Podcasts about Stand by Me

Protect Your Retirement with a PHYSICAL Gold and/or Silver IRA https://www.sgtreportgold.com/ CALL( 877) 646-5347 - You Can Trust Noble Gold With over a trillion dollars a year to spend (thanks to YOU) the Pentagon is now a nation state onto its own and its tentacles reach all thecway down through Fort Huachuca through fake pastors, to mega churches and operatives like Erika Kirk. Todd Callender joins me to discuss the horrible truth in a world gone mad.   Stay in touch with Todd HERE: https://new.clouthub.com/   Related READ: BoiethicsTech document: file:///Users/sean/Downloads/Sovereignty-Begins-in-the-Mind-Foundation-For-Bioethics-In-Tech-2025%20(1).pdf   Music credit: Stephen Wilson Jr. - "Stand By Me" https://rumble.com/embed/v72aqfu/?pub=2peuz

Green Day and Corey Feldman: We look back at New Year's Eve 2023 where Corey Feldman performed bad Billy Idol with Billie Joe Armstrong.Judy Haim's Statement: Judy Haim is completely fed up with the Goblin Ghoul and his recent allegations regarding Haim in the new Corey Feldman doc.Jezebel Sweet's Commentary: Jezebel drops some more commentary on the Corey Feldman Vs. The World documentary, we also check in on Corey's Twitter.COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, ANTI-COREY POD!, REAL ONES!, FILTH PIGS!, YEE-HAW!, WHAT IT DO MUSICAL!, STARTING LATE!, PATREON!, QUIET QUITTING!, FRICK VAPE!, PO BOX!, CRUISING!, AL PACINO!, LVL UP EXPO!, BIRTHDAY CAMEO!, JUSTIN HAWKINS!, NOT A BIRTHDAY GIFT!, ROAD TO 50K!, LVL UP EXPO!, KILL SWITCH!, ON A POLE!, NIT PICK!, YEAR!, FAIREST PODCAST!, LO SERV ILL!, BILLY IDOL HAIRCUT!, SUZIQ!, JUDY HAIM!, STATEMENT!, HOW DARE YOU!?, HEAVENLY BIRTHDAY!, LOST IT!, ABUSE!, DEAD PEOPLE!, THE TWO COREYS!, HATED!, DOMINIC BRASCIA!, MADE UP!, LIES!, JEZEBEL SWEET!, COREY'S ANGELS!, MATTHEW PERRY!, KETAMINE!, DRUGS!, HOT TUB!, BOILED!, SEASONING!, BUGS BUNNY!, COREY'S TWITTER!, K-HOLE!, STAND BY ME!, TOUR!, TROLLING!, COACH!, CHUMP! You can find the videos from this episode at our Discord RIGHT HERE!

This week on the Exciting & New podcast, Jason, Andy and Dana welcome Logan back on the show to discuss the 1986 coming of age classic, Stand By Me.   Quite by luck, we jump right back into the  Rob Reiner filmography while he is still in all of hearts, and jump into Castle Rock (Oregon?) with this all time great coming of age movie as 4 chain smoking pre-teens go off to find a dead body.  Like most Stephen King penned stories, it's not about the ending as much is it is about the journey, and boy, do these kids have a journey.  Leeches and Trains and Handguns, oh my.  We dive deep on this one.  Enjoy the podcast!Jason, Andy and Dana will discuss a 1986 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983, 1984 & 1985 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

We're carrying on our tribute to Rob Reiner this month with the one of the first (and certainly funniest) rockumentaries of all time: This is Spinal Tap, starring Michael McKean, Christopher Guest, and Harry Shearer as Britain's loudest and most punctual rock band. This is Spinal Tap was also Reiner's first feature film as a director. Next week, we'll be chatting Stephen King and Stand By Me!

We've got a lot packed into this one. Dave is back and one of his favorite people is Stephen King. We begin with our Man Crush Mt. Rushmores, or ManCrushmores. Who else made the lists? Who kept Dave Grohl from being a unanimous choice?Then we talk about 1986's Stand By Me, based on a Stephen King novella. What do we remember about this movie? How about that great young cast? Why is Kiefer Sutherland so creepy? To keep with the King theme, we finish by sharing our top 5 lists of his work (books, movies, series, etc.). If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Follow us on your preferred social media:TwitterFacebookInstagram

Jason, Andy and Dana welcome Logan back to discuss what they were up to this week.  Stand By Me is coming this Wednesday.Jason, Andy and Dana will discuss a 1986 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983, 1984 & 1985 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

We celebrate the work of Rob Reiner by taking a look at two of his classic takes on Stephen King works. First up, we look for a dead body in STAND BY ME. Then, we get captured by our number one fan in MISERY.

Welcome back to the Video Store! We're kicking off the New Year with a look at some of the films that inspired the hit television series Stranger Things. Get your Eggos, Reese's Pieces, and settle in for some classic films that helped to give Stranger Things its strange, yet familiar aesthetic and themes. For this episode, we're only focusing on season one, so don't worry if you've not gotten to watch the final season just yet! However, if you've not watched Stranger Things season one, be advised that there are spoilers ahead for that season!E. T. the Extra-Terrestrial (1982)One of the biggest films of the 1980s and an inspiration for Stranger Things is Steven Spielberg and Melissa Mathison's iconic film, E. T. the Extra-Terrestrial. Capturing wonder, fear, and warmth so well, this is a film whose influence was felt well into the 90s. Stranger Things draws aesthetic inspiration from E. T. while also pulling from its fish-out-of-water story. Scanners (1981)David Cronenberg's cult sci-fi horror film, Scanners, is another point of inspiration for The Duffer Brothers. This film about psychics, scientific intrigue, and political power serves as an inspirational palette of ideas for Stranger Things that the Duffers have inverted, mashed up, and made their own. This is a film that also has a great influence on the later seasons of Stranger Things, but we'll cover those when we get there. Halloween (1978)This is the film that really caused the slasher genre to take off, but John Carpenter's first massive success also gives Stranger Things a good bit of its aesthetics. From monster-in-shadow cinematography to several meta uses of John Carpenter's work, Halloween has its fingerprints on Stranger Things. A Nightmare on Elm Street (1984)Perhaps the greatest influence on Stranger Things' aesthetic and storytelling is Wes Craven's A Nightmare on Elm Street. With two Nancys, two jocks with a baseball bat, and more things that won't even show up until later seasons of the series, A Nightmare on Elm Street has invaded the minds of the Duffer Brothers. Honorable MentionsStranger Things draws inspiration from so many films that we love here at the Video Store that we've already covered them on previous episodes! Check out my coverage of both versions of It in my Summer of Stephen King and Not Quite Retro episodes. Flack talked about John Carpenter's The Thing in his Halloween Spirit episode. I discussed Stand By Me in my Film Friendships show, Alien in my Wonder Women episode, and Jaws in my Summer Spookies show. Thanks for joining us here at the Video Store Podcast for these strange, but familiar films. We hope you enjoy our selections this week. Oh, and that flashing lightbulb? Must just be a short. We'll change it out later. Thanks for reading Video Store Podcast! This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

Johnny Spoiler dives into Wrath of Daimajin (1966) — the brutal, emotional final entry in the legendary Japanese Daimajin trilogy, where feudal samurai drama collides with full-blown kaiju monster wrath.Before we get to giant stone gods and sulfur pits, Johnny opens with a cold open on a recurring problem: people keep comparing him to Elvis Presley — usually at the worst possible times, like buying pizza at a gas station. Is it the sideburns? The sunglasses? The curse of compliments from strangers? The comparison stops here.From there, we hit Home Video Headlines, covering:Mickey Rourke's financial struggles and the dark side of fameWhy actors hide in day jobsClickbait movie rankings, overrated awards chatter, and why Bonanza still beats DeadwoodDirected by Kazuo Mori, Wrath of Daimajin follows a group of children on a deadly journey to rescue their enslaved fathers from a tyrannical lord forcing villagers to mine sulfur in Hell's Valley. As blizzards rage and bodies fall, the ancient stone god Daimajin awakens, delivering one of the most haunting monster finales of the 1960s.We break down:The film's Stand By Me–style adventure with demons instead of bulliesShocking second-act brutalityThe evolution of Daimajin from stone idol to flesh-and-blood avengerWhy this sequel might be the best film in the trilogyJohnny also digs into the movie's strange U.S. release history, mis-titled home video versions, late English dub, and why this is one of the most overlooked gems in Japanese genre cinema.Binge Now. Emotional, brutal, beautifully staged, and unforgettable — proof that third entries don't always fall off.Plus:Fan service shoutout to Larry Z and the eternal logic of Surf NinjasStaff pick spotlight on Denzel Washington's time-travel thriller Déjà VuA taste-driven partner shoutout to MEATZY, delivering premium proteins straight to your door https://tr.ee/GetMeatzyJohnnyStick around for laughs, monsters, nostalgia, and zero Elvis impersonations.

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

In which the Mister and Kid 1 join me in reviewing STAND BY ME (1986), from a script by Raynold Gideon and Bruce A. Evans, from a novella by Stephen King, the film is directed by Rob Reiner.  In the late summer of 1959, four young friends in the small town of Castle Rock, Oregon, set out on a weekend trek through the woods to find the body of a missing boy hit by a train.  As they follow the railroad tracks, Gordie (Wil Wheaton), Chris (River Phoenix), Teddy (Corey Feldman), and Vern (Jerry O'Connell) navigate personal struggles and the fears of growing up while trying to stay ahead of a gang of older bullies who are also hunting for the site.  The journey evolves from a simple quest for local fame into a profound exploration of friendship and the fleeting nature of childhood innocence.  The film clocks in at 1 h and 29 m, is rated R and is currently streaming on Netflix but also available to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#StandByMe #StephenKing #RobReiner #RaynoldGideon #BruceAEvans #WilWheaton #Gordie #RiverPhoenix #Chris #CoreyFeldman #Teddy #JerryOConnell #Vern #KieferSutherland #Ace #CaseySiemaszko #Billy #GaryRiley #Charlie #BradleyGregg #Eyeball #ComingOfAge #DarkComedy #Drama #Quest #Adventure  @Netflix  @PrimeVideo⁩  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

Rob Reiner: After the Rob Reiner tragedy, Corey Feldman is front and center in the recent Hulu/ABC special that was just released. Also the pact breakers are checking in and people are excited about the doc! Corey Feldman Vs. The World: The documentary is finally here! Let's get right into it! Did they properly showcase the goblin ghoul!? COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, PACT BREAKERS!, CAN'T WAIT!, EMBARRASSED!, FORGIVENESS!, SHAME!, CALLERS!, FELDMAN IMPRESSION!, BAD!, GOT NOTHING!, THE GUY!, BRAINDEAD ASSHOLE!, PO BOX!, GIFTS!, BOX OF TRASH!, BOOF NARD!, THE OATH!, COREY'S ANGELS!, COREY FELDMAN VS. THE WORLD!, DOCUMENTARY!, JIM CUMMINGS!, MARCIE HUME!, CRANK CLAUSE!, COREY'S ANGELS!, JEZEBEL SWEET!, BRITTANY!, MARGOT LANE!, DOO DOO!, COREY'S TWITTER!, COSTUMES!, COURTNEY FELDMAN!, WEDDING!, FREAK OUT!, MICHAEL JACKSON!, CONTROVERSY!, POWER TRIP!, DRUMMER!, ANGEL COSTUME!, THE LOST BOYS!, STAND BY ME!  You can find the videos from this episode at our Discord RIGHT HERE!

On this episode of You Are What You Read, we are remembering the great Rob Reiner and his beautiful wife, Michele Singer Reiner. We had the honor of hosting Mr. Reiner on You Are What You Read in October with his memoir, A Fine Line Between Stupid and Clever: The Story of Spinal Tap, which he co-wrote with Christopher Guest, Michael McKean, Harry Shearer and David Kamp.  Rob is a two-time Emmy–winning actor for his role in All in the Family. He is also the acclaimed director of This Is Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery, A Few Good Men, The American President, Ghosts of Mississippi, and The Bucket List. When Rob Reiner met Michele Singer on the set of When Harry Met Sally, he changed the ending of the film to the now-iconic conclusion… Michele Singer was a world-renowned photographer, producer and activist. Together, they spearheaded a tobacco tax initiative in California to fund early childhood development and chaired the state commission to oversee its implementation. In 2008, Michele and Rob cofounded The American Foundation For Equal Rights, which paved the way for marriage equality nationwide. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rest In Peace Rob ReinerCommemorating not only the 35th Anniversary of an iconic adaptation of the popular Stephen King novel of the same name but the recent tragic loss of its director Rob Reiner who was in the middle of a sterling run of instant classics (When Harry Met Sally, The Princess Bride, A Few Good Men, Stand By Me) at the time of this film's release.  It's the simple story of fictional best-selling author Paul Sheldon (Oscar-nominee James Caan) who gets severely injured and incapacitated after accidently driving off of a snow road one day in the mountains after finishing his latest novel.  Fortunately he's found by a local retired nurse named Annie Wilkes (Kathy Bates in the role which won her the Oscar for Best Actress) who gradually nurses him back to health....or DOES she?

Last Christmas may have lost the battle for Christmas Number 1 this year, but in reality – The Best Song Ever™ doesn't need trinkets!!Not when it makes bank every year!We also find out how Manchester United's inconsistency in the 80s may just have led to its creation.God only knows the genre-defining songs being created thanks to their current iteration.We remember Rob Reiner and his impact on 80s cinema, and Paulo pays the ultimate tribute by finally watching a kissing movie that he's avoided due to his inconceivable mistrust of Spaniards (he finally gets why that's funny).We bring you some Stranger Things audio accompaniments and Two 80s Truths and a Lie makes us realise classic rock is now from the 80s, wonder what stunt the Hoff is up to, and if we Cher(ed) fake news?Jump To:Earnings from Christmas Songs (00:03:49): https://www.thesun.co.uk/tvandshowbiz/37600708/wham-christmas-song-earns-astonishing-amount/George Michael's 2003 “Last Christmas” Performance (00:08:12): https://www.youtube.com/watch?v=GnlXotGDwqwThe match that was playing when Last Christmas was written (00:10:58): https://www.theguardian.com/football/2025/dec/17/the-knowledge-football-match-wham-watching-wrote-last-christmasRob Reiner Tragedy & News (00:13:12): https://people.com/rob-reiner-death-investigation-timeline-11870197https://people.com/rob-reiner-death-investigation-timeline-11870197https://www.irishstar.com/culture/entertainment/nick-reiner-dark-twisted-troubled-36437810Rob Reiner's 1980s Film Legacy (00:17:00): https://www.news24.com/life/arts-and-entertainment/film/rob-reiners-enduring-legacy-5-iconic-films-that-cemented-his-place-in-hollywood-history-20251219-1240The Princess Bride: A First-Time Viewing (00:21:58): https://www.youtube.com/watch?v=47p_01b9p1IStranger Things Radio & 80s Nostalgia (00:31:11): https://www.rollingstone.com/tv-movies/tv-movie-features/stranger-things-wsqk-squawk-80s-radio-station-1235485657/Stranger Things Playlist & Easter Eggs (00:34:10): https://newsroom.spotify.com/2025-12-16/stranger-things-season-5-playlist-takeover/Two 80s Truths and a Lie (00:36:10):  https://wcmspi.com/2025/08/20/the-most-played-songs-on-classic-rock-radio-stations-this-year/#:~:text=1.%20%E2%80%9CLivin'%20on%20a%20Prayer%E2%80%9D%2C,Bon%20Jovi&text=2.%20%E2%80%9CWelcome%20to%20the%20Jungle%E2%80%9D%2C,Guns%20N'%20Roses&text=3.%20%E2%80%9CSweet%20Child%20O'%20Mine%E2%80%9D%2C,Guns%20N'%20Roses&text=4.%20%E2%80%9CHere%20I%20Go%20Again%E2%80%9D%2C,WhitesnakeCher Viral Post Debunked (00:38:30): https://www.yahoo.com/entertainment/celebrity/articles/fact-check-cher-did-not-055832259.html# 80s pop culture, # That 80s Show, # Christmas special, # Wham!, # George Michael, # Kylie Minogue, # Christmas number one, # "Last Christmas," # holiday traditions, # Christmas songs, # royalties, # top-earning Christmas songs, # George Michael Fund, # mental health, # LGBTQ+ youth, # Rob Reiner, # 80s movies, # "This Is Spinal Tap," # "Stand By Me," # "When Harry Met Sally," # iconic lines, # Kathy Bates, # Stephen King adaptations, # "A Few Good Men," # The Princess Bride, # parody, # Cary Elwes, # Inigo Montoya, # Andre the Giant, # nostalgia, # 80s music, # Christmas traditions, # podcast, # pop culture commentary, # holiday season, # legacy, # film influence, # mockumentary, # iconic performances, # Christmas treats, # family struggles, # celebrity news, # trending topics.

La muerte de Rob Reiner y Michele Singer sacudió a Hollywood. En este episodio, Daniel Villalobos repasa la obra de uno de los directores más influyentes de su generación y la tragedia íntima que marcó su final, un desenlace que resignifica y abre nuevas lecturas para un clásico: Cuenta Conmigo.

Send us a textThis week the Beaveman talks about all the fond memories he has of the life changing gifts that legendary director Rob Reiner gave to the world. The Swan shares her memories as well and they have a light hearted discussion about their love of The Princess Bride and Stand By Me specifically, as well as Beaveman's new crush on 40-something Kathy Bates. They are joined by Drippy Steve who is younger than the Beaveman and Swan. So he gets an education about all the pop culture references throughout the decades that can be directly attributed to The Princess Bride, Spinal Tap, and Stand By Me. These are not all of the legendary Rob Reiner's contributions. There are too many to discuss in so little of a time to do them justice. He gave the world many gifts. Our hearts go out to the friends, family, and all the lives touched by Rob and Michele Reiner. Rest in peace. https://www.slaptailnation.comSupport the show

RIP Rob Reiner, Stand By Me, Chewbacca's Dad's VR Porn and Cat Attack

In this Episode: The gand are joined by special guest Funk Baggus for the absolute classic Stand By Me. We ended up recording this episode about a day before Rob Reiner and his Wife's tragic deaths, but it is a fitting tribute to a great director. Mohlvie and Baggus also went to one of the recent live showings with the cast which sounded amazing. Tune in... Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/330

Zef is joined by producer Heather Buckley and intern Cole Howard for a heartfelt tribute to cinema of Rob Reiner. They revisit his legendary range; STAND BY ME, MISERY, THE PRINCESS BRIDE, THIS IS SPINAL TAP, WHEN HARRY MET SALLY…, and A FEW GOOD MEN and reflect on why his movies feel like childhood, why they're endlessly quotable, and what his work taught us about story, character, and craft.   Hosted by Zef Cota

Matthew Bannister onRob Reiner, the film director, screenwriter and actor behind pictures like “This Is Spinal Tap”, “Stand By Me” and “When Harry Met Sally”.Stanley Baxter, the Scottish comedian best known for his impersonations of Hollywood stars and royalty. The actor Bill Paterson pays tribute. And Joanna Trollope and Sophie Kinsella, two best-selling novelists who, in their different ways, told stories of modern life and relationships.Interviewee: Hadley Freeman Interviewee: Linda Evans Interviewee: Bill Paterson Interviewee: Brian Beacom Interviewee: Bill Scott-KerrProducer: Gareth Nelson-Davies Assistant Producer: Ribika Moktan Researcher: Jesse Edwards Editor: Glyn TansleyArchive used: Rob Reiner interview, HardTalk, BBC News, 06/05/1998; All In The Family trailer, Tandem Productions, 1975; This is Spinal Tap, Sony Pictures Entrainment, uploaded to YouTube 31/07/2025; Stand By Me, Film Trailer, Castle Rock 1986, Dir: Rob Reiner; When Harry Met Sally, Official Film Trailer, 1989, Director: Rob Reiner; Joanna Trollope interview, BBC Four, 23/03/2014; Stanley Baxter: Compilation of Best Sketches and Impressions, BBC Scotland 1962; Stanley Baxter interview, Desert Island Discs, BBC Radio 4, 02/02/1970; Stanley Baxter, Best of Show, BBC Television, 14/02/1961; Sophie Kinsella reads a second extract from her novel Mini Shopaholic, Transworld Books, uploaded to YouTube 08/09/2010; Confessions of a Shopaholic Trailer 2009, Touchstone Pictures, Director P.J. Hogan; Sophie Kinsella interview, Loose Ends, BBC Radio 4, 22/04/2013; Meet the Author: Sophie Kinsella, BBC News, 05/02/2017; Sophie Kinsella, Extract from book preview, What Does It Feel Like?, Read by Sally Phillips, Penguin Random House;

This segment of the Omni Talk Retail Fast Five, sponsored by the A&M Consumer and Retail Group, Mirakl, Ocampo Capital, Infios, and Quorso, features Chris and Anne tackle the fun side of retail as we head into NRF 2026. Ryan Reynolds keynotes NRF this January... Chris shares the one question he'd ask about Blake Lively's best film role. Anne reveals her son's elaborate Google Slides pitch for an F1B goldendoodle and her puppy yoga compromise. The hosts preview Calvin Klein's new SoHo flagship as a must-see NRF store tour stop, and pay tribute to the late Rob Reiner with their Mount Rushmore picks: Princess Bride, When Harry Met Sally, Stand By Me, A Few Good Men, and Spinal Tap. ⏩ Tune in for the full episode here: https://youtu.be/RjBUyfWgxzY #RyanReynolds #NRF2026 #retailconference #keynote #retailmarketing

Episode 341: “A Few Good Men” (1992): Movie Review With the recent tragic passing of Rob Reiner, Derek wanted to go back and review one of his films. Since they’ve already reviewed a few of Reiner’s films (“This is Spinal Tap”, “Stand By Me”, “The Princess Bride”), Chris and Derek decided to go with 1992’s courtroom drama, “A Few Good Men”. The guys discuss the cast, the box office, scenes, quotes, behind-the-scenes trivia and more. For the “Fun with Caveman” segment of the show, Derek has Chris try to guess how many Oscar nominations (and wins) that a variety of actor/directors have had. You can contact Chris & Derek here: Email: chris@popgoesyourworld.com derek@popgoesyourworld.com Theme song – “Fantasy Life” by H-Beam provided by Music Alley. “Top of the Pops” theme – “Warm Up” by Alain Galarneau provided by Music Alley.

More slop but hey it's detailed. That's nice. 00:25 – Hanukkah, Bondi and a terror attackJoel (Jack the Insider) opens the Christmas‑eve episode by recounting the Hanukkah celebration at Bondi Beach that turned into a mass‑shooting, with 16 dead including Holocaust survivor Alex Kleitman and 10‑year‑old Matilda.​He notes that one gunman, Sajid Akram, was killed and his son Naveed faces 59 charges including 15 murders and a terrorism offence, while funerals proceed under a cloud of grief.​02:05 – Anti‑Semitic threats and the rise of Jew hatredThe Jacks detail an anti‑Semitic threat on a Virgin Australia flight from Denpasar to Sydney, where a 19‑year‑old allegedly made violent gestures and threats toward a Jewish passenger.​They discuss how contemporary anti‑Semitism in Australia and the West feels broader and deeper than before, increasingly visible on progressive and left‑wing fringes as well as the far right.​04:55 – Jenny Leong's “tentacles” remark and Greens politicsJoel quotes NSW Greens MLC Jenny Leong's 2023 comments about the “Jewish lobby” and “Zionist lobby” having “tentacles” infiltrating community groups, likening the rhetoric to classic Nazi tropes in Der Stürmer.​Jack notes Leong is part of NSW's hard‑left “watermelon” Greens and argues such language shows how anti‑Jewish narratives have crept into mainstream progressive politics in Australia, the UK and the US.​07:25 – Apologies, anti‑Zionism and the limits of definitionsThey note Leong apologised two months later for “poor choice of words” with anti‑Semitic implications, but Joel says the tentacle imagery hung “like a bad smell” over public debate.​The Jacks criticise semantic wrangling over definitions of anti‑Semitism and suggest calling much of it what it plainly is: old‑fashioned Jew hatred, often masked as anti‑Zionism.​10:25 – Who failed after 7 October? Government responses under fireJack argues federal and state leaders failed from “October 8th on” by not responding strongly enough to anti‑Jewish rhetoric and protests, suggesting Labor tried to balance Jewish concerns against Western Sydney Muslim votes.​Joel pushes back, citing Sean Carney's column outlining how Naveed Akram's jihadist associations, ASIO assessments and gun‑licence decisions date back to the Morrison/Dutton era and pre‑Albanese security failures.​13:55 – ASIO, gun licensing and unanswered questionsThe Jacks highlight ASIO's prior knowledge of Naveed's extremist links and question how Sajid Akram obtained a semi‑automatic shotgun with only an AB licence when B/C categories are needed for that weapon.​They call for frank explanations from ASIO and NSW firearms licensing about assessments, paper trails and whether bureaucratic or resourcing failures allowed Akram to amass an arsenal worth around $30,000.​17:55 – Under‑resourced counter‑terror units and a fearful Jewish communityJoel cites a retired AFP counter‑terror investigator who says counter‑terror units are stacked with officers fresh out of the academy instead of seasoned detectives.​Jack reflects on three decades of Jewish institutions in Sydney's east needing armed guards, and shares conversations with Jewish friends who now quietly contemplate leaving Australia because they no longer feel safe.​20:35 – “Don't bring your old hatreds here”The Jacks trace anti‑Jewish attacks in Sydney back to the 1982 Hakoah Club car bombing and the simultaneous attack on the Israeli consulate, arguing Jewish Australians have lived with this threat for over 40 years.​They say successive governments failed to hammer home a core Australian expectation: migrants must not import centuries‑old religious or ethnic hatreds into their new home.​23:05 – Segal anti‑Semitism strategy and hate‑speech lawsThey briefly canvass the Gillian Segal anti‑Semitism strategy; Jack dismisses it as “word salad” and window dressing, while Joel notes the government has been slow to act on its recommendations.​On hate‑speech laws, Jack argues bans on offensive political opinions tend to drive hatred underground and make it more dangerous, but both agree incitement to violence must remain a prosecutable offence, possibly with updated legislation.​26:00 – Policing protests and the limits of crowd controlThe Jacks explain why police sometimes tolerate ugly slogans at protests: wading in for arrests can inflame crowds that already vastly outnumber officers.​They stress the need to balance immediate public safety and officer safety with the longer‑term risk that demonstrators feel they can incite hatred with impunity.​29:00 – Bondi's stain and its heroesJoel laments that Bondi Beach, an iconic Australian destination, will now always be associated with a massacre, describing a moment of nausea as the death toll climbed on that Sunday night.​Jack reminisces about Bondi's 1990s mix of Kiwis, working‑class locals and a relaxed Jewish presence, and fears that openness has been permanently damaged.​32:05 – Old‑school cop and a Syrian‑Australian heroThey praise the middle‑aged, tie‑wearing NSW officer who initiated the “beginning of the end” of the attack and commend off‑duty police who rushed to Bondi and threw on uniforms.​Joel celebrates North Bondi tobacconist Al Ahmad, a Syrian‑born resident who tackled the gunman with astonishing courage, noting he now seems certain to receive Australian citizenship along with his parents.​35:10 – Patrol strength, long guns and local station realitiesThe Jacks relay reports that only three officers were on duty at Bondi police station, which Joel describes as a relatively minor station compared to Rose Bay or Maroubra.​They question why frontline police responding to long‑gun threats were not issued rifles of their own and suggest NSW should review access to long arms for first responders in high‑risk scenarios.​38:00 – Multiculturalism, old enmities and what really matters nextJack argues that, in an immigrant nation, the most important response is cultural: reinstilling the norm that old tribal feuds must be left behind, not accommodated.​Joel agrees this message should be central in citizenship education and public rhetoric, more important than technocratic hate‑speech tweaks or reactive gun‑law posturing.​42:05 – National Cabinet, ASIO and the demand for competenceThey criticise the National Cabinet's muted post‑Bondi meeting, which produced little beyond talk, and suggest the Prime Minister's cautious style leaves a leadership vacuum in national crises.​The Jacks insist Australians accept that security agencies cannot be omniscient, but say they must be properly resourced, competent and transparent when they make mistakes.​45:25 – Around the world: headscarves, condoms, climate and Reddit vs CanberraThe Jacks whip around global headlines: Austria's ban on headscarves for under‑14s, China's 13% tax on condoms and contraceptives to boost fertility, Denmark listing the US as a security risk, and the US government quietly deleting “fossil fuels” as a named cause of climate change from official websites.​They note Reddit's legal challenge to Australia's under‑16 social media ban and question whether Reddit is the ideal platform to front that fight given its often unpoliced content.​47:35 – Venezuela, the ICC and the limits of international lawVenezuela moves to withdraw from the International Criminal Court as investigations into alleged Maduro‑regime crimes against humanity advance.​Jack says the episode encapsulates international law's limits: states happily sign the Rome Statute until it becomes inconvenient, then walk away.​48:55 – Ireland rearms and Russia blocks “unfriendly” callsIreland announces a 55 per cent jump in defence spending to protect undersea data cables and deter drones, reflecting its geostrategic importance as a trans‑Atlantic communications hub.​Russia, meanwhile, moves to block incoming calls from “unfriendly” states; the Jacks mock the performative toughness and note how easily scammers will route around any such ban.​51:15 – Rob Reiner's murder and a towering film legacyThey react with shock to the murder of legendary director Rob Reiner and his wife, allegedly by Reiner's troubled son, whose earlier violence was itself the subject of a film.​Jack runs through Reiner's extraordinary run—This Is Spinal Tap, The Princess Bride, Stand By Me, When Harry Met Sally, A Few Good Men—and argues that if you'd made only those, you'd still have had a remarkable career.​54:45 – “This one goes to 11” and Trump's gracelessnessThe Jacks recall how Spinal Tap helped invent the mockumentary form and embedded lines like “this one goes to 11” into pop‑culture vocabulary.​They condemn Donald Trump's statement calling Reiner “a terrible human being” after his death, with conservative actor James Woods publicly rebuking Trump and praising Reiner's personal kindness despite political differences.​57:40 – Carl Reiner, Mel Brooks and comedy royaltyJoel outlines Rob Reiner's upbringing in a house full of comedic giants, with father Carl Reiner and close friend Mel Brooks holding weekly movie nights together well into old age, as captured in Jerry Seinfeld's Comedians in Cars Getting Coffee.​They reminisce about Carl and Mel's influence on Jewish humour and lament the passing of a generation of comic geniuses.​01:01:05 – EVs, hybrids and a Two Jacks lunch betThe Jacks revisit their running argument over electric vehicles, prompted by Ford CEO Jim Farley's plan to pivot the F‑150 towards hybrids instead of pure EVs.​Joel, a hybrid owner, sees hybrids as a transition technology in countries like Australia where fast‑charge infrastructure is patchy; he cites global EV sales rising to roughly 18–20 per cent of new car sales in 2025, with internal‑combustion shares steadily shrinking.​01:03:05 – Charging reality vs theory in AustraliaJoel recounts his in‑laws' BMW EV trip from central Victoria to Sydney using free or cheap NRMA/RACV chargers, but notes fast chargers are often the first to break or get switched off by retailers facing high electricity costs.​They swap anecdotes about BYD and Chinese Maxus taxis—fast‑improving but sometimes uncomfortable—and admit they can no longer remember the exact terms of their EV lunch wager, though Joel insists Jack owes him.​01:06:10 – Worst political year: Trump, Macron, Starmer, Albanese, Li, PutinThe Jacks playfully debate which leader had the worst year—Donald Trump, Emmanuel Macron, Keir Starmer, Anthony Albanese, Chinese Premier Li or Vladimir Putin.​They characterise Albanese as the “Stephen Bradbury” of Australian politics, a cautious survivor whose luck and endurance have mattered as much as brilliance.​01:18:40 – Ashes update: England's fragile top orderIn a late segment, they revisit England's Ashes woes: repeated collapses leaving them three‑for‑not‑many and a top three of Crawley, Duckett and Pope exposing the middle order to the new ball.​Joel notes England dropped a bowler as a scapegoat while leaving the misfiring batting unchanged, and questions how long they can justify Ollie Pope at three ahead of the more solid Will Jacks.​01:21:15 – Hong Kong racing, Kooring Rising and Japanese fanboy jockeysJack describes Hong Kong's International Racing Day—four Group 1s and 80,000 people—and the rise of sprinter Kooring Rising, winner of The Everest and now on a long winning streak.​He shares footage from Japan's Nakayama track where every jockey stopped circling and sat still so they could watch Kooring Rising's race on the big screen, a measure of the horse's star power.​01:23:00 – Listener mail, Howard's gun laws and the Shooters lobbyJoel reads a note from listener Ray pointing out that 300 legally obtained guns are still attributed to “Howard's gun laws”, reminding listeners gun‑law reform was necessary but later watered down under pressure from the Shooters and Fishers political lobby.​01:24:00 – Christmas, loneliness and a surprise lunch guestThe Jacks close with Christmas reflections: acknowledging how joyful and stressful the season can be, especially for those who are lonely or estranged from family.​Joel recalls his mother inviting a homeless man to Christmas lunch—an act of charity met with teenage grumbling from him and his brother—and urges listeners to look out for those doing it tough without necessarily going to that extreme.​01:25:45 – Holiday plans and the show's return in JanuaryJack outlines Hanukkah parties and family Christmas plans in Hong Kong, while Joel describes a quieter Highlands Christmas with a Boxing Day visit from the grandkids.​They thank listeners for their support through 2025, wish everyone a Merry Christmas, and promise to return in the second week of January after a short break.​00:25 – Hanukkah, Bondi and a terror attackJoel (Jack the Insider) opens the Christmas‑eve episode by recounting the Hanukkah celebration at Bondi Beach that turned into a mass‑shooting, with 16 dead including Holocaust survivor Alex Kleitman and 10‑year‑old Matilda.​He notes that one gunman, Sajid Akram, was killed and his son Naveed faces 59 charges including 15 murders and a terrorism offence, while funerals proceed under a cloud of grief.​02:05 – Anti‑Semitic threats and the rise of Jew hatredThe Jacks detail an anti‑Semitic threat on a Virgin Australia flight from Denpasar to Sydney, where a 19‑year‑old allegedly made violent gestures and threats toward a Jewish passenger.​They discuss how contemporary anti‑Semitism in Australia and the West feels broader and deeper than before, increasingly visible on progressive and left‑wing fringes as well as the far right.​04:55 – Jenny Leong's “tentacles” remark and Greens politicsJoel quotes NSW Greens MLC Jenny Leong's 2023 comments about the “Jewish lobby” and “Zionist lobby” having “tentacles” infiltrating community groups, likening the rhetoric to classic Nazi tropes in Der Stürmer.​Jack notes Leong is part of NSW's hard‑left “watermelon” Greens and argues such language shows how anti‑Jewish narratives have crept into mainstream progressive politics in Australia, the UK and the US.​07:25 – Apologies, anti‑Zionism and the limits of definitionsThey note Leong apologised two months later for “poor choice of words” with anti‑Semitic implications, but Joel says the tentacle imagery hung “like a bad smell” over public debate.​The Jacks criticise semantic wrangling over definitions of anti‑Semitism and suggest calling much of it what it plainly is: old‑fashioned Jew hatred, often masked as anti‑Zionism.​10:25 – Who failed after 7 October? Government responses under fireJack argues federal and state leaders failed from “October 8th on” by not responding strongly enough to anti‑Jewish rhetoric and protests, suggesting Labor tried to balance Jewish concerns against Western Sydney Muslim votes.​Joel pushes back, citing Sean Carney's column outlining how Naveed Akram's jihadist associations, ASIO assessments and gun‑licence decisions date back to the Morrison/Dutton era and pre‑Albanese security failures.​13:55 – ASIO, gun licensing and unanswered questionsThe Jacks highlight ASIO's prior knowledge of Naveed's extremist links and question how Sajid Akram obtained a semi‑automatic shotgun with only an AB licence when B/C categories are needed for that weapon.​They call for frank explanations from ASIO and NSW firearms licensing about assessments, paper trails and whether bureaucratic or resourcing failures allowed Akram to amass an arsenal worth around $30,000.​17:55 – Under‑resourced counter‑terror units and a fearful Jewish communityJoel cites a retired AFP counter‑terror investigator who says counter‑terror units are stacked with officers fresh out of the academy instead of seasoned detectives.​Jack reflects on three decades of Jewish institutions in Sydney's east needing armed guards, and shares conversations with Jewish friends who now quietly contemplate leaving Australia because they no longer feel safe.​20:35 – “Don't bring your old hatreds here”The Jacks trace anti‑Jewish attacks in Sydney back to the 1982 Hakoah Club car bombing and the simultaneous attack on the Israeli consulate, arguing Jewish Australians have lived with this threat for over 40 years.​They say successive governments failed to hammer home a core Australian expectation: migrants must not import centuries‑old religious or ethnic hatreds into their new home.​23:05 – Segal anti‑Semitism strategy and hate‑speech lawsThey briefly canvass the Gillian Segal anti‑Semitism strategy; Jack dismisses it as “word salad” and window dressing, while Joel notes the government has been slow to act on its recommendations.​On hate‑speech laws, Jack argues bans on offensive political opinions tend to drive hatred underground and make it more dangerous, but both agree incitement to violence must remain a prosecutable offence, possibly with updated legislation.​26:00 – Policing protests and the limits of crowd controlThe Jacks explain why police sometimes tolerate ugly slogans at protests: wading in for arrests can inflame crowds that already vastly outnumber officers.​They stress the need to balance immediate public safety and officer safety with the longer‑term risk that demonstrators feel they can incite hatred with impunity.​29:00 – Bondi's stain and its heroesJoel laments that Bondi Beach, an iconic Australian destination, will now always be associated with a massacre, describing a moment of nausea as the death toll climbed on that Sunday night.​Jack reminisces about Bondi's 1990s mix of Kiwis, working‑class locals and a relaxed Jewish presence, and fears that openness has been permanently damaged.​32:05 – Old‑school cop and a Syrian‑Australian heroThey praise the middle‑aged, tie‑wearing NSW officer who initiated the “beginning of the end” of the attack and commend off‑duty police who rushed to Bondi and threw on uniforms.​Joel celebrates North Bondi tobacconist Al Ahmad, a Syrian‑born resident who tackled the gunman with astonishing courage, noting he now seems certain to receive Australian citizenship along with his parents.​35:10 – Patrol strength, long guns and local station realitiesThe Jacks relay reports that only three officers were on duty at Bondi police station, which Joel describes as a relatively minor station compared to Rose Bay or Maroubra.​They question why frontline police responding to long‑gun threats were not issued rifles of their own and suggest NSW should review access to long arms for first responders in high‑risk scenarios.​38:00 – Multiculturalism, old enmities and what really matters nextJack argues that, in an immigrant nation, the most important response is cultural: reinstilling the norm that old tribal feuds must be left behind, not accommodated.​Joel agrees this message should be central in citizenship education and public rhetoric, more important than technocratic hate‑speech tweaks or reactive gun‑law posturing.​42:05 – National Cabinet, ASIO and the demand for competenceThey criticise the National Cabinet's muted post‑Bondi meeting, which produced little beyond talk, and suggest the Prime Minister's cautious style leaves a leadership vacuum in national crises.​The Jacks insist Australians accept that security agencies cannot be omniscient, but say they must be properly resourced, competent and transparent when they make mistakes.​45:25 – Around the world: headscarves, condoms, climate and Reddit vs CanberraThe Jacks whip around global headlines: Austria's ban on headscarves for under‑14s, China's 13% tax on condoms and contraceptives to boost fertility, Denmark listing the US as a security risk, and the US government quietly deleting “fossil fuels” as a named cause of climate change from official websites.​They note Reddit's legal challenge to Australia's under‑16 social media ban and question whether Reddit is the ideal platform to front that fight given its often unpoliced content.​47:35 – Venezuela, the ICC and the limits of international lawVenezuela moves to withdraw from the International Criminal Court as investigations into alleged Maduro‑regime crimes against humanity advance.​Jack says the episode encapsulates international law's limits: states happily sign the Rome Statute until it becomes inconvenient, then walk away.​48:55 – Ireland rearms and Russia blocks “unfriendly” callsIreland announces a 55 per cent jump in defence spending to protect undersea data cables and deter drones, reflecting its geostrategic importance as a trans‑Atlantic communications hub.​Russia, meanwhile, moves to block incoming calls from “unfriendly” states; the Jacks mock the performative toughness and note how easily scammers will route around any such ban.​51:15 – Rob Reiner's murder and a towering film legacyThey react with shock to the murder of legendary director Rob Reiner and his wife, allegedly by Reiner's troubled son, whose earlier violence was itself the subject of a film.​Jack runs through Reiner's extraordinary run—This Is Spinal Tap, The Princess Bride, Stand By Me, When Harry Met Sally, A Few Good Men—and argues that if you'd made only those, you'd still have had a remarkable career.​54:45 – “This one goes to 11” and Trump's gracelessnessThe Jacks recall how Spinal Tap helped invent the mockumentary form and embedded lines like “this one goes to 11” into pop‑culture vocabulary.​They condemn Donald Trump's statement calling Reiner “a terrible human being” after his death, with conservative actor James Woods publicly rebuking Trump and praising Reiner's personal kindness despite political differences.​57:40 – Carl Reiner, Mel Brooks and comedy royaltyJoel outlines Rob Reiner's upbringing in a house full of comedic giants, with father Carl Reiner and close friend Mel Brooks holding weekly movie nights together well into old age, as captured in Jerry Seinfeld's Comedians in Cars Getting Coffee.​They reminisce about Carl and Mel's influence on Jewish humour and lament the passing of a generation of comic geniuses.​01:01:05 – EVs, hybrids and a Two Jacks lunch betThe Jacks revisit their running argument over electric vehicles, prompted by Ford CEO Jim Farley's plan to pivot the F‑150 towards hybrids instead of pure EVs.​Joel, a hybrid owner, sees hybrids as a transition technology in countries like Australia where fast‑charge infrastructure is patchy; he cites global EV sales rising to roughly 18–20 per cent of new car sales in 2025, with internal‑combustion shares steadily shrinking.​01:03:05 – Charging reality vs theory in AustraliaJoel recounts his in‑laws' BMW EV trip from central Victoria to Sydney using free or cheap NRMA/RACV chargers, but notes fast chargers are often the first to break or get switched off by retailers facing high electricity costs.​They swap anecdotes about BYD and Chinese Maxus taxis—fast‑improving but sometimes uncomfortable—and admit they can no longer remember the exact terms of their EV lunch wager, though Joel insists Jack owes him.​01:06:10 – Worst political year: Trump, Macron, Starmer, Albanese, Li, PutinThe Jacks playfully debate which leader had the worst year—Donald Trump, Emmanuel Macron, Keir Starmer, Anthony Albanese, Chinese Premier Li or Vladimir Putin.​They characterise Albanese as the “Stephen Bradbury” of Australian politics, a cautious survivor whose luck and endurance have mattered as much as brilliance.​01:18:40 – Ashes update: England's fragile top orderIn a late segment, they revisit England's Ashes woes: repeated collapses leaving them three‑for‑not‑many and a top three of Crawley, Duckett and Pope exposing the middle order to the new ball.​Joel notes England dropped a bowler as a scapegoat while leaving the misfiring batting unchanged, and questions how long they can justify Ollie Pope at three ahead of the more solid Will Jacks.​01:21:15 – Hong Kong racing, Kooring Rising and Japanese fanboy jockeysJack describes Hong Kong's International Racing Day—four Group 1s and 80,000 people—and the rise of sprinter Kooring Rising, winner of The Everest and now on a long winning streak.​He shares footage from Japan's Nakayama track where every jockey stopped circling and sat still so they could watch Kooring Rising's race on the big screen, a measure of the horse's star power.​01:23:00 – Listener mail, Howard's gun laws and the Shooters lobbyJoel reads a note from listener Ray pointing out that 300 legally obtained guns are still attributed to “Howard's gun laws”, reminding listeners gun‑law reform was necessary but later watered down under pressure from the Shooters and Fishers political lobby.​01:24:00 – Christmas, loneliness and a surprise lunch guestThe Jacks close with Christmas reflections: acknowledging how joyful and stressful the season can be, especially for those who are lonely or estranged from family.​Joel recalls his mother inviting a homeless man to Christmas lunch—an act of charity met with teenage grumbling from him and his brother—and urges listeners to look out for those doing it tough without necessarily going to that extreme.​01:25:45 – Holiday plans and the show's return in JanuaryJack outlines Hanukkah parties and family Christmas plans in Hong Kong, while Joel describes a quieter Highlands Christmas with a Boxing Day visit from the grandkids.​They thank listeners for their support through 2025, wish everyone a Merry Christmas, and promise to return in the second week of January after a short break.​

On this week's show, Dana and Steve are joined by guest host Rebecca Onion for a Gabfest first: a segment about something from the sprawling Taylor Sheridan television universe. They strap on their cowboy boots and hop in the pickup for a conversation on season 2 of Landman which stars a rangy and world-weary Billy Bob Thornton as an oil industry fixer. Next, they turn north of the border for some good, old fashioned, Canadian gay hockey romance. They discuss HBO's surprise—and surprisingly graphic—hit Heated Rivalry. The series sure is steamy, but does it feature enough hockey?  Finally, they mourn the passing of legendary filmmaker and Hollywood omnipresence Rob Reiner. They share their favorite moments from his films. Given those films include Stand By Me, When Harry Met Sally, Misery, The Princess Bride, and many more indelible classics, there's much to share. Endorsements Rebecca: The podcast Posting Through It featuring hosts Jared Holt and Michael Edison Hayden discussing the ins and outs of rightwing infighting and the recipe Holiday Rocky Road by Sohla el-Waylly in New York Times Cooking. Steve: For more melancholic Christmas music, Duke Ellington's Nutcracker Suite. Also, the Booker Prize short-listed novel The Rest of Our Lives by Ben Markovits, who Steve will be in conversation with at an event on January 5, 2026 at the Upper West Side Barnes & Noble— details here. Dana: The Rob Reiner-directed documentary Defending My Life about his childhood friend Albert Brooks and this brilliant clip of Rob Reiner at his 2000 Friar's Club Roast reading from Roger Ebert's legendary pan of Reiner's film North . Learn more about your ad choices. Visit megaphone.fm/adchoices

Rob Reiner and his wife, Michele, were tragically murdered over the weekend and the film community is still reeling. Reiner was not only a kind man, someone dedicated to protecting the rights and freedoms of everybody, and a talented filmmaker, he was one of the very few filmmakers that understood exactly how to translate Stephen King to the big screen. Author Nat Cassidy (The Wolf at the Door) and film commentator Drew McWeeny (The Hip Pocket Podcast) join Beznican and Vespe to discuss the tragic loss of Reiner and celebrate his massive contributions to the world of cinema, from his King adaptations Stand By Me, Misery, and The Shawshank Redemption (which he produced for Frank Darabont) to the genre defining classics This Is Spinal Tap, The Princess Bride, When Harry Met Sally, and A Few Good Men.

On this week's show, Dana and Steve are joined by guest host Rebecca Onion for a Gabfest first: a segment about something from the sprawling Taylor Sheridan television universe. They strap on their cowboy boots and hop in the pickup for a conversation on season 2 of Landman which stars a rangy and world-weary Billy Bob Thornton as an oil industry fixer. Next, they turn north of the border for some good, old fashioned, Canadian gay hockey romance. They discuss HBO's surprise—and surprisingly graphic—hit Heated Rivalry. The series sure is steamy, but does it feature enough hockey?  Finally, they mourn the passing of legendary filmmaker and Hollywood omnipresence Rob Reiner. They share their favorite moments from his films. Given those films include Stand By Me, When Harry Met Sally, Misery, The Princess Bride, and many more indelible classics, there's much to share. Endorsements Rebecca: The podcast Posting Through It featuring hosts Jared Holt and Michael Edison Hayden discussing the ins and outs of rightwing infighting and the recipe Holiday Rocky Road by Sohla el-Waylly in New York Times Cooking. Steve: For more melancholic Christmas music, Duke Ellington's Nutcracker Suite. Also, the Booker Prize short-listed novel The Rest of Our Lives by Ben Markovits, who Steve will be in conversation with at an event on January 5, 2026 at the Upper West Side Barnes & Noble— details here. Dana: The Rob Reiner-directed documentary Defending My Life about his childhood friend Albert Brooks and this brilliant clip of Rob Reiner at his 2000 Friar's Club Roast reading from Roger Ebert's legendary pan of Reiner's film North . Learn more about your ad choices. Visit megaphone.fm/adchoices

The great filmmaker Rob Reiner and his wife Michele were killed in their home Sunday. Their son Nick has been arrested on suspicion of murder. It's a shocking and tragic end to a life that brought joy to so many. Reiner's contributions to American film include canonical movies such as ‘The Princess Bride,' ‘Stand By Me,' ‘When Harry Met Sally' and ‘This Is Spinal Tap.' He spoke with Terry Gross this past September about his reunion with the ‘Spinal Tap' guys, growing up among comedy legends, and collaborating with his son Nick on a film inspired by Nick's struggle with addiction. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

During a Substack LIVE discussion, Chris Cillizza and Matt Lewis discuss:— Bombshell insights from Susie Wiles' Vanity Fair interview: Trump's “alcoholic's personality,” JD Vance as a “conspiracy theorist,” Elon Musk as an “odd duck,” and more candid takes on the administration.— Donald Trump's frank advice from a Rasmussen pollster (advice Trump will surely ignore).— Nostalgic celebration of Rob Reiner's iconic films like This Is Spinal Tap, Stand By Me, and The Princess Bride, plus his memorable role as Meathead on All in the Family.— The tragic murder of Rob Reiner and his wife by their son, Trump's controversial “Trump derangement syndrome” post, and why leaders should uphold higher standards in tragedy.— Why Trump thrives in the attention economy with an addictive personality, WWE/kayfabe influences on modern politics, and comparisons to reality TV vibes.— Media nerd deep dive: Interview ethics, on/off the record rules, and how profiles extract revealing quotes over multiple session.And MUCH more!Subscribe to Matt Lewis on Substack: https://mattklewis.substack.com/Support Matt Lewis at Patreon: https://www.patreon.com/mattlewisFacebook: https://www.facebook.com/MattLewisDCTwitter: https://twitter.com/mattklewisInstagram: https://www.instagram.com/mattlewisreels/YouTube: https://www.youtube.com/channel/UCVhSMpjOzydlnxm5TDcYn0A– Who is Matt Lewis? –Matt K. Lewis is a political commentator and the author of Filthy Rich Politicians.Buy Matt's books: FILTHY RICH POLITICIANS: https://www.amazon.com/Filthy-Rich-Politicians-Creatures-Ruling-Class/dp/1546004416TOO DUMB TO FAIL: https://www.amazon.com/Too-Dumb-Fail-Revolution-Conservative/dp/0316383937Copyright © 2025, BBL & BWL, LLC

Feliks Banel's guest on this BONUS EPISODE of CASCADE OF HISTORY is Martin Hansen, an attorney and vintage railroad expert based in Bend, Oregon. Much of the 1986 film "Stand By Me" was filmed 40 years ago in Oregon. Rob Reiner, director of the film, was found dead along with his wife a few days ago. One iconic scene in the film involves a steam locomotive bearing down on a bridge over a body of water, while the young boy characters in the film are standing on the railroad tracks near the middle of the long span. Martin Hansen was the fireman on that steam locomotive when the iconic scene was filmed over several days in September 1985. CASCADE OF HISTORY spoke with Martin Hansen on Tuesday, December 16, 2025. For more information about Martin Hansen: https://www.facebook.com/martin.hansen.5895 CASCADE OF HISTORY is broadcast LIVE most Sunday nights at 8pm Pacific Time via flagship station SPACE 101.1 FM in Seattle and gallantly streams everywhere via www.space101fm.org. The radio station broadcasts from studios at historic Magnuson Park – located in the former Master-at-Arms' quarters in the old Sand Point Naval Air Station - on the shores of Lake Washington in Seattle. Subscribe to the CASCADE OF HISTORY podcast via most podcast platforms and never miss regular weekly episodes of Sunday night broadcasts as well as frequent bonus episodes.

The great filmmaker Rob Reiner and his wife Michele were killed in their home Sunday. Their son Nick has been arrested on suspicion of murder. It's a shocking and tragic end to a life that brought joy to so many. Reiner's contributions to American film include canonical movies such as ‘The Princess Bride,' ‘Stand By Me,' ‘When Harry Met Sally' and ‘This Is Spinal Tap.' He spoke with Terry Gross this past September about his reunion with the ‘Spinal Tap' guys, growing up among comedy legends, and collaborating with his son Nick on a film inspired by Nick's struggle with addiction. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Director Rob Reiner and his wife Michele Singer Reiner were found dead in their Brentwood, Los Angeles home on Sunday, December 14, 2025. Authorities are investigating the deaths as a double homicide. According to People Magazine, citing multiple sources, the couple's 32-year-old son Nick Reiner is allegedly responsible. Both victims reportedly suffered stab wounds. Their daughter Romy discovered the bodies. Rob Reiner was 78. He won two Emmys playing "Meathead" on All in the Family before becoming one of Hollywood's most celebrated directors. His filmography includes This Is Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery, and A Few Good Men. His final film, Spinal Tap II, was released earlier this year. Michele Singer Reiner, 68, was a photographer who met Rob on the set of When Harry Met Sally. They married in 1989 and had three children: Jake, Nick, and Romy. Rob once said meeting Michele inspired him to change the film's ending so the characters end up together. Nick Reiner has spoken publicly about his struggles with addiction, which began in his teens. He first entered rehab at 15 and cycled through more than a dozen treatment programs. In 2016, he co-wrote the semi-autobiographical film Being Charlie with his father about his experiences with addiction and recovery. LAPD has not officially named a suspect. The investigation is ongoing. We'll update as more information becomes available.  #RobReiner #MicheleSingerReiner #NickReiner #BreakingNews #TrueCrime #Hollywood #AllInTheFamily #ThePrincessBride #WhenHarryMetSally #LAPD

Director Rob Reiner and his wife Michele Singer Reiner were found dead in their Brentwood, Los Angeles home on Sunday, December 14, 2025. Authorities are investigating the deaths as a double homicide. According to People Magazine, citing multiple sources, the couple's 32-year-old son Nick Reiner is allegedly responsible. Both victims reportedly suffered stab wounds. Their daughter Romy discovered the bodies. Rob Reiner was 78. He won two Emmys playing "Meathead" on All in the Family before becoming one of Hollywood's most celebrated directors. His filmography includes This Is Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery, and A Few Good Men. His final film, Spinal Tap II, was released earlier this year. Michele Singer Reiner, 68, was a photographer who met Rob on the set of When Harry Met Sally. They married in 1989 and had three children: Jake, Nick, and Romy. Rob once said meeting Michele inspired him to change the film's ending so the characters end up together. Nick Reiner has spoken publicly about his struggles with addiction, which began in his teens. He first entered rehab at 15 and cycled through more than a dozen treatment programs. In 2016, he co-wrote the semi-autobiographical film Being Charlie with his father about his experiences with addiction and recovery. LAPD has not officially named a suspect. The investigation is ongoing. We'll update as more information becomes available. Hashtags: #RobReiner #MicheleSingerReiner #NickReiner #BreakingNews #TrueCrime #Hollywood #AllInTheFamily #ThePrincessBride #WhenHarryMetSally #LAPD

A look at the life and legacy of Rob Reiner as new details emerge following his and his wife's deaths from apparent stab wounds. Also, police in Providence, Rhode Island still searching for the gunman at Brown University after a man detained as a person of interest was suddenly released. Plus, more information on the horrific terror attack on Australia's Bondi Beach where at least 15 people were shot and killed during a Hanukkah celebration. And, how major retailers and restaurants are struggling due to a penny shortage. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On December 14, 2025, Rob Reiner — the groundbreaking actor-turned-director whose blend of humor, heart, and moral clarity helped shape the landscape of modern American film — was murdered along with his wife, Michele Singer Reiner, in their Los Angeles home, bringing a tragic end to one of Hollywood's most enduring creative and personal partnerships. From his Emmy-winning turn as Michael “Meathead” Stivic on All in the Family to his extraordinary run of genre-defining films — including This Is Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery, and A Few Good Men — Reiner carved out a career marked equally by artistic daring and emotional resonance. Michele, his steadfast collaborator in life, influenced his most iconic work and shared his commitment to family, advocacy, and the belief that stories could make the world better. Hosts: Jason Beckerman, Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Deck The Hall Ball 1 (Stand By Me) full 706 Mon, 15 Dec 2025 14:20:11 +0000 kFhKLP4PJG9i82Dj3MJBhJ2nnGuWoEIW latest,wwbx,society & culture Karson & Kennedy latest,wwbx,society & culture Deck The Hall Ball 1 (Stand By Me) Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://player.amperwavepodcasting.com?feed-link=https%3A%

Description: Director Rob Reiner and his wife Michele Singer Reiner were found dead in their Brentwood, Los Angeles home on Sunday, December 14, 2025. Authorities are investigating the deaths as a double homicide. According to People Magazine, citing multiple sources, the couple's 32-year-old son Nick Reiner is allegedly responsible. Both victims reportedly suffered stab wounds. Their daughter Romy discovered the bodies. Rob Reiner was 78. He won two Emmys playing "Meathead" on All in the Family before becoming one of Hollywood's most celebrated directors. His filmography includes This Is Spinal Tap, Stand By Me, The Princess Bride, When Harry Met Sally, Misery, and A Few Good Men. His final film, Spinal Tap II, was released earlier this year. Michele Singer Reiner, 68, was a photographer who met Rob on the set of When Harry Met Sally. They married in 1989 and had three children: Jake, Nick, and Romy. Rob once said meeting Michele inspired him to change the film's ending so the characters end up together. Nick Reiner has spoken publicly about his struggles with addiction, which began in his teens. He first entered rehab at 15 and cycled through more than a dozen treatment programs. In 2016, he co-wrote the semi-autobiographical film Being Charlie with his father about his experiences with addiction and recovery. LAPD has not officially named a suspect. The investigation is ongoing. We'll update as more information becomes available. Hashtags: #RobReiner #MicheleSingerReiner #NickReiner #BreakingNews #TrueCrime #Hollywood #AllInTheFamily #ThePrincessBride #WhenHarryMetSally #LAPD

On this week's livestream, Charlie Sykes and Matt Lewis discuss:-- The heartbreaking loss of Hollywood legend Rob Reiner (director of The Princess Bride, When Harry Met Sally, Stand By Me) and his wife in an apparent homicide-- The antisemitic terror attack at a Hanukkah celebration on Sydney's Bondi Beach, killing at least 15 Jewish Australians-- Rising antisemitism on both the left and right, including warnings about “globalize the intifada” rhetoric turning violent-- Political violence in America: Remembering the assassinations of Charlie Kirk and Minnesota's Melissa Hortman, and selective media coverage-- Indiana GOP defying Trump by rejecting his aggressive redistricting plan despite intense pressure-- Trump's potential move to reschedule marijuana and debates on legalization vs. commercialization-- The need for moral courage, rejecting extremes, and preserving liberal democracy amid gerrymandering concerns-- And MUCH more!Subscribe to Matt Lewis on Substack: https://mattklewis.substack.com/Support Matt Lewis at Patreon: https://www.patreon.com/mattlewisFacebook: https://www.facebook.com/MattLewisDCTwitter: https://twitter.com/mattklewisInstagram: https://www.instagram.com/mattlewisreels/YouTube: https://www.youtube.com/channel/UCVhSMpjOzydlnxm5TDcYn0A– Who is Matt Lewis? –Matt K. Lewis is a political commentator and the author of Filthy Rich Politicians.Buy Matt's books: FILTHY RICH POLITICIANS: https://www.amazon.com/Filthy-Rich-Politicians-Creatures-Ruling-Class/dp/1546004416TOO DUMB TO FAIL: https://www.amazon.com/Too-Dumb-Fail-Revolution-Conservative/dp/0316383937Copyright © 2025, BBL & BWL, LLC

Richard Rushfield, Katey Rich and Christopher Rosen taped a special Prestige Junkie episode to discuss what Richard rightly hailed as Rob Reiner's “towering career of a towering presence” in the industry. From his early days as a sitcom star on All in the Family to his remarkable 12-year run of feature films, starting with 1984's This Is Spinal Tap and ending with 1996's The American President — with 1986's Stand By Me, 1987's The Princess Bride and 1989's When Harry Met Sally among those in between — Reiner influenced a generation. ⁠⁠⁠⁠Subscribe today⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to Prestige Junkie After Party bonus episodes for just $5 a month. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

The headlines felt like a punch, but what followed needed space: a careful look at Rob Reiner's legacy across film, television, and public life. We start with the shock, then move into the work that defined him—how a sitcom son became a director who shaped modern storytelling and a citizen who put his name, time, and money behind causes that change lives.I revisit the run that still towers over studio filmmaking: the dry genius of This Is Spinal Tap, the tenderness of Stand By Me, the fairy tale nerve of The Princess Bride, the chemistry clinic of When Harry Met Sally, and the taut moral showdowns of Misery and A Few Good Men. Along the way, sharing details that made the craft feel human, like an iconic line delivered by his mother, and why those choices reveal a director obsessed with timing, character, and truth. Advocacy is also a big part of Reiner's legacy: early childhood education, healthcare initiatives, marriage equality, reproductive rights, and the legal muscle built through the American Foundation for Equal Rights.As breaking reports swirl speculations swell, we talk openly about addiction, homelessness, and possible serious mental illness not to sensationalize, but to argue for compassion and due process while investigators do their work. The goal is simple: honor the art, learn from the activism, and resist the urge to flatten complex lives into easy narratives.If this episode resonates, I invite you to follow the show, share it with a friend who loves film history, and leave a review with your favorite Rob Reiner moment. Your notes help others find thoughtful, humane conversations when they're needed most. Watch the video of this podcast here.#UPDATE: LAPD has taken The Reiner's son Nick Reiner into custody in connection with his parents' death.

It's the stupid holidays, so 'tis the season for a Top 4 1/2 List of our favorite holiday dogs! Of course our list includes dogs from Christmas cartoons (compliments of Charlie Brown, the Grinch, the Simpsons, and more), as well as Christmas books and even a goofy Christmas song. If we missed your favorite holiday dog, let us know! Or just keep it to yourself! That works too. Also: An evening with the stars of Stand By Me (they brought along plenty of cherry flavored Pez), and a holiday show with a Carpenters tribute band in Woonsocket, Rhode Island! It's all just so festive that we can't stand it. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Have Coffee, Will Travel!  

Today On With Mario Lopez – Corey Feldman joins us to talk DWTS, new EP, Stand By Me 40th anniversary events and more! Plus, Courtney busts out some fresh #Christmas life hacks, the latest trend in XMAS trees, latest buzz and more!See omnystudio.com/listener for privacy information.

"A monumental achievement!" - Lady in Rachel's pilates class"SUPERB!" - Maximilian's dog, Zana Few audiodramas capture the triumph of the human spirit as memorably as The Skankshaw Redemption. Carla Lerner Montero and Rachel Music star in this remarkable episode based on the film based on the same Stephen King story collection that gave rise to Stand By Me. Montero, who received a lot of forehead kisses and gratitude for this performance, plays Hayley Brenda "Brailey" Penelope Compote, a fraudster who knows what it takes to cope with the cattiness of Skankshaw Ladies' Prison. Music is new inmate Joanne Holtzinger, a quiet radio host indicted for murders she didn't commit. Brailey is sure the mild newcomer won't last a night before she cracks. But Brailey is wrong. Joanne's indomitable optimism earns Brailey's respect and friendship, and her knack for relationship advice brings better communication to the entire prison. Joanne, as it turns out, is full of surprises. And she saves the best for last, leading to one of the most satisfying audiodrama finales in the medium's history. If Season 2's finale moved you to tears... If "This is a Rented Horse!" challenged your preconceptions of scripted audio fiction... If "First Degree Birdslaughter" caused you to pull over to avoid a vehicular collision...The Skankshaw Redemption is the parody nobody asked for, sure to delight listeners for years to come. Cuties in this Very Special Episode include: Dana DeRuyck, Geoff Grimwood, Hal Lublin, Lauren Shippen, Maximilian Clark, Laura Lee Walsh, Carla Lerner Montero, Lauren Grace Thompson, Madelyn Murphy, Miranda Warzel, Ashley Adler, Simone Kisiel, and James Urbaniak as Warden Gravies.   *** JOSIE'S LONELY HEARTS CLUB is a semi-scripted audio drama set in New Mexico’s 2nd-best relationship call-in show created by Maximilian Clark and Rachel Music. Our story editor is Lauren Grace Thompson. Produced by Simone Kisiel and Alexandra Grunberg. Executive Produced by the Good Story Guild. Keep track of us on Instagram @goodstoryguild and join our Discord.  If you enjoyed the show, consider leaving a rating and/or review on your preferred podcast listening platform.   Support us by joining the Great Story Guild on Patreon!

Stephen King had nothing when he was a kid . . no dad, no money . . but he did have a flashlight so he could read books under the covers. His passion turned into his own books and films like Carrie, The Shining, Shawshank Redemption, Stand By Me, It, and The Long Walk. So, what was his secret?See omnystudio.com/listener for privacy information.

Movie Meltdown - Episode 650 Join us as we recap our day at Scarefest, discuss things we've watched lately and reminisce about going out to look for dead bodies.  And as we reveal the best way to break your ribs, we also bring up… Billy Wirth, Legacy of Rage, Stand By Me, Scream Queens, Night of the Creeps, the official Back to the Future skateboard, Death in Apartment 603: What Happened to Ellen, American Gladiators, Brandon Lee, collector's cards, Linda Miller, Gleaming the Cube, Wednesday, a broken toe, that six-foot hole is just for landscaping, Doug Bradley, burying bodies, old guys using outdated terms, zombie kids, Emma Roberts, learning lip tricks, Police Academy 4: Citizens on Patrol, asking to see your x-rays, The Lost Boys, A Nightmare on Elm Street 3: Dream Warriors, Ashley Laurence, I wanna know, what's going on at the trash can, sexy pyramid head, boards slides, Tim Burton, Jason Patric, zombie etiquette and spine transfers. "So yeah, we were trading dead people stories."

EPISODE DESCRIPTIONAllison Applebaum was supposed to become a concert pianist. She chose ballet instead. Then 9/11 hit, and she ran straight into a psych ward—on purpose. What followed was one of the most quietly revolutionary acts in modern medicine: founding the country's first mental health clinic for caregivers. Because the system had decided that if you love someone dying, you don't get care. You get to wait in the hallway.She's a clinical psychologist. A former dancer. A daughter who sat next to her dad—legendary arranger of Stand By Me—through every ER visit, hallway wait, and impossible choice. Now she's training hospitals across the country to finally treat caregivers like patients. With names. With needs. With billing codes.We talked about music, grief, psycho-oncology, the real cost of invisible labor, and why no one gives a shit about the person driving you to chemo. This one's for the ones in the waiting room.RELATED LINKSAllisonApplebaum.comStand By Me – The BookLinkedInInstagramThe Elbaum Family Center for Caregiving at Mount SinaiFEEDBACKLike this episode? Rate and review Out of Patients on your favorite podcast platform. For guest suggestions or sponsorship, email podcast@matthewzachary.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Which 1986 movie reigns supreme?

Kelly and Katai talk Stephen King's THE BODY, the novella that was adapted into the seminal classic, Stand By Me. They talk the sadness of growing up, how you can never really go home, and nostalgia for a childhood you've never had.KELLY WROTE A BOOK! Order THE LATCHKEY TWINS Case No. 46: The Twins Solve a Murder here! Help us out by taking an ads survey!SUBSCRIBE ON PATREON for ad free and video eps, bonus eps, & more.DiscordInstagramMERCH!TEEN CREEPS IS AN INDEPENDENT PODCAST.*All creepy opinions expressed are those of the hosts and guests. Hosted on Acast. See acast.com/privacy for more information.

It's October, which means it's time for scary books and scary movies. There's one person who is well known for both: Stephen King. Since his first novel, "Carrie," was published in 1974 and adapted into a hit film two years later, his novels and short stories have been a reliable source of material for film and TV adaptations. And while he's known as a master of horror, some of the more popular films based on his work are drawn from non-horror material. On this week's episode, Sean Fennessey, co-host of the Ringer podcast "The Big Picture," joins Gilbert Cruz to talk about "Stand By Me," "The Shawshank Redemption" and more.Books and movies discussed in this episode:"Stand by Me," based on the novella "The Body" from 1982's "Different Seasons""The Running Man," based on the 1982 novel of the same name published under the pseudonym Richard Bachman"The Shawshank Redemption," based on the novella "Rita Hayworth and Shawshank Redemption" from "Different Seasons""Dolores Claiborne," based on the 1992 novel of the same name"The Green Mile," based on the 1996 serial novel of the same name"The Life of Chuck," based on the novella from 2020's "If It Bleeds""The Long Walk," based on the 1979 novel of the same name published under the pseudonym Richard Bachman Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

The Dutch courts finally did something useful: they told Meta to quit force-feeding algorithmic slop to everyone, so Facebook and Instagram users might actually see posts from friends again—if they can remember who those are. Meanwhile, OpenAI's Sora 2 rollout is the kind of chaos that makes you wonder if the company replaced QA with a TikTok filter, as outrage videos flood the internet faster than you can say “deepfake meltdown.” Apple banned ICEBlock for being too effective while ICE now wants its own social media surveillance tool—one that OpenAI shut down when Chinese accounts tried to build it. California's hammering Tesla for its abysmal insurance claims handling, OpenAI is gobbling up chunks of AMD, and consultants got caught using ChatGPT to fake reports before proudly partnering with Anthropic, who just landed Deloitte as its latest “enterprise AI” victim. Elsewhere in this circus: a Florida teen asked ChatGPT how to kill his friend, Taylor Swift fans are furious her new promo video used AI slop (“too rich to be this cheap”), and Apple's “Find My” led cops to a mountain of smuggled iPhones.In Media Candy, Brian's stunned The Diplomat scored a third season, The Long Walk is being pitched as Stand By Me meets Squid Game, California finally bans loud streaming commercials, and Amazon censored Bond posters to remove guns because apparently irony is dead. AI “musicians” are signing record deals while Zelda Williams begs people to stop resurrecting her dad with deepfake garbage. In Apps & Doodads, Jony Ive's OpenAI gadget is delayed (good), Rivian insists we'll “appreciate” not having CarPlay (we won't), Spotify and ChatGPT are teaming up to read your soul through playlists, and Jason warns everyone that the Echo Show is basically an ad-spewing parasite. Apple's now facing a cybercrime probe in France for Siri's wiretapping habits, and if you're nostalgic for simpler times, ioquake3 will let you relive Quake III Arena glory on a modern rig. At the Library, Peter Cawdron's Dark Beauty: First Contact belly-flops as a Slaughterhouse-Five tribute, while Cory Doctorow's Enshittification nails exactly why everything sucks—even if his fixes are pure science fiction.Sponsors:CleanMyMac - clnmy.com/GrumpyOldGeeks - Use code OLDGEEKS for 20% off.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/717FOLLOW UPDutch court orders Meta to change its Facebook and Instagram timelinesOpenAI's Sora 2 Already Melting Down Into Outrageous DramaIN THE NEWSApple removes ICEBlock from the App Store after Trump administration's demandICE is planning to create a surveillance team that hunts for leads on social mediaOpenAI has disrupted (more) Chinese accounts using ChatGPT to create social media surveillance toolsCalifornia regulators threaten to revoke Tesla's insurance license for mishandling claimsOpenAI Gobbles Up a Stake in AMD as Its Spending Spree Shows No Sign of StoppingConsultants Forced to Pay Money Back After Getting Caught Using AI for Expensive “Report”Anthropic lands its biggest enterprise deployment ever with Deloitte dealTeen Arrested After Asking ChatGPT How to Kill His Friend, Police SayTaylor Swift Fans Furious as She's Caught Using Sloppy AI in Video for New AlbumApple's ‘Find My' Leads Cops to Cache of Thousands of Smuggled iPhonesMEDIA CANDYThe DiplomatThe Long WalkCalifornia bans loud commercials on streaming platformsAmazon Pulls Censored Bond Posters After Pulling the Guns From ThemMore AI artists are starting to get record dealsRobin Williams' daughter pleads for people to stop sending AI videos of her dadAPPS & DOODADSOpenAI's first device with Jony Ive could be delayed due to 'technical issues'Rivian says ‘customers will appreciate' lack of CarPlay eventuallySpotify and ChatGPT Team Up for Personalized Music and Podcast RecommendationsDon't buy an Echo Show (you can have mine)Apple faces cybercrime investigation in France after Siri complaintioquake3AT THE LIBRARYDark Beauty: First Contact by Peter CawdronEnshittification: Why Everything Suddenly Got Worse and What to Do About It by Cory DoctorowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.