Podcasts about Dora Maar

Send us a textIn the 19th century it was surprisingly easy for a woman to be consigned to the  misery of an asylum. Many in fact weren't actually mentally ill. Husband tired of his wife? A woman who bore an illegitimate child? A woman who didn't want to marry the man her parents had chosen for her? Or anyone, in short, who didn't conform to the narrow standards of society.Once a woman was incarcerated, it was almost impossible to get out of a place often described as 'death traps'.Author Louisa Treger came across the astonishing true story of investigative journalist Nellie Bly, who intentionally got herself committed to an asylum in order to write a blistering expose and lift the lid on conditions. She was 'instantly hooked and intrigued' as she told me in this fascinating conversation.Louisa also discusses her fascinating new novel, The Paris Muse, a fictionalized retelling of the disturbing love story between talented French photographer Dora Maar and Pablo Picasso. Louisa shares her motivation behind ensuring this talented woman is no longer a footnote and how she breathed life into this extraordinary love affair.Thank you to our media partner: Family History Zone – a website covering archives, history and genealogy. Please check then out at www.familyhistory.zone and consider signing up for their free weekly newsletter.

Paris, 1936. Dora Maar, a talented photographer and painter, meets Pablo Picasso and is instantly drawn to his intense creativity. Their passionate relationship, marked by love, sadism, and Picasso's infidelities, pushes Dora to the edge. The Paris Muse, by Lousa Trejar is a fictional retelling of Dora's journey, set against the backdrop of Paris and the French Riviera. As Picasso paints Guernica during the Spanish Civil War, their relationship darkens. With World War II approaching and the Nazis invading, Dora suffers a breakdown and is hospitalized. Atmospheric and powerful, The Paris Muse sheds light on Dora's life, ensuring she is no longer a forgotten figure in Picasso's story. In this episode of Pagecast, Louisa is in conversation with writer, editor, literary critic and publisher, Karina Szczurek.

Abrangendo mais de 40 anos de excepcional efervescência criativa, entre 1924 e 1969, a exposição “Surrealismo” no Centro Pompidou de Paris comemora o centenário do movimento que começou com a publicação do Manifesto Surrealista de André Breton. Cerca de 500 pinturas, esculturas, desenhos, textos, filmes e documentos de artistas como Salvador Dali, Miró, René Magritte, Max Ernst e Dora Maar, incluindo muitos empréstimos excepcionais, estão expostos em uma área de 2.200 m². As obras revelam até que ponto esse movimento artístico, que nasceu em 1924 em torno de poetas como André Breton e se espalhou pelo mundo, foi visionário e permanece contemporâneo em seu desejo de não apenas transformar a relação entre os seres humanos e a natureza, mas lançando um olhar crítico e político sobre seu próprio tempo.Reproduzindo a forma de um labirinto, formato de predileção e projeção dos surrealistas, a mostra gira em torno de uma cena central na qual é apresentado o manuscrito original do "Manifesto Surrealista", documento valioso emprestado excepcionalmente para o ocasião da Biblioteca Nacional da França.Cronológico e temático, o percurso segue figuras literárias que inspiraram diretamente o Movimento Surrealista, como Lautréamont, Lewis Carroll e o Marquês de Sade, e também mitologias e temas que alimentaram o movimento, como a pedra filosofal, a floresta, a noite, o erotismo, o inconsciente. A cenografia brinca com a ilusão de ótica, tão cara aos surrealistas.O desafio surrealista a um modelo de civilização baseado apenas na racionalidade técnica e o interesse do movimento por culturas que conseguiram preservar o princípio de um mundo unificado (a cultura dos índios Turahumara, descoberta por Antonin Artaud, e a dos Hopis, estudada por André Breton) atestam sua modernidade.  Segundo Marie Sarré, co-curadora com Didier Ottinger, vice-diretor do Museu Nacional de Arte Moderna da França, “mais do que um dogma estético ou um formalismo, o surrealismo é uma filosofia que, por mais de 40 anos, reuniu homens e mulheres que acreditavam em uma relação diferente com o mundo”. O pôster da exposição apresenta uma criatura estranha, um monstro antropomórfico, com roupas largas e coloridas, faixas de tecido torcidas em todas as direções, terminando em mãos que lembram as garras de uma ave de rapina. No centro, na altura do busto, um abismo de sombras se abre. Logo acima, uma cabeça assustadora com uma mandíbula longa e desdentada. E um título que soa como uma ironia, “O Anjo do Lar”, uma obra de Max Ernst, pintada no auge da Guerra Civil Espanhola em 1937, ano em que Guernica foi bombardeada. Ela também é conhecida como “O triunfo do surrealismo” e é um lembrete de que o surrealismo sempre triunfa.Marie Serré dá mais detalhes sobre a exposição: "É essencial lembrar da preferência dos surrealistas pelas artes populares. Muito cedo eles questionaram completamente essa hierarquia entre as Belas Artes e as artes chamadas populares. Seu modelo não são as exposições de museu, são as festas regionais, o trem fantasma, o parque de diversões. Era necessário sublinhar isso fazendo os visitantes da mostra no Centro Pompidou adentrarem o espaço da exposição através desta enorme boca que reproduz o Cabaré do Inferno, que ficava na Praça Clichy, em Paris, logo atrás do ateliê de André Breton, que os surrealistas tinham o hábito de frequentar", explica.A exposição não escapa, no entanto, ao olho crítico dos franceses, como ressalta Françoise, uma aposentada que veio direito de Grenoble (leste) para ver a mostra no Pompidou. "A exposição foi feita de maneira muito interessante, por temas, mas ela é muito grande. Fica difícil apreciar tudo, ela acaba saturando o olhar da gente em um determinado momento". Ela manda um recado para os visitantes que ainda não conferiram a exposição em Paris."É melhor escolher um horário com menos gente, porque é realmente difícil ter acesso às obras", avisa.Já o brasileiro Bruno Damasco gostou da experiência. "Passamos por essa exposição com artistas mais das décadas de 1930, 40 e 50, como Salvador Dali, Miró, trabalhos fortes e que são boas referências, tanto de artistas famosos como de alguns que eu não conhecia, da Alemanha e da Suécia, bem bonito, gostei. Não conhecia ainda esse espaço, tinha visitado apenas os museus mais clássicos de Paris", contou.A mostra valoriza as muitas mulheres que participaram do Movimento Surrealista, com obras de Leonora Carrington, Remedios Varo, Ithell Colquhoun, Dora Maar, Dorothea Tanning e outras, e reflete ao mesmo tempo a expansão mundial do Surrealismo, apresentando artistas internacionais como Tatsuo Ikeda (Japão), Helen Lundeberg (Estados Unidos), Wilhelm Freddie (Dinamarca) e Rufino Tamayo (México), entre outros.A exposição "Surrealimo" fica em cartaz do Centro Pompidou de Paris até o dia 13 de janeiro de 2025.

Nintendo's first museum in Japan offers a nostalgic trip back in video game time, set in the company's former factory complex in Uji. The museum, spread across three main buildings, features rare consoles, prototypes, interactive games, experiences, and a themed burger restaurant. Visitors can access insights into Nintendo mastermind Shigeru Miyamoto, known as the father of Super Mario, and its main attraction is the "Discover" area, featuring displays of almost every product ever released by the company. Also, a junk dealer, Luigi Lo Rosso, discovered an asymmetrical painting of a woman in the basement of an Italian villa in 1962. The painting, believed to be a distorted image of French photographer and poet Dora Maar, is believed to be the work of Pablo Picasso.See omnystudio.com/listener for privacy information.

“Surréalisme”au Centre Pompidou, Parisdu 4 septembre 2024 au 13 janvier 2025Entretien avec Marie Sarré, attachée de conservation au service des collections modernes – Centre Pompidou, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 2 septembre 2024, durée 14'44,© FranceFineArt.https://francefineart.com/2024/09/06/3553_surrealisme_centre-pompidou/Communiqué de presseCommissariat :Didier Ottinger, directeur adjoint du Musée national d'art moderne, Centre PompidouMarie Sarré, attachée de conservation au service des collections modernes, Centre PompidouRetraçant plus de quarante années d'une exceptionnelle effervescence créative, de 1924 à 1969, l'exposition « Surréalisme » célèbre l'anniversaire du mouvement, né avec la publication du Manifeste du surréalisme d'André Breton.Adoptant la forme d'une spirale ou d'un labyrinthe, l'exposition rayonne autour d'un « tambour » central au sein duquel est présenté le manuscrit original du Manifeste du surréalisme, prêt exceptionnel de la Bibliothèque nationale de France. Une projection audiovisuelle immersive en éclaire la genèse et le sens. Chronologique et thématique, le parcours de l'exposition est rythmé par 13 chapitres évoquant les figures littéraires inspiratrices du mouvement (Lautréamont, Lewis Carroll, Sade…) et les mythologies qui structurent son imaginaire poétique (l'artiste-médium, le rêve, la pierre philosophale, la forêt…).Fidèle au principe de pluridisciplinarité qui caractérise les expositions du Centre Pompidou, l'exposition « Surréalisme » associe peintures, dessins, films, photographies et documents littéraires. Elle présente les oeuvres emblématiques du mouvement, issues des principales collections publiques et privées internationales : Le Grand Masturbateur de Salvador Dalí (Musée Reina Sofía, MAdrid), Les Valeurs personnelles de René Magritte (SFMoMA, San Francisco), Le Cerveau de l'enfant (Moderna Museet, Stockholm), Chant d'amour (MoMA, New York) de Giorgio de Chirico, La Grande Forêt de Max Ernst (Kunstmuseum, Bâle), Chien aboyant à la lune de Joan Miró (Philadelphia Museum of Art), etc.L'exposition accorde une part importante aux nombreuses femmes qui ont pris part au mouvement, avec entre autres, des oeuvres de Leonora Carrington, Remedios Varo, Ithell Colquhoun, Dora Maar, Dorothea Tanning… et rend compte de son expansion mondiale en présentant de nombreux artistes internationaux tels que de Tatsuo Ikeda (Japon), Helen Lundeberg (États-Unis), Wilhelm Freddie (Danemark), Rufino Tamayo (Mexique), entre autres.La contestation surréaliste d'un modèle de civilisation seulement fondé sur la rationalité technique, l'intérêt du mouvement pour les cultures qui ont su préserver le principe d'un monde unifié (culture des Indiens Turahumaras découverte par Antonin Artaud, celle des Hopis étudiée par André Breton), attestent de sa modernité.La dissolution officielle du surréalisme n'a pas marqué la fin de son influence sur l'art et la société. Il continue d'inspirer biennales d'art contemporain, productions cinématographiques, mode, bande dessinée, etc.Publications – Le catalogue et l'albumLe catalogue Surréalisme sous la direction de Didier Ottinger et Marie Sarré, avec deux couvertures « tête-bêche » pour deux entrées de lecture, aux éditions du Centre Pompidou.L'album Surréalisme, autrice : Marie Sarré, aux éditions du Centre Pompidou. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:59:31 - Toute une vie - Le nom de Dora Maar est inextricablement lié à sa relation amoureuse avec Picasso. Mais Dora Maar, c'est surtout le combat d'une femme qui a toujours cherché à s'affranchir, à la recherche d'elle-même et de son art propre, celui de la peinture et de la photographie. - invités : Victoria Combalia Historienne et critique d'art espagnole, biographe de Dora Maar; Brigitte Benkemoun Journaliste et écrivaine; Anne Carpentier Fondatrice et directrice de la Galerie La marchande des 4 saisons; Damarice Amao Historienne de l'art et commissaire d'exposition; Jérôme de Staël Photographe; Gwen Strauss Directrice-administratrice de la Maison Dora Maar à Ménerbes; Marcel Fleiss Fondateur de la galerie 1900-2000 à Paris

Sea, sex & sun... cet été, vibrez au rythme de A la folie, pas du tout ! (Re)découvrez des couples qui ont compté dans l'Histoire avec un grand H. Ils sont artistes, politiciens, stars mondiales, rois ou reines... Ils nous ont fait rêver, mais derrière les apparences, se cachent bien des déboires... Tout au long de l'été, replongez-vous dans la vie à la fois intime et chaotique d'Elvis et Priscilla Presley, de Napoléon et Joséphine ou encore de Bonnie & Clyde... L'envers du décor n'est pas toujours si rose. Piégée dans la toile Cela fait bientôt trois ans que Picasso a quitté Dora Maar pour Françoise Gilot. Trois années que Pablo et Françoise ont passées séparés, sans vivre sous le même toit. Leur relation amoureuse s'est épanouie autour de leur passion pour la peinture, à tel point que l'idée d'une vie commune fait son chemin dans l'esprit du couple. Mais c'est cette vie commune, au sein d'un espace domestique, qui va précipiter la début des violences. Car lorsque les deux artistes commencent à fonder leur foyer, Françoise se rend compte qu'elle a fait l'erreur de sa vie… Ecoutez la saison précédente : Tonya Harding et Jeff Gillooly, la victoire à tout prix Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Réalisation : Célia Brondeau Suivez-nous sur Flipboard Première diffusion : 7 décembre 2023 Learn more about your ad choices. Visit megaphone.fm/adchoices

Louisa Treger is the acclaimed author of four novels, The Lodger (2014), The Dragon Lady (2019) Madwoman (2022), a historical fiction Book of the Year in The Times and The Sunday Times, and a Book of the Month in the Independent, and The Paris Muse (2024).  She has written for The Times, The Telegraph, Tatler, BBC History Magazine and English Heritage. Radio appearances include BBC Radio 3's Free Thinking Programme, and BBC Radio 4's Woman's Hour. Treger has a First Class degree and a PhD in English Literature from UCL, and currently lives in London. (Courtesy of Louisa's website ) Get her book here, or at your local bookshop.

From the Pre-Raphaelites to Picasso, Vermeer to Freud, some of the most famous Western artwork involves an artist's muse. So who are the muses who have inspired great art? How do they embody an artist's vision? And why has the muse artist relationship led to abuse of power? Nuala speaks to art historian and author Ruth Millington and to writer, curator and podcaster Alayo Akinkugbe.Penelope Tree was one of the most famous models of the 1960s and the muse of her then boyfriend, the photographer David Bailey. Despite appearing on the cover of Vogue and being credited by Bailey with kick-starting the flower-power movement, Penelope's life became increasingly difficult as their relationship began to flounder. These events have inspired Penelope's loosely biographical novel Piece of My Heart and she joins Nuala to discuss her depiction of life as a ‘60s muse.In ancient Greek mythology, the nine muses are the inspirational goddesses of the arts, science and literature. So who are the nine muses? Nuala speaks to classicist Professor Edith Hall.Dora Maar was as a photographer, painter and poet but is probably most famous as Pablo Picasso's lover and muse. Author Louisa Treger captures the complexity of this artist and muse relationship in her novel The Paris Muse and joins Nuala to discuss how the inspiration Dora offered Picasso nearly destroyed her.We hear from Liza Lim, a Melbourne-based composer who collaborated with violinist and researcher Karin Hellqvist on a composition called ‘One and the Other (speculative Polskas for Karin)', exploring Karin's relationship to her heritage and Swedish musical traditions.Presenter: Nuala McGovern Producer: Laura Northedge Editor: Deiniol Buxton

Hablamos de la gran fotógrafa surrealista y pintora Dora Maar a través de las miradas de tres autoras: Victoria Combalía, Eugenia Tenenbaum y Brigitte Benkemoun. Fuentes del episodio: - 'Dora Maar', de Victoria Combalía (Circe, 2013) - 'Las mujeres detrás de Picasso', de Eugenia Tenenbaum (Lunwerg, 2023) - 'En busca de Dora Maar', de Brigitte Benkemoun (Tarus, 2022)

Send us a Text Message.We don't normally namedrop Shakespearean quotes, but we are inspired by today's highly twisty-turny theme that looks like it might take 100 years or so to construct, but Adam Wagner managed to pull it off in well under a decade

Die wohl tragischste Figur in der langen Reihe von Picassos Frauen – dieses Image haftet Dora Maar bis heute an. Doch Dora Maar war eine erfolgreiche Künstlerin und nahm großen Einfluss auf Picassos wichtigstes Werk "Guernica". Mit einer enormen Kraftanstrengung kämpfte sie sich aus einer mentalen Krise und erfand sich als Malerin neu.

Até 2017, quando Paris foi escolhida como sede dos Jogos Olímpicos de 2024, o local onde hoje se encontra a Vila Olímpica era uma área industrial sem uso. Em torno dela, ganhou vida um projeto urbanístico de 53 hectares, o que equivale a cerca de 70 campos de futebol. Um novo bairro arborizado, dividido entre as cidades de Saint-Denis, Saint-Ouen-sur-Seine e L'Ile-Saint-Denis, um legado que beneficiará a população, quando os mais de 20 mil atletas e para-atletas forem embora.  Maria Paula Carvalho, da RFIO colombiano Gilberto Marín, morador da área, hoje caminha por um bairro ultramoderno. “Há três anos, só havia grandes áreas de terreno, e desde então vemos máquinas pesadas e muitos trabalhadores. É um projeto muito bonito. Fico surpreso de ver que tudo já esteja pronto para receber os atletas, onde eles vão poder descansar", diz.A arquitetura colorida contrasta com os bairros operários do entorno. Mais de 9 mil árvores e arbustos foram plantados nas ruas onde foram erguidos 40 edifícios, com 3 mil apartamentos. Cada prédio foi imaginado por um arquiteto diferente, portanto nenhum é igual ao outro. Batizada de Plaine Saulnier, essa nova zona geográfica de Paris será o principal legado da mudança metropolitana e territorial promovida pelos Jogos Olímpicos. Um bairro misto, conjugando habitação, escritórios, equipamentos públicos, comércio, atividades econômicas e culturais. Nos arredores também ficam o Stade de France, o Centro Aquático Olímpico e a zona de imprensa dos Jogos.Os alunos da escola Dora Maar não terão aulas durante as competições. A instituição de ensino fica praticamente no centro do novo bairro. “Da minha sala de aula, vejo toda a Vila Olímpica, todos os prédios novos de todas as cores, com muito vidro. Você pode ver o início da vegetação. Mas também vejo a nova ciclovia, a faixa para carros e ônibus,” dealha a professora de espanhol Belén López. "Os alunos estão muito motivados com a realização dos Jogos Olímpicos no seu bairro, porque temos alunos de Saint-Denis, Saint-Ouen-sur-Seine e L'Ile-Saint-Denis, então acolhemos três cidades limítrofes", completa. “Todos os anos temos um projeto relacionado aos Jogos Olímpicos. Este ano, por exemplo, todas as turmas da nossa escola têm o nome de uma cidade que já sediou ou vai participar dos Jogos Olímpicos Paris 2024. Por exemplo, fizemos uma viagem a Barcelona para que os alunos pudessem ver como aquela cidade evoluiu com os Jogos Olímpicos de 1992. Tentamos fazer com que eles vejam como sua cidade ou bairro muda com a chegada dos Jogos Olímpicos,” explica a professora. Metrópole pós-carbonoO projeto foi pensado para uma metrópole pós-carbono, integrando os desafios das alterações climáticas. É como um grande laboratório para a construção das cidades do futuro: utilização de madeira na estrutura de prédios de no máximo 28 metros, a escolha pelo concreto de baixo carbono e de uma rede de aquecimento e refrigeração alimentada por energia geotérmica, para evitar o uso de ar condicionado.  As águas residuais também serão recicladas, em um nível de reutilização sem precedentes em França, que exigiu muito trabalho técnico. “Nos Jogos Olímpicos Rio 2016 e nos Jogos Olímpicos Londres 2012 eles estavam muito preparados, mas não tiveram a mesma pressão para reduzir as emissões de carbono", explica Gérard Wolf, coordenador internacional de Cidades Sustentáveis do Ministério das Relações Estrangeiras francês e membro do Comitê de Inovação da SOLIDEO, empresa responsável pelas obras olímpicas. "Hoje em dia, muitos países nos consultam e pedem para visitar a Vila, porque hoje todos os países têm problemas com as emissões de carbono. Por isso, querem saber como podemos reduzi-las para 47%, com as melhores práticas. Para eles, isso é importante quando sediam jogos ou para terem cidades mais sustentáveis", destaca. Para chegar até o novo bairro a partir do centro de Paris, os usuários podem pegar as linhas 13 e 14 do metrô. A área também é servida por rodovias. Assim que os Jogos Paralímpicos terminarem, no dia 8 de setembro, as portas serão abertas para que turistas e moradores possam desfrutar de um bairro renovado. "É um sucesso. A Vila dos Atletas foi entregue no prazo, dentro do orçamento, um legado que vai beneficiar os habitantes de Saint-Denis, com todos esses novos prédios de moradia, escolas, comércio, escritórios, serviços. É uma imagem do poder transformador do esporte, dos Jogos Olímpicos e Paralímpicos", explica a ministra dos esportes, Amélie Oudéa-Castéra. "É uma maneira de mostrar que o esporte muda vidas, inspira e transforma o nosso território", conclui.  

La Villa Olímpica fue inaugurada en febrero de este año, una obra de construcción colosal para albergar a los atletas y para atletas de París 2024. La villa se ubica en el suburbio de Saint Denis, conocido en el mundo del deporte por tener en su suelo al Stade de France, donde juegan las selecciones nacionales de fútbol y rugby. RFI lo invita a pasear por la Villa Olímpica de París 2024. Escuche el reportaje. En 2017, el lugar en donde hoy se impone la Villa Olímpica de París 2024, era lugar era una zona desierta, inutilizada, en la que sólo destacaba la Cité du Cinema, un centro cinematográfico dirigido por el director y productor francés Luc Besson. Alrededor de este lugar, un proyecto urbanístico fue tomando vida hasta ocupar una superficie de 53 hectáreas, lo que equivale a unas 70 canchas de fútbol. Hace tres años, circulaban por aquí 500 camiones al día.“Hace tres años también caminé por acá y solo había grandes extensiones de terrenos, maquinaria, pesada, obreros”, recuerda el colombiano Gilberto Marín, vecino del sector.Gilberto camina por un barrio ultramoderno que cuenta con 3.000 viviendas. Caqui, verde pálido, azul cielo y beige. Su colorida arquitectura contrasta con las urbanizaciones obreras de los alrededores y sus torres de viviendas de bajo costo. Gilberto duerme al frente, pero no podrá acceder a la villa durante los Juegos porque estará cerrada al público. Tampoco tendrán clase los alumnos del colegio Dora Maar. La institución educativa queda prácticamente en el centro de la Villa Olímpica. Desde una de las ventanas del segundo piso del colegio, la profesora de español, Belén López, disfruta del paisaje. “Desde mi aula veo literalmente toda la Villa Olímpica, todos los nuevos edificios de todos los colores, con muchos cristales. Se ven principios de vegetación que quieren poner. Pero también veo la nueva pista ciclable, el carril para los coches y los buses”. Los alumnos de Belén ya recibieron boletas para los Juegos Paralímpicos por parte del Gobierno francés. Las justas son un tema de gran interés en su programa escolar, explica Belén: “Cada año tenemos un proyecto relacionado con los Juegos Olímpicos. Este año, por ejemplo, todas las clases de nuestro colegio tienen un nombre de una ciudad que ha acogido o que va a participar en los Juegos Olímpicos de París 2024. Por ejemplo, hicimos un viaje a Barcelona para que los alumnos pudieran ver cómo evolucionó esa ciudad con los Juegos de 1992. Nosotros a nivel de colegio intentamos que vean cómo cambia su ciudad o su barrio con esta llegada de los Juegos Olímpicos”.Adaptar el nuevo barrio al cambio climáticoEl encargado de esta obra gigantesca es SOLIDEO. Un establecimiento público francés creado para construir y adecuar los escenarios deportivos necesarios para los Juegos Olímpicos y Paralímpicos de 2024. Antoine Souich, Director de Estrategia e Innovación de SOLIDEO, explica por qué esta villa es un laboratorio XXL para la construcción de las ciudades del futuro: “Hemos conseguido descarbonizar esta villa en un 50% en comparación con la construcción convencional de 2020. Lo logramos con el uso de madera en la estructura de los edificios de máximo 28 metros, con sus fachadas de entramados de madera, el uso de hormigón bajo en carbono así como con una red de calefacción y refrigeración alimentada por energía geotérmica, para no utilizar aire acondicionado. Un sistema refrigerante subterráneo para que los deportistas se mantengan frescos durante la cita olímpica. Hemos dado en este proyecto el paso necesario para alcanzar los objetivos fijados para 2030 por la Estrategia Nacional de Bajas Emisiones de Carbono para el Sector de la Construcción, definido en Francia”.Y en uno de los edificios hay una primicia mundial. “Este edificio alberga sistemas que permiten reciclar y recuperar el 100% de las aguas residuales. Hay varios sistemas. Uno de ellos es para clasificar selectivamente la orina y recuperarla como abono. Hay otro para la reutilización completa de las aguas grises, incluida el agua de la cocina para el riego exterior, pero también para inodoros y lavadoras. Se trata de un nivel de reutilización inédito en Francia que ha exigido un gran trabajo técnico técnico”, dice orgulloso Antoine Souich, quien dirigió la visita.“En los Juegos Olímpicos de Rio 2016 y en los de Londres 2012 estaban muy preparados, pero no tenían la misma presión por disminuir las emisiones de carbono. Hoy en día hay muchos países que nos solicitan, que vienen a visitar la villa porque hoy todos los países tienen problemas con la huella de carbono,la polución. Entonces quieren saber cómo hacemos para disminuirla a un 47%, de las mejores prácticas en la actualidad”, presume Gérard Wolf, coordinador internacional de Ciudades Sostenibles del Ministerio de Asuntos Exteriores de Francia y miembro del Comité de Innovación de la SOLIDEO.Descansar bien para ganar medallasEsta zona está atravesada por calles recién pavimentadas. Son paralelas y perpendiculares entre sí para comunicar a unos 40 edificios. Cada uno de ellos fue imaginado por un arquitecto diferente, por lo que no hay uno igual a otro. En cada apartamento pueden pernoctar entre cuatro y ocho personas, cada una en su cama de cartón. El mismo material reciclable fue utilizado en Tokio 2020. La delegación francesa va a descansar muy cerca del gimnasio. Las otras 203 delegaciones ya saben también cuál será su casa durante 20 días. 10.000 atletas y 4.500 atletas con sus acompañantes podrán acceder a servicios como un banco, un café, un supermercado, un peluquero, así como al restaurante más grande del mundo, ubicado en la Cité du Cinema. Puede servir hasta 40.000 comidas al día.Quedará un barrio modernoPara llegar hasta aquí desde el centro de París se puede tomar las líneas 13 y 14 del metro. Una vez que los Juegos Paralímpicos terminen el 8 de septiembre, se abrirán de nuevo las puertas para que los turistas y habitantes del sector puedan disfrutar de un barrio renovado.Christiane Hammelin ya se imagina caminando por aquí cuando quiten el candado. “Yo miro estos pasajes peatonales geniales con sillas alrededor para sentarse y disfrutar de este pequeño jardín que no está nada mal. La vista del río Sena que pasa por aquí es muy bonita y cuando haga buen tiempo con sol lo voy a disfrutar más. Y también hay buenas tiendas”.La Solideo recuperará las llaves para adecuar los edificios. Luego serán vendidos o arrendados, como apartamentos y oficinas cerca de la Cité du Cinema y del colegio Dora Maar.“La cara del barrio, de la ciudad ha cambiado mucho. Antes estaba abandonada y ahora, con la construcción de nuestro colegio, con la construcción de esta Villa Olímpica, se ha dado un lavado de imagen, se está viendo un barrio bastante moderno”, concluye la profesora de español, Belén López.Por su parte el vecino Gilberto Marín, piensa en aprovechar su cercanía con la Villa Olímpica: “ya que vivo aquí tan cerca de por lo menos obtener algún autógrafo de estos deportistas, de lo más famoso que son los que uno siempre busca”. Un reportaje de Ana María Ospina desde Le Village Olympique de París 2024. Edición de Pierre Zanutto.

La Villa Olímpica fue inaugurada en febrero de este año, una obra de construcción colosal para albergar a los atletas y para atletas de París 2024. La villa se ubica en el suburbio de Saint Denis, conocido en el mundo del deporte por tener en su suelo al Stade de France, donde juegan las selecciones nacionales de fútbol y rugby. RFI lo invita a pasear por la Villa Olímpica de París 2024. Escuche el reportaje. En 2017, el lugar en donde hoy se impone la Villa Olímpica de París 2024, era lugar era una zona desierta, inutilizada, en la que sólo destacaba la Cité du Cinema, un centro cinematográfico dirigido por el director y productor francés Luc Besson. Alrededor de este lugar, un proyecto urbanístico fue tomando vida hasta ocupar una superficie de 53 hectáreas, lo que equivale a unas 70 canchas de fútbol. Hace tres años, circulaban por aquí 500 camiones al día.“Hace tres años también caminé por acá y solo había grandes extensiones de terrenos, maquinaria, pesada, obreros”, recuerda el colombiano Gilberto Marín, vecino del sector.Gilberto camina por un barrio ultramoderno que cuenta con 3.000 viviendas. Caqui, verde pálido, azul cielo y beige. Su colorida arquitectura contrasta con las urbanizaciones obreras de los alrededores y sus torres de viviendas de bajo costo. Gilberto duerme al frente, pero no podrá acceder a la villa durante los Juegos porque estará cerrada al público. Tampoco tendrán clase los alumnos del colegio Dora Maar. La institución educativa queda prácticamente en el centro de la Villa Olímpica. Desde una de las ventanas del segundo piso del colegio, la profesora de español, Belén López, disfruta del paisaje. “Desde mi aula veo literalmente toda la Villa Olímpica, todos los nuevos edificios de todos los colores, con muchos cristales. Se ven principios de vegetación que quieren poner. Pero también veo la nueva pista ciclable, el carril para los coches y los buses”. Los alumnos de Belén ya recibieron boletas para los Juegos Paralímpicos por parte del Gobierno francés. Las justas son un tema de gran interés en su programa escolar, explica Belén: “Cada año tenemos un proyecto relacionado con los Juegos Olímpicos. Este año, por ejemplo, todas las clases de nuestro colegio tienen un nombre de una ciudad que ha acogido o que va a participar en los Juegos Olímpicos de París 2024. Por ejemplo, hicimos un viaje a Barcelona para que los alumnos pudieran ver cómo evolucionó esa ciudad con los Juegos de 1992. Nosotros a nivel de colegio intentamos que vean cómo cambia su ciudad o su barrio con esta llegada de los Juegos Olímpicos”.Adaptar el nuevo barrio al cambio climáticoEl encargado de esta obra gigantesca es SOLIDEO. Un establecimiento público francés creado para construir y adecuar los escenarios deportivos necesarios para los Juegos Olímpicos y Paralímpicos de 2024. Antoine Souich, Director de Estrategia e Innovación de SOLIDEO, explica por qué esta villa es un laboratorio XXL para la construcción de las ciudades del futuro: “Hemos conseguido descarbonizar esta villa en un 50% en comparación con la construcción convencional de 2020. Lo logramos con el uso de madera en la estructura de los edificios de máximo 28 metros, con sus fachadas de entramados de madera, el uso de hormigón bajo en carbono así como con una red de calefacción y refrigeración alimentada por energía geotérmica, para no utilizar aire acondicionado. Un sistema refrigerante subterráneo para que los deportistas se mantengan frescos durante la cita olímpica. Hemos dado en este proyecto el paso necesario para alcanzar los objetivos fijados para 2030 por la Estrategia Nacional de Bajas Emisiones de Carbono para el Sector de la Construcción, definido en Francia”.Y en uno de los edificios hay una primicia mundial. “Este edificio alberga sistemas que permiten reciclar y recuperar el 100% de las aguas residuales. Hay varios sistemas. Uno de ellos es para clasificar selectivamente la orina y recuperarla como abono. Hay otro para la reutilización completa de las aguas grises, incluida el agua de la cocina para el riego exterior, pero también para inodoros y lavadoras. Se trata de un nivel de reutilización inédito en Francia que ha exigido un gran trabajo técnico técnico”, dice orgulloso Antoine Souich, quien dirigió la visita.“En los Juegos Olímpicos de Rio 2016 y en los de Londres 2012 estaban muy preparados, pero no tenían la misma presión por disminuir las emisiones de carbono. Hoy en día hay muchos países que nos solicitan, que vienen a visitar la villa porque hoy todos los países tienen problemas con la huella de carbono,la polución. Entonces quieren saber cómo hacemos para disminuirla a un 47%, de las mejores prácticas en la actualidad”, presume Gérard Wolf, coordinador internacional de Ciudades Sostenibles del Ministerio de Asuntos Exteriores de Francia y miembro del Comité de Innovación de la SOLIDEO.Descansar bien para ganar medallasEsta zona está atravesada por calles recién pavimentadas. Son paralelas y perpendiculares entre sí para comunicar a unos 40 edificios. Cada uno de ellos fue imaginado por un arquitecto diferente, por lo que no hay uno igual a otro. En cada apartamento pueden pernoctar entre cuatro y ocho personas, cada una en su cama de cartón. El mismo material reciclable fue utilizado en Tokio 2020. La delegación francesa va a descansar muy cerca del gimnasio. Las otras 203 delegaciones ya saben también cuál será su casa durante 20 días. 10.000 atletas y 4.500 atletas con sus acompañantes podrán acceder a servicios como un banco, un café, un supermercado, un peluquero, así como al restaurante más grande del mundo, ubicado en la Cité du Cinema. Puede servir hasta 40.000 comidas al día.Quedará un barrio modernoPara llegar hasta aquí desde el centro de París se puede tomar las líneas 13 y 14 del metro. Una vez que los Juegos Paralímpicos terminen el 8 de septiembre, se abrirán de nuevo las puertas para que los turistas y habitantes del sector puedan disfrutar de un barrio renovado.Christiane Hammelin ya se imagina caminando por aquí cuando quiten el candado. “Yo miro estos pasajes peatonales geniales con sillas alrededor para sentarse y disfrutar de este pequeño jardín que no está nada mal. La vista del río Sena que pasa por aquí es muy bonita y cuando haga buen tiempo con sol lo voy a disfrutar más. Y también hay buenas tiendas”.La Solideo recuperará las llaves para adecuar los edificios. Luego serán vendidos o arrendados, como apartamentos y oficinas cerca de la Cité du Cinema y del colegio Dora Maar.“La cara del barrio, de la ciudad ha cambiado mucho. Antes estaba abandonada y ahora, con la construcción de nuestro colegio, con la construcción de esta Villa Olímpica, se ha dado un lavado de imagen, se está viendo un barrio bastante moderno”, concluye la profesora de español, Belén López.Por su parte el vecino Gilberto Marín, piensa en aprovechar su cercanía con la Villa Olímpica: “ya que vivo aquí tan cerca de por lo menos obtener algún autógrafo de estos deportistas, de lo más famoso que son los que uno siempre busca”. Un reportaje de Ana María Ospina desde Le Village Olympique de París 2024. Edición de Pierre Zanutto.

In 1936, Meret Oppenheim sat down in a cafe with Pablo Picasso and Dora Maar. Picasso took note of Oppenheim's bracelet and commented that anything could be wrapped in fur. Meret replied "even this tea cup" and thus found inspiration for one of the greatest Surrealist sculptures of all time. Other episodes for to explore: Meret Oppenheim | Object (full episode featuring Janet Taylor from The Art of Education University) Marcel Duchamp Pablo Picasso Art Smart: Surrealism Check out my other podcasts  Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

If I were to ask you who the world's most famous modern artist is, chances are that you would answer Pablo Picasso. But if I were to ask you who was the mastermind behind Picasso's most revered works, how many of you would know her name? Listen to ArtMuse's episode on Dora Maar. Known as the woman with a thousand faces, Picasso painted Dora Maar countless times, most famously as his Weeping Woman. What is lesser known is that many of Picasso's greatest works, like Guernica, would have never existed without Dora's creative genius. Dora Maar was a Surrealist photographer and painter in her own right, whose story in its entirety deserves to be shared with the world. It's time for Picasso's Weeping Woman to have the last laugh. ArtMuse is produced by Kula Production Company. Please FOLLOW and RATE ArtMuse on Spotify and SUBSCRIBE and REVIEW our show on Apple Podcasts. Instagram/ Website/BuyMeACoffee

Dans cette nouvelle saison, découvrez la face cachée d'un couple de peintres : Françoise Gilot et Pablo Picasso. Cinquante ans après sa mort, le monde de l'art rend encore hommage à l'œuvre monumentale de Picasso. Pourtant, ces nombreuses expositions occultent souvent le calvaire qu'il a fait vivre à ses compagnes, et surtout, le courage de celle qui lui a dit non. En 4 épisodes, à travers ce couple, nous allons vous dévoiler comment Picasso est passé maître dans l'art de la violence. Piégée dans la toile Cela fait bientôt trois ans que Picasso a quitté Dora Maar pour Françoise Gilot. Trois années que Pablo et Françoise ont passées séparés, sans vivre sous le même toit. Leur relation amoureuse s'est épanouie autour de leur passion pour la peinture, à tel point que l'idée d'une vie commune fait son chemin dans l'esprit du couple. Mais c'est cette vie commune, au sein d'un espace domestique, qui va précipiter la début des violences. Car lorsque les deux artistes commencent à fonder leur foyer, Françoise se rend compte qu'elle a fait l'erreur de sa vie… Ecoutez la saison précédente : Jennifer Lopez et Ben Affleck : un match en deux rounds Production et diffusion : Bababam Originals Un podcast enregistré dans les studios de Bababam Ecriture : Lucie Kervern Voix : François Marion, Lucrèce Sassella Réalisation : Célia Brondeau Learn more about your ad choices. Visit megaphone.fm/adchoices

Dora Maar a souvent été rabaissée au rôle de muse de Picasso. Elle était pourtant une photographe et une peintre de génie. Pour elle, aimer, c'est faire de sa vie une oeuvre. En photographiant, en étant modèle du peintre. En devenant peintre, elle même.  Une histoire de couteau, de portraits et de solitude 1935, Paris. Le soleil brille sur la façade des Deux Magots, à Saint-Germain-des-Près. Pablo Picasso, 53 ans, pousse la porte battante avec empressement. Il pourrait dire qu'il est venu faire connaissance d'une jeune femme, s'il n'avait pas déjà fait sa rencontre par image quelques jours plus tôt. C'est chez Man Ray que Pablo voit Dora pour la première fois. Dans l'atelier du photographe surréaliste, un cliché retient l'attention du peintre. Une femme, brune. Son regard transperce le papier. Sa main posée sur son front, à moitié repliée, ressemble à une tarentule. Qui est-elle, demande immédiatement Picasso ? C'est Dora Maar lui répond Man Ray, une excellente photographe. Picasso insiste pour repartir avec la photo. Date de première diffusion : 15 novembre 2019 Pour découvrir d'autres récits passionnants, cliquez ci-dessous : Ilia Ivanov, le Frankenstein rouge Pasquale Buzzelli, le rescapé des attentats du 11 septembre 2001 Barbara Mackle, la jeune étudiante enterrée vivante Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the podCASS I sit down with Lauren Taylor Wilson (@laurentaylorwilson on Instagram) AKA LTW, who is the founder and CEO of online luxury retailer Dora Maar. In this episode we chat about running a fashion start up, the rise of vintage luxury fashion (and some great vintage shopping tips), fashion's version of the Battle of Versailles, the latest instalment of the Lyst Index (the hottest products of 2023 and brands) AS WELL AS MUCH MUCH MORE! Dora Maar - https://dora-maar.com/ Dora Maar's Instagram - https://www.instagram.com/shopdoramaar/Lauren's Instagram - https://www.instagram.com/laurentaylorwilson/Lauren's TikTok - https://www.tiktok.com/@lauren_t_wilson Listen to the podCASS: https://podcasts.apple.com/gb/podcast/the-podcass/id1704171428Follow me on Instagram and Tiktok @itscassiethorpe Subscribe to my youtube channel: https://www.youtube.com/channel/UCx5xZSr6ng-xpMMe09FYsHg

Merci à HelloFresh de soutenir Timeline ! Profitez de réductions allant jusqu'à 100€ sur vos 5 premières commandes, soit le prix du repas à partir de 2,50€, avec le code Timeline ou en cliquant sur ce line : http://www.hellofresh.fr/timeline Cet ouvrage propose de découvrir ou redécouvrir huit femmes qui partagèrent un temps la vie de Picasso. Germaine Pichot, Fernande Olivier, Eva Gouel, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot et Jacqueline Roque formèrent avec lui de singuliers couples, plus ou moins durables, plus ou moins publics. Ces femmes, que l'histoire a intimement liées à la production de Picasso, ont souvent été étudiées sans nuances, enfermées dans un processus de création et de destruction typiquement picassien. Avec un soin de chercheuse égal à son talent de conteuse, Laurence Madeline restitue à chaque femme et au-delà des années passées auprès de lui, l'intensité d'une existence irréductible à Picasso. Picasso qui n'est ni un héros, ni un dieu. Il vit, tombe amoureux, trahit, est trahi, travaille, expose, crée inlassablement. Approcher ces huit femmes, c'est dérouler en huit récits l'entier parcours de l'artiste, de l'atelier précaire et convivial du Bateau-Lavoir à celui de Mougins, solide et protégé comme une forteresse. C'est aussi explorer soixante-dix années de la condition féminine, de 1906 à 1973, de la petite Parisienne qui cherche une vie meilleure à la femme consciente de sa responsabilité écrasante dans la survivance d'un créateur octogénaire, puis nonagénaire, en passant par les compagnes qui questionnent un machisme flagrant. C'est enfin aborder l'œuvre de Picasso comme une entreprise qui ne serait pas seulement vampirisante, mais réfléchie, polyphonique. Une entreprise dans laquelle les femmes ne sont ni des muses ni des modèles, mais de véritables partenaires qui contribuèrent à porter l'œuvre de l'artiste à la postérité inouïe que nous lui connaissons aujourd'hui. Laurence Madeline est notre invitée pour Xpresso

It's a new era for fashion month, where designer collections are just one piece of the pie. As brands across price points and specialties aim to compete in the increasingly competitive retail landscape, more are taking advantage of the opportunity and approaching it strategically. They're cutting through the noise with innovative marketing tactics, introducing new commerce plays and leveraging advanced digital capabilities to best showcase their products. In this podcast series, running throughout Fashion Month Spring 2024, Glossy and influential leaders are breaking down the evolution of the experiential event, as driven by technology. First up is Lauren Wilson, founder and CEO of Dora Maar, the luxury e-tailer that allows shoppers to buy from the closets of fashion icons. Along with sharing New York Fashion Week's importance to her evolving business, she discusses her plans for taking advantage of marketing and networking opps throughout the week. This episode was recorded amid bustling NYFW, in Showfields' NoHo location. Related reads: NYFW designer Jackson Wiederhoeft on learning from Thom Browne and gaining the CFDA's support Fashion Briefing: Inside the rise of influencer-driven resale sites

Vous écoutez le podcast "5 minutes d'Histoire", notre émission quotidienne gratuite pour tous. Si cela vous a plu, retrouvez plus 300 podcasts d'une heure environ "Timeline 5.000 ans d'Histoire" pour seulement 2€ par mois sans publicité, avec une nouvelle émission chaque semaine : https://m.audiomeans.fr/s/S-tavkjvmo Chaque mois, l'équipe de « Timeline, 5.000 ans d'Histoire » vous propose un ou plusieurs dossiers thématiques "5 minutes d'Histoire" sous la forme de 7 à 40 capsules quotidiennes de 5 minutes. Pour les grands comme les plus petits, passionnés ou intéressés, ces dossiers vous permettront d'en apprendre plus sur les 5.000 ans qui font l'Histoire. Cette semaine, "5 minutes d'Histoire" vous propose « Femmes à l'oeil de verre » Bibliographie: Amao, Damarice et Karolina Ziebinska-Lewandowska. “Dora Maar” dans Code couleur 34, (mai-août 2019): 16-21. Dillon, Brian. “The voraciousness and oddity of Dora Maar's pictures.” The New Yorker, May 21, 2021. Madeline, Laurence. “Dora Maar” dans Picasso 8 femmes. Paris: Editions Hazan, 2023. Mallen, Enrique. Pablo Picasso and Dora Maar: A Period of Conflict (1936-1946). Liverpool: Liverpool University Press, 2021.

This season, I'm rounding up stories about modern artists in love, in lust, in relationships— digging into these individuals, see how their liaisons, marriages, affairs, and connections played in or on their respective works of art, and how, if anything, they affected art history as we know it. I, for one, believe that it's time for Modern Love. Today: we're discussing the lives and loves of Pablo Picasso and Dora Maar.  Please SUBSCRIBE and REVIEW our show on Apple Podcasts and FOLLOW on Spotify Sponsor ArtCurious for as little as $4 on Patreon Instagram / Facebook / YouTube SPONSORS: Honeylove: Get 20% OFF @honeylove + Free Shipping with promo code ARTCURIOUS20 at https://www.honeylove.com! #honeylovepod Shopify: Sign up for a one-dollar-per-month trial period at shopify.com/artcurious Mau Pets: Upgrade your cat furniture stylishly and sustainably at maupets.com. Use our unique link to receive a 5% discount automatically applied at checkout. To advertise on our podcast, please reach out to sales@advertisecast.com or visit https://www.advertisecast.com/ArtCuriousPodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

THIS WEEK on the GWA Podcast, we interview the acclaimed novelist, essayist and author of 18 books, SIRI HUSTVEDT! From memoir to poetry, non-fiction to fiction, Hustvedt's writing has touched on the topics of psychoanalysis, philosophy, neuroscience, literature, and art. Long-listed for the Booker Prize and winner of the Los Angeles Times Book Prize for Fiction, Hustvedt's The Blazing World is a provocative novel about an artist, Harriet Burden, who after years of being ignored attempts to reveal the misogyny in art by asking three male friends to exhibit her work under their name. It is of course a triumph, and other bestsellers include What I Loved and The Summer Without Men. Born in Northfield, Minnesota to a Norwegian mother and an American father, and based in NYC since 1978, it wasn't until 1995 that Hustvedt began writing about art. Since then, her art writing oeuvre has expanded enormously with numerous books and essays published to acclaim – which often focus on the fate of female artists in history, the biases of history making, and discuss the likes of Louise Bourgeois, Alice Neel, Adrian Piper, Lee Krasner, Betye Saar, Joan Mitchell, Dora Maar, among others – which I can't wait to get into later on in this episode… Hustvedt's writing is both eye-opening and groundbreaking. She has questioned how we measure greatness, if art has a gender, the effect of art and literature existing in our memory and the future of fiction. She has looked at the masculine traits of the mind and the female traits of emotion, the domestic vs the intellectual, and analysed how historians have not just told the narrative of art, but the narrative of the world. She has asked why absence is so prevalent and explored how women have reconfigured the body after years of what she calls ‘fictive' spaces… I love her writing and it's allowed me to unlock elements (and see things differently) in books, art, and more that exist in my memory. Favourite books include A Woman Looking at Men Looking At Women: Essays on Art, Sex and the Mind and, more recently, Mothers, Fathers and Others – which is part memoir, part psychological study. So I couldn't be more delighted to have her on the podcast today. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

Welcome back to the Museum of Femininity, in this episode we will be exploring the life and art of photographer and painter Dora Maar.Dora Maar is perhaps most recognisable for her turbulent affair with Pablo Picasso and for being one of this muses and the subject of his iconic weeping woman series. Although we will be exploring some of this history  of their relationship and the impact the breakup had on Maar's life and mental health, we aim to focus mainly on her artistic achievements. We will explore her experimental approach to photography and particularly photomontages, which were fantastical and filled with atmosphere, as well as her success as a career woman creating innovative beauty adverts during the boom of print media. In addition to her remarkable body of work we will also spend some time exploring her persona and fiery passionate nature, which made her such a charismatic person to be around. All in all there is much more to Dora Maar than Picasso, so I hope you enjoy learning more about her life with me. Images - Instagram @themuseumoffemininity Sources Women artists and the surrealist movement by Whitney ChadwickThe Story of Art without Men by Katy Hesselhttps://www.artsy.net/article/artsy-editorial-surrealist-photographer-picassos-musehttps://www.theartstory.org/artist/maar-dora/https://www.ft.com/content/0ee21c42-05a6-11ea-9afa-d9e2401fa7ca

We have to laugh so we don't cry tbh. Today, I call out the TOP CULPRITS of body-shaming culture of the 00s. Oh, you escaped without severe body image issues? COULDN'T BE ME! Plus- do I like golf now? And a daily dance that pairs best with a Four Loko. Use code ALEX20 at Funkkoff.com for 20% your order! Keep those teeth shiny and debris free with the best little thing you'll ever keep in your bag!My over-shopping is now your gain! Shop my closet at Dora-Maar.com.

Michele Tavola"Picasso e Guernica"Genesi di un capolavoro contro tutte le guerreMuseo MAN NuoroMostra aperta fino al 19 febbraio 2023https://museoman.ita cura di Michele TavolaCoordinamento di Rita Moro e Myrtille Montaud Video animazione di Manuelle MuredduSpettacolo / reading Dora pro nobis con Federica Fracassi, violoncello Lamberto Curtoni, dal libro Malamore di Concita De GregorioA settant'anni dalla storica esposizione al Palazzo Reale di Milano del 1953, il MAN di Nuoro rende omaggio a un'opera testimone della sua epoca, ma portatrice di un messaggio universale, ancora oggi tragicamente attuale. Un inno contro l'orrore di tutte le guerre. La mostra celebra anche la prima esposizione di Picasso che vide presentata vent'anni fa al MAN di Nuoro la serie completa della Suite Vollard, in collaborazione con il Reina Sofía di Madrid, partner anche di questo nuovo importante progetto.Dal 23 settembre al 31 dicembre del 1953 Guernica venne esposta nella Sala delle Cariatidi del Palazzo Reale di Milano, insieme a più di trecento altre opere del maestro spagnolo, dando forma alla più grande retrospettiva di Picasso mai tenuta in Italia. Successivamente la mostra venne spostata a Roma, ma in formato ridotto e soprattutto senza Guernica, che da allora non fece mai più ingresso nel nostro Paese. La Sala delle Cariatidi, che al momento di accogliere il capolavoro picassiano presentava ancora i segni dei bombardamenti della Seconda Guerra Mondiale, amplificando così il significato dell'opera, ospitò in quell'occasione anche altre drammatiche composizioni di esplicita denuncia dei disastri della guerra quali il Massacro in Corea e Carnaio.Oggi Guernica non viaggia più, non lascia mai la Spagna né la sua sala al Museo Reina Sofía di Madrid. Non tornerà più a Parigi, dove è stata creata, commissionata dal governo repubblicano spagnolo per l'Esposizione Universale del 1937, non tornerà più al MoMA di New York dove ha passato buona parte del suo esilio prima di tornare in patria. E sicuramente non tornerà più in Italia.Settant'anni dopo la storica esposizione al Palazzo Reale di Milano, il MAN di Nuoro celebra il passaggio italiano di Guernica, simbolicamente e artisticamente fondamentale per una generazione di artisti, di critici d'arte e di cittadini italiani.L'omaggio nuorese si suddivide in due sezioni principali: l'eco di Guernica nella produzione artistica di Picasso e il racconto della genesi dell'opera attraverso la narrazione visiva di Dora Maar, fotografa e all'epoca compagna dell'artista spagnolo.La prima sezione trova il suo fulcro principale nello straordinario dittico di incisioni intitolato Sueño y mentira de Franco, vero e proprio contraltare grafico del grande dipinto. Picasso iniziò a incidere la prima lastra nel gennaio del 1937 ma abbandonò presto il lavoro. Nel mese di maggio, appena dopo il tragico bombardamento della cittadina basca, portò a termine entrambe le matrici proprio mentre stava eseguendo la monumentale tela, utilizzando gli stessi studi e le stesse idee. Non si tratta affatto, però, di una versione in formato ridotto del quadro, ma di un'invenzione originale, a sé stante, che prende le mosse dallo stesso pensiero e dallo stesso impeto creativo. Attorno a Sueño y mentira de Franco si raccoglierà una piccola ma significativa serie di incisioni, che afferiscono direttamente alla gestazione di Guernica o che, per essere stati realizzate nello stesso periodo, richiamano da vicino stile e temi del celebre dipinto.La seconda anima della mostra ruoterà attorno alla straordinaria testimonianza di Dora Maar, che documentò giorno per giorno, con le proprie fotografie, il lavoro di Picasso. Si tratta di una serie di scatti al contempo commoventi e fondamentali per la ricostruzione filologica della creazione di Guernica. Insieme alle fotografie, si esporrà la splendida incisione Portrait de Dora Maar au chignon eseguita da Picasso proprio nel 1936 a un anno da Guernica e che per certi versi riverbera lo stile sintetico di Guernica. Non mancheranno immagini scattate nel 1953 da Mario Perotti in occasione della rassegna milanese, nell'allestimento toccante della Sala delle Cariatidi segnata dai bombardamenti, situazione tragica che convinse Picasso a esporre il suo capolavoro in quel contesto così affine all'anima del dipinto.Catalogo Interlinea, italiano inglese, con testi di Michele Tavola, Gioxe De Micheli, Victoria Combalía, Jean-Louis Andral, bibliografia ragionata su Guernica a cura di Erica Rompani.Crediti Immagine Edward Quinn, Picasso with a wicker mask, 1959Photo Edward Quinn, © edwardquinn.com © Succession Picasso by SIAE 2022IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Ruth Millington's wonderful book uncovers the hidden figures behind art history's masterpieces. We tend to forget that each great artist, whether from the past or present, has their own unique muse who inspires them, gives them energy and influences their creativity. For Picasso it was Dora Maar; for Rodin it was Camille Claudel; for Frida Kahlo it was her illness. Those muses had a significant impact on the artists we love, but they often get hidden behind the shadows of giants whom they inspired. In this interview, Ruth and I talked about Muses who inspired artists such as Frida Kahlo, Pablo Picasso, Lucian Freud, Tim Walker, and many others. Ruth spent years researching the relationship between artists and their Muses. I asked her to give us some tips about how you and I can mimic great artists so we can connect with our own Muses too. You can get Ruth's book here Ruth's ARTIDOTE page GET IN TOUCH WITH ME

In 1936, Meret Oppenheim sat down in a cafe with Pablo Picasso and Dora Maar. Picasso took note of Oppenheim's bracelet and commented that anything could be wrapped in fur. Meret replied "even this tea cup" and thus found inspiration for one of the greatest Surrealist sculptures of all time. Other episodes for to explore: Meret Oppenheim | Object (full episode featuring Janet Taylor from The Art of Education University) Art Smart: Surrealism Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (I'll send a $50 Amazon gift card to the teacher who gets the most shoutouts on this form by Feb 27) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Make a Donation As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:02:45 - Grand angle - Le collège Dora Maar de Saint Denis, situé juste en face de la cité du cinéma n'est pas classé en ZEP, mais mériterait probablement de l'être. La vie scolaire n'y est pas facile.

Art has long been a lever for working class solidarity and social justice. It's also a collaborative form of labor that props up some workers and devalues others. This week, we're taking a long, hard look at two works of art: Rodrigo Valenzuela: New Works for a Post Worker's World, an exhibition on view at BRIC House through December 23rd, and 7 MINUTES, a play produced by Waterwell that premiered at HERE Arts Center last spring. • Brooklyn, USA is produced by Emily Boghossian, Shirin Barghi, Charlie Hoxie, Khyriel Palmer, and Mayumi Sato. If you have something to say and want us to share it on the show, here's how you can send us a message: https://bit.ly/2Z3pfaW• Thank you to Justin Bryant, Elizabeth Ferrer, Marc Enette, Waterwell, Lee Sunday Evans, Arian Moayed, Andrew Tilson, and Matthew Munroe aka Superlative Sain. • LINKSBorn in 1982, Santiago, Chile; based in Los Angeles, CA Rodrigo Valenzuela has presented solo exhibitions at the New Museum and Asya Geisberg Gallery, both NY; Light Work, Syracuse, NY; University of South Florida, Tampa, FL; Santa Cruz Museum of Art and History, CA; Orange County Museum of Art, Santa Ana, CA; Museum of Art and History, Lancaster, CA; Luis de Jesus, Los Angeles, CA; Jordan Schnitzer Museum of Art, Eugene, OR; and the Portland Art Museum and UPFOR, both Portland, OR. He has participated in group exhibitions at The Kitchen, The Drawing Center, Wave Hill, and CUE Art Foundation, all NY; Museum of Contemporary Art North Miami, FL; Bemis Center for Contemporary Arts, Omaha, NE; Frye Art Museum, Seattle, WA; and The Museum of Fine Arts, Houston, TX, among others. He has also exhibited his work in solo shows internationally at Arróniz Arte Contemporáneo, Mexico City; Peana Projects, Monterrey, NL, Mexico; Galería Patricia Ready and Museo de Arte Contemporàneo, Universidad de Chile, Santiago, Chile; and Galerie Lisa Kandlhofer, Vienna, Austria. Valenzuela has participated in residencies at Dora Maar, Fountainhead, Light Work, MacDowell, Glassell School of Art, Bemis Center for Contemporary Arts, Kala Art Institute, Vermont Studio Center, Center for Photography at Woodstock, and the Skowhegan School of Painting and Sculpture. He is the recipient of the 2021 John Simon Guggenheim Memorial Foundation Fellowship in Photography, the Smithsonian Artist Research Fellowship, and the Joan Mitchell Fellowship. His work is included in numerous public and private collections, including those of the Whitney Museum of American Art, J. Paul Getty Museum, Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, The Nelson-Atkins Museum of Art, Frye Art Museum, Tacoma Art Museum, and The Center for Photography at Woodstock. He is an Associate Professor and Head of the Photography Department at UCLA. Valenzuela received his BFA in Art History and Photography from the University of Chile, his BA in Philosophy from Evergreen State College, and his MFA in Photo/Media from the University of Washington.Ebony Marshall-Oliver is an actress, singer, and storyteller. She began singing in church as a little girl. After being cast in her first musical- Bubbling Brown Sugar- in her mid twenties, she decided that acting would be her career. She enrolled in the Integrated Program at AMDA NY. Her first professional job after graduating was Seussical the Musical with TheatreWorksUSA. With this role, she became a member of Actors Equity Association. Broadway credits include Ain't No Mo' and Chicken and Biscuits. Off Broadway theaters she's worked at are Waterwell, Clubbed Thumb, The Public Theater, to name a few. She can be seen on season 2 of The Ms. Pat Show (BET+) and season 3 of Evil (Paramount+).Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. Their critically-acclaimed work has been seen at The Bushwick Starr, Waterwell, The Shed, Shakespeare's Globe, Woolly Mammoth, Theaterworks Hartford, Belgium's Festival de Liege, the Edinburgh Fringe, Beijing Int'l Festival, among others. Awards include LPTW Josephine Abady award and the inaugural Lily Fan Director Lilly Awards. They are an Associate Artistic Director and Director of New Work at Oregon Shakespeare Festival.Sarah Hughes has played many roles in her short time in the labor movement, including steward, officer, organizer, and workshop facilitator. She has worked for the National Education Association (NEA), the Professional Staff Congress at the City University of New York (AFT), and university labor studies programs, including CUNY's NY Union Semester. She has also taught a variety of workshops to city workers, electricians, women workers, and others. She holds a masters in labor studies from UMass Amherst. Prior to joining the Labor Notes staff in 2021, Sarah had been a long time fan, subscriber, volunteer trainer and donor. She attended her first Labor Notes conference in 2008, and is excited for many more. She lives in Flatbush with her labor lawyer husband and their toddler, who also loves picket lines. Waterwell is a group of artists, educators and producers dedicated to telling engrossing stories in unexpected ways that deliberately wrestle with complex civic questions. Founded by Andrew Tilson, the Workers Unite Film Festival, now in its 11th season, is a celebration of Global Labor Solidarity.  The Festival aims to showcase student and professional films from the United States and around the world which publicize and highlight the struggles, successes and daily lives of all workers in their efforts to unite and organize for better living conditions and social justice.Superlative, meaning the best of, and Sain meaning to bless, is a multi-talented creative, born in the UK (United Kingdom, England) and raised in Hollis Queens, New York. Born Matthew Munroe, Sain always connected with music by singing with his mother, a vocalist in a church choir who grew up singing. As a child, art was always a passion of Sain's life. Art was always a staple in his life, from drawing full-length comic books to designing logos. Picking up the art of rapping in his early college years, Sain continued with his love of the arts and always wanted to bring his friends with Him wherever he went. Co-creating the creative collective group OGWN with long-time friend Diverze Koncept, he began expanding his ever-growing catalog simply because he loved making music. While pursuing music, he also manages his visual company MMunroeMedia, directing, filming, and editing music videos for other artists, capturing the moment and enhancing the vision with graphics and photography. Superlative Sain takes the term "Artist" to an entirely new level by designing his merch/clothing line, "Be|SUPERLATIVE," Check out this talented artist and be a part of his Rise.• MUSIC and CLIPSThis episode featured clips from “Why Work?” (1996) by Bill Moyers.• TRANSCRIPT: ~coming soon~• Follow us on Twitter and Instagram @BRICTV Visit us online at bricartsmedia.org/Brooklyn-USA

La historia de ¿amor? entre el pintor y la artista plástica. --- Send in a voice message: https://anchor.fm/urbanaplayfm/message

Mandy tells Caelan and Hoots all about the many loves of this infamous painter and womanizer.Follow Respect the Dead on Twitter or Instagram and sign up on our Patreon Here!Episode Links:Picasso: https://www.biography.com/.image/t_share/MTY2NTIzNTAyNjgwMDg5ODQy/pablo-picasso-at-his-home-in-cannes-circa-1960-photo-by-popperfoto_getty-images.jpg Fernade Oliver: https://www.blogmuseupicassobcn.org/wp-content/uploads/2018/04/Fernande-Oliver-01.jpg Eva Gouel: https://imgix.ranker.com/user_node_img/50084/1001670237/original/picasso-kidnapped-irene-lagut-before-she-left-him-for-another-woman-photo-u1?w=650&q=50&fm=pjpg&fit=crop&crop=faces Les Demoiselles d'Avignon painting: https://en.wikipedia.org/wiki/Fernande_Olivier#/media/File:Les_Demoiselles_d%27Avignon.jpg Olga: https://i.pinimg.com/originals/de/5d/c3/de5dc356e8853db0257a784c4a1f5159.jpg Marie-Therese Walter: https://4.bp.blogspot.com/-kcYcL7-X3G8/Tbiq6QQFOdI/AAAAAAAAafY/7icc78L_iSU/s1600/marie+the%25CC%2581re%25CC%2580se+walter.jpg Dora Maar: https://ilarge.lisimg.com/image/6483548/753full-dora-maar.jpg The Weeping Woman: https://www.abc.net.au/news/image/1531472-3x4-700x933.jpg Francoise Gilot: https://static01.nyt.com/images/2019/06/10/t-magazine/13tmag-francoise-slide-8I4B/13tmag-francoise-slide-8I4B-videoSixteenByNineJumbo1600.jpg Jacqueline: https://www.artsandcollections.com/wp-content/uploads/2019/05/Roque.jpg

I'm joined by Risa Kostis, a wardrobe stylist, personal shopper, and co-founder and CEO of The Rescue Kit Company, a curated fashion solution for brides and beyond. Risa and I dive into how she developed her love of fashion from a young age, what landed her in the bridal industry, and the story behind why she and her sister launched The Rescue Kit Company. We discuss the biggest business lessons that she's learned along the way, including how to uphold boundaries and protect your energy. Plus, Risa shares her top tips for staying stylish on a budget and what three pieces every woman should have in her closet right now.  IN THIS EPISODE, WE TALK ABOUT: How Risa found deeper meaning in uplifting her clients through hair, makeup, and fashion  Risa's Advice for anyone who wants to explore a more fashionable side of themselves, but fears potential judgment or negative feedback   The strategy behind developing and scaling The Rescue Kit Company  Learning how to network and put yourself out there, but not over-commit your schedule  Risa's morning routine that sets her day up for success  RESOURCES Use code GILLEAN15 to get 15% off your order at https://therescuekitco.com/discount/GILLEAN15 (therescuekitco.com/discount/GILLEAN15)!   https://www.amazon.com/Set-Boundaries-Find-Peace-Reclaiming/dp/0593192095 (Set Boundaries, Find Peace: A Guide to Reclaiming Yourself by Nedra Glover Tawwab )  https://www.therealreal.com/ (The RealReal)  https://dora-maar.com/ (Dora Maar)  https://www.asos.com/us/women/ (ASOS)  https://heidiboutique.com/ (Heidi Boutique )  https://www.charmedavenue.com/ (Charmed Avenue)  https://www.shopatmuse.com/ (Muse Apparel )  https://maeandmarieshop.com/ (Mae & Marie)  CONNECT WITH RISA  Visit Risa's website: https://risakostis.com/ (risakostis.com) Follow Risa on Instagram: https://www.instagram.com/risakostis/ (https://www.instagram.com/risakostis/)  Shop The Rescue Kit Company: https://therescuekitco.com/ (therescuekitco.com)  CONNECT WITH GILLEAN Follow Gillean: https://www.instagram.com/itsgillean/ (@itsgillean) Follow What's For Dinner Club: https://www.instagram.com/whatsfordinnerclub.official/ (@whatsfordinnerclub.official) Let's TikTok: https://www.tiktok.com/@itsgillean (@itsgillean) Text FREE to (866) 551-1989 to try What's For Dinner Club https://millennialnutrition.com/ (Learn more) about Gillean https://podcasts.apple.com/us/podcast/its-gillean/id1638798275 (Listen) to more episodes of It's Gillean

Dora Maar (1907-1997) is best known as the model who inspired Pablo Picasso's portrait “The Weeping Woman.” However, she was much more than a muse. Her experimental and surrealist paintings and photographs are still influential today.This month, we're talking about muses–women who were drivers of creativity and inspiration. Once again, we're proud to partner with Mercedes-Benz (whose famous namesake was inspired by a young muse named Mercedes). Tune in daily for stories of women whose lives inspired work that has shaped our culture.History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Alex Jhamb Burns. Special thanks to Shira Atkins. Original theme music composed by Miles Moran.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter

Sara Cosulich"Pinacoteca Agnelli"https://www.pinacoteca-agnelli.it/la-pinacoteca/missione/Il nuovo corso della Pinacoteca Agnelli di Torino sta dando i suoi frutti La nuova direttrice Sarah Cosulich insieme a tutto il suo staff al femminile, ci racconta il suo progetto “per dare forma a questa nuova strada per l'arte e con l'arte, con tre progetti espositivi che esprimono un nuovo approccio alla produzione delle mostre, tutte prodotte internamente, una nuova visione della preziosa collezione permanente, da riattivare, ma anche da ripensare e mediare al pubblico”. Il tutto con una fruizione più aperta, che ingloba anche la storica pista di collaudo del Lingotto del vecchio stabilimento della Fiat e si dota di nuovi servizi come la caffetteria.Beyond The Collection, un inedito progetto espositivo continuativo dedicato alla rilettura e riattivazione della collezione permanente: l'istituzione parte ogni volta da un'opera diversa dello Scrigno per stabilire relazioni in grado di riflettere sulle presenze così come sulle assenze della collezione. In questo caso, a partire da un'opera di Picasso in collezione, il dialogo è tra 3 ritratti del pittore catalano degli anni Trenta raffiguranti Dora Maar, provenienti dalla Fondation Beyeler, e una serie di fotografie di Dora Maar stessa, artista fotografa, poeta e pittrice francese di origine croata, riconosciuta per i suoi collage surrealisti.Poi si passa parte dell'artista svizzera Sylvie Fleury, fatta di tante ambientazioni diverse, dove c'è anche la riproduzione di una grotta che Fleury concepisce come uno spazio di trasformazione del sé. “Gli immaginari pop, ironici e seducenti di Sylvie Fleury sottolineano l'importanza di guardare a figure femminili rilevanti per la storia dell'arte”, continua Cosulich: “pioniera ma figura influente sulla scena contemporanea il progetto dedicato all'artista e prodotto dalla Pinacoteca Agnelli è la sua più importante mostra in Italia”.Infine la Pista 500 sul tetto del Lingotto, spazio recentemente riconvertito in giardino pensile dall'architetto paesaggista Benedetto Camerana, e ora museo en plein air e in progress. Questa prima edizione di arte sul tetto apre al pubblico con opere di sette artisti internazionali: Valie Export, Sylvie Fleury presente anche qui con una scritta al neon, Shilpa Gupta, Louise Lawler, Mark Leckey e Cally Spooner con una poetica installazione sonora che diffonde una suite di Bach per violoncello nell'immenso spazio della Rampa Sud, facendone da cassa di risonanza. L'opera di Nina Beier inaugura, invece, tra un mese com'è nello stile della Pista, in continuo aggiornamento.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Armando Besio"Zelbio Cult"Torna Zelbio Cult e festeggia la sua quindicesima edizione con la sua formula ben riuscita: sul palcoscenico salgono protagonisti del teatro, della letteratura, dell'arte, del giornalismo, tutti invitati a dialogare con il curatore e con il pubblico nel teatro comunale di Zelbio, un suggestivo paese di 200 abitanti a 800 metri di altezza tra i monti e i boschi che guardano il lago di Como.Armando Besio, con gli amici del Comitato cultura di Zelbio, e con il sostegno della Pro Loco e della Biblioteca comunale, ha costruito un vivace calendario per l'edizione in arrivo. L'apertura di quest'anno è sabato 9 luglio con lo spettacolo - reading: “Dora pro nobis”: tratto dal libro Malamore di Concita De Gregorio, Federica Fracassi (voce) e Lamberto Curtoni (violoncello, autore delle musiche) duettano sulla tumultuosa relazione tra Dora Maar, grande fotografa esponente del Surrealismo, e Picasso. A lei – sua musa ispiratrice - si deve tutta la documentazione fotografica sulla realizzazione del quadro Guernica: la loro travagliata relazione durò 10 anni, e Dora ne uscì devastata, pagando un prezzo altissimo con la reclusione in una clinica per la salute mentale. Protagonista di primo piano della scena teatrale italiana, Federica Fracassi interpreta Dora con grande intensità e sensibilità, accompagnata dal violoncello di Lamberto Curtoni, con cui dà voce a Picasso. Venerdì 15 luglio si continua con la lectio magistralis di Flavio Caroli in cui racconta le sette rivoluzioni che hanno segnato l'arte del secondo dopoguerra, partendo dall'ultimo saggio “I sette pilastri dell'arte di oggi. Da Pollock alle bufere del nuovo millennio” (Mondadori). Dopo averci fatto innamorare delle opere d'arte del passato, il noto storico dell'arte torna a Zelbio per raccontare il suo “colpo di fulmine con il genio del Duemila”, di cui individua le fondamenta da cui partire per apprezzare l'arte di oggi. All'origine dei tanti linguaggi dell'arte contemporanea, Caroli identifica sette rivoluzioni maturate a partire dagli anni della Seconda guerra mondiale. L'avventura non può che cominciare con l'Action Painting e le tele di Jackson Pollock per arrivare a Marina Abramovic e a Kapoor, passando per la Pop Art e l'Arte concettuale. Una serata che mescola l'arte con i ricordi personali e gli aneddoti del professor Caroli, accompagnati dalle immagini dei capolavori degli ultimi settant'anni. Si parla di fumetti sabato 23 luglio con Michele Masiero, direttore editoriale della Sergio Bonelli, “mitica” casa editrice che pubblica TEX e che quest'anno compie 80 anni. L'eroe più popolare del West e il più conosciuto di sempre per gli appassionati di fumetti western è stato creato da Giovanni Luigi Bonelli nel 1948 e ha appassionato intere generazioni. Ancora oggi l'unica definizione per Tex Willer è “una leggenda”, anche perché è il più longevo personaggio del fumetto italiano e – insieme a Superman e Batman – uno dei più duraturi del fumetto mondiale. Avventure, aneddoti e segreti del personaggio che ancora oggi ha centinaia di migliaia di affezionati lettori. Domenica 24 luglio si conferma l'appuntamento con la musica classica in collaborazione con il Festival di Bellagio e del Lago di Como con il concertoBellagio Festival Orchestra, il solista Raffaele Trevisani (flauto) e con musiche di Luigi Boccherini, Gaetano Donizetti e Saverio Mercadante (questo appuntamento è alle ore 17.00 nella Chiesa di San Paolo Converso).Si passa poi al tema “Lo sport, che passione” nell'incontro di venerdì 29 luglio con Giorgio Teruzzi: giornalista sportivo e scrittore di fama, autore di testi per il teatro e per il cinema, ha cominciato a lavorare con Beppe Viola presso l'agenzia Magazine. Da allora, ha seguito e raccontato il mondo dello sport. Una serata con una carrellata di storie e personaggi che hanno toccato il cuore raccontati da un campione del giornalismo italiano. Sabato 6 agosto al centro della scena c'è Fëdor Dostoevskij: nel 2021 cadeva il duecentesimo anno dalla sua nascita e le sue opere sono state celebrate ovunque con convegni, incontri e pubblicazioni ad hoc. Quest'anno la figura del più grande scrittore russo è rimasta impigliata nella polemica relativa al conflitto Russia-Ucraina. Parlare di Dostoevskij adesso significa quindi gettare uno sguardo sugli angeli e sui demoni russi, e a farlo è Fausto Malcovati, uno dei più autorevoli slavisti italiani, docente di Lingua e Letteratura russa proprio dell'Università statale di Milano, autore del recente saggio “Un'idea di Dostoevskij” (Cuepress). I romanzi di Dostoevskij sono popolati da personaggi potenti: in taluni casi per la loro straordinaria forza interiore e profonda spiritualità, in altri per la loro arroganza, la perversione, la violenza. Il conflitto tra il bene e il male, tra volontà di superare le proprie contraddizioni e la fragilità con cui ci si abbandona ai propri vizi è costante in tutti i romanzi. È faticoso il cammino della rettitudine, è faticoso assumersi fino in fondo la responsabilità dei propri atti: ma questo è il cammino che deve intraprendere chi vuole raggiungere la maturità, la saggezza. C'è dunque il cammino degli angeli e quello dei demoni: siamo dotati di libero arbitrio, ci dice Dostoevskij, sta a noi scegliere. Sabato 13 agosto si parla di “Un mondo unico al mondo” (Cinquesensi editore), ovvero del lago di Como: a raccontare la realtà lacustre meno evidente e scontata, il particolare più identificante tra immagini e aneddoti, uniti dal filo rosso dell'amicizia che li lega da anni, sono il fotografo Carlo Borlenghi, lo scrittore Andrea Vitali e l'editrice Sara Vitali. Le immagini di Borlenghi, firma della fotografia internazionale e noto per gli scatti della vela a livello internazionale, immortalano una terra – la sua – che si identifica con l'acqua. Dopo aver girato il mondo seguendo regate e coppe veliche, si è fermato a casa – forzatamente negli anni della pandemia – e ha scelto di raccontare il Lario come una narrazione d'impressioni sulla potente natura di questa terra che suscita ammirazione, spesso sorpresa, talvolta emozionata riflessione. A chiudere, venerdì 19 agosto la serata che unisce le immagini e i racconti di Pietro Del Re, inviato per le pagine degli Esteri di Repubblica, specialista del continente africano e sempre in viaggio con la Leica. Titolo dell'incontro: “Mille Afriche. Dal Sahara allo Zimbawe, dal Mali al Mozambico” e ha come punto di partenza il suo ultimo libro, intitolato “Un po' più a Sud. Racconti africani” (Edizioni Iod), composto da immagini scattate in Africa nel corso di reportage realizzati per Repubblica. Il libro contiene 40 fotografie, tutte accompagnate da brevi racconti che descrivono conflitti, pestilenze e disastri ambientali, ma anche scene di vita quotidiana. Il libro contiene anche testi di Lucio Caracciolo e Denis Curti. Nella serata verrà anche presentata la onlus milanese Okapia, attiva in Rwanda e nella Repubblica Democratica del Congo. Il curatore della manifestazione Armando Besio: Genovese di nascita, giornalista, si è laureato in Storia dell'Arte con il professor Corrado Maltese presso l'Università di Genova, è stato cronista del Secolo XIX, inviato speciale del Lavoro, caposervizio del Venerdì di Repubblica e delle pagine culturali milanesi di Repubblica. Collabora con Il Venerdì di Repubblica, la Milanesiana di Elisabetta Sgarbi e il Circolo dei Lettori di Milano diretto da Laura Lepri. IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

This week's episode is dedicated to knowing that everything happens timely with divine precision.   Lauren Wilson is adept at marketing. She is also well-versed in the arts and luxury goods.  Her resume reads like an illustrious fashion and luxury wish list.  She is currently the founder of Dora Maar, a luxury pre-owned resale site.  Prior to becoming her own boss, she was the business development manager at Moda Operandi; a marketing coordinator at Christie's auction house; the Entertainment Industry Relations Assistant at Gucci, a PR associate at Ralph Lauren; an editorial intern at Vogue; a fashion and shopping intern at Elle; and a press office intern at Jimmy Choo. But wait, there's more.       Her formal education took place at the University of Southern CA, NYU, and the University Paris Sorbonne.  She's major.  Brains, beauty, and style.   Catch the latest episode of the Forever F.A.B. podcast on Apple podcasts, Spotify, YouTube, iheartradio, Podbean, and wherever you listen to your favorite podcasts.  For past episodes featuring guest star interviews, beauty product reviews and innovations in plastic surgery, visit ForeverFABpodcast.com.     Dr. Shirley Madhere is a NYC-based plastic surgeon and Founder of Holistic Plastic Surgery.  This philosophy is based on a whole-body, mind, and spirit approach to beauty and incorporates wellness, integrative nutrition, functional aesthetics, and complementary medicine.   Dr. Madhere's approach to optimal outcomes in plastic surgery is through a lens of wellness, and is grounded in science and backed by ivy league medical study, research, and extensive surgical training.  View her menu of services at ElementsandGraces.com.  Consultations are available in-office, virtually, and online via Click-lift.com.   Coming soon: Dr. Madhere offers beauty on call services through Jet Set Beauty Rx, a mobile medical aesthetics unit delivering beauty in the privacy of your own home.  Reserve at JetSetBeautyRx.com.   As a creative outlet and means to broaden the perspective on the “spectrum of beauty,”  Dr. Madhere created Forever F.A.B., a podcast dedicated to Fashion, the Art of living well (i.e., wellness), and all things Beauty.  Visit ForeverFABpodcast.com for past and new episodes.     If you enjoy listening to the Forever F.A.B. podcast, get more audio and visuals with a membership through Patreon.  Choose the Gold, Platinum, or Diamond tier for premium added content, special co-hosts, lifestyle videos, branded merchandise, and private access to Dr. Shirley's Clubhouse by visiting patreon.com/ForeverFAB.   Catch the latest episode of the Forever F.A.B. podcast on Apple podcasts, Spotify, YouTube, iheartradio, Podbean, Amazon podcasts, and wherever you listen to your favorite podcasts.  For past episodes featuring guest star interviews, beauty product reviews and innovations in plastic surgery, visit ForeverFABpodcast.com.   The F.A.B. Five according to Lauren Wilson:  Recommendations/The F.A.B. Five according to Lauren Wilson: Take weekends off. Recommendations/The F.A.B. Five according to Lauren Wilson: Don't take things or yourself so seriously. Recommendations/The F.A.B. Five according to Lauren Wilson: Build your support network. Recommendations/The F.A.B. Five according to Lauren Wilson: “If it's not going to matter in five years, don't spend more than five minutes worrying about it.” (Anon) Recommendations/The F.A.B. Five according to Lauren Wilson: Always have a “lippy;” never leave home without a good lip! If you want to be a Muse, check out the archival luxury fashion at Dora-Maar.com. Also check it out on social: @shopdoramaar. ***** As always, if you liked this episode of the Forever FAB podcast, please share it and subscribe to the feed. Listen to past episodes or check out who's coming up next on foreverfabpodcast.com.   If you enjoy listening to the Forever F.A.B. podcast, get more audio and visuals with a membership through Patreon.  Choose the Gold, Platinum, or Diamond tier for premium added content, special co-hosts, lifestyle videos, branded merchandise, and private access to my Clubhouse by visiting patreon.com/ForeverFAB.   If you are the Founder of or represent a beauty brand and want to be featured on an episode of the Forever FAB podcast segment of Fifteen Minutes of FAB, send me some stuff.  Visit ForeverFABpodcast.com and fill out the Contact form.   For general holistic beauty tips or to set up an appointment with me to discuss your personalized options for leveling up your beauty, go to ElementsandGraces.com and sign up for my newsletter.   And for an online e-consultation on time, anytime and on your time, visit Click-Lift.com for your wellness, plastic surgery, and beauty questions on the go. And… if you don't want to go anywhere or leave your home, look out for Jet Set Beauty Rx offering mobile aesthetic medical services, such as injectable fillers and multi-vitamin facial treatments.  Jet Set Beauty Rx is coming to your neighborhood soon.   Credits: Video backdrop: custom by Anyvoo Fashion: tank top by Ports 1961; jumper by Tracy Reese Beauty: skincare by Wonderskin Purevoc Makeup: n/a   Produced by www.oneofoneproductions.com Recorded, mixed, edited and original music by www.23dbproductions.com   Podcast Medical Disclaimer The purpose of this podcast is to educate and inform. It is no substitute for professional care by your doctor or your own qualified healthcare professional. Never disregard professional medical advice or delay in seeking it because of something you have read on this podcast or in any linked materials. Guests who speak on this podcast express their own opinions, experience and conclusions, and Dr. Shirley Madhere neither endorses nor opposes any particular opinion discussed in this podcast. The views expressed on this podcast have no relation to those of any academic, hospital, practice, institution or other entity with which Dr. Shirley Madhere may be affiliated.

The story of the first encounter between Pablo Picasso and his muse, Dora Maar, has been much mythologised. It is said that Maar, aged 29 at the time, was seated alone at the popular cultural hotspot, Les Deux Magots, playing a game in which she stabbed a small knife between her fingers into the wood of the table. From time to time, she narrowly missed and her hand was covered with blood.

This week's episode is dedicated to knowing that everything happens timely with divine precision.   Lauren Wilson is adept at marketing. She is also well-versed in the arts and luxury goods.  Her resume reads like an illustrious fashion and luxury wish list.  She is currently the founder of Dora Maar, a luxury pre-owned resale site.  Prior to becoming her own boss, she was the business development manager at Moda Operandi; a marketing coordinator at Christie's auction house; the Entertainment Industry Relations Assistant at Gucci, a PR associate at Ralph Lauren; an editorial intern at Vogue; a fashion and shopping intern at Elle; and a press office intern at Jimmy Choo. But wait, there's more.       Her formal education took place at the University of Southern CA, NYU, and the University Paris Sorbonne.  She's major.  Brains, beauty, and style.   Catch the latest episode of the Forever F.A.B. podcast on Apple podcasts, Spotify, YouTube, iheartradio, Podbean, and wherever you listen to your favorite podcasts.  For past episodes featuring guest star interviews, beauty product reviews and innovations in plastic surgery, visit ForeverFABpodcast.com.     Dr. Shirley Madhere is a NYC-based plastic surgeon and Founder of Holistic Plastic Surgery.  This philosophy is based on a whole-body, mind, and spirit approach to beauty and incorporates wellness, integrative nutrition, functional aesthetics, and complementary medicine.   Dr. Madhere's approach to optimal outcomes in plastic surgery is through a lens of wellness, and is grounded in science and backed by ivy league medical study, research, and extensive surgical training.  View her menu of services at ElementsandGraces.com.  Consultations are available in-office, virtually, and online via Click-lift.com.   Coming soon: Dr. Madhere offers beauty on call services through Jet Set Beauty Rx, a mobile medical aesthetics unit delivering beauty in the privacy of your own home.  Reserve at JetSetBeautyRx.com.   As a creative outlet and means to broaden the perspective on the “spectrum of beauty,”  Dr. Madhere created Forever F.A.B., a podcast dedicated to Fashion, the Art of living well (i.e., wellness), and all things Beauty.  Visit ForeverFABpodcast.com for past and new episodes.     If you enjoy listening to the Forever F.A.B. podcast, get more audio and visuals with a membership through Patreon.  Choose the Gold, Platinum, or Diamond tier for premium added content, special co-hosts, lifestyle videos, branded merchandise, and private access to Dr. Shirley's Clubhouse by visiting patreon.com/ForeverFAB.   Catch the latest episode of the Forever F.A.B. podcast on Apple podcasts, Spotify, YouTube, iheartradio, Podbean, Amazon podcasts, and wherever you listen to your favorite podcasts.  For past episodes featuring guest star interviews, beauty product reviews and innovations in plastic surgery, visit ForeverFABpodcast.com.   The F.A.B. Five according to Lauren Wilson:  Recommendations/The F.A.B. Five according to Lauren Wilson: Take weekends off. Recommendations/The F.A.B. Five according to Lauren Wilson: Don't take things or yourself so seriously. Recommendations/The F.A.B. Five according to Lauren Wilson: Build your support network. Recommendations/The F.A.B. Five according to Lauren Wilson: “If it's not going to matter in five years, don't spend more than five minutes worrying about it.” (Anon) Recommendations/The F.A.B. Five according to Lauren Wilson: Always have a “lippy;” never leave home without a good lip! If you want to be a Muse, check out the archival luxury fashion at Dora-Maar.com. Also check it out on social: @shopdoramaar. ***** As always, if you liked this episode of the Forever FAB podcast, please share it and subscribe to the feed. Listen to past episodes or check out who's coming up next on foreverfabpodcast.com.   If you enjoy listening to the Forever F.A.B. podcast, get more audio and visuals with a membership through Patreon.  Choose the Gold, Platinum, or Diamond tier for premium added content, special co-hosts, lifestyle videos, branded merchandise, and private access to my Clubhouse by visiting patreon.com/ForeverFAB.   If you are the Founder of or represent a beauty brand and want to be featured on an episode of the Forever FAB podcast segment of Fifteen Minutes of FAB, send me some stuff.  Visit ForeverFABpodcast.com and fill out the Contact form.   For general holistic beauty tips or to set up an appointment with me to discuss your personalized options for leveling up your beauty, go to ElementsandGraces.com and sign up for my newsletter.   And for an online e-consultation on time, anytime and on your time, visit Click-Lift.com for your wellness, plastic surgery, and beauty questions on the go. And… if you don't want to go anywhere or leave your home, look out for Jet Set Beauty Rx offering mobile aesthetic medical services, such as injectable fillers and multi-vitamin facial treatments.  Jet Set Beauty Rx is coming to your neighborhood soon.   Credits: Video backdrop: custom by Anyvoo Fashion: tank top by Ports 1961; jumper by Tracy Reese Beauty: skincare by Wonderskin Purevoc Makeup: n/a   Produced by www.oneofoneproductions.com Recorded, mixed, edited and original music by www.23dbproductions.com   Podcast Medical Disclaimer The purpose of this podcast is to educate and inform. It is no substitute for professional care by your doctor or your own qualified healthcare professional. Never disregard professional medical advice or delay in seeking it because of something you have read on this podcast or in any linked materials. Guests who speak on this podcast express their own opinions, experience and conclusions, and Dr. Shirley Madhere neither endorses nor opposes any particular opinion discussed in this podcast. The views expressed on this podcast have no relation to those of any academic, hospital, practice, institution or other entity with which Dr. Shirley Madhere may be affiliated.

Nos visita Ernesto Castro, que acaba de publicar su primera novela: 'Jantipa o del morir' (Ed. Temas de hoy), una obra filosófica sobre la vida, la muerte y la esperanza en la noche más larga de Auschwitz.  Además, hacemos metacrítica de arte con Mery Cuesta, que viene a hablarnos de Linda Nochlin, crítica neoyorquina que se convirtió en una figura clave para comprender y difundir el arte de mujeres durante los años 70. Todo a partir de la reciente aparición del libro 'Mujeres artistas: Ensayos de Linda Nochlin' publicado por Alianza Forma. Y nos acercaremos a la curiosa historia que cuenta Brigitte Benkemoun en un libro que edita Taurus: 'En busca de Dora Maar'. Benkemoun compró una libreta vintage de segunda mano que escondía un tesoro: un listín de direcciones con los datos de los principales artistas del siglo XX. A partir de su hallazgo, arrancó una investigación para descubrir a quién había pertenecido la agenda.  Escuchar audio

Brigitte Benkemoun compró una libreta vintage de segunda mano que escondía un tesoro: un listín de direcciones con los datos de los principales artistas del siglo XX. A partir de su hallazgo, arrancó una investigación para descubrir a quién había pertenecido la agenda. Con un poco de lógica y la ayuda de algún que otro experto pronto dio con la respuesta: la agenda pertenecía a Dora Maar, artista surrealista y ex amante de Picasso. Todo este periplo, una suerte de juego de detectives, ha quedado plasmado en un libro que edita Taurus: 'En busca de Dora Maar'. Escuchar audio

Escrito y narrado por Susana Benko Fotografía: Dora Maar retratada por Man Ray (1936)

- Camioneros antivacunas siembran el caos en Ottawa - Rafael Nadal aumenta su leyenda en Australia - El Parlamento de Cataluña reflexiona sobre la brujería - Dora Maar sale de la sombra de Picasso - ¿Cómo ayudar a los afganos?

Escucha este audiolibro completo aquí: https://bit.ly/3o1J8ebNarrado por: Fátima SayyadEn busca de un reemplazo para la agenda Hermès que ha perdido su marido, Brigitte Benkemoun compra una antigua en eBay. Casi idéntica a la original, con «el mismo cuero liso, pero más rojo, más suave, y con una pátina brillante», esconde en su interior una libreta de direcciones que data de 1951. Al hojearla, descubre con gran fascinación que los nombres que aparecen en sus veinte páginas (en la B, Breton, Braque y Balthus; en la C, Cocteau; en la E, Éluard...) son «los más grandes artistas de posguerra ordenados alfabéticamente», que pasan a ser el hilo conductor de este audiolibro. Benkemoun emprende entonces una búsqueda obsesiva y pronto averigua que la agenda perteneció a Dora Maar, la famosa Mujer que llora de Picasso y una artista brillante por derecho propio. La autora se embarca en un viaje de descubrimiento de dos años para contar la historia de una mujer provocativa, apasionada y enigmática, y el papel que cada una de aquellas figuras desempeñó en su vida. El resultado es un retrato único y deslumbrante de la artista y su mundo a través de instantáneas, escenas de fiestas e icónicos cafés, y fragmentos impactantes de su poesía y de la poesía escrita sobre ella. La crítica ha dicho:«Una de las felices sorpresas del final de la temporada literaria».Livres Hebdo «Poderoso y basado en una profunda investigación. El entusiasmo de la autora por el tema es contagioso».The New York Times «Una narrativa sinuosa en la que los capítulos están unidos por encuentros casuales y asociaciones de ideas. La autora descubre material de archivo fascinante y crea una vibrante galería de retratos».Times Literary Supplement «Este apasionante estudio de París y su vanguardia artística debería ser lectura obligada para los amantes del arte moderno y surrealista».Publishers Weekly «Historia del arte combinada con una obra detectivesca. ¿Puede haber algo más apasionante?».ARTnews «Deliciosamente mordaz, atractivo, fascinante, inteligente».LitHub «En la versión de Benkemoun de la historia del arte, visualizamos las habitaciones donde los pintores vivieron sus aventuras, los colores de sus uñas y el almuerzo especial que se servía en el café el día que Picasso cenaba con su amante y conoció a la siguiente. Un alegre recordatorio de quiénes fueron las personas detrás de ciertos nombres hoy icónicos».Hyperallergic «Es maravilloso el modo en que el encuentro casual con un objeto aparentemente insignificante da lugar a un mundo de descubrimientos y emoción personales, una emoción que Benkemoun, en la mejor tradición surrealista y biográfica, logra transmitir».Reading in Translation #penguinaudio #audiolibro #audiolibros #Brigitte #Benkemoun #BrigitteBenkemoun See acast.com/privacy for privacy and opt-out information.

“The early-morning Easter Light, clean and clear as a polished sapphire, back-lit a ribbon of mist hovering over the Luberon plain. The almonds had burst into blossom and the cherries were hard on their tales'.   - Alex Dingwall-Main, The Luberon Garden Welcome to  Episode #39:This weeks share is a day driving through the region of the Luberon Mountains in Provence.   A visit to Menerbes, the place of truffle and vin.  We enter the tree lined village to marvel at the plane trees and to wander the paths and streets of the medieval village.  The views are magnificent from this grand location.  It is a day of beauty and vision taking in the rural atmosphere of cherry orchards and vines that are waiting to unfurl, and scenic drives in Lacoste, Bonnieux and Apt.  A beautiful prelude to the days ahead before the family catch the TGV to Paris for the finale of the journey from Padova Italy to Paris, France.Padova, Italy to Paris, France Travel Podcast Series..... Part 15MJ xo© 2021 A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston, © 2021Support the show

Today's guest Lauren Wilson is the CEO & Founder of Dora Maar. Lauren joins host Emily Landers to share about her experience working in luxury fashion for over 10 years including at Moda Operandi, Christie's, and Gucci. Lauren received an M.A. in Costume Studies from New York University and a B.A. in Communication and a minor in Business from the University of Southern California before starting Dora Maar. Dora Maar, is the ultimate fashion platform to shop a curated selection of preowned luxury fashion from the most coveted closets, all in one place. They are champions of style and the story behind each luxury piece they consign. Through Dora Maar's platform, they digitally power the closets of women whose style inspires and influences their broader community and network, also known as their Muses. Lauren and her team have even highlighted previous and upcoming HSDT guests as muses such as Pamela Munson and Nicola Bathie to name a few. This is an episode you won't want to miss. As always, we can't wait to hear your favorite takeaways. Be sure to subscribe to How'd She Do That? on iTunes so you're the first to hear when our new episodes drop! --- Support this podcast: https://anchor.fm/howdshedothat/support

Portraits of Dora Maar [1938-39] by Acquavella Galleries

Cet épisode a mis du temps à arriver, mais c'était le temps nécessaire pour digérer et retranscrire tout ce qu'il y a à dire sur Picasso (enfin presque).Figure du génie par excellence, Picasso est une icône quasi-intouchable, auréolée d'une mythologie qu'il a lui-même entretenue, que des centaines d'expositions et de records en salles de ventes continuent à alimenter. Au-delà de cette figure mythique, Picasso était un homme particulièrement violent et misogyne, qui a passé sa vie à écraser les personnes moins puissantes et moins privilégiées que lui. Le caractère destructeur de Picasso est loin d'être limité à sa vie privée, il a au contraire nourri une immense partie de son travail et c'est précisément pour ça qu'il est valorisé. Le cas de Picasso permet de réfléchir sur la façon dont les valeurs virilistes impactent tous les aspects de la culture occidentale, de l'esthétisation des violences sexistes et sexuelles à la fabrique des génies.On a parlé de tout ça avec mon invitée Sophie Chauveau, autrice de Picasso, le Minotaure, mais aussi de division sexuée du travail et de charge mentale, de Dora Maar et des artistes que Picasso a brisé·es, d'appropriation culturelle, de subversion et de l'impunité qu'on accorde aux hommes puissants.Pour le réconfort et la brillance, ces réflexions sont entrecroisées des mots lumineux de Virginia Woolf, Virginie Despentes, Alice Coffin, Vanessa Springora et Hannah Gadsby ❤️Avertissement : cet épisode est particulièrement difficile et parle de violences sexistes et sexuelles, de pédocriminalité, de suicide, de la shoah et d'homophobie. Prenez soin de vous.LIENS• Sources, références et transcription de l'épisode : venuslepodcast.com• Suivre le podcast sur Instagram• Soutenir le podcast sur Patreon : patreon.com/venuslepodcastCRÉDITS Écriture, réalisation et narration : Julie BeauzacLectures : Orphée LamottePrise de son : Fanny Cohen-MoreauMixage : Laureline DabbadieIllustration : Anna Wanda Gogusey© Tous droits réservés Musique Kumbia Queers, Chica de calendario, 2007 © 2015 Horario InvertidoJosh Woodward, Sugar on My Tongue (Instrumental), © 2009Moderat, A New Error ℗ 2009 BPitch Control GmbHPlanningtorock, Let's talk about gender baby, © 2014 Human LevelBlack Eyed Peas, Shut up © 2003 Interscope Geffen A&MYuno, No going back © 2018 Sub Pop RecordsMala Rodriguez, La cocinera © 2015 Universal Music Spain SLTove Lo, Glad he's gone © 2019 Universal Music ABPink, Just like a pill © 2002 LaFace, AristaYael Naim, Toxic, © 2007 Tôt ou tardExtraits Interview de Marie-Thérèse Walter par Pierre Cabannes, Présence des arts du 13 avril 197, France Culture © 1974 INAHenri-Georges Clouzot, Le Mystère Picasso © 1955 GaumontHannah Gadsby, Nanette © 2018GénériqueKumbia Queers, Chica de calendario, 2007 © 2015 Horario Invertido Une Vie, une œuvre : Edvard Munch (1863-1944) Luc Ponette, Isabelle Yhuel © 2005 France CultureLes 3 frères... Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.