Podcasts about Pop Life

Hoy nos visita por vez primera el cantante-compositor gallego Luis Fercán para presentarnos sus nuevas canciones editadas bajo el título de “Cerezos en Flor”, su cuarto álbum que vuelve a contar con el guitarrista Nacho Mur como productor. Si te gusta Iván Ferreiro o Quique González, te gusta Fercán.DISCO 1 ANGELS OF LIBRA I Fell I LoveDISCO 2 SANTERO Y LOS MUCHACHOS Vamos. VernosDISCO 3 PRINCE & THE REVOLUTION Pop LifeDISCO 4 SMITH & LIDDLE New DayDISCO 5 VÍCTOR MARTÍN MásDISCO 6 LUIS FERCÁN Me Estoy ContradiciendoDISCO 7 LUIS FERCÁN CristalesDISCO 8 LUIS FERCÁN EL Otro LadoDISCO 9 LUIS FERCÁN Esta vezEscuchar audio

Get Steven's book here: https://a.co/d/hL59h1P   Listen to the "When Rock Met Rap" playlist here: https://open.spotify.com/playlist/0h80ZgwlogOR4dImlu6kQJ?si=EWDohFZuQtuiVMybtgMB1A   Aerosmith/Run DMC, Beastie Boys Paul's Boutique, Public Enemy and Anthrax, Rick Rubin and Russell Simmons, De La Soul and Third Bass, and the 318 hip hop records that sampled Billy Squier's “The Big Beat exemplify the era. Rap records sampled rock bands, elevating sampling into an art form, while influencing all other forms of popular music. One of the themes this book will explore is the way the fusion of rap and rock gave hope to a sense of interracial harmony.   In keeping with When Rock Met Disco and When Rock Met Reggae, this title relates the musical cross collision, and cultural fallout that changed music for the better, and remains an influence through today.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Live Recorded Set from VirtualDJ Radio TheGrind

Live Recorded Set from VirtualDJ Radio TheGrind

Read Eugen's Substack because you should and he wrote about band life honestly here: https://open.substack.com/.../when-will-bands-stop...   Making music and touring has always been a loss leader for most artists, and in the post Covid world costs are ever increasing. Our guest today, who's been touring globally and making albums for over 40 years has some sage words of wisdom about the endeavor and when Eugene speaks, y'all should listen!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Live Recorded Set from VirtualDJ Radio TheGrind

For paid YouTube subscribers and Patrons we'll be viewing the Academy Award nominated film "At Close Range" the true story of criminal family in Appalachia and the lengths people go to stay out of prison--even to family! At times there can be a glorification of organized crime as a rebellious life--this movie shows the real life underbelly of that "rebellious" reality.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (speciallyYouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3egFacebook: https://www.facebook.com/Thisisrevolutionpodcast/Twitter: @TIRShowOaklandInstagram: @thisisrevolutionoakland   Substack: https://jmylesoftir.substack.com/.../the-money-will-roll...   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-mylesRead Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Find Aaron's music here: https://www.aarongillespie.com/   From church halls to the main stage of Warped Tour, Aaron Gillespie has done it all and after over 2 decades in the music industry is still going strong. We'll discuss Aaron's rise from the "christian hardcore" scene in the late 90s and more!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   SUBSTACK: https://substack.com/@jmylesoftir   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa

Managing bands like: Underoath, The Starting Line, Vacationer, Aaron Gillespie, Say Anything, Bayside, Person L, The Almost, Hit The Lights, Beach Slang, Fake Problems, and Jamison Parker and The Pilfers, means you have to navigate complex emotions, volatile relationships, drug problems, and more! We'll discuss it all with long time music industry veteran, Randy Nichols.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa

LISTEN TO SWING KIDS HERE: https://swingkids.bandcamp.com/   San Diego, like its northern cousin Seattle, has always existed on the periphery of mainstream cultural circuits—too geographically isolated for major label attention, yet fertile ground for subcultural innovation. Its position at the edge of the U.S.–Mexico border makes it a fascinating site for hybrid forms, a crossroads of tension, migration, and creativity. In the early 1990s, out of that liminal zone, emerged Swing Kids—a band that fused the rhythmic sensibility of swing jazz with the sonic dissonance of hardcore punk. Their 1994 self-titled EP was less a collection of songs than an act of sonic revolt—a controlled detonation that anticipated what would later be called “screamo.” While their time together was brief, Swing Kids' influence continues to reverberate, embodying the ethos of art as confrontation—a refusal to conform to genre, commerce, or calm. I'm honored to welcome them today to talk about the aesthetics of chaos, the politics of sound, and what it means to create something truly disruptive in a culture that increasingly rewards conformity. Jason sits down with the members of Swing Kids to discuss their legacy of boundary breaking hardcore in the mid 90s to now.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...

1971 Playlist: https://open.spotify.com/playlist/4TCVGFKLpEB0oipjPKjElF...   Conan and J. take a dive into the year 1971 and go over some of the monumental releases of that year.   Listen to Conan here: https://www.protonicreversal.com/   Listen to Conan Neutron and the Secret Friends here: https://www.neutronfriends.com/   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com/home/post/p-161586946... Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...

Listen to Jason's Megadeth playlist here: https://open.spotify.com/playlist/6CBUnnEznvgzjLogJ31NZ9...   Follow Doc and God Forbid here: https://www.instagram.com/godforbidofficial/?hl=en   After a 40 year career Megadeth is calling it quits, we'll examine their catalog and influence on heavy music.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com/home/post/p-161586946... Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...

Listen to Misconstruity here: https://misconstruity.com/home “Like if King Crimson were throwing an Eyes Wide Shut party.” — Ryan Engley, co-host of the "Why Theory?" Podcast   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Read Jason in Unaligned here: https://substack.com Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa

They cut their hair, they changed their sound..they sold out? We'll discuss the post Black Album success and era that has marred Metallica for decades, the "Load" years.   Find Stav's music here: https://open.spotify.com/artist/3kXyKSIpJOYMkq1Hb8N1N9... ; https://open.spotify.com/artist/4v24AzWBIlowZwnktXSlwX...   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://kasparian.substack.com/.../the-mob-rules...

Follow David Ellefson here: https://www.davidellefson.com/   Jason will have a conversation with foundational metal bassist David Ellefson.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com   Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa

Howard Stern is finally calling it quits--what legacy has his show left behind?   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...

Listen to Will Haven: https://open.spotify.com/artist/6oHhpIAHJlyqi70DdfWeJX...   Coming out of Sacramento, California Will Haven has forged a path over decades with a brutal heaviness that has inspired many. We'll discuss their journey.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland

Follow Tajai and Souls here: https://www.soulsofmischief.com/   What better way to wax poetic about hip hops glory years than discuss it with someone who was actually there!   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com   Read, "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-wa  

Read Doc's article in Loudersound here: https://www.loudersound.com/.../doc-coyle-sleep-token-op-ed   Listen to God Forbid here: https://open.spotify.com/artist/2OgQ0tvf2ldbdlm8sXyx3M...   Is heavy metal the last sacred bastion of authenticity? Does metal's popularity suffer from a fanbase that entrenched in the cultures of deconstruction and authenticity? What deems a band a "sellout" as all artists of a certain level are just trying to make a living and "get the bag"? We'll discuss with God Forbid Guitarist and journalist, Doc Coyle.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   Read "We're All Sellouts Now" here: https://benburgis.substack.com/.../all-we-ever-wanted-was...

For a genre and a media ecosystem that has perceived itself to be "rebellious" has cutting against the grain created an unintentional pathway to misogyny? We'll discuss.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned Here: https://substack.com/home/post/p-161586946...

1985 hat Prince mit seiner Band "The Revolution" das Album "Around The World In A Day" herausgebracht, da schwebte er noch auf der Erfolgswelle von "Purple Rain". "Around The World In A Day" ist opulent, bunt und ganz anders als die Musik, die Prince vorher so erfolgreich gemacht hat. Das Album ist auch kommerziell gesehen nicht so erfolgreich geworden wie die Vorgängerplatte "Purple Rain", aber an die Spitze der Charts hat Prince es damit trotzdem geschafft. So unterschiedlich die Songs auf dem Album sind, so unterschiedlich urteilen auch die Kritiker über "Around The World In A Day". An den Erfolg von "Purple Rain" anzuknüpfen war zu diesem Zeitpunkt aber auch gar nicht möglich, suggeriert SWR1 Musikredakteur Stephan Fahrig im Podcast. Mit "Purple Rain" war Prince zu der Zeit vielleicht sogar größer als Michael Jackson oder Madonna, findet Stephan Fahrig. "Von so einem Erfolg (wie "Purple Rain") hätten andere Künstler zwei oder drei Jahre gezehrt", erklärt Stephan Fahrig – Prince nicht. Der hat nach seinem Über-Album direkt diese Platte nachgelegt, zum Unmut seiner Plattenfirma, die das Meisterwerk von Prince gerne noch mehr finanziell ausgequetscht hätten. Nach seinem Welterfolg von "Purple Rain" hatten viele Fans von Prince eine Art Fortsetzung erwartet oder erhofft, als "Around The World In A Day" im April 1985 rausgekommen ist. Die Realität sah ganz anders aus. Statt mit einem kraftvollen Rocksong, wie man es vielleicht als Fan von Prince erwartet hat, startet das Album mit Trommeln und orientalischen Klängen – also ganz anders. Das hat auch unseren Podcastgast Patrick Obrusnik überrascht. "Das ist ja ein mutiger Einstieg", hat er gedacht, als er die Platte damals aus dem Laden nach Hause gebracht hat und zum ersten Mal die Nadel auf die Rille gesetzt hat. Trotzdem ist das Album für den Journalisten vom BR ein tolles Album, erklärt er. Meilensteine-Gast Patrick Obrusnik sagt, für ihn war das Album "Around The World In A Day" von Prince damals eine "Offenbarung", weil das Album zeigt, was der Ausnahmekünstler Prince auch über "Purple Rain" hinaus noch so alles drauf hat. __________ Über diese Songs vom Album "Around The World In A Day" wird im Podcast gesprochen: (13:49) – "Around The World In A Day"(24:13) – "Paisley Park"(35:52) – "Raspberry Beret"(43:32) – "America"(48:14) – "Pop Life"(59:07) – "Temptation"__________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/prince-around-the-world-in-a-day- __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Noah and Bill try their hand at finding romance in a Phoenix soundstage. @noahandbillshow.bluesky.social -- @billscurry.bluesky.social -- @noahtarnow.bluesky.social This week's theme: "Pop Life” by Prince. New episodes every Monday morning on Spotify, Soundcloud, iTunes, and GooglePlay!

The traveling festival Lollapalooza showcased alternative bands and gave rise of the musical format we see at festivals like Coachella. Was it a Woodstock for Generation X? If so, why didn't it have the same issues as the Woodstock reboots in 1994 and the most talked about one in 1999? We'll discuss.   GET KATHERINE'S BOOK HERE: https://uncpress.org/book/9781469677255/live-from-the-underground/   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Find David's music here: https://www.creatchy.com/   As viewers of this show know I HATE the term "yacht rock", but I love the music of the 70s and 80s, and I FINALLY get to speak with one of the architects of this genre that I believe don't get the credit they're due. Get your popcorn ready for a very special mid day conversation with David Garfield of Karizma and SO MUCH more. We talk about David's musical journey, what it was like in the 80s when the 2nd wave of studio musicians were dominating the pop charts, and what he's doing now. It should be a fun.   Get tickets to the live podcast in San Francisco, April 17, "Is Donald Trump the End of, The End of History" here: https://www.universe.com/events/is-trump-the-end-of-history-tickets-J30WT9?utm_medium=affiliate&ref=ticketmaster&irgwc=1&clickid=SvQWD7S-hxyKT3dT3JWIF3E4Uks1OlULRWMm100&camefrom=CFC_BUYAT_374335&impradid=374335&REFERRAL_ID=tmfeedbuyat374335&wt.mc_id=aff_BUYAT_374335&utm_source=374335-Evvnt%20Inc&impradname=Evvnt%20Inc&ircid=4272?ref=share-widget-buffer   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Hey there, ‘80s fans! Welcome back to Throwback Thursday – Return to the '80s edition! It's that time of year again—March Madness! But we're not talking about basketball here. Oh no, we're diving into our very own Return to the '80s March Madness music tournament!

Join Jason Myles, the host of 'This is Revolution Podcast,' for an exciting episode dedicated to the vibrant world of 1995's alternative music scene. Celebrated as a defining year in music, 1995 saw the underground clash with the mainstream, creating unforgettable sounds that shaped generations. Journey with Jason from discussions about the fading grunge era to the rise of iconic bands like The Smashing Pumpkins, Oasis, and Foo Fighters. Dive deep into the explosion of Britpop and the transition of shoegaze into dream pop, while exploring the profound influence of indie and post-hardcore genres. Get ready to reminisce, discover hidden gems, and celebrate one of the most iconic years in alternative music.   Listen to the playlist here: https://open.spotify.com/playlist/7A6tZ6HATx06Rdx92Jen2w...   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Listen to the Playlist here: https://open.spotify.com/playlist/3iNnzitasVcqi9ZRfZqYJu?si=t2Qr-rwlQF2oVV8-UGVNVw Is Yacht Rock a real genre? If so, why are the Black artists always afterthoughts? Maybe Yacht Rock isn't a real genre? We'll discuss.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Listen to the 1995 playlist here: https://open.spotify.com/playlist/7A6tZ6HATx06Rdx92Jen2w?si=wZbWnjHTTvKxdAjGaYkyTg   Conan and I will examine the year 1995..mainly because it's the year we graduated high school! Yes..we're THAT old. Should be fun.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Hip Hop purists have been complaining about the state of the genre for years, but do they have a point this time? Has hip hop been not only infiltrated but taken over by "culture vultures"? Is the success of Kendrick Lamar enough to save the music? We'll discuss.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

The United Kingdom in Summer 1998 was an interesting place indeed.In June, the DVD was released for the first time and presumably the first person to ignore random extras, interviews and photo galleries was welcomed with open arms. The Crime and Disorder Act introduces Anti-Social Behaviour Orders (ASBOS) was introduced into our vocabulary and the tabloids jumped for joy at the possibility of a plethora of new, stupid headlines about 3am parties, alcopop-fuelled teenagers and wheelie bins.Significantly, it was also almost a year since an historic, seismic shift in the country's cultural and political landscape. The release of Be Here Now.(Checks notes - and Labour's political landslide victory.)And since the Gallagher Brothers self-obsessed, grandiose and frankly rubbish collection of bloat had detonated Britpop, the music scene in UK had undergone a transformation poptastic proportions. And, let's be honest, not a moment too soon.As always, the ever trustworthy team at NOW, That's What I call Music HQ were on hand to deliver a sterling snapshot of the summer's latest and greatest chart toppers. And the series reached another monumental milestone - volume 40. Pop Life was beginning indeed!Step forward, er, Steps! Fifteen year old Billie (no Piper yet folks) who was setting the charts alight with her debut, Aqua who were proving that they were no doll-sized one hit wonders by heading out into the jungle and the almost-a-four piece Spice girls (Get well soon Geri!) were delivering (quite possibly) their finest moment yet. Viva, girls!Add dance music, DANCE MUSIC - well where to begin? Mousse T (with a little help from Chris Tarrant!), Fatboy Slim, David Morales, Lucid and The Tamperer were delivering slices of high powered BPM perfection. WHAT did the charts look like with a chimney on it? But, BUT, our favourite variously compiled brand were not having it all their way in 1998. Those pesky folks over at HITS had more than something to say about that. And plenty of huge (Fresh? New?) hits were now missing from NOW.Which side were you on?Let the compilation battles commence - AGAIN! Joining myself and Pop Music Activism supremo and saviour of pop streaming Rob Johnson as we revisit summer 1998 and NOW 40!As well as all of the above, find out why the CD single was still the BOSS, explore the seventies disco revival impact on the charts, how Iceland was trending setting, rediscover the incredible adventure of remixing supermos The Trouser Enthusiasts and join us as we begin the search for the Irish Billie, the calypso queen of Aldi (possibly), Kerri-Ann. It is a pop journey that you really don't want to miss. Let's Go! Hosted on Acast. See acast.com/privacy for more information.

Listen to Better Lovers here: https://betterloversband.com/   Listen to the "What the Hell is Metalcore" playlist here: https://shorturl.at/5nxt7   In the late 90s through the aughts a new music came on the scene and was dominating MySpace and to some extent mall culture and the internet, but not necessarily the airwaves and MTV. That music, while some bands had some success on MTV, Music television was morphing into more reality television and music..well?   This music is a genre I love, mixing metal, punk, nu metal, and hardcore. As metalcore is celebrating 20 plus years, we'll take a look at the genre with some of it's biggest stars. In this episode we'll talk with guitarist Jordan Buckley.   Buckley came on the scene in the late 90s with the band Every Time I Die, and now is STILL RAGING 20 plus years later with his all-star heavy metal Avengers band, Better Lovers.   Check out our new series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out.   We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ In the late 90s through the aughts a new music came on the scene and was dominating MySpace and to some extent mall culture and the internet, but not necessarily the airwaves and MTV. That music, while some bands had some success on MTV, Music television was morphing into more reality television and music..well? This music is a genre I love, mixing metal, punk, nu metal, and hardcore. As metalcore is celebrating 20 plus years, we'll take a look at the genre with some of it's biggest stars. In this episode we'll talk with guitarist Jordan Buckley. Buckley came on the scene in the late 90s with the band Every Time I Die, and now is STILL RAGING 20 plus years later with his all-star heavy metal Avengers band, Better Lovers. Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Listen to the "What the Hell is Grunge" playlist here: https://open.spotify.com/playlist/40Y5GsXRaJzuJmz24BYAG8?si=Lf3hHZMuQFq1TpcNiVcPiA We'll be discussing "grunge"? Where did it come from and where did it go? I'll be joined by a friend of show, Daniel Bessner.   Check out our new series "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out.   We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/

Hair Metal: The Soundtrack of Suburban Rebellion The term "hair metal" is often loaded with contradictory emotions. For some, it carries a pejorative tone, evoking images of overproduced, superficial music that prioritized style over substance. For others, it symbolizes a golden era of hedonism and carefree excess—a nostalgic portal to the cultural climate of the 1980s. Whether you're a Gen X'er reliving the glory years of 1981-1987 or a Gen Z'er discovering the era's flamboyant spectacle for the first time, hair metal offers an intriguing entry into a bygone cultural zeitgeist. Origins and Influences: A Hybrid of Excess Hair metal is best understood as an amalgamation of diverse influences: the shock rock theatrics of Alice Cooper and KISS, the virtuosic intensity of the New Wave of British Heavy Metal (NWOBHM), and the pop hooks reminiscent of 70s classic rock. The genre's genesis can be traced to Los Angeles in the late 1970s and early 1980s, amid the decline of hardcore punk and new wave. Unlike the disaffected rebellion of punk or the cerebral stylings of new wave, hair metal embraced a more commercial, hedonistic ethos that resonated with suburban youth. Key Players and Early Success Van Halen's meteoric rise in the late 70s, driven by Eddie Van Halen's guitar innovation and David Lee Roth's charismatic theatrics, laid much of the groundwork. Yet, it was Quiet Riot that first achieved mainstream success with 1983's Metal Health, the first metal album to reach #1 on the Billboard charts. Their cover of Slade's “Cum on Feel the Noize” exemplified the blend of hard rock bombast and pop sensibility that defined the genre. Simultaneously, Ozzy Osbourne's Blizzard of Ozz (1980) featuring Randy Rhoads, redefined what metal could be—dark and heavy, but also catchy and accessible. This formula of blending metal's aggression with pop hooks became the template for hair metal's commercial domination. The Cultural Politics of Hair Metal Unlike punk's overt challenge to conservative politics, hair metal offered rebellion as a commodified spectacle. It was less about collective resistance to authority and more about personal indulgence. The Reagan and Thatcher years saw the rise of neoliberal individualism, and hair metal became the soundtrack to this ethos: drugs, sex, and flashy excess. Bands like Mötley Crüe, with albums such as Shout at the Devil (1983), exemplified this aesthetic, blending occult imagery with glam decadence. However, by the late 80s, the genre began to cannibalize itself. Bands influenced by early hair metal—such as Poison—were producing sanitized versions of the form. By 1988, hair metal had become a bloated commercial enterprise. Simultaneously, the rise of bands like Guns N' Roses and Faster Pussycat, who rejected the cartoonish glam aesthetic, signaled a shift. Mötley Crüe's 1987 album Girls, Girls, Girls symbolized this transition—gone were the lace and makeup, replaced by leather and a grittier image. The Decline: From Cultural Dominance to Nostalgia The genre's decline was swift, for many hastened by the rise of grunge and alternative rock in the early 90s. While I don't discount the raw authenticity of bands like Nirvana, and how it  stood in stark contrast to the excesses of hair metal; By 1987 most of the “hair metal” songs were pop music with distorted guitars. Def Leppard's 1983 Pyromania was to be their “Thriller”. This was less an authentic genre, and more a media moniker, and everyone with a Marshall stack and hair spray wanted to use that moniker to get in the business.  By the early 90s, the genre was relegated to nostalgia tours and retro compilations, a relic of a pre-grunge world. Mötley Crüe playlist: https://open.spotify.com/playlist/2AYeS0yG88ymhk7Lrb09Kr...   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/          

Listen to the 1982 Playlist here: https://open.spotify.com/playlist/04wj895QLuRqidJYCPIOaj?si=ynwWIGIxTC-eEoOkibegBA In this episode, we dive into the pivotal year of 1982, a watershed moment that saw heavy music break away from the “dinosaur” rock of the '70s and launch into new, dynamic subgenres. This year gave birth to two powerful yet opposing forces in metal: the raw, uncompromising sound of thrash and the glammed-up spectacle of hair metal. We explore how both genres became symbolic of a larger cultural and economic shift, with thrash embodying an anti-establishment ethos while hair metal captured mainstream attention with its flashy, accessible style. However, as capitalist production infiltrated these new genres, the revolutionary spirit that first defined them was soon diluted. Record labels and media, quick to capitalize on the trend, churned out copycats and polished away the edge, reducing genuine rebellion to commodified rebellion. This episode discusses how, despite the initial burst of creativity and defiance, the rapid commercialization of both thrash and hair metal ultimately diminished their potential for lasting cultural impact, leaving us to question: can music remain revolutionary within a capitalist framework? Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

I'll be back with the fallout from the election next week. But until then here's a Halloween Hangover episode of the show that consists of my appearance on Jason Myles' Pop Life. Toure Reed also joined the program. We talked about teen-campers in the woods horror movies from FRIDAY THE 13TH and SLEEPAWAY CAMP franchises to more obscure titles like THE BURNING, MADMAN, and CHEERLEADER CAMP. Toure gave his thoughts on Joss Wheadon's CABIN IN THE WOODS and its tongue-in-cheek "meta" approach to horror. Realize everyone is burned out from the election, so hopefully this episode will be some type of reprieve.

Introduction: Horror Tropes and the Legacy of "Teens in the Woods"   Welcome back to *THIS IS REVOLUTION* where we never apologize for our taste! At TIR, we reject the concept of “guilty pleasures.” Whether it's low-budget films, DIY music, or bootleg swap meet finds—we embrace it all. And if there's one genre that pulls us in, it's horror. Today, we're diving into perhaps the most enduring horror trope: the “teenagers camping in the woods” genre, a setup that begins with ordinary characters and quickly descends into terror and survival.   This genre arguably gained its iconic standing with the *Friday the 13th* franchise, where a vengeful, silent figure haunts unsuspecting teens for their “sins” or simply for being there. What began with an act of vengeance in the original *Friday the 13th* became something far darker—a formula that ultimately evolved into a chilling commentary on innocence, power, and punishment. With sequels piling up, Jason Voorhees' motive shifts from vengeance to something closer to a ritualistic bloodlust, a reflection of the franchise's own bloodthirsty popularity.    But what do these stories reveal about our society's anxieties and about the "rules" that horror fans know all too well? Films like *The Cabin in the Woods* take this trope further, using it as a meta-commentary on the genre itself—introducing archetypal characters and scenarios as intentionally manipulated constructs, while weaving in a dark critique on our endless hunger for violence as entertainment. Today, we're taking a closer look at these “teen slasher” tropes and what makes this genre so unforgettable. Let's dissect the horror, the satire, and the complex politics of punishment and voyeurism that keep audiences coming back for more.   This exploration into horror classics and their archetypal characters isn't just about scares—it's about understanding our collective psyche. The “teens in the woods” trope reveals as much about our cultural anxieties and contradictions as it does about our cinematic tastes. Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Introduction   The exorcism genre holds a unique place in horror, often drawing on themes of innocence, spiritual warfare, and patriarchal power structures. While its narratives are typically formulaic, revolving around a “possessed” figure (often a young girl) and priests arriving to cast out the demon, the genre also reflects broader societal anxieties about bodily autonomy, religious authority, and family dynamics. Many exorcism films lean heavily on cultural tropes, with a few standing out for their engagement with more complex themes or departures from genre norms.    Today, we'll explore five significant exorcism films, from iconic classics to new interpretations, analyzing how each interacts with the genre's conventions and challenges them to varying degrees. Here's our list:   The Exorcist  William Friedkin's The Exorcist (1973) is the foundational work of exorcism horror, causing a stir for its visceral portrayal of demonic possession and controversial religious imagery. The infamous production faced numerous setbacks, often seen as reflecting the turmoil depicted onscreen. This film's critical reception and lasting impact reveal how effectively it tapped into societal anxieties of the 1970s.     Exorcist III Written and directed by The Exorcist author William Peter Blatty, Exorcist III (1990) continues the narrative with a fresh perspective, emphasizing psychological horror over shock value. Blatty's direction draws on philosophical themes, creating one of the genre's most introspective entries. Many consider it a more layered and, in some ways, superior work to Friedkin's original. The Exorcism of Emily Rose  The Exorcism of Emily Rose (2005) marks a genre revival that experiments with the "based on a true story" approach. This film combines courtroom drama with horror, exploring themes of faith, science, and institutional power. It questions societal definitions of sanity and the legitimacy of religious experiences in a secular world, creating a nuanced discussion on mental health and belief.   Late Night with the Devil The newest on our list, Late Night with the Devil (2023), departs from genre norms by framing possession within the setting of a fictional 1970s talk show. This film is a genre-bending take, blending exorcism horror with cultural satire on sensationalized media, reminiscent of the era's late-night television programming. It plays with the exorcism format while commenting on the media as a modern “exorcist,” claiming to expose dark secrets.   Il Demonio (The Demon) As one of the earliest entries in exorcism horror, Il Demonio (1963) is an Italian film often overlooked. It visualizes the exorcism genre's gendered dynamics, with a narrative that intersects spousal abuse, mental illness, and patriarchal control. The film uses demonic possession as a metaphor for the internalized violence faced by women under societal and marital oppression, offering a critical lens on traditional power structures.   These films offer a window into not only horror but broader social and cultural anxieties. Each one engages with themes of power, authority, and the societal “other,” reminding us of the genre's unique capacity to critique and unsettle dominant narratives.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined,   BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

The guest didn't show, so J went on a bit of a rant about the industry around podcast gossip, the year in music 1994, and why Blizzard of OZ is the first hair metal record. Enjoy. Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast  Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Introduction:   When my good friend and fellow podcaster and radio host Kenzo Shibata hit me up and told me that he felt 1989 was the greatest year in film history, I thought that was a bold claim. Sure, I knew the original Michael Keaton *Batman* hit theaters that year, but beyond that, the details were a bit fuzzy. For many of us, especially those who came of age during the rise of home video, the lines between what was in theaters, what went straight to video, and what aired on cable often blur together. 1989 was a pivotal year—a moment when the cinematic landscape was rapidly changing, and the home video market was beginning to dominate how we consumed movies.   The year 1989 revitalized the superhero genre with Batman, saw Patrick Swayze transition from Dirty Dancing to playing the zen-like badass Dalton in Roadhouse, and introduced us to A-list actor Brad Pitt in the indie slasher Cutting Class. Christian Slater stepped into the spotlight as a teenage skateboarding detective in Gleaming the Cube, while Wes Craven tried to franchise another horror icon with Shocker.   Horror and comedy were in full swing that year, with Weekend at Bernie's giving us everyone's favorite dead uncle, and Disney making waves with The Little Mermaid. Robin Williams showcased his dramatic range in Dead Poets Society, while Denzel Washington delivered one of his most iconic scenes in Glory. Many believe that Spike Lee made a powerful statement with Do the Right Thing (I'm still trying to figure out what that “statement” is?), and James Spader broke away from his typical high school villain roles in Sex, Lies, and Videotape. Not to mention, George Lucas and Steven Spielberg brought us the third installment of the Indiana Jones franchise. And that's just scratching the surface!   So, grab your popcorn, sit back, relax, and enjoy the show! We'll be diving deep into the films of 1989, exploring every genre, every standout performance, and every iconic scene. And don't forget—we'll be opening up the phone lines in the Champagne Room for you to chime in with your thoughts. What films did we miss? What's your favorite from this era?   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Listen to the 1977 playlist here: https://open.spotify.com/playlist/1gKJPho9NU5BnUjtui5bTE?si=ddccd3dbc8a249ec The year Conan and I came into the world! Bowie and Iggy, Elvis dies, punk explodes into mainstream conscious and much more!   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert  

Welcome to today's episode, where we dive into the explosive year of 1986—a year many consider the greatest in the history of thrash metal. We'll explore the rise of "The Big 4 of Thrash," the decline of punk (as well as hardcore starting to morph into crossover) as the dominant subgenre for disaffected youth, and how metal, especially thrash metal, began to roar into the mainstream. This was a year when Metallica gained significant exposure by touring with Ozzy Osbourne, and just a year after Motley Crue catapulted into the record-selling stratosphere. The "New Wave of British Heavy Metal" had established itself, transitioning from the "new" phenomenon to a major force in the arena circuit in the U.S. and beyond.   ### Was 1986 the Greatest Year of Thrash Metal?   #### The Rise of "The Big 4 of Thrash" **Metallica:**    - 1986 saw the release of Metallica's seminal album *Master of Puppets*, which is often hailed as one of the greatest metal albums of all time. The album's complex compositions, aggressive sound, and critical lyrics elevated thrash metal to new artistic heights. How did *Master of Puppets* influence the thrash metal genre and its acceptance in the mainstream?    - Metallica's tour with Ozzy Osbourne in 1986 was a pivotal moment for the band, exposing them to a broader audience. How did this tour help Metallica and thrash metal gain mainstream recognition?   **Megadeth:**    - Megadeth released their influential album *Peace Sells... but Who's Buying?* in 1986. The album's politically charged lyrics and technical prowess set it apart. How did Megadeth contribute to the evolution of thrash metal with this release?    - Discuss the impact of Dave Mustaine's previous association with Metallica and how it shaped Megadeth's sound and rivalry with Metallica.   **Slayer:**    - Slayer's *Reign in Blood* also debuted in 1986, known for its brutal speed, intensity, and dark themes. Produced by Rick Rubin, the album pushed the boundaries of thrash metal. What was the significance of *Reign in Blood* in establishing Slayer's reputation in the metal community?    - How did the album's controversial themes and aggressive style influence the thrash metal genre?   **Anthrax:**    - Anthrax released *Spreading the Disease* in late 1985 and followed it up with *Among the Living* in early 1987. Although slightly outside of 1986, these albums were critical in shaping their influence in the thrash scene. What role did Anthrax play in the diversification and popularization of thrash metal?   #### The Decline of Punk as a Dominant Subgenre **Punk's Waning Influence:**    - By 1986, punk's initial wave had largely dissipated, giving way to more diverse subgenres and a shift in youth culture. How did the punk movement's decline create a space for thrash metal to rise?    - Discuss how the ethos of punk—its DIY spirit and rebellious attitude—continued to influence thrash metal bands, even as punk's mainstream presence waned.   **Anarchy vs. Apathy:**    - Punk had often been associated with anarchy and a rejection of societal norms, but by the mid-1980s, some elements of the punk scene had turned towards apathy and malaise. How did this shift affect punk's relevance to youth culture?    - Compare and contrast how thrash metal's more structured rebellion and complex musicianship offered a new outlet for disaffected youth.   #### Thrash Metal's Mainstream Breakthrough **Metallica and Ozzy Osbourne Tour:**    - Metallica's tour with Ozzy Osbourne in 1986 was a significant boost for the band. How did Ozzy's endorsement and the exposure from the tour help solidify thrash metal's presence in the mainstream?    - Discuss the broader impact of established metal acts like Ozzy Osbourne and Iron Maiden embracing and supporting the thrash metal movement.   **Motley Crue's Success:**    - Motley Crue's rise to fame after opening for Ozzy Osbourne in 1985 set a precedent for other metal bands. How did this success pave the way for thrash metal bands to achieve similar mainstream breakthroughs?    - In what ways did the success of glam metal acts like Motley Crue contrast with the rise of thrash metal, and how did these two subgenres coexist in the mid-1980s?   #### The New Wave of British Heavy Metal (NWOBHM) **Cementing the Legacy:**    - By 1986, the "New Wave of British Heavy Metal" (NWOBHM) had firmly established itself. Bands like Iron Maiden, Judas Priest, and Def Leppard were now major arena acts. How did NWOBHM influence the development of thrash metal?    - Discuss the transition of NWOBHM bands from new and emerging acts to established, influential forces in the global metal scene.   **Cross-Pollination of Genres:**     - How did the NWOBHM's success in the early 1980s pave the way for the thrash metal bands of the mid-1980s?     - In what ways did NWOBHM and thrash metal bands influence each other musically and culturally?   ### Conclusion   1986 was indeed a landmark year for thrash metal, marked by iconic releases from "The Big 4" and significant mainstream breakthroughs. This year saw the decline of punk's dominance, as thrash metal emerged as the new voice of disaffected youth, blending punk's rebellious spirit with metal's technical prowess. As the "New Wave of British Heavy Metal" transitioned into established arena acts, thrash metal began to carve out its own place in the mainstream, setting the stage for its enduring influence on the music landscape. Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Welcome to today's episode, where we journey back to the year 1982—a pivotal year in music history. This was a time when genres were in flux, new sounds were emerging, and the music industry was undergoing significant transformations. We'll explore the coming end of disco, the rise of heavy metal and hip hop, and some fascinating developments in Japanese music. We'll also examine the political climate of the time, the impact of MTV and music videos, and the exclusion of artists of color from this new visual medium.   ### The Music of 1982   **The Decline of Disco:** By 1982, the disco craze that had dominated the late 1970s was waning. The backlash against disco, epitomized by events like the infamous Disco Demolition Night in 1979, had taken its toll. While disco's influence lingered in pop and dance music, it was clear that the genre's heyday was over. Artists who had ridden the disco wave began to either evolve their sound or fade from the spotlight.   **The Rise of Heavy Metal:** Heavy metal was on the ascent, with bands like Iron Maiden, Judas Priest, and Ozzy Osbourne leading the charge. The genre's aggressive sound and rebellious spirit resonated with a generation looking for something more intense than what mainstream rock offered. Metal's rise was part of a broader movement towards harder, more complex music that also included punk and hard rock.   **The Emergence of Hip Hop:** Hip hop was also beginning to gain traction. While still primarily an underground movement, 1982 saw the release of seminal tracks that would lay the groundwork for the genre's explosion in the mid-1980s. Grandmaster Flash and the Furious Five's "The Message" was a groundbreaking track that highlighted the social issues facing inner-city communities, proving that hip hop was a powerful new voice in music.   **Innovative Japanese Music:** In Japan, the music scene was vibrant and innovative. Artists like Yellow Magic Orchestra were blending electronic music with pop, creating sounds that were ahead of their time. Meanwhile, city pop, a genre that combined jazz, funk, and R&B, was becoming popular. Japanese musicians were not only pushing the boundaries of traditional genres but also influencing global music trends.   ### Political Climate of 1982   The early 1980s were marked by significant political and social changes. In the United States, President Ronald Reagan's administration was characterized by conservative policies, economic changes, and a strong stance against the Soviet Union. The Cold War was still a dominant force in global politics, affecting cultural and artistic expressions around the world. Economic policies were shifting towards deregulation and tax cuts, which had mixed impacts on different segments of society.   In the UK, Margaret Thatcher's government was implementing neoliberal economic policies, leading to significant social and economic changes. These policies sparked resistance and protest from various groups, including labor unions and youth movements, which were often reflected in the music of the time.   ### The Rise of MTV and Music Videos   **MTV's Impact:** MTV launched in August 1981, revolutionizing the music industry by making music videos a crucial part of an artist's success. The visual aspect of music became as important as the sound, changing how artists promoted their music and connected with fans. Videos like Michael Jackson's "Billie Jean" and Duran Duran's "Hungry Like the Wolf" became iconic, setting new standards for production and creativity.   **Exclusion of Artists of Color:** However, MTV faced criticism for its lack of diversity. Early on, the network primarily featured white rock artists, excluding many artists of color, particularly in genres like R&B and hip hop. This exclusion was symptomatic of broader racial biases in the music industry. It wasn't until Michael Jackson's breakthrough that MTV began to more regularly feature black artists, a shift largely driven by the massive popularity and undeniable talent of Jackson himself.   ### Conclusion   1982 was a transformative year in music, marked by the decline of disco, the rise of heavy metal and hip hop, and innovative contributions from Japanese artists. The political climate of the time influenced these musical shifts, while the advent of MTV changed the way music was consumed and promoted, albeit with significant racial biases that needed addressing. As we look back, we can see how these developments laid the groundwork for the diverse and dynamic music landscape we enjoy today.   Link to the 1982 playlist. It might the best, y'all decide: https://open.spotify.com/playlist/74fNzg8UUNOYHPtxntkXO5...   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert          

Today, J.G. have the distinct pleasure of interviewing a true icon of independent cinema, writer and director Alex Cox. Known for his distinctive style and rebellious spirit, Alex Cox has made a significant mark on the film industry with his unique vision and uncompromising approach to storytelling.   Alex Cox first burst onto the scene in the mid-1980s with his cult classic (that we watched here on TIR movie night most recently) "Repo Man," a film that masterfully blends punk rock, science fiction and dark comedy. He followed this with the critically acclaimed "Sid and Nancy," a gritty and poignant portrayal of the tumultuous relationship between Sex Pistols bassist Sid Vicious and Nancy Spungen. Throughout his career, Cox has consistently challenged conventional filmmaking norms, producing a body of work that is both provocative and thought-provoking.   Today we will not only be discussing Alex's past works, but his latest vision, “My Last Movie”. My "last movie" is a Western version of Nicolai Gogol's "Dead Souls' '. According to Alex, Dead Souls, “..is a great book, full of irony, mystery and meaning.” Alex is once again bypassing Hollywood by starting a crowdfunding campaign. Wherever you are listening to or watching there is a link in the description to contribute.    Join us as we sit down with Alex Cox, a maverick filmmaker whose work has left an indelible impact on the world of cinema. Whether you're a longtime fan or new to his films, this conversation promises to be a fascinating journey into the mind of one of the most original voices in contemporary filmmaking.   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

It was our junior of high school respectively. Was this a better year than 1993 musically? Check out the 1993 playlist: https://open.spotify.com/playlist/31ghB6UdNw1hwBdtUnHf8n?si=34aa5937e84349b9 Here's the 1994 playlist: https://open.spotify.com/playlist/1df9HPngjSdt7fQQVBaFuG?si=ab45edd8dabc414f Get Jason's book, "I Was a Teenage Anarchist" here: https://everyday-analysis.sellfy.store/p/i-was-a-teenage-anarchist-by-jason-myles-print-and-digital-issue-pre-order/ Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Get Darren Paltrowitz book, "How David Lee Roth Changed the World" here: https://a.co/d/2wSUkJd   He left the biggest rock band in the world..what happened next is equally legendary.. Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron nowhttps://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3egTwitch: www.twitch.tv/thisisrevolutionpodcastwww.twitch.tv/leftflankvets​Facebook:https://www.facebook.com/Thisisrevolutionpodcast/Twitter: @TIRShowOaklandInstagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazinehttps://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazinehttps://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report:https://www.blackagendareport.com/author/Pascal%20Robert

Get Tom Werman book here: https://a.co/d/3cILpVl   Jason talks with rock producer Tom Werman about his time in the music industry, his biggest hits and misses. A fun show. Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programming, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron nowhttps://www.patreon.com/join/BitterLa...   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9W...Twitch: www.twitch.tv/thisisrevolutionpodcastwww.twitch.tv/leftflankvets​Facebook:https://www.facebook.com/Thisisrevolu...Twitter: @TIRShowOaklandInstagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazinehttps://www.sublationmag.com/writers/...   Read Jason Myles in Damage Magazinehttps://damagemag.com/2023/11/07/the-...   Pascal Robert's Black Agenda Report:https://www.blackagendareport.com/aut...

Listen to the 1967 Playlist here: https://open.spotify.com/playlist/4SXBKYKMgByd3brlSBoKN7?si=13b5f44124eb44d2   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Gremlins, Terminator, Ghost busting, Freddy, Jason dies, but does he? All this happens in 1984 and we haven't even gotten to the "good stuff". We'll discuss the year in horror cinema, 1984. June 8th, Washington DC live show CLR JAMES AND THE STRUGGLE FOR SOCIALISM IN AMERICA ft. ADOLPH REED, C. DERICK VARN, DANIEL TUTT, PASCAL ROBERT AND JASON MYLES GET TIX FOR THE EVENT AND THE VIP MEET AND GREET HERE: https://www.eventbrite.com/e/clr-james-and-the-struggle-for-socialism-in-america-tickets-876034973187   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Listen to the 1984 Metal and Punk Playlist here: https://open.spotify.com/playlist/2jONSnwDBgfixXJjvx0TeS...   Since Jason couldn't make the 1984 show, as he promised, an entire show dedicated to the metal and punk releases of 1984!!   Get Tickets for the TIR Live Show in DC June 8th (You can also purchase Tickets for the livestream if you can't make it to DC)   Get Tickets here:https://www.eventbrite.com/.../clr-james-and-the-struggle...   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Not only will we have Conan Neutron, but this will be the first of our extra special guest series! We'll be joined by the guys from 1001 Album complaints.   Listen to Jason on the show here: https://podcasts.apple.com/.../146.../id1573078761...   Follow Conan here: https://www.protonicreversal.com/   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents?   Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert