Podcast appearances and mentions of Amy Heckerling

We're joined by the host of the podcast Channels, Peter Kafka, as we go back to 1982's Los Angeles, with Cameron Crowe and Amy Heckerling's teenage masterpiece starring Sean Penn, Jennifer Jason Leigh, and Phoebe Cates, Fast Times at Ridgemont High. We cover how The Pool Scene changed a generation, the first time Haitch got blue balls (after making out all night at a church lock in), why the Super Bowl sucked so hard, and just how sweet all those conservative tears taste right about now.Chapters Introduction (00:00:00) Hatch News (00:25:11) Fast Times at Ridgemont High Roundtable (00:34:28) Your Letters (01:16:39) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Look Who's Talking Now! (1993) was chosen by Chris, rounding out the unlikely trilogy that began as a surprise hit in 1989. By the early '90s, the Look Who's Talking franchise had already proven its commercial appeal, and TriStar Pictures was keen to keep the momentum going. This third entry shifted focus behind the scenes, with original director Amy Heckerling stepping away and Tom Ropelewski taking over directorial duties. John Travolta and Kirstie Alley returned following the success of Look Who's Talking Too, while the production leaned heavily on the established brand recognition rather than reinventing the formula.The film was produced during a transitional period for Hollywood family comedies, as studios increasingly relied on sequels, celebrity voice work, and broad humor to attract audiences. A major production emphasis was placed on the voice performances, enlisting high-profile actors to give personality and comedic timing to the animal characters through extensive ADR sessions. Despite a solid budget and the continued involvement of its star leads, Look Who's Talking Now! faced franchise fatigue upon release and struggled to recapture the box-office success of its predecessors. Today, it's remembered as a curious example of early-'90s sequel culture — a film driven more by brand familiarity than creative necessity, and a reminder of how quickly novelty concepts can wear thin.If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryFrom the creators of a blockbuster comedy franchise… comes the one where the pets finally take over.The family is back, the chaos is louder, and this time the dogs have something to say. With celebrity voices, slapstick mayhem, and 90s family-friendly insanity turned up to eleven, Look Who's Talking Now! lets the animals loose — commenting on love, loyalty, and household madness like only talking pets can.Look Who's Talking Now! — when the fur flies, the truth comes out.Fun FactsLook Who's Talking Now! was the final film in the Look Who's Talking trilogy, bringing the franchise to an end after three movies in five years.The movie marked one of the rare times Danny DeVito and Diane Keaton voiced animated characters together, even though neither appears on screen.The dogs' mouth movements were created using subtle animatronics and careful editing, rather than full CGI, which was still limited in the early 1990s.Despite mixed reviews, the film performed strongly on VHS and rental charts, continuing the franchise's popularity in the home-video market.The movie received several Golden Raspberry Award nominations, including Worst Screenplay and Worst Supporting Actress, reflecting its critical reception.Look Who's Talking Now! was released during a wave of early-90s “talking animal” movies, alongside films like Homeward Bound and Bingo.This installment shifted the franchise's focus more toward family-friendly animal comedy, a move that divided fans of the earlier films.The film has since gained a nostalgic cult following, particularly among viewers who grew up watching it repeatedly on VHS and cable television.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

2025 marks 250 years since the birth of Jane Austen, the English writer whose finely tuned observations of Regency life shaped the modern novel. But perhaps more notably for Screenshot, it's also 30 years since Colin Firth walked out of a lake and straight into the nation's hearts, in the BBC's Pride and Prejudice miniseries.Three decades on from the ‘Austenmania' of 1995, Ellen E Jones and Mark Kermode explore Jane Austen adaptations past and present. Do screen versions of novels like Emma and Sense and Sensibility offer a cosy retreat from the modern world - or do they still have something to say in the present moment? Mark speaks to film writer and researcher Lillian Crawford about various Austen triumphs and missteps on screen, from numerous incarnations of Emma, to Netflix's recent update on her last novel, Persuasion. He also speaks to playwright Nick Dear about an adaptation many Austen experts consider a high-water mark - the 1995 version of Persuasion, written by Dear and directed by Roger Michell for the BBC's Screen Two strand. Meanwhile, Ellen talks to Amy Heckerling, writer and director of the classic 1995 comedy Clueless, which transplants Austen's novel Emma to a Beverly Hills high school. And she also speaks to writer-director Celine Song, whose recent film Materialists stars Dakota Johnson as a professional matchmaker - and unmistakably bears the influence of Austen. Producer: Jane Long A Prospect Street production for BBC Radio 4

Socialite icon and Clueless superfan Jane Kang joins the show to talk Amy Heckerling's 1995 teen classic, recently released from Paramount on Blu-Ray and 4K UHD for its 30th anniversary. Plus confessions, announcements, & more! Find us on Instagram!

Clueless at 30: A Modern Classic Revisited. Step into Beverly Hills 1995 and discover how Clueless turned into a timeless phenomenon. We set the table for a 30th-anniversary celebration, outline the themes that endure, and discuss why Clueless still sparkles today. We unpack the beloved relationships and standout moments—Cher and Josh, Dionne and friends, and the ensemble that sparks both romance and humor. A character-by-character look at how chemistry, banter, and misfires propel the story. With compelling writing and direction from Amy Heckerling and a standout cast that includes Alicia Silverstone, Paul Rudd, Brittany Murphy, Dan Hedaya, Donald Faison, Elisa Donovan, Jeremy Sisto, Breckin Meyer, Justin Walker, and more, special guest David Parke and Gaius of Back To The Blockbuster explore why Clueless remains a timeless classic and a coming-of-age teen comedy masterpiece.Where To Watch Clueless

You're not totally buggin' - Clueless is now 30 years old! To celebrate, Mark welcomes his homies Melissa Ward and Jason Kashiwagi back on the show to take a trip down memory freeway. This trendsetting, aspirational Amy Heckerling classic only gets better with age, but they wonder if the romantic ending is actually pretty weird and ponder what direction the upcoming TV show continuation could go in. Plus, Mark shares what happens in his Clueless 2 script that he wrote in elementary school, the trio decides if Paul Rudd or Jeremy Sisto was cuter, and the other 1995 teen movie Kids (less virgins in that one) gets a shout-out.

A beautiful, popular, and wealthy high school student decides she wants to do good deeds for others. She befriends a newcomer and gives her a makeover while playing matchmaker for two of her teachers. But figuring out her own life? Ugh, as if! Stephanie and Eric are totally buggin' for Clueless (1995), directed by Amy Heckerling.   Follow Aflixionados Podcast on social media for extended conversations, interesting tidbits, and other news!! Linktree | Instagram | Facebook | YouTube | Merch

We're diving into the 1995 classic Clueless to see if Amy Heckerling's teen comedy holds up 30 years later. From its iconic fashion to the jokes that went way over our heads as kids, we're breaking down why this movie is more than just a 90s time capsule.On this episode of So Many Sequels, the guys discuss how Clueless cleverly adapted Jane Austen's Emma for a Beverly Hills High School setting , Amy Heckerling's under-appreciated career as a mainstream female director in the 80s and 90s , and the on-set accidents that made the movie even better. Plus, we debate whether the central romance is charming or just plain creepy. Timestamps:00:00 - Welcome to Female Directors Month! 01:31 - How Did 'Clueless' Do at the Box Office? 03:54 - Why We're Talking About 'Clueless' 05:30 - The Under-Praised Director: Amy Heckerling 09:23 - Did 'Clueless' Set a New Standard for Teen Movies? 10:30 - The Aerosmith Music Video That Got Alicia Silverstone Cast 13:20 - How Jane Austen's 'Emma' Inspired the Story 15:04 - Is 'Clueless' a Parody of 90s Kids? 16:18 - The Hilarious Story Behind the "Haitians" Joke 23:12 - Adult Jokes We All Missed ("Herbal Refreshment") 27:34 - The Awkward Ex-Stepbrother Romance 30:20 - Cher's Journey of Self-Reflection 34:57 - Iconic Fashion, Lines, & Lasting Legacy 35:53 - Final Ratings & Reviews 37:33 - The Letterboxd Game: Who Won This Week?somanysequels.com

You're not totally buggin' - Clueless is now 30 years old! To celebrate, Mark welcomes his homies Melissa Ward and Jason Kashiwagi back on the show to take a trip down memory freeway. This trendsetting, aspirational Amy Heckerling classic only gets better with age, but they wonder if the romantic ending is actually pretty weird and ponder what direction the upcoming TV show continuation could go in. Plus, Mark shares what happens in his Clueless 2 script that he wrote in elementary school, the trio decides if Paul Rudd or Jeremy Sisto was cuter, and the other 1995 teen movie Kids (less virgins in that one) gets a shout-out.

We're at the beach with Jack and Diane as we look at the romance of Nancy Meyers's 2003 smash rom com Something's Gotta Give! Join in as we discuss thinly-veiled adaptations of real life, the film's examination of Jack Nicholson, and the weird lack of Frances McDormand. Plus: How long has Julian (Keanu Reeves) been tracking down productions of Erica's (Diane Keaton) plays? Why didn't Harry's employees ever show up again? And did Nancy watch the Matrix sequels? Make sure to rate, review, and subscribe! Next week: A Nice Indian Boy (2025)---------------------------------------------------Key sources and links for this episode:"Nancy Meyers Searches for Her Own Comfort" (Vulture)"What's it Like to be Directed by Nancy Meyers" (Vulture)"A Kooky Conversation with Nancy Meyers Muse Diane Keaton" (Vulture)"Set Design: Something's Gotta Give" (Architectural Digest)"Venice 2012: Paul Thomas Anderson says Tom Cruise Has Seen The Master 'and We're Still Friends'" (The Hollywood Reporter)"The Story of Harold Ramis and Amy Heckerling's Secret Daughter" (Vulture)"Last 5 Years is a Musical Marriage-Go-Round" (New York Post)"Stereophonic Settles Lawsuit with Fleetwood Mac Producer" (The Hollywood Reporter)"Life Isn't Like the Movies (Even if You Write the Movies)" - Modern Love essay by Nancy Meyers (New York Times)

We're at the beach with Jack and Diane as we look at the romance of Nancy Meyers's 2003 smash rom com Something's Gotta Give! Join in as we discuss thinly-veiled adaptations of real life, the film's examination of Jack Nicholson, and the weird lack of Frances McDormand. Plus: How long has Julian (Keanu Reeves) been tracking down productions of Erica's (Diane Keaton) plays? Why didn't Harry's employees ever show up again? And did Nancy watch the Matrix sequels? Make sure to rate, review, and subscribe! Next week: A Nice Indian Boy (2025)-------------------------------------------------Key sources and links for this episode:"Nancy Meyers Searches for Her Own Comfort" (Vulture)"What's It Like to Be Directed by Nancy Meyers?" (Vulture)"A Kooky Conversation with Nancy Meyers Muse Diane Keaton" (Vulture)"Set Design: Something's Gotta Give" (Architectural Digest)"Venice 2012: Paul Thomas Anderson Says Tom Cruise Has Seen The Master 'and We're Still Friends'" (The Hollywood Reporter)"The Story of Harold Ramis and Amy Heckerling's Secret Daughter" (Vulture)"Last 5 Years a Musical Marriage-Go-Round" (New York Post)"Stereophonic Settles Lawsuit with Fleetwood Mac Producer" (The Hollywood Reporter)"Life Isn't Like the Movies (Even if You Write the Movies)" - Nancy Meyers "Modern Love" Essay (New York Times)

Today, we are THRILLED to be joined by the brilliant Donick Cary! You may know and love his work on The Simpsons, which he served as a writer and co-executive producer of for four seasons! He also performed the same role for Parks & Rec, Bored to Death, and New Girl, and he directed the documentary Have a Good Trip, which came out in 2020. Donick's joining us to discuss his favorite movie -- a CLASSIC back-to-school flick -- Fast Times at Ridgemont High! Along the way, we chat about Amy Heckerling's brilliant subversion of the sex-comedy genre, first jobs, first times, and the absolutely STACKED cast of this 1982 romp! Head to our PATREON for ad-free episodes, video episodes, and more

Michelle gets another turn in this month's category! Clueless (1995) Directed by Amy Heckerling

Amy Heckerling Go behind the lens with legendary director and writer Amy Heckerling as she delves into her iconic career in film and theater. In this captivating interview, Heckerling opens up about the creation of era-defining classics like Clueless and Fast Times at Ridgemont High sharing untold stories from the set and her experiences working with comedy greats. She provides a masterclass on the creative writing process, the unique challenges of transitioning from Hollywood films to stage productions, and the vital role of comedy in our cultural landscape. Heckerling also offers a sharp critique of the lack of respect for comedic films within the industry. This is a must-listen for film buffs, aspiring writers, and anyone who loves a great behind-the-scenes story filled with wisdom and wit. Chapters 00:00 Introduction and Guest Introduction 01:57 Amy Heckerling's Theatrical Experience 06:07 Directing Fast Times at Ridgemont High 15:38 The Cult Classic Johnny Dangerously 8:32 Writing Look Who's Talking 23:25 The Journey to Clueless 29:09 Working with Paul Rudd and Other Collaborations 31:03 Directing Comedic Legends 32:28 The Respect for Comedy in Film 33:23 Producing and Collaborating with Gilbert Gottfried MY SOCIALS ARE STILL NOT RESTORED!!!

Did you think we'd miss the 30th anniversary of CLUELESS? As if! Listen separately or watch along as we talk through the '90s t seen fave directed by Amy Heckerling and starring Alicia Silverstone and Paul Rudd. We hope you'll enjoy this one and it won't leave you saying, "Whatever!"Listen ad-free at our Patreon! patreon.com/MovieFilmPodcast

In this edition we're pairing up a couple of very different but equally unlikely vampires; firstly there's David Niven's urbane and terribly British Count Dracula, and then Alicia Silverstone in an undead rematch with Amy Heckerling, her director on Clueless. What can possibly go right? Presented by J.R. Southall, with Jon Arnold and Ryan Blake

Thirty years ago high schoolers dressed down, and then came the movie Clueless. In her yellow plaid kilt and many other colorful and stylish outfits, Cher Horowitz, the good-natured if meddlesome high-schooler played by Alicia Silverstone, made audiences laugh with her, love her, and envy the looks created by costume designer Mona May. “Everybody dressed grunge in 1994 when we were preparing the movie, and the movie set a new rule of dressing. You know, I created a whole other fashion landscape,” May tells Lyn Winter, host of Rodeo Drive –The Podcast, in a special episode to coincide with the 30-year anniversary of the movie and the launch of the third annual week-long Rodeo Drive Celebrates Fashion program spotlighting the unmatched craftsmanship and innovation in fashion on the legendary “street of dreams”.May is joined by Beverly Hills Mayor Sharona R. Nazarian PsyD, who shares her fond memories of the film, her personal love of fashion, as well as pride in the leading role played by Beverly Hills in Clueless, which was shot in multiple locations including the Electric Fountain, the Witch's House and, of course, the iconic street of high fashion - Rodeo Drive. “I think what makes Rodeo Drive so special is that people still want to be able to come and walk here as Cher did in the movie, that it's still relevant. The stores are still spectacular. I mean, where else can you find Frank Gehry and Louis Vuitton coming together to make these beautiful buildings come to life? It's just so exciting,” says Mayor Nazarian.May also shares her journey to becoming a costume designer and getting her big break with Clueless, followed by work on movies including Romy and Michelle, Never Been Kissed, Wedding Singer, Enchanted, House Bunny, and Stuart Little.May was born in India and then moved with her family to Europe and then New York. She studied fashion before moving into costume design, and met Clueless writer/director Amy Heckerling while collaborating on a pilot about two party girls in New York City. “The pilot didn't get picked up, but we formed this incredibly creative relationship. Amy is an incredible writer, an incredible artist. She loves fashion, so we were like two birds together. So when she wrote Clueless, she called me and said, ‘I really want you to do this film. I need a very different point of view, something that's going to last a long time'.” May created a timeless look for the teens in the movie that took cues from L.A.'s sunny spirit and its greenery and flowers, from fashion icons, and even from the period of the book that inspired the movie, Emma, by Jane Austen. Think, empire waists and cap sleeves. Her goal was to make the young actresses feel “quintessentially feminine” while empowered. Then there was Cher's unforgettable plaid skirt. On eyeballing “Jean Paul Gaultier yellow,” recalls May, “We had the vision. And it was perfect, because she became the queen bee, yellow sunshine, and completely the queen of the school.”Now a new generation is getting to enjoy the film once again. As she welcomes Clueless fans both young and old, Mayor Nazarian says of the film, “It just makes you feel really good. It uplifts you, and we need that now, I think. Everybody needs it.” This special edition of Rodeo Drive – The Podcast is presented by the Rodeo Drive Committee with the support of Beverly Wilshire, A Four Seasons Hotel.Executive Producer and Host: Lyn WinterOn behalf of the Rodeo Drive Committee: Kathy GohariScriptwriter and Editorial Advisor: Frances AndertonEditor and Videographer: Hans FjellestadTheme music by Brian Banks Hosted on Acast. See acast.com/privacy for more information.

When actress Elisa Donovan landed the part of Amber, the Beverly Hills fashionista, in “Clueless,” it was her first feature film role. Thirty years later, Elisa joins me to talk about her experience making the now-classic teen comedy and why it's had such staying power. We discuss the magical chemistry between the costars; how wardrobe breathed life and depth into her character; director Amy Heckerling's keen eye and kindness on set, and how the movie rewrote the rules on what you could do in a comedy. Oh, and her now-husband had never seen “Clueless” when they first met! The only way “Group Text” happens is with YOUR support and support from mm amazing sponsors! Try VIIA! Head to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Viiahemp.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use the code GROUPTEXT This is another Hurrdat Media Production. Hurrdat Media is a podcast network and digital media production company based in Omaha, NE. Find more podcasts on the Hurrdat Media Network by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠HurrdatMedia.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hurrdat Media YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel! Learn more about your ad choices. Visit megaphone.fm/adchoices

30 χρόνια πριν, μια νεανική κωμωδία κατάφερε να έρθει με τέτοια φρεσκάδα και ευρηματικότητα, που παραμένει αγέραστη ακόμα και δεκαετίες αργότερα. Το στυλ έχει αλλάξει, οι εκφράσεις το ίδιο, αλλά στον πυρήνα της, η ταινία μοιάζει να μην έχει περάσει ούτε μέρα από πάνω της. (Κι όχι μόνο επειδή ο Paul Rudd είναι ακόμα ίδιος.) Το POP για τις Δύσκολες Ώρες ξαναβλέπει μια από τις κορυφαίες κωμωδίες των ‘90s και αναλύει το πώς ένα εφηβικό κείμενο μπορεί να παραμένει τόσο πολυεπίπεδο και διαχρονικό – και ναι, το ότι βασίζεται σε Jane Austen οπωσδήποτε βοηθάει! Είναι δυνατόν η καλύτερη διασκευή Jane Austen να είναι μια σχολική κωμωδία με την Alicia Silverstone; Τι ήταν αυτό που χάρισε τον ρόλο στην Alicia Silverstone, και γιατί ήταν τα iconic βιντεοκλίπ των Aerosmith; Γιατί η Cher κρύβει περισσότερες πτυχές μέσα της από όσο φαίνεται σε πρώτη ματιά; Πώς δημιουργήθηκε η iconic γκαρνταρόμπα της Cher στην ταινία; Πώς γεννήθηκε το iconic λεξιλόγιο και φράσεις όπως «ugh, as if!»; Πιστεύετε θα σταματήσουμε ποτέ να χρησιμοποιούμε τη λέξη «iconic» όταν μιλάμε για αυτή την ταινία; Τι οδηγία έδωσε η Amy Heckerling στον διευθυντή φωτογραφίας για να πετύχει το χρωματιστό, φωτεινό, αλλά καθόλου εκτυφλωτικό λουκ της ταινίας; Τι συνδέει τις χοντροκομμένες εφηβικές κωμωδίες των ‘80s και το Clueless; Πώς γίνεται ο ίδιος άνθρωπος να γύρισε το Fast Times at Ridgemont High, το Κοίτα Ποιος Μιλάει και το Clueless μέσα σε λίγα χρόνια; Και πώς γίνεται όλη αυτή η συζήτηση να καταλήγει στο hand flex του Mr. Darcy και στον McLovin του Superbad; Αυτά και πολλά ακόμη στο POP για τις Δύσκολες Ώρες αυτής της εβδομάδας, αφιερωμένο στα 30 χρόνια του iconic Clueless. Τι, νομίζατε δε θα έπαιζε κι άλλη χρήση του «iconic»; As if!

Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film's deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie's premiere in 1995, pop culture has mined Amy Heckerling's high school comedy for inspiration, from Iggy Azalea and Charli XCX's “Fancy” music video to Cher's iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman's movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz's gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn't just possible — it's enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film's deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie's premiere in 1995, pop culture has mined Amy Heckerling's high school comedy for inspiration, from Iggy Azalea and Charli XCX's “Fancy” music video to Cher's iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman's movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz's gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn't just possible — it's enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film's deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie's premiere in 1995, pop culture has mined Amy Heckerling's high school comedy for inspiration, from Iggy Azalea and Charli XCX's “Fancy” music video to Cher's iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman's movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz's gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn't just possible — it's enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Nearly 500 episodes in, and the Film Stories podcast finally arrives at a Godfather film. Specifically, The Godfather Part III, a fascinating project whose behind the scenes story went on for over a decade. The number of attempts to get the film made climbed into double figures, named such as Sylvester Stallone, Madonna and John Travolta were amongst those linked. But also: writer/director Francis Ford Coppola was not keen to make the movie. Writer/director Amy Heckerling had an opposite problem with Clueless. She was keen to make the story, but for a while, she couldn't get anyone to stump up the bill. When they did? Well, Heckerling finally got some of the respect she deserved... Stories of both are told in this episode... Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a lot to talk about this week in the world of physical media. Peter Sobczynski joins Erik Childress to talk about a Stanley Kubrick epic finally getting the release it deserves. Oliver Stone revisits a final cut for his own epic and there is also some epic destruction from the ‘70s. Denzel Washington looks for a serial killer, though not the one traipsing through the woods like he was Terrence Malick. They've got film noir with Glenn Ford, horror meeting blaxploitation and Peter offering his thoughts on Ryan Coogler's huge 2025 success. Finally the pair discuss Mike Nichols' now quaint adaptation of politics leading up to the Clinton years and Amy Heckerling's teen film from the ‘90s still entertaining generations decades later.2:30 - Criterion (The Big Heat (4K), Barry Lyndon (4K))21:23 – Shout Factory (Primary Colors (4K), Alexander Revisited: The Final Cut (4K), Abigail (4K))50:08 - Kino (Sugar Hill)55:37 - RJLE (In a Violent Nature (4K))1:04:59 - WB (The Little Things (4K))1:12:44 - Universal (Earthquake (4K))1:31:32 - Paramount (Clueless (4K))1:44:51 - New Theatrical & TV Titles On Blu-ray (Warfare (4K), Death of a Unicorn, The Amateur (4K), The Legend of Ochi, , Shadow Force, The Rule of Jenny Pen, Hell of a Summer, Until Dawn (4K), Sinners (4K), Fallout: Season One (4K), Lois & Clark: The New Adventures of Superman (1993-1997), See (The Complete Series))1:53:30 – New Blu-ray AnnouncementsCheck eligibilityCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTBe sure to check outChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Michelle Pfeiffer stars as Amy Heckerling and Paul Rudd stars as ????? in a totally normal movie that might actually be a voodoo curse made against Amy's enemies. Oh, also Saorise Ronan makes her FILM DEBUT. What a picture! The incomparable Karen Chee joins us to talk about 2007's I Could Never Be Your Woman, a movie that was financed by a French scoundrel, released directly to Blockbuster, and features some of the most dated cultural references we've ever come across. Is the film good? No. Is it fascinating? We sure think so! Watch A Man on the Inside on Netflix  Listen to Yo-Yo Ma Check out Paul Rudd's trick Follow Karen on Letterboxd  Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of History of the 90s host Kathy Kenzora will give you the 4-1-1 on how a teen movie with a modest budget adapted from a 200 year old book became a cultural juggernaut that continues to be felt thirty years later. This is the story of Clueless. Show Contact Info: Instagram: ⁠⁠⁠⁠⁠@that90spodcast⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠90s@curiouscast.ca⁠⁠⁠ Guest info: ⁠Veronica Litt, ⁠assistant professor of English at Cape Breton University and author of: ⁠Ugh! As if!: Clueless⁠ ⁠https://ecwpress.com/products/ugh-as-if ⁠ Additional Sources for this episode: ⁠As if! The Oral History of Clueless as told by Amy Heckerling and the Cast and Crew By Jen Chaney⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The song. The hat. The…casual date rape?!!? In what should have been Amy Heckerling's “blank check” after the success of Clueless, 2000's Loser is a real LOSER. Filmmaker Chandler Levack joins us to chat about this technically-not-a-remake-of-The-Apartment “comedy” that gets college surprisingly wrong. Come for the Wheatus talk, stay for the in-depth power ranking of every American Pie cast member's post-Pie career. Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

This is so unexpected, we didn't even have a speech prepared. Author Veronica Litt joins us to talk about her new book in ECW Press's Pop Classics series, Ugh! As If!, on Amy Heckerling's classic film comedy Clueless. This is the 30th Anniversary of Clueless's theatrical release, and the book is both a warm, conversational appreciation and clear-eyed dissection of what the movie gets wonderfully right and what is a bit cringe now.   Litt talks with bookseller Justin Remer about Clueless and all sorts of tangential topics including Jane Austen, girly art, human potato Channing Tatum, footnotes, audiobooks, and the Fast and Furious franchise.   Get the book from Skylight and order the audiobook from Libro.FM please!   Hosted and produced by Justin Remer.  Recorded remotely via Zencastr.   Opening music: "Optimism (Instrumental)" by Duck the Piano Wire.   Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band.  

Okay, so you're probably going, “Is this like a Noxzema commercial or what?” But seriously, this is actually a way normal podcast about one of David Sims' favorite movies! SNL's Heidi Gardner (a total betty) joins us to talk about Amy Heckerling's beloved Jane Austen adaptation, and we're rolling with the homies. Join us for Alicia Silverstone and Paul Rudd career discussion, a lot of local Kansas City lore, and Ben's takes on Cher's iconic fits.  Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

It's CLUELESS's 30th anniversary garden party and everyone's invited, including NPR's Aisha Harris, who joins Adam for a revisit of Amy Heckerling's ‘95 comedy and the Top 5 Movie Quotes (In Our Lexicon).  This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:03:12) Review: “Clueless” at 30 (00:03:13-00:46:46) 20th Anniversary Messages (00:46:47-00:51:22) Next Week / Notes (00:51:23-00:55:42) Massacre Theatre (00:55:43-01:02:25) Top 5: Movie Quotes (01:02:26-01:46:56) Credits / New Releases (01:46:57-01:51:47) Links: NPR's Pop Culture Happy Hour https://www.npr.org/people/912788259/aisha-harris The “Clueless” CD-ROM https://www.youtube.com/watch?v=pI4jaKizt5s Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts (and more) on sale at the Filmspotting Shop. ⁠⁠https://filmspotting.net/shop⁠⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

"I love self-loathing complaint rock you can dance to."It's Harmony's birthday and whatever baby wants, baby gets, so we're upgrading Amy Heckerling's LOSER from the Sadie Hawkins Dance episodes on the Patreon and bringing Jason Biggs and co. to the main show! Let's talk about why so many people misunderstand the loveliness of this story, why Greg Kinnear should be in the villain hall-of-fame for his performance as Professor Alcott, sing the praises (again) of Mona May's costume design, and debate whether or not Everclear is secretly an emo band.----Become a Patron!https://www.patreon.com/thisendsatprom----MONTHLY SPOTLIGHTalQaws for Sexual and Gender Diversity and Queers in Palestine (https://alqaws.org/)----Follow the Show: @ThisEndsAtPromBJ Colangelo: @BJColangeloHarmony Colangelo: @Veloci_trap_tor / @HarmonyColangelo on Bluesky----------Logo Design: Haley Doodles @HaleyDoodleDoTheme Song: The Sonder Bombs 'Title': https://thesonderbombs.bandcamp.com/

This week, Jodie and Andrea are covering Amy Heckerling's 1995 teen rom-com, Clueless. It's the hyperstylized, deceptively smart, deeply girly '90s take on Emma that shaped a generation. We get into makeover culture, some casual narratology, teen magazine aesthetics, ska music, why Cher's makeover actually fails, and how Wallace Shawn is honestly perfect. Plus, Andrea gives a breakdown of the elusive PC game, Jodie goes JSTOR mode, and we consider whether or not it really is a proto-feminist masterpiece.Next week on The Watchers, we're covering Mean Girls. Tina Fey's sharp-tongued, early-2000s take on high school hierarchy, it's a film with a massive pop culture footprint and a defining entry in the girlhood canon.Recommended Reading: Playthrough - Clueless (CD-ROM, 1997) “‘Just a Girl' Should Have Been a Hit From Clueless, and Other Behind-the-Scenes Secrets from the Soundtrack” by Jillian Mapes“Clueless at 20: Revisiting the Soundtrack With a Classic Track-by-Track Review” by Kenneth Partridge“Furiously Franchised: Clueless, Convergence Culture, and the Female-Focused Franchise”, Cinema Journal, Kyra HuntingBoth articles listed below can be found in ReFocus: The Films of Amy Heckerling edited by Frances Smith and Timothy Shary“Can I Please Give You Some Advice?: Clueless and the Teen Makeover” by Alice Leppert“Cher and Dionne BFFs: Female Friendship, Genre, and Medium Specificity in the Film and Television Versions of Amy Heckerling's Clueless” by Susan Berridge

As a modern single woman relationships can be tough, just ask Mollie (Kirstie Alley). She's having an affair with her married client, Albert (George Segal). When she gets pregnant things get complicated, so with the help of her mother (Olympia Dukakis) and best Judy, Rona (Twink Caplan) Mollie navigates the ups and downs of pregnancy all with the color commentary of her unborn baby, Mikey (Bruce Willis). After nine months, Mollie discovers that Albert is going through a selfish phase and will not be leaving his wife for her, he will be moving in with his interior decorator. That news sends her right into labor, and in a moment that changes her life she hails a cab driven by James (John Travolta), who not only gets her to the hospital on time, he steps up as a father to Mikey. That's not all though, we learned that all of this is based on the very true story of director, Amy Heckerling and her affair with Harold Ramis which gave us Look Who's Talking, this week on Doom Generation.Support this podcast at patreon.com/doomgeneration 

This week, Andrea and Jodie are talking Dazed and Confused, Richard Linklater's attempt at an anti-nostalgia movie about the last day of school. We get into the vibes, the music, what makes the meandering plot work, and why, as adults, the hazing hits a little harder and the movie feels meaner than we remembered. Still, it's a hangout classic with killer needle drops and a cast full of future stars.Next week, we're watching Clueless. Written and directed by Amy Heckerling. As smart as it is stylish. It's an endlessly rewatchable Beverly Hills take on Emma, packed with iconic outfits, sharp dialogue, and one of the most lovable casts of the '90s.Recommended Reading:“Dazed and Confused: Not So Long Ago, But Very Far Away” - Chuck KlostermanAlright, Alright, Alright: The Oral History of Richard Linklater's Dazed and Confused - By Melissa MaerzIf you're reading this, that means you've probably got your podcatcher of choice open right now. It would be SO helpful if you gave our little show a follow. If you like what you hear, you could even leave us a review.Follow:The Watchers on Instagram (@WatchersPodNJ)Andrea on Instagram (@AQAndreaQ)Jodie on Instagram (@jodie_mim)Thanks to Kitzy (@heykitzy) for the use of our theme song, "No Book Club."

The Ubriacco family are back and - can you believe it? - they're still talking! Actor and filmmaker Max Minghella joins us to talk about Look Who's Talking Too, the contractually-obligated, quickly produced sequel to Amy Heckerling's surprise hit. We're talking about Mr. Toilet Man (he eats your pee pee and poo poo), Elias Koteas' Mr. Scary Uncle Man (he has a gun), and Mr. English Man (David Sims, who grew up in London). Plus, Ben continues to flesh out his “Look Who Hath Talked” prequel, and Griffin becomes the first person with the courage to ask, “Who was the first baby?” Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Schools around the country are letting out for the year, and in our new miniseries, "Class of '95", Earth's Mightiest Critics look back on seminal teen flicks from the year Ian graduated high school--and, yes, they had movies back then!We kick things off with the Queen Bee, Amy Heckerling's "mall-sterpiece", Clueless! Alicia Silverstone stars as Cher, a bubbly, fashion-obsessed student whose days are as aimless as her notebooks are empty. But complications with friends and strange feelings for her bookish older stepbrother, Josh (Paul Rudd), force Cher to grow up and stop being so, well, y'know...Join us for a totally bitchin' look back at one of the biggest and most influential comedies of the 1990s!We also reminisce about the good ol' days while answering your questions, comments, and SuperChats! Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Clueless (2025) trailer.Support all of Earth's Mightiest Critics at their various outlets:Check out Mark "The Movie Man" Krawczyk's The Spoiler Room Podcast.Keep up with Jeff York's criticism and caricatures at The Establishing Shot and Pipeline Artists.Get seated with The Blonde in Front!Follow David Fowlie's film criticism at Keeping It Reel.Get educated with Don Shanahan at Every Movie Has a Lesson…...And Film Obsessive...and the Cinephile Hissy Fit Podcast.Keep up with Annie Banks at The Mary Sue....and We Got This Covered.And make Nice with Mike Crowley of You'll Probably Agree.

In perhaps the spermiest film we've ever covered, John Travolta and Kirstie Alley hang out with a baby voiced by Bruce Willis and Amy Heckerling gets revenge on Harold Ramis. As David Sims says early in this episode - Look Who's Talking is a VERY RICH text. Vanity Fair's Hillary Busis joins us to talk about this 1989 “forgotbuster,” a film that made a bozo amount of money and dared to ask the question, “What if baby talked??” We're going deep on Travolta lore, grappling with Kirstie Alley's later career, and following numerous tangents on everything from the rules of the Rugrats universe to advancements in crib safety. Look who's podcasting! Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Congratulations! You've won an all-expenses-paid vacation with Griffin, David, Ben, and Jon Gabrus to Europe! Only downside is…well, you have to watch this movie. From the strange cultural stereotypes to the unfortunate lack of jokes, Amy Heckerling's sequel to National Lampoon's Vacation isn't the smoothest trip. But, it certainly gives us an excuse to talk about one of the most beloved franchises of the 1980s! Join us for Stonehenge stories, a deep dive into Beverly D'Angelo's incredible biography, travel talk, and a whole lot of Chevy chat. Listen to Action Boyz and Staying Alive Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

He's the nicest bad guy in town. His last name is an adverb. And he's got some pretty wacky bits! Sweetie pie comedian Josh Gondelman joins us to talk about 1984's Johnny Dangerously, Amy Heckerling's loving homage to 1930's gangster pictures. Things we attempt to understand in this episode: the cultural legacy of Joe Piscopo; the actual joke that's being told in the “Your Testicles and You” animated reel / is there one?; Marilu Henner's insane memory thing; if the Danny DeVito bull scene is a parody of anything; why does Richie Rich have cent signs in his name if he's so rich?; and most crucially - why is this movie so damned hard to see in 2025?!?! Real fans know that Blank Check started off as an investigative podcast. Maybe it's time to bring that element back! Subscribe to Josh's newsletter If you haven't been able to find the movie maybe watch the Internet Archive version. Buy Mattie Lubchansky's Book Simplicity Listen to Griffin on The Michael Keaton Movie Mount Rushmore episode of The Big Picture Read Coolio's Obituary Watch the end of Disaster Movie Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We're grabbing our Vans slip ons and heading to the mall as we kick off our Amy Heckerling series - Pod Times at Ridgemont Cast - with Fast Times at Ridgemont High. Fresh off her appearance in Sinners, actual high school friend of Griffin Newman Lola Kirke returns to the pod and things get pretty bogus. Like, David Lynch was supposed to direct this movie!!! David Sims has three performances from this on his 1982 Oscar Ballot! We develop sympathy for Mr. Hand! Griffin used to own a pair of fully black Converse sneakers! And, of course - Ben orders a pizza. Listen to An Evening with Belafonte/Makeba See Lola in Sinner and check out her other projects Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you think Script Apart was going to let the 30th anniversary of one of the most iconic teen films ever just pass us by? In the words of Cher Horowitz – “as if.” On today's episode, we're joined by Amy Heckerling, the writer-director who, three decades ago this summer, gave Jane Austen's Emma a Beverly Hills makeover to remember. You may also know her for Fast Times at Ridgemont High, Look Who's Talking and Vamps, but Clueless is the film that she's best-known for – a Nineties treasure trove of high school hilarity that's still beloved today. So much so that a musical adaptation, also written by Amy, just opened in London's West End. In the conversation you're about to hear, Amy tells Al about the spirit of kindness that runs through the movie. We get into the TV pilot for Clueless – then titled No Worries – that was turned down across Hollywood, and discuss what was going on in Amy's life at the time of writing Clueless. The story of the film is one of a sunny optimist named Cher who's ready to take on the world. For Amy, though, that was hardly the case as she wrote the hit comedy. “I was feeling very depressed, which is how most stories start,” she teased in an interview in 2016. In this episode, she tells us why. Support for this episode comes from Final Draft.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon. Hosted on Acast. See acast.com/privacy for more information.

This week, Above the Title celebrates Age Gap April with a look at Amy Heckerling's misbegotten May December romcom I Could Never Be Your Woman, starring Michelle Pfeiffer as an aging, divorced TV executive and Paul Rudd as the younger actor she falls for. We talk the film's lengthy and disastrous production, its poorly aged conception of feminism, and the ways both resonant and unsettling it seems to reflect Heckerling's biography. Plus: a young Saoirse Ronan in her first actual role, deep dives on both Pfeiffer and Rudd, and a lot of MCU talk. A weird amount of MCU talk. I actually cut a good portion of the MCU talk so just remember that when you're listening. Hosted on Acast. See acast.com/privacy for more information.

Send us a textPut on your suits and meet us by the pool; we're talking Fast Times at Ridgemont High! One of the original 80s teen classics thanks to Cameron Crowe, Amy Heckerling, Phoebe Cates, Jennifer Jason Leigh, Sean Penn, and so many more, there is plenty to dive into. Just make sure you zip up or lock the door before you listen. As one of many, we also spend a little time talking about other 80s teen comedies during our draft to close things out. If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the show

A hilarious satire of gangster films from the 1930s with an all-star cast featuring Michael Keaton, Joe Piscopo, Marilu Henner, Maureen Stapleton, Peter Boyle, Griffin Dunne, Richard Dimitri, Danny DeVito, Dick Butkus and Dom DeLuise.  Directed by Amy Heckerling.

As if... you won't want to miss this one! Join us as we dive into Amy Heckerling's Clueless, navigating high school hierarchies, makeover montages, and the eternal debate over whether it's better to be a Betty or a Baldwin. Did you enjoy the episode? Don't forget to hit that subscribe button and join us for more retro movie discussions! Want even more? Get bonus content and connect with us directly by supporting the show on Patreon. For additional episodes and exclusive insights, head to www.30podcast.com. And if you love what you hear, leave us a glowing review on your favorite podcast app—especially Apple Podcasts. Your support keeps the show going!

Miss this episode on the beloved rom-com “Clueless” that tells the story of Cher, a self-absorbed Betty with a heart of gold, whose annoying step-brother Josh (a Baldwin himself!) ends up being her love interest? As if! This classic 90s film was more than just a work of entertainment. It not only changed the way we speak, but also influenced fashion and launched the careers of young stars such as Alicia Silverstone, Paul Rudd, Brittany Murphy, Stacey Dash, and Donald Faison. But on what 1815 novel was the movie based, and why was it rejected so many times? Why did writer and director Amy Heckerling have Alicia Silverstone in mind for Cher even before the script was finished? What memories do cast memories have of Brittany Murphy? And how did the focus on fashion (Cher alone had 64 changes!) challenge the cast and costume designer? You'll feel, well, clueless if you miss out on this fun episode! Find (and subscribe to!) the show on your favorite podcast app or the Scandal Water Podcast Youtube channel.  Thank you to Haley for her top-of-the-episode shout out!  How to support the show: Rate, review and subscribe! Send your shoutouts to scandalwaterpodcast@gmail.com. Give a gift through buymeacoffee.com/scandalwaterpod or patreon.com/ScandalWaterPodcast– which will also grant you access to fabulous bonus content! #clueless #aliciasilverstone #s #cherhorowitz #cluelessmovie #asif #cher #paulrudd #fashion #brittanymurphy #movies #staceydash #talentedteens #march #podcast #california #emma #janeausten

A group of 70 female chefs and hospitality professionals have signed an open letter calling out what they call the ‘pervasive' sexism in British kitchens. It's in response to chef Jason Atherton saying he had never seen sexism in the kitchen - he has since clarified his comments, saying that he wasn't denying the existence of sexism, just that he hadn't 'witnessed it personally. Anita is joined by chef and founder of the all-female kitchen Darjeeling Express, Asma Khan, and chef and founder of Tiella, Dara Klein, who helped write the open letter.The beloved 1995 film Clueless, inspired by Jane Austen's Emma, starred Alicia Silverstone, Paul Rudd, and the late Brittany Murphy. Cher Horowitz is the most popular student at Beverly Hills High, renowned for her unique talent at finding love for others. Clueless the Musical has just opened at the Trafalgar Theatre in London. Anita discusses the adaptation and the story's enduring appeal with the original writer/director Amy Heckerling and multi-platinum singer-songwriter KT Tunstall who has written the score.Montage of clips from the 1995 movie, Clueless, written and directed by Amy Heckerling, produced by Scott Rudin and Robert Lawrence, production companies Robert Lawrence Productions, Scott Rudin Productions and distributed by Paramount Pictures.Amelia Price, a survivor of rape and assault by her ex-partner, has launched her own investigation into the Scottish justice system. Despite her attacker being convicted and sentenced to over four years in prison, the court refused to impose a non-harassment order (NHO) against him. With his release imminent, Price fears he could legally contact her. She has waived her anonymity to raise awareness about the issue and advocate for mandatory NHOs in domestic abuse cases. Anita speaks to her about her campaign alongside Fiona McMullen from ASSIST, a domestic abuse advocacy service. 'Sen-betweeners' is the term Lisa Lloyd, a mum of two autistic children, uses to describe her children. She says their neurodivergence is too severe to fit easily into mainstream school, but not severe enough for a special school, so they fall between the gaps. Lisa has written a guide for other parents on ‘Raising the Sen-betweeners,' in which she, whilst recognising that all children are different and there can be no rules, offers tips and advice for how to handle behaviours. Lisa joins Anita to share what she has learnt.Presenter: Anita Rani Producer: Claire Fox

Comic/Actress Mollie Heckerling had a babysitter, Barbara, who decided to take on their close family friend, Gilbert Gottfried. This hilarious argument landed them on the Howard Stern Show for many episodes! Listen to Mollie recount this and many more stories growing up with her mom Amy Heckerling. Each week Hollywood's most talented people in the entertainment industry share true, personal stories on the Story Worthy Podcast. Story Worthy celebrates 15 years of podcasting in July 2025 and has over 850 episodes recorded. Christine Blackburn is the creator, host and producer of Story Worthy, Story Smash the Storytelling Game Show, and My Life In 3 Songs exclusively on Spotify. Listen to the entire episode wherever you hear podcasts. If you get a chance, will you please give Story Worthy 5 stars and a good review on Apple Podcasts? It always helps, thank you! And join the mailing list!  Follow Christine's new show, My Life In 3 Songs. Independent Podcast Producer Christine Blackburn talks to comedians about the 3 songs in their lives that have impacted them, not necessarily their favorite songs, but songs that paint a picture of the of the comedian and where they're from. Listen exclusively on Spotify. Find My Life In 3 Songs on Insta and at the website ! PLUS! Watch Story Smash The Storytelling Game Show! Comedians spin a wheel and tell TRUE 1-3 minute stories on the topic they land. You can watch episodes from the pandemic and from summer 2023 right now on YouTube. See Story Smash LIVE at the Lyric/Hyperion Theater in Los Angeles now! Check the website for upcoming dates and tickets! And here's Christine everywhere. THANK YOU!

Couch Potato Theater: Johnny Dangerously (1984) Fandom Podcast Network YouTube Channel Link: https://www.youtube.com/@FandomPodcastNetwork Couch Potato Theater Audio Podcast Link: https://fpnet.podbean.com/category/couch-potato-theater Welcome to Couch Potato Theater, where we celebrate our favorite movies on the Fandom Podcast Network! On this episode we celebrate the 40th Anniversary, and one of Michael Keaton's comedy classic's, Johnny Dangerously (1984). Johnny Dangerously is a 1984 American crime comedy film and a parody of 1930s crime/gangster movies. It was directed by Amy Heckerling. The film stars Michael Keaton as an honest, good hearted man who turns to a life of crime to finance his mother's skyrocketing medical bills and to put his younger brother through law school. Joe Piscopo, Marilu Henner, Maureen Stapleton, Peter Boyle, Griffin Dunne, Dom DeLuise, Danny DeVito, Dick Butkus and Alan Hale Jr. were in the film. Fandom Podcast Network Contact Information - - Fandom Podcast Network YouTube Channel:  https://www.youtube.com/c/FandomPodcastNetwork - Master feed for all FPNet Audio Podcasts: http://fpnet.podbean.com/ - Couch Potato Theater Audio Podcast Master Feed: https://fpnet.podbean.com/category/couch-potato-theater - Facebook: https://www.facebook.com/Fandompodcastnetwork - Email: fandompodcastnetwork@gmail.com - Instagram: https://www.instagram.com/fandompodcastnetwork/ - X: @fanpodnetwork / https://twitter.com/fanpodnetwork -Bluesky: @fanpodnetwork / https://bsky.app/profile/fanpodnetwork.bsky.social Host & Guest Contact Info: - Kyle Wagner on X: @AKyleW / Instagram & Threads: @Akylefandom / @akyleW on Discord / @Ksport16: Letterboxd / Bluesky: @akylew - Kevin Reitzel on X, Instagram, Threads, Discord & Letterboxd: @spartan_phoenix / Bluesky: @spartanphoenix - Lacee Aderhold on X, Letterboxd, Bluesky, Discord & Bluesky: @LaceePants / Instagram: @thelaceepants - Jennifer Waalk on Instagram, Threads & Bluesky: @ChefStomp91 #CouchPotatoTheater #FandomPodcastNetwork #FPNet #FPN #JohnnyDangerously #JohnnyDangerously1984 #JohnnyDangerouslyMovie #AmyHeckerling #MichaelKeaton #MariluHenner #JoePiscopo #MaureenStapleton #PeterBoyle #GriffinDunne #DomDeLuise #RichardDimitri #DannyDeVito #DickButkus #AlanHaleJr #80sComedyMovies #1984Movies #KevinReitzel #KyleWagner #LaceeAderhold #JenniferWaalk