Podcasts about fabelmans

Just when you thought it was safe to go back in the water, it's time for another nautical That Was Then. Celebrating its 50th anniversary this year is none other than Steven Spielberg's Jaws, a landmark moment in American film that permanently changed the shape of the industry, for better or for worse. It can be tough to view such a classic as a piece of craft unto its own, but Paul, Arlo, and super-duper special guest Eric Sipple do their best. The gang recounts the film's storied production, examines a young Spielberg's filmmaking technique, discusses Jaws' place in the Spielberg canon (particularly in light of The Fabelmans), and much more.   NEXT: That Was Then…this is sow. Paul, Arlo, and Eric head on down to the farm for a look at Chris Noonan's 1995 Best Picture nominee Babe.     BREAKDOWN 00:00:43  -  Intro / Banter 00:19:02  -  That Was Then: 1975 00:32:00  -  Jaws 01:55:00  -  Outro / Next   MUSIC “Jaws (Main Title)” by John Williams, Jaws (1975) “Nightswimming” by R.E.M., Automatic For The People (1992)   GOBBLEDYCARES National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/  Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate Support the AAPI Civic Engagement Fund: https://aapifund.org/ Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/ The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org Trans Lifeline: https://translifeline.org/  National Center for Transgender Equality: transequality.org Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/  Help teachers and classrooms in need: https://www.donorschoose.org/ Do your part to remove the burden of medical debt for individuals, families, and veterans: https://www.unduemedicaldebt.org/  Register to vote: https://vote.gov/  

Il a réalisé 33 films, il a inventé le blockbuster estival, c'est le réalisateur le plus titré de tous les temps, celui qui a ramené le plus de dollars au box-office, sa valeur nette est estimée à 4 milliards de dollars et il est considéré comme la figure la plus influente des 50 dernières années d'Hollywood. Il est aussi dyslexique et a repris ses études de cinéma a 50 ans… C'est… Steven Spielberg bien sûr ! En même temps c'était marqué dans le titre de l'épisode sur lequel vous avez cliqué. A l'occasion de la sortie en salle le 22 février 2023 de son nouveau film, The Fabelmans, une semi-autobiographie sur son adolescence et ses premières années en tant que réalisateur, on s'est dit que c'était le bon moment pour vous partager quelques anecdotes sur cet artiste unique. Comment tout a commencé pour Steven ? Parmi tous ces faits d'armes, quel est le plus impressionnant ? Et qu'en est-il des Oscars qu'il a reçus ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. A écouter aussi : ⁠Quels sont les 3 conseils pour développer sa créativité ?⁠ ⁠Comment l'émission Loft Story a-t-elle révolutionné la télévision française ?⁠ ⁠Pourquoi Van Gogh s'est-il coupé l'oreille ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Première diffusion le 23/02/2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!Welcome back to Bad Dads Film Review! In this episode, we're diving into a trio of "the"-titled features, starting with our Top 5 Definite Articles in film and TV, followed by a look at Steven Spielberg's semi-autobiographical drama The Fabelmans, and rounding off with the delightful antics of The Smurfs.Top 5 Definite Articles in Film and TV:The Godfather (1972) - A cinematic masterpiece that redefined the crime genre and gave us one of the most iconic characters in film history, Don Vito Corleone.The Dark Knight (2008) - Christopher Nolan's gritty take on Gotham's hero brought depth, realism, and a legendary performance from Heath Ledger as the Joker.The Office (2005-2013) - A sitcom that revolutionized mockumentary-style comedy and introduced the world to Michael Scott's awkward brilliance.The Thing (1982) - John Carpenter's chilling horror-thriller remains a benchmark for practical effects and paranoia-driven storytelling.The Matrix (1999) - A sci-fi classic that questioned reality and revolutionized action choreography with its "bullet time" visuals.Main Feature: The Fabelmans (2022) Directed by Steven Spielberg, The Fabelmans is a semi-autobiographical film that reflects on the legendary filmmaker's own life, capturing the wonder, complexity, and challenges of growing up in a family where art and reality often intersect. Gabriel LaBelle stars as Sammy Fabelman, a young boy enchanted by the power of cinema, with Michelle Williams and Paul Dano portraying his loving but imperfect parents.Set in the 1950s and 60s, the film chronicles Sammy's discovery of filmmaking and his growing passion amidst family tensions and personal dilemmas. Spielberg crafts a deeply personal story that explores how art can be an escape, a confrontation, and a way of understanding the world. With a blend of nostalgia and emotional depth, The Fabelmans showcases the director's love for the medium while delving into the challenges of family life. It's a celebration of creativity, dreamers, and the power of storytelling.The Smurfs For the little ones (and the young at heart), The Smurfs bring a mix of charm, humour, and life lessons. Originally created by Belgian cartoonist Peyo, the tiny blue characters have enchanted audiences for generations. The 1980s animated series and subsequent films follow Papa Smurf, Smurfette, Brainy, and their fellow Smurfs as they navigate the magical forest, often thwarting the evil plans of the bumbling wizard Gargamel and his cat Azrael.These pint-sized adventurers deliver plenty of laughs, but the stories often come with underlying messages about cooperation, kindness, and problem-solving. Whether through the classic cartoon or recent movies, The Smurfs remain a colorful and fun escape.This episode dives deep into the importance of the small things—whether it's a single word that gives a title its iconic flair, a passion for filmmaking that shapes a life, or little blue creatures teaching big lessons. Stay tuned for a blend of reflection, nostalgia, andWe love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Patrick and Rob may be through with the past, but the past ain't through with Patrick and Rob. Download this episode here.Listen to F This Movie! on Apple Podcasts.Also discussed this episode: Star Trek: Section 31 (2025), Kraven the Hunter (2025), Holland (2025), Den of Thieves 2: Pantera (2025), The Fabelmans (2022), Black Bag (2025),  The Rule of Jenny Pen (2025)

Brookes has stories from class, and both hosts weigh in on an unsettling "would you rather"...-Join our Discord community, subscribe to our Twitch channel, follow us on social media, and more!"AITA for declining to “fix” the errors I made in a blanket I crocheted for someone and taking it back instead?" - Reddit David Lynch Requested A Bag Of Cheetos To Appear In Steven Spielberg's ‘The Fabelmans': “Any Chance I Can, I Get Them” - Deadline-Fighting With Friends is a member of the Big Dumb Monsters Podcast Network. Get bonus content and early access to new episodes on PatreonSupport this show http://supporter.acast.com/fighting-with-friends-1. Hosted on Acast. See acast.com/privacy for more information.

George Thomas and Craig Shoup dive into their Oscar predictions, sharing insights and hot takes on this year's most talked-about films. With the awards season in full swing, they discuss the excitement surrounding the nominations— even though George admits he hasn't seen all the films yet!

Välkommen till AVK: Filmhyllan. En podcast om blurayberoende med Robin "Guiseppe" Goode Englund och Alexander Wahlgren.Tärningen är kastad och i det tionde avsnittet pratar Alex och Robin om Twin Peaks - Fire Walk With Me.Robin ska flytta, Alex är hemsökt av en apa och David Bowie kommer inte att prata om Judy. Faktum är att han inte kommer att prata om Judy alls.Det pratas även om elektricitet, Ray Wise, änglar, mjölk, majs, böckerna, den blåa rosen, Mark Frost, David Finch, Peter Griffin, snurrande fläktar, Roman Polanski, smärta och lidande, änglar, Mulholland Drive, hertznivåer, The Fabelmans, Michael Bays geniskap, Coopers roll, Paul-bröderna, medskyldighet och att sluta röka.Är den här filmen ansvarslös? Vem är drömmaren? Är David Lynch Gud?Detta och mycket, mycket, mycket, mycket, mycket, mycket mer i veckans fullsmockade avsnitt av AVK: FilmhyllanFölj oss gärna på Instagram, Twitter och Facebook.Vill du påverka vilka filmer vi pratar om i podden? Bli då patreon och få rösträtt i filmutvalet samt massvis av kul extramaterial!Patreon.com/avkfilmhyllanInstagram.com/audiovideoklubbenFacebook.com/audiovideoklubbenTwitter.com/audiovideoklubb Hosted on Acast. See acast.com/privacy for more information.

This week on And the Runner-Up Is, Kevin welcomes back his partner Sebastian Gronback to discuss the 2022 Oscar race for Best Actress, where Michelle Yeoh won for her performance in "Everything Everywhere All at Once," beating Cate Blanchett in "Tár," Ana de Armas in "Blonde," Andrea Riseborough in "To Leslie," and Michelle Williams in "The Fabelmans." We discuss all of these nominated performances and determine who we think was the runner-up to Yeoh. 0:00 - 11:35 - Introduction 11:36 - 39:44 - Cate Blanchett 39:45 - 1:03:01 - Ana de Armas 1:03:02 - 1:23:19 - Andrea Riseborough 1:23:20 - 1:47:23 - Michelle Williams 1:47:24 - 2:16:44 - Michelle Yeoh 2:16:45 - 3:16:13 - Why Michelle Yeoh won / listener questions 3:16:14 - 3:19:55 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow And the Runner-Up Is on Twitter, Instagram, and Bluesky Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

This week, we can't help but fall victim to la bella luna as Feb2ary Is For Lovers continues with a classic rom-com about how it's impossible not to cheat if you're Italian. It's 1987's Moonstruck, directed by Norman Jewison, written by John Patrick Shanley, and starring Cher, Nicolas Cage, Vincent Gardenia, Olympia Dukakis, Danny Aiello, Julie Bovasso and John Mahoney. The story of a young woman who accidentally falls in love with her fiancé's brother, the movie exudes charm at every turn -- so much so that this little rom-com took home three Oscars in '88, for Cher and Dukakis's performances as well as Original Screenplay for Shanley's script that is funny without being rife with straight-up jokes. There are rich characters here, beset by curses and fatal strains of bad luck, who get laughs not by mugging or ripping one-line zingers but by believing in the seriousness of their tragedies so completely. This is character-driven comedy of the highest order, grounded by the Canadian coziness that Jewison can't help but leave all over the film. Plus: J Mo's got theatrical field reports on both Sonic The Hedgehog 3 and Companion. If you'd like to watch the film before listening along to our discussion, it is one of the more widely available films we have ever covered as Moonstruck is currently streaming in Canada on Amazon Prime, Crave, Starz, Criterion Channel, Tubi and Hoopla at the time of publication. Other works discussed in this episode include Abigail, The Sixth Sense, The Usual Suspects, Identity, Trap, Fargo, The Wedding Singer, Mission: Impossible - Dead Reckoning: Part One, Mission: Impossible - Fallout, Ocean's Eleven, L.A. Story, Paint, Napoleon Dynamite, ChiefsAholic: A Wolf in Chiefs Clothing, A.I.: Artificial Intelligence, The Fabelmans, Close Encounters of the Third Kind, Bicentennial Man, Bottoms and Punch-Drunk Love. Love Month continues next week with another VHS plucked from Hayley's collection as we'll be discussing 1996's Jerry Maguire with Tom Cruise and Renee Zellweger, and will do our best not to get side-tracked discussing the Mission: Impossible franchise but can't promise we won't. Jerry Maguire is currently streaming north of the border on Crave, Starz and for free (with ads) on the CTV app. And of course we're closing out February with a rom-com canon selection, 10 Things I Hate About You. Until then, we'll see you at the movies!!

C'est notre dernière bucket list de saison, et on finit par l'hiver, saison riche en gourmandise et en magie ! Entre Noël, la chandeleur, la galette et j'en passe, il y a de quoi ravir les estomacs et émerveiller les yeux. Nous suivre

A creator that hates his own collaborators. A jew who makes movies praising jew haters.

Groundbreaking director David Lynch passed away recently, so today Asif and Ali review his career (4:17). They review his classic movies and television shows including Eraserhead, The Elephant Man, Dune, Blue Velvet, Twin Peaks, Wild at Heart, Lost Highway, Mulholland Drive, and Twin Peaks: the Return. They discuss his legacy as well as the tributes that poured in after his death. They discuss his battle with emphysema and in the second half, Ali asks Asif about this disease (39:37). Asif talks about what emphysema is, how common it is and the main symptoms. He then discusses how it is diagnosed and the utility of pulmonary function tests. He then goes over the treatment and prognosis.    The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions.   Music courtesy of Wataboi and 8er41 from Pixabay   Contact us at doctorvcomedian@gmail.com   Follow us on Social media: Twitter: @doctorvcomedian Instagram: doctorvcomedian   Show Notes: Why a unionized warehouse in Quebec posed a threat to Amazon: https://www.cbc.ca/news/canada/montreal/unionized-amazon-warehouse-quebec-concern-1.7441043 Amazon Unleashed Flood of Water on Striking Workers, Say Teamsters: https://inthesetimes.com/article/amazon-flooded-striking-workers-say-teamsters Union: https://www.unionthefilm.com/ David Lynch, Auteur Drawn to the Dark and the Dreamlike, Dies at 78: https://www.hollywoodreporter.com/movies/movie-news/david-lynch-blue-velvet-mulholland-drive-1236110711/ David Lynch, Visionary Director of ‘Twin Peaks' and ‘Blue Velvet,' Dies at 78: https://variety.com/2025/film/news/david-lynch-dead-director-blue-velvet-twin-peaks-1236276106/ How David Lynch Became and Icon of Cinema: https://www.newyorker.com/culture/the-front-row/how-david-lynch-became-an-icon-of-cinema Mulholland Drive: https://www.rogerebert.com/reviews/mulholland-drive-2001 The world's 40 best directors: https://www.theguardian.com/film/features/page/0,11456,1082823,00.html Kyle MacLachlan: How David Lynch Invented Me:https://www.nytimes.com/2025/01/19/opinion/kyle-maclachlan-david-lynch.html Steven Spielberg Honors David Lynch as Hollywood Mourns a Film Icon: ‘The World Is Going to Miss Such an Original and Unique Voice': https://web.archive.org/web/20250116221206/https://variety.com/2025/film/news/david-lynch-remembered-steven-spielberg-1236276104/ The Fabelmans 2022 Final Scene: https://www.youtube.com/watch?v=l4BAY9ERJow David Lynch Started Smoking at Age 8 — Now He Needs Oxygen to Walk: 'It's a Big Price to Pay': https://people.com/david-lynch-smoking-at-age-8-now-he-needs-oxygen-copd-exclusive-8743594 Emphysema: https://www.ncbi.nlm.nih.gov/books/NBK482217/ FEV1 and COPD: How to Interpret Your Results: https://www.healthline.com/health/fev1-copd

Mark's work for director Paul Thomas Anderson includes: Boogie Nights, Magnolia, Punch Drunk Love, There Will Be Blood, The Master, and Phantom Thread, for which he won an Academy Award. Mark had also won an Oscar for his work on the The Artist.  Mark's more recent work includes: Joker, The Fabelmans, Maestro, and the upcoming The Lost Bus for Paul Greengrass.

This week, we're saddling up and getting back to our old ways, shootin' some fellas who may or may not deserve it, but deserves ain't got nothin' to do with it either way. It's 1992's Unforgiven, directed by Clint Eastwood and starring Eastwood, Gene Hackman, Morgan Freeman, Richard Harris, Jaimz Woolvett, Saul Rubinek, Frances Fisher, Anna Thomson and a blink-and-you'll-miss-him Lachlyn Munro. A revisionist western primarily concerned with upending the myth of the great American frontier that its director and star built his career off of, it is a dark, bleak and dreadful film that took home Oscar gold for Best Picture, Best Director and Best Supporting Actor (Hackman) -- just the third time in the Awards' history that a Western had taken the top prize. Plus: we're both deep in our respective music bags this week, hyperfixating on tunes from Willow Avalon and Bruce Cockburn. If you'd like to watch the film before listening along to our conversation, Unforgiven is currently streaming in Canada on and in the United States on Max at the time of publication. You can also find the show now on both BlueSky and Instagram, @adhddvdpod. Other works discussed on this week's episode include The X-Files, The Idea of You, Tenet, Canadian Bacon, Wallace & Gromit: Vengeance Most Fowl, Superbad, Oppenheimer, Mission: Impossible 2, GoldenEye, Mission: Impossible 3, Alias, Mission: Impossible - Ghost Protocol, The Incredibles, Tomorrowland, Spider-Man: Across The Spider-Verse, Rye Lane, Baby Driver, Jaws, The Fabelmans, No Country For Old Men, Million Dollar Baby, Mystic River, Juror #2, Heat, Tombstone and High Plains Drifter. We'll be back next week to wrap up the month by roping a few of our January features' top stars as George Clooney and Bernie Mac unite next week for 2001's Ocean's Eleven, directed by Steven Soderbergh -- one of the most rewatchable films ever made, as we can't wait to revisit it yet again as it gets welcomed into the ADHD-DVD podcast canon. Ocean's 11 is now streaming on Starz at the time this episode was released. Until then, we'll see you at the movies!!

David Fincher's characters are doomed to the gloom of their unrelenting circumstances, but the power of his films don't rest merely in the lighting or cinematography or brutality, but in impactful ideas. In Se7en (1995) and Fight Club (1999) he presents people desperate to believe - in the good of humanity, in a sense of purpose, in being better than the dark sides of our nature allow.The Deep Question: Steven Spielberg comes to your house for tea and a viewing of The Terminal, during which he convinces you to make a Fabelmans-like movie of your life. Who do you get to play your parents?This Week's Features:Fight Club (1999)Se7en (1995)Message Jason and Ryan

pWotD Episode 2816: David Lynch Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,222,558 views on Thursday, 16 January 2025 our article of the day is David Lynch.David Keith Lynch (January 20, 1946 – January 15, 2025) was an American filmmaker, visual artist, musician, and actor. He received critical acclaim for his films, which are often distinguished by their surrealist, dreamlike qualities. In a career spanning more than fifty years, he was awarded with numerous accolades, including the Golden Lion for Lifetime Achievement at the Venice Film Festival in 2006 and an Honorary Academy Award in 2019. Described as a "visionary", Lynch was considered one of the most important filmmakers of his era.Lynch studied painting before he began making short films in the late 1960s. His first feature-length film was the independent surrealist film Eraserhead (1977), which saw success as a midnight movie. He was nominated for the Academy Award for Best Director for the biographical drama The Elephant Man (1980), the neo-noir thriller Blue Velvet (1986), and the surrealist mystery Mulholland Drive (2001). His romantic crime drama Wild at Heart (1990) won the Palme d'Or at the Cannes Film Festival. He also directed the space opera adaptation Dune (1984), the surrealist neo-noir Lost Highway (1997), the biographical drama The Straight Story (1999), and the experimental film Inland Empire (2006). Lynch and Mark Frost created the ABC series Twin Peaks (1990–91), for which he was nominated for five Primetime Emmy Awards, including Outstanding Directing for a Drama Series and Outstanding Writing for a Drama Series. Lynch co-wrote and directed its film prequel, Twin Peaks: Fire Walk with Me (1992), and its revival series Twin Peaks: The Return (2017). He also portrayed FBI agent Gordon Cole in Twin Peaks and John Ford in Steven Spielberg's The Fabelmans (2022), and guest starred in shows such as The Cleveland Show (2010–13) and Louie (2012).Lynch also worked as a musician, encompassing the studio albums BlueBOB (2001), Crazy Clown Time (2011), and The Big Dream (2013), as well as painting and photography. He wrote the books Images (1994), Catching the Big Fish (2006), and Room to Dream (2018). He directed several music videos, for artists such as X Japan, Moby, Interpol, Nine Inch Nails, and Donovan, and commercials for Dior, YSL, Gucci, and the NYC Department of Sanitation. A practitioner of Transcendental Meditation (TM), he founded the David Lynch Foundation.This recording reflects the Wikipedia text as of 03:26 UTC on Friday, 17 January 2025.For the full current version of the article, see David Lynch on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Danielle.

This week we begin our Movies About Movies Festival with Steven Spielberg's autobiographical film The Fabelman's, an honest retelling of his childhood and how he fell in love with movies. A perfect opening film for this show. Enjoy the conversation!  

Face au drame "The Fabelmans" sur France 2, à la série "Les enquêtes du commissaire Van Der Valk" sur France 3 et au magazine économique "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film d'action "La chute de Londres".

Face au drame "The Fabelmans" sur France 2, à la série "Les enquêtes du commissaire Van Der Valk" sur France 3 et au magazine économique "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film d'action "La chute de Londres".

Face au drame "The Fabelmans" sur France 2, à la série "Les enquêtes du commissaire Van Der Valk" sur France 3 et au magazine économique "Capital" sur M6, c'est TF1 qui se hisse en tête des audiences de ce dimanche soir grâce au film d'action "La chute de Londres".

Welcome to the first episode of our summer series of chats where Andrew catches up with filmmakers and creatives who are behind some of the years best films. From Saturday Night, to Lee, to We Live in Time, and Australia's own Memoir of a Snail, we've got some great film discussions to keep you going over this festive break.First off the rank is a chat with two of the creatives behind Saturday Night, the comedy retelling of the first night of Saturday Night Live. In it, we follow a young Lorne Michaels, played by Golden Globe nominee Gabrielle LaBelle, who attempts to wrangle an unwieldly and chaotic cast of comedians from Chevy Chase (Cory Michael Smith), to Gilda Radner (Ella Hunt), to George Carlin (Matthew Rhys), to Jim Belushi (Matt Wood), and Rosie Shuster (Rachel Sennott), plus many more. What eventuates is a slightly manic, utterly frenetic, yet extremely captivating almost real time night of comedy and chaos leading up to that iconic opening sentence 'Live from New York...' In the following chats, I talk with Gabriel LaBelle about how he came to work on Saturday Night, how he has become an almost surrogate historian of American pop culture with his work on The Fabelmans and now Saturday Night, and how he managed to maintain a level of comedy on screen. After my chat with Gabriel, I talk with writer-director Jason Reitman about bringing this all together. I kick off the conversation by confessing how much of a die-hard Young Adult fan I am, alongside the value of physical media, before we flow into talking about creating an energetic vibe on set with a live score by Jon Batiste, plus much more. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the first episode of our summer series of chats where Andrew catches up with filmmakers and creatives who are behind some of the years best films. From Saturday Night, to Lee, to We Live in Time, and Australia's own Memoir of a Snail, we've got some great film discussions to keep you going over this festive break.First off the rank is a chat with two of the creatives behind Saturday Night, the comedy retelling of the first night of Saturday Night Live. In it, we follow a young Lorne Michaels, played by Golden Globe nominee Gabrielle LaBelle, who attempts to wrangle an unwieldly and chaotic cast of comedians from Chevy Chase (Cory Michael Smith), to Gilda Radner (Ella Hunt), to George Carlin (Matthew Rhys), to Jim Belushi (Matt Wood), and Rosie Shuster (Rachel Sennott), plus many more. What eventuates is a slightly manic, utterly frenetic, yet extremely captivating almost real time night of comedy and chaos leading up to that iconic opening sentence 'Live from New York...' In the following chats, I talk with Gabriel LaBelle about how he came to work on Saturday Night, how he has become an almost surrogate historian of American pop culture with his work on The Fabelmans and now Saturday Night, and how he managed to maintain a level of comedy on screen. After my chat with Gabriel, I talk with writer-director Jason Reitman about bringing this all together. I kick off the conversation by confessing how much of a die-hard Young Adult fan I am, alongside the value of physical media, before we flow into talking about creating an energetic vibe on set with a live score by Jon Batiste, plus much more. Hosted on Acast. See acast.com/privacy for more information.

This week, we're fixin' to do somethin' dumber than hell but we're gonna do it anyway, as we close out No-Theme-ber by circling back to the coin-flip best movie of 2007, a gravely serious and barbed-wire-taut neo-western crime thriller that the Coens still manage to sneak an enormous amount of low-key goofy comedy into. It's 2007's No Country For Old Men, written and directed by Joel and Ethan Coen, based on the book by Cormac McCarthy, and starring Josh Brolin, Javier Bardem, Tommy Lee Jones, Woody Harrelson, Kelly Macdonald, Garrett Dillahunt, Tess Harper, Barry Corbin, Beth Grant and Stephen Root. It's Hayley's nomination for November's canon consideration as we use the last Friday of the month to induct another classic into the pod pantheon. Plus: J Mo's trip to Gladiator II has us recounting memorable bad audience behavior from our years of going to the theater. If you'd like to watch this week's movie before listening to our discussion, No Country For Old Men is now streaming on both Amazon Prime and Netflix in Canada at the time of publication. Other works referenced in this episode include Wicked, The Stand (1994), The Stand (2020), Station Eleven, Bridesmaids, Ghostbusters: Answer The Call, Super 8, Star Trek Into Darkness, The Fabelmans, The Holdovers, Transformers One, Jack Reacher, Robin Hood (2010), Abigail, Maximum Overdrive, Terminator 2: Judgment Day, Mad Max: Fury Road, Furiosa: A Mad Max Saga, The Blues Brothers, The Big Lebowski, Grindhouse, There Will Be Blood, Inherent Vice, W. and Deadpool 2 among countless others. We'll be back next week to kick off another theme month as the last month of 2024 sees the return of A DePalmber to ReMalmber! That's right, we're going back to the well for DePalmber: Part De, which begins next Friday with The Untouchables, and continues with Body Double and our December canon entry, Blow Out. (We'll take a quick break from DePalma to celebrate Shaqmas with Shaquille O'Neal in Blue Chips.) Until then, we'll see you at the movies!!

Get ready for the rise of Chloe East. She headlined 2016's Jessica Darling's It List, appeared in a number of episodes of Liv and Maddie, and was a series regular on both Kevin (Probably) Saves the World and the 2021 HBO Max series Generation, but the one-two punch of The Fabelmans and Heretic in the feature film realm will undoubtedly put East on the map in a wholly different way. In fact, it already has. She's got a number of highly anticipated projects on the horizon including Liz Feldman's new Netflix series No Good Deed, Kogonada's A Big Bold Beautiful Journey, and At the Sea starring Amy Adams.East was a scene-stealer in Steven Spielberg's Academy Award nominated feature playing Monica, Sammy's devoutly Christian (Gabriel LaBelle) girlfriend. However, it's Heretic that proves she's a true powerhouse in a leading role. She headlines alongside Sophie Thatcher as Sister Paxton and Sister Barnes, respective. They're two young missionaries making the rounds in suburban Colorado telling the locals about the Church of Jesus Christ of Latter-day Saints. Eventually, they knock on Hugh Grant's Mr. Reed's door. Little do they know, he's ready for them, and he's determined upend their beliefs in the church.With Heretic now playing in theaters nationwide, East joined me for a Collider Ladies Night chat to revisit her earliest inspirations, general love and knowledge of cinema, what it's been like finding her voice in Hollywood thus far, and pinpointing the pitch-perfect tone for her character in Heretic. Hosted on Acast. See acast.com/privacy for more information.

Steven Spielberg is the most successful director of his generation and the highest-grossing director of all time: his films have taken more than $10 billion worldwide. From Jaws to E.T. and Jurassic Park to Schindler's List, his storytelling has captivated audiences around the world.Steven grew up in Phoenix, Arizona, where he started making films as a young boy. In 1958 he made a short Western which won him a Boy Scout merit badge. He screened it to his entire Scout troop and their laughter and applause got him hooked on film making.In 1971 he directed a television movie called Duel about a motorist who is pursued by a murderous truck driver. The film attracted good reviews from critics, and before the age of 30, Steven had directed his first global hit: Jaws grossed $471 million worldwide and is credited as heralding the arrival of the blockbuster era. He now says Jaws was ‘a free pass into my future.'He has won three Academy Awards, and has received eight nominations for best director. The Fabelmans, his most recent film, is a semi-fictionalised account of his own coming of age, drawing on his film-making experiences as a child.Steven is married to the actor Kate Capshaw, who starred in his film Indiana Jones and the Temple of Doom, and they have seven children.DISC ONE: The Man Who Shot Liberty Valance by Gene Pitney DISC TWO: Fugue in G minor, BMW 578 – “The Little” arranged by Leopold Stokowski, composed by J.S Bach, performed by Philadelphia Orchestra and conducted by Yannick Nezet-Seguin DISC THREE: Michelle by The Beatles DISC FOUR: What the World Needs Now Is Love by Jackie DeShannon DISC FIVE: Come Fly with Me by Frank Sinatra DISC SIX: The Ghost of Tom Joad by Bruce Springsteen DISC SEVEN: Somewhere, composed by Leonard Bernstein and Stephen Sondheim, performed by Reri Grist DISC EIGHT: Coolhand by Buzzy LeeBOOK CHOICE: The Grapes of Wrath by John Steinbeck LUXURY ITEM: H-8 Bolex camera CASTAWAY'S FAVOURITE: Coolhand by Buzzy LeePresenter Lauren Laverne Producer Paula McGinley

The Fabelmans (2022)! Russell McFarlane of People Who Are Good at What They Do Being Good at What They Do (available on Apple Podcasts and Spotify) joins us for a sporadic trip down Steven Spielberg's personal memory lane. As is customary on Russells show, we get a little bit lost in the sauce talking about life. Join us as Mr. Speilberg's existential journey turns into an intrepid voyage of our own!

In this week's episode of Kermode On Film you can hear the second half of the MK3D show recorded on 5th December 2022 —the 75th MK3D show live at the BFI Southbank.Mark is joined by screenwriter Tony Kushner to talk about his collaboration with Steven Spielberg on The Fabelmans. Tony reflects on the deeply personal nature of the film and the process of working with Spielberg to bring this autobiographical story to life. And he talks about his guilty pleasure – it's a true Hollywood Classic!Actress Aimee Lou Wood and producer Stephen Woolley talk to Mark about their film Living, in which Aimee stars. Stephen shares how this remake of Akira Kurosawa's Ikiru came to fruition, and Aimee discusses working with the brilliant Bill Nighy.You can hear the first half of this MK3D show on last week's Kermode On Film.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends. And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#markkermode #kermodeonfilm #MK3D #BFI #TonyKushner #StevenSpielberg #TheFabelmans #RobertAldrich #BetteDavis #JoanCrawford #WhateverHappenedToBabyJane #AimeeLouWood #StephenWoolley #BillNighy #Living #AkiraKurosawa #Ikuru #TheirFinest #OliverHermanus Hosted on Acast. See acast.com/privacy for more information.

This week's episode of Kermode On Film takes us to Christmas 2022, and a special milestone —the 75th MK3D show, recorded live at the BFI Southbank on Monday 5 December 2022You can hear the first half of that MK3D show on this podcast.Mark welcomes a great lineup of guests, starting with director Hassan Nazer, who talks about his award-winning, aptly named film Winners. Hassan also shares stories of his Iranian heritage, the films that influenced him, and his journey to becoming a filmmaker in the UK.Next, Mark talks to Mark Jenkin and Mary Woodvine about their Cornish folk horror Enys Men, and about the BFI season that Mark Jenkin curated: “The Cinematic DNA of Enys Men”.And finally, Mark is joined by Oscar-winning director Edward Berger, to discuss his powerful remake of All Quiet on the Western Front. Edward talks about what drew him to retelling this classic, about his connection to the original novel, and the challenges of depicting visceral scenes on screen.In next week's episode, you'll hear the next half of the show, featuring screenwriter Tony Kushner, who talks about his collaboration with Steven Spielberg on The Fabelmans, and Aimee Lou Wood and Stephen Woolley who talk about Living, the remake of Akira Kurosawa's Ikiru.If you've enjoyed this podcast, remember to like, subscribe, and tell your friends.And if you want to experience MK3D live, head over to the BFI website for tickets to our next show.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.-Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.-Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.-The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again. They are masterpieces!———————Kermode on Film is an HLA Agency production.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #KermodeonFilm #MK3D #BFI #MarkJenkin #MaryWoodvine #EnysMen #HassanNazer #Winners #EdwardBerger #AllQuietOnTheWesternFront #AbbasKiarostami #AndWhereIsTheFriendsHouse #MajidMajidi #ChildrenOfHeaven #LawrenceGordonClark #Stigma #BBCGhostStories #NottingHill #JuliaRoberts Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Movie Podcast, Daniel is joined by Gabriel LaBelle (The Fabelmans) to discuss his role as Lorne Michaels in SATURDAY NIGHT. At 11:30pm on October 11, 1975, a ferocious troupe of young comedians and writers changed television – and culture – forever. Directed by Jason Reitman and written by Gil Kenan & Reitman, Saturday Night is based on the true story of what happened behind the scenes in the 90 minutes leading up to the first broadcast of Saturday Night Live. The film stars Gabriel LaBelle, Rachel Sennott, Cory Michael Smith, Ella Hunt, Dylan O'Brien, Emily Fairn, Matt Wood, Lamorne Morris, Kim Matula, Finn Wolfhard, Nicholas Braun, Cooper Hoffman, Andrew Barth Feldman, Kaia Gerber, Tommy Dewey, Willem Dafoe Matthew Rhys, and J.K. Simmons. Saturday Night releases exclusively in theatres October 11, 2024 by Sony Pictures. Watch and listen to The Movie Podcast now on all podcast platforms, YouTube, and TheMoviePodcast.ca Contact: hello@themoviepodcast.ca FOLLOW US Daniel on X, Instagram, Letterboxd Shahbaz on X, Instagram, and Letterboxd Anthony on X, Instagram, and Letterboxd The Movie Podcast on X, Instagram, TikTok, Discord, and Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

In der Netflix-Doku-Serie „Mr. McMahon“ geht es um den Aufstieg und den Fall des WWE-Präsidenten Vince McMahon. Auf WOW muss ein Paar in „SUDDENLY: Überleben im Eis“ auf einer einsamen Insel klarkommen. Und in „Die Fabelmans“ erzählt Steven Spielberg die Geschichte seiner eigenen Kindheit. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-mr-mcmahon-suddenly-ueberleben-im-eis-die-fabelmans

In der Netflix-Doku-Serie „Mr. McMahon“ geht es um den Aufstieg und den Fall des WWE-Präsidenten Vince McMahon. Auf WOW muss ein Paar in „SUDDENLY: Überleben im Eis“ auf einer einsamen Insel klarkommen. Und in „Die Fabelmans“ erzählt Steven Spielberg die Geschichte seiner eigenen Kindheit. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-mr-mcmahon-suddenly-ueberleben-im-eis-die-fabelmans

This week, we're chasing Jack The Ripper through time from 19th century London to 1970s San Francisco and falling in love along the way as SepTIMEber continues with one of the goofier movies we've ever watched for the show. It's 1979's Time After Time, written and directed by Nicholas Meyer and starring Malcolm McDowell, David Warner and Mary Steenburgen. It's a film J Mo torrented more than 15 years ago while searching for an MP3 of the Cyndi Lauper song of the same, it's a tenuous application of our podcast criteria but we'll allow it when the film is this fun. The debut picture from a man who would go on to direct Star Trek II: The Wrath of Khan -- with writing and directing credits on several other notable Trek films as well -- it is a great showcase for the energy he can bring to a movie, and the film's clumsier moments lend it a boyish charm befitting of McDowell's portrayal H.G. Wells. It's not a great movie but there's something about it that is worth tracking down. If you'd like to watch the movie before listening along this week, you may have a difficult time doing so because Time After Time is not available anywhere on streaming, but is currently rentable on YouTube at the time of publication. Other works discussed on this episode include The Leftovers, Devs, Lost, Evil, The Fall Guy, Speak No Evil, The Fabelmans, Licorice Pizza, Jurassic Park III, Step-Brothers, Will & Harper, Talladega Nights, Anchorman, Backspot, Timeline, The Time Machine, A Clockwork Orange, Star Trek Generations, Wayne's World, Primer, Zodiac, Back to the Future Part III, Star Trek IV: The Voyage Home, Bones and In Time. We'll be back next week to wrap up SepTIMEber, as Hayley's got the keys to the vault yet again and has put forth the Rachel McAdams 2012 time-travel romance About Time as our monthly consideration for induction into the pod-canon. Similar to the last few movies we've covered, About Time is unfortunately not available to stream at the moment in Canada, though maybe in time that will change. Once again it is rentable on YouTube and via the Cineplex app. Until then, we'll see you at the movies!!

Jonathan Yunger's has produced iconic action franchises and has worked on more than sixty films at Millennium, including THE EXPENDABLES franchise, OLYMPUS HAS FALLEN, LONDON HAS FALLEN, JOLT, THE HITMAN'S BODYGUARD, and MECHANIC: RESURRECTION.  He's also produced films such as TESLA, starring Ethan Hawke, which premiered at Sundance in 2020, and THE OUTPOST, featuring Scott Eastwood and Orlando Bloom, in which Yunger also had a supporting role and was nominated as a part of the 2021 Top Ten Independent Films by the National Board of Review. Aside from being a film executive and prolific producer, Jonathan is also an actor and a true raconteur. It was great hearing his stories about how he persevered in the business, overcoming the odds. We also discussed two of his favorite films, FORREST GUMP (1994) and THE FABELMANS (2022). Hosted by Zef Cota

I mean this in the best possible way: Nathan Schiltz doesn't give a fuck. About chasing laurels for your short films. The professors at Woodbury. THE FABELMANS saying you are going to get the girls by becoming a film geek.What he does care a lot about is the quality of his art. This is what made the episode so much fun for me. If you think I'm describing somebody with a nihilistic point of view, that's not what I'm saying. He's that dedicated to his art that he's tuning out everything else and concentrating on what matters for him. In this episode, we talk about:how he got started, with the help of a big Catholic family;his indecision about the value of film school (to him, it's all about getting to use the equipment);going on Backstage to create shorts when he was 16;the vintage 1980s look of his film HERSHEL and what the film is about -- he currently crowdfunding for it on Indiegogo;the requirements of an emerging filmmaker in regards to brand management;the value of internships;what's next for this blunt filmmaker.I did promise I would delete this or allow questions about its authenticity if he wants to work with certain directors. All good. What a fun conversation.Nathan's Indie Film Highlight: ONCE UPON A TIME IN ANATOLIA (2011) dir. by Nuri Bilge CeylanLinks:HERSHEL Indiegogo campaign Follow Nathan Schiltz on InstagramSupport the Podcast Through MembershipSupport this podcast at — https://redcircle.com/first-time-go/exclusive-content

On today's episode of Rhein's Reviews I examine all of Steven Spielberg's films, starting with 1971's Duel, and ending with his most recent The Fabelmans.

The Summer of Spielberg comes to a somber, respectful conclusion as we say goodbye to Mr. Spielberg by prying into his personal affairs and taking a look at his latest film, the autobiographical The Fablemans (2022).   It's the story of young Sammy Fableman (but they're not hiding that the Fablemans are the Spielbergs) and his budding love of picturemaking. And we have the perfect guest to help us along the way, as we welcome in filmmaker and physical media enthusiast Paul of Twin Flicks (https://www.youtube.com/@TwinFlicks).   Paul tells Laci and Matt about how Spielberg inspired his filmmaking journey, and then the three discuss the real lives of Steven Spielberg's parents and how Steven decided to finally stop making movies about other people's divorces and make one about his parents' divorce.   And how about this? At 75 years old, Steven Spielberg made one of his best-ever movies.   Watch this episode in full: https://youtu.be/ouKRlcanTyw   Next week: We're taking a week off. The Bonus episode will be a replay of our YouTube Live discussion wrapping up the Summer of Spielberg. And then, on September 6, we're coming back with an episode about Drumline (2002).   Time stamps: 11:22 — Paul's history with Spielberg and our histories with The Fablemans 32:04 — History segment: The real story of Spielberg's parents, and the genesis of The Fablemans 53:57 — In-depth movie discussion 1:30:30 — Final thoughts and star ratings   Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Summer of Spielberg” - https://youtu.be/yglAqqLEaoI   “Winston-Salem” - https://youtu.be/-acMutUf8IM    “Snake Drama” - https://youtu.be/xrzz8_2Mqkg   “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ      “Summer of Spielberg” theme song credits: Words and music written by Matt Stokes Performed by Wade Hymel (drums/guitar), Laci Roth (vocals), and Matt Stokes (vocals/guitar/bass) Produced by TJ Barends, Wade Hymel, and Matt Stokes ngineered and mixed by TJ Barends at Bare Sounds Studio in Ponchatoula, Louisiana   Sources: Steven Spielberg: A Biography by Joseph McBride - https://amzn.to/3xzYOx1 “Steven Spielberg gave his sisters veto power on ‘The Fabelmans.' They gave him their trust” by Glenn Whipp | The Los Angeles Times, 2023 - https://lat.ms/3XfTuJi  “Steven Spielberg Gets Personal” by A.O. Scott | The New York Times, 2022 - https://nyti.ms/3WUV4iA

On this episode we conclude season one of Cinema Surprise with Spielberg's latest masterpiece: THE FABELMANS 

Join us for a nostalgic adventure! Adeline explains why The Fabelmas fits the premise of our show, actually, Jackson does a pretty good David Lynch impression, Kezia talks about her childhood home movies, and The cool takes gang invents a new beloved Cool Takes character: French Guy Who Doesn't Like A Spielberg Movie

What do you get when you combine one precocious wizkid director who's actually not that young, one cocaine-addled producer, one befuddled Frenchman, one Bob Balaban taking notes, and lots and lots of McDonald's? You get what is quite possibly the greatest science fiction film ever made, Close Encounters of the Third Kind (1977).   Our friend Drewbie Doobie's Movies (@DrewbieDoobieMovies on TikTok) returns to the show to gush about one of Spielberg's very best movies… maybe his very best. It's the second time we've covered this movie on the show, but back in 2018, we only talked about it for about 10 minutes, and most of that time was spent with Laci complaining about Melinda Dillon not wearing a bra.   This is a beautiful, special movie, but it doesn't seem like it's as widely seen as your Jurassics Park and your Jawses. So please, folks, give it a chance.   Watch this episode in full on YouTube: https://youtu.be/bVPDZKa9dFc   Next week: The Fabelmans (2022) with special guest Paul of Twin Flicks!   Time stamps: 3:41 — Our personal histories with Close Encounters of the Third Kind and our big-picture thoughts on the movie 22:27 — History segment: UFOs; Spielberg in the early ‘70s; Producers Michael and Julia Phillips; Francois Truffaut; the controversy over the screenwriting credit for Close Encounters; the 1980 “special edition” of Close Encounters and its weird McDonald's tie-in 46:30 — In-depth movie discussion 2:01:03 — Final thoughts and star ratings   Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Summer of Spielberg” - https://youtu.be/yglAqqLEaoI   “Winston-Salem” - https://youtu.be/-acMutUf8IM    “Snake Drama” - https://youtu.be/xrzz8_2Mqkg   “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ      “Summer of Spielberg” theme song credits: Words and music written by Matt Stokes Performed by Wade Hymel (drums/guitar), Laci Roth (vocals), and Matt Stokes (vocals/guitar/bass) Produced by TJ Barends, Wade Hymel, and Matt Stokes Engineered and mixed by TJ Barends at Bare Sounds Studio in Ponchatoula, Louisiana   Sources: Steven Spielberg: A Biography by Joseph McBride - https://amzn.to/3xzYOx1 You'll Never Eat Lunch In This Town Again by Julia Phillips - https://amzn.to/3STJWBk  Close Encounters of the Third Kind: The Making of Steven Spielberg's Classic Film by Ray Morton - https://amzn.to/3M7JJqo

This week, it's the first week of P.T.August as we're set to spend the next five Fridays indulging in the works of Paul Thomas Anderson, beginning with a Blu-ray J Mo's been carting around for 11 years now without having ever actually watched before now. It's 2012's The Master, written and directed by P.T. Anderson, and starring Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams, Rami Malek, Laura Dern, Jesse Plemons, Ambyr Childers and Kevin J. O'Connor. Watching it now, it feels like PTA was a good four years ahead of the culture in exploring the dynamics of cults, how they operate and why people get sucked in to them -- a subject on which there are now countless documentary series, but must have felt cutting edge in 2012. Loaded with visual flair and anchored by a trio of tremendous lead performances, it's Anderson's own personal favourite of his films. Will our hosts agree? Plus: Hayley's still boiling over the cut kiss from the end of Twisters. If you'd like to watch the film along with us this week, The Master can be found streaming in Canada on Amazon Prime, Hoopla and the Criterion Channel at the time of publication, the latter of which is also celebrating P.T.August with an August collection of Anderson's work. Other works discussed in this episode include The Fabelmans, Deadpool, Deadpool 2, Species, Species II, Under The Skin, Evil, Plane, There Will Be Blood, Arrival, Night Bitch, Nocturnal Animals, Ren Faire, Fight Club and many more. P.T.August continues next week as we get back at it with an unseen film-on-disc from Hayley's collection, as we watch Daniel Day-Lewis and Vicky Krieps in 2017's Phantom Thread, also available to stream at the moment on Amazon Prime. Until then, we'll see you at the movies!!

“Everything happens for a reason.”Spielberg's Passion Project Comes to LifeFew filmmakers have had as much impact on cinema as Steven Spielberg, but it wasn't until recently that he felt ready to tackle his most personal project yet. With the passing of his parents, Spielberg finally felt he could tell the story of his youth and early days as a filmmaker without hurting their feelings. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about The Fabelmans.A Fabelman's Home Movie Reveals Spielberg's RootsIn The Fabelmans, we see young Sammy Fabelman discovering his passion for filmmaking, learning to use the camera to confront his fears and insecurities. As he grows older, his camera becomes both a tool for artistic expression and a shield from life's challenges, including his parents' crumbling marriage. We discuss how Spielberg masterfully weaves together the threads of Sammy's personal journey with his development as a filmmaker, showcasing the power of the medium to shape perceptions and evoke emotions.Throughout our conversation, we marvel at the film's authenticity and vulnerability, as Spielberg bares his soul on screen. We also touch on:The exceptional performances by Gabriel LaBelle, Michelle Williams, and Paul DanoSpielberg's signature themes of broken families, fear, and the unknownThe evolution of Sammy's filmmaking techniques and understanding of the craftThe film's poignant exploration of the artist's struggle and the sacrifices they makeA Love Letter to CinemaThe Fabelmans is more than just a coming-of-age story; it's a love letter to the power of cinema and the passion of those who create it. Through Sammy's journey, Spielberg reminds us of the magic that can happen when we surrender ourselves to the movies, and the courage it takes to bring our own stories to life on screen. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchScript OptionsTheatrical trailerLetterboxd Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Find source material for The Next Reel's family of podcasts – and thousands of other great reads – at Audible! Get your free audiobook and 30-day free trial today.Here's where you can find us around the internet:The WebLetterboxdFacebookInstagramThreadsXYouTubeFlickchartPinterestPete AndyWe spend hours every week putting this show together for you, our dear listener, and it would sure mean a lot to us if you considered becoming a member. When you do, you get early access to shows, ad-free episodes, and a TON of bonus content. To those who already support the show, thank you. To those who don't yet: what are you waiting for?Become a Member here: $5 monthly or $55 annuallyWhat are some other ways you can support us and show your love? Glad you asked!You can buy TNR apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.

This week it's back to Spielberg as we leap with Paul Dano to 2022 coming-of-age drama The Fabelmans. We enjoy discussing a film about a young boy obsessed with film making, and how this film relates to aspects of Spielbergs life. We hope you enjoy listening.

An episode of Jurassic proportions! This month on the show we're joined by Allegra Frank of The Daily Beast to deep dive into the film career of one of the world's most popular filmmakers, Steven Spielberg! From Jaws to E.T., Indiana Jones to The Fabelmans, we cover it all! An episode so epic we had to split it in two! If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, e-mail us at reviewsmixed@gmail.com, visit our  Instagram or  TikTok for extra content, become a patron on  our Patreon, or stop by  our shop and pick up some podcast merchandise! Don't forget to subscribe to us on  iTunes,  Stitcher Radio,  Spotify,  Podchaser,  Audible, or  Google.

         Terry Press recently joined Amblin Partners in the newly created role of President of Strategy and Communications. Terry oversees the execution of all elements of marketing, publicity, consumer products, and communication for the film and television divisions of Amblin Partners and Steven Spielberg, who said of Terry, “Since the earliest days of DreamWorks, Terry has been a vital part of our DNA, championing our films with her marketing expertise and passion for film. Her reputation in the industry for excellence is well known and we have a long-shared history of great experiences together.”           Terry also continues in her role as a consultant at Turner Classic Movies, where Steven Spielberg, Martin Scorsese and Paul Thomas Anderson advise the channel. Recent movies that Terry has worked on with Mr. Spielberg include: The Fabelmans, West Side Story, Lincoln, The Post, and Amblin/Universal's award-winning 1917.            Previously, Terry was President of CBS Films, where she oversaw the production, marketing, and distribution of such titles as: The Woman in Black, The Duff, Last Vegas, Hell or High Water, At Eternity's Gate, Salmon Fishing in the Yemen, the Coen Brothers' Inside Llewyn Davis, and Ron Howard's documentary, Pavarotti.            Prior to forming the branding, publicity, strategy, and media and digital positioning company, 7570, Inc., Terry served for ten years as the Head of Marketing for DreamWorks SKG where she oversaw the campaigns for all live-action and animated features, including Saving Private Ryan, American Beauty, Gladiator, A Beautiful Mind, and Shrek, which won the first Oscar for Best Animated Feature.            Terry began her career with a nine-year stint at the Walt Disney Company and Walt Disney Studios.For several years, she taught marketing at UCLA (which is her alma mater, and for the record, mine, too). Recently, alongside Scott Feinberg, Terry was a guest instructor at Chapman University, Dodge College.Terry also happens to be married to a favorite StoryBeat guest, the brilliant writer, and photographer, Andy Marx.

Craig and Rebecca are joined by special guest (@andrewbarrcomedy) to talk about the thinly veiled Steven Spielberg biopic. We make the ridiculous argument that his Dad was right and he never should have gone into making movies.  Produced by Andrew Ivimey as part of The From Superheroes Network. Visit www.FromSuperheroes.com for more podcasts, articles, YouTube series, web comics, and more. Learn more about your ad choices. Visit megaphone.fm/adchoices

As we begin the new year, we're returning to our conversation with brilliant actor Michelle Williams. We walk through the making of Showing Up (6:05), Williams' fifteen-year partnership with director Kelly Reichardt (8:10), and her upbringing in Montana and San Diego (10:42). Then, she describes coming of age on the set of Dawson's Creek (14:50), her pivotal turn in Tracy Letts' Killer Joe (20:00), and her path to Ang Lee's Brokeback Mountain (26:10). On the back-half, we discuss a healing passage from Rebecca Solnit's A Field Guide to Getting Lost (29:37), Williams' memorable performances in Blue Valentine (32:12) and My Week with Marilyn (37:47), and her final day shooting The Fabelmans (40:50). To close, she shares how she remains present as a mother (45:40), a formative Walt Whitman quote (47:22), and how—at age 42—she's begun to create from “a place of peace.” (50:36). For questions, comments, or to join our mailing list, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

While the What Next team spends some time with their families this week, we revisit some of 2023's biggest, strangest, and best stories. Regularly scheduled programming resumes Jan. 2. For all of his success, Steven Spielberg has a spotty record at the Oscars. He's been nominated 22 times, but he's only won three. Is it a curse?  This Sunday could mark a shift for the King of Hollywood's five decades in the industry. And with The Fabelmans this year, it's personal.  Guest: Michael Schulman, New Yorker staff writer and the author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears. Originally aired on March 9. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Amicus—and you'll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the What Next team spends some time with their families this week, we revisit some of 2023's biggest, strangest, and best stories. Regularly scheduled programming resumes Jan. 2. For all of his success, Steven Spielberg has a spotty record at the Oscars. He's been nominated 22 times, but he's only won three. Is it a curse?  This Sunday could mark a shift for the King of Hollywood's five decades in the industry. And with The Fabelmans this year, it's personal.  Guest: Michael Schulman, New Yorker staff writer and the author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears. Originally aired on March 9. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Amicus—and you'll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the What Next team spends some time with their families this week, we revisit some of 2023's biggest, strangest, and best stories. Regularly scheduled programming resumes Jan. 2. For all of his success, Steven Spielberg has a spotty record at the Oscars. He's been nominated 22 times, but he's only won three. Is it a curse?  This Sunday could mark a shift for the King of Hollywood's five decades in the industry. And with The Fabelmans this year, it's personal.  Guest: Michael Schulman, New Yorker staff writer and the author of Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears. Originally aired on March 9. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get benefits like zero ads on any Slate podcast, bonus episodes of shows like Slow Burn and Amicus—and you'll be supporting the work we do here on What Next. Sign up now at slate.com/whatnextplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's Sunday Sitdown, Willie got together with Actress Michelle Williams in Brooklyn. They discuss her latest acclaimed film, the emotional moment when Steven Spielberg saw her playing the role of his own mother in The Fabelmans, and why her experience on Dawson's Creek has guided her career. (Original broadcast date April 2, 2023.)