Getting Lit with Linda - The Canadian Literature Podcast

In this episode, Linda chats with Kevin Chong about his novel The Double Life of Benson Yu (Simon & Schuster) shortlisted for the 2023 Giller Prize. It's a "meta" novel, in some ways - a concept that Linda explains in this episode - but it also had Linda thinking about the social media platform, Meta (formerly, Facebook). Whatever insights you might glean from this association and from this interview, what is clear is the real and urgent need to re-examine various forms of masculinity. The timing of this episode's release - Father's Day - underscores this importance.In this novel, the main character, Benson Yu, is writing a graphic novel based on his own life, and he tells us as readers what he can't or won't talk about because of his traumatic past and injured masculinity. It's a compelling read that makes us consider character and genre in ways that are quite provocative.Linda Morra (writer/producer), Maia Harris (associate producer), Rafael Krux (music), Aki Barabadi (marketing) Hosted on Acast. See acast.com/privacy for more information.

What are flying monkeys?, Linda wonders - until her friend illuminates their place in relation to narcissists. Narcissism is key to understanding the Widow and Abe Strapp, two deliciously terrible main characters in Michael Crummey's novel, The Adversary (Knopf) -- which just won the Dublin Literary Award for 2025; this psychology is also key to understanding why certain subplot characters choose to orbit around them. Since the novel may be read as a kind of running commentary on the present political moment, we must remember that we - not just readers, but rather the people who might see our reflections in the "subplot" characters - are important to the kinds of decisions made. The conditions of the subplot are affected by those of the plot - but that may also work in reverse. The interview with Crummey also connects his earlier novel, The Innocents (2019, Random House Canada), and The Adversary to William Blake's Songs of Innocence and Experience, explaining how these two novels might be read in relation to each other.Linda Morra (executive producer); Maia Harris (associate producer); Raphael Krux (music) Hosted on Acast. See acast.com/privacy for more information.

It's Mother's Day - and, while Linda considers how the mother is represented in several books (specifically Rachel Deustch (6:30), Boum (5:50; 6:55), and Mary Thaler (5:47), in their respective works, The Mother, Jellyfish, and Ulfhildr), she turns her attention to the figure of the stepmother, inspired in part by her conversation with the authors of La Belle-Mère/The Stepmother (L'Hexagone) by Rachel McCrum and Amélie Prévost (8:10) while she was at the Imagination Literary Festival (held at the Morrin Centre in Quebec City, 5:33).C'est la fête des mères - et, tandis que Linda examine la façon dont la mère est représentée dans plusieurs livres (en particulier Rachel Deustch (6:30), Boum (5:50 ; 6:55), et Mary Thaler (5 : 47), dans leurs ouvrages respectifs,The Mother, Jellyfish, and Ulfhildr), elle s'intéresse à la figure de la belle-mère, inspirée en partie par sa conversation avec les auteurs de La Belle-Mère/The Stepmother (L'Hexagone) de Rachel McCrum et Amélie Prévost (8:10) lors de sa participation au festival littéraire Imagination (qui s'est tenu au Morrin Centre à Québec, 5:33).Host & Writer: Linda Morra; Associate Producer: Maia Harris; Music: Raphael Krux. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda speaks with the award-winning CBC journalist of As it Happens, Carol Off, about her new (and fifth!) book, At a Loss for Words: Conversation in an Age of Rage (Listeners, keep your eye out: A new edition of Off's book will be available in the fall!). Published in 2024, Off wrote the book as a "cautionary tale," as she observes in this interview - and, since then, some important political moments have evolved across the American and Canadian border. The book examines how key words, including freedom, democracy and truth, are being hijacked and weaponized in order to diminish liberal democracy. Linda and Carol speak about Roe v. Wade, the Bathhouse Raids, the outbreak of AIDS, women's rights, Judith Butler, the 2024 American election, Christopher Ruso and the "Strong and Free" organization, Hannah Arendt (25:20), Stephen Colbert's "Truthiness," the results of the 2025 Canadian election, and Margaret Atwood's The Handmaid's Tale (29.09).Carol Off reminds us - we are not entitled to our own facts (34:24), and we need to question everything (31:20). Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda revisits and revisions the three “Rs” – reading, writing, and arithmetic – to reformulate a new triad. Why? Because, in her interview with Michaela Di Cesare about her play Successions, Linda learns more about Anthony, one of the main characters, and his disorder, known as prosopagnosia. Di Cesare explains that she thought of this disorder as a means of representing how patriarchal culture is often blind to women and to their needs. Anthony is literally unable to recognize women's faces, unable to read their particularities and individual and very human traits. From this point, Linda develops a broader metaphor, beginning with considerations of literacy (see CBC's recent assessment) to the need to recalibrate our critical reading apparatus – and then Maia Harris suggests Elaine Castillo's How To Read Now. And that sets the stage for the interview. If you'd like to see one of Di Cesare's current plays, Mickey & Joe (Good. Bad. Ugly. Dirty) is set to open at the Mirella & Lino Saputo Theatre from May 17-25 2025. Executive Producer: Linda Morra; Associate Producer: Maia Harris; Sound Producer: James Healey; Music by Raphael Krux ("The Madness of Linda") and Kevin MacLeod ("Natural Vibes"). Hosted on Acast. See acast.com/privacy for more information.

As a result of Zilla Jones' The World So Wide, slated for publication with Cormorant Books on April 26, 2025, Linda reflects on opera (specifically Verdi's La Forza Del Destino) – historically an elitist art form, but one that Felicity Alexander, the protagonist of Jones' novel, in part challenges and overcomes through the very successes of her career. The trajectory of that career takes a darker turn when she finds herself in Grenada during the 1983 American invasion of that country – not an untimely revisioning of history in view of the current American political situation (27:40; 28:50).Linda also speaks about Verdi's La forza del destino with Renata Tibaldi as Leonore and her father's love for opera (2:15), before she turns to the interview with Zilla Jones to speak about the following:Opera's potential as an artform vs. its polarizing, and its elitism as art form (3:20; 12:30)Arts vs. politics (13:30)Sara Ahmed's What's the Use? (5:00; 6:15)Of what use is art in a time like this? (6:00; 31:45)Shani Mootoo (Season 3, Episode 6, 6:00)Decolonization and racial politics (12:15)The novel as a colonial construct (16:15)Dionne Brand, Salvaging the Wreck (16:03)Robinson Crusoe (16:15)Felicity as mixed-race heroine (17:30; 33:20)Kathleen Battle (18:46; 19:00)Grenada (history of, 20:45, and its “Revo,” 23:10; Red Sky Revolution, 23.20)Jones' research for the novel (24:35)The history of the Panama Canal (27:40)Toni Morrison (31:50)Gender and racialized motherhood (34:10)Felicity (naming of) (39:30) Hosted on Acast. See acast.com/privacy for more information.

In this first episode of Season 6 of Getting Lit With Linda, the host – Linda Morra – begins with a few important announcements: GLWL is now being supported by the Canada Council for the Arts! With that support, we have a "special" season that we're calling GETTING LIT GOES GLOBAL. It means we are emphasizing books or topics that take on international proportions or have international repercussions.Getting Lit With Linda will now also feature an annual prize – more of that in future episodes. And we have a new team on board, featuring Maia Harris (Associate Producer), James Healey (Sound Producer), Aki Barabadi (Marketing Consultant), and Raphael Krux (Music).Linda begins her discussion with a consideration of Martha Nussbaum's Anger and Forgiveness, to mull over what to do with our anger (and specifically feminist anger, 21:00). Her guest, Andrea Warner points the way in her fresh and accessible book, We Oughta Know. Warner tells us what we should know, but don't – that is, she tells us about how much the women she is examining – Celine Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan -- did to work past gendered biases in the music industry to achieve international fame. Warner reminds us that we need to understand and confront not just misogyny (18:00), and the male gaze (19:00), but also internalized misogyny (16:20), and that we ought to know is how to develop solidarity and love for all of us. And, even when we mess up, we need to remember we are all works in progress (16:40).Andrea Warner has her own podcast, Pop This!, and has published other books, including The Time of My Life, and Rise Up and Sing: Power, Protest, and Activism in Music. We also speak about the following:Sabrina Carpenter's Christmas special, A Nonsense Christmas Lisa Whittington Hill's Girls Interrupted: How Pop Culture is Failing Women (Vehicule Press) and gender inequality in music representation (15:00)Miss Piggy's anger (22.50)Celine Dion's VERY AWESOME CANARY YELLOW POWER SUIT Hosted on Acast. See acast.com/privacy for more information.

Happy International Women's Day - this is our Teaser for Season 6, in which a special guest joins Linda Morra to share our International Women's Day wishes with you, the listeners of Getting Lit With Linda! Hosted on Acast. See acast.com/privacy for more information.

n this 78th episode and the final one of season 5, Linda offers the “Nine Days of Christmas” with nine different book recommendations for the holidays. Who makes the cut? Well, we could say you need to listen to find out, but we want you to find the books easily, so here they are with their links:Alice Zorn's Colours in her Hands (Freehand Books), Téa Mutonji's Shut Up You're Pretty (VS Books, Arsenal), Katherena Vermette's Real Ones (Hamish Hamilton), Ian Williams', What I Mean to Say (Anansi), Sarah Polley's Run Towards the Danger: Confrontations with a Body of Memory (Penguin), Suzette Mayr's The Sleeping Car Porter (Coach House Press), Derek Webster's National Animal (Véhicule Press), Sue Goyette's A Different Species of Breathing (WLUP),and Bart Vautour's The Truth About Facts (Invisible Publishing)Other References:Tanis MacDonaldErin Wunker, Season 61Judith ScottThe entire team at Geting Lit With Linda wishes you a wonderful, restful holiday - we will be back in the New Year with some important developments! Stay tuned! Hosted on Acast. See acast.com/privacy for more information.

Linda writes an open letter to Ivan Coyote, in response to their book, Care Of: Letters, Connections, and Cures (published by McClelland & Stewart during the pandemic). This important volume of letters is extraordinary and, while we're no longer in the throes of a pandemic, it remains as relevant as ever. With references to WB Yeat's poem "The Second Coming" and an article by Anna Russell that appeared in The New Yorker, this episode highlights the vital contribution this book makes - and it's more than just a pineapple. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda converses with Jenny Haysom (2.48) about her novel Keep (published by Anansi). Featuring three main characters, the narrative is driven by the conflict that emerges when Harriet, an elderly poet, is diagnosed with the onset of dementia and must face selling her house -- and the two home stagers, Eleanor and Jacob, tasked with emptying it of its contents. Both Eleanor and Jacob are drawn into Harriet's world and the questions around what we keep, what we throw away, and what we value and why. It becomes clear why Haysom refers to this Victorian-esque novel as "a ghost story without ghosts."The discussion also turns toward Haysom's literary debut as a poet and her collection Dividing the Wayside (4.15, published by Palimpsest Press) and the difference between writing poetry and writing novels (4.32). Hosted on Acast. See acast.com/privacy for more information.

A bilingual episode/un épisode bilingue. What kinds of books haunt us and why? In this episode, Linda picks a book that thoroughly haunted her - Michel Jean's Qimmiq (published by Libre Expression, not yet translated into English). Author of Kukum (House of Anansi) and editor of Amun:A Gathering of Indigenous Voices, Jean addresses one of the legacies of a colonial past not frequently addressed. Set in Nunavik, the novel traverses two time periods--that are connected in ways that are completely unexpected and deeply moving. Quels types de livres nous hantent et pourquoi ? Dans cet épisode, Linda choisit un livre qui l'a profondément hantée : Qimmiq de Michel Jean (publié par Libre Expression, pas encore traduit en anglais). Auteur de Kukum (House of Anansi) et rédacteur en chef d'Amun:A Gathering of Indigenous Voices, Michel Jean aborde l'un des héritages d'un passé colonial qui n'est pas souvent traité. Situé au Nunavik, le roman traverse deux périodes qui sont reliées de façon tout à fait inattendue et profondément émouvante. Hosted on Acast. See acast.com/privacy for more information.

Linda opens with a word of thanks to her listeners who voted--because she is now a Finalist for the Women in Podcasting Awards. This episode features an interview, which was live at Word on the Street in Toronto, with the writer of Mi'kmaq and settler descent, who published a novel, The Berry Pickers and, most recently, her short story collection, Waiting for the Long Night Moon (both published by published by Random House). It is a joyful and animated conversation, with an audience that was warm and supportive. Hosted on Acast. See acast.com/privacy for more information.

Linda speaks with Corinna Chong about her novel, Bad Land, published by Arsenal Pulp Press and long-listed for the Giller Prize. Chong, originally from Calgary, lives in Kelowna, B.C. where she teaches English and fine arts at Okanagan College. She published her first novel, Belinda's Rings, in 2013.In her opening remarks, Linda explains why she sees the protagonist and main narrator, Regina, as … well, kind of “brat.” She's a fascinating, messy, and lovable character who has buried her life--and the secrets around that life--in the home in which she and her brother, Ricky, were raised ... until he shows up with his daughter, Jez, with a new secret of their own. The tensions that are produced open wide the secrets by the novel's end, revealing both the beauty and violence that have haunted Regina for years. Other sources of discussion or references include:Henry James' What Maisie Knew (14.45)Aristotle (16:10)Nabokov, Lolita (18.30)Sinclair Ross, As For Me and My House (18.30; 19:30)Unreliable narrators (18:50)the geode (and archeology (25:25)And a final reminder! Please vote for us in the Women's Podcasting Awards! Only a few days left! Hosted on Acast. See acast.com/privacy for more information.

Linda considers the persistence of present-day misogyny, then speaks with Daniela Vlaskalic about her co-written play, The Drowning Girls, which features the women who were victims of a turn-of-the-century serial killer. It was such a famous case, even Agatha Christie mentioned it in one of her novels. To set the stage - pun intended - for this play, Linda outlines the legal and historical situation for women in Canada - obtaining the right to vote was a bare minimum., but even getting bank accounts and mortgages were an ordeal up until only a few decades ago. It's not so surprising that this history informs the present moment, when, for example, women still make less in terms of pay than men and disparaging remarks are being made about single women who have cats in the United States. (Linda is not afraid to mention that she has two cats - Pinky and Moe.) She also briefly alludes to women and legal matters, including her right to get a divorce. Hosted on Acast. See acast.com/privacy for more information.

Linda has been mulling over what an education is, what purposes it serves. She was so curious about it that she begin to reflect on the etymology of the word. The root of “educate” comes from educe, from the Latin, meaning "to lead forth" or "lead out of," which then led her to think, leading out of … what? From where and to where? And who is doing the leading? For whom? And why? Weaving in her personal conversations and experiences alongside different cultural texts – from Valley of the Bird Tail to An Education to Tom Wayman's “Did I Miss Anything?” – she ultimately focuses on M. NourbeSe Philip's She Tries Her Tongue, Her Silence Softly Breaks to demonstrate the potential deleterious effects of an “education.” It is not always an innocent or innocuous process.Also in this episode – our first giveaway ever! The first person to write to Linda (gettinglitwithlinda@gmail.com) with the correct response to the question Linda poses in this episode will receive a copy of Willie Poll's My Little Ogichidaa in addition to a gift from Getting Lit With Linda.In the Takeaway, she notes that this episode is being released during Indigenous History Month, and so she recommends her listeners to visit the website, www.jelisautochtone.ca, which was produced by Dr. Colette Yellow Robe (member of the N. Cheyenne Nation in the USA), in addition to Cherie Dimaline's The Marrow Thieves.References:An Education, Scripted by Nick Hornby (3:55)Willie Poll, My LItle OchigidaaValley of The Bird Tail (4.40)Emily Carr, Klee Wyck (5.15)Clarke, Irwin's expurgation of Klee Wyck (5:30)Residential schools (6.15)Re-education Camps, Vietnam (6:50)Kim Thuy, Ru Tom Wayman's “Did I miss Anything?” (8:10)M, NourbeSe Philip, She Tries Her Tongue, Her Silence Softly Breaks (9.50; 13.10; 15.10 )Zong! (13:40)“Discourse on the Logic of Language” (16.50)Music: Raphael Krux (The Madness of Linda) and Brian Teoh (Finally See the Light)Assistant Producer: Marco Timpano Hosted on Acast. See acast.com/privacy for more information.

Indigenous mothers, Indigenous children, Indigenous parents – Willie Poll sees you – and she wants you to know that you're enough. In this episode of Getting Lit With Linda, Willie Poll (Metis Nation of Ontario) discusses with Linda why she wrote this children's book, titled My Little Ogichidaa, and the source of inspiration for its creation – in large part, the Moose Hide Campaign (2:00). The Moose Hide Campaign, which began as a BC-born Indigenous-led grassroots movement to engage men and boys in ending violence towards women and children, has since grown into a nationwide movement of Indigenous and non-Indigenous Canadians from local communities, First Nations, governments, schools, colleges/universities, police forces and many other organizations – all committed to taking action to end this violence.Willie and Linda also discuss Willie's collaboration with illustrator, Hawlii Pichette, a Mushkego Cree (Treaty 9) urban mixed ancestry artist and illustrator who currently resides in London, Ontario. Linda asks her to explain the title for her book, which means "my little warrior" -- and how being a warrior is not necessarily incompatible with being loving. Hosted on Acast. See acast.com/privacy for more information.

Linda begins this episode with a brief acknowledgement of the passing of Nobel Prize winner for the short story, Alice Munro – who died a couple of days before this episode was aired. It's a pertinent moment to take pause when the subject of this episode is, in part, about anniversaries - which often include remembering when a beloved person dies or, as was the case only a few days ago, honouring a special person - like mothers on Mothers' Day. Who we choose to so honour and how we do so says a great deal about us, not just the persons we are honouring.In this episode, Linda interview author Christopher DiRaddo about anniversaries, particularly the 10th one for his first novel, The Geography of Pluto, and his reading series (in Montreal), called The Violet Hour. Among other topics, they also discuss the following:family, role of and shape (11.40)Bronski Beat (16.50)His other book, The Family Wayauthor Licia Canton (19.10; 21.45) and her support for ChristopherMarisa Portolese's Goose Village (exhibit, 22.32)the titles and epigraphs of his novels (25.00), one from Le Petit Prince (27.30) and the other from a Kurt Vonnegut's Slaughterhouse-Five.And there is a Takeaway in this episode - appropriately (in view of our discussion about anniversaries and commemoration) referencing the Canada Post stamps that honour graphic novelists in Canada. Hosted on Acast. See acast.com/privacy for more information.

In this -- the second live episode of Getting Lit With Linda held at the Blue Metropolis Literary Festival and co-sponsored by the Quebec Writers' Federation -- Linda speaks with Andrew Stobo Sniderman and Douglas Sanderson (Amo Binashi, Beaver Clan, of the Opaskwayak Cree Nation) about their book, Valley of the Birdtail: An Indian Reserve, A White Town, and the Road to Reconciliation. The book has been receiving all manner of recognition. Here are some examples of the awards it has garnered:Winner – 2023 Stubbendieck Great Plains Distinguished Book Prize Winner – 2023 John W. Dafoe Book PrizeWinner – 2023 High Plains Book Award for Indigenous WriterWinner – 2022 Manitoba Historical Society Margaret McWilliams Book Award for Local HistoryWinner – 2023 Quebec Writers' Federation Mavis Gallant Prize for Non-Fiction and Concordia University First Book Prize.And deservedly so. In this interview, Douglas and Andrew explain how and why we have arrived at the present moment and how there is hope for finding the pathway toward meaningful reconciliation. Hosted on Acast. See acast.com/privacy for more information.

What does the work of painter Renoir and his paintings of full-bodied women (2.15; 12.34), and tanning beds (2:30) have to do with the Quebecois author Marie Claire Blais (3:15) and La Belle Bette/Mad Shadows (3:20)? Have a listen to today's episode to find out …In this episode, Linda looks at Blais's Mad Shadows and its historical importance to Quebec. Among other subjects, she also references:Value Village, Holt Renfrew 1:3; 11:58 )Sheila Fischman (3:45)New Yorker (4:47; 16:11)Margaret Atwood (4:58; 16:24 )Andre Gide, Andre Breton (5:22; 17:04 )Karen Kain, Veronica Tennant (6:08; 18:02)Elle magazine (11:43)Fluevog Shoes (11:48)Quel est le rapport entre l'œuvre du peintre Renoir et ses tableaux de femmes épanouies (2.15 ; 12.34), et les lits de bronzage (2:30), et l'auteure québécoise Marie Claire Blais (3:15) et La Belle Bette/Mad Shadows ( 3:20) ? Écoutez l'épisode d'aujourd'hui pour le découvrir...Dans cet épisode, Linda se penche sur La Belle Bette et son importance historique pour le Québec. Parmi d'autres sujets, elle fait également référence à :Value Village, Holt Renfrew (1:3 ; 11:58)Sheila Fischman (3:45)New Yorker (4:47 ; 16:11)Margaret Atwood (4:58 ; 16:24 )André Gide, André Breton (5:22 ; 17:04 )Karen Kain, Veronica Tennant (6:08 ; 18:02)Elle magazine (11:43)Chaussures Fluevog (11:48) Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda and Bryn Turnbull discuss her new historical novel, The Paris Deception - and what it means to represent women's lives historically when there has been inadequate records or representation for them. Linda considers the Indigo Girls and their song about Virginia Woolf - and listening attentively to the voices of women through time. Turnbull alludes to The Monuments Men (both the movie and the book) and her novel as an equivalent for women to such a story. Among other topics, we addressnecessary deceptions (18.56)significant visual art work still missing since the Second World War (21.30)women are scapegoats during Second World War (27) Hosted on Acast. See acast.com/privacy for more information.

Michael V. Smith is a deeply loving, insightful poet and performer – who uses intimacy and humour as tools to explore pain. In this interview, Linda chats with him about power dynamics and bullying, as they address his poetry collection, Queers Like Me (published by Book*hug in 2023)Here are some of the subjects we covered: on the nature of creative writing and genre (6.15)poetic technique, poetic devices, and poetic voice (verbatim poems: 6.45, 8.00, 42.43)Facebook poem and writing about his father (9.35, 10.48, 27.50, 32.20)depictions of masculinity (21.40 mistake with bike/book; 12.05, 21.25)The Floating Man (13.03, 27.10)Agnes Varda (12.12)Eloise Marseille (4.18)working across genres (16.25)Michael reads from “Grandma Cooper's Corpse” (20.25)humour and contrast (22.42, 24.25)poetry and knowledge - the function of poetry (37.00)his chapbook (23.45)dynamics of power and bullying (32, 32.40, 33.40)the importance of nuance (34.50)gay marriage (36.08)Bronwen Wallace (38.30)Lorna Crozier (39.20)His memoir, My Body is Yours (40.38, published by Arsenal Pulp Press)radical inclusion (46.54) Hosted on Acast. See acast.com/privacy for more information.

Eloise Marseille is the first guest for Season 5 - yes, season 5! - and, this time, it's English AND French (starting at the 31.55 mark for the French interview). Marseille is a wonderful Quebecoise graphic novelist, whose candid and humorous book, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale examines sexuality and self-love--especially as it bears on women, cis- and trans-. Linda begins with a reference to the feminist theory courses she teaches and some of the theorists, like Kimberlé Crenshaw, and how sometimes students say "do we need feminist theory any more?" Linda wants to unplug students from the Matrix (a reference to the film starring Keanu Reeves) and show them the gritty reality in which we live - yes, we STILL need feminism and Marseille is leading the way/the charge!With thanks to James Healey, the recording engineer who set up the studio; Raphael Krux for music; and Marco Timpano, Sarah Henzi, and Benoit Cantin for giving this episode an advance listen!****Eloise Marseille est la première invitée de la saison 5 - oui, la saison 5 ! - et, cette fois, c'est en anglais ET en français (à partir de 31.55 pour l'entretien en français). Marseille est une merveilleuse écrivaine, dont le livre candide et humoristique, Naked: The Confessions of a Normal Woman / Confessions d'une Femme Normale, examine la sexualité et l'amour de soi, en particulier en ce qui concerne les femmes, cis et trans. Linda commence par évoquer les cours de théorie féministe qu'elle donne et certaines théoriciennes, comme Kimberlé Crenshaw, et comment les étudiants disent parfois "avons-nous encore besoin de la théorie féministe?" Linda veut débrancher les étudiants de la Matrice (référence au film avec Keanu Reeves) et leur montrer la réalité crue dans laquelle nous vivons - oui, nous avons ENCORE besoin du féminisme et Marseille montre la charge!Merci à James Healey, l'ingénieur du son qui a installé le studio, à Raphael Krux pour la musique, et à Marco Timpano, Sarah Henzi, et Benoit Cantin pour avoir écouté cet épisode en avant-première! Hosted on Acast. See acast.com/privacy for more information.

Linda wishes her listeners a very happy holiday - and offers a hint about what to expect for at least the first episode of Season 5! Have a restful, joyful period. Getting Lit With Linda returns on March 1, 2024. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda chats with Dr. Katherine McLeod about her role in the SpokenWeb Podcast, particularly Short Cuts. The conversation covers so much ground in such a short period! We discuss the following: The Short Cuts podcast (6.20, 9:21, 14.05, 18:47)Women poets, such as Gwendolyn MacEwan, Phyllis Webb (15:27), Muriel Rukeyser, Maxine Gadd, Margaret Atwood (8.22; 8.54; 10:03), Daphne Marlatt (18:55), Dionne Brand (11:23), and Brand with Lee Maracle (a member of the Stó:lō Nation; 12.05; 15:25)Feminist practices of listening (9:20)Holding the sound (11:00) CBC Radio, the history of; women writers and (15:49) and the radio program “Anthology” (16:28) The federal funding body, called SSHRC (4.32; 6.05)Smaro Kamboureli and the TransCanada Institute (16:07)The Director of SpokenWeb, Jason Camlot (2:45, 17:33; 22.03) (see Linda's previous episode with Camlot, who is also a poet, here)CanLit Across Media (17:40)The Women and Words Conference (20:54)We talked about SpokenWeb's beginnings, but here is another example. And, if you're curious, here is a sample of McLeod talking about “holding the sound” in a ShortCuts episode. And if you want to hear the recording of Dionne Brand speaking with Lee Maracle, try going here. Hosted on Acast. See acast.com/privacy for more information.

Linda is thrilled to have been able to conduct this interview with one of the foremost feminist scholars in Canada right now—Erin Wunker. They speak about her book Notes from a Feminist Killjoy, published by book*hug, and the important work it undertakes in relation to the labour of being a “feminist killjoy.”Don't know what a feminist killjoy is? Give this interview a listen to find out more.Here are only some of the key points of the discussion:· About Erin Wunker (2.46) · About the book itself: Notes from a Feminist Killjoy (book*hug press) (1.41)· The meaning of the title (4.39)· What is a killjoy? (1.47)· Sarah Ahmed, as a thinker and community-engaged intellectual (1.58, 5.40, 8.10, 30.08)· About the feminist killjoy (6.20, 7.09, 9.46, 19.40, 24.56) and intersectional feminism (15.57)· Betty Friedan (25.00)· The style of writing (25.30)· Collection action, allyship, friendship (18.55)· The podcast We Can Do Hard Things (Glennon Doyle, 13.08)· Catherine MacKinnon (30.14, 38.04) · Tarana Burke, #MeToo, and Jian Ghomeshi (32.58) Hosted on Acast. See acast.com/privacy for more information.

In this episode -- recorded live in Tiohtià:ke in the DeSeve Cinema at Concordia University -- Linda interviews award-winning authors, Catherine Hernandez and Eva Crocker. Linda begins by thanking celebrated Montreal-based author, Christopher DiRaddo, who is the director of the Violet Hour and who opens the event with a territorial acknowledgement and with an introduction to the authors. The Violet Hour and the Association of English-Language Publishers of Quebec (AELAQ) co-sponsored the event, so Linda also recognizes the superb professionalism of the team at AELAQ, including Rebecca West, Alex Sweny, and Elise Moser. She also thanks Stephen Burgess, the audio-visual technician who helped to record the event that day.The interview begins with Hernandez and considerations of her three novels, Scarborough (Arsenal Pulp Press), Crosshairs (Simon & Schuster), and The Story of Us (HarperCollins). They also speak about her amazing Wild Strawberry Homestead. Then, Eva Crocker joins them on the stage and so they also discuss her two novels, Back in the Land of the Living (House of Anansi) and All I Ask (House of Anansi).A question period follows the two interviews, as members in the audience also interact with Hernandez and Crocker. It's a longer episode than usual (which is why there is only ONE this month!), but you will appreciate why: the interview is at turns funny, moving, and warm. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda reflects on Dionne Brand's magnificent A Map to the Door of No Return: Notes to Belonging, reprinted by Vintage (a division of Random House) in 2023 - but initially published over twenty years ago. That's the staying power of this particular volume - the "Door of No Return" is a particularly harrowing metaphor and, as Linda notes, there are many expressions that use "doors" in contemporary usage. Just not like this book does! A prolific and accomplished writer and professor, Brand is referring to the Black diaspora vis-a-vis the Black Atlantic slave trade.To set up this discussion, Linda considers her personal fascination with "doors" (consider the gorgeous doors of the Atwater Library in Montreal) and then how they have been used in other works -- like that of Complaint! by Sara Ahmed or The Diamond Grill by Fred Wah or The Door by Margaret Atwood -- and then compares them to how the image is used in Brand's literary text.In the Takeaway, Linda gives a shout-out to the annual Read Quebec Book Fair, that this year is taking place from November 3 to November 4th in the McConnell Building Atrium of Concordia University. Please join her there, where she will be interviewing Catherine Hernandez and Eva Crocker live! Hosted on Acast. See acast.com/privacy for more information.

Linda speaks with Métis playwright, actor, and director, Keith Barker about his play, This is How We Got Here (Playwrights Canada Press) It is a moving interview, as Barker explains the origins and shape of this play.Their discussions touch on the following subjects (among others!):current and past productions of the play (3.00; 28.15; 34.10, 36.00)loss and trauma (1.14, 1.50, 4.30, 6.10, 12.56, 19.20, 33.58)structure of This is How We Got Here (1.20, 22.28, 23.25)representations of grief (3.50, 25.08)structure and shape of the play (5.48, 9.05)fox figure (10.04, 17.01, 18.58, 20.45, 25.10, 33.00, 36.00)play's epigraph (from Jonathan Livingston Seagull, 10.30, 13.16, 15.40)discussion of suicide (11.51, 21.40)figures from nature (17.58)Catholicism (20.45)meaning of the title of the play (37.50)Linda also invites Barker to read from his play, which he does, selecting the first scene related to the fox figure (25.25).With a special thanks to James Healey, the podcasting studio manager - and Barker's cats, who also made an appearance in this interview! Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda begins by speaking about the kinds of assumptions made about her because of her Italian-Canadian immigrant background - and then expands that consideration to show how making such assumptions can actually be harmful. Case in point? The Christie-Pitts riot on August 16, 1933. There have been two graphic novels written about this riot: one simply titled Christie Pitts and the other titled The Good Fight.A second case in point is the Japanese-Canadian internment camps during the Second World War. She considers four works of literature in Canada that address this subject:Joy Kogawa's ObasanFrances Itani's RequiemKerri Sakamoto's One Hundred Million HeartsMark Sakamoto's Forgiveness: A Gift from my GrandparentsThen, for the Takeaway, she invites scholar, Jennifer Andrews, who addresses narratives of exceptionality and demonstrates what function they serve (and whose) and why they persist. Using her book, Canada Through American Eyes (published by Palgrave in 2023), Jennifer chats with Linda about how narratives of exceptionality are rehearsed in both the United States and Canada - and why we need to challenge them. Hosted on Acast. See acast.com/privacy for more information.

This episode focuses on Amy Jones (2.13), author of Every Little Piece of Me (2.27), We're All in This Together (2.27), What Boys Like (2.37), and Pebble & Dove (2.45), published by McClelland & Stewart -- and the focus of this episode.We also discussed Amy's appearance at Word on the Street (.39 and 9.08) and her forthcoming appearance at the Eden Mills Literary Festival (5.12 and 8.53) on September 9th (see this link for tickets to the event).Linda interviews Amy, during which time they chat about Family – what it means (7.56), dysfunctional families (9.46), and family secrets (11.00)Multiple points of view in narrative form (13.25)Motherhood (and templates thereof) (18.45)Balancing family and careers, and the impact of family on art (20.30)Manatees (22.25)Did we say manatees? (22.25 -- or just the entire episode!)If you'd like to know more about how to support manatees and the seagrass programs that are important to their survival, visit the Save the Manatee Program.Hosted by Linda Morra, Co-produced by Linda Morra and Marco Timpano, Music by Raphael Krux, Studio (Concordia University) with James Healey Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda first celebrates with her co-producer, Marco Timpano, that the podcast has been named a Finalist for the People's Choice Podcast Awards. Then she chats about the new Barbie movie around which there has been so much hype. She differentiates between change and transformation in relation to gender, and then applies this to the wonderful literary work of Vivek Shraya, including People Change. If you haven't seen her How to Fail as a Popstar, join the club: Linda wasn't able to get tickets, but she was able to hear her speak about this work at the Vancouver Literary Festival and read it in book form. Linda also makes reference to her song, Showing Up - have a listen here (at the 4.17 mark).In the Takeaway, she connects Shani Mootoo's Cerebus Blooms at Night and Moving Foreward Sideways Like a Crab to the notion of transformation. Hosted on Acast. See acast.com/privacy for more information.

Erum Shazia Hasan's We Meant Well (ECW Press) – Linda raves about this debut novel by Erum Shazia Hasan. In this novel, Maya's colleague, Marc, has been accused of assaulting a local girl in Likanni, and so Maya is called from Los Angeles to deal with the crisis. The pressures are mounting for Maya as she tries to contend with this situation, grapple with her complex past, and grapple with her present personal life, which threatens to collapse.In this interview, Hasan talks about how difficult it is to doubt colleagues or people we like or trust, and who have done noble things – things which stand in contrast to the accusations that have been levelled at them. Linda then probes Hasan's aesthetic choices about this narrative and discusses the following with her:Origins of the novel in Haiti (2.36)#MeToo and #Believe Women movements (20.45; 22.23)Experience and process of writing this novel (5.32)C. S. Richardson (4.28)Characterization of protagonist, Maya (7.11; 15.27)Home country vs. Home culture (8.20, 17.25)Third-wave feminism and Western feminism (8:59)Role of trauma in decision-making (11.14)Moral question related to boundaries (11.50)Intersectionality (13.43)Personal vs political violences (18.03)Love and desire (19.20)Intentions and “we meant well” (24.03) Hosted on Acast. See acast.com/privacy for more information.

Linda and Lisa Moore converse about her most recent novel, This is How We Love (House of Anansi). Their conversation traverses various subjects, including the formal aspects of the novel, the job of the novelist (5.40), questions of genre (6.40), the use of Audible, the importance of editors (with a nod to Melanie Little, Lisa's editor, 10.30)and the complexities of loving. One of the most fascinating turns in this discussion relates to Lisa's point about the democracy of loving and voice (8.40 and 27.23), her understanding that reading literature is an anti-capitalist endeavour (16.20). The interview is a wonderful introduction to a compelling, exquisite novel, in which every page is rich in detail and affective complexity. Hosted on Acast. See acast.com/privacy for more information.

As a fellow endo-patient, Linda makes herself vulnerable in this episode, talking frankly with the author, Tracey Lindeman, by whom she was so inspired. Lindeman, who authored Bleed: Destroying Myths and Misogyny in Endometriosis Care (published by ECW Press in 2023), uses personal experience, interviews, and research to take a deep dive into the healthcare system and the medical treatment (or lack thereof) of endo-patients.Some of the topics covered include:medical gaslightingsupport and advice for endo-patientsadvice for medical doctors Hosted on Acast. See acast.com/privacy for more information.

In this episode, in honour of Mother's Day, Linda considers four different books that feature discussions about mothers, in whatever form they assume. She tackles four different genres -- non-fiction, the short story, poetry, and a novel/thriller -- to consider how loving and caring actions are given and received - or withheld. The four works include:Hannah McGregor, A Very Sentimental Education (Wilfrid Laurier University Press, 4.45)Margaret Atwood, Old Babes in the Wood (McClelland & Stewart, 11.04)Jenny Boychuk Antonyms for Daughter (Signal, 13.53)Charlene Carr's Hold My Girl (Harper Collins, 16.23)In the Takeaway, she recommends Kim Thúy's Secrets from my Vietnamese Kitchen: Simple Recipes from my Many Mothers (Penguin Random House, 19.05) – or really, anything by her!Linda also references the Almodóvar film, All About My Mother (2.05) and Italian novelist, Alessandro Baricco, and one of his books, Silk (19.47) Hosted on Acast. See acast.com/privacy for more information.

Her guest, Bil Antoniou - Toronto theatre actor and podcast host of Bad Gay Movies and My Criterions - discusses with Linda a series of Canadian and Indigenous novels that have been adapted to the screen, including the most recent Oscar award-winning movie, Women Talking, directed by Sarah Polley (original novel by Miriam Toews).They also discuss the following:Yann Martel's Life of Pi (Knopf)Jane Rule's The Desert of the Heart (Talon)Michael Ondaatje's The English Patient (Penguin Random House)and Mordecai Richler's Barney Version (Penguin Random House)The winner of the adaptation award? Listen to find out! Hosted on Acast. See acast.com/privacy for more information.

Linda begins by taking up The Hockey Jersey (1.48; 3.15; 3.22) by Jael Richardson (1.58; 4.45; 26.17; 28.38), whom she interviews in this episode.The Hockey Jersey is a kind of response to The Hockey Sweater by Quebecois writer, Roch Carrier (4.18; 10.15; 14.55). Written in collaboration with the Toronto-based hockey player, Eva Perron (31.37), and with illustrations by Chelsea Charles (6.18), this book was the source of discussion between Linda and Richardson for this episode and how this children's book, commissioned and supported by Scotiabank (3.20; 4.07, 5.42, 7.22), is directed toward changing the face of hockey.Linda includes two other voices -- those of settler scholars, Jamie Dopp (9.51) and Sam McKegney (14.55), who also contribute to the vibrant discussion about the history of hockey in literature, both in settler and Indigenous communities.Some other highlights?:Illustrations by Chelsea Charles (6.18)The politics of representation (7.35; 26.17; 28.38)The Indigenous Hockey Research Network (14.30; 24.19)Decolonizing Sport and Indigenous communities (22.28)the Habs hockey player, Maurice Richard (4.22; 14.53; 17.17)the origins and history of hockey in literature, including Ralph Connor's Glengarry School Days (19.50; 21.18) and Hugh McLennan's Two Solitudes (19.58; 21.23) The episode didn't quite make it to include a very interesting discussion with Dr. McKegney about Beardy's Blackhawks, so check out this page for more about that. She includes other remarks by McKegney (36.15) and Dopp (33.09) about other literary books that invoke the sport of hockey, including Indian Horse by Anishnaabe novelist, Richard Wagamese (36.15).Written & Hosted by Linda MorraCo-produced by Linda Morra & Marco TimpanoMusic by Raphael Krux Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda interviews Jason Camlot about his new collection of poetry, Vlarf - and it includes references to all manner of Victorian writing/writers, such as the following:Oscar WildeSamuel Taylor ColeridgeJohn RuskinWhile there is much play and whimsy in this episode, it takes a deep dive into what went into making this collection of Victorianist flarf (and what "flarf" actually is). Hosted on Acast. See acast.com/privacy for more information.

Linda doesn't care if she has to take less sunscreen when she goes on vacation - if it means she gets to pack an extra couple of books. What five books would she recommend?:Timothy Taylor's Stanley Park (Vintage/Random House, 2.00)Rawi Hage's Stray Dogs (Knopf, 4.11)Neil Smith's Bang Crunch (Vintage, 7.54)Marilyn Dumont's A Really Good Brown Girl (Metis; Brick Books, 10.18)Ann-Marie MacDonald's Goodnight Desdemona (Goodmorning Juliet )(Penguin, Random House, 13)Linda also references Mordecai Richler (at 3.43 and 13.20) and Alice Munro (4.36), the production of MacDonald's Fall on Your Knees at the National Arts Centre in Ottawa, and MacDonald's term as the inaugural Mordecai Richler writer in residence at Concordia University. Check out MacDonald's "Dispatches" from the latter period, which are downright funny, offering welcome critique of Richler's masculinist tendencies. Hosted on Acast. See acast.com/privacy for more information.

Season 4 opens with Linda's announcement of the podcast's new website and then shifts to a discussion about her literary journey - how she came to focus first on Canadian literature and then Indigenous literatures, which all started with a vital conversation. Her first book in the latter field was Eden Robinson's Monkey Beach - and it was a game-changer, sending her off to read and understand a field about which she knew very little when she started her post-graduate studies. With brief nods to Robinson's extraordinary trajectory of writing (including Son of a Trickster), Linda explains why this novel remains a personal favourite. In the Takeaway, she addresses the fact that there is a corresponding movie for Monkey Beach, which has an ending that is arguably different than that of the novel - or is it? You'll have to read the novel and watch the film to know why .... Hosted on Acast. See acast.com/privacy for more information.

Linda informs listeners of a slight change in this year's scheduling of podcast episodes - but otherwise, welcome listeners to Season 4 of Getting Lit With Linda!Written by Linda MorraCo-produced by Linda Morra & Marco TimpanoMusic by Raphael Krux. Hosted on Acast. See acast.com/privacy for more information.

In this last episode of the season, Linda considers how empathy is often considered a function of literature and may be ideally represented -- as it is in Catherine Hernandez's Scarborough published by Arsenal Pulp Press. In order to explore how this should work, she considers the Classical orator, Cicero (and Aristotle's Poetics and Horace's Ars Poetica) to show how there is a long tradition of arguing that rhetoric and "good literature" should be able to teach, to delight, and to move us. Other highlights include:references to Brené Brown (2.30)the difference between empathy and sympathy (2.45)literature and empathy (3.00)references to Cicero, Aristotle, Horace (4.05)discussion of Hernandez's Scarborough (5.40)In the Takeaway, she considers the novel - a thriller - Truth is a Flightless Bird by Akbar Hussain and published by Iskanchi Press. And then she offers her best wishes for the new year. Hosted on Acast. See acast.com/privacy for more information.

In this episode of Getting Lit With Linda, the guests over the course of the 2022 year offer their reading recommendations and their wishes to you for the holidays--including Stephen Collis, Ali Hassan, Terri Favro, Gillian Sze, Marco Timpano, Amanda Barker, Isabella Wang, Amy Spurway, Chantel Lavoie, and Kate Ready. This is our second-last episode of the season (one more before December 31) before we sign off for a break--we will be back at the end of February 2023 for Season Four!Warmest holiday wishes to all! Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda considers the moment she came across the handwritten memoir of Jane Rule at the University of British Columbia Archives and Rare books. She considers the idea of "discovering" or "divining" in the archive and how that relates to meeting poet and instructor, Sheryda Warrener, who invited her to look at the work of her students during one of Linda's visits to the archive. Two poets from that exhibit--Graeme Kennedy and MacKenzie Sewell--are highlighted in this episode, along with Warrener and her collection, Test Piece (Coach House Books, 2022). The other students who took that class are Bayleigh Marelj, Sinead Tebbutt, Stephanie Okoli, Faria Malik, Ava Kucharski, and Charis Young.Episode highlights:the nature of "discovery" and "divining"the importance of process (over "creative product")a consideration of ekphrasis In the Takeaway, she recommends Montreal's Salon du Livre, taking place in Montreal at the moment of this episode's release - and tonight's event (as part of "Salon Dans La Ville"), Sean Michaels and David Mitchell (hosted by the Quebec Writers' Federation) at the Atwater Library. Hosted on Acast. See acast.com/privacy for more information.

** Explicit language in this episodeLinda opens this episode on a celebratory note – the fact that Getting Lit with Linda won in the category of Outstanding Education Series in the Canadian Podcast Awards. We are grateful to our listeners, voters, and guests on the show! (And Linda recommends reaching out to her producer, Marco Timpano, if you want more information about podcasting in general!)In this episode, Linda begins with a reflection on the “weight of Atlas” in relation to Greek mythology (no, not the band “The Weight of Atlas” that did a cover of one of Taylor Swift's songs) and how we use it in the present. She ties that reflection to the themes of Amy Spurway's Crow (Goose Lane Books), winner of the "IPPY Award for Best First Book - Fiction and Margaret and John Savage First Book Award for Fiction" and the subject of this episode. The narrator, also named Crow, has returned back to her home on the East Coast of Canada, where she must learn that adapting to her environment is no longer enough—real transformation is required, which happens when one puts down the weight--our past baggage--that one has been unnecessarily carrying. The episode also involves:Linda's promise to examine other East Coast writers, like Michael Crummey, Lisa Moore, Joel Thomas Hynes, Donna Morrissey, and Alistair MacLeod (5.35); Discussions about Spurway's Crow (GooseLane Books), with selections from the audiobook, available on Kobo (6.07);references to authors Heather O'Neill and Kevin Lambert and their rendering of class (12.43).In the Takeaway (15.10), Linda discusses with actor and audiobook narrator, Amanda Barker, about what is involved in this kind of work—and especially in relation to Crow, for which she was the reader. Hosted on Acast. See acast.com/privacy for more information.

What does it really mean to be haunted? Is being haunted always a sinister experience? For this Hallowe'en episode, Linda considersmemory and losstraumaand the nature of haunting and feeling hauntedShe considers, for example, Emily Bronte's nineteenth-century British novel Wuthering Heights (and Kate Bush's song, "Wuthering Heights" based on the novel) or Mary Shelley's Frankenstein as examples outside of literature in Canada. But then she counts down to her top five books that either haunt her or delineate haunting experiences.Which five works of literature in Canada make the cut? You'll have to listen to find out ...In the "Takeaway" section, she recommends Miram Toews' All My Puny Sorrows - an extraordinary novel that challenges us about what our responsibility to others is and means. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda reflects on a strike in which she was a participant and the real complexities of its participants and affiliated institutions as a way into Kevin Lambert's marvellous new book, Querelle of Roberval (Biblioasis). Invoking the proportions and form of Greek tragedy, Lambert locates the conflict of this book in a small town in Quebec and shows how its participants all have complex motivations for their actions--including hatred, lust, and revenge. In the Takeaway, Linda highly recommends a column by Casey Plett called "Balls Out: A Column on Being Transgendered" (which appeared in McSweeney's Internet Tendency.), a poignant and engaging series about the process of transitioning. Hosted on Acast. See acast.com/privacy for more information.

Is there Bacon in Heaven? Maybe – but there's certainly bacon on earth, Ali Hassan reminds us, and he enjoys it—and he doesn't mean it simply literally either. In his new book--a memoir titled Is There Bacon in Heaven? (Simon & Schuster) -- he looks at what is good here on earth and how to locate those moments of goodness—in addition to those of humour and comedy and joy. In this interview, Linda and he talk about the fundamentals of his memoir, the boundaries of comedy, and the power of humour—to restore relationships and connect us meaningfully to others.Some of the topics we broach?:9/11 and crossing the border;the purposes of comedy;the difference between writing for the page and for the stage. Hosted on Acast. See acast.com/privacy for more information.

Ever wonder what was the "first" book of Canadian literature? How do we even know how to define what that would be? In this episode, Linda chats with eighteenth-century British literature scholar, Dr. Kathryn Ready, about what is sometimes claimed as the first book of Canadian literature--Frances Brooke's The History of Emily Montague. Linda and Dr. Ready may -- or may not -- have tussled over whether this book is British or Canadian, but what they absolutely do is consider the finer aspects of the novel and its global investments.Linda opens with a consideration of "firsts" (referencing Abbott and Costello's comedy routine, "Who's on First?," 1.05) and then turns to Dr. Ready who speaks about the following:epistolary narratives, tradition of letter-writing (4.25; 5.15)Samuel Richardson's Pamela (4.35, 6.30)Frances Brooke (8.25)travel writing (11.25)aesthetic of the sublime and beautiful (11.40)the Seven Years War (12.05)And so much more .... Hosted on Acast. See acast.com/privacy for more information.

In this episode, Linda reflects on why we say boundaries are "bad" and how "good relationships" stand in contrast. Using Thomas King (author of The Inconvenient Indian, Medicine River, Green Grass, Running Water) and Natasha Donovan's graphic novel, Borders (published by Little Brown, 6.55), Linda explores "bad boundaries" -- and bad borders -- in relation to the Blackfoot nation. She also refers to Daniel Rück's The Laws and the Land (4.00) and Benjamin Hoy's A Line of Blood and Dirt (5.55) to explain her thinking around boundaries and borders. Some of her musings encompass the following:What are bad boundaries? (2.43; 5.05; 10.40)The Canadian-American Border; Blackfoot territory (8.30; 9.00; 12.19; 14.18; 15.00)Mapping and cartography as expressions of power (8.40)National imagined identities (9.00)Blackfoot culture (9.58)Relationships (between the mother-daughter, mother-narrator in the story, 11.00; 15.25; 16.35)Stories and their importance (15.40)The Takeaway is about Joshua Whitehead's Full Metal Indigiqueer published by Talon Press (17.00), with reference to Making Love to the Land by Penguin Random House. She makes reference to the difference between Transgender and Two Spirit, the former referreing to someone whose gender identity differs from the sex assigned at birth, the latter to an Indigenous person who identifies as possessing both a masculine and a feminine spirit. Hosted on Acast. See acast.com/privacy for more information.