Podcast appearances and mentions of Adam Guettel

The long awaited Broadway premiere of the musical FLOYD COLLINS arrived at Lincoln Center this year as a Tony Award nominated revival.The musical, based on true events, features a book and score by Tina Landau and Adam Guettel, with Jeremy Jordan starring in this production as Floyd Collins.Check out this full review for Mickey-Jo's thoughts on the material, this production, and its performances...•00:00 | introduction02:14 | overview / material14:19 | this revival 22:49 | performances•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 80,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Floyd Collins runs on Broadway at Lincoln Center Theater's Vivian Beaumont Theater through June 22nd. To learn more, please visit www.lct.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

In this episode, we discuss the Broadway revival of Floyd Collins at the Vivian Beaumont Theater. We cover the show's historical background, Jeremy Jordan's performance, Adam Guettel's musical score, and the production design. We also share our thoughts on the Tony nominations and how the show connects with audiences.  Follow and connect with all things @HalfHourPodcast on Instagram, TikTok and YouTube. Share your thoughts with us on Floyd Collins on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob Martin and Adam Guettel, the co-writers of the new musical, “Millions,” discuss the upcoming world premiere performances at the Alliance Theatre from May 9 to June 15. Plus, Dr. Scott Stewart stops by for our series, “Music in Media.”See omnystudio.com/listener for privacy information.

Greetings! New Petridisch, new Tremosphere, new Robert Scott Thompson, other new things, slightly older stuff, then a tangent focused on the work of Ricky Ian Gordan and Adam Guettel. (Oh, did I ever tell you I once co-hosted a show themed around musical theater & related goodies?) Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com Blue Sky: https://bsky.app/profile/envpusher1.bsky.social    3-22-25 PTE Playlist   They Went Away - Tremosphere - saturated solace - Slugg Records (May 2025 pre-release) https://tremosphere.bandcamp.com/album/saturated-solace    This Earthly Round (REDUX) - Stephen Page, saxophone / Alexandre Maynegre-Torra, piano / Australian composer: Miriama Young - Earthly Round - Navona Records (2025)  https://www.navonarecords.com/catalog/nv6707/    Our Again S - Petridisch - Apéritifs - fourth world (2025) https://fourthworld.bandcamp.com/album/ap-ritifs    The Universe Spins on a Vector of Silence - Robert Scott Thompson - In Slow Ascent - Aucourant Records (2025) https://robert-scott-thompson.bandcamp.com/album/in-slow-ascent   Jaunpuri - Sophia Subbayya Vastek: just intonation piano / Nitin Mitta: tabla / Michael Harrison tanpura & composer - Histories - Innova (2017) https://innova.mu/album/histories/    Janet Underneath The Roses - Ricky Ian Gordon - A Horse With Wings - Blue Griffin Records (2010) https://rickyiangordon.com/    Once I Was - voice: Theresa McCarthy / piano - composer: Ricky Ian Gordon - Bright Eyed Joy: The Songs of Ricky Ian Gordon - Nonesuch (2001) https://rickyiangordon.com/    Contemporary - voice: Adam Guettel / poem: W.S. Merwin - music: Ricky Ian Gordon - Bright Eyed Joy: The Songs of Ricky Ian Gordon - Nonesuch (2001) https://rickyiangordon.com/    Saturn Returns - vocal/composer: Adam Guettel - Myths & Hymns - Nonesuch (2001) https://www.adamguettel.com/    Pegasus - vocals: Billy Porter / Lynette DuPre / Audra McDonald / composer: Adam Guettel - Myths & Hymns - Nonesuch (2002) https://www.adamguettel.com/   Come To Jesus - guitar: Garrett Gleason / composer: Adam Guettel - Myths & Hymns - Big Round Records (2023) https://www.bigroundrecords.com/catalog/BR8984/   Prisms for Gene Davis - ensemble: Nata Swara / composer: Brian Baumbusch - Chemistry for Gamelan and String Quartet - New World Records (2023) https://www.newworldrecords.org/products/brian-baumbusch-chemistry-for-gamelan-and-string-quartet    Duck Blind - Paul Dresher Ensemble w/ Rinde Eckert - Slow Fire - Minmax Music (1992) https://minmax.bandcamp.com/album/slow-fire    Weeping Monolith - Gelbart - Liquids & Flesh - Egglike Records (April 2025) https://gelbart.bandcamp.com/album/liquids-flesh    Hidden No More - Kekal - Quantum Resolution - digital release (2020) https://kekal.bandcamp.com/album/quantum-resolution    March - feinstruktur - 2025 - digital release (2025) https://feinstruktur.bandcamp.com/album/2025           

In this episode, composer, lyricist, music director, and educator Katya Stanislavskaya discusses representations of Russia/the USSR in musical theater from Fiddler on the Roof to Anastasia to off-Broadway's Iron Curtain and many in between. We also talk about the song "The Beauty Is" from Adam Guettel and Craig Lucas's 2005 musical The Light in the Piazza. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "To Life" from Fiddler on the Roof "Prologue" from Natasha, Pierre, & The Great Comet of 1812 "No One Else" from Natasha, Pierre, & The Great Comet of 1812 "Crossing a Bridge" from Anastasia "Two Worlds" from Doctor Zhivago "That's Capital" from Iron Curtain "Our Time" from Lempicka "The Beauty Is" from The Light in the Piazza

Lizzy McAlpine is set to make her Broadway debut, opposite Jeremy Jordan, in the Lincoln Center Theater production of FLOYD COLLINS. After releasing her critically acclaimed debut album, Give Me a Minute, in 2020, she went on to release two more albums, hit the Billboard 100 charts and go viral on TikTok with her song, "Ceilings." In this episode, Lizzy shares how trusting her instincts has guided her music career and why her love of THE LIGHT IN THE PIAZZA connected her to work on another Adam Guettel musical.   Lizzy's Music Floyd Collins tickets Tickes to Marylee's Moth Radio Hour Competition

For this Musicals Magazine Podcast, Edward Seckerson talks to Jordan Luke Gage, currently starring in Titanique in the West End. In a pretty meteoric rise since leaving drama school, Gage has been raising a little hell with characters as diverse as Clyde Barrow in Bonnie and Clyde, JD in Heathers and Marilyn in Taboo. He's currently aboard HMS Titanic in a show whose French title quickly establishes that this is not the Maury Yeston version. During technical week he talks to Edward Seckerson about all this and more – not least how he and his Titanique co-star Rob Houchen have both now honed their Italian as Fabrizio in Adam Guettel's The Light in the Piazza. Titanique is currently docked at the Criterion Theatre, London – for information and tickets, visit https://london.titaniquemusical.com/ The musical excerpts featuring Jordan Luke Gage are taken from the Original London Cast Recording of & Juliet (2019) on MTM Musical LLC under exclusive license to Atlantic Recording Corporation for the United States and WEA International for the world outside the United States; the opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records

Greetings! So, during my recent jaunt to Europe, I found a killer used CD/vinyl store in Budapest and was tempted to dispose of my clothes and just fill by suitcase up with CDs. The track from George Harrison's "Electronic Sound" is a sampling from the stack I did procure, with other items likely to show up in the coming weeks. I'm also happy to highlight electric guitarist Garrett Gleason's "Myths & Hymns", incredibly imaginative take on Adam Guettel's beautiful song cyle. Enjoy! Joel e-mail: pushingtheenvelopewhus@gmail.com **Bluesky: https://bsky.app/profile/envpusher1.bsky.social  Twitter-like x-thing: https://twitter.com/envpusher1     11-16-24 PTE Playlist   Question Song (feat. Madeleine Ertel/trumpet) / Aplomb (feat. Chris Donnelly/piano) - Dan Fortin - Cannon - Elastic Recordings (2024) https://danfortin.bandcamp.com/album/cannon-elastic-recordings    Saturn Returns/Icarus - Adam Guettel - Hymns & Myths - Nonesuch (1999) https://www.nonesuch.com/albums/myths-and-hymns    Saturn Returns/Icarus - Garrett Gleason - Myths & Hymns - Big Round Records (2023) https://www.bigroundrecords.com/catalog/br8984    Ohm Shanti - Bill Laswell (bass, percussion, keyboards, sounds) - Asana 4: Ohm Shanti - Meta Records (2006) https://billlaswell.bandcamp.com/album/asana-4-ohm-shanti    Dawn Chorus (in memory of Terry Boblet) - Dubious Candy - Women Take Back The Drone  (compilation) - digital release (2022) https://womentakebackthenoise.bandcamp.com/album/various-women-take-back-the-drone    Сенке Праскозорја (Shadows of the Breaking Dawn) - Depression Embrace - Comp25: Sampler1 - Owlripper Records (2023) https://owlripperrecordings.bandcamp.com/album/comp25-sampler1-on001-050    Soundpieces from Scratch (for solo clarinet, 12 pre-recorded clarinets, synthesizer) -  Gary Dranch, clarinet; Frank McCarty, pre-recorded clarinet; Gary Mitro, live sound engineer / composer: Frank McCarty - The Dawn of the Bicameral Clarinetist (An Anthology of American Solo Clarinet Works from 1968-1979) - Navona Records (2024) https://www.navonarecords.com/catalog/nv6693/    Under The Mersey Wall - George Harrison - Electronic Sound - Zapple (1969) https://www.georgeharrison.com/releases/electric-sound/    Adancime ("depth")  - Thy Veils - Live at Garana Jazz Festival - digital release (2024) https://thyveils.bandcamp.com/album/live-at-garana-jazz-festival 

Dylan and Connor are joined by Ally Bonino (Suffs the Musical). With hot cocoa in hand and fall vibes in the air, we're gonna keep marching, y'all! Thank goodness we've got Suffs' very own Ally Bonino here to do it with us. But first (Julie Chen-Moonves voice), we're talking about the new Real Housewives of New York. Do we trust them, like them, or believe them? Speaking of binge watching some TV, we find Ally's during her yearly watch of Six Feet Under. We dive right in, as Ally tells the gorgeous story of discovering her love for the arts. Or should we say… being DISCOVERED by her elementary school teacher. It's gaggy. Ally shares a few of her favorite professional highlights since then, including Myths and Hymns and working with Adam Guettel. Don't worry, we go all in on Shaina Taub's Suffs. How did Ally get involved and find Lucy Burns, the role she continues to grow and love eight times a week? “Lucy's Song” is IT, divas. Other highlights include Connor gushing over Kelsea Ballerini, Dylan raving over Melissa McCarthy in Only Murders in the Building, and Ally's spaghetti squash tirade. Get ready for Ally's solo show “Flight” at Joe's Pub this January. You won't want to miss it, or Suffs, playing now through January 5.Follow Ally on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Recently, Emily was invited to spend 2 weeks of uninterrupted time to conceptualise a show that will open at UCROSS Art Gallery in June, 2025. In this episode we go behind the scenes with Emily on the beautiful UCROSS Foundation ranch in Wyoming. Located on a 20,000-acre ranch in the wide open spaces of northeastern Wyoming, Ucross is a magical setting for individual creative work, reflection, innovation, and dreaming. Annie Proulx's The Shipping News, Elizabeth Gilbert's Eat Pray Love, Adam Guettel's The Light in the Piazza, Ricky Ian Gordon's operatic adaptation of The Grapes of Wrath – these are just a few of the acclaimed works that have been created in part during Ucross residencies. The UCROSS renowned residency program has been around for more than 40 years. In that time, UCROSS has served 2,700+ artists, and approximately 1,000 of those artists are in the visual arts. These artists come from all over the country, as well as many pockets around the world. The talented artists, writers, and musicians that accompanied Emily at Ucross: Diana Marie Delgado - poetry Megan Culhane Galbraith - non-fiction  Nancy Y. Kim - mixed media Sarah Lass - Dance Linn Meyers - painting Nicky Sohn - music Tyler Stoll - mixed media Kate Sullivan - fiction Therese Workman - music Special thanks to: William Belcher, President Caitlin Addlesperger, Deputy Director ⁠Brittney Denham-Whisonant - ⁠Gallery Associate Tawni Shuler, Program Director Lacasa Michelena, Gallery & Events Associate Carl Largent, Program Coordinator Jackie Vitale, Chef

In this special episode Emily sits down with Laurie Simmons on a Monday morning in Chinatown at, DEEP PHOTOS / IN THE BEGINNING, the artists' second solo show at 56 Henry. Laurie Simmons is an internationally recognized artist. Since the mid-70s, Simmons has staged scenes for her camera to create images with intensely psychological subtexts and nonlinear narratives. By the early 1980s Simmons was at the forefront of a new generation of artists, predominantly women, whose use of photography began a new dialogue in contemporary art. Her work is part of the permanent collections of the Metropolitan Museum of Art, the Museum of Modern Art, The Whitney Museum of American Art and The Solomon R. Guggenheim Museum in New York City; the Museum of Contemporary Art in Los Angeles; the Philadelphia Museum of Art; the Corcoran Gallery of Art in Washington, DC; the Hara Museum in Tokyo; and the Stedelijk Museum of Modern Art in Amsterdam, among others. In 2018-2019 Simmons's retrospective Big Camera/Little Camera was presented at The Modern Art Museum in Fort Worth, Texas and The Museum of Contemporary Art, Chicago. In 2006 she produced and directed her first film, The Music of Regret, starring Meryl Streep, Adam Guettel and the Alvin Ailey 2 Dancers. The film premiered at The Museum of Modern Art. Her feature film MY ART premiered at the 73rd Venice Film Festival and Tribeca Film festival in 2017. Simmons lives and works in New York and Connecticut. @lauriesimmons @56henry-nyc DEEP PHOTOS / IN THE BEGINNING 105 Henry Street September 4 – October 27, 2024

Long-term projects require dedication, focus, and patience, often starting with a big goal and breaking it into smaller, manageable tasks. Marshall and Stan discuss the crucial way to stay motivated by celebrating small wins and maintaining a balance between work and rest to avoid burnout. Collaboration can help, but knowing when to delegate is key. The two also talk about embracing unexpected bursts of inspiration and using your most energetic times for critical tasks. Remember, saying no to less important things can help you focus on what truly matters. Learn to Draw - www.proko.com Marshall Vandruff - www.marshallart.com Stan Prokopenko - instagram.com/stanprokopenko Show Links (some contain affiliate links): Atoms shoes - https://atoms.com/ Golden Mind Gold Milk - https://remedyorganics.com/ Coconut Water - https://harmlessharvest.com/ Kyoto Uji Matcha - https://www.ochaandco.com/ CLARI-TI SuperShot (Blue Spirulina) - https://solti.com/ 23 Habits for Artists - Draftsmen S01E14 - https://youtu.be/WrKyzUMERKc?si=fYmxznu8jEGStBGP A Game of Pool - https://www.youtube.com/watch?v=HOorjFsGNKU Figure Course - https://www.proko.com/figure Anatomy Course - https://www.proko.com/anatomy Young Frankenstein - https://tv.apple.com/ca/movie/young-frankenstein/umc.cmc.qdwp732xvf641j94g9shwan7 Daniel Pink Ted Talk - https://youtu.be/rrkrvAUbU9Y?si=Q39zREtWeoP45peM Ken Burns Masterclass - https://www.masterclass.com/classes/ken-burns-teaches-documentary-filmmaking Ken Burns Brooklyn Bridge Documentary - https://amzn.to/3WH3OZw Final Fantasy: The Spirits Within (2001) - https://amzn.to/3AkLxcN Design Your Career with a Whiteboard - https://www.proko.com/whiteboard The Art of Songwriting with Stephen Sondheim and Adam Guettel - https://www.youtube.com/watch?v=TofC3KD-h8M The Psychology of Performance by Dr. Eddie O'Connor - https://amzn.to/4dAkTM1 Books: Atomic Habits by James Clear - https://amzn.to/3M0ZDCT Six Thinking Hats by Edward de Bono - https://amzn.to/3YCtZmF Drive by Daniel Pink - https://amzn.to/4cmCMfO When by Daniel Pink - https://amzn.to/4fHQU64 Slow Productivity by Cal Newport - https://amzn.to/3M7W8KE Zen in the Art of Writing by Ray Bradbury - https://amzn.to/3SGL3nx Learn more about your ad choices. Visit megaphone.fm/adchoices

Crawling out of the swamp to close out Season 3, Eric and Bradford are joined by Broadway actor-musician Matt Saldivar for a rollicking discussion of Neil Jordan's grand guignol ode to undying love. With a cast headed by Tom Cruise and Brad Pitt as comedy duo Lestat and Louis, interesting turns from Kirsten Dunst, Antonio Banderas, Christian Slater, and Stephen Rea, Anne Rice adapting her novel, and great effects work by Stan Winston, there's enough baroque to ba-reak the bank... but is it, as one character says, "of the Mississippi"? An uneven tone, plot threads that go nowhere, and SO MUCH FIRE threaten to sink the #1 horror movie of 1994, but not even THIS podcast can keep a bloodthirsty creature of the night down. Let's get started. Intro, Debate Society, To Sir With Love (spoiler-free): 00:00-27:55 Honor Roll and Detention (spoiler-heavy): 27:56-1:02:57 Superlatives (spoiler-heavier): 1:02:58-1:24:31 Director Neil Jordan Screenplay Anne Rice, based on her novel Featuring Antonio Banderas, Tom Cruise, Kristen Dunst, Laure Marsac, Helen McCrory, Brad Pitt, Stephen Rea, Christian Slater, Sara Stockbridge Matt Saldivar is a Mexican-American New York City-based actor. He grew up at The United States Military Academy at West Point. He has originated and appeared in principal roles on Broadway in Bernhardt/Hamlet, Junk, Peter and the Starcatcher, Act One, A Streetcar Named Desire, Saint Joan, The Wedding Singer, Honeymoon in Vegas, and Grease. He has performed in dozens of Off-Broadway and regional productions as well as in film and television. Matt also composed songs, played bass and guitar, and portrayed the character of Julio de los Flacos as a long-time member of the band and theater/cabaret/comedy troupe The Petersons. He received his BA with a double major in Theater and Spanish from Middlebury College, and his MFA in acting from NYU.  He has been and actor and vocalist in the development process of new works for the theater with such artists as Elvis Costello, Stephen Sondheim, Lin-Manuel Miranda, Bruce Hornsby, Jason Robert Brown, Adam Guettel, and Randy Newman. Our theme music is by Edward Elgar and Sir Cubworth.  Music from Interview with the Vampire by Elliot Goldenthal. For more information on this film, writing by your hosts (on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠our blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple Podcasts, Spotify, or wherever you get yours. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Room Where It Happened" from Hamilton (Original Broadway Cast Recording) |  Written by Lin-Manuel MIranda |  Performed by Leslie Odom Jr., Lin-Manuel Miranda, Daveed Diggs, Okieriete Onaodowan, Original Broadway Cast of Hamilton"On the Balcony of the Casa Rosada / Don't Cry For Me, Argentina" from Evita (Original Broadway Cast Recording) | Written by Tim Rice & Andrew Lloyd Webber | Performed by Tim Rice, Andrew Lloyd Webber, Bob Gunton, Mandy Patinkin, Patti LuPone, Original Broadway Cast of Evita, Rene Weigert "My Strongest Suit" from Aida (Original  Broadway Cast Recording)  | Written by Elton John & Tim Rice | Performed by Women of the Palace, Sheri Rene Scott"What Comes Next" from Hamilton (Original Broadway Cast Recording) | Written by Lin-Manuel Miranda | Performed by Jonathan Groff

Music Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"Greased Lightnin'" from Grease (The Original Motion Picture Soundtrack) |  Written by Jim Jacobs and Warren Casey |  Performed by John Travolta , Jeff Conaway

Dylan and Connor are joined by four-time Tony Award nominee Brian d'Arcy James (Days of Wine and Roses, Shrek the Musical). The twins are gagged to speak with one of their absolute HEROES this week. The one, the only: Brian d'Arcy James. Where does one begin when chatting with a legend with a resume like this? Hot off the Broadway run of Days of Wine and Roses, Brian reflects on the experience, sharing his favorite moments from the show and bringing it to Studio 54 with Kelli O'Hara. He shares what it meant to perform “Forgiveness,” as well as the story of hearing Adam Guettel's original demos. We bounce through Brian's life as an actor, including a Ring of Keys involving James Dean, top memories from Shrek the Musical, Into the Woods, Something Rotten, and Next to Normal, even touching upon some of his onscreen credits. Best Picture winner Spotlight? Cult favorite Smash? We mention it ALL. Tune into this wonderful, open conversation with Brian about his life, career, and passions. He's truly one of the greats, and for good reason!Follow Brian on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Tony Award winner Kelli O'Hara has established herself as one of Broadway's brightest stars and greatest leading ladies. She has starred in FOLLIES, THE PAJAMA GAME, NICE WORK IF YOU CAN GET IT, THE LIGHT IN THE PIAZZA, THE BRIDGES OF MADISON COUNTY, THE KING & I, and DAYS OF WINE & ROSES, just to name a few. She received an Emmy Award nomination for her work on "The Accidental Wolf" and can currently be seen on HBO's "The Gilded Age." In this episode, Kelli discusses finding a niche for voice when she moved to New York City, and what she's learned about herself through working with Adam Guettel for the past 20 years.  Tickets to Wine & Roses Kelli's Country/Opera song Feedspot podcast ratings Support Stages Podcast

Days of Wine and Roses runs on Broadway at Studio 54 through March 31st. Find out more at www.daysofwineandrosesbroadway.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

In this episode, bookwriter, lyricist, and composer Jason K Purdy discusses neurodivergence and disability representation in Adam Guettel and Craig Lucas's 2005 musical The Light in the Piazza. We also talk about the song "Drift" from the 2023 Rebekah Greer Melocik and Jacob Yandura musical How to Dance in Ohio. You can write to scenetosong@gmail.com with a comment or question about an episode or about musical theater, or if you'd like to be a podcast guest. Follow on Instagram at @ScenetoSong, on X/Twitter at @SceneSong, and on Facebook at “Scene to Song with Shoshana Greenberg Podcast.” And be sure to sign up for the new monthly e-newsletter at scenetosong.substack.com. Contribute to the Patreon. The theme music is by Julia Meinwald. Music played in this episode: "The Beauty Is" from The Light in the Piazza "Fable" from The Light in the Piazza "Drift" from How to Dance in Ohio

Earlier this year, while Mickey-Jo was in New York, he got to catch the Broadway transfer of DAYS OF WINE AND ROSES. Based on a film of the same name, this musical is written by Adam Guettel and Craig Lucas and stars Kelli O'Hara and Brian D'Arcy James. Check out the new review for Mickey-Jo's thoughts on this show which has recently announced it will be closing at Studio 54 a month earlier than planned. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

In this episode When Lightning Strikes! goes on location to the theater at Studio 54. Jeryl Brunner talks to Brian d'Arcy James who currently stars in Days of Wine and Roses with Kelli O'Hara. Adapted from the 1962 film and original 1958 teleplay by J.P. Miller, this new musical features a book by Craig Lucas, Adam Guettel's music and lyrics and direction by Michael Greif. In this extensive conversation Brian talks about the epic journey to bring Days of Wine and Roses to the stage and why the show is so important to him.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bonus Episode Alert! Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are live on the red carpet of "Days of Wine and Roses" from Sunday, January 28! Featuring interviews with the stars and production team of the show including Kelli O'Hara, Brian d'Arcy James, Sharon Catherine Brown, Olivia Hernandez, David Jennings, and David Manis among others! Plus we chat with other attendees including Bernadette Peters, Vanessa Williams, LaChanze, Victoria Clark, Schele Williams, George Takei, Montego Glover, and more! Kelli O'Hara and Brian d'Arcy James star in a searing new musical about a couple falling in love in 1950s New York and struggling against themselves to build their family. The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic's Pick) and The Washington Post raves, “Kelli O'Hara and Brian d'Arcy James soar! One of the best new musicals this year.” Adapted from JP Miller's 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. Directed by Michael Greif (Dear Evan Hansen). Days of Wine and Roses features direction by Michael Greif, choreography by Sergio Trujillo and Karla Puno Garcia, scenic design by Lizzie Clachan, costume design by Dede Ayite, lighting design by Ben Stanton, sound design by Kai Harada, music direction by Kimberly Grigsby, orchestrations by Adam Guettel and Jamie Lawrence, hair and wigs by David Brian Brown, and casting by The Telsey Office; Craig Burns, CSA. Judith Schoenfeld serves as production stage manager. Days of Wine and Roses stars Kelli O'Hara and Brian d'Arcy James, with Byron Jennings, Tabitha Lawing, Sharon Catherine Brown, Tony Carlin, Bill English,  Olivia Hernandez, David Jennings, David Manis, Steven Booth, Nicole Ferguson, Addie Manthey and Kelcey Watson. The episode opens with a MIC CHECK where Jason and Samantha share that season 3 of Survival Jobs officially drops the week of March 3, 2024!!! You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Info on Your Hosts:  Broadway World Article on our Season 2 Launch Party Follow Samantha: Instagram.   |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Important Links: Support the citizens of Gaza Native Land Map US Interior Indian Affairs NPR: "How To Help Puerto Rico" Article How to Help the People of Florida Article Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Where to Donate to Support Access to Abortions Right Now Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.  If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I'm thrilled to announce the kickoff of Backstage Babble's “Week of Wine and Roses” with legendary composer and lyricist Adam Guettel. Tune in to hear some of the stories and insights of his great career, including why THE LIGHT IN THE PIAZZA needed a romantic sound, advice he got from Stephen Sondheim and Arthur Laurents, why the greatest work exists on the edge of competence, why he doesn't like to look too much at the source material for the musicals he writes, his on-the-ground research for FLOYD COLLINS, his collaboration with William Goldman, the process of casting Victoria Clark as Margaret Johnson, working with Jamie Lawrence on orchestrating DAYS OF WINE AND ROSES, and so much more. This episode is a masterclass in musical theater writing from the best there is!

Stars Kelli O'Hara and Brian D'Arcy James on the joyous challenges of Adam Guettel's new Broadway musical. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jose Llana returns to Broadway in the highly anticipated production of David Byrne & Fat Boy Slim's Here Lies Love, for which he earned a Lucille Lortel Award nomination for creating the role of “Marcos” at the Public Theatre. He most recently starred as The King Of Siam in Lincoln Center Theater's Tony Award Winning revival of The King & I on Broadway, the US National Tour and the UK Tour. Previous Broadway credits include Chip Tolentino in William Finn's The 25th Annual Putnam Country Spelling Bee (Drama Desk Award, dir. James Lapine), El Gato in Wonderland, Wang Ta in David Henry Hwang's adaptation of Rodgers & Hammerstein's Flower Drum Song, Angel in RENT (dir. Michael Greif), Jessie-Lee in Streetcorner Symphony and his debut as Lun Tha in the 1996 Revival of Rodgers & Hammerstein's The King & I opposite Donna Murphy and Lou Diamond Phillips. Off-Broadway appearances include Adam in Falling For Eve (York), Gabey in On the Town (dir. George C. Wolfe, Delacorte) and Adam Guettel's Saturn Returns (dir. Tina Landau, Public Theater). Regional appearances include Bill Sikes in Oliver! (Papermill), Guillaume in Cameron Mackintosh's Martin Guerre (Guthrie Theater), Tin Man in Ballad of Little Jo (Steppenwolf Theater, dir. Tina Landau, Jefferson Nomination - Best Supporting Actor) and Candide in Candide (Prince Theater, Barrymore Nomination - Best Actor). TV/Film appearances include HBO's Sex and the City opposite Margaret Cho and Hitch with Will Smith. Appearing on numerous cast albums Jose is also a best-selling recording artist on the VIVA Philippines label. He has made two appearances with American Songbook in 2019 and 2015 which led to the release of his second solo CD, Altitude in the spring of 2016. Learn more about your ad choices. Visit podcastchoices.com/adchoices

"Love if you can And be loved May it last forever..." This week we're joined by an all time favorite guest Grace Aki to talk about Adam Guettel's musical The Light in the Piazza. Credits: Hosts: Jesse McAnally & Andrew DeWolf Podcast Edited By: Andrew DeWolf Theme Songs: Robyn Nash of IOU Music UK Keeper of the Cheese: Juliet Antonio This show is a part of the Broadway Podcast Network Social Media: Our WEBSITE Musicals with Cheese on Twitter Musicals W/ Cheese on Instagram Email us at musicaltheatrelives@gmail.com Merch!! Jess Socials Jesse McAnally on Twitter Jess McAnally on Instagram Andrew Socials Andrew DeWolf on Instagram Andrew DeWolf on Twitter Use our Affiliate Link Learn more about your ad choices. Visit megaphone.fm/adchoices

The American composer Mary Rodgers was a funny, frank and intelligent woman who grew up in a world of showbiz royalty. But as an artist, she could never shake free of the shadow of her famous father, Richard Rodgers. She tells her life story in Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers, co-written by Jesse Green.Also, after four years on stage, Harry Potter and the Cursed Child will soon take its final bow in Melbourne. It is Australia's longest-running play, with more than one million tickets sold and more than 1,000 performances. For its entire run, Harry Potter has been played by Gareth Reeves. He joins us with fellow performer Natasha Herbert and executive producer Michael Cassel.

The American composer Mary Rodgers was a funny, frank and intelligent woman who grew up in a world of showbiz royalty. But as an artist, she could never shake free of the shadow of her famous father, Richard Rodgers. She tells her life story in Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers, co-written by Jesse Green. Also, after four years on stage, Harry Potter and the Cursed Child will soon take its final bow in Melbourne. It is Australia's longest-running play, with more than one million tickets sold and more than 1,000 performances. For its entire run, Harry Potter has been played by Gareth Reeves. He joins us with fellow performer Natasha Herbert and executive producer Michael Cassel.

Want to hear all of Jesse's insider info. about Mary's relationship with Sondheim? Become an ITBR Café member (only $5): https://www.patreon.com/ivorytowerboilerroom On this day, November 25th, 1959, the Broadway musical "Once Upon a Mattress" officially opened on Broadway! Join Andrew as he celebrates the 63rd anniversary of "Once Upon a Mattress" with Jesse Green, the Chief Theater Critic of the NY Times. Right away, Jesse opens up about his working relationship and eventual friendship with Mary Rodgers, one of the first female Broadway composers (known for "Once Upon a Mattress"). Jesse explains how Mary's memoir came to be and all of the topics that she discussed with him, including her relationship with her father, Broadway composer Richard Rodgers, and her son, Adam Guettel, known for composing "The Light in the Piazza." Yes her father was that Rodgers, of Rodgers and Hammerstein, known for creating the music for "Oklahoma," "South Pacific," "The Sound of Music," "Cinderella," and many more musicals. Get ready for a Golden Age of Broadway discussion including what Mary thought of these musicals, what she thought of Oscar Hammerstein, the lyricist of these musicals, and how she met Stephen Sondheim, whose mentor was Oscar. Jesse reveals how "Once Upon a Mattress" came to be, how Carol Burnett landed the role of Winnifred, and what Mary worked on after "Mattress." What did Mary think of future female Broadway composers? What would Mary think of the current Broadway Musical landscape? And Jesse leaves you on the edge of your seat by teasing what Mary thought of each Sondheim musical? To listen to that bonus audio, head to our ITBR Café, our Patreon, and listen to an extra 10 minutes of bonus audio! Get your hands on "Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers" written by Mary Rodgers and Jesse Green: https://bookshop.org/p/books/shy-the-alarmingly-outspoken-memoirs-of-mary-rodgers-jesse-green/18721732?ean=9780374298623 Read more of Jesse's work here, https://www.nytimes.com/by/jesse-green and follow him on Twitter, @JesseKGreen. To subscribe to The Gay and Lesbian Review visit glreview.org. Click Subscribe, and enter promo code ITBR to receive a free copy with any print or digital subscription. Follow That Ol' Gay Classic Cinema on Instagram, @thatolgayclassiccinema. Follow ITBR on Instagram, @ivorytowerboilerroom, TikTok, @ivorytowerboilerroom, and Twitter, @IvoryBoilerRoom! Many thanks to the ITBR team: Andrew Rimby, Executive Director; Mary DiPipi, Chief Contributor; Kimberly Dallas, Editor, and our Interns (Andrea, Chris, Rosie, and Taj) Educational Copyright: "Once Upon a Mattress," Rodgers and Hammerstein, 1959 --- Support this podcast: https://anchor.fm/ivorytowerboilerroom/support

Capítulo 018: On this episode of Ocu-Pasión we are joined by Broadway veteran, university instructor, theatre facilitator, and director Michelle Rios. Listen in as we discuss Theatre within social activism, collective creation, and the art of storytelling. Michelle's  credits include the Tony Award nominated Broadway productions of Paul Simon and Derek Walcott's The Capeman, The Sound of Music (starringRichard Chamberlain), and Man of La Mancha (starring Tony Award winner Brian Stokes Mitchell).  She also performed the coveted role of “Abuela Claudia” opposite Tony, Grammy, and Emmy Award winner Lin Manuel Miranda in In the Heights and originated the role of  “Maria Elena” in the opera Missionaries written and directed by the late Elizabeth Swados, which premiered at both La MaMa, ETC. and New York Stage and Film.   A classically trained vocalist, Ms. Rios was also a Metropolitan Opera Mid Atlantic Semi-finalist, and has collaborated with artists on theatrical, classical, and contemporary new works.  She was a guest artist in Spoleto Music Festivals in both Italy and Charleston, SC, where she performed the world premiere of Magic & Transformation, a chamber orchestral piece with lyrics by the late Lou Reed and music by contemporary composer Peter Gordon.  Other guest artist concert appearances include: The Washington Opera, The National Symphony, The Greenville Symphony, The Arlington Symphony, The Pan American Symphony Orchestra, The Core Ensemble, Opera Maxlrain (Germany), The “In” Series, etc.  Ms. Rios has performed and collaborated with such luminaries as Paul Simon, Lin Manuel Miranda, Marc Anthony, Ruben Blades, Uzo Aduba, Lila Downs, and Academy Award nominees Ed Harris, Mare Winningham, and Mary Elizabeth Mastrantonio, to name a few.  She performed the role of "Signora Nacarelli" in the World Premiere of the first chamber production of The Light in the Piazza by Tony Award winning composer Adam Guettel.   She also originated the role of “Lupe” in the World Premiere of Tony Award nominees Michael John LaChiusa and Sybille Pearson's Giant directed by award winning Broadway and West End director and choreographer Jonathan Butterell ("Everybody's Talking About Jamie").  She performed alongside Grammy Award winning recording artist Lila Downs as “Mama Elena” in the Sundance Theatre Lab workshop presentation of Like Water for Chocolate with music and lyrics by Lila Downs and a book by Pulitzer Prize Award winning playwright Quiara Alegria Hudes.  Ms. Rios received a 2018 Helen Hayes Award nomination for her performance as "Abuela Claudia" in the U.S. Spanish premiere of In the Heights  directed and choreographed by Luis Salgado with original Spanish lyrics by Lin Manuel Miranda.  You may catch Ms. Rios as “Flora” opposite Academy Award nominee Ed Harris in the feature film Frontera (on Netflix).  She appears as "Mrs. Lopez" in the first season of Schmigadoon! a musical comedy series starring SNL's Cecily Strong and  directed by Barry Sonnenfeld (Addams Family, Men in Black, etc.).  Schmigadoon! is currently streaming on Apple TV+ .   Ms. Rios received an MFA in Theatre Practice from the University of Alberta (Canada).Follow Michelle :  Website: www.mmrios.comDelsy Sandoval is the Executive Producer of Ocu-Pasión. If you want to support the podcast, please rate and review the show here. You can also get in touch with Delsy at www.ocupasionpodcast.comFollow Ocu-Pasión on Instagram: @ocupasionpodcast www.instagram.com/ocupasionpodcastJoin the Ocu-Pasión Facebook Group: facebook.com/groups/5160180850660613/

John and John talk this week about Adam Guettel's 'The Light in the Piazza" and discuss their love for this score (despite some rather major stylistic issues), their bafflement at the story (#shetlandpony), and their view of this show's place in the 2000s canon of Broadway musical theatre. Music and lyrics by Adam Guettel Book by Craig Lucas Find the episode on your favorite podcast app or by going to https://anchor.fm/musicalminutes Intro and outro music ("BeBop 25") provided under Creative Commons Attribution 4.0 International License by Jason Shaw on Audionautix.com Have a question for John or John? Want to leave feedback or tell us how wrong we are? Email us at musicalminutespodcast@gmail.com For more info on our hosts - please visit https://norine62.wixsite.com/musicalminutes

Ryan Kenney (This Could Have Been A Text podcast) returns to the show to talk Adam Guettel's song cycle “Myths and Hyms” and Terence Davies' textured and beautiful “The Deep Blue Sea”. This Could Have Been a Text podcast: https://soundcloud.com/thiscouldhavebeenatext Ryan's Twitter: https://twitter.com/rynkenney Send us an email: everybodywants2getonthelist@gmail.com It's on the Links: https://linktr.ee/itsonthelist

On today's show, I speak with music director Or Matias. Or has such an incredible resume that includes Juilliard, NYU, The Great Comet, Octet, Moby Dick, The Wave which premiered in Austria, an upcoming children's album, honestly the list goes on and on. I've had the pleasure of seeing a bit of Or's work both on and off-Broadway and I was so excited to have a chance to speak with him.For a full transcript of this episode visit beyondthelightspodcast.com.Mentioned in this Episode [00:00:39] Chloe Treat[00:05:52] Ars Nova[00:06:10] Dave Malloy [00:11:05] “Time Does Not Bring Relief”[00:14:42] Adam Guettel[00:16:34] How The Great Comet Went From Cabaret to Broadway[00:20:11] Off-Broadway Cast Recording of Natasha, Pierre and the Great Comet of 1812[00:22:25] Original Broadway Cast Record of The Great Comet[00:26:01] Mimi Lien[00:35:55] OctetFollow OrWebsiteTwitterInstagramFollow Beyond the LightsWebsiteFacebookTwitterInstagram

Welcome to the Season Two premiere of Stage Door Medium!I hope you're well and ready for some more in-depth discussions on energy-work, mediumship and the arts! This week, I'm joined by the ultra-talented Sally Wilfert. Sally has appeared in the Broadway productions of The Adventures of Tom Sawyer, Assassins, and King David, as well as the National Tour of the 25th Annual Putnam County Spelling Bee and countless others.In addition to being one of the most talented folks out there, she's genuinely one of the kindest and most grounded people as well.This week, Sally and I discuss the importance of making time for ourselves before the job and why it's so important if we're to bring our whole selves to the work. We also share some tips to ensure we enter the room and leave the room (audition or reading) with our own energy versus that of others. Trust me, as a Medium, it's a real thing and I call it the "energetic gunk build up". In addition, Sally shares some beautiful memories, pieces of advice, and funny stories of her best friend, Rebecca Luker, who passed away in December of last year. We also discuss the beautiful new album, “All the Girls” that Sally and Rebecca created, in addition to the mind-blowing story about how the album transformed from a live soundboard recording into a full-blown studio album. In addition, we'll discuss Sally's reading, the best Adam Guettel advice for anyone playing Margaret in Piazza, and the characters Sally has played that could benefit most from a Medium. If you're interested in developing your own Spiritual abilities, I'll also share a bit more on Clairsentience and why it feels like the old Operation Board Game to me at times.Next week, we're back to our regularly scheduled episodes on Mondays at 7PM!Learn more about Sally below:sallywilfert.comInstagram: @sallywilfertLearn more about Stage Door Medium or Book a reading with Jimmy below!stagedoormedium.comInstagram: @stagedoormediumEditing and animation:davidraydesign.comInstagram: @davidraydesignWatch on Instagram & YouTube

Playwright Danielle Mohlman is back for a discussion about Adam Guettel, Brett Kavanaugh, and why what we say matters. Topics include: why we can’t separate the art from the artist, how we wrestle with loving things made by less-than-lovable people, self-care, accountability, and a little bit of Floyd Collins. Danielle Mohlman Dot Com ”A Complicated Gift” by Jesse Green, The New York Times Magazine, 6 Jul 2003 ”Rage is exhausting.” by Danielle Mohlman, danielleMohlman.tumblr.com, 24 Sep 2018 ”On Adam Guettel, Silence, and the Fear of Nothingness” by Victoria Myers, The Interval, 24 Sep 2018 Secret Admirer Featured recordings: Floyd Collins - Original Cast Recording (1996) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! This month’s episode brings us James Finley (The Life) and Charlene V. Smith (Man of La Mancha) and A Funny Thing Happened on the Way to the Forum (1966). Patreon • Twitter • Facebook • Email

Adam Guettel's astonishing song cycle transforms into a multiple-episode virtual presentation by MasterVoices. Its artistic director, Ted Sperling, joins us to look at this work along with performances by Audra McDonald, Renee Fleming, Kelli O'Hara, Mandy Patinkin and more.

In this episode, writers Tom Gualtieri and David Sisco discuss the everyman character in musical theater. We also talk about the song "Fable" from the 2005 Adam Guettel and Craig Lucas Musical The Light in the Piazza.

Some 23 years after playing Christine Daee in the Australian production of The Phantom of the Opera, Maree Johnson is back with the show - on Broadway - this time playing the mysterious Madame Giry. It is a show that has great sentimental meaning for Johnson and the experience allows her two very different access points to a story that has thrilled audiences for several decades.The desire to act had been present since childhood. Bargaining with brothers to switch the TV from cricket to a musical proved a regular challenge. Such determination was always going to reward with Johnson ultimately giving Australian audiences tremendous delight in a host of iconic roles - Maria in West Side Story, Eliza in My Fair Lady, Grizabella in Cats and Cosette in Les Miserables, to name a few.A win in the Sydney Cabaret Convention in 1998 took Maree to NYC where a next exciting chapter was to unfold. She quickly established herself with performances around the USA in Zorba, Passion and Adam Guettel’s Myths and Hyms. Marriage and family was also found, establishing Maree as very much a local.Maree was back in Australia recently and it was a great treat for Stages to sit down with her for a couple of hours to catch up on her journey over the past few years. Also to gain terrific insight, into what it takes to be a performer on Broadway and part of an iconic musical.

CATS the Movie, HADESTOWN, Renée Fleming impressions, KNIVES OUT - there's nothing left unsaid. Join us as we ring out 2019!Connect with EGM:InstagramTwitterFacebookEmail

Listen-in on two superfans of Adam Guettel's "The Light in the Piazza" - LA Opera's Resident Conductor Grant Gershon and Classical KUSC's Gail Eichenthal - dish about composer Adam Guettel and his beautiful show.

Early in the development of Adam Guettel and Craig Lucas’ extraordinary The Light in the Piazza it was thought that Chicago Lyric Opera might be tendering a commission for the piece. It wasn’t to be. Broadway beckoned. But this most sophisticated of hybrids has a foot in both worlds and the presence of RENÉE FLEMING … [Read More]

Anna’s sister Isabel joins us once again to finish our discussion of the ‘05 Tonys. We wonder if Adam Guettel will ever guett his act together, dreamcast a one-woman 25th Annual Putnam County Spelling Bee, and debate whether or not a car is a robot. Follow us on Twitter and Instagram (@mylittletonys) for additional content about this season’s shows! Works referenced/cited: Hischak, Thomas S. The Oxford Companion to the American Musical: Theatre, Film, and Television. Oxford University Press, 2008. Filichia, Peter. Broadway Musicals: The Biggest Hit & the Biggest Flop of the Season 1959 to 2009. Applause Books, 2010. Patinkin, Sheldon. "No Legs, No Jokes, No Chance": a History of the American Musical Theater. Northwestern University Press, 2008. Bloom, Ken, and Frank Vlastnik. Broadway Musicals: the 101 Greatest Shows of All Time. Black Dog & Leventhal Pubs., 2010. Brantley, Ben. “A Nun Who Is Certain, Even If Truth Is Not.” The New York Times, 24 Nov. 2004. Brantley, Ben. “A Tomboy With Gumption (and Her Sisters).” The New York Times, 24 Jan. 2005. Brantley, Ben. “A Wise Autumnal American in Florence.” The New York Times, 19 Apr. 2005. Brantley, Ben. “Excuse Me, Got Any Spare Fame?” The New York Times, 22 Oct. 2004. Brantley, Ben. “She's a Diva on Wheels of Song.” The New York Times, 29 Apr. 2005. Finkle, David. “The 25th Annual Putnam County Spelling Bee.” TheaterMania, 2 May 2005. Finkle, David. “The Light in the Piazza.” TheaterMania, 18 Apr. 2005. Green, Jesse. “A Complicated Gift.” The New York Times, 6 July 2003. Heilpern, John. “Soapy Light in the Piazza: This Amoré Is Kind of Creepy.” Observer, 9 May 2005. “Innocence Abroad.” The New Yorker, 6 July 2017. Isherwood, Charles. “Six Misfits Test Wits on Bigger Platform.” The New York Times, 3 May 2005. Isherwood, Charles. “The Will to Win Spelled Out With a Lisp.” The New York Times, 8 Feb. 2005. Jones, Chris. “The Light in the Piazza.” Variety, 25 Jan. 2004. McKINLEY, JESSE. “Making Good on Broadway, 'Bee' Earns Back Investment.” The New York Times, 12 Sept. 2005. Mondello, Bob. “In 'Doubt': Adapting A Parable Proves Problematic.” NPR, 11 Dec. 2008. Rooney, David. “The 25th Annual Putnam County Spelling Bee.” Variety, 8 Feb. 2005. Simon, John. “Everything Is Illuminated.” New York Magazine. Simon, John. “Faith-Based Initiative.” New York Magazine. “Were New York Drama Critics Astonished by Little Women?” Broadway.com. Gans, Andrew. “2004-2005 Tony Nominations Announced; Spamalot Garners 14 Nominations.” Playbill, 10 May 2005. Light in the Piazza Seattle Premiere news feature The Light in the Piazza ABC Special In Rehearsal with Sutton Foster & the Original Cast of the Broadway Musical "Little Women" Broadway Backstory: The Light in the Piazza Broadway Backstory: The 25th Annual Putnam County Spelling Bee.

Part of our new Reprise Series we are bringing back some of our favourite episodes from the archives.Miranda loved talking family, love and hats when we spoke to Jonathan about Light in the Piazza and so she wanted to relive those glory days with our listeners again.This week Julie, Miranda and, Zane will chat with Jonathan Hickey about which of life's truths can be gleaned from the modern classical musical - The Light in the Piazza!Critic John Simon, in New York magazine, wrote: "Anyone who cares about the rather uncertain future of this truly American genre should — must — see the show, think and worry about it, and reach his or her own conclusions . . . Craig Lucas’s book seems perfectly adequate to me, but the emphasis must be on Adam Guettel’s music and lyrics . . . the music, though fluctuating between the Sondheimesque and offbeat but still Broadwayish and the art-songlike and even operatic, is steadily absorbing, even if only intermittently melodious. One duet, “Let’s Walk,” is an unqualified hit, but the rest, without fully cohering, is also arresting. Ted Sperling and Guettel’s jaunty orchestrations add to the slightly disorienting but wholly fascinating harmonies and instrumentation."- FURTHER READING -Wiki - Musical, Film, NovellaIMDbiTunesSpotify- CELEBRITY SHOUTOUTS -Elizabeth Spencer, Craig Lucas, Adam Guettel, Victoria Clark, Kelli O'Hara, Matthew Morrison, Michael Berresse, Sarah Uriarte Berry, Aaron LazarLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

This week Julie, Miranda and, Zane will chat with Jonathan Hickey about which of life's truths can be gleaned from the modern classical musical - The Light in the Piazza!Critic John Simon, in New York magazine, wrote: "Anyone who cares about the rather uncertain future of this truly American genre should — must — see the show, think and worry about it, and reach his or her own conclusions . . . Craig Lucas’s book seems perfectly adequate to me, but the emphasis must be on Adam Guettel’s music and lyrics . . . the music, though fluctuating between the Sondheimesque and offbeat but still Broadwayish and the art-songlike and even operatic, is steadily absorbing, even if only intermittently melodious. One duet, “Let’s Walk,” is an unqualified hit, but the rest, without fully cohering, is also arresting. Ted Sperling and Guettel’s jaunty orchestrations add to the slightly disorienting but wholly fascinating harmonies and instrumentation."- FURTHER READING -Wiki - Musical, Film, NovellaIMDbiTunesSpotify- CELEBRITY SHOUTOUTS -Elizabeth Spencer, Craig Lucas, Adam Guettel, Victoria Clark, Kelli O'Hara, Matthew Morrison, Michael Berresse, Sarah Uriarte Berry, Aaron LazarLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

We provide a sneak preview of Audra McDonald's latest album--weeks ahead of its release in stores. Backed by the New York Philharmonic, Audra turns her titanic talents to Kander and Ebb, Sondheim, Rodgers and Hammerstein, Adam Guettel and more.

For this week's episode, we trace The Light in the Piazza's fifty-year journey from its first incarnation as a novella by Elizabeth Spencer to a musical idea handed down through one of musical theater's most prominent families.  We follow the musical, written by Adam Guettel and Craig Lucas, as it takes shape at the Sundance Theatre Lab, has its first production at the Intiman Theatre in Seattle, is restructured for the Goodman Theatre in Chicago, before making its way to Broaday at Lincoln Center. The show would be nominated for 13 Tony Awards and win 8 of them. It would make stars of its two leading ladies and go down as one of the most important new works of our time.  This episode features brand new interviews with composer Adam Guettel, book writer Craig Lucas, actors Victoria Clark, Kelli O'Hara, and Celia Keenan-Bolger, director Bartlett Sher, and Lincoln Center Artistic Director Andre Bishop

Join Tim and Thos as they discuss the haunting and original 1996 Adam Guettel musical based on the true story of tragic pot-holer, Floyd Collins, in Kentucky 1925, who inadvertently finds fame when he becomes the eye of a media storm by getting stuck in a cave.  Find out what makes this show so unusual and musically exciting with influences from Bartok, Stravinski, Copland and perhaps Gershwin (or not!).  Oh what a media circus!

Tony Award winner Ted Sperling is one of Broadway's most sought after music directors. His brilliance and versatility have been on display in numerous Broadway musicals including Fiddler on the Roof, The King and I, South Pacific; Guys and Dolls, Dirty Rotten Scoundrels, The Full Monty, How to Succeed in Business Without Really Trying, Kiss of the Spider Woman, My Favorite Year, Falsettos, The Mystery of Edwin Drood, Les Misérables, Roza, and Sunday in the Park with George. Now, Ted puts down the baton to discuss his career with Rob and Kevin. Ted pulls back the curtain on his career, including how a college production brought him to the attention of Stephen Sondheim, what it was like to play aboard the Titanic, and why Lady in the Dark needs a major Broadway revival! Also, Ted shines the spotlight on Victoria Clark, Ahrens & Flaherty, and Adam Guettel! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to patreon.com and search Behind The Curtain: http://bit.ly/2i7nWC4 A big thank you to Michelle Tabnick of Michelle Tabnick PR for arranging this interview.

Discuss on Reddit ➤ Support the Show ➤ Benvenuto and welcome to the land of “naked marble boys” with this week's musical fairy-tale “The Light in the Piazza.” We marvel over beautiful lighting design, talk the differences between opera and musical theatre, and contemplate the discussion of mental health in theatre. The Light in the Piazza (Original Cast Recording) Amazon / iTunes / Spotify SHOW NOTES Watch the wonderful Heidi Blickenstaff on Side by Side by Susan Blackwell confess vacuuming and dusting to songs from Piazza. Two fabulous musical theatre composers in one touching interview: take a look at Adam Guettel interviewing his mentor and friend, Stephen Sondheim. Need more Adam Guettel in your life? Check out two of his other musicals: Myths and Hymns and Floyd Collins. On the topic of opera companies doing musical theatre, take a look at the fabulous English National Opera's production of Sweeney Todd starring Bryn Terfel and Emma Thompson. Also, want to learn Italian in 10 minutes? (Complete with the requisite hand gestures?) Check out this guy! A REALLY DIFFICULT QUIZ QUESTION… Jimi and Tommy tweeted these things about next week's show:“DOLLY PARTON BIOPIC?!”“Aww. Shit. I'm in Moscow.”“YES CYCLORAMA!”“If Queen Latifah started mamboing at me, I'd be terrified too.”…what show?

A little emotion goes a long way. And music is one of the best communicators of emotion, as Beethoven, Mozart, Tchaikovsky, and Billy Joel can tell you. The richer the music, the deeper the emotional response to it. Which is why emotions combined with music can be so powerful, and so dangerous. When 2005’s The Light in the Piazza first materialized on Broadway, there was much talk that the show—a musical adaptation of Elizabeth Spencer’s 1960 novel—marked a return to the kind of gorgeous scores and lyrical drama that fueled the golden age of Broadway. Ignoring decades of rock and pop influences on Broadway, composer Adam Guettel created a score that was lush, orchestral, complex, operatic and deeply, brazenly romantic. Some people hated it. After years of easy, amiable, non-challenging throwaway tunes, ‘The Light in the Piazza’ just sounded so . . . old fashioned. Because of that, others fell in love with it. Like music, and definitely like love itself, its all a matter of taste. In a remarkably strong new production at Spreckels Performing Arts Center, director Gene Abravaya—taking a real risk in tackling something this difficult—has more than met the challenge, assembling a cast of first-rate singers and a stellar chamber orchestra, for what is quite possibly the most beautiful, satisfying, musically competent, and artistically successful show Spreckels Theater Company has ever staged. And that some of the cast sings and speaks (convincingly) in Italian, that only adds to the impressiveness of the achievement. Whether all of this is excellence and musical skill is enough to draw an audience remains to be seen, though positive word-of-mouth will certainly help. Based on a book few have read, this is no Mary Poppins. But for audiences loudly clamoring to see something that dares to venture beyond the confortable familiarity of the same old overdone standard musicals, here is your chance to prove it. Set in Italy in the 1950s, the story follows two visiting Americans, the wealthy southerner Margaret—brilliantly played by Eileen Morris—and her wide-eyed daughter Clara—played by Jennifer Mitchell, whose pure singing voice and expressive face make every emotion and discovery as clear as a bell. When Clara falls in love, at first sight, with the youthful and exuberant Frabrizio—Jacob Bronson—the stage is a set for a series of clashes between Margaret and Fabrizio, between Margaret and Clara, and between Margaret’s own desire to protect her daughter, and to also allow her the love she never has the courage to claim for herself. The clever, entertaining book by Craig Lucas—who wrote Prelude to a Kiss and Amélie: The Musical—does include scenes spoken in Italian, giving a sense of the lost-in-translation confusion that impedes Clara and Fabrizio at every turn. In one delightful scene in the second act, Fabrizio’s mother—Barbara McFadden, who’s wonderful—drops the Italian to explain in English what her husband—an excellent Steven Kent Barker—has been saying to their other son and his wife—played respectively by Tariq Malik and Amy Marie Webber. That said, the Italian sequences are so well staged, it’s pretty clear what’s going on. With some fine design and technical support, and a strong ensemble cast, Spreckels’ Light in the Piazza is a truly impressive show, dripping with music and the dangers and allure of love—and that’s worth experiencing in any language. 'The Light in the Piazza' runs Friday–Sunday through Oct. 25 at Spreckels Performing Arts Center. Spreckels online.com

I hope you’ve all had a wonderful summer. I can’t tell you how excited I am to present this episode to you. I spoke to Adam Guettel while he was in London performing an evening of his songs, with Musical Director Kimberly Grigsby (Spring Awakening, Spider-Man: Turn Off the Dark). It’s fair to say that […]

AS THE LIGHT IN THE PIAZZA has its UK premiere in Leicester , Tim talks to its composer/lyricist Adam Guettel about that show, about Floyd Collins, Myths and Hymns, and about the contretemps over his recent work on The Princess Bride. Meanwhile Keith Arrowsmith makes the trip to Leicester to discover its newest theatre and to review Paul Kerryson's production of Piazza.

A panel of acclaimed, Tony Award-winning composers and lyricists - Lynn Ahrens, Stephen Flaherty, William Finn and Adam Guettel - discuss their first theatrical experiences, the process of writing and composing, what's involved in working with a partner, early influences on their music, and where they find inspiration; offer advice for students; and demonstrate their craft by playing a bit of their work.

A panel of acclaimed, Tony Award-winning composers and lyricists -- Lynn Ahrens and Stephen Flaherty (1998 for Best Original Score with Ragtime), William Finn (1992 Best Book and Score for Falsettos) and Adam Guettel (2005 for the score and orchestration of Light in the Piazza) -- discuss their first theatrical experiences, the process of writing and composing, what's involved in working with a partner, early influences on their music, and where they find inspiration; offer advice for students; and demonstrate their craft by playing a bit of their work.

CONTINUING ON with Nick's adventures in Orlando, he discusses a marvellous theme park stage production he saw - but not one from Disney or Universal. Tim, Nick and Thos also talk about their first brushes with musical theatre, and Justin and Nick discuss the works of Adam Guettel.