Podcasts about Geffen Records

This episode is brought to you by Caldera Lab and Audible. Author and mindset disruptor Carla Ondrasik unpacks the radical idea behind 'stop trying'. Carla challenges the culturally accepted virtue of "trying," revealing it as a fear response that keeps us stuck in inaction and self-sabotage. Through personal stories—from pitching hit songs to Cher to rewriting her own future through visualization—Carla shares why doing, not trying, is the true path to success. This conversation explores how trying shows up in our language, our relationships, and our goals, and offers clear, compassionate strategies for unlearning inherited patterns, setting boundaries, and building a life rooted in clarity and courageous action. Follow Carla @carlaondrasik Follow Chase @chase_chewning — 00:01 The Fear Behind Trying - Carla introduces the core message of her book and why trying is often rooted in fear and failure 02:10 Why We're Addicted to Trying - How instant gratification culture conditions us to avoid real effort and use "trying" as an escape hatch 06:46 Yoda, Gretzky, and the Myth of Noble Trying - Debunking iconic quotes and redefining effort vs. action 12:01 The Try Test: What Does It Even Mean to Try? - Carla's book-lifting exercise proves that trying is a mental illusion, not a physical act 15:19 Fear, Music Industry Boldness, and Doing Anyway - A powerful story about pitching a hit song to Geffen Records—and why doing beats hesitation 20:16 Excuses Are Just Rocks Under the Bridge - Why action requires clear motivation and how to move through fear by starting small 24:46 Inherited Trying and Manifesting Through Doing - Carla's unconventional childhood, visualization rituals, and how language shapes outcomes 31:41 The Airport Analogy: Why Trying Isn't Even an Option - Real-life examples where we would never say "I'll try"—and how to apply that clarity to everything 36:51 Trying vs. People-Pleasing: The Power of No - Why saying "I'll try" is often a fear-based way to avoid discomfort—and how to stop doing that 42:41 How to Hold Others Accountable to DoingSimple scripts to redirect vague language and inspire action in others 46:18 The Best Exercise to Escape the Try Loop - Carla's top recommendation: become aware of what "try" really means—and reject it 48:06 The Power of Silence and Doing in Private - Why your goals get stronger when you stop announcing them—and how to let results speak for themselves 52:21 Failure, Courage, and Public Vulnerability - Carla shares her fear, failures, and learning curve while writing and launching the book. 56:13 What "Ever Forward" Means to Carla - A personal reflection on living forward with purpose, urgency, and collective inspiration — Episode resources: Save 20% on the Hair Care System from Caldera Lab with checkout code EVERFORWARD at https://www.CalderaLab.com  Get your first audio book for FREE with your 30-day trial of Audible at https://www.AudibleTrial.com/everforward Watch and subscribe on YouTube Learn more at CarlaOndrasik.com

After escaping a turbulent home life, Correa's path of self-discovery encompasses Buddhism, yoga, meditation, plant medicine, Native American sweat lodges and vision quest, 12-Step programs, and psychotherapy. Along the way, she had extraordinary experiences: singing “Give Peace a Chance” on the Rose Bowl stage with rock 'n' roll royalty, working at A&M and Geffen Records, and spending time rock legends (mentioned above). Her life changes when she moves to Aspen and becomes a radio DJ and assistant to legendary writer Hunter S. Thompson. There, she meets her future husband and begins to build the family she always longed for. Despite her newfound peace, she is repeatedly drawn back into her family of origin's dysfunction. It is only after her mother's death that Wendy uncovers a painful family secret that finally answers her lifelong question: What really happened to my family?Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

【聊了什么The What】 本期节目，小蓝和小杨将自己“逼到墙角”，聊一聊让我们甘心情愿入坑的国际K-Pop女团KATSEYE。这个由六个截然不同的文化背景、肤色成员组成的团体出道曲成绩优异，而且靠hyperpop单曲“Gnarly”迅速出圈，已经成为美国炙手可热的新人偶像。她们身上那种“全校最漂亮的mean girls跟你天下第一好”的鲜活与“有病又有梗”的魅力与以往的女团相比更松弛、自由。 但同时，KATSEYE也代表着K-pop全球扩张战略“质变”的一个成功样本——HYBE和Geffin Records强强联手不仅是韩美资本的一场盛大联姻，更是一个将K-pop工业化造星体系移植到美国本土的庞大实验。我们跟随着出道纪录片《Popstar Academy》，见证这场巨大的“楚门秀”如何将活生生、充满棱角的女孩们锻造成精美的商品。在这套精密运作的资本逻辑下，“人”与“商品”的边界变得模糊，友谊、梦想与自我认同被撕裂，作为娱乐献祭给全球观众。从成员选拔中无法掩盖的地缘政治与种族“拼色游戏”，到闵熙珍与HYBE的冲突所揭示的平台垄断与创作者困境，我们探讨K-pop这套“反人性”却极致高效的体系在全球复制时，究竟是在输出文化，还是在输出一套更精密的规训与控制？ In this episode, Xiao Lan and Xiao Yang dive into KATSEYE, the international K-pop girl group that's completely hooked us. This six-member group debuted to chart success and broke into the mainstream with hyperpop single "Gnarly." They radiate a chaotic, meme-able charm—"the prettiest mean girls who are also ride-or-die for you"—that feels more relaxed and subversive than previous girl groups. But KATSEYE also represents K-pop's global expansion "qualitative shift." The HYBE and Geffen Records collaboration transplants K-pop's industrialized star-making system onto American soil. Their Netflix documentary Popstar Academy was a "Truman Show" forging strong personalities into polished products, where the line between "person" and "commodity" blurs. From market-driven diversity in member selection to Min Hee-jin's conflict with HYBE exposing creator struggles, we ask: is K-pop exporting culture—or a sophisticated apparatus of exploitation and control? 【时间轴 The When】 02:32 - 04:55 - KATSEYE 是个什么样的女团？ 04:55 - 10:49 - Gnarly歌曲制作中加入不雅声音引发的巨大争议，行业应该如何对待未成年偶像 10:49 - 13:30 - KATSEYE成员台上和台下的反差魅力，“发疯”的Gen-Z女团来整顿韩娱了 13:30 - 18:47 - 纪录片《Popstar Academy》的“楚门秀”式选秀、K-pop严苛的训练体系如何与美国文化碰撞 18:47 - 28:31 - Manon的角色弧光与争议：不努力是偶像最大的原罪吗？ 28:31 - 45:19 - 选秀的残酷本质、地缘政治与种族配额：国籍、市场等因素如何决定谁能出道 45:19 - 53:37 - HYBE x Geffen资本联姻背后的商业模式、全球扩张野心 53:37 - 59:19 - NEWJEANS 的官司里闵熙珍与HYBE的争议是创新、复制与控制权的根本矛盾 59:19 - 69:54 - K-pop的造星方法论走向世界的过程中会去芜存菁吗？ 02:32 - 04:55 - Who is KATSEYE? The Korean-American entertainment powerhouse deal behind the group 04:55 - 10:49 - The "Gnarly" controversy: Why explicit sounds in the track sparked massive backlash 10:49 - 13:30 - KATSEYE's duality: How this "unhinged" Gen-Z girl group is disrupting K-pop norms 13:30 - 18:47 - Popstar Academy's reality TV manipulation and K-pop's brutal training system meets American culture 18:47 - 28:31 - Manon's journey and the backlash: Is "not trying hard enough" the ultimate idol crime? 28:31 - 45:19 - Beyond talent: How geopolitics, racial quotas, and market appeal really determine who debuts 45:19 - 53:37 - HYBE × Geffen: Unpacking the business strategy and global ambitions 53:37 - 59:19 - The NewJeans conflict: Innovation vs. imitation and the battle for creative control 59:19 - 69:54 - Can K-pop's factory system evolve as it goes global—or will it just export the same problems? 【拓展链接 The Links】 The fued between Min Hee-Jin (NJZ) and HYBE, a timeline "Gnarly" MV KATSEYE 的综艺（Warning: 很吵） ”Machine Girl“ 【买咖啡 Please Support Us】 如果喜欢这期节目并愿意想要给我们买杯咖啡： 海外用户：https://www.patreon.com/cyberpinkfm 海内用户：https://afdian.com/a/cyberpinkfm 商务合作邮箱：cyberpinkfm@gmail.com 商务合作微信：CyberPink2022 If you like our show and want to support us, please consider the following: Those Abroad: https://www.patreon.com/cyberpinkfm Those in China: https://afdian.com/a/cyberpinkfm Business Inquiries Email: cyberpinkfm@gmail.com Business Inquiries WeChat: CyberPink2022

1982 saw supergroup Asia reach the top of the charts with their self-titled debut which would go onto be the #1 selling album in the US that year. Smash hit Heat of the Moment hit #1 on the rock charts and so Geffen pushed them back into the studio for 1983's follow up Alpha which went platinum. To take advantage of this momentum, Geffen Records put together Asia in Asia in late 1983 - the first satellite concert broadcast via MTV in Japan. Clearly this success should have continued into the mid-80s. However, cracks were forming. The Alpha album was rushed and though the tour was successful, singer John Wetton was behaving badly. So with 6 weeks until the Asia in Asia broadcast, he was replaced by Greg Lake (who played with drummer Carl Palmer in Emerson Lake & Palmer). Though the tour and broadcast was a success, Greg didn't fit and eventually John was welcomed back. In early 1984, they began working on their 3rd album, Astra, but again problems arose. John demanded that legendary guitarist Steve Howe be dismissed and they eventually carried on with Swiss guitarist Mandy Meyer (not Mandy Moore). However, between the missing Steve Howe guitar pieces and the fact that music had changed since the summer of 1982, Astra was not the hit Geffen was hoping for. We examine all that went on in the Asia camp during this time and go track by track on Astra as it turns 40. Go was a bit of hit with a big budget video but the album couldn't break the top 60. Though standouts like Hard On Me and Too Late harken back to the original Asia sound, some songs are a bit soft and are lacking that key guitar ingredient that led to their success. John Wetton's voice is incredible and Geoff Downes lays down some amazing, melodic keys but there is a reason this fals short of their first two records. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

1982 saw supergroup Asia reach the top of the charts with their self-titled debut which would go onto be the #1 selling album in the US that year. Smash hit Heat of the Moment hit #1 on the rock charts and so Geffen pushed them back into the studio for 1983's follow up Alpha which went platinum. To take advantage of this momentum, Geffen Records put together Asia in Asia in late 1983 - the first satellite concert broadcast via MTV in Japan. Clearly this success should have continued into the mid-80s. However, cracks were forming. The Alpha album was rushed and though the tour was successful, singer John Wetton was behaving badly. So with 6 weeks until the Asia in Asia broadcast, he was replaced by Greg Lake (who played with drummer Carl Palmer in Emerson Lake & Palmer). Though the tour and broadcast was a success, Greg didn't fit and eventually John was welcomed back. In early 1984, they began working on their 3rd album, Astra, but again problems arose. John demanded that legendary guitarist Steve Howe be dismissed and they eventually carried on with Swiss guitarist Mandy Meyer (not Mandy Moore). However, between the missing Steve Howe guitar pieces and the fact that music had changed since the summer of 1982, Astra was not the hit Geffen was hoping for. We examine all that went on in the Asia camp during this time and go track by track on Astra as it turns 40. Go was a bit of hit with a big budget video but the album couldn't break the top 60. Though standouts like Hard On Me and Too Late harken back to the original Asia sound, some songs are a bit soft and are lacking that key guitar ingredient that led to their success. John Wetton's voice is incredible and Geoff Downes lays down some amazing, melodic keys but there is a reason this fals short of their first two records. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Jay Ferguson & Chris Murphy of the legendary Canadian band Sloan join me to discuss their 30+ year recording career (with the same four original band members!) as well as their charming and extensive videography.We also discuss how Sloan carves out space for all four songwriters on each record and the democracy within the band's ethos, the recent 'fake' movie trailers they've made for their new record, the challenges of getting all the band members on the same page to make a music video, the mystery behind Andrew's hypnotic performances (the ‘less is more' factor), their significant work archiving their visual and audio legacy, the band's visual demands for the 'Coax Me' video that initially were not met, the early batch of music videos filmed during their first trip to NYC and their CBGB show in 1992, sticking to their guns when Geffen Records executives didn't get their 2nd album (the stone-cold classic Twice Removed), the film tributes within their videos from Easy Rider to Privilege and To Sir With Love, The MTV of Canada: Much Music, the difficulties in working with other film directors, did Andrew actually cry when he was pushed in the "Losing California" video, the range of budgets on their music videos, The Rolling Stones and their "Start Me Up" video, Sloan's short film comedy classic ‘THE EMPEROR SLAPS BACK', bands not coming to your hometown to perform, how the band has had to adapt to keep going for the last 30 years and so much more!So quiet on the set... shhh, please don't set off the 'Reverb Siren' in Jay's living room... during this week's episode of Revolutions Per Movie!SLOAN:https://sloanmusic.com/https://www.youtube.com/@sloanmusic/featuredREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

@PermissionToStanPodcast on Instagram (DM us & Join Our Broadcast Channel!) & TikTok!NEW Podcast Episodes every THURSDAY! Please support us by Favoriting, Following, Subscribing, & Sharing for more KPOP talk!JOCO scored VIVIZ "Everything Ticket" with a fanmeet, group photo, & member selfies!Comebacks: BOA, KIIKII, NAEVIS, JEON SOMI, KEY (SHINEE), AMPERS&ONE, YOUNG POSSE, MARK (GOT7), JOY (RED VELVET), KEP1ER, STRAY KIDS, CHANYEOL (EXO)Music Videos: NAEVIS (AESPEA), BOA, KIIKII, D4VID X HYUNJINKCON LA 2025 RecapSo many Problems & Complaints about the organization, but the Artists & Stages were amazing!Artist Stage for MEOVV & ZEROBASEONE / ZB1 - GAWON killed it singing BLAKCPINK ROSE & SOOIN slays Like JENNIEMeets & Greet experiences for IZNA, MEOVV, RIIZEJOCO falls in love with SOOIN because of all their interactionsHAYLEE gets wrecked by RIIZE SUNGCHANZB1 RICKY fist pumps to his fanboys chanting his nameLOLLAPALOOZA Chicago with KICKFLIP, KATSEYE, BOYNEXTDOOR, & TWICEKATSEYE slaying with their outfits too, BOYNEXTDOOR energy is fun & crazy, TWICE is TWICEHYBE & Geffen Records team up with AMEBA for Japan Girl Group Audition for next girl groupBTS is in LA! Most likely recordingRM is spotted in Disneyland, lucky ARMY rides the rollercoaster with himJHOPE is still enjoying going around and dancing in LASTRAY KIDS drops teasers for upcoming album KARMASTRAY KIDS filming themselves for the teaser and coming up with the ideas tooFELIX now holds 8 major global ambassadorshipsSupport this podcast at — https://redcircle.com/permission-to-stan-podcast-kpop-multistans/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠Welcome to Notorious Mass Effect, hosted by Analytic Dreamz, your go-to source for music's hottest releases. In this segment, we dive into Katseye's “Gameboy” from their Beautiful Chaos EP, released June 28, 2025. Formed by HYBE and Geffen Records, Katseye blends American pop with K-pop flair. “Gameboy” delivers hyperpop energy, backed by viral singles “Gnarly” (#90 Billboard Hot 100) and “Gabriela” (#13 Spotify Global). With TikTok-driven momentum and production from Justin Tranter, Beautiful Chaos cements Katseye's global breakout in 2025. Join Analytic Dreamz for the full breakdown! Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This is the final part of Play That Rock n' Roll's coverage of ROCKNPOD 2025, and this episode features three guest interviews. The first is with singer/songwriter ROBERT FLEISCHMAN. The second is with JEANNE BASONE aka "Hollywood" from GLOW. And the third is with A&R man TOM ZUTAUT. In the first conversation, Robert Fleischman talks about his new solo album "Emotional Atlas", and how he channel his emotional pain into a beautiful piece of art. He also discusses the importance of artistic independence, and reflects on his time with Journey. In the second conversation, Jeanne "Hollywood" Basone talks about what's included in her new book, "HOORAY FOR HOLLYWOOD", and how she put it together. In our last conversation, former A&R man Tom Zutaut talks about how he got started in the music business when he was still in high school, what it was like to work alongside David Geffen at Geffen Records, and his opinion on the infamous lawsuit Geffen filed against Neil Young when he was there. Our Links: https://linktr.ee/playthatpodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

In early 1990, Nirvana were ready to start working on their second album. Their label Sub Pop recommended a producer named Butch Vig, who had produced heavier underground bands like Laughing Hyenas and Killdozer. They met up with Butch at his Smart Studios in Madison, Wisconsin to begin recording, laying down eight tracks before they had to head out on tour for six weeks. When they returned home, they made the difficult decision to fire their drummer Chad Channing. Around the same time, Kurt and Krist were thinking of leaving Sub Pop, as the label was facing some financial trouble. When it came up that Sub Pop had begun talking to major labels about some kind of deal, Kurt and Krist felt they might be better off just signing directly to a major label. While in L.A. for label meetings they caught a gig by a punk band called Scream. Kurt and Krist were impressed with their drummer Dave Grohl and they kept in touch. When Scream broke up, not long after, they called up Dave to fly out to Seattle and jam with them. Within two minutes of playing, they knew Nirvana had found their new drummer. Gary Gersh at Geffen Records was one of the record executives looking to sign Nirvana. He had seen them play in New York with Kim Gordon and Thurston Moore of Sonic Youth, who Gersh had signed to the label. Thanks to their encouragement, Geffen signed Nirvana to a deal on April 30, 1991. Nirvana managed to convince their new label that Butch Vig was still the best producer for the next album, and with a budget of $65,000, they headed to Sound City Studios in Van Nuys, California to make it. This is the story of lead single Smells Like Teen Spirit, with newly unearthed audio from the band! Written by Cam Lindsay for iHeartRadio Canada.

From games of chicken on private planes to one member surviving a private plane crash, the Eagles as a group very narrowly survived themselves. During their early days, they dosed out on Peyote and reimagined and reconfigured a new FM sound for the ages that would result in unimaginable success and excess. When their debut record was released on Geffen Records in 1972, America couldn't have been more ready for their breezy, countrified Southern California sound. Yet something else came with their that heady, golden age of California in the 1970s, that era of endless cocaine, groupies, money, and excess beyond anyone's wildest dreams. As the Eagles would soon learn, that “peaceful easy feeling” they were peddling wasn't built to last. For the full list of contributors, visit disgracelandpod.com This episode was originally published on March 8, 2022. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week on The Cobain 50, we share one last bonus episode before we hit the final stretch of albums on Kurt Cobain’s top albums list. Ray Farrell may not be a familiar name to most, but he’s worked with many of the artists and labels we’ve talked about on the list: from SST and Rough Trade to Geffen Records, Sonic Youth to Wipers, Farrell has been through it all. He shares with us stories from his time in the industry, as well as some memories of talking records with Kurt himself. Hosts: Dusty Henry and Martin DouglasAudio producers: Matt Martin and Roddy NikpourPodcast manager: Isabel KhaliliEditorial director: Larry Mizell Jr.Support the podcast: kexp.org/cobainSee omnystudio.com/listener for privacy information.

fWotD Episode 2877: All-American Bitch Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Friday, 21 March 2025 is All-American Bitch."All-American Bitch" (stylized in all lowercase) is a 2023 song by American singer Olivia Rodrigo from her second studio album, Guts. Rodrigo wrote the song with its producer, Dan Nigro. It became available as the album's first track on September 8, 2023, when the album was released by Geffen Records. "All-American Bitch" begins as a folk and folk-pop song and transitions into pop-punk during the chorus, incorporating influences of punk, rock, grunge, and pop rock. Lyrically, it is a satirical song and explores Rodrigo's concerns about society's double standards and contradictory expectations for women.Music critics believe "All-American Bitch" was a successful opening track and appealed to Generation Z. They described Rodrigo's vocal performance in the verses as angelic and compared the song to the work of other rock artists. In the United States, "All-American Bitch" debuted at number 13 on the Billboard Hot 100. The song reached the top 10 in Australia, Ireland, and New Zealand, receiving a platinum certification in Australia and Brazil and gold in Canada and New Zealand."All-American Bitch" was promoted with a rehearsal video and a Vevo Live performance in an abandoned theater. Rodrigo also performed the song on Saturday Night Live, where she stabbed a red-colored cake at a tea party and splattered a white-colored cake on her face; the performance received positive reviews from critics. She included the song on the set list of her 2024–2025 concert tour, the Guts World Tour.This recording reflects the Wikipedia text as of 00:55 UTC on Friday, 21 March 2025.For the full current version of the article, see All-American Bitch on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Kajal.

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Vision Quest was released in theaters February 15, 1985. Based on a book that was hot in the young adult space, it featured a young Matthew Modine as Loudon Swain - a high school wrestler from Spokane, Washington who is looking to accomplish something big in his life. While the movie had limited appeal beyond teenagers (it only grossed $13 million), cable TV and video rental stores gave the movie continued life among teenagers for many years. A big reason it continued to draw 80s teens and carry such strong nostalgia today is the soundtrack. Put together by John Kalodner for Geffen Records, it featured some of the hottest pop and rock artists of the day and sold over 1 million copies in the US. Madonna, who was hot off her Like A Virgin Tour, contributes two songs - the unreleased as a single in the US Gambler and mega hit Crazy For You - and she had a cameo in the film singing them both. Journey offered Only The Young from the Frontiers sessions and the video, like Crazy For You, featured scenes from the film, helping the singles sell big numbers. Those two songs along with Red Rider's Lunatic Fringe set the tone for the film and make the songs and movie so intertwined. Some songs from bands like The Style Council, Don Henley and Dio might be overlooked as background music to certain scenes, songs like Change by John Waite (written by the legend Holly Knight) and Lunatic Fringe really keep you energized and engaged in Loudon's quest to drop 22 pounds and beat the unbeatable Shute on the wrestling mat. You have the tender Crazy For You for the romantic scenes, Journey for the training scenes and lots of rock and pop royalty. Even great songs by Berlin, Quarterflash and REO Speedwagon were left off the soundtrack but appear in the movie, including some solid work by Tangerine Dream. Maybe we like this film because as two former teenage boys, we could relate to what this guy was going through. But we continue to like the soundtrack because it had killer songs (with a couple of clunkers) that stand the test of time and play a huge role in the film. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We enter the Guns N' Roses Herpeverse via the band's second album G N' R Lies which contains songs recorded both before and after their historic Ape Tit debut. Initially released as a Geffen Records pacifier until the unpredictable band's next LP, Lies is an undervalued dudless wonder that bookends the group's opening volley toward global ambassadorship.

Daniel House of CZ Records had a pivotal role in the Seattle music scene of the 1980s and early 1990s, including his work with Skin Yard, his time as a key employee at Sub Pop Records, and working with influential bands like Nirvana, Melvins, Soundgarden, the "Deep Six" compilation and lots more. Topics Include: Introduction of Daniel House and CZ Records New Skin Yard seven-inch box set announced History of Ten Minute Warning band Formation of Skin Yard with Jack Endino Forming the seven-inch box set idea Deep Six compilation's initial release discussed UMen added to Deep Six compilation Chris Hanzsek starts CZ Records then transitions out Deep Six compilation initially sells poorly Daniel House takes over CZ Records operations A&M Records purchases Deep Six compilation masters Working simultaneously at Sub Pop and CZ Records Creation of Sub Pop's direct-to-retail store network House builds Sub Pop's international distribution connections Nirvana's Mexican Seafood track on Teriyaki Asthma Confrontation with Geffen Records over Nirvana tracks Missing songs on Bleach cassette recall story Sub Pop focusing marketing efforts on Mudhoney Early Seattle scene was small and intimate Current Skin Yard Select box set details Pink and red vinyl pressing information Production quality control issues at pressing plant Discussion of box set pricing and production costs Interview wrap up Order "Skin Yard Select" box set here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

A dope mix from Sydney's Jazz Funk Bootleg Don, DJ CMAN, one of the original selectors from our musical family since 2009. CMAN takes us on a journey through funk, soul, jazz, hip-hop party recorded live at the Soul of Sydney 13th Birthday Party, this set is a celebration of everything that has made these iconic parties legendary. From dance-floor jazz grooves to modern edits and bootlegs. DJ CMAN take you on a journey through the sounds that define Soul of Sydney. This is more than music—it's a movement. SOUL OF SYDNEY's resident vibe creator DJ CMAN laying down a dope 1-hour selection of heavy FUNK, SOUL & JAZZY HIP HOP REMIXEs, EDITS & BOOTLEGS to close out the 13th Birthday celebration last month for podcast episode #418. Be sure to check out DJ CMAN's for dope mixes, remixes and edits which he has become so well known for around the world. Check out more of his stuff here. https://soundcloud.com/djcmanmusic Track List / 1. War - Galaxy 2000** (1977, MCA Records) 2. Arrested Development - Mama's Always On Stage** (1992, Chrysalis Records) 3. Junior Wells X CMAN - Mama's Finally Off Stage ... Junior's Bluebreak (CMAN Edit)** (Edit, Release Details Unknown) 4. p-rallel, Jords - One Time** (2023, PLATOON) 5. dialE - AOT** (Details Unknown) 6. Common X George Benson - Go** (Mashup, Common's "Go" (2005, Geffen Records), George Benson Track Uncredited) 7. George Benson - On Broadway (Mikeandtess Edit 4 Mix)** (Original: 1978, Warner Bros.; Edit, Unofficial Release) 8. Jodie Abacus - Good Feeling (CMAN Edit)** (Edit, Original: 2017, Label Unknown) 9. Hidden Jazz Quartett Feat. Omar - High Heels (Lack Of Afro Remix)** (2014, Agogo Records) 10. Nina Simone - See Line Woman** (1964, Philips Records) 11. Theophilus London - Calypso Blues (Nat King Cole Cover)** (2011, Reprise Records) 12. The Bamboos - Ride On Time** (2006, Tru Thoughts) 13. DJ Nu-Mark, The Traffic - Hot In Herre** (2019, Hot Plate Records) 14. Nat King Cole - Day In - Day Out (Cut Chemist Mix)** (2005, Capitol Records – Verve Remixed 3) 15. Big Daddy Kane X Chic - Good Times** (Mashup, Details Unknown) 16. Michael Jackson x James Brown - Wanna Get Up And Start Being A Sex Machine** (Mashup, Details Unknown) 17. Legacy - I'm So Glad (CMAN Edit)** (Edit, Release Details Unknown) 18. Stevie Wonder - Happy Birthday** (1980, Motown) 19. Harry Belafonte - Jump In The Line** (1961, RCA Victor) 20.James Brown - Feel Good (Pays Bass Disco Mix)** (Edit, Original: 1972, Polydor) 21. Janet - All For You (Remix)** (2001, Virgin Records; Remix, Unofficial Release) 22. Blackstreet X Cameo - No Diggity (Word!)** (Mashup, Original Tracks: 1996 Interscope & 1986 Atlanta Artists/PolyGram) 23. Cameo - Candy** (1986, Atlanta Artists/PolyGram) 24. Monie Love - Don't Funk Wid The Mo** (1990, Warner Bros. Records) 25. Robson Jorge & Lincoln Olivetti - Aleluia** (1982, Som Livre) 26. Sharon Redd - Can You Handle It** (1980, Prelude Records) 27. Salif Keita - Madan (Petko Afrobeat Edit)** (Edit, Original: 2002, Universal Music) 28. Kanye West - Gold Digger** (2005, Roc-A-Fella Records) 29. Tems + Foxy Brown ft. Blackstreet - Free Mind** (Mashup, Original Tems: 2020, Leading Vibes LLC) 30. Black Thought, Juls, Worlasi, Kofi Mole - Focus** (2023, Details Unknown) 31. Big Pun - Still Not A Player** (1998, Loud Records) 32. Gospel Gods Got A Blend (Big Pun "Playa" Sample)** (Blend/Mashup, Details Unknown) 33. Black Men United - U Will Know** (1994, MCA Records) 34. Billy Stewart - Summertime** (1966, Chess Records) 35. Louis Prima - Buono Sera** (1956, Capitol Records)

Episode 123- Join host Troy Saunders as he chats the vocal powerhouse singer, writer and arranger Jacci McGhee!!Best known for her belted-out duet with Keith Sweat on the hit song of the 1980s, “Make It Last Forever,” Jacci has returned, from a self-admitted dark place, to her passion and gift of singing. Actually, Jacci began her reappearance on the music scene in 2015 with step-out vocals alongside Dominique, on DJ Jay Salter's international EDM hit, “Angel of Mine” (Soul Remix). Once the song took off on the streaming sites, momentum began to build.It continued to escalate with the booking of a modeling job through a chance encounter at a local New York coffee. “The owner of a gourmet popcorn line approached me and asked me if I would do a print ad for him in a food magazine,” she said. “It became my first modeling job.” Afterward, she was a bitten by the acting bug, co-starring in a short film on teen suicide with Marc John Jefferies, the actor best known for film and TV productions: “Power”; “Get Rich or Die Tryin'” and “Losing Isaiah,” to name a fewMcGhee's music career was spawned by her duet with Sweat on the R&B chart-topper “Make It Last Forever” and lead vocals on Salt-N-Pepa's hit “Expression.” Immediately afterward, she was signed to MCA, now Geffen Records, releasing a top 10 R&B single, “It Hurts Me.” With corporate shake-ups, she got lost in the fray. But bounced back as the successor to Sandra St. Victor, taking over as lead vocalist for urban alternative band The Family Stand, on their “Connected” album.Following the dissolution of the band, she steered her vocal talents to opportunities to sing jingles for ad campaigns while raising a family. Her reconnections with DJ Jay Salter resulted in the 2017 Christmas pop single, “Every Day Is A Holiday.”In 2017, the New York native used her vocal and comedic chops to host R&B Live showcases in Charlotte, N.C., and Philadelphia, and later worked alongside Talent The Comedian, in collaborative routines.However, the family took priority. Upon her return to New York, the mother of three took a hiatus from music to immediately step into the role of caregiver for her fourteen-year-old daughter, Madison, who was diagnosed with Juvenile Diabetes.A woman of great faith, Jacci said it was a spiritual experience that encouraged her to return to singing. “The Most High touched my spirit and told me to move forward and sing again,” she said. That decision resulted in a return collaboration with a friend and former producer, DECLARE. Together, they composed the new single “If This World Were Mine” with an accompanying video, directed by her son, Kamrin, a filmmaker and graduate of the arts from Fairleigh Dickinson University. Her daughter also makes a cameo.In 2022, Jacci released ‘Riches of the World' - a high-octane cautionary pop record with an equally electric music video - in addition to a Remix with legendary hip-hop artist Chubb Rock the following year.In the summer of 2023, the re-release of the expanded edition of Jacci McGhee's self-titled debut album (1992) hit all streaming platforms. Jacci's 2023 single ‘Time and Time' would also go on to chart highly on the UK Amazon charts. A year later, in the summer of 2024, Jacci debuted her latest single 'Slow Down,' produced by Father MC, with music composed by Rockwilder. Her latest single 'No More', produced by Producer Declare, is set to release November 8th. This single paves the way for her forthcoming EP Jacci's Closet, releasing January 2025“I've got butterflies in my stomach because it's all new to me. But it just feels like it's my time and I'm ready.”— Jacci McGheeListen and subscribe to the BAAS Entertainment Podcast on Spotify, Amazon Music, Apple Podcasts, Google Podcasts, Deezer, iHeartRadio, Pandora, Podchaser, Pocket Casts and TuneIn. “Hey, Alexa. Play the BAAS Entertainment Podcast.”

pWotD Episode 2757: If I Could Turn Back Time Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 448,296 views on Monday, 18 November 2024 our article of the day is If I Could Turn Back Time."If I Could Turn Back Time" is a song performed by American singer and actress Cher from her 1989 nineteenth studio album, Heart of Stone. It was released as the album's lead single in June 1989, by Geffen Records. The song was written specifically for Cher by Diane Warren, who produced it in collaboration with Guy Roche. Cher was unmoved by a demo of the song sung by Warren, but Roche insisted she record it. The lyrics talk about the feelings of remorse due to bad deeds and the willingness to reverse time to make things right."If I Could Turn Back Time" is a pop rock and soft rock song that features instrumentation from guitars, piano and drums. The song received mostly positive reviews from music critics, who applauded its overall production and Cher's vocal performance, with some considering it to be a highlight of the album. Commercially, the song peaked at number three on the Billboard Hot 100 and became Cher's first number-one hit in Australia. It also reached the top 10 of the record charts in Belgium, Canada, Ireland, Netherlands, New Zealand, and the United Kingdom.The accompanying music video for "If I Could Turn Back Time", directed by Marty Callner, was shot on board of the battleship USS Missouri and portrays Cher performing for the ship's crew, wearing a leather thong that revealed her tattooed buttocks and straddling a cannon. Military personnel condemned the video, while some family groups protested against its broadcast, because they deemed it offensive for the Navy and controversial. Following these protests, MTV was forced to air the video after the 9pm watershed."If I Could Turn Back Time" has been performed on seven of Cher's concert tours, most recently on the Here We Go Again Tour in 2018–2020, and at the 1989 MTV Video Music Awards. The song has been covered by a number of artists and has also been featured on the soundtrack of Deadpool 2 (2018), among others.This recording reflects the Wikipedia text as of 21:10 UTC on Tuesday, 19 November 2024.For the full current version of the article, see If I Could Turn Back Time on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Joanna.

Join us for our NEW Sunday Replay Series! Each Sunday, we bring back your favorite interviews in the order in which they were originally published, allowing you to relive the best moments and stories from past episodes. Todd Poole, the lead singer of Roxy Blue, came by the studio to talk about the band's beginnings, how they just barely missed the mainstream due to the grunge movement in the early 90s, getting signed by Geffen Records, opening for Spinal Tap, and much more! Roxy Blue's Facebook: https://www.facebook.com/OfficialRoxyBlue     HOW TO SUPPORT THE PODCAST If you find it in your heart to donate to the cause and help fuel the podcast you can do so through our new Venmo and CashApp. Your support is greatly appreciated and will help shine a brighter spotlight on the great Memphis Music Community. Venmo - @‌therhythmsectionpod CashApp - $therhythmsectionpod Thanks for tuning in and supporting the Rhythm Section Podcast.  

After leaving for two albums Joe Perry returned to Aerosmith for 1985's Done with Mirrors, which also saw the band moving to Geffen Records. The band was clean and sober, but the album didn't click with the public. In order to change that Bruce Fairbairn, the producer behind Bon Jovi's Slippery When Wet, was brought in, as well as an army of writers to make Permanent Vacation in 1987. The pattern was repeated with Pump in 1989, which solidified the band's comeback, and on Get a Grip from 1991. The latter became the band's best selling album, but was filled with even busier production, more guests and more outside writers. For better or worse it solidified the direction Aerosmith would take for the rest of their career. Donate to the podcast through Patreon... https://www.patreon.com/ericwincentsen P.O. Box 1932 Superior, AZ 85173.

April 1989: The world was a strange mix of excess and transition. On one side, the neon-drenched MTV era was still riding high, with hair metal bands like Poison, Motley Crüe, and Def Leppard dominating the charts with their polished, radio-friendly anthems. Power ballads and arena rock were inescapable, and rock fans were tuned in to Bon Jovi and Guns N' Roses. Yet, beneath the surface, change was brewing. Bands like Jane's Addiction and Soundgarden were slowly carving out a new, grittier sound that would soon transform the entire landscape.Amid this backdrop, Blue Murder made their entrance—not as another Sunset Strip glam act, but as a hard-hitting supergroup led by a guitar hero who had already proven himself with Thin Lizzy and Whitesnake. John Sykes wasn't looking to jump on the hair metal bandwagon. Instead, with Blue Murder, he aimed to bring the technical brilliance of the '70s into the late '80s, blending his bluesy, virtuoso guitar work with heavy grooves and intricate song structures. Sykes, along with legendary drummer Carmine Appice and fretless bass wizard Tony Franklin, formed a trio that drew on the legacy of hard rock and metal titans, delivering something deeper and more ambitious than most of their glam metal contemporaries.Yet, for all their talent, Blue Murder wasn't about writing catchy three-minute radio singles. Their self-titled debut album was a blend of towering guitar riffs, thunderous drums, and epic song structures that leaned closer to the ‘70s hard rock tradition of Led Zeppelin and Deep Purple than the bubblegum metal that filled the charts. But in 1989, as hair metal ruled the airwaves and grunge was lurking around the corner, Blue Murder stood out—ambitious, raw, and musically masterful.The Road to Blue MurderJohn Sykes had already proven his chops with Whitesnake's 1987 album, a monster hit that spawned chart-topping singles and dominated MTV. But creative tensions with Whitesnake's leader, David Coverdale, led to Sykes' unceremonious departure just as the band was at the peak of its commercial success. Undeterred, Sykes began writing material for what would eventually become Blue Murder, determined to put together a powerhouse group that could rival his previous success.At first, Sykes wasn't planning to be the frontman. The band initially brought in some big-name vocalists to handle lead duties. Ray Gillen of Black Sabbath and Badlands fame was the first to join the lineup, contributing vocals to some early demos. But Gillen left after just a few months, reportedly due to creative differences. The next contender was Tony Martin, another former Black Sabbath singer, but he, too, didn't stick around for long. After several auditions and some disagreements with the label Geffen Records, the A&R team suggested that Sykes himself take over lead vocals. Despite being known more for his guitar work, Sykes stepped up, and his voice turned out to be a perfect match for the band's sound—gritty, soulful, and powerful.With legendary drummer Carmine Appice, who had played with the likes of Jeff Beck and Vanilla Fudge, and fretless bass virtuoso Tony Franklin, fresh off his stint with The Firm alongside Jimmy Page and Paul Rodgers, Blue Murder had a lineup that was nothing short of rock royalty. The result was a self-titled debut that combined technical brilliance with bluesy hard rock, reflecting Sykes' desire to channel the spirit of '70s heavyweights like Led Zeppelin and Deep Purple, rather than chasing the more formulaic sound of the late-'80s hair metal scene.Building the Sound: A Guitarist as a FrontmanFor a guy who wasn't originally a vocalist, Sykes delivered some serious vocal prowess on Blue Murder. He was filling big shoes, considering he had just played alongside David Coverdale, one of rock's great frontmen. And while the album isn't a complete departure from Whitesnake's bluesy, hard-hitting rock, it's more expansive, both musically and lyrically.The standout track, “Valley of the Kings,” showcases the epic grandeur Blue Murder was going for. Co-written by Black Sabbath's Tony Martin, the song combines powerful riffs, intricate solos, and a historical theme that was rare in the pop-metal scene of the time. This track had a “late '80s Sabbath” feel, blending hard rock with doom-like weight, something that set the band apart from the typical hair metal crowd.Tracks like “Jelly Roll” and “Out of Love” demonstrate the band's diversity—moving between blues-infused swagger and heartfelt ballads, all carried by Sykes' smooth yet powerful vocals and, of course, his signature guitar tone. The hosts also discussed how “Out of Love,” a lesser-known power ballad, was one of those hidden gems deserving far more attention than it ever received.The Legacy of Blue MurderThough the album charted respectably (peaking at #69 on the Billboard 200), it didn't make the impact that Whitesnake's 1987 album did. Part of the issue was the changing musical landscape. By 1989, the glam metal scene was beginning to saturate, and the introspective rawness of grunge was on the horizon. Blue Murder, with its complex musicianship and Sykes' ambitious songwriting, may have been too sophisticated for an audience that was more accustomed to quick-hit rock anthems.But for those in the know, Blue Murder became a cult classic. Its combination of blistering guitar work, thunderous drums, and intricate bass lines made it a musician's album—a performance record. For fans of technical prowess and intricate song structures, Blue Murder was a band worth rediscovering.What Could Have BeenDespite the talent and the potential, Blue Murder never achieved the commercial success many expected. Tensions with their label, Geffen Records, didn't help. Sykes believed Geffen was trying to sabotage the band in hopes he'd rejoin Whitesnake. Whether or not that's true, it's clear that Blue Murder didn't get the marketing push it deserved.After a follow-up album in 1993 (Nothing But Trouble), Blue Murder faded into the background, overshadowed by the grunge explosion. However, Sykes continued to be a respected figure in the hard rock and metal scenes, even though he never reached the heights of Whitesnake's success again.A Call to Revisit a Lost MasterpieceSo why does Blue Murder still resonate with those who know it? It's a record that transcends the pop-metal limitations of its time. If you're a fan of Thin Lizzy, Whitesnake, or just killer guitar work, this album is well worth revisiting. And for those who missed it the first time around, now's the perfect time to dive into one of the best-kept secrets of late '80s metal.Take a listen, let it transport you back to 1989, and then wonder how this gem flew under the radar.Songs in this Episode* Intro - Blue Murder * 22:17 - Black-Hearted Woman * 27:14 - Out of Love * 31:53 - Ptolemy * 37:59 - Billy * 39:04 - It's Too Late (demo w/ Ray Gillen on lead vocals) * Outro - Valley of the KingsMake Your Voice Heard!In our quest to explore the depths of 90s Rock, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Together, let's unearth the treasures of 90s Rock, one listener-powered episode at a time.Suggest an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

Welcome to the Dean Von Music Podcast Show, coming to you live from Las Vegas, Nevada!

Welcome to the Dean Von Music Podcast Show, coming to you live from Las Vegas, Nevada!

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Michael Alago in conversation with David Eastaugh https://www.michaelalago.com/ https://www.amazon.co.uk/Am-Michael-Alago-Breathing-Metallica/dp/1617137251 https://www.youtube.com/watch?v=pgTBj2Zbr0w Musician, nightlife impresario, record label executive, photographer, and author, Michael Alago takes readers through this amazing journey that is his life. Alago grew up in Brooklyn, New York, in a large, spirited, and devoted Puerto Rican family. Through his early passion for music, art, theater, and photography, he soon found himself rubbing elbows with many downtown NYC scene makers, from Stiv Bators to Jean Michel Basquiat, Cherry Vanilla and Wayne County to Deborah Harry and Robert Mapplethorpe. As an underage teenager going to Max's Kansas City, CBGB, and various art galleries, Alago also began running The Dead Boys fan club. A few years later, he became the assistant music director for legendary nightclubs the Ritz and the Red Parrot. At age twenty-four, he began a storied career as an A&R executive at Elektra Records that started with signing Metallica in the summer of 1984, changing the entire landscape of rock 'n' roll and heavy metal. Alago continued to work in A&R for both Palm Pictures and Geffen Records. He was thrilled to executive-produce albums by Cyndi Lauper, Public Image Ltd, White Zombie, and Nina Simone. 

A petición de nuestros oyentes vamos a sumergirnos en el álbum Get a Grip (1993), el undécimo de Aerosmith. Este disco multiplatino fue el último que lanzarían con Geffen Records. Ricardo Portman nos cuenta su historia. Escucharemos Intro, Eat the Rich, Get a Grip, Fever, Livin’ On The Edge, Flesh, Walk On Down, Shut Up and dance, Cryin', Gotta Love It, Crazy, Line Up, Amazing y Boogie Man + Bonus track. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú)

Welcome back to Making Bank. In today's episode, we have Mastin Kipp, who is an American entrepreneur, bestselling author, and renowned public speaker. Creator of Functional Life Coaching, he has toured with Oprah's Life Class and appeared on her Emmy award-winning show, Super Soul Sunday, as a leader in the next generation of spiritual thinkers. His bestselling book, "Daily Love," and his forthcoming book, "Claim Your Power," have been featured in outlets like Well+Good, Huffington Post, and on networks such as Fox News, ABC, and CBS News.   (2:30) Background Story Mastin Kipp, known for questioning rules from an early age, became a senior VP at Geffen Records by his early twenties. Following setbacks involving drugs and a breakup, he found himself strung out on cocaine. At his lowest, he decided to seek the same sense of well-being without drugs, leading to his successful journey as a transformational leader and coach.   (8:07) Self-Focus Vs Serving The main impediment to entrepreneurial growth is self-focus. Obsessing over metrics like followers or email opens distracts from serving others. Challenges are inevitable, but expecting to avoid them is unrealistic. Finding purpose brings meaning to pain, shifting focus from self to service.   (14:39) Purpose And Healing There's a superstition that discussing negative things can harm a business, but it's false. Everyone has internal blocks, often from trauma. Entrepreneurs may seek to escape trauma through success, but unresolved issues persist. True growth comes from addressing these blocks, leading to purpose and healing.   (18:55) Limiting Blocks To overcome limiting blocks, first identify the core belief driving your emotions, which is often tied to feelings of inadequacy. Examine what you believe something means, as this can reveal underlying trauma. Understanding these beliefs helps address and overcome your blocks.   (22:22) Claim Your Power To overcome trauma and claim your power, consider using a well-developed framework that has been refined through high-end retreats and seminars. This approach helps identify and address the blocks holding you back, enabling you to heal and grow.   (24:20) Daily Habits While the morning is crucial, a powerful start actually begins with protecting your bedtime and establishing a consistent nighttime routine. Ensure you get quality sleep by winding down with calming activities, avoiding screens, and setting a regular sleep schedule. A well-rested night sets the stage for a productive and focused morning.   (27:46) Final Advice When you connect with something larger than yourself and offer your gift in service, you embark on a transformative journey. Past trauma may be holding you back, but understanding it without self-judgment can help you move forward. Embrace the process and recognize that true greatness involves facing and overcoming these challenges.   Tags: @mastinkipp

Welcome back to Making Bank. In today's episode, we have Mastin Kipp, who is an American entrepreneur, bestselling author, and renowned public speaker. Creator of Functional Life Coaching, he has toured with Oprah's Life Class and appeared on her Emmy award-winning show, Super Soul Sunday, as a leader in the next generation of spiritual thinkers. His bestselling book, "Daily Love," and his forthcoming book, "Claim Your Power," have been featured in outlets like Well+Good, Huffington Post, and on networks such as Fox News, ABC, and CBS News.   (2:30) Background Story Mastin Kipp, known for questioning rules from an early age, became a senior VP at Geffen Records by his early twenties. Following setbacks involving drugs and a breakup, he found himself strung out on cocaine. At his lowest, he decided to seek the same sense of well-being without drugs, leading to his successful journey as a transformational leader and coach.   (8:07) Self-Focus Vs Serving The main impediment to entrepreneurial growth is self-focus. Obsessing over metrics like followers or email opens distracts from serving others. Challenges are inevitable, but expecting to avoid them is unrealistic. Finding purpose brings meaning to pain, shifting focus from self to service.   (14:39) Purpose And Healing There's a superstition that discussing negative things can harm a business, but it's false. Everyone has internal blocks, often from trauma. Entrepreneurs may seek to escape trauma through success, but unresolved issues persist. True growth comes from addressing these blocks, leading to purpose and healing.   (18:55) Limiting Blocks To overcome limiting blocks, first identify the core belief driving your emotions, which is often tied to feelings of inadequacy. Examine what you believe something means, as this can reveal underlying trauma. Understanding these beliefs helps address and overcome your blocks.   (22:22) Claim Your Power To overcome trauma and claim your power, consider using a well-developed framework that has been refined through high-end retreats and seminars. This approach helps identify and address the blocks holding you back, enabling you to heal and grow.   (24:20) Daily Habits While the morning is crucial, a powerful start actually begins with protecting your bedtime and establishing a consistent nighttime routine. Ensure you get quality sleep by winding down with calming activities, avoiding screens, and setting a regular sleep schedule. A well-rested night sets the stage for a productive and focused morning.   (27:46) Final Advice When you connect with something larger than yourself and offer your gift in service, you embark on a transformative journey. Past trauma may be holding you back, but understanding it without self-judgment can help you move forward. Embrace the process and recognize that true greatness involves facing and overcoming these challenges.   Tags: @mastinkipp

Welcome back to Making Bank. In today's episode, we have Mastin Kipp, who is an American entrepreneur, bestselling author, and renowned public speaker. Creator of Functional Life Coaching, he has toured with Oprah's Life Class and appeared on her Emmy award-winning show, Super Soul Sunday, as a leader in the next generation of spiritual thinkers. His bestselling book, "Daily Love," and his forthcoming book, "Claim Your Power," have been featured in outlets like Well+Good, Huffington Post, and on networks such as Fox News, ABC, and CBS News.   (2:30) Background Story Mastin Kipp, known for questioning rules from an early age, became a senior VP at Geffen Records by his early twenties. Following setbacks involving drugs and a breakup, he found himself strung out on cocaine. At his lowest, he decided to seek the same sense of well-being without drugs, leading to his successful journey as a transformational leader and coach.   (8:07) Self-Focus Vs Serving The main impediment to entrepreneurial growth is self-focus. Obsessing over metrics like followers or email opens distracts from serving others. Challenges are inevitable, but expecting to avoid them is unrealistic. Finding purpose brings meaning to pain, shifting focus from self to service.   (14:39) Purpose And Healing There's a superstition that discussing negative things can harm a business, but it's false. Everyone has internal blocks, often from trauma. Entrepreneurs may seek to escape trauma through success, but unresolved issues persist. True growth comes from addressing these blocks, leading to purpose and healing.   (18:55) Limiting Blocks To overcome limiting blocks, first identify the core belief driving your emotions, which is often tied to feelings of inadequacy. Examine what you believe something means, as this can reveal underlying trauma. Understanding these beliefs helps address and overcome your blocks.   (22:22) Claim Your Power To overcome trauma and claim your power, consider using a well-developed framework that has been refined through high-end retreats and seminars. This approach helps identify and address the blocks holding you back, enabling you to heal and grow.   (24:20) Daily Habits While the morning is crucial, a powerful start actually begins with protecting your bedtime and establishing a consistent nighttime routine. Ensure you get quality sleep by winding down with calming activities, avoiding screens, and setting a regular sleep schedule. A well-rested night sets the stage for a productive and focused morning.   (27:46) Final Advice When you connect with something larger than yourself and offer your gift in service, you embark on a transformative journey. Past trauma may be holding you back, but understanding it without self-judgment can help you move forward. Embrace the process and recognize that true greatness involves facing and overcoming these challenges.   Tags: @mastinkipp

Welcome back to Making Bank. In today's episode, we have Mastin Kipp, who is an American entrepreneur, bestselling author, and renowned public speaker. Creator of Functional Life Coaching, he has toured with Oprah's Life Class and appeared on her Emmy award-winning show, Super Soul Sunday, as a leader in the next generation of spiritual thinkers. His bestselling book, "Daily Love," and his forthcoming book, "Claim Your Power," have been featured in outlets like Well+Good, Huffington Post, and on networks such as Fox News, ABC, and CBS News.   (2:30) Background Story Mastin Kipp, known for questioning rules from an early age, became a senior VP at Geffen Records by his early twenties. Following setbacks involving drugs and a breakup, he found himself strung out on cocaine. At his lowest, he decided to seek the same sense of well-being without drugs, leading to his successful journey as a transformational leader and coach.   (8:07) Self-Focus Vs Serving The main impediment to entrepreneurial growth is self-focus. Obsessing over metrics like followers or email opens distracts from serving others. Challenges are inevitable, but expecting to avoid them is unrealistic. Finding purpose brings meaning to pain, shifting focus from self to service.   (14:39) Purpose And Healing There's a superstition that discussing negative things can harm a business, but it's false. Everyone has internal blocks, often from trauma. Entrepreneurs may seek to escape trauma through success, but unresolved issues persist. True growth comes from addressing these blocks, leading to purpose and healing.   (18:55) Limiting Blocks To overcome limiting blocks, first identify the core belief driving your emotions, which is often tied to feelings of inadequacy. Examine what you believe something means, as this can reveal underlying trauma. Understanding these beliefs helps address and overcome your blocks.   (22:22) Claim Your Power To overcome trauma and claim your power, consider using a well-developed framework that has been refined through high-end retreats and seminars. This approach helps identify and address the blocks holding you back, enabling you to heal and grow.   (24:20) Daily Habits While the morning is crucial, a powerful start actually begins with protecting your bedtime and establishing a consistent nighttime routine. Ensure you get quality sleep by winding down with calming activities, avoiding screens, and setting a regular sleep schedule. A well-rested night sets the stage for a productive and focused morning.   (27:46) Final Advice When you connect with something larger than yourself and offer your gift in service, you embark on a transformative journey. Past trauma may be holding you back, but understanding it without self-judgment can help you move forward. Embrace the process and recognize that true greatness involves facing and overcoming these challenges.   Tags: @mastinkipp

In this episode, Bill chats with Kevin Palmer of the band Trust Company. Kevin shares his journey from picking up his first guitar to seeing Guns N' Roses and Skid Row at the Birmingham Speedway, which ignited his passion for music. He talks about balancing a day job with his musical aspirations, driving long distances from Montgomery for gigs, and collaborating with other bands to play shows. Kevin also discusses the challenges of renting rooms for local shows, the relentless road hustle, and the excitement of getting noticed by Geffen Records. Discover why they had to change their name from 41 Down to Trust Company before their first major release. We dive into the thrill of Warped Tour, the disappointment of missing Ozzfest, and the highs of touring with Puddle of Mud. Kevin opens up about their hit single "Downfall" and its explosive success, as well as the controversy surrounding the Blue Ridge Rock Festival. The conversation also touches on mental health battles, the importance of kindness, and their experiences with Danny Wimmer Presents at Welcome to Rockville and Inkcarceration. Join us for these stories and much more! #TrustCompany #MusicJourney #GunsNRoses #SkidRow #MontgomeryMusicScene #GeffenRecords #WarpedTour #PuddleOfMudd #MentalHealth #DannyWimmerPresents #RockMusic #BandLife NOTE: Everything said here, and on every episode of all of our shows are 100% the opinions of the hosts. Nothing is stated as fact. Do your own research to see if their opinions are true or not. Please SUBSCRIBE, click the notification bell, leave a comment or a like, and share this episode!

“Horror Through Her Eyes" is an empowering bi-weekly podcast celebrating horror works of art from a female perspective. Join in for reviews of the most intriguing films, books, television shows and more as “The Taminator” and the “Amateur Destroyer” explore the world of horror beyond gender stereotypes. In today's episode we reviewed The House of the Devil (2009) (chosen by our lovely guest, Jay of the Dead!). Homework for next episode: Watch season one of the series “From”! We'll be covering the first few episodes on part 1 of this new installment of the “Show Queens” series! 00:00:00 - Intro 00:03:54 - Haunting Headlines 00:20:48 - Fright Bites 00:47:09 - Echoes From The Abyss 01:00:06 - Movie Review  03:32:47 - Monstrous Mention 03:54:21 - Outro   Our Socials:  Horror Through Her Eyes -  Email: horrorthroughhereyes@yahoo.com  FB Group: https://www.facebook.com/groups/652782216942180  Instagram: https://www.instagram.com/horror_through_her_eyes_pod/  Threads: https://www.threads.net/@horror_through_her_eyes_pod  TikTok: https://www.tiktok.com/@horrorthroughhereyespod  Letterboxd: https://letterboxd.com/HorrorHerEyes/  YouTube: https://www.youtube.com/@horrorthroughhereyespod  Tammy -  FB: https://www.facebook.com/Tammom3  Instagram: https://www.instagram.com/taminatortammyturner  TikTok: https://www.tiktok.com/@therealtaminator  Letterboxd: https://letterboxd.com/taminator/  Jessica -  FB: https://www.facebook.com/jessicalylynnschmitty Instagram: https://www.instagram.com/amateur.destroyer/  Threads: https://www.threads.net/@amateur.destroyer TikTok: https://www.tiktok.com/@amateur.destroyer  Letterboxd: https://letterboxd.com/Ashy_Slashy/  Our “Monstrous Mention” for this episode is JAY OF THE DEAD! Jay of the Dead's New Horror Movies Podcast: Website: https://www.newhorrormovies.com/  Twitter: https://twitter.com/horroravengers (@HorrorAvengers) YouTube: https://www.youtube.com/channel/UCYsFNIZK4ToTtyFQbAZyE8A  Horror Movie Weekly Podcast: Website: https://horrormovieweekly.com/  Twitter: https://twitter.com/horror_weekly (@horror_weekly)  Movie Podcast Weekly: Website: https://moviepodcastweekly.com/  Twitter: https://twitter.com/moviecastweekly (@MovieCastWeekly)  Considering the Cinema:  Website: https://www.consideringthecinema.com/  Twitter: https://x.com/considercinema?lang=en (@considercinema)  J-Flexx: Live to Trade (Another Day): https://www.youtube.com/watch?v=tAvzVbLTzdk  Music: Intro:  Come Out And Play by Darren Curtis | https://www.darrencurtismusic.com/  Music promoted by https://www.chosic.com/free-music/all/  Haunting Headlines:  Witch By The Sea by Darren Curtis | https://www.darrencurtismusic.com/  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY 3.0 https://creativecommons.org/licenses/by/3.0/  Fright Bites:  Spooky Ride by Twin Musicom | http://www.twinmusicom.org/  Music promoted by https://www.chosic.com/free-music/all/  Creative Commons CC BY 4.0 https://creativecommons.org/licenses/by/4.0/  Echoes From the Abyss:  Labyrinth of Lost Dreams by Darren Curtis | https://www.darrencurtismusic.com/  Music promoted on https://www.chosic.com/free-music/all/ Creative Commons Attribution 3.0 Unported (CC BY 3.0) https://creativecommons.org/licenses/by/3.0/    Trailer: https://www.youtube.com/watch?v=qNvSIzYJcCQ  Outro:  https://www.youtube.com/watch?v=JHYIGy1dyd8  Music video by The Fixx performing One Thing Leads To Another. (C) 2004 Geffen Records

SPECIAL SUMMER EPISODE: A Conversation w/ Ann Powers, author of Traveling: On the Path of Joni MitchellFor Part Two of our celebration of Joni Mitchell, the great ANN POWERS, esteemed rock writer and NPR music critic, joins Mark for a conversation about her brilliant new book Traveling: On the Path of Joni Mitchell. Topics include: the question of critical enthusiasm, Ann Beattie, Don DeLillo & Don Henley, Joni's plug into the pulse of the culture, Joan Didion and Play It As It Lays, Roberta Flack, Miles Davis, Art Nouveau and Don Juan's Reckless Daughter, Joni's evolving obsession with rhythm (and percussionists), Los Lobos, Chaka Khan, Prince's song for Joni, the Jazz Fusion scene of the mid-1970s, Jaco Pastorius, Brandi Carlisle and the Joni Jams, Taylor Swift and a celebration of the studio nerd, the underrated Larry Klein, Joni's relationship with the press, Joni's live performances, Michelle Mercer, and what moment in music Ann would travel in a time machine. Plus, a passionate reappraisal of Joni's four 1980s albums on Geffen Records and the value of meeting (and not!) your musical heroes. Special thank you to Dey Street Books and Mr. Brian Ulicky for his assistance with this conversation.Order Ann's book at your local independent bookstore here!

Dig into the captivating yet tumultuous story of Salty Dog, a band that carved out a niche in the 80s metal scene with a sound that defied easy categorization. Hailing from the vibrant streets of Los Angeles in the late 1980s, Salty Dog was an act that managed to blend the raw energy of hard rock, the soulful depth of blues, and a hint of the emerging grunge movement into their music. Despite securing a deal with the prestigious Geffen Records and releasing their sole album, Every Dog Has Its Day, in 1990, the band's journey was anything but smooth.Excited to see this album in the spotlight? Help us keep our podcast ad-free and available for others to discover by supporting us on Patreon!The tale of Salty Dog is marked by several challenges, from the tumultuous lineup changes to the struggles they faced in the production of their music videos. Perhaps most notably, the band's potential was hampered by the heroin addiction that plagued their frontman, highlighting the personal battles that can deeply affect a band's trajectory. Nonetheless, Every Dog Has Its Day remains a testament to their unique sound, characterized by gritty guitar work, soulful vocals, and a distinct blues influence that set them apart from their contemporaries.This episode takes a closer look at the diverse influences that shaped Salty Dog's sound. From the legendary riffs of Led Zeppelin to the unmistakable hard rock edge of AC/DC, the band drew inspiration from a wide array of sources. Yet, Salty Dog stood apart from the mainstream 80s metal bands, with vocal styles that ranged from the raspy undertones often associated with hair metal to the high-pitched screeches reminiscent of Guns N' Roses' Axl Rose. The guitar work showcased a broad spectrum, from introspective bluesy slides to the high-energy pinch harmonics often found in metal.Salty Dog's story is more than just a narrative of music and personal struggles; it's a reflection of the broader challenges and transformations within the metal genre during a pivotal time. Their journey encapsulates the transition from the dominance of metal and hard rock to the rise of grunge in the early 90s, highlighting the volatile nature of the music industry and the personal demons that often accompany fame.Through Chip's firsthand experiences and insights, along with an in-depth analysis of Every Dog Has Its Day, we aim to uncover the enduring legacy of Salty Dog. While they may have released just one official album, their story is emblematic of the spirit and turmoil of the 80s metal scene, offering a poignant reminder of the challenges bands face in pursuit of their dreams.Songs in this Episode* 00:00 - "Keep Me Down" * 24:28 - "Come Along" * 25:22 - "Cat's Got Nine" * 27:27 - "Where The Sun Don't Shine" * 30:19 -"Heave Hard (She Comes Easy) * 35:19 - "Lonesome Fool" * 35:53 - "Lonesome Fool" * 38:00 - "Nothing But a Dream" * 42:23 - "Come Along" * 50:25 - "Spoonful" * 56:44 - "Sacrifice Me" * 1:12:55 - "Come Along"Make Your Metal Voice Heard!In our quest to explore the depths of 80s metal, we rely on you, our listeners. Your suggestions drive our show – be it an underrated classic or a forgotten gem. By joining our DMO Union on Patreon, you help us stay independent and ad-free and gain the power to vote on and choose the albums we dive into each year. Let's unearth the treasures of 80s Metal, one listener-powered episode at a time.Suggest an Album → | Support the Mission → This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

Again we skip the Grapes and go directly to the Rock. Former record exec from Capitol Records, Steve Meyer, and Part II speaking about the great Al Coury, Vice President of Capitol Records, co-fouder of RSO Records, and founder of Network Records that eventually led him to Geffen Records. It's another week of Rock talk. Next week we're back on track with the Ontario Wine Industry!

Today we skip the Grapes and go directly to the Rock. Former record exec from Capitol Records, Steve Meyer, speaks with me about the great Al Coury, Vice President of Capitol Records, co-fouder of RSO Records, and founder of Network Records that eventually led him to Geffen Records. Al worked with everyone from Frank Sinatra to Guns'N'Roses - who else can claim that?? 

In this episode, we're delighted to talk with industry legend, Thom Panunzio. Getting his start as an assistant at NYC's Record Plant, Thom went on to work in every facet of the music business. He's produced, mixed, and engineered albums for Tom Petty, Bob Dylan, Joan Jett, Ozzy Osbourne, Bruce Springsteen, Patti Smith, Alice Cooper, and Aerosmith just to name a few. He helped design The Hit Factory in NYC, A&M Studios in LA, and the Thom Thom Club in Santa Monica, and was the Executive VP for Universal Music and head of A&R at Geffen Records for many years. Thom talks with John and Stewart about his time on staff at the Record Plant, his favorite mixing desks, his reluctant entrance into the world of A&R,  and how the industry and technology has changed over the course of his almost 50 year career. 

Frank Monteleone boasts a remarkable 17-year journey as a creative producer. His production career took root in Off-Broadway theater, and in 2005, he founded Full Armor Films, a dynamic development and production company based in New Orleans. Full Armor Films has provided production services to esteemed clients like ESPN, Geffen Records, and L'Oréal, along with post-production services for industry giants like Warner Bros. and Relativity Media. Frank has elevated Full Armor Films into a burgeoning development hub dedicated to film and television.  Presently, Frank is executive producing the films "Barron's Cove,” starring Brittany Snow and Garrett Hedlund, "Fog of War," starring Mira Sorvino and John Cusack, and is in production for one of the only Louisiana-based independent films to obtain a SAG-AFTRA interim agreement during the strike titled, "Average Joe." Pre-production began July 2023, and principal photography begins October 2, 2023.  Frank is a family member and partial co-owner of the legendary luxury Hotel Monteleone in the French Quarter of New Orleans. Combining his love for both the hotel and filmmaking, Full Armor Films is currently in development for a project surrounding the hotel. Frank's notable acting credits include the Warner Bros. feature film "Focus," where he shared the screen with Will Smith, the Marvel series "Cloak & Dagger," and the compelling legal drama "Bull" on CBS. His versatility is evident in a spectrum of roles, from the brooding drama of "The Secrets We Keep" to the intense "Lonewolf: Manhunt" on CBS, as well as a recurring role on OWN's highly acclaimed "Queen Sugar." In 2022, he also graced the screen alongside Terrence Howard and Malcolm McDowell in the period drama "The Walk."  His co-creation and production of the series "AVENUES," licensed by Lionsgate and currently available on Tubi, stands as a testament to his creative vision. Notable projects also include the award-winning documentary "Hotel Al," which aired on PBS, and the recently released feature film "American Reject," featuring talents such as Annaleigh Ashford, Billy Ray Cyrus, and his wife, Kathleen Elizabeth Monteleone. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Actor Frank Monteleone Interview | The Rising Tide of NOLA Hollywood Filmmaking at the Intersection of Faith Frank Monteleone boasts a remarkable 17-year journey as a creative producer. His production career took root in Off-Broadway theater, and in 2005, he founded Full Armor Films, a dynamic development and production company based in New Orleans. Full Armor Films has provided production services to esteemed clients like ESPN, Geffen Records, and L'Oréal, along with post-production services for industry giants like Warner Bros. and Relativity Media. Frank has elevated Full Armor Films into a burgeoning development hub dedicated to film and television.    Presently, Frank is executive producing the films "Barron's Cove,” starring Brittany Snow and Garrett Hedlund, "Fog of War," starring Mira Sorvino and John Cusack, and is in production for one of the only Louisiana-based independent films to obtain a SAG-AFTRA interim agreement during the strike titled, "Average Joe." Pre-production began July 2023, and principal photography begins October 2, 2023.    Frank is a family member and partial co-owner of the legendary luxury Hotel Monteleone in the French Quarter of New Orleans. Combining his love for both the hotel and filmmaking, Full Armor Films is currently in development for a project surrounding the hotel.   As a New Orleans native, he is leading the charge in establishing a multifaceted studio and production facility in the heart of New Orleans, partnering with industry stalwarts Wolper Organization and Keller Williams. Frank hopes to continue to stimulate the New Orleans economy by keeping production in New Orleans, as well as attracting other independent filmmakers to the burgeoning local creative community by lowering the bar for entry, including campaigning for tax credits. He is at the helm of working with the city to develop a property to include a school, training facility for film, operational studio, and sound stages run by students.   Connect with us on our website for more amazing conversations! www.brettallanshow.com Got some feedback? Let us know! openmicguest@gmail.com Follow us on social media! IG https://www.instagram.com/brettallanshow/ FB https://www.facebook.com/thebrettallanshow/ Twitter https://twitter.com/brettallanshow Consider giving us a kind rating and review on Apple Podcasts! https://podcasts.apple.com/us/podcast/id1486122533?mt=2&ls=1 Learn more about your ad choices. Visit megaphone.fm/adchoices

Appetite for Destruction (1987) es el álbum debut de la banda estadounidense de hard rock Guns N' Roses, fue publicado por la compañía discográfica Geffen Records el 21 de julio de 1987, tras su autoeditado Live ?!*@ Like a Suicide. Alcanzó el éxito masivo en todo el mundo de forma explosiva posterior a su lanzamiento. Asimismo, Appetite for Destruction es el álbum debut más vendido en toda la historia musical, con más de 30 millones de copias vendidas en todo el mundo.

Join showbiz visionaries Walid and Kavita as they celebrate a milestone in Kavita's daughter Lara Raj's career: her music debut as a key member of the new global girl group, KATSEYE, formed through Geffen Records in collaboration with HYBE x Universal Music Group for 'The Debut: Dream Academy.' Lara joins talents including Manon, Sophia, Daniela, Megan, and Yoonchae.The rigorous journey to KATSEYE involved a year-long boot camp akin to K-Pop industry standards, followed by 2 and a half months of performance missions, narrowing 20 girls down to the final 6 based on public votes. Witness Lara's journey from social media discovery to intensive training in Hollywood and South Korea, leading to her inclusion in KATSEYE. Experience the behind-the-scenes process required to become the next pop sensation.In pop culture, Walid updates Kavita on the resolution of the SAG Strike, awaiting approval from SAG members, signaling the end of the strike period.WATCH THIS EPISODE:youtube.com/@LightsCameraConversationFOLLOW US AND LET'S CHAT:instagram.com/lightscameraconversationtiktok.com/@lightscameraconversationDISCLAIMER: The content in this podcast episode is provided for general informational purposes only. By listening to our episode, you understand that no information contained in this episode should be construed as advice from LIGHTS CAMERA CONVERSATION (LCC) or the individual author, hosts, or guests, nor is it intended to be a substitute for research on any subject matter. Reference to any specific product or entity does not constitute an endorsement or recommendation by LCC. The views expressed by guests are their own and their appearance on the program does not imply an endorsement of them or any entity they represent. LCC expressly disclaims any and all liability or responsibility for any direct, indirect, incidental, special, consequential or other damages arising out of any individual's use of, reference to, or inability to use this podcast or the information we presented in this podcast.

On this episode, McIntyre talks with one of the presenters for the Echoes of Creation Conference, Michael Mani. Michael J Mani is a Grammy Award Winning Composer and Record Producer. Classically trained as a pianist, his career began in San Francisco working with multi platinum music producers Walter Afanasief and Narada Michael Walden. Mani excelled at song production and composition and was soon working with top artists such as  Mariah Carey and Whitney Houston. He continued to climb the ladder of the Bay Area music session scene and rose to the top of the commercial composition scoring market, working with top ad agencies and video game developers such as  Foot Cone and Belding,  Sega and EA Sports.   In early 2000 he collaborated with SANTANA and won a Grammy Award for his work on the SuperNatural Album featuring Eric Clapton. Mani then discovered  young singing sensation Tori Kelly and signed her to a record deal with Geffen Records.   This led to him moving  to Los Angeles and a publishing deal with EMI Music.He quickly excelled as  an in house writer / producer, which led to collaborations with with top artists  such as J-Lo, Kesha, Tech N9NE, SANTANA, Lady Gaga,  Tori Kelly and The Backstreet Boys. In 2015 he started The JAM Studios in North Hollywood.  It was here he discovered  and started developing latin singing / rapping sensation Becky G!  He was able to secure  a record deal for her and production deal with RCA Records and super  producer Dr Luke. Today Becky G has grown to become the top female latin Artist in the world surpassing 3 billion streams and downloads! Mani is currently living in Los Angeles and continues to be in high demand for his album production mastery, and expertise penning top compositions and scores for TV and Film. Check out more about Michael Mani at: https://mikemani.com/     Please send us any questions or comments about this episode to info@themichaelmcintyre.com. We'd love to hear from you.   Get your tickets for The Echoes of Creation Conference: https://echoesofcreation.life/   You can register for McIntyre's Next Level Life and Next Level Experience by visiting https://themichaelmcintyre.com/   Sing up now for your MBA: http://go.themichaelmcintyre.com/mba/     Check out the trailer for the first MBA Productions' ACCELERATOR: https://vimeo.com/user103164344/review/810986162/e8a07b3630   Get your copy of McIntyre latest book, NEXT LEVEL LIFE.   Check out the other shows from KB PODCAST PRODUCTIONS: Kingdom Bringer Podcast with Darin Eubanks Super-Natural Living with Beth Packard Cindy Stewart Podcast Kingdom Master Mind Podcast with Ann McDonald Fan the Flame Podcast with Scott Tilley   Podcast music from HOOKSOUNDS.COM

Chris Gates joins us on the show to talk about his role playing with Austin Texas punk legends Big Boys, whose influential legacy lives on to this day. We also talk the short lived but very cool band Poison 13, and get into the buzz that got Junkyard signed to Geffen Records. Music The Charms "So Pretty"(theme song) Big Boys "Fun Fun Fun" Big Boys "Advice" Big Boys "Funk Off" Produced and Hosted by Steev Riccardo twistedrico@gmail.com Support the podcast: patreon.com/twistedrico #BigBoys

This talented songwriter signed to Geffen Records as a senior in high school, and has headlined Red Rocks.