Podcasts about max's kansas city

Max's Kansas City special with Peter Crowley in conversation with David Eastaugh Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981.

OUR FIRST SECOND! Gabe Echazabal came back to the show this week to talk New York City, New Wave, Punk, CBGB, Max's Kansas City, Velvet Underground, New York Dolls, Television, Talking Heads, Blondie, Patti Smith, Ramones, etc. Always an education with Gabe, this was a fun one for me. Check it out!

Mumps with Kristian Hoffman in conversation with David Eastaugh Mumps (sometimes credited as The Mumps) were an American punk band fronted by Lance Loud. Other members of the band included Kristian Hoffman, Rob Duprey, Jay Dee Daugherty and Aaron Kiley. Kiley and Daugherty were replaced with Kevin Kiely and John Earl (JED) Dennis. Shortly thereafter Dennis was replaced by Paul Rutner. Their first 45 RPM single was "I Like To Be Clean". Their second was "Rock & Roll This & That" with a double side B of "Muscleboys" and "That Fatal Charm". The recorded version of the song "Rock & Roll This & That" interpolated a short guitar riff from the Rolling Stones' "I Can't Get No Satisfaction", but in live performances, they would interpolate other riffs such as David Bowie's "Rebel Rebel". Mumps concerts were lively and featured energetic, expressive performances from Lance Loud and other band members on songs like "We're Americans", "I Believe In Anyone But You", "Strange Seed", "Brain Massage", "Scream and Scream Again". Mumps were a popular band at clubs such as Max's Kansas City and CBGB. They also performed at Irving Plaza and Maxwell's (Hoboken, New Jersey), and opened for the Ramones at Hurrah in August 1978. In spite of two independently produced 45 records they released, they failed to secure a contract with a major record label. Two compilations of their music have been released, "Fatal Charm" (Eggbert Records, 1994) and a remastered, 2-disc CD and DVD compilation, "How I Saved The World", in 2005.

iTunes         Spotify         Youtube           Patreon Michael Alago is a photographer, and author, and former Record label executive. At age twenty-four, he began a storied career as an A&R executive at Elektra Records that started with signing Metallica in the summer of 1984, changing the entire landscape of rock 'n' roll and heavy metal. He also worked in A&R for both Palm Pictures and Geffen Records and was thrilled to executive-produce albums by Cyndi Lauper, Public Image Ltd, White Zombie, and Nina Simone. Alago grew up in Brooklyn, New York, in a large, spirited, and devoted Puerto Rican family. Through his early passion for music, art, theater, and photography, he soon found himself rubbing elbows with many downtown NYC scene makers, from Stiv Bators to Jean Michel Basquiat, Cherry Vanilla and Wayne County to Deborah Harry and Robert Mapplethorpe. As an underage teenager going to Max's Kansas City, CBGB, and various art galleries, Alago also began running The Dead Boys fan club. A few years later, he became the assistant music director for legendary nightclubs the Ritz and the Red Parrot. In the late 1980s, he was diagnosed with HIV, which manifested into full-blown AIDS ten years later. He survived to continue his music career, but in 2005, he left music to pursue his other love: photography. Alago went on to publish three bestselling books: Rough Gods, Brutal Truth, and Beautiful Imperfections with German-based publisher Bruno Gmünder. He has since overcome his longtime addiction to drugs and alcohol. In his clean and sober life, he has reconnected with his family, continues to be a working photographer as well as record producer, and only through the grace of his 12-Step program is he able to live this big, beautiful life. In 2017, a documentary directed by Drew Stone and produced by Michael Alex on Alago's wildly successful career in music was released in theaters and on Netflix, entitled Who the Fuck Is That Guy? The Fabulous Journey of Michael Alago. Today’s episode is sponsored by Boulevard Carroll. Special Mentions: I Am Michael Alago: Breathing Music. Signing Metallica. Beating Death, The Girl in the Back: A Female Drummer's Life with Bowie, Blondie, and the '70s Rock Scene, Girl on the Road: How to Break into Touring from a Female Perspective – Claire Murphy, Tour Health Research Initiative, ROADIE: My Documentary (TJ Hoffman film), Loud: A Life In Rock ‘N Roll by the World’s First Female Roadie. By Tana Douglas, Mixing Music Live, Charlie Karp Scholarship Fund, The Last Seat in the House: The Story of Hanley Sound, The Power of Podcasting Panel at NAMM, Soundgirls, Roswell Pro Audio Mini K87, Filming Great Concert Footage, Roadie Short Film, Roadie: A True Story (at least the parts I remember), Roadie Free Radio Merch

In this week's episode (the 50th, no less), Mark, Barney & Jasper pay tribute to the late Nick Tosches, discussing pieces by him on Captain Beefheart (1981) and his great biographical subject Jerry Lee Lewis (1982). They then discuss the week's other free pieces, which concern the annus metallibis that was Motörhead's 1979 – the year of both Overkill and Bomber. They also lament the passing of original 'head guitarist Larry Wallis, who last month departed the stage for the final time. The week's new audio offering being a 1993 conversation with Long Beach OG Snoop (Doggy) Dogg, lost trios paranoias hear clips from Steven Daly's fascinating interview and reminisce about the impact of Dr. Dre's languid beanpole prodigy. New library highlights considered by your hosts include Disc's Rosalind Russell on Sweet's Brian Connolly, Glenn O'Brien on the (temporary) shuttering of NYC landmark Max's Kansas City and Susan Corrigan on her abiding love affair with Madchester. After Jasper samples some Señor Coconut from 2002, the RBP "team" bows out for another week. Produced by Jasper Murison-Bowie Enter our great giveaway at rocksbackpages.com/giveaway for a chance to win an RBP book or subscription. Pieces discussed: Pieces discussed: Jerry Lee Lewis, Captain Beefheart, Hail, Hail Rock'n' Roll, Motörhead, Oy Lemmy, Larry Wallis, Pink Fairies live (YouTube), Snoop Doggy Dogg, Plizzanet Earth, Rick Laird, West Bruce & Laing, Sweet, In Memory of Max's Kansas City, Duran Duran, Van Halen, Cher, Michael Jackson, Madchester, Terry Riley, Señor Coconut, Blick Bassy, glenn mcdonald, All rock stars have a price and Bob Dylan turns 70.

In this week's episode of the Rock’s Backpages podcast, Mark & Barney are joined by the "Fab"-ulous Mat Snow to discuss the 50th anniversary of Beatles swansong Abbey Road. Mat also regales them with his tale of setting off a firework in the NME reviews office... plus his further adventures in the world of music journalism (including a pivotal stint as editor of MOJO). The week's audio interview is a 1977 conversation with Blondie, so the trio hear a clip of Debbie Harry recalling her life as a waitress at Max's Kansas City. Archive highlights as selected by Mark include yodelling Frank Ifield, the Monkees' Davy Jones, and a Steven Wells review of Napalm Death's cheerily-titled Fear, Emptiness, Despair... Pieces discussed: The Beatles, George Harrison, Abbey Road, Abbey Roader, Abbey Roadest, Ramones + Blondie + Talking Heads, Blondie audio, Blondie live in Hammersmith, Frank Ifield, Davy Jones of the Monkees, David Cassidy, The Osmonds, The Clash, Pat Benatar, Mission of Burma and Napalm Death.

This week we return to our coverage from Moogfest with not one but two fantastic conversations with brilliant minds that helped discover some of the most exciting musical voices of the last few decades. First up is Daniel Miller, musician, producer, and founder of Mute Records, the label that brought the world Depeche Mode, Erasure, Nick Cave and the Bad Seeds, and so many others. Daniel and host Lior Phillips chat about seeing his first concerts, buying his first Korg 700s, and his exploration of the UK music scene in the late '70s and early '80s. After that, Lior chats with Craig Leon, a man who has been at the intersection of countless musical moments in the US since helping to discover seminal punk and no wave bands like The Ramones, Suicide, and Talking Heads. Lior sat down with Craig and his partner, psych/folk/country musician Cassell Webb, to talk about Craig's time in CBGB's and Max's Kansas City and his work with Pavorotti, Cassell's first-hand experience with Buddy Holly, and so much more. Head here for more on Mute Records. Head here for more info on Craig Leon and Cassell Webb's new record, Anthology of Interplanetary Folk Music Vol. 2: The Canon. For more from Lior Phillips and This Must Be the Gig, follow along on Instagram or Twitter, or like the show page on Facebook. Be sure to subscribe, rate, and review via Apple Podcast, Stitcher, Spotify, or wherever you find your podcasts. For information regarding your data privacy, visit acast.com/privacy

Yvonne is back for more of the Max's Kansas City story! With her this week is her good friend and DJ at WDST, Greg Gattine for some great stories about Max's and life, in general, with Rock & Roll's most famous girlfriend, Bebe Buell. Bebe was a southern girl with a lust for life which brought her to NYC in the 70s. She made her way as a model and quickly found herself in the middle of the riotous scene at Max's. Her love affairs with rock legends were the envy of every girl who loved music, which was every girl. These days, she has returned to her southern roots, living in Nashville and creating music. Thanks to Bebe and Greg for joining us and another thanks to Bebe for letting us feature some of her music. Find everything Bebe at https://www.bebebuell.org/ Go to https://www.woodstockvitamins.com/ promo code Max for 15% off your first purchase Please check out Yvonne's youth charity, The Max's Kansas City Project at http://maxskansascity.org/ Thanks to Jayne County for use of "Max's Kansas City" https://www.woodstockpodcastnetwork.com/ is in association with http://www.radiowoodstock.com/

My guest is Laura Davis-Chanin. Her new book is The Girl In The Back: A Female Drummer's Life with Bowie, Blondie and the '70s Rock Scene (https://www.amazon.com/Girl-Back-Female-Drummers-Blondie/dp/1617136875). Nineteen seventy-seven. New York City. Dark. Dangerous. Thrilling. Punk Rock. Blondie. David Bowie. Drinking. Drugs. Happening at the speed of light. Seventeen-year old Laura quaking within her skin while the bursting punk rock revolution explodes around her starts a band with her teenage friends called the Student Teachers. She's the drummer. They play legendary clubs CBGB and Max's Kansas City. They rehearse madly write songs and tour the East Coast, all between final exams at school. In comes Jimmy Destri from Blondie. He thinks the Student Teachers are terrific! And then he falls in love with Laura. He pulls her into the glamorous life of Blondie and introduces her to David Bowie. Bowie takes an interest in Laura's band, attends their rehearsals, and sets them up to open for Iggy Pop at the Palladium on Halloween 1979. It's exhilarating! It's the beginning of amazing success in rock 'n' roll! Until it all comes to a stunning stop. After playing a show at Town Hall in 1980, Laura is diagnosed with multiple sclerosis. Does it all fall apart? Later, at a dinner with Bowie, he whispers something to Laura. And it helps her save her life. In prose that flows like music, Laura Davis-Chanin presents a rich work of narrative nonfiction that is not only deeply personal but also revealing of the punk rock heyday in New York City. Infused with rare photographs, this book is a journey through a unique, ephemeral life experience. Laura Davis-Chanin is a writer and lawyer. She is currently working on a novel and a series of short stories. She can be heard on the podcast Phi-Fic: Truth in Fiction (https://partiallyexaminedlife.com/about-phi-fic/) on the philosophy site The Partially Examined Life (https://partiallyexaminedlife.com)and is working on a master s degree in philosophy at Edinburgh University. She is most thankful for her beautiful daughters, Zoe and Mara. Special Guest: Laura Davis-Chanin .

Before there was CBGB's and Studio 54, there was Max's Kansas City. Located in Union Square, Manhattan, it was a haven for poets, photographers, models, actors, and musicians. This is Max's story told by Yvonne Sewall, former waitress at MKC and wife of Mickey Ruskin, the owner. Upcoming guests will include former employees, notorious attendees, and the musicians who became the soundtrack to multiple generations. There will be live performances and crazy stories. You won't want to miss a single episode! Please check out Yvonne's youth charity, The Max's Kansas City Project at http://maxskansascity.org/ Thanks to Jayne County for use of "Max's Kansas City" Woodstock Podcast Network is in association with http://www.radiowoodstock.com/

Interview with Peter Crowley Original Air Date: June 7th, 2012 This original show also featured an interview with Jayne County - "https://wfmu.org/playlists/shows/45482" Both were in NYC for the Max's Kansas City Reunion celebrations! https://www.wfmu.org/playlists/shows/79740

Interview with Peter Crowley Original Air Date: June 7th, 2012 This original show also featured an interview with Jayne County - "https://wfmu.org/playlists/shows/45482" Both were in NYC for the Max's Kansas City Reunion celebrations! http://www.wfmu.org/playlists/shows/79740

“Because Sylvio is courageous, I was able to buy more hamburgers to keep up my strength, and more paint to continue painting,” said artist Robert Ryman about collector Sylvio Perlstein, who was a patron of his at a time when few others were interested. Born in Belgium, Perlstein grew up in Rio de Janeiro, where his family moved when fleeing the Nazis in 1939. Perlstein bought his first work of art from a florist in Brazil; over the course of the next five decades, he would add more than 1,000 works to his collection by artists including Man Ray; Duchamp; Carl Andre; Diane Arbus; Hans Bellmer; Magritte Solowitz; Donald Judd; Hannah Kirk; Max Ernst; Bruce Nauman; Edward Shea; and Andy Warhol—to name just a few. “For me, it was not even a collection. It was things that I saw, and I liked,” Perlstein says. “To tell you the truth, I never count them. I'm not well organized.” A selection of works from the Perlstein collection is now on show at Hauser & Wirth, New York (“A Luta Continua”, until 27 June). Reflecting on the differences between the art world then and now, Perlstein tells host Charlotte Burns: “Today, it’s not so much art anymore; it’s a real business. At that time, you could easily acquire works from the artist because it was more about friendship.” From exchanging diamonds for art with Man Ray to hanging out with artists in New York in the 1970s at the legendary Max's Kansas City, Perlstein talks about a life in art and his tastes (“ugly can be nice, too,” he says). “What does it mean, art? Anything. You can make art from shoes, from a nice bag, from a hat— it's also art. Everything is art,” he says. “Buy what you like.” Transcript: http://www.artagencypartners.com/transcript-sylvio-perlstein/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

Kate Pierson walks Kyle Meredith through The B-52's history, beginning with their early days playing CBGBs and Max's Kansas City, to their mainstream success in the 1980's, all the way to their latest album, 2008's Funplex. Pierson also reveals why there won't be another B-52s album, though she does promise a new solo album co-written by Sia.Learn more about your ad choices. Visit megaphone.fm/adchoices For information regarding your data privacy, visit acast.com/privacy

At 16 he was playing drums at CBGB and Max's Kansas City as the punk scene exploded. After destroying his career (Pianosaurus, King Missile) he got sober. The PsyD & MFT explains his extensive work with treating trauma victims (especially those with addictions) by using EMDR. He talks about the difficulty people have in calling what happened to them "trauma" and why the label isn't important.  He shares his personal experiences and insights about bullying, Buddhism, self-sabotage, spirituality, depression and what being a "good person" means to him. Dr. Dansiger can be found at www.drdansiger.com Check out this new book Clinical Dharma Follow him on Twitter @DrDansiger This episode is sponsored by the magazine app Texture. For a 14 day free trail go to www.texture.com/mental This episode is sponsored by TalkSpace. For $30 off your first month of online therapy go to www.TalkSpace.com/mihh and use offer code MIHH For info on how to donate frequent flyer miles to the podcast go to http://mentalpod.com/archives/4307 To support the podcast as a monthly donor (and get rewards from Paul) go to www.patreon.com/mental

Gordon Gano of Violent Femmes on Johnny Thunders and The Heartbreakers "Live at Max's Kansas City."

Holy sh*t! Danzig's on TIJ! Even bigger holy sh*t... Danzig's reuniting with the Misfits! He & Y2J talk Original Misfits, Rick Rubin, the "Mother" video, being banned from MTV, the New York music scene and CBGBs, Max's Kansas City where the Misfits got their big break, and Danzig's love of Elvis. They're also talking wrestling - from Superstar Billy Graham to Macho Man Randy Savage to the Wyatt Family.

Max's Kansas City is one of those unique places that defined an era. “It was the exact spot where Pop Art and Pop Life came together in the 60's, Everybody who was Anybody, from Warhol and his Superstars to William Burroughs, Patti Smith, Robert Mapplethorpe, Debbie Harry, Mick Jagger, Edie Sedgwick, Lou Reed, Abbie Hoffman, Truman Capote, Betsey Johnson and Robert Rauschenberg to name a few, and the launching site for emerging bands like the Velvet Underground.To commemorate Max's 50th Anniversary, The Max's Kansas City Project, established in 2001 by Yvonne R. Sewall, will recreate some of the magic with two special events in January and February, a tribute concert to the iconic Velvet Underground and Lou Reed on January 14, and a Meet & Greet the artists and photographers 50th Anniversary reunion party/exhibition/auction on February 11. The Max's Project embraces Mickey Ruskin's the creator of Max's Kansas City philosophy of helping artists in need by providing emergency relief and resources for individuals in the arts in crisis, and has in development FEARLESS YOUTH, a teen empowerment through the arts program featuring and interactive virtual club dedicated to supporting teens in developing their uniqueness through the creative arts with a focus on substance abuse and suicide prevention.The Velvet Underground/Lou Reed Tribute Concert will be a night to remember with an amazing line-up of talent with a Max's All Star Band featuring musicians from Lou Reed's various bands: Mike Rathke , Ellard-James "Moose" Boles , and drummer to be announced. Other special talent includes Garland Jeffreys, Marshall Crenshaw, Lenny Kaye, Jenni Muldaur, Bebe Buell, Conner Kennedy, Donna Destri, Monica Behan, Richard Barone, Kimberly Hill , poet Anne Waldman and the "Cadillacs," . Perennial Max's 'master of ceremonies' Jimi LaLumia will emcee the show.

Movie Meltdown - Episode 263 This week we talk about movies, music and life in general with punk icon and actor... John Doe! John stars in the new independent film "Pleased to Meet Me", so we discuss his chemistry with co-star Aimee Mann, shooting movies in smaller cities, and playing someone in the music business vs. actually being in the music business. Plus of course we discuss his early days, his love of music, his decision to move to L.A., and the musical scene that formed the legendary band X. Then we round things out with Archie Borders, the director of "Pleased to Meet Me", as we find out about how this film came together and the challenges of directing indie films. Plus as we ponder the significance of the "O" in the Hollywood sign, we also mention… CBGB's, Wayne Wang, Illinois, doing accents, John Entwistle, Baltimore, The Screamers, Patrick Swayze, Katie O’Brien, California is epic, The Talking Heads, the East coast, Harry Dean Stanton, ex-NAVY SEAL, outlawing lead bullets, Max's Kansas City, Blondie, The Go-Gos, Tom Hulce, Jerry Lee Lewis, falling off the balcony, opera, Velvet Underground, The Weiroes, A.P. Carter, Rowdy Harrington???, Minute Men,  Oasis, Elliott Smith, John Waters, The Who, The Ramones, Hollywood Boulevard, digging to find your inner Jerry Lewis, Paul Westerberg, classical piano, Andy Warhol, Tom Petty and the Heartbreakers, Border Radio, I blew my knee out, Rocket Man, sarcastic, Divine, Joan Baez, Gary Snyder, The Germs, Allison Anders, hanging out with LAPD, Road House, Universal Amphitheater in L.A., Sid and Nancy, Roadside Director???, musicians from the classifieds, librarian, pop art vs. fine art, Green Day, Jewel, Georgia, shooting in your hometown, I can starve on my own... I can starve in music no problem , The Big Red One, self-depricating, David Hockney, Robert Quine, Mary Elizabeth Mastrantonio, Breathless, finishing a tour, Don Cheadle, the King Ad Rock, is it a musician or an actor, movie reality, Mink Stole,  Allen Ginsberg, visable holes even from the flatlands, Joe Strummer, bring that blue and white plaid shirt, Jennifer Jason Leigh, The Killer, Roadside Prophets, don't get off the boat... it's an f-ing tiger, Everyone Speaks Elton John, Nathanael West, Jim Thompson, Charles Bukowski, Diane Wakoski, a concrete structure somewhere where they can do very little damage,Ulu Grosbard, Winona Ryder, John Cusack, a big fish in a medium pond, Jon Langford and I wasn't afraid... for the first time - to rely on what I've done. "That was a total 'pinch me' moment... 'cause we're just hanging out, getting drunk at Sun Studios - playing Jerry Lee songs!"