Podcast appearances and mentions of ava duvernay

Martin Luther King Jr. es una de las grandes figuras del Siglo XX. Ava DuVernay nos entrega un interesante retrato en Selma.

We sit down with executive producer Kristen V. Carter as she shares how she balances creativity, leadership, and social impact in the media. From producing music specials on PBS and docuseries on HBO Max to working with Kevin Hart and Ava DuVernay, Kristen has built a career rooted in authenticity and purpose.Kristen discusses how she navigates high-stakes productions, makes tough calls on projects that don't align with her mission, and champions Black Joy in storytelling. She also dives into her work with Trust Your Magic and Who You Know, two platforms dedicated to mentorship and networking for creatives of color.If you're looking for insights on building a meaningful and sustainable creative career, this episode is for you.About WrapbookWrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place.Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team.For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay.Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more.Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital.Get started at https://www.wrapbook.com/

Hear (or watch!) the full episode over on our PATREON! It's that time again, Bros -- and this time we're joined by a REAL LIVE MOVIE SCORE COMPOSER! That's right, we're delighted to welcome Andrew Scott Bell to the game

Get ready for an exciting conversation with Emmy-nominated and SAG Award-winning actress Sharon Lawrence, whose career spans iconic roles in NYPD Blue, Grey's Anatomy, Shameless, Joe Pickett, and more. From auditioning on fire escapes to commanding the stage and screen, Sharon shares invaluable insights on mastering auditions, navigating crucial one-on-one meetings, and making bold choices in a competitive industry. She reflects on landing her breakout role on NYPD Blue, the cultural phenomenon it became, and the transition back into the audition game afterward. Sharon also dives into the power of authenticity in storytelling, how saying "yes" to new filmmakers can lead to unexpected opportunities, and the importance of collaboration and respect on set. She opens up about navigating nudity on screen, tangible tools for script analysis, and how embracing vulnerability can be a source of power. Plus, she gives us a sneak peek into her upcoming theater performances and the ever-evolving phases of her career. These are the unforgettable stories that landed Sharon Lawrence right here. CREDITS: Grey's Anatomy On Becoming A God In Central Florida Joe Pickett NYPD Blue Dynasty Shameless Criminal Minds Rebel The Ranch Walker The Last Tycoon Queen Sugar One Tree Hill Cheers Resources GUEST LINKS: IMDB: Sharon Lawrence, Actress, Producer, Soundtrack THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition MAGIC MIND: Get 48% off with code ONEAUDITION20 THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

In this super fun episode, Hilliard & guest co-host actor/writer/dir Denzel Whitaker sit down for an in-depth conversation with award-winning writer-dir-producer LISA FRANCE. If you ever had questions about how to become an Episodic Director, this might be the podcast for you!Lisa France is an entertainment vet with over 25+ years in the business as a writer, director and producer. She began her film and TV career from the ground up. PA, AD, set dec, camera operator, props, 2nd AD, driver, stand-in, extra, etc.  She attributes her extensive entertainment job resume to her ability to think quickly in difficult production situations.  Eventually she landed a stunt gig with Spike Lee in He Got Game and a stunt acting job on The Summer of Sam and did stunts on a variety of other TV shows and films, most notably, The Sopranos. France directed, co-wrote and produced her first feature film, "Anne B. Real" in 2003, which won more than 40 film festival awards and nominations around the world, including two Independent Spirit Award nominations.She then directed two more award-winning independent films in rapid succession, both were distributed on Netflix, Starz and AMC theaters. Her first documentary, "Roll with Me", also garnered numerous awards, debuted at The Woodstock Film Festival and was a 2018 Slamdance Official Selection later acquired and distributed by Ava DuVernay's ARRAY Releasing. France has directed numerous thrillers and Christmas movies for Lifetime, BounceTV, OWN Hulu and Tubi. During the height of the pandemic, France directed and produced on Season 5 and 6, the critically acclaimed, award winning series "Queen Sugar" by creator Ava DuVernay. France recently directed episodes of the hit FOX series "The Cleaning Lady" and "Naomi" which is currently streaming on HBO MAX. France produced "The Herricanes" which just debuted and won a Special Jury Prize and the Audience Award at SXSW and is actually playing in theaters this month. France is a proud member of AWD, the LGBTQ+ community, the DGA, WGA, and SAG-AFTRA.Our Motto: "Keep it GAME all day!"For information, Merch (T-SHIRTS/HOODIES), and all things Rant Room!www.Screenwritersrantroom.comhttps://screenwriters-rant-room.printify.me/productsSubscribe, like, follow, share & 5-star review!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social media@Hilliardguess.bsky.socialIG: @ScreenwritersRantRoom@Lisafrance2067@DenzelWhitakerWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠: Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!THEME SONG: Jack SpadeWEBSITE: MQL2,Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Assoc ProducerBrooke Baltimore - MarketingTogo - Marketing

Authors and creators will discuss the role of TV in society historically and today, including connections to politics, queer spectatorship, and representations of race, class, and gender. David Craig is a Clinical Professor of Communication and director of the Global Media and Communication program at USC. An expert in Hollywood, Chinese, and social media industries; a television historian; an Emmy-nominated producer and television executive; and a pioneer in the field of Creator Studies at USC Annenberg School for Communication and Journalism, his most recent books is Apocalypse Television How The Day After Helped End the Cold War. Anthony Sparks is showrunner, head writer, and executive producer of the TV drama, Queen Sugar, created by Ava DuVernay and executive produced by Oprah Winfrey and writer/producer for the Iron Mike series on Hulu. A former cast member of Broadway hit STOMP, he holds three degrees from USC (BFA, MA, and Ph.D.), where he studied Theatre, Film, Anthropology, and American History. Karen Tongson is the author of Normporn: Queer Viewers and the TV That Soothes Us, Why Karen Carpenter Matters (one of Pitchfork's best music books of 2019), and Relocations: Queer Suburban Imaginaries. In 2019, she was awarded Lambda Literary's Jeanne Cordova Prize for Lesbian/Queer Nonfiction. She directs the Mellon-funded Consortium for Gender, Sexuality, Race, and Public Culture at USC, where she is also Chair and professor of Gender and Sexuality Studies and professor of English and American Studies and Ethnicity.  Moderator: Tara McPherson is the HMH Foundation Endowed Professor at the USC School of Cinematic Arts and director of the Sidney Harman Academy for Polymathic Study. She is author of Feminist in a Software Lab and Reconstructing Dixie, co-editor of Hop on Pop and Transmedia Frictions, and editor of Digital Youth, Innovation and the Unexpected. She was founding editor of the pioneering multimedia journal Vectors and the lead PI of the online platform Scalar. She has received funding from the Mellon, Ford, Annenberg, and MacArthur foundations, as well as from the NEH.

The Author Events Series presents Carrie Rickey | A Complicated Passion, The Life and Work of Agnès Varda  REGISTER In conversation with Gary Kramer Born in Los Angeles, Carrie Rickey is an award-winning film critic, art critic, and film historian. She was the film critic at the Philadelphia Inquirer for twenty-five years and has also written for Artforum, Art in America, Film Comment, the New York Times, the Village Voice, and Politico. She has taught at the School of the Art Institute of Chicago and the University of Pennsylvania. She lives in Philadelphia. A Complicated Passion, The Life and Work of Agnès Varda is the first major biography of the storied French filmmaker, who was hailed by Martin Scorsese as ''one of the Gods of cinema.'' Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928 – 2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards. In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the ''complicated passions'' that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers - as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy. A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved. Because you love Author Events, please make a donation when you register for this event to ensure that this series continues to inspire Philadelphians. Books will be available for purchase at the library on event night The views expressed by the authors and moderators are strictly their own and do not represent the opinions of the Free Library of Philadelphia or its employees. (recorded 9/16/2024)

In this episode Netflix Griselda two special guests starting with Safowa Bright Bitzelberger a TV and Film costume designer. Most recently, she earned an Emmy nomination for her work as a costume designer on Netflix's Griselda, starring Sofia Vergara. As a multidisciplinary creative, and throughout her career in the industry, Safowa has worn several hats as a costume designer, wardrobe stylist, and costume supervisor. Beyond her work on Griselda, Safowa also worked on many acclaimed films, like Ava DuVernay's Origin, and TV shows, including Ballers, starring Dwayne Johnson, and DMZ, starring Rosario Dawson. Knut Loewe is a film and TV production designer and most recently, his outstanding work has been featured in Netflix's hit miniseries Griselda, starring Sofia Vergara. He just completed another miniseries titled Murder on the Inca Trail and has worked on a biopic about one of the most successful German entertainers Hans Rosenthal. He previously worked on many critically acclaimed TV series, like Starz's Counterpart, created by Justin Marks; Survive, starring Sophie Turner; and BAFTA TV Awards-nominated BBC drama Sinking of Laconia,starring Brian Cox. He won four German TV Awards with two additional nominations and was nominated twice at the German Television Academy Awards. Knut's credits in film range across various genres, including comedy The Pharmacist, and period drama Cold Is the Breath of Evening. Phillip Boutté Jr moderator/producer Sponsored by Western Costume Company @westerncostumecompany

Jason & Tracy are back with the lucky 13th season of Faith in Focus, where we're looking at movies that seem way outside the general vibe of their director. This episode we look at the brilliant Ava DuVernay's portfolio of work, and what we would consider her (clear?) outlier: a 2018 adaptation of Madeleine L'Engle's landmark book, A Wrinkle in Time (1962). 

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #BEST #STRAW #SHMSSee omnystudio.com/listener for privacy information.

In which the Mister joins me in reviewing ORIGIN (1988), from writer/director Ava DuVernay.  This film is a biographical dramatization based on the life and writings of American journalist and author, Isabel Wilkerson (Aunjanue Ellis-Taylor), dealing with multiple familial deaths while researching the origins behind systemic racism after the death of Trayvon Martin rocks the nation.  This research becomes her critically acclaimed book, CASTE: THE ORIGINS OF OUR DISCONTENTS.  The film clocks in at 2 h and 21 m, is rated PG-13 and is currently streaming on Hulu but also available to buy/rent from Prime Video.  Please note there are SPOILERS in this review. #Origin  #IsabelWilkerson  #AvaDuVernay  #AunjanueEllisTaylor  #Isabel  #JonBernthal  #Brett  #NiecyNash  #Marion  #EmilyYancy  #Ruby  ##FemaleFilmmakerFriday  #FridayFamilyFilmNight  Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library  --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Hey friends! Season 3 episode 5, which is part two of this conversation exploring Ava DuVernay's film Origin, has been a long time in coming! If you already listened to part one some time ago, may we recommend that you revisit it again before exploring this concluding episode? Both parts can serve as an introduction to the film, but they will make even more sense if you see the film first.  To provide a little additional historical context, this whole conversation was recorded prior to the election in America. All over the world, the divisions we all face underline the importance of listening to personal stories told with care and honesty. It is for this reason, that we recommend Origin, and the book on which it is based, Isabel Wilkerson's Caste, to you. Brittany and I are so thankful for the voice of our special guest, our Michael Jordan, who never played for the Chicago Bulls, but is a superstar for us!  We hope you will collect a group of your own friends to watch the film and listen together for what it says to your lives. Our aim, as always, is to turn as many people as we can, towards and for one another.  You can find other life-opening articles on our website at: https://nexusonline.org/

Lumières tamisées, pumpkin spice latte, et une ambiance résolument gothique… vous y êtes ? Bienvenu.e.s dans notre épisode de novembre spécial Halloween ! Ce mois-ci on vous promet des frissons et de l'horreur

Merriam-Webster's Word of the Day for October 13, 2024 is: ideate • EYE-dee-ayt • verb To ideate is to form an idea or conception of something. // Jocelyn used the education seminar's lunch hour to talk with other teachers and ideate new activities to use in the classroom. See the entry > Examples: “Well, luckily, at the same time that I was working within these industry spaces, I was also building ARRAY. It's over a decade old, it is a distribution company, we distribute films by women and filmmakers of color, we have public programming for free, for the community, all around cinema. We have a four-building campus in Echo Park where we edit and we ideate and we educate and we do all kinds of beautiful things.” — Ava DuVernay, Talk Easy with Sam Fragoso [podcast], 14 Jan. 2024 Did you know? Like idea and ideal, ideate comes from the Greek verb idein, which means “to see.” The sight-thought connection came courtesy of Plato, the Greek philosopher who based his theory of the ideal on the concept of seeing, claiming that a true philosopher can see the essential nature of things and can recognize their ideal form or state. Early uses of idea, ideal, and ideate in English were associated with Platonic philosophy; idea meant “an archetype” or “a standard of perfection,” ideal meant “existing as an archetype,” and ideate referred to forming Platonic ideas. But though ideate is tied to ancient philosophy, the word itself is a modern concoction, relatively speaking. It first appeared in English only about 400 years ago.

André Holland has spent the past decade stealing scenes in projects by the likes of Barry Jenkins, Steven Soderbergh, and Ava DuVernay. But on this week's Little Gold Men, the versatile actor talks about his thrilling shift into lead roles—including in the acclaimed Sundance debut Exhibiting Forgiveness (in theaters October 18) and, hopefully, a new season of The Knick: "I'm not going to rest until we get it done."

André Holland has spent the past decade stealing scenes in projects by the likes of Barry Jenkins, Steven Soderbergh, and Ava DuVernay. But on this week's Little Gold Men, the versatile actor talks about his thrilling shift into lead roles—including in the acclaimed Sundance debut Exhibiting Forgiveness (in theaters October 18) and, hopefully, a new season of The Knick: "I'm not going to rest until we get it done."

The first major biography of the French filmmaker hailed by Martin Scorsese as “one of the Gods of cinema.”Over the course of her sixty-five-year career, the longest of any female filmmaker, Agnès Varda (1928–2019) wrote and directed some of the most acclaimed films of her era, from her tour de force Cléo from 5 to 7 (1962), a classic of modernist cinema, to the beloved documentary The Gleaners and I (2000) four decades later. She helped to define the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.In this lively biography, former Philadelphia Inquirer film critic Carrie Rickey explores the “complicated passions” that informed Varda's charmed life and indelible work. Rickey traces Varda's three remarkable careers―as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.A Complicated Passion is the vibrant biography that Varda, regarded by many as the greatest female filmmaker of all time, has long deserved.Support this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.

In the final episode of the season, Hilliard and guest co-host, veteran actor/writer TONY WINTERS sat down for a 2 hour conversation with award-winning writer/director of the new hit film - Searchlight Pictures THE SUPREMES AT EARL'S ALL-YOU-CAN-EAT - TINA MABRY (also Mississippi Damned, “Queen of the South”, “Pose”, "Queen Sugar", "Women of the Movement", "Insecure") to list a few!A native of Tupelo, Mississippi, Tina Mabry graduated from the University of Southern California's School of Cinematic Arts with an MFA in Film Production. A true hyphenate, Mabry is an award-winning writer, director, and producer for television and film. She was a co-producer, writer, and director for USA's hit drama "Queen of the South". Mabry was also a producer, writer, and director on OWN's "Queen Sugar" created by Ava DuVernay.Mabry's vast episodic directing credits include “Insecure” (HBO), “Dear White People” (Netflix), “Pose” (FX), “Grand Army” (Netflix), “Women of the Movement” (ABC), “Power” (STARZ), the “Beast Mode” pilot (Macro/TNT), and “The Politician” (Netflix).Out Magazine listed her as one of the most inspirational and outstanding people of the year (2009), Filmmaker Magazine named Mabry among the “25 New Faces of Independent Film,” the Advocate magazine featured her in their list of “Top Forty Under 40”, and with over 300 nominees and only 50 selected artists, United States Artists named Mabry the James Baldwin Fellow in Media (2010). In addition to winning the Creative Promise Award of Tribeca All Access, Mabry has participated in several talent development programs including the Fox Writers Intensive, Sundance's Screenwriters Intensive, and in a plethora of FilmIndependent's Artist Development programs (Project: Involve, Directors Lab, Writers Lab, Fast Track) where Mississippi Damned was awarded the Kodak Film Grant. She was also in the inaugural class for Women in Film's ReFrame Rise initiative (2019), highlighting her commitment to promoting diversity and inclusion in the industry.Our Motto: "We keep it GAME all day!"For information, Merch (T-SHIRTS/HOODIES), and all things Rant Room!Screenwritersrantroom.comhttps://screenwriters-rant-room.printify.me/productsSubscribe, like, follow, share & 5-star review!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Hilliard Guess on all social mediaIG: @ScreenwritersRantRoom@TinaMabry@prettytonywintersWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠: Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!SCREENWRITER NETWORKS:OBSwriter.comBTFC.orgSend in a voice message: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/messageSupport this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCASTS WE SUPPORT:2 Writers Talkin Shit: https://podcasts.apple.com/us/podcast/2-writers-talking-shit/id1671253747Hollywood Confessional: https://podcasts.apple.com/us/podcast/hollywood-confessional/id1628848064?i=1000630276175The Qube & Queer News: https://podcasts.apple.com/us/podcast/queer-news/id1595777135A Conversation With Floyd Marshall Jr: https://podcasts.apple.com/us/podcast/a-conversation-with-host-floyd-marshall-jr/id1544499834THEME SONG: Jack SpadeWEBSITE: Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Associate ProducerBrooke Baltimore - MarketingTogo - Marketing --- Support this podcast: https://podcasters.spotify.com/pod/show/screenwriters-rant-room/support

Tong-Jin Smith und Ciani Sophia Hoeder nehmen sich in dieser ersten Folge ein Thema vor, das die USA so tief spaltet wie vielleicht kein anderes: Rassismus. Am Beispiel der Geschichte von Afroamerikaner*innen in den USA untersuchen die beiden, wieso der Rassismus in der US-Gesellschaft so tiefe Wurzeln hat. Außerdem sprechen Tong-Jin und Ciani darüber, warum sich – trotz aller Fortschritte auf dem Papier – die Geschichte immer wieder zu wiederholen scheint. Denn dass das so ist, zeigt allein die Familiengeschichte von Tiffany Crutcher. Ihre Familie entging nicht nur einem Massaker, sondern muss auch mit einem tödlichen Fall von Polizeigewalt leben. Hinweis: In der Folge zitieren wir Ausschnitte aus dem Song “Strange Fruit”, performt von der Sängerin Billie Holiday, komponiert und getextet von Abel Meeropol. Für mehr Informationen rund um das Thema empfehlen wir: Ibram X. Kendi: “Gebrandmarkt: Die wahre Geschichte des Rassismus in Amerika” Ta-nehisi Coates: “Zwischen mir und der Welt” Michelle Alexander: “The New Jim Crow: Masseninhaftierung und Rassismus in den USA.” Den Vortrag unserer Expertin Marne Campbell über strukturellen Rassismus in den USA: https://fullerstudio.fuller.edu/video/marne-campbell-on-race/ Einen Ausschnitt aus der Daily Show mit Trevor Noah über die Ermordung von Terence Crutcher: https://www.youtube.com/watch?v=wZmRW1x4A24 Den Film "13th" von Ava DuVernay. Ein Netflix Original, das in voller Länge auf Youtube zu finden ist: https://www.youtube.com/watch?v=krfcq5pF8u8

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #AMI #BEST #SHMS #STRAWSee omnystudio.com/listener for privacy information.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #AMI #BEST #SHMS #STRAWSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #AMI #BEST #SHMS #STRAWSee omnystudio.com/listener for privacy information.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #AMI #BEST #SHMS #STRAWSee omnystudio.com/listener for privacy information.

It's our first episode back! And Brittany knew who she wanted to talk to: Ava DuVernay, the visionary director who excels in “big-sister wisdom.” They get into everything about the state of the world now, from the DNC (cookout energy!)...to the way DuVernay's most recent film, Origin, reframes the world…to why DuVernay wishes Democrats would get “a little bit more bare-knuckle.” Plus, Brittany brings you the latest UNtrending news. This episode is brought to you in partnership with PEN America. Visit pen.org/undistracted to learn more about Banned Books Week.Follow Brittany on Instagram, Threads & Tik Tok @MsPackyettiFollow The Meteor on Instagram @themeteor and X @themeteor. Follow Wonder Media Network on Instagram @wmn.media, X @wmnmedia, and Facebook

In this bonus episode, we dive into two significant stories that illuminate the complexities of race, identity, and possibilities for Black children. Our journey takes us back to the 1940s and then forward to the present, where we will explore the groundbreaking work of psychologists Kenneth and Mamie Clark, as well as the narrative of Black Barbie, brought to life by director Ava DuVernay. The experiences of Black children, both in the 1940s and today, are shaped by societal views of race/ethnicity, gender, sexual orientation, gender identity, and expression. We must continue to engage in conversations about racism, anti-Blackness, identity, orientation, and expression, and the importance of representation in all aspects of life—from education to play. Acknowledging this not only empowers children today but also sets the stage for a more equitable future. Let's all get free!Credit: Emily Leugers and Niko Feliciano, with production support.

This week we recap Ava DuVernay's “Origin” available on Hulu (1:00) Hidden Gems (44:22) American Murder: Laci Peterson Succotash (restaurant)  MasterClass: “Reframe Your Thinking” Ava DuVernay The Grace Year by Kim Liggett (Novel) We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: reCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com    

This week in headlines we discuss Ashanti and Nelly welcoming a new baby boy; Cam Newton wanting more kids and fearing marriage; Mariah Carey's family losses; "Very demure, very mindful" popularity and trademark. (7:43) In hot topics, we chat about the end of Bennifer 2.0 and last week's DNC. (29:05) Stay tuned for our next episode on Tuesday, when we will recap Ava DuVernay's “Origin” available on Hulu. We are available on all podcasting platforms, but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

The creator of "Dear White People" sat down with us to talk about his new 4-part docuseries that explores the forgotten influences and power of black film. Listen in to learn about some of the untold stories of black Hollywood, and hear how his peers like Ryan Coogler and Ava DuVernay reacted to watching this cinematic history. - You can watch this entire conversation on IndieWire.com or on the IndieWire Youtube page - Learn more about your ad choices. Visit megaphone.fm/adchoices

A Complicated Passion: The Life and Work of Agnès Varda, is the book by award- winning film critic Carrie Rickey. Rickey traces Varda's three remarkable careers—as still photographer, as filmmaker, and as installation artist. She explains how Varda was a pioneer in blurring the lines between documentary and fiction, using the latest digital technology and carving a path for women in the movie industry. She demonstrates how Varda was years ahead of her time in addressing sexism, abortion, labor exploitation, immigrant rights, and race relations with candor and incisiveness. She makes clear Varda's impact on contemporary figures like Ava DuVernay, Greta Gerwig, Barry Jenkins, the Safdie brothers, and Martin Scorsese, who called her one of the Gods of cinema. And she delves into Varda's incredibly rich social life with figures such as Harrison Ford, Jean-Luc Godard, Jim Morrison, Susan Sontag, and Andy Warhol, and her nearly forty-year marriage to the celebrated director Jacques Demy.Suchita talks to Carrie about this most important book on Agnes Varda who defined the French New Wave, inspired an entire generation of filmmakers, and was recognized with major awards at the Cannes, Berlin, and Venice Film Festivals, as well as an honorary Oscar at the Academy Awards.Digs:1) Varda and her relationships with other Artists. She got to the essence very fast. Her ability to connect with people as a photographer and storyteller was immemse.2) Transforming from still image to moving pictures to 3 dimensional spaces- almost like a 3 Act of life!!3) The approach as a filmmaker that was so distinct from her director husband Demy. Her approach was to discover deeper aspects of things.4) Varda started making movies without knowing anything about movies- without having even have watched many films- and so she found her own language, her own grammar.5) Opening up to arts, creativity and filmmaking to create a new syntax.6) Truffaut's non acceptance of Varda as a director and his reviews in Cahiers du cinema.7) A very imporant difference between the French and the American studios financing movies-8) How photography taught her to capture the decisive moment!9) 1958 when her film got into the Cannes festival was she accepted into the community of french filmmakers and new wave filmmakers?10) The long marriage to another brilliant filmmaker Demy 11) Varda's relationship with Jim Morrison and his death- and how his funeral was for less than 8 minutes!12) Varda with Warhol, Susan Sontag, Truffaut. 13) Scorses's immense admiration for Varda.Enjoy this longish episode, and check out the book that is out now !!Join our Artists insta handle the.artistspodcast  Email id: metaphysicallab@gmail.com/  You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.The said content is not obscene or blasphemous or defamatory of any event and/or person deceased or alive or in contempt of court or breach of contract or breach of privilege, or in violation of any provisions of the statute, nor hurt the sentiments of any religious groups/ person/government/non-government authorities and/or breach or be against any declared public policy of any nation or state.See omnystudio.com/listener for privacy information.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with a trailblazing figure in the entertainment industry, Cheryl Boone Isaacs. As a public relations and marketing executive, Cheryl has worked on marketing campaigns for over 300 films, including Close Encounters of the Third Kind, Forrest Gump, and The King's Speech. As the first African American and first person of color to serve as president of the Academy of Motion Picture Arts and Sciences, Cheryl shares her experiences, insights, and the journey that led her to become a pivotal force for change in Hollywood.#OscarsSoWhite (02:44)Kevin and Cheryl discuss the #OscarsSoWhite movement, Cheryl's role as president of The Academy, and her quest to implement inclusion initiatives.Lessons Learned Early (09:02)Cheryl talks about some good advice the stuck with her through the years – you don't know enough to ask the right questions.Early Career and Hollywood Journey (20:33)Cheryl and Kevin discuss Cheryl's background, growing up in Springfield, Massachusetts, her brother, Ashley Boone, and his influence on her career in Hollywood.Personal Experiences in the Industry (27:45)Cheryl shares some challenges she faced as an African American woman in Hollywood along with memorable moments from her publicity career including her first job working on Close Encounters of the Third Kind.Notable African American Figures in Hollywood (34:01)Kevin asks Cheryl for her quick takes on influential individuals like Spike Lee, Ava DuVernay, and others.Teaching and Mentoring the Next Generation (38:53)Cheryl shares her approach to educating film students and the importance of understanding filmmaking as a collaborative process.The Future of Hollywood and Diversity (40:55)Cheryl offers insights on the progress made and challenges ahead along with the importance of collaborative voices in the creative process.Throughout her career, Cheryl Boone Isaacs has broken barriers. From her start in marketing, to her role as president of The Academy of Motion Picture Arts and Sciences, and continuing with her current position of guiding future filmmakers at the Sidney Poitier New American Film School, Boone Isaacs offers valuable lessons for those entering the film world, reinforcing the importance of diversity, collaboration, and perseverance in Hollywood. If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Cheryl Boone IsaacsProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Cheryl Boone Isaacs:Wikipedia: https://en.wikipedia.org/wiki/Cheryl_Boone_IsaacsSidney Poitier New American Film School: https://search.asu.edu/profile/4102960IMDB: https://www.imdb.com/name/nm3723795/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter, Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

Classic Episode originally dropped 2021Jae Taylor : Author | Husband | Father | EntrepreneurRecently released from 12 years in prison, my hermano in law kicks off our first full blown episode of 2021. We discuss the school to prison pipeline, his insights during his time away where he accomplished so much such as becoming a firefighter and earning multiple degrees. While away, Murs recorded a song about him entitled Okey Dog . We talk about his evolution from those times. Jae also shares how he reconnected with his daughter, my niece, by co-authoring a children's book series, Pixie Poochie & The Puppydemic .Questions from the audience: Yamara Taylor , Trudi Taylor & Rakaa TaylorDuring The Supernatural Bear corner, The SNB asks his Uncle Big Jae two pressing questions.Bonus Episode linksJae Taylor13th by Ava Duvernay on NetflixNews Clip about Jae and Jaelin working on the series togetherPixie Poochie & The Puppydemic Song Okey Dog by MursKorean HanJaelin Taylor's podcastWTYM LINKSRitzy PeriwinkleBook Ritzy P as a SpeakerWord To Your Mama Store: Use code WTYM at check out to receive 10% off any order YouTubeMental Health ResourcesWTYM Patreon PageDONATEMEDIA KITPodcasting EssentialsWTYM was recorded using Riverside.FM TRY NOWAVAILABLE WHERE EVER YOU CONSUME PODCASTS on socials @wtymama | email: hola@wordtoyourmama.com

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #STRAW #SHMSSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Kathleen Bertrand. Kathleen Bertrand began talking in 2009 about a new film festival to attract people of color to Atlanta's growing film industry. From a discussion with her then CEO William Pate at the Atlanta Convention & Visitors Bureau, to talks with film enthusiasts and potential film partners, Bertrand began to assemble the team and resources needed to launch what was to become BronzeLens Film Festival, a non-profit organization. While everybody knew about Tyler Perry's Atlanta-based empire, Bertrand and her colleagues created a platform for broader engagement in the industry for people of color and did so in a way that showcased Atlanta and its history and culture. Under Bertrand's visionary leadership as executive producer, BronzeLens has grown to receive attention and accolades from across the country and around the world. It is a charter member of ARRAY (formerly AFFRM), the film distribution network founded by producer/director Ava DuVernay in 2011. BronzeLens has been mentioned in articles about film diversity in publications such as the New York Times, the LA Times, Atlanta Magazine, Oz Magazine, and Ebony Magazine. In late 2016, the festival was named as an Academy Award Qualifying Film Festival for the Short Film Award. This tremendous honor is one of only 3 such designations in the country for film festivals that support the work of people of color. In its most recent film season, the festival received film submissions from 59 countries around the world. BronzeLens has received two “Best of Atlanta” Awards from Atlanta Magazine: “Best Showcase for New Filmmakers,” and “Best Place to Break into the Film Industry.” Kathleen has received numerous awards for her work with BronzeLens. In 2016, she was given the Georgia Highlight Award, as part of the annual Georgia Film Gala. In 2018, she received the honorary Doctor of Humane Letters degree from her alma mater Spelman College, which honored her careers in both hospitality and the film industry. Additionally, in 2018, she was inducted into the Atlanta Hospitality Hall of Fame, which also honored her dual careers in film and in hospitality. In 2019, Mayor Keisha Lance Bottoms presented Bertrand with the City of Atlanta's highest honor – The Phoenix Award. Recent honors include the 2023 Image Award presented by Atlanta Film Society, the Synergy Award from African American Film Critics Association and being recognized by Georgia Entertainment Magazine as one of “200 Most Influential of Georgia's Creative Industries.” Company Description *BronzeLens Film Festival of Atlanta, Georgia is a non-profit organization, founded in 2009, that is dedicated to bringing national and worldwide attention to Atlanta as a center for film and film production for people of color. The mission of the BronzeLens Film Festival of Atlanta, Georgia is two fold: to promote Atlanta as the new film mecca for people of color; and to showcase films and provide networking opportunities that will develop the next generation of filmmakers. #STRAW #SHMSSee omnystudio.com/listener for privacy information.

Get the Start Today Journal - https://starttoday.com/products/start-today-journal 00:00 Introduction: Overcoming Excuses01:22 Meet Rachel: Life Updates and Personal Stories02:42 Ankle Injury and Reflections07:22 Hair Extensions and Personal Confidence14:15 Ava DuVernay and the Array Event22:26 Hormones and Health Challenges24:46 The Start Today Journal25:57 Final Edits and Book Insights31:08 Pushing Through Resistance39:09 Conclusion: Keep Moving Forward Have a question you want Rach to answer? An idea for a podcast episode??Call the podcast hotline and leave a voicemail! Call (737) 400-4626Sign up for Rachel's weekly email: https://msrachelhollis.com/insider/Watch the podcast on YouTube: https://www.youtube.com/c/RachelHollisMotivation/videosFollow along on Instagram: https://www.instagram.com/MsRachelHollis/ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Editor - Terilyn A. Shropshire, ACE TWISTERS editor Terilyn Shropshire has more than a few action movies under her belt, but those films mostly featured action in the style of man (or woman) vs. man; films like THE OLD GUARD and THE WOMAN KING.  This time Teri takes on Mother Nature in a film where the visual effects are front and center in the set pieces. A standalone "spiritual" sequel to TWISTER (1996), TWISTERS tells the story of scientist and storm chaser, Kate Cooper.  Haunted by a devastating encounter with a tornado, Kate gets lured back to the open plains by her friend, Javi, to test a groundbreaking new tracking system. She soon crosses paths with Tyler Owens, a charming but reckless social-media superstar who thrives on posting his storm-chasing adventures. As storm season intensifies, Kate, Tyler and their competing teams find themselves in a fight for their lives as multiple systems converge over central Oklahoma. TERILYN A. SHROPSHIRE, ACE Award-winning editor Terilyn A. Shropshire has risen to the pinnacle of the editing world over the course of her long career, consistently working on a broad range of films with the industry's foremost filmmakers. Shropshire's success spans many forms and mediums, and always accumulates accolades from both the industry and critics alike. Among Shropshire's longtime collaborators is award-winning director/writer/producer Gina Prince-Bythewood, having worked with her closely since Bythewood's classic debut, “Love & Basketball.” Shropshire most recently worked with Bythewood on “The Woman King,” for Sony's Tristar Pictures. Among the many accolades Shropshire received for the film include an American Cinema Editors Eddie nomination for Best Edited Feature Film Drama Theatrical and winner for Outstanding Editing from the Black Reel Awards.  Other collaborations with Prince-Bythewood include the influential features “The Old Guard,” “Beyond the Lights,” and “The Secret Life of Bees.” Shropshire's storied career also includes a number of films with long-time collaborator, Kasi Lemmons – the classic Southern drama “Eve's Bayou,” along with “The Caveman's Valentine,” “Talk to Me,” and “Black Nativity.” In 2019, Shropshire received an American Cinema Editors Eddie nomination for her work on Part 1 of Netflix's four-part miniseries “When They See Us,” directed by Ava DuVernay. Shropshire earned an Emmy nomination for her Lifetime Achievement Award Tribute to Sidney Poitier for the 74th Annual Academy Awards and an ACE Eddie Award for the Jamie Foxx-starring crime drama, “Redemption: The Stan Tookie Williams Story.” Teri serves on the Board of Governors at the Academy of Motion Picture Arts and Sciences and the Board of American Cinema Editors. Shropshire is a member of the Academy of Television Arts and Sciences and the Diversity Committee of the Motion Picture Editor's Guild. She is the recipient of the 2021 Sundance Institute/Adobe Mentorship Award for her commitment to supporting the future's rising stars in the craft.  She earned dual Bachelor of Arts degrees in Broadcast Journalism and Cinema at the University of Southern California. Editing TWISTERS In our discussion with TWISTERS editor Terilyn Shropshire, we talk about: Soundtracks for stormy weather Cyclonic oners A need for editorial amnesia "Teri-nadoes" The kiss that never came The Credits Visit Extreme Music for all your production audio needs Hear Teri talk about his work on THE OLD GUARD and THE WOMAN KING See the latest new features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Welcome to the 100th episode of The Artist Pivot Podcast. In this special celebratory episode, I take you on a journey through my recent experience at the 30th Essence Festival of Culture in New Orleans. From soaking in the vibrant celebration of Black culture to gleaning wisdom from the legendary filmmaker Ava DuVernay, I share transformative insights and inspirations that are still resonating with me. I reflect on what Ava said about the importance of embracing the freedom and sacred ground of independent artistry, maintaining belief in one's vision, and the empowering message that no one is coming to save you but yourself and the community you create. Here's to 100 more episodes filled with inspiring conversations, hearty laughs, and deep dives into the life and art of being a creative. Cheers to creativity, perseverance, and the journey ahead! Essence Festival Meditation Facilitators: @stretchgalore  @blackgirlsstretch  @divineessentialmagicllc  Ayana's Travel Podcast More of The Artist Pivot Podcast Instagram  Podcast Patreon Podcast Merch  Podcast Youtube Channel   Ayana Major Bey  Website  Instagram  Show Sponsors:  WeAudition: Get 25% off your membership when you use the code PIVOT, join at https://www.weaudition.com/ Host & Exec. Producer: Ayana Major Bey  Editor: Kieran Niemand  Theme Song: Lyrics co-written by Ayana Major Bey and Melissa Victor, with performance by Ayana Major Bey   Part of the Boundless Audio Network

This week, we have another brand new "In Conversation" episode with Daresha Kyi, an award-winning director and producer! In this episode, we chat with Daresha about her filmmaking journey. She shares experiences and lessons learned from her various projects as well as invaluable advice for aspiring filmmakers. (01:12) Check out Daresha's list of impactful films: Ganja & Hess, Quilombo, Black Orpheus, Sweet Sweetback's Baadasssss Song, Lars and the Real Girl, The Godfather Part II, Harold and Maude, Cinema Paradiso, Life Is Beautiful, The Spirit of the Beehive, My Life as a Dog, Benny & Joon, Being There, American Beauty, and Chinatown As well as Daresha's Mount Rushmore of filmmakers: Federico Fellini, Ava DuVernay, Martin Scorsese, and Pedro Almodóvar We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

Emmy and Peabody-winning director Ava DuVernay explains her choice to dramatize the real-life events portrayed in her new film, "Origin," based on the book "Caste" by Isabel Wilkerson. "Origin" is streaming now on Hulu. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jharrel Jerome made Emmy history when he won television's top prize for his work in Ava DuVernay's "When They See Us." Just 21 years old, Jerome became the youngest person to win Lead Actor in a Limited Series and the first Afro-Latino actor to be nominated for and win an Emmy in any category. Five years later, Jerome has returned to the awards race, playing a 13-foot-tall man in Boots Riley's genre-bending "I'm a Virgo." The "Sorry to Bother You" filmmaker turns to television with a coming-of-age story that is equal parts heart-warming, thought-provoking, and evocative. A sharp satire about capitalism, race, and media (among many other things), Jerome infuses the many turns of Riley's script with empathy, tenderness, and seriously impressive range. In conversation with Next Best Picture, Jerome is deep in thought, and his curiosity and humanity as an actor and artist are on full display. He discusses capturing the psyche and physicality of a larger-than-life yet vulnerable character and trusting in Riley's vision for "I'm a Virgo," a collaboration that has yielded some of the year's best television. Please be sure to check out "I'm a Virgo," which is available to stream on Prime Video and is up for your consideration in all eligible Emmy categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on The Treatment, Elvis sits down with Emmy winning actor Jeff Daniels to discuss his latest project, the Netflix series adaptation Tom Wolfe's A Man in Full. Next, Heeramandi director Sanjay Leela Bhansali joins to talk about his Netflix series and his robust career in Indian cinema. And for The Treat, Oscar nominated director Ava DuVernay talks about the 1993 film she always watches before beginning a new project.

This week on Black on Black Cinema, the crew returns with special guest, Juwan, from the "Edit That Out" Podcast. The hosts tackle in-depth the 2023 Ava DuVernay directed film, "Origin." DuVernay's film explores author Isabel Wilkerson's tremendous personal tragedy that sets her on a path of global investigation and discovery as she writes her book Caste: The Origins of Our Discontents. Over the course of the film, Wilkerson travels throughout Germany, India, and the United States to research the caste systems in each country's history. The film stars Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash-Betts, Audra McDonald, Vera Farmiga, Blair Underwood, and Nick Offerman. 

This week on Black on Black Cinema, the crew returns to announce the next film that will be explored. Next week the movie will be the director Ava DuVernay's 2023 "Origin" based on the American journalist Isabel Wilkerson's nonfiction book "Caste: The Origins of Our Discontents." The film itself is described as "The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions."  The random topic of the week is about Steven A. Smith's controversial comments about how he believes that Black Americans are sympathetic to what Donald Trump is going through as he is dealing with the American justice system.

Award-winning director and producer Ava DuVernay, known for her groundbreaking films like “Selma,” “A Wrinkle In Time,” and “Origin,” didn't actually start her career behind the camera. She spent years working in public relations before taking the plunge and pivoting in her 30s. Spoiler: it paid off. And she's got an Academy Award to show for it. To kick off our new season of "9 to 5ish," we spoke to Ava about how she embraced change and found joy in her career. PS: Ava's film, “Origin,” will be streaming on demand starting March 12. In this episode, Ava shares:  Why she's intentional about finding joy in her work  What “ear hustling” is – and why it's helped her level up in her career  How she's learned to embrace change in her industry  The secret to a good working partnership (plus, what she's learned from Oprah)

MSNBC's Ari Melber hosts "The Beat" on Wednesday, February 7, and reports on the Supreme Court as it eyes two cases about Donald Trump's efforts to steal the 2020 election. Eugene Robinson, Ankush Khardori and Jason Johnson join to discuss. Plus, award-winning filmmaker Ava DuVernay joins Melber to discuss her new film "Origin."

Tonight on The Last Word: Donald Trump testifies in the E. Jean Carroll defamation suit. Also, the Biden-Harris campaign focuses on battleground Wisconsin. Plus, Brian Klaas says Trump benefits from “the banality of crazy.” And a new film reimagines Isabel Wilkerson's book, “Caste.” Andrew Weissmann, Faith Gay, Ben Wikler, and Ava DuVernay also join Lawrence O'Donnell.

Ava DuVernay's new film Origin explores a new way to consider the historical subjugation of Black people in America: as the adverse result of a caste system. The film is inspired by Isabel Wilkerson's book Caste: The Origins of Our Discontents. In the movie, Wilkerson embarks on a journey to learn about caste, traveling to Germany and India to get to the root of the Black experience in America.Also, we'll talk about how algorithms flatten culture with journalist Kyle Chayka. He says algorithms affect every aspect of our lives — from what we watch on Netflix, what songs are at the top of the charts, to what our local coffee shop looks like. His book is Filterworld.

"People told me this was an unadaptable book, so the only logical thing to do was to try to adapt it," says writer, producer and filmmaker Ava DuVernay of her work taking the award-winning title "Caste" from page to screen. In conversation with Pat Mitchell, DuVernay talks about the resulting film, "Origin," and discusses her process for turning ideas into pictures that pack a punch.

Origin is the story of a writer who faces personal loss at the same time she works on a book based on her unified theory about systems of oppression. Written and directed by Ava DuVernay, the film is adapted from Isabel Wilkerson's best-selling book, Caste: The Origins Of Our Discontents, and dramatizes the book's ideas and the way it comes together. Aunjanue Ellis-Taylor stars as Wilkerson, and also features Jon Bernthal and Niecy Nash-Betts.

See omnystudio.com/listener for privacy information.

Award-winning director Ava DuVernay's new film Origin explores a new way to consider the historical subjugation of Black people in America: As the adverse result of a caste system.The film is inspired by Isabel Wilkerson's book Caste: The Origins of Our Discontents. In the movie, Wilkerson embarks on a journey to learn about caste - traveling to Germany and India to get to the root of the Black experience in America. DuVernay also directed 13th, When They See Us, and Selma.