Podcasts about flotow

This week Dalanie and Katie talk about things in classical music living up to the hype. PURCHASE OUR MERCH!: https://www.classicallyblackpodcast.com/store JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast FOLLOW US ON SOCIAL MEDIA! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Black Excellence: Mykal Kilgore https://www.instagram.com/mykalkilgore/?hl=en Piece of the Week: "M'appari"-Friedrich von Flotow

Welcome to our podcast series from The Super Network and Pop4D called Tubi Tuesdays Podcast! This podcast series is focused on discovering and doing commentaries/watch a longs for films found on the free streaming service Tubi, at TubiTV Your hosts for Tubi Tuesdays are Super Marcey, ‘The Terrible Australian' Bede Jermyn, Prof. Batch (From Pop4D & Web Tales: A Spider-Man Podcast) and Kollin (From Trash Panda Podcast), will take turns each week picking a film to watch and most of them will be ones we haven't seen before.Movie Starts Playing At: 00:06:35Welcome back to The Tubi Tuesdays Podcast, the number one Tubi related podcast that's hosted by two Australians, one Canadian and one American! This week Super Marcey and Bede Jermyn are here for the whole episode, Prof. Batch is on for the first half of the episode - blame Kraven for messing with his PC and Kollin was unable to join. However it was decided that Marcey gets her movie pick a week early and she finally has chosen a film that has haunted her on Tubi as it is always being recommended and that is To Love A Ghost (2000) aka Phantom Love! Could this actually be a movie about Louise and Tobey? Listen and potentially find out!To Love A Ghost was directed by Madison Monroe, it stars Griffin Drew, Michelle von Flotow, Jesse Johnson, David Christensen, Sandy Wasko, Angel Sparks and Shannon Malone.If you have never listened to a commentary before and want to watch the film along with the podcast, here is how it works. You simply need to grab a copy of the film or load it up on Tubi (you may need alcohol), and sync up the podcast audio with the film. We will tell you when to press and you follow along, it is that easy! Because we have watched the films on Tubi, it is a free service and there are ads, however we will give a warning when it comes up, so you can pause the film and provide time stamps to keep in sync.Highlights Include:* What are we in for with this film?* Is it actually an adaptation of the Lasser Sutra?* BOOBIE FAIR!* BOOTY FAIR!* BUSH FAIR!* So it's like a softcore movie ...* Wait, there's no ghosts in this movie?* How is she reading a blank paged book?!* Plus much, much more!Check out The Super Network on Patreon to gain early access to The Tubi Tuesdays Podcast!DISCLAIMER: This audio commentary isn't meant to be taken seriously, it is just a humourous look at a film. It is for entertainment purposes, we do not wish to offend anyone who worked on and in the film, we have respect for you all. Hosted on Acast. See acast.com/privacy for more information.

durée : 01:27:16 - En pistes ! du mardi 28 mai 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme de ce mardi matin, les œuvres de Franz Schubert, Gustav Mahler, Erich Wolfgang Korngold, Friedrich von Flotow, Antonio Vivaldi, mais aussi celles de Claudin de Sermisy, Sergueï Rachmaninov et Benedetto Giacomo Marcello. En pistes !

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Durant molts anys, Vict

We hope you would pick up a book by an Indigenous author this September and take some time to look through the 94 Calls to Action from the Truth and Reconciliation Commission of Canada. Books mentioned on this episode: A Broken Blade by Melissa Blair, Nishga by Jordan Abel, Manikanetish by Naomi Fontaine, translated by Luise von Flotow, and The Only Good Indians by Stephen Graham Jones. --- Send in a voice message: https://podcasters.spotify.com/pod/show/keepitfictional/message

Today's episode is a celebration of the Texas-born, German-assimilated soprano Helen Donath. Very few singers can boast of a career lasting more than 50 years which yielded such consistently superb vocalism and artistry. Donath began as a soubrette with lyric-coloratura capabilities which blossomed into a jugendlich dramatisch voice capable of successfully assuming roles in Wagner, Strauss, and Weber. Today's episode has two “gimmicks,” the first of which is that all of the selections are sung in German, even if they were originally set in French or Italian. The second gimmick is that strewn in amongst the other selections, there is a smattering of holiday-related material including works by Bach, Handel, Mozart, Humperdinck, and Pfitzner. Other composers heard include Otto Nicolai, Friedrich von Flotow, Paul Hindemith, as well as numerous examples of Donath's peerless Mozart singing and a generous helping of operettas by Lehár, Millöcker, and Johann Strauss II. Vocal guest stars are legion, and include Julia Varady, Siegfried Jerusalem, Anna Moffo, Peter Schreier, Edda Moser, Theo Adam, Werner Hollweg, and Günther Leib in performances conducted by Leonard Bernstein, Herbert von Karajan, Kurt Eichhorn, Rafael Kubelik, Herbert Blomstedt, Wolfgang Sawallisch, Bernhard Klee, Otmar Suitner, Hans Schmidt-Isserstedt, Gerd Albrecht, and Willi Boskovsky, as well as Klaus Donath, Helen's husband since 1965. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

Wenn 150 Eigentümer versammelt sind, sind Konflikte vorprogrammiert. Was Du tun kannst, damit diese nicht in einem (Rechts-)Streit enden, erklärt der Immobilienkonflikt-Mediator Dr. Gerhart Flothow im Interview.

Nos sumergimos en el repertorio alemán de la mano del tenor danés, a quien escuchamos en irreprochables interpretaciones de distintas arias: dos de Los maestros cantores de Wagner (Am stillen Herd y la llamada del Premio) y Lohengrin (In Fernem Land), una de Martha de Flotow (Ach so Fromm), dos de Weber: de Der Freischütz (Aria de Max) y Oberon (aria de Huon: Seit frühester Jugend) y una de El rapto en el serrallo de Mozart (Hier soll ich dich denn sehen). Y nos despedimos del cantante tras haberlo recordado al cumplirse los 50 años de su desaparición. Escuchar audio

Luise von Flotow est traductrice, professeure et chercheuse à l'Université d'Ottawa. Nous avons parlé des théories féministes de la traduction, dont elle est une des grandes spécialistes, de son travail de traductrice littéraire, des liens entre théorie et pratique, de l'importance de reconnaître les intertextes en traduction et des hyper centres commerciaux.  Comme toujours, la transcription intégrale de l'épisode est disponible ici : https://docs.google.com/document/d/1y3ZfqPjvs7ipU5GpNBJLR37P16TRo-AZtFPN_DURSNo/edit?usp=sharingHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 01:56:19 - Relax ! du mercredi 27 avril 2022 - par : Lionel Esparza - Aujourd'hui, découvrez trois compositeurs : Friedrich von Flotow (1812-1883), Giovanni Battista Sammartini (1700-1775) et Giuseppe Martucci (1856-1909), puis un focus sur la soprano Ninon Vallin. Et en disque, nous écouterons le Quatuor Amadeus dans l'intégrale des quintettes de Mozart. - réalisé par : Antoine Courtin

Linda focuses on Indigenous writers in this podcast in view of Orange Shirt Day (every child matters!) and the inaugural National Day for Truth and Reconciliation. She recommends several writers (some of them featured on 49th shelf), including Cherie Dimaline and Joshua Whitehead.Postcards may offer glossy images of success or experiences that aren't real - instead, sometimes those images may obscure the turbulent underside of our lives. Beginning with her experience with depression (trigger warning), Linda addresses how misunderstandings arise from expectations about what one should feel and what one actually feels; she thus considers the Apple TV character, Ted Lasso, and his sage advice, "Be curious, not judgemental." She then looks at Eden Robinson's magnificent (and painful) story, "Traplines," in which the narrator, Will, must navigate an abusive context (more trigger warnings) and try to discern how to act and what is options really are. All of this is rendered more complex by his deep sense of hunger (real and otherwise).Then, in the Takeaway, Linda recommends Naomi Fontaine's Manikanetish (translated by Luise von Flotow), which was shortlisted for the Governor General's Award. You can find a longer review of this book in the Montreal Review of Books.She also thanks some of her listeners, including Arpita Ghosal at SesayArts Magazine.If you are suffering from depression, please reach out and get support. You are not alone. Hosted on Acast. See acast.com/privacy for more information.

Martha o la feria de Richmond (título original en alemán, Martha, oder der Markt von Richmond) es una ópera en cuatro actos con música de Friedrich von Flotow y libreto en alemán de Friedrich Wilhelm Riese, basado en el ballet Lady Henriette de Jules-Henri Vernoy de Saint-Georges.

Synopsis Few of us today really know–or care–very much about the War of Austrian Succession, a conflict that troubled Europe in the 18th century. For music lovers, it’s enough to know that to celebrate the end of that war, George Frideric Handel was commissioned to compose music for a fireworks concert in London’s Green Park, an event that took place on today’s date in the year 1749. Back then there were no such things as microphones and loudspeakers, so Handel’s score called for a huge military band of 24 oboes, 9 horns, 9 trumpets, 3 sets of timpani, 12 bassoons, 2 contrabassoons—and strings. When King George II was told about it, he balked a little at the expense: “Well, at least I hope there won’t be any fiddles,” he commented, and so Handel was informed the strings were definitely off. A public rehearsal was held at the Vauxhall Gardens and a London newspaper reported that 100 musicians performed for an audience of more than 12,000, causing a 3-hour traffic jam of carriages and pedestrians on London Bridge. The official event with fireworks went off with a bang–as well as a few fires breaking out. Music Played in Today's Program George Frederic Handel (1685 - 1759) — Music for the Royal Fireworks (Academy of St Martin in the Fields; Neville Marriner, cond.) Argo 414596 On This Day Births 1812 - German opera composer Friedrich von Flotow, in Toitendorf (Teutendorf) estate, near Neu-Sanitz, Mecklenburg-Schwerin; 1894 - Russian-born America composer and famous musical lexicographer Nicolas Slonimsky, in St. Petersburg (Julian date: April 15); Deaths 1871 - German composer and piano virtuoso Sigismond Thalberg, age 59, in Posillipo, Italy; 1915 - Russian composer and pianist Alexander Scriabin, age 43, in Moscow (Julian date: April 14); 1992 - French composer, organist and teacher Olivier Messiaen, age 83, in Paris; Premieres 1720 - Handel: opera "Radamisto" (1st version), in London at the King's Theater in the Haymarket, during the first season of operas presented by the Royal Academy of Music (Gregorian date: May 8); The performance is attended by King George I and the Prince of Wales (Handel dedicates the score to the King); The singer Margherita Dursastanti appears in a Handel work for the first time in London; 1735 - Handel: opera "Alcina" (Julian date: April 16); 1736 - Handel: anthem "Sing unto God," in London at the German Chapel of St. James's Palace, during the wedding of Frederick, Prince of Wales, and Augusta, Princess of Saxe-Gotha (Gregorian date: May 8); 1749 - Handel: "Music for the Royal Fireworks" performed during fireworks display in London (Gregorian date: May 8); 1867 - Gounod: opera "Romeo and Juliet," in Paris at the Théatre-Lyrique; 1877 - Massenet: opera "Le Roi de Lahore" (The King of Lahore"), in Paris; 1893 - Rachmaninoff: opera "Aleko," in Moscow (Gregorian date: May 9); 1907 - Stravinsky: Symphony in Eb, at a private performance in St. Petersburg (Gregorian date: May 10); The first public performance took place in St. Petersburg on January 23, 1908, conducted by F. Blumenfield (Gregorian date: Feb 5); 1927 - Weinberger: opera "Schwanda the Bagpiper," in Prague at the National Theater; 1928 - Stravinsky: ballet, "Apollon musagète," in Washington, D.C., choreographed by Adolf Bohm; The European premiere of this ballet occurred on June 12 in Paris, choreographed by Georges Balanchine; 1937 - Stravinsky: ballet, "Jeu de cartes" (Card Game), by the American Ballet at the Metropolitan Opera in New York, with the composer conducting; This work was part of a Stravinsky-Balanchine matinée consisting of "Apollon musagète," "Le Baiser de la fée," and the premiere of "Jeu de cartes"; 1987 - Daniel Pinkham: Sonata No. 3 for Organ and Strings, at St. Peter's Church in Osterville, Mass., by organist Richard Benefield, with a string quartet conducted by the composer; 1992 - George Tsontakis: "Perpertual Angelus" (No. 2 of "Four Symphonic Quartets" after poems by T.S. Eliot), by the Tuscaloosa Symphony, Ransom Wilson conducting;

Recuperamos el hilo conductor de las memorias de Bing, tantos años al frente de la nave del Metropolitan de Nueva York, a la que infundió vida durante los años 50, 60 y parte de los 70. Escuchamos intervenciones del barítono Leonard Warren muerto en escena durante una representación de La forza del destino de Verdi. Luego un fragmento del dúo de Pelléas et Méilsande de Debussy. Aparece también Victoria de los Ángeles durante una representación de Marta de Flotow. Seguimos con el final de Las bodas de Fígaro de Mozart con la propia Victoria como Condesa y Fritz Reiner en el foso. Nos reencontramos con Kirsten Flagstad, que aquí entona un aria de Alceste de Gluck. Y nos dejamos llevar por el vaivén de las csárdás de El murciélago de Johann Strauss de la mano de Hilde Gueden y Clemens Krauss. Escuchar audio

durée : 00:27:55 - Carlo Maria Giulini, chef d'orchestre (5/5) - Cette semaine, Les Grands interprètes de la musique classique reviennent sur le parcours du chef d’orchestre Carlo Maria Giulini

Cameron Flotow is an inter-disciplinary studies major, futurist, computer science teacher, cancer survivor, entrepreneur and app developer.   CONNECT with Cameron HERE VISIT The Brite App website HERE LISTEN to Cameron's TEDx talk HERE   BeTheTalk is a 7 day a week podcast where Nathan Eckel chats with talkers from TEDx & branded events. Tips tools and techniques that can help you give the talk to change the world at BeTheTalk.com !

Cameron Flotow is an inter-disciplinary studies major, futurist, computer science teacher, cancer survivor, entrepreneur and app developer.   CONNECT with Cameron HERE VISIT The Brite App website HERE LISTEN to Cameron's TEDx talk HERE   BeTheTalk is a 7 day a week podcast where Nathan Eckel chats with talkers from TEDx & branded events. Tips tools and techniques that can help you give the talk to change the world at BeTheTalk.com !

Am Ende dieser CD ist man um eine Erkenntnis reicher: Auch heute noch kann die heute oft als altmodisch und langweilig geschmähte Spieloper Spaß machen! Wenn nämlich Leichtigkeit und Sentimentalität perfekt aufeinander abgestimmt sind. Und man nirgends an Häkeldeckchen denken muss.

Nach einem kurzen Feldweg entlang eines Moores eröffnet sich vor einem der Blick auf die Reste der Burg Stuer. Vom ehemaligen Sitz der Uradel-Familie von Flotow […] Der Beitrag Stories 12: Tideke von Flotow auf Burg Stuer erschien zuerst auf audiofish.de.

Wer "Martha" googelt, stößt ziemlich schnell auf Loriot. Dass der Altmeister der Komik diese Oper von Friedrich von Flotow einmal inszeniert hat, kommt nicht von ungefähr: er hat deren komisches Potenzial glasklar erkannt. Am 29. Oktober hat "Martha oder Der Markt zu Richmond" am Theater Regensburg Premiere. Angelika Schüdel war für BR-KLASSIK bei den Proben.

Programa dedicado al compositor alemán FRIEDRICH VON FLOTOW en el que se ofrecen las siguientes obras: Concierto para piano y orquesta nº 1 en Do menor (13'58"). Concierto para piano y orquesta nº 2 en La menor (17'56"). C. Petersson (p.) y Orq. Fil. de Pilsen. Dir.: H. P. Wiesheu. Wilhelm von Oranien in Whitehall (21'03"). Orq. Fil. de Pilsen. Dir.: H. P. Wiesheu.    Escuchar audio

Luise von Flotow is an associate professor in Translation Studies at the University of Ottawa with a special interest in translation and gender. In 1992, her translation of Deathly Delights was shortlisted for the Governor General's Award. Her most recent book is the English translation of Girls Closed In by Quebec author France Theoret. I spoke with Luise in her offices in Ottawa about Canada as a mecca for translation, efforts to convince government of the potential for this industry to expand, and the challenge confronting translatorsto be faithful to original work while at the same time appealing to audiences in the translated language. She is passionate about her work. You can tell by the charming enthusiasm in her voice. Just listen, especially when she tries to evade identifying the best translators.