Podcasts about McClure

As someone who was pretty much out of the game for many years, Chandler McClure resurrected his wrestling career in 2025 and now is an integral part of POWW Entertainment. McClure joined Windy City Slam for the first time to discuss his comeback, his role alongside Will Emory, his rivalry with Mason Percs, the quirky POWW Championship match he will be involved in at Summer Xplosion, his friendship with Eric Priest and time with working with him at IWA Mid-South and the early years of AAW Pro, his brief re-emergence at Kaiju Attack Wrestling several years ago and more. Plus, Mike gives opinions on the battle of El Grande Americanos and WWE Clash In Italy, recaps highlights from 2econd Wrestling and previews shows from POWW, Warrior Wrestling and GALLI Lucha Libre. Mike Pankow is a 25-year-plus professional journalist and wrestling superfan who covers local Chicagoland wrestling and national promotions like AEW and WWE. If there is something going on in Chicago, Mike knows about it. Enjoy “Wrestling, Chicago-Style” on The Broadcast Basement On-Demand Radio Network! Music by Jason Shaw on Audionautix.com. Get your local wrestling fix every Tuesday everywhere podcasts can be found and always at WindyCitySlam.com!

Viola Roseboro’ isn’t well-known today, but she played a big behind-the-scenes role in the careers of a lot of American writers in the late 19th and early 20th centuries, shaping what’s thought of as the American literary canon. Research: “4 New Features.” Washington D.C. Evening Star. 4/29/2013. https://www.loc.gov/resource/sn83045462/1913-04-29/ed-1/?sp=10&r=-0.115,-0.055,1.648,0.596,0 Dykeman, Wilma. “Tennessee Women: An Infinite Variety.” Newport. Wakestone Books. 1993. Gorton, Stephanie. “The Strange, Forgotten Life of Viola Roseboro’.” The Paris Review. 2/24/2020. https://www.theparisreview.org/blog/2020/02/24/the-strange-forgotten-life-of-viola-roseboro/ Gregorie, Anne King. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The South Carolina Historical Magazine, Vol. 57, No. 2 (Apr., 1956). Via JSTOR. https://www.jstor.org/stable/27566059 Howell, Isabel. “Reviewed Work(s): Viola, the Duchess of New Dorp, a Biography of Viola Roseboro' by Jane Kirkland Graham.” Tennessee Historical Quarterly, December, 1956. Via JSTOR. https://www.jstor.org/stable/42621315 McClure, S. S. “My Autobiography.” London: J. Murray. 1914. https://archive.org/details/myautobiography00mcclrich/ New York Times. “VIOLA ROSEBORO', FICTION EDITOR, 87; Former McClure's, Collier's Executive Dies--Helped O. Henry Get Start Bought Tarkington Stories Praised by Will Irwin.” 1/30/1945. https://www.nytimes.com/1945/01/30/archives/viola-roseboro-fiction-editor-87-former-mcclures-colliers-executive.html Osborn, Scott C. “Reviewed Work(s): Viola, The Duchess of New Dorp: A Biography of Viola Roseboro by Jane Kirkland Graham.” The Journal of Southern History, Vol. 22, No. 2 (May, 1956). Via JSTOR. https://www.jstor.org/stable/2954261 “Person Annotations.” From “#0088: Transcription of Letter from Willa Cather to Viola Roseboro', June 14 [1903].” The Complete Letters of Willa Cather. Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. https://cather.unl.edu/writings/letters/let0088#ref001 Robinson, Phyllis C. “Willa: The Life of Willa Cather.” New York. Doubleday. 1983. Roseboro, Viola. “Begging as an Avocation.” New York World. 12/11/1887. Via New York University “Undercover Reporting.” https://undercover.hosting.nyu.edu/s/undercover-reporting/item/13733 A. W.. “Reviewed Work(s): Viola, the Duchess of New Dorp. A Biography of Viola Roseboro' by Jane Kirkland Graham.” Journal of the Illinois State Historical Society (1908-1984), Vol. 49, No. 1 (Spring,1956). Via JSTOR. https://www.jstor.org/stable/40189490 Schmalhofer, Stephen. “The Making of My Ántonia.” First Things. 12/17/2018. https://firstthings.com/the-making-of-my-ntonia/ Schmalhofer, Stephen. “Viola Roseboro’s literary garden.” The New Criterion. 12/12/2018. https://newcriterion.com/dispatch/viola-roseboros-literary-garden-10164/ Skaggs, Merrill M. “Viola Roseboro': A Prototype for Cather's ‘My Mortal Enemy’.” The Mississippi Quarterly , Winter 2000-01, Vol. 54, No. 1 (Winter 2000-01). Via JSTOR. https://www.jstor.org/stable/26476820 Skaggs, Merrill Maguire. “Willa Cather's New York: New Essays on Cather in the City.” Fairleigh Dickinson University Press. 2000. Tarbell, Ida M. “All In The Day S Work An Autobiography.” The Macmillan Company. 1939. https://archive.org/details/allinthedayswork010810mbp/ The Georgia Historical Quarterly. “Reviewed Work(s): Viola, The Duchess of Nenx Dorp. A Biography of Viola Roseboro'. Two volumes in one by Jane Kirkland Graham.” Vol. 40, No. 2 (June, 1956). Via JSTOR. https://www.jstor.org/stable/40577676 Adkins, Gilbert R. “Two Daughters of Tennessee.” Franklin County Historical Review. 1986: XVII:1, 30-42. Johanningsmeier, Charles. “Unmasking Willa Cather's ‘Mortal Enemy.’” Cather Studies. Vol. 5. https://cather.unl.edu/scholarship/catherstudies/5/cs005.johanningsmeier Williams, Jay. “Author Under Sail: The Imagination of Jack London, 1893-1902.” University of Nebraska Press, 2014. Project MUSE. https://muse.jhu.edu/book/35026. See omnystudio.com/listener for privacy information.

Women's health is a team sport. That's something we've all learned the hard way—not in residency, but years later when we realized how much we weren't taught about vulvovaginal health.In this episode, I sit down with Dr. Meredith McClure from Dallas and Dr. Ashley Fuller from Seattle. They co-host the Labialogic podcast and both specialize in treating the conditions that most doctors either miss or dismiss—lichen sclerosus, desquamative inflammatory vaginitis, recurrent BV and yeast infections that won't go away.All three of us left obstetrics years ago and now run gynecology-only practices. And we've all come to the same conclusion: what we learned in training wasn't enough. We were taught not to examine the clitoris. We weren't taught proper vulvar anatomy. We weren't taught how to diagnose or treat the complex cases that show up in our offices every single day.We talk about why there's no one-size-fits-all approach to recurrent infections. We discuss the tests that doctors over-rely on for BV diagnosis that aren't actually accurate. And we share some of the worst medical gaslighting stories we've heard—like telling a PGAD patient "you've been through childbirth, how bad could this be?"We also discuss AI in medicine, why private equity is a problem, and how teaching women proper anatomical language changes outcomes.Highlights:We were all trained in residency not to examine the clitoris, which means many vulvar conditions get missed.Recurrent BV has no one-size-fits-all approach. Some DNA tests only check for Gardnerella and lead to false positives and overtreatment when what works depends on each person's unique microbiome.Don't use one-dose Monistat. It can cause severe inflammatory reactions in the vulva.Some vaginal inflammation doesn't show up on swabs and requires a microscope exam to diagnose properly.Teaching women proper anatomical language (knowing vulva vs. vagina, labia minora vs. majora) actually improves treatment outcomes.Lichen sclerosus is one of the most commonly missed diagnoses because doctors aren't examining the vulva properly.We hope that this episode gave you information that can help you understand that there are clinicians out there that want to help and find answers to your vulvovaginal health concerns.I appreciate everyone who is part of this community, and if you haven't already done so, I would appreciate you subscribing as it helps more women find the show so that they can get the information that they are looking for.Connect with Dr. Fuller:Website PodcastInstagramFacebookConnect with Dr. McIntireWebsiteInstagramGet in Touch with Me:WebsiteInstagramYoutubeSubstack

Sam McClure has provided a worrying update on the future of the Tasmanian AFL team.See omnystudio.com/listener for privacy information.

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Sam McClure has provided a worrying update on the future of the Tasmanian AFL team.See omnystudio.com/listener for privacy information.

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Sam McClure, Jimmy Bartel and Matthew Lloyd discussed where Carlton are at, and the big three months ahead for the club.See omnystudio.com/listener for privacy information.

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Sam McClure, Jimmy Bartel and Matthew Lloyd discussed where Carlton are at, and the big three months ahead for the club.See omnystudio.com/listener for privacy information.

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Sen. Steve McClure (R-Springfield) joins Patrick to discuss legislation cracking down on sexual offenders in schools, gas taxes, and the Bears megaprojects bill. See omnystudio.com/listener for privacy information.

ACT's welcoming the death of the Broadcasting Standards Authority, but wants the Government to move quickly. Media and Communications Minister Paul Goldsmith announced the regulator will be disestablished, as it's unfit for a modern media environment. Laura McClure says the decision's long overdue, and the Government needs to pass legislation. She told Ryan Bridge that it's a huge win for freedom of speech in New Zealand. McClure says the BSA was the regulating body for mainstream media, but it doesn't cover anything else, and young people in particular are consuming media everywhere, whether it's online or on social media. LISTEN ABOVE See omnystudio.com/listener for privacy information.

Wu Yize reacts to winning the World Championship at the age of 22, and hosts Mark Watson and Stephen Hendry are also joined by musician Jon McClure!   Email: snookerclub@wst.tv

Sam McClure has spoken on the big fine set to be handed down to Carlton in the Elijah Hollands saga.See omnystudio.com/listener for privacy information.

Sam McClure has spoken on the big fine set to be handed down to Carlton in the Elijah Hollands saga.See omnystudio.com/listener for privacy information.

Listen to the full conversation on the state of the game. See omnystudio.com/listener for privacy information.

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In this episode, Glennis McClure, extension educator and farm and ranch management analyst with the University of Nebraska-Lincoln, discusses the 2026 Nebraska Agricultural Custom Rates Report and how producers and custom operators can use it as a guide for pricing custom work.The report includes survey data from 108 Nebraska respondents covering 123 custom operations and services, with statewide averages and regional rates by Nebraska Agricultural Statistics District. McClure explains why rates can vary across the state, how fuel prices and local market conditions affect custom charges, and why operators should consider their own ownership, operating and overhead costs before setting a rate.The conversation also highlights how the Agricultural Budget Calculator can help producers estimate machinery costs, labor, repairs, depreciation and profit margins when evaluating what to charge or pay for custom agricultural services.Article and Custom Rates: https://cap.unl.edu/news/2026-nebraska-custom-rates-report-published/

What does it mean to truly live brave?In this episode of SolFul Connections, Amanda connects with Barbara McClure, a physical therapist and founder of the B.R.A.V.E. self-defense program for women. Through her work, Barbara is helping women build not only the skills to protect themselves, but the awareness and confidence to move through the world with greater trust in who they are.Barbara shares her journey of stepping more fully into her passion, one deeply aligned with her purpose. Along the way, she reflects on personal growth, navigating life transitions, and the ongoing process of becoming.This conversation is an invitation to explore what it means to live with courage in everyday moments through awareness, boundaries, and a commitment to continued growth.In the conversation, Barbara shares some insights from the book Connect by David Bradford and Carole Robin.For more about B.R.A.V.E., email Barbara at bravewsd@gmail.com.  All of the seminars are shared on Instagram at @Bravewomenselfdefense and combat_fitness_mma. The next BRAVE Women's Self-Defense Seminar Series will be June 6-7.

Sam McClure joined Jacqui Felgate to speak about the shock sacking of Melbourne Demons CEO Paul Guerra.See omnystudio.com/listener for privacy information.

This week on Breaking Battlegrounds, we cover everything from Supreme Court power struggles and election reform to the Arizona governor's race and the policies shaping America's future. We start with Robert McClure, President and CEO of the The James Madison Institute, who breaks down Florida's rising property taxes and the reforms being considered to rein in local government spending, including homestead exemptions, levy caps, and truth-in-taxation laws. He also discusses a proposal requiring 50% voter turnout for tax increases, the impact of Florida's SAVE Act on voter ID and election integrity, and how school choice policies are expanding opportunity while improving public education outcomes. You can follow Dr. McClure on X at https://x.com/drbobmcclure and learn more about his work at https://jamesmadison.org. We're then joined in-studio by Andy Biggs, who is running for Governor of Arizona. Congressman Biggs discusses his campaign, Arizona's growing affordability challenges, water and resource concerns, and the need for accountability in government. He also weighs in on the recent Southern Poverty Law Center controversy, student debt policy, and what reforms he believes are needed to get the state back on track. Follow Congressman Biggs on X at https://x.com/RepAndyBiggsAZ (official) and https://x.com/andybiggs4az (campaign). Next, Gary Gygi, President and CEO of Gygi Capital, joins the podcast to explain why the U.S. may be experiencing a "stealth manufacturing boom," with productivity and output rising despite fewer jobs in the sector. He also dives into global energy markets, the impact of international conflicts on oil prices, and what's ahead for tariffs and supply chains, including the evolving tariff-refund process. You can follow Gary on X at https://x.com/GaryGygi and learn more at https://gygicapital.com. We also sit down with Mollie Hemingway, Editor-in-Chief of The Federalist, to discuss her new book, Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution. Mollie shares the inside story of Justice Samuel Alito's influence on the modern Supreme Court, including his role in major decisions like Dobbs, the internal dynamics among justices, and the increasing public pressure and threats facing the Court. She also explains the philosophy of originalism and how it contrasts with more activist approaches to constitutional interpretation. Follow Mollie on X at https://x.com/MZHemingway and check out her book here: https://www.amazon.com/Alito-Justice-Reshaped-Restored-Constitution/dp/1541607139. We wrap things up with another wild installment of B's Corner, diving into a shocking true crime case out of Wisconsin involving disturbing charges that you won't believe. More Info: https://breakingbattlegrounds.vote https://breakingbattlegrounds.news Watch full episodes on YouTube (posted every Monday) Listen on Apple, Spotify, or wherever you get your podcasts Follow us: X: https://x.com/breaking_battle Instagram: https://instagram.com/breakingbattlegrounds Facebook: Breaking Battlegrounds

Michael Torrey and Julie McClure of Torrey Advisory Group join Society CEO Jim Cudahy to discuss the impacts of the current administration on the Societies' sciences, the Farm Bill, and how our members can be involved. Contact us at podcast@sciencesocieties.org or on Twitter @FieldLabEarth if you have comments, questions, or suggestions for show topics, and if you want more content like this don't forget to subscribe. If you'd like to see old episodes or sign up for our newsletter, you can do so here: https://fieldlabearth.libsyn.com/. If you would like to reach out to Michael, you can find him here: mtorrey@torreydc.com If you would like to reach out to Julie, you can find her here: jmcclure@torreydc.com Resources Transcripts: https://www.rev.com/app/transcript/NjllMTRjNWU3NzQ2MzEwZDYwZDAxZjYxcWRtRmxqVHJ6dGU4/o/VEMwODEwNzc1NDIw Torrey Advisory Group: https://torreydc.com/ Societies' Science Policy efforts: https://www.sciencesocieties.org/science-policy Field, Lab, Earth is Copyrighted by the American Society of Agronomy, Crop Science Society of America, and Soil Science Society of America.

Sam McClure has reacted to the "disappointing" statement from the Appeals Board in the Lance Collard saga.See omnystudio.com/listener for privacy information.

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The journalist and broadcaster has weighed in on Michael Voss' comments during a press conference on Thursday.See omnystudio.com/listener for privacy information.

Glennis McClure, extension educator and farm and ranch management analyst at Nebraska, joins the podcast to discuss stress in Nebraska agriculture, how it can build over time or hit all at once, and why it is important to recognize signs early in ourselves and others. The conversation covers practical coping strategies, the eight dimensions of wellness, and resources available to farmers, ranchers and rural families during difficult times.More: https://cap.unl.edu/news/keeping-stress-check-strategies-and-tools-can-help/https://cap.unl.edu/news/keeping-stress-check-strategies-and-tools-can-help/

Packinghouse's Sunday morning worship service from April 19, 2026. Acts 20:24 becomes a defining lens for understanding a life that is steady, surrendered, and rooted in the grace of God. As Paul faces uncertainty, suffering, and even death, he declares that none of these things move him because his life is no longer his own—his aim is simply to finish his course with joy and faithfully testify to the gospel. This message explores how that kind of stability is formed, not through ease but through trials that deepen dependence on God, reminding us that nothing we face is outside His control or beyond His sustaining grace. Rather than resisting hardship, believers are invited to see it as part of God's shaping work, producing endurance and maturity. In the end, a life anchored in Christ is not defined by comfort or circumstance, but by a steady resolve to walk faithfully with Him and finish well. - Don McClure - Sunday, April 19, 2026

Packinghouse's Sunday morning worship service from April 19, 2026. Acts 20:24 becomes a defining lens for understanding a life that is steady, surrendered, and rooted in the grace of God. As Paul faces uncertainty, suffering, and even death, he declares that none of these things move him because his life is no longer his own—his aim is simply to finish his course with joy and faithfully testify to the gospel. This message explores how that kind of stability is formed, not through ease but through trials that deepen dependence on God, reminding us that nothing we face is outside His control or beyond His sustaining grace. Rather than resisting hardship, believers are invited to see it as part of God's shaping work, producing endurance and maturity. In the end, a life anchored in Christ is not defined by comfort or circumstance, but by a steady resolve to walk faithfully with Him and finish well. - Don McClure - Sunday, April 19, 2026

Quotes from the episode: "The emotional side of letting go and the identity shift is something nobody really warns you about."   "Clarity is kindness, especially when the chips are down." "Intelligence gets beaten by emotional regulation and patience every day." (Tommy Mello)   This episode is a true "collab" between Building HVAC Science and HVAC School Podcasts, with Bill Spohn Sr. and Bill "Billy" Spohn Jr. (TruTech Tools) joining Bryan Orr and his dad Robert Orr (Kalos Services) to talk candidly about family business succession. They dig into the part nobody really warns you about: the emotional identity shift of letting go, moving from decision maker to advisor, and the weird tension of still being "the face" of the brand while your successor has to establish themselves.   From there, the conversation gets practical. The group compares how succession looks in a 24-person company versus a 400-person contractor, and why the fundamentals still rhyme: role clarity, accountability, and the right people in the right seats. Bill and Billy share how EOS helped "bake in" structure that made the handoff less chaotic, including accountability charts and more frequent performance conversations. Bryan and the Orrs add their lens on stewardship, culture, and doing right by people when the chips are down.   They wrap with advice for other family businesses: start earlier than you think, make a public commitment so you cannot quietly back out, seek outside counsel to keep your head from lying to you, and do not carry unresolved issues into family life. The final note lands on something bigger than succession itself: prepare for "what's next" so retirement does not become fading away, and keep relationships, forgiveness, and emotional regulation at the center if you want the business and the family to survive the transition   Bryan's LinkedIn:https://www.linkedin.com/in/bryanorrkalos/ Robert's LinkedIn:https://www.linkedin.com/in/rborr/ Billy's LinkedIn:https://www.linkedin.com/in/billy-spohn-jr-a06201a3/ Bill's LinkedIn:https://www.linkedin.com/in/billspohn/ Books we referenced: Traction By Gino Wickman RocketFuel by Gino Wickman & Mark Winters Succeeding. By Albert Ciuksza Good To Great, Jim Collins Family Business Succession: The Final Test of Greatness- Aronoff, McClure, & Ward  Process! - Mike Paton and Lisa Gonzalez  The Business Transition Handbook - Laurie R. Barkman  Who Comes Next? Leadership Succession Planning Made Easy - Mary C. Kelly, Meredith E. Powell  This episode was recorded in February 2026.

Susan McClure, Executive Director of the Vermont Arts Council, joins Anthony & Dan to talk about ticket scalping.

In this special collaborative episode between the Building HVAC Science Podcast and HVAC School, host Bryan Orr sits down with his father and co-founder Robert Orr (Kalos) and Bill and Billy Spohn, the father-son duo behind TruTech Tools, for an in-depth conversation about the realities of running, transitioning, and ultimately passing the torch in a family-owned business. What makes this episode particularly compelling is that both pairs are actively living through their own succession journeys in real time, offering listeners an unusually candid and personal look at the emotional, structural, and cultural dimensions of handing off a business you helped build from the ground up. The conversation begins with each participant sharing where they stand today. Bill Spohn Sr. is transitioning into semi-retirement as CEO and co-owner of TruTech Tools, which has tripled in revenue since his son Billy joined the company in 2018. Billy Spohn has stepped into the role of President and co-owner, focusing on working on the business rather than in it. Robert Orr, co-founder of Kalos alongside Bryan, has similarly stepped back after a formalized three-year succession plan, with Bryan now holding majority ownership and day-to-day control. Together, these four men represent two different approaches to the same deeply human challenge: what does it really mean to let go of something you built, and how do you do it in a way that honors both the past and the future? A major theme throughout the episode is the emotional weight of identity and transition that founders and long-time leaders rarely talk about openly. Both Bill Spohn Sr. and Robert Orr reflect candidly on how much of their personal identity has been wrapped up in their respective companies, and how surprising it has been to grapple with the shift from decision-maker to advisor. Robert speaks movingly about health challenges, including having suffered strokes, that accelerated his thinking about succession and mortality. The group explores how no amount of business planning fully prepares you for the emotional reality of stepping back, and yet both men express genuine peace and gratitude for how their transitions have unfolded. The honesty in these reflections is rare and refreshing, especially in business media that often skips the messy human middle. The discussion also digs deeply into the operational and cultural infrastructure that makes a successful handoff possible. TruTech Tools implemented the Entrepreneurial Operating System (EOS) starting in 2022, a framework that Billy says was one of the greatest gifts his father could have given him before assuming leadership. EOS brought role clarity, accountability structures, and regular team rhythms that transformed how the company functions. Bryan and Robert took a more organic approach at Kalos, leaning on trust, a shared value system, and clearly defined responsibilities that evolved over years of working side by side. Both companies emphasize that clarity and accountability are non-negotiable, regardless of company size, and that culture is not a poster on the wall but a reflection of how leaders actually behave when things get hard. The episode closes with practical advice for other family business owners navigating similar journeys. Key takeaways include starting the conversation early, building an advisory board outside the company, making public commitments to accountability, investing in business reading and peer groups, holding regular family meetings so that everyone understands the plan, and above all, prioritizing emotional health and the ability to have hard conversations before they become festering resentments. Bryan offers a memorable point: intelligence gets beaten by emotional regulation and patience every day. The group is unanimous that succession planning is not a single event but a thousand small handoffs, and the best time to start preparing is well before you feel ready. Topics Covered Introductions: Bryan Orr (Kalos), Robert Orr (Kalos co-founder), Bill Spohn Sr. (TruTech Tools CEO), and Billy Spohn (TruTech Tools President) TruTech Tools 3x revenue growth since Billy joined in 2018 The emotional side of letting go: identity shifts, loss of relevance, and the unexpected grief of stepping back from a business you built Moving from decision-maker to advisor: how both Bill Sr. and Robert are navigating this transition Legacy vs. transactional business: building to keep versus building to sell, and the stewardship mindset The baton handoff metaphor: why succession is a thousand small transitions, not one dramatic moment Robert Orr on health challenges (strokes) that accelerated his thinking about succession planning EOS (Entrepreneurial Operating System) at TruTech Tools: what it is, how it was implemented over two years starting in 2022, and why Billy credits it as the single biggest gift for his leadership journey Role clarity and accountability charts versus traditional org charts Quarterly employee check-ins as an alternative to annual reviews How Kalos grew organically without a formal EOS framework, and the value of building structure around trust and shared values GWC framework from EOS: Gets it, Wants it, Capacity to do it Kalos hitting 400+ employees and the challenges that come with scale Culture preservation through succession: how core values survive a leadership change Faith-based principles in business culture: loving your neighbor, leading with grace, clarity as kindness The concept of stewardship: feeling responsible for a business rather than simply owning it Separate job descriptions for CEO vs. President at TruTech Tools and why it mattered for the whole team Bryan on having five family members working at Kalos and maintaining clear boundaries between family and professional roles Advice for family businesses: start early, overcommunicate, make public commitments, seek outside advisors Building a small advisory board outside the company for outside perspective Recommended resources: business peer groups, books on succession planning, and the EOS/Traction framework by Gino Wickman The importance of family meetings for keeping non-active family members informed and aligned Forgiveness and reconciliation as a foundation for healthy family business relationships Having hard conversations proactively so tension does not carry into family life Bill Spohn Sr.'s closing reflection on what comes after stepping back, and the importance of preparing for your next chapter in life Resources mentioned: Traction by Gino Wickman Rocket Fuel by Gino Wickman & Mark Winters Succeeding by Albert Ciuksza Good to Great by Jim Collins Family Business Succession: The Final Test of Greatness by Aronoff, McClure, & Ward Process! by Mike Paton and Lisa Gonzalez The Business Transition Handbook by Laurie R. Barkman Who Comes Next? Leadership Succession Planning Made Easy by Mary C. Kelly & Meredith E. Powell Predictive Index (personality/behavioral assessment tool used at Kalos) University of Pittsburgh business peer group for entrepreneurs (referenced by Billy) Family business advisory boards and outside mentors   Visit TruTech Tools at https://trutechtools.com/.  Have a question that you want us to answer on the podcast? Submit your questions at https://www.speakpipe.com/hvacschool. Purchase your tickets or learn more about the 7th Annual HVACR Training Symposium at https://hvacrschool.com/symposium. Subscribe to our podcast on your iPhone or Android. Subscribe to our YouTube channel. Check out our handy calculators here or on the HVAC School Mobile App for Apple and Android.

Shannon McClure, InCommunity, on Supporting Adults with Intellectual and Developmental Disabilities in Metro Atlanta (North Fulton Business Radio, Episode 952) In this episode of North Fulton Business Radio, host John Ray welcomes Shannon McClure, Chief Development Officer at InCommunity, a nonprofit serving adults with intellectual and developmental disabilities (IDD) and their families across Metro Atlanta. Founded […]

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Dianna Russini leaves The Athletic, Gary Graff joins us as the Rock & Roll Hall of Fame class is announced, WATP Karl on Stuttering John & Whitney Cummings, Donald Trump v. Pope Leo XIV, and Clavicular v. 60 Minutes Australia. Dianna Russini has resigned from The Athletic. Her scandal partner Mike Vrabel is doing just fine. Amy Robach and TJ Holmes are still doing a podcast. We learn that there is a Katy Perry-verse out there. Not-a-Prince Harry and that beast Meghan Markle have touched down in Australia. Gary Graff joins the show to break down the 2026 Rock and Roll Hall of Fame inductees. We still don't know how many people are in a 3-piece band. Every morning show covered the reunion between WNBA #1 Pick Azzi Fudd and her college teammate Paige Bueckers. They forgot to mention the two are getting it on. No Nike shoe for you, Bronny James. Karl from WATP drops by to recap Hackamania 3, update on the latest with internet lolcow Stuttering John Melendez, poke fun at a clueless Brendan Schaub, and check out Whitney Cummings' advice for 20-year-olds. Back to the Perry-verse as Anna Kendrick has claimed she was groped by Katy over 10 years ago. Looksmaxxing guru, Clavicular, stormed off in a huff on 60 Minutes Australia. ‘Baby Jessica' McClure is in the news for the wrong reasons, but Drew can't understand how she's handled her finances in the past. Politics: Donald Trump vs The Pope. How are the mid-terms shaping up? Joe Biden wanted Gretchen Whitmer as his VP… not Kamala Harris. Eric Swalwell is OUT. Tony Gonzales is OUT. OpenAI's Sam Altman is being harassed. Britney Spears has reversed roles with her children now that she's in rehab and they need money. Dave Landau and Jim Bentley tomorrow! Merch is for sale! Buy it now before it's gone and you miss out forever. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley, BranDon, and Roberto).

Michi McClure is the founder of Consivian, where she helps leaders and organizations bridge the gap between compliance and culture through leadership development, coaching, and operational strategy. With a law background and decades of experience advising startups, medical groups, and corporations, she brings a steady, practical framework rooted in integrity and accountability. Key discussion themes Resilience as a skill built through real-world bumps and adjustments “Truth to power” and why staff often feel unsafe speaking honestly How unclear rules create “box-checking culture” and disengagement Alignment between leadership intent and staff experience Why compliance can be a growth strategy by forcing better creativity Starting before you're ready—and finishing with intention Listener takeaway If your culture feels stuck, don't start with motivation posters. Start with the rules, expectations, and conversations people don't feel safe having. Alignment is operational—and it's fixable. Guest website link 4cCompliance.comhttps://curavida-health.com/https://consivian.com Guest social links LinkedIn: https://www.linkedin.com/in/angela-michi-mcclure-jd/ Virginia Purnell Funnel & Visibility Specialist Distinct Digital Marketing (833) 762-5336 virginia@distinctdigitalmarketing.com www.distinctdigitalmarketing.com

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I don't know if I've ever interviewed someone as conscientious as April. Thank you notes, gifts, informative emails—she would have got the job if I was hiring.  Listen as this North Dakota born, South Korea and all over the US raised, military daughter talks about high school in Monticello, food and cooking, growing up too fast, being raised primarily by your father, losing your father, the onslaught of decision making that comes with a familial death, pivoting your career and teaming up with your sister and the introduction of the funeral registry. We tee up brides and moms-to-be with registries, why not help the bereaved in the same way?Emily Harrington, here! Mom, wife, retired communications liaison and host of the HyperLocal(s) Podcast. Each week I bring you a pod where townies and transplants share their tales of tears and triumphs, losses and wins. In an effort to provide a way for those that don't want a public podcast, but still have a story to tell friends and family, I've created, In Retrospect: A HyperLocal(s) Project, a private podcast. Visit hyperlocalscu.com/in-retrospectThank you so much for listening! However your podcast host of choice allows, please positively: rate, review, comment and give all the stars! Don't forget to follow, subscribe, share and ring that notification bell so you know when the next episode drops!Also, search and follow hyperlocalscu on all social media. If I forgot anything or you need me, visit my website at HyperLocalsCU.com. Byee.

Episode 90 Letter to My Mother by Suzannah V. Evans   Suzannah V. Evans reads ‘Letter to My Mother' and discusses the poem with Mark McGuinness. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/90_Letter_to_My_Mother_by_Suzannah_V_Evans.mp3 This poem is from: Under the Blue Available from: Under the Blue is available from: The publisher: Bloomsbury Poetry Amazon: UK | US Bookshop.org: UK   Letter to My Mother by Suzannah V. Evans You, pedalling your armsabove your head in bed,that bad arm suddenlymobile and flexible.You, meeting me at school,feeling something stir, sprinting across the grass . . . the two of us laughing, Mr. Tarpin peeringquizzically from the gate.You, with your bright lipstick.You, with your hands like mine.You, with your floppy hat.You, with your easy laugh.You, with the ellipsesof your emails. Your strongfront crawl. Your assertivegestures as you motionthrough talk. Now, when I swim, the movement of my armsis for you. A high arc,fingertips cleaving bright.Shuddering kick of legs.The sea pool in Seixalis for you. Craggy rocksand my head dipped to blue.Grey crabs line the rocks:I think of the limpets that spot McClure's paintingwith the reading woman,sun hat, white paper sheaf.Memory of last summer,absorbed in Woolf outside.A sudden rush of windcaused the parasol to liftand your own hat to spin right up from your head – where it hovered longerthan seemed possible, black ribbon flapping. Porto Moniz   Interview transcript Mark: Suzannah, where did this poem come from? Suzannah: So this poem emerged towards the end of my writing process for writing the poems in Under the Blue which is my first poetry collection. And the first two parts of the book… The book is a triptych of sequences, sort of playing with epistolary forms, so postcards and letters. The first two parts of the book are playing quite specifically with the form of the postcard, and the poems are quite private poems, in some ways. And I was interested in using the postcard form because it is a form which is both private and, in a sense, public in that, when you're writing a postcard, you're writing it to an individual. But a postie can turn that postcard over and read what's on the back. Anyone can read what's on the back. And with this third section in the book, I wanted to directly address some of the earlier figures who had appeared in the first two sections, and I suppose, to address them and to kind of write directly to people. So this poem is written to my mother, and it's in the form of a letter. And I'd say that the writing of this particular poem, this section of the book, was much more deliberate in some ways than the first two sections, which kind of emerged. And then, once I'd written those sections, I had sort of most of a manuscript, and these letters were really kind of, for me, kind of sealing and sending the manuscript off and kind of finishing it in that sense. Mark: Okay. It's really interesting to know that, the postcards come first in the book, and they're all prose poems, aren't they? Suzannah: Yeah. Mark: So they look like postcards on the page. And then, at the end, you've got the sequence of letters, which are kind of long and thin, maybe, to me, suggesting letters are longer than postcards. So, how did you start writing postcards, to begin with? And then we'll move on to the letters. Suzannah: That's a good question. So the postcards, I think I'm always looking for formal inspiration in the things around me. So I am a formal poet in the sense that I've written sonnets. I've written rondels, a lot of rondels. And I'm very interested in traditional form, but I'm also interested in the way that the world can provide forms for the poet. And I was on holiday, visiting my partner's father, when… So this is the first postcard in the book, although it's not sort of titled as a postcard. It's called ‘Under the Blue'. It's the title poem. And that sort of was drawn from a roughly real-life event, where sort of there was this incident with a kayak. My partner was swept off his feet, and it really just brought back to me an earlier experience of actually witnessing a seizure. And that was an experience which had really, really shocked me, and it had come completely out of the blue, really just out of nowhere. And I don't know why, but I had wanted to write about it. Maybe that's a kind of processing thing, or maybe it's just a way to kind of hold close different things that happen in your life. But I'd known for a while that I'd wanted to write about it, and this was years and years later. But seeing this figure being kind of knocked over and sort of just being sort of buffeted in that way really took me back to that night with the seizure. And I felt like these two events were kind of doubled, and I could kind of see both of them at the same time. So it started off with writing about that. And it was, because I was on holiday, a postcard seemed like an apt way to write about that. And so I suppose, kind of, it really started with that first poem. And it's quite subtle, I think, the moment with the seizure. It sort of comes towards the end of the poem. You can sort of read it almost without thinking about the seizure too much. But it does. I think, sort of, that event refracts across the collection. So even though there are moments sort of later in the book where the word seizures is used, someone seizes someone else's wrist in that sort of, a kind of reference back, there's a lot of falling over in the book, a lot of stumbling. And yeah, so I think the impetus for the postcards, kind of, it came from that first section. And actually, they were literal postcards, because I sent some of them. I kind of printed them off and sent them to friends in the post. Because I love…I'm a big letter writer. I send a lot of postcards. Like, postcards are really a big…it sounds weird to say that postcards are a big part of my life, but they kind of are. Like, I really love postcards. I like to collect them from galleries. And so it's partly a homage to my love of the postcard. And I think, also, with postcards, you have the art or the image on the postcard as well. And there's a few kind of ekphrastic moments in the book. So, kind of, all of that is woven in, I think. And the idea of what you can't say in a postcard, I think that's what the middle section of the book, for me, kind of turns the form on its head a little bit more to kind of write about things that maybe you actually wouldn't necessarily write in a postcard. So, to me, I kind of think of them as anti-postcards, almost. Yeah. Mark: So, the form is actually rooted in your life, that you do send postcards. It's not just a conceit for you. Suzannah: Oh, yeah, yeah, yeah. Mark: And of course, when a poem is framed as a postcard or a letter, there is a sense of it feels personal. You know, ‘I' and ‘you' are always… Quite often, there can be quite a lot of ambiguity about who the I is and who the you is. But if you signal it as a letter, like last month, I did Alexander Pope's Essay on Man, which was four verse epistles to Viscount Bolingbroke. And so that puts a different frame on it when you know that he's addressing, ‘My Lord,' and we're kind of overhearing that. Suzannah: Yeah. Mark: There's a sense that this is a personal communication, that maybe there's a real relationship underpinning. Suzannah: Yes. And I think that's something that the whole collection kind of plays with in a way. When I teach poetry, I'm always very adamant, or sort of something that I talk about with students is this idea that you never really can conflate the I of the poem with the poet. Even when there is autobiographical kind of crossover, I think there's something that happens. When you write a poem, it becomes an art object. It becomes something that is changed. I almost want to say it's not a photograph, but I think photographs are kind of complex as well in the way that they capture reality. So I think, for me, there is a real distinction between the first and second sections and the third section of the book. But something that I kind of have been thinking about as well is there's a poem that T.S. Eliot wrote to his wife, and he says something, like, ‘These are private words addressed to you in public.' And so I think this idea of what is private and what is public is really…it makes it quite hard for me to talk about the book sometimes, I think, but it's really at the crux of what it is, the sense of sort of letting the reader into some kind of quite private spaces and the importance of doing that as well, how the private is political. Just all of those things are kind of in there. But I think, in particular, the letters are really public declarations of love and trust, and they are very felt poems that are intended to honour particular people. And the collection ends with a letter to my father, who… The father figure is sort of less present in the earlier sections of the book, but it sort of attributes to my dad. That is an autobiographical kind of poem at the end of the book, which is in thanks really for everything that he does to hold up the people who are in earlier parts of the book and to kind of celebrate his role, to celebrate what he does as a carer, but also just to kind of… I think the letters are just…they're like praise poems really. They're just intended to celebrate these people. Mark: That's a nice idea, isn't it? The praise poem. That should maybe be more prominent, shouldn't it? Suzannah: Yeah. Mark: So with this one, specifically, what could you say about your intention in writing the letter to your mother? Suzannah: I think that this was one of the letters that I found more difficult to write, because the figure of the mother…and again, I won't say my mother because I think, for me, there's still this distinction between, even while the book draws on lived experience, it's not a direct reflection of that. But I think because of the earlier sections of the book, which are, at times, quite stark, I really wanted to write a poem that, I don't know, that sort of dwelled on movement and closeness and joy, I guess, just the delight, the sheer kind of delight of someone moving how they want to move. I think that I was kind of looking at this poem again before, thinking that we were going to talk about it. And that movement, to me, there's a shift after all the sort of you, you, you parts of the poem, which sort of have more kind of…the lines sort of go more to the end of the line. And then, when it starts talking about swimming, there are sort of full stops towards the middle of the lines. And I sort of wanted there to be almost like a kind of pull through those lines, as if someone is swimming through those lines, and you feel the arm going down, your strong front crawl, pause, your assertive gestures as you motion through talk. So kind of like having that pulling movement as swimming in the poem. And my mum, who is disabled, she was diagnosed with a neurological illness when I was 12. She used to be a really keen swimmer. And I remember as a child seeing her do front crawl and being, like, ‘Wow.' I actually only learned to do front crawl properly when I was in my late twenties. And I now love… I really love doing front crawl. I absolutely love it. And again, I swim in celebration of my mum. So if I swim front crawl, I'll always do a length for my mum and kind of dedicate that length to her. So all of those things, again, they're kind of these quite private things that are kind of in the poem, but not fully in the poem. But I think that if you have those kind of reverberations of these kind of memories or feelings, even if you don't write about them directly, they're kind of pulled into the poem through the energy of the language that you do decide to use. Mark: And interestingly, as you talk about the relationship between the real person and the person in the poem, I guess another effect, for me, at least, as a reader, is when I read this, it just makes me think, Oh yeah, people do have their different ways of moving and opening a book or eating a salad, or whatever it may be. That's their kind of signature style in life. Or the little quirks in the way they punctuate their emails. Suzannah: Yeah, yeah. Mark: And so there's the thing of it's very specific, but it's also very suggestive, I think, that we easily identify with a relationship like this, even if the circumstances are different. Suzannah: Yeah, yeah. Yeah. I mean, I like what you say about movement, though. And I feel like every person has their own kind of form, like, if we're thinking about form in poetry. It's what I think about when I watch people run a lot of the time. I'm thinking about, ‘Wow.' Really, really, really different form, really different ways of moving, even though that repetitive motion is very… There are only so many ways that you can run, and yet it is so different for everyone. And I think, with this poem as well, something that I was interested in doing was kind of going back to an earlier point, kind of. So, that ‘You, meeting me at school,' kind of thinking about earlier times as well. And again, the ‘sprinting across the grass' kind of goes back in a way to that opening epigraph to the book, which is from Virginia Woolf's novel, To the Lighthouse, Virginia Woolf being a modernist writer. And it's… Oh, not Virginia Woolf, sorry, what am I saying? It does go back to that, but I'm actually thinking of Charles Baudelaire, who talks about ‘the ecstasy and horror of life'. Mark: He's great, isn't he? Suzannah: Yeah, really. But this idea of the kind of sprinting across the grass, it was just such a joyful thing, such an incredibly out-of-the-blue, again, to go back to that phrase, sudden burst of energy and motion. And I think we were laughing, but also probably crying, so we probably looked pretty strange. And again, I think the book is really interested in those kind of doubled states where maybe there's sort of deep despair, but also real joy, or anger, but delight. So kind of there's a sense of these cyclical movements through those different states, different emotions, or even a kind of merging of those two things together at the same time. Mark: And can I pick up on the Virginia Woolf reference, because that…I mean, in your writing, there's a lot of summer seaside imagery, and you've got the epigraph from To the Lighthouse. So, I would bet that the person reading Woolf outside was reading To the Lighthouse in this poem. And of course, that's a novel with a mother very much at the centre of it. I mean, it's clearly artfully placed in the poem. So I was curious about, what was your decision to put that in? Suzannah: Yeah. I mean, I think it's a very sort of associative poem. It kind of goes from the reference to Daphne McClure, who is an artist, and she has this wonderful, kind of quite humorous painting of a woman reading. And then it kind of goes to actual reading. Mark: Yes. Suzannah: But then it kind of goes back to McClure as well, because in the painting, this woman is reading, she's got this big sheaf of papers or this big kind of white book paper that she's reading. And then the poem kind of has that in mind. And then, when the hat lifts at the end of the poem, sort of, you've got all of it there. So it's kind of going back to that visual image and making its own kind of different visual image at the end of the poem. And I really love, in Woolf's novel, there's this idea of, like, Lily, the painter, and she's thinking about sort of making her mark. And how do you make a mark? How do you begin? How do you create? How do you have a vision? So I suppose that's part of it. And then the epigraph to the book is really just my favourite sort of thing, and it's this idea that Woolf is writing about that if you're watching, if you're looking at waves from far off, kind of, they look very symmetrical, and they look very regular. But if your perspective changes and you're suddenly the swimmer in those waves, it's completely different. You're having this entirely other experience where, you know, how a painter might paint those waves from far off, these lovely, kind of, they're all the same size, they're kind of coming regularly. And then, to be that swimmer, who is having to kind of arch over each wave or sort of get over each wave, and relentlessly, just wave after wave, and each one is different, you know. So again, there's that kind of repetition idea in there, but also this idea of scale and perspective, and the idea that you might kind of look at something from far away, and it seems very orderly, and it seems very symmetrical, and it seems very easy to deal with, essentially. But if you are the swimmer, that's not the case. And each thing requires a lot of consideration. And that's really what the middle section of the book is interested in, sort of how to write about care and how to write about things, which are just very different, I think, when you're in the midst of them, and every particular thing is something that needs to be negotiated in that way. So the image of waves in the Woolf novel is very important, and also the idea of, in the novel, obviously, the lighthouse is this kind of ever-present, sort of, almost like a character. And I wanted the sea to have that role in this book. So a lot of my earlier writing has been about the sea. And this book is less directly about the sea, but the sea is always present, and I wanted it to be heard and felt, even when it's not kind of being described in detail. Mark: That's a very interesting point about different perspectives, because I think we experience that throughout the book. So some of the postcards are very much about the more difficult aspects of care, caring for a parent. So we read this one in the light of that, and vice versa, and so this is, if you like, the praise poem, the joy, the celebratory. Suzannah: Yes. And I think I'm very, very interested in the relationship between prose… I was going to say prose poetry and line-broken poetry, but also just poetry and prose. And a lot of my influences for writing are quite prose-y, often. I'm interested in prose writers, and I'm interested in where that line is between this idea of what makes a prose poem a poem. And I think if you give a reader a kind of extensive amount of prose, and that sets up a particular kind of rhythm, a particular kind of feel, but then, to follow that with very short-lined poems, line-broken poems, it's a different kind of… I think I wanted it to be almost like a kind of lift at the end of the book, where you've kind of had this kind of, I don't want to say denser, but definitely starker prose. And then there's kind of a much shorter section at the end of the letters, it's very short, but it's kind of just a movement into a different kind of writing. And I wanted that to be a noticeable kind of contrast. Mark: Yeah, definitely. I mean, even visually on the page, the prose looks denser, whereas these, I don't know, it feels like you pick your way a bit more nimbly through these. How did you arrive at that as the solution to how you represent a letter on a page? And was this one of the later ones? So in a sense, the form was predetermined, but it's like you're writing a sonnet sequence, and then you know that there's going to be another one like that. Suzannah: Yeah. So I really do like a sequence. A huge amount of my writing involves sequences, and I think there's something about, if you do something one time and you like it, I think it's worth doing it again. So my first pamphlet is a sequence of poems about the British surrealist artist Eileen Agar. And I often just keep going. If I'm writing something, kind of, I keep going with that. So yes, this was part of an earlier sequence in the sense that the first letter in the book is the first letter that I wrote, and I think, in that sense, the form was kind of set out. And then, in terms of it being kind of, like, a longer shorter-lined poem, I was thinking a little bit about how if you unfold a letter from an envelope, you would have to do that with this poem. Mark: Oh, yes, I remember that. Suzannah: Yeah. And it can be quite tricky, actually. I find it quite tricky to fold letters so they fit correctly in their envelope. But yeah, there's something about that. Whereas the postcard poems, they are, like, poems that you could almost kind of fit to the back of a postcard. But the ones that kind of escape from that or kind of defy that form, I think, are also…that's interesting to me as well, kind of, to flip that. So, for example, I think the most…the postcard that, to me, is the crux of the middle section is the postcard on Christmas night, which is one that I had thought that I would not ever really want to read out loud because it's quite an intense poem. But I did read that one at the London launch for my book at Burley Fisher Books because I was kind of surrounded by people that I knew, and it felt right. But that poem is a much longer postcard. And again, I like the idea of a postcard where you're defying the amount of space that you have to write in. And again, I think that prose poems also do that, because there's a similar kind of sense of overspill in a prose poem, because you're tipping over that line end, and that's quite defiant as well. So I think, if you then tip over the form of the postcard, it's kind of a doubly defiant, formally, kind of way of writing. Mark: Thank you, Suzannah, for sharing such a personal and beautiful poem today and a joyful one. And I would encourage listeners to go and check out the rest of the book and see how it fits into the sequence, because this is really one of those books where the parts really do make up something bigger than the whole. So let's have another lesson to ‘Letter to My Mother'. Suzannah: Thank you.   Letter to My Mother by Suzannah V. Evans You, pedalling your armsabove your head in bed,that bad arm suddenlymobile and flexible.You, meeting me at school,feeling something stir, sprinting across the grass . . . the two of us laughing, Mr. Tarpin peeringquizzically from the gate.You, with your bright lipstick.You, with your hands like mine.You, with your floppy hat.You, with your easy laugh.You, with the ellipsesof your emails. Your strongfront crawl. Your assertivegestures as you motionthrough talk. Now, when I swim, the movement of my armsis for you. A high arc,fingertips cleaving bright.Shuddering kick of legs.The sea pool in Seixalis for you. Craggy rocksand my head dipped to blue.Grey crabs line the rocks:I think of the limpets that spot McClure's paintingwith the reading woman,sun hat, white paper sheaf.Memory of last summer,absorbed in Woolf outside.A sudden rush of windcaused the parasol to liftand your own hat to spin right up from your head – where it hovered longerthan seemed possible, black ribbon flapping. Porto Moniz   Under the Blue ‘Letter to My Mother' is from Under the Blue, published by Bloomsbury Poetry. Available from: Under the Blue is available from: The publisher: Bloomsbury Poetry Amazon: UK | US Bookshop.org: UK   Suzannah V. Evans Suzannah V. Evans is a poet, researcher, and educator. Her debut collection Under the Blue is shortlisted for the Dylan Thomas Prize, and her work has received the Ivan Juritz Prize and a Northern Writers' Award. Her poetry pamphlets are Brightwork and Marine Objects / Some Language. She teaches poetry in adult education and works with Poetry By Heart. suzannahvevans.com Photograph by Naomi Woddis   A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Letter to My Mother by Suzannah V. Evans Episode 90 Letter to My Mother by Suzannah V. Evans  Suzannah V. Evans reads ‘Letter to My Mother' and discusses the poem with Mark McGuinness.This poem is from: Under the BlueAvailable from: Under the Blue is available from: The publisher: Bloomsbury Poetry... From An Essay on Man by Alexander Pope Episode 89 From An Essay on Man by Alexander Pope Mark McGuinness reads and discusses an excerpt from Epistle II of An Essay on Man by Alexander Pope.Poet Alexander PopeReading and commentary by Mark McGuinnessFrom An Essay on Man Epistle II By Alexander Pope Know... Occupied by Tim Rich Episode 88 Occupied by Tim Rich  Tim Rich reads ‘Occupied' and discusses the poem with Mark McGuinness.This poem is from: Dark Angels: Three Contemporary PoetsAvailable from: Dark Angels is available from: The publisher: Paekakariki Press Amazon: UK...

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Dr. Kevin R. McClure is a nationally recognized scholar, writer, and speaker focused on leadership, finance, and workplace culture in higher education. He serves as a professor of higher education at the University of North Carolina Wilmington, where his work centers on how colleges—particularly regional public universities—can build more sustainable, people‑first institutions. Widely known for translating complex higher‑ed challenges into accessible, practical insights, McClure's research and commentary have appeared in venues such as The Chronicle of Higher Education, along with national conferences, podcasts, and leadership workshops. His scholarship and public voice emphasize organizational care, faculty and staff well‑being, and the structural changes needed for colleges and universities to thrive in an era of financial pressure, burnout, and transformation.

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In this episode of the Sky Women's Health Podcast, Dr. Carolyn Moyers is joined by gynecologists Meredith McClure and Ashley Fuller, hosts of Labia Logic, for an honest conversation about vaginal foreign bodies—something gynecologists see more often than most people realize.From forgotten tampons and menstrual cups to more unusual findings, they discuss why this happens, the symptoms that may signal something isn't right, and what to expect when you see your gynecologist.The goal is simple: remove the shame, explain the medicine, and remind women that they are not alone.

Join the conversation with C4 & Bryan Nehman.  President Trump remarks on the latest on the conflict in Iran.  Juveniles arrested in a weekend incident at White Marsh Mall.  Montgomery County Schools has a new weapons detection system called Volt AI.  Valencia McClure, SVP of Government & Regulatory Affairs at BGE joined the show discussing all things energy.  There is a new bill to create a fraud committee.  Listen to C4 & Bryan weekdays from 5:30-10am on WBAL News Radio 1090, FM 101.5 & the WBAL Radio app!

Get More at LVwithLOVE.com! Become a partner or contact us On this special series of the Lehigh Valley with Love Podcast, we sat down with candidates running for U.S. House in Pennsylvania's 7th Congressional District ahead of the May 19, 2026 primary. To keep this fair and useful, every candidate was asked the same core questions. Mark Pinsley is not included because he dropped out. We also reached out multiple times to Congressman Ryan McKenzie's office and did not receive a response. In this episode, we speak with Lamont McClure, who says he recently completed his second term as Northampton County Executive and announced his run for Congress last February. He describes his candidacy as a response to what he calls growing national chaos, and he ties his platform to affordability, healthcare, and public safety. Campaign: https://mcclureforpa.com/ Day to day financial stressMcClure says the biggest day to day financial stress he hears about is housing affordability. He argues that tariffs are limiting the ability of home builders to build homes, which limits supply and contributes to rising costs and homelessness. He says national solutions should include incentivizing affordable housing builders so more housing gets built at every level of the market. He also argues that rolling back tariffs would help control affordability, saying tariffs have raised prices, raised taxes people pay, and are killing jobs. Healthcare and ACA premium tax creditsMcClure says he supports extending Affordable Care Act benefits, especially the premium tax credits, and says he supports making them permanent. He criticizes Congressman Ryan McKenzie's actions around the tax credits, arguing McKenzie had opportunities to leverage his vote to secure an extension but did not. He frames his own approach as using his vote to make sure constituents are taken care of, and he links the ACA tax credits to the stability of small businesses and self employed people in the district. Immigration enforcement, legal pathways, and work authorizationMcClure says the country needs secure borders and says violent criminals who are in the country without documentation should be deported. He then focuses on what he describes as his record pushing back on ICE actions in Northampton County. He describes an incident where ICE arrested someone in a courthouse hallway, and says he researched the law and issued an executive order preventing ICE from making arrests in his courthouse. He says that policy remains in place under his successor. He also emphasizes that he has taken on MAGA aligned opponents electorally, and frames that as proof he can win in a politically mixed county. Warehouses and data centersAsked about warehouses and data centers and what makes a project worth it for the region, McClure points to his record combating warehouse proliferation in Northampton County. He cites land preservation work, including preserving 20,000 acres of farmland and 3,800 acres of open space, creating four new county parks, and preserving environmentally sensitive land that contains rare species. He also says he fought warehouse proliferation “to the tune of over twenty five million dollars” in Northampton County. He frames his approach as protecting a green future for the district. HomelessnessMcClure calls homelessness a multifactorial problem and says it is not the same for everybody, so solutions vary. He says Northampton and Lehigh counties put millions of dollars a year into addressing homelessness and says he has been in that fight for years, including a focus on veteran homelessness. He also describes using money won from opioid manufacturers for efforts to fight the opioid crisis, including drug and alcohol treatment, and he references a suicide prevention task force that focused on lowering suicide rates, especially among veterans. He says he would work to ensure federal law and policy help combat homelessness, addiction, and support veterans. Third place in the Lehigh ValleyMcClure says his third place is Minsi Lake, describing it as a serene place that helps him decompress. He also mentions other places he enjoys, including Leaser Lake Park near his home, the Lehigh Valley Zoo, and going to his native Carbon County in the fall. Sign up for our Newsletter!  Thank you to our Partners! WDIY 88.1 FM Wind Creek Event Center Michael Bernadyn of RE/MAX Real Estate Molly’s Irish Grille & Sports Pub Banko Beverage Company Advertisement Advertisement Email your news release to info@lehighvalleywithlovemedia.com Subscribe to our email list

This is the fifth and final episode in our Shell-Shedding Moments series, a series where CEOs and leaders share the vulnerable moments, the challenges, mistakes, and personal revelations that most people never see. In this episode, Logan McClure Davda, CEO of TED, reflects on stepping into leadership at one of the world's most influential idea-sharing organisations and the personal shifts that came with it. From making the hard decision to leave a dream role, to learning how to move from “doing” to creating space for others to lead, Logan shares her learnings on letting go and finding the courage to lead in a new way.