Podcasts about Jamestown Revival

Join host Lonnie Firestone as she interviews the creative team behind the Tony Award-winning musical, The Outsiders. This special live episode from the Books That Changed My Life Festival at JCC Manhattan features insightful conversations with lead producer Matthew Rego and cast members Trevor Wayne (Pony Boy) and Kevin William Paul (Bob).Highlights:How S.E. Hinton's classic novel changed young adult fiction and continues to resonate across generations.Challenges of adapting a beloved, interior-driven novel into a vibrant musical, including how and why characters start to sing.Behind-the-scenes stories from the show's creative process, including the unique contributions from first-time musical creators Jamestown Revival and playwright Adam Rapp.Insightful anecdotes about audience reactions, demographics, and personal interactions at the stage door.Discussions about key themes like class division, teenage identity, and emotional vulnerability portrayed through Pony Boy and Bob.Exploration of unique production elements, including powerful choreography and innovative lighting and sound design that enhance the musical's emotional depth. Hosted on Acast. See acast.com/privacy for more information.

The U.S. Supreme Court makes a key decision on abortion access, but is it the final word on the matter? The highest court in the land makes a unanimous decision on the abortion drug mifepristone, in a case that was originally filed in Amarillo.The producers of the hit Broadway musical “The Outsiders” wanted someone outside […] The post Texas' Jamestown Revival talk Tony-nominated score appeared first on KUT & KUTX Studios -- Podcasts.

I speak with artist and multi-instrumentalist Robert Ellis, one of the best singer-songwriters of his generation. I'll tell you why: first, his songs do what great pop songs do - grab your attention with a hook as sticky as hot honey (check out “Bottle of Wine” for an example), but you get a sense there's always something held in reserve, something that won't be revealed until you come back for a second or third or fourth listen.That might have to do with Robert's respect for the mutable laws of music theory (we talk about the relationship of the V to I cadence as the backbone for all music since Bach), or his sense of play evident in a catalogue that already spans 6 albums across genres as diverse as bluegrass-inspired ripper (“Sing Along”) to 70s' Rock (“Nobody Smokes Anymore”), or the soft spun album “Yesterday's News” reminiscent of Willie Nelson's “Rainbow Connection”.Or it could have to do with the fact that while guitar is his primary instrument (he is a *very* good guitar player) his chops on piano are formidable enough that not only did he release an album on ivories (2019's Texas Piano Man), but he toured it heavily - in a white tux and top hat, often solo at the keys.The Morse Code is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Robert has played Tiny Desk, Mountain Stage, and more recently, Carnegie Hall and collaborated with countless musicians from Taylor Goldsmith of Dawes to Jamestown Revival to Tift Merritt.A few weeks ago he took time off his tour with Parker Millsap to talk with me about his free-spirited approach to songwriting, playing and creativity in general.In this wide-ranging conversation we talk about the narrative parallels between music and  literature, and how even chord progressions have a narrative arc. We talk about the importance of — when evaluating a prospective work of art — shifting the question from “Is it perfect”? to “Is it me?” We even venture into territory of a purely philosophical bent, discussing Free Will and its role in a empathic worldview. Robert is consistent with his meditative practice, and as a father of three, his kids often join in for the morning meditation. We hit on the importance in being absolutely present while both performing and producing, and how that ethos applies to acting. Robert recently acted in a short film, directed by his wife, filmmaker Erica Silverman. He talked a little about that experience which I found revealing and charming and hilarious.Finally, the Texas Troubadour sat down to play his original “On the Run” live in studio on solo guitar. Watch and listen below.There's a lot more in this conversation, one of my favorite ever on this podcast. Get full access to The Morse Code at korby.substack.com/subscribe

Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Greased Lightnin'" from Grease (The Original Motion Picture Soundtrack) |  Written by Jim Jacobs and Warren Casey |  Performed by John Travolta , Jeff Conaway

One of this year's most Tony Award nominated new musicals (with 12 nominations) is THE OUTSIDERS, the new musical adaptation of The S.E Hinton Novel currently playing at Broadway's Jacobs Theatre. Here is his ★★★ review on the musical. The Outsiders is a 12-time Tony Award-nominated musical adaptation of the groundbreaking novel by S. E. Hinton and film by Francis Ford Coppola. The cast features Brody Grant as "Ponyboy," Sky Lakota-Lynch as "Johnny," Daniel Marconi as "Randy," Kevin William Paul as "Bob," Brent Comer as "Paul," Ryan Vasquez as "Darrel," Da'Von T. Moody as "Dallas," Jason Schmidt as "Sodapop," Trevor McGhie as "Two-Bit," Piper Patterson as "Cherry," and Kiki Lemieux as "Marcia." Tulsa, Oklahoma. Two teenage gangs sustain a rivalry: the well-to-do "Socs" (short for "socials") and the ne'er-do-well "greasers." The greasers, including the iconic characters of Ponyboy Curtis and Johnny Cade, have an often rocky brotherhood, but in a society that's all but abandoned them, it's all they have. The Outsiders musical tells a timeless coming-of-age story about finding hope and connection in a rough world. Hinton published her novel in 1967, the same year the show is set and three years after she started writing the novel while still in high school herself. The Outsiders book and its subsequent 1983 film adaptation remain groundbreaking for their naturalistic, unsanitized portrayals of how teenagers talk and act and what happens when they're neglected. The film also launched the careers of then-new actors like Ralph Macchio, Rob Lowe, Emilio Estevez, Patrick Swayze, and Matt Dillon. The Outsiders Broadway musical features original songs by Justin Levine and the folk duo Jamestown Revival, composed of Jonathan Clay and Zach Chance. The book is by Tony-nominated playwright Adam Rapp, known for The Sound Inside, and Levine. • 00:00 | introduction 03:36 | overview / synopsis 07:16 | the material 13:59 | the highlights 17:21 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Hello and welcome Americana Podcast listeners to a very special and celebratory episode. Long time listeners and new friends, we are so excited to share with you that as of April 29, 2024- we are celebrating the 5th Anniversary of this show. It has been such an honor to have been documenting the story of Americana through the artist's lens. And we've heard some incredible stories, from Billy Strings to Lori McKenna, to Shinyribs and most recently Hiss Golden Messenger. From the young blood of Jamestown Revival to the stalwart rockers in the image of Jim Lauderdale. We've only scratched the surface of what makes Americana what it is today and what its future can only hold. As we mark a momentous occasion, five years of weaving tales and tunes, let us embark on a journey through the rich tapestry of our show's legacy.To honor this milestone, we are joined by one of the true luminaries of the Americana scene. First, a troubadour whose name is synonymous with the genre, a man whose songs echo with the spirit of the American heartland, the one and only Ray Wylie Hubbard. I know I've been your temporary host for a while so the celebration doesn't stop there. Also returning to the show is our very own, revered songwriter whose wit and wisdom have endeared him to audiences far and wide, the incomparable Robert Earl Keen. Together, they represent the very essence of Americana, embodying its spirit and sound with every chord and lyric.Live from KNBT's Roots and Branches show- join us as Ray Wylie Hubbard, Robert Earl Keen, and Americana radio pioneer Mattson Rainer recount their songwriting journey, the passion for music, and indulge us in some very special performances (this is a long show- but I can assure you it is worth every minute).So join us as we raise a toast to the history of our show, to five years of passion, perseverance, and the relentless pursuit of musical truth. I'm your producer Clara Rose, and this is Americana Podcast- the 51st State  Donate to the show!https://tiptopjar.com/americanapodcastInstagram@americanapodcast Have questions or suggestions? Emailcreatedirector@robertearlkeen.com

In this week's episode, Joel Crump is at the OPENING NIGHT of The Outsiders! He interviews producer and Academy Award Winner Angelina Jolie, cast members Brody Grant, Sky Lakota-Lynch, Jason Schmidt, Joshua Boone, and Daryl Tofa, creative team members LaChanze, Justin Levine, Danya Taymor, and Jamestown Revival, and VIP guests Mario Cantone, Lorraine Toussaint, and Julie Taymor! Joel also discusses what's happening this week on Broadway (Apr. 7-12)! Indulge in Broadway buzz like never before with "The Weekly Dose of Joel: Everything Broadway and More." This podcast, brought to you by the Broadway Podcast Network and Broadway Time, delivers the latest news, theater history, and exclusive interviews with Broadway stars, all in one podcast! Don't miss out on your front-row seat to the magic of Broadway! Learn more about your ad choices. Visit megaphone.fm/adchoices

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Welcome to East Coast DNA's feature on Jesse Patrick. From rap battles to the blues, this Nova Scotian singer/songwriter puts unique spin on East Coast Music 00:00 Opening song "Firebarrell Blues" by  @JessePatrick  00:30 Introduction with Darcy Walsh  @eastcoastdna  01:07 A chat with Jesse Patrick 07:53 Mackie live except (recorded by Darcy Walsh live @ The Commune) 08:01 "Westvilladelphia" excerpt: Vocals & Lyrics by Anewbis & Mackie. Produced by Syndrome. Engineered by Dirty Dane. Directed by Anewbis & Mackie. Shot by Lauren Sweet. Edited by Dirty Dane. 15:00 Jamestown Revival "California" clip Photo: Harper Smith // Billboard magazine 21:40 Writing words 29:15 Song 1 (live)* 33:39 Song 2 (live)* 38:21 Song 3 (live)* 43:50 Get Groovy 50:55 excerpt of "Get Groovy" by Anthony Manuele 51:10 Distraction 58:13 Closing song: "Distraction" Written by: Jesse Ito & Anthony Manuele Produced by: Jimmy Torres Videography and editing: Krista Fewer @K.Foxcontent Guitars: Jesse Patrick, Anthony Manuele Bass: Nathan Simmonds Drums: Doug Northcott Keys: Robert Campbell Backing Vocals: Nathan Simmonds, Chris Ritchie, Jordan Burke Subscribe to Jesse Patrick  @JessePatrick  Instagram: @jessepatrickmusic Subscribe to  @eastcoastdna  for more features and bonus music coverage throughout the year. *Live performances recorded at Shobox Cantina (New Glasgow, Nova Scotia) by Darcy Walsh  @eastcoastdna  (February 17, 2024) --- Send in a voice message: https://podcasters.spotify.com/pod/show/east-coast-dna/message

There are all sorts of clubs in the world. The Hamlin Avenue Boyz (HAB) have belonged to a few different kinds of clubs over the years both individually and collectively. Most notably - together they have both joined the special club of those who have made seminal recordings within the Homan Studios environment on Chicago's Southwest Side. Every time they return to the Homan Studios, no matter how they arrive or how long they stay, they leave behind conversational impressions, moments, memories, and laughter that are inevitably worth saving and sharing. So it is with HAB6, their latest release. Or, as they like to call it - " Bad Girls Club". You see, both Vince and Edward have lived baby! And the many conversations and stories shared with you the listener are the evidence. In particular, Vince has had a very unique business life full of unusual experiences culminating at the crossroads of business and a badass member of the Chicago "Bad Girls Club". You'll want to hear this....very tasty! Bon Apetite. Vince Hamlin Edward Hamlin Tracks 1. Travelin Man 2. Comes The Sun 3. It's Still A Crazy World 4. Natures Way Sideways 5. Bad Girls Club Music Composition/Performance Credits 1. "Travelin Man" Kevin Kinsella and TiTi Chick A Pea 2002/ Kevin Kinsella and TiTi Chick A Pea 2002 2. "Here Comes The Sun" George Harrison 1967 / Richie Havens 1971 3. "Crazy World" Jamestown Revival 2014 / Jamestown Revival 2014 4. "Natures Way" Randy California 1970 / Spirit 1970 5. "Bad Girl" Usher 2004 / Usher 2004 Engineer: DB Cooper Producer: Tiffany Rosedale Recording Consultant: Jack Herer --- Send in a voice message: https://podcasters.spotify.com/pod/show/edward-hamlin/message

There are all sorts of clubs in the world.  The Hamlin Avenue Boyz (HAB) have belonged to a few different kinds of clubs over the years both individually and collectively.  Most notably - together they have both joined the special club of those who have made seminal recordings within the Homan Studios environment on Chicago's Southwest Side.  Every time they return to the Homan Studios, no matter how they arrive or how long they stay, they leave behind conversational impressions, moments, memories, and laughter that are inevitably worth saving and sharing.  So it is with HAB6, their latest release.  Or, as they like to call it -  " Bad Girls Club".   You see, both Vince and Edward have lived baby!  And the many conversations and stories shared with you the listener are the evidence.  In particular, Vince has had a very unique business life full of unusual experiences culminating at the crossroads of business and a badass member of the Chicago "Bad Girls Club".  You'll want to hear this....very tasty! Bon Apetite. Vince Hamlin Edward Hamlin Tracks 1.   Travelin Man 2.  Comes The Sun 3.  It's Still A Crazy World 4.  Natures Way Sideways 5.  Bad Girls Club Music Composition/Performance Credits 1.  "Travelin Man" Kevin Kinsella and TiTi Chick A Pea 2002/ Kevin Kinsella and TiTi Chick A Pea 2002 2.  "Here Comes The Sun" George Harrison 1967 / Richie Havens 1971 3.  "Crazy World" Jamestown Revival 2014 / Jamestown Revival 2014 4. "Natures Way" Randy California 1970 / Spirit 1970 5.  "Bad Girl" Usher 2004 / Usher 2004 --- Send in a voice message: https://anchor.fm/edward-hamlin/message

This week, Aaron and Brent welcome back their friends, actor and comedian Ryan King and Nashville filmmaker Aaron Scott, for the Episode 142“It's A Wonderful Playlist” Christmas Special.For the third year in a row, the guys pick out some of their favorite non-traditional Christmas songs to highlight.Some of the artists discussed include Scott Weiland, Julian Casablancas, Jamestown Revival, The Waitresses, and more.Visit www.crossingthestreamspodcast.com for extended show notes.

New Music from Jamestown Revival, Ari Hest, Bonnie Raitt, Saint Middleton, Natalie Madigan, Silverberg,The Ballroom Thieves,Caroline Spence & Matt Berninger, Jann Arden and more

This week, Aaron and Brent highlight music from two different Texas-based bands:  A folk duo from Magnolia and the other an alt-country band from Denton. Consisting of childhood friends Zach Chance and Jonathan Clay, Aaron spotlights three songs from Jamestown Revival. Getting their start in the early 90s while attending the University of North Texas, Brent looks at 3 songs from Brent Best and Slobberbone. Visit www.crossingthestreamspodcast.com for extended show notes.

On this episode of the Blind Tiger Record Club Podcast, David W. Williams and Kevin Lee discuss the April Spotlight, New Store Additions & Headbanger Albums.  We will be talking about new releases from Jamestown Revival, Mike Campbell & The Dirty Knobs, Red Hot Chili Peppers, and Comeback Kids.  The albums are discussed and clips of songs from the albums are played.  It is a great introduction to both the artists and the albums. Our Spotlight album is a new release that we really are excited about, but its not part of our member's Record of the Month Program. We pick one new release every month to "Spotlight".  The New Store Additions discussed on this episode are newly added albums to the B.T.R.C. Record Store; usually within the in the last thirty days.  All these albums are available for purchase at BlindTigerRecordClub.com. Our Headbanger Album is a separate club dedicated to all Metal and Hard rock sub-genres.  The membership is month to month, so you can start and stop anytime.  Its the best way to secure copies of limited run vinyl from the best releases in Metal. Here are the albums included in this episode of the Blind Tiger Record Club Podcast and On Air: Spotlight Album - Jamestown Revival | Young Man Lucius | Second Nature (Ltd. Ed. Clear Pink Vinyl / Gatefold Jacket with a Poster) Mike Campbell & the Dirty Knobs | External Combustion  Red Hot Chili Peppers | Unlimited Love (Ltd. Ed. Orange Double Vinyl and Standard Black Double Vinyl) Headbanger - Comeback Kid | Heavy Steps (Ltd. Ed. White Vinyl) Whether or not you are a member of Blind Tiger Record Club, the B.T.R.C. Podcast is a great way to get introduced to some new artists and discover some albums that you may not be familiar with.  All the music in our subscription program and that we discuss on this show are on vinyl and have been released or reissued in the last 30 - 60 days.  The show is designed to be a discovery platform for new music "on vinyl", but even if you do not collect or listen to vinyl, it's still a fun way to explore new music. *The Blind Tiger Record Club Podcast is sponsored by 85 Supply.  Go to 85supply.com or email info@85supply.com to get started. For 5% off of your first order, simply mention "Blind Tiger Record Club" via email or over the phone with your rep. Its that simple. Hosts: David W. Williams and Kevin Lee Executive Producer - David W. Williams A Blind Tiger Entertainment, LLC Production This episode was edited and mixed by the team at Sound On Studios Theme song written and produced by Jasen Rauch Headbanger Intro theme by Love & Death For more information on becoming a member of the Blind Tiger Record Club, shopping the thousands of titles in the record store, or listening to previous episodes of the podcast, go to BlindTigerRecordClub.com.

Jonathan Chance and Zach Chance talk with host Joe Kendrick about approaching middle age, how they approach the business of making music and more. Also including commentary and music excerpts from their album Young Man.

New music from Whitehorse, The Ballroom Thieves, The Jamestown Revival, Kat Bryan, Fog Lake Andy Shauf, Born on a Wednesday, Jill Andrews, A.S.O and a throwback to the year 1970-71

Un nuevo tema de los fantásticos The Youngers abre hoy para dejar paso a dos excelentes versiones de country de los 90 en el nuevo volumen 2 de los American Aquarium. Kieran Ridge y sus Moonrakers tocan americana acústica desde Boston (por eso suenan como irlandeses), cercana a los tejanos Jamestown Revival que hacen una mezcla de country sureño, americana y música western. Otra de las grandes novedades es por fin ya el disco de John Mellencamp, con colaboraciones de Bruce Springsteen, que ofrece su versión radical de la cultura estadounidense que evoca tiempos más oscuros antes de que naciera el compositor que tiene ya 70 años. Los Lumineers finalmente presentan un disco flojillo (al menos para nosotros) aunque para no romper la atmósfera suave, recuperamos de ayer a Malcolm Holcombe con sus piezas casi acústicas. Y el final newmexicano de Dean Owens también le pega de sobra al ambiente plomizo que parece haberse quedado.The Youngers, Cat EyesAmerican Aquarium, That Ain't My TruckAmerican Aquarium, Money in the BankKieran Ridge & the Moonrakers, The Last One to KnowKieran Ridge & the Moonrakers, Straight to the Heart of LoveJamestown Revival, These DaysJamestown Revival, Slow It DownJohn Mellencamp, Did You Say Such A ThingJohn Mellencamp, Lie To MeThe Lumineers, BirthdayThe Lumineers, RepriseMalcolm Holcombe, Crazy Man BluesMalcolm Holcombe, Good IntentionsDean Owens, New Mexicop { margin-bottom: 0.25cm; line-height: 115%; background: transparent }

New Music from Jamestown Revival, Catherine MacLellan, Sara Bareilles, Luca Fogale, Jackson Schribner, Jose Gonzales, Matilda Mann, and more.

featuring - Ian Noe, Jamestown Revival, Spoon, The Delines, Xenia Rubinos, Tall Folk and Vulfpeck / Wong's Cafe

Is that optimism I hear? MLB owners and players finally met to discuss the new Collective Bargaining Agreement, and while they didn't make much progress on the face of it, Mark, Bryson and Jacob discuss if anything productive came out of the talks. They also look at the Toronto Blue Jays' international signings and what it means for the organization. Lastly, Bryson presents a series of questions on the 2022 Blue Jays, including whether Vladimir Guerrero Jr. will hit 50 home runs in 2022. What will Hyun Jin Ryu's ERA be? Can George Springer stay healthy? Will Bo Bichette get below 20 errors? Subscribe to Section 138 on YouTube for video podcasts: https://www.youtube.com/channel/UCTCRKhBRu9kVO2fDuc2q8Aw/featured. Support our Patreon at http://www.patreon.com/section138pod. Follow @section138pod on Instagram and Twitter. Music: "Midnight Hour," Jamestown Revival.

We had the pleasure of interviewing Jamestown Revival over Zoom video! Jamestown Revival have made the quietest record of their career with Young Man, yet it may resonate the most. Recorded in their home state of Texas, it is their first project without electric guitars, with the emphasis instead on skillful songwriting, flawless harmony, and intricate fingerpicking. In addition, it's the first time that bandmates Jonathan Clay and Zach Chance have created an album with a producer -- in this case, Robert Ellis, a fellow Texan and a recording artist in his own right.Sonically the album draws on inspirations such as Crosby, Stills, Nash & Young and The Doobie Brothers (particularly “Black Water”), yet there's also a dusty Western feel to Young Man, similar to a Guy Clark or Townes Van Zandt album where the detailed backdrop and acoustic arrangements convey the story as eloquently as the lyrics do..Young Man opens with “Coyote,” a plaintive ballad the duo wrote on their ranch near Huntsville, Texas, about an hour north of their hometown of Magnolia. With its lonesome tones and sly title character, it sets the tone for the album, pulling in listeners with blended voices and a narrative that befits a campfire setting. From there, songs like “Young Man,” “Moving Man,” “Northbound,” and especially “These Days” further explore their restless frame of mind, due in no small part to the pandemic.Chance and Clay envision Young Man as a collection of songs that should be played all the way through, like reading a book. “We had the most amazing time recording this album. We laughed nonstop,” Clay says. “When I listen to this album top to bottom, I'm really proud of what we did. I hope that this album transports people because it's like a time capsule. It takes us right back to that studio and to that couple of weeks. It felt like we were doing what we were meant to do.”ABOUT JAMESTOWN REVIVAL:Jamestown Revival deliver skillful songwriting, flawless harmony, and intricate fingerpicking on their newest album, Young Man. The project is their first without electric guitars and their first to be recorded in a studio. Jonathan Clay and Zach Chance forged a musical bond as teenagers growing up in Magnolia, Texas. They draw musical inspiration from groups like Crosby, Stills, Nash & Young and The Doobie Brothers, as well as songwriters such as Guy Clark and Townes Van Zandt. With themes like coming of age and settling into an identity, Young Man is envisioned as a collection of songs that should be played all the way through. Sonically, the album evokes the experience of musicians huddled together, singing and playing without headphones or click tracks. Chance and Clay are joined on the Young Man sessions by producer Robert Ellis and the band's longtime rhythm section of bassist Nick Bearden and drummer Ed Benrock. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com #podcast #interview #bringinbackpod #JamestownRevival #zoom Listen & Subscribe to BiB Follow our podcast on Instagram and Twitter!

This show is going to be a little different from our usual programming. As I'm sure you've noticed- we've taken a little bit of a break over the last few months as we've taken the time to regroup, and reconstruct etc. As we move forward, it is important to us to reiterate that we are still very much dedicated as a platform to the expansion and definition of Americana Music through conversations with those working within its spectrum.This show has come a very long way from its initial launch. From interview formatting, the artists we book, the kind of questions we ask, and the locations we've been- it's grown and expanded in ways I don't think we could have ever imagined. And admittedly, sometimes it's hard to appreciate the work we've done as we look at the work we want to do. As we plot out that future, we wanted to take this time and opportunity to look back on some of our favorite moments that we've had. In our very first Artist's Archive, we go back to the very beginning and revisit some of the best times with artists we love and cover everything from the hardest conversations to the most rewarding laughs and all topped off with the music we all love so well. We hope you enjoy this nod to our past and continue to join us as we look (or should I say listen) to the future.

Jamestown Revival strikes gold in The Marinade! Jamestown Revival is a musical duo made up of Jonathan Clay and Zach Chance. They have released three full length records, a live album, and four EPs, including the most recent offering Fireside with Louis L'Amour. In addition to those wonderful records, the guys just collaborated to write the music for the stage production of SE Hinton's classic novel The Outsiders. Jonathan and Zach and thoughtful, funny, open, and honest conversationalists. 

New music from H.E.R, Joy Oladokum, Jamestown Revival, Pat Chessell, Steve Earl, Rose Cousins, Garrison Star, Valerie June, Born on Wednesday, and more.

We're delighted to share a conversation that we recently had with the band Jamestown Revival and Beau L'Amour, the son of the immensely influential and prolific author, Louis L'Amour. They all stopped by to chat with Amy Wright about the new EP, Fireside with Louis L'Amour: A Collection of Songs Inspired by Tales from the American West, which Jamestown Revival released on May 28th. L'Amour's stories have been a major influence on Jonathan and Zach's writing, and their lives, for that matter, and to see this project come to fruition has been a real treat for everyone. See omnystudio.com/listener for privacy information.

Today, I'm joined by a great group of guys who have been working on a fantastic project called Crowdmouth. Crowdmouth is a social media plug-in that any creator can use to harness their engagement and reward their fans for spreading the word about them. They've created a system that allows you to get points for sharing an artist's content, and you can build those points up and use them to get free merch. The founders are Bob Schnieder's manager Aston Teague, the lead singer of Jamestown Revival Jonathan Clay, and the tech genius Donnie Gerault. This podcast is about fan interaction, what this has looked like in the past, and how it's being innovated today. We talk about the app, how it works, where it's going, and how you can use it to get a bunch of cool stuff from the artists you love. “Crowdmouth is not another social media platform. We've built it as an augmentation, as a plug-in for all of you social media.” - Jonathan Clay Time Stamps:00:00 - Crowdmouth intro and what this episode is about. 08:28 - Who Donnie Gerault is and the tech side of Crowdmouth.09:03 - Aston Teague's background, and his role in Crowdmouth.10:17 - Who Jonathan Clay is and how he helped with Crowdmouth's creation.12:58 - How the idea for the app was born.15:54 - How much the platform costs to use.18:36 - How Aston knows Donnie, and why he got him involved on the project.21:14 - The way they reward people for being active and sharing links.26:36 - What the process of naming a company looks like, and how they ended up with Crowdmouth.29:23 - The value of simplicity, and how Crowdmouth works as a social media plug-in.33:44 - The difficulty some artists have with marketing and how the app helps them.37:22 - The fraud concerns there are, and the security they've built around that.43:06 - The way the platform works as a symbiotic relationship between artist and fan.46:04 - The type of creators that can join the program.50:47 - How restaurants can use the platform to help their business.54:09 - The feedback they've had from different fans and creators.56:08 - The mechanics of the app and what the user experience looks like.1:01:32 - The way you gain coins through taking part in different campaigns.1:03:42 - The possibility of taking part at a physical festival or event.1:05:48 - The benefits of working remotely and the other things the guys are doing.1:09:34 - The tour that's coming up for Jamestown Revival and Bob Schneider. Resources:  - Crowdmouth https://www.crowdmouth.com/ Connect with Aston Teague: - LinkedIn https://www.linkedin.com/in/astonteague/  - Twitter https://twitter.com/aston_teague/ Connect with Jonathan Clay: - Website https://jonathanclay.com/  - Instagram https://www.instagram.com/jamestownrevival/  - Spotify https://open.spotify.com/artist/4w1ZBtHF0HxrGqQdB7i1it  - Facebook https://www.facebook.com/jamestownrevival - Twitter https://twitter.com/jtrevival Connect with Donnie Gerault: - LinkedIn https://www.linkedin.com/in/donovan-donnie-gerault-6537809 Connect with Patrick Scott Armstrong: - IG: @patrickscottarmstrong - https://www.facebook.com/patrickscottvideos/ - patrick@texasrealfood.com Follow The Lone Star Plate: - Follow us on Twitter: @lonestarplateTX - Follow us on Instagram: @lonestarplateTX - Like us on Facebook: https://www.facebook.com/LoneStarPlateTX More From The Lone Star Plate: - https://thelonestarplate.com Texas Real Food: - https://www.texasrealfood.com

On Episode 180, I'm joined by Jonathan Clay of Jamestown Revival. During this episode, we talk about their latest EP, Fireside With Louis L'Amour - A Collection of Songs Inspired by Tales From the American West, character development, story arcs, continually progressing as a band & songwriters, working with Josh Block & Robert Ellis, and what's next for the Americana outfit. This episode's presenting partner is Desert Door Texas Sotol and The Blue Light Live.New Slang PatreonNew Slang TwitterNew Slang InstagramNew Slang FacebookNew Slang Merch StoreThe Neon Eon PodcastThe Neon Eon Merch Store Support the show (https://www.paypal.me/ThomasMooney)

Grizzly Goat's music is as the band's name suggests, undomesticated. Grizzly's blend of folk-rock spans the entire breadth of the Americana genre; from soft and sincere campfire ballads to rocking electric harmonica solos on top of pounding drums and flailing banjo. The band is hardworking and tireless. They've brought their rootsy compositions from coast to coast in their white passenger van. Whether at a festival or a small scale BBQ joint, Grizzly Goat's aim is to connect with their audience on an individual level, building a relationship with each listener. Specifically, the band has supported acts such as Greensky Bluegrass, Jim Avett, River Whyless, Town Mountain, Jamestown Revival, and Brett Dennen, along with playing at such festivals as the John Hartford Memorial Fest, Treefort Music Festival, Mayesfest, Forest Fest, Decatur BBQ Blues and Bluegrass Fest, Zion Canyon Music Fest, and the kick-off for the Cold Mountain Music Festival. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Doc invites Jon and Zach of Jamestown Revival on the show for the second time! The fellas talk about their newest EP and how they wrote the songs around the work of Louis L'amour. Then they talk about a complete random list of things like talking animals, drinking cobra blood, best whiskey, best BBQ, best living musicians and celebrity crushes! Make sure you listen!! Monologue (Random Questions): 0:00:24 Birthday Suit 1: 17:29 Ripped from the Headlines: 21:24 Jamestown Revival - The Killing Type: 34:52 Shoutouts: 40:30 Leftover Headlines: 44:46 Birthday Suit 2: 53:24 Jamestown Revival Interview: 58:24 Jamestown Revival - Prospector's Blues: 1:35:52 Birthday Suit 3: 1:45:00

Jordyn's out for the week, but Tom, Trey, Dion, Cody, and new intern Jake hold down the fort with this week's new music finds. Listen to the Episode Playlist Featured artists: Mo Lowda & the Humble, Jukebox the Ghost, Macklemore, Ryan Lewis, Jamestown Revival, Maroon 5, Alien Art Farm, Twenty One Pilots, Royal Blood, Al Green, Red Hot Chili Peppers, The Cranberries, Stop Light Observations, Tame Impala, Space Doves, Beach House, Counting Crows, and more.

Sean and Jess discuss the joys of discovering great new music, movies , and books and how they push that "euphoria button" in us all. 

Neil Young es otro de los artistas que no ha estado inmóvil en estos tiempos. A finales de noviembre se va a publicar el segundo volumen de sus Archivos con una caja de edición limitada que incluye 10 álbumes abarcando el periodo que va entre 1972 y 1976, con 131 canciones, de las que 12 son inéditas y hay 49 versiones nunca escuchadas hasta ahora. Uno de los mejores ejemplos es "Come Along And Say You Will", que se encuentra en el primer disco de este proyecto y que ha llamado Everybody’s Alone. Aquella canción se grabó en un período especialmente fructífero para el músico canadiense entre los álbumes Harvest y Time Fades Away. Junto a Neil Young encontramos a Kenny Buttrey en la batería, Tim Drummond como bajista y Ben Keith en el Steel guitar. Aquel tema fue habitual a comienzos de 1973 en sus conciertos, desapareciendo muy rápidamente de su repertorio. Ahora vuelve a tener la importancia que nunca debió perder. Por supuesto, no podemos olvidarnos de los músicos que tenemos más cerca, y ese es el caso de Carlos Prado & Oh Brother, una banda del País Vasco que lanzó el álbum The End of the Road hace casi un año, pero al que no han podido dar recorrido en directo debido a la pandemia. Este trabajo autoeditado tiene diez canciones propias en las que se cuida con mucho gusto las armonías vocales y en las que los aires del sur de California no les son ajenos. Con Javier Urréjola al saxo, aquí está “Second Hand Lover”, uno de los cortes que te anima a seguir confiando en ellos. Brent Cobb ha vuelto a regalarnos un disco indispensable con los mejores paisajes sonoros de ese punto de encuentro entre el country y el rock. A nivel de textos, la narrativa de este nativo de Georgia ha ganado en profundidad. Keep 'Em on They Toes expresa desde su título la necesidad de ser únicos, pero como parte de un conjunto que nos une, por lo que el respeto es la base esencial. Todo ello con la sensación de estar dando un paseo por el campo y descansar después en el porche de casa con una sensación de tranquilidad y quietud. Brent Cobb ha prescindido de su primo Dave Cobb para la producción y se ha aliado con Brad Cook. También ha preferido publicarlo en su propia compañía, Ol ’Buddy Records, en vez de en Elektra. Esta filosofía de la sencillez se muestra en canciones como “Good Times And Good Love”, con ese toque familiar que Don Williams, dio siempre a sus canciones y a su forma de vida. "Only Children", la historia inundada con un sentimiento de nostalgia de dos personajes bohemios, es una de las más bellas canciones que formaron parte de la última aventura sonora de Jason Isbell And The 400 Unit, Reunions. Tomando el relevo a The Nashville Sound, publicado tres años antes, el registro ha sido producido con la maestría habitual de su viejo amigo Dave Cobb que ha cincelado un disco en el que contribuyeron con su presencia David Crosby y Jay Buchanan, cantante de Rival Sons. Ahora, aprovechando estos tiempos de aislamiento, ha lanzado un vídeo de la canción con la que pueden sentirse identificados un buen número de jóvenes de las grandes ciudades y que se encuentra a medio camino entre American Graffiti y Pulp Fiction. Tiene como protagonista a dos adolescentes y una mochila luminiscente que se cae de la parte trasera de un camión. Jamestown Revival lo componen Jonathan Clay y Zach Chance, dos amigos de la infancia nativos de Magnolia, en Texas, y que ahora están asentados en Austin. Su nombre tiene que ver con Jamestown, en Virginia, uno de los primeros asentamientos de Estados Unidos, y su admiración por Creedence Clearwater Revival. Siempre han sido dados al minimalismo conceptual y el aislamiento, pero ahora lo expresan con mayor intensidad en su más reciente EP, A Field Guide to Loneliness, con recuerdos para quienes lo están pasando peor en esta pandemia, especialmente las personas de más edad, que resultan ser las de más riesgo. “Slow Motion Hurricane” es una de esas canciones plácidas que dan sentido al trabajo. Esta vez damos el salto hasta Asheville, en Carolina del Norte para encontrarnos con Tyler Ramsey, antiguo miembro de Band Of Horses, un compositor y cantante que hace tres años empezó a recuperar algunos de sus temas más antiguos para adaptarlos a su propia banda. Aquel proyecto quedó plasmado en For The Morning, un precioso disco de 2019 que ahora tiene continuación con un nuevo EP, Found A Picture Of You, con un puñado de versiones inesperadas, todas ellas de artistas femeninas. Desde “All Through The Night”, que cantó Cyndi Lauper a mitad de los 80, hasta “Tomorrow On The Runway” The Innocence Mission, llegamos a “Back on the Chain Gang” que los Pretenders colocaron en su tercer álbum, Learning to Crawl en el 84 y para la que ha contado con el apoyo vocal de Annie Williams. Producidas por el propio Tyler Ramsey y contando con Bill Reynols, otro de los desertores de Band of Horses, en la mesa del estudio Fleetwood Shack de Nashville, Found A Picture Of You incide en sus habilidades como guitarrista, con evidentes influencias de John Fahey y Leo Kottke. El espíritu viajero de Malin Pettersen se manifiesta en Wildhorse, el nuevo disco de esta joven noruega que ha saltado el océano para identificarse directamente con los sonidos de la Americana. Son canciones sobre viajes, búsquedas y descubrimientos, con el espíritu de un caballo salvaje. En resumen, son composiciones sobre la propia vida y cómo entender el mundo en que nos encontramos. Malin Pettersen viajó hasta Nashville para grabar este según álbum de su corta carrera junto a músicos que conocen de primera mano cómo funciona la escena de la Music City y que han estado al lado de artistas como Colter Wall o Kacey Musgraves. De esa forma nos encontramos ante una extensa paleta de colores que abarcan desde el honky tonk al country pasando por los sonidos de la Costa Oeste como en el caso de “California”, un tema perfecto para viajar con las ventanillas del coche bajadas y el volumen de la radio bien alto. Cansados de determinadas situaciones y, más aún, de determinadas posturas, Rosanne Cash y su marido, John Leventhal, han compuesto y publicado “Crawl Into The Promised Land”, una canción que transforma las emociones de un año tan inesperado como este 2020 en una oda a la resistencia del ser humano y un llamamiento al inconformismo personal. John Leventhal realizó las labores de producción, además de tocar todos los instrumentos, y para su grabación contaron con las voces de Sarah Jarosz y Jakob Leventhal. Las ganancias del sencillo se donarán al Arkansas Peace & Justice Memorial Movement, una organización educativa online para apoyar a las víctimas de linchamientos en el estado de Arkansas, donde nació el Man in Black. Por sorpresa, nos hemos encontrado con la publicación de Johnny Cash and The Royal Philharmonic Orchestra, un álbum que ha contado con la producción ejecutiva de John Carter Cash, hijo del Hombre de Negro y en el que se ha utilizado la voz del mítico artista en una docena de canciones clásicas para mezclarla con nuevos arreglos sinfónicos grabados en el estudio 2 de Abbey Road de Londres con la Royal Philharmonic Orchestra. Así ha quedado por ejemplo “Farther Along”, una canción sureña de góspel que trata sobre el desconsuelo de un cristiano ante el aparente bienestar de los no creyentes y el sufrimiento de los justos. A lo largo del tema se insiste en que "más allá" la verdad será revelada. Ha contado con multitud de versiones desde que apareció en una edición impresa de himnos de 1911. Johnny Cash la grabó en 1975 para su álbum Johnny Cash Sings Precious Memories, el quinto dedicado a canciones religiosas de su carrera. El Johnnny Cash Show, que se grababa en el Ryman Auditorium de Nashville, estuvo en antena en la cadena de televisión ABC apenas dos años, de junio del 69 a marzo del 71, pero fue un espacio que permitió conocer a muchos de los nuevos nombres del country y el folk de la época. Johnny Cash invitó a su show semanal a artistas como Bob Dylan, Joni Mitchell, James Taylor, Glenn Campbell, Merle Haggard, Kenny Rogers & The First Edition y banda de rock como la Creedence Clearwater Revival o Derek And The Dominos, que aparecieron en el escenario del Ryman un cinco de noviembre de 1970, aunque aquel programa fue emitido el 6 de enero del 71, en un espacio en el que, además de Derek and the Dominos estuvo invitado Eric Andersen. Con Carl Perkins, el guitarrista que lideraba la banda de acompañamiento de Johnny Cash, el cuarteto encabezado por Eric Clapton hizo esta versión de “Matchbox”, uno de los grandes clásicos del pionero del rock and roll. Esta versión, inédita hasta ahora, forma parte de la edición especial de Layla And Other Assorted Love Songs, que cumple 50 años desde su publicación y que saldrá a la venta el próximo 13 de noviembre como un doble CD o cuádruple LP. Un disco que contó como invitado especial con el inolvidable Duane Allman. En 1970, después de la disolución de Blind Faith, Eric Clapton decidió abandonar a Delaney & Bonnie, y llevarse a tres de sus músicos para formar Derek And The Dominos. Eran el teclista Bobby Whitlock y una base de ritmo con Carl Radle al bajo y Jim Gordon a la batería. Un nombre nombre que tiene que ver con la equivocación de quien les presentó por primera vez en concierto. En realidad, se querían llamar Derek And The Dynamics. En cualquier caso, aquel cuarteto imponente dejó para la historia Layla And Other Assorted Love Songs, un álbum con medio siglo de historia que tiene en "Layla" su tema mágico en el que el dúo de guitarras de Clapton y Duane Allman, de quien el británico decía que era el hermano musical que nunca tuvo, es inolvidable. La canción tiene que ver con la que fuera mujer de George Harrison, Pattie Boyd, con la que se casó en el 79. La letra está inspirada en el libro “Layla y Majnun”, del poeta persa Nizami, que trata sobre un hombre enamorado de una mujer a la que no puede acceder por la negativa de sus padres. Escuchar audio

I recorded this week's podcast guest Nick Bearden live from his studio, Retro Lab Studios, in Nashville, Tennessee. He's a sideman, bassist, guitar player, producer, and sound engineer.Nick Bearden has played thousands of shows with Jamestown Revival, but we go heavy on the business side of managers, where he shares a story on one of the shadiest managers I've ever heard of. We also discuss how freelancers operate.---Quick links:3:15 - Nick Bearden, Jamestown Revival, and his instruments8:05 - How not to do business in the music industry + sync licensing boom of 200918:45 - Tour managing22:05 - Shady managers and getting ripped off31:48 - How to know when someone is ripping you off34:07 - How Nick finds gigs as a freelancer and who he's performing with39:41 - The story of meeting and working with Jamestown Revival1:12:58 - The music industry is always paying attention, whether you realize it or not1:18:38 - Jamestown Revival's experience being signed to a major label1:28:05 - Nick's advice for freelance musicians who want to be a "session cat" and touring musician1:33:50 - How Nick defines making it in the new music business---Connect with Ari Herstand:Website: https://www.aristake.comInstagram (personal): https://www.instagram.com/ariherstand/Instagram (Ari's Take): https://www.instagram.com/aristake_/Facebook: https://www.facebook.com/aristake/Twitter (personal): https://twitter.com/ariherstandTwitter (Ari's Take): https://twitter.com/ArisTakeYouTube: https://www.youtube.com/user/aristake1Connect with Nick Bearden:Twitter: https://twitter.com/nickbeardenInstagram: https://www.instagram.com/nickbearden/Facebook: https://www.facebook.com/Nick-Bearden-84750813293/ See acast.com/privacy for privacy and opt-out information.

The Doc invites Jon and Zach of Jamestown Revival on the show. The two talk herpetologist, online shows, moving to California, the best places to eat in Austin, Whiskey, San Isobel, making music in cabins and much much more. Listen now! Monologue: 0:23 Birthday Suit 1: 8:03 Previously on the Doc G Show: 13:20 Ripped from the Headlines: 15:32 Jamestown Revival - Crazy World: 37:22 Shoutouts: 44:03 Birthday Suit 2: 51:32 Jamestown Revival - Who Hung the Moon: 55:33 Jamestown Revival Interview: 1:00:17 Birthday Suit 3: 1:41:40

This week on The Show On The road, we feature a conversation with Jonathan Clay and Zach Chance, two Texans and expert harmonizers who for the last decade have toured the world as Jamestown Revival. Right before all tours got sent home, host Z. Lupetin was able to hop on the Jamestown Revival tour bus (sorry for the engine hum) to discuss their intimate new record, San Isabel, and their journey from meeting as curious singing teenagers in Magnolia, TX to their move out west and back home again. While their previous record, The Education of a Wandering Man, saw them harnessing the muscular roots-rock that can be heard at their powerful live shows, San Isabel strips everything back to their intimate two-voices-around-one-mic, “southern and Garfunkel” sound that brought them together in the first place -- and has rightfully won them hordes of fans coast to coast. They say sibling harmony can't be compared and we've had several sets of twin bands on the podcast, but what about soul-brother harmony? If one thing is clear just sitting on the bus and listening to them weave their stories and songs together, it's that Clay and Chance were born to sing together. San Isabel was laid down at Ward Lodge Studios overlooking the San Isabel National Forest in Buena Vista, Colorado and often includes the natural sounds of the nature all around them. Give it a listen -- it's peaceful and powerful and raw and maybe just what we all need right now.

In the summer of 2018, we said  "We need to talk about Americana music". At the time it felt that there was an apparent disconnect in not only the discussion around the genre but in the would-be community as well. Industry workers and audiences were leading the conversation, but there appeared to be a disturbing absence of input from the most important individuals in American-roots-based music… The artists themselves.  On April 30th, 2019, after a year of writing, recording and refining- Americana Podcast was released into the world. We have recorded in studios, green rooms, and in front of live audiences- we have stayed up into the wee hours of the morning researching, conducting interviews and editing.. (so much editing..) And have dedicated ourselves to defining not only the genre but the experience fo Americana artists, with parameters set by the artists themselves.  On this, our anniversary episode, we invite Zach Chance and Jonathon Clay of Jamestown Revival back.. but on their recommendation- with a twist. Zach and John will be interviewing our host and moderator of Americana, Robert Earl Keen. So join us from the BMI offices in Austin, TX as we celebrate our one year anniversary episode and look to the future of Americana music. 

This week on the podcast I'm talking about risk when we look at investing in our selves to solve a personal issue like over-drinking. So many of you don't want to invest because it's a risk. You might not have used this word before but if you have thoughts like, it might not work or I don't want to spend more money on another program that won't work or I can probably do it on my own, I don't need to pay for it, then you aren't willing to risk the investment. The truth is we take bigger more costly risks every day but the difference is that we BELIEVE the benefits outweigh the risks. Tune in to learn what you are RISKING when you don't invest in yourself. Link to Ryan Bingham click HERE.Link to Jamestown Revival click HERE. **Interested in joining the Stop Over-drinking and Start Living coaching program? click the link below and watch all 3 videos, read through the information and then click >>APPLY

This week on the podcast I’m talking about risk when we look at investing in our selves to solve a personal issue like over-drinking. So many of you don’t want to invest because it’s a risk.  You might not have used this word before but if you have thoughts like, it might not work or I don’t want to spend more money on another program that won’t work or I can probably do it on my own, I don’t need to pay for it, then you aren't willing to risk the investment. The truth is we take bigger more costly risks every day but the difference is that we BELIEVE the benefits outweigh the risks. Tune in to learn what you are RISKING when you don't invest in yourself. Request a 30-minute consultation by clicking HERE:Link to Ryan Bingham click HERE.Link to Jamestown Revival click HERE.

I pulled the trigger on the Rode Rodecaster Pro. You're listening to it now. I'll update you on what's happening here inside The Yellow Studio at the end of the show. Thanks to everybody who contributed. I'll be reaching out in the next few weeks to get the Skype calls scheduled. Randy   Some nights ago. I don't remember what day. Or night. It's 2:15 am and I'm wide awake. Not uncommon. I fire up Apple iTunes, where all my music resides, including the thousands of CD's I've burned. And the digital downloads I've purchased. I slap on a pair of headphones, one of about four within arm's reach. I turn up the headphone amp to about 10 o'clock, plenty loud for me at this hour. Jamestown Revival album UTAH is calling out to me for some reason. Released in 2014 it's been a month or more since I've given it a go...so why not. I've been practically living on their newer release, circa this year 2019, San Isabel. So it's time to dive into my catalog a bit. This all happens because revival is on my mind. Their band name sparks it, but my love of their music is the draw. UTAH has a song entitled, Revival. So let's do it. I click PLAY. It's track 6 and track 7 follows, a song entitled Truth. A theme begins to emerge and intersects what's been on my mind the last week or more. Vince Gill's new record OKIE is a few weeks old and I've listened to it through a handful of times by now. As I'm pondering revival I start thinking of one particular song from this record, The Price of Regret. So I click PLAY and give it a go. Again. "Everyone knows the price of regret, the things in life we never forget." Regret. Revival. By the time I get to the 11th track of Vince's new record (there are 12 tracks total), I've added a third R-word, reputation. The song is entitled, That Old Man Of Mine. It's followed by the last track, A World Without Haggard. Songs of reputation. Legacy. What we remember about people. What people remember us for. Regret. Revival. Reputation. I don't suppose all three are important to everybody. Some people claim to have no regrets. I think that's foolish. Others refuse revival. Some perhaps because their character is so low they're nothing to revive. Did they ever have it? Maybe. Maybe not. Some refuse revival because they don't want to revive it. Easier, perhaps more short-term fun, to remain in sin and suffering. No going back to a time when they were more noble, more innocent, more helpful and made a more positive difference in the lives of others. So reputations are largely earned. Deserved perhaps. And I'm not talking about public reputation or how the masses feel. Most of us aren't subjected to that because we're mostly anonymous to the world. But inside our little corner of the world, we're known. For something. As something. What? When my kids were quite small - toddlers really - I was spending considerable time with an old man who was an important mentor in my life. Weekly we spent hours together talking and studying. I was burning life's candle at both ends, spending close to 80 hours working and devoting time to church and family. It was exhausting, but I was young and didn't think much of it. Truthfully, my energy was quite high much of the time. So one weeknight each week sitting at his kitchen table - sometimes with my family in tow - wasn't burdensome. I wanted to know what he knew and was anxious to learn all I could. One evening talk turned to family. He was a father with grown children. I was mere years into my own fatherhood and I inquired about regret. He said he had no regrets. Here was a man I respected. A man 25 plus years my senior. I remember thinking of my own regrets and I had many years to go to reach his age. It seemed impossible to me, so I pressed him. "I can't think of anything I'd do differently," he said, referencing his fatherhood. I didn't pursue the conversation any further, even though I was supremely puzzled.

This week, Matthew Zirkes and his co-host John Broering listen to San Isabel by the duo called Jamestown Revival from start to finish. During this album the guys drink a WHOLE variety pack of White Claw Hard Sparkling Water!Listen in to see what the fellas rate the Brew and Music on a scale of 1-10 in regards to how likely they would recommend these to their family, friends, and basically anyone.Make sure you follow the Podcast and our Hosts on Instagram and Twitter!@BrewsicPodcast@matthewzirkes@7jb11EACH WEEK the BEST review on Apple Podcasts will be called out on the next episode and be sent a Koozie straight from the fellas! So please rate, review, and share us with everyone.

 The title is a lyric from the newest Jamestown Revival record, San Isabel. The song is, "This Too Shall Pass." For those of you interested - and some of you are - here's some music I'm listening to at the moment...in addition to this new Jamestown Revival record. The Hunts - Darlin' Oh Darlin' (2018) The Hollering Pines - Long Nights, Short Lives and Spilled Chances (2013) The Bones of J.R. Jones - The Bones of J.R. Jones (2019) - he is Jonathon Robert Linaberry but performs as The Bones of J.R. Jones (he's a solo artist) Rickie Lee Jones - Kicks (2019) American Aquarium - Wolves (2015) Kylie Rae Harris - Kylie Rae Harris EP (2019) And of course, I'm listening to the usual suspects as well. Mandolin Orange is still aways a big player. Anderson East, Jade Bird, James Morrison and Josh Ritter. There's so much good music. Music and solitude go hand in hand for me. And writing. Sometimes drawing, which more closely resembles doodling these days. All this listening to music violates the true meaning of solitude - which is defined by psychology in a way not quite to my liking. Solitude is the state of being alone without being lonely. The authors of a book, Lead Yourself First, give a more detailed definition that I rather like. Solitude is a state of mind, a space where you can focus on your own thoughts without distraction, with a power to bring mind and soul together in clear-eyed conviction. Simply put, it's freedom from distraction. Technically listening to music violates the definition I suppose. But I count it anyway. Lyrics and melodies provoke thoughts, but I consider that a positive distraction. It feeds my solitude. It's part of rest, restoration and rejuvenation. A Coat Of Armor We all have one. Because we all need one. Every now and again. Truthfully, I think we need one more often than not. Sorta like being fully clothed. We spend most of our time being fully clothed. Okay, I won't get into a modesty debate just here, but you know what I mean. ;) Not many people see me running around in my boxers and a t-shirt. It's a select few. So it is with exposing ourselves sans armor. It's just not safe most of the time. Armor is protection. You're likely thinking of the armor worn by knights in medieval days. Or maybe you're thinking of the body armor worn by today's soldiers or law enforcement officers. Here in Texas, you could even be thinking of armadillos. We need armor to protect against attacks. From people intending to harm us. Armor can also signify resilience, our ability to protect ourselves against adversity. Circumstances. Events. People. Situations. It's not bad. It's necessary. And part of how we all must live our lives. Introversion Versus Extroversion Of all the personality traits these seem the most talked about. They're the biggest elephants in the room often used to describe ourselves or others. I can only speak to my own introversion, which is part of my armor. Just like an extrovert deploys that quality as part of her armor. My introversion appears quite frequently like extroversion. Somebody smarter than me will have to explain it. My way of looking at it is based on my internal energy. When my armor is weakened, I retreat. It's one way I can refuel and attempt to fortify myself. Attempt being the operative word. ;) I suspect extroverts do the opposite. When their armor is weakened, they likely seek the company of others in their effort to recharge and renew strength. Such is the individual nature of our armor - whatever characteristics and qualities make up our armor are largely individual to us. While it's true that we're much more alike than not, it's the subtle nuances of our personalities that make us US. In medieval days a big part of the armor was the shield. You could judge a knight by his shield. It was a primary identifier. For whom is this knight fighting? Who and what does he represent? Our armor,

Our host, Robert Earl Keen speaks with Zach Chance and Jonathon Clay of Jamestown Revival  about the early formation of their band, their songwriting process, and their growth and education as musicians. 

Cult indoctrination, bachelorette parties; Von destroys a garage remote in the name of neighborliness. Get your tickets for Matt Woods here! Music in this episode: Michael Westbrook -- “Yesterday’s News” (Single) SH Sons Of Bill - “Before The Fall” (Well God Ma’am) Kimmi Bitter -- “Shine a Light” (West Side Twang) (SH) Six String Drag - “Small Town Punks” (Top Of The World) Andrew Bryant -- “I Am Not My Father’s Son” (Ain’t It Like the Cosmos) Curse Of Lono - “Blackout Fever” (As I Fell) Jennah Bell “3’59 (New York)” (Anchors and Elephants) Will Courtney - “Too High Now” (Crazy Love) Peter Berwick -- “Anyway” (Island) (SH) Jamestown Revival - “Crazy World (Judgement Day)” (Single) Rachel wrote a comic! Check it out here! Send us music via SubmitHub. Send us money via Ko-fi or Patreon. Contact Von via linktr.ee/vonreviews and say hi to Rachel on Twitter @adobeteardrops

Nick Bearden (http://www.nickbearden.com) is a bassist, songwriter and multi-instrumentalist with Jamestown Revival. He owns and operates Retro Lab Recording Studio in Nashville, TN. http://www.trevorlarkin.com/tltl/ http://www.trevorlarkin.com/subscribe/

Charlotte Druckman, the author of Stir, Sizzle, Bake joins The Food Schmooze® party with recipes for your cast-iron skillet (LOVE!). We’ll talk to Charlotte about her cheesy Colombian-style arepas, Frito-Crusted Cornbread, Carrot-Currant Crostata (what a combo!), and her Wholesome Apple-Quince Pie. We loved the idea of a skillet pie for Thanksgiving, or any fall gathering. Plus we’ll tell you how to pick the fastest line at the grocery checkout, thanks to a New York Times article, and share our own recipe ideas for the easiest ratatouille and an apple butter you can make in the slow cooker. It’s the perfect thing to make-ahead, freeze, and pull out for holiday appetizers or to give as gifts. There's a little bit of everything to bridge the seasons and get a jump on holiday cooking and homemade gifts. Aired: September 15, 2016 and October 26, 2017 CONTRIBUTORS AND GUESTS: • Chris Prosperi — chef/owner, Métro Bis in Simsbury, Conn. • Alex Province — wine expert • Charlotte Druckman —author of Stir, Sizzle, Bake MUSIC: • “Can’t Stop the Feeling,” Justin Timberlake • “Patience,” Guns N’ Roses • “Beans and Cornbread,” Louis Jordan and The Tympany Five • “California – Cast-Iron Soul,” Jamestown Revival • “Cast-Iron Pan,” Putnam Smith • “Everybody Eats When They Come to My House,” Cab CallowaySupport the show: https://foodschmooze.org/donate/See omnystudio.com/listener for privacy information.

Om 22:00 uur twee fijne uren van MusicTrails met Marc Stakenburg en Joost Verbunt op 40UP Radio. Muziek van North Mississippi Allstars, Talking Heads, Tami Neilson, Mavis Staples, Dusty Springfield en Jamestown Revival.

Om 22:00 uur twee fijne uren van MusicTrails met Marc Stakenburg en Joost Verbunt op 40UP Radio. Muziek van North Mississippi Allstars, Talking Heads, Tami Neilson, Mavis Staples, Dusty Springfield en Jamestown Revival.

Cris Jacobs plays tracks from Dust To Gold and talks about creating a sense of immediacy in a song, what songwriters do, and his upcoming tour. Also on this week’s episode I’ve got that new album from Jamestown Revival, a track from that Adam Carroll tribute album. I’ve also got new music from Nathan Bell, Jeffrey Foucault, Tom Rhodes and Balsam Range. Plus I’ve got more new music from Jack Grelle, Courtney Granger, Southern Culture On The Skids, Hymn For Her, and a classic track from Uncle Tupelo. "Cris Jacobs speaks on the alchemy of songwriting (Ep327)" originated from Americana Music Show.

Amy is an Oregonian at heart who was imported to Alaska in 2005. She loves her family, the Packers, Jamestown Revival and local food & drink. Mostly in that order.

Charlotte Druckman, the author of Stir, Sizzle, Bake joins The Food Schmooze® party with recipes for your cast-iron skillet (LOVE!). We’ll talk to Charlotte about her cheesy Colombian-style arepas, Frito-Crusted Cornbread, Carrot-Currant Crostata (what a combo!), and her Wholesome Apple-Quince Pie. We loved the idea of a skillet pie for Thanksgiving, or any fall gathering. Plus we’ll tell you how to pick the fastest line at the grocery checkout, thanks to a New York Times article, and share our own recipe ideas for the easiest ratatouille and an apple butter you can make in the slow cooker. It’s the perfect thing to make-ahead, freeze, and pull out for holiday appetizers or to give as gifts. There's a little bit of everything to bridge the seasons and get a jump on holiday cooking and homemade gifts. Photo: Copyright © 2016 Aubrie Pick. Aired: September 15, 2016 and October 26, 2017 CONTRIBUTORS AND GUESTS: • Chris Prosperi — chef/owner, Métro Bis in Simsbury, Conn. • Alex Province — wine expert • Charlotte Druckman —author of Stir, Sizzle, Bake MUSIC: • “Can’t Stop the Feeling,” Justin Timberlake • “Patience,” Guns N’ Roses • “Beans and Cornbread,” Louis Jordan and The Tympany Five • “California – Cast-Iron Soul,” Jamestown Revival • “Cast-Iron Pan,” Putnam Smith • “Everybody Eats When They Come to My House,” Cab CallowaySupport the show: https://foodschmooze.org/donate/See omnystudio.com/listener for privacy information.

Download all songs in this podcast on iTunes. Search for "Bands Under the Radar". Bands Under the Radar, Vol. 7: Americana for Hipsters I 1. Romance Fantasy – Whiskey and Wine 2. John Fullbright – Jericho 3. David Ramirez – The Bad Days 4. Sam Sliva – Excuse Me While I Break My Own Heart Tonight (feat. Jason Isbell) 5. Sam Doores + Riley Downing and The Tumbleweeds – This Morning’ I Was Born Again 6. Ocean Carolina – Maybe 7. Kingsley Flood – Waiting On the River to Rise 8. Andrew Duhon – Evelyn 9. Great Peacock – Take Me to the Mountain 10. Jamestown Revival – The Revival 11. Leroy Powell and The Messengers – Satan Put It on My Tab 12. William Clark Green – Dead or In Jail 13. Angel Snow – Coals and Water 14. Tom McBride – Morning in Glen Burnie 15. Smooth Hound Smith – Crazy Over You

This truly amazing set of ‘shuffled' songs to enjoy along the Coast Highway includes cuts by Them Swoops, Guster, Taxiride, The Budrows, Soundgarden, Jamestown Revival, Wilco, REM, Jason Feddy, Queens of the Stone Age and more!!!

New Greyboy Allstars, Jamestown Revival, Jose Ramirez, Nilufer Yanya, Ray Wylie Hubbard, Jewel, Adam Weinberg+ Southern Culture On The Skids, Kamasi Washington, Shaun Murphy, Reverend Peyton & His Big Damn Band, Deb Ryder, Amy Helm, Drive By Truckers... Birthdays for Speedy Keen