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As 2024 is coming to a close, this will mark the end of the sixth year of the Kare Reviews Podcast. In this episode, we'll be highlighting some of the guests I was able to have on the show this past year. Which includes conversations with Bekah Brunstetter, Kristy Cates, Sharna Burgess, and Katie Rose Clarke. *I do not own any of the content used in this podcast. If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter:@KareReviews Also please visit the newly launched Patreon page:https://www.patreon.com/jeffreykare?fan_landing=true Follow Jeffrey Kare on Twitter:@JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor Apple Google Spotify Breaker Overcast Pocket Casts RadioPublic --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support
In this episode, Daphne, Gina and Matteo, along with guest host Anne Calder, chatted with Alex Benoit, former competitive U.S. ice dancer who is now part of the Broadway show, The Notebook, a musical with music and lyrics by Ingrid Michaelson and a book by Bekah Brunstetter. The show is scheduled to play its final performance on Broadway on December 15, 2024.To learn more about "The Notebook", click here.You can follow Alex and his acting career by following him on Instagram page.----This Week in Skating is hosted by Gina Capellazzi, Daphne Backman and Matteo Morelli is a cooperative project between Figure Skaters Online and Ice-dance.com. New episodes are available every Tuesday.Website: http://www.thisweekinskating.comEmail: thisweekinskating@gmail.comFacebook: https://www.facebook.com/thisweekinskatingTwitter: https://www.twitter.com/thiswkinskatingInstagram: https://www.instagram.com/thisweekinskatingThread: https://www.threads.net/@thisweekinskatingPatreon: patreon.com/ThisWeekinSkatingSupport this podcast at — https://redcircle.com/this-week-in-skating-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In this episode, Hayley and Amy talk with Broadway performer Happy McPartlin about always being prepared to go on as a standby/cover, the importance of storytelling for human connection, holding onto your values and identity as a theatre person through career ups and downs, and more. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Happy McPartlinMusic: Chloe Geller Episode Resources: The Notebook Come From Away Guest Bio: Happy McPartlin (she/her) is currently understudying Older Allie and Mother/Nurse Lori on Broadway in the new musical The Notebook, written by Ingrid Michaelson and Bekah Brunstetter, directed by Michael Greif and Schele Williams. Prior to that, she completed a 5-year run as a standby with Come From Away on Broadway, performing in the show well over 400 times in 5 different roles. Prior to that, she spent time working in some of the preeminent theaters in Washington, DC, performing in the ensembles of 110 In The Shade at Ford's Theatre, The Secret Garden for The Shakespeare Theatre, Gun & Powder (workshop ) at Signature Theatre, as well as standing by for the Pre-Broadway run of Come From Away. Happy was honored to be chosen to play the role of Beulah in Come From Away for the 20th Anniversary Memorial Concert for 9/11 in Washington, DC at the Lincoln Memorial, which was attended by roughly 10,000 people. She has also appeared on the Come From Away national tour and performed the role of Hannah for the Come From Away Tiny Desk Concert for NPR. Other favorite credits include - Broadway: Hands on a Hardbody. National tours: Memphis 1st National Tour, Hairspray (Velma), The Full Monty (Georgie). Regional: Stages Repertory: Diana in Next to Normal; Paper Mill & TUTS: Curtains; Geva: …Spelling Bee; Ogunquit Playhouse: Les Misérables, Sunset Boulevard, and The Full Monty; Bucks County Playhouse: Pennywise in Urinetown, the Witch in Into The Woods, and Sugar Babies; The Chaperone in The Drowsy Chaperone at Theatre By the Sea. Happy's biggest joy is her family - an 8-year-old son and husband - and she loves spending time with dear friends doing just about anything, baking, and watching way too much television! Find Happy Online: Instagram Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!
Music Credits:"Overture" from Dear World (Original Broadway Cast Recording) | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Greased Lightnin'" from Grease (The Original Motion Picture Soundtrack) | Written by Jim Jacobs and Warren Casey | Performed by John Travolta , Jeff Conaway
Based on the best-selling novel by Nicholas Sparks, the new Broadway musical adaptation of “The Notebook” features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson, a book by playwright Bekah Brunstetter and is directed by Michael Greif and Schele Williams with choreography by Katie Spelman. Tony Award winner Maryann Plunkett plays Older Allie and Dorian Harewood is Older Noah. Both actors have been nominated for Tony Awards this season.
As part of Mickey-Jo's trip to New York, he got to catch THE NOTEBOOK at the Schoenfeld Theatre, a new musical adaptation of the Nicholas Sparks novel. Check out his ★★★★ review for his thoughts on this emotive musical and where it lets the rain in a little... The three-time Tony Award-nominated musical The Notebook, one of the most cherished contemporary love stories, is on Broadway starring 2024 Tony nominees Dorian Harewood and Maryann Plunkett. The Notebook started as a 1995 bestselling novel by Nicholas Sparks, which was then adapted into a 2004 fan-favorite movie starring Academy Award nominees Rachel McAdams and Ryan Gosling. Now, Ingrid Michaelson sets the timeless story to music: the indie singer-songwriter contributes original music and lyrics that breathe new life into the story of lovers Noah and Allie. A Broadway alum, Michaelson appeared as Sonya in Natasha, Pierre and the Great Comet of 1812; now she returns as a first-time Broadway creative. In The Notebook on Broadway, an elderly man reads a romantic story to a female patient in a nursing home. The chapters that follow unlock a breathtaking love story, whisking the patient and the man back to their youth and providing the details that, as they age, will tragically connect them. Decades earlier, Allie and Noah were star-crossed lovers: Military drafts, family ties, and opposing classes all threatened to separate their love, but they have a once-in-a-lifetime relationship that endures for decades. Two Broadway powerhouses direct this new production, which premiered at Chicago Shakespeare Theatre. Michael Greif, a four-time Tony Award nominee for electric productions like Rent and Next to Normal, co-directs The Notebook musical alongside Schele Williams, who is directing the 2024 The Wiz revival. Also on the team is librettist Bekah Brunstetter, who earned three Emmy nominations writing for This Is Us. The cast includes Tony Award-winner Maryann Plunkett as Older Allie, Dorian Harewood as Older Noah, Joy Woods as Middle Allie, Ryan Vasquez as Middle Noah, Jordan Tyson as Younger Allie, John Cardoza as Younger Noah, Andréa Burns as Mother/Nurse Lori, and Carson Stewart as Johnny/Fin. Playing various roles are Yassmin Alers, Alex Benoit, Chase Del Rey, Hillary Fisher, Jerome Harmann-Hardeman, Dorcas Leung, Happy McPartlin, Juliette Ojeda, Kim Onah, Charles E. Wallace, and Charlie Webb. • 00:00 | introduction 02:20 | overview / synopsis 08:31 | the material 16:29 | casting approach 21:52 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: MickeyJoTheatre is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre
Hear what Bekah Brunstetter has to say about THE NOTEBOOK and the world premiere of her new play, THE GAME.Connect with UsFacebook @beltlinetobroadwayInstagram @beltlinetobroadwayTikTok @beltlinetobroadway
Bekah Brunstetter is a native of North Carolina who just so happens to be a prolific playwright. Among her works are F*CKING ART, I USED TO WRITE ON WALLS, BE A GOOD LITTLE WIDOW, GOING TO A PLACE WHERE YOU ALREADY ARE, and THE CAKE. She's also written for several television shows such as SWITCHED AT BIRTH, AMERICAN GODS, MAID, and THIS IS US (the latter of which earned her three Primetime Emmy nominations as a producer on it). Most recently, she made her Broadway debut as book writer on the new stage musical adaptation of Nicholas Sparks' THE NOTEBOOK. Not to mention that a new play of her's is getting ready to premiere at PlayMakers Repertory Company titled THE GAME. I had the great pleasure of interviewing her about all of this and more. Be sure to catch PlayMakers Repertory Company's production of THE GAME from April 10th-28th. You can also catch THE NOTEBOOK running at the Gerald Schoenfeld Theatre on Broadway. For more information, please visit: www.playmakersrep.org/show/the-game/ www.notebookmusical.com *I do not own any of the content used in this podcast. Follow Bekah Brunstetter at www.bekahbrunstetter.com. If you love this show, please leave us a review. Go to RateThisPodcast.com/karereviewspodcast and follow the simple instructions. Follow Kare Reviews at www.karereviews.net and on Twitter: @KareReviews Follow Jeffrey Kare on Twitter: @JeffreyKare If you like what you've heard here, please subscribe to any one of the following places where the Kare Reviews Podcast is available. Anchor Apple Google Spotify Breaker Overcast Pocket Casts RadioPublic --- Support this podcast: https://podcasters.spotify.com/pod/show/jeffrey-kare/support
Water on stage. Developing trust. The opening night of our lives. “I am seeing myself – it's so emotional – in all the women who I've strived to be like.” Jordan Tyson is in the opening night of her life. It's her Broadway debut and The Notebook is proving true what the magic of Broadway can be. So what is it like to make your Broadway debut as the lead of a new smash hit? What was the road like? Let's celebrate the journey from a Zoom audition to becoming the toast of the town. JORDAN TYSON (Younger Allie). Broadway debut. Theatre: Bulrusher (McCarter/Berkeley Rep/dir. Nicole A. Watson) Into The Woods (PCLO/dir. Scott Weinstein) The Notebook (Chicago Shakespeare/dir. Michael Greif/Schele Williams), Lempicka (La Jolla Playhouse/dir. Rachel Chavkin) The Streets of New York (Irish Repertory/dir. Charlotte Moore), Folk Wandering (ART/NY/dir. Andrew Neisler), I And You (Weston Playhouse/dir. Johanna Gruenhut). TV: “The Chair” (Netflix/Recurring Guest w/Sandra Oh). Film: Vampires vs. the Bronx (Netflix). Readings: Hearts Beat Loud, Learned Ladies, Sweetee. 2017 Audelco Rising Star Award, 2018 YesBroadway 40 Under 40. Currently working on her debut EP. @curlybroad www.jordantyson.com Producers Kevin McCollum and Kurt Deutsch present The Notebook, the new musical based on the bestselling novel by Nicholas Sparks that inspired the iconic film, premiering on Broadway this Spring. The Notebook features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson and a book by playwright Bekah Brunstetter (writer and producer on NBC's “This Is Us,” The Cake). The production is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (Aida, The Wiz), with choreography by Katie Spelman (Associate Choreographer on Moulin Rouge! The Musical). Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart. With a book that has sold millions of copies worldwide and a film that's one of the highest-grossing romantic dramas of all-time, the musical adaptation of Nicholas Sparks's The Notebook comes to Broadway following a critically acclaimed world premiere engagement at Chicago Shakespeare Theater in the fall of 2022. The cast of The Notebook features Tony Award®-winner Maryann Plunkett as Older Allie, Dorian Harewood as Older Noah, Joy Woods as Middle Allie, Ryan Vasquez as Middle Noah, Jordan Tyson as Younger Allie, John Cardoza as Younger Noah, Andre?a Burns as Mother/Nurse Lori. Playing various roles are Yassmin Alers, Alex Benoit, Chase Del Rey, Hillary Fisher, Jerome Harmann-Hardeman, Dorcas Leung, Happy McPartlin, Juliette Ojeda, Kim Onah, Carson Stewart, Charles E. Wallace and Charlie Webb. The Notebook features scenic design by David Zinn and Brett J. Banakis, costume design by Paloma Young, lighting design by Ben Stanton, sound design by Nevin Steinberg, and hair and wig design by Mia Neal. The production's music supervisor is Carmel Dean, who also collaborated on arrangements with Ingrid Michaelson and on orchestrations with John Clancy, and the music director is Geoffrey Ko. Casting by The Telsey Office, Patrick Goodwin, CSA. Learn more about your ad choices. Visit megaphone.fm/adchoices
Bonus Episode Alert! Podcast history is being made - this is the first ever crossover episode event featuring Robert Peterpaul host of The Art of Kindness Podcast and Samantha Tuozzolo, co-host of Survival Jobs: A Podcast. Samantha and Robert are live on the opening night red carpet of The Notebook on Broadway asking cast, creative and attendees all about survival jobs and being kind! This bonus episode features interviews with the stars and production team of the show including Ingrid Michaelson, Bekah Brunstetter, Joy Woods, Ryan Vasquez, Maryann Plunkett, Dorian Harewood, Jordan Tyson, John Cardoza, and Andrea Burns to name a few. Plus we chat with attendees including the man who started it all, Nicholas Sparks. The Notebook is a new musical based on the best selling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love. The Notebook is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT, Spring Awakening) and Schele Williams (The Wiz, Aida) and features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson, book by Bekah Brunstetter (NBC's This Is Us), and choreography by Katie Spelman. Buy tickets to the show here! Follow us: @artofkindnesspod / @robpeterpaul @survivaljobspod/ @sammytutz/ @jasonacoombs Support the shows! (https://www.buymeacoffee.com/theaok) (www.buymeacoffee.com/SurvivalJobsPod) Episode editor: Carli Sanger Music: "Awake" by Ricky Alvarez Learn more about your ad choices. Visit megaphone.fm/adchoices
Bonus Episode Alert! Podcast history is being made- the first ever crossover episode event featuring Robert Peterpaul host of The Art of Kindness Podcast and Samantha Tuozzolo, co-host of Survival Jobs: A Podcast is out NOW. Samantha and Robert are live on the opening night red carpet of The Notebook on Broadway asking cast, creative and attendees all about survival jobs and being kind! This bonus episode features interviews with the stars and production team of the show including Ingrid Michaelson, Bekah Brunstetter, Joy Woods, Ryan Vasquez, Maryann Plunkett, Dorian Harewood, Jordan Tyson, John Cardoza, and Andrea Burns to name a few. Plus we chat with attendees including the man who started it all, Nicholas Sparks. The Notebook is a new musical based on the best selling novel that inspired the iconic film. Allie and Noah, both from different worlds, share a lifetime of love despite the forces that threaten to pull them apart, in a deeply moving portrait of the enduring power of love. The Notebook is directed by Michael Greif (Dear Evan Hansen, Next to Normal, RENT) and Schele Williams (The Wiz, Aida) and features music and lyrics by multi-platinum singer-songwriter Ingrid Michaelson, book by Bekah Brunstetter (NBC's This Is Us), and choreography by Katie Spelman. Buy tickets to the show here! Follow us: @survivaljobspod/ @sammytutz/ @jasonacoombs @artofkindnesspod / @robpeterpaul Support the shows! (https://www.buymeacoffee.com/theaok) (www.buymeacoffee.com/SurvivalJobsPod) Episode editor: Carli Sanger Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Important Links: Support the citizens of Gaza Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please! If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border. Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Ronald Young Jr. talks to Bekah Brunstetter, a TV writer and playwright whose most recent project is the new Broadway musical version of The Notebook. In the interview, Bekah discusses her early career journey, when she was juggling a corporate job with her playwriting passion. She also talks about breaking into TV writing and working on the hit drama This is Us. And finally, she digs into her work on The Notebook and explains what it was like to adapt the classic rom-com. After the interview, Ronald and co-host June Thomas talk about receiving feedback, establishing routines, and choosing the correct creative tools for your project. In the exclusive Slate Plus segment, Bekah shares the plot of the first play she ever wrote. Then she and Ronald talk about their experiences growing up in religious households and the impact it had on their cultural diets. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Ronald Young Jr. talks to Bekah Brunstetter, a TV writer and playwright whose most recent project is the new Broadway musical version of The Notebook. In the interview, Bekah discusses her early career journey, when she was juggling a corporate job with her playwriting passion. She also talks about breaking into TV writing and working on the hit drama This is Us. And finally, she digs into her work on The Notebook and explains what it was like to adapt the classic rom-com. After the interview, Ronald and co-host June Thomas talk about receiving feedback, establishing routines, and choosing the correct creative tools for your project. In the exclusive Slate Plus segment, Bekah shares the plot of the first play she ever wrote. Then she and Ronald talk about their experiences growing up in religious households and the impact it had on their cultural diets. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Ronald Young Jr. talks to Bekah Brunstetter, a TV writer and playwright whose most recent project is the new Broadway musical version of The Notebook. In the interview, Bekah discusses her early career journey, when she was juggling a corporate job with her playwriting passion. She also talks about breaking into TV writing and working on the hit drama This is Us. And finally, she digs into her work on The Notebook and explains what it was like to adapt the classic rom-com. After the interview, Ronald and co-host June Thomas talk about receiving feedback, establishing routines, and choosing the correct creative tools for your project. In the exclusive Slate Plus segment, Bekah shares the plot of the first play she ever wrote. Then she and Ronald talk about their experiences growing up in religious households and the impact it had on their cultural diets. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Ronald Young Jr. talks to Bekah Brunstetter, a TV writer and playwright whose most recent project is the new Broadway musical version of The Notebook. In the interview, Bekah discusses her early career journey, when she was juggling a corporate job with her playwriting passion. She also talks about breaking into TV writing and working on the hit drama This is Us. And finally, she digs into her work on The Notebook and explains what it was like to adapt the classic rom-com. After the interview, Ronald and co-host June Thomas talk about receiving feedback, establishing routines, and choosing the correct creative tools for your project. In the exclusive Slate Plus segment, Bekah shares the plot of the first play she ever wrote. Then she and Ronald talk about their experiences growing up in religious households and the impact it had on their cultural diets. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, host Ronald Young Jr. talks to Bekah Brunstetter, a TV writer and playwright whose most recent project is the new Broadway musical version of The Notebook. In the interview, Bekah discusses her early career journey, when she was juggling a corporate job with her playwriting passion. She also talks about breaking into TV writing and working on the hit drama This is Us. And finally, she digs into her work on The Notebook and explains what it was like to adapt the classic rom-com. After the interview, Ronald and co-host June Thomas talk about receiving feedback, establishing routines, and choosing the correct creative tools for your project. In the exclusive Slate Plus segment, Bekah shares the plot of the first play she ever wrote. Then she and Ronald talk about their experiences growing up in religious households and the impact it had on their cultural diets. Send your questions about creativity and any other feedback to working@slate.com or give us a call at (304) 933-9675. Podcast production by Cameron Drews. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you'll also be supporting the work we do here on Working. Sign up now at slate.com/workingplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices
How the creators of the new Broadway musical adaptation of "The Notebook," Ingrid Michaelson and Bekah Brunstetter, aim to both satisfy and surprise—and why the show's theatricality makes the popular story even more universal. Learn more about your ad choices. Visit megaphone.fm/adchoices
In "Winning & Losing," three kids who know a lot about winning and losing — Aiden (a chess player), Eliza (a soccer player), and Willa (a gymnast) — join host Todd Loyd to discuss winning and losing and to go on a journey to the Land of Qook-a-lackas to help a qook-a-leekie, Quinby, rethink a recent run of quibble losses. The role of Quinby is played by Bridget Regan, an actor and producer. Her film credits include John Wick with Keanu Reeves, Devil's Gate opposite Milo Ventimiglia, HBO's The Leisure Class, The Best and the Brightest alongside Neal Patrick Harris, Sex and the City, Weak, The Babysitters and Blinders and the upcoming Canvas opposite Joanne Kelly and the queer rom-com Things Like This. In television, she presently appears on The Company You Keep, The Winchesters and The Rookie. She has MANY other TV credits. Originally from Carlsbad, California, Regan relocated to New York City to pursue her acting career. She originated the role of Cecile Leroux in the Broadway comedy Is He Dead opposite Norbert Leo Butz written by Mark Twain, adapted by David Ives and directed by Michael Blakemore. Regan has produced multiple productions Off Broadway and at the iconic LaMaMa Theater of the electro pop queer musical Camp Wanatachi written by Natalie Weiss and Bekah Brunstetter. She now has a feature film of of Camp Wantatachi in development with Zadan Meron Productions.The original song “Do Your Best” and ukulele music in the episode is written and performed by Bill English. Bill is an actor, musician, and voiceover artist based in NYC.Find extras and educator resources at playsparkler.org/podcast.
THE CAKE, Bekah Brunstetter's dramatic comedy of love and self-discovery, opens this weekend (February 10, 2023) and we have cast and crew members in the studio this week to talk about the show, its themes, how it's affected us personally and how much we appreciate intimacy coordinators and the work they do. Tickets: https://lubbocktheatre.com/thecake Email us at lctpodcast@lubbockcommunitytheatre.org MUSIC: Bonus Points - Pizza and Video Games Link: https://soundcloud.com/bonuspoints/pizza-and-video-games
Our next show of the season is The Cake by Bekah Brunstetter. On this episode, we welcome Lauren Shouse back to the podcast. Lauren is the director of The Cake, and she'll discuss the show, its cast and how this production is very special to her. We also welcome Chris Sanders for this episode. He is the Executive Director of the Tennessee Equality Project. The Tennessee Equality Project advocates for the equal rights of LGBTQ+ people in Tennessee. Chris will discuss some of the legislative advocacy that the TEP has worked on. For more information about the Tennessee Equality Project, please visit www.tnep.org. You can learn more about Lauren Shouse at www.laurenshousedirects.com The Cake runs October 21-30 at TPAC's Johnson Theatre. For tickets to The Cake, please visit our website at www.nashvillerep.org.
This week, singer-songwriter Ingrid Michaelson and writer Bekah Brunstetter discuss the process of adapting The Notebook, the romance novel by Nicholas Sparks, into a musical for the Chicago Shakespeare Theater. The world premiere musical opens September 6th, 2022. Learn more here. This conversation originally took place August 17th, 2022 and was recorded live at the [...]
This week, singer-songwriter Ingrid Michaelson and writer Bekah Brunstetter discuss the process of adapting The Notebook, the romance novel by Nicholas Sparks, into a musical for the Chicago Shakespeare Theater. The world premiere musical opens September 6th, 2022. Learn more here. This conversation originally took place August 17th, 2022 and was recorded live at the American Writers Museum. We hope you enjoy entering the mind of a writer.
It's time again for theater critic J. Wynn Rousuck to join us with her weekly reviews of the regional stage. Today she spotlights A.D. 16,a musical romantic fantasy now getting its world premiere at Olney Theatre Center. Set in Bible-era Nazareth, A.D. 16 imagines a romance between two Nazarene teens - a 16 year-old Mary Magdalen and that interesting boy next door — Jesus. With story, music and lyrics by Cinco Paul (Despicable Me),and book by Bekah Brunstetter,A.D. 16 is directed by Stephen Brackett and features an ensemble cast, with Phoenix Best as Mary and Ben Frankhauser as Jesus. A.D. 16 continues at Olney Theatre Center through March 20. For more information and ticketing, click here. See omnystudio.com/listener for privacy information.
WTOP Entertainment Reporter Jason Fraley chats with "Schmigadoon!" creator Cinco Paul and "This Is Us" writer Bekah Brunstetter about their new Biblical musical "A.D. 16" at Olney Theatre in Olney, Maryland about teenage Mary Magdalene crushing on Jesus. Paul also shares his Minions memories from writing "Despicable Me."
Actress Kiera Allen was named by The Hollywood Reporter as one of their breakout stars of 2020, due in no small part to her performance opposite Sarah Paulson in Hulu's psychological thriller Run. She is the first wheelchair user to star in a major thriller in over 70 years, which has advanced the conversation about disability representation in the industry. Kiera has a collection of regional theater credits, including the world premiere of Bekah Brunstetter's Girl #2, and is currently studying Creative Writing at Columbia University. She can now be heard as Pansy Freehold in the Broadway Podcast Networks's new original radio comedy TWITS, starring opposite Michael Urie and Christian Borle. Kiera talks about being exposed to the world of theatre from a young age, and how as a result of growing up around creatives, she learned about the hard work and dedication required to succeed, as well as to have respect for the process. She speaks candidly about holding space on social media for important conversations pertaining to the disability community, and shares her thoughts on being called “an inspiration”. Keira also chats about working on TWITS, and why she is proud to be a part of the project. In this episode, we talk about: Finding inspiration from the new Beatles documentary Mental health, and why she finds acting and writing therapeutic Being in a writer's group with Tom Alan Robbins Booking her debut feature film role opposite Sarah Paulson Changes she hopes to see in the industry pertaining to disability and representation Connect with Kiera: IG: @kierajallen Twitter: @kierajallen Listen to TWITS on Broadway Podcast Network Watch Run on Hulu Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
CHRISTINE BRUNO received her MFA in acting and directing from the New School, is a member of The Actors Studio and works nationally and internationally as an actor, director, teaching artist, and disability inclusion consultant for the entertainment industry. She sits on the NY Local Board of SAG-AFTRA, is Chair of the NY SAG-AFTRA Performers with Disabilities (PWD) Committee, serves on the SAG-AFTRA National PWD and Actors’ Equity EEOC Committees, and was the Freelance Disability Consultant for the Cultural Plan for the City of New York. Christine served as Disability Advocate for the Tony Honor-winning nonprofit Inclusion in the Arts from 2005 until its closure in December 2017. Her selected acting credits include The Glass Menagerie; world premieres of Bekah Brunstetter’s Public Servant (Off-Broadway); The Maids (adaptation by Jose Rivera); The Good Daughter; musicals The Ugly Girl and Raspberry (UK tours); and her solo show Screw You, Jimmy Choo!; Law & Order, Hungry, The Homecoming: the musical, Trouble on High, the award-winning independent features Flatbush Luckand This is Where We Live. NY Board, SAG-AFTRA; Chair, NY SAG-AFTRA Performers with Disabilities (PWD) Committee; Member, SAG-AFTRA National PWD, AEA EEOC Committees; 5050by2020 Disability Cohort Founding Member; Recipient, Culture Strike Artist Relief Grant. www.Christine-Bruno.com www.BrunoDisabilityInclusion.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/antoinette-lavecchia/support
CHRISTINE BRUNO (actor/teaching artist/disability inclusion consultant) MFA — acting & directing, the New School. Member — The Actors Studio, NY Shakespeare Exchange; Advisory Company member, National Disability Theatre. Leadership — SAG-AFTRA NY Local Board; Chair, SAG-AFTRA New NY Local Performers with Disabilities (PWD) Committee; SAG-AFTRA National PWD, Actors' Equity EEOC. Theatre: Cost of Living, Glass Menagerie, world premieres — Bekah Brunstetter's Public Servant (Off-Broadway), The Maids (adaptation by Jose Rivera), The Good Daughter, musicals The Ugly Girl, Raspberry (UK tours). Film and TV: God Friended Me, Law & Order, Best Summer Ever, Hungry, award-winning features Flatbrush Luck and This is Where We Live.
ROGUE MACHINE PRESENTS : MISS LILLY GETS BONED @ ELECTRIC LODGE IN VENICE www.latheatrebites.com 9.2 out of 10 - Exceptional Show! A virginal Sunday school teacher has a sexual awakening, while across the world, a doctor tries to communicate with an elephant. Sex, faith, and violence intersect in Bekah Brunstetter's Miss Lilly Gets Boned, which is an an exploration of how tenuous and permeable are the boundaries that separate our civilized sides from our more animal ones, and how we continue to destroy the earth that does not belong to us.
Today I sit down with the incredible Bekah Brunstetter. Bekah is currently an executive producer and writer on "This is Us', her play "The Cake" is also touring the country an will be up in New York in February. Bekah has written a cannon of amazing plays which, if you live in New York you can find at the Drama Book Shop, some of her plays include "Space", "Sick", "Fat Kids on Fire" and "Oorah". Bekah lives in L.A with her hubby! Thanks a million, girl!
This week on the podcast, we are joined by members of Rivendell Theatre Ensemble, an intimate salon-style theatre exploring the unique female perspectives of everyday stories (located on Andersonville’s north end at 5779 N. Ridge Avenue). In studio, we discuss Rivendell’s Midwest premiere of The Cake, by playwright Bekah Brunstetter with artistic director Tara Mallen and ensemble members Krystel McNeil and Tuckie White - all three appear in the production, currently extended through Saturday, June 2. They also recreate one of the iconic scenes from the play for us on air! To view episode show notes, please click here.
Chicago theatre review by three local culture makers. We discuss The Cake, by Bekah Brunstetter and produced by Rivendell Theatre Ensemble. Guests include Megan Carney (Artistic Director of About Face Theatre), Regina Victor (co-founder of Rescripted, an online artist-led review website), and Kristin Idaszak (Chicago playwright). Hosted by Meghan Beals.
FAITH PRINCE won a Tony Award for Best Leading Actress in a Musical for her role as Miss Adelaide in the 1992 Broadway revival of “Guys and Dolls.” And while Faith was honored to be recognized for her performance, she says the baggage that came with the win messed her up for five years. (48:04) EXPLICIT EPISODE NOTES: And the Tony Award for Best Leading Actress in a Musical goes to … FAITH PRINCE. The year was 1992. The show was “Guys and Dolls.” The role was Miss Adelaide. And while Faith was honored to be recognized for her performance, she did not expect the baggage that came with the win: “It kinda messes you up for awhile because it puts you in this league and then people go, ‘Oh, you can’t take that. That’s not worthy of you.’ Suddenly I went from being a character actress to being a leading lady. And it took me about five years to shake all that and go back to my old self and start picking things that I liked and wanted to do.” FAITH PRINCE starred as Miss Adelaide opposite Nathan Lane in the 1992 Broadway revival of “Guys and Dolls.” FAITH PRINCE won the 1992 Tony Award for Best Leading Actress in a Musical for her performance in "Guys and Dolls." FAITH PRINCE stars as Della in the 2018 La Jolla Playhouse production of “The Cake” by Bekah Brunstetter. Many thanks to the Blue Dot Sessions for the music featured in this episode royalty free through Creative Commons licensing: 1. "The Zeppelin" - 2. "Heliotrope" -
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