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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang   AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show.   Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express.    Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here.    Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you?   Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves.    Miko Lee: [00:02:53] And what legacy do you carry with you?    Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world.    Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing?    Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language.   Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed?   Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids.    Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series?    Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself.   Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey?    Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York.    I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true.    Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right?    Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster.   Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author?   Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies   Miko Lee: [00:15:04] they're super cute by the way.    Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are    Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest?   Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids.   Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience?    Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience.    Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you?    Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community.   Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much.    Michele Wong McSween: [00:19:39] Thank you, Miko   Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria.    Gloria Huang: [00:19:48] Oh, thanks so much for having me here.    Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you?    Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean.    Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a    Gloria Huang: [00:20:37] thank you,    Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything.   Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath.    Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman.    Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life.    Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too.    Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment.    Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book.   Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age.    Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for.   Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading.    Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever.   Gloria Huang: [00:27:35] They really do.    Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I.    Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling.    Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world?   Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person.    Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice?   Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is.   Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something.    Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice.    Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on    Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture.   Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that.    Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess.   Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls.    Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too.    Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children?    Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too,   Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing.    Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close.    Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future?   Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together.    Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on.    Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure.    Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about?   Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you.    Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express.    Gloria Huang: [00:40:36] For sure. Thanks so much.   Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express.    Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here.    Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you?   Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American.    Miko Lee: [00:42:01] And what legacy do you carry with you?   Andrea Wang:[00:42:03]  I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet.    Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun.    Andrea Wang: [00:42:16] Yes.    Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book?    Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage.   Miko Lee: [00:43:29] And the inspiration for this book.    Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me.   Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work?   Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book.    Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal.    Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well.    Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers?   Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen.   Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it?    Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular.    Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why?   Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday.   Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it?    Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy.    Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race,    Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety,   Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author?    Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now.    Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say?   Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children.   Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world.    Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure.   Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.

The American-Canadian borderlands hold a special significance in Black history that few of us fully understand. In this illuminating conversation with Dr. Dan J. Broyld, author of "Borderland Blacks," we explore how Rochester, NY and St. Catharines, Ontario became pivotal centers of Black freedom, entrepreneurship, and transnational identity during the final years of slavery.Dr. Broyld offers fascinating geographic insights into why Rochester—rather than closer border cities like Buffalo—became the optimal Underground Railroad hub. Just far enough from the border to avoid the concentration of slave catchers but close enough to facilitate escape, Rochester's position combined with its strong abolitionist culture created the perfect conditions for Black liberation work. Frederick Douglass's strategic 25-year residence there, where he established his newspaper North Star, exemplifies how Black leaders utilized borderland spaces to maximize their freedom and impact.The conversation takes an illuminating turn when Dr. Broyld reframes historical figures through a contemporary lens. Harriet Tubman emerges not just as a freedom fighter but as remarkably modern—"global, green, and gender aware." Her seven years in St. Catharines, her expert navigation of natural landscapes, and her strategic decision to seek freedom under "the Queen's soil" rather than "Uncle Sam's land" reveal a sophisticated understanding of international politics and environmental knowledge that resonates with today's concerns.Perhaps most compelling are the stories of borderland entrepreneurs like John W. Lindsay and Austin Stewart, who built significant wealth and community resources despite beginning with nothing. Their ability to create grocery stores, blacksmithing businesses, and other enterprises challenges simplistic narratives about Black economic development post-slavery. The transnational character of these communities—celebrating August 1st (British Emancipation Day) more enthusiastically than July 4th and using cutting-edge technology like suspension bridges—reveals how borderland Blacks were, in many ways, ahead of their time.Discover how these historical Black communities embodied Afrofuturist principles before the term existed, utilizing the most advanced technology of their era and creating transnational networks that transcended national boundaries. Their story continues to resonate today, reminding us that movement itself can be liberation, and that Black identity has always been global in scope and vision.Support the showhttps://www.patreon.com/c/EA_BookClub

EPISODE 215 Your attachment style, is a psychological blueprint that influences how you relate to others. Attachment theory was developed by British psychiatrist and psychoanalyst, John Bowlby and later expanded by American-Canadian developmental psychologist, Mary Ainsworth. Attachment theory is based on how you bonded with your primary caregivers (e.g., your mother, grandmother, aunt, father, etc.) which tends to mirror how you bond with others as an adult. There are four types of personal and professional attachment styles: (1) secure; (2) anxious; (3) avoidant; and (4) disorganized. Attachment style is very important in your personal life. Attachment style plays a surprisingly powerful role in your professional life as well. Your professional attachment style influences leadership, communication, collaboration, negotiation, and even how you handle success or failure. How can you change your current personal or professional attachment style? Creating a new attachment style by rewiring your own emotional habits allows you to create healthier connections and build new relationships in a new way to create a positive impact in your own life. Out There on the Edge of Everything®… Stephen Lesavich, PhD Copyright © 2025 by Stephen Lesavich, PhD.  All rights reserved. Certified solution-focused life coach and experienced business coach. #attachment #attachmentstyle #selfhelp #motivation #personalgrowth #business #businesscoach #lifecoach #lesavich

Craig DiLouie is an acclaimed American-Canadian author of horror and other speculative fiction. Formerly a magazine editor and advertising executive, he also works as a journalist and educator covering the North American lighting industry. Craig is a member of the Imaginative Fiction Writers Association, International Thriller Writers and Horror Writers Association. He currently lives in Calgary, Canada with his partner, Chris Marrs, and two wonderful children.VOX VOMITUS: Sometimes, it's not what goes right in the writing process, it's what goes horribly wrong. Host Jennifer Anne Gordon, award-winning gothic horror novelist and Co-Host Allison Martine, award-winning contemporary romance and speculative fiction novelist have taken on the top and emerging new authors of the day, including Josh Malerman (BIRDBOX, PEARL), Paul Tremblay (THE PALLBEARERS CLUB, SURVIVOR SONG), May Cobb (MY SUMMER DARLINGS, THE HUNTING WIVES), Amanda Jayatissa (MY SWEET GIRL), Carol Goodman (THE STRANGER BEHIND YOU), Meghan Collins (THE FAMILY PLOT), and dozens more in the last year alone. Pantsers, plotters, and those in between have talked everything from the “vomit draft” to the publishing process, dream-cast movies that are already getting made, and celebrated wins as the author-guests continue to shine all over the globe.www.jenniferannegordon.comwww.afictionalhubbard.comhttps://www.facebook.com/VoxVomituspodcast https://twitter.com/VoxVomitus#voxvomitus #voxvomituspodcast #authorswhopodcast #liveauthorinterview #voxvomituslivevideopodcast #JenniferAnnegordon

The Mark G Show has returned with an explosive discussion that delves into the chaotic realm of contemporary politics. In this episode, we scrutinize the recent controversial tariffs imposed by former President Trump on Canada and Mexico, which he has labeled as Liberation Day. Alongside my brother Gary and TikTok sensation JC, we dissect the implications of these policies, including an analysis of their potential effects on American industries and international relations. The conversation further traverses various hot-button topics, including the impact of Trump's actions on immigration and national security, as well as the ongoing battleground of political narratives. Expect an invigorating exchange of unfiltered opinions as we navigate the tumultuous landscape of politics with our characteristic candor and camaraderie.The Mark G Show makes a triumphant return, featuring Mark, Gary, and TikTok sensation JC as they venture into the chaotic world of politics with unfiltered opinions and spirited discussions. The trio wastes no time diving into the latest controversies, particularly focusing on former President Donald Trump's recent tariffs on Canada, which he dubbed 'Liberation Day.' Their discussions are infused with a blend of humor and sharp critique, as they navigate the implications of these actions on American-Canadian relations and the broader political landscape.Throughout the episode, the hosts engage in a lively exchange of ideas, dissecting the motivations behind Trump's policies and the reactions they evoke from both supporters and detractors. They highlight the absurdities and complexities of contemporary politics, including immigration policies and executive actions that have polarized public opinion. The chemistry among the hosts is palpable, as they share personal anecdotes and insights that make the conversation relatable and engaging for listeners, creating an atmosphere that feels both inclusive and provocative.As the discussion unfolds, the hosts not only analyze political events but also reflect on their personal experiences and the impact of these events on their lives. This personal touch adds depth to the conversation, reminding listeners of the real-world stakes involved in political discourse. The episode culminates in a call for active engagement in politics, urging listeners to be informed and involved as the political landscape continues to evolve. This episode of The Mark G Show stands out as a compelling blend of humor, insight, and candid conversation that resonates with anyone navigating the complexities of today's political environment.Takeaways: In this episode of The Mark G Show, the hosts provide an unfiltered analysis of current political events, especially regarding Trump's recent policies and their implications. The discussion highlights the contentious nature of tariffs imposed by Trump on trade with Canada and Mexico, sparking debate among the hosts and callers. A significant focus is placed on the notion of illegal immigration and border security, with hosts expressing their support for Trump's strict measures to control border crossings. The episode features humorous and provocative banter among the hosts, particularly regarding their personal anecdotes and interactions with the audience during the live podcast. A key theme is the exploration of political conspiracies, with the hosts sharing their thoughts on various conspiracy theories that have emerged in recent political discourse. Listeners are encouraged to engage with the podcast and share their thoughts, as the hosts value audience participation in shaping the discussions. Companies mentioned in this episode: J.C. Mark G Gary G JC Trump Canada Elon Musk Biden Obama Hunter Biden McDonald's...

In this episode, we're joined by historian and mapmaker John Hamer as he responds to Michelle Stone's recent claims that Joseph Smith did not practice polygamy. Drawing from historical records, primary sources, and his extensive research, John offers context and analysis on one of the most debated topics in Latter-day Saint history. Join us for an insightful conversation unpacking the complexities of Joseph Smith's involvement in early Mormon polygamy.John Hamer is an American-Canadian historian who has focused primarily on Mormon history and has published a number of books on the topic, including Scattering of the Saints: Schism Within Mormonism and House of the Lord: The Story of the Kirtland Temple. John Hamer was raised in the Mormon Church, left the religion and joined the Community of Christ Church in 2010 and now serves as a pastor in their Toronto Congregation.Show NotesYouTubeMormon Stories Thanks Our Generous Donors!Help us continue to deliver quality content by becoming a donor today:One-time or recurring donation through DonorboxSupport us on PatreonPayPalVenmoOur Platforms:YouTubePatreonSpotifyApple PodcastsContact us:MormonStories@gmail.comPO Box 171085, Salt Lake City, UT 84117Social Media:Insta: @mormstoriesTikTok: @mormonstoriespodcastJoin the Discord

Nick and super sub co-host Scott Tapley talk the new title sponsorship for ACT, go over some of the top new marquee events across the ACT banner in 2025, and Scott shares some stories from Speedweeks.

Amy Creyer Percifield is an American-Canadian creator, advertising specialist who works in the creator economy. She recently went viral on TikTok for her content about Canada and the U.S.. In this episode, we dive into the realities of moving from the U.S. to Canada—exploring cultural differences, stereotypes, women's experiences, maternity leave, and the evolving relationship between the two countries. At a time when Canada-U.S. relations are strained, this is a poignant conversation about what we can learn from each other and how to find common ground with our neighbours.  Amy Creyer is an American living in Toronto, Canada, with her husband Ben Percifield and two cats, Rufus and Tesla. She works as an award-winning creative director and TikTok content creator who talks about her daily life & lived experiences in Canada and the United States.Amy's professional work has earned popular & industry press coverage and numerous awards. In 2010, Amy launched a renowned street-style blog that authentically captured fashion from the streets of Chicago and New York City. Over time, the brand & content partnerships she earned as a creator kickstarted Amy's career in the world of global advertising agencies, where she now crafts big ideas and helps CPG brands grow through unexpected, culturally-relevant ad campaigns that drive real results. In her spare time, Amy continues to create content and develop digital experiences to make the world a better place. During the pandemic, she launched BeMyFriend.Ca, a social experiment that inspired over 1,000 people to join a virtual friendship community during Canada's restrictive Covid-19 lockdowns. Her PR stunt earned millions of impressions through national press coverage on CBC, Breakfast TV, and more, sparking a dialogue about human connection at a time when it was needed most.Amy grew up in Northwest Arkansas, where her parents owned a working cattle ranch, before migrating north to attend university at Michigan State. In 2008 she moved to Chicago and at the end of 2019 her company transferred her from the United States to Toronto, Canada.Our Patreon: https://www.patreon.com/womendontdothatRecommend guests: https://www.womendontdothat.com/Our Patreon: https://www.patreon.com/womendontdothatRecommend guests: https://www.womendontdothat.com/How to find WOMENdontDOthat:Patreonhttps://www.patreon.com/womendontdothatInstagram - http://www.instagram.com/womendontdothat/TikTok- http://www.tiktok.com/@womendontdothatBlog- https://www.womendontdothat.com/blogPodcast- https://www.womendontdothat.com/podcastNewsletter- https://www.beaconnorthstrategies.com/contactwww.womendontdothat.comYouTube - http://www.youtube.com/@WOMENdontDOthatHow to find Stephanie Mitton:Twitter/X- https://twitter.com/StephanieMittonLinkedIn - https://www.linkedin.com/in/stephaniemitton/beaconnorthstrategies.comTikTok- https://www.tiktok.com/@stephmittonInstagram- https://www.instagram.com/stephaniemitton/Interested in sponsorship? Contact us at hello@womendontdothat.comOur Latest Blog:https://www.womendontdothat.com/post/our-first-beacon-north-christmas-party-a-reflection-on-growth-and-gratitude

Chris and Mason joke at the beginning of the show and Canada's meeting goes well. Well, it goes well for Canada for now as Trump and Trudeau work through agreements for the American/Canadian border.See omnystudio.com/listener for privacy information.

Award-winning architect and designer Umesh Kelkar, Project Designer II in the Aviation Studio, spills on his Summer Design Competition-winning project, "Deep Rooted Ellum." Intended to revitalize the district in the Southeast Dalla neighborhood, Unmesh's vision for a vibrant mixed-use development on the Southeast side of Dallas garnered critical acclaim from the Urban Land Institute and AIA Dallas as well as the Texas Society of Architects and won the FW Land Award.   Long known for its deep roots in Dallas and contributing to the urban fabric as the center of art, music, history, and culture, this mixed-use plan draws upon jazz music and blues, creating a vibrant, connected environment focused on vitality, richness, and cultural flourishes. His aviation and public spaces background informs his project, which the City of Dallas embraced.   Influenced by Jane Jacobs, the renowned writer American-Canadian journalist, author, theorist, and activist who influenced urban studies, sociology, and economics. Her book The Death and Life of Great American Cities (1961) argued that "urban renewal" and "slum clearance" did not respect the needs of city dwellers. Profoundly influential in changing the built environment, she coined the terms "mixed primary uses" and "eyes on the street" and remains one of the most influential thinkers and leaders of 21st-century urban architecture. Don't miss this riveting episode of The Square as Unmesh shares his inspiration and design processes. Be sure to include your thumbs up and comments below.   Visit: https://www.Corgan.com/    Also connect with us on: Instagram: https://www.instagram.com/CorganInc/    Facebook: https://www.facebook.com/CorganInc/    Twitter: https://twitter.com/CorganInc    LinkedIn: https://www.linkedin.com/company/corgan    Video Produced by: Corgan   Have Questions? We'd love to hear from you.    Email: communications@corgan.com

This week, we're joined by Canadian content creator, teacher, foodie and sports lover, Josiah Hein!He loves food just as much as we do, and even gives Dub a run for his love of American and Italian foods!We dive into Josiah's journey from Canada, through Europe and the United States all the way to Australia. Josiah has seen alot of the world most others haven't! We talk about his life in Canada, the reasons he chose to now live in Australia, and the biggest culture shocks he has encountered along the way—like coffee creamer and savoury, not sweet pies!We talk US and Australian sports, being introduced to Australian foods like, chicken salt, Australian Candy and how we love a punt!You can follow Josiah here! Hosted on Acast. See acast.com/privacy for more information.

Terry talks with Hockey Legend, both in the NHL and the Broadcasting World, Pierre McGuire. Pierre is an American-Canadian ice hockey executive who currently works for Sportsnet (previously TSN) and last served as senior vice-president of player development for the Ottawa Senators of the National Hockey League. You can now watch episodes of Tales with TR on YouTube! Head over to https://www.youtube.com/@THPN to watch the latest episode. Welcome to Tales with TR: A Hockey Podcast presented by The Hockey Podcast Network. Join former Montreal Canadiens' first-round draft pick & Shoresy star Terry Ryan, as he talks about the sport of Hockey, brings on various guests, and shares tales of his life and professional hockey career. Host: Terry Ryan @terryryan20 Network: @hockeypodnet Editor: Isha Jahromi - "The City Life Project" on Youtube & @VISportstalk on X Sponsored by: Draft Kings - Use promo code THPN at sign-up for exclusive offers https://tinyurl.com/DRAFTKINGSPROMOTHPN MAKE SURE YOURSELF/FRIENDS/FAMILY TO GO SIGN UP FOR A GAMETIME AND APPLY/"REDEEM CODE" USING PROMO CODE: THPN Raycon - buyraycon.com/THPN for 30% off PREMIUM HEADPHONES!

The Mountain in the Sea is a 2022 science fiction novel by American-Canadian author Ray Nayler.   Hard science? Check. Artificial intelligence? Check. Octopode intelligence!? Check, check, check! Intelligence and lack thereof permeate Ray Nayler's debut novel, following scientists, hackers, delightfully adorable yet realistic cephalopods, and much, much more (maybe too much?) in this special, science fiction edition of the Apartment Library, a book club podcast created and nurtured by our unwavering love for literature. Join us as we embark on a literary journey to read together, discover new writers, and explore our beloved authors' lesser known works. No book is too out there, no story too taboo. There will be summary, discussion, analysis, and swearing. We'd love to hear from you! Send us your feedback and recommendations to apartmentlibrarypodcast@gmail.com

This week, American Canadian novelist Claire Messud. Throughout her career and in her new book, This Strange Eventful History, one of TIME's most anticipated of 2024, Messud draws on her own family's history, especially that of her French Algerian father. In 2001 she spoke with Eleanor about her novel The Last Life, which traces three generations of a French Algerian family from the perspective of a teenage girl. To conclude the program, Messud reads a chapter from the novel.

On this episode we discuss the rich history of auto racing in the great state of Indiana! We also speak to the points leader in the American Canadian Tour late models, Derek Gluchacki. Last weeks winner at Salem Speedway and the Midwest Modifieds Tour Matt Dimit also joins us! This is an episode you don't want to miss!

Ramey Newell is an American-Canadian filmmaker, photographer, and multidisciplinary artist who splits her time between British Columbia and Oregon. Her new film, A Good Wolf, is a feature-length documentary that explores diverging viewpoints on what 'A Good Wolf' means to different individuals. Those views are explored within the context of this lengthy, emotionally charged, and continuing battle over how wolves (and bears) are managed at the northeast boundary of Denali National Park.Ramey discussed her background in photography and filmmaking, what factors drew her to make the film, and how she balanced perspectives on such an emotionally charged issue. A Good Wolf  premieres at the MountainFilm Festival in Telluride, CO May 23 - 27Ramey Newell WebsiteA Good Wolf WebsiteMountainFilm Festival Website (Purchase Passes)@rameynewell@thewolfconnectionpod

Having conquered both the Appalachian Trail and the Pacific Crest Trail, Whistler's journey is one of triumph over adversity and the unwavering support of those around him. He regales listeners with tales of meticulous preparation, the invaluable assistance of his devoted wife, his loyal hiking companion "Scooby," and the kindness of trail angels encountered along the way. Surviving a harrowing 67-foot fall in the mountains on his 60th birthday, Whistler's story is one of resilience and the profound depths of the human spirit. Through his experiences, he offers insights into the emotional and spiritual dimensions of the trail, alongside his enthusiasm for the culinary delights (Nutella anyone?!) enjoyed during his epic hikes. Join us for an inspiring episode as we delve into the extraordinary adventures of this American-Canadian icon.    Us on the web: www.mikeandkristen.ca Instagram: www.instagram.com/mike_and_kristen/ Facebook: https://www.facebook.com/mikeandkristencreative Shoot us a message! Say hello, tell us who you think we should have on the podcast, and your deepest and darkest secrets: mikeandkristencreative@gmail.com  Review our book "You and Me" on Amazon (it helps a lot!!): https://amzn.to/3qqNCMo Intro song: "The Walk" Outro song: "The Jam" both by Mike's band The Town Heroes - www.thetownheroes.com Mike's site: www.michaelsryan.com Kristen's site: www.kristenherringtonart.com M & K Fundraiser: https://mikeandkristen.ca/fundraiser Tickets to The Town Heroes "Secret Show" - https://bit.ly/4b2TUXF Buy Bill's Book: https://www.amazon.ca/Whistlers-Way-Thru-Hikers-Adventure-Pacific/dp/1952019028 Episode Sponsored by Ryan O'Malley at All State Insurance - romalley@allstate.ca or phone: 1-902-210-1293 —  https://g.co/kgs/XbKHH9s     

In this episode of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, Kasper Michaels joins Sam and Mark to talk about contrasting styles in commercial reads, whether pushing one in an IVR is the only option, and Igor (Dr Frankenstein's assistant) makes an appearance!Our VO question this week is all about the mid-atlantic accent, and whether Kasper's Canadian voice is recognised as such in the UK.Get involved! Have you got a Wildcard suggestion that we should try or an idea for the show? Send it to us via Mark or Sam's social media or email it directly to podcast@britishvoiceover.co.ukScript 1Thank you for calling North Star Nails. We'll get you through to the right person as quickly as possible.There are just two options to choose from. To book one of our Nail Technicians, please press 1. If you want to talk about a booking you already have, press 1 for that too.And if you'd like to talk to book one of our Tattoo Artists, please press 2.Thanks so much for calling - do stay on the line.Script 2Crystal Cove is the place to visit for a wide variety of crystals, minerals, smudge, and the largest selection of incense in Moose Jaw. They also stock tumbled stones, lamps, sound therapy devices, jewellery, and more—with new stock arriving daily! Whether for yourself or a loved one, Crystal Cove's products make for great gifts! Or pick up a gift certificate if you can't decide! Crystal Cove — the center for self evolution — on the corner of 8th and Clarence.**Listen to all of our podcasts here - you can also watch on YouTube, or say to your smart speaker "Play How Do You Say That?!"About our guest: Kasper Michaels was a Canadian professional Ice hockey player, who turned to treading the boards as life threw spanners his way, eventually emigrating to the UK in 2007, just before the credit crunch. A veteran of numerous plays and TV shows, and one cartoon, here in the UK he encountered many talented, well trained… out of work actors. After being dropped from his UK acting agency when they went “boutique”, he took the money from his last acting job and got a voice reel. He was invited to join a new agency, and 14 years later he is still there, and has a successful VO career. He is currently the narrator for one of Discovery's top rated shows, Mysteries of the Abandoned.Kasper's Website Kasper's Facebook page @Kasper_Michaels on Twitter @kaspermichaels on Instagram Resources: Click here for the Wildcard Generator and don't forget to think of an action your character can be doing!Mark's demos & contact details:

There have been few incidents in six months of war in Gaza that created the level of outrage that leaders across three continents expressed Tuesday. It comes after an Israeli strike killed seven members of chef Jose Andres' World Central Kitchen aid organization, including one American-Canadian dual citizen. Israel called the killings unintended and vowed to investigate. Nick Schifrin reports. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

There have been few incidents in six months of war in Gaza that created the level of outrage that leaders across three continents expressed Tuesday. It comes after an Israeli strike killed seven members of Chef Jose Andres' World Central Kitchen aid organization, including one American-Canadian dual citizen. Israel called the killings unintended and vowed to investigate. Nick Schifrin reports. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

Premium Content Episode 114 - Why do we think buying a house is an asset and a business a liability? The whole world values property over businesses based on risk association and the social standard of the "American/Canadian dream", but why? Your home is a financial liability and create zero cashflow, while a business generates revenue and cash. The only answer we can comprehend is RISK awareness! So tune in to this short form content of the podcast on Clints thoughts on why people value homes higher than businesses and why the metrics seem wrong!www.businesslifeofhusbandandwife.caSupport the showwww.businesslifeofhusbandandwife.ca

Vera Sola (Danielle Aykroyd) is an American-Canadian singer, multi-instrumentalist, writer and much more. After studying poetry and literature at Harvard, Sola fell into music and released her debut album 'Shades' (2018) to critical acclaim. She continues her brand of captivating and almost hypnotizing  Americana on her sophomore album 'Peacemaker' (2024), as she continues to explore and define her own musicality. We spoke about Peacemaker, a drive towards exceptionalism, songwriting, Skip James and the Delta Blues, purging emotions, honesty and truth, and a lot more! (04/12/2023)Interview by: Robin HignellSupport the showThank you for listening! For more interviews with your favorite artists visit the FaceCulture YouTube channel.

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

AP correspondent Jackie Quinn reports on Israel Hamas Hostage Death American.

A tour of legendary, academy award winning production designer Dennis Gassner's home in the Hollywood hills. Dennis Gassner (born October 22, 1948) is an American-Canadian production designer. He is notable for his work on Bugsy, Big Fish, Into the Woods, and Blade Runner 2049, his collaborations with the Coen brothers and Sam Mendes, as well the James Bond films Quantum of Solace, Skyfall, and Spectre, the latter two directed by Mendes. He has been nominated seven times for the Academy Award for Best Production Design, and has won once. Gassner was nominated for the Art Directors Guild Award for Excellence in Production Design for a Contemporary Film for his work on Quantum of Solace, and won for his work on Skyfall.

The Christmas Hope is a 2009 American-Canadian made-for-television drama film directed by Norma Bailey and starring Madeleine Stowe which was broadcast on Lifetime on December 13, 2009.[1] It is the third part in a trilogy of films, preceded by The Christmas Shoes (2002) and The Christmas Blessing (2005).[2]. Featuring music by SCENE QUEEN, PINKSHIFT, NOAHFINNCE, STAND ATLANTIC, LØLØ x MAGGIE LINDEMANN, and NEW FOUND GLORY. Produced by Good Producer at Good Records Studio

On today's show, Eva Bartlett discusses the wars in Ukraine and the Middle East. GUEST OVERVIEW: Eva Karene Bartlett is a Russian-based American-Canadian activist and commentator.

Life is full of adventures. Sometimes things just happen, and it's FUN!Our guest is Dr Marty Taylor, an American-Canadian sign language interpreter. She was one of the first generation of academically-trained ASL/English interpreters as the U.S. transitioned from only CODA-generation of interpreters during the nation-wide establishment of interpreter education.We learn how her journey started and evolved into her professional career and about those who supported her way.Listen to this and the following episodes to learn more of her story, working conditions in the US, Canada, and about her research detailing sign language interpreting skills, and so much more.As mentioned, IW and Sign Language Studios, LLC present BIG discounts for workshops!(You save and support me; I may earn a commission at no cost to you.)Use code CURRY10 at checkout for $10 off! RID Members click here.Not RID member? Code CURRYNORID for 50% off! Click here.Support the showSend me a voicemail and I'll reply in the podcast (if appropriate)! Share the PODCAST Buy Me a Coffee [TRANSCRIPTS ARE HERE] Thanks for listening. I'll see you next week.Take care now.

Ahead of the release of Maestro, Bradley Cooper's long-awaited film about Leonard Bernstein, Sara Mohr-Pietsch talks to the conductor and composer's daughters - Jamie and Nina - about their parents' relationship, listening to music with their father as children, and how it feels to see their lives recreated on screen. Sara is joined by critics Jessica Duchen and Lillian Crawford who share their thoughts, among other things, about Bradley Cooper's conducting of Mahler's Second Symphony in Ely Cathedral - a central scene in the film. Sara talks to American/Canadian composer Linda Catlin Smith about a new recording of her chamber works by long-time collaborators Thin Edge New Music Collective. Linda has become a leading voice in Canadian musical culture and she tells Sara about her love of spacious and sparse music, and how stepping away from her composition to weed or wash-up can inspire new ideas. Tomorrow's Warriors is an organisation which has supported and nurtured young musicians in jazz for over 30 years, including artists such as Soweto Kinch, Nubya Garcia, Moses Boyd, Shabaka Hutchings and recent Mercury Prize winners Ezra Collective. Sara meets its co-founders, Gary Crosby and Janine Irons, to talk about how Tomorrow's Warriors began, how they've gone on to have such a big impact on the UK jazz scene, and the vital need for young people to have access to musical experiences.

This week on Unpacked we chat with guest Lisa Bush, an American Canadian writer, educator, and storyteller with over 16 years of experience in the field. Lisa's rich background spans the worlds of education, fine arts, and mental health, giving her a unique perspective on personal growth and transformation.Lisa's extensive journey as a teacher, curriculum consultant, and school administrator in both the US and Canada, coupled with her background in fine arts and art education, brings a wealth of wisdom to our conversation. In addition to her work in education, Lisa is the author of "Teaching Well: How Healthy, Empowered Teachers Lead to thriving, Successful Classrooms" and the gripping mystery novel "City Hall: A Dr. Ada Logan Mystery."In this episode, Lisa shares profound wisdom on receiving feedback effectively, a skill that transcends teaching and is essential for personal growth. With her education and fine arts background, Lisa brings a unique perspective on creating thriving classrooms and supporting teacher wellbeing.Ready to discover actionable tips for better teacher support, preventing burnout, and fostering environments of growth and success? Tune in and let Lisa's expertise be your guide.Support the showUnpacked is a podcast exploring life as messy people. It's conversations with counsellors, leaders, and storytellers discussing the experiences of being human. We talk about the strength that comes from big messy failures and vulnerable moments so we can learn to live more authentically. Subscribe and leave us a review!Instagram:@theunpackedpodFacebook: @theunpackedpodunpackedpod.caSupport the show*music by Bensound

On today's episode of Adventures In Vinyl we reivew the debut studio album of an American-Canadian rock band from the year 1997. The band is Big Wreck and the album is "In Loving Memory of..."Genre: Alternative RockRelease Date: October 7th, 1997Studio: Presence Studios (Toronto)Producer: Matt Dematteo, Big Wreck, Chris WardmanLabel: WEA, AtlanticLength: 60:30# of Tracks: 13

Something as complicated as starting a medical school is bound to include unanticipated obstacles, but few schools can match the roller coaster ride of the American Canadian School of Medicine in the Commonwealth of Dominica which just welcomed its first class of students. Our Raise the Line guest, Dr. Ramin Ahmadi, along with colleagues from Yale and Penn State medical schools, had worked for years to design an innovative curriculum and train faculty for a new medical school in Kazan, Russia. Then came Russia's invasion of Ukraine. “Because of the war, we had to pull out. That was the end of the project at that point and we were all very sad,” Ahmadi tells host Shiv Gaglani. Tune in to learn how the project was given new life and how Ahmadi and his team are meeting the needs and preferences of modern students with a flipped-classroom, case-based approach to education. You'll also hear about ACSOM's different approach to clinical training, new model for residency programs and other innovations. And be sure to stay tuned to hear about his remarkable experiences in global health and human rights, and gain from his insights on how physicians can protect themselves from burnout.Mentioned in this episode: https://www.acsom.edu.dm

"Tedeschi Trucks Band: Rocking the Garden Party with Warren Haynes and Trey Anastasio"Larry Mishkin discusses various topics related to marijuana law, culture, and music. He mentions updates on Tedeschi Trucks Band shows, including performances with Warren Haynes and Trey Anastasio. Larry also delves into the history of the song "It Takes a Lot to Laugh, It Takes a Train to Cry," originally written by Bob Dylan, and how it marked a pivotal moment in the transition to electric music. He discusses the Dead's cover of the song and its significance, along with other Dylan covers. Additionally, Larry touches on the Jerry Garcia and Merle Saunders performance from 50 years ago, featuring songs like "Finders Keepers" and "The Harder They Come." He highlights the guest musicians and the significance of these performances within the context of rock and roll history. Finally, he shares insights on Jerry Garcia's cover of "That's All Right, Mama" and its historical significance in the development of rock and roll music..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast Going with a Garcia/Saunders show:October 2, 1973 (50 years ago)Winterland, S.F.Garcia & Saunders 1973 Winterland SF KSAN : KSAN : Free Download, Borrow, and Streaming : Internet ArchiveBand members:Jerry – guitar and vocalsMerle – KeyboardJohn Kahn – bassBill Vitt – drumsGuests:Sara Fulcher – vocalsMatt Kelly – harmonicaRoger “Jellyroll” Troy – bass, vocalsMartin Fierro – saxBill Atwood - trumpet     INTRO:                  It Takes A Lot To Laugh It Takes A Train To Cry                                (this one is really from 10.12.1973 at Keystone because the Archive.org show is missing this song as the opener and this is the one closes in date I could find)                                Jerry Garcia/Merl Saunders • It Takes A Lot To Laugh, It Takes A Train To Cry 10/12/73 Fixed SBD - YouTube                                7:35 – 9:09                                 "It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited released Aug. 30, 1965. It was recorded barely a month earlier on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.An earlier, alternate version of the song has been released, in different takes, beginning with the appearance of one take on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991 in 1991.Covered by Steven Stills, Leon Russell, Marianne Faithful, Taj Mahal, Paul Westerberg, Robyn Hitchcock and Lucinda Williams Dylan's live debut of the song came as part of Dylan's controversial electric set, backed by members of The Paul Butterfield Blues Band and Al Kooper, at the Newport Folk Festival on July 25, 1965, after "Maggie's Farm".[2][4][5][7] After being heckled during the electric set, and especially during "It Takes a Lot to Laugh, It Takes a Train to Cry", by fans who wanted Dylan to play acoustic folk music, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue".[4][7] The Newport performance of "It Takes a Lot to Laugh, It Takes a Train to Cry" features jamming by guitarist Bloomfield and organist Al Kooper.[4] Dylan played it live as part of his set in the August 1971 Concert for Bangladesh. This version was included in the concert film and Grammy Award-winning album of the same title.[2]A.         Dead played it 7 times:first time on June 10, 1973 at RFK Stadium (D.C.) with Allman Brothersfive times in 1991 and once on March 16, 1992 at the Spectrum, Philly Released on Dead album:  Postcards of the Hanging (March, 2002) B.         Jerry's various bands played it about 60 times,first time on January 15, 1972 at Keystone Korner in S.F. w/Merle SaundersLast time by JGB: March 4, 1995 at the Warfield in S.F.                                SHOW #1:           Finders Keepers                                Track No. 1                                3:00 – 4:13                 Finders Keepers was performed over 20 times by Jerry Garcia with the Garcia/Saunders band, Legion of Mary and Reconstruction between 1973 and 1979.On the 1973 Garcia/Saunders Keystone double album the song is called Finders Keepers and is correctly credited to Johnston and Bowen. The song was written by General Johnson, a member of the group Chairmen Of The Board, and Jeffrey Bowen, the producer of the Chairmen Of The Board recording. The song was originally released by the Chairmen Of The Board as a single with a vocal version of the song on the A side and an instrumental version on the B-side.  Chairmen of the Board is an American-Canadian, Detroit, Michigan-based soul musicgroup, who saw their greatest commercial success in the 1970s.  SHOW #2:           The Harder They Come                                Track No. 2                                1:05 – 2:18 "The Harder They Come" is a reggae song by the Jamaican singer Jimmy Cliff. It was first recorded for the soundtrack of the 1972 movie of the same name, in which it is supposed to have been written by the film's main character, Ivanhoe Martin. In 1969, singer Jimmy Cliff met film director Perry Henzell, who was intending to make a film about a musician who turned to crime. Cliff agreed to take the lead role, and the film was shot over the next two years. During filming, Cliff came up with the line "the harder they come". Henzell thought it would make a good title for the film, and asked Cliff to write and record a theme song for it.[2]The actual recording of the track, at Dynamic Sounds (Muscle Shoals, 1971), was filmed for inclusion in the movie. Cliff wrote the melody, and improvised the lyrics. The musicians were Gladstone Anderson (piano), Winston Wright (organ), Winston Grennan (drums), Linford "Hux" Brown (lead guitar), Ranford "Ranny Bop" Williams (rhythm guitar), and Clifton "Jackie" Jackson (bass).[2]Reggae track recorded in Jamaica in 1972 Covered by:  JGB (Kean College 2.2.80), Cher, Keith Richards (b-side to his single, Run Rudolph Run 1978), Rancid, Joe Strummer, Wayne Kramer, moe., Willie Nelson, Guster, Widespread Panic and many others The Harder They Come was performed over 350 times by Jerry Garcia/Merl Saunders groups and by the Jerry Garcia Band between 1973 and 1995. The lyrics and music for the song are included in the Jerry Garcia Songbook. Also played by Phil Lesh & Friends, Billy & The Kids, Voodoo Dead and Bob Weir with Soul Ska.                                SHOW #3:           That's All Right Mama                                Track No. 3                                2:20 – 3:59                                Featuring:  Bill Atwood on Trumpet and Sara Fulcher on vocals                                                              The song was written by Arthur "Big Boy" Crudup, and originally recorded by him in Chicago on September 6, 1946, as "That's All Right". Some of the lyrics are traditional blues verses first recorded by Blind Lemon Jefferson in 1926.[5][6] Crudup's recording was released as a single in 1947 on RCA Victor 20–2205, but was less successful than some of his previous recordings. One of the experts who consider the Crudup recording to be the "first rock and roll song" is Southeastern Louisiana University rock historian Joseph Burns, who adds that "this song could contain the first ever guitar solo break". Elvis Presley's version was recorded in July 1954.[10] While recording an album as part of a trio called The Blue Moon Boys, the band played "That's All Right" in between takes, and the uptempo style characteristic of rockabilly caught the attention of studio executive Sam Phillips, who asked for a refinement of the interpretation that was later recorded.[11] Its catalogue number was Sun 209.[12] The song was released under its original title, "That's All Right", and names the performers as Elvis Presley, Scotty, and Bill.[13] The Presley version was not identical to Crudup's since it was "at least twice as fast as the original".[2] His version is considered by some music critics as one of the records that was the first in the rock n'roll genre.  A 2004 article in The Guardian argues that rather than Presley's version being one of the first records of rock and roll, it was simply one of "the first white artists' interpretations of a sound already well-established by black musicians almost a decade before [...] a raucous, driving, unnamed variant of rhythm and blues". Covered by the Grateful Dead once with allman Brothers on June 10, 1973 (RFK great version with Jerry and Dickey Betts trading off lead licks) and once om April 18, 1986 at Berkeley Community TheaterPlayed regularly by JGB and other versions from the ‘70's until the end in 1995.                               SHOW #4:           Second That Emotion                                Track No. 5                                7:00 – 8:29 "I Second That Emotion" is a 1967 song written by Smokey Robinson and Al Cleveland. First charting as a hit for Smokey Robinson and the Miracles on the Tamla/Motown label in 1967, "I Second That Emotion" was later a hit single for the group duet Diana Ross & the Supremes and The Temptations, also on the Motown label. One morning in 1967, Robinson and Cleveland were shopping at Hudson's, a Detroit department store. Robinson found a set of pearls for his wife, Claudette. "They're beautiful." he said to the salesperson. "I sure hope she likes them." Cleveland then added "I second that emotion." Both songwriters laughed at Cleveland's malapropism; he had meant to say "I second that motion." The two were immediately inspired to write a song using the incorrect phrase. Was performed a handful of times (7) by the Grateful Dead in April, 1971First:  April 8, 1971 at The Music Hall, BostonLast:  April 29, 1971 at Fillmore East NYC Part of Jerry's bands repertoire between 1973 and 1994 (played almost 200 times)  OUTRO:                Sweet Little Angel                                Track #7                                2:20 – 3:59                 Written by BB King and Jules Taub in September, 1956                Some say it is an adaption of Black Angel Blues written by Lucille Bogan in December, 1930 In 1956, B.B. King recorded "Sweet Little Angel" (RPM Records 468). According to King, "I got the idea for 'Sweet Little Angel' from Robert Nighthawk's 'Sweet Black Angel', though I later discovered that the song had been recorded by someone before Nighthawk. At the time 'black' was not a popular word, as it is now. Instead of using the old title, I changed it to 'Sweet Little Angel'—and that was a pretty big record for me".[6] King's version, which included a horn section, was a stylistic shift for the song and it became a hit, reaching number eight on the Billboard R&B chart.[7] In 1957, he re-recorded "Sweet Little Angel" for his first album Singin' the Blues. Both versions prominently feature B.B. King's guitar work, with his note-bends "sounding almost like a lap steel in places.”

Last time we spoke about the Komiatum Offensive in New Guinea. The drive to Lae and Salamaua was raging on New Guinea. Mount Tambu was assaulted and the allies received hellish casualties trying to take it. The legendary Bull Allen saved countless lives during this action, but Mount Tambu simply couldn't be captured. The allies chose to isolate and surround mount Tambu instead. The allies secured took the sugarcane knoll, the timbered knoll and then found a path heading to Komiatum. Nakano ordered his men to hold Komiatum ridge, but their situation became more and more desperate. Allied artillery and aerial bombardment alongside the enveloping maneuvers were taking a toll, the Japanese had suffered 900 casualties since July 23rd. With more men dying minute by minute, Nakano ordered a withdrawal from Komiatum still believing the primary target of the allies was Salamaua. This episode is the Fall of Kiska & Battle of Vella Lavella  Welcome to the Pacific War Podcast Week by Week, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about world war two? Kings and Generals have an assortment of episodes on world war two and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel you can find a few videos all the way from the Opium Wars of the 1800's until the end of the Pacific War in 1945.  So before venturing back to the frigid northern aleutians, we have a lot of action to talk about in the south Pacific. On August 3rd, General Sasaki was forced to order a withdrawal from Munda. General Griswold sent a message over to Admiral Hasley declaring “Our ground forces today wrested Munda from the Japs and present it to you as sole owner”. Halsey in his typical fashion replied “keep ‘em dying”. Despite the blood, sweat and tears taking Munda, as a whole, operation cartwheel had fallen a month behind schedule. As Griswold noted “the months fighting had not been the Americans' finest hour in the Solomon islands campaign”. Halsey would add to it “the smoke of charred reputations still makes me cough”. Now just because Munda had fallen did not mean the work was all done, there was to be cleanup operations of course. General Sasaki ordered his forces to retreat northwards, most were enroute to the Kure 6th farm; the 13th regiment and Sasaki's HQ were going to Bairoko; the 3rd battalion, 23rd regiment and Yokosuka 7th guns were heading to Baanga island. The Americans would be in hot pursuit. General Griswold divided the cleanup operations, giving the 25th division the task of advancing across New Georgia to seize Bairoko Harbor and the Piru Plantation. General Hodge 's 43rd division was given the task of seizing the islands of Arundel and Baanga. General Collins would deploy the 1st battalion, 27th regiment and Colonel Dalton's 161st regiment to advance up the Bairoko trail; the rest of Colonel Douglas Sugg's 27th would advance along the Zieta Trail towards the Piru plantation. General Sasaki learnt on August 6th, the American navy had scored a small but conclusive victory when 6 US destroyers sunk 3 IJN destroyers, the Arashi, Kawakaze and Hagikaze during the Naval battle of Vella Gulf. This of course meant the Japanese reinforcement convoy had failed, thus Sasaki wasted no time ordered a general withdrawal to Kolombangara by the way of Baanga Island. Sasaki needed to give the men more time, so he reinforced the Yano battalion with the 12th company of the 3rd battalion, 23rd regiment who were left to defend the Kure 6th farm. Major Yano Keiji, a veteran of Guadalcanal, selected a rough terrain east and south of Zieta village and the Kure 6th farm to dig in. The Americans would later refer to it as “Zieta Garden”. The garden was to be Yano's first line of defense across the Zieta river. There was a bit of high ground due north of Zieta Village which would have been easier to defend, but he needed his men to protect the trail running to Lulu Channel and Baanga, his only line of communications. The 3rd battalion, 23rd regiment in the meantime were securing Baanga. General Sasaki radioed his plans to the 8th Fleet, but to his surprise was told to hold onto New Georgia until late September for “future operations”. Sasaki was bewildered by this, but understood Admiral Samejima then commanding the 8th fleet was trying to direct a land battle, and obviously he was not experienced in such things. What Sasaki did not know at the time was Samejima was being instructed by General headquarters to do this. On August 7th, the Army and Navy had agreed to pull out of the Central Solomons and would cooperate to bolster Bougainville's defenses. A revisión later on August 13th would instruct Koga, Kusaka and Imamura to hold onto as much of New Georgia as possible while Bougainville was being reinforced. Full evacuation of New Georgia was set for late September to early October, but the actual dates were dependent on the Bougainville progress. On August 8th Sugg's 2nd battalion advanced through a deep ravine going roughly 2 miles up the trail when his men were met with heavy machine gun fire. The Yano battalion was defending the barge supply route through the Lulu channel as their comrades and supplies made their way to Baanga. On August 9th, the 27th began their assault upon the Kure 6th Farm, employing a envelopment maneuver. The Yano battalion was holding them at bay, but gradually the allied forces were confining the Japanese into a smaller and smaller pocket. Meanwhile the 1st battalion was advancing north along the Munda-Bairoko trail where they joined Colonel Liversedge's men. On the 10th, Hodge ordered the 169th regiment to hit Baanga and on the 11th patrols from their 3rd battalion had located the Japanese strongpoint on its southwest tip. By nightfall, the American assault of the Kure 6th Farm forced Colonel Yano to withdraw back across the Zieta River to form a new defensive perimeter. His men performed a fighting withdrawal throughout the night seeing many Japanese scream and throw rocks at the Americans. The usual night time activities that kept the allied forces miserable.  On the 12th the Americans unleashed an artillery bombardment upon the Kure 6th Farm positions not realizing they had already been abandoned. The 89th had fired 2700 rounds, the heaviest concentration of the operation on completely empty positions. The Americans advanced over Yano's old positions, crossed the river and fell upon Yano's new defensive perimeter. On that day General Barker assumed command of the 43rd division as General Hodge returned to his command of the Americal Division. Barker began by sending L Company of the 169th regiment to occupy Baanga. L Company were met with unexpectedly heavy Japanese fire suffering 28 casualties before they were forced to pull back.    Meanwhile on August 13th, Sugg's 3rd battalion with E company managed to launch their main assault against the Yano battalion. They were attempting a envelopment maneuver against Yano's flanks, but heavy resistance saw Yano's right flank repel the attack. On the left there was a marshy plain that hindered the American advance forcing them to go too far left and thus failing to apply enough pressure. Although the assault failed, the unexpected left advance saw some gain. A patrol from H company stumbled across a heavily used trail leading to the Lulu channel. They established a roadblock that night allowing ambush efforts to hit the trail. The roadblock convinced Yano he was soon to be cut off, so he immediately prepared a withdrawal to Baanga.    In the meantime, Barker decided to use Vela Cela island as a launching point for an assault against Maanga. On August the 14th, the 3rd battalion, 169th regiment began occupying the small island before using it as a springboard to land at Baanga. However the Americans quickly found themselves surrounded by a mangrove swamp and the Japanese began tossing counter attacks until night fell.  Yano's forces repelled numerous American attacks from the 3rd battalion throughout the day, afternoon and night. The Japanese threw back one attack led by four marine tanks, which had crossed the river on a bridge engineers built. While doing this his men also began their retreat westwards. H Company met a brief exchange with Yano's men, but Yano decided not to seriously clash with them and withdrew his battalion to Baanga by the 15th.  The 27th occupied Zieta village, making contact with Schultz 3rd battalion, 148th infantry over on Zieta Hill to the north. After this the 27th would advance upon Piru plantation and Sunday Inlet, too which they also ran into mangrove swamps greatly hindering them. The fight for the Zieta area had cost them 168 casualties, the americans were seeing a continuous flow of fierce counterattacks at Baanga, prompting Barker to decided he would reinforce the beachhead with the 2nd battalion 169th regiment and the 1st and 3rd battalions of the 172nd regiment.   At this point General Griswold and Admirals Halsey and Wilkinson were trying to figure out what to do next. Halsey's original plan after the taking of Munda was to attack Kolombangara, but the recent performance of the Japanese defenders made the Americans quite skittish about performing an amphibious invasion. The battle for Munda point was one of the fiercest defenses the Japanese had put up. More than 30,000 troops had been brought over to face 5000 Japanese defenders within their network of entrenchments. As pointed out by the commander in chief of the US Navy planning memorandum “If we are going to require such overwhelming superiority at every point where we attack the Japanese, it is time for radical change in the estimate of the forces that will be required to defeat the Japanese now in the Southwest and Central Pacific.” Munda Point airfield would become a landmark victory because of the 6000 foot runway it would soon provide, alongside taxiways and its capacity as a base of operations. Halsey would later declare its airfield “to be the finest in the south pacific” and the Seabees would be awarded with a citation for their great efforts. Commander Doane would receive a special mention “by virtue of his planning, leadership, industry, and working ‘round the clock' to make serviceable the Munda Airfield on August 14th, 1943, a good four days ahead of the original schedule.” The seabees work was a testament not only to their morale and organization, but also the fact they held superior equipment. Admiral Nimitz would go on the record to state “one of the outstanding features of the war in both the North and South Pacific areas has been the ability of US forces to build and use airfields, on a terrain and with a speed which would have been considered fantastically impossible in our pre-war days.” Overall the Georgia campaign would go on the be an essential component in the strangulation of Rabaul, as pointed out by historian Eliot Morison “The Central Solomons ranks with Guadalcanal and Buna-Gona for intensity of human tribulation. We had Munda and we needed it for the next move, toward Rabaul; but we certainly took it the hard way. The strategy and tactics of the New Georgia campaign were among the least successful of any allied campaign in the Pacific”.   Allied intelligence indicated Kolombangara had roughly 10,000 Japanese defenders, thus Halsey was inclined to seek an alternative method rather than slugging it out. He thought perhaps they could bypass Kolombangara completely and instead land on Vella Lavella. If they managed to pull that off, it would cut off the Japanese supply line to Kolombangara which was basically surviving on fishing boats and barges based out of Buin. Halsey noted “Kolombangara was 35 miles nearer the Shortlands and Kahili. According to coast-watchers, its garrison numbered not more than 250, and its shoreline would offer at least one airstrip.” A reconnaissance carried out back on July 22nd reported very few enemy troops on the island and that it held a feasible airfield site at Barakoma which also had beaches capable for LST's to land at. Thus Halsey approved the plan and Griswold formed the Northern Landing Force, placed under the command of Brigadier General Robert McClure. The force consisted of the recently arrived 35th regiment of the 25th division attached to the 25th cavalry reconnaissance troops, all led by Colonel Everett Brown; the 4th defense battalion, the 58th naval construction battalion and the Naval base group.  To hit Vella Lavella they would require air supremacy and artillery planted upon Piru Plantation and the Enogai-Bairoko area. General Twinnings AirSols had 161 fighters back on July 31st, but by August 18th they would have 129 functioning. Twining had sufficient strength in bombers as the number of light and medium bombers had dropped by less than a dozen, at around 129. For heavy bombers his increased from 48 to 61. It was critical Munda airfields be fully operational by mid august, sothe Seabees of the 73rd and 24th naval construction battalions went to work. Admiral Fitch's plan for Munda airfield called for a 6000 long foot runway with a minimum 8 inch coral surface and taxiways and revetments ready for over 200 fighters by September 25th. Eventually this would also include 48 heavy bombers. The immediate job was the fighter strip as always, you prepare your defenses against air attacks before you bring in the heavy bombers. He had a week to make the field operational. Commander Doane of the 73rd Seabees had two critical assets. The first was Munda was by far the best airfield site in the Solomons. Beneath one to 3 feet of topsoil was solid coral and there was a plentiful supply of live coral which hardened like concrete, great for the surfacing. Second the 73rd was the best equipped battalion yet to arrive to the solomons with D-7 and D-8 bulldozers, ¾ yard power shovels, 8 yard carryalls and 7 ton rollers. Weather was good and the moon was bright for the week permitting night time work without lights. The immediate threat would have been a 12cm of the Yokosuka 7th SNLF at Baanga, but they never fired upon them. Again, wars are won by logistics and it can't be expressed enough what a colossal amount the Seabees did for the Pacific War. By August 14th, Mulcahy flew over to set up his HQ and the VMF-123 and VMF-124 flew into the base with a R4D carrying their gear and personnel. For the incoming invasion P-40s would be coming from Segi while Corsairs would be launched from Munda.  Admiral Kusaka had reformed his 1st Base air force thanks to the arrival of his long-sought reinforcements. In mid July reinforcements arrived to the Solomons in the form of the 201st Kokutai Aerial Bomb group and carrier Division 2's naval bombers from Ryujo. The overall strength of the 1st base air force was now at around 230 aircraft of various types. The land-based bombers would go to Rear Admiral Ueno Keizo's 25th air flotilla over in Rabaul. They were tasked with night bombing raids against Guadalcanal and New Georgia now. Naval fights and bombers would be merged into the 1st combined air attack force, later reformed into the 26th air flotilla led by Rear Admiral Sakamaki Munetake. There job was to destroy any enemy shipping in New Georgia and to conduct interceptions over the Munda-Buin areas. It was understood the Americans held numerical superiority, but the Japanese were willing to take them on hoping their fighting spirit would prevail. Meanwhile, back on the night of August 12th, Admiral Wilkinson deployed an advance party of 14 men led by Captain George Kriner to perform a reconnaissance of Vella Lavella. They would be reinforced by Companies E and G of the 103rd regiment when the scouts found 40 Japanese around Biloa and another 100 5 miles north of Barakoma. They had reached the island secretly using 4 PT boats, though Japanese floatplanes would made to bomb one of them. After the successful arrival of the advance party at Barakoma, F Company of the 103rd landed on August 14th to reinforce the beachhead.  The main invasión force designated Task Force 31 led by Admiral Wilkinson  would consist of 10 destroyers, 5 destroyer transports, 12 LCI's, 3 LST's and two subchasers. At 3:05am  the 1st transport group of the force departed consisting of the destroyer transports with 6 escort destroyers were carrying the 1st and 2nd battalions of the 35th regiment. Captain Ryan led the group aboard Nicholas while Wilkinson was aboard Cony. The second transport group made up of the smaller vessels carried the Seabees and support personally following an hour behind with 4 destroyer escorts led by Captain William Cooke. After the force departed Guadalcanal they were to approach the Gizo Strait around midnight, before beginning to unload in the early hours of august 15th, under the cover of fighters.  However Wilkinson would not be aware his force was spotted by a G3M Betty bomber which reported back to Admiral Samaki who immediately launched a strike force. By 8am, the 1st and 2nd battalions of the 35th regiment had landed. While the 3rd battalion began their unloading process enemy aircraft appeared. 48 Zeros and 6 Vals were intercepted by American fighters. By 9:15 all the troops were landed, now the equipment began to be unloaded. The Japanese launched two waves from Buin, the first appeared at 12:30, made up of 48 Zero's and 11 Vals. They were intercepted leading to no damage being done to the landing forces. 7 Zeros came in low to strafe the beach but were turned away by fire from 65 automatic weapons aboard the LST's. LST's in the past lacked adequate anti aircraft protection, thus 20 20mm guns were borrowed from Guadalcanal and set to use. At 5:30 32 Zero's and 8 Vals showed up but they too were intercepted. By 6pm the LSTs were beginning to retract. The strikes had amounted to 12 men killed on the beach and 40 wounded, it could have been much worse. The Japanese reported losing 9 Zeros and 8 Vals for the day while the Americans would claim to have lost a total of 5 fighters. Without any real land battle the amphibious invasion of Vella Lavella was a resounding success. After darkness settled in, Admiral Ueno's 5th air attack force over in Rabaul launched their final attempt against the American convoys. At 5:30pm, 3 Betty's that had launched out of Vunakanau were spotting the convoy and reporting their movements. They came across the LCI's southeast of Gatukai and the LSTs as they were approaching the Gizo strait. 23 Bettys in 3 Chutai's, one armed with torpedoes the other two with bombs approached. The torpedo armed Betty's attacked the LCI's while the bombers went for the LST's. The American destroyers tossed up a lot of anti aircraft fire as the torpedoes and bombs failed to hit targets. 4 Betty's would be damaged badly for their efforts. The Japanese reaction to the terrible results was to form an unrealistic plan to wipe out the American invasion by sending a single battalion to the island. When the landings became known, officers of the 8th fleet and 17th army formed a conference. They estimated, with accuracy surprisingly, that the landing force was around a brigade in strength. One officer proposed the idea to send a battalion to counterland. General Imamura's HQ calmly pointed out that sending a single battalion against a brigade would be like “pouring water on a hot stone”. The men were desperately more needed for the defense of Bougainville. The Japanese knew they were vastly outnumbered in the Solomons and that the fight for the central solomons was pretty much lost. They believed their only chance to successfully defend the rest of the solomons was to carry out a slow retreat in order to build up forces in Bougainville and Rabaul.  It was decided that two rifle companies of the Miktami battalion and a platoon from the Yokosuka 7th SNLF would be sent to Horaniu on the northeast corner of Vella Lavella. These forces would establish a barge staging base between Kolombangara and the Shortlands. Alongside this Rekata bay would be evacuated and its 7th Kure SNLF would set up a relay base at Choiseul. Imamura nad Kusaka planned to hold Horaniu for as long as possible, trying to establish a new supply route along the west coast of Choiseul.  For the Horaniu operation, Admiral Ijuins destroyer squadron of Sazanami, Shigure, Hamakaze and Isokaze were going to escort 22 barges, supported by 3 torpedo boats and two subchasers. The small armada departed Rabaul on August 17th, but Ijuin's destroyers were spotted quickly by an allied search plane 100 miles out of Rabaul. In fact, Wilkinson was anticipating the Japanese heading for Kolombangara or perhaps Barakoma. He sent 4 destroyers, the Nicholas, O'Bannon, Taylor and Chevalier under Captain Thomas Ryan. Ryan had been an ensign in Yokohama during the 1923 Great Kanto earthquake, where he saved the love of one Mrs. Slack from the burning Grand Hotel. This earned him the medal of honor making him 1 of 18 men to receive the medal of honor during the interwar period of 1920-1940. Ryans force departed Tulagi while the other American convoy, the 2nd echelon led by Cooke were landing equipment at Barakoma. By nightfall Ryans squadron were coming up the slot while the enemy convoy was being harassed by 4 Avengers. The Avengers failed to score hits, but the anti aircraft gunfire alerted Ryan, as the Japanese were reversing course heading in his direction. At 12:29am on August 18th O'Bannon made radar contact and a few minutes later the Americans could see the Japanese ships. At 12:32 the Japanese spotted Ryans force, prompting Ijuin to order a 45 degree turn northwest to try and lure the enemy away from the convoy. As his ruse succeeded there would be a pretty ineffective long range gun and torpedo duel seeing Hamakaze and Isokaze taking slight damage. Meanwhile the Japanese barges were racing to the coast. Ryan believed he had foiled the reinforcement when he engaged the destroyers . But because Chevalier was facing some mechanical failures and could not keep up speed to chase the Japanese destroyers, Ryan decided to turn back to engage the already landed reinforcements at Horaniu. However they managed to escape north too quickly, thus the Horaniu operation was quite a bit of success, with a lot of luck at play. Now we are shifting over to the frigid north waters of the Aleutians. The fall of Attu and Munda were pivotal moments of the Pacific war that completely changed the course of their respective campaigns. When Munda was taken, the Japanese realized the central solomons were a lost cause and began to move all resources and men they could to Bougainville. When Attu was taken, the Japanese realized the Aleutian islands campaign was a lost cause and decided to evacuate the forces on Kiska. The battle of the pips and miraculous evacuation of Kiska was completed by the end of July. Kiska was pummeled on July 26th and 27th under clear sunny weather. 104 tons of bombs hit Kiska's installation on the 26th in a large attack consisting of 32 B-24's, 24 P-38 lightnings and 38 P-40's. On the 27th it was hit with 22 tons of bombs. On August 1st Lt Bernard O'Donnel conducted the first reconnaissance sweep since the July 27th bombing and observed no Japanese fights, no anti aircraft fire and no ships at harbor. Meanwhile the blockade was being performed by Giffen and Griffen's task force who bombarded Kiska. Intelligence crews working on aerial photographs of the island and its installations noted a number of odd features. Practically all the buildings around 23 in all appeared destroyed, but with rubble patterns suggesting demolition rather than bombing. The Japanese also appeared to have done no repair work on the craters in the north head runway, which was very odd, it was around the clock kind of work for them. All the garrisons trucks seemed to be parked on the beach in clusters and it seemed they were not moving day to day. Some pilots reported a bit of activity, like narrowly missing flak and some vehicles and ships seen moving below, but Kinkaids HQ noted all these reports were coming from green pilots. Experienced fliers were not reporting such things. Radio traffic had vanished, some wondering if the bombing was so tremendous it destroyed all the radios. Generals Butler and DeWitt believed the Green pilots, but Generals Buckner and Holland Smith were very suspicious, pointing out that the Japanese had already carried out a secret massive evacuation at Guadalcanal. In fact Buckner and Smith kept asking Kinkaid to toss some Alaskan scouts ashore in rubber boats at night prior to an invasion to report if the island was abandoned or not. But Kinkaid had the last say in the matter and declined to do so. Kinkaid's decision was to go ahead with a full scale invasion of the island. In his words “if the enemy had evacuated the island, the troop landings would be a good training exercises, a super dress rehearsal, excellent for training purposes”.  On August 12th, Captain George Ruddel, leading a squadron of 4 fighters circled low over the anti aircraft gun positions on Kiska, received no flak so he landed on her North head runway dodging nearly 30 craters. The 3 other fighters followed suit and the pilots performed a tiny expedition for some time. They found no sign of people, just destroyed buildings and abandoned equipment. Nonetheless Ruddels report would not stop Kinkaid, only some scolding for doing something so dangerous. The invasion of Kiska, codenamed operation cottage, was set for August 15th. The invasion force was 30,000 Americans and 5300 Canadians under the overall command of Major General Charles Harrison Corlet. It consisted of Brigadier General Archibald Arnolds 7th division; Buckner's 4th regiment; Colonel Roy Victor Rickards 87th mountain infantry regiment, the 13th Canadian Brigade known as the Greenlight Force which consisted of the Canadian Fusiliers regiment, the 1st Battalion of Winnipeg Grenadiers, the Rocky Mountain Rangers regiment and Le Regiment de Hull led by Major General George Pearkers; there was also Colonel Robert Fredericks 1st Special Service force consisting of 2500 paratroops of elite American-Canadian commandos. Kiska marked the first time Canadian conscripts were sent to a combat zone in WW2. The men were equipped in Arctic gear, trained mostly at Adak, practicing amphibious landings using LCI's and LCT's. The naval forces were commanded by Admiral Rockwell were more than 100 warships strong, with Admiral Baker leading a group to bombard Kiska with over 60 tons on August 14th. The journey to the abandoned island was pretty uneventful. On August 15th, Admiral Rockwell dispatched the transports to gather off Kiska during a period of light fog. Major General Corlett's plan was to stage a diversionary landing using a detachment of Alaskan Scout led by Colonel Verbeck to hit Gertrude Cove which was assumed to be heavily fortified. While this occurred an advance force of the 1st, 2nd and provisional battalions of the 1st regiment, 1st special service force would secure the western side of the island, known as Quisling cove. The main force would land at a beach on the north near the Kiska volcano. Colonel Verbecks scouts and Colonel Robert Fredericks commands were the first to come ashore. They were met by empty machine gun nests as they climbed Lard Hill, Larry Hill and Lawson Hill, interesting names. They investigated caves and ravines only to find destroyed equipment. But perhaps the enemy was simply further up in the hills saving their ammunition to ambush them. During the morning the main force landed on Kiskas northern side whereupon they immediately began climbing some cliffs to reach objectives. In the process each battalion of the 87th mountain regiment captured Robber Hill, Riot Hill and Rose Hill. US Army Lt George Earle recalled this of the unique landscapes of Kiska “At one end was a perfectly shaped steaming volcano, cloudcushioned, well- wrapped […] all around were cliff-walled shores and, when visible, a bright green matting of waist-high tundra scrub and deep lush mosses – a great green sponge of slopes rising to a rocky knife-edge crest nearly eight hundred feet above the shore up in the fog, and zigzagging its ridge-line backbone toward the […] four-thousand foot cone of the volcano”. Lt Earle also noted the incessant rain and fog, Kiska saw roughly 250 days of rain per year on average and held a ton of clouds blotting out sunshine. On the day the allied force landed the island was blanketed with a thick fog. As the allied forces advanced they ran into a variety of booby traps the Japanese had taken a lot of time to leave behind, these included; typical land mines, improvised 155m shells with trigger wires, M-93 mine's laid upside down wired to blocks of TNT, timed bombs, candle bombs, and the classic grenades with trip wire. There was to be several casualties from booby traps. In the fog as timed bombs or other traps went off, allied forces opened fire towards noises believing the enemy was upon them. There was some friendly fire incidents amongst the Americans and Canadians, but not as much that has been perpetuated by quite a few videos on Youtube mind you. Its actually a myth thats been perpetuated in many books, in fact the main source I have been using for the Aleutian islands campaign is guilty of it sad to say. The friendly fire incidents on Kiska was not a large skirmish between American and Canadian forces that resulted in many deaths or wounded, no that was pretty much summed up to booby traps, a lot of them. If you want to know more about this, I did a podcast interview on my youtube channel, the Pacific War channel with Brad St.Croix, a historian focused on Canadian military history. The episode is titled the Canadian experience during the Pacific War, and Brad had a lot of, going to admit, vented anger about debunking this myth haha. Please go check it out, I have to admit of all my podcast episodes it has not received many views and I am sad at this because there's a lot of interesting stuff, like how Canada was going to be part of Operation Downfall. Anyways. The Americans and Canadians suspected the Japanese might be retreating into the interior or hiding in fight pits, so they were tense the entire time, after the stories from Attu who could blame them. The crack of a single rifle fire, would be met with more, but it always died down quickly. Corlett's forces continued to climb uphill towards Link Hill and Ranger Hill in the direction of the main enemy camp at Kiska harbor. They found all the fortifications they came across abandoned. The second wave of the main force were brought over consisted of the 1st regiment, 1st special service force who landed at Little Kiska Island unopposed. By August 18th Corlett was confident the enemy was not on Kiska, but he continued the search nonetheless, into the caves and ravine, until August 22nd. To quote Ian Toll's 2nd book of his pacific war trilogy  “Considering the expenditure of naval ordnance and aerial bombs on an island that had been vacated by the enemy, and the tremendous investment of shipping and troops in a bloodless invasion, the Kiska operation had been slightly farcical. In Pearl Harbor, the news was received in good humor. Nimitz liked to tell visitors how advance elements of the huge invasion force, creeping inland with weapons at the ready, were warmly greeted by a single affable dog that trotted out to beg for food” Indeed the capture of Kiska which ushered the end to the Aleutians campaign, was kind of a enormous blunder when you consider the amount of resources allocated to it. You always have to consider these resources could have been brought to the south pacific, but hindsight is hindsight. After the battle of Attu, the allies expected an absolute bloodbath on Kiska. For Corlett's men, the americans suffered 18 deaths, 170 wounded, the Canadians 4 killed and 4 wounded, 130 men also got trench foot. The destroyer Abner Read struck a Japanese mine on August 18th, suffering 70 dead and 47 wounded to bring the total casualties to 313. Generals Buckner and DeWitt sought an invasion of Paramushiro, but the joint chiefs of staff would gradually reject the idea because it was simply seen to be easier to drive through the central or south pacific to Japan. But I would like to point out, if the south and central pacific campaigns did not go well, the idea of hitting the Japanese home islands from the Aleutians could have been a very real thing. Kinkaid, Butler, Eareckson amongst many others would leave the north pacific to deploy in other theaters. It was only really Buckner who remained, DeWitt returned to the west coast, as did the majority of forces. Wanted a feel good end to this one. So the allied forces on Kiska found more than just booby traps, turns out the Japanese had abandoned a number of dogs on the island, so the allied troops adopted many of them and turned them into unit mascots and pets. Surviving photos of the soldiers and the dogs are abundant and cute. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. The amphibious assault of Vella Lavella was a huge success, though now the battle for the small island was on. The farcical battle of Kiska had ushered in the end of the Aleutian islands campaign, birthing a long persisting myth to this very day of an incredible friendly fire battle. 

Crank up the radio to the most popular Top 40 hits and you're bound to hear American/Canadian singer/songwriter, Derik Baker's, better known as Virginia to Vegas.   He's released two studio albums and seven extended plays. His gold and platinum-certified upbeat, hyper catchy, indie pop songs.  include: "We Are Stars", "Lights Out", "Selfish", "Just Friends" and "Betterman", released through Wax Records and Ultra Records.   I caught up with Derik on the red carpet of 2023's The Vaughan International Festival (VFF) Awards Gala where he was the entertainment headliner to talk about how he transitioned from aspiring filmmaker to popular singer, where he derived his inspiration and band name, what's next for him, and much more! Sign up to become a member of Janette's TV Youtube Channel!https://www.youtube.com/@JanettesTV/videos Support the show

Have you ever been scammed? So much of our world is full of fake news, fake people, and fake things. But who would have ever thought that the largest fake ID empire in North America could be invented by two teenage girls in West Vancouver, British Columbia? That's the theme of the show Fakes - an American-Canadian television comedy/drama series, which premiered in 2022 on CBC Gem in Canada and Netflix internationally.The series stars Emilija Baranac and Jennifer Tong as Zoe and Rebecca and premiered September 1, 2022.Each episode is portrayed from the perspective of one of the two young women, making use of the unreliable narrator technique as their respective viewpoints sometimes contradict each other. Richard Harmon, who plays the supporting character Tryst, highlighted this aspect of the show as a fun creative opportunity for him as an actor, because it allowed him to play more than one variation on the character, based on the differing views of his character in each of the main characters' perspectives, instead of having to maintain a single consistent characterization.The cast also includes Eric Bempong, Wern Lee, Matreya Scarrwener, Lauren K. Robek, Dylan Sloane, Mya Lowe, Ryan Mah, Emily Leung, Cindy Piper, Devon Slack, Oliver Rice, Debbie Podowski, Roraigh Falkner, Devon Alexander and Toby Hargrave.The show was nominated for Best Comedy and Best Picture Editing in a Children's or Youth Program or Series. David Turko, creator, and writer and I met on the red carpet at this year's Canadian Screen Actors Awards where I interviewed him about the challenges of writing comedy and what's next for him. Sign up to become a member of Janette's TV Youtube Channel!https://www.youtube.com/@JanettesTV/videos Support the show

Rob, Bea, James and Heather sit down to talk about Heartstopper Season 1 and make predictions ahead of our Season 2 watch party.  It devolves into a disscussion about the differences between British and American/Canadian schools.  And our science corner about how smell is connected to memory becomes a discussion about covid.  As Charlie and Nick would say, "Why are we like this?" Sorry for the episode being late this week as I had to arrange a time to sit down and watch both seasons with people- Rob   Host: Webby- @JaxForestwalker Rob Edquist!!!- @Confessor_x Bea @BeaplaysRBLX James @GloriousComa And Heather @HD_RBLX   SU now has it's own twitter if you'd like to submit topic ideas, questions or advice- @simplyunprofes1 Music by Ross Malcolm Boyd Please give us a rating and review wherever you listen to us, and as always check out our Website (distractionsmedia.com) for links to other things we do!

Friend of the pod Tumaini Carayol joins us in the studio for another fun episode. We share our Wimbledon accreditation news – yes, Black Spin Global will be at The Championships this year as media! Roland Garros men's "demi-finals" day was a lot of fun (courtesy of Rodney Rapson aka The Plug). Find out how we got on in Paris (and why Lucy calls it "The Ghetto") where Novak Djokovic made history after winning his 23rd Grand Slam. Tumaini also brilliantly articulates why Djokovic and Serena Williams should never be compared. On the women's side, Iga Swiatek secured her third Roland Garros title – second in a row. 22-year-old joins Naomi Osaka on four Grand Slams. Swiatek really did her thing again this year in an entertaining final against Karolina Muchova. Handshake-gate and fascinating behind-the-scenes insight regarding Aryna Sabalenka. Did the French crowd really understand what was really going on when the Ukrainian players refused to shake hands with Russian and Belarusians? Gael Monfils was talk of week one after his epic five-set victory over Sebastian Baez. La Monf suffered severe cramps and was 0-4 down in the fifth before coming back to take it. Was very emotional afterwards. Sadly withdrew the following day due to a wrist injury. Coco Gauff made a run to the quarter-finals where she fell to eventual champ Swiatek in straights. One of the better matches played against the Pole so far in their seven meetings. Also came through a nice three-set match with 16-year-old talent Mirra Andreeva in the third round. Also reached the women's doubles semi-final. Frances Tiafoe was rocking a custom Nike + IDK collaboration kit which paid homage to his Sierra Leone roots – super clean. (IDK's music goes hard too thoroughly recommend the F65 project) The 12th seed made a run to the third round where he fell to Alexander Zverev in four sets. Loved the win over Aslan Karatsev in R2. Sloane Stephens, who is "a good time in press", stunned in her FP Movement kit. That blue she was wearing in round two was an absolute scene. The 2018 runner-up made a run to the last 16 where she fell to Sabalenka in two tight sets in the one only women's “night session” match this year. We share our thoughts on the sexist scheduling. We had success in doubles where Clervie Ngounoue and Tyra Caterina Grant secured the girls' doubles title after beating the top seeds in the final. Taylor Townsend and Leylah Fernandez, looking pretty in pink, finished runners-up in the women's doubles event. The American-Canadian duo are a serious team. Also shout out Kgothatso Montjane and Yui Kamiji – women's wheelchair doubles champions. And Donald Ramphadi and Andy Lapthorne – Quad men's doubles champions. And to close, bi-lingual king Tumaini talks about his seven-week stint on the road including his trip to Murcia, to carry out a Spanish interview with the people who knew world No 1 Carlos Alcaraz before he became That Guy! Nice long read is here: https://www.theguardian.com/sport/2023/may/26/born-to-be-no-1-tennis-the-making-of-carlos-alcaraz Keep commenting, liking, sharing and subscribing – we appreciate you all! #BlackSpinGlobal

Today we honor the Queens of Rock and Roll.  The supreme Queen, Tina Turner, passed this week and we pay tribute to her. We also will be launching the world premiere of Glistening by Grace DeVine . Known for their evocative lyricism, Grace with ethereal vocals, combines their artistic prowess with a message of inclusivity and self-acceptance. “Dont gotta be a woman, don't gotta be a man. We just gotta keep glistening.” They sing. The song invites listeners on a transformative journey as it encapsulates the essence of Pride.  We also celebrate the true women pioneers of Rock and Roll, the original Queens... a group known as FANNY. Their story is the subject of a new documentary just launced on PBS called FANNY: The Right to Rock. As the first all-female rock act to record an album for a major record label, FANNY was the first all-female rock act to rise to real prominence in the US and Europe.  Our focus guest is film maker Bobbie Jo Hart. She is an award winning American/ Canadian documentary filmmaker with Adobe Productions International, based in Montreal, Canada. With a career that has spanned 25 years,on subjects ranging from women's professional soccer and tennis to classical music, comedy, dance and manic depression. Her documentary films have the most common thread of revealing untold stories of marginalized girls and women, weaving universal threads of dreams, family, love, loss, happiness, sadness, success, failure and determination. Her intimate, cinema verité style results in thought- provoking films that ultimately celebrate our shared humanity. With co-host Brody Levesque 

It's not just autism parenting causing extreme stress, angry outbursts, anxiety and mood swings. It's genetic. It's biochemical, and it's something that you have in common with your autistic child. This podcast episode covers the hidden link between pyrrole disorder, zinc deficiency and copper toxicity, which cause many mental health problems for children and parents in autism families. These imbalances are more common in people of Scandinavian, Irish, and English descent (which includes many American/Canadian families as well.)Don't miss this conversation between Ninka-Bernadette Mauristson and Hilde Lorentzen about stress intolerance, anger, rage, mood swings, anxiety and panic attacks,  depression, eating disorders, addiction, night terror, gut - and blood sugar imbalances and how to deal with it from a nutritional standpoint. Here are 3 ways we can start turning autism symptoms around together, whenever you're ready... 1. Send me a voice message and get my feedback on your most pressing struggles. 2. Check out the free video series "The 5 hidden messages behind autism symptoms" and find your child's unique triggers. 3. Work with me privatelyIf you'd like to work with me directly to turn as many symptoms around as possible in my Autism Turnaround Coaching and implementation group..send me an email with "coaching" in the subject line and tell me how old your child is. I'll get you all the details.

Jeff Morander, a ticketing executive with over 30 years of proven experience directing sales strategy across the NHL, NBA, WNBA, and the NFL, talks about playing a key role in the NHL Winter Classic and NHL All Star Games, the differences in working on both sides of the American/Canadian border, skill vs. will, and being the stepping stone for others.

Episode Highlights: woke ideology in universities, Elon Musk, Liberal ideology vs Conservative ideology, Michelle Obama and the 2024 election Summary:  What is going on everybody!? We were super stoked to have Will Witt on the Mental Wealth Podcast. He is a truth seeking conservative influencer and he and Kaylor got to riff about so many incredible topics on this episode. They include:  Using woke ideology in American/Canadian universities to indoctrinate young adults Are we living in better times - looking at the outcomes of people who live a life of comfort vs people in other parts of the world who face resilience Posting on social media with purpose vs trying to grow your following Will and Kaylor's thoughts on Elon Musk since his twitter takeover  Making conversations a priority as a way to heal divide among people Will's predictions for Michelle Obama running for the 2024 presidential election This conversation was wide ranging and so many incredible points that they both touched on.  It was an absolute pleasure to have Will on the Mental Wealth Podcast, thanks for joining us! If you enjoyed the episode, please be sure to take a screenshot and share it out on Instagram and tag @thekaylorbetts. Also, please make sure to give us a review and a five star rating if you're loving what we are doing! _____________________________ RESOURCES & LINKS MENTIONED IN THIS EPISODE: Instagram | thewillwitt Facebook | thewillwitt Twitter | thewillwitt Newspaper | The FL Standard Book | How to Win Friends and Influence Enemies Book | Brave New World _____________________________ IMPORTANT UPDATES: Apply to work 1:1 with Kaylor | https://buildmentalwealth.co/ Follow Kaylor on Instagram | https://www.instagram.com/thekaylorbetts/ _____________________________

All aboard! For tonight's shift Kyle & Abby screened the American & Canadian slasher film TERROR TRAIN (1980). Three years after a prank went terribly awry, the six college students responsible are targeted by a masked killer at a New Year's Eve party aboard a moving train. So, is this film any good? Well, give this review a listen and find out...if you DAAAaaaare! Already seen it? Let us know your thoughts!OMINOUS MEDIA LINKS:WebsiteNewsletterInstagramKYLE LINKS:InstagramTwitterABBY LINKS:InstagramMUSIC:Intro - Cory NelsonOutro - Karl Casey @ White Bat Audio

Alexandra Botez is an American-Canadian chess player and commentator, Twitch streamer, and YouTuber. On this episode of the podcast, Eric and Alex talk about life as a content creator, dating and what it takes to live a good life.

Dr. Soliman is a physician (clinical psychiatry), scientist (genetics), and MBA (leadership and management). He uses behavioral dialectics to integrate the strength and weaknesses (cycles of motivation-demotivation, resilience-weakness, and cognitive abilities-disabilities). He utilizes evidence-based behavioral techniques to help professionals and leaders utilize their adversity as a growth path. He is American/Canadian; he also lived in 3 continents and appreciates working with clients from diverse cultural backgrounds. Dr. Soliman received his PhD at the University of Toronto and his MD and MBA at Cornell University. Mission statement: It is never too late. In this interview, Dr. Soliman shares exclusive insight about the following topics: How to gain clarity in order to achieve well-being.How do we become more resilient?How we can change our feelings through the thoughts we have?Why it is important to have "thin skin" and not "thick skin"?With Podcast host: Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

On today's episode I sit down with chess expert and professional gamer, Alexandra Botez, to discuss women in the world of competitive chess, life as a streamer, imposter syndrome, harassment, world travel, and the future of women and girls in gaming.Alexandra Botez (she/her) is an American-Canadian chess player and commentator, streaming superstar. She's the creator of BotezLive, one of the most popular chess channels on Twitch and YouTube. As a player, she became a five-time Canadian National Girls Champion and won the U.S. Girls Nationals at age 15. She achieved her highest FIDE Elo rating of 2092 in March 2016, and she currently holds the International Chess Federation title of Woman FIDE Master. Botez is currently one of the top-10 female players in Canada.

Megan Beers is an American-Canadian actor who's worked in both Toronto and Los Angeles. Today she's my guest on Second Act Actors and she shares her experiences of moving to a new city, working on the set of The Handmaid's Tale and what marketing and acting have in common. Megan always knew that she wanted to be an actor but decided to complete a degree in marketing with a minor in theatre. She explains to me why she chose marketing over acting at that time in her life and what she's brought from her marketing background into her acting career. We discuss why she moved to Toronto and then to L.A. and she also unpacks the madness of L.A. pilot season, which is totally specific to acting in L.A. If you're looking to become an actor, listen out for Megan's advice on why working on pilots is such a great opportunity and what she learnt from her background acting jobs. At the end of the episode, you'll also hear Megan's inspiring words for anyone who's thinking about pursuing acting as a career. Subscribe to the Second Act Actors podcast to hear more funny and inspiring interviews with people who never gave up their dreams of being an actor.  Timestamps [3:50] Megan tells the story of how she got into acting and but still wanted to do a degree in marketing[6:35] Degrassi: The reason why Megan chose Toronto[11:04] Building up your acting career momentum in a new city[12:40] Background acting is still real acting!![15:40] What Megan learnt from doing background work on Shadowhunters[17:48] What's the difference between doing acting classes in Toronto and L.A.?[18:53] Theatre acting vs. camera acting, and transitioning from one to the other[22:00] How to make a connection with someone over Zoom[24:00] What Megan brought from marketing into acting[27:00] ‘Taming yourself' to become a successful actor[29:21] Pulling from your previous experiences to make a more convincing character[30:50] What surprised you about the acting industry?[32:03] “My family is secretly creative”: Where Megan's creative talents come from[34:18] Megan's memorable moment on the set of The Handmaid's Tale[37:30] What Megan's looking forward to this year[39:44] “It's a wild time”: Megan explains L.A. pilot season[41:34] Why it's great to work on pilots[42:33] Megan's final words of wisdom to an any aspiring second act actors  Links Megan on IMDbMegan on Instagram Second Act Actors websiteSecond Act Actors on InstagramSecond Act Actors on FacebookSecond Act Actors on YouTube Janet McMordie websiteJanet McMordie on InstagramJanet McMordie on LinkedInJanet McMordie on Twitter      Hosted on Acast. See acast.com/privacy for more information.

Dr Zucker is an American-Canadian psychologist and sexologist who has worked in the field of gender since 1975. He was psychologist-in-chief at Toronto's Centre for Addiction and Mental Health and head of its Gender Identity Service until its closure in December 2015. Since 2001 he's been editor-in-chief of Archives of Sexual Behavior. In this episode of Transparency, he describes the work that was done with children and adolescents at the CAMH clinic, from a developmental perspective. This discussion is set in the context of clinician whistleblowers and the Cass Review in the UK which led to an announcement that the UK's central gender clinic at the Tavistock will be closed in the spring of 2023. Per the review, the evidence for the now popular model of care - with little to no psychological framework or therapy - is poor, and harm has been done to young people as a result of hasty medicalization. Links A Follow-Up Study of Boys With Gender Identity Disorder: https://www.frontiersin.org/articles/10.3389/fpsyt.2021.632784/full Cass Review: https://cass.independent-review.uk Jesse Singal - How the Fight Over Transgender Kids Got a Leading Sex Researcher Fired https://www.thecut.com/2016/02/fight-over-trans-kids-got-a-researcher-fired.html ************* Support our work: https://www.paypal.com/paypalme/GDAlliance?country.x=CA&locale.x=en_US For more information: www.genderdysphoriaalliance.com

Desiree Scott of the Kansas City Current joins teammates Sam Mewis and Lynn Williams to discuss her NWSL journey and international career. The veteran co-caption dishes on how the Current have changed since 2013, then discusses her time with the Canadian national team and how the adoption of her brother changed her as a person. The trio end with some American/Canadian trivia, and of course #AskSnacks! Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode was recorded on May 7th 2021On this episode of the Jordan Peterson Podcast, Jordan is accompanied by American-Canadian theoretical physicist and cosmologist Lawrence M. Krauss. Throughout his career, Dr. Krauss has made remarkable contributions to the field of research on particle physics and cosmology. Dr. Krauss formerly worked at Yale University, Case Western Reserve University, and Arizona State University. Dr. Krauss also founded ASU's Origins Project, a non-profit corporation that holds public panel discussions on science, culture, and social issues. Some of his work includes popular books such as The Physics of Star Trek and A Universe from Nothing. Learn more about your ad choices. Visit podcastchoices.com/adchoices