Podcast appearances and mentions of matthew bellamy

Muse haben eine nicht ganz einfache künstlerische Vision. Aber sie sind so überzeugt von ihr, dass sie niemals nachgeben. Das Ergebnis ist überraschend – und etwas, das der Progressive Rock der 60er und 70er nie war: eine Einladung an alle.

Présenté comme l'avenir du rock anglais, c'est dans les cendres d'un genre incarné par Nirvana et Jeff Buckley, que vient de se déclarer l'incendie le plus spectaculaire du moment. Il se nomme “Showbiz” et l'impatience est immense. Nous sommes en 1999 et Muse s'apprête à sortir son premier album.Showbiz annonce le retour triomphal de la guitare électrique. De “Uno” à “Unintended” en passant par “Cave”, “Muscle Museum” et “Sunburn” Matthew Bellamy hurle comme si sa vie en dépendait et nous offre son dernier souffle entre chaque couplet. Avec plus de 700.000 exemplaires vendus à travers le monde, Muse s'est installé en quelques mois seulement dans tous les classements et les fans en redemande au point de les rendre hystériques à chacune de leur apparition. Muse énerve, Muse passionne, Muse émeut, bref autant vous dire que ces trois gamins ne laissent encore aujourd'hui personne indifférent. Pour l'occasion, on a invité Michael de 2 Heures de Perdues quelques jours avant l'énorme live de 2HDP à l'Olympia. On vous raconte la story de Matthew Bellamy, Dominic Howard et Christopher Wolstenholme avec Olivia, Greg nous emmène au Rak Studio à Londres, Michael remet les pendules à l'heure entre Radiohead et Muse, Fanny se penche sur la pochette étonnante de Showbiz. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “Sunburn”, “Muscle Museum”, “Fillip”, “Falling Down”, “Cave”, “Showbiz”, “Unintended”, “Uno”, “Sober”, “Escape”, “Overdue”, “Hate This & I'll Love You”, “Plug In Baby Demo 1997”, “Starlight”. The Tornados “Bustin' Surfboards”, “Radiohead “My Iron Lung”, “Paranoid Android”, Tom Waits, Air “Sexy Boy”.Extraits : “Muse | This Is A Muse Demo 1995 (Youtube)”, “Muse - Battle of the Bands 1994. Full (Youtube)”, “Pub Muse : Album showbiz (INA, 2000)”, “Nulle Part Ailleurs 05/14/2000 (Canal+, 2000)”LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — Twitter : @RadioK7Podcast— Instagram : @radio_k7— Facebook : @Radiok7podcastHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Avec Muse, Elton John, PJ Harvey, Brenda Russell et Billy Joel. Matthew Bellamy de Muse est un véritable virtuose de la guitare mais également du piano comme nous le prouve ce titre rare, "New Born" en 2001 (impro inspirée par l'œuvre de Chopin). En 1973, Elton John sort son 6e album "Don't Shoot Me I'm Only the Piano Player", piano meilleur ami d'Elton John. "The Piano" de PJ Harvey, en 2007, explore l'imagerie de cet instrument pour exprimer différentes choses. En 88, la chanteuse canado-américaine Brenda Russell sort le plus grand succès de sa carrière "Piano In The Dark". Grand classique du chanteur/musicien et compositeur new-yorkais Billy Joel, "Piano Man", son premier tube sorti en 1973. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

- Matthew Bellamy vient d'avoir un nouvel enfant - Tame Impala revend son catalogue à Sony Music

Les nouveautés du jour : - London Grammar - Kind Of Man - Zayn "Stardust" Le journal de la musique : - Matthew Bellamy vient d'avoir un nouvel enfant - Tame Impala revend son catalogue à Sony Music - Un deuxième single de Bon Jovi vient d'arriver Who's Who : Morrissey Les classiques du jour : - The Velvet Underground "I'm Waiting For The Man" - Babylon Zoo "Spaceman" Le live du jour : Thirty Seconds To Mars "The Kill (Bury Me)" (live) A suivre : Emma Peters "Empreinte"

Rejoignez-nous pour découvrir les origines du groupe britannique Keane et la naissance de leur succès retentissant avec leur premier album « Hopes and Fears », qui célèbre aujourd'hui ses 20 ans !Derrière les mélodies entêtantes et la voix puissante de Tom Chaplin se cache une histoire d'amitié et de détermination. Remontez le temps jusqu'à la formation du groupe, alors connu sous le nom de Lotus Eaters, alors que ses membres étudiaient à l'University College de Londres. Malgré les débuts difficiles et l'indifférence initiale, le quatuor a su se réinventer et adopter le genre du piano rock, devenant ainsi une référence de la scène musicale britannique.Revivez les étapes clés de leur ascension, des premiers singles enregistrés « à la dure » aux portes qui s'ouvrent enfin grâce à un bouche-à-oreille efficace. Plongez dans l'univers sonore unique de Keane, où le piano devient un instrument aux multiples facettes, interprétant à la fois la mélodie et le rythme. Laissez-vous emporter par les émotions brutes et les cris déchirants de Tom Chaplin, qui rappellent inévitablement le style de Matthew Bellamy de Muse. Découvrez comment le groupe a su se forger une identité propre, tout en s'inscrivant dans la tradition de la pop anglaise sensible et symphonique.Cet épisode de « La Partition » vous offrira un regard privilégié sur les coulisses de la naissance d'un groupe devenu incontournable. Préparez-vous à être séduits par l'histoire fascinante de Keane et son premier album culte.

When Muse released their debut album Showbiz in 1999, the Radiohead and Jeff Buckley comparison were unavoidable. Lumped in with Coldplay, Paloalto, Ours, and other bands whose male vocalists utilized a falsetto, the band never actually quite fit in, and their trajectory in the 2000s is evidence they were thinking bigger. While so many music critics were happy to cast aspersions of Matthew Bellamy for his vocal approach, the actual music got less attention than it deserved. Only a three piece, the rhythm section of bassist Chris Wolstenholme and drummer Dominic Howard were largely overlooked, which is a shame. Plenty has been written about Bellamy's vocals, but combined with the melodic bass lines often harmonizing with the vocal, or the variety in Howard's playing, that slyly incorporates non-rock rhythms like on the tango-influenced "Uno," the band is much more adventurous than any of its contemporaries.   Songs In This Episode Intro - Sunburn 16:11 - Muscle Museum 23:39 - Falling Down 30:20 - Uno Outro - Sober   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

When Muse released their debut album Showbiz in 1999, the Radiohead and Jeff Buckley comparison were unavoidable. Lumped in with Coldplay, Paloalto, Ours, and other bands whose male vocalists utilized a falsetto, the band never actually quite fit in, and their trajectory in the 2000s is evidence they were thinking bigger. While so many music critics were happy to cast aspersions of Matthew Bellamy for his vocal approach, the actual music got less attention than it deserved. Only a three piece, the rhythm section of bassist Chris Wolstenholme and drummer Dominic Howard were largely overlooked, which is a shame. Plenty has been written about Bellamy's vocals, but combined with the melodic bass lines often harmonizing with the vocal, or the variety in Howard's playing, that slyly incorporates non-rock rhythms like on the tango-influenced "Uno," the band is much more adventurous than any of its contemporaries.   Songs In This Episode Intro - Sunburn 16:11 - Muscle Museum 23:39 - Falling Down 30:20 - Uno Outro - Sober   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In de Daily KINK hoor je elke avond om 20:20 het belangrijkste muzieknieuws en de nieuwste releases in KINK IN TOUCH. Ook als podcast. Met vandaag nieuws over: 📌Faithless📌Nick Cave📌Muse

Jeff Buckley, MC5, Patti Smith et Joe Cocker. Fin août 1994 sort le 1er et seul album de la carrière du légendaire Jeff Buckley : “Grace” et l'inoubliable reprise de Leonard Cohen : "Hallelujah". Il sera retrouvé mort, noyé, moins de 3 ans après la sortie de cet album, en mai 1997. Thom Yorke de Radiohead revendique l'influence de Buckley, sur “Fake Plastic Tree” sorti en 1995. Matthew Bellamy de Muse, Chris Martin de Coldplay ou encore Adele font partie des autres artistes à s'être imprégnés de cet album. Le 4 novembre, disparition de Fred “Sonic” Smith (époux de la poétesse du rock, Patti Smith) à l'âge de 46 ans, guitariste du groupe de Detroit, les MC5. Grâce à l'invitation de son ami Michael Stipe de R.E.M., Patti Smith fera son come-back. Joe Cocker retrouve le succès avec la reprise aux influences reggae de The Lovin Spoonful fin des 60's : “Summer in the City”. --- Du lundi au vendredi, Fanny Gillard et Laurent Rieppi vous dévoilent l'univers rock, au travers de thèmes comme ceux de l'éducation, des rockers en prison, les objets de la culture rock, les groupes familiaux et leurs déboires, et bien d'autres, chaque matin dans Coffee on the Rocks à 6h30 et rediffusion à 13h30 dans Lunch Around The Clock. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

- Matthew Bellamy de Muse compose la B.O. d'un audiobook - Les premières images du biopic sur Amy Winehouse sont disponible

Les nouveautés du jour : - Royal Republic "My House" - Lewis Fitzgerald "Unlovable" Le journal de la musique : - Matthew Bellamy de Muse compose la B.O. d'un audiobook - Les premières images du biopic sur Amy Winehouse sont disponible - Paramore de retour dans un album hommage aux Talking Heads La cover : Beth Hart reprend "Kashmir" de Led Zeppelin Les classiques du jour : - Bryan Adams ft. Melanie C "When You're Gone" - Goo Goo Dolls "Iris" Le live du jour : Genesis "Turn It on Again (Live)" ("Three Sides Live") A suivre : Declan J Donovan "Hungry Heart"

durée : 00:15:28 - Le monde d'Elodie - par : Elodie SUIGO - Tous les jours, une personnalité s'invite dans le monde d'Élodie Suigo. Aujourd'hui, ils sont deux, Matthew Bellamy et Dominic Howard du groupe britannique Muse. Le groupe sort ce vendredi 26 août, son neuvième album, "Will of the people".

Pop Corn Culture : Matthew Bellamy en interview

Link it to the world, link it to yourself, link it to your podcast app, because it's time to talk about Muse!Kirk takes a deep dive into not one but two songs off of Muse's seminal 2001 album Origin of Symmetry: "New Born," which kicks the album off with a strong pop-rock approach, and "Micro Cuts," a mid-album high point that shows off their more eclectic influences. It's time for some contrapuntal harmony mixed with some good old fashioned blues riffs, and a lot of guitar fuzz on top.Written by: Matthew BellamyAlbum: Origin of Symmetry (2001)Listen/Buy: Apple Music | Amazon | SpotifyALSO FEATURED/DISCUSSED:"Plug In Baby," "Space Dementia," "Bliss," and "Citizen Erased" by Matthew Bellamy from Origin of SymmetryManson Guitar Works, makers of Matt Bellamy's futuristic custom guitars: https://www.mansonguitarworks.com/OUTRO SOLOIST: Galen ClarkThis episode's outro soloist is Mr. Galen Clark, who plays keyboard and organ and acts as bandleader for the soul jazz group Trio Subtonic. Galen's also going to be on tour this summer playing keyboards with Sleater-Kinney. Find more information at their website, https://www.triosubtonic.net, and find Sleater-Kinney tour dates at their website, http://www.sleater-kinney.com/STRONG MERCHVisit the Strong Songs merch store for some cool t-shirts, mugs, totes, and more: store.strongsongspodcast.comKEEP IT SOCIALYou can follow Strong Songs on Twitter @StrongSongs: http://twitter.com/strongsongsAnd you can find Kirk on Twitter @Kirkhamilton and on Instagram at @Kirk_Hamilton: https://www.instagram.com/kirk_hamilton/NEWSLETTER/MAILING LISTSign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://kirkhamilton.substack.com/subscribeSTRONG PLAYLISTSKirk has condensed his Strong Songs picks into a single new list, which you can find on Spotify and Apple Music, and YouTube Music.SUPPORT STRONG SONGS ON PATREON!Thanks to all of Strong Songs' Patrons! If you'd like to support the show, go here: https://Patreon.com/StrongSongsMAY 2021 WHOLE-NOTE PATRONSJosh PearsonKyle CookeDonald MackieLiam KeoghMelissa OsbornePer Morten BarstadChristopher MillerTim ByrneAllison Clift-JenningsPatrick FunstonJamie WhiteChristopher KupskiChristopher McConnellJoshua JarvisRick KlarasNikoJoe LaskaLaurie AcremanKen HirshJezJenness GardnerSimon CammellGuinevere BoostromNarelle HornNathaniel BauernfeindBill RosingerAnne BrittDavid ZahmErinAidan CoughlanJeanneret Manning Family FourDoug PatonRobert PaulR WatsonViki DunChrister LindqvistSami SamhuriCraig J CovellAccessViolationRyan TorvikMerlin MannFraserGlennAndre BremerMark SchechterDave FloreyDan ApczynskiMAY 2021 HALF-NOTE PATRONSAmy Lynn ThornsenAdam WKelli BrockingtonStephen RawlingsBen MachtaVictoria YuKevin RiversGray DyerBrad ClarkChristopherMichael J. CunninghamKari KirkMark Boggsmino caposselaMary SchoenmakerSarahDavid JoskeÅshild Margrete Østtveit OdéenEmma SklarSpencer StanfordBernard KhooMarcAndrew ShpallRobert HeuerMatthew GoldenBrian MeldrumDavid NoahBen HuntGeraldine ButlerRichard CambierMadeleine MaderAndy Smithwill reddellFernando RodriguezTimothy DoughertyJason PrattStewart OakCaroline MillerAbbie BergSam NortonNicole SchleicherDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael Bermanstephen matthewsBridget LyonsMelody ValdezOlivia BishopJeremy SchwartzJohn GisselquistElaine MartinThomas KönigKourothBelinda Mcgrath-steerEoin de BurcaKevin PotterM Shane BordersPete SimmShawn McCarthyDallas HockleyJana JJason GerryRich RoskopfMelissa GalloNathan GouwensWill Dwyer Alethea LeeLauren ReayEric PrestemonErika L AustinCookies250Spencer ShirleyDamian BradyAngela LivingstoneJeffrey C. YarnellDavid FriedmanPhillip DaltonChristopher CudnoskiSarah SulanDiane HughesKenneth TiongJo SutherlandMichael CasnerMichael YorkBarb CourtneyDerek BenderJen SmallDon HutchisonLowell MeyerEtele IllesStephen TsoneffLorenz SchwarzBecca SampleWenJack SjogrenAparajit RaghavanBenedict PenningtonGeoff GoldenRobyn FraserAlexander GeddesPascal RuegerRandy SouzaJCBrendan JubbClare HolbertonJake TinsleyDiane TurnerTom ColemanJudy ChappleMark PerryDhu WikMelEric HelmJake RobertsBriony LeoBill FullerJonathan DanielsSteven MaronMichael FlahertyJarrod SchindlerZoe LittleAlbukittyCaro Fieldmichael bochnerDuncanDave Sharpebrant brantphillipDavid CushmanAlexanderJeremy DawsonGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerChris BrownJuan Carlos Montemayor ElosuaMatt GaskellJules BaileyEero WahlstedtBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelMuellerNate from KalamazooMelanie StiversRichard TollerAlexander PolsonTom LauerEarl LozadaJon O’KeefeJustin McElroyArjun SharmaJames JohnsonAndrew LeeKevin MorrellTom ClewerKevin PennyfeatherNicholas SchechterEmily Williams

İngiliz Rock Grubu "Muse" un bir turnede 140 gitar parçalayarak "Guinness Rekorlar Kitabı" na girecek kadar alışılmadık bir sahne kişiliğine sahip olan lead vokali, gitaristi, piyanisti ve ana söz yazarının hayat hikayesi.

Lucas vous raconte l'histoire de MUSE, le groupe rock britannique aux 8 albums studios, considéré comme l'un des plus grands groupes de rock au monde. Son chef Matthew Bellamy possède le record de guitares explosées pendant une même tournée, 140 guitares détruites pendant l '«Absolution Tour» en 2004! Muse c'est aussi plusieurs réincarnations musicales, des nombreuses influences: la Britpop, le grunge, sans oublier les envolées symphoniques… Au programme: anecdotes et succès de Muse en live, car les concerts manquent!

Met nieuws over Matthew Bellamy, The Libertines en nieuwe muziek van Fokko en London Grammar

Met nieuws over Matthew Bellamy, The Libertines en nieuwe muziek van Fokko en London Grammar

On entre dans le dur avec les derniers albums de Muse. Une épreuve difficile dans laquelle les esprits craquent et la fatigue prend le dessus. Une belle expérience de vie ! Toujours en bonne compagnie de Paul, Waltaire et Loïs ! Retrouvez tout ce beau monde sur le webzine Soundbather ! --------------- Les liens utiles :  Paul (Reign In Prog) :  https://www.youtube.com/channel/UCO95Doi8xIw_TZ7Um7kEsRg  WaltaireMeulone et Loïs (La Scène / La Pause Clope) :  https://podcast.ausha.co/la-pause-clope-1  Valentin : www.madafaka.fr Retrouvez-nous sur Twitter @discographies_ (environ un tweet par décénie)

Loriane, Cédric et Jonathan ont créé le fan club "Muse Belgium". Tous les trois nous partagent leurs souvenirs personnels et communs des concerts. Cédric, qui a fait une soixantaine de dates, nous raconte notamment comment il a croisé un certain Matthew Bellamy en pleine rue… par pur hasard.

The piece of music we're listening to in the background is called Shaylee meets Black Annis. It's a somber soundtrack which I wrote for the fiction podcast The Hidden People. Today, we'll break it down and get into why and how it was made. You're listening to How I Make Music, where behind the scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition, and give composers a chance to share some of the insights into how it was made. My name is Katharine Seaton. I'm a composer and sound designer from the UK, and this is How I Make Music. IN THIS EPISODE 01:07 Welcome Welcome back to How I Make Music Episode 76, Shaylee meets Black Annis by me, Katharine Seaton. Thanks for listening in. The Hidden People is a long format audio drama. In this episode, you'll hear me talk about Shaylee and Black Annis. These are two of the characters in the story. I first got involved with Dayton Writers Movement to make The Hidden People when they were looking for somebody to develop a sound world. I am primarily a musician. Sound design is definitely a second string to my bow. 02:11 Female sound design There was a competition a year and a half ago run by an advertising firm who wanted to get more women into sound design. And the prize was a professional development course. On that course, I found out some new techniques and one of them was the use of contact mics on various surfaces. And they showed us how they put a contact mic on one of those big rubber birthing balls. The result was a creaky groan, sort of...I think it's like a tectonic plates moving under the belly of the earth sound. Maybe because they're underground, they can almost hear the earth moving under the soil. And I thought yes, I've not heard anything like it and I thought it was great. When I got home, I started incorporating these techniques into my composition. I used a contact mic on various items to create the sounds in this score. So rubbed my leather handbag and a blown up balloon with wet hands to get some of those creaking noises. I taped a microphone to my throat to get those swallowing sounds. This was about trying to get the earth swallowing Shaylee up. What do you listen to this piece at the end of this episode, see if you can spot some of those strange sound design elements. 03:55 Inside Shaylee Within the series, there's a character called Shaylee. She's a mentally and physically dexterous survivor. Another character, Black Annis, is based on folklore. In the legend, she's a terrifying figure used by parents to scare their children into behaving. When Shaylee meets Black Annis, she's engulfed by a dark cave, as well as her own feelings of fear and sadness. Shaylee Meets Black Annis involves a lot of bringing the sound design in the series into the music itself. And I was able to use the sound design to try and reflect how she's feeling about that space. So it could be the sound in the actual narrative or it could be musical score because there's that blurring of the boundaries there. 05:00 Influences When I got the initial brief that they wanted to incorporate the folk music that comes from the origins of the folklore, this story is based on, I looked into it. As an English person, I'm quite familiar with British folk music, just through living here and knowing that tradition, so that was all already in my sort of inside my ears. And I think in Shaylee's original theme, the fragments of strings that play under the melody might have been inspired by composers like Benjamin Britten in the first part of the 20th century of English music. Take a quick listen. I did spend some time doing the classic music composer thing of going on to YouTube and just finding what looks like authentic performances. And just listening for a bit and getting into that sound world. The Irish folk music there was a lot of sort of social gathering based music going on there. And the Scandinavian music, which is obviously sort of quite fashionable these days, I think as a kind of inspiration for soundtracks. As it happens, I have a Swedish composer friend, Thomas Gyllin, and I sent him the Black Annis tune as it first came out. And he said it sounded like a Swedish song about a troll! Sounds about right. While I was working on Season One of The Hidden People, I was listening to the album Origin of Symmetry by Muse with my children. And I feel like the music in this cue might have been influenced by the way Matthew Bellamy chooses to bridge tracks with guitar feedback and other sounds, which are more noise than music. Listen to this typical transition between two of the tracks on the album. That's where a lot of this came from. 08:06 Aeolian mode There's a scale which in composition theory is called the Aeolian mode is also known as the natural minor scale. Here's how it sounds. So the chord sequences of these two themes - Shaylee's original theme and the Black Annis theme - interact beautifully because of being both based on this Aeolian mode scale. I wonder if it might have been a subconscious process as I tried to evolve a sound world that feels cohesive across a series. Shaylee's theme is throughout the series, her leitmotif if you like as the one that goes along. And in Episode 20 of season one, which is where this has taken form, it's a flashback. So it's the first time Shaylee meets Black Annis because both of their themes are in the Aeolian mode. They were able to combine really effectively actually, on top of each other. So we had the vocals doing Black Annis and we have the viola playing Shaylee's theme. So that's that's how come there are two things going on in one cue here. It's a very complicated story. 09:44 Classical vocalist I was a classical singer before I got into the creative stuff. And I put some vocals on this track. It's a very different game to singing quietly and with a slight rough edge from singing in a large space and using your voice to project into the acoustic. That was a learning curve for me. So the vocals are doubled and panned, and I believe there's some ping pong delay. So actually, I noticed it's not completely in tune! But I was kind of going through a rough feel. I sing them through twice and I deliberately pan them apart and didn't try to harmonize them too much. And I always like the feel like there are two ladies sort of walking along next to Shaylee whispering nasty stuff in her ear, you know, like, you're gonna die. I like it to feel real. I really detest vocal, particularly choir libraries. Actually, I've never found one that I like, because I just think vocals have to be real. 11:20 Iron Claw fingernails The script for Black Annis specified that her fingernails are made of iron, and she's called Iron Claw sometimes. And so I recorded those metal taps initially for foley and I wanted to record them spatially. I went inside a good cupboard for recording. And I tried various sounds - nails on bricks was one example. I recorded them in stereo, but somehow you do get sort of height and depth information from the acoustics. So when I put them into the music and started adding things like delays, you've got these really interesting spatial characteristics, which I think added something good to the music. And they're also some clicking and ratcheting sounds which I used children's toys to make. The scoop from a toy digger and the whirring sound is the wheel of a toy truck. And I was trying to evoke the idea that they're under the ground and under Black Annis's power, and there are roots from trees growing down and encroaching into Shaylee's space. And so the whole of this episode is underscored based on one rhythm, and that is the rhythm of Shaylee's piano figuration in her original theme in some guys or other, it literally appears in every second in this scene that with a mostly appears on tribal percussion with an iron drum, and this is to represent Black Annis. And that ancient scary mood that comes through in this scene. 13:29 Omnisphere Omnisphere is a software synth with a lot of power and capability to be creative, because it uses organic sound as well as synthesis to create the sounds in there. I used Omnisphere a lot in creating this cue. It's such a wonderful tool and one of the sounds we hear in the music is a patch that I made of a rough patch based on the rubbing a glass and producing that ring. Here take a listen. 14:04 Mixing process Part of mixing involves selecting where sounds will fall in the stereo field left right or center. Only the viola melody and the iron drum are dead center in mono as they most closely represent Shaylee's core feelings sadness and fear. I feel like it cuts through like a sort of knife. And it sort of almost draws together all the other elements kind of like it sucks it in to its gravity well. I mixed this cue specifically to get that engulfing feeling which meant I had to rely a lot on heavy reverb. 15:01 Challenges There were some challenges in making this whole episode. When you've got a long dialogue, it's really could be quite difficult to get the energy pacing, right and underscoring without overwhelming the dialogue and providing more of a backdrop, which is able just to morph. But I feel like in audio drama, every sound you hear is more relevant than it would be in a visual medium, because it could skew the visual picture that the audience is getting. So that was a challenge. 15:38 And the biggest challenge of all was when I had a disk failure halfway through making this episode, and discovered that the cloud backup that I thought was running was not, and we had to retrieve the data. And it was not that relaxing. So always check your backups are running, folks. That's about it for this week's episode. We'll listen to the full track in a moment. But before we do that, thank you for listening to How I Make Music. catch new episodes every Wednesday on Spotify, Apple, or wherever else. We've been listening to music featured in the audio drama called The Hidden People. To hear the full story or to check out my other compositions, follow the links in the show notes. Visit HowIMakeMusic.com for bonus behind the scenes stuff related to this episode. How I Make Music is created by John Bartmann. For audio experiences that keep people listening, contact John Bartmann via the show notes. And now here's Shaylee Meets Black Annis, a dark, sound design-rich folk influenced piece of underscore in its entirety. My name is Katharine Seaton, and thank you for listening to How I Make Music. We'll catch you next week. SHOW NOTES Listen to audio drama The Hidden People https://hiddenpeoplepodcast.com/ Check out other work by Katharine Seaton https://katharineseaton.com/ BONUS Listen to the full suite of music from this episode by Katharine Seaton https://soundcloud.com/katie-seaton-565873597/episode-20-blood-on-my-hands MUSIC & SFX CREDITS Benjamin Britten - Four Sea Interludes from Peter Grimes Reeltime - The Trucks of Bohermore Muse - Hyper Music Muse - Plug-In Baby ABOUT THIS SHOW How I Make Music is where behind-the-scenes musicians get to tell their own stories. Every Wednesday, we break apart a song, soundtrack or composition and investigate the insights into how it was made. Subscribe to How I Make Music https://pod.link/1460793686 How I Make Music https://howimakemusic.com Contact How I Make Music https://johnbartmann.com/contact How I Make Music is created by John Bartmann https://johnbartmann.com

Familienalbum - der Musikpodcast, das sind Andreas, der "Oldie" und seine Söhne Christoph, der "Analytiker" und Sebastian, der "Musiker" In Jubiläumsfolge 10 behandeln wir folgende Livealben: "Live at Rome Olympic Stadium" - Muse (Andreas) "So sehr dabei Live" - Clueso (Sebastian) "Live in Schoenbrunn" - Bilderbuch (Christoph) ALs Hausaufgabe für die 11. Folge haben wir folgende Alben ausgesucht: "Rookery" - Giant Rooks (Sebastian) "Meds" - Placebo (Christoph) "Curve of the earth" - Mystery Jets (Andreas)

Dom Kiris vous parle du nouveau single du guitariste de Muse et des deux nouveaux morceaux du groupe de Billy Corgan.

Après avoir fait monter le suspens avec cinq décomptes lancés sur le site web du groupe au début du mois, Smashing Pumpkins revient avec deux nouveaux singles, "Cyr" et "The Colour of Love’’. MetallicaMondays, ces concerts que le groupe proposait gratuitement tous les lundis depuis 5 mois, ont pris fin cette semaine avec un tout dernier live de 2017 enregistré au Mexique. Après avoir partagé une nouvelle version de ‘’Unintended’’ Matthew Bellamy, le frontman de Muse, propose maintenant un morceau inédit, lié à l’album et au film ‘’Simulation Theory’’. --- Classic 21 vous informe des dernières actualités du rock, de Belgique et de partout ailleurs. Le Journal du Rock, chaque jour à 18h30 et le lendemain à 7h30.

Patrice Dutil discusses the evolution of the Labatt’s Breweries Corporation with Matthew Bellamy of Carleton University and the author of Brewed in the North: A History of Labatt’s (McGill-Queen’s University Press). Labatt’s development is explored in the context of Canadian Business history and the ongoing challenges of maintaining the international competitiveness of Canadian corporations. This podcast was produced by Jessica Schmidt.

Produção: Vinícius de Oliveira Locução: Vinícius de Oliveira Edição e Finalização: Leonardo Engelmann Guilherme Caetano Publicação: Mafê Vieira

C'est Ray Dalton qui était l'invité du #DriveRTL2 en direct de chez lui à Seattle. Il a répondu aux questions d'Eric Jean-Jean et a joué en direct son single "In My Bones". La nouveauté du jour : Rhye "Beautiful" Le journal de la musique : - Matthew Bellamy s'exprime sur la suite de Muse - le nouveau clip d'Harry Styles en ligne - Metallica annonce une nouvelle edition de son whisky - Lewis Capaldi, bientôt un nouvel album ? Agenda live : - Avril lavigne, son concert est reporté - Hellfest, deux festivals en 2021 ? - Saez, deux concerts pour 2021

La nouveauté du jour : Westerman "Blue Comanche" Le journal de la musique : - Muse, Matthew Bellamy poste un nouvel extrait - Bruce Springsteen, un live au profit de la lutte contre la pandémie - Des concerts drive-in - Le confinement de Mick Jagger - Des nouvelles d'Adele Le live du jour : Foo Fighters "My Hero" La B.O. de la semaine : Moulin Rouge!

Met nieuws over The Stranglers, Blossoms, een veiling tegen huiselijk geweld en nieuwe muziek van Matthew Bellamy van Muse

Met nieuws over The Stranglers, Blossoms, een veiling tegen huiselijk geweld en nieuwe muziek van Matthew Bellamy van Muse

My Plug-in Baby crucifies my enemies! Als jeugdige gitaarsympathisanten konden we rond het jaar 2000 niet rond Matthew Bellamy en consoorten, dus bij deze: Muse!

Golden Globe Winner Kate Hudson joins Laura in the studio today. The actress and the attorney swap stories about raising their own kids with multiple fathers. Kate & Laura discuss the existence of a "monogamy gene," and Kate shares her own experiences growing up in a blended family with mega-famous parents (Goldie Hawn and Kurt Russell). She shares what inspires her philanthropic and entrepreneurial pursuits fighting global hunger, and in fashion. On The Sunny Side Up Report Johnnie and Laura discover a wife who's husband tried to gas her to death (probably not the way you're thinking). JR & LAW unearth more info about the changing rates of divorce around the world, and they consider the merits of the so called, "heartbreak diet."

Black Holes and Revelations es el nombre del cuarto álbum de estudio de la banda británica de rock progresivo, Muse, Presentado el 3 de julio de 2006. Es el cuarto álbum del grupo comandado por Matthew Bellamy. Éste el cuarto trabajo de estudio, sigue la línea estilística de su anterior disco, Absolution, con un estilo musical menos agresivo y más oscuro, además de contar con letras más ideológicas que en sus dos primeros trabajos. Desde Buenos Aires Adrian González (@buey_solo) nos cuenta detalles de discos imprescindibles de la música popular, junto a Toño Cevallos (@toniocevallos)

Matthew Bellamy acaba de cumplir 40 y nosotros nos hacemos una pregunta... ¿en que andan metidos MUSE? Mientras os contamos cosas de la banda escuchamos parte del concierto que la banda ofreció en el BottleRock Napa Valley Festival de California el pasado 25 de mayo de 2018.

Matthew Bellamy acaba de cumplir 40 y nosotros nos hacemos una pregunta... ¿en que andan metidos MUSE? Mientras os contamos cosas de la banda escuchamos parte del concierto que la banda ofreció en el BottleRock Napa Valley Festival de California el pasado 25 de mayo de 2018.

【乐】Radiohead are an English rock band formed in 1985. The band consists of Thom Yorke (lead vocals, guitar, piano), Jonny Greenwood (lead guitar, keyboards, other instruments), Colin Greenwood (bass), Phil Selway (drums, percussion) and Ed O'Brien (guitar, backing vocals). Radiohead released their debut single "Creep" in 1992. The song was initially unsuccessful, but it became a worldwide hit several months after the release of their debut album, Pablo Honey In October 2000 Radiohead released their fourth album, Kid A, Kid A received a Grammy Award for Best Alternative Album and a nomination for Album of the Year in early 2001 Electronic music is music that employs electronic musical instruments and electronic music technology in its production, an electronic musician being a musician who composes and/or performs such music. In general a distinction can be made between sound produced using electromechanical means and that produced using electronic technology.[1] Examples of electromechanical sound producing devices include the Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer.[2] The ability to record sounds is often connected to the production of electronic music, but not absolutely necessary for it. The earliest known sound recording device was the phonautograph, patented in 1857 by Édouard-Léon Scott de Martinville. It could record sounds visually, but was not meant to play them back. One early electronic instrument often mentioned may be the Theremin, invented by Professor Léon Theremin circa 1919–1920.[6] Other early electronic instruments include the Audion Piano invented in 1915 by Lee De Forest who was inventor of triode audion as mentioned above. Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of school friends Matthew Bellamy (lead vocals, lead guitar, piano, keyboards, keytar), Christopher Wolstenholme (bass, vocals, keyboards) and Dominic Howard (drums, percussion, synthesisers). Since the release of their 2006 album Black Holes and Revelations, keyboardist and percussionist Morgan Nicholls has performed live with the band. Muse are known for their energetic and extravagant live performances[2][3] and their fusion of many music genres, including space rock, progressive rock, alternative rock, symphonic rock and electronica Musical Musuem, Showbiz, feeling good, unnatural selection, Synthpop (also known as electropop, or technopop[2]) is a genre of popular music that first became prominent in the 1980s, in which the synthesizer is the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic art rock, disco and particularly the "Krautrock" of bands like Kraftwerk. Stefani Joanne Angelina Germanotta (/ˈstɛfəniː dʒɜrməˈnɒtə/ ste-fə-nee jur-mə-not-ə; born March 28, 1986), better known by her stage name Lady Gaga, is an American recording artist, activist, record producer, businesswoman, fashion designer, philanthropist, and actress. She was born, raised, and lives in New York City.[ Bad romance Influenced by David Bowie, Michael Jackson, Madonna, and Queen, Gaga is recognized for her flamboyant, diverse, and outré contributions to the music industry through her fashion, performances, and music videos. As of November 2013, she had sold an estimated 24 million albums and 125 million singles worldwide and her singles are some of the best-selling worldwide.[3][4] Her achievements include five Grammy Awards and 13 MTV Video Music AwardsHaving initially focused on avant-garde electronic dance music, Gaga had found her musical niche when she began to incorporate pop melodies and the glam rock of David Bowie and Queen into her music. Grammy Award for Best Dance/Electronica Album Making Gaga the first artist in digital history to have three singles (alongside "Just Dance" and "Poker Face") to pass the four million mark in digital sales, its lead single "Bad Romance" topped the charts in eighteen countries and reached the top two in the US, Australia and New Zealand while accruing the Grammy Awards for Best Female Pop Vocal Performance and Best Short Form Music Video.[59] T Chvrches (pronounced as "churches", sometimes stylised as CHVRCHES or CHVRCHΞS) are a Scottish electronic music band, formed in 2011. The group consists of Lauren Mayberry (lead vocals, additional synthesisers, and samplers), Iain Cook (synthesizers, guitar, bass, vocals), and Martin Doherty (synthesizers, samplers, vocals Recover Ella Marija Lani Yelich-O'Connor[2] (born 7 November 1996), known by her stage name Lorde (/ˈlɔrd/), is a New Zealand singer-songwriter. Born in Takapuna and raised in Devonport, Auckland, she performed in various singing and drama classes as a child, and at the age of thirteen signed with Universal. Her musical debut was an EP, entitled The Love Club, which was released in November 2012, and her first single, "Royals", debuted at number one on the New Zealand Top 40, and also reached number one on the Billboard Hot 100 in 2013, making her the first New Zealand solo artist to have a number one song in the United States. Her debut album, Pure Heroine, was released in September 2013, receiving critical acclaim and commercial success worldwide. Royals Her work has earned her numerous awards and accolades. In October 2013, she jointly won the 2013 Silver Scroll award for "Royals", which celebrates outstanding songwriting achievements in original New Zealand pop music. For the 56th Annual Grammy Awards, Lorde received four nominations, in which she won Song of the Year and Best Pop Solo Performance for "Royals".[4] In February 2014 she was chosen International Female Solo Artist at the BRIT Awards

On episode #41 we review The Mayfield Four's 1998 album Fallout. There's no doubt that lead singer Myles Kennedy, like Matthew Bellamy of Muse or Jimmy Gnecco of Ours, owes a lot to Jeff Buckley. But does he meld the alt.rock sound of The Mayfield Four with Buckley's ethereal tenor? And what's with that Marvin Gaye cover? To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.

On episode #41 we review The Mayfield Four's 1998 album Fallout. There's no doubt that lead singer Myles Kennedy, like Matthew Bellamy of Muse or Jimmy Gnecco of Ours, owes a lot to Jeff Buckley. But does he meld the alt.rock sound of The Mayfield Four with Buckley's ethereal tenor? And what's with that Marvin Gaye cover? To comment on this episode, visit digmeoutpodcast.com for links to our Facebook page and Twitter feed.

Felipe y Diego nos hablan de Black Holes & Revelations, de Muse. La banda de Matthew Bellamy buscaba nuevos sonidos con Knights of Cydonia, Starlight o Supermassive Black Hole.

Matthew Bellamy from the History department at Carleton University in Ottawa delivers his competition lecture entitled "A Watershed Moment: Canada and the Second World War".

Matthew Bellamy from the History department at Carleton University in Ottawa delivers his competition lecture entitled "A Watershed Moment: Canada and the Second World War".