Podcasts about lescaut

Puccinis Oper „Manon Lescaut“ wird in der Prager Staatsoper neu inszeniert, ein Spaziergang durch das mittelböhmische Kutná Hora mit seinem Unesco-geschützten Zentrum

Valentino Zucchetti When Valentino Zucchetti won the gold medal at the Genée International Ballet Competition in 2006, Dance Gazette called him ‘dazzling' and ‘above all, devastatingly charismatic.' The Italian artist has brought those qualities as dancer with the Royal Ballet in London (especially in vivid roles like Mercutio in Romeo and Juliet, Lescaut in Manon and Lensky in Onegin), and an award-winning choreographer. Works like Scherzo, Anemoi and Jeunesse (created for the RAD's Fonteyn competition in 2023) radiate a lyrical eye and a heartfelt response to music. As he prepares a premiere for the London Handel Festival, he discusses the rewards and challenges of his dual career. Valentino Zucchetti trained at La Scala and the Royal Ballet School and won the RAD's 2006 Genée International Ballet Competition (now The Fonteyn) and the 2007 Solo Seal award. He danced with Zürich Ballet and Norwegian National Ballet before joining the Royal Ballet in 2010, promoted to First Soloist in 2014. He won the RBS's Ursula Moreton Choreographic Award in 2005, and has created ballets for New English Ballet Theatre (Orbital Motion, Enticement's Lure, Firth of Fifth, Into the Light) and the Royal Ballet, including Scherzo (South Bank Sky Arts Award for Dance) and Anemoi (Critic's Circle National Dance Award). He created Jeunesse for The Fonteyn 2023. LINKShttps://www.london-handel-festival.com/show/2025-double-bill-tales-of-apollo-hercules/ Hosted on Acast. See acast.com/privacy for more information.

durée : 00:22:11 - Disques de légende du jeudi 28 novembre 2024 - Episode 4 de notre série Un automne avec Puccini. Retrouvez aujourd'hui : Manon Lescaut par Tullio Serafin, avec Maria Callas et Giuseppe Di Stefano.

durée : 00:22:11 - Disques de légende du jeudi 28 novembre 2024 - Episode 4 de notre série Un automne avec Puccini. Retrouvez aujourd'hui : Manon Lescaut par Tullio Serafin, avec Maria Callas et Giuseppe Di Stefano.

durée : 00:10:52 - Manon Lescaut ou le temps du désordre - par : Marianne Vourch - Le livret d'opéra de Puccini provient du roman "Les Mémoires d'un homme de qualité" de l'Abbé Prévost, qui est jugé scandaleux lors de sa publication en 1734. Destiné au plaisir d'une lecture agréable, l'auteur ne donne pas l'exemple d'une conduite vertueuse pour gagner le bonheur… - réalisé par : Sophie Pichon

L'humoriste est revenu sur l'affaire concernant la maire d'Avallon, dans l'Yonne, mise en examen et placée et détention provisoire dans le cadre d'une enquête pour "trafic de stupéfiants".

L'humoriste est revenu sur l'affaire concernant la maire d'Avallon, dans l'Yonne, mise en examen et placée et détention provisoire dans le cadre d'une enquête pour "trafic de stupéfiants".

El tenor Marc Sala et convida a con

https://www.aufonddelaclasse.com/Le personnage de Lescaut dans le roman Manon Lescaut est un individu qui incarne plusieurs facettes de la société de l'époque, mais qui fait surtout figure d'emblème de la marginalité. Lescaut est le frère de Manon Lescaut, l'héroïne du roman, et son rôle dans l'histoire est crucial pour le développement du récit et des thèmes abordés. Dès le départ, Lescaut est présenté comme un personnage marginal, à la fois dans sa position sociale et dans ses actions. D'un point de vue social, Lescaut appartient à la classe des "gens d'armes", ce qui signifie qu'il est un soldat de bas rang. Bien qu'il fasse partie de l'armée, son statut n'est pas particulièrement élevé, ce qui le place en marge de la société aristocratique qui domine le récit. Cette position marginale est renforcée par son comportement souvent déviant par rapport aux normes sociales établies.Lescaut est un personnage qui évolue dans les marges de la légalité. Son implication dans des activités criminelles, telles que le jeu et le trafic d'influence, le place en marge des normes légales de la société. Sa propension à rechercher le profit personnel, même au détriment des autres, souligne sa nature égoïste et opportuniste, le distinguant comme un individu marginal dans le tissu social du roman.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Invitée sur le plateau du «Buzz TV», la comédienne, qui à l'affiche de Révélations au théâtre de Passy, revient sur le succès de la série de TF1 qui l'a élevée au rang de star.

SUMMARYHave you ever heard a sound on a recording and weren't sure if it was intentional? That's what happened to the Listening Queerly research team when they were listening to a recording of the Ultimatum Festival (Montreal, 1985). This team works under the direction of Dr. Mathieu Aubin as part of a SSHRC-funded Insight Development Grant. They've been working with a series of recordings of the Ultimatum Festival, which are part of the Alan Lord audio collection, a collection currently being digitized and catalogued by SpokenWeb (Concordia). The Listening Queerly research team – Mathieu Aubin, Ella Jando-Saul, Misha Solomon, Sophia Magliocca, and Rowan Nancarrow – first attempted to confirm who they are listening to in their selected audio file for this ShortCuts by cross-referencing with other recordings of Christopher Dewdney, Tom Konyves, and bill bissett, but then, as the team re-listened to this recording, they focused more and more on the rhythmic thumping sound throughout this clip. What is the cause of this sound and its effect on us as listeners?Listen to this episode of ShortCuts to hear how, even if a sound is an unintentional sound caused by the recording equipment, it still affects our interpretation of the recording.This special episode of ShortCuts is produced by Ella Jando-Saul, with contributions from Mathieu Aubin, Misha Solomon, Sophia Magliocca, Rowan Nancarrow, and James Healey.  EPISODE NOTESA fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that's every second week) following the monthly SpokenWeb podcast episode.Series Producer: Katherine McLeodHost: Hannah McGregorSupervising Producer: Kate MoffattAudio Engineer / Sound Designer: Miranda Eastwood ARCHIVAL AUDIONotes for the audio in folder U-2-2:U-2-2. 0000 Christ 3-4 Christopher Dewdney suite. 0400 1-2 Tape. 3-4 Voix - débute vers 875. Tom Konyves 8,45. Fin 8 1225. 0000 genital of mover [?]. Tom Konyves 5-6 - bande. 7-8 - voix. 0250 Bill Bissett. Partie 1 pistes 1-2 voix [illegible]. Partie 2 vx 34.Notes on label for “BRAVE NEW WAVES. CBC Stereo 93.5 FM. ‘ULTIMATUM”:U-BNW-T5. CBC label has fallen off (included in separate bag with board for temporary preservation) — Handwritten notes on reverse: “Tape 5 Tape out. 1. Christopher Dewdney Runs: 23:50. 2. Tom Konyves 21:30. 3. Bill Bisset - Runs 20:25. Tech: Yves Lepage.” SHOW NOTESbissett, bill, Christopher Dewdney, and Tom Konyves. U-2-2. 2 May 1985. Folder 2, Deliverables, Audio-Deliverables, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.bissett, bill, Christopher Dewdney, and Tom Konyves. U-BNW-T5. 2 May 1985. Folder 2, Deliverables, Audio-Deliverables, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.Those interested can find more information about these recordings in the following documents:bissett, bill. Participant acceptance form. AL-Folder2-img003-04, Folder 1, Alan Lord Archive, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.bissett, bill. Letter to Alan Lord. AL-Folder2-img195, Folder 1, Alan Lord Archive, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.Konyves, Tom. Sketch of stage setup. AL-Folder2-img186-187, Folder 1, Alan Lord Archive, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.Lescaut, Roxa. "Le Premier Festival de Poésie urbaine de Montréal." interModule 2. AL-U85-img029-32 and 035-38, Folder 1, Alan Lord Archive, The Alan Lord Collection. SpokenWeb Collections, Concordia University, Montreal.

durée : 00:21:16 - Disques de légende du vendredi 30 septembre 2022 - Manon Lescaut de Giacomo Puccini.

durée : 00:10:52 - Manon Lescaut ou le temps du désordre - par : Marianne Vourch - Le livret d'opéra de Puccini provient du roman "Les Mémoires d'un homme de qualité" de l'Abbé Prévost qui est jugé scandaleux lors de sa publication en 1734. Destiné au plaisir d'une lecture agréable, l'auteur ne donne pas l'exemple d'une conduite vertueuse pour gagner le bonheur… - réalisé par : Sophie Pichon

Paulo Szot is an award winning Baritone who has starred in operas & musical theatre productions around the world! Paulo won the Tony, Drama Desk, Outer Critic's Circle & Theater World Awards for his Broadway debut in Lincoln Center's revival of South Pacific, co-starring Tony Award Winner Kelli O'Hara. Currently, Paulo is back on Broadway in the Tony Award Winning revival of Chicago The Musical through November 21 as slick lawyer "Billy Flynn." Paulo is also celebrating his 10-Year Anniversary of performing at Feinstein's/54 Below with a week of concerts. An Enchanted Evening or Una Noche Encantada will play Feinstein's/54 Below November 24-27. Click here for tickets! Connect with Paulo: Website Facebook Twitter Instagram Connect with Feinstein's 54 Below: Website Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Adam Rothenberg Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Paulo: Paulo Szot was born in São Paulo & raised in Ribeirão Pires, Brazil. Paulo studied at the Jagiellonian University in Poland, the country from which his parents had emigrated following World War II. He began singing professionally in 1989 with the Polish National Song & Dance Company Slask. In 1997 he made his operatic debut as Figaro in Il Barbiere di Siviglia in a production of the Theatro Municipal de São Paulo, directed by Enzo Dara & conducted by Luiz Fernando Malheiro. He has gone on to appear with most major opera companies throughout the world in Europe, the United States, Australia & Brazil. Paulo made his Broadway debut in the revival of South Pacific at Lincoln Center Theatre, directed by Bartlett Sher. He won the Tony Award, Drama Desk, Outer Critic's Circle & Theater World Awards for his portrayal, becoming one of a few actors to receive such honors on a Broadway debut. Paulo appeared in a solo concert in the Allen Room at Jazz at Lincoln Center & several times at New York City's prestigious Café Carlyle & Feinstein's/54 Below for a series of critically acclaimed solo performances. He appeared with the New York Philharmonic alongside Liza Minnelli conducted by Marvin Hamlisch & made his Carnegie Hall debut with the New York Pops Orchestra in a program of Lerner & Loewe with Kelli O'Hara. To his native Brazil, Paulo has performed with any of the major orchestras & opera companies including Osesp, TMSP, TMRJ, Teatro São Pedro, Teatro Amazonas, Filarmônica MG, OPES, OMB, OSB, Palácio das Artes, among others. Also, in São Paulo he starred as Henry Higgins in the 2016 revival of My Fair Lady at the Teatro Santander, directed by Jorge Takla. With more than 70 opera productions in his résumé since 1997, Paulo had his Metropolitan Opera debut in 2010 as Kovalyov in The Nose by Dimitri Shostakovich, conducted by Valery Gergiev and directed by William Kentridge. He returned to the Met for the six following seasons as Escamillo in Carmen (2011), Lescaut in Manon (2012), Kovalyov in The Nose (2013), Dr. Falke in Die Fledermaus (2013/14), The Captain in John Adams' The Death of Klinghoffer (2014), Dr. Falke in Die Fledermaus (2015/16). In 2019 Paulo starred in Opera Australia's Evita as Juan Peron in Melbourne opposite Tina Arena as Evita; the Opera di Roma as Count Danilo in Lehar's Merry Widow; appeared with OSESP, in Brazil and returned to the Metropolitan Opera House. Learn more about your ad choices. Visit megaphone.fm/adchoices

A cura di Paolo PellegriniPROGRAMMAJules Massenet (1842 – 1912)ManonManon Lescaut, MIRELLA FRENIChevalier des Grieux, LUCIANO PAVAROTTILescaut, WLADIMIRO GANZAROLLIComte des grieux, ANTONIO ZERBINIGuillot de Morfontaine, FRANCO RICCIARDIde Brétigny, GIUSEPPE MORRESIOrchestra e Coro del Teatro alla Scala, MilanoPeter Maag, direttore

A cura di Paolo PellegriniGiacomo Puccini (1858 – 1924)Manon LescautOpera in quattro attiPersonaggi e interpretiManon Lescaut, Maria CallasChevalier des Grieux, Giuseppe di StefanoLescaut, Giulio FioravantiGéronte di Ravoir, Franco CalabreseEdmondo, Dino Formichinil'oste, Carlo Fortiil maestro di ballo, Vito Tatoneun musico, Fiorenza CossottoSergente, Giuseppe Morresilampionaio, Franco RicciardiComandante, Franco VentrigliaOrchestra e Coro del Teatro alla Scala di MilanoTullio Serafin, direttore

durée : 00:14:50 - Disques de légende du vendredi 30 avril 2021 - En 1992, Mirella Freni enregistre "Manon Lescaut" de Puccini pour la seconde fois. Accompagnée par Luciano Pavarotti dans le rôle de Des Grieux, et de l'Orchestre du Metropolitan Opera placé sous la direction de James Levine, elle offre une interprétation mémorable et tragique du rôle de Manon...

A cura di Paolo PellegriniPlacido Domingo , Il cavaliere Renato Des GrieuxSylvia Sass , Manon LescautRenato Capecchi , Geronte di RavoirAngelo Romero , Lescaut, sergente delle guardie del rePiero de Palma , Edmondo, studenteGiovanni Foiani, Il maestro di balloOrchestra: Orchestra del Teatro alla Scala Coro: Coro del Teatro alla ScalaGeorges Pretre Registrazione dal vivo del 1978

Manon Lescaut

durée : 00:59:53 - Musique matin, samedi du samedi 13 juin 2020 - par : Priscille Lafitte - Musique = Clapping de Steve Reich Voix = Coco Bonnier - réalisé par : Laurent Lefrançois

Talvez você desista do desenho palito e se aventure no mundo da animação. Talvez descubra que, no mundo animado, a voz pode vir antes da galinha. Talvez você não se assuste se vir alguém olhando para um espelho e fazendo caretas. Essa pessoa pode ser só um(a) animador(a) em processo criativo.

According to research by Carlson Wagonlit Travel, when travelling for business, Singaporeans are happy to sacrifice their safety for hotel loyalty and rewards incentives. Ms Lescaut explains safety measures and what sort of incentives Singaporeans are willing to give up safety for. 

On today's episode we listen to Manon by Jules Massenet, an opera in five acts set to a French Libretto by Henri Meilhac and Philippe Gille. The story is based on the 1731 novel "L’histoire du chevalier des Grieux et de Manon Lescaut" by the Abbé Prévost. The story begins in 1721 with a party of friends including Guillot Morfontain making merry at an Inn. Manon, escorted by her cousin Lescaut, of the Guards, arrives on her way to a convent. She is of the peasantry, but vain as well as beautiful. Guillot leaves his friends, to pay attention to the young girl. He meets with no success, and is finally compelled to retreat. The Chevalier Des Grieux, however, who appears upon the scene during the temporary absence of the cousin Lescaut, is more successful. Although about to take holy orders and become a priest, Des Grieux is charmed and infatuated by Manon's beauty and seeming simplicity; while she, in her vanity, seeks for a higher social position, and is also fascinated by the young Chevalier's manliness. The result is an almost immediate elopement of the pair. Act 2 begins in the couples cozy apartment in Paris. Before Des Grieux can secure his father's consent to their marriage the young man is placed in jeopardy by Lescaut and De Brétigny. The two men are soon pacified; shortly afterwards Des Grieux is seized by six men in the Count's (his father's) employ, and all taken away from Manon. In Act 3 we find Manon under protection of De Brétigny. But she learns that Des Grieux (whom she really loves) is now the priest at St. Sulpice; and she flies from Brétigny to win back her lover. In the second scene there is an interesting and dramatic situation, wherein Manon succeeds in inducing Des Grieux to renounce the priesthood and renew his love with Manon. In the 4th act is seen the interior of the gambling-house in Paris. Des Grieux is unjustly accused of cheating, and he and Manon are about to be arrested where Count Des Grieux appears and release the Chevalier; but Manon, through the effort of Guillot who seeks revenge, is condemned to jail and eventual deportation to the French colony Louisana. In the last scene, as Manon is being marched away to the ship that will take her to Louisiana, Manon again meets her lover Des Grieux, and dies in his arms.

Born in Jessup, Pennsylvania, Cossa studied with Anthony Marlowe in Detroit, Michigan, Robert Weede in Concord, California, and Armen Boyajian in New York City. He made his debut at the New York City Opera as Morales in 1961, and a week later sang Sharpless with the company. He won the American Opera Auditions in 1964 and was sent to Italy for debuts at the Teatro Nuovo in Milan and Teatro della Pergola in Florence.[2] He made his debut at the San Francisco Opera in 1967 as Zurga in Les pêcheurs de perles. His Metropolitan Opera debut took place on January 30, 1970 as Silvio in Pagliacci. Other roles there were Figaro in Il barbiere di Siviglia, Lescaut in Manon Lescaut, Marcello in La bohème, Mercutio in Romeo and Juliette, Masetto in Don Giovanni, Valentin in Faust, Yeletsky in Pique Dame, Germont in La traviata, and Albert in Werther. In 1976 he created the role of David Murphy in the world premiere of Gian Carlo Menotti's The Hero with the Opera Company of Philadelphia.[3] Cossa's left a few notable recordings of his best roles such as Belcore in L'elisir d'amore opposite Dame Joan Sutherland and Luciano Pavarotti, Achillas in Handel's Giulio Cesare opposite Norman Treigle and Beverly Sills, Nevers in Meyerbeer's Les Huguenots, again opposite Sutherland, Martina Arroyo and Huguette Tourangeau, and the baritone solo part in Roger Sessions' When Lilacs Last in the Dooryard Bloom'd. He can also be heard on the Classical Record Library's A Celebration of Schumann and Schubert with the Chamber Music Society of Lincoln Center. He has sung as soloist with the New York Philharmonic, the Boston Symphony, the Chicago Symphony, the Israel Philharmonic, and the National Symphony. He was chosen by Licia Albanese to be the recipient of the Puccini Foundation's Bacccarat Award in 2004, and in 1993 was inducted into the Hall of Fame for Great American Singers at the Academy of Vocal Arts in Philadelphia. Cossa taught at the Manhattan School of Music and in 1988 he accepted a position as Professor of Music at the University of Maryland, College Park, where he became chair of Voice/Opera.   Also, a SWEET GUY!!!!!!!!!!!!!!!!!!!!!!!

Anuncian procesos de reacreditación de SACS y FIMPES para todos los Campus. Realizan seminario para mostrar nuevas prácticas educativas elaboradas por profesores Con homenaje sorpresa reconocen al Lic. Jorge González Treviño por su dedicada labor en el campo de la comunicación

Tebaldi arias  Louise,Forza,Wally,Forz.Boheme,Lescaut,Chenier,Mefistofele,Adriana,(Alli Live) Exclude the small print. I have been ill (BACK!!~) .Hope I do more.

Despite  the sound,which can be a bit dull, Richard Tucker and Montserrat sing a magnificent Manon Lescaut under Bruno Bartoletti. Gianpiero Mastromei is the Lescaut, and Sr.Telasko is Geront (59 min.).  Note that the photo is the Richard Tucker Monument outside Lincoln Center.

  The great tenor (at 60) Beniamino Gigli in highlights from Manon Lescaut from RAi Milano,1950 under Alfredo Simonetto. Adriana Guerrini is the Manon,with Mario Boriello as Lescaut. This is followed by Carmen highlights (in Italian) from 1949 under Vincenzo Belleza with daughter Rina and Ebe Stignani.  (66 min.)

C'ETAIT LA FETE ! Bon, ok, c'était que la 99ème mais c'était la dernière marche avant la grooooosse soirée qu'on vous prépare pour la 100ème... On en dit un peu plus à la fin de l'émission. Un peu seulement. Le reste sera dévoilé progressivement sur la page facebook de l'émission. La fausse news de CVT98 était... le cortège des malades atteints d'Alzheimer ! Si vous aviez déjà trouvé ça, vous n'avez rien gagné, mais rassurez-vous vous pouvez écouter ce nouveau numéro bourré d'actus marrantes ou pas, de nanars musicaux hilarants et d'autres surprises. Bonne écoute, bonne semaine, et rendez-vous pour la 100ème ! Les liens du web : Nioutaik et son nouvel article : http://www.nioutaik.fr/index.php/2013/04/09/645-comment-faire-un-bon-commentaire-de-rageux La pierre de Rosette : http://imgur.com/dPgWMF2 Les gens, les marques : http://desgensquiparlentadesmarques.tumblr.com/ (NSFW) Dessiner du hentai à 13 ans : http://www.hentai-academy.com/ Et les nanars : HGich.T - ich liebe dich egal ob du 16 bist http://youtu.be/jRy9zMGq1Rw HGich.T - tittenpower http://youtu.be/1HPOQ_LXU0U Le YMCA Coréen http://youtu.be/qoMBzb8ogz4

Never mind the "wrong language." I adore French, but Freni and Pavarotti are in such glorious form, I had to do this one. Rolando Panerai is Lescaut,Antonio Zerbini is the Count, and Franco Ricciardi is De Bretigny. Conducted by Peter Maag. (71 min.)

Vincent (de SFU), Etienne, Stéphane, Pierrot et Gil reviennent sur les deux plus récentes adaptations de Sherlock Holmes en chroniquant la série de Steven Moffat et les deux films de Guy Ritchie. Avis divergents, analyses fines et résolutions d’enquêtes sont … Lire la suite →

Highlights from the La Scala debut of Giuseppe Di Stefano on March 15, 1947. The Manon is Mafalda Favero. Mario Boriello sings Lescaut and Bretigny is sung by Michele Mainardi. The conductor is Antonio Guarnieri. As a bonus, we have the 1951 St.Sulpice aria with Di Stefano.    (52 min.)

A new release on the BonGiovanni label of a live performance of Manon Lescaut, from Piacenza, 1974.( highlights ). The sound is pretty good, with some flaws, but I think you will enjoy the wonderful Virginia Zeani and Flaviano Labo in the leading roles. Alberto Rinaldi is the Lescaut and Leonida Bergamonti sings Geronte, conducted by Umberto Cattini.(66 min.)