Podcast appearances and mentions of chandler levack

Ce mercredi 10 juin, dans la Cover du #LeDriveRTL2, Margaux Lassalle revisite un classique incontournable de la musique canadienne : "Hand In My Pocket" d'Alanis Morissette. Sorti en 1995 sur l'album culte "Jagged Little Pill", ce morceau aborde avec justesse les contradictions de l'existence et l'idée que des états opposés peuvent cohabiter. À travers ses paroles, l'artiste rappelle qu'il est possible d'être fauché mais heureux, prouvant que l'on peut traverser une situation difficile tout en conservant un état d'esprit positif. Au fil des décennies, ce message universel a inspiré des réinterprétations aussi surprenantes que variées. Dès 1997, le présentateur de télévision Rolf Harris en propose une version décalée rebaptisée "One Hand in My Pocket". Vingt ans plus tard, les Américains d'Imagine Dragons la reprennent en chœur, de manière beaucoup plus littérale, sur leur album "Live At AllSaints Studios" (2017). Le titre démontre également sa capacité à changer radicalement d'énergie, que ce soit transformé en un hymne pop-punk ultra-dynamique par les Gallois de Punk Rock Factory, ou à travers la relecture plus brute livrée en 2023 par le groupe australien The Smith Street Band pour la radio triple j. Plus de trente ans après sa sortie, l'influence de "Hand In My Pocket" et de son album d'origine reste intacte, s'invitant même au cinéma. Le film canadien "Mile End Kicks", réalisé par Chandler Levack, suit d'ailleurs le parcours d'une jeune femme venue à Montréal pour écrire un livre sur "Jagged Little Pill". Pour la bande originale, c'est l'artiste américaine Poppy qui s'est prêtée au jeu de la reprise. S'éloignant totalement de son registre saturé habituel, elle offre une toute nouvelle dimension au classique d'Alanis Morissette en livrant une version particulièrement dépouillée et enveloppante. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chandler Levack is another of the current class of talented Candian ladies directing fresh, original cinema. Her latest is MILE END KICKS (starring Barbie Ferreira)…and, at the same moment, ROOMMATES, a Happy Madison film starring Sadie Sandler. And she memorably broke onto screen with festival darling I LIKE MOVIES. She joins Jordan to give us a fresh look at our show's most relatable multi-hyphenate, Greta Gerwig. Chandler tells stories inspired by the desire to revisit her own history, and the result (like FRANCES HA or LADYBIRD for Gerwig) is somehow universally relatable.  Then, Jordan has one quick thing about a little movie that could called Blind Cop 2 (read her feature about it from The Action Desk!) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinfeelingseen Feeling Seen is hosted by Jordan Crucchiola and is a production of Maximum Fun. You can watch video editions of our new episodes on our YouTube Channel!Need more Feeling Seen? Keep up with the show on Instagram and Bluesky.

Cette semaine, on explore les villes à travers leurs scènes musicales et leurs personnages tout-croches avec Nashville de Robert Altman et Mile End Kicks de Chandler Levack. Nous avons aussi vu Roommates de Levack, production Happy Madison parue LA MÊME JOURNÉE. Ausis au programme: DOA version 80s et Beijing Watermelon!

GG Hawkins talks with writer-director Chandler Levack about making I Like Movies, Mile End Kicks, and Roommates, and how Levack protects a specific filmmaking voice while moving between indie features and studio comedy. They discuss the realities of Canadian film financing, directing with limited time and bigger resources, building cinematic worlds through research and memory, and why filmmakers have to keep making work instead of treating one movie as their only chance. In this episode, No Film School's GG Hawkins and guest Chandler Levack discuss... How I Like Movies helped open doors for Mile End Kicks Why Mile End Kicks had to be shot in Montreal's Mile End neighborhood The overlap of finishing one film while prepping and shooting another What changed when Levack moved from indie filmmaking to a studio comedy How music journalism shaped Levack's directing and world building Why specificity in props, costumes, locations, and character details matters Navigating male-dominated creative spaces as a woman filmmaker The value and complications of film criticism Building a body of work through collaboration, experimentation, and persistence Memorable Quotes: “For me, I mean I'm obsessed with specificity.” “I think for me once I realized that filmmaking is just talking about treating fake people like they're real…” “It's weird. It's the only job where you're failing in public…” “The greatest thing you can do as a filmmaker is just exist and keep making stuff good and bad and having a body of work is like the most important thing…” Guests: Chandler Levack Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

It's s super-stylish Saturday here at Breakfast All Day. We took Friday off to honor the May Day work stoppage, but we're back to kick off your weekend. Here's what we reviewed: THE DEVIL WEARS PRADA 2. Twenty years later, everyone's back at Runway magazine, but Runway magazine is a shell of its former self. This is a sad movie about the state of modern journalism, but the clothes are still fun. Meryl Streep, Anne Hathaway, Stanley Tucci and Emily Blunt star. This one's gonna be huge. In theaters. THE DEVIL WEARS PRADA (2006). Of course we had to go back and review the original film, which was a massive, crowd-pleasing hit that remains infinitely meme-able. It's the definition of the breezy, escapist rom-com. The sequel is very different. HOKUM. Adam Scott goes to Ireland and stays in a charming, countryside inn. Weird things start happening. Writer-director Damian McCarthy's film is a trip, and Scott is great in it. In theaters. MILE END KICKS. We both loved this romantic comedy, which takes place in the cool Montreal neighborhood of Mile End. Barbie Ferreira stars as a young music critic who moves to the city in the summer of 2011 to cover its indie rock scene. From writer-director Chandler Levack. In theaters. Thanks for spending part of your weekend with us! Subscribe to Christy's Saturday Matinee newsletter: https://christylemire.beehiiv.com/

Fresh off Fashion Week, Sean and Amanda react to one of their most anticipated movies of 2026: ‘The Devil Wears Prada 2'. They share their feelings on the sequel, discuss how it differs from the original, and examine how the media and fashion industries have evolved over the past 20 years (1:01). Next, they cover ‘Mile End Kicks,' a portrait of a young music writer in Canada circa 2011, with Sean reflecting on his own trials and tribulations working as a music journalist (57:50). Finally, Sean sits down with writer-director Chandler Levack to discuss both of her films being released this year—‘Mile End Kicks' and the Netflix comedy ‘Roommates,' produced by Happy Madison Productions (1:06:45). That's all. Hosts: Sean Fennessey and Amanda Dobbins Guest: Chandler Levack Producer: Jack Sanders Production Support: Lucas Cavanagh, Sarah Reddy, and Jamie Yukich Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on End Credits, we grow up. The movie this week is another coming of age story about a young person finding themselves but the twist is that it's a Canadian movie about a Canadian in Canada. We will review Mile End Kicks, which you can now (and should) see in theatres everywhere, and we will also talk about *that* festival in France!  This Wednesday, April 22, at 3 pm, Adam A. Donaldson and Tim Phillips will discuss: Yes We Cannes. In a couple of weeks, Hollywood heads to the south of France for the 79th annual Cannes Film Festival. What makes Cannes different? Well, it's exclusively for people in the industry, and the press, so you can't just line up and buy rush tickets, but in recent years it's been more famous for how long people stand and clap at the end, or whether or not they booed. Instead, we'll talk about some of our favourite Cannes movie premieres. REVIEW: Mile End Kicks (2026). The year is 2011, and the place is Montreal. Aspiring Toronto Burlington music critic Grace Pine is here to find love (or at least sex) and write a book about Alanis Morrisette's Jagged Little Pill, but sometimes important life lessons and the lead singer of an up and coming band have other ideas. Chandler Levack's follow-up to I Like Movies is another coming of age slice from her own life, but can Levack capture that same magic, not to mention a sense of nostalgic early 21st century Canadiana, again? End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.

This week we are joined by narrative film director Chandler Levack to discuss her video store-centered film, I Like Movies, and her latest film, based on her time as a music critic in Montreal, Mile End Kicks.We discuss her teenage years working at Blockbuster video and what kind of employee she was, getting her start writing music reviews at age 18, music critic heroes, what Montreal meant for music in the 2010s, working with Barbie Ferreira (Euphoria) who plays a version of herself in Mile End Kicks, recreating and revisiting personal trauma in her films, Alanis Morissette's Jagged LIttle Pill, musicals based on rock albums, the struggle to get Mile End Kicks made, Susan Seidelman's Smithereens, the fictitious band Bone Patrol, Patti Smith, breaking down some of the deep cut Canadian jokes in her films, Sloan, Much Music, the surreal aspect of having Adam Sandler help make her latest film Roommates, what kind of film does Chandler want to make next, and more!CHANDLER LEVACK:PUP MUSIC VIDEO: www.youtube.com/watch?v=4gnntMvMgx4I LIKE MOVIES TRAILER: www.youtube.com/watch?v=3yvWA1h3p04MILE END KICKS TRAILER: www.youtube.com/watch?v=mzaCmw_VrlICHANDLER LEVACK: instagram.com/clevackHost Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Writer/director Chandler Levack (Mile End Kicks; Roommates; I Like Movies) discusses how her first script became her second movie, revisiting Mile End Kicks after shooting I Like Movies, loving stage directions, music in movies, and lots more.Check out SPECTACULAR, a staged reading of a new pilot by Ben Acker & Ben Blacker & Liz Hara about the making of the disastrous Spider-man musical. Check out the Dynasty Typewriter Theater website for tickets. If they're not up yet, they will be soon!THE WRITERS PANEL IS A COMPLETELY INDEPENDENT PRODUCTION.Follow and support the show by subscribing to Ben Blacker's newsletter, Re:Writing, where you'll also get weekly advice from the thousands of writers he's interviewed over the years, as well as access to exclusive live Q&As, meet-ups, and more: benblacker.substack.com Hosted on Acast. See acast.com/privacy for more information.

Q&A with director Chandler Levack on her filmes Roommates and Mile End Kicks. Roommates - When a hopeful, naive college freshman, Devon, asks the cool and confident Celeste to be her roommate, a blossoming friendship spirals into a war of passive aggression. Mile End Kicks - A 24-year-old music critic gets romantically involved with members of an indie band she decides to publicize.

Canadian filmmaker Chandler Levack's debut film I Like Movies was a huge hit, earning praise from folks like Adam Sandler and establishing Chandler as one to watch. Now, Chandler is back with her second film, called Mile End Kicks, that taps into her real-life story as a young music journalist coming up in Montreal. Chandler joins Tom Power in the Q studio to talk about mining her own life for art, depicting 2011's Montreal, and working with Adam Sandler on her next film.

This week, we've got filmmaker Chandler Levack who actually has two new films out. The first is Mile End Kicks which is based on her own life as a music journalist and is set against the backdrop of the Montreal music scene of the late '00s and early '10s. The other film is comedy Roommates which was made for Netflix under Adam Sandler's Happy Madison production company. We talked to Chandler about recreating the Montreal of her 20s for Mile End Kicks, getting the music and other details right, getting indie musicians to score her movies, how she got hooked up with Adam Sandler's company just after releasing her terrific, feature film debut, I Like Movies, Montreal bands she thinks deserve more attention, and more. -- Credits: Hosted & produced by Bill Pearis Mixed and mastered by Nick Gray Theme music by Michael Silverstein Photo: Greg Gorman

Writer and director Chandler Levack joins us to talk about her TWO films releasing on April 17th: the festival favourite Mile End Kicks and the Netflix comedy Roommates.We dive into Chandler's love of coming-of-age stories, the films and directors that shaped her voice, and how she approaches writing dialogue that feels authentic. She also breaks down some of the standout moments from Mile End Kicks, including the emotional vulnerability behind sharing your favorite music with someone.Switching gears, we explore Roommates, from assembling a stacked comedy cast to working with Adam Sandler, Sadie Sandler and Happy Madison, collaborating on a studio-backed comedy. Chandler also reflects on balancing different genres, developing her identity as a filmmaker.Mile End Kicks is in theaters NOW! Roommates is streaming on Netflix NOW! Hosted by: Gurveer Brah from Screen Off Script

"Mile End Kicks" is a 2025 Canadian romantic comedy film written and directed by Chandler Levack. Based in part on Levack's own young adulthood before becoming a professional music critic and filmmaker, the film stars Barbie Ferreira as Grace Pine, a young woman who moves to Montreal, Quebec, in 2011 to write a book about Alanis Morissette's album Jagged Little Pill but instead becomes romantically involved with Archie (Devon Bostick) and Chevy (Stanley Simons), two members of the aspiring indie rock band Bone Patrol, and takes a job as the band's publicist. The cast also includes Jay Baruchel, Juliette Gariépy, Robert Naylor, Emily Lê, Hasani Freeman, Magi Merlin, and Isaiah Lehtinen. The film had its world premiere at the 2025 Toronto International Film Festival, where it received positive reviews. Levack was kind enough to spend some time talking with us about her work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Sumerian. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Gotta love it when fresh talent brings the funny...On this special episode we are diving into a brand new film from the Happy Madison crew with Canada's own Chandler Levack at the helm.  It's time for 'Roommates'.When a hopeful, naive college freshman, Devon (Sadie Sandler), asks the cool and confident Celeste (Chloe East) to be her roommate, a blossoming friendship spirals into a war of passive aggression.While it's the coming of age comedy that you'd except, it's exceptionally well executed and a hell of a lot of fun.  We had the pleasure of sitting down with one of the film stars; Aidan Langford to talk about getting the part, working with Sadie and Chandler as well as the joys of getting to be funny for a living.'Roommates' is on Netflix everywhere now.

Chandler Levack https://www.imdb.com/name/nm5576953 made 3 feature films. One with a $250,000 budget, and the last with a $30 million budget for Netflix. How did that happen?Matt and Oren dive into how Chandler met Adam Sandler. And the answer is, she made herself the only director for the job.Check out this amazing story from a Canadian filmmaker!Help Matts' film: https://wefunder.com/badfeelingHelp our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: "Akira" https://www.imdb.com/title/tt0094625/Oren's Endorsement: "The Big Picture" podcast episode with Steven Spielberg https://open.spotify.com/episode/6p0EBj4y9VkLfNOcwFUJbPChandler's Endorsement: "Dead Lover" https://www.imdb.com/title/tt27378311 Hosted on Acast. See acast.com/privacy for more information.

Welcome back to the Following Films Podcast. I'm your host, Chris Maynard.One of the most rewarding parts of this show is getting to highlight filmmakers who possess a truly distinct, non-formulaic voice, and today's guest is a perfect example. Recently named one of Variety's 2026 Directors to Watch, Chandler Levack is having a massive moment with two films hitting screens this week.On one hand, there is her indie festival darling, Mile End Kicks, a raw and vibrant portrait of a young writer finding her footing in the Montreal music scene. On the other, she is making her studio debut with the Netflix comedy Roommates. While it features a massive ensemble—including Sadie Sandler, Chloe East, Sarah Sherman, and Natasha Lyonne—it manages to elevate the traditional college freshman comedy into something far more poignant and relatable.Chandler's background as a music and arts journalist for publications like SPIN and The Village Voice brings a unique texture to her filmmaking, and I've been eager to dive into her process. Today, we're talking about the transition to a major studio project, what it was like collaborating with Adam Sandler, the critical importance of getting the right faces in the right roles, and, of course, the specific films and music that changed our lives.It's a wide-ranging conversation with one of the most exciting directors working today. Please welcome to the show, Chandler Levack.

A deep dive conversation based on the moviescramble.co.uk review written by Mary Munoz. Socially awkward 17-year-old cinephile, Lawrence Kweller, played by Isaiah Lehtinen, is self-absorbed and movie-obsessed. Fully convinced he can earn $90,000 to achieve his dream of attending film school at NYU, he gets a part-time job at Sequels video store. Their older store manager, Alana, played by Romina D'Ugo, takes him under her wing. Meanwhile, Lawrence sabotages every high school relationship he has with his narcissistic film snobbery. Faced with the impending reality of university life, Lawrence must change his ways. I Like Movies is a 2022 Canadian comedy-drama film written and directed by Chandler Levack. Set in the early 2000s, the film stars Isaiah Lehtinen as Lawrence, a socially inept 17-year-old cinephile who gets a job at a video store, where he forms a complicated friendship with his older female manager. The film is produced by Lindsay Blair Goeldner with an original score by Murray Lightburn from the Dears. Its cast also includes Romina D'Ugo, Krista Bridges, Percy Hynes White, Dan Beirne, Andy McQueen, Rodrigo Fernandez-Stoll, and Alex Ateah. Levack has described the film as being based in part on her own teenage job in a video store, although she has stated that she chose to write the central character as male out of a desire to push back against the popular notion that women filmmakers can only tell female-oriented stories. The project was first announced as receiving funding from Telefilm Canada's Talent to Watch program for emerging filmmakers in 2019, under the working title Rejects Night. I Like Movies had its world premiere in the Discovery section of the Toronto International Film Festival on September 9, 2022. Find us on iTunes: https://podcasts.apple.com/gb/podcast/moviescramble/id1466571460 Spotify: https://open.spotify.com/show/42wPn0tXvH3GQJ2E3NYDYp?si=TPUrCkecQb-zdEOAaD3cDA Amazon: https://music.amazon.co.uk/podcasts/ed9b87c9-fb70-4307-96a7-d6223a202741/moviescramble Youtube: https://www.youtube.com/channel/UCsR--3Bae_QGM5xiM3fWohA and all podcast providers. Contact us on Facebook, Twitter, and Instagram @Moviescramble We love you all! (yes, even you at the back)

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Park Chan-wook, Gus Van Sant, Kleber Mendonça Filho, Guillermo Del Toro, Claire Denis, Jafar Panahi, Benny Safdie, Oliver Laxe, Matt Johnson, Lav Diaz, Mona Fastvold, Bryan Fuller, Romain Gavras, Laura Poitras, Kenji Tanigaki, Rian Johnson, Christian Petzold, Alex Winter, Chandler Levack, Ben Wheatley, Nic Pizzolatto, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on THE BAD SLEEP WELL (1960) + HIGH AND LOW (1963), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:37 Day 1 -- SENTIMENTAL VALUE // 17:37-22:18 MAGELLAN // 22:18-28:24 SIRAT // 28:24-33:34 THE SECRET AGENT // 33:34-41:22 IT WAS JUST AN ACCIDENT // 41:22-51:00 HONEY BUNCH // 51:00-55:49 Day 2 -- MOTOR CITY // 55:49-1:04:52 NO OTHER CHOICE // 1:04:52-1:17:07 GOOD NEWS // 1:17:07-1:23:45 Day 3 -- THE LOST BUS // 1:23:45-1:26:38 UNIDENTIFIED // 1:26:38-1:28:46 THE TESTAMENT OF ANN LEE // 1:28:46-1:34:48 FUZE // 1:34:48-1:39:26 JUNK WORLD // 1:39:26-1:47:17 Day 4 -- DEAD MAN'S WIRE // 1:47:17-1:55:20 SACRIFICE // 1:55:20-2:00:48 THE FURIOUS // 2:00:48-2:07:26 ROOFMAN // 2:07:26-2:13:38 LUCKY LU // 2:13:38-2:17:22 HEDDA // 2:17:22-2:23:42 Day 5 -- THE BALLAD OF A SMALL PLAYER // 2:23:42-2:28:01 PROJECT Y // 2:28:01-2:29:42 GOOD BOY // 2:29:42-2:31:33 EXIT 8 // 2:31:33-2:32:45 ADULTHOOD // 2:32:45-2:36:20 TUNER // 2:36:20-2:43:32 Day 6 -- THE SMASHING MACHINE // 2:43:32-2:51:27 ORPHAN // 2:51:27-2:53:41 COVER-UP // 2:53:41-2:57:41 TRAIN DREAMS // 2:57:41-3:03:45 Day 7 -- RETREAT // 3:03:45-3:06:26 CAROLINA CAROLINE // 3:06:26-3:10:33 MADDIE'S SECRET // 3:10:33-3:15:23 IT WOULD BE NIGHT IN CARACAS // 3:15:23-3:17:17 NORMAL // 3:17:17-3:22:16 Day 8 -- FUCK MY SON! // 3:22:16-3:30:55 THE UGLY // 3:30:55-3:36:18 WAKE UP DEAD MAN (KNIVES OUT 3) // 3:36:18-3:42:00 THE FENCE // 3:42:00-3:50:24 OBSESSION // 3:50:24-3:56:58 Day 9 -- EASY'S WALTZ // 3:56:58-4:04:08 DUST BUNNY // 4:04:08-4:09:10 LITTLE LORRAINE // 4:09:10-4:13:14 FRANKENSTEIN // 4:13:14-4:23:13 Day 10 -- MILE END KICKS // 4:23:13-4:29:36 MIROIRS NO. 3 // 4:29:36-4:34:30 Day 11 -- NIRVANNA THE BAND THE SHOW THE MOVIE // 4:34:30-4:50:13 Outro // 4:50:13-4:53:46 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Barbie Ferreira got her start as a model before landing her big break starring on the gritty teen drama “Euphoria.” Since leaving the show, she's decided to pursue more creatively fulfilling work in indie film. Her latest project, “Mile End Kicks,” just premiered at the Toronto International Film Festival. It was written and directed by Canadian filmmaker Chandler Levack, and it follows a young music journalist who's coming up in Montreal. Barbie joins Tom Power to talk about how she learned a Canadian accent for the film, taking risks in her career and how “Euphoria” changed her life.

The song. The hat. The…casual date rape?!!? In what should have been Amy Heckerling's “blank check” after the success of Clueless, 2000's Loser is a real LOSER. Filmmaker Chandler Levack joins us to chat about this technically-not-a-remake-of-The-Apartment “comedy” that gets college surprisingly wrong. Come for the Wheatus talk, stay for the in-depth power ranking of every American Pie cast member's post-Pie career. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

The young cinephile. Full of life. Full of imagination. Also, a bit too serious at time… On this one, we have Chandler Levack's “I Like Movies” (2022) vs. Kevin Smith's “The 4:30 Movie” (2024). Which one wins? Let's find out! Aftershow: – Brad gives a spoiler-free review of season 2 of “Severance”

Last week we had a great time talking movies with our Canadian friend Marta Djordjevic, so we figured we'd keep it going and double down with another Canadian guest AND a Canadian film (and stay tuned in the post show to potentially hear Marta about this week's film)!I Like Movies is writer/director Chandler Levack's 2022 directorial debut and it's a complete delight. It's very funny, it's sweet, it's sad, it's cringey, and it beautifully captures a period of life that everyone can relate to whether or not they are a movie lover. It's currently streaming on Kanopy & Hoopla, available to rent on your digital retailer of choice, and is also probably on DVD at your local library. Go check it out!We are also honored to have had the film's star Romina D'Ugo join us for this conversation! In the film, Romins plays the manager of the store that the protagonist gets a job at while he's attempting to save up enough money to go film school. Over the course of the movie, they grow close and ultimately both help each other move into the next stages of life. We discuss what went into her preparation for the character, filming through Covid, taking it on the festival circuit, and more!⁠⁠⁠Substantive Cinema Episode ListShoutouts:The Swearing JarThe Artist's WayStrategic Coach booksFollow RominaInstagramPortal to HellFollow Us⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Philip's Letterboxd⁠⁠⁠⁠⁠Share Your Questions/Suggestions/Feedback With Us:Email: thesubstancepod@gmail.comDM on InstagramSupport Us: Support the show with an individual donation on CashApp to $TheSubstancePod or become a monthly Patreon supporter at patreon.com/TheSubstancePod

Ian and Pat celebrate Valentine's Day with a candy-coated love-in for Chandler Levack's 2022 coming-of-age comedy, I Like Movies!Set in 2003,* the film stars Isaiah Lehtinen as Lawrence, a celluloid-obsessed high school student living in Canada, who dreams of studying film at NYU's Tisch School of the Arts. He and his only friend, Matt (Perry Hynes White), make low-budget movies and spend their Saturday Nights watching Saturday Night Live. When Lawrence gets a job at the local video store to save for college, he meets a group of misfit adults--including "cool boss" Alana (Romina D'Ugo), on whom he inevitably develops a crush. This coincides with a series of personal tragedies that force Lawrence into a world he can neither reckon with nor rewind.In today's spoiler-lite review, the guys dig deep into Levack's phenomenally insightful and painstakingly authentic coming-of-age movie, which borrows from her own youth yet manages to capture the universal awkwardness, isolation, and small triumphs of teen-boydom.They also veer into Levack's uncanny ability to draw strong female characters in ways that utterly shame the mainstream cliche; tout I Like Movies's similarity to Adam Rehmeier's Dinner in America; and pull each other back from the Inception-like spiral of some of the film's deceptively simple creative choices!*Ian mistakenly said the movie took place in 2002, but according to the Internet, Punch-Drunk Love didn't hit home video until June of the following year (Paul Thomas Anderson's drama figures heavily in I Like Movies).Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the I Like Movies trailer.Read Ian's written review of I Like Movies at Kicking the Seat!Check out Ian's recent interview with the cast and filmmaker of Dinner in America (mentioned in the show)!Keep up with Pat at HollywoodChicago.com.Listen to Pat's movie reviews on the radio at STAR 96.7.

Canadian films are still making their way to the big screen with fascinating themes. FITTING IN grapples with societal notions regarding the relationship between body and womanhood. HEY, VIKTOR! tackles a quest for fame and fortune morphed into a journey of self-discovery. THE KING TIDE reflects on community, fundamentalism, and rejection of a larger world. Heavy metal, violence, gambling addiction, and a never-ending pile of dishes serve as the background in THE DISHWASHER to give us a bumpy ride to redemption. Join us in a conversation with Maureen Grant, CCE, Isabelle Malenfant, CCE, Justin Oakey, and Sarah Taylor, CCE the editors of these films who will share their experiences shaping these stories. This panel was moderated by director Chandler Levack.

Chandler Levack the writer & director of I LIKE MOVIES joins us on the podcast to discuss her time working in Blockbuster, the indie sleaze era and making her debut movie.

On this episode of Podcast Like It's 1992, Phil & Emily are joined by writer/director Chandler Levack to talk about Gas Food Lodging.‌We discuss director Allison Anders, why this film doesn't get the love it deserves, and character comparisons to Chandler's film I Like Movies.‌‌Patreon: Get more from Podcast Like It's... on Patreon‌Twitter: Podcast Like It's... (@PodcastLikeIts) on X‌Instagram: Instagram (@podcastlikeits)‌Reddit: http://reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.

Chandler Levack returns to the show to discuss the unwavering charm of Cameron Crowe's directorial debut SAY ANYTHING.Patreon: patreon.com/PodcastlikeitsTwitter: twitter.com/podcastlikeits Instagram: instagram.com/podcastlikeits Reddit: reddit.com/r/podcastlikeits Hosted on Acast. See acast.com/privacy for more information.

Originally Aired: 08/04/23 – We review Teenage Mutant Ninja Turtles: Mutant Mayhem. We talk with director Chandler Levack of I Like Movies and also with director Randall Park of Shortcomings. The post Geek Hard Episode 686 – Turtles Acknowledge Shortcomings appeared first on Geek Hard.

Originally Aired: 08/04/23 – We review Teenage Mutant Ninja Turtles: Mutant Mayhem. We talk with director Chandler Levack of I Like Movies and also with director Randall Park of Shortcomings. The post Geek Hard Episode 686 – Turtles Acknowledge Shortcomings appeared first on Geek Hard.

Becky and Alicia are joined by Lindsay Blair Goeldner to discuss Earth Girls Are Easy and Vibes, a pair of unusual but very fun 1988 rom-coms starring one of Hollywood's hottest stars: Jeff Goldblum. Lindsay Blair Goeldner is a film producer and the Vice President of Production at Fae Pictures, an award-winning media production company on a mission to decolonize Hollywood. Originally hailing from Toronto, she is currently based in New York City. She has produced and overseen production on award-winning projects that have played festivals worldwide. Some of her work includes short films Diaspora (dir. Tyler Mckenzie Evans), Scaring Women at Night (dir. Karimah Zakia Issa), Death Valley (dir. Grace Sloan); feature films such as Learn to Swim (dir. Thyrone Tommy), I Like Movies (dir. Chandler Levack); and the series Streams Flow from a River (dir. Christopher Yip), to name a few. Through her work, Lindsay aims to elevate and empower emerging talent which continues to be a defining and driving force in her career. When she's not on set or at a karaoke night, you can find her recommending movies on TikTok. Hosted on Acast. See acast.com/privacy for more information.

Cinephile Game Night has returned this year for Cinephile Summer, a brand new season featuring your favorite podcasters and filmmakers going head-to-head to see who is the ultimate cinephile. Hosted by The Film Stage's Jordan Raup, Conor O'Donnell, and Dan Mecca along with Cinephile: A Card Game creator Cory Everett, the series will debut new episodes bi-weekly on The Film Stage Show podcast feed & The Film Stage YouTube channel. For the first episode of Cinephile Summer, we were thrilled to face off against our friends at The Letterboxd Show, featuring Mitchell Beaupre, Matt “Slim” Kolowski, Mia Vicino, and special guest Chandler Levack, whose debut feature I Like Movies is now available digitally in Canada. Watch & stay tuned for episodes featuring One Heat Minute, We Hate Movies, and more! Learn more: https://thefilmstage.com/cinephile

Lindsey Campbell & Mark Davies present another edition of THANKS TELEFILM where they examine films funded by Telefilm. This time it's writer/director/producer Chandler Levack's film I LOVE MOVIES.In I LIKE MOVIES Lawrence Kweller is an irascible, self- and movie-obsessed teenager living in the wilds of early-2000s Burlington, Ontario. He's the kind of guy who, when he buys a movie ticket, mentions the director's name just to show that he's there for the right reasons. He dreams of NYU, where he'll be mentored by a grateful Todd Solondz. But for Lawrence, who delivers every statement with utter certainty, this isn't a mere dream: it's locked in — as long as he can make thousands of dollars working part-time at his local video store.

This week on End Credits, after 301 episodes, we found the film that perfectly encapsulates the aesthetic of this show: we like movies. This week, we go for something Canadian with the coming of age story I Like Movies, and we continue on with our re-visit through the Indiana Jones series with the second of five entries. See, we do like movies! This Wednesday, June 21, at 3 pm, Adam A. Donaldson and Tim Phillips will discuss: Run the Series: Indiana Jones and the Temple of Doom. As we continue the countdown to Indiana Jones and the Dial of Destiny, we visit one of the most controversial entries in the series. Set in 1935, this dark adventure finds Indiana Jones and his companions searching for magic stones at a legendary palace in India and along the way flirts with some pretty racist tropes. But looking back nearly 40 years, how does Temple stand in the series, and as its own entry? REVIEW: I Like Movies (2023). The scene is Burlington, ON sometime in the early 2000s, and Lawrence likes movies. He wants to go to NYU film school, and he starts working at a video store to save up to pay for it. It's his last year of high school, things are strained with is friend Matt and his mom, and he might be falling in love with his manager at the video store. Chandler Levack's coming-of-age comedy/drama hits all the highlights of the genre, but in a deeply personal and very-Canadian package. Here's the question though, do we like I Like Movies? End Credits is on CFRU 93.3 fm and cfru.ca Wednesday at 3 pm.

Chandler Levack is a Toronto-based filmmaker who's debut feature length film ‘I Like Movies' is in theatres now. Chandler sat down with Josh and Austin to discuss Succession spoilers, shooting a film during lockdown, casting her parents as extras, finding an abandoned Blockbuster, filming in Ajax, people thinking the set of her movie was a real video store, teen movies, toxic film bros, Paul Thomas Anderson, writing male characters, making an unabashedly Canadian film, working as critic, ‘Superbad', Montreal 2011, ‘Boogie Nights', Ben Kweller, directing music videos, music journalism, fragile egos, sequels and much more! Chandler Levack Josh McIntyre Austin Hutchings ---- Cold Pod SUPPORT THIS PODCAST https://www.patreon.com/coldpod

Talkin' Chandler Levack's new film with Courtney Small

Chandler Levack discusses her beautiful, funny directorial debut, I Like Movies, Toronto life and her family history, being a film critic and a filmmaker, teenage angst and anticipation, narrative autobiography, I Like Movies' remarkable cast and acclaim, misogyny in popular culture, regionalism and Canadian storytelling, support from Sarah Polley, exciting future plans, and much more. Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Greetings Programs!  This week on the show we look at a Canadian festival darling, Chandler Levack's I Like Movies,  as well as the recent Berlinale debut Inside starring Willem Dafoe.  THere's a lot to talk about, especially when it comes to what works for one viewer vs another.   Join us!This episode's homepage can be found here.BONUS CONTENT:     If you are a Patreon subscriber be sure to check out this episode's bonus content right here on the Patreon feed.CONNECT WITH US:      Matthew on Twitter: @SmatthewAF Simon on Twitter: @TemporaryPen Home:   AwesomeFriday.ca Awesome Friday on Twitter: @AwesomeFridayCa    Awesome Friday on Facebook: Awesome Friday Awesome Friday on Instagram: @AwesomeFridayCa AwesomeFriday on YouTube: Awesome Friday Email Awesome Friday: Contact Us SUPPORT:             Patreon    Ko-Fi SHOW LINKS: Awesome Friday on Apple Podcasts Awesome Friday on Amazon Music Awesome Friday on Deezer Awesome Friday on Goodpods Awesome Friday on Google Podcasts Awesome Friday on iHeartRadio Awesome Friday on JioSaavn Awesome Friday on Overcast Awesome Friday on Spotify Awesome Friday on Stitcher Awesome Friday on TuneIn Meanwhile, relax and enjoy your flight. 

Having female role models in different fields and positions of power can increase representation and diversity. When women see other women in leadership roles, they are more likely to believe that they too can achieve those positions. This is why I'm so pleased to have Senator Gigi Osler join me today to discuss her new role in Canada's senate, and how she is managing her other roles as and internationally renowned surgeon and assistant professor. Wedding season is here, and finding the perfect venue is top of mind for many would be brides and grooms. Thankfully Angela Risi from The Doctor's House, one of Canada's top wedding venues, is here to share her top tips on choosing the perfect location for your wedding day. Anne Brodie is in and we jump right into Season 3 of Ted Lasso, which we're both thrilled to see the return of, plus a look at the sweet comedy-drama I Like Movies based on the experiences of filmmaker Chandler Levack who worked at Blockbuster and Cheryl Fennell and April Allen join me to share details about Proudly Indigenous Crafts and Designs, a trusted and secure e-commerce platform that celebrates and showcases Canadian Indigenous fashion designers and artists that create authentic, high-quality, hand-crafted seal fur and leather products, such as accessories, footwear, clothing and home décor. At a time when corporate greed is running amok, it's nice to know that socially conscious businesses that give back to their communities still exist. That's why I know you'll want to hear more about Love is Warm, the first socially conscious winter coat company. Founder Jordan Britton joins me to share more about this company that provides one coat to a Canadian in need for every coat purchased. Finally, we're closing out this week's show with Surrey BC native Alexis Lynn, an Indigenous singer-songwriter who crafts deceptively sweet pop anthems that never shy away from her ethos of honesty and empowerment. She is here to discuss her latest album and share the single Something to Prove with us.

Written and directed by Chandler Levack, I LIKE MOVIES tells the story of Lawrence (Isaiah Lehtinen), a 17-year-old teen who believes his future lies in the world of filmmaking. Anxiously awaiting his acceptance from NYU's Tisch School of Arts, Lawrence takes a job at the Sequels video store in Burlington, ON in order to earn enough money to take the next step in his life. However, as he develops a complicated friendship with his boss, Alana (Romina D'Ugo), Lawrence begins to discover that there might be more to life than movies. In this 1on1, we speak to Lehtinen, D'Ugo & Levack about glorifying Hollywood, the importance of video stores and the stories that define us.

Joining me for 150th episode of the show is Chandler Levack, the director of I Like Movies. This is a film I saw at the Edmonton International Film Festival a few months back and has stuck with me ever since. In the film, high schooler/cinephile Lawrence Kweller (Isaiah Lehtinen) begins working at Sequels Video while his personal relationships and dream of going to the Tisch School for the Arts fall in deeper jeopardy. Watch Chandler's 2017 short We Forgot to Break Up on Vimeo.  I Like Movies starts playing this Friday at the TIFF Lightbox, CPX International Village (Vancouver,) Silvercity Burlington, Playhouse (Hamilton,) Cinematheque on March 11th (Winnipeg) and starting March 17th at Metro Cinema in Edmonton. ReComradations:New York Ninja (2021) dir. John Liu / Kurtis M. SpielerRate + review the show on the podcatcher of your choice!Join the Kino Lefter DiscordJoin the Kino Lefter Facebook group "Kino Lefter VIP Cinema Experience"Get access to Primo Lefter, our weekly bonus show on our Patreon for just $3 per month. 

Emmy winning comedian Sarah Silverman (The Sarah Silverman Podcast, History of The World, Part II, Wreck-It Ralph) on Saturday Night Live, antisemitism and her comedic inspirations. Plus, filmmaker Chandler Levack (I Like Movies) (23:44) on film school snobs, video stores and nostalgia.

On this edition of the Richard Crouse Show we meet director Chandler Levack, whose debut feature film, “I Like Movies,” will be in theatres on March 10. The film festival hit is based on her experiences working at a Blockbuster Video in Burlington, Ontario in the early 2000s. It's the story of how movie obsessive Lawrence Kweller (Isaiah Lehtinen) allows his love of film, dream of attending NYU's Tisch School of the Arts, and anxiety, alienate the most important people in his life. Part work-place comedy—think “High Fidelity” only set in a video store—part character study, “I Like Movies” is sweet-natured, funny film that digs deep to make us feel empathy for Lawrence, a socially awkward character who hides his real feelings behind a facade of bluster and pretension. Strong performances and a genuinely heartfelt script make this take on adolescent angst a winning debut for Levack. Then, C. J. Tudor, bestselling author of “The Burning Girls,” “The Other People,” “The Hiding Place” and “The Chalk Man,” which won the International Thriller Writers Award for Best First Novel, stops by. Over the years she has worked as a copywriter, television presenter, who asked Tim Robbins an embarrassing questions, a voice-over artist, and dog walker. Today we'll talk about some of those jobs and her new novel, “The Drift,” a heart-pounding new novel about three ordinary people who risk everything for a chance at redemption. And finally, we spend time with “In the Key of Dale” author Benjamin Lefebvre. He is a writer based in Kitchener, Ont. His edited books include the anthology “The L.M. Montgomery Reader,” which won the 2016 PROSE Award for Literature from the Association of American Publishers, and an edition of L.M. Montgomery's rediscovered final book, “The Blythes Are Quoted.”

On this edition of the Richard Crouse Show we meet director Chandler Levack, whose debut feature film, “I Like Movies,” will be in theatres on March 10. The film festival hit is based on her experiences working at a Blockbuster Video in Burlington, Ontario in the early 2000s. It's the story of how movie obsessive Lawrence Kweller (Isaiah Lehtinen) allows his love of film, dream of attending NYU's Tisch School of the Arts, and anxiety, alienate the most important people in his life. Part work-place comedy—think “High Fidelity” only set in a video store—part character study, “I Like Movies” is sweet-natured, funny film that digs deep to make us feel empathy for Lawrence, a socially awkward character who hides his real feelings behind a facade of bluster and pretension. Strong performances and a genuinely heartfelt script make this take on adolescent angst a winning debut for Levack. Then, C. J. Tudor, bestselling author of “The Burning Girls,” “The Other People,” “The Hiding Place” and “The Chalk Man,” which won the International Thriller Writers Award for Best First Novel, stops by. Over the years she has worked as a copywriter, television presenter, who asked Tim Robbins an embarrassing questions, a voice-over artist, and dog walker. Today we'll talk about some of those jobs and her new novel, “The Drift,” a heart-pounding new novel about three ordinary people who risk everything for a chance at redemption. And finally, we spend time with “In the Key of Dale” author Benjamin Lefebvre. He is a writer based in Kitchener, Ont. His edited books include the anthology “The L.M. Montgomery Reader,” which won the 2016 PROSE Award for Literature from the Association of American Publishers, and an edition of L.M. Montgomery's rediscovered final book, “The Blythes Are Quoted.”

Welcome to another special BONUS episode of Repodcasting! Lucia had the chance to interview Canadian filmmaker Chandler Levack onsite at the Calgary International Film Festival. They talk about Chandler's first feature film, I LIKE MOVIES, which played at this year's CIFF and took home the largest prize at the festival, the RBC Emerging Canadian Artist … Continue reading Repodcasting 59.5 – Chandler Levack Interview →

Comics artist Kate Beaton discusses her new graphic memoir, Ducks: Two Years in the Oil Sands, about her time working in Alberta's oil sands and her experiences there as one of the few women on the job. Filmmaker Chandler Levack talks about her journey from working at the Toronto International Film Festival to premiering her first feature film, I Like Movies, there this week. Our fashion contributor Mosha Lundström Halbert takes a look at how Queen Elizabeth's style evolved over her 70 years on the throne.

In 2015, emerging filmmaker Chandler Levack joined your genial host Norm Wilner to talk about her love for Deborah Kaplan and Harry Elfont's 1998 coming-of-age film Can't Hardly Wait. Seven years later, Chandler's first feature I Like Movies is making its world premiere at TIFF -- and Norm has joined the festival as a programmer. Enjoy the flashback -- and if you want to see I Like Movies, it's screening again at 6:30 pm Wednesday September 14th at the TIFF Bell Lightbox 3, and at 9:45 pm Friday September 16th at the TIFF Bell Lightbox 2. 

Movies are sex! Toronto movie critic and filmmaker Chandler Levack joins hosts Gemma and Slim ahead of the world premiere of I Like Movies—her debut indie dramedy about a narcissistic teenage cinephile that had Slim weeping-laughing and Gemma hoping it'll win the TIFF People's Choice Award—to talk about four films she loves: Almost Famous, Fat Girl, The Apartment and Crime Wave. Plus: Chandler and Slim reminisce about their glittering careers in the video store industry; everything Cameron Crowe means to us; Catherine Breillat and her brutal realism; the joys of making a film about an insufferable cinephile; how to nail an audition (hint: wear a t-shirt for The Lighthouse); we're all in love with Shirley MacLaine; why Gemma wants to live in old movies; John Paizs' absurdist brilliance and his lasting legacy—that you can make anything you want!; Funny Pages' sweaty basement apartment; is this the greatest year for cinema made just for Slim? Possibly yes. Did Steven Spielberg make The Fabelmans in homage to I Like Movies? Maybe. See both films at TIFF (8—18 September) to find out! Credits: This episode was recorded in Auckland, Toronto and Pennsylvania, and edited by Slim. Facts by Jack. Booker: Brian Formo. Transcript by Sophie Shin. Art by Samm. Theme: ‘Vampiros Dancoteque' by Moniker. Lists and links: The Letterboxd list of films mentioned; Fat Girls on Film by Kate Hagen; Conversations with Wilder by Cameron Crowe; Jack Facts' interview with Owen Kline; ‘Stillwater Runs Deep'—William Miller's $1000 essay for Rolling Stone; When you're feeling a little lost by yazz!; Coming-of-age movies by andrea; Films that took an already amazing and well-known song by starboy; Movies that are like I Like Movies by Chandler Levack; Male Protagonists that I Could Easily Beat Up in a Fight by Claira Curtis; Manic Pixie Dream Girl by Melissa; Punk by Sally Jane Black; Weirdo Watchlist by Tyler; Chandler's Movies I can't wait to see at TIFF.

I Like Movies director Chandler Levack discusses her look back at early-2000s video store culture, the makings of a toxic film bro and how she found a sympathetic and redemptive arc for a character that had the makings of an incel.

Toronto filmmaker Martin Edralin, whose award-winning first feature Islands plays the TIFF Bell Lightbox tonight (April 12th) through Thursday (April 14th), unpacks the tensions at play in Korean master Lee Chang-dong's almost unbearably empathetic Secret Sunshine, a study of a woman carrying the weight of unimaginable loss that earned star Jeon Do-yeon the Best Actress prize at Cannes in 2007. Your genial host Norm Wilner is braced for impact, and reminds you the first year of the podcast can be yours at payhip.com/semcast for just twenty dollars. That's 52 episodes, 46 of which are unavailable to stream anywhere, including gems like Scott Thompson on Gentlemen Prefer Blondes and Chandler Levack on Can't Hardly Wait. Just saying.

It the the apocalypse!! So we brought on returning guest Chandler Levack to talk about the Canadian film, Last Night.We talk about Canadian film as a whole, what would you do with your last day, and how optimistic this movie looks into the apocalypse. Kenny even rant about greatness of Canadian films and thanks Phill and Chandler for being Canadian!!Find Jordan at: twitter.com/clevackPatreon: patreon.com/podcastlikeits1989Twitter: twitter.com/podcastlikeitsInstagram: instagram.com/podcastlikeitsReddit: reddit.com/r/PodcastLikeIts See acast.com/privacy for privacy and opt-out information.

This week's SatC rewatch tests our limits, as Phil sits down with filmmaker Chandler Levack to discuss season 2, episode 9: OLD DOGS, NEW DICKS. From schedule flexibility, to sexual rediscovery, this episode is all about change. How much is too much? How far is too far? Phil and Chandler dive deep into the wild premise, its twists and turns, and the dawn of television binge-watching on this Sex and the City Saturday.FYI, Chandler’s mom Reggie also shows up as special guest the end! See acast.com/privacy for privacy and opt-out information.

This week we welcome journalist/filmmaker Chandler Levack (We Forgot To Break Up) on the podcast to talk about GUINEVERE, the 1999 romantic drama starring Canadian legend Sarah Polley and Stephen Rea. See acast.com/privacy for privacy and opt-out information.

Chandler Levack is an award-winning journalist and filmmaker who is in love with Jonah Hill! (She interviewed him and the chemistry was HOT.) Chandler is here to talk about how being a film critic has helped her create better art, what it felt like to be a young female music critic (as in, a novelty) in the 90s, and the pros and cons of Twitter as a platform for cultural criticism. We also chat about her fear of birds, the VIFF debut of Feminist Live Reads (October 1st at the Rio in Vancouver!) and why it's important for women to tackle male perspectives in writing and film.

Alex LaLonde of New Metric Media and Chandler Levack, an independent filmmaker and freelance film critic, talk about what Netflix’s move into the Canadian market really means, and what kind of questions remain unanswered.

Chandler Levack joins Jeremy to watch THE SHOP AROUND THE CORNER and both find themselves to be completely engrossed by “The Lubitsch Touch”...

Chandler, Jesse and Face2Face host David Peck talk about their new film We Forgot to Break Up, identity, memory and sexuality, anger, selfishness, relationships, and the messiness of intimate friendships. Biography Chandler Levack is an award-winning writer and director. After being selected for a screenwriting seminar at the University of Toronto taught by Semi Chellas (Mad Men) and Patricia Rozema (Grey Gardens, Into the Forest), she wrote the coming-of-age comedy Felt Up, based on an article written for her college newspaper where she investigated the world of professional pickup artists. A music journalist for SPIN and The Village Voice whose writing has been nominated for multiple National Magazine Awards, Chandler transitioned into filmmaking after graduating from the CFC Writer’s Lab in 2012, where she wrote the short film Lunchbox Loser, which has screened at festivals world-wide including the Portland Women’s Festival, Cannes Short Film Corner, Canadian Film Festival, and the Lahore International Children’s Festival. Jesse Todd “Evan” is a new actor whose first lead role was as Evan Strocker in the short film We Forgot to Break Up. Jesse also appeared in the film Cave Small Cave Big by Joele Walinga. He has done a number of live comedy performances including Feminist Live Reads Presents: Mean Girls, and Toronto Pride 2016 Stand Up Comedy programming. Synopsis We Forgot to Break Up reflects the heartache in encountering the people from your past, while the song remains the same. In this backstage drama, directed by Chandler Levack, written by Levack and Steven McCarthy, and produced by Nicole Hilliard-Forde and Matt Hilliard-Forde of Motel Pictures, Evan Strocker (Jesse Todd) returns to see the band he used to manage after a painful three-year hiatus. Times have changed and the band members of Heidegger have gravitated towards lives in Los Angeles and as new parents. Evan has also undergone a radical change, now proudly living as a trans man. As he encounters each members of the band moments before their sold out show, he'll find a way forward towards self acceptance and love, especially as he encounters his ex boyfriend Lugh. Adapted from Kayt Burgess' novel Heidegger Stairwell (winner of the 3-Day Writing contest), the film makes new myths out of Canada's indie rock heritage with raw humour and a landmark performance from trans newcomer Jesse Todd. Trailer ---------- For more information about David Peck's podcasting, writing and public speaking please visit his site here or check out the site of his podcast on film, social change and much more. With thanks to producer Josh Snethlage and Mixed Media Sound. Image Copyright: Motel Pictures Inc and Chandler Levack. Used with permission.   See acast.com/privacy for privacy and opt-out information.

Any filmmaker will tell you that the journey to getting their first feature made is full of ups and downs. But what exactly are the biggest challenges facing aspiring filmmakers and how can we make things easier and more accessible for future generations? To learn more, Rob, and special guest host Chandler Levack, sit down with director Ashley McKenzie, whose debut film ‘Werewolf’ garnered a tonne of attention and admiration at last year’s TIFF. Ashley talks about her long path to getting ‘Werewolf’ made (5:40), why she considers her films “termite art” (13:25), and why young filmmakers need to question the systems in place and find a method that works for them (15:50). She also explains why she thinks female filmmakers have more to prove than their male peers (21:30), why she doesn’t feel at a disadvantage working out of Cape Breton Island (29:30), and why, despite ‘Werewolf’s’ success, she’s not confident that making her second film will be an easier road (30:40) Ashley is currently an ambassador for TIFF’s Share Her Journey campaign, a five year initiative prioritizing gender parity within the film industry. To find out more about the campaign, please visit: http://www.tiff.net/shareherjourney/

On this episode of TIFF Un/cut, TIFF Kids short filmmakers Eduardo Bertaina (THE LOUDEST SILENCE), Arvid Klapper (BAKA), and Meloni Poole (TRIGGA) talk to host Chandler Levack about making films for - and starring - children. They discuss the idea that films for kids don’t need to be bouncy or animated (3:50), discuss collaborating with young actors (8:28), good strategies for getting strong performances from children (15:14), establishing a “parent/child” relationship between actors on set (20:20), tackling serious subjects in films aimed at children (22:50), the moment in childhood that makes you want to become a filmmaker (28:13), and the incredible intelligence of children as film viewers (33:35).

Jess Salomon makes her comedy Great Again. Bruce McDonald goes to Washington. PJ Vogt lives inside a Weakerthans song. BJ Snowden loves Canada more than Canadians do.   Jess Salomon used to be a UN war crimes lawyer. Now, she's trying to get some regular comedy gigs in New York. She has videos of her stand-up on her website. Bruce McDonald is a filmmaker whose movies include Hardcore Logo, Highway 61 and Roadkill. His newest movie, Weirdos, will be in select theatres across Canada this spring. PJ Vogt hosts a podcast called Reply All. In one episode, he micro doses on LSD at work and in another he explores One Direction conspiracy theories. BJ Snowden is a songwriter living in Massachusetts. She writes songs about Canada, but also things like working as a school teacher and Judge Joe Brown.   Music on this episode: "Sailin' On" by Haolin Munk. "One Great City!" by The Weakerthans "In Canada" by BJ Snowden.   The Imposter is hosted by Aliya Pabani and produced by Kevin Sexton. Additional contributions on this episode from Katie Jensen and Chandler Levack. Follow us on Twitter: @IMPSTR / @aliyapabani . Visit our webiste: canadalandshow.comSee omnystudio.com/listener for privacy information.

Remembering Inuit artist Annie Pootoogook. Vanessa Dunn fronts a queer cock rock cover band while pregnant. PUP's Stefan Babcock almost goes into punk retirement. This show features: 1. Artist Annie Pootoogook 2. Tiny Mirrors by LAL 3. Whole Lotta Love by Vag Halen 4. Performance artist, actor, and singer Vanessa Dunn of Vag Halen 5. If This Tour Doesn't Kill You I Will by PUP 6. Lead singer Stefan Babcock of PUP 7. Dream Deferral by Sigh Down One. The Imposter is hosted by Aliya Pabani and produced by Katie Jensen, with contributions from Chandler Levack. Original music by Nathan Burley. Feedback & freelance pitches: aliya@canadalandshow.com. We're on Twitter @IMPSTR and @aliyapabani. Sponsored by FreshBooks.See omnystudio.com/listener for privacy information.

This week we wonder: is Almost Famous as good as we remember? To help us re-assess, we are joined by Chandler Levack, who is a Toronto-based filmmaker, journalist, and the creator of Feminist Live Reads (as well as our second guest ever).

Music critic Chandler Levack co-hosts.    Journalists from The Rebel were kicked out of the Alberta legislature. The Grammys are over and everyone wants you to know which Canadians won.  Statistics say way less people are consuming news.Support CANADALAND: https://canadaland.com/joinSee omnystudio.com/listener for privacy information.

In this week’s episode, screenwriter, filmmaker and Feminist Live Read pioneer Chandler Levack brings Deborah Kaplan and Harry Elfont’s 1998 teen-party classic Can’t Hardly Wait into the basement, discussing its remarkable cast, its clever investigation of adolescent identity and its appeal to millennials, among other things. Your genial host Norm Wilner does his best not to bring up the fact that he’s old enough … Continue reading Chandler Levack on Can’t Hardly Wait →