Podcast appearances and mentions of Camille A Brown

Tony Award-winning director George C. Wolfe and Tony Award-nominated director and choreographer Camille A. Brown joined Shelley Wade at The Sound Space @ Audacy New York for a conversation about Black excellence on Broadway and their work on "Gypsy" on Broadway starring Audra McDonald.

In this 1st episode of Season 2, Shelley Wade shines the spotlight on some good news stories. Also, Photojournalist and Altadena resident Mark Mehlinger shares the deep African American history of the Southern California town and his family's plans to rebuild after the Eaton wildfire devastation. Plus, Harlem resident Kim Pruitt and iconic producer/songwriter Rodney "Darkchild" Jerkins share their thoughts on kindness and what makes them thankful.

We're joined by Kirven, the multi-talented Artistic Director behind Saint Louis Dance Theatre, formerly Big Muddy Dance Company. began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist.Saint Louis Dance Theatre, formerly The Big Muddy Dance Company, is a dynamic arts organization dedicated to providing world-class contemporary dance performances and exhilarating theatre experiences in our great city. Their 24-25 (RE)Imagine Season is sure to astound, with an exceptional repertoire created by celebrated artists from around the globe, and intentional efforts to pull audiences closer to our movement. Every moment behind the curtain is sure to captivate, every step is sure to inspire, and they will take every bow in celebration of the manifestation of their dreams. Come lose yourselves in this art!  Support the show

Chilina Kennedy is known for playing Carole King in the musical Beautiful on Broadway for over 1,200 performances. She also recently originated the Tony-award winning role of Dina on the First Broadway National Tour of The Band's Visit. Chilina's first appearance on Broadway was in 2012 when she played Mary Magdalene in Des McAnuff's Jesus Christ Superstar, which also had successful runs at the Stratford Festival of Canada and the La Jolla Playhouse. Other US credits include the world premiere of A Gentleman's Guide to Love and Murder, in which she originated the role of Phoebe at Hartford Stage and The Old Globe in San Diego (San Diego and Connecticut Outer Critics nominations), the world premiere of A Sign Of The Times as Cindy (Delaware Theatre Company), Binky in the Off-Broadway world premiere of This Ain't No Disco (Dir. Darko Tresnjak/Chor. Camille A. Brown) and Sophie in the 1st US National Tour of Mamma Mia!. Selected Canadian credits include the title role in Ted Dykstra's Evangeline (Charlottetown Festival and original recording), the title role in Ross Petty's Pantomime The Little Mermaid (Toronto Critic's Award), three seasons at the Stratford Festival (three Broadways World Awards) including Maria in Gary Griffin's West Side Story, Eva Peròn in Evita, Lois Lane in Kiss Me Kate, three seasons at the Shaw Festival, the World Premiere of The Lord of the Rings (Mirvish), Philia in A Funny Thing Happened on the Way to the Forum (Stratford/Toronto), Cecily in The Importance of Being Earnest (Neptune), and the title role in Mary Poppins (Theatre Aquarius). Chilina is also a singer/songwriter with a debut album What You Find in a Bottle, released in 2015. Chilina has written a new musical Call It Love with Eric Holmes, who is known for being a writer for “The Good Fight” on CBS. Featuring music and lyrics by Chilina, book co-written by Eric and Chilina, and musical arrangements by Rick Fox, Call It Love has been developed in the New York City area by Eclipse Theatre Company (http://eclipsetheatre.ca/). Chilina has worked with Burt Bacharach, guest starred in concert with the TSO, Colm Wilkinson and Jason Robert Brown. You can hear Chilina's voice on CBC's “Celebrate the Seasons” and “Carols for a Cure.” Chilina is a graduate of Sheridan College and the Birmingham Conservatory for classical theatre Learn more about your ad choices. Visit podcastchoices.com/adchoices

Christian Warner hosts this episode focused on the human body's capacity to navigate collective grief, moving toward not only healing,  but self-actualization. Warner is a Black interdisciplinary performer, choreographer, and director. He shares his own  experiences as well as excerpts from conversations with dance artists Dormeshia, Camille A. Brown, Ronald K. Brown, and their collaborators.https://www.christianawarner.com/

Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Greased Lightnin'" from Grease (The Original Motion Picture Soundtrack) |  Written by Jim Jacobs and Warren Casey |  Performed by John Travolta , Jeff Conaway

In this week's episode, Joel Crump is bringing you to all the Broadway Award ceremonies! He takes you to the Drama League Awards, Lucille Lortel Awards, Chita Rivera Awards, and the Tony Awards Press Day! He interviews Tony Award nominees Eddie Redmayne, Nichelle Lewis, Camille A. Brown, Brody Grant, Bernadette Peters, Kenny Ortega, Lisa Mordente, and Eli Gelb! Joel also discusses what's happening this week on Broadway (May 13-21)! Indulge in Broadway buzz like never before with "The Weekly Dose of Joel: Everything Broadway and More." This podcast, brought to you by the Broadway Podcast Network and Broadway Time, delivers the latest news, theater history, and exclusive interviews with Broadway stars, all in one podcast! Don't miss out on your front-row seat to the magic of Broadway! Learn more about your ad choices. Visit megaphone.fm/adchoices

Grammy Award-winning artist Alicia Keys and Pulitzer Prize-finalist playwright Kristoffer Diaz, along with Tony nominated director Michael Greif and Tony nominated choreographer Camille A. Brown bring their collective talents to the exhilarating new coming-of-age Broadway musical: "Hell's Kitchen." It's currently in previews at The Schubert Theatre, opening on April 20, after a sold-out and extended-run at The Public Theatre off-Broadway last fall into early this year. Kristoffer Diaz is a playwright, librettist, screenwriter, and educator.

A renowned choreographer, director, and educator, Camille A. Brown gives us a rundown of her artistic journey and the challenges and triumphs she faced in the world of dance and theatre. She looks back on her early experiences and influences, particularly her introduction to dance through her mother. From concert dance to musical theatre, she reveals how she got the courage to pursue her passion despite facing skepticism and stereotypes as a black female choreographer in a field dominated by males, including reaching out to mentors like Diane McIntyre and Marlee Ciorri for guidance. Camille's Broadway directorial debut with “for colored girls who have considered suicide / when the rainbow Is enuf” was a success, earning her Tony nominations for Best Direction and Best Choreography. She shares her emotional journey working on a beloved work and the value of staying true to your artistic vision. Her latest project, "Hell's Kitchen: The Musical" opens up new challenges and opportunities for Camille, such as her approach to the choreography and working with Alicia Keys' music. With her continuous success, she imparts simple but valuable advice to aspiring artists: to believe in the possibility of all things. Camille A. Brown is a widely acclaimed choreographer, director, educator, and storyteller. She has a total of 62 award honors to her credit so far, including three Tony Award nominations. Her 2016 TED-Ed talk, “Camille A. Brown: A Visual History of Social Dance in 25 Moves” was chosen as one of the most notable talks of the year by TED curator Chris Anderson. Her Broadway credits include “A Streetcar Named Desire”, “Once On This Island”, “Choir Boy”, “for colored girls who have considered suicide / when the rainbow is enuf”, and now, the upcoming production of “Hell's Kitchen: The Musical”. Connect with Camille: Website: www.camilleabrown.org Instagram: @camilleabrown Facebook: @camilleabrownanddancers Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

ONCE ON THIS ISLAND  Book & Lyrics by Lynn Ahrens, Music by Stephen Flaherty Works Consulted & Reference :Once On This Island (Libretto) by Lynn Ahrens and Stephen FlahertyMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Waiting for Life" from Once On This Island (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by LaChanze and 'Once On This Island' Company"Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

CHILINA KENNEDY Chilina is known for playing Carole King in the musical Beautiful on Broadway for over 1,200 performances. She also recently originated the Tony-award winning role of Dina on the First Broadway National Tour of The Band's Visit. Chilina's first appearance on Broadway was in 2012 when she played Mary Magdalene in Des McAnuff's Jesus Christ Superstar, which also had successful runs at the Stratford Festival of Canada and the La Jolla Playhouse. Other US credits include the world premiere of A Gentleman's Guide to Love and Murder, in which she originated the role of Phoebe at Hartford Stage and The Old Globe in San Diego (San Diego and Connecticut Outer Critics nominations), the world premiere of A Sign Of The Times as Cindy (Delaware Theatre Company), Binky in the Off-Broadway world premiere of This Ain't No Disco (Dir. Darko Tresnjak/Chor. Camille A. Brown) and Sophie in the 1st US National Tour of Mamma Mia!. Selected Canadian credits include the title role in Ted Dykstra's Evangeline (Charlottetown Festival and original recording), the title role in Ross Petty's Pantomime The Little Mermaid (Toronto Critic's Award), three seasons at the Stratford Festival (three Broadways World Awards) including Maria in Gary Griffin's West Side Story, Eva Peròn in Evita, Lois Lane in Kiss Me Kate, three seasons at the Shaw Festival, the World Premiere of The Lord of the Rings (Mirvish), Philia in A Funny Thing Happened On The Way To The Forum (Stratford/Toronto), Cecily in The Importance of Being Earnest (Neptune) and the title role in Mary Poppins (Theatre Aquarius). ​ Chilina is also a singer/songwriter with a debut album “What You Find In A Bottle”, released in 2015. Chilina has written a new musical Call It Love with Eric Holmes, who is known for being a writer for The Good Fight on CBS. Featuring music and lyrics by Chilina, book co-written by Eric and Chilina, and musical arrangements by Rick Fox, Call It Love has been developed in the New York City area by Eclipse Theatre Company with the first Canadian workshop planned for May 2020. Chilina has worked with Burt Bacharach, guest starred in concert with the TSO, Colm Wilkinson and Jason Robert Brown. You can hear Chilina's voice on CBC's Celebrate The Seasons and Carols For A Cure. Chilina is a graduate of Sheridan College and the Birmingham Conservatory for classical theatre in Stratford. WILD ABOUT YOU is a new musical in development, with music and lyrics by Chilina Kennedy and book by Eric Holmes, and directed by Lorin Latarro. Following a well-received industry presentation in March 2023, an album was immediately greenlit, and a first developmental production will be staged in 2024-2025. The album will be produced by Brian Spector, Daniel Edmonds and Michael J. Moritz Jr., and will be released on Broadway Records later this year. Arrangements, orchestrations and music production are by Daniel Edmonds. Additional production and mixing will be by Emmy and Tony-winner producer Michael J. Moritz Jr. The score is infused with original, lyrical pop-folk songs that are memorable, elevated and timeless. The musical was originally developed at Eclipse Theatre Company and was part of the New York Theater Barn New Works Series.

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Alexandria Wailes is an accomplished actor, choreographer and dancer who just this last season appeared on Broadway in the acclaimed revival of Ntozake Shange's seminal play “For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf.” The production, directed by UNCSA alum Camille A. Brown, held one notable surprise, the use of American Sign Language, since Alexandria, who is Deaf, played the Lady in Purple, a part that had not originally been written as a Deaf character. This was not her first time on Broadway. She understudied Marlee Matlin in the revival of “Spring Awakening,” and then she went on in the part for the run's final month. Before that, she acted in the legendary Deaf West Theatre production of “Big River,” which after its Broadway run toured throughout the U.S. and even played not once but twice in Tokyo.She's acted in some of the country's most respected regional theaters, from Minneapolis's Mixed Blood Theater to Los Angeles's Kirk Douglas Theater, and she has also been featured in several popular TV shows, including “Nurse Jackie” and “Law and Order: Criminal Intent.” She is a member of Heidi Latsky Dance Company, and she is the co-founder of BHO5, a company whose mission is, “to usher in a new era of authentic artistic representation of American deaf people.” In this episode, Alexandria describes how she crafted her remarkable career as a multidisciplinary performer and explains the work that must still be done to ensure that not only Deaf but also hearing performers can feel fully informed and bolstered in work that features Deaf artists and/or subjects. http://www.alexandriawailes.com/home.htmlhttps://www.bho5.org/

Kirven Douthit-Boyd (Boston, MA) began his formal dance training at the Boston Arts Academy in 1999 and as a member of Boston Youth Moves under the artistic direction of Jeannette Neil and Jim Viera. Mr. Douthit-Boyd studied as a fellowship student at The Ailey School and on scholarship at the Boston Conservatory. He is a graduate of Hollins University where he earned an MFA in dance. ———  He began his professional career as a member of Ailey II from 2002–2004 and performed at Jacob's Pillow Dance Festival as a member of Battleworks Dance Company in 2003. In June 2004, Mr. Douthit-Boyd joined the Alvin Ailey American Dance Theater performing both nationally and internationally for 11 years. During his tenure with the company, he performed leading roles in works choreographed by Alvin Ailey, Judith Jamison, Robert Battle, Ron K. Brown, Geoffrey Holder, Jiri Kylian, David Parsons, Camille A. Brown, Ulysses Dove, Christopher Wheeldon, Hofesh Shecter, Twyla Tharp, Wayne McGregor and Ohad Naharin. He joined COCA-Center of Creative Arts in 2015 as Co-Artistic Director of Dance with his husband Antonio Douthit-Boyd. In 2016, Mr. Douthit-Boyd joined Ron K. Brown/Evidence, A Dance Company as a guest artist. ——— In 2010, Douthit-Boyd performed at the White House tribute to Judith Jamison hosted by then first lady Michelle Obama. He has also appeared as a guest artist in ballet and contemporary dance galas in Argentina, Mexico and Canada. He is the 2014 recipient of the “Black Theater Alliance Award” for his performance in Wayne McGregor's “Chroma,” the 2015 recipient of the “Next Generation in Leadership Award” from the Freedom House in Boston, the 2016 recipient of the Boston Arts Academy's “Apollo Award” the 2021 recipient of the “Excellence in the Arts Award” from the Arts and Education Council in St. Louis, and the 2022 recipient of the Dance Teacher Magazine Award. ——— Douthit-Boyd has choreographed workshops for The Ailey School, The Juilliard School, Webster University, Boston Arts Academy, Boston Youth Moves and COCA. He has also choreographed works for Dallas Black Dance Theater and Ailey II. He is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary through Level 5 of the ABT® National Training Curriculum and has completed Lester Horton Pedagogy studies under Ana Marie Forsythe in New York and St. Louis. He has also served as Distinguished Performing Artist at Washington University in St. Louis, where he taught modern dance in the collaborative MFA program between the University and COCA. ———

Duncan C. Schultz, born and raised just outside the Twin Cities in Minnesota, received his early dance training at Metro Dance Center. After completing his B.A. in Dance at the University of Minnesota, Twin Cities he worked with Mathew Janczewski's ARENA Dances, Olive Bieringa and Otto Ramstad's BodyCartography Project and Toni Pierce-Sands and Uri Sands' TU Dance.While in the United States, he has had the privilege of working with choreographers Dwight Rhoden, Alonzo King, Gioconda Barbuto, Camille A. Brown and Gregory Dolbashian. Following his time working in the Twin Cities, he moved to Kaiserslautern, Germany to work at the Pfalztheater Kaiserslautern under the direction of James Sutherland. Currently he is a member at the GöteborgsOperan Danskompani in Sweden with Artistic Director Katrín Hall. While in Europe, he has created and performed works by Sharon Eyal, Damien Janet, Crystal Pite, Sidi Larbi Cherkaoui, Maxine Doyle, Alexander Ekman, Ohad Naharin, Roy Assaf, and Marina Mascarell to name a few. He received the Sage Award for Dance in 2014 as an Outstanding Performer and in 2016 as the Hoffnungsträger (Bearer of Hope) by TANZ Jahrbuch in Germany.

We are excited to bring you this podcast series, Choreographers in Conversation. This series allows choreographers to interview other choreographers whose work excites them as a way to learn more about their craft and preserve the stories of these exciting artists in our industry. In this episode Choreographer and Creative Director Ellenore Scott interviews Choreographer Camille A. Brown to hear more about her career and where her love of dance and choreography comes from, what inspires her, working with collaborators, and how Camille approaches her work with ranges in size and types of stages. They also discuss Broadway debuts, the preproduction process, and staying true to yourself in your work. Bios: Camille A. Brown: Broadway: for colored girls… (7 Tony award nominations including Best Direction of a Play and Choreography), Choir Boy (Tony & Drama Desk Nominee), Once on This Island (Drama Desk, Outer Critics Circle, Chita Rivera Nominee), A Streetcar Named Desire. Off Broadway and regional: Much Ado About Nothing (Audelco Award), Toni Stone (Audelco, Lortel Nominee), Bella (Playwrights Horizons, Lucille Lortel Nominee, Audelco Award), Fortress of Solitude (Lucille Lortel Nominee); tick, tick...BOOM! (Encores!). The Wiz (MUNY), Stagger Lee (DTC); Once (Pittsburgh CLO). Opera: Fire Shut Up in My Bones (co-directed with James Robinson- Bessie nomination), Porgy & Bess, Champion.  Television: Harlem (Amazon Prime), Nike/Jordan commercial. Jesus Christ Superstar Live” (NBC). Film:  Ma Rainey's Black Bottom (Netflix). Company: Bessie winning Camille A. Brown & Dancers. Awards: Obie Award for Sustained Excellence in Choreography, ISPA's Distinguished Artist, Dance Magazine Award, Guggenheim, Doris Duke Artist, Princess Grace Statue Award, Jacob's Pillow Award, and New York City Center, USA Jay Franke & David Herro Fellow, TED fellow, Kennedy Center's Next 50, Ford Foundation Art of Change Fellowship www.camilleabrown.org  Ellenore Scott (she/her) is a New York based choreographer and creative director. Broadway: Funny Girl, Mr. Saturday Night. Off-Broadway: Little Shop of Horrors, Titanique. Other choreography credits include: So You Think You Can Dance?, Single All the Way (Netflix), Ratatouille: The TikTok Musical. Scott's work has been seen at The Bushwick Starr, The Old Globe, Hudson Valley Shakespeare Festival, McCarter Theatre, Cherry Lane Theatre, Asolo Repertory Theatre, Cape Fear Regional Theatre and Seattle Repertory Theatre. As a performer, Scott appeared in numerous television shows (Marvelous Mrs. Maisel, Smash, The Blacklist, Glee!) and was a finalist and All-Star on So You Think You Can Dance? Scott is the Artistic Director of ELSCO Dance, a contemporary-fusion dance company. As a content creator, Scott makes lifestyle, dance and comedy videos for over 1 million followers on TikTok. @helloellenore https://www.ellenorescott.co/ Stage Directors and Choreographers Foundation: Founded in 1965, Stage Directors and Choreographers Foundation (SDCF) exists to foster, promote, and develop the creativity and craft of stage directors and choreographers. SDCF's mission is to create access to the field, to connect artists to each other and to the public, and to honor these artists' theatrical legacies. The centrality of directors and choreographers in theatre and the impact they have on other artists' careers—from playwrights to designers to actors—makes SDCF's services essential to the wider theatre industry's continued health and vitality. Through its dynamic educational programming, including Observerships, Fellowships, public panels, and day-long symposia, SDCF serves the needs of directors and choreographers at every stage of career. www.sdcfoundation.org

Today's episode is with award-winning choreographer + director Camille A. Brown. Do you know Camille? You know Camille. You may recognize her work, on Broadway in Once On This Island or on television choreographing Jesus Christ Superstar Live in Concert! Camille's work is an ode to reclamation and staying connected to ancestral ties with her deep passion to empower Black bodies by allowing them to tell their own stories. Camille is literally history in the making. In 2021 she became the first Black artist to direct a mainstage production at the Metropolitan Opera, doing double-duty as co-director and choreographer. She repeated this dual act in the latest adaptation of Ntozke Shange's “for colored girls who have considered suicide/when the rainbow is enuf,” making her the first Black woman to Direct and Choreograph a Broadway show in 67 years.In today's episode, Camille reminds us just how vital resilience and listening to your own voice can be. She shares lessons from rejection and struggle and encourages us to be ourselves regardless of the stakes. Things mentionedDarius Barnes - Dancer + ChoreographerFire Shut Up in My Bones - Camille A. Brown performed at the Met OperaDeVore Dance Center, founded by Choreographer + Dancer Carolyn DeVore Ronald K. Brown/ EVIDENCE, A Dance CompanyRoger Jeffrey - School of Dance - George Mason UniversityWhat to ReadKatherine Dunham: Dance and the African Diaspora by Joanna Dee DasModern Dance, Negro Dance: Race in Motion by Susan ManningAlvin Ailey: A Life in Dance by Jennifer DunningWhat to listen toMo' Better Blues - Branford Marsalis Quartet (feat. Terence Blanchard)Rhythm Nation - Janet JacksonRemember The Time - Michael Jackson Dancing In The Street - Martha and The VandellasSo into You - SWVWho to followFollow Camille A. Brown on IG @camilleabrownLearn more about her upcoming events at Camille A. BrownThis conversation was recorded on...

Camille A. Brown - (Director/Choreographer) 3-time Tony award nominee is the first Black woman to direct and choreograph a play on Broadway in 67 years. Ms. Brown choreographed the Met Opera's critically acclaimed Porgy and Bess and Terrence Blanchard's Fire Shut Up in My Bones, which she also co-directed with James Robinson, making her the first Black director of a Met mainstage production. She is also the founder and director of Camille A Brown and Dancers. Awards include the 2021 ISPA/International Society for the Performing Arts Distinguished Artist Award, 2020 Dance magazine Award, Bessie Award (Mr. TOL E. RAncE), Jacob's Pillow Dance Award, Doris Duke Artist Award, United States Artists Award and five Princess Grace Awards. Foundation fellowships from Ford Art of Change, Guggenheim, TED, Emerson Collective. In addition to a Tony Award nomination, Camille has received an Obie Award, two AUDELCO Awards, three Drama Desk nominations and three Lortel nominations. Philanthropic/Activist Causes: Every Body Move and Social Dance for Social Change 

Happy Birthday Rita Moreno, Harald Kreutzberg, Kenneth MacMillan, Teri Garr, and Camille A. Brown! --- Support this podcast: https://podcasters.spotify.com/pod/show/dawn-davis-loring/support

One Voice Can Change The World Podcast featuring Sam Picart Episode 047 Everybody Dance Sam Picart (Kansas City, MO) began his dance training in street styles at the age of 15 and began ballet training at 18 under his aunt Jennifer Picart-Branner, formerly of the Frankfurt Ballet. Sam received a BFA from Cornish College of the Arts in 2013 and in 2016 he was the chosen winner of Ellen's Dance Off competition and was a featured guest on the show. Sam has studied dance in Canada and at the Joffrey Ballet School in NYC.  Sam has been a guest artist, lecturer, and choreographer for multiple universities as well as taught as an adjunct faculty member. He has worked with notable choreographers such as Mandy Moore, Camille A Brown, Victor Quijada and Iyun Ashani Harrison. He continues to perform solos around the world and has been featured at multiple MLB games, The Harlem Globetrotters halftime show, and has done commercial work for Microsoft and SYTYCD.  Currently, Sam hosts, judges, and teaches for Showstopper Dance Competition and also tours dozens of cities a year as a teacher, choreographer, and performing artist. Follow Sam Picart:  Youtube Channel: https://www.youtube.com/channel/UC-LQ_sy5onRy6Ho4NB6OB9w  Instagram : @sampicartis2much  Instagram and TikTok : everybodydance5

Greetings Glocal Citizens! This week's episode is home grown in a sense as I had the chance to chat with long-time friend and collaborator, Farai Malianga. Born and raised in Zimbabwe, Farai's journey to the US found him at the University in Colorado in Boulder where our stories connect. He is a Videographer, Composer, and Musician who began his career in African Dance in Colorado with Leticia Williams' Harambee and Musical Director Judy “Fatu” Henderson. He later relocated to New York where he began studying dance and drum with pioneers Yousouf Koumbasa, Mbemba Bangoura and Ronald K. Brown. He has performed with creative Masters such as Chuck Davis in BAMs ‘Dance Africa', Reginald Yates and Heritage O.P. for the Alvin Ailey American Dance Theatre's their 40th Anniversary season; with musicians such as Roy Ayers, Wunmi Olaiya,, Manchild Black, and Akua Allrich to name a few. He has also performed on and off broadway in the musical 'Fela!' and “Darker Faces of the Earth” directed by Trezana Beverley, respectively. As a videographer, most recent projects include editing the archival documentary for “Kumbuka” the longest active New Orleans-based West African Dance troupe. This fall he joins Florida State University as a tenure track Professor with a focus on music for dance and choreography. He will be teaching Rhythmic Analysis, Music for Choreography, and Digital Audio Recording while also providing music support for African, Dunham and Contemporary classes. We definitely have something to look forward to seeing Farai's work flourish on a whole new level in this role! Where to find Farai? On LinkedIn (https://www.linkedin.com/in/farai-malianga-21b13351/) On Instagram (https://www.instagram.com/maliangafaraim/) On Facebook (https://www.facebook.com/farai.malianga) On Twitter (https://twitter.com/fmmalianga) On YouTube (https://www.youtube.com/user/PLFMM) What's Farai reading? Octavia E. Butler (https://www.octaviabutler.com) What's Farai listening to? Kendrick Lamar (https://oklama.com) J. Cole (https://www.dreamville.com) Pharoahe Monch (https://www.pharoahe.com) Other topics of interest: Regional Dance America (https://regionaldanceamerica.org) Ronald K. Brown (https://www.evidencedance.com) Scott Russel Sanders (https://www.scottrussellsanders.com/book_pages/dancing_in_dreamtime.html) Jawole Willa Jo Zollar (https://www.urbanbushwomen.org/the-founder) Beatrice Capote (http://www.beatricecapote.com) Onye P. Ozuzu (https://arts.ufl.edu/directory/profile/152957) Camille A. Brown (http://www.camilleabrown.org) Christal Brown (https://christalbrown.com) The Shift Network (https://theshiftnetwork.com) Amiri Baraka (https://en.wikipedia.org/wiki/Amiri_Baraka) The Lay Out (https://www.instagram.com/thelayoutco/?hl=en) About LEAP Transmedia (https://www.youtube.com/watch?v=-9xLBQraiSc) Special Guest: Farai Malianga.

Greetings Glocal Citizens! This week's episode is home grown in a sense as I had the chance to chat with long-time friend and collaborator, Farai Malianga. Born and raised in Zimbabwe, Farai's journey to the US found him at the University in Colorado in Boulder where our stories connect. He is a Videographer, Composer, and Musician who began his career in African Dance in Colorado with Leticia Williams' Harambee and Musical Director Judy “Fatu” Henderson. He later relocated to New York where he began studying dance and drum with pioneers Yousouf Koumbasa, Mbemba Bangoura and Ronald K. Brown. He has performed with creative Masters such as Chuck Davis in BAMs ‘Dance Africa', Reginald Yates and Heritage O.P. for the Alvin Ailey American Dance Theatre's their 40th Anniversary season; with musicians such as Roy Ayers, Wunmi Olaiya,, Manchild Black, and Akua Allrich to name a few. He has also performed on and off broadway in the musical 'Fela!' and “Darker Faces of the Earth” directed by Trezana Beverley, respectively. As a videographer, most recent projects include editing the archival documentary for “Kumbuka” the longest active New Orleans-based West African Dance troupe. This fall he joins Florida State University as a tenure track Professor with a focus on music for dance and choreography. He will be teaching Rhythmic Analysis, Music for Choreography, and Digital Audio Recording while also providing music support for African, Dunham and Contemporary classes. We definitely have something to look forward to seeing Farai's work flourish on a whole new level in this role! Where to find Farai? On LinkedIn (https://www.linkedin.com/in/farai-malianga-21b13351/) On Instagram (https://www.instagram.com/maliangafaraim/) On Facebook (https://www.facebook.com/farai.malianga) On Twitter (https://twitter.com/fmmalianga) On YouTube (https://www.youtube.com/user/PLFMM) What's Farai reading? Octavia E. Butler (https://www.octaviabutler.com) What's Farai listening to? Kendrick Lamar (https://oklama.com) J. Cole (https://www.dreamville.com) Pharoahe Monch (https://www.pharoahe.com) Other topics of interest: Regional Dance America (https://regionaldanceamerica.org) Ronald K. Brown (https://www.evidencedance.com) Scott Russel Sanders (https://www.scottrussellsanders.com/book_pages/dancing_in_dreamtime.html) Jawole Willa Jo Zollar (https://www.urbanbushwomen.org/the-founder) Beatrice Capote (http://www.beatricecapote.com) Onye P. Ozuzu (https://arts.ufl.edu/directory/profile/152957) Camille A. Brown (http://www.camilleabrown.org) Christal Brown (https://christalbrown.com) The Shift Network (https://theshiftnetwork.com) Amiri Baraka (https://en.wikipedia.org/wiki/Amiri_Baraka) The Lay Out (https://www.instagram.com/thelayoutco/?hl=en) About LEAP Transmedia (https://www.youtube.com/watch?v=-9xLBQraiSc) Special Guest: Farai Malianga.

This episode is also available as a blog post: https://thecitylife.org/2022/08/07/the-apollo-the-joyce-theater-celebrate-camille-a-brown-dancers-the-trilogy/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

This episode explores the recent revival of Ntozake Shange's for colored girls who have considered suicide / when the rainbow is enuf, directed and choreographed by Camille A. Brown. Hosts Leticia Ridley and Jordan Ealey contextualize the production, its ongoing relevance and legacy, and its resonance in Black feminist theatre, dance, and performance.

This episode explores the recent revival of Ntozake Shange's for colored girls who have considered suicide / when the rainbow is enuf, directed and choreographed by Camille A. Brown. Hosts Leticia Ridley and Jordan Ealey contextualize the production, its ongoing relevance and legacy, and its resonance in Black feminist theatre, dance, and performance.

Tony Award nominee Camille A. Brown discusses her interruption of Ntozake Shange's "For Colored Girls Who Have Considered Suicide / When The Rainbow Is Enuf." Brown shares what it was like to be the first Black woman to direct and choreograph a Broadway show in 67 years. Hear her conversation with CBS News' Jamie Wax.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tony Award nominee Camille A. Brown discusses her interruption of Ntozake Shange's "For Colored Girls Who Have Considered Suicide / When The Rainbow Is Enuf." Brown shares what it was like to be the first Black woman to direct and choreograph a Broadway show in 67 years. Hear her conversation with CBS News' Jamie Wax.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nominees Sutton Foster, Jesse Williams, Michael R. Jackson, Tracy Letts, and Camille A. Brown gather for a roundtable to discuss the return to Broadway and their various shows and nominations, how they navigate comments by internet trolls and unqualified critics, how theater recognized Black excellence across several categories this year and ways to make it more than just a moment, and much more. Plus, EW Executive Editor and Awardist host Gerrad Hall is joined by EW Sr. Writer Maureen Lee Lenker with some Tony predictions, the snubs she still can't get over, and the TV show she thinks should be recognized by the Emmys this year. For complete awards coverage, go to EW.com/awardist. Learn more about your ad choices. Visit megaphone.fm/adchoices

An intergenerational meditation on Ntozake Shange's iconic Broadway play, For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf. First, host Kai Wright and producer Regina de Heer speak with the director and choreographer of the current Broadway Revival, Camille A. Brown. Then, performers Trezana Beverley, Aku Kadogo, and Carol Maillard reminisce on the original production and working with the show's legendary creator, Ntozake Shange.   A special thanks to actor Francina Smith for her reading of "Dark Phrases." Companion listening for this episode: Lynn Nottage: Unexpected Optimist (1/3/2022) Playwright Lynn Nottage breaks down her remarkable career and shares how, as an optimist at heart, she finds the light and resilience in unexpected stories.  “The United States of Anxiety” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on WNYC.org/anxiety or tell your smart speakers to play WNYC.    We want to hear from you! Connect with us on Twitter @WNYC using the hashtag #USofAnxiety or email us at anxiety@wnyc.org.

View full transcript here.

We all have theater kid energy! Broadway News: Starting this season, Tony Awards voters must complete unconscious bias training in order to vote in any categories. The news, sent to voters last Friday, requires members to take a free, online training session led by inclusion strategist Vernā Myers. The course is meant to teach viewers how to identify unconscious or implicit bias in their own decision-making processes and how to correct it, according to the course description.  Producers Stephen Byrd and Alia Jones-Harvey announced that a new musical stage adaptation of Black Orpheus, featuring a book by Pulitzer Prize winner Nilo Cruz, original music by Grammy Award winner and Brazilian icon Sergio Mendes, and direction and choreography by Tony Award winner Sergio Trujillo, is being readied for its world premiere production on Broadway during the 2022-2023 season. A developmental workshop and an out-of-town regional theatre run are being planned for 2022 before heading to Broadway in 2023. James Snyder, who has been playing the role of Harry Potter in Harry Potter and the Cursed Child since a new, shorter version of the production reopened on Broadway on November 12, 2021, has had his contract terminated. The termination follows a complaint from fellow cast member Diane Davis, who has since also left the production by her own accord, regarding his conduct. The Broadway revival of Ntozake Shange's for colored girls who have considered suicide/ when the rainbow is enuf, directed and choreographed by Tony Award nominee Camille A. Brown will begin performances on Friday, April 1, 2022 at the Booth Theatre. The fully reimagined production will open on Wednesday, April 20, 2022.  Casting: Dennis Stowe steps into the role of Jafar in the Broadway production of Aladdin beginning this week at the New Amsterdam Theatre. He succeeds fellow original cast member Jonathan Freeman, who created the role on Broadway after voicing the part in the 1992 animated film. Freeman played his final performance on January 23. NaTasha Yvette Williams will succeed Dawnn Lewis as Zelma, Tina Turner's mother, in Broadway's Tina: The Tina Turner Musical beginning February 4. Lewis is scheduled to play her final performance on January 30. Williams was last seen on Broadway in Chicken and Biscuits and has been a long-time Matron "Mama" Morton in Chicago. She starred as Becky during the original run of Waitress, and also appeared on Broadway in A Night With Janis Joplin, Porgy and Bess, and The Color Purple. Follow @BwayPodNetwork on Twitter. Find co-hosts on Twitter at @AyannaPrescod, @CLewisReviews, and @TheMartinAcuna. Subscribe To BPN's newsletter HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

Original broadcast date: May 13, 2021. Art not only spreads joy, but also inspires us to think deeply about the world around us. This hour, TED speakers explore how dance, poetry, and film can shift beliefs and empower creative expression. Guests include choreographer Camille A. Brown, director Jon M. Chu, and poets Amanda Gorman and Lee Mokobe.

Whistle While You Work is a platform lead by dancers, choreographers, and artists that calls out harassment, discrimination, and violence towards women and marginalized groups particularly while at work in the arts, especially in professional dance and performance. Initiated in 2017 by writer/artist Robyn Doty and dancer/choreographer Frances Chiaverini, the platform has given Open Forums in the US and Germany; workshops at dance festivals and conferences throughout Germany and has been featured in prominent dance magazines (US, UK, EU). Frances Chiaverini was born in Pittsburgh, Pennsylvania and she is based in Frankfurt. She is a performer, activist, choreographer. She was a member of The Forsythe Company in its final seasons and has most recently performed with Adam Linder, Luisa Saraiva, Fabrice Mazliah, and Trajal Harrell. In 2017, she co-creates with Robyn Doty Whistle while you work. She is a 2019-20 Resident Fellow at NYU's Center for Ballet and the Arts. She is a choreographic consultant for Anne Imhof for works at Tate Modern, The Venice Biennale, MoMa PS. 1, Pompidou, Hamburger Bahnhof, Art Basel, and La Biennale de Montréal. Her most recent works include The Body Violent (2017, PACT) Open Carry/Concealed Carry (2018), and she most recently created a new original work called It's my house and I live here. (2019) supported by a grant from the Theaterförderung durch die Stadt Frankfurt am Main with Julia Eichten. Robyn Doty graduates in 2019 with an M.A. from the Goethe University Frankfurt where she studied and was active in Memory Studies and Transcultural Studies. In 2017 she co-organized a weeklong postcolonial studies Summer School about performance at the Goethe University Frankfurt. Since 2016 she has collaborated as a writer and dramaturg with BOHL (Frances Chiaverini and Katja Cheraneva); as a writer and dramaturg for Roderick George's kNoname dance company's DUST, FLESHLESS BEAST (Berlin); and with Katja Cheraneva on Cards Against Contemporary Dance. She has shown her own work at the Goethe University and has had her poetry and photography published by Belleville Park Pages. She is the project manager and dramaturg for Whistle while you work. She collaborated with Chiaverini for the creation of It's my house and I live here., and is Chiaverini's collaborator during their NYU CBA Fellowship in 2020. Julia Eichten danced with Camille A. Brown & Dancers, as well as Aszure Barton & Artists. Julia was a founding member of L.A. Dance Project. Based in Los Angeles, Julia continues to work with Gerard & Kelly as a performer and collaborator. Last year she assisted them on Solange's collaboration with Uniqlo, “Metratronia” as well as a month of performances at Pioneer Works(NY) in, “Clockwork.” Julia is a proud founding member of AMOC* as a dancer and choreographer. Most recently Julia danced in Carly Rae Jepsen's latest video, “Too Much” as well as working as an assistant choreographer for One Republic's yet to be released new music and video, “Wanted.” As well as premiering two new original works, “She is Her,” at the Sweat Spot and “PHRASEHXR” at Highways Performance Space. She continues her daily practice of improvisation and video art and is pleased to have premiered with collaborator Frances Chiaverini earlier this season. Contact: http://www.nobody100.com/contact Website: www.whistlewhileyouwork.art Interviewee: Frances Chiaverini, Robyn Doty, Julia Eichten Concept: Giacomo Della Marina

Camille A. Brown is a prolific Black female choreographer, who is reclaiming the cultural narratives of African American identity. Her bold work taps into both ancestral stories and contemporary culture to capture a range of deeply personal experiences. Ms. Brown is the first Black woman to serve as a director at the Metropolitan Opera, with their current production Fire Shut Up In My Bones. Shortly thereafter she's taking the reins of the Broadway revival of Ntozake Shange's For Colored Girls.She has received numerous honors including a Guggenheim Award, Bessie Award, Jacob's Pillow Dance Award, a Doris Duke Artist Award, a Dance Magazine award, a United States Artists Award, 2 Audelco Awards, 5 Princess Grace Awards, and a New York City Center Award. She has received a Tony nomination, 3 Drama Desk, 3 Lortel nominations for her work in Theater. She is an Emerson Collective fellow, a TED fellow and the recipient of a Ford Foundation Art of Change Fellowship, among others. She is the 2021 Distinguished Artist, presented by The International Society for the Performing Arts. Other honors include the 2020 Dance Magazine Award recipient and 2020 Obie Award Winner for Sustained Excellence in Choreography.As Artistic Director of Camille A. Brown & Dancers (CABD), Ms. Brown strives to instill curiosity and reflection in diverse audiences through her emotionally raw and thought-provoking work. Her driving passion is to empower Black bodies to tell their story using their own language through movement and dialogue. Through the company, Ms. Brown provides outreach activities to students, young adults, and men and women across the country.

Theater Twitter was on fire this week.... Notable News: The Museum of Broadway has announced the museum will open in Summer 2022. The first museum dedicated to telling the history of Broadway will open at 145 West 45th Street, next door to the Lyceum Theatre. The TONY Awards will be held at the Winter Garden Theatre. PASS OVER will open three weeks earlier on Sunday, Aug 22, 2021. Camille A. Brown will direct and choreograph an upcoming Broadway production of for colored girls who have considered suicide/when the rainbow is enuf. Brown will be the first Black woman to serve as both director and choreographer on Broadway in more than 65 years. Casting:  Come From Away will return to the Gerald Schoenfeld Theatre on September 21. The Broadway cast will feature De'Lon Grant, Joel Hatch, Caesar Samayoa, James Seol, Q. Smith, Pearl Sun, Olivier nominee Rachel Tucker, and more. Quentin Earl Darrington, Whitney Bashor, and more will join the previously announced Myles Frost (who is replacing Ephriam Sykes) in MJ on Broadway when it opens this fall at .   Tituss Burgess also joins the ANNIE Live cast as Rooster. The production is set for Thursday, Dec. 2 at 8pm EST on NBC. Heather Headley, Sara Bareilles, Christian Borle, and Ashley Park will star in NY City Center Encores! Into The Woods. Disney's Aladdin the Musical will return on September 28 at the New Amsterdam Theatre and for the first time ever, the leads will both be played by MENASA actors. Michael Maliakel in the title role and Shoba Narayan as Jasmine.  The Lion King Musical will return on September 14 at the Minskoff Theatre and star Brandon A. McCall, who starred as Simba in the North American tour. Camille A. Brown will direct and choreography and upcoming Broadway production of for colored girls who have considered suicide/when the rainbow is enuf. Brown will be the first Black woman to serve as both director and choreographer on Broadway in more than 65 years. Red Carpet Interviews from The Show Must Go On movie premiere: Tamika Lawrence Cody Renard Richard Salisha Thomas Jay Armstrong Johnson Sammi Cannold Ali Ewoldt Eva Noblezada and Reeve Carney Thanks to @MaxCrumm for this episode's title. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beatrice Capote shares how Cuban dance of the African diaspora influences her as a performer, educator, artist and creator of the Capotechnique.  BIOBeatrice Capote is a Cuban American contemporary dancer, choreographer, educator and founder of Contempo: Capotechnique Exercises. In her work, she fuses Modern, Ballet, African and Afro-Cuban dance techniques to support artists with building technical skills while deepening knowledge on African Diaspora traditions.Ms. Capote has served as the choreographer for Citrus, a choreopoem play (Northern Stages) & The Wedding Band Musical (Montclair State University). She has received choreographic commissions from the Lower Manhattan Cultural Council and The Dark Elegy Project inspired by Suse Lowenstein performed at Gibney Dance. In 2019, she was a MANCC Forward Dialogues artist in residence where she developed her most recent solo based on “Reyita, The Life of a Black Cuban Woman in the Twentieth Century” written by Maria De los Reyes Castillo Bueno. Her work has also been shown in major festivals/venues such as WestFest Dance Festival, Battery Dance Festival, BAAD! ASS Women's Festival, Amherst College, Casita Maria!, Contemporary Dance Series at Bryant Park, Vision Festival and more. She began her training at Alvin Ailey American Dance Center and was featured in “Attitude! Eight Young Dancers Come of Age at the Ailey School” written by Katharine Davis Fisherman. She received her A.A. from University of North Carolina School of the Arts, a B.A. in Dance Education and an MFA focused on Afro-Cuban Dance Forms from Montclair State University. During the graduate program, her MFA Thesis choreography excerpt was featured on Bronx NETTV.Ms. Capote has performed for prestigious companies such as INSPIRIT, a dance company and Kyle Abraham/Abraham. In. Motion. She is a current member of Bessie Award-winning Camille A. Brown & Dancers. To continue her work in the Latinx Artist community, she co-founded The Sabrosura Effect dance company and co-curates Pepatián's Dancing La Botanica: La Tierra Vive project and Bronx Arts and Conversation showcase under the direction of Pepatián South Bronx. Prior to her position at IU, she served on faculty at Montclair State University, The Ailey School, Gibney Dance, Joffrey Ballet School, and as a guest artist/mentor for many universities and dance institutions. Action StepsBeatrice leads our movement exploration segment with a focus on the cuban torso.Connect with Beatrice CapoteWebsite: http://www.beatricecapote.comInstagram: https://www.instagram.com/b__capote/ @b_capoteWatch Beatrice Solo Performance: Battery Park August 20th Free To The PublicStay Connected to Get The Point! Dance 1. Stay tuned for behind the scenes POINTTV on IGTV and Join the discussion.2.Get Inspiration, Empowerment and Education straight to your inbox with our Newsletter Coming SoonLinks: https://linktr.ee/getthepointQuote:There are no mistakes every process makes us grow.                                                                                                                   -Beatrice Capote

Art not only spreads joy, but also inspires us to think deeply about the world around us. This hour, TED speakers explore how dance, poetry, and film can shift beliefs and empower creative expression. Guests include choreographer Camille A. Brown, director Jon M. Chu, and poets Amanda Gorman and Lee Mokobe.

In this special episode, join me as I interview Tony-nominated choreography, Camille A. Brown. Known for Once On This Island, Choir Boy, and Ma Rainey's Black Bottom, Camille is one of the most unstoppable choreographers in the industry. After discovering her episode in Season One Episode 10, Camille was thrilled to come on the show herself to talk about her amazing career. Music: https://www.purple-planet.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gabe-moses/support

Announcing the new season of the Lineage Podcast + Portrait Project! Lineage features intimate, in-depth interviews with contemporary socially engaged Black artists. Season Two will include conversations with renowned creatives and thought leaders Firelei Báez, R. Dwayne Betts, Camille A. Brown, Aimee Meredith Cox, Kamilah Forbes, Shani Jamila, Marc Bamuthi Joseph, Kiese Laymon, Fabiola Jean Louis, Haki Madhubuti, Alicia Hall Moran, Jason Moran, Lynn Nottage, Mary Lovelace O’Neal, Wendi Moore-O’Neal, Fahamu Pecou, Sonia Sanchez and Carrie Mae Weems. Stay tuned for bi-weekly audio interviews with each of the featured guests, beginning on Tuesday March 2nd. Subscribe to receive new episodes every other Tuesday.

A native of Buffalo, New York, Naila Ansari (she/her) is an award-winning choreographer, director, and performing artist. She is a distinguished MFA graduate from the University at Buffalo in Dance and a Cum Laude undergraduate of Point Park's Conservatory of Performing Arts Program. Ansari is an original and former principal dancer for the August Wilson Center Dance Ensemble. The company was named “Top 25 Dance Companies to Watch” in Dance Magazine for the 2012-2013 season, featured at Jacob's Pillow and SummerStage NYC at Central Park. Ansari has danced and performed works for the legendary Lula Washington Dance Theatre out of Los Angeles, CA. She has had the privilege of dancing works by Robert Battle, Kyle Abraham, Camille A. Brown, Darrell Grand Moultrie, Sidra Bell, and Trebien Pollard, to name a few. Ansari's choreography has been set on a host of colleges, universities, professional theatres, and commercial projects. As an Assistant Professor in Theatre and Africana Studies at SUNY Buffalo State College, Ansari has merged artistry and scholarship to build and create works through community and collaborative processes that facilitate conversations on race and Black performance. She has published articles in Theatre Journal, received numerous grants and awards such as the New York State DanceForce Grant, and The Pittsburgh Courier 40 under 40 awards. Ansari is a research assistant and assistant choreographer for AT BUFFALO the Musical and the recent AT BUFFALO TED TALK under award-winning artist and scholar Dr. Amma Y. Ghartey-Tagoe Kootin. Ansari's award-winning choreographed work "Mine Eyes Have Seen" was selected and performed at the Kennedy Center in Washington, D.C for the American College Dance Association awards in 2018. Ansari is a collaborator with the UB Arts Collaboratory under the direction of Bronwyn Keenan. Her most recent project and a forthcoming book, The Movement of Joy, focuses on the performance of joy through the creative archiving of oral histories, movement histories, live-performance, and film. Ansari is currently the Dance Director for Ujima Company, inc. selected by the late Lorna C. Hill.

Links referenced in/relevant to this episode:-Dancers of New York City Ballet relief fund: https://www.dancersofnycb.com/-Houston Ballet's Breaking Boundaries series: https://www.houstonballet.org/explore/breaking-boundaries/-New York Times profile of Camille A. Brown's virtual school: https://www.nytimes.com/2020/09/02/arts/dance/camille-a-brown-pandemic-every-body-move.html-Camille A. Brown's Instagram page: https://www.instagram.com/camilleabrown/-Los Angeles Times story on the city's dance studio crisis: https://www.latimes.com/entertainment-arts/story/2020-09-02/la-dance-studio-classes-covid-closures-Pointe's piece on "La Bayadère" stereotypes: https://www.pointemagazine.com/la-bayadere-orientalist-stereotypes-2646384245.html-Nel Shelby's website: https://www.nelshelby.com/-Table of Silence Project 9/11 information: https://www.tableofsilence.org/

A look into the career of Camille A. Brown and her success as a black choreographer. Her work is a nod to the ancestral stories and the culture of the African American community. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/gabe-moses/support

Ja' Malik, named “a choreographer to watch” by The New York Times, is quickly becoming an in-demand choreographer around the country. A former member of Cleveland Ballet, Oakland Ballet, North Carolina Dance Theatre, Ballet Hispanico, and Ballet X. He has created original works on such companies as Oakland Ballet, North Carolina Dance Theater 2, City Dance Ensemble, Columbia Ballet Collaborative, Intermezzo Dance Company. Self produced worked in Harlem Stages E:Moves, Ballet Builders, 92nd Street Y, McCallum Theater Festival, The Young Choreographers Showcase & The Battery Park Dance Festival. Off Broadway Theater Credits include choreographer "Miss Julie" August Strindberg Repertory Co. Assistant Choreographer to Camille A. Brown for The Public Theater's production of "For Colored Girls..." In 2019. A 2016 CUNY Dance Initiative Residency. A 2019 Choreographic Resident apart of UNCSA's Choreographic Residency. 2019 marked the Debut Performance of Ballet Boy Productions at the 38th Annual Battery Dance Festival in NYC, NY. Ja' Malik is also the host of “ARTS UNCENSORED” a monthly podcast discussing topics going on in and and around the arts. Follow him on social media @balletboyproductions & @artsuncdnsored

[REBROADCAST] Playwright Lydia Diamond and actor April Matthis discuss the new play mounted by Roundabout Theatre Company, "Toni Stone."   Lucille Lortel nominations: Outstanding Lead Actress in a Play (April Matthis) Outstanding Choreographer (Camille A. Brown)      

"Don't be afraid to fail" -Maleek Washington. Check out this short podcast with the king of freelance himself, Maleek Washington.As a dancer with Camille A. Brown & Dancers, former dancer with Sleep No More and Kyle Abraham, and incredible creator and teacher, Maleek has done it all and left his mark on everyone along the way. Listen to his incredible journey, his perseverance, and insightful advice on how to navigate the dance community and succeed as a freelance artist!

On this episode of West of Broadway, Will Armstrong and Wendy Rosoff connect via ZOOM with Producer and Creator of Rock of Ages Musical to find out how he and the cast are doing and to learn about how this unexpected musical hit found it's way all the way to Broadway and back home to Hollywood. Matt Weaver and a tenacious team of creatives took a terrific idea and made it one of Broadways most successful and longest running hits of all time. In this very cool episode, Matt Weaver explains how he staffed and cast the show, found multiple theaters to mount and create the musical, amassed funding and sold the film rights to an unproven project all before opening on Broadway! We also learn how Matt and his team are working to hold things together during this pandemic and how COVID-19 has directly effected one of their beloved cast members. Matt even shares details about his next musical project with Dominique Morisseau, Ahmir Questlove Thompson, Camille A. Brown and Kamilah Forbes. "Soul Train" the musical is currently in development with an opening set for 2021! Rock of Ages Hollywood at the Bourbon Room is set to reopen as soon as the quarantine is lifted and life gets back to normal. Until then, keep up with the cast on Instagram at @RockofAgesHollywood! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Jamie and Rob bring you an interview with the extraordinary choreographer Camille A. Brown, who in the last year alone worked on the Metropolitan Opera's production of “Porgy and Bess”, The Public Theater's “For Colored Girls Who Have Considered Suicide / When The Rainbow Is Enuf”, and “Toni Stone” for Roundabout, and earned a Tony Award nomination for her work on Manhattan Theatre Club's “Choir Boy”. Camille speaks candidly about her career, what inspires her, and why representation matters. To close, Rob takes a look at other trailblazing black female choreographers who have worked on Broadway (sadly, the list is short). The Week's Music: The "Theme from Fame”, “Mama Will Provide” from “Once on This Island: New Broadway Cast”, “Forget About the Boy” from “Thoroughly Modern Millie”, “I've Got A Feeling I'm Falling” from “Ain't Misbehavin'”, “I'll Never Say No” from “The Unsinkable Molly Brown: Original Motion Picture Soundtrack”, and “If You Believe”, from “The Wiz”. DONATE: The Actor's Fund Find us on Twitter & Instagram: @fabulousinvalid Facebook: www.facebook.com/fabulousinvalid Rob's reviews: www.stageleft.nyc Email us at: info@fabulousinvalid.com    Jamie Du Mont Twitter: @jamiedumont  Instagram: @troutinnyc Rob Russo Twitter/Instagram: @StageLeft_NYC Jennifer Simard Twitter: @SimardJennifer  Instagram: @thejennifersimard Learn more about your ad choices. Visit megaphone.fm/adchoices

Melanie George, jazz dance scholar, choreographer, and dramaturge, hosts this episode. Highlighting voices of students from the School at Jacob's Pillow and insights from Moncell Durden and Camille A. Brown, George offers a reflection on the communal aspects of jazz dance.

Maleek Washington continues his story of overcoming a staph infection that threatened his dance career and life. Then he travels thru time to take us through his amazing comeback and his journey into becoming an artiste. He talks about his experience with Camille A. Brown Dance Company and the culture of support that is unique to his dance company experiences.. He also touches on the importance of women leaders in the dance world and their talent of bringing a level of balance and caring that matters for dancers

In this episode of Still Spinning, choreographer Camille A. Brown discusses her struggles with body image, how she learned to owns who she is, and her celebrated work Mr. TOL E. RAncE, which you can see at The Joyce Nov 9 & 10.   *** More Info About The Joyce.  Tickets Facebook Instagram Thanks to Simon Kafka, the composer of our theme music, and the East West Quintet, who performed it. If you like it, you can purchase the song here.  Thank you to photographer Carrie Schneider and choreographer Kyle Abraham for providing the photograph for our show image. The photo features dancer Tamisha Guy in Abraham's Dearest Home. 

Melanie George, jazz dance scholar, choreographer and dramaturge, hosts this episode. She offers an insightful historical overview and then dives into an exploration of this uniquely American art form. From the origins through the evolutions, George weaves the story of jazz dance with rarely heard clips, selected from the Jacob's Pillow archive, of Veta Goler (speaking about Dianne McIntyre), Moncell Durden, Camille A. Brown, Danny Buraczeski, and Billy Siegenfeld.

Vie Boheme is a Motown native, as she says, blossomed in Pittsburgh and refined in Minneapolis. She is a multimodal artist; a dancer, singer and choreographer. She brings athletic agility to her vocal performance through both song and dance and her sound is a fusion of Soul, Funk, Jazz, R&B and Pop. In 2018 she released a solo album titled Swoon and has created two major solo performance art pieces- Centerplay and Viva Black Volume 1. She is a former vocal artist, choreographer and co-creative director for Stokley Williams and is also a former dance artist with Camille A. Brown & Dancers, TU Dance and a founding member of The August Wilson Center Dance Ensemble. She has choreographed and performed with the St. Paul Chamber Orchestra, The Guthrie Theater, and The Children's Theater in Minneapolis. Vie was trained at Point Park University's Conservatory of Performing Arts and The Ailey School. Over the course of her career she performed the works of Kyle Abraham, Gregory Dolbashian, Dwight Rhoden, Uri Sands, Darrell Grand Moultrie and Sidra Bell. As a soul, funk, jazz vocalist, she has opened for international acts Little Dragon, Bilal and J*Davey. She is also a Vinyasa yoga instructor with her own philosophy that has nurtured her versatility and prepares her body for her rigorous solo work.~SHOW NOTES:-Vie’s website, instagram, and facebook-Swoon - Vie Boheme’s solo album on Spotify-Her performance pieces: Viva Black Volume 1 & Center Play-Vie’s TEDX talk in Minneapolis Musical/Artistic Influences:-Karen Clark Sheard-The Winan’s Family-Destiny’s Child-Betty Davis (great article on her)-Josephine Baker-Dinah Washington-Ella Fitzgerald-Nina Simone (interview clip talking about blackness)-Eartha Kitt-The Pillow Project-Alvin Ailey’s Summer Intensive & Revelations-Corepower Yoga-Body Cartography (Olive and Otto)-Walker Art Center Choreographers Evening-Camille A. Brown & Company-TU Dance~THANK YOU FOR LISTENINGSubscribe & leave a review on iTunesHave any questions, comments or guest recommendations? Email me hereLET’S CONNECT:Follow the Process Piece instagramRuby’s instagramSubscribe to the newsletter

On this week's episode we are talking about mindfulness, what is expected of physical therapists from the dancer perspective, and taking care of hip and glute pain. Sir Brock holds a BFA from the Boston Conservatory, a MS in Entertainment Business from Full Sail University and is currently pursuing his MBA. His residencies and artist grants include: Angelina Ballerina Artist Residency Project and Project GenYes made possible by the Doris Duke Charitable Foundation. His credits include: Paradise Square: An American Musical (Berkeley Rep) Directed by Moises Kaufman and Choreographed by Bill T Jones, The Wiz (The Muny) directed by Denis Jones and Choreographed by Camille A. Brown, Radio City Christmas Spectacular, Forces of Nature Dance Theater, Jennifer Muller/The Works and Dundu Dole Urban African Ballet among others. He has also choreographed for Hip Hop Legend MC-Lyte and the popular Haitian band Carimi. He is currently represented by Clear Talent Group NY. Sir Brock Warren : IG- @only1sirbrock IG: @theartofbodylanguage Email: theartofbodylanguage@gmail.com

Jason Styres (IG:@jasonstyrescsa)(jasonstyrescsa.com) is a casting director whose work is currently represented internationally. He has, in a relatively short time, come to work in every facet of the industry: theatre, film, television, commercials, live events, company consultation, and more.  He and his team place an emphasis on creating an environment for teams, producers, and performers to effectively and efficiently put together exemplary groups of collaborative artists in order for a project realize its fullest potential. All the while never sacrificing the humanity of the process.Most recently, he was appointed to the New York board for the Casting Society of America, in addition to being named one of the "industry players you need to know" by Backstage.  He cast such projects as the Tony Award Best Musical A Gentleman’s Guide to Love & Murder (Broadway & 1st National Tour, and 2nd National Tour), the hit Off-Broadway comedy Puffs, Or: Seven Increasingly Eventful Years at a Certain School of Magic & Magic, the current national tours of Bartlett Sher’s productions of Fiddler on the Roof and The King & I, Josh Prince’s breakthrough Dance Lab NY (FKA, Broadway Dance Lab), Magic Mike Live in both Las Vegas and London (alongside Channing Tatum & Alison Faulk), Rodgers + Hammerstein's Cinderella (National Tour), Dames at Sea (Broadway), The Lion King (Broadway & National Tour), Irving Berlin’s White Christmas (National Tour), Trip of Love (Off-Broadway), Nice Work If You Can Get It (Broadway), and for over 15 different productions for the prestigious New York City Center Encores! series. He has worked with such directors and choreographers as Darko Tresnjak, Camille A. Brown, Josh Prince, Warren Carlyle, Josh Bergasse, Ruben Santiago-Hudson, Marc Bruni, Casey Nicholaw, Kathleen Marshall, Josh Rhodes, John Doyle, Randy Skinner, and James Lapine — amongst many, many others. Other credits include Hartford Stage, New York Philharmonic, the York Theatre Company, Shakespeare Theatre Company (DC), San Francisco Symphony, Theatre Under the Stars (TUTS), TUTS Underground, Queensbury Theatre, Florida Studio Theatre, and various other theatres. He cast the three-time Emmy nominated production of Carousel (NY Philharmonic/PBS), the smash-hit television show So You Think You Can Dance, and the highly praised HBO documentary Six by Sondheim. Some recent favorite projects include Last Week Tonight with John Oliver, The Prancing Elites Project, and How You Look At It — a brand new dance short by Wendy Seyb, currently gathering awards across the country in various film festivals.  He also worked with Nathan Mitchell and Alexander McQueen/Document Journal on their highly lauded immersive project for New York Fashion Week (S/S 2017). His upcoming projects include The Apple Boys (HERE Arts Center), Midnight at the Never Get (York Theatre), a brand new developmental work with Camille A. Brown (in conjunction with the Jerome Robbins Foundation and the Baryshnikov Arts Center), a collaboration with the Astoria Performing Arts Center, the next incarnation of the award-winning show Pedro Pan (previously seen at NYMF and Fringe)... as well as some other exciting new projects yet to be announced.Outside of his normal work in casting, he is a proud supporter/friend of the Cancer Support Community, serving as their casting consultant for their galas and benefits, serves as guest faculty for Broadway Dance Center and the Quest Intensive, as well as several universities and colleges across the nation.

The fabulousness of working the Red Carpet for the 2019 Drama Desk Awards is talking to the amazing nominees. In Part One of the evening, I chatted with THE KUPERMAN BROTHERS, Phil LaDuca, DAVID YAZBECK*, RACHEL HOWKE, ROBERT HORN*, SCOTT ELLIS, SYDNEY JAMES HARCOURT, PETER NEGRINI, KATHERINE FREER, CAMILLE A. BROWN, DEBRA MONK, JAMIE BREWER*, MARK SONNENBLICK, JAMIE RODERICK, ERIN TREADWAY, MEGAN HILL, DAVID NEUMANN, BRANDON URANOWITZ, and RACHEL CHAVKIN* For more information on the Drama Desk Awards: http://dramadeskawards.com For more on the podcast: http://keithpricecurtaincall.com

We continue to celebrate the upcoming Tony Awards with a special episode of Stage Door Sessions. In this exciting segment, we get to know some of the 2019 Tony-nominated choreographers, including Camille A. Brown, David Neumann, Dennis Jones, Sergio Trujillo, and Warren Carlyle. Once you've put away your dancing shoes, remember to also tune in to the Tony Awards live on CBS on June 9 at 8/7c.

This week Drew is joined by a few fresh faces! 2019 Tony Award-nominated choreographer, Camille A. Brown(Choir Boy, Once On This Island), Actor/Producer Eric Lockley(The Movement Theatre Company), Actor/Playwright Ngozi Anyanwu (Good Grief, The Homecoming Queen)all lend their voices and experiences to the Off Book movement. Get into their discussion on grace, perseverance, and validating yourself! Go into the world of black theatre artists on this weekly podcast with a playwright, an actress, & a journalist as they explore and process life in NYC while pursuing their Broadway dreams. Email: OffBook@BroadwayBlack.com Twitter: @OffBookPodcast | @BroadwayBlack IG: @BroadwayBlack | @OffBookPodcast Facebook: www.facebook.com/broadwayblack2.0 www.BroadwayBlack.com

Tony Award© Nominee for Best Choreography, Camille A. Brown, finally stops by the studio for a chat about her life, career, and yes the Tony Award Nomination. She and I bonded with the right amount of laughter. Come and get to know ms. Camille A. Brown. More about MS. Brown: http://www.camilleabrown.org/ More about the Podcast: http://keithpricecurtaincall.com

Camille A. Brown is the Tony-nominated choreographer of Choir Boy, which earned a total of four Tony nominations. Brown made her Broadway debut choreographing for the Tony-winning revival of Once on This Island last year. She is currently working on Much Ado About Nothing for this summer's Shakespeare in the Park and Roundabout Theatre Company's upcoming Toni Stone. Be sure to watch her live interview on Monday, May 6 to hear all about her Tony-nominated work.Hosted by Beth Stevens, Paul Wontorek and Caitlin Moynihan

Melanie Moore won Season 8 winner of 'So You Think You Can Dance' and she's been back multiple times on the show as a #SYTYCD All-Star. Her work has taken her to New York where she's starred in three Broadway shows — 'Finding Neverland,' 'Fiddler on the Roof' and 'Hello, Dolly.' For more dance news, visit DanceNetwork.tv:From Broadway to The Joyce: Camille A. Brown is Leading the Way: http://bit.ly/2DJdafMEllenore Scott: From 'So You Think You Can Dance' to Broadway:http://bit.ly/2ssy3WkRelated #ToThePointe interview with Robert Roldan: http://bit.ly/2CTEgzf HELPFUL LINKS: Website - http://popcorntalk.com Follow us on Twitter - https://twitter.com/thepopcorntalk Merch - http://shop.spreadshirt.com/PopcornTalk/ ABOUT POPCORN TALK: Popcorn Talk Network is the online broadcast network with programming dedicated exclusively to movie discussion, news, interviews and commentary. Popcorn Talk Network is comprised of the leading members and personalities of the film press and community including E!’s Maria Menounos. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Camille A. Brown and dancers present 'ink' at the Joyce Theater February 5th-10th. 'ink' is the third installment of Brown's interrogation and celebration of Black identity. Listen to Camille reflect on the motivations behind her work and its' location within the present cultural moment. Available Now!

Holiday Concerts, LeAnn Rimes, Alexander String Quartet, Chamber Music Society of Lincoln Center, Camille A. Brown & Dancers, Paula Poundstone and more.

Anxiety. Finding your artistic voice. Stripping labels and connecting with humanity. We cover a broad spectrum with Juel D Lane.  Juel  is an American dancer, choreographer, filmmaker, and one of Dance Magazine’s “25 to Watch.” With elite training from Tri-Cities High School and the Youth Ensemble of Atlanta, Lane earned his Bachelor of Fine Arts (BFA) from the University of North Carolina School of the Arts with a focus on Contemporary Dance. Currently dancing with Bessie Award-winning Camille A. Brown & Dancers, Lane made history in 2012 as the first local and independent black choreographer to have his work commissioned by the Atlanta Ballet. From there, he participated in the 2015-2016 Alvin Ailey Dance Foundation New Directions Choreography Lab, and collaborated with dance legends across the United States. His dance films, "Just Another Day," "How to Kill a Ghost," and "When The Beat Drops," showcase the complexity, playfulness and creativity within this dynamic choreographer’s mind. 

Tyrone Bevans sat down with us and talked about Pose FX, Camille A. Brown not receiving a well deserved TONY nomination, and thirst traps!!! Intro & Outro: DJ Tony Monkey – https://soundcloud.com/djtonymonkey/2017-monkey-pleasure The Dance Union www.jbouey.com/podcast/ IG: @thedanceunion FB: www.facebook.com/TheDanceUnion/ J. Bouey www.jbouey.com/ IG/Twitter: @j_bouey FB: www.facebook.com/danceartistj/ Melanie Greene methodsofperception.com/ IG: @laniereene Tyrone Bevans tyronebevansdance.com/ IG: @tyronebevans

Dive into a deep and rich conversation with Camille A. Brown. In addition to being the choreographer of the current Broadway revival of Once on the Island, and NBC's Jesus Christ Superstar Live, Camille is the founding artistic director of Camille A. Brown & Dancers. She is a four-time Princess Grace Award winner, a Ford Foundation Art of Change Fellow, Jacob’s Pillow Dance Award winner, Guggenheim Fellowship recipient, and TED Fellow, among others. Her work has been commissioned by the Alvin Ailey American Dance Theater, Broadway theaters, and other prominent institutions. On this episode we discuss Camille's training, what she looks for in a dancer, and the challenges and blessings of creating work that dives deep into the heart and soul of America's history. Facebook and Instagram - @bwaydancelab #bwaydancelab BDL Website: www.broadwaydancelab.org Camille A. Brown Website: www.camilleabrown.org

On today's episode of “To The Pointe with Kristyn Burtt”, we're talking to Marko Germar. Popcorn Talk Network, the online broadcast network that features pop culture discussion, news, interviews and commentary and Dance Network, the digital network dedicated to showcasing all styles and genres of dance, proudly present “To The Pointe with Kristyn Burtt”, a show that goes behind the scenes in the commercial dance industry. Kristyn chats with the hottest dancers and choreographers in the TV and film. From hip-hop to ballroom, To The Pointe delivers all of the inside scoop you've been looking for. For more dance news, visit DanceNetwork.tv: ‘Jesus Christ Superstar’ Choreographer Camille A. Brown Is Just Getting Started: http://bit.ly/2EaIOjC ‘SYTYCD’ Los Angeles Auditions Draw Some Familiar Dance Faces: http://bit.ly/2GfUneX ‘SYTYCD’ Executive Producer Jeff Thacker Gets Real About Season 15: http://bit.ly/2pMQeEf

We’re back with our first episode of 2018. Happy new year! Choreographer Camille A. Brown says of her new work "ink", a Hancher commission, "The heart of the work is about seeing the dancers. They are people. What are the stories that live inside of their bodies?" Her new work seeks to reclaim African American narratives and culture from appropriation and silence. The third work in a trilogy about identity, "ink" is an amalgamation of African dance, African American social dance, tap, jazz, modern, and hip-hop, depicting the pedestrian interactions of individuals and relationships as grounds for accessing one's innate superpowers and finding liberation. For more information about Camille and her company, visit http://www.camilleabrown.org/. Michael Sakamoto, UI assistant professor of dance, is an interdisciplinary artist active in dance, theatre, performance, photography, and media. His solo, ensemble, and visual works have been presented in 14 countries throughout Asia, Europe, and North America with such venues as the Vancouver International Dance Festival, REDCAT, Audio Art Festival-Krakow, Roulette/NYC, TACTFest Osaka, San Francisco International Butoh Festival, and many others. To learn more, visit http://michaelsakamoto.org/.

Swing dance isn't usually classified as art. This title is normally applied to ballet, tango, folk dance or contemporary dance. But is this fair? And does swing dance need to be on a par with these well-established and recognised dance genres? Is swing dance perhaps just a form of entertainment - or even a niche specialism? This and more in an episode packed with insight both from within and outside the swing community. *** Contributors to this episode: Marina Losin, dancer, choreographer and researcher at ImPulsTanz, one of the largest contemporary dance festivals in the world www.impulstanz.com Gaby Cook, noted U.S. jazz dance performer and instructor www.gabycook.com Anaïs Sékiné, swing dance performer and instructor based in Montreal; PhD researcher of modern swing dance culture Peter Loggins, one of the pioneers of the swing dance revival, veteran performer and instructor www.jassdancer.blogspot.com Camille A. Brown, award-winning U.S. dancer and choreographer and champion of black rights www.camilleabrown.org *** Produced and presented by Alexei Korolyov www.alexei-korolyov.com From the Top theme song by Alexander Forstner, Nina Jukić and Alexei Korolyov

Por que dançamos? As danças sociais afro-americanas nasceram como uma maneira dos africanos escravizados manterem tradições culturais e um senso de liberdade interna. Elas continuam sendo uma afirmação de identidade e independência. Nessa demonstração eletrizante, cheia de apresentações ao vivo, a coreógrafa, educadora e Bolsista TED Camille A. Brown explora o que acontece quando comunidades se descontraem e se expressam dançando em conjunto.

우리는 왜 춤을 출까요? 미국계 흑인들의 사교 댄스는 노예였던 흑인들이 문화적 전통을 유지하고 내면의 자유를 간직하기 위한 수단으로 처음 시작되었습니다. 사교 댄스는 여전히 자아와 독립을 확인시켜주는 수단입니다. 공연이 생생하게 담겨있는 이 강렬한 시연을 통해, 안무가이면서 교육자이자 TED 펠로우인 카밀 A.브라운 씨는 사회 집단이 함께 춤을 춤으로써 자유롭게 자신들을 표현할 때 무슨 일이 일어나는지를 보여줍니다.

¿Por qué bailamos? Los bailes sociales afroestadounidenses comenzaron con el fin de que los esclavos africanos mantuvieran vivas las tradiciones culturales y retener así un sentido de libertad interior. Siguen siendo una afirmación de la identidad y la independencia. En esta demostración vibrante, llena de actuaciones en directo, la coreógrafa y educadora, becaria TED Camille A. Brown explora lo que sucede cuando las comunidades se sueltan y se expresan bailando juntas.

Pourquoi dansons-nous ? Les danses de société afro-américaines ont commencé comme une façon, pour les esclaves africains, de maintenir en vie leurs traditions culturelles et de conserver un sens de liberté intérieure. Elles restent une affirmation de l'identité et de l'indépendance. Dans cette démonstration électrique, pleine de performances en direct, la chorégraphe, éducatrice et TED Fellow Camille A. Brown explore ce qu'il se produit quand les communautés se libèrent et s'expriment en dansant ensemble.

Warum tanzen wir? Mit dem afroamerikanischen Gesellschaftstanz konnten die versklavten Afrikaner ihre kulturellen Traditionen und ein Gefühl innerer Freiheit bewahren. Es war eine Bestätigung der Identität und der Unabhängigkeit. In dieser elektrisierenden Vorführung, gefüllt mit Live-Auftritten, ergründet die Choreographin, Pädagogin und TEDFellow Camille A. Brown was geschieht, wenn Gemeinschaften einmal locker lassen und sich selbst gemeinsam durch Tanz ausdrücken.

Why do we dance? African-American social dances started as a way for enslaved Africans to keep cultural traditions alive and retain a sense of inner freedom. They remain an affirmation of identity and independence. In this electric demonstration, packed with live performances, choreographer, educator and TED Fellow Camille A. Brown explores what happens when communities let loose and express themselves by dancing together.

Mark Anthony Neal sits down with Camille A. Brown to talk about her new show, Mr. TOL E. RAncE. Check out where Camille A. Brown and Dancers is performing next at http://www.camilleabrown.org

Dance artists who happen to be both female and Black often find it tough to forge a viable, sustainable career, says Camille A. Brown, the well-regarded choreographer and Artistic Director of Camille A. Brown & Dancers. They need role models. Listen as this inspiring artist shares her experience of taking nourishment from talking with young dance students of color. Camille A. Brown & Dancers http://camilleabrown.org (c)2012, Eva Yaa Asantewaa, InfiniteBody (http://infinitebody.blogspot.com)

Choreographer Makeda Thomas (of Roots and Wings Movement!) called from Trinidad to speak with me about the tragic killing of her colleague, Augusto Cuvilas, one of Mozambique's most celebrated dance artists. Although the sound quality of this phone interview is not ideal, the information she presents is very important, and time is of the essence. Makeda has been invited to join with South African choreographer Boyzie Cekwana to complete a project that the three were working on at the time of Cuvilas's death. For more information on how you can help, visit Makeda's site at www.makedathomas.org. Makeda Thomas is from Trinidad & Tobago and has presented work at HARLEM Stage/Aaron Davis Hall, Dance Theater Workshop, The Brooklyn Academy of Music, the Chicago Women's Performance Arts Festival, Maputo's Teatro Africa, Caribbean Contemporary Arts (CCA7), and as a Cultural Envoy for the U.S. Department of State. Her choreography has been commissioned by 651 ARTS Black Dance: Tradition & Transformation (2007) and received awards from the United States Embassy (2006 & 2005), Puffin Foundation (2005), New York State Council on the Arts (2005), Bossak-Heilbron Charitable Foundation (2005), Arts International (2003), Yellowfox Foundation (2006), and the National AIDS Council of Moçambique (2005). In 2004, during its 25th Anniversary season, she was named Resident Choreographer of Companhia Nacional De Canto e Dança. Graça Machel (Former First Lady of South Africa and Moçambique) serves as the Honorary Patron of her internationally acclaimed work, "A Sense of Place" (2005), on which she presented at the 1st Conference on New Perspectives in African Performing & Visual Arts. In 2007, she became a featured choreographer in ‘This Woman’s Work: Choreographic Development Project Representing Women of Color’ - joining Camille A. Brown, Bridget Moore, Shani Collins, Princess Mhoon Cooper, Francine Ott, & Ursula Payne. As a dancer, Makeda Thomas has toured internationally in the companies of Ronald K. Brown/EVIDENCE, URBAN BUSH WOMEN, and Rennie Harris/ Puremovement, and independently with Robin Becker Dance, Lula Washington Dance Theater, and Stephen Koplowitz. She began her study in Brooklyn, New York with Michael Goring, continuing on scholarship at the Martha Graham School of Contemporary Dance, The Paul Taylor School and Hofstra University where she earned a B.A. in Dance and English. Ms. Thomas has conducted research projects in South Africa and The Netherlands, artistic residencies in Hawaii and Florida; and arts in education projects with The Dalton School, Arts in Ed. Institute of Western NY, and NYC Dept. of Education. She continues to create dance works and perform internationally, while living in New York City & Port of Spain. Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

Choreographer Makeda Thomas (of Roots and Wings Movement!) called from Trinidad to speak with me about the tragic killing of her colleague, Augusto Cuvilas, one of Mozambique's most celebrated dance artists. Although the sound quality of this phone interview is not ideal, the information she presents is very important, and time is of the essence. Makeda has been invited to join with South African choreographer Boyzie Cekwana to complete a project that the three were working on at the time of Cuvilas's death. For more information on how you can help, visit Makeda's site at www.makedathomas.org. Makeda Thomas is from Trinidad & Tobago and has presented work at HARLEM Stage/Aaron Davis Hall, Dance Theater Workshop, The Brooklyn Academy of Music, the Chicago Women's Performance Arts Festival, Maputo's Teatro Africa, Caribbean Contemporary Arts (CCA7), and as a Cultural Envoy for the U.S. Department of State. Her choreography has been commissioned by 651 ARTS Black Dance: Tradition & Transformation (2007) and received awards from the United States Embassy (2006 & 2005), Puffin Foundation (2005), New York State Council on the Arts (2005), Bossak-Heilbron Charitable Foundation (2005), Arts International (2003), Yellowfox Foundation (2006), and the National AIDS Council of Moçambique (2005). In 2004, during its 25th Anniversary season, she was named Resident Choreographer of Companhia Nacional De Canto e Dança. Graça Machel (Former First Lady of South Africa and Moçambique) serves as the Honorary Patron of her internationally acclaimed work, "A Sense of Place" (2005), on which she presented at the 1st Conference on New Perspectives in African Performing & Visual Arts. In 2007, she became a featured choreographer in ‘This Woman’s Work: Choreographic Development Project Representing Women of Color’ - joining Camille A. Brown, Bridget Moore, Shani Collins, Princess Mhoon Cooper, Francine Ott, & Ursula Payne. As a dancer, Makeda Thomas has toured internationally in the companies of Ronald K. Brown/EVIDENCE, URBAN BUSH WOMEN, and Rennie Harris/ Puremovement, and independently with Robin Becker Dance, Lula Washington Dance Theater, and Stephen Koplowitz. She began her study in Brooklyn, New York with Michael Goring, continuing on scholarship at the Martha Graham School of Contemporary Dance, The Paul Taylor School and Hofstra University where she earned a B.A. in Dance and English. Ms. Thomas has conducted research projects in South Africa and The Netherlands, artistic residencies in Hawaii and Florida; and arts in education projects with The Dalton School, Arts in Ed. Institute of Western NY, and NYC Dept. of Education. She continues to create dance works and perform internationally, while living in New York City & Port of Spain. Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We talked about the steady evolution of her remarkable career. She has won rave reviews for her appearances with Ronald K. Brown/Evidence, and now she has premiered a delightful and well-received ensemble piece with the Alvin Ailey American Dance Theater, one of the world's most celebrated dance troupes, during its 2007 season at City Center. Camille is a young artistic star on the rise. For information on the Ailey season at City Center, visit www.alvinailey.org. Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We talked about the steady evolution of her remarkable career. She has won rave reviews for her appearances with Ronald K. Brown/Evidence, and now she has premiered a delightful and well-received ensemble piece with the Alvin Ailey American Dance Theater, one of the world's most celebrated dance troupes, during its 2007 season at City Center. Camille is a young artistic star on the rise. For information on the Ailey season at City Center, visit www.alvinailey.org. Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.