Podcasts about Rock paper scissors

Christian College Sex Comedy: Part 18 Even if you know who you crawl into bed with, be surprised. In 30 parts, By FinalStand. Listen to the podcast at Explicit Novels.   You will never see tomorrow's sunrise or yesterday's night. Caught In the Middle My clothing melted away as I slowly made my way to the bed. On the far side, Mercy reclined with some degree of expectation and happiness on her face. Her hands were cuffed over her head and her thighs showed some degree of vaginal stimulation by Rio. Last night Rio had taken it slow and gentle with her. Tonight, I imagined that Rio was going to tear a chunk off, so to speak. On the closer side of the bed rested Brandi (on the outside), Opal, Paige and Barbie Lynn. Barbie Lynn was pretending to be disinterested, throwing a yawn into the act; Paige's eyes were riveted on me; Opal acted as if she was smitten with me as well; and Brandi knew something was going on but wasn't sure what it was. Poor Paige was about to be ambushed. "Hey, my petit Принцесса," I simmered at Paige as I crawled up the bed toward her. It was clear she wanted to be center stage tonight, but she kept dragging along her body issues she'd felt thrust upon her years ago. A woman doesn't have to be busting out of a D-cup, have an hourglass shape, or the face of a Victoria's Secret model to pull a man's eye in for a feast. I got to Paige's ankles and the confidence of her smile shown through. She pulled her legs up and prepared to slip off her panties. "No you don't," I cautioned her as I grabbed her ankles and pulled her down toward me. "What did you call her?" Brandi chimed in. "I'm pretty sure that means 'Princess' in Russian," I replied in a husky voice, my eyes still soaking up Paige's beauty. "I once saw a Swedish art house film translated over to Russian in a Bangkok theater." "That's freaky-weird," Mercy remarked, running her fingers along her collar. "You can recall a word from a film in a language you don't even understand." "It had to do with a woman," Barbie Lynn grinned at Mercy before turning to me. "He's like that, and I love him for it." Paige looked from Mercy to Barbie Lynn to me, and that was her mistake. "Hey!" Paige squawked as Barbie Lynn and Opal grabbed her wrists and forearms, maneuvering them over her head. She struggled with Barbie Lynn and Opal but they were far more athletic than she was. I settled in between her legs and began kissing the insides of her upper thighs. "No," Paige began moaning as Barbie Lynn and Opal began sucking on her breasts through her sheer bra. Rio came striding into the room still stark naked but now carrying a large bowl of Neapolitan ice cream covered in chocolate syrup and a cherry. She rounded the bed and stutter-stepped. "Crap," she muttered. "Take this," Rio put the bowl on Mercy's quivering stomach, "I've got to get something for my Spank-o-matic." Spank-o-matic was her pet name for Barbie Lynn. Opal moved her lips up Paige's chest to her throat. Barbie Lynn, on the other side, jumped past Opal by going straight from the nipple to the ear. Since Opal was on her side, Brandi was able to straddle her and lean over to Paige's chest. She rolled up Paige's bra, temporarily pinching those pale pink nipples. "Iiieee!" Paige jolted. "Watch, her protests were buried by Opal's lips clamping down on Paige's and their tongues starting to play tag. Brandi continued her attack on Paige by popping her mouth over the breast closest to Barbie Lynn and swirling the nipple with her tongue, Opal had been doing a good job showing Brandi how to share pleasure. "Good God!" Brandi exalted. "This one tastes like cherries." Paige stifled a sob as Brandi went down for a second taste. I imagine Paige wanted me to discover this inventive little twist. I began rubbing her panties with my nose and kissing her panty covered cunt. I rolled my lips back and forth over her cunt. "Why are you doing this to me?" Paige whimpered once she broke her lips free from Opal's embrace. "Honey, do you think none of us noticed how much you make Zane smile?" Barbie Lynn drawled. "It isn't like he'd tell us what turned him on about you, Paige, so Barbie and I decided to find out for ourselves," Opal added. "Zane?" Paige begged for understanding. "I had no part of this, but once I saw Opal and Barbie Lynn closing in for the kill, I decided to play along because, quite frankly, you are so tasty," I confessed. "Brandi, please, I can't think straight with you nipping at my breasts like that," Paige pleaded. "Umm," Brandi mumbled before releasing her suction on Paige's breast. "Tell me what flavor the other one is. Is it cherry too?" Never more than an inch away, Brandi fell back to Paige's pale but painfully aroused nipple. "No," Paige wailed. "I want Zane to find out, ah, strawberry," she finally gasped out. "Let me sample it first, Brandi," I requested. Brandi shot me a peek down past her naked breast and gave me a wink. Barbie Lynn took advantage of Paige's distress, kissing her deeply and passionately. "Honey," Barbie panted to Paige, "is there anywhere else you want to be?" "I, no," Paige managed to get out. Opal tilted Paige's head toward her and took in a full kiss. "You are so eminently fuckable," Opal purred. Before Paige could respond, Barbie Lynn drew Paige back in. Within seconds, Paige was working in a three-way tug-of-passion with Opal and Barbie Lynn tongues. Brandi was letting her tongue wander from Paige's right nipple down to her belly and below until we kissed. Before and after that we worked down her panties until I finally cast them aside. I did a push up, Brandi wiggled underneath me, pressing her delicious tush against my raging rod, and I switched positions to where Brandi had been. Her left nipple really did taste like strawberries. I figured she'd used strawberry jam in a light enough glaze that its sugary redness was perfectly camouflaged by the pale pink of her areolas, freaking clever girl. Paige tilted her head away from her playmates long enough to see if I was the participant in question and if I enjoyed the experience. "Umm, damn clever," I murmured. "I've never thought of doing that before." Her eyes positively flared triumphantly at the news. "Well," Paige gasped, "you have only a, mediocre, intellect," she finished purring because Opal and Barbie Lynn's fingers and lips were driving her to distraction. "I still don't understand." Paige struggled for a breath between amorous attentions. "You pretty, pretty girl," Opal soothed seductively. "You are the most beautiful creature here tonight. Tomorrow morning the contest goes on, but tonight you are the Grand Prize winner, mainly, you've won us," she indicated herself, Barbie Lynn and Brandi. For other girls, they had often been called beautiful, pretty, and had reason to believe they were the hottest woman in the room. That had never been Paige; she had pride and pride to spare but that had always been based on her smarts. Her smarts were how she had ensnared me and while she knew I saw her as a beautiful creature, she largely believed I was alone in that assessment, until now. The borderline panic that had been residing inside Paige evaporated as all that energy turned into boiling sexual expression. It wasn't until Brandi was sucking deeply on her cunt that Paige realized I'd withdrawn to the foot of the bed. "Zane?" she panted as she raised her head once more and looked for me. "Paige, trust me; you are doing fantastic without me. Besides, we have most of the night. Once they have had all they can take from you, you are all mine," I grinned wickedly. She lowered her head back slowly and let Barbie Lynn and Opal hold her down and dominate her affections. "Mercy, wouldn't it be nice if some hottie wanted you as much as those bitches want Paige?" Rio teased her playmate. Mercy's immediate reaction was drowned out by her shudder as Rio dolloped a spoon full of ice cream onto her breast just above the nipple. The 'near miss' was torture enough for the girl. "Yes, one does," shivered Mercy. "Have you been letting someone else sample your goodies which are rightfully mine?" Rio quizzed her as she lapped up the ice cream as it melted toward Mercy's neck. "No," Mercy squeaked. "The only hottie in my life is you." "Wait; did I give you permission to speak?" Rio changed the direction of her attack. "Yes," Mercy gulped, "I mean, you asked me a question." Rio shimmied up until she was resting her crotch on Mercy's hips. She then took Mercy's nipples between her thumbs and forefingers, twisting them and pulling them up painfully. "That definitely sounded like you were being a smart-ass," Rio declared authoritatively. "Were you being a smart-ass, my cum-bunny?" "Eeep!" Mercy squealed from the pain. "Which answer do you want to hear?" Rio's eyes grew wide. She rolled her body forward until they were breast to breast and chin to chin. "Oh, yes, you are being a clever little wench. No matter what I say, you are going to say the opposite because you want me to take ownership of your lush, big-titties body, don't you?" Rio teased. "Yes?" Mercy hesitantly guessed. "Sorry, but you can't piss me off tonight, you annoying cunt," Rio taunted. Of course, 'annoy' was Rio and Mercy's key word for loving one another. "I've already got something horrible planned for this evening and you aren't going to distract me." Mercy noticeably perked up at that announcement. "I promise this is going to tear you up inside and out too," Rio gloated. Rio dismounted Mercy and scampered to her personal toy drawer. She gathered up several preselected goods and strode confidently back to Mercy's side. "Zane, I could use a hand," she called out as her goods spilled out of her hands. Mercy looked on attentively but didn't risk Rio's wrath by speaking. "Sure, what do you need?" I inquired as I crawled over carefully so as not to disturb the ladies on my side of the bed. Rio lubed up a slender steel vibrator. "Here, hold this (a vibrator) in place," Rio directed me to press the device's point against Mercy's clit with the trigger on her belly. I did it and was curious to figure out what Rio had planned. Rio presented her 'normal' strap-on, grinned at me, then started rubbing it on Mercy. I had to smile at her imagination but I had a feeling Mercy hadn't totally clued in yet to what the plan was. Rio began pouring lubricant over the artificial cock, the other vibrator, and then over a small series of anal beads, anal beads? When did I get anal beads? "AK!" Mercy gasped as the first bead was pushed in. "What was that?" "Shut up, Ass-angel," Rio smirked, "only a few more to go, so suck it up and be my bitch." As this new form of sexual expression was going on before me, a thought occurred. "Rio, you borrowed my credit card and car, didn't you?" I whispered. Rio's response was a maniacal grin. Mercy on the other hand, "Zane, I'm sorry," then Rio slapped Mercy's thigh, "Ow! She said she had your, Ouch!, permission." "I'm cool with it, Mercy, but Rio's license was suspended so next time you need to do the driving," I consoled the girl. Rio was too happy with herself to become overly upset with our little conversation. As if she was trying to prove how crazy/inventive she could be, Rio began putting the strap-on on, Mercy. Even as she fitted it snugly in place the realization was coming over Mercy. She desperately wanted to ask Rio something but was too torn up by Rio's glee to ruin the moment. Rio stroked Mercy's artificial cock a few times to make sure it was totally lubricated. "Okay," Rio cooed to Mercy as she mounted her stomach, "I'm going to make this easy on you because you are annoyingly child-like. When I rub your breasts," Rio let her hands settle and caress Mercy's tits, "it means I want you to pump me slow and easy." "When I pull your delicious nipples like this," Rio yanked and Mercy bucked up and grunted in pain, "I want you to hammer me as hard as you can. Does any part of my instructions confuse your little mind?" Mercy shook her head, indicating her understanding, but a definite sense of joy was coming over her countenance. She knew how good being penetrated felt and Rio trusted her to return the favor. Only when Rio's hip rotations rubbed the dildo into Rio's cunt did Mercy protest. "Rio, that's your, your cunt?" Mercy pleaded softly. Remaining incredibly unpredictable, Rio leaned down to Mercy's face and kissed her with tenderness. "Mercy-babe, I haven't been a virgin for some time. Stupid shit-long ago-let's not talk about it right now," Rio whispered. "Rio, I lo, I've never found anyone more annoying than you," Mercy breathed back. "I never thought I would." "That's your problem," Rio laughed quietly. "It is my job to do all the thinking while you look all hot, sweaty, and sexy. Am I going to have to hammer your tight asshole to make my point clear?" "Please?" Mercy perked up. Rio responded with some serious tongue-on-tongue play accompanied by intense mammary stimulation before speaking. "Maybe," Rio teased, "but someone has to get my rocks off before I contemplate anything else, so get to it." Rio began a series of rotations and presses to work the strap-on further into her cunt. After a few motions, Mercy fell into a sympathetic rhythm and was rocking up when Rio stopped, making Rio's ride one continuous penetration. Rio kept an intense eye-lock with Mercy as she took the plastic cock. She playfully tugged at her own lower lip as her breathing picked up a pace. "I think you've been fucking dozens of other sluts behind my back," Rio expressed deeply. "So have you been jumping some poor girl in the showers? Do you press them up against the wall and tear up those untouched cunts, or do you bend them over facing the wall and bugger those virgin assholes? " "No, no, I haven't," Mercy whimpered. "But you've wanted to," Rio teased her through increasingly hearty pants. "No, Mercy gulped. "So, you've never wanted to bend me over a sofa out there and make me squeal with pleasure?" Rio persisted in a mysterious tone. Mercy squeezed her eyes shut and turned away. "So if I ordered you to surprise me some night, jump me, bend me over and stir me up inside like only a wanton fuck-bunny could, you wouldn't do what I commanded, my Whore?" Rio taunted. "No," Mercy replied desperately as she looked upon Rio's face once more, "I would do that for you." "Do you know why?" Rio whispered. Mercy had no thoughts she could articulate. "You'll do it because you are Mine, I own you and you will do whatever is necessary to make me happy. You are going to tell me every dark little secret you hide in the horniest, sexiest part of your mind; every fantasy you have, every thought that makes you wet, and I'm going to make you live them out. You won't try to hide any from me because you know that if you lie, when I figure them out eventually, and I will figure them all out, I'm simply going to fulfill them with some other hottie I pick up instead of you. Is that what you want?" "No," Mercy whispered. "So every kinky, freaked-out, sexy over-the-top thing you want to do, you are going to tell me about, even though you know I'm going to force you to do it?" Rio scolded. "Yes," Mercy continued quietly. "If you don't tell me or you refuse to do what I say, I'm going to start selling you to motorcycle gangs and frat parties and find someone I can trust instead. All you can do is obey because I have total control over you, and if you don't you know how crazy I can be; clear enough for you, Butt-Slut?" Rio closed the trap. "I'll do whatever you want," Mercy responded; liberated by Rio from any guilt she might have. Now she could still be the Good Girl, only now she was one forced to do bad things against her will. Rio would soak up all the 'badness' in their relationship, be the one she could blame, and Mercy found that overwhelmingly, annoying. It was enough to make Mercy want to annoy Rio for years and years to come. "Good girl," Rio stroked her cheek. "Enough talking; shut the fuck up and start pounding this cunt until I squirt and scream." Mercy was a moment too slow so Rio began working over her nipples energetically and painfully. It got the desired effect; Mercy propelled her hips up so forcefully Rio rose over an inch off the dildo. "Wow, better than a whole year of horse-riding lessons," Rio giggled. "Oh, before I forget, I have one more treat for my personal prostitute." She reached down to the top of the vibrator and cut it on to the medium setting, shooting a jolt straight to Mercy's clit. "Oh, God!" Mercy gasped. "You are so annoying I had to think of something special just for you, Butter-cunt. I bet those vibrations feel great against that juicy clit of yours," Rio teased, and Mercy nodded vigorously in response. I had to consider that it wasn't two weeks ago that fundamentalist Mercy had been weeping on top of me, crying that her life was over because I had gently masturbated her once. Now she was working out 1,001 Nights of Pleasure with one of the greatest perverts I knew, who says you never see miracles anymore? As turned my attention back to Paige's prize, I noted a small black wooden paddle Rio must have tossed Barbie Lynn's way right behind her rump. Feeling inspired, I rolled back to Mercy and Rio, reached around to retrieve the lube, and began slinking up on Barbie from behind. Barbie Lynn was totally drawn into the play around Paige so ignored me. Opal and Barbie Lynn were orchestrating sensitive excitement from the top of Paige's pale haired head to the flat plain that flowed from her ribs down past her hips. Barbie Lynn had told me she was familiar with other female students before she met me. I would have bet that Opal had experimented a time or two. That the two of them could make such compassionate love to Paige was a surprising marvel to me. Paige's normally translucent flesh was blushed red with blood at every point her top two lovers had tantalized with all their kisses and licks. I was sure that if Paige could have found her voice, she would have been singing out to the Heavens with joy. The cause of her physical incapacity was Brandi, who was experimenting on her own style of cunt-licking. I studied Brandi for a minute before I knew what her technique was. She'd flit her tongue back and forth like a tiny motorboat for several seconds then switch to a slow probing action for twice as long before returning to the rapid-fire motion. The result was that Paige would amp up but before she could spike, Brandi would let her cool down before driving her to even greater heights closer to climax once more. I guess I can be a bit of a bastard. The girls were going along so wonderfully yet I still felt I had to indulge in my swelling need. I settled on my knees behind Barbie Lynn and brushed the paddle across that so-perfect ass. She taunted me with that ass, pushing back toward me, increasing its vulnerability, but kept her primary attention on Paige. I repeat: Barbie Lynn is beyond awesome. I reached back and paddled her once. Barbie Lynn took a deep breath but didn't relent. The second spank was harder and the third harder still. It was the fourth one that did the trick. "Oh, God, Yes," Barbie Lynn exclaimed. The great thing was that her body rocked forward and her ginormous breasts brushed over Paige's face. Paige was excited, not lost in orgasm. It took her maybe three milliseconds to latch onto one of Barbie Lynn's tits and engulf an areola in her mouth. Chewing on that nipple came a few seconds later. Barbie Lynn began moaning up a storm and stroking Paige's hair, Opal grinned and fell ravenously on Paige's left nipple, and Brandi went over to full-on clitoral assault mode. Paige gamely held on for almost a minute before she let Barbie Lynn go and proclaimed her immense pleasure. "Oh, all of you, oh, God, I, I can't take, Oh Fuck, Zane!" she ended up screaming. Huh? I had done nearly nothing this session and still there was my undeserved name on a woman's lips. If the girls had resented me I would have totally understood. Instead, Barbie Lynn looked over her shoulder, rubbed a hand along the paddle resting on her ass and smiled. Opal laughed musically. Brandi was beset by Paige's orgasm though. Paige's stocking clad thighs were wrapped tightly around Brandi's head as she thrashed and undulated over the sheets. Brandi kept lapping like a champ because Paige was a copious ejaculator, as I could attest. "Damn, Zane, you can pick 'em," Opal congratulated me. "What? This plan wasn't mine," I confessed. "No, I mean your luck in picking out bed partners is better than mine," Opal explained. "Oh, you were missing a few nights ago. I'm sorry it didn't work out for you. Who did you home in on?" I asked. "Cappadocia," Opal told me. Uh-oh. "I don't think Cappy is ready for a bi-sexual encounter. Besides, she's far too aggressive for you right now," I informed her. "Yeah, we figured that out. We both tried being on top all the time and things sort of fell apart," Opal related to me. "We both did agree you are one hell of a primer for virgins." "Thanks, that's very kind of you," I jibbed. "Oh, wow," Brandi gasped out, finally released by Paige. "That was wild." Brandi backed away from Paige's cunt on all fours before rolling over and resting the back of her head on Paige's thigh. "She's yummy," Brandi giggled. "We should get her over for shower time." Paige was now splayed out, limp, and looking up at the ceiling. "I, I, Paige rasped. "Yes, Sugah?" Barbie Lynn purred down at Paige. "I, I have to do this again," Paige worked out. She followed that up by wrapping a hand into the hair at the back of Barbie Lynn's head and pulling her in for a kiss. "Woot!" Opal shouted. "We got another one. Zane, who is next on the menu?" "How about Vivian?" Brandi suggested. "Okay, ladies, there is no menu. We are not stalking girls down for bi-sexual trysts, and if we were interested in anyone, we should ask Paige for her opinion first," I countered. Paige rapidly disentangled from Barbie Lynn and propped herself up excitedly on her elbows. "Cordelia," she declared defiantly. "Cordelia Dresden, I've always had this secret thing for her, which also involves a little bondage and having her tell me I'm smarter than she is as I torture her with an ostrich feather," Paige finished with a wicked smile. "Thought this out much?" Opal snickered. "Just because Zane was the first person to see me as the devastatingly beautiful woman I am doesn't mean I haven't made contingency plans for when the inevitable happened," Paige was smarmy right back. "Paige, you were sure Zane would take you to his bed?" Barbie Lynn said. "As I recall, those were some shaky few minutes you two had." "Inevitable?" Paige scoffed. "I never doubted for a moment. In fact, I already have him trained." Even Brandi looked askance at that declaration but Paige beamed victoriously. "Zane," Paige grinned sweetly. "Bouncy, bouncy." I sighed, reached over Barbie Lynn, hooked one arm under Paige's arm and around her back while the other was reaching between her legs. I hefted her up and pulled her over on top until she comfortably straddled me. Paige glowed like the Sun. "Holy crap," Opal giggled. "Bouncy, bouncy," Brandi perked up and spoke to me. I wasn't sure what I'd do or say but it turned out I didn't matter. "No, you don't," Paige scolded Brandi. "Get your own command phrase; this phrase is mine." "What happens now?" Brandi prodded. I had the feeling that actual intercourse fascinated her. Paige turned her head away from the woman and looked down on me. She crashed upon my frame in slow motion until she was resting her chin on the top of my sternum and we had to strain to keep eye contact. "Please, Zane, take your mighty cock and put it in my tight, wet cunt. Make me tingle from the tip of my toes up to the ends of my white hairs on the crown of my head," Paige playfully pleaded. "Be gentle because my new-found friends have left me tender and hyper-sensitive all-over." Mighty cock, it isn't like my buddy attracts amorous attention from sequoias or something. My cock is a highly valued member of the team, but come on now, it is a freaking piece of meat. I can certainly get the job done without, Paige looks up and licks her lips while she pants like a famished huntress. Suddenly the last three years of my maturity lose their blood supply as it rushes elsewhere. Oh, well. I'll recall what I was bitching about later. "Okay," I grinned. "Maneuver up and I'll work it in." "I'll help!" Brandi excitedly volunteered. Before I could politely decline, Brand landed on my left leg and was pushing Paige's ass up. Paige was far more amused with the situation than I was and reconciled Brandi's movements with her desires to rise up from straddling to kneeling with one leg up. Brandi took the opportunity to stroke my cock, raised it to the vertical, and dragged it over Paige's cunt. She rested my cock a little far back, or so I thought. Paige thought so too. "Not the ass!" she squeaked. "Not the Butt!" "You want it in your, Brandi hesitated. "Her cunt," Barbie Lynn filled her in. "Yes, it looks so delicate," Brandi wondered. "Well, yes," Paige snipped, "but Zane has taken my virginity. My anus is even smaller than my cunt, and it isn't like Zane isn't already going to pass Cleopatra's Needle through something the size of a dime as it stands." "Did you just call Zane a needle-cock?" snickered Opal. "No," I groaned. "Cleopatra's Needle is an obelisk, like Washington's Monument, except only one-twentieth the size." "Yep," Rio panted from her side of the bed, "she definitely called him 'needle-cock'." "I don't care what you gals call it," Barbie Lynn chuckled. "He can stick me with that cock anytime." "Tell me you love me, Zane," Paige sighed. "I can't. You are absolutely wonderful to me but I can't lie to you even though I think it would make you happy to hear those words," I frowned sadly. "Why can't it be you and me?" she asked but her fatigued smile betrayed no anger. "Eh, the tired old romantic tale: boy loves girl but girl can't, or won't, show affection for him," I related. "How about this story instead," Paige's smile grew. "A post-Apocalyptic tale where you, me, and a select group of other genetically superior women retreat to a remote coastal island, fend off the end of the world, and set about repopulating the Earth over, and over, and over again." "Wait; if I agree does this mean you are going to plot out a way to bring about the end of civilization as we know it?" I questioned. What I didn't question was the reality that Paige would never have children of her own womb, but hell, this was her fantasy; right? "I know where your mind is, Zane Braxton," Paige said softly with tears brimming in her eyes but that smile still on her lips, "and that makes you a wonderful, wonderful man." "Now, please, bouncy, bouncy," that mischievous glint returned to her countenance. In some stories this would be the trigger for me to ram my thunderous love pylon deep into her womb. Or, I could hug her tight and let us express our emotions in some open, healing manner. In my reality, I was still somewhat of a tool to Paige, an object that brought her happiness and fulfillment. I was almost a human person of worth to her too. Paige had arrangements, not friendships, and controlled those relationships with mental domination. I know it would have surprised her and brought forth a torrent of denial if I showed she trusted me, as exhibited by her actions of the past few minutes. Rarely did one love their power drill or hammer and you certainly didn't get all teary-eyed when you read their mind correctly. Brandi steadied and reinforced my cock with a hand as Paige worked her way down. I held Paige by the hips to keep her from trying to move too fast. She was busy concentrating, undoubtedly committing the sensations to memory, I kind of like really smart women. "What does it feel like?" Brandi questioned Paige timidly. "If, you have never been, penetrated, you couldn't understand," Paige panted. "Don't worry about it," Opal cooed to her friend. "We are sophomores so we have nearly three years with Zane here at school. That is plenty of time to talk him into doing the deed." "That shouldn't be hard," Brandi giggled. "I've seen Zane scoping me out. He wants me." "Ha," laughed Barbie Lynn. "If it was that easy, there wouldn't be a virgin in this room. Zane could have woken up that part of me ten times over if his wanting my body was all it took." "Pop your cherry!" Rio shouted, close to climax. "Call it what it is, you dumb bimbo, oh, fuck!" She twisted Mercy's nipples with a violence that caused me pain by just looking. That cued Mercy to pound up into Rio unmercifully. Rio released Mercy's breasts and put her hands to torturing her own nipples. Her orgasm came in seconds. With sheer force of will, Rio fought off her physical spasms until she was body to body with Mercy, Rio's hands cupping Mercy's face and her lips planting fast kisses on Mercy's lips, nose, and eyes. "You are mine, mine, mine," Rio exulted with animalistic fury magically melded with heartwarming compassion. It was coaxed along by the vibrator to her clit, sending Mercy off to her own orgasm. "God mother-fucking damn, Rio," Mercy screamed, "Own, own me; make me yours." "I'm tattooing, your ass, this weekend," Rio whispered and groaned. On my side of the sexual diorama, Paige was still screwing herself down my cock, though Brandi had less to do but more to think about. "I can't decide when I want Zane to do the deed for me," Brandi wondered. "No," I breathed heavily, eyes still on Paige and her radiance, "Brandi, you and I will figure things out when the time is right." "Or you tie him down and ride him like Paige," Opal giggled. "Bouncy, bouncy," Paige panted through her chuckle, "It is not just a catchy jingle. It is the recipe for romantic success." "You talk too much, Princess," I emphasized with a thrust deep into her womb, "I think it is time to start your interrogation." She sizzled and I had a dark desire to feel her body heat burn me so we quickly figured out how we could get along. "Roll over, Pound cake," Rio ordered as she worked the strap-on off Mercy. "I've got all sorts of issues to work out and your priceless backside is my destination of choice. Buck up, Buttercup, stick out that ass and get ready for some furious pent-up teenage aggression." I was stunning that the friction Mercy generated as she spun over in the sheets didn't set the bed on fire. She wasn't on all fours but her ass was raised at a four-five degree angle and quivering in her desire. Rio affixed her tool of choice before allowing her gaze to bask in Mercy's splendor. It took her several seconds before she draped her body over Mercy's back. "I'm going to become so bored with this view," Rio teased, "in about fifty or sixty years." Mercy flexed and undulated her back, ass and thighs against Rio's body. Together the two lovers moaned sensually. "I lied to you," Rio panted into Mercy's ear. "I'm not going to get tired of your body in fifty or sixty years. I'm going to fuck you to death before you hit thirty." Mercy gave some sort of guttural reply which she accentuated by driving her posterior against Rio's artificial cock. It slid up between Mercy's cheeks as opposed to going into her anus but Mercy was certainly energetic enough to keep thrusting. Sometimes I wasn't sure which one was leading the other down the road to impassioned insanity. Afterglow The whispering in my ear had woken me up. I shifted my head toward the noise and saw Paige's elfin head cloaked by her fine white hair. In her slumber, Paige had brought one hand up to her chin and took slow nibbles out of the tip of her thumb. Her body was curled up in a near-fetal ball with her other arm vanishing beneath the sheets. Paige's lips parted and she moaned. "Oh, right there, Brandi, yum, yeah, right there." She rotated the shoulder of her downturned arm and her hips rocked gently beneath the covers, certainly driving those attached fingers against her cunt. She went back to nibbling her thumb and slowly quieted down. Paige was in the middle of the bed so I had to raise my head to peek past her sublime form to see Rio and Mercy who were both facing away, Rio was closer to me with her arms wrapped around and cradling Mercy. Fingers stroked my stomach bringing my head to the other side. Barbie Lynn was snuggled up against me and both her hands rested on my stomach, though only one was rubbing against my abs. The only problem was that Barbie Lynn regularly slept on her side with one hand on me and the other resting under the pillow, plus both hands on my stomach were lefties. I shifted slightly, looked over and tracked the moving hand back to the arm that led to a slumbering Vivian. I swear to God I did nothing to deserve this. I had to think about this for a few seconds. Finally I decided on a little clarity. "Vivian," I whispered as I tapped her hand. From experience I knew she woke slowly so I was patient. "Umm," she smiled dreamily at me. A three-count later her eyes focused enough to match my gaze. "You are in my bed and while I don't mind, I want to make sure you are doubly okay with this," I requested softly. "Opal and Brandi woke me up when they left," Vivian informed me, "and I felt, alone and left out. Are you okay with me being here? Are you going to be able to control yourself?" A few things made sense now. Vivian and her boyfriend had fallen into the habit of cuddling on one of their beds. Before long they were falling asleep comfortably in each other's arms. He woke up, high school boy's hormones racing, and she took a few moments too long to realize what was going on. I gave her bonus points for not hating the guy for taking her virginity and stealing away the bedtime comfort of lying with another person she yearned for. "Vivian, you have my permission to crash on my bed anytime," I smiled warmly. "Barbie Lynn will keep me in check. If you ever want to join me and no one else is around, I keep some restraints, left dresser, second drawer." "I don't want to tie you down, Zane," she whispered. "Restraints are not only about holding someone down but empowering the other partner. You get to feel comfortable close to me, I don't mind you being close to me one bit, and I don't have to worry about doing something I'll regret," I related. "You learned all of this in rural Thailand?" Vivian mused. "They are an ancient and scholarly people," I countered. "Are we okay?" "We are okay," she responded. "Great," muttered Barbie Lynn, "let's go to sleep because if I wake up, Vivian, I'm going to make you hold my head in your lap while Zane pleasures me from behind." Vivian grinned, rested her head, and closed her eyes. I laid back down and let my vision darken behind sleepy lids. I really felt like hammering Barbie's delicious ass but I knew she was tired and needed her sleep. Besides, she had only said that because she wanted Vivian to go to sleep. "Honey," Barbie Lynn whispered words sweeter than fresh cane sugar, "you had best give me all the long, hard strokes I can stand in the morning or I'm going to leave my own set of teeth and claw marks all over that wonderful body of yours." Normally I should accept the warning and fall asleep immediately but since it is a well proven fact that I have no sense where sex and sensuality are concerned, I was awake for quite a while. When I did wake up, it was brought about by Barbie Lynn rolling away from me. "Vivian," Barbie whispered kindly. Once Vivian was appropriately responsive, "Vivian, I'm about to wake Zane up and make him take that damn fine cock and use those powerful strokes I love to fill up my ass with cum until I scream." "You might want to go back to your sofa until he lifts me to climax," she advised. "On second thought, make that two screams, I'm feeling extra horny this morning." Isn't it wonderful that I get no say in where my cock is going or when I'm going there? I mean, it's not like I'm an adult or we are currently residing in my room. Wait, I am!! I'm sick and tired of this shit and I'm putting my foot down! Barbie Lynn rubs her scrumptious ass cheeks against my thigh and moans like my bitch in heat. I Man-Up; I'll set her straight as soon as I finish fucking her, damn it! Okay, I'll set her straight when I finish fucking her twice, but that's all she's getting from me. Barbie Lynn languidly gets onto her elbows and knees, favoring the sore one. She scoops the tube of lube from under the pillow and pushes it back to me as Vivian shakes her head, scoots off the bed, and makes her way to the exit. I pour some lube onto my palm then rub my hands together to warm it up because I don't want to cruelly use something cold on her vulnerable flesh. "Zane, I need this so bad," Barbie Lynn purrs. "Hammer me, hammer me twice and make me scream." "Oh," I growl, "I intend to." I'm going to nail her good then give her a piece of my mind. "Baby, I know you are taking Iona home this weekend so can you sneak away during lunch and sex me up one more time?" she pleads with a voice rich with need. "Of course I will, Babe," I reply. And then I'll give her a piece of my mind, damn it! "What's wrong, Zane?" Rio asked as she watched me strip my bed. She wasn't offering to help. "Man," I sighed, "sometimes I think I'm nothing more than a tool for sexual release on this campus." "That's surprisingly accurate," she chuckled. "I'm stunned you realized it so quickly." "Realized what?" Iona grinned as she glided into the room, unusually chipper. "Zane realized he's a sex toy, a pleasure slave to our whims," Rio pontificated. Mercy sighed slightly and came over to help me with the bed, as did Iona, and she hadn't even made the mess. "The willingness to give of yourself does not indicate a surrender of your will," Iona countered. "Zane gives and gives freely, without expectation of return." "He is your mirror image if you think about it," Iona continued. "With Zane it is pleasure and with you it is pain." Now you never know which way Rio will go with something like this; Iona was like a kid sister to her but I wasn't totally sure Rio hadn't experimented with patricide, matricide and infanticide along with cannibalism. "Damn, Iona," Rio came up and wrap her arms around Iona's waist from behind, "that's real cool." "Ah, you are welcome?" Iona smiled but with uncertainty. "How about I give you Mercy for a night? You know, a snuggle buddy for you to sleep with. We could dress her in an appropriate nightgown and she could be like a big warm teddy bear for you to cuddle with." "I would rather have Zane dressed up as a cuddly teddy bear," Iona glanced to me. "Oh, hell, no!" I declared. "I have my pride, ya know." "Get over it, Zane," Rio laughed. "You are the only guy I know whose home page is linked to both gay and lesbian porn sites." I am? How the fuck did that happen? "Would you do that for me, please?" Iona pleaded playfully. I had to avoid answering no matter what. "Iona, I've decided to designate you as my heir," I surprised her. "We'll do that Monday." "I already knew that," Iona stated evenly. "It was posted on your website yesterday." "What!" I squawked. "Am I bugged? Am I carrying a wire? How do people figure out these things?" "Cordelia," all the women in the room said simultaneously. Yep, I'm going to have to fix her little red wagon. I wonder if she has my home wired for surveillance as well. "Iona, what would you do with all that money? Zane's got a boatload of money; right?" Mercy broke in. "I don't know," Iona began; "Maybe make a trust for Christian World Charities or something like that." "Bitch," Rio recoiled, "do you know what Zane's family does? He's a freaking gazillionaire." "Rio," Iona swiveled so that she was facing Rio, "there is no such number and Zane's family mines copper, cobalt, chromium and manganese, primarily." "Dummy, that's the parent company," Rio scoffed, heady with her one-time mental superiority over Iona. "They build spaceships." "That's silly," Iona countered. "No one builds spaceships anymore. Do you mean rockets?" "Yeah," Rio groaned with impatience, "they build rockets that put satellites in orbit, spacecraft components, space-age ceramics, non-integrated circuit computers, and crap like that." Iona looked to me for some clarity. "I don't know," I shrugged. "I had a collage of the solar system in my room when I was five; I went to the NASA facility in Florida once a year; I've been to that space facility in Russia once; and I've seen a rocket launched from this site in South America. I figured all kids did stuff like that." Then something occurred to me. "Rio, how do you know all this about me?" I inquired. "Eh," Rio grunted. "In that first week I considered kidnapping you so I wanted to figure out what you were worth so I would know how much to ask for." "How much is he worth?" Mercy asked. "Enough so that his people wouldn't call in the FBI, they would call in some former Spetznaz and simply kill me instead of paying the ransom," Rio chuckled. "Yeah," I laughed too, "I recall Dad saying that he'd 'met up' with some South African Commandos when he was not much older than I am now. He sent them Christmas presents every year until he died." "Zane, I'm not sure I want that much money," Iona worried. "Well, you've met Aunt Jill and we both know she couldn't handle it," I countered. "What, what, what about Rio, Oh, My God, what am I saying? That would be nuts," Iona fretted. Rio gasped. "Hey!" Rio shouted. "What's wrong with me?" "You are totally insane with an annoying lack of impulse control," Mercy stated clinically. Rio's mouth dropped open and she gawked at her 'toy'. "Pound cake!" she barked at Mercy. Mercy perked up and looked ready to throw herself on the bed and at Rio's mercy. "No," I intervened. "We have to get to breakfast and I can hear Vivian pacing like mad just beyond the screens. She deserves better from us. Now let's get going." Everyone was remarkably behaved until we got into the elevator and the door shut. "Are you sure you are the right person for this job?" Vivian asked Mercy as the doors shut. "What?" Mercy gulped. "What do you mean?" "Yeah, what the fuck do you mean by that, ya Cunt?" Rio interjected both her words and her body into the conversation. "Mercy and I are doing just fine." "You shower together, sleep together, stick all kinds of things in one another; I'm neither blind nor stupid," Vivian growled out. "I'm sorry," Mercy mumbled. "Oh, I don't blame you. They got to you before this 'guardian' thing happened. It is simply unfortunate that you ended up as Rio's minder and now we will have to deal with it," Vivian responded without heat or condemnation (toward Mercy). "Are you going to turn her in?" I had to ask. "Forcing Mercy to face the condemnation and ridicule of those who have no clue to her situation would not be the Christian thing to do," Vivian sincerely related. "I will not let Mercy fall into depravity. She and I will work together to save her soul." Rio didn't trust her and looked ready to pounce. On the other hand, I was truly impressed and believed her. "What is your plan?" Iona joined in. "Vivian, you wouldn't bring this up if you didn't have a plan." "I am creating a list of Christian works, not the Bible, Rio, that the two of them could read together for half an hour before bedtime," Vivian enlightened us. In the short-term it sounded naive but if you took into account the almost three years Mercy and Rio could be here together it was rather clever. "Blow it out your ass!" Rio growled back. "No, Rio, you will do it," I demanded. I had never demanded anything of her before. I'd asked, begged and suggested but I had never told her 'do this or else'. I was now. Rio and I locked gazes. She felt betrayed and pissed. "Fuck you," Rio snapped at me. "You don't tell me what to do." "You'll do what I tell you to do now," I insisted. "Or what?" she sneered. I could feel Iona cringing beside me. Mercy was afraid and looked trapped. Vivian was taking the exchange with interest. "Or nothing. I am not going to hold anything over your head but I'm also going to fight to keep you from fucking up your life," I kept at it. "It is what friends do." There was a pause. "Glenda, you suck," Rio declared quietly. That quavering in Rio's resolve was Mercy's cue. "I'll do the readings," Mercy said. "Rio, if you want to wait in the bedroom for me, well I'm fine with that, if that is what you want to do." "Gurr," Rio mumbled. "Fine, I'll do it, but if I hear even one chorus of Kumbaya, I'm skewering someone with a pool stick." "Thank you, Vivian got out. "Not a word," Rio warned. "Not another damn word, from any of you." Mercy shot me a look and I could see she finally got it. You let Rio run amok for 90% of the time so that you could coax Rio toward stability the other 10% without her rebelling. I didn't want to make Rio sane; I was sure she was happy being fucking nuts. I only wanted her to be a 'fucking nuts' that didn't make her destroy her life and drive away the people that really cared for her. What can I say? I'm selfish. Rio fills a void in my life and I didn't want to see her fall away into the darkness the way my Mom did. Aliens, Vampires and Werewolves, maybe not. To make the right decision requires a combination of confidence, knowledge, and luck. A little nonsequitur: I once asked my close associates why they believed in God. Rio said: "Well, I can't very well be a convincing Satanist if I don't give lip service to the Other Guy." Iona put it this way: "The Universe makes sense. It is our roadmap for Ascension and a fuller understanding of God's Love." Christina reasoned: "I've seen Evil so there must be Good." Heaven s take was: "Because I prayed for death but Christina came; and I prayed for you (Zane) to go but you stayed." Hope expounded: "Because I live in a country that allows me to own a K11 assault rifle for home defense." No one wants to ask Hope if she has the official rifle of the R O K Army with her at school, or if she actually has the grenades that go with it. What good would it do; it isn't like we would try to take it away from her. Most of us like living too much. Chastity observed: "Firefighters, organ donors, Christian converts in Iran, with so many people giving for no material gain, that indicates to me a higher purpose for mankind, a struggle between right and wrong." Faith rebutted: "Belief in Christ cannot be given a definition. If you define it, it ceases being faith." Barbie Lynn: sweetly gave me a peppermint and smiled. She had to look no farther than the fate that had brought us together and the joy we shared; she didn't need words. Paige resolved: "Only something with infinite precision and power could bring about the Big Bang. The day they can give a name to that force, I will gladly surrender my faith." Cordelia said: "Let me think about my reply. Why do you believe in God?" (Like I'd ever tell her.) Cappadocia lamented: "What an empty and lonely thing life must be, if these few years are all we have?" Opal s mind was made up: "I always have and never heard an argument that would make me think differently." Brandi chided: "It was how I was raised. But the first time you kissed my stomach, I had my own personal religious experience (giggle)." And Now, Back to the Story! Breakfast unfolded pretty much like it had a week ago, with the added bonus of poisonous glares between clumps of students, bandages, bruises, and the sense of unease that comes from unresolved conflict. After all, neither Christina nor Rhaine had won. This was acceptable to most of the sane crowd as the alternative would have been to make the school unbearable to the other half of the student body so that they left. Instead, we got to bask in the chilly civility that Christian politeness dictated. At least I wasn't (too) worried about a pack of girls ambushing me. As was becoming her habit, Gabrielle Black had devoured her food in less than four minutes and paced the perimeter of the Dining Room floor, her eyes dodging about with no discernible pattern. I kept an eye on her because she worried me in a way that went far beyond hormones. "Zane?" Iona repeated. I had barely registered her first request for a moment of my time. "Yes, Hon?" I smiled down at her. She looked happy for the eye contact but worried about what she had to say. "Zane, there are two other candidates for Freshman Class President, Mhain Reynard and Millicent Pierce," Iona informed me. "Millicent?" grumbled Rio. "Zane saved her ass and now she's kicking sand in his face? The bitch." "Millicent is free to do what she wants. She may have wanted to be nominated before all this chaos came about. I'm not going to begrudge her having political ambitions," I told them. "Zane, I don't think you understand what this means," Iona worried. "Sure I do; Millicent and I are going to split the Pro-Christina vote. There will be a run-off. If it is Millicent and I, Mhain's votes will go to her and I lose. If it is Mhain and Millicent, my votes will go to Millicent and she wins. If it is Mhain and I, it will be a toss-up. Essentially, Millicent can definitely defeat Mhain but I can't." "This sounds like a job for the NSA," Rio glared off to where Millicent was sitting. I don't think Rio knew what Mhain looked like. NSA referred to Rio's title as my in-house assassin, Ninja Stripper Angel. "Don't worry," I patted Rio on the shoulder, "I got this, Bro." When I got up, Rio followed me nonetheless. Chancellor Bazz was absent for the second day in a row so the highest authority seemed to be Doctor Scarlett, the Vice Chancellor. Gabrielle noted my movement but didn't deviate from her path. Mrs. Cunningham was closest but seeing neither authority figure appeared nervous, she too went about her rounds. Mind you, girls are moving around the Dining Hall all the time but I'm special, being a troublemaking, devious male. I rounded a table and walked over to Millicent, who was warned of my approach by an associate. She twisted in her chair and waited for the flavor of my greeting. "Hey, Millicent, I want to congratulate you on your nomination and I hope you get the votes to be on the ballot," I said as I extended my hand. She shook it and smiled. "Thank you, Zane. Good luck to you too," she replied. "How about we have a debate a few nights before the election? Interested?" I pondered. "That would be great," Millicent agreed. "We can request the Assembly Hall but we'll need to figure out who should be moderator." "We'll figure it out," I nodded. "I'm going to say 'hi' to Mhain as well." "I will come along," Millicent informed me as she stood up and stepped to my side. "Hi, Rio." "Eat shit and die, you ungrateful whore," Rio snarled back at Millicent, who backed off. "Zane should have left you for Bazz to fuck over." Millicent's crowd was shocked, then outraged. "Cool it, Rio." I stroked her arm. "You and I do what we do for our own ends and not for the accolades of others." I turned to her, "Right?" Rio took a deep breath. "You are such a dumb blonde," she smirked at me. "I get my thirty pieces of silver up front." "Thanks, Babe," I grinned at Rio. I looked back to Millicent. "I'm still going to see Mhain if you want to tag along with me and Rio." "I'm feeling fearless with a positive outlook on life so I'll risk it," Millicent smiled. Yeah, beating Millicent in this election was going to be fun, right up there with waking up on the

We're diving headfirst into the wild world of student social media.   Our brand new "Is It Friday Yet?!" tour dates in 2026 are on sale now! Remember, we are still in 2025...Catch the Bored Teachers Comedy Tour coming to a city near you! Tickets going fast: https://bit.ly/TODBTCT    PLUS book your hosts for a speaking event at your school: https://teacherspeakers.com/    Check out our MERCH! https://shop.boredteachers.com    Subscribe to our newsletter: https://www.beacons.ai/teachersoffdutypod   Send us a voice message: https://bit.ly/3UPAT5a    Listen to the podcast anywhere you stream your favorite shows:  Spotify: https://open.spotify.com/show/3hHNybdOJb7BOwe0eNE7z6?si=840ced6459274f98  Apple: https://podcasts.apple.com/us/podcast/teachers-off-duty/id1602160612  _________________________________   Teachers get your perks!! This episode is brought to you by:    Clean My Mac X | Go to cleanmymac.com to get 20% your first order with CODE: DUTY20 and try for FREE your first 7 DAYS! _________________________________ Bri, Tyler, and Shelby dive into real talk about social media safety for students, building a positive digital footprint, and how teachers can turn classroom wins into content that genuinely changes lives. They break down what it means to teach digital citizenship in 2025, why classroom economy systems actually work, and how student-created videos can boost engagement and buy-in.   The crew also gets into the world of Roblox and Minecraft, the parental controls every teacher should know, and the fine art of turning creativity into a career — from brand deals and the “1% rule” to staying brand-safe in the process. Plus, they tackle teacher pay, side hustles, and making an impact that goes beyond the classroom. And of course, it wouldn't be Teachers Off Duty without a very serious Rock-Paper-Scissors rivalry. Stick around for the latest Bored Teachers Comedy Tour dates and find out why you need a teacher besties' night out. Listen now & don't forget to subscribe!  Follow your hosts:  Briana Richardson @HonestTeacherVibes  Tyler Jackowski @TylerJackowskiOfficial Shelby Lattimore @teachingwithmissl Follow us on all platforms @TeachersOffDutyPodcast _________________________________ Teachers Off Duty - A Bored Teachers©️ Podcast

Sarah sits down with veteran choral educator, Anola Douglas, to discuss strategies for connecting with kids and getting them EXCITED about coming to music class! Her latest book, "Teaching the Apathetic Choir," breaks down some of Anola's favorite activities and mindset shifts that can bring joy back to the classroom. You can learn more about her book and grab the eBook version here: https://fflat-books.com/product/teaching-the-apathetic-choir/Or the physical version here: https://www.amazon.com/Teaching-Apathetic-Choir-Strategies-Unmotivated/dp/1639911499Plus, check out the other resources Anola mentioned. Rock Paper Scissors: https://www.teacherspayteachers.com/Product/Rock-Paper-Scissors-Rhythm-10111557Choir workbook: https://www.teacherspayteachers.com/Product/Singers-Workbook-9770913

Matty Dalrymple talks with John DeDakis about WRITING TO HEAL, including how writing can help us process grief and loss, why moving toward pain rather than away from it can lead to emotional growth, and how journaling, memoir, and fiction each offer unique ways to heal through storytelling. John DeDakis shares how facing difficult experiences on the page builds authenticity, courage, and connection—insights every writer can use to turn pain into powerful, meaningful stories.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes, including extensive summary, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Grief and loss are subtexts in all six award-winning mystery / suspense / thriller novels written by John DeDakis. John is a former White House correspondent and former editor on CNN's “The Situation Room with Wolf Blitzer.” John is currently a writing coach, manuscript editor, podcaster, and rank amateur jazz drummer.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

12/23/2020Yes, the boys are giving you a Holiday Show.  This one is packed with a discussion on why Diamond Girl and all of Freestyle are dope.  Xavier & The OG finally track down the elusive Philly Elmo.  Vin discusses the state of the music business.  Then Xavier gives us an XMAS Edition of Cameo NO before Vin debates Pablo on a Cheapo Tip and his alleged win of a Rock / Paper / Scissors game.  No matter what holiday you celebrate, spread the love and be thankful for what you have.  We are thankful for everyone that has shown us love over the years.

Matty Dalrymple talks with Claudine Wolk about HOW TO GET YOUR BOOK SEEN AND SOLD, including how authors can identify and reach their ideal readers, craft a clear message and compelling hook, and overcome the fear of self-promotion. Claudine shares practical, confidence-building strategies to help indie authors simplify book marketing, focus their time and budget, and get their books in front of the readers who will love them.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes, including extensive summary, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Claudine Wolk is a three-time published author, speaker, columnist, book marketing expert, and podcast host of GET YOUR BOOK SEEN AND SOLD. Her latest book with co-author Julie Murkette, “Get Your Book Seen and Sold,” is the go-to guide for aspiring authors to dive in to publishing and book marketing to successfully sell their books. She is a sucker for used books, lipstick, and her three kids and grandkids.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

ALLi Campaigns Manager Matty Dalrymple talks with Karen Williams of Librotas about how authors can build business authority through their books. Karen discusses her path into writing and mentoring nonfiction authors, stressing structure, clarity, and preparation. She explains how authority-building books enhance credibility and business growth, explores different formats, and offers advice on aligning books with business goals, engaging readers, and repurposing content. About the Host Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She has written books on the business of short fiction and podcasting for authors, and her articles have appeared in Writer's Digest magazine. She serves as the campaigns manager for the Alliance of Independent Authors. Matty is also the author of the Lizzy Ballard Thrillers, beginning with Rock Paper Scissors; the Ann Kinnear Suspense Novels, beginning with The Sense of Death; and the Ann Kinnear Suspense Shorts, including Close These Eyes. She is a member of International Thriller Writers and Sisters in Crime. About the Guest Karen Williams is the Book Mentor at Librotas. She helps business owners, experts, and thought leaders write authority-building books that elevate their credibility and grow both their business and brand. The author of ten books, including Your Book Is the Hook and Book Marketing Made Simple, Williams guides her clients from messy first idea to final manuscript and successful launch, with a focus on strategy, structure, and ensuring their book truly works for them. She's a TEDx speaker and host of the Business Book Bites podcast. Williams can be found on Facebook, LinkedIn, and Instagram.

 Matty Dalrymple talks with Lisa Regan about WRITING REALISTIC POLICE PROCEDURES, including how crime writers can find reliable sources, connect with law enforcement experts, and navigate jurisdictional differences. She discusses the impact of technology on modern investigations, strategies for balancing realism with storytelling, and the importance of consistency when portraying police characters.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes, including extensive summary, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Lisa Regan is the USA Today & Wall Street Journal bestselling author of the Detective Josie Quinn series, as well as several other crime fiction titles. She is an International Thriller Writer Award nominee. Her novels have been translated into over a dozen foreign languages. She has a Bachelor's Degree in English and Master of Education Degree from Bloomsburg University. She lives just outside of Philadelphia with her husband, daughter, and her Boston Terrier named Mr. Phillip.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Cindy Gunderson about CRAFTING STORIES FOR THE EAR, including the challenges and benefits of self-narration, how narrating your own work can improve your writing, tips for preparing a manuscript for audio, the performance skills that bring stories to life, and the impact of AI on audiobook production and accessibility.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes, including extensive summary, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Cindy Gunderson is a voice actress and award-winning author. Since she has commitment issues, she writes sci-fi, fantasy, plus contemporary romance and women's fiction under the pen name Cynthia Gunderson. When she's not typing away in a quiet corner of her local library, you can find her traveling with her family, narrating audiobooks, or attempting to beat her kids at card games. Cindy's first novel TIER 1 was awarded First Place in Science Fiction at the 2021 CIPPA EVVY Awards and her women's fiction novel YES, AND was honored with the Indie Author Award's first place prize for the state of Colorado, 2023.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with JP Rindfleisch about FINDING READERS THROUGH SERIALIZATION, including how writing serial fiction differs from traditional novels; tips for keeping readers engaged with serialized stories; the pros and cons of platforms; and how indie authors can use serialized novels to build community, test ideas, and strengthen their overall self-publishing strategy.    Interview video at https://tinyurl.com/TIA306YT2 Show notes, including sumary, at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   JP Rindfleisch IX writes cozy queer fantasy and dark paranormal academy. Best known for Mandrake Manor and Mosswood Apothecary, which started as serials and were later novelized, including a successful Kickstarter for Mosswood Apothecary's special edition. They also created the Tapas Premium serial The Greatest Storm Mage Needs a Break, co-author NRDS: A Queer Paranormal Comedy Serial, and the Leah Ackerman Dark Paranormal Academy book series. JP also founded Rockford Area Writers, an 80+ member community supporting local authors in Rockford, Illinois, and is an editor over on Dialogue Doctor with Jeff Elkins.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Dave has stories from Vegas, we quiz you on your hockey knowledge, and more!

Dave has stories from Vegas, we quiz you on your hockey knowledge, and more!

Dave has stories from Vegas, we quiz you on your hockey knowledge, and more!

How can a game transform life-or-death conversations in healthcare settings? A conversation with Criswell Lappin In this compelling episode, design thinker Criswell Lappin reveals how play and games can break down barriers in healthcare, particularly for underserved communities. With over 20 years of experience spanning from Apple to healthcare innovation, Lappin demonstrates that the mechanics of play aren't just for children—they're powerful tools for building trust and sparking meaningful conversations. The St. Joseph's Health Project Lappin's most impactful work involved addressing a critical healthcare challenge in Paterson, New Jersey. Pregnant women weren't asking clinical questions during appointments, creating gaps in care. Through research, his team discovered that women felt more comfortable when they found shared experiences with their healthcare providers. The solution? A simple "Would You Rather?" card game that pairs clinical topics, encouraging both patients and nurses to share stories and find common ground. One powerful example: a 19-year-old patient with a history of sexual abuse initially refused a pelvic exam. After playing the game and bonding over pasta sauce preferences, she opened up and began asking about delivery options she hadn't known existed. The Philosophy Behind Play Lappin's approach stems from two core influences: his childhood collecting baseball cards (visual appeal backed by data) and growing up with a disabled younger brother (fostering empathy and caregiving instincts). He believes play gives people permission to approach problems differently by lowering stakes and reducing formality. Key Design Principles Lappin shared four essential pieces of advice he gives to students, teams, and his own children: Plan on multiple futures - especially in business contexts Focus on what you can control - worrying about uncontrollable variables leads nowhere Aim for 1% better - small weekly improvements compound into transformation Prioritize who you work with over what you do - relationships lead to interesting work Looking Forward The St. Joseph's project, now called "Prefieris" (Spanish for "Would You Rather"), continues to expand as the hospital collects data on its impact. Lappin emphasizes the importance of having internal champions like nurse Stephanie Matthews, noting that such allies are critical for moving innovative projects forward in traditional institutions. This episode illuminates how thoughtful design thinking, combined with the universal language of play, can create profound human connections that ultimately save lives and improve healthcare outcomes for vulnerable communities.

Matty Dalrymple talks with John Gaspard about WRITING FOR PASSION, NOT PLATFORMS, including why he chose to write a passion project instead of a market-driven book, how research into HAROLD AND MAUDE AT THE WESTGATE THEATER  turned into a richly visual history, what indie authors can learn about marketing from a cult film's unlikely success, and why creating the book only you can write may be the most rewarding path of all.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   John is author of the Eli Marks mystery series and the Como Lake Players mystery series. He also has several other stand-alone novels, including “The Greyhound of the Baskervilles,” “A Christmas Carl,” “The Sword & Mr. Stone” and “The Ripperologists.” He hosts "Behind the Page: The Eli Marks Podcast." In real life, John's not a magician, but he has directed six low-budget features that cost very little and made even less - that's no small trick. He's also written multiple books on the subject of low-budget filmmaking. Ironically, those books made more than the films. John lives in Minnesota and shares his home with his lovely wife, several greyhounds, a few cats and a handful of pet allergies.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

ALLi Campaigns Manager Matty Dalrymple talks with editor Gale Winskill about the craft of editing children's books and picture books. Winskill discusses age-appropriate language and content, the author–illustrator collaboration, structural and developmental editing, marketing considerations, and the role of beta readers, while emphasizing the importance of challenging young readers and creating stories that appeal to both children and adults. bout the Host Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She has written books on the business of short fiction and podcasting for authors, and her articles have appeared in Writer's Digest magazine. She serves as the campaigns manager for the Alliance of Independent Authors. Matty is also the author of the Lizzy Ballard Thrillers, beginning with Rock Paper Scissors; the Ann Kinnear Suspense Novels, beginning with The Sense of Death; and the Ann Kinnear Suspense Shorts, including Close These Eyes. She is a member of International Thriller Writers and Sisters in Crime. About the Guest Gale Winskill is an editor at Winskill Editorial with more than thirty years of in-house and freelance experience in the UK and abroad, working across both adult and children's fiction and nonfiction. She provides a full range of editing services, book coaching, and some ghostwriting, and she works with both traditionally published and self-published authors. Her writers have won or been shortlisted for a variety of prizes. Winskill also creates and delivers training for several publishing bodies and teaches the fiction stream of the HarperCollins Author Academy. She believes the editor's role is to empower authors through constructive advice, collaboration, and a good sense of humor. She can be found on her website and on LinkedIn.

Matty Dalrymple talks with Michael La Ronn about FROM BETA READERS TO BETTER STORY, including how authors can use alpha readers, beta readers, and ARC teams to strengthen their manuscripts and connect with their audience. They discuss when to bring in beta readers, how to choose the right people, and the differences between feedback from writers versus readers. Michael also shares strategies for paying beta readers, managing volunteer feedback, and using early input to improve both your story and your marketing.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Michael La Ronn has published many science fiction & fantasy books and self-help books for writers. He built a writing career publishing many books per year while raising a family, working a full-time job, and even attending law school classes in the evenings. Visit his fiction website at www.michaellaronn.com and his resources for writers at www.authorlevelup.com   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Jane Friedman about MIDLIST SUCCESS, including how traditional publishers are shifting focus to support mid-list authors over a longer timeframe, what indie authors have long done to keep backlist titles selling, why building a sustainable career can be more effective than chasing a breakout bestseller, and practical steps authors can take to strengthen their marketing and reader connections.   Interview video at https://tinyurl.com/TIA303YT Show notes at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Jane Friedman has spent her entire career working in the book publishing industry, with a focus on author education and trend reporting. She is the editor of The Bottom Line, the essential publishing industry newsletter for authors, and was named Publishing Commentator of the Year by Digital Book World in 2023. Her latest book is THE BUSINESS OF BEING A WRITER, SECOND EDITION (University of Chicago Press), which received a starred review from Library Journal.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Wait a second. There's a day specifically for that?

Librarians Desirae and Sarah talk about the atmospheric thriller Beautiful Ugly by Alice Feeney. When a writer's wife goes missing, his career stalls. Then his agent gives him an opportunity to start fresh on a remote island off the coast of Scotland. But it's filled with secrets and mysteries, and he begins to see his wife everywhere.Also mentioned: Daisy Darker by Alice Feeney, the movie The Wicker Man, The Plot by Jean Hanff Korelitz, Yellowface by R.F. Kuang, The Guest List by Lucy Foley, and His & Hers and Rock Paper Scissors by Alice Feeney.Check out books, TV shows and movies at countycat.mcfls.org, wplc.overdrive.com, hoopladigital.com and kanopy.com/en/westallis. For more about WAPL, visit westallislibrary.org.Music: Tim Moor via Pixabay

Matty Dalrymple talks with Dale L. Roberts about AI AS BUSINESS CONSULTANT AND COACH, including how he leverages AI tools to enhance his productivity and business operations. The conversation delves into Dale's use of AI, specifically ChatGPT, to manage his ADHD, improve scheduling, and hold himself accountable. He discusses how AI helps him map out daily tasks, review accomplishments, and brainstorm new ideas for content creation and marketing. The conversation also covers practical applications of AI for email drafting, contract analysis, and providing strategic business advice.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/episodes-all   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Dale L. Roberts is a self-publishing advocate, award-winning author, and renowned video creator. With over 50 publications, he has become an authority in self-publishing, leading him to create his own YouTube channel, Self-Publishing with Dale, regarded as one of the premier information resources in the indie publishing community.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

This week on the pod we talk with the legend that is Stato. His beginnings in fantasy, to his radio career through to hanging up the boots. Enjoy. 

Matty Dalrymple talks with Greg Keogh about THE DIGITAL LANDSCAPE FOR EBOOKS AND AUDIO, including how independent authors can maintain control over their intellectual property and revenue through direct sales, avoiding subscription fatigue, and leveraging digital content's long lifespan. Greg also discusses how Curios aims to empower authors with tools to sell directly to readers while retaining full profits and gaining invaluable audience data.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Greg is an engineer and one of the founders at Curios. He has spent the last 5 years working in the digital content space, specifically surrounding digital rights management. Prior to Curios he worked at a digital agency that specialized in digital content solutions. Greg is an avid reader and is passionate about changing the way authors can earn in the digital era. Curios is a platform and marketplace where authors can sell their ebooks or audiobooks directly to their readers. They keep 100% of any sale, and they can own the contact information for anyone who purchases or claims their book.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Let's just say prior to THIS he's been calling it "Paper, Scissors, Rock" and he blames it on "growing up in El Paso"

Can a Pez dispenser teach you about quitting smoking? Can AI learn to love us before it wipes us out? And is paper really your best bet in rock-paper-scissors? In this jam-packed episode of The Sandy Show, Sandy and Tricia dive into everything from pop culture obsessions to existential tech fears—with plenty of laughs and unexpected insights along the way. From Taylor Swift's record-breaking podcast appearance and the orange craze it sparked across global brands, to the Godfather of AI warning humanity about its own creation, this episode is a rollercoaster of entertainment, curiosity, and caution. Plus, Tricia reveals the secret to winning rock-paper-scissors, and Sandy opens up about his decade-long journey of sobriety. Guest Spotlight: While this episode doesn't feature a formal guest, it highlights the voices of Sandy and Tricia—two seasoned radio personalities whose chemistry, wit, and honesty make every topic feel personal and engaging. Key Moments:

Kevin finally cracked the code and tests out this new theory of his!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Netflix has released the trailer for the Charlie Sheen documentary, the best move to make when playing Rock Paper Scissors and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Enough With The Door To Door Folks | Knowing Dogs Is Just A Part Of Life | Big Dink Guy Breaks His Arm & It's News For Some Reason | Machines Acting Out Shakespeare? | Framing Dead People's Tattooed Skin | Sure Fire Way To Win Rock Paper Scissors | Smelling Like Vinegar

ALLi Campaigns Manager Matty Dalrymple talks with Michael Pietrobon, founder of Canadian book design and self-publishing company Foglio, about budget-friendly ways to add audio to eBooks without producing full audiobooks. They discuss using sound effects and leitmotifs to enhance stories, technical standards for eBook production, sourcing free audio, AI clean-up, and creating interactive enhanced eBooks. Michael also offers advice on ensuring device compatibility and distribution, while noting that print books should remain a priority for authors. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She has written books on the business of short fiction and podcasting for authors, and her articles have appeared in Writer's Digest magazine. She serves as the campaigns manager for the Alliance of Independent Authors. Matty is also the author of the Lizzy Ballard Thrillers, beginning with Rock Paper Scissors; the Ann Kinnear Suspense Novels, beginning with The Sense of Death; and the Ann Kinnear Suspense Shorts, including Close These Eyes. She is a member of International Thriller Writers and Sisters in Crime. About the Guest Michael Pietrobon is the founder of Foglio, a Canadian company specializing in high-quality book design and self-publishing services. With more than a decade of experience in typesetting, cover design, and eBook formatting, Michael helps authors bring their books to life—professionally and on their own terms. He works with writers across genres to create print-ready and digital books that meet both creative and industry standards. He is especially passionate about innovations in publishing, including interactive eBooks and audiobook design, and believes independent authors deserve the same design quality and distribution reach as traditional publishers. Michael can be found at foglioprint.com, LinkedIn, Instagram, and Facebook.

Matty Dalrymple talks with Mark Leslie Lefebvre about LESSONS FROM A CHANGING PUBLISHING LANDSCAPE, including trends in book design and special editions, shifts in production and distribution, Bookshop.org's expansion into eBooks, strategies for direct sales and backlist marketing, and how increases in costs of print book production merit increases in prices as well. They also discuss the innovations they hope to see in the next two years.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Mark Leslie Lefebvre is the author of more than twenty books that include fiction and thrillers, and paranormal non-fiction explorations. He has also edited numerous anthologies. With three decades of experience in bookselling and publishing, Mark is a seasoned and trusted book industry professional who embraces both traditional and indie publishing options.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Pinfall, submission, count out, disqualification...and rock, paper, scissors? Simon Miller presents the 10 Strangest Ways To Win A Wrestling Championship...ENJOY!Follow us on Twitter:@SimonMiller316@WhatCultureWWEFor more awesome content, check out: whatculture.com/wwe Hosted on Acast. See acast.com/privacy for more information.

Matty Dalrymple talks with Jean Burgess about WHAT WRITERS CAN LEARN FROM THEATER, including how writers can use techniques like improvisation to overcome writer's block, the importance of visualization and spatial awareness in storytelling, how much detail is just enough and not too much in your writing, and the role of thematic consistency.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Jean Burgess is a writer, editor, playwright, and workshop presenter. As a former professional stage actor and director, many of her written works relate to the performing arts, including her debut novel, THAT SUMMER SHE FOUND HER VOICE: A RETRO NOVEL (Apprentice House, 2024). Her nonfiction, entitled COLLABORATIVE STAGE DIRECTING: A Guide to Creating and Managing a Positive Theatre Environment, was published by Routledge/Taylor & Francis in 2019. Before diving into a writing career, Jean taught theatre and speech communications on both the secondary and college levels for twenty-three years. She holds an M.A. in Theatre from Northwestern University and a Ph.D. in Educational Theatre from New York University.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Johnny B. Truant about THE ARTISAN AUTHOR, including the importance of creating genuine, one-on-one connections with readers rather than succumbing to the rapid release model and algorithm-driven strategies dominating the publishing world. Johnny highlights the importance of authentic interactions, pricing books appropriately, and understanding the unique value each author brings. The conversation also delves into the growing support for niche and artisanal creators among readers. Johnny talks about his book THE ARTISAN AUTHOR and his upcoming Kickstarter campaign.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Johnny B. Truant is one of indie publishing's early authorities, having created and co-hosted the original Self Publishing Podcast with Sean Platt and David Wright. He is also the author of the indie cornerstone guide Write. Publish. Repeat, and hosted the Smarter Artist Summit author conference in Austin, Texas from 2015-2018 with the same two partners. On the fiction side, Johnny is the bestselling author of Fat Vampire, adapted by The SyFy Network as Reginald the Vampire. His other books include Pretty Killer, Gore Point, Invasion, The Beam, Dead City, Unicorn Western, and over 100 other titles across many genres. Originally from Ohio, Johnny and his family now live in Austin, Texas where he's finally surrounded by creative types as weird as he is.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Dmitri Vietze is the founder and CEO of Rock Paper Scissors, a leading PR and marketing agency that helps music tech innovators tell compelling stories. Since launching the agency in 1999, Dmitri has remained at the forefront of music technology and innovation, also founding StoryAmp, a DIY PR platform. He hosts the Music Tectonics Podcast, curates the Rock Paper Scanner newsletter, and organizes the annual Music Tectonics Conference. A respected speaker and community builder, Dmitri is a trusted voice in the evolving intersection of music, media, and technology.In this episode, Dmitri Vietze shares how artists can navigate the evolving music industry by leveraging technology, storytelling, and strategic PR to build sustainable careers. Key Takeaways:Why defining your music as a hobby or a career is a crucial first step for long-term success.How innovative tools like Moises and BandLab are transforming music creation and monetization.The role of PR, networking, and the Music Tectonics Conference in building industry connections and career momentum.---→ Learn more about Dmitri and his work at MusicTectonics.comBook an Artist Breakthrough Session with the Modern Musician team: https://apply.modernmusician.me/podcast

Matty Dalrymple talks with David Wogahn about PRINT STRATEGIES FOR INDIES, including the pros and cons of using platforms like IngramSpark and KDP for print-on-demand services, sharing insights on costs, logistics, and strategies for maximizing print book sales. David highlights the technical challenges of producing high-quality print books and the dynamics of managing discounts and pricing. The conversation covers the complexities of print runs, hardcover editions, large print books, and the importance of aligning one's distribution strategy with specific goals and budget.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   David Wogahn is the founder and president of AuthorImprints, which is a Partner Member of the Alliance of Independent Authors (ALLi), and has taught self-publishing classes for Writer's Digest University, Jane Friedman, ALLi, the Independent Book Publishers Association (IBPA), and the Santa Barbara Writers Conference, among other publishing professional organizations. David is the author of six books about self-publishing, including the Countdown to Book Launch® series. In 2012, he became the author of the first LinkedIn Learning course on the topic of self-publishing.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

ALLi Campaigns Manager Matty Dalrymple talks with book cover designer Rachel Valliere about improving indie book design through a crucial but often overlooked tool: the creative brief. Rachel explains how a well-crafted brief helps authors communicate their vision clearly, including technical details like trim size, binding, and cover text. They discuss how understanding genre conventions, using design elements intentionally, and navigating image and font rights contribute to professional indie book design. Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She has written books on the business of short fiction and podcasting for authors, and her articles have appeared in Writer's Digest magazine. She serves as the campaigns manager for the Alliance of Independent Authors. Matty is also the author of the Lizzy Ballard Thrillers, beginning with Rock Paper Scissors; the Ann Kinnear Suspense Novels, beginning with The Sense of Death; and the Ann Kinnear Suspense Shorts, including Close These Eyes. She is a member of International Thriller Writers and Sisters in Crime. About the Guest Rachel Valliere is a book cover and interior designer and the founder of Printed Page Studios and The Book Designer Collective. While she currently specializes in nonfiction, she has worked across many genres throughout her career. Her mission is to provide high-quality services to purpose-driven independent authors—beginning with strategy before design—to create stunning books that amplify their impact while ensuring they maintain full rights and control over their work. You can find her on LinkedIn and YouTube.

Matty Dalrymple talks with Kerrie Flanagan about ARTICLE WRITING FOR PLATFORM AND PROFIT, including practical strategies for finding paying markets—and why you should stop giving your work away for free. From her first paid piece in Better Homes and Gardens to her advice on researching and targeting the right outlets, Kerrie offers encouraging, actionable guidance to help writers turn their passion into income.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Kerrie Flanagan is the author of The Writer's Digest Guide to Magazine Article Writing and creator of the online course, Magazine Writing Blueprint. She has also published twenty other books, including three sci-fi/fantasy series' co-authored under the pen name C.G. Harris. Her expertise and passion for teaching writers have led her to present at writing conferences across the country and teach continuing studies classes through Stanford University. Her dedication to her writing is evident in her contributions to numerous publications, including The Writer magazine, Alaska Magazine, Writer's Digest, and six Chicken Soup for the Soul books.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Hannah Jacobson about UNLOCKING THE POWER OF BOOK AWARDS, including changes within the book awards landscape, particularly the increasing acceptance of indie-published works; practical tips on selecting and submitting to the right awards; how to leverage wins for maximum benefit; the value of receiving and incorporating feedback from award entries; and how authors can share their award journey with readers to build engagement, even if it doesn't end in a win.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Hannah Jacobson is the founder of Book Award Pro, the industry-trusted platform for getting reviews and awards. The company operates the world's largest database of legitimate book accolades, serving thousands of authors globally. As a recognized authority on literary accolades and prestigious book recognition, Hannah also serves an Advisor to the Alliance of Independent Authors (ALLi) and the Independent Book Publishers Association (IBPA).   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Timons Esaias about WARFARE FOR WRITERS, including how military history can serve as an invaluable resource for authors crafting stories that involve conflict, whether they are set in fantasy, science fiction, or historical periods. While warfare might seem intimidating to many writers, Esaias provides insights and guidance on how to incorporate elements of military history and strategy into fiction in a way that's engaging and informative.   Interview video at https://bit.ly/TIAPYTPlaylist  Show notes at https://www.theindyauthor.com/show-notes    If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Timons Esaias is a satirist, writer and poet living in Pittsburgh. His works, ranging from literary to genre, have been published in twenty-two languages. He has been a finalist for the British Science Fiction Award, and he won the Winter Anthology Contest, the SFPA Poetry Contest, and the Asimov's Readers Award (twice). He is a recent Pushcart nominee and Intrepid Award winner for the story "To Do." He is widely deplored for using a pillow as a protagonist, and, in another story, Concord grape jelly packets as an antagonist. His poetry collection is Why Elephants No Longer Communicate in Greek.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

A couple decided right before their wedding had to determine which last name they would take based on a game of rock paper scissors and we took your calls to see what was the highest stake thing you played the game for. Then at that moment Dallas invented her own gameSee omnystudio.com/listener for privacy information.

Martin Kove of Karate Kid and Cobra Kai fame is in the news for biting one of his co-stars, and getting reprimanded. It makes us think of some of the other memorable bites in pop culture and sports. A clip goes viral of a couple choosing their last name by doing Rock Paper Scissors at the wedding - cute or lame move? And Happy Birthday to the captain Derek Jeter - worst actor but greatest player #FSR #CRSHOW #OverpromisedSee omnystudio.com/listener for privacy information.

Martin Kove of Karate Kid and Cobra Kai fame is in the news for biting one of his co-stars, and getting reprimanded. It makes us think of some of the other memorable bites in pop culture and sports. A clip goes viral of a couple choosing their last name by doing Rock Paper Scissors at the wedding - cute or lame move? And Happy Birthday to the captain Derek Jeter - worst actor but greatest player #FSR #CRSHOW #OverpromisedSee omnystudio.com/listener for privacy information.

In this episode of the Self-Publishing with ALLi Podcast, Matty Dalrymple talks with MaryCatherine Jones of The Audiobook Experience about how authors can set themselves up for audiobook production success during the editing phase. They discuss the growing popularity of audiobooks, the importance of writing with the ear in mind, and how to avoid pitfalls like confusing names or unclear pronunciations. They also offer practical tips on working with narrators and directing listeners to bonus content, all with an eye toward meeting the expectations of today's "ear readers.” Sponsors This podcast is proudly sponsored by Bookvault. Sell high-quality, print-on-demand books directly to readers worldwide and earn maximum royalties selling directly. Automate fulfillment and create stunning special editions with BookvaultBespoke. Visit Bookvault.app today for an instant quote. This podcast is also sponsored by Gatekeeper Press, the all-inclusive Gold Standard in Publishing, offering authors 100% rights, royalties, satisfaction and worldwide distribution. Gatekeeper Press, Where Authors are Family. About the Host Matty Dalrymple podcasts, writes, speaks, and consults on the writing craft and the publishing voyage as The Indy Author. She has written books on the business of short fiction and podcasting for authors, and her articles have appeared in Writer's Digest magazine. She serves as the campaigns manager for the Alliance of Independent Authors. Matty is also the author of the Lizzy Ballard Thrillers, beginning with Rock Paper Scissors; the Ann Kinnear Suspense Novels, beginning with The Sense of Death; and the Ann Kinnear Suspense Shorts, including Close These Eyes. She is a member of International Thriller Writers and Sisters in Crime. About the Guest MaryCatherine Jones is the owner and executive producer at The Audiobook Experience at Voice Over Vermont, an award-winning boutique audiobook recording and production studio. She delights in working with authors in her Vermont studio to bring their stories into the world, either using their own voices or by finding the perfect narrator for their audiobook. You can also find her on Instagram and LinkedIn.

Matty Dalrymple talks with Jennifer Hilt and Ran Walker about WHAT WRITERS CAN LEARN FROM "THE FULL MONTY," including the idea of characters'  external wants versus internal needs; the use of tropes such as found family, ticking time bombs, and ugly duckling progressions; and how the film uses one element to convey multiple messages. We discuss how the movie explores themes of masculinity, self-image, and societal expectations, and reflect on what makes the movie universally appealing and emotionally impactful so that writers can apply those techniques to their own work.   Interview video at https://tinyurl.com/TIA293YT Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Jennifer Hilt is a USA Today Bestselling author and the creator of The Trope Thesaurus: An Author Resource, a five-book series beloved by writers seeking to hone their craft. With a diverse portfolio spanning twenty-four books under four pen names, she has also authored the urban fantasy trilogy The Undead Detective. Ran Walker is an award-winning author of 38 books. He is an associate professor of creative writing at Hampton University and teaches with Writer's Digest University. He lives in Virginia with his wife, daughter, and puppy.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

Matty Dalrymple talks with Greta Boris about REVIVING A SERIES, including the process authors can use to evaluate what went wrong with the original work; the importance of ensuring that titles, covers, and marketing strategies are brand right; and the specific steps authors can take to improve the books' craft, tighten plots, and align better with genre expectations.   Interview video at https://youtu.be/Bu6YY2QWSxA Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Greta Boris is the USA Today Bestselling author of The Mortician Murders, a humor-filled ghostly mystery series, and The Almost True Crime Stories, a psychological suspense series. She hails from sunny Southern California, where—based on her stories which are all set there—things are darker than you'd expect. She loves coffee, wine-tasting, and dogs but not necessarily in that order.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction and podcasting for authors; her articles have appeared in "Writer's Digest" magazine. She serves as the Campaigns Manager for the Alliance of Independent Authors.

My girl Sabrina's new "Man's Best Friend" album cover is sending the feminists into a mental abyss of their own making. Leave it to this controversy to resurrect me straight out of the TTMT leave of absence.

”Create a flurry of content.   But do not put $10,000 aside for a celebrity to come in and talk about your brand. I want you to go after thirty smaller creators with followings between ten and thirty thousand.” Today we hear from Adam McHeffey, the former CMO of Artiphon and current Chief Creative Officer at Rock Paper Scissors to discuss effective strategies for marketing musical instruments. Key points include the significance of IRL networking, the importance of strategic planning, and the role of traditional PR. Adam also provides some very clear step-by-step marketing strategies. This episode is a must for anyone looking to launch a new product or musical instrument.   News! Events-tech firm Fever raises its latest nine-digit funding round   AI, bot farms and innocent indie victims: how music streaming became a hotbed of fraud and fakery   Do not settle.   AM Radio Mandate is Moving in Congress — But Should It Pair with Performance Royalty Requirements?   ‘Ethical' AI Music Firms React to the Majors' Suno-Udio Licensing Talks: ‘We Just Get Left Behind'   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Matty Dalrymple talks with Mark Leslie Lefebvre about THE PODCAST GUEST PLAYBOOK, including tips and strategies for being an effective podcast guest, emphasizing the importance of understanding the host's perspective, making the process as easy as possible for the host, and focusing on the value you can provide to the audience—if you do that, the benefits will accrue to you naturally! We highlight the importance of the Three Ps—professionalism, preparedness, and politeness— throughout the process and share personal anecdotes and practical advice to help creators get the most out of their podcast guest appearances.   Interview video at https://bit.ly/TIAPYTPlaylist Show notes at https://www.theindyauthor.com/show-notes   If you find the information in this video useful, please consider supporting The Indy Author! https://www.patreon.com/theindyauthor https://www.buymeacoffee.com/mattydalrymple   Mark Leslie Lefebvre is the author of more than twenty books that include fiction and thrillers, and paranormal non-fiction explorations. He has also edited numerous anthologies. With three decades of experience in bookselling and publishing, Mark is a seasoned and trusted book industry professional who embraces both traditional and indie publishing options.   Matty Dalrymple is the author of the Lizzy Ballard Thrillers, beginning with ROCK PAPER SCISSORS; the Ann Kinnear Suspense Novels, beginning with THE SENSE OF DEATH; and the Ann Kinnear Suspense Shorts. She is a member of International Thriller Writers and Sisters in Crime. Matty also writes, speaks, and consults on the writing craft and the publishing voyage, and shares what she's learned on THE INDY AUTHOR PODCAST. She has written books on the business of short fiction, podcasting as a host or guest, collaborating on nonfiction, and being an author speaker; her articles have appeared in "Writer's Digest" magazine and "Indie Author Magazine." She serves as the Campaigns Manager for the Alliance of Independent Authors.  

In which an ancient Chinese game of intransitive balance changes the world as both a children's pastime and a decision-making method, and John has the candy tastes of a pioneer child. Certificate #23611.