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Kevin Clement joins Patrick to break down the first two albums by legendary rock band Little Feat. In Part Three, the guys discuss the rest of Little Feat's second album, Sailin' Shoes. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Kevin Clement joins Patrick to break down the first two albums by legendary rock band Little Feat. In Part Two, Patrick and Kevin wrap the conversation around Little Feat's debut album and take the shrink wrap off the group's second LP, Sailin' Shoes, and slap it on the turntable. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends.Visit our website at SuburbsPod.comEmail Jim & Patrick at rock@suburbspod.comFollow us on the Threads, Facebook or Instagram @suburbspodIf you're glad or sad or high, call the Suburban Party Line — 612-440-1984.Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again! Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Canciones de discos grabados en directo de Little Feat, Santero y los Muchachos, Christopher Cross, Joni Mitchell, Morgan, Linda Ronstadt, Eric Johnson, Little River Band, Coque Malla, Bonnie Raitt, Fleetwood Mac, Mary Chapin Carpenter y Tom Petty & The Heartbeakers. DISCO 1 ERIC JOHNSON Manhattan (Live) (EUROPE LIVE 2014)DISCO 2 CHRISTOPHER CROSS All Right (A NIGHT WITH… 10 MARCH 1988)DISCO 3 JONI MITCHELL Big Yellow Taxi (LIVE - MILES OF AISLES 1974)DISCO 4 LITTLE RIVER BAND I Don’t Worry No More (LIVE IN AMERICA 1980)DISCO 5 MORGAN Sargento de Hierro (HOME LIVE AT CIRCO PRICE - 2021)DISCO 6 QUIQUE GONZÁLEZ Salitre (AJUSTE DE CUENTAS 2006)DISCO 7 TOM PETTY & THE HEARTBREAKERS ft. STEVIE NICKS Needles & Pins (PACK UP THE PLANTATION: LIVE! 1985)DISCO 8 FLEETWOOD MAC Dreams (Live At Palais Sport, Paris 6/4/1980 - LIVE 1980)DISCO 9 SANTERO Y LOS MUCHACHOS Abrácese Quien pueda ( UNA NOCHE EN LES ARTS LIVE 2024)DISCO 10 LITTLE FEAT Willin’ (SAILIN’ SHOES DELUXE EDITION 2023)DISCO 11 LITTLE FEAT & BONNIE RAITT Cold, Cold, Cold (TRIBUTE CONCERT TO NICOLETTE LARSON 2006)DISCO 12 LINDA RONSTADT Poor Poor Pitiful Me (LIVE IN HOLLYWOOD DELUXE EDITION 2021)DISCO 13 MARY CHAPIN CARPENTER Stones In the Road (Live In Her Majestic’s Theatre (PARTY DOLL & OTHER FAVOURITES 1989)Escuchar audio
Jennifer Lyn and The Groove Revival (Breaking Chains); Roy Hawkiins (My Temper Is Risin'); Jimmie Lee Robinson (Angry Lover); Blues Queen Sylvia (New York Bound); Dani Wilde (Bumblebee); Maria Muldaur (I'm Sailin'); Joseph "Mojo" Morganfield (Who's Gonna Be Your Sweet Man When I'm Gone); John-Alex Mason (Steel Pony); Reverend Freakchild (Lose These Blues); Altered Five Blues Band (Who Can You Trust); Jessie Mae Hemphill (Standing In My Doorway Crying); R.L. Burnside (Nothin' Man); Boogie Beasts (Skinny Woman); Lester Davenport (Just For Spite); Jump 66 (Every Dog Has Its Day).
HCH507 Advi Weekly: 16.03.-22.03.2026 Sailin along...
Kick-off those worn-out shoes, let your hair down and pour yourself some lite roast, because the Bo-Hosts welcome you to: Sammy's Sunday Mornings! This "BONUS OTIS" mini-episodes are bite-size and focus on the mellower side of the RedRocker's catalog!This episode, we feature one of Bo-Host Darin's all-time most favourite tracks: "Sailin", off of Sammy and the Wabo's 2006 "Livin' It Up" album!Enjoy a lazy, hazy Sammy Sunday!All songs available for purchase on iTunes! We bought it- so should you!"What is understood...NEED be discussed"Facebook:https://www.facebook.com/profile.php?id=100085582159917Instagram: https://www.instagram.com/thebogusotisshow/?hl=enConnect with the Bo-Hosts:bogusotisshow@gmail.com
Recibimos de nuevo en nuestro estudio a una leyenda del rock más esencial de los sesenta, setenta y ochenta: Daniel “Freebo” Friedberg que ha tocado con Bonnie Raitt, Jackson Browne, Crosby Stills & Nash, etc y que viene acompañado de Alice Howe, cantante premiada recientemente en Nashville como mejor intérprete de folk-rock por su álbum “Americana Highways” grabado en los míticos estudios Fame de Muscle Shoals de Alabama. Han estado de gira por España y nos traen buenas nuevas y grandes canciones.DISCO 1 ALICE HOWE With You By My Side CircumstanceDISCO 2 ROBERT PLANT Everybody’s SongDISCO 3 SMITH & LIDDLE Minute AgoDISCO 4 KELLY JONES I’d Really Love To see You Tonight. MAMA ROSA +DISCO 5 BLUES AGAINST THE MACHINE Get Wild OnDISCO 6 FREEBO & ALICE HOWE She Loves My Dog More Than MeDISCO 7 ALICE HOWE & FREEBO Sailin’ ShoesDISCO 8 ALICE HOWE & FREEBO Angel From MontgomeryDISCO 9 ALICE HOWE & FREEBO A Case Of YouEscuchar audio
Blue - The Way Things Are Ian Matthews – Keep On Sailin #2 Topo D. Bill – Witchi Tai To Mike Cooper - Journey to the East Deroll Adams – I'm sad and I'm Lonely Boondoggle and Balderdash - Old Porch Swing Rick Roberts ~ Davy McVie The Farm Band ~ Keep Your Head Up Hig
Justification is a finished act with present fruits: peace with God, access to grace, and unshakable hope—all through our Lord Jesus Christ.Peace (v.1): “Having been justified by faith” = past, once-for-all. The cosmic war with God is over; the treaty is permanent in Christ.Access (v.2a): The torn veil means real audience with God. We now stand in grace—boldly, never flippantly (cf. Heb. 12:22–24).Hope (v.2b): Not wishful thinking but a Spirit-given anchor. We “glory now in glory”—faith looks back to the cross; hope looks forward to completed redemption.Because we're justified, we don't beg for peace, access, or hope—we already have them in Christ.
| Artist | Title | Album Name | Album Copyright | | | Jabo Williams | Pratt City Blues | The Paramount Masters - CD 4/4 | | Leo Kottke | The Last Of The Arkansas Greyhound | 6 And 12 String Guitar | | | John Emil | Hill Stomp Blues | Timeline | | | | | Ryan Lee Crosby | I've Been Worried | At The Blue Front | | | | Maria Muldaur | Down Hill Pull | One Hour Mama - The Blues of Victoria Spivey | Ryan Lee Crosby with Jimmy Duck Holmes | 05 Hard Times | At the Blue Front | Crossnote Records | | | Sam Robbins | Remind Me (Acoustic) | Finally Feeling Young | | | | Marshall Owens | Texas Blues | The Paramount Masters - CD 3/4 | | Andres Roots | Karlova Blues | Winter | | | | | Blind Willie Johnson | Praise God I'm Satisfied | The Complete Blind Willie Johnson (2 of 2) | | Adam Franklin | If Your Lord Deserts You | Til I Hear You Talkin' (Extra} | | | Half Deaf Clatch | Worried Life Blues | Parlour Blues | | | | Aisha Khan And Friends | Transatlantic Boogie | The Magnificent Twelve | | | Jerry Cahill & Simon Webb | Lost In The Blues | Blues In Devon - The Bunker Sessions | | Robert Johnson | When You Got A Good Friend | The Complete Recordings; The Centennial Collection | Memphis Minnie | I'm Sailin' | Blue Ladies | | | | Maria Muldaur | One Hour Mama (2025 Remaster) | One Hour Mama - The Blues of Victoria Spivey | Meade Lux Lewis | Honky Tonk Train Blues | Blues Images Presents Classic Blues Songs from the 1920's Ð 195 | The Curse of K.K. Hammond | Swamp Thing | Death Roll Blues | | |
Story by: Gail NoblesPhoto: Wikipedia CC BY-SA 2.0This week, we're diving into a fascinating bit of musical history, a duet that sounds like a divine collaboration, but came together in a rather earthly, logistical way. We're talking about Shirley Caesar and Al Green, two great gospel singers, and their seemingly effortless rendition of "Sailing on the Sea of Your Love."Now, on the surface, it sounds like a match made in heaven, right? Shirley Caesar, the "First Lady of Gospel," and Al Green, the soul singer turned reverend. But as *The New York Times* pointed out back in 1984, this meeting of musical minds wasn't quite as spontaneous as it seems. Robert Palmer, in his article, quoted Miss Caesar as saying she'd be open to performing with Al Green, but emphasized the need for rehearsal, stressing they had never sung together.Here's where things get interesting. Conflicting schedules, a constant challenge in the music world, intervened. Miss Caesar, as the article revealed, recorded her part with her musicians, and then, while she was away on tour, Al Green came in to record his vocals solo. Think about that! Two powerhouse singers, seemingly singing *with* each other, but in reality, singing *to* each other, across time and space, thanks to the wonders of studio technology.And yet… listen to the song. You'd never know. The blend of their voices, the passion and conviction, it's seamless. It's proof to their individual talents, of course, but also to the skill of the producers and engineers who pieced it all together.“Sailing on the Sea of Your Love," released on Shirley Caesar's album "Sailin'," became a gospel hit, and a beloved example of how music can transcend logistical hurdles. Sometimes, the most beautiful harmonies are created not in perfect unison, but in separate moments, brought together by faith, talent, and a little bit of studio magic. And that, as they say, is the story behind the song.I'm Gail Nobles and you're listening to the gospel greats.
Headlines and Seahawks One Series: Kalen DeBoer (Alabama Head Football Coach) on Jalen Milroe. We're reunited with Coach Deboer, but we're not Sailin with Kalen, we're Jalen with Kalen. What is it about Milroe's athleticism that has people so excited? How important is his character in a QB room? What does Coach say to people who knock Milroe's accuracy? :30- The WNBA has a problem on their hands and they don't seem interested in fixing it. Caitlin Clark is the face of the league and the WNBA isn't doing anything to protect her, but does someone need to step in? :45- It's officially the NHL offseason and we had some high hopes for Kraken moves, but they've been tempered a bit. What can we realistically expect from the Kraken front office as far as free agency and trades go? See omnystudio.com/listener for privacy information.
Headlines and Seahawks One Series: Kalen DeBoer (Alabama Head Football Coach) on Jalen Milroe. We're reunited with Coach Deboer, but we're not Sailin with Kalen, we're Jalen with Kalen. What is it about Milroe's athleticism that has people so excited? How important is his character in a QB room? What does Coach say to people who knock Milroe's accuracy? :30- The WNBA has a problem on their hands and they don't seem interested in fixing it. Caitlin Clark is the face of the league and the WNBA isn't doing anything to protect her, but does someone need to step in? :45- It's officially the NHL offseason and we had some high hopes for Kraken moves, but they've been tempered a bit. What can we realistically expect from the Kraken front office as far as free agency and trades go?
The sophomore album from Little Feat delivers another magical album from one of the original jam bands out there!
Istvan Kopar took 4th place in the 2018 Golden Globe Race - and was one of only five finishers. Next year on the 250th anniversary of the United States of America, he will be attempting to be the first person to sail from the USA solo nonstop westbound around the world via the three great capes and he will be doing it at the same time as the GGR 2026 boats will be going the other way around the world. We talk about his ambitions, his new boat - a Valiant 42, preparing for the westbound circumnavigation, his book Kihivas, his first circumnavigation with one stop on his boat Salammbô, the 2018 GGR, emergency tillers, navigation, heavy weather sailing techniques - heaving to, solo sailing, drogues, favorite land sightings, sharks, orcas, other wildlife, and more. Photos and links are on the shownotes page Support the show on Patreon
El domingo pasado Jorma Kaukonen (Jefferson Airplane, Hot Tuna) cumplió 85 años. Y Lowell George (The Factory, Mothers Of Invention de Frank Zappa, Little Feat) hubiera cumplido los 80, pero falleció en 1979. El blues como esencia, la guitarra como instrumento heredado de los grandes Robert Johnson, Muddy Waters, Chuck Berry… Enormes guitarristas ambos con sello muy propio y genial.DISCO 1 JEFFERSON AIRPLANE Embryonic Journey (ESCA) SURREALISTIC PILLOW 1967DISCO 2 LITTLE FEAT Easy To Slip (SAILIN’ SHOES - Cara 1 Corte 1)DISCO 3 JEFFERSON AIRPLANE Good Shepherd ( )DISCO 4 LITTLE FEAT Willin’ (SAILIN’ SHOES - Cara 1 Corte 5)DISCO 5 JEFFERSON AIRPLANE To Many Years (JEFFERSON AIRPLANE - cara 2 Corte 6DISCO 6 LITTLE FEAT Rocket In My Pocket (TIME LOVES A HERO - 3)DISCO 7 JORMA KAUKONEN Roads and Roads (Side A -ÚltimoTrack)DISCO 8 LITTLE FEAT Long Distance Love (THE LAST RECORD ALBUM Cara A Corte 3)DISCO 9 JORMA KAUKONEN Blue Railroad Train (BLUE COUNTRY HEART -1)DISCO 10 LOWELL GEORGE Cheek To Cheek (Cara 2 Corte 1)DISCO 11 JORMA KAUKONEN There’s A Bright Side Somewhere (RIVER OF TIME - 2)DISCO 12 LITTLE FEAT Fatman On The Bathtube (2) WAITING FOR COLUMBUSDISCO 13 HOT TUNA Watch the North Wind Rise (Live Version) (ESCA)Escuchar audio
Host Jason Schreurs and lifelong punk rock troubadour Cactus Vella chat about his history in punk and dealing with personal struggles along the way. Whether it was anxiety, panic attacks, or substance misuse, Cactus has always leaned on punk rock to help him cope and eventually stabilize. http://cactusvellamusic.com Featured song clips: Public Mess - "Garbage Island" from Garbage Island (Anxiety Attack Records, 2024) Johnny Cash & The Tennessee Three - “Folsom Prison Blues” from Reelin' in the Years Archive (1968) Cactus Vella - "Sailin' On into the Unknown" from Sailin' On (Anxiety Attack Records, 2012) Leatherface - "I Want the Moon" from Mush (Roughneck Recording, 1991) Off with Their Heads - "Start Walking" from Home (Epitaph Records, 2013) Public Mess - "Summer, Don't Let Me Down" from Summer, Don't Let Me Down (Anxiety Attack Records, 2024) The SCREAM THERAPY BOOK is now available! Scream Therapy: A Punk Journey through Mental Health is a memoir-plus that has been heralded by New York Times best-selling authors. Like the podcast, it links the community-minded punk rock scene with the mental wellness of the punks who belong to it. ORDER A COPY OF THE BOOK! screamtherapyhq.com/book SCREAM THERAPY MERCH! teepublic.com/user/scream-therapy About this podcast: Scream Therapy explores the link between punk rock and mental health. My guests are members of the underground music scene who are living with mental health challenges, like myself. Intro/background music clips: Submission Hold - "Cranium Ache" Render Useless - "The Second Flight of Icarus" Contact host Jason Schreurs - screamtherapypodcast@gmail.com
Featured Songs: 00:38 - Leftover Salmon - 11-29-24 - Sailin’ Shoes - Boulder Theatre - Boulder, CO (with Sam Bush, Luke Black and Torrin Daniels) 11:20 - Eggy - 11-29-24 - Black Friday > Bird Song > Black Friday > Bird Song > Black Friday - Capitol Theatre - Port Chester, NY (with Dogs in a Pile) 38:19 - Billy Strings - 12-06-24 - My Alice - FedEx Forum - Memphis, TN 42:09 - Pigeons Playing Ping Pong - 12-06-24 - King Kong - Infinity Music Hall - Hartford, CT (Art Brown and Elijah Clark of Polyrhythmics) 53:23 - Spafford - 12-07-24 - Kiss Off - Vivarium - Milwaukee, WI See omnystudio.com/listener for privacy information.
Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day A very famous show from a very famous year. Many feel 1973 was the peak of the band's post psychedelic era. Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run. In 2008 the Dead released the box set: “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973. This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band). The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band. They were on fire for these three days. A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness. It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.” INTRO: Promised Land (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind) Track #1 0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995. Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out. I especially love Keith's piano which is featured prominently in this clip. Played: 430 timesFirst: May 28, 1971 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 1: To Lay Me Down (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee Track #6 2:21 – 4:20 David Dodd: “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to. Jerry's voice is still so young and strong. And the group singing works really well. Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played: 64 timesFirst: July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS: Music Intro: Brain Damage Pink Floyd Pink Floyd - Brain Damage (2023 Remaster) 0:00 – 1:47 "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4] The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.” Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival. More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3. Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride. The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green). “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA. SHOW No. 2: Weather Report Suite Prelude (out of China >Rider/Me & My Uncle/Loose Lucy Track #14 3:10 – end INTO Weather Report Suite Part I (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break - 16 songs Track #15 0:00 – 1:03 David Dodd: This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played: 46 timesFirst: September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast: October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3: Mississippi Half Step Uptown Toodeloo (Second Set Opener/into Big River/Dark Star) Track #17 3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special. Great story. Great lyrics: “what's the point of calling shots, this cue ain't straight in line. Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert. ½ Step>Franklin's were especially fun as a one two show opener punch. Played: 236 timesFirst: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS: INTRO MUSIC: Willin' Little Feat Little Feat - Willin' sung by Lowell George Live 1977. HQ Video. 0:10 – 1:32 1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists. George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem. And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1. Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2. Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3. Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4. Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract: Dulce Limon – hyrbrid sativa dominant Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4: Dark Star (Mind Left Body Jam) Track #18 34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then. The truly improvisational side of the Dead and their live performances. Played: 9 timesFirst: October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast: March 24, 1990 at Knickerbocker Arena, Albany, NY, USA INTO Eyes of the World (into China Doll/Sugar Mag as second set closer) Track #19 0:00 – 2:25 David Dodd: “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song. The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise. A perfect jam tune. Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses. First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros. We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention. I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes. Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes. Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set. Any '73 Eyes will leave you in awe and this one is one of the best. Played: 382 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO OUTRO: And We Bid You Goodnight (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!! Track #25 :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard. Great reaction from the Deadheads. Kind of a chills down your spine thing. I was with One armed Lary and Alex, both had been with us at Deer Creek right before. Lary stayed for all three nights but Alex had to take off after the first show. Great times. Played: 69 timesFirst: January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast: September 26, 1991 at Boston Garden, Boston, MA, USA Thank you for listening. Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
BLACK SHIRT MIXTAPE **Episode 86** Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure! Tracklisting: 1. Lyrics to Go...A Tribe Called Quest 2. Doomsday...MF Doom feat Pebbles the Invisible Girl 3. One Day...Jeru the Damaja 4. Take It Personal...Gang Starr 5. Loungin'...Guru 6. O My God (demo)...The Police 7. O My God (remastered)...The Police 8. World Machine...Level 42 9. This is a Low (Live at the Budokan)...blur 10. Good Luck, Babe!...Chappell Roan 11. cut!...Maren Morris & Julia Micheals 12. Airbag...Radiohead 13. Voodoo Lady...Ween 14. Slow Down...Brand Nubian 15. Who Got Da Props...Black Moon 16. Dancing Souls...H.R. 17. Sailin' On...Bad Brains 18. Sailin' On...No Doubt 19. Sparkle...Camp Lo 20. When I'm Small...Phantogram 21. I Melt With You...Modern English 22. Dirty Work...Steely Dan 23. Vienna...Billy Joel 24. Waterloo Sunset...The Kinks 25. Someday...The Strokes 26 Everyday is Like Sunday...Morrissey 27.. Everyday Is Exactly The Same...NIN 28. Mastermind Specialism...English Teacher
Keith and Becca bought a Pearson 424 that needed a refit, and when the time came to repower, they found an inexpensive electric motor and made a quick decision to build an electri-motor system. They eventually sailed off from Texas to the Caribbean, worked their way upwind to the Windward Islands, then to the Azores, where they were when I talked to them. They've been sailing and living aboard for six years, and have a wealth of knowledge and experience with their electric-motor system. We get into all the details about their system, but we also talk about the Azores, free and silent motor assist sailing, having unlimited power, refitting their Pearson 424, sailing upwind through the Caribbean, losing the prop shaft coupler, cavitation caused by seaweed on the prop strut, micro-route-planning offshore with Starlink, unexpected issues, their 48-volt system, life at anchor with 2500 watts of solar and a large lithium battery bank, comparing the electric motor to a diesel motor, comparing costs of repowering with a diesel motor vs electric, how to make the decision to go electric or diesel, batteries, and more. Shownotes are at https://www.paultrammell.com/podcast-season-6 Support through Patreon here patreon.com/paultrammell
Featured Songs: 00:38 - Leftover Salmon - 01-25-24 - Sailin' Shoes - Washington's - Fort Collins, CO 09:22 - Umphrey's McGee - 02- 08-24 - Kinky Reggae - The Mill & Mine - Knoxville, TN 13:48 - Greensky Bluegrass - 02-09-24 - All About You - The Anthem - Washington, DC 17:03 - Gov't Mule - 02-09-24 - Birth of the Mule - Moore Theatre - Seattle, WA 29:09 - Goose - Ted Tapes 2024 - Nebula See omnystudio.com/listener for privacy information.
The Big Show boys discuss a pretty successful signing period for Mizzou Football and potential futures for the idea of a national signing day. Plus, under the bus to a coach who will do ANYTHING but the right thing.
Pianist Bill Payne, who founded Little Feat in 1969 in Los Angeles with singer-songwriter-guitarist Lowell George, takes us on this great American band's rollercoaster ride through the 1970s. Payne wrote or co-wrote more than half of Little Feat's self-titled debut album, but the mercurial George came to dominate as the band ascended via the albums Sailin' Shoes, Dixie Chicken and Feats Don't Fail Me Now, the last of which features the Payne standout “Oh, Atlanta.” By the time of the classic 1978 live album Waiting for Columbus, George had pulled back and was struggling with addictions, and tensions ran high — yet the band still cooked. What happened? And how did Payne revive Little Feat after George's death to continue leading it through today?
This week, Lisa is joined in person by Doctors Jenn n' Angela to discuss the @ARIYNBF Episodes~ “Mary Katherine Ham Returns” & “Barber Shop Massages, Perfect Eggs, Cervical Ripeness” (Encore) We met up in Highland Park to see the Kate Micucci “My Hat” Album release show. We talked pregnancy, postpartum, beauty products, cracking the code […]
Sailin' with Kalen- The Dawgs moved to 4-0 after a win over Cal on Saturday and Coach DeBoer joins Chuck & Buck every Monday at 7:25am following a win.
Bill returns to the podcast to talk about all things Little Feat, including the new reissues for Sailin' Shoes and Dixie Chicken. Bill also digs into some of his past session work, including time spent with Bob Seger and Pink Floyd. He also reveals details regarding the memoir that he currently has in the works. As always, it's a thrill to talk music with Bill.Visit Bill's website at BillPayneCreative.com and if Little Feat is coming your way, don't miss 'em! They're on the road as we speak and they'll be touring this fall performing Sailin' Shoes and Dixie Chicken in full. In short, you'll want to be in those seats for that experience!
Gregg Bell (Tacoma News Tribune) joins us witht he latest 12th Man News to kick off week 1 of NFL football! It's finally here! We hop on the boat and head out on the water for some Sailin with Kalen. Coach DeBoer returns with his weekly visits following the Huskies blowout 56-19 win over Boise State. It's time for the top 4 sports stories of the day- the Quatro.
Bill Payne, along with Lowell George, formed Little Feat in the early 70's, blending elements of rock, country, blues and New Orleans funk, into an immediately recognizable sound. The band's second album, Sailin' Shoes and their third, Dixie Chicken, have recently been given the deluxe treatment - expanding to triple album sets, including the remastered album, bonus tracks and outtakes, and revelatory live footage. Payne is currently on the road with Little Feat, who later on in the fall will be doing The Albums Tour, choosing one of those two albums and playing them in their entirety each night. Bill has also played with the Doobie Brothers, members of the Grateful Dead and Leftover Salmon.He also talks about writing his memoir, which he hopes to have completed by next year.
Published 2 July 2023we chat to Pamela Lee about her new Class40 campaign and attempt at the Transat Jacques Vabre. We last spoke to Pamy on Ep74 when she and Cat Hunt were prepping to attempt the double-handed round Ireland record. Determined and driven, Pam has been working hard to make the dream happen and in this Ep she tells us all. #assocclass40 #transatjacquesvabre #rippleracing #pamybefree #tiphaine.ragueneau #themajentaproj #theoceanrace #imocaglobeseries #barkarate #sailingpodcast #barkaratesailorslarger #barkarateconversations #worldsailingofficial #sailing #boat #ocean #sport #voile #sail #sea #offshore #sailors #sailingworld #extremesailing #foils #yacht #yachts #saillife #instayacht #sailingblog #instasail
Sailin' around the world, lookin' for a parrot. Thank you for the sound effects: Cartoon suction pull / zapsplat.com/music/cartoon-suction-pull-3/
Featured Songs: 00:38 - Oteil and Friends - 10-20-22 - Blue Sky > Franklin's Tower - The Ogden - Denver, CO 16:40 - Greensky Bluegrass - 12-07-22 - Into The Mystic - Strings & Sol - Puerto Morales, MEX 21:21 - Infamous Stringdusters - 12-08-22 - Terrapin Station - Strings & Sol - Puerto Morales, MEX 32:46 - Leftover Salmon - 12-08-22 - Sailin' Shoes - Strings & Sol - Puerto Morales, MEX 42:57 - Orebolo - 12-14-22 - Shelter From The Storm - Boulder Theatre - Boulder, CO See omnystudio.com/listener for privacy information.
Guy was racing in the 2022 Golden Globe Race until he fell asleep after being up for 30 hours and ended up on the rocks in the Canary Islands. We talk about the crash and its causes, his solo sail from the USA to France, the race, a near collision with a fishing boat, lessons learned from the race, radio communications, navigation, being alone, damage and repairs to his boat Spirit (a Tashiba 36) relationships with the other racers, who's going to win, future plans, and more.
The Heisman finalists were announced and Michael Penix Jr got snubbed, we discuss. Some big moves happened at the winter meetings! We head out on the boat for a final sailin with Kalen DeBoer.
The snow is coming Seattle! Husky QB, Michael Penix Jr is now in the Heisman talk, but did his campaign start too late? Are you buying what Chuck is selling at the NFL Black Friday sale? We go Sailin' with Kalen, bundle up!
The Huskies have to beat the Cougs on Saturday, but if they do, could they still have a shot at a New Years 6 game? Coach Bucky weighs in on things. We go Sailin' with Kalen and hear from the Huskies' Head Coach on Rivalry week.
Julio Rodriguez is the AL Rookie of the Year and we are pumped about it! Were the Seahawks outmatched and outcoached in Germany? We go Sailin with Kalen and hear from the UW head coach!
The Huskies head to Oregon on Saturday and the Seahawks are in Germany to face the Bucs. Have you voted for our Mariners postseason awards? Head to twitter now! We recap our conversation with UW Head Football Coach Kalen DeBoer.
The scariness was real for the Bengals last night and we came home with lots of treats! Would Bucky keep Jesse Winker? We hit the water and go Sailin with Kalen.
Pete Carroll addressed DK Metcalf's status following a knee injury on Sunday. Chuck asks Bucky if he wants to bring Carlos Santana back for the Mariners next year. We go Sailin with Kalen DeBoer and hear form the UW Head Coach.
Chuck is back and we chat Mariners, hot stove and COVID. The Seahawks defense improved on Sunday, is it for real? We go Sailin with Kalen and check in with Coach DeBoer.
The Mariners are in the playoffs and they'll be on the road for round 1! The Seahawks are 2-2, yeah, 1st place. We go Sailin with Kalen and try to cheer him up as the Huskies head to Tempe this weekend.
Some good news for Mariners' key injuries and the Scoreboard watching continues. The Seahawks are a mystery and we are having a tough time solving this one. We go Sailin' with Kalen, our new hero.
The Mariners bats heated up for a 9-1 win over the Angels yesterday. This time last week, we were riding high after a Seahawks win over the Broncos... what a difference a week makes. We go Sailin' with Kalen and hear from the Huskies head coach.
The M's got Darvished yesterday and lost some ground in the wild card race. Nathaniel Hackett regrets his decision...kind of and Seahawks news. We go Sailin' with Kalen and hear from the Husky Head Coach!
The M's fell to the White Sox yesterday after a rough Sunday, but they kept on fighting! We head out Sailin' with Kalen and hear from the UW Head Coach. There's a chill in the air; is Summer over?
Gregg Bell (Tacoma News Tribune) joins the show on Seahawks cut day and gives us the latest news from the VMAC, including who might be cut today. It's time to kick your feet up and go Sailin' with Kalen; we hear some sound bytes from the Huskies head coach. Chuck and Buck explain Julio's contract for those questioning.
The Reggae Boys are back with another episode. We got the homie Crewneck from the brand Soufseas as he explains his influences such as Black history and how the Black diaspora played into the brand and much more. Follow Soufseas on Instagram and Twitter: @soufseas1of1 You can listen to Troy's latest project ‘Made for Love': Apple Music: https://music.apple.com/us/album/made-for-love-ep/1628614993 Spotify: https://open.spotify.com/album/6Vh4qCFMsT0LMbodMlU2zh?si=S_Uf3HbfQy-eglfq5k1HeQ Pod socials Twitter: @reggaeboysradio ; IG @reggaeboysradio Josh's Twitter: @the786official; IG: @theseveneightsix Troy's Twitter/IG: @bytroycameron Prod. by Banks You can find Banks on @theBVDpod, @raopodcast, @blackannctable's Patreon, @NahFThat and a whole bunch of podcasts
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