Podcasts about Lav Diaz

Cannes 2025 is in full swing—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our seventh episode from the film world's grandest event, Film Comment Editor Devika Girish is joined by critics Kong Rithdee (back by popular demand!) and Inney Prakash to debate two recent premieres from legendary auteurs: Jafar Panahi's It Was Just an Accident (2:33) and Lav Diaz's Magellan (14:12). Next, the group discusses one of the highlights of this year's Cannes Classics section, T'ang Shu Shuen's 1968 film The Arch (23:14), before turning to Ratchapoom Boonbunchachoke's A Useful Ghost (29:09), which just won the Grand Prize at Cannes Critics' Week. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition. Note: Around 18:00, we experienced some equipment problems that resulted in slight glitches on the audio track. We apologize for the inconvenience.

fWotD Episode 2899: Dolly de Leon Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 12 April 2025 is Dolly de Leon.Dolly Earnshaw de Leon (born April 12, 1969) is a Filipino actress. Known primarily for her work in independent films and theater, she has received numerous accolades, including a FAMAS Award, a Guldbagge Award, and a Los Angeles Film Critics Association Award, in addition to nominations for a Golden Globe Award and a BAFTA Award. British Vogue named her one of the 31 most famous stars in the world in 2023.After studying theater at the University of the Philippines Diliman, De Leon began acting on stage. Her earliest performances include local productions of The Merchant of Venice, Waiting for Godot, Old Times, and Medea. She made her film debut in Peque Gallaga's horror anthology Shake, Rattle & Roll III (1991) and was cast in small and uncredited roles throughout the 1990s and 2000s. De Leon made brief appearances in films and took on guest parts in television shows. Her breakthrough came in the crime drama Verdict (2019), for which she won a FAMAS Award for Best Supporting Actress. In 2021, she portrayed an aging sex worker in Lav Diaz's period drama History of Ha to positive reviews. She followed it with more assertive parts in Erik Matti's HBO television projects On the Job and Folklore.De Leon achieved international recognition and acclaim for starring as a toilet cleaner on a luxury yacht in Ruben Östlund's satirical black comedy Triangle of Sadness (2022), winning the Guldbagge Award and Los Angeles Film Critics Association Award for Best Supporting Performance. She received nominations for a Golden Globe Award and for a BAFTA Award for Best Supporting Actress, becoming the first Filipino to be nominated for the awards in any category. De Leon has since starred in the adult animated drama The Missing (2023)—for which she won a Cinemalaya Award for Best Supporting Actress—and the 2024 comedy dramas Between the Temples and Ghostlight. She is the co-founder of Ladies Who Launch, a social services group which supports disadvantaged communities.This recording reflects the Wikipedia text as of 00:58 UTC on Saturday, 12 April 2025.For the full current version of the article, see Dolly de Leon on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

Er ist eine Ikone des Slow Cinema, dessen Name nicht nur Synonym für immersive Werke epischer Länge steht, sondern ebenso für einen unbeirrbaren polithistorischen Ethos und humanistisches Gewissen. Beide prägen auch das jüngste Werk, das Lav Díaz (When the Waves are Gone) in Venedig außer Konkurrenz vorstellt. Phantosmia, dessen Titel sich auf eine seltene Disposition olfaktorischer Halluzinationen bezieht, ist für den philippinischen Regisseur fast schon ein Kurzfilm mit seiner Laufzeit von knapp über vier Stunden. Ganz soviel Zeit hatte der prägende Autorenfilmer zwar nicht im Interview mit Lidanoir, aber das Gespräch über seine Abkehr von konformen Kinovorgaben und der Genesis generationsübergreifender Gewalt solltet ihr trotzdem nicht verpassen!

Oggi a Cult: dal Salone del Libro di Torino, Roberto Festa con due interviste a Eshkol Nevo e ad Antonio Franchini; Elio De Capitani ricorda Giovanna Marini; la retrospettiva su Lav Diaz al FESCAAAL 2024; la rubrica di lirica di Giovanni Chiodi...

https://notesonfilm1.com/2023/10/26/jose-arroyo-in-conversation-with-jan-jilek/ I participated in the Film Festival/ Summer Film School at Uherské Hradiště and was bowled over by the experience. Thousands of people streaming the streets of an extraordinarily pretty town in the Czech Republic – many of them very young – arriving from all parts of the country and abroad to see films, listen to lectures, participate in discussions. The town itself contributing all of its institutional resources to make it possible. Uherské Hradiště had turned over schools, gyms, and every available tent to the Festival/ Summer School so that young people can just roll out their sleeping bags and have a place to sleep. There are no searchlights, limousines or red carpets. But there is excellent programming, a pedagogic ethos, a party atmosphere, famous guests (Lav Diaz this year), and superb organisation that makes for a rich, varied and democratic experience. Everyone seemed eager to see and learn. These are some of the reasons why I wanted to talk to Jan Jílek, Programme Director of Film Festival/ Summer Film School, Uherské Hradiště. In the podcast we talk about the roots of the festival in the Film Club Movement and its continuing connection with the Association of Czech Film Clubs (AČFK); how the festival tries to build on its heritage while helping construct new audiences; the changing role but continued importance of introductions and programme notes; how distinguished guests are important but how the main focus is really on the audience; we discuss the infrastructure of programming (first blocks, then sections, then films); its connection to education (Lectures, Master-classes, Introductions, notes); there is also an industry stand; and we question what is the Festival/School's connection to a history/development of Czech cinema. Finally, the festival will be celebrating it's 50th anniversary so we discuss some of the highlights of previous years and what to look for next July/August when this extraordinary event celebrates its 50th anniversary.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Prendendo spunto dalla presenza come ospite speciale alla 19a edizione del Lago Film Fest, parliamo della luce del cinema “innovatore e libero” del regista filippino Lav Diaz. Nella puntata, quindi, spieghiamo il programma dell'edizione 2023 e gli obiettivi futuri del festival di cinema indipendente Lago Film Fest, illustriamo il palmares del 76° Festival di Locarno e ricordiamo il grande William Friedkin.Qui l'indice della puntata:00:27 News: presentazione del programma editoriale di Linkinmovies.it alla Mostra del Cinema 2023.03:39 News: film premiati al 76° Festival di Locarno con una breve approfondimento sul regista vincitore, l'iraniano Ali Ahmadzadeh, e su una piacevole scoperta, il regista malese Nelson Yeo.07:43 News: ricordo di William Friedkin anche attraverso la lettura di alcune pagine del libro di Renato Venturelli, Cinema noir americano 1960-2000.12:21 News: analisi della 19a edizione del Lago Film Fest 2023 e presentazione e spiegazione del progetto collegato Revine Lago, Capitale europea del cinema indipendente 2024. 16:43 La Luce del Cinema di Lav Diaz. Film analizzati: Batang West Side, Evolution of Filipino family, Heremias, book one: the legend of the lizard princess, Melancholia, Florentina Hubaldo CTE, Norte, the end of history, From what is before, A lullaby to the sorrowful mystery, The woman who left, Season of the devil, Genus Pan, When the waves are gone, Essential truths of the lake. 40:33 Cosa è successo al regista iraniano Saeed Roustayi?

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Slow cinema aesthetics are becoming more popular in mainstream cinema, not only the art house or festival circuit. People are looking for ways to get away from the quick pace of modern life and our continual connectivity. Why not look for it in the stillness, in the static images of landscapes, in the experience of ordinary people living ordinary lives? Slow Cinema is a formal trend that has gradually gained popularity in modern cinema since its inception after the Second World War. Slow cinema is an art or experimental film model that portrays several distinct characteristics. Flanagan (2012) explained that slow cinema was characterized by the application of the long take, a tendency toward realist or hyperrealist representation, an undramatic narrative or non-narrative structure, stillness in composition, and visual content. Slowness in cinema has prompted the rise of questions that have gained critical and theoretical discussions over the past decade (De Luca, 2016). A review of the slow cinema style based on stillness, long durations, and silence makes it unsuitable for domestic film viewing. The fragmented and distracted modes of spectatorial interaction with miniaturized screens are only attainable in film theaters.  There are several films that have helped to popularize slow cinema and have promoted the idea of searching for meaning in the everyday in ordinary life, including but not limited to Jean-Luc Godard's "Contempt", Béla Tarr's "Sátántangó", Abbas Kiarostami's "Ten", Lav Diaz's "Fallen Angels", Michael Snow's "La Région Centrale", Apichatpong Weerasethakul's "Mit Klang", Chantal Akerman's "No Home Movie" and Abbas Kiarostami's "Like Someone In Love".  Ideally, slow cinema was primarily interested in how the passage of time can be felt within a film. The idea was to ensure duration became a filmic element, similar to editing or cinematography (Flanagan, 2012). To achieve the duration ideology, films leaned towards longer takes, minimal editing, and naturalistic performances, which made the films alienating and bizarre. The focus on time and duration involved, making films to be agonizingly slowly paced. For instance, the films would have 20-minute sequences during which a man walked while holding a candle. As the focus on time in Cinema intensified, there was minimal narrative and more time spent building tone in Poetics of Slow Cinema (Çaglayan, 2018). Sound design is also minimal, and the camera is seen to move but slowly. Previously, Cinema was established to be a narrative art form that slow Cinema has drastically changed. Slow Cinema is argued to test patience, hooking the viewer by making them wait, expecting a pay-off that sometimes never arrives. Talented slow cinema directors have greatly mastered the art of keeping their audience waiting for the entire length of their films. Slow cinema films have significantly gained popularity and are reported to leave a lasting impact on viewers immersed in a slowly moving world.  A slow film is one that does not move. This could include a lack of narrative, contemplative cinema, aesthetic sensibility, or philosophical insights. The length of a shot. Slow cinema is distinguished by the use of static shots, long duration shots, pans, tracking shots, and a narrative focus on the more mundane aspects of life. There is an emphasis oVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

The way to understand that machine all around the world through the eyes and history of Philippines.Lav Diaz – When waves are gone #Venezia79 was first posted on September 9, 2022 at 9:58 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

Venice 2022: The Whale, The Eternal Daughter, Lav Diaz, Other People's Children with Guy Lodge Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Venice Film Festival continues to roll out films that are sure to be the subject of discussion this fall, and this time, I talk with critic Guy Lodge of Variety about Darren Aronofsky's The Whale, starring Brendan Fraser; the new Joanna Hogg film, The Eternal Daughter, very much starring Tilda Swinton; Lav Diaz's When the Waves Are Gone; and Rebecca Zlotowski's Other People's Children. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Every episode, there will be a theme that will navigate within the poem of the day. For this episode, we have Maria Victoria Beltran's "Ang Posas." Maria Victoria Beltran is an actress and writer, known for Ang Damgo ni Eleuteria (2010), Cartas de la Soledad (2011), and Daughters of the Three Tailed Banner (2016). She has been contributing to the development of the literary, visual art, and film communities in the Visayas and Mindanao region. Her library cafe, Kukuk's Nest is known for artists' hangout as well as a space of creative experiments. She was part of Lav Diaz's Mula Sa Kung Ano Ang Noon (2014), which won the grand prize at the World Premiere Film Festival in the Philippines, Locarno Film Festival in Switzerland, and Sao Paulo International Film Festival in Brazil. Her most recent work as an actress can be seen in Lakbayan by the National Film artist Kidlat Tahimik. I hope you will like this poem. Amping kanunay ug padayon ta mga Bisaya! COPYRIGHT DISCLAIMER: All the poems, music, and graphics used in the podcast belong to their respective owners. This channel does not claim any right over them. --- Send in a voice message: https://podcasters.spotify.com/pod/show/basabalakkanunay/message

IndieSeen closes out the year with one of its most entertaining and contentious discussions yet as Ian and Sujewa wade through the moral muck of Norte: The End of History!Lav Diaz's 2013 Philippines-set retelling of “Crime and Punishment” finds a struggling restaurateur wrongly imprisoned for the brutal murder of a local moneylender and her teenage daughter. The true perpetrator, a disaffected law student with an eye to burning down a corrupt capitalist system, goes on the lam--only to return home with an amplified guilty conscience that compels him to demolish everything he touches.In this wide-ranging spoiler-lite episode, the guys not only examine their disagreements over Norte, but also dig into recent news about box office projections; the shifting indie-distribution landscape; and whether or not theatres will be able to weather the great unknown that is 2022.Also, Sujewa shares some exciting news about his latest film, The Secret Society for Slow Romance!Timestamps:Intro: 0:00 - 0:51The Year of Slow Romance: 0:52 - 8:03The End of Movie Theatres?: 8:04 - 25:38Norte Discussion: 25:39 - 1:08:47Outro: 1:08:48 - 1:10:53Show Links:Watch the Norte trailer.Find clips, making-of videos, and other cool info about Sujewa's upcoming film, The Secret Society for Slow Romance.Keep up with all of Sujewa's projects.Follow Sujewa on Twitter.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

Our conversation with Lav Diaz and the cast of Historya ni Ha continues! Notes: This is the second and final part of a 2 part episode, and the second in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

Our conversation with Lav Diaz and the cast of Historya ni Ha continues! Notes: This is the second and final part of a 2 part episode, and the second in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

Lav Diaz's latest film, Historya ni Ha (History of Ha) premiered at QCinema last week. In this episode of Third World Cinema Club, Lav and the cast of the film talk with John and Raffy about the absolute state of the Philippines yesterday, today and tomorrow. Notes: This is part 1 of a 2 part episode, and the first in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

Lav Diaz's latest film, Historya ni Ha (History of Ha) premiered at QCinema last week. In this episode of Third World Cinema Club, Lav and the cast of the film talk with John and Raffy about the absolute state of the Philippines yesterday, today and tomorrow. Notes: This is part 1 of a 2 part episode, and the first in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

This week on CRITICALLY ACCLAIMED, film critics William Bibbiani and Witney Seibold review the long-delayed Marvel Cinematic Universe (MCU) blockbuster BLACK WIDOW, the ambitious Netflix slasher sequel FEAR STREET: 1978, the Shudder horror film SON, Carlos Lopez Estrada's poetic SUMMERTIME, and Lav Diaz's bleak drama GENUS, PAN! Black Widow - 1:25  Fear Street: 1978 - 37:00  Son - 50:22  Summertime - 56:34  Genus, Pan - 1:07:04  Review Round-Up - 1:15:55  Subscribe on Patreon at www.patreon.com/criticallyacclaimednetwork for exclusive content and exciting rewards, like bonus episodes, commentary tracks and much, much more! And visit our TeePublic page to buy shirts, mugs and other exciting merchandise!  Email us at letters@criticallyacclaimed.net, so we can read your correspondence and answer YOUR questions in future episodes! And if you want soap, be sure to check out M. Lopes da Silva's Etsy store: SaltCatSoap! Follow us on Twitter at @CriticAcclaim, join the official Fan Club on Facebook, follow Bibbs at @WilliamBibbiani and follow Witney at @WitneySeibold, and head on over to www.criticallyacclaimed.net for all their podcasts, reviews and more! 

It's a new episode of OLL OBOUT OVID!, where Witney and B talk all things Ovid.tv! However, this week opens with a discussion of an Ovid-adjacent film, namely GENUS, PAN (2020), Lav Diaz's newest feature which screened on projectr.tv! They follow this with their regular musings on their explorations of the arthouse streaming service, which this week highlight such works as master animation artist Kihachiro Kawamoto's final film THE BOOK OF THE DEAD (2005), as well as a 2014 collection of his early short films, and VAMPIRE CLAY, a Japanese exploitation horror flick. We hope you enjoy, and thank you for your time. NOTE: This episode contains spoilers for the ending of GENUS, PAN between 0:21:02 and 0:27:43. Y'all been warned.

For our 12th episode, we unpacked the first Filipino Netflix animated original series, TRESE! From the hit comic book creation of Budjette Tan and Kajo Baldisimo. Starring Liza Soberano and Shay Mitchelle as Alexandra Trese. Get ready for this meaty and very insightful discussion on the series, its importance in terms of representation, its effect of the local comic book industry, its stamp on Pinoy pop culture, and the social issues it shed light to. This is one unpacking you wouldn't want to miss, with special guest, long-time Trese fan, Sofia Atanacio! Bulletin: Connect with Sofia on LinkedIn: www.linkedin.com/in/sofiaalmira/ ABS-CBN Film Restoration will be screening the hit 2006 Romantic Comedy, Kasal Kasali Kasalo on July 15, 2021 7:30pm. The film stars Judy Ann Santos and Ryan Agoncillo and is Directed by Direk Jose Javier Reyes. Get your tickets only https://bit.ly/KKKonKTX RALSTON JOVER'S 'LATAY' WINS IN NEW YORK FILM FEST for Best Screenplay in the Narrative Feature section of this year's Queens World Film Festival (QWFF) in New York. Following the story of a laid-back fisherman with a horrifying secret of being physically abused by his wife, "Latay" has won several awards, including the Best Director of a Foreign Language Feature Film at the East Europe International Film Festival 2020 and Best Narrative - Global award at the 2020 International Film Festival Manhattan. LAV DIAZ NAMED JURY PRESIDENT OF MARSEILLE FILM FEST! Congratulations to multi-awarded filmmaker Lav Diaz for being chosen as the Chairman of the International Competition Jury of the 32nd International Film Festival Marseille in France.

Bom dia, cinéfilos!No episódio de hoje, o Tiago recebe o João Cardoso, do Site Querido Cinéfilo, e eles conversam sobre o cineasta filipino Lav Diaz e dois de seus filmes: Norte, O Fim da História, de 2013, e Canção para um Doloroso Mistério, de 2016.Siga o João no Twitter: https://twitter.com/JOFFOUSsVisite a página Querido Cinéfilo: https://www.queridocinefilo.com/Eles também estão no facebook: https://www.facebook.com/queridocinefilo/no twitter: https://twitter.com/queridocinefilono instagram: https://www.instagram.com/queridocinefilo/Ouça o podcast deles no spotify: https://open.spotify.com/show/1Q1weFYnAAuADBmZg641jV

Welcome back to OLL OBOUT OVID! (pronounced "All About Ah-vid"), the podcast series from B Peterson and Witney Seibold dedicated to the arthouse cinema available through the Ovid.tv streaming service! In Episode 2, Witney and B talk Lav Diaz's 338-minute meditative epic FROM WHAT IS BEFORE (2014), the visceral Palestinian war documentary from Mohamed Jabaly AMBULANCE (2016), the infamously explicit Italian romance DEVIL IN THE FLESH (1986) by Marco Bellocchio, and even more besides. We hope you enjoy, and thank you for your time. Here is a link to where you can watch Palestinian director Elia Suleiman's entire filmography for free through May 30th (Also, in case this episode's messaging is too vague, #FreePalestine): https://watch.eventive.org/arabfilmseries/play/607dd205cae17e0084781786 Twitter: https://twitter.com/ScreensMargins Patreon: https://www.patreon.com/ScreensMargins

Otra semana más, la semana del estreno de La Liga de la Justicia según Snyder y en la que hablaremos de las películas más largas de la historia. Un saludo a Lav Diaz, eres un titán, un fiera, un máquina.También hablamos de los trabajos extintos y los que están por venir. Hablamos de lo que podemos robar en el campo para comer rico en casa y de los efectos secundarios más raros provocados por la vacuna de COVID.Un saludo

Audio interview with Lav Diaz, realised by Jean Perret at the Bildrauch Filmfest in June 2017 and edited by Ruth Baettig.

قسمت پنجم از فصل دوم - معرفی لاو دیاز کارگردان مهم فیلیپین.پدر سینمای ایدئولوژیک فیلیپین یکی از اعضای مهم جنبش سینمای کند اقای لاو دیاز.پیگیری سینمای جدی یکی از مهترین اصول فهم سینماست.لطفا برای حمایت از تولیدات چنل یوتیوب را دنبال کنید.www.youtube.com/c/AlirezaBadieewww.instagram.com/alireza_badiee​

Open the Podcast Doors HAL!! This week, I invited an old pal, the brilliant Zack Gill to talk about literally anything he wanted. In this episode, we talk about our big beards, gathering during C*VID, our favorite long movies, the 5 hour Lav Diaz film he saw before lockdown, The Sopranos, our mutual love for Isabelle Huppert, my favorite Kunrick film, the 2001: A Space Odyssey reference in 13 Reasons Why that blew Zack's mind, who's really behind closed captioning, my friend from elementary school who did a sex scene with Lindsy Lohan, Bucca Di Beppo, and later Zack gives us advice about starting over and reinvention! Music: "Because I'm Me"- The Avalanches "Woke Up This Morning ( The Sopranos Theme)"- Alabama 3 "Ricki Don't Lose That Number"- Steely Dan "Space Oddity"- David Bowie “We're Going to Be Friends”- The White Stripes Pod Art by Maya Levy @fuego_taki_queen Link to be on the show: https://docs.google.com/forms/d/1eYXnCGyOeOgUXrJ7nvUqXV5ijGjSkdlKiWiK0Ez6L-Q/edit If you want to be on the show visit @yourbfedunn on Instagram and fill out the google form in the link.

San Diego Asian Film Festival's artistic director Brian Hu gives Cinema Junkie a preview of the most exciting films from Johnnie To's new boxing romance to Lav Diaz' epic Philippine melodrama to zombies in the Taiwan parliament. Festival runs Oct. 23 through 31 with Mystery Kung Fu Theater streaming live on Twitch!

We really can't think of any other way to express what we felt when Lav Diaz agreed to do an episode with us. Get ready to listen to some insightful discussion on how cinema breaks horizons and boundaries, in the words of Lav Diaz. Notable moments in this episode: we asked him some questions from Twitter, including his top 5 romcoms, and if he watches animé.

We really can’t think of any other way to express what we felt when Lav Diaz agreed to do an episode with us. Get ready to listen to some insightful discussion on how cinema breaks horizons and boundaries, in the words of Lav Diaz. Notable moments in this episode: we asked him some questions from Twitter, including his top 5 romcoms, and if he watches animé.

Decima puntata di copertura della 77ª Mostra internazionale d'arte cinematografica di Venezia. Contenuti: 00:00 - Genus Pan (2020, Lav Diaz) 09:38 - In Between Dying (2020, Hilal Baydarov) 20:06 - Nomadland (2020, Chloé Zhao) 26:18 - And Tomorrow The Entire World (2020, Julia von Heinz) 29:12 - Panoramica festival 30:22 - Saint-Narcisse (2020, Bruce LaBruce) 35:14 - Ghosts (2020, Azra Deniz Okyay) 37:50 - Panoramica festival 38:21 - The Rossellinis (2020, Alessandro Rossellini) Partecipanti: Marco Ale Cosimo Marco Baratta (ospite) Matteo Arcamone (ospite) Logo creato da: Alessandro Valenti/Simone Malaspina Sigla e post-produzione a cura di: Simone Malaspina/Alessandro Valenti Per il jingle della sigla si ringraziano: Alessandro Corti e Gianluca Nardo

De voltallige Cinevilleredactie (met naast Maan, Jesse, Erik en Lauren ook Jente, Christiaan en Cesar) schuift aan voor een live-sessie in het festivalcafé van International Film Festival Rotterdam (IFFR). Wat waren onze festivalhoogtepunten, welke films gaven we vijf sterren, welke filmmakers hebben we gesproken en gezien en welke films kan je zelf de komende maanden gaan checken in Cineville? Van Atlantique tot Drama Girl, van Bacurau tot Corpus Christi en van een Lav Diaz-marathon tot een analoge installatie in WORM - dit is ons festivalverslag. Met een leuke bonus: als je de niet-bestaande IFFR-titel raadt, win je 4 maanden gratis Cineville! Mail je antwoord voor 10 februari naar podcast@cineville.nl.Vertel al je filmvrienden over onze podcast, abonneer je op ons kanaal, laat een review achter of volg ons op Twitter (@cinevillepod). Deze films kwamen langs:The Trouble With Nature (2020) - Illum Jacobi Bacurau (2019) - Juliano Dornelles, Kleber Mendonça FilhoUncut Gems (2020) - Benny Safdie, Josh SafdieGood Time (2017) - Benny Safdie, Josh SafdieBeasts Clawing At Straws (2020) - Kim Yonghoon Atlantique (2019) - Mati Diop Atlantiques (2009) - Mati DiopParasite (2019) - Bong Joon-ho Little Women (2019) - Greta GerwigCorpus Christi (2019) - Jan Komasa Capharnaüm (2018) - Nadine Labaki Moonlight (2016) - Barry Jenkins Slumdog Millionaire (200​8) - Danny BoyleDen Skyldige (The Guilty) (2017)- Gustav MöllerLand of Mine (2015) - Martin ZandvlietThe Favourite (2018) - Yorgos LanthimosDrama Girl (2020) - Vincent Boy Kars Independent Boy (2017) - Vincent Boy Kars The Whistlers (2019) - Corneliu Porumboiu12:08 East of Bucharest (2006) - Corneliu PorumboiuPolice, Adjective (2009) - Corneliu PorumboiuThe Lighthouse (2019) - Robert Eggers Beer (2019) - Erik van Lieshout The Halt (2020) - Lav DiazMalu sa kung ano ang noon (2014) - Lav Diaz Saint Maud (2019) - Rose Glass Carrie (1976) - Brian De Palma Taxi Driver (1976) - Martin ScorseseHadewijch (2009) - Bruno Dumont Énorme (2020) - Sophie LetourneurRocks (2019) - Sarah GavronSuffragette (2015) - Sarah Gavron Goldie (2019) - Sam de Jong In The Month of Love (2019) - Shashank WaliaWat verder nog voorbij kwam:Girls on Film PodcastVPRO x IFFR PodcastChristaans stuk over Lav Diaz See acast.com/privacy for privacy and opt-out information.

Wir lieben das asiatische Kino. Von Akira Kurosawa bis Zatoichi. Von den flirrenden Großstadt-Geschichten eines Wong Kar Wai bis hin zum Blei-Ballet eines John Woo. Von Park Chan-wooks Rache-Thrillern bis hin zu den Gewalt-Studien der Herren Takeshi Kitano oder Shion Sono. Und egal, ob sie Johnnie To, Takashi Miike, Lav Diaz, Herman Yau, Kim Ki-duk, Zhang Yimou oder Erik Matti heißen: mindestens einer ihrer Filme findet immer den Weg in unser Herz. Sie finden ihn mit verwirrender Vergeltung. Mit Gangstern, die unter Amnesie leiden. Mit Brüdern, die der Koreakrieg ins Drama stürzt. Weil sie von thailändischen Selbstmordkandidaten mit Putzfimmel handeln. Oder von japanischen Samurais zwischen verbotener Liebe und schmerzhafter Pflichterfüllung. Und gerne mal von gutem Essen. Und das sind nur ein paar Beispiele, mit denen Japan, Korea, China oder Thailand immer wieder gängige Genreformeln unterlaufen, auf den Kopf stellen oder in eine neue Richtung führen. Das alles wollen wir heute zelebrieren. Mit vergessenen Werken von Altmeister Kurosawa. Mit geheimen Gangster-Perlen wie „New World“. Mit ausgelassenem Klamauk der Marke „Mad Mission“. Oder mit mitreißendem Kriegsfilmen wie „The Battleship Island“. Mit kleinen Anekdoten und Einschüben zu alten, neuen und noch unentdeckten Filmen, die unseren Horizont erweitern. Mit Schwärmereien zu Leuten wie Bong Joon-ho, Hwang Yung-min, Donnie Yen oder Maiko Kaji. Und mit vier Typen für die auch cineastisch die Sonne im Osten aufgeht. Herzlich willkommen zu unsere Kino+ Asia-Spezial mit Tino Hahn, Memo Jeftic, Etienne und Schröck. Süß-sauer.

In July's Cinefile Rosslyn Hyams speaks to leading French actor Denis Lavant, and a Philippines film director, the prolific and multi-talented Lav Diaz. Click on the arrow on the photo above to listen to the interviews. Or subscribe to Cinefile. The Mountain Also known as a psychosurgical odyssey, The Mountain was released in the US in July on the heels of it's French première at the Champs-Elysées Film Festival. The Mountain has a serious track record, featuring in the Venice Film Festival 2018 followed by Sundance in 2019. US director Rick Alverson's 5th feature is on the surface about the practice of lobotomy, invented by a real-life doctor called Walter Freeman in America in the 1950s. Jeff Goldblum and Tye Sheridan play respectively lobotomiser Dr Wallace Fiennes and his would-be lobotimised photo assistant, Andy. Of course, that's the top layer. Its slow pace, lacklustre palette and trunkated, creepy dialogue, potentially lull the viewer into a mindless state. However, if you seek, you may find issues about today's America, or about many parts of the world today. Alverson puts a lot of thought into this film. The Mountain is a mind-game, where the mostly eery calm of the cajoling or passive characters is blown apart by French actor Denis Lavant. He plays French single-father Jack, who wants lobotomy-mad Dr Fiennes to operate on his teenage daughter, the object of Andy's first love. Lavant is known for his energy and seemingly unbridled action on stage, as well as on screen. His ability to slip into the skin of arresting characters out of a Tolkien novel or a Shakespeare play or from a French equivalent of East Enders, makes him any director’s dream, but he selects carefully. "Jack is already a bit schizo to begin with. I don’t need to analyse this character to be able to play him. I just have to act the character if you like. Rick Alverson is great and really knows how to direct actors. He suggests plenty of imaginative ideas." Listen to Cinefile podcast to hear more about Denis Lavant's take on The Mountain. Ang Hupa -The Halt The four-hour-40 minute long film is largely dark and once again deals with Lav Diaz' main concerns, the politics and sociology of his country, the Philippines. Set in 2034, when the volcanic action has put out the light, a raving, deluded dictator (Joel Lamangan) is manipulated puppet-style by two women security chiefs (Hazel Orencio and Mara Lopez). Their ambition and love of power drives the plot while their passions are inflamed by a love-triangle involving a teacher with a quest and a part-time escort job (Shaina Magdayao). The man to follow is the enigmatic Hook Torollo played by Piolo Pascual. He realises that he will achieve greater fulfillment from helping street children than firing rocket-propelled grenades or the like. Philippines director, writer, producer, composer, editor Lav Diaz could of course say much the same in a shorter time, but he maintains that this would zap his propos. Not just a whim, and far from detracting from the story-telling, the slow pace adds fluidity to Anga Hupa -The Halt, allowing the film to sink in. "I want to work more on spaces, so you can actually touch the thing, a corporal experience with the medium. The so-called audience must also be engaged, not just entertained... rather than being subordinated to the action of Tom Cruise. I want you to see the ants and the birds and the wind." Première at Cannes Lav Diaz', Ang Hupa or The Halt in English premièred at the Cannes Director's Fortnight in May 2019, it also screened at Poland's New Horizons and the Jerusalem Film Festival. Listen to the Cinefile podcast or by clicking on the arrow on the photo above to hear Lav Diaz talking about the dictatorship, street children, homosexuality on film, and why there are a few glimmers of light in his literally dark films.

On this week's Saturday School, we continue to explore Asian films about Asian America, diving head first into the international film festival/art film world with the 5 hour 15 minute Lav Diaz film "Batang West Side" from 2001. It's a film that takes place in the snowy New Jersey winter. A Filipino American cop Juan (Jose Torre) is investigating the murder of a Filipino American teenager Hanzel, and through the course of the 5 hours, we get to know Hanzel's family members, friends, and girlfriend. We also get flashbacks of Hanzel, as well as glimpses of Juan's life in the U.S., isolated from his family back in the Philippines. Lav Diaz has become revered, especially in the last several years, for his marathon-length, deliberately paced art films that have gone up to 11 hours. Batang West Side, while not one of his more accessible films, is interesting because it marked a turning point for Diaz's filmmaking. It's almost like his time living in the States that inspired Batang West Side gave him the artistic freedom to forgo the commercial Filipino film market and really create his own unique style that he'd still be known for decades later.

In the quatorzième episode of the Hammer & Camera podcast, the communist are storming the Normandy Beach of Cinema, aka the Cannes Film Festival. Reporting from the front is T.W. Stechnij, an American ex-pat, sometimes-writer and film industry employee who attended the Festival for a few days this year. We discuss: the sections and competitions of Cannes, their exclusive/capitalist nature vs. their social value, "gatekeepers," and T.W.'s picks for the most interesting movies in the fest; including Beanpole by Kantemir Balagov, The Halt by Lav Diaz, Parasite by Bong Joon-ho, and, most controversially, Mektoub, My Love: Intermezzo by Abdellatif Kechiche. Become a Patron and join us for our Movie Night episodes here: https://www.patreon.com/hammercamera

In this month's Cinefile Rosslyn Hyams meets French director Samuel Pollardey who filmed a year in Greenland for Une Année Polaire (A Polar Year), and Lav Diaz, Filipino director of Season of the Devil, a four-hour film entirely sung, shot in black and white, which is more 'scuro' than 'chiaro'.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

A rock opera about the past to fight nowadays' demons. The post Lav Diaz – Season Of The Devil #Berlinale2018 appeared first on Fred Film Radio.

Gibt Gus van Sant in Don't Worry, He Won't Get Far on Foot dem Pathos die richtige Lautstärke? Und hat Guy Maddins The Green Fog ausreichend Hang zum camp? Außerdem: Auf der Suche nach Epiphanien in Lav Diaz' In Zeiten des Teufels.

El 37 Foro Internacional de la Cineteca está a punto de iniciar en la Cineteca Nacional para después comenzar su gira por otras sedes y varias ciudades mexicanas. El cine más radical, a veces el más experimental, el documental, la animación, tienen cabida en esta propuesta de la Cineteca Nacional en la que veremos las propuestas más recientes de nombres como Jim Jarmusch, Everardo González, Philippe Grandrieux y Lav Diaz, así como películas de países tan ajenos a la cartelera mexicana como Bolivia, la República Checa o Chile. Un agasajo tanto para cinéfilos novatos como para los experimentados. Learn more about your ad choices. Visit megaphone.fm/adchoices

El 37 Foro Internacional de la Cineteca está a punto de iniciar en la Cineteca Nacional para después comenzar su gira por otras sedes y varias ciudades mexicanas. El cine más radical, a veces el más experimental, el documental, la animación, tienen cabida en esta propuesta de la Cineteca Nacional en la que veremos las propuestas más recientes de nombres como Jim Jarmusch, Everardo González, Philippe Grandrieux y Lav Diaz, así como películas de países tan ajenos a la cartelera mexicana como Bolivia, la República Checa o Chile. Un agasajo tanto para cinéfilos novatos como para los experimentados.

Do ultracolorido filme de super-heróis ao cinema de muitos tons de cinza de Lav Diaz: esta semana, uma Varanda de extremos. Batemos um papo sobre Guardiões da Galáxia Vol. 2 (10:53), dirigido por James Gunn. E também sobre o novo do diretor filipino, A Mulher que Se Foi (44:15), que mistura vingança e questões políticas. E mais: Cantinho do Ouvinte, e, nas recomendações, além dos filmes Beduíno e Melhores Amigos, duas séries para ficarmos ligados. Bom podcast!

Since Rodrigo Duterte came to power in the Philippines many people have voiced alarm at the impact of his leadership, including some from the nation’s arts scene. Recorded at the Regent Street Cinema in London we present a special Q&A with Filipino “slow cinema” filmmaker Lav Diaz.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Bernardo Bernardo is back on Fred to talk his love for Lav Diaz, karaoke and crystals The post Bernardo Bernardo – Lullaby to the sorrowful mistery #TFF34 appeared first on Fred Film Radio.

Com Tiago Faria em férias merecidas, os varandeiros Chico Fireman e Michel Simões recebem a lenda do twitter, Hélio Flores, para fazerem um balanço dos principais destaques na reta final da 40ª Mostra SP, entre eles: 'Paterson', os novos filmes de Marco Bellocchio e Lav Diaz, e o polêmico 'O Nascimento de Uma Nação'. Crislumi e o ilustre visitante contam histórias de como descobriram a Mostra e as primeiras experiências. E o #FalaCris traz a estreia da semana 'A Garota do Trem'. Bom Podcast!

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

The film that won the coveted 2016 Golden Lion in Venice. The post Lav Diaz – The Woman Who Left #Venezia73 appeared first on Fred Film Radio.

Próximo domingo é dia de Oscar, por isso que esta semana Chico Fireman, Michel Simões e Tiago Faria falaram tudo sobre a premiação (27:25). De palpites a curiosidades, dos preferidos aos que irão realmente ganhar (mesmo que seja contra nossa vontade). Se você não tem tanta paciência, pode ir direto aos comentários dos prêmios principais (59:15). Antes do Oscar, ainda teve uma análise rápida sobre a repercussão dos vencedores do Festival de Berlim (1:15'), e a polêmica se os jurados assistiram, ou não, as mais de 8 horas do filme de Lav Diaz. E as opiniões sobre o último indicado a melhor filme que chegou aos cinema na quinta-feira, O Quarto de Jack (9:00). Bom Podcast!

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Lav Diaz's Lullaby to his people in the hope for a change. The post Lav Diaz, director of “A Lullaby to the Sorrowful Mystery” #Berlinale2016 appeared first on Fred Film Radio.

Der letzte Bericht von der diesjährigen Berlinale. Tag 8 und 9. Lukas und Lucas sehen den neuen "8-Stunden-Film" von Lav Diaz. Außerdem Sandstorm, Time was Endless, A Dragon Arrives & Auf einmal!

Keine Angst vor langen Filmen: Fünf Kritiker im Gespräch über Norte, The End of History von Lav Diaz, Hard to Be a God von Alexei German und Interstellar von Christopher Nolan.

Das Filmfest Hamburg ging am 4. Oktober zu ende und wie schon beim Filmfest München habe ich mich mit der freien Filmjournalistin Sophie Charlotte Rieger zusammen getan, um ausführlich das Festival auszuwerten. Hier sind wieder unsere Tops & Flops. Viel Spaß!Für unser grandioses, musikalisches Intro zeichnet sich übrigens die Band Rollergirls verantwortlich! Danke Jungs!Inhalt:000:00 - Immer noch aufregendes Intro #10002:00 - "The Tribe" von Myroslav Slaboshpytskiy010:06 - "The Double" von Richard Ayoade020:11 - "Whiplash" von Damien Chazelle026:20 - "The Gold Bug" von Alejo Moguillansky & Fia-Stina Sandlund030:35 - "Alleluia" von Fabrice Du Welz041:35 - "Quatsch und die Nasenbärbande" von Veit Helmer047:03 - "White God" von Kornél Mundruczó056:24 - "Von Mädchen und Pferden" von Monika Treut064:17 - "From What is Before" von Lav Diaz074:17 - "Girlhood" von Céline Sciamma089:08 - "Mommy" von Xavier Dolan100:54 - "Fräulein Julie" von Liv Ullmann110:53 - "Miss Violence" von Alexandros Avranas121:49 - "Baby Balloon" von Stefan Liberski125:01 - Fehlende Kinostarts, Festivalfieber & SchlussapplausBei iTunes oder als RSS-Feed abonnieren!Mehr zu Filmen, Serien & Co. gibt es auf Cinema Forever zu lesen!

Il clima polare e la desolazione delle sale ci avevano fatto sprofondare in un lungo letargo, ma ci siamo svegliati in tempo per l'annuale appuntamento con l'amatissimo Festival di Locarno. Una manciata di filmoni da tenere d'occhio e tanti incontri memorabili: Lav Diaz, Mia Farrow, Pedro Costa, Aleksandr Sokurov, Juliette Binoche e molto altro.[00:00:30] L'angolo del tripudio[00:16:40] Locarno - Gli ospiti[00:45:25] Fuori Concorso[00:53:12] Cineasti del presente[01:17:18] Concorso internazionale[02:03:17] Film dei mesi passati Buon ascolto! Potete ascoltare l'episodio al link diretto al file MP3 (per scaricarlo basta cliccare col destro e poi "Salva link con nome"): Clicca qui!Potete abbonarvi su iTunes: Clicca qui!Oppure potete ascoltare il podcast con Podtrac player: