Podcasts about Lav Diaz

Trwa Festiwal filmowy Europa! Europa 2026! Od 19 lutego do 19 marca w Melbourne, Sydney, Brisbane, Hobart i Auckland zobaczymy 43 filmy z 22 krajów, najwybitniejsze dzieła filmowe z różnych kontynentów. Obok współczesnych mistrzów, takich jak Albert Serra, Lav Diaz i Agnieszka Holland, w tegorocznym programie znajdą się debiutanckie obrazy. Wśród festiwalowych atrakcji zobaczymy m.in nowe filmy biograficzne o Chopinie, Vivaldim i Kafce.

À l'occasion d'une exposition immersive au Musée National de la Marine à Paris, on va suivre l'expédition historique de Fernand de Magellan. Un périple de trois ans, émaillé de mutineries, de violences et de trahisons. Magellan. Son nom est resté dans les annales, les livres d'histoire et la toponymie, à commencer par le fameux détroit que le capitaine portugais a emprunté au début du XVIè siècle tout au sud de l'Amérique, et baptisé Magellan en son honneur. L'honneur d'un « découvreur » - c'était le terme européen consacré-,sachant que le Pacifique, surnommé la mer du Sud, avait déjà été entrevu par les Européens, sans l'avoir encore « exploré ». Partie de Séville en 1519, la flotte, composée de 5 navires et 237 hommes, est commandée par le capitaine général Fernand de Magellan, un portugais qui s'était finalement tourné vers l'Espagne et le jeune roi Charles Ier, pour mener à bien son projet. Son objectif : rallier les Moluques, surnommées les îles aux épices, par l'ouest, en franchissant un passage inconnu à travers le continent américain.  Dans son célèbre roman « Magellan » publié en 1938, Stefan Zweig écrit, non sans lyrisme, que la « magnifique entreprise de ces cinq petits et faibles navires partant pour la guerre sainte de l'humanité contre l'inconnu restera à jamais inoubliable ». Inoubliable certes, mais pas forcément pour les raisons auxquelles on pense. Car Magellan, déjà, n'a pas fait le tour du monde -il va trouver la mort sur l'île de Mactan, après avoir traversé le Pacifique- et son expédition de 1519 à 1522 a connu une succession de drames et de tragédies, que trop peu connaissent encore…  L'exposition « Magellan, un voyage qui changea le monde » au Musée National de la Marine s'attache justement à raconter la réalité de cette épopée maritime, entre exploit et zones d'ombres. À un moment aussi, où le récit héroïque des dites « grandes découvertes » est de plus en plus revisité par les historiens du monde entier. Alors qu'un film enfin, sorti récemment en France, « Magellan » du réalisateur philippin Lav Diaz, défend un regard décolonial, en adoptant le point de vue de Henrique, un malais réduit en esclavage qui a suivi Magellan dans cette folle aventure.   Autant de raisons, s'il en fallait, pour nous pencher sur le cas Magellan et embarquer au cœur de cette première circumnavigation dont un seul bateau va revenir à bon port, trois ans plus tard.   En savoir plus :  - Sur l'exposition « Magellan, un voyage qui changea le monde » au Musée National de la Marine à Paris. Jusqu'au 8 mars 2026 - Sur la passionnante série documentaire « L'incroyable périple de Magellan » réalisée par François de Riberolles qui a nourri l'exposition. Disponible sur la chaîne Arte jusqu'au 19 avril 2026 - Sur les Éditions Chandeigne & Lima spécialisées dans le vaste monde lusophone et créées par Anne Lima et Michel Chandeigne, grand spécialiste de Magellan et conseiller scientifique de l'exposition du Musée National de la Marine - Sur le film « Magellan » du réalisateur philippin Lav Diaz qui adopte le point de vue d'Henrique, serviteur de Magellan réduit en esclavage qui était de l'expédition jusqu'aux Moluques.   À lire, pour prolonger le voyage : - « Le Voyage de Magellan (1519-1522) ». Édition critique du texte d'Antonio Pigafetta suivie d'une seconde partie rassemblant toute la documentation connue (lettres, récits…) des compagnons de Magellan. 1 120 pages. 2025. Éditions Chandeigne - « L'incroyable périple de Magellan. 1519-1522 ». Un beau livre de François de Riberolles,  illustré par les dessins du studio d'Ugo Bienvenu. 2023. Éditions Delcourt - « Qui a fait le tour de quoi ? L'affaire Magellan », de Romain Bertrand. 2020. Éditions Verdier. Un livre qui entend remettre Magellan à sa juste place dans cette aventure autour du monde, longtemps racontée comme un seul récit d'aventures et de conquêtes - « Magellan », de Stefan Zweig. Le texte de Stefan Zweig est paru en version illustrée aux Éditions Paulsen. 2019. Une version poche est également disponible aux Éditions J'ai Lu.

À l'occasion d'une exposition immersive au Musée National de la Marine à Paris, on va suivre l'expédition historique de Fernand de Magellan. Un périple de trois ans, émaillé de mutineries, de violences et de trahisons. Magellan. Son nom est resté dans les annales, les livres d'histoire et la toponymie, à commencer par le fameux détroit que le capitaine portugais a emprunté au début du XVIè siècle tout au sud de l'Amérique, et baptisé Magellan en son honneur. L'honneur d'un « découvreur » - c'était le terme européen consacré-,sachant que le Pacifique, surnommé la mer du Sud, avait déjà été entrevu par les Européens, sans l'avoir encore « exploré ». Partie de Séville en 1519, la flotte, composée de 5 navires et 237 hommes, est commandée par le capitaine général Fernand de Magellan, un portugais qui s'était finalement tourné vers l'Espagne et le jeune roi Charles Ier, pour mener à bien son projet. Son objectif : rallier les Moluques, surnommées les îles aux épices, par l'ouest, en franchissant un passage inconnu à travers le continent américain.  Dans son célèbre roman « Magellan » publié en 1938, Stefan Zweig écrit, non sans lyrisme, que la « magnifique entreprise de ces cinq petits et faibles navires partant pour la guerre sainte de l'humanité contre l'inconnu restera à jamais inoubliable ». Inoubliable certes, mais pas forcément pour les raisons auxquelles on pense. Car Magellan, déjà, n'a pas fait le tour du monde -il va trouver la mort sur l'île de Mactan, après avoir traversé le Pacifique- et son expédition de 1519 à 1522 a connu une succession de drames et de tragédies, que trop peu connaissent encore…  L'exposition « Magellan, un voyage qui changea le monde » au Musée National de la Marine s'attache justement à raconter la réalité de cette épopée maritime, entre exploit et zones d'ombres. À un moment aussi, où le récit héroïque des dites « grandes découvertes » est de plus en plus revisité par les historiens du monde entier. Alors qu'un film enfin, sorti récemment en France, « Magellan » du réalisateur philippin Lav Diaz, défend un regard décolonial, en adoptant le point de vue de Henrique, un malais réduit en esclavage qui a suivi Magellan dans cette folle aventure.   Autant de raisons, s'il en fallait, pour nous pencher sur le cas Magellan et embarquer au cœur de cette première circumnavigation dont un seul bateau va revenir à bon port, trois ans plus tard.   En savoir plus :  - Sur l'exposition « Magellan, un voyage qui changea le monde » au Musée National de la Marine à Paris. Jusqu'au 8 mars 2026 - Sur la passionnante série documentaire « L'incroyable périple de Magellan » réalisée par François de Riberolles qui a nourri l'exposition. Disponible sur la chaîne Arte jusqu'au 19 avril 2026 - Sur les Éditions Chandeigne & Lima spécialisées dans le vaste monde lusophone et créées par Anne Lima et Michel Chandeigne, grand spécialiste de Magellan et conseiller scientifique de l'exposition du Musée National de la Marine - Sur le film « Magellan » du réalisateur philippin Lav Diaz qui adopte le point de vue d'Henrique, serviteur de Magellan réduit en esclavage qui était de l'expédition jusqu'aux Moluques.   À lire, pour prolonger le voyage : - « Le Voyage de Magellan (1519-1522) ». Édition critique du texte d'Antonio Pigafetta suivie d'une seconde partie rassemblant toute la documentation connue (lettres, récits…) des compagnons de Magellan. 1 120 pages. 2025. Éditions Chandeigne - « L'incroyable périple de Magellan. 1519-1522 ». Un beau livre de François de Riberolles,  illustré par les dessins du studio d'Ugo Bienvenu. 2023. Éditions Delcourt - « Qui a fait le tour de quoi ? L'affaire Magellan », de Romain Bertrand. 2020. Éditions Verdier. Un livre qui entend remettre Magellan à sa juste place dans cette aventure autour du monde, longtemps racontée comme un seul récit d'aventures et de conquêtes - « Magellan », de Stefan Zweig. Le texte de Stefan Zweig est paru en version illustrée aux Éditions Paulsen. 2019. Une version poche est également disponible aux Éditions J'ai Lu.

Cette semaine, Bruno Dequen rencontre le cinéaste philippin Lav Diaz, qui était de passage en ville pendant la Semaine de la critique de Montréal pour présenter son film MAGELLAN. Discussion sur l'Histoire vue par le cinéma. Le balado 100% cinéma de la revue de cinéma 24 images

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Something new for our faithful Patrons - A conversation about all the movies, new and old, that we've been enjoying this month not covered elsewhere on the show. We hope you enjoy!....Our Theme Song is "Mirror" by Chris Fish.

The new film Magellan chronicles the life of Portuguese colonizer Ferdinand Magellan, the first person to circumnavigate the globe. Known for his voyage crossing the Pacific Ocean and landing on the island of Cebu, now the Philippines, the movie shows how Magellan was heralded as a hero to some, but is viewed as a murderer by many. In the film, the famed, acclaimed actor Gael García Bernal plays Magellan. We speak to the film's director, Lav Diaz, an award-winning filmmaker and writer from the Philippines.

The new film Magellan chronicles the life of Portuguese colonizer Ferdinand Magellan, the first person to circumnavigate the globe. Known for his voyage crossing the Pacific Ocean and landing on the island of Cebu, now the Philippines, the movie shows how Magellan was heralded as a hero to some, but is viewed as a murderer by many. In the film, the famed, acclaimed actor Gael García Bernal plays Magellan. We speak to the film's director, Lav Diaz, an award-winning filmmaker and writer from the Philippines.

This week we're excited to present a conversation with director Lav Diaz and lead actor Gael García Bernal as they discuss the NYFF63 selection Magellan with NYFF Artistic Director Dennis Lim. Interpretation by Gil Quito. Every astonishing visual composition carries historical and political weight in the monumental new film from singular Filipino filmmaker Lav Diaz, who mounts an absorbing story of colonial conquest and obsession, starring Gael García Bernal as Ferdinand Magellan. Magellan is now in theaters, courtesy of Janus Films. The 63rd New York Film Festival is presented in partnership with Rolex.

durée : 01:00:35 - Plan large - par : Antoine Guillot - Dans Plan Large, 2026 commence dans des effusions de sang et des charniers tropicaux, avec les cinéastes Antonin Peretjatko et Lav Diaz, et aussi Sophie-Catherine Gallet. En espérant que ce ne soit pas de mauvais augure pour l'année qui vient… - réalisation : Anne-Laure Chanel - invités : Lav Diaz Cinéaste; Antonin Peretjatko Réalisateur; Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste

durée : 01:00:35 - Plan large - par : Antoine Guillot - Dans Plan Large, 2026 commence dans des effusions de sang et des charniers tropicaux, avec les cinéastes Antonin Peretjatko et Lav Diaz, et aussi Sophie-Catherine Gallet. En espérant que ce ne soit pas de mauvais augure pour l'année qui vient… - réalisation : Anne-Laure Chanel, Anne-Vanessa Prévost - invités : Lav Diaz Cinéaste, Antonin Peretjatko Réalisateur, Sophie-Catherine Gallet Collaboratrice à France Culture, critique de cinéma à Revus et corrigés, cinéaste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:11:08 - Les Midis de Culture - par : Marie Labory - Dans "Magellan", Lav Diaz revisite les quinze dernières années du célèbre navigateur incarné par Gaël García Bernal. Loin du biopic classique, le film suit son voyage vers l'archipel Malais, mêlant colonisation et évangélisation, au prix d'une violence inouïe. - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC

durée : 00:27:41 - Les Midis de Culture - par : Marie Labory - Au menu de notre débat critique, comme tous les mercredis du cinéma avec "Magellan" de Lav Diaz & "Laurent dans le vent" d'Anton Balekdjian, Léo Couture et Mattéo Eustachon - réalisation : Laurence Malonda - invités : Philippe Azoury Journaliste, critique et auteur; Raphaëlle Pireyre Critique de cinéma, elle publie régulièrement des articles sur le site AOC

Les voyages des grands explorateurs ? Un mythe à débunker pour le réalisateur philippin.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

ORIGIN STORY NI LAV DIAZ

"For Philippine cinema, for Filipino pride." Ito ang pahayag ng batikang filmmaker na si Lav Diaz, ang henyo sa likod ng historical epic na "Magellan" at marami pang award-winning films na isinasalaysay ang human condition. Sa panayam na ito kasama si Pia Arcangel, alamin ang mga interes ni Diaz sa labas ng moviemaking, ang kanyang opinyon sa artificial intelligence (A.I.), at ang dahilan kung bakit ‘di siya gumagamit ng smartphone at social media! Higit sa lahat, tuklasin kung ano ang mga aral na napulot ng direktor sa daan patungo sa mundo ng pelikula, at ang halaga ng sining sa edukasyon at pagmulat ng lipunan. Hosted on Acast. See acast.com/privacy for more information.

As the 63rd New York Film Festival drew to a close last weekend, it was once again time for Film Comment's Festival Report, our annual live overview of the NYFF that was. FC Editor Clinton Krute was joined by critics Molly Haskell, J. Hoberman, and Beatrice Loayza for a spirited wrap-up analysis of the highlights and lowlights from the NYFF63 lineup. In front of a lively audience, the panel discussed and debated Radu Jude's Kontinental '25, Noah Baumbach's Jay Kelly, Kelly Reichardt's The Mastermind, Lav Diaz's Magellan, Mary Bronstein's If I Had Legs I'd Kick You, Alexandre Koberidze's Dry Leaf, and many other selections.

Josh and Jamie got invited to attend the Toronto International Film Festival as members of the press to check out and cover some of new international art and genre cinema that will be coming out over the next few months and awards season, including new films by Park Chan-wook, Gus Van Sant, Kleber Mendonça Filho, Guillermo Del Toro, Claire Denis, Jafar Panahi, Benny Safdie, Oliver Laxe, Matt Johnson, Lav Diaz, Mona Fastvold, Bryan Fuller, Romain Gavras, Laura Poitras, Kenji Tanigaki, Rian Johnson, Christian Petzold, Alex Winter, Chandler Levack, Ben Wheatley, Nic Pizzolatto, and more! We did our best to avoid spoilers and such but be warned. Next week's episode is a patron-exclusive bonus episode on THE BAD SLEEP WELL (1960) + HIGH AND LOW (1963), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:37 Day 1 -- SENTIMENTAL VALUE // 17:37-22:18 MAGELLAN // 22:18-28:24 SIRAT // 28:24-33:34 THE SECRET AGENT // 33:34-41:22 IT WAS JUST AN ACCIDENT // 41:22-51:00 HONEY BUNCH // 51:00-55:49 Day 2 -- MOTOR CITY // 55:49-1:04:52 NO OTHER CHOICE // 1:04:52-1:17:07 GOOD NEWS // 1:17:07-1:23:45 Day 3 -- THE LOST BUS // 1:23:45-1:26:38 UNIDENTIFIED // 1:26:38-1:28:46 THE TESTAMENT OF ANN LEE // 1:28:46-1:34:48 FUZE // 1:34:48-1:39:26 JUNK WORLD // 1:39:26-1:47:17 Day 4 -- DEAD MAN'S WIRE // 1:47:17-1:55:20 SACRIFICE // 1:55:20-2:00:48 THE FURIOUS // 2:00:48-2:07:26 ROOFMAN // 2:07:26-2:13:38 LUCKY LU // 2:13:38-2:17:22 HEDDA // 2:17:22-2:23:42 Day 5 -- THE BALLAD OF A SMALL PLAYER // 2:23:42-2:28:01 PROJECT Y // 2:28:01-2:29:42 GOOD BOY // 2:29:42-2:31:33 EXIT 8 // 2:31:33-2:32:45 ADULTHOOD // 2:32:45-2:36:20 TUNER // 2:36:20-2:43:32 Day 6 -- THE SMASHING MACHINE // 2:43:32-2:51:27 ORPHAN // 2:51:27-2:53:41 COVER-UP // 2:53:41-2:57:41 TRAIN DREAMS // 2:57:41-3:03:45 Day 7 -- RETREAT // 3:03:45-3:06:26 CAROLINA CAROLINE // 3:06:26-3:10:33 MADDIE'S SECRET // 3:10:33-3:15:23 IT WOULD BE NIGHT IN CARACAS // 3:15:23-3:17:17 NORMAL // 3:17:17-3:22:16 Day 8 -- FUCK MY SON! // 3:22:16-3:30:55 THE UGLY // 3:30:55-3:36:18 WAKE UP DEAD MAN (KNIVES OUT 3) // 3:36:18-3:42:00 THE FENCE // 3:42:00-3:50:24 OBSESSION // 3:50:24-3:56:58 Day 9 -- EASY'S WALTZ // 3:56:58-4:04:08 DUST BUNNY // 4:04:08-4:09:10 LITTLE LORRAINE // 4:09:10-4:13:14 FRANKENSTEIN // 4:13:14-4:23:13 Day 10 -- MILE END KICKS // 4:23:13-4:29:36 MIROIRS NO. 3 // 4:29:36-4:34:30 Day 11 -- NIRVANNA THE BAND THE SHOW THE MOVIE // 4:34:30-4:50:13 Outro // 4:50:13-4:53:46 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Wilson comes on the podcast to talk about all the films he saw at the 49th edition of the Hong Kong International Film Festival. Come listen to us talk about the newest films from around the world, including Wang Bing's Youth Trilogy, Lav Diaz's Phantosmia, Andrea Arnold's Bird, and many more. Join our FREE patreon, discord server, and our socials @ www.deepcutpod.comTimestamps:00:00:00 Intro00:03:17 Festival as a whole00:08:44 Baby00:10:25 Youth Trilogy00:15:47 Bel Ami00:17:50 Drug War00:20:09 Bird00:21:54 The Texas Chainsaw Massacre00:24:46 Man's Castle00:27:58 Việt and Nam 00:31:24 Yalla Parkour00:36:09 Harvest00:38:55 Never Too Late00:40:04 Fire of Wind00:42:15 To Kill a Mongolian Horse00:44:10 Santosh00:45:41 I'm Still Here00:49:21 Bona00:53:08 Dreams (Sex Love)00:56:40 Misericordia00:58:38 The Botanist01:00:17 Seeds 01:02:05 Blue Sun Palace 01:04:58 On Becoming a Guinea Fowl01:06:22 Separated 01:09:04 Phantosmia 01:13:15 Outro

Magalhães, longa metragem do filipino Lav Diaz, teve estreia mundial na secção Cannes Première. A obra retrata a vida do ilustre navegador português do século XVI. A produtora lusa Rosa Filmes, por detrás do projecto, contou, por intermédio de Joaquim Sapinho à RFI como foi concebido o projecto.

Cannes 2025 is in full swing—and you can count on our on-the-Croisette crew of Film Comment contributors to cut through the noise with thoughtful dispatches, interviews, and Podcasts. This year's festival is packed with exciting premieres, including new films from Richard Linklater, Lynne Ramsay, Spike Lee, Bi Gan, Julia Ducournau, Wes Anderson, and many more. For our seventh episode from the film world's grandest event, Film Comment Editor Devika Girish is joined by critics Kong Rithdee (back by popular demand!) and Inney Prakash to debate two recent premieres from legendary auteurs: Jafar Panahi's It Was Just an Accident (2:33) and Lav Diaz's Magellan (14:12). Next, the group discusses one of the highlights of this year's Cannes Classics section, T'ang Shu Shuen's 1968 film The Arch (23:14), before turning to Ratchapoom Boonbunchachoke's A Useful Ghost (29:09), which just won the Grand Prize at Cannes Critics' Week. Subscribe today to The Film Comment Letter for a steady stream of Cannes coverage, providing everything you need to know about the 2025 edition. Note: Around 18:00, we experienced some equipment problems that resulted in slight glitches on the audio track. We apologize for the inconvenience.

fWotD Episode 2899: Dolly de Leon Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 12 April 2025 is Dolly de Leon.Dolly Earnshaw de Leon (born April 12, 1969) is a Filipino actress. Known primarily for her work in independent films and theater, she has received numerous accolades, including a FAMAS Award, a Guldbagge Award, and a Los Angeles Film Critics Association Award, in addition to nominations for a Golden Globe Award and a BAFTA Award. British Vogue named her one of the 31 most famous stars in the world in 2023.After studying theater at the University of the Philippines Diliman, De Leon began acting on stage. Her earliest performances include local productions of The Merchant of Venice, Waiting for Godot, Old Times, and Medea. She made her film debut in Peque Gallaga's horror anthology Shake, Rattle & Roll III (1991) and was cast in small and uncredited roles throughout the 1990s and 2000s. De Leon made brief appearances in films and took on guest parts in television shows. Her breakthrough came in the crime drama Verdict (2019), for which she won a FAMAS Award for Best Supporting Actress. In 2021, she portrayed an aging sex worker in Lav Diaz's period drama History of Ha to positive reviews. She followed it with more assertive parts in Erik Matti's HBO television projects On the Job and Folklore.De Leon achieved international recognition and acclaim for starring as a toilet cleaner on a luxury yacht in Ruben Östlund's satirical black comedy Triangle of Sadness (2022), winning the Guldbagge Award and Los Angeles Film Critics Association Award for Best Supporting Performance. She received nominations for a Golden Globe Award and for a BAFTA Award for Best Supporting Actress, becoming the first Filipino to be nominated for the awards in any category. De Leon has since starred in the adult animated drama The Missing (2023)—for which she won a Cinemalaya Award for Best Supporting Actress—and the 2024 comedy dramas Between the Temples and Ghostlight. She is the co-founder of Ladies Who Launch, a social services group which supports disadvantaged communities.This recording reflects the Wikipedia text as of 00:58 UTC on Saturday, 12 April 2025.For the full current version of the article, see Dolly de Leon on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Ruth.

Er ist eine Ikone des Slow Cinema, dessen Name nicht nur Synonym für immersive Werke epischer Länge steht, sondern ebenso für einen unbeirrbaren polithistorischen Ethos und humanistisches Gewissen. Beide prägen auch das jüngste Werk, das Lav Díaz (When the Waves are Gone) in Venedig außer Konkurrenz vorstellt. Phantosmia, dessen Titel sich auf eine seltene Disposition olfaktorischer Halluzinationen bezieht, ist für den philippinischen Regisseur fast schon ein Kurzfilm mit seiner Laufzeit von knapp über vier Stunden. Ganz soviel Zeit hatte der prägende Autorenfilmer zwar nicht im Interview mit Lidanoir, aber das Gespräch über seine Abkehr von konformen Kinovorgaben und der Genesis generationsübergreifender Gewalt solltet ihr trotzdem nicht verpassen!

Oggi a Cult: dal Salone del Libro di Torino, Roberto Festa con due interviste a Eshkol Nevo e ad Antonio Franchini; Elio De Capitani ricorda Giovanna Marini; la retrospettiva su Lav Diaz al FESCAAAL 2024; la rubrica di lirica di Giovanni Chiodi...

https://notesonfilm1.com/2023/10/26/jose-arroyo-in-conversation-with-jan-jilek/ I participated in the Film Festival/ Summer Film School at Uherské Hradiště and was bowled over by the experience. Thousands of people streaming the streets of an extraordinarily pretty town in the Czech Republic – many of them very young – arriving from all parts of the country and abroad to see films, listen to lectures, participate in discussions. The town itself contributing all of its institutional resources to make it possible. Uherské Hradiště had turned over schools, gyms, and every available tent to the Festival/ Summer School so that young people can just roll out their sleeping bags and have a place to sleep. There are no searchlights, limousines or red carpets. But there is excellent programming, a pedagogic ethos, a party atmosphere, famous guests (Lav Diaz this year), and superb organisation that makes for a rich, varied and democratic experience. Everyone seemed eager to see and learn. These are some of the reasons why I wanted to talk to Jan Jílek, Programme Director of Film Festival/ Summer Film School, Uherské Hradiště. In the podcast we talk about the roots of the festival in the Film Club Movement and its continuing connection with the Association of Czech Film Clubs (AČFK); how the festival tries to build on its heritage while helping construct new audiences; the changing role but continued importance of introductions and programme notes; how distinguished guests are important but how the main focus is really on the audience; we discuss the infrastructure of programming (first blocks, then sections, then films); its connection to education (Lectures, Master-classes, Introductions, notes); there is also an industry stand; and we question what is the Festival/School's connection to a history/development of Czech cinema. Finally, the festival will be celebrating it's 50th anniversary so we discuss some of the highlights of previous years and what to look for next July/August when this extraordinary event celebrates its 50th anniversary.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Explore the multifaceted world of Lav Diaz as he engages in a candid dialogue with Fred Film Radio. Through this exclusive interview, Diaz uncovers the intricate layers of his creative process, illuminating societal challenges within the backdrop of his cinematic masterwork, "Essential Truths of the Lake." Join us on this [...] The post “Essential Truths of the Lake”, Interview with the director Lav Diaz appeared first on Fred Film Radio.

Prendendo spunto dalla presenza come ospite speciale alla 19a edizione del Lago Film Fest, parliamo della luce del cinema “innovatore e libero” del regista filippino Lav Diaz. Nella puntata, quindi, spieghiamo il programma dell'edizione 2023 e gli obiettivi futuri del festival di cinema indipendente Lago Film Fest, illustriamo il palmares del 76° Festival di Locarno e ricordiamo il grande William Friedkin.Qui l'indice della puntata:00:27 News: presentazione del programma editoriale di Linkinmovies.it alla Mostra del Cinema 2023.03:39 News: film premiati al 76° Festival di Locarno con una breve approfondimento sul regista vincitore, l'iraniano Ali Ahmadzadeh, e su una piacevole scoperta, il regista malese Nelson Yeo.07:43 News: ricordo di William Friedkin anche attraverso la lettura di alcune pagine del libro di Renato Venturelli, Cinema noir americano 1960-2000.12:21 News: analisi della 19a edizione del Lago Film Fest 2023 e presentazione e spiegazione del progetto collegato Revine Lago, Capitale europea del cinema indipendente 2024. 16:43 La Luce del Cinema di Lav Diaz. Film analizzati: Batang West Side, Evolution of Filipino family, Heremias, book one: the legend of the lizard princess, Melancholia, Florentina Hubaldo CTE, Norte, the end of history, From what is before, A lullaby to the sorrowful mystery, The woman who left, Season of the devil, Genus Pan, When the waves are gone, Essential truths of the lake. 40:33 Cosa è successo al regista iraniano Saeed Roustayi?

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Some highlights and stand-outs from this year's Sydney Film Festival with guests Nashen Moodley, Lav Diaz and Amiel Courtin Wilson.

Slow cinema aesthetics are becoming more popular in mainstream cinema, not only the art house or festival circuit. People are looking for ways to get away from the quick pace of modern life and our continual connectivity. Why not look for it in the stillness, in the static images of landscapes, in the experience of ordinary people living ordinary lives? Slow Cinema is a formal trend that has gradually gained popularity in modern cinema since its inception after the Second World War. Slow cinema is an art or experimental film model that portrays several distinct characteristics. Flanagan (2012) explained that slow cinema was characterized by the application of the long take, a tendency toward realist or hyperrealist representation, an undramatic narrative or non-narrative structure, stillness in composition, and visual content. Slowness in cinema has prompted the rise of questions that have gained critical and theoretical discussions over the past decade (De Luca, 2016). A review of the slow cinema style based on stillness, long durations, and silence makes it unsuitable for domestic film viewing. The fragmented and distracted modes of spectatorial interaction with miniaturized screens are only attainable in film theaters.  There are several films that have helped to popularize slow cinema and have promoted the idea of searching for meaning in the everyday in ordinary life, including but not limited to Jean-Luc Godard's "Contempt", Béla Tarr's "Sátántangó", Abbas Kiarostami's "Ten", Lav Diaz's "Fallen Angels", Michael Snow's "La Région Centrale", Apichatpong Weerasethakul's "Mit Klang", Chantal Akerman's "No Home Movie" and Abbas Kiarostami's "Like Someone In Love".  Ideally, slow cinema was primarily interested in how the passage of time can be felt within a film. The idea was to ensure duration became a filmic element, similar to editing or cinematography (Flanagan, 2012). To achieve the duration ideology, films leaned towards longer takes, minimal editing, and naturalistic performances, which made the films alienating and bizarre. The focus on time and duration involved, making films to be agonizingly slowly paced. For instance, the films would have 20-minute sequences during which a man walked while holding a candle. As the focus on time in Cinema intensified, there was minimal narrative and more time spent building tone in Poetics of Slow Cinema (Çaglayan, 2018). Sound design is also minimal, and the camera is seen to move but slowly. Previously, Cinema was established to be a narrative art form that slow Cinema has drastically changed. Slow Cinema is argued to test patience, hooking the viewer by making them wait, expecting a pay-off that sometimes never arrives. Talented slow cinema directors have greatly mastered the art of keeping their audience waiting for the entire length of their films. Slow cinema films have significantly gained popularity and are reported to leave a lasting impact on viewers immersed in a slowly moving world.  A slow film is one that does not move. This could include a lack of narrative, contemplative cinema, aesthetic sensibility, or philosophical insights. The length of a shot. Slow cinema is distinguished by the use of static shots, long duration shots, pans, tracking shots, and a narrative focus on the more mundane aspects of life. There is an emphasis oVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

The way to understand that machine all around the world through the eyes and history of Philippines.Lav Diaz – When waves are gone #Venezia79 was first posted on September 9, 2022 at 9:58 am.©2015 "Fred English Channel". Use of this feed is for personal non-commercial use only. If you are not reading this article in your feed reader, then the site is guilty of copyright infringement. Please contact me at radio@fred.fm

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

The way to understand that machine all around the world through the eyes and history of Philippines. The post Lav Diaz – When waves are gone #Venezia79 appeared first on Fred Film Radio.

Venice 2022: The Whale, The Eternal Daughter, Lav Diaz, Other People's Children with Guy Lodge Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The Venice Film Festival continues to roll out films that are sure to be the subject of discussion this fall, and this time, I talk with critic Guy Lodge of Variety about Darren Aronofsky's The Whale, starring Brendan Fraser; the new Joanna Hogg film, The Eternal Daughter, very much starring Tilda Swinton; Lav Diaz's When the Waves Are Gone; and Rebecca Zlotowski's Other People's Children. Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Every episode, there will be a theme that will navigate within the poem of the day. For this episode, we have Maria Victoria Beltran's "Ang Posas." Maria Victoria Beltran is an actress and writer, known for Ang Damgo ni Eleuteria (2010), Cartas de la Soledad (2011), and Daughters of the Three Tailed Banner (2016). She has been contributing to the development of the literary, visual art, and film communities in the Visayas and Mindanao region. Her library cafe, Kukuk's Nest is known for artists' hangout as well as a space of creative experiments. She was part of Lav Diaz's Mula Sa Kung Ano Ang Noon (2014), which won the grand prize at the World Premiere Film Festival in the Philippines, Locarno Film Festival in Switzerland, and Sao Paulo International Film Festival in Brazil. Her most recent work as an actress can be seen in Lakbayan by the National Film artist Kidlat Tahimik. I hope you will like this poem. Amping kanunay ug padayon ta mga Bisaya! COPYRIGHT DISCLAIMER: All the poems, music, and graphics used in the podcast belong to their respective owners. This channel does not claim any right over them. --- Send in a voice message: https://podcasters.spotify.com/pod/show/basabalakkanunay/message

Our conversation with Lav Diaz and the cast of Historya ni Ha continues! Notes: This is the second and final part of a 2 part episode, and the second in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

Lav Diaz's latest film, Historya ni Ha (History of Ha) premiered at QCinema last week. In this episode of Third World Cinema Club, Lav and the cast of the film talk with John and Raffy about the absolute state of the Philippines yesterday, today and tomorrow. Notes: This is part 1 of a 2 part episode, and the first in a five-episode feature about QCinema. This episode contains spoilers from Historya ni Ha. Guests: Lav Diaz (Director) Hazel Orencio (Matilde) Earl Ignacio (Ernesto) Teroy Guzman (Among Kuyang) Dolly de Leon (Dahlia)

It's a new episode of OLL OBOUT OVID!, where Witney and B talk all things Ovid.tv! However, this week opens with a discussion of an Ovid-adjacent film, namely GENUS, PAN (2020), Lav Diaz's newest feature which screened on projectr.tv! They follow this with their regular musings on their explorations of the arthouse streaming service, which this week highlight such works as master animation artist Kihachiro Kawamoto's final film THE BOOK OF THE DEAD (2005), as well as a 2014 collection of his early short films, and VAMPIRE CLAY, a Japanese exploitation horror flick. We hope you enjoy, and thank you for your time. NOTE: This episode contains spoilers for the ending of GENUS, PAN between 0:21:02 and 0:27:43. Y'all been warned.

Welcome back to OLL OBOUT OVID! (pronounced "All About Ah-vid"), the podcast series from B Peterson and Witney Seibold dedicated to the arthouse cinema available through the Ovid.tv streaming service! In Episode 2, Witney and B talk Lav Diaz's 338-minute meditative epic FROM WHAT IS BEFORE (2014), the visceral Palestinian war documentary from Mohamed Jabaly AMBULANCE (2016), the infamously explicit Italian romance DEVIL IN THE FLESH (1986) by Marco Bellocchio, and even more besides. We hope you enjoy, and thank you for your time. Here is a link to where you can watch Palestinian director Elia Suleiman's entire filmography for free through May 30th (Also, in case this episode's messaging is too vague, #FreePalestine): https://watch.eventive.org/arabfilmseries/play/607dd205cae17e0084781786 Twitter: https://twitter.com/ScreensMargins Patreon: https://www.patreon.com/ScreensMargins

قسمت پنجم از فصل دوم - معرفی لاو دیاز کارگردان مهم فیلیپین.پدر سینمای ایدئولوژیک فیلیپین یکی از اعضای مهم جنبش سینمای کند اقای لاو دیاز.پیگیری سینمای جدی یکی از مهترین اصول فهم سینماست.لطفا برای حمایت از تولیدات چنل یوتیوب را دنبال کنید.www.youtube.com/c/AlirezaBadieewww.instagram.com/alireza_badiee​

Open the Podcast Doors HAL!! This week, I invited an old pal, the brilliant Zack Gill to talk about literally anything he wanted. In this episode, we talk about our big beards, gathering during C*VID, our favorite long movies, the 5 hour Lav Diaz film he saw before lockdown, The Sopranos, our mutual love for Isabelle Huppert, my favorite Kunrick film, the 2001: A Space Odyssey reference in 13 Reasons Why that blew Zack's mind, who's really behind closed captioning, my friend from elementary school who did a sex scene with Lindsy Lohan, Bucca Di Beppo, and later Zack gives us advice about starting over and reinvention! Music: "Because I'm Me"- The Avalanches "Woke Up This Morning ( The Sopranos Theme)"- Alabama 3 "Ricki Don't Lose That Number"- Steely Dan "Space Oddity"- David Bowie “We're Going to Be Friends”- The White Stripes Pod Art by Maya Levy @fuego_taki_queen Link to be on the show: https://docs.google.com/forms/d/1eYXnCGyOeOgUXrJ7nvUqXV5ijGjSkdlKiWiK0Ez6L-Q/edit If you want to be on the show visit @yourbfedunn on Instagram and fill out the google form in the link.

We really can't think of any other way to express what we felt when Lav Diaz agreed to do an episode with us. Get ready to listen to some insightful discussion on how cinema breaks horizons and boundaries, in the words of Lav Diaz. Notable moments in this episode: we asked him some questions from Twitter, including his top 5 romcoms, and if he watches animé.

El 37 Foro Internacional de la Cineteca está a punto de iniciar en la Cineteca Nacional para después comenzar su gira por otras sedes y varias ciudades mexicanas. El cine más radical, a veces el más experimental, el documental, la animación, tienen cabida en esta propuesta de la Cineteca Nacional en la que veremos las propuestas más recientes de nombres como Jim Jarmusch, Everardo González, Philippe Grandrieux y Lav Diaz, así como películas de países tan ajenos a la cartelera mexicana como Bolivia, la República Checa o Chile. Un agasajo tanto para cinéfilos novatos como para los experimentados. Learn more about your ad choices. Visit megaphone.fm/adchoices

  0:00:00 - 0:19:22 - Once Were Warriors (1994), directed by Lee Tamahori, starring Rena Owen, Temura Morrison, Julian Arahanga, Mamaengaroa Kerr-Bell, Cliff Curtis, and Pete Smith Also discussed in this section: The Scorch Trials, Reservoir Dogs, Natural Born Killers, The Edge, Die Another Day, Morgan Freeman, Ashley Judd, Sunshine, Training Day, Collateral Damage, Dark Horse, Hawaii, Blake Edwards, 50 First Dates, Mad Max, Flashpoint, Magnum PI, Molochai, Princess Kaiulani, Blue Crush, Drunk History, Forgetting Sarah Marshall, The Descendants, Aloha, North Shore, Rob Schneider, Fisher Stevens, and Aziz Ansari.  0:19:23 - 0:30:15 - Boy (2010), directed by Taika Waititi, starring James Rolleston, Taika Waititi, Te Aho Aho Eketone-Whitu, Rachel House, and Moerangi Tihore. What We Do In the Shadows (2014), directed by Taika Waititi & Jemaine Clement, starring Waititi, Clement, Jonathan Brugh, Ben Fransham, Jackie Van Beek, Cori Gonzalez-Macauer, Stu Rutherford, and Rhys Darby.  Also discussed in this section: 400 Blows, Wes Anderson, Stone, Jean-Luc Godard, Green Lantern, Thor 3, E.T., Michael Jackson, Boogie Nights, Akira, Spike Lee, Jim Jarmusch, Eagle Vs. Shark, The Office, Flight of the Conchords, Mighty Boosh, Snowtown, and Dead Man's Shoes. 0:30:16 - 0:32:30 - Whale Rider (2002), directed by Nikki Caro, starring Keisha Castle-Hughes, Rawiri Paratene, Vicky Hauton, Cliff Curtis, Grant Roa, and Rachel House.  Also discussed in this section: Unstoppable. 0:32:31 - 0:46:07 - The Dead Lands (2014), directed by Toa Fraser, starring James Rolleston, Lawrence Makoare, Rena Owen, Te Kohe Tuhaka, Xaivier Horan, and George Henare. Also discussed in this section: Ringo Lam, Gareth Evans, Last Samurai, Conan the Barbarian, Lord of the Rings, Apocalypto, Akira Kurosawa, Cormac McCarthy, Collateral, Fury Road, Chaac the Rain God, The Other Quest, Utu, Jason Statham, Sukiyaki Western Django, and Johnnie To.  0:46:08 - 1:00:30 - The Orator (2011), directed by Tusi Tamasese, starring Fa'afiaula Sagote, Tausil Pushparaj, Salamasina Matala, and Ioata Tanielu. Also discussed in this section: The Hole, Apichatpong Weerasethakul, Noami Kawase, Mourning Forest, and Lav Diaz.  1:00:31 - 1:15:45 - Picture Bride (1995), directed by Kato Hatta, starring Youki Kudoh, Cary Hiroyuki-Tagawa, Tamlyn Tomita, Akira Takayama, Toshiro Mifune, and Jason Scott Lee. Also discussed in this section: Dario Argento, Cat O'Nine Tails, Fury Road, Once Upon A Time in the West, Django Unchained, Morgan Freeman, Edward James Olmos,  1:15:45 - 1:30:33 - Hunger Games Mockingjay part 2 (2015), directed by Francis Lawrence, starring Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Julienne Moore, Donald Sutherland, Phillip Seymour Hoffman, Sam Clafin, Jena Malone, Natalie Dormer, Jeffrey Wright, Stanley Tucci, and Gwendoline Christie.  A Nightmare on Elm Street (1984), directed by Wes Craven, starring Heather Lagenkamp, John Saxon, Robert Englund, Johnny Depp, Ronnee Blakely, Amanda Wyss, Nick Corri, and Charles Fleischer.  Also discussed in this section: Harry Potter, the X-Men, Orphan, Battle Royale, Alfonso Cuaron, Die Hard, Limp Bizkit, xXx, Fast & the Furious, George Orwell, Steven Soderbergh, David O. Russell, Man of Steel, and the Dark Knight trilogy.  Next Week: Spectre. Our outro music this week: "Getting Nowhere in a Hurry" by Roy Budd from Get Carter. And our intro, as always, is from Escape From New York. You can download episodes directly from itunes and rss. For a quick look at who has been on the show before and what movies have been discussed in each episode, look at our one-page episode guide. This is a Patreon-supported podcast, subscribing to the show can give you access to monthly criticism from Sean, Tucker, and Morgan.  You can follow the show on twitter, tumblr, and facebook. If you like this show, please check out Tucker's other podcast Comic Books Are Burning In Hell (also located at TFO and here), TFO's music podcast Beat Connection with Marty Brown and Nate Patrin (at TFO and here), and Katie Skelly & Sarah Horrock's Trash Twins (located here and here), which Sean edits. HOT DAMN SCORCH TRIALS