Podcasts about law order

This morning on the show, the conversation was all about the latest news and updates, from a woman setting a new world record for staying awake in an armchair to a pumpkin decoration that sings a raunchy song. The hosts also discussed the upcoming Super Bowl halftime show, debating who should be the performer, with Justin Bieber and Harry Styles being two of the front runners. But it's not just about the big names - the hosts also talked about the importance of supporting local families affected by rare diseases and special needs, and how a new foundation is working to make a difference.The hosts dove into some hilarious headlines, including a story about a woman who received a driver's license with a random man's face on it, and a group of people who gathered to scream at the ocean. They also discussed the latest news in the entertainment world, including Taylor Swift's surprise appearance in a Law & Order spoof and the upcoming release of a new album. And, of course, no morning show would be complete without some fun and games - the hosts played a round of "real or fake" with some outrageous headlines.But amidst all the fun and games, the hosts also talked about some serious topics, including the importance of supporting local families affected by rare diseases and special needs. They discussed a new foundation that is working to make a difference in the community, and how listeners can get involved. The hosts also talked about the upcoming launch party for the foundation, which promises to be a fun and exciting event.So if you want to hear more about the latest news and updates, and learn about a great cause that's making a difference in the community, tune in to this episode of the show. The hosts have a great conversation about everything from the Super Bowl halftime show to the importance of supporting local families. Don't miss it!See omnystudio.com/listener for privacy information.

Sydney Sweeney is breaking the internet again, but this time sports fans and social media critics are pushing back. On this episode, Dave Wheeler and Tyler Carr dig into the fallout from Sweeney's provocative new Novig ad campaign and debate whether the sports betting world has officially jumped the shark. Plus, the guys tackle what custom Manitoba license plates they should actually get, recap the Emmy Awards highlights (including Taylor Swift's Law & Order cameo), and question why terrifying real-life "Cat in the Hat" knockoffs are roaming the streets. Over in sports: Kawhi Leonard is back in Toronto, the Jays drop a heartbreaker to Detroit, and Jets prospect Viggo Bjork turns heads ahead of preseason. Big laughs, spicy headlines, and daily morning radio unfiltered.

BREAKING: President Trump's Justice Department has closed a 28-year-old immigration loophole—and every state is now on notice.The DOJ Office of Legal Counsel has withdrawn a restrictive Clinton-era opinion from 1998. Under the DOJ's restored interpretation of the 1996 welfare-reform law, all component agencies of states participating in TANF and SSI—not merely the agencies administering those programs—are covered by federal reporting requirements involving people known to be unlawfully present in the United States.Under the TANF provision, states must provide DHS with names, addresses and other identifying information at least four times each year and whenever DHS requests it.All 50 states, Washington, D.C., and several U.S. territories currently participate in TANF and SSI. DOJ also warns that failure to comply with federal requirements could carry serious consequences, potentially including the loss of program funding.This does not automatically deport anyone or independently authorize an ICE operation. But it could give DHS significantly more information for lawful immigration enforcement—and dramatically weaken the ability of state agencies to withhold what they know.In this episode of THE NEZ REPORT, Professor Nez explains:• What the Clinton-era opinion protected• What the Trump DOJ just changed• Which state agencies are affected• What information must be reported• Why sanctuary jurisdictions are now facing a major decision• How DHS and ICE could potentially use the information• What legal and political challenges could come nextPrimary sources:DOJ announcement:https://www.justice.gov/opa/pr/justice-department-clarifies-duty-states-report-known-illegal-aliens-under-welfare-reformFull Office of Legal Counsel opinion:https://www.justice.gov/olc/media/1459981/dlSubscribe and turn on notifications for straightforward coverage of the Trump administration, immigration enforcement, breaking political news and the fight to restore law and order in America.#Trump #DOJ #ImmigrationWATCH THIS NEXT: https://youtube.com/live/toO0iiLgJSc?feature=shareFor free and unbiased Medicare help, dial (656) 218-0931 to speak with my trusted partner, Chapter, or go to https://askchapter.org/nez✅ Reach out to me: https://bio.site/professornez✅ ORIGINAL MADE IN U.S.A 250TH AMERICA DESIGNS: https://professornez.myspreadshop.com/✅ Check out our Official Clips Channel: https://www.youtube.com/@professornezclips▶ Support the Channel and Buy us a Coffee: https://buymeacoffee.com/professornez

Is the justice system failing?!

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express, Host Miko Lee is going Beneath the Surface — with two incredible artists, Margaret Cho and Masaki Fujihata. Both artists have been working in their fields for decades. Margaret Cho — stand-up comedy, sitcom, filmmaking, writing. Masaki Fujihata — a pioneer in new media art.And here's what they have in common: they've both shifted with the times… but never lost their own voice. Their vision has stayed singular, even as the world around them changed. Listen in to APEX Express   Check out: BeHere / 1942: A New Lens on the Japanese American Incarceration at the Oakland Museum from Friday, September 18, 2026—Sunday, December 27, 2026 Masaki Fujihata website Choligarchy at Berkeley Rep, September 15-19th, 2026  Margaret Cho website Interweaving: Indo-Persian Exchanges Interweaving: Indo-Persian Exchanges at Oakland Asian Cultural Center, September 11, 2026 7pm Artists featured: arjun-verma.com www.pezhham.com  MazdakAlipour.com emanhashimi.com   Show Transcripts [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:34] Miko Lee: Tonight on Apex Express, I'm going beneath the surface with two incredible artists, Margaret Cho and Masaki Fujihata. I'm your host, Miko Lee.   [00:00:57] These are two artists who've been working in their fields for decades. Margaret Cho, stand-up comedy, sitcom, filmmaking, writing, and Masaki Fujihata, a pioneer in new media art. And here's what they have in common. They've both shifted with the times, but they never lost their own voice. Their vision has stayed singular, even as the world around them have changed. So stick with me. First up, my conversation with Margaret Cho   [00:01:29] Welcome Margaret Cho to Apex Express.    [00:01:32] Margaret Cho: Thank you.    [00:01:34] Miko Lee: I wanna start with my question I ask most of my guests, which is who are your people and what legacy do you carry with you?    [00:01:41] Margaret Cho: I think my people are Asian American, my people are queer, my people are all ages, my people are progressive, my people have hope for the future. That's what I'm hoping. I think that's it, and that's who I am too.    [00:01:56] Miko Lee: Thank you. You started stand-up so young in this very Bay Area, and I think you started at age 14. I'm wondering what's your earliest childhood memory of being a performer?    [00:02:08] Margaret Cho: My earliest childhood memory of being a performer was I was actually a singer. I was a singer in a band of children, and I was probably maybe five years old. We were on a show on KTVU. I believe it was called Asia Now, and it was filming in the studio and I wouldn't stop waving at my mother, who was just off camera. And after the performance the band leaders asked me not to come back. Aw. I remember that because I could not stop waving at my mother and so I kept breaking that fourth wall. That was my first memories of performance.   [00:02:47] Miko Lee: And what did that feel like to you?    [00:02:50] Margaret Cho: I didn't really get the idea. I didn't really understand television exactly quite. I didn't understand why we were performing. I didn't understand why I couldn't say hi to my mother while I was performing. I didn't have a real comprehension of like even like rejection of what that meant or even performance or what that meant or television. So all these things that I come to learn about very well, rejection, performance, and television is my whole life. But back then I didn't understand the importance of all those things.    [00:03:22] Miko Lee: But there must've been some kind of zhuzh for you that you said, “Ooh, I wanna keep doing this,” right?    [00:03:28] Margaret Cho: Yeah, I think so. Much later though, you know, I did perform as a pianist. I was a classical pianist. I was also a ballet dancer. So those things required performance, which actually would make me really, really nervous, I think because in piano you're playing a classical piece. You're playing Beethoven, you're playing Mozart. So if you make a mistake, everybody's gonna know. Also with ballet you're choreographed and you're in as a troupe. If you're doing choreography with a bunch of other people- If you make a mistake, everybody's gonna know. But with comedy, mistakes are a little bit more of, something you can gloss over a bit. There's a little more control there, a little more room for chaos, which I absolutely need, I think, as a performer.   [00:04:22] Miko Lee: Mm, this is interesting. You've already described some of the different types of performance that you do, and you've also done so many things in your life. But I'm wondering if there is a type of art form that still makes you nervous.    [00:04:34] Margaret Cho: Music. I think playing an instrument in front of people, I think because when I was a child and would perform these recitals, I would be so nervous. There were a couple of times in recitals where I had to start over, you know? When you're, like, eight or nine years old and you make a mistake and have to start over, and this audience is, like, hundreds of people, it's, like, really mortifying. I still carry that. I play m- numerous instruments, and I really dread playing them in public. What helped me a little bit is busking, which I did quite a lot of over, over the years because when you're playing out on the street, there's a… I don't know. It's like people are not really paying attention to you, and therefore you're kind of in this divide of I'm in performance, but I'm also kind of not. So that helped. In general, I refrain nowadays from when I do music, I don't usually play my instrument along with the band. I usually just focus on singing. Even that is quite nerve-wracking. Singing and doing music still, even though I've been doing it really my whole life, there is something about it that, that quite, um… because when you're singing, you're actually also the instrument. So there's a bit of more required. That's why I always prefer comedy. Your quality of voice doesn't matter because the music you're making doesn't have to sound pleasing.    [00:05:59] Miko Lee: And when you were busking, what instrument were you playing?   [00:06:02] Margaret Cho: Guitar. Ah. So I would play guitar, sometimes a six-string banjo, sometime, I'd play all manner of sort of guitar-necked instruments, which can go from, guitar to mandolin to a cello that's, it has a guitar neck, so I can play- Ah that as well. So all those things, I cheat at everything 'cause I have a guitar neck.    [00:06:21] Miko Lee: I love that. The improv just comes out of you in all different ways, I guess.    [00:06:27] Margaret Cho: Yeah.   [00:06:27] Miko Lee: So you have been a path maker, rule breaker in so many aspects of your life, from comedy obviously, and producing and starring in the first Asian American TV show, actor, fashion maven, author, rapper, podcast host, and out and proud queer role model. I'm wondering, what's a career dream that you aspire to?    [00:06:46] Margaret Cho: Ooh, well, I wanna be an old lady crime show, like Murder She Wrote. I wanna just solve crimes. I love, like, a British crime show, like an old lady solving crime. Like a Prime Suspect, like a Helen Mirren. I love that kind of genre of television, and so I would love to mature in that 'cause, like, it's so interesting and also so rich and, I feel really drawn to it. So that's something that I haven't… I'm a participant in a lot of those types of shows. I'm on a show called Bull Trent, which is very much that, which is really cool. And then I've been on Law & Order, which is the ultimate, SVU is the ultimate sort of crime show. So I would love to engage in that genre more.   [00:07:31] Miko Lee: Ooh, are you developing that on your own?    [00:07:34] Margaret Cho: I'm not, but I am participating in lots of other people's versions of it. They're not out yet, so they will be coming, forthcoming.    [00:07:44] Miko Lee: Coming soon, and then your own version starring you. Yes. The- Yeah … modern Murder She Wrote. I would love it. In what town would this be? In San Francisco or in-    [00:07:53] Margaret Cho: Oh, San Francisco would be great. Yeah. San Francisco or, like, Marin.    [00:07:56] Miko Lee: Oh, God. That would be really funny.    [00:07:58] Margaret Cho: Sausalito. Sausalito would be so fun. You know, Napa Valley. You know, something, like, very, like, th- this community that looks very, like Saint Helena, like Calistoga, s- community that's very quaint and peaceful and, like, kind of like foodie oriented and, like, very, you, you know, you think very upscale, but actually there's a lot of dirty dealings going on underneath the surface.   [00:08:20] Miko Lee: The wine country Murder She Wrote.    [00:08:23] Margaret Cho: Yes, I love it.    [00:08:24] Miko Lee: I would watch that. That's fun. So you also have expressed your art in so many ways. Your body is filled with so many tattoos. I think you have over 70. Which of your tattoos evokes the strongest emotion for you?    [00:08:38] Margaret Cho: Well, right now I'm in this, like, trend only getting art from Korean artists, and these are guys. People from Korea who are tattooing now are really the best in the world. They are the state of the art. Like, their eye and their talent is just so innovative. There it's semi-illegal, so they do it under duress, you know, and they have to sort of do all these different things to do it. But their ability to just visualize things that are just, that seemed impossible, you know, these miracles on skin that they can do. The art now I'm really resonating with. There's an artist now that works exclusively in Dancheong, which is a kind of the color scheme of Korean temple art. And so all of his tattooing reflects that. And so I'm working on a very, very large piece on my leg that is, all Dancheong, which you know, for me, like having had lots of different kinds of tattoo, like I had sort of Japanese traditional and a lot of American traditional, and a lot of just kind of different kinds of art. Now to just really delve into the art of my ancestors is quite powerful, and by being done by very young, very skilled tattoo artists from Korea. You know, so I get to speak in Korean to them. We communicate in a language that is shared, that's ours, which is very different from the way that I've communicated with all of the other artists that I've had over my time as a tattooed person. So, um, yeah, tattooing for me, it's, it's all about Korea right now.    [00:10:21] Miko Lee: And what inspired your first tattoo?    [00:10:25] Margaret Cho: My first tattoo was done by Don Ed Hardy, who is a legendary Bay Area tattooer, also, an amazing guy and he was a friend of the employees of my father, who, my father owned Paperback Traffic, which is his gay bookstore just going in the 1970s. And so a lot of people were getting tattooed by Don Ed Hardy. They were getting full body suits in the '70s and '80s, and the, the, um, images, like, so on our refrigerator as a… When I was a child, my father would put up, um, the full body tattoos of these guys that worked for him. So that's what I would see every day. Instead of, like, our graded papers or, like, stuff that you usually have on a refrigerator, it was photographs of completely tattooed people. Um, and that really stayed with me. And so when I was ready to be tattooed, and this is, like, 2002, um, my father's employees and all of our, like, old friends took me down to see Don Ed Hardy, who was doing these body suits, and, he gave me my very, very first very large Japanese-inspired piece on my stomach and back. And that kind of started it off. I got the most painful, most difficult place in your body tattooed first, which is, like, basically your stomach, and your sternum, your chest. All those areas are really, like, those are the worst, and I got that over with. And so I realized, oh, I could actually keep on doing this. And I always knew that I would be heavily tattooed because of that.   [00:11:59] Miko Lee: So your first one you chose really big, not just like a small something. You got a really big one.    [00:12:03] Margaret Cho: Yeah.    [00:12:04] Miko Lee: Wow. Yeah. Just jump in, girl. Just jump in.    [00:12:07] Margaret Cho: Well, I just knew that was right, and I knew also this was probably, like, the only time that I would be able to get a very large piece from Don Ed Hardy, you know? Yeah. People know him, of course, from the clothing line- That's right … and the sort of Y2K influence. But he is so much more than that. His influence on tattooing is really significant. That was towards the end of his tattooing career. He didn't have many years where he kept doing it after, 'cause he explained to me that he absorbs the pain of people. Wow. And so he realized, like, that probably wasn't so good for him physically as he aged, I was really lucky to get what I got from him, which is a very, very large piece and a very important piece.   [00:12:51] Miko Lee: Amazing. And as you're talking about your childhood and growing up in the bookstore, it just makes me reflect on how your childhood was so unique and so interesting. Mm-hmm. And I'm wondering if today you were to make a television show about your childhood, how very different… With, with more artistic freedom. It would be so fun. It would be so fascinating. There's so many more streaming options than just the three networks that we grew up with. Yeah. So, what would that be like for you to do a TV show on your childhood now?    [00:13:23] Margaret Cho: I would love it. I mean, I would love to create that world, recreate that world, because, you know, we had the influence of, like, people who were doing a lot of very early body modification, meaning these full, full body tattoos, and, like, body piercing, which was such a different thing. I mean, in the 1970s we had the rise of Harvey Milk you know, and his assassination.    [00:13:44] Miko Lee: Mm-hmm.    [00:13:44] Margaret Cho: We also had the devastation of the People's Temple, which was all San Francisco people.    [00:13:50] Miko Lee: Yep, yep.    [00:13:51] Margaret Cho: It happened in Guyana, people don't realize this originated in San Francisco and came from there. All the people who died were San Franciscans, and Oakland, Bay Area people. This is our people. My parents actually rented the recently vacated People's Temple for my grandparents' 50th wedding anniversary. Wow. Like, crossing the police tape. To go in and have a Korean party, and then my mother's, “Lot of ghosts.” She saw all the ghosts.   [00:14:19] Miko Lee: Yeah, I'm sure.   [00:14:21] Margaret Cho: “Ghosts, ghosts, lot of ghosts. Well, ghosts don't really do anything. They just make food get cold very fast.” You know, like that kind of a thing. So it would be a great TV show, I think.    [00:14:32] Miko Lee: Ugh, I would watch that too. We're talking about your new show, Choligarchy, which is gonna be at Berkeley Rep, and I read that you said it brings you back to your roots as a political comedian. Can you share more about this?    [00:14:44] Margaret Cho: Well, I had the luxury of the Obama administration where I didn't feel like I had to fight so hard to be heard and seen as a queer Asian American woman, 'cause I worked on the Obama campaign, I worked on, getting people registered to vote in 2008 in Philadelphia. I worked on all these different things with Cal Penn in 2008 to assure a kind of future where we are gonna have something different, and then we did. And then so I got to spend about eight years where I could do dance, I could do music, I could kinda like drift into these other arenas of work that I hadn't been able to do because, before, had been, like, so much about fighting the Bush administration, so much about fighting what was going on. So now to be able to return to a thing that I'm very used to, like political commentary, where I'm really focused on using my voice to affect change and to create change, and it's really profound, you know? I love doing this show. It's got me thousands and thousands of death threats, which is also really terrifying and bizarre. I've always had a kind of very confrontational relationship with conservatives, but now it's escalated to the point of, like, oh, I actually do fear for my safety. But I think that it's worth it. The message is worth it, and I'm proud to do this show, and I'm very, very excited to bring it to very progressive Berkeley, which they're gonna hear it better than anyone. I do think Berkeley is even more progressive than San Francisco. So it's exciting.    [00:16:27] Miko Lee: Well, San Francisco is filled with tech bros now, so it's a very- Yeah … different vibe than when we were-   [00:16:32] Margaret Cho: That's right.   [00:16:32] Miko Lee: growing up. I'm wondering, I heard you say about how different it was during the Bush regime, which is actually relatively tame in retrospect compared to the fascistic times we're living in now. I'm wondering how different, now that you're going back to the kind of political roots, how different is it from that Bush time in your approach to your comedy?    [00:16:51] Margaret Cho: Well, Bush never descended into a cult. Bush never had the sort of magnetism as a person, to demand the cult-like sort of atmosphere that sort of exists now, where we have a leader who will gladly let all of his followers be on a decoy plane while he rushes away in a catering van. We think the decoy plane, that's really America. Like, the decoy– we are all, as a nation, on the decoy plane. He's happily content to let us all die to ensure his safety. It's like they're, and they're still gonna follow him after that. So that's a cult, you know? This is a different beast than we're dealing with just sort of patriotism or the idea of like xenophobia or the idea of wanting this kind of America that Bush wanted. Bush couldn't create that because he was not a cult leader, whereas now we have a bona fide cult and cult leader on a path to destruction.    [00:17:57] Miko Lee: So given this time that we're living in and how complicated it is, I'm wondering, especially as you're going on tour with this show, what brings you comfort and makes you feel connected to home when you're on tour or when you're away?   [00:18:10] Margaret Cho: Well, my dog is with me all the time, so that's really special. She'll be there at Berkeley. She's really, really amazing. I'm a big fan of social media. It's connecting with people on there, and people are encouraging me through there. There's a lot of points where I carry home with me. I'm also, at home on the road, because I've been traveling and performing for over 40 years, so it's a place that I feel a great deal of comfort in.    [00:18:35] Miko Lee: Because you mentioned social media, I'm just wondering, isn't that where the death threats are coming from, though, is social media? Or are you getting them in—   [00:18:42] Margaret Cho: Yes. But I'm also get, I get them on my phone. I get them, like they—   [00:18:45] Miko Lee: Oh, you, they- Yeah … find your cellphone and contact you—   [00:18:47] Margaret Cho: Yeah.   [00:18:48] Miko Lee: directly? Wow.    [00:18:49] Margaret Cho: Yeah, I get them, like, you know… I'm also concerned about, I've been doxxed, you know, they threatened to kill my dog, and I'm like, “She's white. She's one of you. Why would you kill her?” It's kind of funny.   [00:19:01] Miko Lee: But you don't respond to any of these folks, right?    [00:19:04] Margaret Cho: No, you can't, because you just don't know what… I always think about, like, Melissa Hortman. They killed her dog. I don't wanna be another example of, like, MAGA lunacy. When you speak out and you are a symbol of what they don't want. They don't want women, they don't want people of color talking. When you are that you're really in the line of fire. That's why traveling works for me, I get to be very, very stealth and hidden. Um, and that's kinda also why I travel so much, is to be stealth. Mm. I get so much encouragement from social media. I don't wanna cut myself off from it. But yeah, you have to be careful.    [00:19:42] Miko Lee: So you feel like that balance outweighs it?    [00:19:45] Margaret Cho: Yeah, for sure.   [00:19:45] Miko Lee: And I'm wondering if you think there's something that's misunderstood about you?    [00:19:49] Margaret Cho: When I'm talking and people don't like what I'm saying, they will say, “Oh, look at this has-been talking again.” And I'm like, “I'm not talking because I think I'm a celebrity. I'm talking because I am alive, and everybody who is alive has the right to speak.” I think this is really important. I don't talk because I feel like I have a responsibility to talk because I represent anything. No, I talk because we should all be talking. We should all have a voice. I don't have a sense of importance about myself or who I am or what I do. I think that everybody should be talking, and now we should all be talking because now we are all on that decoy plane, and he will leave us to die. So I'm going to say something about it. People have a myth about celebrity that somehow it involves our ego, and that's why we feel compelled to have a voice. But I think we should all have a voice no matter who we are.    [00:20:41] Miko Lee: I've heard you call yourself the patron saint of outsiders. Can you talk about what that means to you?    [00:20:47] Margaret Cho: I think for me it means to be able to have, my queerness front loaded, my Asianness front loaded, my gender front loaded, all these things that I want to be able to talk to those who feel like they don't feel represented by mainstream culture, by white supremacy. If you have felt rejected or even just not included by society at large, I wanna hear your voice. I wanna hear your opinion, and I wanna know you.    [00:21:15] Miko Lee: And last question, why should folks go and see Oligarchy at Berkeley Rep?    [00:21:20] Margaret Cho: Oh, it's Choligarchy.   [00:21:20] Miko Lee: Choligarchy.   [00:21:22] Margaret Cho: It's my nation. It's my dictatorship. In my dictatorship, we have universal healthcare. In my dictatorship, we have a universal living wage. If we actually made the billionaires pay their share, if we actually stopped supporting Israel and Argentina, other countries which I don't know why we give them so much money, but we do, if we stop doing that, we stop supporting the billionaires, if we stop giving corporations handouts, we could actually have a universal living wage where everybody in this nation would just be able to just live. We could just live because we are American. We could just live. And then your work could be what you really wanna do. That would be such an important change to the way that we exist as Americans. And we could do that if we actually stopped giving b- bailouts to corporations, actually made billionaires pay their share, and stopped giving money to countries that are not ours. That's what my platform is. That's what I run on, and that's what I plan to do.    [00:22:35] Miko Lee: And folk can find out more by going to see the show at Berkeley Rep, and we'll put a link in our show notes. Thank you so much, Margaret Cho, for joining us on Apex Express.    [00:22:45] Margaret Cho: Thank you.    [00:22:46] Miko Lee: Next up, get a preview of an upcoming unique performance at Oakland Asian Culture Center. Listen to Sawaal Jawaab    MUSIC   [00:24:01] Miko Lee: That was Sawal Jawab with Arjun Verma, Eman Hashimi, and Pezhham Akhavass in Interweaving: Indo-Persian Exchanges, a one-night-only performance on Friday, September 11th at the Oakland Asian Culture Center. The concert's a rare opportunity for Bay Area audiences to experience the interplay of some of Asia's richest classical music traditions from India, Iran, and Afghanistan. Next up, we hear from two voices, multimedia artist Masaki Fujihata and Carin Adams, senior curator at the Oakland Museum. Masaki Fujihata is a world-renowned sound, installation, interactive, and new media artist. He's also a professor at Keio University. His work has been shown all around the world, and now it's coming to the Oakland Museum, opening September 18th and running through the end of December. The piece is called BeHere / 1942, A New Lens on the Japanese American Incarceration, and it's a new augmented reality work. So tune in to my interview with Masaki and Carin Welcome to Apex Express, multimedia artist Masaki Fujihata and Carin Adams, senior curator at Oakland Museum.    [00:25:13] I'm so happy to have you both with me, and we're talking about the new exhibit BeHere / 1942: A New Lens on the Japanese American Incarceration, which opens at the Oakland Museum from Friday, September 18th to Sunday, December 27th. So thank you so much for joining me. I wanna start with a question I ask all of my guests. I'm gonna start first with you, Carin, and then I'll go to Masaki, and the question is, who are your people, and what legacy do you carry with you?    [00:25:53] Carin Adams: Oh, wow. I think there are lots of different facets of my family and who I think of as my people. Um, I think in, in this work in particular, I'm really, um, thinking a lot about my grandparents, my, my mother's parents, and, um, my mom, who's turning 91 in, um, October, and, um, her and her siblings' experience, um, being incarcerated in Tule Lake. So- Mm … that, I think has, has a lot to do with wh- why I'm here, and thank you so much for having me.    [00:26:36] Miko Lee: Mm-hmm. Thank you so much. And Masaki, what about you? Who are your people, and what legacy do you carry with you?    [00:26:43] Masaki Fujihata: Yeah, in my case, my, career started with the computer graphics long time ago in the '80s, so I came in, uh, Bay Area and, uh, West Coast quite frequently to join a big, uh, conference and so on. But then in '90s, I was very many times to be invited to be in Europe, so-called media art, i- is so dominant. So my curiosity is about the visual arts plus computer technology. Then nearly 10 years ago, I started to play with augmented reality. I recognized AR is a very good technology to put the history in actual moment. So the title Be Here 1942 means, I try to call the people in the past in the present. After one of my friend, the professor at UCLA invite me to be in Los Angeles, then we started to focus onto the Japanese Americans' history. That was the first, a kind of coincidence, but it was, very interesting to me because, I was born in Tokyo and grew up here in Tokyo, so usually I didn't think about who is a Japanese. [00:28:10] Along with this production, I studied a lot, not only the racial problems, but also the identity, , not only the personal identity, but also identity of Japanese and also American. It's really difficult to understand what's is the identity in the America because so many different people are living together and of course there are several conflicts. This is very good study for me, through the new media technology and, through the meeting with the people. Some of them really had, severe experience inside the camp. I never had a chance to think about these opportunities. Then I really want to recreate what had happened in the 1942. That was my point of view for this project.    [00:29:08] Miko Lee: I'm wondering when you were growing up in Japan, did you learn about the Japanese American incarceration?    [00:29:15] Masaki Fujihata: Maybe, maybe, but a tiny. Most of the young students just thought, oh, this is the history, not mine    [00:29:27] Miko Lee: And did you… Were there kibei that were there? Cause I know there were a lot of Japanese Americans that had been pushed out and repatriated to Japan. Did you grow up knowing any of those people?    [00:29:39] Masaki Fujihata: Mm, not, not really. Not really. Um, how can I say? Mm, maybe this is the education, the Japanese education. They didn't talk much about the history. The first part is an ancient moment, is very, very, you know, impressive. But, at the end of the term, so the modern age usually passing very, very fast.    [00:30:10] Miko Lee: Oh, interesting.    [00:30:11] Masaki Fujihata: Yeah, so n- not only about, history between America and Japan, but also China and Japan.   [00:30:18] Miko Lee: Mm-hmm.    [00:30:19] Masaki Fujihata: We have very few knowledge in, on the context of, uh, history education. I mean—   [00:30:24] Miko Lee: So sort of World War II- I mean- and forward? From World War II—   [00:30:27] Masaki Fujihata: Yeah, yeah …   [00:30:28] Miko Lee: You didn't really learn about it?   [00:30:28] Masaki Fujihata: Yeah, modern age. Modern age. I believe this is very big problem in the education.    [00:30:35] Miko Lee: That's so interesting. So the first that you really learned about the Japanese American incarceration was during, when you started this project at UCLA? Is that right?    [00:30:44] Masaki Fujihata: Yeah, yeah. I know something about the history in the US, but when I started to do research, there are many details, and every people's history is very, very different. So the textbook of the history is just the surface- So that's why I wanted to show more the detail through a new media technology.    [00:31:16] Miko Lee: I read a quote from you that said, “My aim was to peer deeply into photographs to derive from them more than was visible on the surface.” Can you talk a little bit more about what that means to you?   [00:31:29] Masaki Fujihata: Yes, because, I started to think about to focus on the moment when they ride the bus. So then, of course, I did some research to read some oral history, but, most of them didn't tell about the moment because I think this was just one hour or two hours for waiting. I suppose they usually don't want to remember, and also they thought that this is not important day, then they forgot.   [00:32:04] Miko Lee: What was it about the bus that you were curious about?    [00:32:08] Masaki Fujihata: We planned to realize our project, to think about the beginning. What is the beginning? There, there are quite many novels and writings about the life in the camp because of, of course, this is so heavy. Four years in the camp is unbelievable. According to my research, some people said they thought the war will ends in three months. But in there they spend in the camp, over four years. So of course, this is a heavy story and also while in the inside the camp. There are some conflict between the first generation, second generation or American side or Japanese side. The beginning is, of course, the Pearl Harbor raid, but, the bus, suddenly one day the bus came into your town and you were asked to ride the bus, and before riding they didn't tell them where they are going. So so if it happened now, how can we behave? So this is my question. This is the beginning, and they didn't know what will happen in the future. And then in parallel, I did some research to see the photographs because, there are many documentary photographs were in the archive, in National Archive, and also Library Congress. I tried to, see the photography, but as I said, when see the picture, you know, the detail is telling a different story, against the comment. The comment is just they are lining up for riding a bus or something, or Japanese American families get together and waiting. Of course they have some name card. At last I found through one of small girl's eye, there is a reflection of the photographer. But, not only the photographer, there are two, three, or four more people standing with the cameraman. Then, of course I understand they are all Caucasians. They are not Japanese American people. So for the little lady, for the little girl, when she was surrounded by, white officer, perhaps military police, she has nothing to do. But on the surface of the photography, she's smiling. So this contrast is the beginning. So this is a problem about media, visual media. So then I really want to share this experience with the other audiences through the exhibition. That was my intention.   [00:35:18] Miko Lee: And had you seen the photographs from Dorothea Lange and Russell Lee prior to working on this project?   [00:35:25] Masaki Fujihata: Of course, I know these names because they are very famous,, documentary photographer, the magazine Life started to publish from the year 1933, it was hit, so popular. I was really surprised because they did the job to make a document for Japanese Americans, and there is over 4,000 pictures left in the archive. I saw all of these so many times, so I can tell each picture. I can tell what is the difference, between the Dorothea and Russell Lee. So each photographer has, different characteristics. But I really surprised because, Dorothea Lange's photography is very different from others. And—   [00:36:18] Miko Lee: And the government didn't like them. They locked them away for years because they were too real.    [00:36:25] Masaki Fujihata: Yeah, and because, Dorothea's photography is always associated with the object inside the photography. She tried to understand who is she, who, who is—-    [00:36:38] Miko Lee: Mm-hmm …    [00:36:39] Masaki Fujihata: and try to have a good relationship with the object. Most of the photographer, like a press cameraman, it's just go there, “Hey, smile,” and shot is their, you know, way of business. But Dorothea's way is very different, so sometimes, I can tell she is always calculating the distance from her to the object. I enjoyed very much to have a chance to see all of these details. Of course, another luckiness because all of these photograph were shot by the government, then all of these are now public domain. Even me from Tokyo, I can see so many photographs with high resolution. I think those are made after year 2000 because of the technology came in. Then now they are supplying 3,000 by 4,000 pixels. That's why I could enlarge and to see the reflection on the girl's eye. It's a coincidence, but also it's the evolution of computer technology from analog photography. So this is also interesting part to share with the audience.   [00:38:01] Miko Lee: Thank you. Carin, I wonder if you could talk about what an audience will see when they come in to see the exhibit.    [00:38:08] Carin Adams: The exhibition is going to happen inside and outside the gallery. So if people are visiting the museum coming up through our entrance on Oak Street, they will have an opportunity to enter the augmented reality application that Masaki has designed where they're, standing there grounded in, the architecture of the Oakland Museum. But they're also seeing people, dressed as if they were in 1942, waiting with their belongings and their family members. They'll be able to see the buses that lined up on Oak Street in '42. There was a civil control station that was across the street, and Dorothea Lange took some very famous photographs of people waiting with their belongings in front of their houses that, on the museum side of the street. Masaki has adapted the augmented reality that he first developed for Los Angeles for Oakland. So people on entrance onto our campus will have that experience, and then if they come into the gallery, then they'll really be entering into the gaze of these eyes. They'll be surrounded by very high resolution images that Masaki has blown up, to mural size. You're forced to encounter the people that were reflected in the eyes of the subjects that Lange photographed.    [00:39:45] Miko Lee: Thank you, and I know that in the collection, you've had these Dorothea photos for a long time, right, in the Oakland Museum's—   [00:39:53] Carin Adams: Yeah. The Oakland Museum is the holder of the Dorothea Lange archive, including some of her images of the incarceration. The Bancroft Library also has extensive holdings of her work and material , related to this history. And of course, Masaki did lots of research in the National Archive and Library of Congress.   [00:40:16] Miko Lee: Masaki, I know this is the second version of the show since you have opened it first at JAMM and at UC, with UCLA. Yeah. What was it like for you to recreate it for the Oakland Museum? How has that experience been?   [00:40:30] Masaki Fujihata: I'm very, very lucky to find OMCA. Mm-hmm. We started to think about the production in OMCA. I made a research through, of course Dorothy Lang's photography. Then there is a number of the street, 1117 Oak Street is the place where people apply their address and family name. The Civil Control Station is that address. I was very surprised because this is a street in front of the museum, and actually the other side of the street was the Civil Control Station where the bus came in. So this is exact place I really wanted to put my augmented reality models. So I was very shocked because I never think about the museum is a real place.   [00:41:24] Miko Lee: So it's truly a place-based piece of art because that is the history coming alive in that very spot.    [00:41:31] Masaki Fujihata: Yes. Yeah. So, all the projects start from the realization of augmented reality.    [00:41:39] Miko Lee: Mm-hmm.    [00:41:40] Masaki Fujihata: So augmented reality is a kind of tech term, but augmentation is adding some information rather than the first wa- surface or rather than the display. In this case, we are putting the happenings in the 1942 in present, and then try to make a contrast between now and the past. The exhibition inside the gallery is showing a kind of process of the research to make this augmented reality piece because for making the 3D model data, we invite many volunteers into a special studio. I have to direct them. I have to prepare some scenario for them. In some cases, you are the university students. Coincidentally, you met the professor, while waiting for the bus. This is a fiction I made. When I need to make a scenario, I really need a research what is possible, what is not possible. So then the photography help me a lot to make a small scenario.    [00:43:01] Miko Lee: How many volunteers worked with you on this?    [00:43:04] Masaki Fujihata: I think totally 64 volunteers.    [00:43:08] Miko Lee: Wow. That is amazing.    [00:43:10] Masaki Fujihata: Each one was asked to walking towards the point where the bus would come, and then the second part is waiting, and then the third part is just lining up for the bus. So there is three different scenario. Then each person appears three times. Then totally you will see nearly 200 people.    [00:43:37] Miko Lee: Wow. And I understand that you use, in order to utilize the AR, you use cameras that kind of replicate those used during the incarceration, and I'm wondering what made you decide to choose that?   [00:43:53] Masaki Fujihata: So I try to know the core idea of each technology, because the technology is usually used for capitalism. My manifest is liberate technology from capitalism. So technology has another dimension, not only for serving for the capitalism to make money for your life more rational, but the technology also can give you a chance, who are you? What is life? What is the world? So I really want to use the technology another dimension of the technology usually used by the companies, and capitalism. In this case, this project is really good because very nice photography was left in the archive. But imagine in the 1942, photography was a high technology. Very few technicians or rich people could have the camera. Now so popular everybody has a camera inside their mobile phone, but it was high tech. And now augmented reality is somehow popular technology, but no one didn't use the AR technology to think about what we are doing as an art. So I wanted to use augmented reality to, to think about what is our life    [00:45:32] Miko Lee: Ooh, that is so interesting. I really appreciate that. And I'm wondering because you've seen audiences go through the first exhibit, I'm wondering if anything surprised you by audiences that have seen it and what, what you'd like people to walk away with after going to your installation.    [00:45:51] Masaki Fujihata: I was really surprised because this was my first case the audience had a tear. So after they saw the augmented reality, some of the person said, “Masaki,” I suppose, she suppose that, “Perhaps my grandfather was here.” Could feel the same impression or imagine, she could imagine what had happened on her grandfather So it's a bit like a cinema, but there is no written story, so each person can explore the images through a tablet. But, uh, maybe five minutes later, uh, the user will feel inside the scene. So In another words, I can say you are going to feel you are inside a cinema studio. You will be captured by the camera. And also another, okay, another interesting aspect because, I could develop this project because the photographs were left made by Dorothy and other people, uh, professional documentary photographer made these photography. So photography was left. And then, um, while you are using iPad in the entrance plaza of, Oakland Museum, you will see many Japanese people wearing the costume and, waiting for the bus. But now you are the cameraman. You believe you are seeing what had happened through the display, but, imagine for them inside the image were looked by you. So this is the viewer you are going to see, but also from them, from the object, you are the cameraman.   [00:48:04] Miko Lee: So you want people to feel both sides, both being the watcher but also in it—   [00:48:09] Masaki Fujihata: Yeah.   [00:48:10] Miko Lee: Immersed in the experience.    [00:48:11] Masaki Fujihata: Yeah, hunter.    [00:48:13] Miko Lee: Mm.    [00:48:13] Masaki Fujihata: Image hunter, yeah.    [00:48:15] Miko Lee: Image hunter, mm. I, I feel like you're saying utilizing technology as a tool for your emotions as opposed to a capitalistic gain. I'm wondering if you're working with AI at all, and your thoughts about it. Because you've really been on the forefront of so much multimedia since the '80s and I'm just wondering now people are just talking about AI and the impact of artists  and I wonder what your thoughts are about that.   [00:48:39] Masaki Fujihata: I, I think, uh, it's too early to, uh, work with AI as an artist because, uh, e- even the developer of, uh, AI didn't know what happened inside, so it's a black- totally black box. So that's interesting part of AI. Uh, maybe you know some, some story about this. Very recently, uh, the AI ju- just hack the connection, then they escape from the inside the laboratory to go outside the internet. So this could happen. Uh, that's why, because a human couldn't imagine. So the AI doing something different, and it's really a black box. Then, uh, that's interesting point. If I can be inside the development company as an artist, I can make something interesting hacking software, but it's a huge business, and, uh, I think this is not the moment for the artist. And also, as you know, all the data inside the AI is, uh, happenings in the past.    [00:50:02] Miko Lee: Right.    [00:50:04] Masaki Fujihata: And then, right, the present is important for the humans. What is the role of the artist? There is some, uh, sentence, artist is the person who is creating something new which has not exist before. so, uh, we are not AI, so w-we have to know who, what we should do in contrast to AI is the important moment    [00:50:37] Miko Lee: Thank you so much. I wonder if you would want to just reflect briefly on how this, this piece that you're presenting at Oakland Museum is very resonant right now in America because of the current politics of incarceration of peoples and you know, we're at the same, at the exact same concentration camps where Japanese Americans were held. Immigrants are being detained and put there right now. I'm wondering how this piece speaks to the moment that we're living in in the United States right now.   [00:51:13] Masaki Fujihata: Um, please do not make more mistakes that American government did before in 1942. So Our project can be a kind of reference what the American government did after the Pearl Harbor.    [00:51:39] Carin Adams: Masaki, would you wanna talk a little bit about the new piece that you're making?    [00:51:45] Masaki Fujihata: Oh, I see, I see. I think- That's a good idea. I, I totally forgot. Yeah. Thank you, Carin. Because I proposed to Carin and museum about to make a new piece. The idea is about, uh, the poster. The, that they… So the, in Okura case, maybe, uh, to l- late April in 1942, the poster paste on anywhere, everywhere inside the town, and talking about the, at the certain day, you cannot be stay here. You will be criminal. So, so this is the s- starting point. Then they need to come to the civil control station to sign up, and then one week later, the bus came in, then they need to go to the camp. Then the poster is now very famous, but, uh, usually, people didn't read it Then I, I asked to, collect volunteers to ask read this text on the poster, uh, several different locations inside the Oakland. So when you see the final result, the view of the people reading the text aloud is very peaceful, very bright, California sunshine and there is a lake behind and sometimes, you know, the buses came and stop and go there. So this is very peaceful, but the content is very strong- strongly contrast- co- contrasted. So it's a command from the government. I really wanted to, to make this contrast through this new production. So you, you will see three vertical monitors, and, 25 different group of people. I think there was nearly 45 people helped me to realize this   [00:54:02] Miko Lee: What is it you hope to evoke by adding this new piece of the relocation poster?   [00:54:08] Masaki Fujihata: I really wanted to involve some of the young generation and family and also, known Japanese American people. So all of these people, of course, have some fear against the, this moment, and then try to, uh, send messages. So they helped me to realize this.   [00:54:39] Carin Adams: The video is really going to provide the soundtrack for the exhibition. There is no sound in any of the other film elements or in the AR other than what visitors bring in conversation into the space. But they'll be able to hear the local volunteers that Masaki assembled reading the exclusion order text and we're expecting that to be very profound- impactful. And yes, some of the people who volunteered for this new video element were incarcerated themselves, others are descendants, and then there are just people who are representing different immigrant experiences who wanted to participate. So it's a very local production, and it really cites us in the present moment with this really chilling text from the past.    [00:55:33] Miko Lee: Thank you so much for joining me and chatting with me about the exhibit BeHere / 1942. I'm really excited to check it out, and I hope our audience gets a chance to go and see it all the way through the end of December at Oakland Museum.   [00:55:48] Carin Adams: Thank you so much for having us.    [00:55:50] Miko Lee: Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.   The post APEX Express – 9.3.26 – Beneath the Surface with Margaret Cho & Masaki Fujihata appeared first on KPFA.

Detectives Lenny Briscoe and Ed Green investigate the murder of a career criminal in a parking lot. While Ronny Buck's death could have been a mob hit, it has the hallmarks of an amateur shooting. The detectives learn Buck was running a cleaning scam to rob businesses. One heist is connected to the unsolved murder of an electronics store owner. Briscoe and Green discover connections between Buck and the victim's wealthy widow, Lorraine Corbin.  ADA Serena Southerlyn learns Lorraine's daughter lied about her mother's alibi and that an unidentified woman paid Buck to have the store owner killed. Interim District Attorney Nora Lewin wants to try Lorraine for both murders, but the judge will only allow one at a time. As EADA Jack McCoy corners the defendant on the stand, she confesses instead to covering up her daughter's involvement in the shooting. But a boatload of trouble between mother and daughter is revealed. We're talking about Law & Order season 12 episode 3 "For Love or Money." Our returning guest is Grishaverse creator, author of Shadow and Bone, Six of Crows, Ninth House, and the upcoming Dead Beat, Leigh Bardugo. This episode takes some cues from the 1982 case of Werner Hartmann For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Under This 1st Hour With Rita, Spotlighting President Trump's Recent Speech in Nassau County, Where He Voice Deeply That New York Should Increase Stricker Protections Towards Law Enforcement and That Their Should Be a Death Penalty for Those Who Kill Police Officers. Rita Then Dives Deep on Michigan Senate Candidate Abdul El-Sayed Background and His Sister Recent Run In  the News. Plus Honoring a Officer Saving a Choking Child and More !!!

Under This 1st Hour With Rita, Spotlighting President Trump's Recent Speech in Nassau County, Where He Voice Deeply That New York Should Increase Stricker Protections Towards Law Enforcement and That Their Should Be a Death Penalty for Those Who Kill Police Officers. Rita Then Dives Deep on Michigan Senate Candidate Abdul El-Sayed Background and His Sister Recent Run In  the News. Plus Honoring a Officer Saving a Choking Child and More !!!

Detectives Briscoe and Green investigate the murder of a teen discovered in an alley. Knife marks on her breast match those from an unsolved case five years earlier. The trail leads Lenny and Ed to creepy cabbie Mark Bruner, who they suspect is also behind the disappearance of more than a dozen other girls.  Bruner's defense attorney tells EADA Jack McCoy she's so afraid of him she wants off the case. His ambitious new lawyer, Tim Schwimmer, rubs ADA Serena Southerlyn the wrong way. The serial killer reveals his attorney knows where his other victims are - because he went to the location where he's stashed them. Schwimmer refuses to break confidentiality rules and tell the families of those missing where the bodies are. To put pressure on him to say what he knows, McCoy charges the lawyer as an accomplice to murder. We're talking about Law & Order season 14 episode 1 "Bodies." Our guest is Sarah Carradine from the "Crime Seen" podcast. This episode is inspired by the so-called "Buried Bodies Case" from 1973. For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

08-05-26Deuteronomy 21Pastor: Greg Hill

Greg Kelly honors his mother's birthday and her multifaceted career. He also argues that law enforcement force is legally sanctioned and necessary, expressing frustration over the public's tendency to record and scrutinize police officers during physical confrontations. He also dismisses the ongoing Jeffrey Epstein investigations as a "money grab" and a political hoax intended to damage Donald Trump's reputation.

SCHEDULE THE JOHN BATCHELOCR SHOW, 6-24-2026MEXICO CITYThe Imprisonment of Jimmy Lai and the Future of Hong Kong. Guest: Mark Clifford and Gordon Chang. Jimmy Lai has spent over 2,000 days in prison, becoming a symbol of resistance against the Chinese Communist Party. His fate mirrors that of Hong Kong, which is transforming into a national security state where surveillance and espionage extend to international cities like London. 1US Navy Control and the Opening of the Strait of Hormuz. Guest: Rebecca Grant and Gordon Chang. Despite Iranian claims of closure, the US Navy maintains tactical control over the Strait of Hormuz, ensuring sea lanes remain open for international shipping. Advanced mine-clearing technology and persistent patrols have neutralized threats, though economic signals like the Jones Act waiver remain points of discussion. 2Canadian Public Opinion on the Chinese Threat and US Trade. Guest: Charles Burton and Gordon Chang. A majority of Canadians perceive China as a threat following revelations of election interference and malign influence operations. Meanwhile, concerns grow regarding the reliability of the United States as a partner under the Trumpadministration and the potential abrogation of the USMCA trade agreement. 3Strengthening Defense Ties Between the Philippines and Canada. Guest: Charles Burton and Gordon Chang.Canada is deepening security cooperation with the Philippines to counter Chinese expansionism in the South China Sea. This partnership includes logistical agreements and military training, even as Canada faces challenges protecting its own Arctic sovereignty against increasing Russian and Chinese strategic reach in the North. 4Ukrainian Drone Attacks Cripple Russian Oil Infrastructure. Guest: Michael Bernstam. Cheap Ukrainian drones have successfully targeted Russian refineries and fuel transport, causing significant shortages of gasoline, diesel, and aviation fuel. This technological warfare has forced Russia to ban exports and implement rationing, as traditional air defense systems struggle to counter swarms of small, maneuverable drones. 5Declining Russian Oil Production and the Shadow Fleet. Guest: Michael Bernstam. Russian oil production is falling due to aging fields and a lack of investment, failing to meet OPEC quotas. While Russia utilizes a "shadow fleet" to bypass sanctions, it must offer steep discounts to India and China as Brent crude prices decline and fiscal pressures mount. 6European Heatwave, Commodity Prices, and UK Political Shifts. Guest: Simon Constable. A "Godzilla El Niño" has triggered record-breaking heatwaves across Europe, impacting energy demand and agriculture. Amid falling Brent crude prices, attention shifts to UK politics, where the potential rise of Andy Burnham within the Labour Party signals a move toward higher taxes and increased government spending. 7The Infrastructure and Economic Impact of Data Centers. Guest: Simon Constable. Data centers have become essential infrastructure for AI development, consuming vast amounts of water and electricity. While they provide significant tax revenue for localities, particularly in states like Virginia and Texas, their construction often faces local opposition due to their immense resource requirements and costs. 8Colombia's Presidential Shift Toward Security and Law and Order. Guest: Evan Ellis. Abelardo de la Espriellaappears to have won the Colombian presidency, promising a crackdown on insecurity and organized crime modeled after El Salvador's policies. His victory signals a likely return to strong security cooperation with the United States and a departure from the policies of Gustavo Petro. 9Keiko Fujimori and the Return of the Fujimori Dynasty. Guest: Evan Ellis. Keiko Fujimori has likely secured the Peruvian presidency, narrowly defeating her socialist opponent through overseas votes. 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While Mexicoattempts to appease the US through high-level investigations into cartel-linked officials, the Sheinbaum government remains hesitant to fully confront powerful political figures within its own party. 12Pope Leo XIV's Warning on Artificial Intelligence. Guest: Peter Berkowitz. In a 43,000-word encyclical, Pope Leo XIV warns that artificial intelligence risks dehumanizing society and excluding God from the human experience. While acknowledging technological benefits, the Pope emphasizes the danger of treating humans as mere means and the erosion of authentic human relationships in favor of machines. 13AI in Education and the Necessity of Liberal Learning. Guest: Peter Berkowitz. The rise of AI in academia tempts students to bypass the essential struggle of thinking, leading to intellectual atrophy. Educators argue that liberal education is now more vital than ever to help students cultivate a flourishing mind and recognize the limitations of technological shortcuts. 14Private Innovation and Infrastructure Challenges in Space. Guest: Bob Zimmerman. SpaceX successfully defeated legal challenges in Texas while NASA's aging infrastructure faces funding gaps and restrictive laws. Meanwhile, private startups like Catalyst are attempting robotic satellite rescues, signaling a shift toward a capitalist model in space operations as government agencies struggle with delays and inefficiencies. 15New Discoveries in Planetary Science and Cosmology. Guest: Bob Zimmerman. The Lucy probe's flyby of asteroid Donaldjohanson revealed a "tumbling peanut" shape, providing insights into its 155-million-year history. Additionally, observations of asymmetric radio galaxies highlight galactic movement through the intergalactic medium, while debates continue among cosmologists regarding the existence and properties of dark energy. 16One correction folded in: Labour Party (UK spelling) in file 7. I also expanded the file 9 headline's "Law Order" to "Law and Order" — flag if you wanted it left verbatim.

Temperatures near 100 degrees up and down the East Coast, with record heat expected to continue through the weekend. Plus, “Top Gun: Maverick,” “Law & Order” and “Jumanji” actor James Handy is found stabbed to death in his Los Angeles home as new details emerge about the suspect. Elmo sparks a wave of reactions from Knicks fans after a “controversial” social media post. TODAY gets a behind-the-scenes look at the time capsule being created in honor of America's 250th anniversary, set to be opened in 2276 — plus, an opportunity to contribute an item for safekeeping. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Detectives Briscoe and Logan look into a lover's lane murder and hope to identify a bespeckled suspect from a parking ticket. But their investigation is interrupted when they come across a man who just had his penis cut off by his jealous wife (who happens to clock Logan with a frying pan). Briscoe wants to get out on time to see the Knicks, but Van Buren assigns them to a fatal stick-up. When the gunman in the robbery also turns up dead, they arrest a guy who threatens them with a burrito. Meanwhile, Lenny and Mike think the man with thick-glasses is the lover's lane shooter. By the time they realize he's got a solid alibi, he's shanked at Rikers.  And why was there an entire episode that only followed the police? Because Michael Moriarty had...issues. We're talking about the classic, format-breaking Law & Order season 4 episode 17 "Mayhem." Our guest from our January 13, 2021 episode is Erin Fox. One of the many cases which inspired this episode includes that of Lorena Bobbitt.   New episodes of These Are Their Stories will return July 8! For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

My newsletter: https://simonowens.substack.com/   For years, Hollywood writer Aaron Tracy built his career inside the traditional television system, writing for shows like Law & Order and navigating the endless cycle of pilots, canceled series, and development purgatory that defines much of the TV business. But over the last several years, Tracy has quietly carved out a very different kind of entertainment career: producing serialized audio dramas for platforms like Audible and iHeart. Along the way, he's worked with everyone from Aaron Paul to Lizzy Caplan to Glenn Powell, helping pioneer a form of storytelling that sits somewhere between television, audiobooks, and podcasting. In a recent interview, Tracy explained why audio dramas offer writers far more creative freedom than television, how he packages and sells narrative shows to platforms like Audible and iHeart, and the surprisingly lean production process behind large-scale audio series.  

We discuss racial dog whistling in political ads and talking points. we highlight the "Law & Order' ad campaign of Richard Nixon and 'The Southern Strategy' as per Political Strategist 'The Boogie Man" aka Lee Atwater. #lawandorder #richardnixon #thesouthernstrategy #leeatwater #dogwhistle #racism #producejustice #thecodeistheleader #fba

On this week's show we do our annual Broadcast Network TV Renewals and Cancellations and also read your emails and look at the week's news. News: Fubo Lost Over 500,000 Subscribers in North America In The 2nd Quarter of 2026 AMC Theatres Partners With Arena One For Live Music Concert Streaming Other: Amazon.com: Panasonic Z8 Series (2025) 77-inch OLED 4K Ultra HD Smart Fire TV, Dolby Vision IQ, HDR10+ Adaptive, 144Hz Refresh Rate, Hands-Free Alexa 77Z8BAP Broadcast Network Renewals and Cancellations for the Next TV Season It's that time of year where we look at the fate of broadcast network TV Shows. The following list is based on the latest available info.  Note that The CW has largely shifted away from original scripted programming. ABC Strong stability for its drama and comedy slate. Renewed: 9-1-1 (S10), 9-1-1: Nashville (S2), Abbott Elementary (S6), Grey's Anatomy (S23), High Potential (S3), The Rookie (S9), Scrubs (revival, S2/overall S11), Shifting Gears (S3), Will Trent (S5). On the bubble: R.J. Decker (could go either way). Canceled/ending: Limited recent cancellations reported; some unscripted like The Bachelorette faced issues. CBS Very proactive with early renewals for its procedural-heavy lineup. Several new or recent shows got quick pickups. Renewed: Boston Blue (S2), CIA (S2), Elsbeth, FBI, Fire Country, Georgie & Mandy's First Marriage, Ghosts, Marshals (S2), Matlock, NCIS (S24), NCIS: Origins (S3), NCIS: Sydney, Sheriff Country (S2), Tracker  (S4), The Amazing Race, Survivor. Canceled/ending: DMV (after S1), Watson (after S2), TThe Neighborhood (final season, ending after S8). FOX Focus on animated comedies and a few live-action holds; some cancellations in the animated space. Renewed: American Dad! (through 2028-29), Animal Control (S5), Best Medicine  (S2), Bob's Burgers (through 2028-29), Doc (S3), Family Guy (through 2028-29), Krapopolis (through 2027-28), Memory of a Killer (S2), The Simpsons (through 2028-29), Universal Basic Guys, Grimsburg  (S3). Canceled/ending: The Great North, Going Dutch. On the bubble: Murder in a Small Town (safe bet). NBC The Chicago franchise remains rock-solid; some newer shows didn't make it. Renewed: Chicago Fire, Chicago Med, Chicago P.D., Happy's Place (S3), St. Denis Medical (S3),  Law & Order: SVU (S28), The Fall and Rise of Reggie Dinkins (S2). Canceled/ending: Brilliant Minds, Stumble. On the bubble: Law & Order (safe bet), The Hunting Party (long-shot). The CW Mostly wrapping up remaining originals. Ending: All American (S8 is final season). Canceled: Good Cop/Bad Cop (after S1). The network has minimized homegrown scripted shows in recent years.

Sole Material gives a Clarity Over Popularity hot take on the pending lawsuit in the case of adidas vs sneaker blogger, Sole Retriever.  

Briscoe and Green investigate a skeleton with a diamond ring on her right hand and her left one missing. The detectives are shocked to learn it's Kelly Sommers, whose left hand and purse were discovered years earlier at Ground Zero. The detectives trace the ring to a Senator's son who'd been having an affair with Kelly. Lenny and Ed learn Bradley Hagen took his mistress to dinner on the night of September 10th. McCoy prosecutes the son of Branch's biggest campaign contributor. Kelly's fiancé identifies the handbag she took to work on September 11th, but Southerlyn realizes it's a night-on-the-town bag and not a go-to-work bag. They realize it was the fiancé who killed Kelly, left her hand at the World Trade Center, and collected a fortune in 9/11 reparations.   We're talking about Law & Order season 13 episode 5 "The Ring." Our guest from our July 29, 2020 episode is the author of the Shadow and Bone and Six of Crows series Leigh Bardugo. The episode is based on the ripped-from-the-headlines story of Sneha Anne Philip.   New episodes of These Are Their Stories will return July 8! For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Oscar-nominated actor June Squibb joins Steve Kmetko on Still Here Hollywood for a funny, honest, and deeply inspiring conversation about longevity, craft, and what it really means to keep working at the highest level in your 90s.   June looks back on her early days in theater, including working with the legendary Ethel Merman in Gypsy, learning Broadway discipline, and why she always knew, even as a child, that acting was not just something she wanted to do, it was who she was. She also talks about Law & Order, Nebraska, Thelma, Marjorie Prime, Yellowjackets, and what it feels like to still be headlining films when most people have long stepped away from the spotlight.   The conversation also explores aging in Hollywood, how Scarlett Johansson directed her in Eleanor the Great, what made Jack Nicholson such a generous scene partner, why realism matters so much in her work, and how Nebraska changed the way the industry saw her. June also shares her thoughts on inspiration, criticism, ambition, and the simple wisdom she would send back to her 35-year-old self.   If you love great actors, great stories, and proof that a second act can turn into seven acts, this episode is for you.   Support the show and get early access and extras at patreon.com/stillherehollywood     00:01 Intro: June Squibb and a breakout decades in the making 00:37 Why some people still call her Miss Squibb 01:06 Working with Ethel Merman in Gypsy 02:57 Learning to bump and grind on stage 03:37 Knowing she was an actor from the very beginning 04:18 If she had done anything else, it might have been forensics 04:46 Law & Order memories and Jerry Orbach 05:28 Broadway discipline and arriving early to the theater 06:20 Her backstage ritual before curtain 07:17 How June prepares for a role 08:04 Seven decades of acting, and still going strong 08:29 What she looks for in a script now 09:18 Aging in Hollywood and what audiences want to see 10:32 Why older stories matter more than ever 10:53 What has not changed in Hollywood 11:45 How age changes the roles she gets 12:37 Scarlett Johansson, Eleanor the Great, and using the cane 13:19 Working with Scarlett as a director 14:19 Oscar night for Nebraska and sharing it with her son 16:22 Patreon break 17:20 Nebraska cemetery scene and that unforgettable moment 18:16 Why she never thought “why did this take so long?” 18:57 How Nebraska changed the way she saw herself 20:00 Thelma, action comedy, and strength at any age 21:11 The best thing about her life right now 21:48 What roles she still wants to play 22:51 What quality makes people want to work with her 23:56 What performance of hers she recommends people watch 24:49 In & Out, comedy, and Frank Oz 25:19 Working with Woody Allen on Alice 26:15 Can you separate art from artist? 27:25 Who made a big impression on her, Jack Nicholson 28:20 Fame, recognition, and being known for the work 28:31 Marrying her acting teacher 29:07 What makes a director great for actors 30:17 Was she ever typecast? Yes, as a bimbo 31:17 Roles that felt too familiar 31:47 Supporting player vs leading lady 32:26 Seeing her younger self on screen 32:48 How old she feels now, 35 33:16 Does she watch her own performances? 33:44 The one truth that shaped her whole life 34:09 Her secret to looking good and feeling healthy 35:13 Being called inspiring, and that word “icon” 36:09 A June Squibb documentary may be coming 36:44 What she hopes people say about her work 36:59 Still hoping to work with Robert De Niro 37:30 At 96, does she think about mortality? 38:05 What she would tell her 35-year-old self 39:17 Closing thoughts and wrap-up Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian Sanyshyn https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What does it really take to start over… and rebuild your life from nothing?   In this powerful episode of the Sisterhood of S.W.E.A.T., Linda Mitchell sits down with actress, singer, and storyteller Jill Hennessy to talk about her role in the highly anticipated Hallmark prequel Hope Valley: 1874.   Best known for her iconic roles in Law & Order and Crossing Jordan, Jill now steps into the role of Hattie Quinn—a strong, resilient woman helping build a frontier town from the ground up.   This episode dives into: Starting over and reinventing yourself The power of female friendship and community Strength forged through adversity Behind-the-scenes of Hope Valley: 1874 Balancing creativity through acting and music If you've ever faced a season where you had to rebuild your life… this episode is for you. Hope Valley: 1874 is now streaming on Hallmark+, with new episodes every Thursday. Don't forget to LIKE, COMMENT, and SUBSCRIBE for more inspiring conversations!

This week Jeremy and Reid discuss Reid's Viennese adventures. Topics include the breaking the rules, getting yelled at, Opera and After Hours.◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ WEBSITE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YOUTUBE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠◦⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠INSTAGRAM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ SUPPORT:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨VIA VENMO!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠✨ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠➩ REID⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JEREMY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JACK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠◠

Mike dives into the growing divide over immigration, law enforcement, and public safety, calling out what he sees as a dangerous shift in priorities as Democrats criticize ICE, resist funding key security agencies, and defend policies that he argues put Americans at risk. As chaos at airports is eased by ICE presence and violent crime stories raise concerns, he questions why political narratives seem to outweigh common sense enforcement, highlighting controversial remarks from leaders like Chris Murphy and asking listeners to consider whether the focus has moved away from protecting citizens toward something else entirely. American Independence Gold: Register for a FREE Gold Bar Giveaway , FREE Investor Guide by calling 888-670-7011 or go to MikeGallagherGold.com to fill out the registration form.See omnystudio.com/listener for privacy information.

As artificial intelligence systems become more powerful, what crimes should we prepare for it to commit? Can the law keep up with code? And when A.I. is misused, who's actually responsible?Today on The Bunker, Kate Devlin is joined by Dr Federica Fedorczyk, Research Fellow at University of Oxford and an A.I. ethics specialist, to unpack how artificial intelligence is already challenging the criminal justice system and what happens when the law struggles to keep pace.www.patreon.com/bunkercast Written and presented by Kate Devlin. Producer: Liam Tait. Production Assistant: Jake Preston. Audio production: Robin Leeburn. Music by Kenny Dickinson. Artwork by James Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production.www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Detectives Lenny Briscoe and Ed Green track down a young family that skipped town, leaving behind a bloody crib. Each parent claims the other fled with the baby. When the detectives find the infant's body buried in a backyard, Dr. Rogers determines he starved to death. A lactation specialist tells ADA Abbie Carmichael the mom refused to breastfeed, so EADA Jack McCoy assigns Carmichael to go solo and prosecute the mother for manslaughter. The defense argues the child starved because the father refused to help and the specialist pressured her to not use formula. Carmichael counters that if a woman chooses to have a baby, she must take responsibility for that child. We're talking about Law & Order season 10 episode 12 "Mother's Milk." Our guest is Thaddeus Danquah from the "Happy Media" podcast. This episode takes some inspiration from the 1999 case of Tabitha Walrond.     For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Colleen Foy is back on Inside The Crazy Ant Farm with Dustin for a deep dive into her whirlwind career since her last visit! From her standout work on the Law & Order/Law & Order: SVU crossover, The Hunting Party, and The Lincoln Lawyer, to stepping behind the camera as the acting coach for Netflix's XO, Kitty, Colleen shares the inside scoop on life in Hollywood today.They break down the art of auditioning in an ever-changing industry; how lighting, setting, and mindset can make or break a self-tape, and what actors should never do when going for a role. Colleen opens up about inhabiting characters far removed from herself, including dark, villainous roles, and reveals the types of parts she's still chasing, like that perfect romantic comedy lead.Packed with career insights, storytelling, and unfiltered Hollywood talk, this episode is a masterclass in craft, ambition, and fearless acting.Follow Colleen Here:Instagram: https://www.instagram.com/colleenfoy?igsh=Y2lsYjczc2h0bnIyTikTok: https://www.tiktok.com/@thecolleenfoy?_r=1&_t=ZT-93vAUS7tOObThreads: https://www.threads.com/@colleenfoyFollow Us Here:Website: https://crazyantmedia.comMerchandise: https://crazyantmedia.com/crazy-ant-merchandiseOur first film, Deadlines: https://crazyantmedia.com/deadlinesPodcasts:ITCAFpodcast:Apple Podcast: https://podcasts.apple.com/us/podcast/itcafpodcast/id1644145531Spotify: https://open.spotify.com/show/1tf6L0e7vO9xnVtWaip67s?si=tYPrIVr_R36qpYns4qeZ8gEverything's Okay Podcast:Apple Podcast: https://podcasts.apple.com/us/podcast/everythings-okay/id1664547993Spotify: https://open.spotify.com/show/0uMm80MW4K50f8uURgVUYp?si=9mF7mwf_Qe-ZDqKBhEovMgSocial Media:ITCAFpodcastTwitter: https://twitter.com/itcafpodcast?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/itcafpodcast?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQ7hHn/Everything's OkayTwitter: https://twitter.com/everythingsokp?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/everythingsokp?igshid=YmMyMTA2M2Y=Crazy Ant MediaTwitter: https://twitter.com/crazyantmedia?s=21&t=q0HdFq3CPkXBzVYHYdJW6wInstagram: https://instagram.com/crazyantmedia?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/t/ZTRLQP1c1/Logan Twitter: https://twitter.com/jloganaustin?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/jloganaustin?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@j.loganaustin?_t=8ZMB9Hp1yxf&_r=1Dustin Twitter: https://twitter.com/crazyantceo?s=21&t=ckQqBvyxz3lYqKHLrI6peAInstagram: https://instagram.com/crazyantceo?igshid=YmMyMTA2M2Y=Tiktok: https://www.tiktok.com/@crazyantceo?_t=8ZMB84k7BUM&_r=1

Sharai and Sarah Stubbs are planning to grab a lobster roll after watching The Andy Baker Tape.Artwork created by Bri Tippetts. Check out her work at @britippettsart.Music Credits: Composed/Produced by LaRob K. Rafael. LaRob K. Rafael, piano/vocals, Jackson Kidder, bass, and Tiana Sorenson, vocals.Want More Time On Fierce Street? Then check out the links below!Follow all of our social media at ⁠⁠⁠https://allmylinks.com/anightmareonfiercestreet⁠⁠⁠ Subscribe to our Patreon for exclusive content and merchandise at ⁠⁠⁠https://www.patreon.com/anightmarefierceonfiercestreet

From church disruptions to alleged CCP connections in U.S. protests, this week's show dives deep into dual justice, federal fraud, and political intrigue. Plus, get the latest weekend winter storm forecast with meteorologist Kara Foster!

From explosive church invasions to dual justice debates, CCP-backed protests, fraud investigations, and the Russia collusion hoax, we cover all the stories shaping America today. Plus, get your weekend winter forecast with meteorologist Kara Foster!

Josh Hammer analyzes the Trump administration’s immigration enforcement strategy through the role of Tom Homan, including the arrest of Don Lemon, before turning to the cultural fascination surrounding Luigi Mangione and what it reveals about America’s growing confusion over justice and the death penalty. Rabbi Pinchas Taylor then joins to discuss the week’s Torah portion and the importance of Jewish-Christian bridge-building, and Josh closes with an encouraging reflection from a Young America’s Foundation event in Florida, offering a rare white-pill moment about the next generation.See omnystudio.com/listener for privacy information.

Marc kicks off the morning with a fiery deep dive into the Kirkwood Tesla vandalism case—calling out local media for ignoring a politically charged story that went viral. He follows with exclusive courtroom details and a tense confrontation with the suspect, exposing the weakness of accountability in local journalism. Kim St. Onge's “Kim on a Whim” then turns to Sweden's youth gang crisis and America's soft-on-crime culture, while the hour wraps with Marc torching media manipulation over Trump's Minnesota strategy and ICE coverage. A full hour of sharp commentary, real reporting, and no-nonsense truth. Hashtags: #TeslaVandalism #MediaBias #Accountability #KimOnAWhim #LawAndOrder #FakeNews #MarcCoxMorningShow

This is a big, huge, revealing talk with Chris Noth. Chris is an actor. He played Detective Mike Logan on Law & Order and Law & Order: Criminal Intent, Peter Florrick on The Good Wife, and William Bishop on The Equalizer. He was nominated for Golden Globe awards for Sex and the City and for The Good Wife. He's best known as Mr. Big in the HBO series Sex and the City, the Sex and the City movies that came later, and (spoiler alert) one episode of the follow-up series And Just Like That. Mr. Big, of course, was the, well, let's just call him the somewhat unattainable love interest of the main character, Carrie Bradshaw, played by Sarah Jessica Parker. In case you're not aware, there's been a lot of, I guess we can call it, drama, surrounding Sex & the City. There have been rumors of tension between SJP and Kim Cattrall, who played Samantha, and there's been a bunch of criticism surrounding some of the characters and plotlines in the original series and the reboot, And Just Like That. But the biggest drama is surrounding Chris Noth. In 2021, there were several sexual assault allegations against Chris published in THR and The Daily Beast. He was never criminally charged and said at the time that it wasn't true, but there was an immediate impact. He was written off The Equalizer, for starters. Soon after, Sarah Jessica Parker and her SATC castmates, Cynthia Nixon and Kristin Davis, put out a public statement about the situation. I read it to you so you know exactly what we're talking about when Chris and I get into this. OK, so. After that, his lawyers told him to not say anything. So he stopped talking publicly. Behind the scenes, a lot more was going on. And you're about to hear about all of it. Watch Chris Noth and Kara on the Really Famous YouTube channel  ➤   https://www.youtube.com/reallyfamous  Let's talk about this on social media ➤   Instagram | @karamayerrobinson TikTok | @karamayerrobinson Facebook | facebook.com/karamayerrobinson/ Subscribe to Really Famous on YouTube  ➤ https://www.youtube.com/channel/UCbR3_S40FqVaWfKhYOTneSQ Therapy + coaching with Kara ➤ https://really-famous.com/therapy-sessions Learn more ➤ https://really-famous.com/   Share your thoughts ➤ mailto:reallyfamouspodcast@gmail.com Dan Ramm's book, Long Branch ➤ https://danrammbooks.com/  Celebrity interview by Kara Mayer Robinson

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

What did Biden-era money buy in Iran? According to human rights groups and the exiled Crown Prince, the answer is chilling: 12,000 dead. ☠️ In this episode, Tara exposes the near-total silence from the UN and mainstream media as graphic footage spreads uncensored on X. From collapsing Iranian banks and enforced sanctions to assassination plots, ghost fleets, and the unraveling of Democrat narratives at home, this episode connects the dots between foreign policy, national security, and information warfare. ⚠️

A deadly ICE confrontation, political vigilantism in Minnesota, and a tragic Metro bus shooting in Houston set the stage for a raw look at law enforcement, immigration chaos, and media narratives. Michael breaks down the escalating tension between federal agents and activist‑fueled confrontations, then sits with Senate candidate Wesley Hunt for a candid conversation on border security, public safety, and the cultural battles shaping America.See omnystudio.com/listener for privacy information.

Lionel leads a discussion sharing his perspective as a seasoned defense attorney. Lionel dismantles mainstream narratives surrounding high-profile cases like the George Floyd trial, explores the "18-karat lunacy" of local politicians, and questions the definitions of domestic terrorism. From the death of heritage news media to the melodramatic flair of sign language interpreters, Lionel offers a raw, skeptical look at the headlines that define our world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Boom. All January we're talking Denzel Washington movies and we're starting with Training Day! We discuss dad movies, the tripping scene, when black and white becomes gray and why Denzel gives one of the best performances as the devil himself. Also: Chocolate cake recipes! Law & Order! Terry Crews! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

After a health insurance executive is gunned down on the sidewalk by a vigilante, Det. Vincent Riley chases the suspect all over Manhattan. Lt. Jessica Brady discovers, not only are citizens unwilling to help them find the fugitive, people start dressing like him to disrupt their manhunt. ADA Samantha Maroun says Ethan Weller targeted OptiShield's CEO because the company denied his late mother's claim for an experimental drug. DA Nicholas Baxter worries the jury will not convict a defendant who's gained folk hero status for killing a man who represents the worst kind of corporate greed. EADA Nolan Price thinks it's a slam dunk murder conviction, but an activist judge seems eager to see Weller go free.We're talking about Law & Order season 24 episode 16 "Folk Hero." Our returning guest is Ellyn Marsh from the "I Think Not" podcast.This episode is inspired by the case of Luigi Mangione. For exclusive content from Kevin and Rebecca, sign up on Patreon.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode of #LatinosOutLoud was taped in front of a live audience at the iconic Copacabana in NYC. On this special evening, #RachelLaLoca chats with comedienne Alana J about her one year Law &Order anniversary and her various roles in entertainment. Comedian Ian Lara who you may have recently seen on The Tonight Show with Jimmy Fallon came by to talk about his new special called "Material Boy", available on YouTube. Lastly, we get to hear a VERY special announcement from Raul Acosta, leader of the infamous band Oro Solido! WAIT until you hear what he has to say about the future of the Dominican Republic! You don't want to miss this one! Follow Rachel Follow LOL Follow Alana J. Follow Ian Lara Follow Raul Acosta #latinosoutloud #podcast #comedy #IanLara #AlanaJ #orosolido #OroWho #copacabana #latinos #loud #urban #lifestyle#latinostories #latinoculture #laughoutloud Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jeff and Scott discuss the win over Arizona and the path ahead for the Bucs, breaking down Tristan Wirfs' touchdown and Chris Godwin's impact and diverting into such topics as Dirty Dancing, Law & Order and the Duke of Norfolk.See omnystudio.com/listener for privacy information.

Service Managers and Fixed Ops leaders: Are you losing control? If you're struggling with inconsistent productivity, low technician morale, and a shop where management has lost authority, you know the stakes are high. Your culture is toxic, and it's killing your business. In this episode of SDR #334, Chris Collins and Christian deliver the essential 6-STEP BLUEPRINT for service managers ready to stop the chaos, regain authority, and rebuild a high-performance team. This process is tough, but it's the ultimate cheat code for leadership success. This episode provides the actionable strategy to fix your shop's toughest problems, including: ✅ The counter-intuitive first step: Connect before you correct. Don't try to muscle your authority back. ✅ How hiring new blood immediately signals the end of the "old regime." ✅ Transforming chaos into "Law & Order" to boost tech productivity ✅ The surprising truth: Your "grumpy" techs crave approval and acceptance more than anyone. ✅ Using Gamification and the Daily Scoreboard for instant efficiency gains and accountability. ✅ Broadening your technicians' perspective by teaching them how a financial statement works. If you are a leader dealing with a tough shop culture right now, watch this episode. Learning to fix this problem one time will be the single most valuable lesson of your management career.  #ToxicShopCulture #ServiceManager #TechnicianMorale #FixedOps #ServiceAdvisor #DealershipLife #AutoRepairShop #ShopProductivity #ChrisCollins #ServiceDriveRevolution #AutomotiveLeadership #TechRetention #DealershipTraining #shopculture

Part 2 of 2 When the plaintiff's expert is a plastic surgeon who couldn't rule out a dwarf with razor-sharp toenails for the scratches, this trial felt less like Law & Order and more like Real Housewives: Beverly Hills Courthouse Edition. From the OB-GYN and receptionist who witnessed the fight to the psychologist who said the plaintiff's test answers were "two in a billion," the defense delivers receipts – while plaintiff's counsel Ron Rosen Janfazza completely unravels. Tyrella and Nikita break down the defense's strategy, the jaw-dropping cross-examinations, the lightning-fast verdict, and the post-trial fallout – including Janfazza's sanctions, his 2023 mistrial meltdown, and the now-infamous "vaginal discharge" argument NO ONE asked for. Want access to our first 45 episodes? Grab em here! We've made them available for free to anyone who signs up! Remember, these episodes were recorded when we had no idea what we were doing, so just keep that in mind. The audio isn't the quality we would want to put out now, but the cases are on point! Visit killerqueens.link/og to download and binge all the archived episodes today! Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes Support Our AMAZING Sponsors: Rula: Rula patients typically pay $15 per session when using insurance.  Connect with quality therapists and mental health experts who specialize in you at https://www.rula.com/queens #rulapod HelloFresh: Go to HelloFresh.com/queens10fm to Get 10 Free Meals + a Free Breakfast for Life! © 2025 Killer Queens Podcast. All Rights ReservedAudio Production by Wayfare Recording Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon Learn more about your ad choices. Visit podcastchoices.com/adchoices

An off-duty cop is stabbed to death, and her assailant is critically wounded. Eyewitness Monica Johnson tells detectives Lenny Briscoe and Rey Curtis that she saw the man follow the victim into the park—but holes in her story lead them to arrest her for the officer's death. District Attorney Adam Schiff faces political pressure to seek the death penalty for the cop killer. After prosecutor Jack McCoy gets Monica to confess on the stand, she undergoes a religious transformation and chooses not to fight her execution. McCoy and ADA Jamie Ross debate whether a repentant killer should face the death penalty. Monica's cause is taken up by both left-wing and right-wing lawyers, who petition to spare her life.Meanwhile, Lt. Anita Van Buren's discrimination suit against the NYPD is dismissed, and Briscoe's daughter is pressured into participating in a dangerous sting operation to take down her drug dealer.We're talking about Law & Order season eight, episode 21 “Bad Girl.” Our returning guest is Mark Blankenship. The episode was inspired by the case of Karla Faye Tucker. For exclusive content from Kevin and Rebecca, sign up on Patreon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

00:12:17 – ICE Shooting ControversyKnight covers conflicting reports on a Chicago shooting where ICE agents fired on a woman, noting how media narratives diverge and federal agencies hide behind secrecy and self-investigation. 00:26:36 – Judge Blocks Trump's Martial Law OrderA Trump-appointed judge issues a restraining order against Trump's domestic terrorism directive, calling it “untethered from the facts” and warning it blurs the line between civilian and military authority. 00:33:07 – Trump's Extrajudicial KillingsKnight details Trump's authorization of military strikes on alleged drug smugglers in Venezuelan waters, calling them unconstitutional murders akin to Duterte's war on drugs. 00:42:44 – Crimes Against Humanity ComparisonThe show connects Trump's policy to Duterte's atrocities in the Philippines, citing international law experts who call Trump's approach “unprecedented” and “a crime against humanity.” 00:56:45 – Trump, Pfizer & COVID FraudKnight blasts Trump for defending Albert Bourla and granting Pfizer “most favored nation” status despite its COVID fraud. He calls it premeditated mass murder covered up under Operation Warp Speed. 01:07:51 – UK Digital ID for ChildrenKnight reviews a UK bill creating digital IDs for children as young as 13, warning it's a globalist pilot scheme for biometric surveillance tied to taxes, healthcare, and citizenship rights. 01:23:34 – Joe Rogan's Orwellian WarningRogan slams the UK's mass arrests for “wrongthink” and the rise of digital IDs, calling it a full-scale Orwellian crackdown while U.S. politicians copy the same tactics under free-speech pretense. 01:28:41 – Epstein Files & Trump's Inner CircleCommerce Secretary Howard Lutnick admits Epstein was “the greatest blackmailer ever,” confirming intelligence ties and contradicting Trump officials' denials. Knight says the cover-up implicates the administration itself. 01:33:05 – Muslim Church Arson & Free SpeechStory of Muslims vandalizing a Texas church flying an Israeli flag sparks debate over free speech, immigration, and religious hypocrisy in American politics. 01:37:06 – H-1B Visas & Corporate DisloyaltyDiscussion of Silicon Valley's pro-immigration billionaires like Michael Moritz, accused of replacing Americans with foreign labor while funding Trump and exploiting wage disparity. 01:50:35 – GOP's “Big Tent” HypocrisyKnight mocks GOP strategist Scott Presler and Turning Point USA for embracing identity politics and moral decay, arguing conservatives have become “Democrats with Bible quotes.” 01:58:19 – Social Media & Dating CollapseAnalysis of falling social media engagement and “dating app fatigue” as cultural decline deepens, with Knight likening it to generational isolation and engineered atomization. 02:32:08 – AI Jobs & the Yale StudyKnight reviews a Yale study showing AI hasn't reduced employment, calling claims of mass layoffs “self-serving hype” by tech CEOs to inflate valuations. AI's disruption is compared to the early computer and internet eras. 02:48:47 – AI Girlfriends & DelusionWomen mourn the loss of their “AI boyfriends” after ChatGPT tone updates. Knight calls it a symptom of loneliness and cultural decay, noting lawsuits over AI chatbots linked to suicides. 02:52:20 – Musk's Robot ObsessionTesla's humanoid robot project “Optimus” is compared to Roomba tech. Knight argues human dexterity can't be replicated by machines and says China may overtake the U.S. in practical robotics. 02:55:38 – Waymo Taxis & AI FailureKnight ridicules self-driving Waymo cars for clogging intersections, circling endlessly, and blocking ambulances—symbolic of AI's overhyped “safety.” Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHTFind out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

00:12:17 – ICE Shooting ControversyKnight covers conflicting reports on a Chicago shooting where ICE agents fired on a woman, noting how media narratives diverge and federal agencies hide behind secrecy and self-investigation. 00:26:36 – Judge Blocks Trump's Martial Law OrderA Trump-appointed judge issues a restraining order against Trump's domestic terrorism directive, calling it “untethered from the facts” and warning it blurs the line between civilian and military authority. 00:33:07 – Trump's Extrajudicial KillingsKnight details Trump's authorization of military strikes on alleged drug smugglers in Venezuelan waters, calling them unconstitutional murders akin to Duterte's war on drugs. 00:42:44 – Crimes Against Humanity ComparisonThe show connects Trump's policy to Duterte's atrocities in the Philippines, citing international law experts who call Trump's approach “unprecedented” and “a crime against humanity.” 00:56:45 – Trump, Pfizer & COVID FraudKnight blasts Trump for defending Albert Bourla and granting Pfizer “most favored nation” status despite its COVID fraud. He calls it premeditated mass murder covered up under Operation Warp Speed. 01:07:51 – UK Digital ID for ChildrenKnight reviews a UK bill creating digital IDs for children as young as 13, warning it's a globalist pilot scheme for biometric surveillance tied to taxes, healthcare, and citizenship rights. 01:23:34 – Joe Rogan's Orwellian WarningRogan slams the UK's mass arrests for “wrongthink” and the rise of digital IDs, calling it a full-scale Orwellian crackdown while U.S. politicians copy the same tactics under free-speech pretense. 01:28:41 – Epstein Files & Trump's Inner CircleCommerce Secretary Howard Lutnick admits Epstein was “the greatest blackmailer ever,” confirming intelligence ties and contradicting Trump officials' denials. Knight says the cover-up implicates the administration itself. 01:33:05 – Muslim Church Arson & Free SpeechStory of Muslims vandalizing a Texas church flying an Israeli flag sparks debate over free speech, immigration, and religious hypocrisy in American politics. 01:37:06 – H-1B Visas & Corporate DisloyaltyDiscussion of Silicon Valley's pro-immigration billionaires like Michael Moritz, accused of replacing Americans with foreign labor while funding Trump and exploiting wage disparity. 01:50:35 – GOP's “Big Tent” HypocrisyKnight mocks GOP strategist Scott Presler and Turning Point USA for embracing identity politics and moral decay, arguing conservatives have become “Democrats with Bible quotes.” 01:58:19 – Social Media & Dating CollapseAnalysis of falling social media engagement and “dating app fatigue” as cultural decline deepens, with Knight likening it to generational isolation and engineered atomization. 02:32:08 – AI Jobs & the Yale StudyKnight reviews a Yale study showing AI hasn't reduced employment, calling claims of mass layoffs “self-serving hype” by tech CEOs to inflate valuations. AI's disruption is compared to the early computer and internet eras. 02:48:47 – AI Girlfriends & DelusionWomen mourn the loss of their “AI boyfriends” after ChatGPT tone updates. Knight calls it a symptom of loneliness and cultural decay, noting lawsuits over AI chatbots linked to suicides. 02:52:20 – Musk's Robot ObsessionTesla's humanoid robot project “Optimus” is compared to Roomba tech. Knight argues human dexterity can't be replicated by machines and says China may overtake the U.S. in practical robotics. 02:55:38 – Waymo Taxis & AI FailureKnight ridicules self-driving Waymo cars for clogging intersections, circling endlessly, and blocking ambulances—symbolic of AI's overhyped “safety.” Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silverFor 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHTFind out more about the show and where you can watch it at TheDavidKnightShow.com If you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

When a college co-ed accuses raunchy rock star Clarence "C-Square" Carmichael of raping her in his hotel room, Detectives Mike Logan and Lenny Briscoe have to decide whether she's an actual victim or a willing participant now looking for a payday. Lt. Anita Van Buren is the only one who believes Julia's story, and Logan and Briscoe turn up evidence the musician has paid off other victims in the past.DA Adam Schiff can't believe Julia didn't know what she was getting into when she visited the man's room late at night. But prosecutor Ben Stone says she still has the right to say no and what C-Square did was a crime. Newly arrived ADA Claire Kincaid tells Stone that Julia perjured herself on the stand. It was regarding facts she told Claire, but didn't pass along to Ben thinking they were irrelevant. Feeling he can no longer trust his new assistant, Stone tells her to seek a transfer. Though the victim has been discredited, the jury still convicts the rock star of rape. After winning the case, Ben reconsiders and gives Claire a second chance.We're talking about Law & Order season 4 episode 3 "Discord." Our guest is Meredith Constant from the "Off with Their Headlines" podcast.This episode is inspired by the 1991 rape case of boxer Mike Tyson. For exclusive content from Kevin and Rebecca, sign up on Patreon.

This week's questions are on law, order & television! Trey answers a question on former FBI Director James Comey's peculiar social media postings and whether it's a potential legal strategy.    Plus, Trey shares his favorite British crime dramas. Do you have any recommendations? Learn more about your ad choices. Visit podcastchoices.com/adchoices

When a baseball fan despised for costing the team the pennant is killed in a bar, Detectives Briscoe and Green connect the crime to Walter Grimes, a man released from prison after 20 years for a murder he didn't commit. Attorney Rodney Fallon (played by Giancarlo Esposito) argues he's innocent because his time as a wrongfully convicted man made him a murderer. McCoy and Southerlyn find the cop who originally framed him. He says the bloody knife he planted was from a different murder committed by Grimes. The prosecutors must rely on planted evidence and the dirty cop to prove the defendant was already a killer before being set up. We're talking about Law & Order season 14 episode 21 “Vendetta.” Our ten-time returning guest is Sarah D. Bunting.This episode draws inspiration from the infamous 2003 Steve Bartman foul ball incident at Wrigley Field. For exclusive content from Kevin and Rebecca, sign up on Patreon.

Ebon Moss-Bachrach has won two Emmys for his portrayal of Cousin Richie, the abrasive and ornery cook/maître d' on the FX series The Bear. The show is known for kitchen chaos, but he says the set is calm. He spoke with Fresh Air contributor Ann Marie Baldonado about the show, his character on GIRLS, and his venture into the Marvel Universe. TV critic David Bianculli reviews the documentary, My Mom Jayne, produced and edited by Law & Order actor Mariska Hargitay. It's about her mom, the actress Jayne Mansfield, who died young in a car accident.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Sebastian Stan is up for an Oscar for his portrayal of President Trump early in his career, when Roy Cohn was his lawyer and mentor. Stan says Cohn schooled Trump in "denying reality and reshaping the truth." He spoke with Terry Gross about his childhood in Romania, wearing prosthetics for A Different Man, and his breakthrough role on Law & Order.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy