Podcast appearances and mentions of Joe Pickett

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

“That transformation was key to my next step as an artist, to knowing that's what acting is. It isn't just posing; it isn't just being a version of yourself in a way that was free. Performing wasn't just performing; it was transforming. I think that artists find that in many different ways, and as actors, there are many ways into that.I would encourage you, as I do if you're an actor, to know your own equipment, know your own psychology, and use the great teachers that are synthesized in my favorite teacher's book, Moss, who I studied with later. There is a book called Intent to Live that distills down Uta Hagen, Stella Adler, Bobby Lewis, and Stanislavski. The great teachers at the Group Theatre believed that the method needed to be altered to be constructive rather than destructive to artists.David Milch's mind is so singular because he uses language in a way that defines character. That's what all good writers do: use language to get to the heart of something. He would use malapropisms to make up words, and Milch loved playing with that. As someone who played the love interest of such a unique character as Andy Sipowicz, I found it fascinating.Through Sylvia and David Milch's understanding, his wife humanized him. Sipowicz was portrayed as an addict, a very flawed human who had many addictions. David Milch is now suffering from Alzheimer's, so we won't get his words again. However, the words that he has to offer are timeless because he studied Robert Penn Warren and had many mentors throughout his vast literary education. That is key. I love speaking Noël Coward's words. As a bon vivant, he wrote musically, to charm us and amuse us. So going and reading Noël Coward is important for actors to learn those cadences and the musicality of a certain era. Of course, Shakespeare comes to mind. I also think of the female playwrights who delight me now, whether it's Caryl Churchill. She has that singular mind and plays with gender so well, challenging gender norms. Seeing ‘Cloud Nine' when I was in college blew my mind open because men were playing women and women were playing men. Of course, Shakespeare was doing it too, but her work felt more intimate; it was in a small theater. That's another thing I encourage actors and audiences to do: go see things in small theaters. See it up close because that will excite you and help you learn the craft.”Sharon Lawrence is an acclaimed actress best known for her Emmy-nominated, SAG Award-winning role as ADA Sylvia Costas on NYPD Blue. She has delivered memorable performances in Desperate Housewives, Monk, Law & Order: SVU, Criminal Minds, Shameless, and Queen Sugar. On stage, she's earned praise for roles in The Shot (a one-woman play about the owner/publisher of the Washington Post, Katharine Graham), Orson's Shadow, and A Song at Twilight. Shestarred in Broadway revivals of Cabaret, Chicago, and Fiddler on the Roof. Her recent work includes the neo-Western series Joe Pickett, opposite Michael Dorman, and the films Solace with Anthony Hopkins and The Bridge Partner. Lawrence is also a dedicated advocate, serving on the boards of the SAG-AFTRA Foundation, WeForShe, and Heal the Bay, and is a former Chair of the Women In Film Foundation.Episode Websitewww.creativeprocess.info/podInstagram@sharonelawrence@creativeprocesspodcast

Episode 168: What's Been Going On – Guest Hosted by Candace ChisholmThis episode of The Letterman Podcast is a little different, as Mike hands over the hosting duties to his wife, Candace Chisholm. With a few weeks passing since the last episode, Candace interviews Mike about what's been going on behind the scenes.Mike opens up about his father's recent hospitalization due to advancing dementia, a deeply personal struggle that has impacted their family and may lead to some changes with the show moving forward.The two also discuss their recent trip to Vancouver, where they saw The Found Footage Festival with Nick Prueher and Joe Pickett, visited the Banksy exhibition, and reflected on After Midnight going off the air, among other topics.This candid conversation gives listeners an update on both the show and Mike's personal journey as he navigates this difficult time. Need official Late Show with David Letterman merch? Head over to Hello-Deli.com – the one and only sponsor of The Letterman Podcast! Like, share, subscribe, and leave a positive comment! Or don't… but if you don't, just know that you'll be added to an ever-growing list of people who have ignored this request. It's a long list, but it still stings.

Steve chats with C. J. Box, author of BATTLE MOUNTAIN, the 25th novel in the Joe Pickett series, about how the story picks up from the previous book in the series, Nate Romanowski’s journey of revenge, how the story mirrors real-world suspicions about the government, and what’s next for the Joe Pickett series. And stick … Continue reading 282: Battle Mountain by C. J. Box

We have a best of episode from March 12, 2022.  C. J. Box joins us to chat about Joe Pickett, why he doesn't save plot points for future books, the reason he spent some time as a food critic, and the delicacy that is the Rocky Mountain oyster.  Plus – Dave gets no respect from … Continue reading Best Of!

From #1 New York Times bestselling author C.J. Box comes the 25th Joe Pickett novel with a mixture of suspense, the outdoors, and family relationships at its core.BATTLE MOUNTAIN (Putnam) delivers the riveting Nate Romanowski story that fans have been clamoring for. Things didn't end well for the outlaw falconer and his family at the end of Three-Inch Teeth. In BATTLE MOUNTAIN, Nate is broken and fueled by revenge —and things are about to get a whole lot worse for everyone else.ABOUT THE AUTHORC. J. Box is the author of twenty-five Joe Pickett novels, eight stand-alone novels, and a story collection. He has won the Edgar, Anthony, Macavity, Gumshoe, and two Barry awards, as well as the French Prix Calibre .38, the Western Heritage Award for Literature, and two Spur Awards. An avid outdoorsman, Box has hunted, fished, hiked, ridden, and skied throughout Wyoming and the Mountain West. He has been executive producer on shows based on his books, including ABC TV's Big Sky and Joe Pickett on Paramount+.For more info on the book click HERE

Author: C.J. Box Book: BATTLE MOUNTAIN: A Joe Pickett Novel Publishing: G.P. Putnam's Sons (February 25, 2025) Synopsis (from the Publisher): Outlaw falconer Nate Romanowski is off the grid and out for revenge in this riveting new novel from #1 New York Times bestseller C. J. Box. The campaign of destruction that Axel Soledad and […] The post C.J. BOX – BATTLE MOUNTAIN: A Joe Pickett Novel appeared first on KSCJ 1360.

Multi-award winning and #1 New York Times bestselling author C.J. Box returns with a milestone 25th book in the high acclaimed Joe Pickett series. In Battle Mountain, Game Warden Joe Pickett is called by the Governor to track down a missing hunter, who happens to be the politician's son-in-law. Nate Romanowski is back and recovering from the trauma suffered in Three Inch Teeth, and he's out for revenge. Nate and Joe Pickett's paths cross and bring them to the same remote compound for an explosive showdown with a mutual enemy. No one writes the western outdoors like C.J. Box. Immersive settings and characters that readers devour are a hallmark. The 25th installment in the series is outstanding and each new book firmly roots Joe Pickett's legacy's one of the most beloved characters in American fiction.

Multi-award winning and #1 New York Times bestselling author C.J. Box returns with a milestone 25th book in the high acclaimed Joe Pickett series. In Battle Mountain, Game Warden Joe Pickett is called by the Governor to track down a missing hunter, who happens to be the politician's son-in-law. Nate Romanowski is back and recovering from the trauma suffered in Three Inch Teeth, and he's out for revenge. Nate and Joe Pickett's paths cross and bring them to the same remote compound for an explosive showdown with a mutual enemy. No one writes the western outdoors like C.J. Box. Immersive settings and characters that readers devour are a hallmark. The 25th installment in the series is outstanding and each new book firmly roots Joe Pickett's legacy's one of the most beloved characters in American fiction.

Get ready for an exciting conversation with Emmy-nominated and SAG Award-winning actress Sharon Lawrence, whose career spans iconic roles in NYPD Blue, Grey's Anatomy, Shameless, Joe Pickett, and more. From auditioning on fire escapes to commanding the stage and screen, Sharon shares invaluable insights on mastering auditions, navigating crucial one-on-one meetings, and making bold choices in a competitive industry. She reflects on landing her breakout role on NYPD Blue, the cultural phenomenon it became, and the transition back into the audition game afterward. Sharon also dives into the power of authenticity in storytelling, how saying "yes" to new filmmakers can lead to unexpected opportunities, and the importance of collaboration and respect on set. She opens up about navigating nudity on screen, tangible tools for script analysis, and how embracing vulnerability can be a source of power. Plus, she gives us a sneak peek into her upcoming theater performances and the ever-evolving phases of her career. These are the unforgettable stories that landed Sharon Lawrence right here. CREDITS: Grey's Anatomy On Becoming A God In Central Florida Joe Pickett NYPD Blue Dynasty Shameless Criminal Minds Rebel The Ranch Walker The Last Tycoon Queen Sugar One Tree Hill Cheers Resources GUEST LINKS: IMDB: Sharon Lawrence, Actress, Producer, Soundtrack THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 48% off with code ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

Stoughton natives Joe Pickett and Nick Prueher have collected over 13,000 obscure and delightful VHS tapes and have been taking viewers on a guided tour of their best finds since 2004. Their live show is called Found Footage Festival, and it's coming to the Barrymore Theatre this Friday. In this episode, host Bianca Martin sits down with Joe and Nick to talk about how they got obsessed with old videos, where they find (and sometimes steal) VHS tapes, and how they pranked several local news stations across Wisconsin by pretending to be strongmen called “Chop & Steele.” Mentioned on the show: Found Footage Festival Special Delivery!  Alex Tribek Outtakes Diabetes v. Diabetuhs VCR Party Live!

Reviewed: The Order Guests: Joe Pickett & Nick Prueher Trivia: Jude Law Movie Trivia Celebrating This Month: Adrian Brody

10/16/2024 Mike and cohost, actress Violet Tinnirello welcomed back actress Skywalker Hughes to ConversationsRadio Episode 188! An established actress with a impressive resume, Skywalker is a dual citizen of the USA and Canada. She first signed with an agent in early 2021 and since, has made a name for herself working alongside some of the biggest names in Hollywood.  She is known for her role as 'Ashley Schmitt' - the lead role in the Lionsgate feature film 'Ordinary Angels'  Starring opposite Hilary Swank and Alan Ritchson. She was cast as Sheridan Pickett, a series regular, on the Paramount Plus drama series, Joe Pickett  - based on the New York Times bestselling book series penned by author, C.J. Box. ' Joe Pickett' became the "Most-Watched Series of All Time" on the Spectrum streaming service and was quickly renewed for a second season. Shortly after renewal it was purchased by Paramount Plus. You can catch Skywalker in all 20 episodes of the series.​ By the time second season had wrapped Skywalker had already landed another series lead on the highly acclaimed Fox anthology series, 'Accused'. She stars alongside Oscar-Winner Keith Carradine in the season finale as JoJo Carlson making history as the series' first lead young actor! Accused was quickly renewed for a second season. As a VO Artist, Skywalker is the voice behind the 'Side Table Drawer' in Season 5 of the popular Nickelodeon animated series Blues Clues and You and guest starred as the voice of Frankie on Season 9 of Nickelodeon's 'Paw Patrol.' She also guest starred as Sonia Manzano on the new children's series 'Xavier Riddle and the Secret Museum.'   Coming soon, Look for Skywalker to star alongside Rashida Jones, Kate McKinnon and Daveed Riggs in 'In the Blink of an Eye'  and catch her in the Live Action animated film 'I, Object' Follow Skywalker on Instagram @skywalker.hughes Enjoy the Podcast!    

This week's guest is Nick Prueher. For five years, Nick worked in the research department for Late Show with David Letterman, eventually becoming head researcher and a segment producer. Those years were filled with many interesting adventures working for the legendary broadcaster. In this episode, Nick and Mike scratch the surface of those adventures. When he left late show in 2004, he and his childhood best friend and comedy partner, Joe Pickett, founded the legendary Found Footage Festival. This led them on a 20-year-plus run of doing shows all across the country, showcasing the hilarious, unique brand they created and continue to curate to this very day. It also led Nick and Joe to a very interesting side project involving pranks that are extremely Letterman-ish. They were sued by one of the biggest media companies in America, ultimately vindicated, performed on the stage of America's Got Talent, and had a documentary made about them, Chop & Steele. Nick and Mike barely scratch the surface in this, Nick's first appearance on The Letterman Podcast. The Letterman Podcast is proudly sponsored by Hello-Deli.com! Get your official Late Show with David Letterman merchandise from the one and only Rupert Jee. Nostalgia has never tasted this good! Hey, you! Yes, you! Don't just sit there. Smash that like button, share the episode with your friends, and subscribe to our channel. And while you're at it, leave us a glowing comment. Your support keeps the memories alive and kicking! #LettermanPodcast #NickPrueher #LateShow #DavidLetterman #FoundFootageFestival #Comedy #Broadcasting #ResearchDepartment #SegmentProducer #JoePickett #ChopAndSteele #Pranks #AmericasGotTalent #Documentary #ComedyPartner #LateNight #TalkShow #TVHistory #LettermanFans #PodcastEpisode #BehindTheScenes #ComedyLegends

Holly follows one of King's favorite characters, Holly Gibney, as she's faced with a monstrous duo who are snatching people for horrific reasons. It's up to Holly to honor their victims and stop them from hurting more as she slowly uncovers the truth behind these disappearances. And Creepshow is King and George A. Romero teaming up for a loving EC Comics tribute anthology film that contains pissed off undead father's wanting their damn cake, a man just itching to off his horrible wife, a dude that probably shouldn't have touched the meteor that fell into his backyard, and a jealous husband torturing his unfaithful wife and her lover.

An interview with writer C.J. Box, joining us to talk about his new novel, Three-Inch Teeth. In the book, game warden Joe Pickett contends with a vicious grizzly bear and an ex-convict out for revenge.

I am so excited to share this interview with best selling author of one of my favorite series, C.J. Box! Author of the beloved Joe Pickett series, a 24 book novel about a Wyoming Game Warden who gets into some very sticky situations deep in the Big Horn Mountains. I had such a great time chatting with CJ about creating this fantastic series and what inspired Joe's adventures. Check out Three-Inch Teeth available now. Follow C.J. Box on Instagram and Facebook, and head to his website for updates. This episode is sponsored by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fable Grounds Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Use code LLAMA10 to save March book club pick is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Heartless Hunter⁠⁠⁠ by Kristen Ciccarelli, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠click here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠to join! Please subscribe, leave us a 5-star review, and follow along on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @TheBookishBanterPodcast. Check out the website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! If you want to check out our Patreon, click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for behind-the-scenes content and bonus episodes!!! Follow Tatyana on Instagram ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheLiteratureLlama2.0⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tiktok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

The Thriller Zone welcomes BLACKSTONE PUBLISHING as our new sponsor. Learn more at: BlackstonePublishing.comWelcome to The Thriller Zone, I'm your host David Temple. On the TZ we explore the thrilling world of fiction crafted by today's most compelling authors. On today's 172nd episode, we delve into the thrilling universe of C.J. Box, the mastermind behind unforgettable tales of the American West.From the rugged landscapes of Wyoming to the intricate webs of mystery and suspense, C.J. Box's novels captivate readers with their vivid characters and gripping plots. Join me as we journey through his acclaimed series featuring game warden Joe Pickett, and discover what sets Box apart as a writer who seamlessly blends adrenaline-pumping action with deep insights into the human condition.We'll explore Box's unique storytelling style, his knack for creating authentic settings, and the themes that resonate throughout his body of work. His new book THREE INCH TEETH centers around a rogue Grizzly Bear and the havoc he creates, plus some underhanded characters you'll love to despise. Whether you're a longtime fan or new to CJ's books, prepare to be immersed in a world where danger lurks around every corner and justice is always worth fighting for. And take it from this CJ Newbie, this is one of those authors you can count on me reading and sharing for years to come.So saddle up as we embark on an adventure through the pages of C.J. Box's THREE INCH TEETH…here on the home of your Front Row Seat To The Best Thriller Writers in The World…TheThrillerZone.com.Learn more at: CJBOX.net* * * * *KEY TAKE-AWAYS:The enjoyment of reading and writing is a key aspect of CJ Box's work.The dangers and behavior of grizzly bears are explored in his books.CJ Box's favorite outdoor activity is fly fishing.Realistic dialogue is important in writing.CJ Box aims to provide different perspectives on controversial issues in his books.Nature's power and the importance of respecting bears are recurring themes in his writing.CJ Box is working on the next Joe Pickett book, which will focus on Nate Romanowski seeking revenge.CJ Box's role as an executive producer involves providing source material and cashing checks.TV shows can serve as a gateway for new readers to discover books.AI has limitations in creative writing.Breaking through as a writer can be challenging, especially in a competitive landscape.Reading widely and understanding point of view are important for writers.CJ Box realized he had become a writer around his third book.The importance of awards in the writing industry has changed over time.The best piece of writing advice from CJ Box is to read books and understand point of view.Chapters00:00 Introduction 01:28 The Enjoyment of Reading and Writing09:57 Grizzly Bear Behavior and Human Interactions10:38 Mama Bears and Bear Activists12:29 Favorite Outdoor Activity: Fly Fishing13:19 Realistic Dialogue in Writing15:01 Writing About Controversial Issues16:00 Nature's Power and Respect for Bears19:17 Upcoming Joe Pickett Book20:29 CJ Box's Role as an Executive Producer22:12 The Impact of TV Shows on Book Sales23:41 The Limitations of AI in Writing25:46 The Challenges of Breaking Through as a Writer26:51 The Importance of Reading and Understanding Point of View30:23 Realizing the Craft of Writing31:46 The Difficulty of Winning Awards and New Challenges in the Writing Landscape32:14 Best Piece of Writing Advice The Thriller Zone welcomes BLACKSTONE PUBLISHING as our new sponsor. Blackstone Publishing: an independent publishing house where authors, readers, narrators, and listeners feel at home. BlackstonePublishing.com

#1 New York Times award-winning author C.J. Box (an expert on all things Wyoming and the West) and his next Joe Pickett novel (#24 in the series).  In this latest, the Wyoming game warden Joe Pickett faces two different kinds of rampaging beasts—one animal, one human.  The topic of grizzly bears is always a curiosity to people traveling to Wyoming and the surrounding areas and in the past, but it hasn't been a real threat to people in the area.  However, the population of grizzly bears in the Mountain West has skyrocketed in the Mountain West well beyond their traditional stomping grounds.  Every year, there has been an increasing number of fatal and near-fatal encounters with humans.  Although some attacks can be attributed to provocation, several recent incidents have been random and terrifying.      In THREE-INCH TEETH, Wyoming game warden Joe Pickett faces two different kinds of rampaging beasts—one animal, one human. A rogue grizzly bear has gone on a rampage—killing civilians including the potential fiancée of Joe's daughter. At the same time, Dallas Cates, who Joe helped lock up years ago, is released from prison. He wants revenge on the people who sent him away including Joe himself. After seeing news reports of grizzly attacks in Twelve Sleep County, Cates has an idea:  He can take out his enemies in such a way that no one will suspect him. As Joe is asked to join the state Predator Attack Team to try to find and destroy the bear the bear can't be trapped or found. As the attacks continue and escalate, will Joe be able to figure out which ones are real and which ones are staged before he's the target?   ABOUT THE AUTHOR: C. J. Box is the author of twenty-four Joe Pickett novels, eight stand-alone novels, and a story collection. He has won the Edgar, Anthony, Macavity, Gumshoe, and two Barry awards, as well as the French Prix Calibre .38, the Western Heritage Award for Literature, and two Spur Awards. An avid outdoorsman, Box has hunted, fished, hiked, ridden, and skied throughout Wyoming and the Mountain West. He has been executive producer on shows based on his books, including ABC TV's Big Sky and Joe Pickett on Paramount+. For more info on the book click HERE --- Support this podcast: https://podcasters.spotify.com/pod/show/steve-richards/support

3/6/24 Mike and ‘Son of a Critch' star, actress Sophia Powers had a wonderful time chatting with actress Skywalker Hughes on ConversationsRadio Ep.166. This Canadian/American actress is a shining star in film, tv and animation voiceover. Skyler currently stars as ‘Ashley Schmitt in the Lionsgate feature film 'Ordinary Angels' opposite Hilary Swank and Alan Ritchson – in theatres nationwide. Skywalker Hughes is well known for her role as ‘Sheridan Pickett,' a series regular, on the Paramount Plus mystery series, ‘Joe Pickett' - based on the New York Times bestselling book the series by author, C.J. Box becoming the "Most-Watched Series of All Time" on the Spectrum streaming service and was quickly renewed for a second season. Shortly after renewal it was purchased by Paramount Plus. You can catch Skywalker in all 20 episodes of the series. Skywalker had already landed another series lead on the highly acclaimed Fox anthology series, 'Accused'. She stars alongside Oscar winner Keith Carradine in the season finale as JoJo Carlson making history as the series' first lead young actor! Look for Skywalker to star alongside Kate McKinnon, Rashida Jones and Daveed Diggs in the soon to be released Academy Award winner Andrew Stanton movie ‘In The Blink of an Eye.' As a voiceover artist, Skywalker can soon be heard singing and acting as part of the main cast of Season 5 of the popular animated series ‘Blue's Clues and You' and also guest stars on Season 9 of Nickelodeon's 'Paw Patrol.' She also has a guest star role on the new children's series ‘Xavier Riddle and the Secret Museum.' You can follow Skywalker Hughes on Instagram @skywalker.hughes Enjoy the Podcast!

Acclaimed New York Times award-winning author C.J. Box always delivers a mixture of suspense, the outdoors, and family relationships that are the heart of the Joe Pickett series. And so he does again in THREE-INCH TEETH, the 24thnovel in the Joe Pickett series. In this newest page-turner, Wyoming game warden Joe Pickett faces two different kinds of rampaging beasts—one animal, one human. C. J. chats with Russell and Alan about what inspired this new story about a rogue grizzly bear and an ex-prisoner. Then, Shannon Baker returns to the podcast to introduce her recently released Kate Fox mystery, BULL's EYE, once again set in the Sand Hills of Nebraska. When a top bull breeder is mauled to death at a rodeo, Kate quickly realizes that this so-called accident hides a much darker truth. How deep is the corruption? Who will be left standing? Shannon fills Russell and Alan in on what it was like to research and write about a rodeo and what Kate Fox will be up to next. This week's song, written and performed by Micki Fuhrman, is “You Oughta See Wyoming.” C. J. Box, Shannon Baker, and Micki Fuhrman will all be featured at the Tucson Festival of Books on March 9-10 at the University of Arizona. You can learn more about them in previous episodes of the Cowboy Up Podcast.

Steve welcomes C. J. Box, author of the new book Three-Inch Teeth, the newest entry in his Joe Pickett series, back to the show. They chat about how Box keeps the series fresh after 24 novels, the world of Joe Pickett, the research Box has done on grizzly bears and falconers, and the return of … Continue reading 254: Three-Inch Teeth by C. J. Box

Number 1 New York Times Bestselling author CJ BOX returns to BOOKSTORM Podcast to discuss THREE-INCH TEETH, his newest release in the wildly popular JOE PICKETT series! We relish these fantastic discussions, especially when we're talking about beasts - the ones in the natural world and the human ones. Why do people try to engage with wild animals - what draws us in? Do we all have instincts and gut feelings - especially about people with bad intentions? CJ talks about our favorite characters, including Master Falconers Nate and Sheridan. And wait until you hear what's next for Joe Pickett! WOW - join us for an awesome and inspiring discussion!You can find more of your favorite bestselling authors at BOOKSTORM Podcast! We're also on Instagram, TikTok, Facebook, and YouTube!

Steven Rinella talks with author CJ Box, Ryan Callaghan, Brody Henderson, Randall Williams, Phil Taylor, and Corinne Schneider. Topics discussed: Cool stage names; Three Inch Teeth. the 24th Joe Pickett game warden novel out now; when a CJ Box book mentions Steve and MeatEater; novels with an honest portrayal or time and place; how CJ's wife was called to be on the jury for the Wyoming corner crossing case; get our limited edition “Fresh Set of Eyes…” t-shirt at the MeatEater store now; Clay Newcomb's high school drawing of a future man with a sci-fi gun pointed at a wild hog; how the next Joe Pickett novel should center around a great vault toilet rescue; audience variations on Steve's beans saying; NSFW (not safe for work) bird names; how the groundhog can't tell the weather; hardwired to be a writer; and more.  Outro song: "Mo' Beans" by Laynor Johnson Connect with Steve and MeatEater Steve on Instagram and Twitter MeatEater on Instagram, Facebook, Twitter, and YoutubeSee omnystudio.com/listener for privacy information.

Donald Trump wins big in South Carolina and that's three-in-a-row for the former president. Hugh talks about that plus today's argument at SCOTUS over Big Tech and the States. Also on the show today: Jim Geraghty, Salena Zito, Bethany Mandel, and Joe Pickett's creator C.J. Box is back talking about “Three-Inch Teeth” his brand new best-seller.See omnystudio.com/listener for privacy information.

Author: C.J. Box Book: THREE-INCH TEETH: A Joe Pickett Novel Publishing: ‎ G.P. Putnam's Sons (February 27, 2024) CLICK HERE to buy the book! Synopsis (from the Publisher): Wyoming game warden Joe Pickett faces two different kinds of rampaging beasts—one animal, one human—in this riveting new novel from #1 New York Times bestseller C.J. Box. […] The post C.J. BOX – THREE-INCH TEETH: A Joe Pickett Novel appeared first on KSCJ 1360.

Today, we have the pleasure of interviewing acclaimed author, C.J. Box. C.J. Box is an award-winning, multi-million selling author, best known for his compelling mysteries set against the rugged landscapes of Wyoming. With over two dozen novels to his name, Box is most celebrated for his Joe Pickett series, featuring the dedicated and morally-driven game warden. He's also an Executive Producer on Paramount+'s Joe Pickett series, and an EP on ABC's Big Sky, which was based on his Cassie Dewell novels. Infusing his narratives with authentic details, drawing on his passion for wildlife, nature, and the complexities of rural life, his novels transcend traditional genre boundaries, appealing to both mystery enthusiasts and fans of gripping action tales. Join us today as we explore his creative process, the dynamic characters that populate his novels, and the unique elements that make his stories unforgettable. Welcome, C.J. Box! Useful links: https://www.cjbox.net/

Fans of Joe Pickett rejoiced at the news that the 24th offering in the bestselling series would be available in early 2024. Now on the eve of the book's release, celebrated author CJ Box returns to Warden's Watch to discuss “Three-Inch Teeth”, a pulse-pounding tale that sees Joe join Wyoming Game & Fish's Predator Attack Team on the hunt for a rampaging killer grizzly - but in true Box style, the bear may not be the biggest threat in the high country. Our Sponsors: Thin Green Line Podcast Don Noyes Chevrolet North American Game Warden Museum Sovereign Sportsman Solutions “A Cowboy in the Woods” Book Hunt of a Lifetime Maine's Operation Game Thief Wildlife Heritage Foundation of NH International Wildlife Crimestoppers Here's what we discuss: ·        Inspiration for the latest book ·        Unprovoked bear attacks seem to be on the rise ·        A tragic ambush that killed an experienced guide ·        Same bear attacked the investigators' helicopter ·        Investigators could not determine any reason for the animal's aggression ·        Public safety vs. wildlife conservation ·        Wyoming Game & Fish's Predator Attack Team ·        Bear attacks can happen quickly ·        Book raises thought-provoking ethical questions ·        A landmark corner crossing case in Wyoming ·        The mythology of bears ·         An update on the Joe Pickett television series ·        Incorporating technical accuracy into the story ·        “Three-Inch Teeth” will be available in hardcopy and digital formats ·        Preorder and find book tour dates at cjbox.net Credits Hosts: Wayne Saunders and John Nores Producer: Jay Ammann Art & Design: Ashley Hannett Research / Content Coordinator: Stacey DesRoches   Subscribe: Apple Podcasts Spotify Amazon Google Waypoint Stitcher TuneIn Megaphone Find More Here: Website Warden's Watch / TGL Store Facebook Facebook Fan Page Instagram Twitter YouTube RSS Learn more about your ad choices. Visit megaphone.fm/adchoices

On the first episode of The Catered Quiz, Joe Pickett of the Found Footage Festival and the film Chop & Steele tests his knowledge of the documentary American Movie and the Nintendo game R.B.I. Baseball. The Catered Quiz is the trivia show where the contestants provide the topics they want to answer questions about. Host Rick Katschke creates a catered quiz based on the topics provided. For the latest Found Footage Festival tour dates, videos, merchandise and more, visit www.foundfootagefest.com. Follow FFF on Instagram @foundfootagefestival and on Twitter @foundfootage. Follow The Catered Quiz on Instagram and Twitter @TheCateredQuiz.  

Wes Blalock is the award-winning writer/creator of Huittsuu “Birdie” McLaren and follows her adventures as a Park Ranger for the National Park Service. Janet Elizabeth Lynn and Will Zeilinger, writing as WILL JANNS, debuted STONE PUB, in October. This first novel of the International Crime Files series transports the reader to Ireland in 1962. Sage Hagy is a Reader from a northern suburb of Chicago. Currently hooked on C.J.Box's series featuring hero Joe Pickett , she is looking forward to attending her first Left Coast Crime in 2024.

Andrew wrote the best stand-up joke of all time and is excited to share it with Luke. They also do their best to distinguish Jack Reacher from Jack Ryan from Joe Pickett, whoever that is. 

Mustafa Speaks is an American actor, writer, and producer, known for his roles in the Netflix series "Seven Seconds," the USA Network series "Unsolved," and the Spectrum original series "Joe Pickett." He played Nate Romanowski in "Joe Pickett," a master falconer and special forces officer. In addition to his acting career, Speaks is also known for his work as a producer and writer. He has a background in marine and environmental science, having earned a B.S. in the field from Hampton University, and was recognized for his groundbreaking work with shark behavior before transitioning to show business. Speaks also had a brief stint in football before moving on to pursue acting, where he found success and a passion for the arts. He has been in the entertainment industry for over fifteen years and sees himself as a creator, hustler, and entrepreneur, with plans to expand his career into directing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Steinbauer and Joe Pickett discuss their documentary, Chop & Steele.  Ben Steinbauer directed the film, which premiered at Tribeca. Joe Pickett is featured in Chop & Steele, along fellow comedian, Nick Prueher. Joe and Nick pranked morning TV news shows by posing as part of a fake strongman duo. One appearance resulted in a federal lawsuit that Fast Company magazine called “the dumbest First Amendment battle” of the year. 

This week, Naomi covers the unimaginable murder of a young girl in Fort Wayne, IN in 1988 that shook a community and took detectives decades to close.Then Amber covers the story of Chop and Steele. Nick Prueher and Joe Pickett are childhood friends who book their fictional strongman duo routine on morning news shows as a prank.Naomi pulled her sources from:https://en.wikipedia.org/wiki/Murder_of_April_Tinsleyhttps://www.themidwestcrimefiles.com/murder-iapril-tinsleyhttps://allthatsinteresting.com/april-tinsleyhttps://www.wane.com/tinsley-detectives-reveal-new-details Amber pulled her sources from:Chop and Steele DocumentaryThe absurd lawsuit against"Chop & Steele" – Tone MadisonFound Footage Fest's 'Chop& Steele' gets release via Drafthouse Films (screening dates &streaming)Support the showGo check out our patreon page athttps://www.patreon.com/crimewineandchaosFor more information about Crime, Wine & Chaos, or to simply reach out and say "hi,"https://www.crimewineandchaos.comhttps://www.facebook.com/crimewineandchaoshttps://www.instagram.com/crimewineandchaospodhttps://twitter.com/crimewinechaosCrime, Wine & Chaos is produced by 8th Direction Records.Amber is the vocalist, and attempted mandolin player in the band, Tin Foil Top Hat. You can find more of her work on all of the music streaming platforms or athttps://www.tinfoiltophat.comNaomi is a Co-Founder and head of xDev at Shrapnel Studio. You can follow her work at www.shrapnel.com You can also follow her on Twitter @MissGnomers

Bestselling author C. J. Box joined us on the podcast just after the release of “Shadows Reel,” his 22nd novel featuring Wyoming Game Warden Joe Pickett and his wife Marybeth. It's an exciting mystery of that puts the Pickett family in a pair of killers' crosshairs. With our production team enjoying summer get-aways, we decided to replay this wonderful conversation between Box and the cowboys. Box, who has published over 30 books with sales exceeding 10 million in the US alone, has since released another Joe Pickett novel, “Storm Watch.” You can stream the “Joe Pickett” series, which just concluded its second season, on Paramount+.

Stand By Me is a formative movie for both hosts of this show and every time it comes up the episode tends to be a banger and today's episode is no exception. 

Nobody rocks like Springfield in an extra-long ep with special guests Joe Pickett and Nick Prueher of Found Footage Festival and VCR Party Live! (Check out the new documentary about them, Chop & Steele!) We go over the real history of fake band Spinal Tap, then follow the rollicking tale of Bart learning to play guitar and Otto learning to drive--neither of which actually happens. Learn that and tons of great tangents in this week's rockin' podcast! Support this podcast and get over 150 bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod!

John J. Miller is joined by C. J. Box to discuss his new book, 'Storm Watch.'