German-American writer
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Noches culturales en Alto Jalón Radio - 4 Sumario: • Camposanto en Colliure – (Ángel González) • Antonio Machado – Selección de poemas • El capitán salió a comer y los marineros tomaron el barco. Cap.3 (Charles Bukowski) • La lluvia amarilla. Tapa. 3 – (Julio Llamazares) • 2 X 1 – Entrevista a Superman (Fernando Alcaine) • Cuando ya no importe – (JC Onetti)
TEENAGE FANCLUB: Star sign THE DOGS: G.U.I.L.T.Y. THE DOGS: Hate chu FRANCESC TÀRREGA (ft ANDRÉS SEGOVIA): Recuerdos de la Alhambra DEXY'S MIDNIGHT RUNNERS: Soul finger MUJERES: Caen imperios MIRACLE WORKERS: Go now LA ÉLITE: Historia triste LA ÉLITE: Nuit folie TEENAGE FANCLUB: Is this music? EDDIE COCHRAN: Somethin'else ORIGAMI HOLOGRAM: Bats in the attic NORA ORLANDI: Lo strano vizio della signora Wardh (seq 18) DANNY & THE DREAMERS: Eternal love HEATWAVES: By the sea THE BEATLES: Her majesty CHUMBAWAMBA: Her majesty TY: Devil tattoo TEENAGE FANCLUB: Get funky THE DARLING BUDS: It's all up to you LOQUILLO Y TROGLODITAS: Ya no puedo bailar PRISM SHORES: Kid gloves TCHAIKOWSKY: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso ROSSANO: Ti voglio tanto bene ACxDC: Science ist krieg ROCÍO JURADO: Lo siento mi amor + Charles Bukowski
Sumario: • El capitán salió a comer y los marineros tomaron el barco. Cap.2 (Charles Bukowski) • Luis García Montero – Un año y tres meses • La lluvia amarilla. Cap. 2 (Julio Llamazares) • 2 X 1 – ‘Psiquiatra’ (Fernando Alcaine) • MacDonald’s. (Poema de Manuel Vilas)
Why I Listened to 2,000 Minutes of Tchaikovsky Last YearWe are living in the age of "frictionless" music. The algorithms know what we want before we do, the dopamine is cheap, and the content is served to us on a silver platter. But as Charles Bukowski once said of classical music: "It washes the crap right out of me."Lately, it feels like there's a lot of crap to wash out.In this episode, I'm stepping away from the "business" of music to talk about the Aura and the Sublime. I'm breaking down why I spent more time with a 19th-century Russian composer than anyone in the Top 40, and why I believe the "smoothness" of modern digital life is actually making us bored, exhausted, and artistically numb.In this episode, we explore:The "Loss of Aura": Why music feels less valuable when it stops being a "hunt" and starts hunting you.The Sublime vs. The User-Friendly: Lessons from Walter Benjamin and Theodore Adorno on why great art should be a little bit terrifying.The Tchaikovsky Antidote: How complex, uncomfortable, and "loud" art reminds us that we aren't the center of the universe.Breaking the Algorithm: Why the most successful artists of the future will be the ones who refuse to be "mathematically certain."If you've been feeling a specific kind of creative exhaustion lately, this one is for you. It's time to stop trying to conquer the mountain and let the mountain conquer us.RESOURCES & LINKS
Polyamory Poetry
“How do you tend to respond when you do not know?” We had this question in our Journal Circle a couple of weeks ago. It’s at the heart of many issues in our world right now. How do we hold it?When do we conceal it?Where do we turn for knowledge?And what do we do with it when we acquire it? That’s what we explore in this episode of The Gentle Rebel Podcast. https://youtu.be/QRAS1dib_GM Our Relationship With Not Knowing I find this advert baffling. A couple are wandering around the Leeum Museum in South Korea. They didn't know it was big; they only gave themselves an hour. He thinks a roof tile is a book. Even when his phone corrects him, they skip off giggling without listening to the information. It reminds me of a billboard from the AI company Turing that says the quiet part out loud: “We teach AGI to think, reason, and code—so you don’t have to.” Are we being encouraged to outsource our thinking and reasoning, not to support and deepen our cognitive abilities, but to replace them? Are they saying we don’t have to think or reason anymore? Even if that’s not the intention, it’s certainly the outcome of using many tools like this. There seems to be a disregard for the sacred delight of human consciousness, thought processes, and creativity. And a subtle quest to eliminate mystery, curiosity, and the learning that comes from not knowing. Yet not knowing has always been central to human potential. It is the driving force of creativity, innovation, and deeper connection to the worlds within, around, and between us. Open and Closed Stances As people reflected in our Journal Circle, a thread emerged: openness vs closedness. Closed not-knowing: defensive, protective, secretive. Open not-knowing: curious, relational, exploratory. Closedness can feel tight. Clenched. Like rushing to paint over the threat of embarrassment or being found out. Openness can feel spacious. Physically expansive, deeper, and less pressured. Where the uncertainty is met with an invitation into possibility and curiosity rather than grasping, clinging, and defensiveness. We explore several ways this plays out in everyday life. Pretending To Know One response to not knowing is pretending to know. We’ve probably all done it. Nodding along when everyone else seems to understand. Staying quiet because asking a question feels risky. Research in 2007 found that children aged 14 months to five years ask an average of 107 questions per hour. By the time they reach late primary school, many stop asking questions altogether. In the episode, I share an anecdote from research led by Susan Engel, where a ninth grader is stopped mid-question with the instruction: “No questions now, please; it's time for learning.” Within institutional settings, our natural curiosity and creativity can be left behind, and if questions are deemed disruptive or inappropriate, we may simply pretend to know and struggle quietly. This is especially true for many more introverted and sensitive people, who are already generally disposed to slot in around others without drawing much attention to themselves. Child-like Curiosity A child doesn’t see their lack of knowledge as a reason to be ashamed. It’s underpinned by the electric buzz of connection. Everything is new, mysterious, and waiting to be explored. For an adult moving through and out of a rigid system, not knowing can feel like an exposing story in which their worth as a human is assessed. Pretending to know can become an adaptive strategy. A way to keep the peace. A way to belong. There's also the technological version, prominent in many AI tools people rely on for accurate information. These systems are designed to always produce an answer, even when they are wrong. This reflects the kind of closed pretending that aims to foster a perception of expertise, so those listening believe that the source’s confidence equates to competence. But pretending doesn't only come from intentional deception. It can stem from stories we absorb, linking knowledge with worth: “I must know in order to be useful.”“I must be useful in order to be accepted.” Letting go of that story can be liberating. Saying “I Don't Know” “I don't know” is an option. A surprisingly radical one. When it is open, it creates space to explore our unknowing. An open “don’t know” admits not knowing with hands turned towards learning and discovery. It might come with an inner spark and the freedom from performance. A closed “I don't know” shuts things down. It can signal indifference or defensiveness. Sometimes that boundary is healthy. Sometimes it is armour. Being “In The Know” There is also the social currency of being “in the know.” Trends. News. Other people's business. Ignorance can feel like bliss. It can also feel like exclusion. From a closed place, being in the know becomes about control. From an open place, it can become a source of connection. The ability to link ideas, introduce people, and catalyse collaboration. Knowing What's Best Another response to uncertainty is doubling down on certainty. We are pattern-seeking creatures. We build cognitive maps to navigate a complex world. But when ambiguity feels overwhelming, certainty can feel like solid ground, even if it's forged, manufactured, and brittle. Closedness says “this is how it is”, refuses nuance, and punishes curiosity and accountability as disrespect, insolence, and rudeness. Open wisdom looks different. It sits shoulder to shoulder, acknowledges nuance, and is willing to say, “I don't know the best thing to do here.” Admitting one does not know can be a radical act in cultures that equate doubt with weakness and desperately seek a way to explain and understand everything, even without empirical evidence. Knowing That We Don't Know In a 1933 essay lamenting the rise of the Nazi movement in Germany, Bertrand Russell wrote, “The fundamental cause of the trouble is that in the modern world the stupid are cocksure, while the intelligent are full of doubt.” Charles Bukowski said something similar when giving advice to budding writers: “But the problem is that bad writers tend to have the self-confidence, while the good ones tend to have self-doubt.“ These quotes highlight the importance of knowing what we do not know — and recognising the limits of our own perspective. This took us to a detour into the Dunning–Kruger effect, which is the idea that we can speak confidently about subjects precisely because we don't yet know what we don't know. Reading Maps and Navigating Life “I don't know, but I am aware of where to look to figure it out.” In The Return To Serenity Island course, we map elements of life, seeing it as a treasure laden island. Not knowing is a door to connection, curiosity, creativity, and exploration. But it can also feel disorienting, confusing, and alienating at times. Maps help disorientation become orientation-in-progress without strict instructions or someone else’s path to follow. They can bring us home to ourselves.
Reading edited and original versions of Bukowski poems before discussing AI and Ex Machina.
Sumario: • El capitán salió a comer y los marineros tomaron el barco. Cap.1 (Charles Bukowski) • Juana Inés de la Cruz – Poemas • La lluvia amarilla. Cap. 1 (Julio Llamazares) • 2 X 1 – ‘Maruja de Judea’ (Fernando Alcaine) • La vida feliz de los cansados. (Poema de Charles Bukowski)
Miles Hunt is on tour in 2026 – solo, with Vent 414 and the Wonder Stuff - and looks back here at his 40 years on stage, which involves … … stifling hecklers the John Lydon way: “the exits are clearly marked!” … what percussion does to your ears … “when a tout's selling your £3 ticket for £50 you know you've made it!” … keytars, flat drums, guitars without headstocks: things that are JUST PLAIN WRONG! … seeing Slade at Birmingham Town Hall when he was 10 … why the Size Of A Cow was “the moment a lot of our audience thought we'd sold out” … Hunter S Thompson, Charles Bukowski: books that work on a tour bus … when drummers ‘cramp up' … and why he won't perform Dizzy with Vic Reeves. Order Miles Hunt and Wonder Stuff tickets here: https://thewonderstuff.co.uk/tour/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Miles Hunt is on tour in 2026 – solo, with Vent 414 and the Wonder Stuff - and looks back here at his 40 years on stage, which involves … … stifling hecklers the John Lydon way: “the exits are clearly marked!” … what percussion does to your ears … “when a tout's selling your £3 ticket for £50 you know you've made it!” … keytars, flat drums, guitars without headstocks: things that are JUST PLAIN WRONG! … seeing Slade at Birmingham Town Hall when he was 10 … why the Size Of A Cow was “the moment a lot of our audience thought we'd sold out” … Hunter S Thompson, Charles Bukowski: books that work on a tour bus … when drummers ‘cramp up' … and why he won't perform Dizzy with Vic Reeves. Order Miles Hunt and Wonder Stuff tickets here: https://thewonderstuff.co.uk/tour/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Miles Hunt is on tour in 2026 – solo, with Vent 414 and the Wonder Stuff - and looks back here at his 40 years on stage, which involves … … stifling hecklers the John Lydon way: “the exits are clearly marked!” … what percussion does to your ears … “when a tout's selling your £3 ticket for £50 you know you've made it!” … keytars, flat drums, guitars without headstocks: things that are JUST PLAIN WRONG! … seeing Slade at Birmingham Town Hall when he was 10 … why the Size Of A Cow was “the moment a lot of our audience thought we'd sold out” … Hunter S Thompson, Charles Bukowski: books that work on a tour bus … when drummers ‘cramp up' … and why he won't perform Dizzy with Vic Reeves. Order Miles Hunt and Wonder Stuff tickets here: https://thewonderstuff.co.uk/tour/Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
Hot Water Music for January weather.
Il y a le premier verre en famille, la pinte rituelle entre collègues en sortant du travail, le « binge drinking » entre étudiant·e·s… L'alcool est un élément essentiel de sociabilité, qui sépare celles et ceux qui tiennent l'alcool et les autres. Mais quand l'ivresse masculine amuse, l'ivresse féminine inquiète. Boire est une performance de genre, une preuve de virilité.Boire comme un homme, « savoir » boire, qu'est ce que cela signifie ? Pourquoi les personnes alcoolodépendantes sont en majorité de genre masculin ? Quelle est la frontière entre les buveur·euse·s respecté·e·s et dénigré·e·s ? Spécialisé dans l'étude de alcoolodépendance, Nicolas Palierne, invité de cet épisode, est doctorant en sociologie au sein du laboratoire d'études de l'EHESS, ingénieur d'études à l'INSERM et chargé d'enseignement à l'Université de Poitiers. Un épisode initialement diffusé le 20 juin 2019.RECOMMANDATIONS DE L'INVITÉLes oeuvres de l'écrivain et poète américain Charles Bukowski, et notamment trois des adaptations cinématographiques qui ont été réalisées à partir de ses textes : « Contes de la folie ordinaire » (Marco Ferreri 1982), « Barfly » (Barbet Schroeder, 1987) et « Factotum » (Bent Hamer, 2005).RÉFÉRENCES CITÉES DANS L'ÉMISSIONRetrouvez toutes les références citées dans cet épisode à l'adresse https://www.binge.audio/podcast/les-couilles-sur-la-table/il-a-bu-son-verre-comme-les-autresCRÉDITSLes couilles sur la table est un podcast de Victoire Tuaillon produit par Binge Audio. Réalisation : Quentin Bresson. Stagiaire : Nadia Chapelle. Générique : Théo Boulenger. Identité graphique : Sébastien Brothier (Upian). Chargée de production : Juliette Livartowski. Chargée d'édition : Camille Regache. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3854: Mark Manson reflects on the inevitability of death and the messy beauty of choosing a life worth dying for. He challenges the illusion that passion and purpose are painless pursuits, emphasizing that true meaning comes through sacrifice, hardship, and embracing the chaos of the journey. Read along with the original article(s) here: https://markmanson.net/find-what-you-love Quotes to ponder: “Finding the passion and purpose in your life is a trial-by-fire process.” “Try something, pay attention to how it feels, adjust and then try again.” “Doing what you love is not always loving what you do.” Episode references: Post Office by Charles Bukowski: https://www.amazon.com/Post-Office-Novel-Charles-Bukowski/dp/0061177571 Learn more about your ad choices. Visit megaphone.fm/adchoices
Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3854: Mark Manson reflects on the inevitability of death and the messy beauty of choosing a life worth dying for. He challenges the illusion that passion and purpose are painless pursuits, emphasizing that true meaning comes through sacrifice, hardship, and embracing the chaos of the journey. Read along with the original article(s) here: https://markmanson.net/find-what-you-love Quotes to ponder: “Finding the passion and purpose in your life is a trial-by-fire process.” “Try something, pay attention to how it feels, adjust and then try again.” “Doing what you love is not always loving what you do.” Episode references: Post Office by Charles Bukowski: https://www.amazon.com/Post-Office-Novel-Charles-Bukowski/dp/0061177571 Learn more about your ad choices. Visit megaphone.fm/adchoices
Discover all of the podcasts in our network, search for specific episodes, get the Optimal Living Daily workbook, and learn more at: OLDPodcast.com. Episode 3854: Mark Manson reflects on the inevitability of death and the messy beauty of choosing a life worth dying for. He challenges the illusion that passion and purpose are painless pursuits, emphasizing that true meaning comes through sacrifice, hardship, and embracing the chaos of the journey. Read along with the original article(s) here: https://markmanson.net/find-what-you-love Quotes to ponder: “Finding the passion and purpose in your life is a trial-by-fire process.” “Try something, pay attention to how it feels, adjust and then try again.” “Doing what you love is not always loving what you do.” Episode references: Post Office by Charles Bukowski: https://www.amazon.com/Post-Office-Novel-Charles-Bukowski/dp/0061177571 Learn more about your ad choices. Visit megaphone.fm/adchoices
In een wereld die versnelt, is wachten een daad. Geen passiviteit, maar een bewuste vorm van leven. 'Wachten. Een levenshouding', het nieuwe boek van Dirk De Wachter, is een neerslag van ideeën, gevoelens en verhalen over het wachten en de vele betekenissen die erbij horen: in ziekte, rouw, je carrière, de liefde en het geloof. Over niet kunnen wachten, leren wachten en wachten zonder verwachting. En ook over Bernard Dewulf, Charles Bukowski en Leonard Cohen.
Auf dieser Folge klebt das Prädikat „Bestseller“. Wir haben sie live im rbb Sendesaal für euch aufgenommen, liebevoll konserviert, und jetzt machen wir sie endlich gemeinsam auf. Till erzählt euch, warum seine Zahnreinigung im respektlosesten Move 2025 endete, und Moritz schenkt euch Buchtipps und den Lifehack, wie ihr demnächst langweilige Gespräche einfach beenden könnt. Buchtipps von Moritz: „Das Ende von Eddie“ von Édouard Louis „Die Herrenausstatterin“ Mariana Leky „Die Wut die bleibt“ von Mareike Fallwickl „Und alle so still “ von Mareike Fallwickl Buchtipps von Till: Herman Hesse und Charles Bukowski „falsch, aber lustig“ Outtakes: https://youtu.be/-mFyWqXShA4 Released by rbb media.
durée : 00:59:22 - Le Book Club - par : Marie Richeux - À l'affiche du film "La petite cuisine de Mehdi", l'acteur et producteur de musique Younès Boucif a accepté de partager sa bibliothèque. Une traversée à travers le temps et les continents avec Victor Hugo, Milan Kundera, Charles Bukowski, Louisa Yousfi ou encore Yasuhisa Hara et Marie-Aude Murail. - réalisation : Vivien Demeyère - invités : Younès Boucif Acteur et rappeur
Paul Simon. Charles Bukowski. And the discipline of joy.Follow us on Instagram @suckerforpossibilityFollow Matt on Instagram @mattawellsTheme song: "Fire" by @seanmccannsings
I'm joined this week by writer and journalist Ilya Gridneff, whose career has taken him from Sydney to South Sudan and now to the Financial Times bureau in Canada. We talk about his first work of fiction, Your Name Here, co-authored with the brilliant Helen DeWitt — a wild, experimental novel with a long, unusual history. We also dive into the ideas and books that shaped him. If you enjoy the episode, please leave a review and follow @litwithcharles.Ilya Gridneff's four books were:2666, by Roberto Bolaño (2004)A Confederacy of Dunces, by John Kennedy Toole (1980)Nausea, by Jean-Paul Sartre (1938)Post Office, by Charles Bukowski (1971)
XAVIER DE MAISTRE: Sonata in C minor: II Andante espressivo EL COLUMPIO ASESINO: Toro (I hate models, speed up revival) ANDY POWELL & LINDA ROAN: Never wanna say goodbye RUFUS T FIREFLY feat TRIANGULO DE AMOR BIZARRO: Estrella solitaria RUFUS T FIREFLY: He soñado que tocaba en Triangulo de amor bizarro RUBI Y LOS CASINOS: Yo tenía un novio que tocaba en un conjunto beat SIROLL: No em va INSECURE MEN: Cleaning bricks INSECURE MEN: Rainy days and mondays CARPENTERS: Rainy days and mondays HEAVENLY: Portland town CHARLES AZNAVOUR: Hier encore RADIO FUTURA: Rompeolas BUZZCOCKS: Jerk SIXNATIONSTATE: Fire! FAUSTO LEALLI: A chi DANNY AND THE JUNIORS: Rock and roll is here to stay ZOË: C'est la vie NIRVANA: Breed HÜSKER DÜ: Blah blah blah THE LEMONHEADS: 58 second song PELAZO: Things you used to say LOS NERVIOS: Somehow MIKE REDWAY feat HERB ALPERT & TIJUANA BRAS: Casino Royale ROSALÍA: Sexo, violencia y llantas +Charles Bukowski
Una copa más y nos vamos.Le toca al mejor libro del mejor borracho: MUJERES del gran Carlitos BukowskiEnjoy
In this episode, the Spiders discuss Post Office, the first novel of infamous womanizing, drunkard poet Charles Bukowski. While it shows some promise in a few areas, it is, overall, pretty bad.
¡SUSCRÍBETE! CLIC: https://www.youtube.com/c/EditorialLetraMinúscula?sub_confirmation=1 SI deseas PUBLICAR escríbenos : contacto@letraminuscula.com Lláma☎ o WhatsApp: +34640667855 RESUMEN: En este polémico vídeo, se analiza a fondo a siete escritores considerados sobrevalorados en la historia de la literatura, desde premios Nobel hasta autores superventas. Se argumenta por qué figuras como James Joyce, J.K. Rowling y Roberto Bolaño no merecen su fama literaria. ¿Estás de acuerdo con esta selección? ⏲MARCAS DE TIEMPO: ▶️00:00 Introducción y número 7: James Joyce ▶️01:33 Crítica a la obra de James Joyce ▶️02:59 Número 6: JK Rowling y su estilo ▶️04:27 Número 5: Charles Bukowski y su fama ▶️05:52 Número 4: Roberto Bolaño y su mito ▶️07:17 Número 3: Thomas Mann y su complejidad ▶️08:43 Número 2: Haruki Murakami repetitivo ▶️10:08 Número 1: Isabel Allende y el melodrama ▶️11:28 Despedida e invitación a comentar ♨️Si te ha gustado el vídeo dale a ME GUSTA y compártelo en tus redes sociales. Haz CLIC en la campanita para que te avisen cuando subamos un nuevo vídeo. ¡Gracias !
THE SUMMER SUNS: Why say no PENNYWISE: Ace of spades THE PHANTOM SURFERS: San Onofre BL4CK M4RKET C4RT: No food ANTON GARCÍA ABRIL: Horse riders CHUMBAWAMBA: On the day the nazi died SLAYER: Black magic GABINETE CALIGARI: Tócala Uli THE REDS, PINKS & PURPLES: Upside down in an empty room SLEAFORD MODS: Megaton TCHAIKOWSKY: Pas de deux SHAME: Cowards around ALASKA Y DINARAMA: Como pudiste hacerme esto a mi ROYAL REPUBLIC: Stayin'alive SISTEMA DE ENTRENAMIENTO: Basura espacial THE SENTIMENTAL TOURISTS: Happy Beattle ABERDEEN: Byron ILEGALES: Ella saltó por la ventana ORNELLA VANONI: E cosi per non morire FANCY ROSY: I am the clown of disco town GENE CHANDLER: Duke of Earl FRANÇOIS DE ROUBAIX: Dernier domicile connu THE SLEEPY JACKSON: Rain falls for wind +Charles Bukowski
In today's episode of Ten Year Town, Troy takes a step back from the noise of marketing hacks and algorithm tricks to talk about something deeper: the art itself. Making music can feel like pulling the lever on a slot machine: the lights flash, it feels like progress, but often it leaves you right where you started.This episode, A Field Guide for Going Slow, explores what it means to create work that lasts and why slowing down might be the key to fulfillment in a fast-paced industry. Drawing from conversations with artists like Steven Wilson Jr. and inspired by voices like Charles Bukowski and Tom Petty, Troy shares a framework for building a career rooted in authenticity rather than quick wins.If you're looking for wisdom on how to make art that sustains, beyond the algorithms, this one's for you.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.
Balkanlar nerede başlar, nerede biter? Evren’in Romanya, Sertaç’ın Milano gözlemleri. Romenleri bölgedeki diğer komşularından ayıran özellik ne? İtalya’da pizza nerede yenilir? Ekibin kedileri Astor, Sylvester and Müstesna’nın maceraları. Kediler zamanla kişilik değiştirir mi? Charles Bukowski kediler için ne demiş? Kediler zamanı yavaşlatabilir mi? Son dönemlerin en çok konuşulan korku filmleri. Matcha çayı içenler parmak kaldırsın. […] The post Garip Zamanlar – Bölüm 65: Kedilerden sen anlarsın, konuş onlarla (8/9/2025) first appeared on Island Talks.
Christopher Mansfield is the charismatic frontman of the group Fences. On September 14th he will be featured on the Season 8 opener of AMC's series RIDE with Norman Reedus. Jaymee and Christopher met for the first time the day before this podcast was recorded to write a song together about God that they share with you in this episode. They met the next day to discuss the influence of Elliott Smith, River Phoenix, Jack Kerouac, Charles Bukowski, the holiness of rehab, the record label Kill Rock Stars, hero worship, the gift and curse of identification, and the multitude of anonymous angels who've shown up on the dusty highway of life.LITA PODCAST: hosted, produced and edited by Jaymee Carpenter. MIXED BY: CHRIS FALLERInterested in Mentorship with Jaymee?email: lacee@loveistheauthor.com to set up a free consultation,or visit: www.loveistheauthor.com/mentorship SPONSORS: TOTALLY BLOWN (www.totallyblown.us)RAUM GOODS (www.raumgoods.com)INDIAN LODGE ROAD (www.indianlodgeroad.com) YERBA MADRE (www.guayaki.com)VALLEY OF THE MOON (www.shorturl.at/dCVh2)THiS SHOW is a LABOR of LOVE. PLEASE SUPPORT IT: www.patreon.com/loveistheauthorpodcastFAN CONTACT: lacee@loveistheauthor.comON INSTAGRAM: @loveistheauthor / @fencesmusic / @unconventionalgardener
Matt is in a realm of light and beauty, so Shane and Mikey shout at each other about what's been good lately.Great FallsAge of FearCheck out our Patreon for bonus shows and more!Musical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”
The Drunk Guys send away for some first class beer this week when they read Post Office by Charles Bukowski. Their livers deliver for: KBS: Double Oaked and KBS: Chocolate Espresso by Founders and Corner of George St. And Shawmut Road by Evil Twin NYC. Join the Drunk Guys next
US-Autor Charles Bukowski erzählt von den Außenseitern der Gesellschaft, von Kleinkriminellen, Alkoholikern, Prostituierten. In den Siebzigern las Götz George seine Geschichten - mit der dazu passenden Stimme, die nach unzähligen Zigaretten klingt. Baringdorf, Anka www.deutschlandfunkkultur.de, Aus den Archiven
RHLSTP #563 - Barry Norman's Pickled Onions - Richard is very proud of his toilet based pedantry. His guest is returning hero Timkey. They chat about his fantastic new film. The Ballad of Wallis Island and how he managed to get Carey Mulligan on board, plus Richard's impressive roster of unreleased film appearances, plus Tim's latest book of poetry, an hilarious but poignant and moving story of his time in Hollywood and the influence of Charles Bukowski. There is a 10 minute discussion about Tim's love for Last of the Summer Wine, which suggest he doesn't love it as much as he claims and of course another episode of timkey the monkey and his magic flute. Plus Tim suggests a guest that will have Off Menu quaking in their boots and eating dinosaurs.Buy Tim's book here https://www.utterandpress.co.uk/products/l-a-babySee RHLSTP live in Sheffield and at the Edinburgh Fringe http://richardherring.com/rhlstpSee RHLSTP live http://richardherring.com/rhlstpSUPPORT THE SHOW!Watch our TWITCH CHANNELSee extra content at our WEBSITE Become a member at https://plus.acast.com/s/rhlstp. Hosted on Acast. See acast.com/privacy for more information.
Notes from James:The biggest lie about writing is that it takes years. I've written multiple books in less than a month—including bestsellers. With the right system, anyone can do this.In this episode, I break down how to structure your first book and why your life experience, not your grammar, is your superpower. You'll also hear my take on AI writing, and why your personal story is something no algorithm can ever replicate.Episode Highlights:Yes, you really can write and publish a great book in 30 days. In Part 2 of this writing series, I walk you through the actual systems that make it not only possible—but repeatable.You'll learn four powerful “meta-outline” frameworks you can use to organize any non-fiction book quickly and clearly. I'll show you how I wrote Think Like a Billionaire in under 30 days using one of these frameworks, and how authors I know have launched entire careers with similar methods (some even in just three days). I also dive deep into one of the most important—but most overlooked—parts of writing a book: your first sentence. You'll hear legendary first lines from some of the world's best authors and learn why they work.This episode is a blend of process and artistry—because writing a great book requires both.This episode is sponsored by BetterHelp.Give online therapy a try at betterhelp.com/JAMES and get on your way to being your best self.What You'll Learn:4 concrete frameworks that will help you write a 20+ chapter book fastThe myth of needing years to write a book (and how to break it)How I turned podcast interviews with billionaires into a full book in less than a monthWhy your first sentence matters more than your title—and how to make it irresistibleHow to write with authenticity, vulnerability, and momentumWhy AI can't replace you—and never will—when it comes to storytellingTimestamps00:00 Introduction: Writing a Book in 30 Days00:54 The Four Frameworks for Writing02:03 Example: Think Like a Billionaire05:10 Overcoming Writing Myths13:14 AI and the Future of Writing20:47 The Power of a Strong First Line23:51 Exploring the Opening Lines of Iconic Novels24:14 Ralph Ellison's Invisible Man: A Civil Rights Era Classic25:04 Jack Kerouac's On the Road: A Journey of Rediscovery27:23 Gabriel Garcia Marquez's 100 Years of Solitude: A Nobel-Winning Masterpiece30:54 Kurt Vonnegut's Slaughterhouse-Five: A War Story with a Twist34:20 Jennifer Egan's Welcome to the Goon Squad: A Pulitzer Prize Winner35:25 Charles Bukowski's Post Office: A Tale of Mistakes and Realities38:57 William Gibson's Neuromancer: The Birth of Cyberpunk40:16 The Importance of First Lines in Storytelling42:36 Crafting Relatable and Vulnerable NarrativesP.S. Want to go deeper? Check out my full course on Udemy or visit chooseyourselfacademy.com: How to Write and Publish a Book in 30 Days – available now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to our new series, “The Beat Goes On,” where we will celebrate the work and enduring influence of Jack Kerouac, Allen Ginsberg, William Burroughs, and the other writers whom we identify as “The Beats.” - that crop of artists who worked to expand our consciousness, exploring the hidden possibilities of post WW2 America in the 1950s - Other significant names to be explored: Diane Di Prima, Tuli Kupferberg, Ed Sanders, Delmore Schwarz, Anne Waldman, Carolyn Cassidy, and many others.We will also include jazz musicians like Miles Davis, John Coltrane and Dizzy Gillespie, whose sinuous Bebop lines influenced the expansive prose of Kerouac and poetry of Ginsberg, and comedians like Lenny Bruce, Lord Buckley, Brother Theodore and Dick Gregory with their scathing critique and unmasking of our nation's hypocrisy beneath the self-deceptive rhetoric of American exceptionalism. And, then there are their artistic children like Hunter S. Thompson, Charles Bukowski, Tom Waits and Lou Reed…. The list goes on.First off: we need to define that confusing term “beat”… Once the satirists were able to pin them down, the Beats and their devotees were labelled “Beatniks” (a cold war epithet) and put into a farcical box. This is where I, as a child, first became aware of them through the character of Maynard G. Krebs on the Dobie Gillis show. The child-like, pre-hippie with the dirty sweatshirt and goatee, indelibly played by Bob Denver, later of Gilligan fame. He was a gentle figure of fun, not to be taken seriously. But, the truth goes so much deeper. Kerouac defined Beat as short for “beatitude” - a state of grace, a codex for the maturing “peace and love” Baby Boom generation coming up - those in search of existence's deeper meaning beyond the consumerist and war-like American culture being offered as our only option.Well, boy, do we need them now! HENRY MILLER INTERVIEWOur inaugural offering is a 1964 interview with the writer Henry Miller, of TROPIC OF CANCER, TROPIC OF CAPRICORN, and THE ROSY CRUCIFIXION TRILOGY fame, among many others. This is an insightful, in depth look at a artist of gargantuan influence. Miller was interviewed by Audrey June Wood in Minneapolis during a speaking tour; he considered this interview to be one of his best. Miller discourses on some of his favorite books and authors and the struggle of writing well. It was released on Smithsonian/ Folkways Records.Strictly speaking, Miller was not a Beat - he preceded them, and out lived many of them, making it to 88 in 1980, but he was their spiritual and artistic pathfinder.Living hand to mouth, on the edge, abroad in Paris, writing free form in a raw, explicit, semi-autobiographical manner, telling the truth about sex, love, art, and struggle - he set the artistic compass for the Beats - as Dostoevsky and Walt Whitman had done before him. They are all part of a chain - a chain of searchers, and we are fortunate to have these lights to guide us on our own personal journeys to self realization. Please enjoy…THE BEAT GOES ON.
BUKOWSKI SPEAKS!!!!!Cause and Effect -For Kurt Cobain"the best often die by their own handjust to get away,and those left behindcan never quite understandwhy anybodywould ever want toget awayfromthem"Bukowski writes with no apologies from the frayed edge of society.“Some people never go crazy. What truly horrible lives they must lead.”“For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”Bukowski's response to: “Do you hate people?”“I don't hate them...I just feel better when they're not around.”“Find what you love and let it kill you.”“If you're going to try, go all the way. Otherwise, don't even start. This could mean losing girlfriends, wives, relatives and maybe even your mind. It could mean not eating for three or four days. It could mean freezing on a park bench. It could mean jail. It could mean derision. It could mean mockery--isolation. Isolation is the gift. All the others are a test of your endurance, of how much you really want to do it. And, you'll do it, despite rejection and the worst odds. And it will be better than anything else you can imagine. If you're going to try, go all the way. There is no other feeling like that. You will be alone with the gods, and the nights will flame with fire. You will ride life straight to perfect laughter. It's the only good fight there is.”“We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.”Bluebird“Bluebird” is one of Bukowski's best-known poems and came late in his life during a time of great reflection. It deals with one of deepest-rooted human emotions: vulnerability.Bukowski typically dealt with “hyper-masculine” subject matter, but this poem suggests that, like most men, Bukowski also struggled to live up to traditional notions of masculinity.there's a bluebird in my heart thatwants to get outbut I'm too tough for him,I say, stay in there, I'm not goingto let anybody seeyou.there's a bluebird in my heart thatwants to get outbut I pour whiskey on him and inhalecigarette smokeand the whores and the bartendersand the grocery clerksnever know thathe'sin there.there's a bluebird in my heart thatwants to get outbut I'm too tough for him,I say,stay down, do you want to messme up?you want to screw up theworks?you want to blow my book sales inEurope?there's a bluebird in my heart thatwants to get outbut I'm too clever, I only let him outat night sometimeswhen everybody's asleep.I say, I know that you're there,so don't besad.then I put him back,but he's singing a littlein there, I haven't quite let himdieand we sleep together likethatwith oursecret pactand it's nice enough tomake a manweep, but I don'tweep, doyou?This was published in Bukowski's book "The Last Night of the Earth Poems" circa 1992
by Charles Bukowski
A little musical prelude where we talk about Dan Reeder, Ted Lucas & Charles Bukowski before we wander back into the AI discourse on our way to what beauty & art mean in our current crazy world. Steve asks Michael about these damn tariffs & we all get a great education on the struggles & strategies around running a small businessFor more on this please don't miss Michael's heartful & revealing Tariff Talk on his YouTube channel. This discussion was recorded on April 3rd & Michael's talk was released a week after this episode. At the time of this episode's release, there were 3.3K views & 182 comments on the video: that's a good bit of discussion around a critical issue for all of the running shoe industry. Consider this discussion as an early iteration on Michael's thinking around the challenges these tariffs will create. We hope you enjoy
Doubt isn't the enemy of artistic greatness—it's the catalyst. Reuniting after two months apart, Ty and Nathan dive into the profound relationship between artistic excellence and uncertainty through Robert Hughes' provocative quote: "The greater the artist, the greater the doubt."Ty shares his exciting news about being accepted to the Marfa Invitational after years of persistent applications, exemplifying how perseverance through doubt eventually bears fruit. We explore Charles Bukowski's observation that intelligence breeds uncertainty while ignorance fosters unearned confidence, and how this paradox shapes the creative journey.The conversation weaves through profound insights from Anton Chekhov on asking questions rather than providing answers, Francis Bacon's challenge to "deepen the mystery," and Kurt Vonnegut's call to "jump off cliffs and develop wings on the way down." Drawing parallels between artistic exploration and literal mapmaking, we discuss how venturing into unknown creative territory requires tolerating discomfort while expanding our artistic capabilities.Whether you're feeling stuck in your creative practice or questioning your direction, this episode offers a refreshing perspective: interesting failures lead to interesting successes. By redefining what success means and embracing experimentation as part of the journey, artists can transform doubt from a burden into a powerful tool for growth.Ready to make your most interesting work? Join us for a conversation that might just change how you view uncertainty in your creative practice. As Van Gogh wisely advised, "I am always doing what I cannot do yet in order to learn how to do it."Send us a message - we would love to hear from you!Make sure to follow us on Instagram here:@justmakeartpodcast @tynathanclark @nathanterborg
durée : 00:30:33 - Les Nuits de France Culture - par : Philippe Garbit - - réalisation : Virginie Mourthé
TheWanderingPaddy Poetry - The Book of Truths. Out Now on Amazon. Become a member at https://plus.acast.com/s/thewanderingpaddy. Hosted on Acast. See acast.com/privacy for more information.
A Phil Svitek Podcast - A Series From Your 360 Creative Coach
Charles Bukowski's poem Dinosauria, We is a haunting reflection on humanity's path toward destruction. With vivid imagery and raw honesty, Bukowski warns us about societal decay, environmental collapse, and the dangers of apathy. In this episode, I break down Bukowski's powerful words, exploring their deeper meaning and relevance in today's world. What lessons can we learn from his grim vision? How can we, as individuals and as a collective, heed his warning and strive for change? Join me as I unpack this poetic masterpiece and uncover its urgent call to action. Don't forget to like, share, and subscribe! Yours truly, Phil Svitek Filmmaker, author, podcaster & 360 Creative Coach http://philsvitek.com
Two Quants and a Financial Planner | Bridging the Worlds of Investing and Financial Planning
In this episode of "Two Quants and a Financial Planner," we break down some of Warren Buffett's most important investing lessons and life wisdom through a series of interview clips and annual meeting footage. We start by discussing whether Buffett truly deserves the "GOAT" (Greatest of All Time) title in investing, drawing some interesting parallels to NFL running backs like Barry Sanders and comparing different investing legends' careers. We analyze Buffett's key principles including: His famous "circle of competence" concept and how it both helped and potentially limited him The evolution of his investing strategy from "cigar butt" value investing to quality businesses His views on margin of safety and how it varies based on business quality Why he believes his biggest mistakes were errors of omission rather than commission His advice about investing in yourself as your greatest asset The importance of having the right heroes while recognizing their imperfections What he would do if starting with $1 million today Why he advocates index investing for most people Throughout the discussion, we weave in our own perspectives and experiences, some NFL analogies (including some self-deprecating Jets fan moments), and even manage to work in references to Charles Bukowski poetry and Star Wars. We aim to make these timeless investing lessons both educational and entertaining. SEE LATEST EPISODES https://excessreturnspod.com FIND OUT MORE ABOUT VALIDEA CAPITAL https://www.valideacapital.com FIND OUT MORE ABOUT SUNPOINTE INVESTMENTS https://sunpointeinvestments.com/ FOLLOW JACK Twitter: https://twitter.com/practicalquant LinkedIn: https://www.linkedin.com/in/jack-forehand-8015094 FOLLOW JUSTIN Twitter: https://twitter.com/jjcarbonneau LinkedIn: https://www.linkedin.com/in/jcarbonneau FOLLOW MATT Twitter: https://twitter.com/cultishcreative LinkedIn: https://www.linkedin.com/in/matt-zeigler-a58a0a60/
Welcome back to Clemenz With a Z! In today's episode, we dive into a special poem that found me when I needed it most—The Laughing Heart by Charles Bukowski. This piece has been a constant source of light for me, especially during darker times. As we continue our exploration of poetry, I want to take a moment to reflect on its power to help us slow down, connect, and find meaning in life's toughest moments. Whether you're new to Bukowski or familiar with his wild life and words, this poem speaks to something universal: the quiet resilience within us all. I dedicate this episode to the incredible guests and listeners who have shared their stories and struggles on this platform, specifically in the "We Were In a Cult?" series. Here's to holding on to that little bit of light, no matter how dim it may seem.
GO ALL THE WAY - By Charles Bukowski (Powerful Motivational Speech) To Achieve Success! Get inspired and motivated every morning with our podcast, featuring insights from successful individuals on changing your mindset and achieving your goals. Don't miss out on this opportunity to start your day off right! If you find our podcast helpful, please take a moment to rate the show and leave us a review. Your feedback is invaluable in helping us provide you with the best possible content. Don't forget to sign up for our newsletter to stay up-to-date on the latest episodes and receive exclusive content and tips on personal growth and success. Thank you for tuning in and being a part of our community! http://bit.ly/3HMlZW5 My motivational speech podcast inspires listeners to reach their full potential through powerful stories and thought-provoking discussions. Your support by buying us a coffee helps us continue to create uplifting content. https://bit.ly/3RQKlTc Earn money by testing new apps and writing reviews! Register with Write App Reviews, choose apps to review from our database, and get paid at least $15 per review with no limit on how many you can do. Sign up now! https://bit.ly/3Bb8FbG GO ALL THE WAY, Charles Bukowski, motivational speech, achieve success, personal growth, inspirational speech, empowerment, motivation, personal development, life-changing speech, motivation for success, transformational speech, motivational video, powerful speech, success mindset, resilience, motivational talk, best motivational speech, success journey, staying strong, motivational speaker, inspirational video, achieving greatness, life transformation, mindset shift, motivation to succeed, motivational quotes, inspire change, overcome obstacles, self-confidence, self-belief. Learn more about your ad choices. Visit megaphone.fm/adchoices
En este episodio conversamos con Alberto Fuguet, un ícono de la literatura chilena y voz fundamental para los lectores contemporáneos. Con su estilo audaz y su mirada crítica, Fuguet ha desafiado las normas literarias y ha acercado la narrativa a la realidad urbana de América Latina. Repasamos algunas ideas de sus aclamados libros y novelas como “Missing”, “Por favor, rebobinar”, “McCondo”, y “Cierto chicos”, hasta sus reflexiones sobre la cultura pop, Fuguet nos invita a repensar la vida de los escritores, la relevancia de los libros y el rol de la literatura. En este episodio, hablamos sobre libros y chismes de autores como Manuel Puig, Roberto Bolaño Andrés Caicedo, Charles Bukowski, Fernando Vallejo y José Donoso, que revelan mucho de quién es realmente Alberto Fuguet.
Recorded live on Feb 24, 2024 at the Westclox Metaphysical Fair. You can support this work and connect more at https://patreon.com/kindmind Charles Bukowski's assertion, "Style is the answer to everything," encapsulates the essence of this quality, suggesting that true style goes beyond mere aesthetics to encompass authenticity, resilience, and individuality. This episode explores the multifaceted nature of style, its evolution through various stages, and its significance as a response to life's complexities.Rooted in the Latin word "stylus," which referred to a writing instrument, the concept of style has evolved to represent the unique way individuals express themselves in every aspect of life - aka one's "signature" style. The cycle of style can be understood through six stages: Uniform, Conform, Perform, Deform, Freeform, and Reform. Each stage represents a phase in the evolution of style, illustrating the dynamic interplay between socialization and individuality.Bukowski's philosophy of "don't try" aligns with this cycle, suggesting that true style emerges naturally when one stops trying to fit in or impress and instead embraces their authentic self. Please visit the episode website to view an image of the "style cycle."
Clint chats with Jamilah from the Music and We podcast about life, art, music and Metallica. Topics in this episode:- reflections on becoming a father and fatherhood- how being a parent has changed me- balancing touring life with family- metaphor and knowing we are going to dieWherever You Go That's Where I'll Be - Clint Wells- favorite writers- finding a voice as a writer- Raymond Carver and Charles Bukowski- reading less- balancing technology with life- my fantasy about working at Home DepotModern Bummer - Clint Wells- finding love- what makes us special- my grandfather the guitar collector- Hank Williams- when I knew I wanted to make music- being in a Birmingham cover band at 16No One At the spry (But You and Me) - Clint Wells- calling yourself an artist- bullshit artists- does making music affect listening to music- Pete Yorn- being drawn to Metallica- assignment writing- creativity vs. just playing the parts- writing for soundtracksWish You Were Here - Clint WellsListen to Music and We HERE.E-mail Music and We - musicandwejj@gmail.com If you think Metal Up Your Podcast has value, please consider taking a brief moment to leave a positive review and subscribe on iTunes here:https://podcasts.apple.com/us/podcast/metal-up-your-podcast-all-things-metallica/id1187775077You can further support the show by becoming a patron. All patrons of Metal Up Your Podcast at the $5 level receive volumes 1-4 of our Cover Our World Blackened EP's for free. Additionally, patrons are invited to come on the show to talk about any past Metallica show they've been to and are given access to ask our guests like Ray Burton, Halestorm, Michael Wagener, Jay Weinberg of Slipknot and members of Metallica's crew their very own questions. Be a part of what makes Metal Up Your Podcast special by becoming a PATRON here:http://www.patreon.com/metalupyourpodcastJoin the MUYP Discord Server:https://discord.gg/nBUSwR8tPurchase/Stream Lunar Satan:https://distrokid.com/hyperfollow/lunarsatan/lunar-satanPurchase/Stream VAMPIRE:https://distrokid.com/hyperfollow/clintwells/vampirePurchase/Stream our Cover Our World Blackened Volumes and Quarantine Covers:https://metalupyourpodcast.bandcamp.comFollow us on all social media platforms.Write in at:metalupyourpodcastshow@gmail.com