens Behind Ozzfest Buses? Dallas Wade Tells All

I selected the recording of a night forest in the Central African Republic without looking at the description, simply because it sounded magical. I usually search the recorded sounds for inspiration to tell stories that are more or less personal, but this time it was different. As I started reading about the origin of the sound, chosen solely for its magical aspect, I found myself lost in the discovery of a real-life hero who devoted his life to the collection, protection and conservation of the sounds and culture of the Bayaka people. I met legendary ethnomusicologist and fantastic human being, Louis Sarno. From that moment, I felt that I could not use the rainforest sound as a simple backdrop for my personal musing, I felt the need to bring back to life the magic of the forest and the love and passion that Louis Sarno devoted to his life's work. The word "magic" that drew me to select this specific recording, kept echoing in my head, so I let the magic guide me, and what could be more magical than an incantation? At that point, it was simply a matter of filling in the elements usually found in an incantation: the desired effect, capturing and preserving the sounds of life; the ingredients, all freely found in the dream of a night forest; the spell, pronounced in the name of Louis Sarno's life work; the special effects, unmissable touches for someone devoted to sounds; and finally the real-live love and poetry of life itself. Likimbi forest camp late at night reimagined by M Cristina Marras.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

Audio from pt. 1 of today's episode comes from this YouTube live event presented by No Kings called Eyes on ICE: Document and Record. You can watch the whole thing here. --- No Kings Welcome to the Adopt a Day Labor Corner Campaign We The People Activist Toolkit --- M. Cristina Marras is an audio producer and sound artist living in Sardinia, Italy. She authored the Incantation for Restoring Democracy. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a text#narcoticwasteland  #interview #metalinterview THAT METAL INTERVIEW presents Dallas Toler-Wade of NARCOTIC WASTELAND (recorded December 2025). Dallas of NARCOTIC WASTELAND returns to the program to promote their new tour alongside BELPHEGOR, INCANTATION & HATE. Wade also gives us an exclusive on a secret side project and also speaks of NARCOTIC WASTELAND's new full-length record.That Metal Interview Podcast is FREE and ON DEMAND, stream now on Apple Podcasts, iHeart Radio, Spotify, Anchor, Google Podcasts, Pandora, Amazon Music, TuneIn, Deezer, Bandcamp.Listen to #ThatMetalInterviewPodcast​​​​​: https://lnk.to/uj7sH3k4Follow us on Twitter:   / thatmetalinterv   Follow us on Instagram:   / thatmetalinterview  Like us on Facebook:   / thatmetalinterview  Subscribe on YouTube:    / jrocksmetalzoneSupport the show(9) Facebook(6) That Metal Interview Podcast (@ThatMetalInterv) / X (twitter.com)That Metal Interview Podcast (@thatmetalinterview) • Instagram photos and videos(2297) That Metal Interview Podcast - YouTube

Every year we like to put a spotlight on horror films from around the world. The theme of this year's episode is found footage where we discuss 'Incantation' and 'Noroi.' Full spoilers ahead! Incantation discussion starts 1:06, Noroi discussion starts 30:11, Next episode recommendation starts 1:00:55.

2022 was a bonanza year for horror movies from all over the world, honestly the riches are so plentiful it's insane. But, what do I think was the very greatest horror movie that came out during 2022? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several shots of whisky and a 8 hour running time split over 4 episodes. This is 2022, A Year In Horror.  You can now support A Year in Horror via the Patreon.Theme Music by Max Newton& Lucy Foster.Email the podcast at ayearinhorror@gmail.comDon't bother following the podcast on Facebook. But feel free to...Follow me on Instagram.Follow me on Letterboxd.Below are the time codes for all the different segments and my guest links. Feel free to let me know where you think I got it wrong or right and of course stay safe out there and I'll see you next month.0.35 - Also Rans (Part 2)16.27 - Soft And Quiet 19.14 - Nope24.06 - Sci-Fi Corner27.26 - Hellbender42.16 - Also Rans (Part 3)44.30 - Halloween Ends w/ Christopher Barling 1.37.21 - Satanic Hispanics w/ Demián Rugna

Get access to Movie Club at ⁠⁠https://www.redwebpod.com On this episode of Movie Club, Alfredo brings the crew a horror movie from Taiwan about a mother attempting to save her daughter from a malevolent force. What did you think of the movie, Task Force? Sensitive topics: death, gore, self-harm, child mutilation, suicide "Awkward Meeting", "Crypto", "Echoes of Time v2", "Redletter", "Stay the Course" Kevin MacLeod (⁠⁠⁠⁠⁠incompetech.com⁠⁠⁠⁠⁠) Licensed under Creative Commons: By Attribution 3.0 ⁠⁠⁠⁠⁠⁠http://creativecommons.org/licenses/by/3.0/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

31 Days of Halloween continues with some Taiwanese found footage folk horror in 2022's Incantation. ENDING MUSIC: The Gods Weep by Cthonic Support TWoRP Contact Us talkwithoutrhythm@gmail.com

Perran and Mark catch up to talk about some of 2025's massive event tours with both Parkway Drive and Blood Incantation blazing trails to put on some of modern metal's most ambitious shows.Releases:All Time Low - Everyone's Talking!Sabaton - LegendsBattle Beast - SteelboundMilitarie Gun - God Save the GunBiohazard - Divided We Fall84 Tigers - Nothing EndsCoroner - Dissonance TheoryTribal Gaze - Inveighing BrillianceInternal Bleeding - Settle All ScoresEvoken - MendaciumTombs - Feral DarknessAfsky - FælleskabWolvennest - ProcessionCzart - Czarty Polskie:Skull & Dawn: - The HarvestUnto Others - I Believe In Halloween IISpaced - No EscapeSunn O))) - Eternity's Pillars b/w Raise the Chalice & ReverentialCarach Angren - The Cult of Kariba

This week, we recap Night Shift Party Weekend IV. Huzzah!Episode Links:ArlemiAFICheck out our Patreon for bonus shows and more!Musical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

THE DOOMED AND STONED SHOW ~Season 11, Episode 7~ In this episode, we say goodbye to summer, with a review of the July and August Doom Charts rankings from DoomCharts.com. Featuring hosts Billy Goate (DoomedandStoned.com), John Gist (Vegas Rock Revolution), and Bucky Brown! INTRO (00:00) 1. Skulldozer - "Bloody Ground" (00:31) HOST SEGMENT I - Wild Card Round #1 (07:04) 2. Mezzoa - "Hard To Hear" (35:09) 3. Ever Age - "Black Suede" (38:07) 4. Ivy Gardens - "Eye Witness" (41:14) HOST SEGMENT II - Wild Card Round #2 (44:04) 5. I Am Low - "Greed" (1:03:16) 6. Black Water Rising - "Jokes On You" (1:08:21) 7. Maanta Raay - "The Night Rider" (1:12:35) HOST SEGMENT III - Wild Card Round #3 (1:19:53) 8. The Big Rip - "Kaktus" (1:39:56) 9. Bask - "Dig My Heels" (1:45:02) 10. Toilet Snake - "Back From The Sewers" (1:50:35) HOST SEGMENT IV - July Top 5 (1:54:07) 11. Foot - "Walking Into Walls All Week" (2:15:30) 12. Hebi Katana - "Dead Horse Requiem" (2:19:46) 13. Gaupa - "Elastic Sleep" (2:24:06) 14. Sheev - "Henry" (2:32:16) 15. Margarita Witch Cult - "Witches Candle" (2:37:50) HOST SEGMENT V - August Top 5 (2:40:28) 16. Tar Pit - "Coven Vespers" (3:18:23) 17. Crop - "Goddamn" (3:21:54) 18. HÖG - 'Blackhole" (3:28:31) 19. Supernaughty - "Apocalypso" (3:33:10) 20. Borracho - "Vegas Baby" (3:37:19) OUTRO (3:43:23) BONUS TRACKS: 21. Florist - "Another Moon" (3:44:31) 22. Seedy Jeezus - "Mourning Sea, Pt. 3" (3:50:41) 23. Grin - "Incantation" (3:54:29) 24. Atom Juice - "Hercules" (3:58:24) 25. Good Spirits - "Smoke & Mirrors" (4:01:51) Show Credits: Intro/Outro music: Dylan Tucker Thumbnail art: Ben House/Skulldozer

Out walking in the countryside, a man spots something different about a hill in Symondsbury, Dorset. Intrigued, he finds himself inexorably drawn into the ancient battle between good and evil. This original recording is an audio presentation by Jasper L'Estrange for EnCrypted Horror. “THE HILL” by R. Ellis Roberts, 1923.

Alison drops new music from Rezz, YDG, Hex Cougar, AVELLO, MEMBA, VILLA, St. Mary, Nia Archives and more!Don't forget to rate & review on all of your favorite podcast apps! Post your comments on twitter @awonderland #RADIOWONDERLANDTracklist:RADIO WONDERLAND OPENER 00:00Rezz & fknsyd - INCANTATION 00:41TroyBoi ft. BombayMami - Beggin 02:42Jai Wolf & REHMA - Say My Name 05:46Slowboy, Dabow & Lenny - DESTRUCTION 09:13VILLA - WATCHME 11:08MEMBA & Łaszewo - THINGS I DO 4U 12:57A Hundred Drums - Sensation 15:40M?STIC & MANADA - BANDZ 18:26Zoey808 & bbno$ - FIGHT OR FLIGHT 22:04Alison Wonderland, Erick The Architect, QUIX & MEMBA - PSYCHO 24:24Dabin & NURKO ft. Skylar Grey - I See You (Hex Cougar Remix) 27:06Playboi Carti - Rockstar Made (WHIPPED CREAM Remix) 31:46nate band & AVELLO - Drugs I Like (AVELLO Remix) 34:27SPORTMODE - flute song 36:30St. Mary & Matthew Adam Green - AMEN 39:29Gryffin & GRiZ - Deep Clear Water 41:47saka - ALL4U 44:55SIDEPIECE ft. Bobby Shmurda - Cash Out (YDG Remix) 47:26KLAXX ft. Luxtides - can't come down 49:02Sub Focus, Irah & Fireboy DML - Original Don 51:27Nia Archives & CLIPZ - MAIA MAIA 54:12TroyBoi - Kamli 57:08

Twenty years after Rust Monster saved Fugazi from the evil forces of Metal, a new band of misfits comes together to face a new threat. (If they don't kill each other first, that is). Featured Music: "I Don't Wanna Be Friends" by Carmine and "Incantation" by Space Queen Dungeon Punks is recorded and produced by Kirk Hamilton. This episode was played using the Daggerheart system.  ——— Support the show on Patreon: patreon.com/dungeonpunks Leave us a review on Apple Podcasts or Spotify! Follow us on Bluesky @dungeonpunks.bsky.social, Instagram/Threads @DungeonPunks or subscribe on YouTube Come hang out on our Discord channel! Find the Songs From Bands We Like on our Spotify and YouTube Music playlists. ——— EPISODE CAST: Stu Popp as The GM aka Everyone's Podcast Dad™ Fil Cieplak as Deadbolt Leigh Eldridge as Chanterelle Taylor Ramone as Creed Staind Kirk Hamilton as Brandon Van Thousand III

Take in the latest episode of The Mighty Decibel on Wild Dogs Radio! We've taken over the Home | Wild Dogs Radio airwaves every Saturday at noon EST where we're playing the best in new underground metal and hardcore punk ... along with some select older material that'll get that head bangin'. Here's the September 13th episode if you missed it, which includes a History Of ... segment regarding early speed metal albums. Who let the dogs loose?!!! NEKRO CULT DESECRATION - "Arsenic Angels" HANZAISHA - "Angel Lust" HEDONIST - "Parasitic Realm" BLUTSAUGER - "Blood Solstice" AFGAN HAZE - "Phobe" HEIDRUN - "Solar" GRIN - "Incantation" DISCOPS - "Deny, Defend, Depose" MORTAR - "Error in the Process of Evolution" AUGSEBOMBT - "Runnin' Riot" RETORSION - "Leprajarvany" BARRICADE - "Rule of Thumb" VARDIS - "Love Is Dead" PRAYING MANTIS - "Panic in the Streets" TYGERS OF PAN TANG - "Running Out of Time" ANGELWITCH - "Angelwitch" MOTORHEAD - "Sharpshooter"

Howdy folks. Finally, a normal show! Yes, we're aware that we're the ones that keep choosing daft themes. Please look past that. Also, is a show without a theme actually a theme? Who knows?So, the show. You know it's a gem when there's extensive homework notes to include for the Listen Again Crew. Honestly though, this stuff is great. You should check it out.Potentially back next week with a show. If there isn't, we'll upload something for you folks to keep you going until we return.As always, get in touch with requests, recommendations and guest mix inquiries!https://www.instagram.com/radionighttrain/https://bsky.app/profile/thenighttrain.co.ukDon't forget, we're also available for family functions, weddings, funerals, boat launches and more!SHOW NOTESFloating Points & Four Tet - Final Plastic People 2 1 2015Love Me Like You Should: The Brave and Bold Sylvester | Amazon MusicBBC World Service - The Documentary, Mighty Real: Sylvester JamesGlastonbury - Osees - BBC iPlayerLive at The Social volume 1 - mixed by The Chemical BrothersOpen Mike Eagle, “Neighborhood Gods Unlimited” | Bandcamp DailySpiritualized - Pure Phase Tour opening set musicRebel Radio: Gaps in the Dial podcast | BarbicanTRACKLISTINGSylvester - Over And OverKing Curtis - Night TrainMadmadmad - Mouse Rock ReworkSai Galaxy - All Day Cool (Feat. Oby Onyioha)Annie and the Caldwells - I Made ItThe Neville Brothers - Fly Like An Eagle (12'' Remix)Adonis - No Way Back [Instrumental]Shirley Ellis - The Nitty Gritty. (Stereo)Sam Reed Band - Ambassadors ThemeThe Martinis - HungoverRamones - Here Today, Gone TomorrowThee Oh Sees - MinotaurMr Scruff - Honeydew [Instrumental]Kieth Hudson - I'm All RightKing Tubby - Leggo Jah Jah Children DubplateCash Money & Marvelous - The Mighty Hard RockerIkebe Shakedown - No AnswerBig Boy Groves - Bucket O BloodThe Rwenzori's - Handsome Boy (Pts. 1 & 2)Otis Clay - Three Is A CrowdTwit One - Roy RoyOpen Mike Eagle - ok but im the phone screenFour Tet - Two Thousand And SeventeenDJ FLP - Final BossLow End Activist - Wave 01Fracture - Buzzing Crew (Slow Ambient Mix)Veins Full Of Static - Like a Lullaby, or a QuagmireMC5 - Let Me TryThe Holy Light Jrs - Love Hides All FaultsApex Twin - Tha

On this episode of the Endless Metal podcast Markisan and Ben spend nearly 3 hours ranking every full-length album by our favorite death metal band: Incantation! In presenting our rankings, we take our time sharing our love for the band's genius, experiences listening and seeing the band live, and our awe for Incantation's longevity despite numerous lineup changes. For us, Incantation is a legendary band and very underrated band--not just in death metal but all of heavy metal. We also include a summary of both of our complete rankings at the end of the cast. So sit back and crack open your favorite beverage. Markisan opens his last Incantation mead--Goat's Blood--a collab with the incomparable Brimming Horn Meadery!

Welcome to Bhay Originals, India's leading horror podcast, with Ankan Sharmishtha Bose. Today's story is "Sahajeevi," a tale that will take you into the darkest corners of family, legacy, and faith.A family... a house... and a centuries-old secret that runs in their blood. When Dr. Anjali visits the home of her love, Varun, she believes she is meeting an ordinary family. But she soon realizes that the house's peace is a mask for a horrifying ritual. Here, food is not nourishment, but poison. Prayer is not music, but a strange, unsettling hum. And the family members are not people, but "vessels," being prepared for a terrifying "expansion."Will Anjali escape this labyrinth, or will she become the next victim of this horrifying legacy?[horror story, indian horror story, bhay originals, ankan,sahajeevi, scary story, psychological horror, body horror, hindi horror podcast,hindi horror story, inspired by true events, horrorstories, new horror story]_____________Sound Effects by Lara Sluyter (LARA'S HORROR SOUNDS on YouTube)Music: https://www.chosic.com/free-music/all/ Unseen Horrors Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/Music promoted by https://www.chosic.com/free-music/all/ Eyes In The Void by Scott Buckley | www.scottbuckley.com.auMusic promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 4.0https://creativecommons.org/licenses/by/4.0/Countdown by Alexander Nakarada | https://creatorchords.comMusic promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 4.0https://creativecommons.org/licenses/by/4.0/Cinematic Epic Emotional | EGLAIR by Alex-Productions | https://onsound.eu/Music promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 3.0https://creativecommons.org/licenses/by/3.0/ Music used : "Abyss "Music link : https://www.youtube.com/watch?v=9bmfMEW5NHU&list=PLyCgk9_wvHOnXbk88AxuBtqIHqrRuPQr-&index=3Composer "Vivek Abhishek" - / vivekhsihba Incantation by Scott Buckley | www.scottbuckley.com.auMusic promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 4.0https://creativecommons.org/licenses/by/4.0/ Permafrost by Scott Buckley | www.scottbuckley.com.auMusic promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 4.0https://creativecommons.org/licenses/by/4.0/It's In The Fog by Darren Curtis | https://www.darrencurtismusic.com/Music promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 3.0https://creativecommons.org/licenses/by/3.0/ Eyes In The Void by Scott Buckley | www.scottbuckley.com.auMusic promoted by https://www.chosic.com/free-music/all/Creative Commons CC BY 4.0https://creativecommons.org/licenses/by/4.0/ Join this channel to get access to exclusive perks:https://www.youtube.com/channel/UCn9JS93zsaUDaUDq7aofhNQ/joinFollow me on Spotify- https://open.spotify.com/show/2MEX847Jaz0HbcapMKGGJNFacebook- https://www.facebook.com/ankan12Instagram- https://www.instagram.com/bose.ankan

We're going back to the 80s to spotlight a low budget horror from The Empire days of legendary producer Charles Band.  We hope you enjoy as we give the horror 101 treatment to Luca Bercovici's Ghoulies.  Show Highlights:01:00 Prelude to Terror...05:15  Before Full Moon....07:55  You have a Big Hit on your hands...09:35  PG-13!?14:00  Ritual Infanticide...17:05  Inheritance...19:10  First Party...23:20  Becoming an Adept...26:00  Weird Sexy Time...27:55  Summoned Dwarves...31:55  Resurrection Ritual...34:23  Malcolm's Ghoulie Massacre...43:50  Black Magic Showdown...47:45  The Ending...51:00  Scoring the film...59:00  Conclusion!  Thanks for lIstening!

Matt and Shane are off, so it was up to Mikey to interview our old friend Karim from Night Shift Merch. He kept me alive on my first out of state "tour," and he's a Florida legend. You can listen to me react in real time to Karim breaking down the Night Shift Party Weekend IV lineup announcement.Night Shift MerchGet your ticket for Torture, Beastplague, Two Piece in Daytona June 21Get your ticket for Night Shift Party Weekend IV Check Us Out:PatreonSixth and Center PublishingMusical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

Garza sits down in-person with John McEntee. Vocalist & guitar player for the death metal band INCANTATION. https://orcd.co/incantation-udSPONSORS:Garza Podcast Coffee - https://garzapodcastcoffee.comCHAPTERS:00:00 - 1980s Early Death Metal04:22 - Death Metal Template & Being Original16:48 - KISS21:10 - Guitar & Writing27:00 - Playing Loose vs Perfect30:14 - Learning to Understand Yourself40:06 - Drive & Determination42:06 - Rebuilding, Regrets & Making Amends46:25 - Judas Priest49:34 - Delivering Newspapers & Riding BMX52:29 - Record Town58:37 - Revenant Days1:08:24 - How John Became a Frontman1:17:30 - Bill Korecky1:21:33 - Grateful for the Journey1:29:50 - Chris Barnes

Episode 269: The Taking of Deborah Logan (2014), Incantation (2022). Plus, Drop, Wolf Man, Frogman, and more. Time stamps below. 10:00min - The Taking of Deborah Logan 29:00min - Incantation

Mars in Leo is opposing Pluto in Aquarius, it's time to own your weird as your greatest value:Get your Chat GPT prompt for your personal horoscope for this intense Astrology here.

Yael and Schwab dig into one of the most fascinating artifacts of Jewish antiquity: the Babylonian incantation bowls. These 5th–6th century earthenware bowls, found primarily in modern-day Iraq, were used by Jews—and their neighbors—as magical amulets to ward off demons, secure love, boost fertility, and protect homes. The conversation explores how these artifacts reflect the everyday concerns of Jews in late antiquity, how they blur the line between halacha and magic, and what they reveal about cultural exchange across ancient religions. Whether you're into Jewish magic, rabbinic history, or just want to know how to trap a demon in your cereal bowl, this episode has you covered. Click here to see a picture of a Babylonian Incantation Bowl. Click here for additional pictures of the bowls and their inscriptions. Click here for a word list with some of the vocabulary in the episode. Click here for a summary and sources about the Babylonian Incantation Bowls. Be in touch. We want to hear from you. Write to us at nerds@unpacked.media. This podcast was brought to you by Unpacked, a brand of OpenDor Media. Follow @unpackedmedia on Instagram and check out Unpacked on youtube. ------------------- For other podcasts from Unpacked, check out: Soulful Jewish Living Stars of David with Elon Gold Unpacking Israeli History Wondering Jews

This week we take a trip to the Gushan District in Taiwan to discuss the events that inspired the 2022 movie Incantation. Join in on the discussion about the Wu family and how religion and mass hysteria forever changed the life of the once loving family of 6.

Our main feature is Wolf Man. We're also reviewing I Saw the TV Glow, Devon, It's What's Inside, Incantation, Haeckel's Tale, Kingdom of the Spiders, The Day of the Door by Laurel Hightower, and Hellmouth by Giles Kristian.

Need some help getting through the Thanksgiving holidays? Please enjoy this sample episode of Anomalie where Ruth Connell (Rowena) takes you on a journey to a magical enclave to teach you a strength incantaion, allowing you to manifest a better now. Seek Anomalie. Hear its magic. www.seekanomalie.com https://www.instagram.com/seekanomalie/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Support the Patreon to see Exploring videos early and vote on new ones!: http://bit.ly/1U9QkPh Join the Discord!: https://discord.gg/beRYZgbbgP Support the Series with official Merch!: https://t.co/aH0HApXp7v Follow me on Twitter for updates!: https://twitter.com/TES_Mangg Listen on Podcasts: https://anchor.fm/theexploringseries Exploring SCP Foundation Playlist: https://bit.ly/2whu8NA Exploring Dungeons and Dragons Playlist: https://bit.ly/348IZZu Exploring Warhammer 40k Playlist: https://bit.ly/2DoFZgu Exploring Celtic Mythology Playlist: https://bit.ly/2rTuHLm Exploring Norse Mythology Playlist: http://bit.ly/2EAHTda Exploring Elder Scrolls Playlist: http://bit.ly/2fgqQoY Exploring Star Wars Playlist: http://bit.ly/2lNtlN0 Exploring Middle-Earth Playlist: http://bit.ly/2cGNcty Exploring the Cthulhu Mythos Playlist: http://bit.ly/25OI9jY Exploring History Playlist: https://bit.ly/2w7XMqM Video Game Stories Playlist: https://bit.ly/3hhgbqK My Gaming Channel: youtube.com/user/ManggsLPs Music: https://www.youtube.com/watch?v=q8CpITNme2I --- Support this podcast: https://podcasters.spotify.com/pod/show/theexploringseries/support

In this chilling episode, we delve into the eerie and unsettling tales behind some of the most iconic horror films ever made. From strange accidents on set to real-life tragedies that seem to defy coincidence, these stories blur the line between fiction and reality. Explore the terrifying legends surrounding movies like The Exorcist, The Omen, and Incantation—films that not only scared audiences but may have left a haunting mark on those involved in their creation.You can find Edwin social media as @edwincovYou can get these ad-free through ScaryPlus.com free for 14 days, then 4.99 per month. Cancel anytime.Find out more about Horror Story on HorrorStory.com

Ronan's 6 year old daughter has finally come back home but something is not right. Ever since the little girl got home strange things have been happening…  A cockroach breaking through the window. The child suddenly growing double the teeth in her mouth. Somehow she's able to shut doors that are on the other side of the room. She's talking to people who aren't there…  Ronan knows why. Her little daughter is possessed and it's up to her to find out how to break the curse.  That sounds like the plot of a movie - doesn't it? It is - the horror film “Incantation.” It is arguably one of the scariest horror films to be released recently. Yet.  It's all based on a true story of a family of 6 in Taiwan. A family where they all became possessed until finally 1 of them dies.  Full Source Notes: rottenmangopodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Hello Uglies and welcome to a brand new episode of Creatures of the Night. Join the Queens of Darkness, the Boulet Brothers, as they spill the bloody details on their newest true crime obsessions and then take a journey into darkness for this weeks Junior Mints movie club review. The film up for discussion is the highest grossing horror film of all time in Taiwan, the found footage fright fest “Incantation.” As always, we round out this episode by answering some of your newest listener questions.Follow The Boulet Brothers on Insta: @bouletbrothersTo watch the Creatures of the Night podcast videos on YouTube: https://www.youtube.com/c/BouletBrothersProductionsDon't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/BouletBrothersPod Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hello Uglies and welcome to a brand new episode of Creatures of the Night. Join the Queens of Darkness, the Boulet Brothers, as they spill the bloody details on their newest true crime obsessions and then take a journey into darkness for this weeks Junior Mints movie club review. The film up for discussion is the highest grossing horror film of all time in Taiwan, the found footage fright fest “Incantation.” As always, we round out this episode by answering some of your newest listener questions. Follow The Boulet Brothers on Insta: @bouletbrothers To watch the Creatures of the Night podcast videos on YouTube: https://www.youtube.com/c/BouletBrothersProductions Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/BouletBrothersPod Learn more about your ad choices. Visit podcastchoices.com/adchoices