Podcasts about mccarter theater

"Dance Talk” ® with Joanne Carey with special guests Mark Howard and Chelsea Hoy of Trinity Irish Dance Company.In this episode of Dance Talk, host Joanne Carey chats with Mark Howard and Chelsea Hoy from the Trinity Irish Dance Company discussing their personal journeys into Irish dance, the company, and the cultural significance of Irish dance. The conversation highlights the innovative choreography that sets Trinity apart, the importance of imagination in the creative process, and the upcoming 35th anniversary season. The episode emphasizes the power of dance to connect with audiences and the mission of inclusivity and kindness within the art form.TRINITY IRISH DANCE COMPANY (TIDC) was founded in 1990 to celebrate the pioneering work of its Founding Artistic Director Mark Howard. This uniquely Irish-American company “ushered in a new era for Irish step dance” (Chicago Tribune), opening new avenues of artistic freedom that led directly to commercial productions such as “Riverdance.”Considered an American treasure TIDC has performed sold-out tours in Europe, Asia, and North America, appearing in distinguished venues, such as New York's The Joyce Theater, Washington D.C.'s Kennedy Center, Princeton's McCarter Theater, Ottawa's National Arts Center of Canada, Tokyo's Orchard Hall, and Chicago's Auditorium Theatre, among many others. The Company has entertained dignitaries as varied as Monaco's royal family, Irish and American presidents, Japanese royalty, and Indian meditation masters. TIDC offers both a highly skilled presentation of traditional Irish step dance and a brilliantly engaging interpretation of contemporary world vision.Mark Howard: Founding Artistic Director / Choreographer and Emmy Award-winning choreographer was born in Yorkshire, England, and raised in Chicago. He began dancing at 8 at the Dennehy School of Irish Dance and began teaching at 17. By 20 he had launched the Trinity Academy of Irish Dance, subsequently leading them to unprecedented World Championship team titles for the United States—the first when he was only 25. He redefined what was possible for American teams becoming the first to win gold in all categories.His pioneering work led to his unique transition from the competitive stage to the performing arts stage to coach then artistic director. Howard himself was a regular guest on The Tonight Show starring Johnny Carson. He has been named three times as one of Irish American Magazine's “Top 100 Irish-Americans,” and he was honored by iBAM! in 2011 and in 2015 by Chicago's Lawyers For the Creative Arts for his outstanding contribution to the performing arts.Chelsea Hoy: Associate Artistic Director / Choreographer / Dancer. Born in Denver, Hoy's choreographic influence has significantly shaped TIDC's newest works. Hoy recently co-choreographed Taking the Mick alongside Howard, a versatile work following their first collaboration An Sorcas (The Circus), which previewed in Japan and had its world premiere at Chicago's historic Auditorium Theatre in 2019.Chelsea grew up dancing competitively for the Wick School of Irish Dance in Denver, Colorado. She joined TIDC in 2014 after she began her studies at Loyola University Chicago. She graduated in 2017 with Bachelors' degrees in Psychology and Photography. In addition to helping guide the company's future, she is a professional photographer, dance instructor, and visual artist. Hoy's love of empowering children through the arts continues to shape TIDC's outreach programming. Information for TIDC and to see their upcoming performances visithttps://trinityirishdancecompany.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/... ⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Damn the man, save the Empire!" We're thrilled to be joined by Analise Scarpaci to chat all about starring as Debra in Empire Records: The Musical! Empire Records is currently playing at McCarter Theater through October 6th and you absolutely do not want to miss this exciting new musical! Don't forget to check out Analise's new song "Flashbacks" available on September 27th!

The theater is essential to the health of a nation - of any democracy. And perhaps we are so impoverished right now is because of our inability to communicate with each other and see anyone else's point of view other than our own is that we are theater starved. This is where one gets the whole package of the humanist code is in the theater. This is where the big ideas of the day are truly debated, and this has been going on since the Greeks! Emily Mann is a playwright, screenwriter, director, mentor, and McCarter Theater's Artistic Director and Resident Playwright Emerita, dedicated to creating and supporting theater that impels conversation, debate, and empathy in an increasingly polarized world.

Dreamgirls, the Broadway musical based on the showbiz aspirations of legends like Little Richard, James Brown, Diana Ross and the Supremes, is about as perfect as a musical can be.It lands running with a wonderful percussive bongo beat and takes us on a roller coaster ride through the struggles Black entertainers faced in the past and how they changed the world for the better. The breakout song “And I'm Telling You I'm Not Going” became a #1 hit on the R&B Billboard charts when it was released in 1982 and launched Jennifer Holliday into superstardom.Our friend musician and actor Robert Cornelius is now playing the role of music producer Marty in the new production of Dreamgirls at the McCarter Theater in Princeton, NJ.BUY TICKETS: https://www.mccarter.org/As the nephew of Soul Train producer and host Don Cornelius, Robert was a regular dancer in his teens on the show and subsequently became an indie music fixture as a member of the alt-pop music group Poi Dog Pondering. Today musician Robert Cornelis joins us to look back on his amazing career, being part of Black music royalty and why Dreamgirls and Jennifer Holidays torch song “And I'm Telling You I'm Not Going” will never leave our hearts.

For Video Edition, Please Click and Subscribe Here: https://youtu.be/39lU5PjEjPo JUDITH “JUDY” BLAZER began her career in opera, oratorio, and recital in New York City and throughout Italy. She moved into Broadway theater with leading roles in Me and My Girl (Sally), A Change in the Heir (Prince Conrad), Titanic (Lady Caroline), Neil Simon's 45 Seconds from Broadway (Cindy), LoveMusik (Brecht's mistress) featuring the music of Kurt Weill, and A Gentleman's Guide to Love & Murder (Miss Shingle). Off-Broadway, she has appeared in Candide (the Old Lady) and Sweeney Todd (the Beggar Woman) with New York City Opera, The House of Bernarda Alba (Magdalena) and Hello Again (The Nurse, Drama Desk nomination) for Lincoln Center Theater, and Richard Greenberg's Hurrah at Last (Gia) at the Roundabout Theater. She also performed a solo work for Primary Stage's Inner Voices series, Whida Peru: Resurrection Tangle. A few regional theater credits include: Long Wharf Theater (Maria in Twelfth Night), McCarter Theater (title role in The Night Governess), Paper Mill Playhouse (Eliza in My Fair Lady, Maria Merelli in Lend Me a Tenor and most recently the sequel, A Comedy of Tenors). Judy sang at the Met as a soloist in Twyla Tharp's Everlast with the American Ballet Theater and played Bessie Thomashefsky in Michael Tilson Thomas's touring concert documentary The Thomashefskys (on PBS' Great Performances in 2012). Other TV credits include Leonard Bernstein's New York, and In Performance at the White House on PBS; regular appearances on As the World Turns (Ariel), The Guiding Light (Marissa), and two episodes of Law and Order. Judy is heard on over twenty recordings. 

Rebroadcast - December 16, 2019 This is an episode from the News and Culture archives. Oliver and Anna caught up with Professor Casey Lew-Williams, one of the directors of Princeton University's Baby Lab. Casey and his fellow researchers study development in children whose ages range from a couple months to 7 years old. We talked to Casey because his work gets right to the question we've been asking for a while. Do the things that are important to us when we're young remain important as we get older? Elizabeth talks to two kids who are getting ready for their big holiday performance of A Christmas Carol at the McCarter Theater in Princeton. They discussed acting and stuffed animals. Julia has three brothers -- all older than her -- and growing up she relied on strangely formalized rules to survive. Here she is with a toy study of an improvised society. Oliver speaks with Alex Keane about death, family, friends, and bullies. Special shoutout to Alex's dad, Steve, who is a long time WPRB listener. Thanks so much! Remy's sister is in 7th grade. That's a seriously tough year. Here's how she's coping. --- Send in a voice message: https://anchor.fm/newsandculture/message

Calleri Jensen Davis casting, formally Calleri casting until very recently, have a casting partnership that spans over twenty years. Television credits include Dickinson, The Path, Army Wives, Lipstick Jungle, Hope and Faith, Ed, Monk, and numerous pilots for Netflix, Fox the CW NBC ABC among many others, Films they have cast have been screened at Sundance, The Cannes Film Festival, and have won dozens of awards.Broadway credits include the upcoming productions of Thoughts of a Colored Man, For Colored Girls who have considered suiside when the rainbow is enough, and Blue all opening on Broadway this year. Past Broadway credits include Burn This, Hedwig and the Angry Inch, The Elephant Man, Of Mice and Men, Fool For Love, Venus In Fur, 33 Variations, Chicago, A Raisin in the Sun, Hughie, James Joyce’s The Dead, and the Bright Star National TourAdditional New York and Regional credits include Playwrights Horizons, Classic Stage Company, Rattlestick, The Flea, Keen Company, Williamstown Theater Festival, The Long Warf, The Cleveland Playhouse, The Actors Theater of Louisville, Hartford Stage, The Alliance, Center Theater Group, Humana, The Old Globe, Syracuse Stage, OSF, Alley Theater, Berkley Rep, McCarter Theater and dozens more.

Two time Tony Award nominee Brad Oscar is chomping at the bit to return to Broadway in Mrs. Doubtfire and has been seen there previously in Something Rotten!, Big Fish, Nice Work If You Can Get It, The Addams Family, Spamalot, The Producers, Jekyll & Hyde, and Aspects of Love. He appeared in London’s West End as Max Bialystock in The Producers and in several national tours of major Broadway shows, various celebrated productions Off-Broadway, several Encores! at City Center as well as regionally at Arena Stage, The Old Globe, the LaJolla Playhouse, and the McCarter Theater amongst others. His film and television credits include Ghost Town, The Producers, “Madam Secretary,” “Smash,” “The Good Wife,” and three “Law & Order” series.

Shirley Jo Finney is an award-winning international director and actress.She has worn her director’s hat in some of the most respected regionaltheater houses across the country: including The McCarter Theater, ThePasadena Playhouse, The Goodman Theater, the Alabama ShakespeareFestival, the Cleveland Playhouse, the Fountain Theater, LA TheaterWorks, the Crossroads Theater Company, Actors Theater of LouisvilleHumana Festival, the Sundance Theater Workshop, The Mark TaperForum , Kennedy Center for the Performing Arts and the State Theater inPretoria, South Africa.

MJ hangs with Toni Isreal in the studio this week! Toni is the CEO and Founder of REALEMN Productions LLC, Broadway’s leading multicultural marketing and PR support team. REALEMN clients include 2019 8 Time Tony Award-Winning HADESTOWN, Broadway Bound - MJ The Musical (No, not THAT MJ), New York Theatre Workshop, and the upcoming HADESTOWN Tour 2021. In addition to being a proud member of New York Women in Film & Television, Isreal is affiliated with The Industry Standard Group (Multicultural commercial investment and producing organization), Real Women, and the Commercial Theatre Think Tank Task Force. Isreal is also a consultant with New York’s World-Famous Apollo Theater and a Diversity Consultant at McCarter Theater in Princeton. Toni is admired for her expertise in multi-cultural marketing and her signature ability to inspire and lead innovative thinking alongside strategic implementation.

MUJER! is a feminist fashion and beauty magazine aimed at representing women as they really are—diverse, creative, passionate, flawed but beautiful—human. MUJER!’s mission is to change preconceived, patriarchy-derived notions of female beauty. There are no ads, no photoshopping and all of our models are 25+ (in real life, women do not disappear after this age). MUJER! is produced in Mexico City and distributed worldwide. (https://www.mujerrev.com) Arts in Color was founded in 2013 to celebrate, inform and inspire poc theater artists. We conducted equity & inclusion work, interviews, reviews, provided history, auditions, celebrated poc students showcasing across the country and much more! Currently the site is being revamped but you can find us on FB in the meanwhile (https://www.facebook.com/ArtsinColor/) Shavanna Calder is the Creative Director for MUJER! and founder of Arts in Color. She is a first-generation actor, stylist, singer, writer and human! Credit Highlights: SNL, Grammys (2018), Hairspray (National Tour), CBS 'Best of' Diversity Sketch Comedy Showcase, For Colored Girls (Lady in Green), Caroline, or Change (Emmie) etc. Shavanna is a Wellesley College and NYU alumna who also works in arts focused equity & diversity strategy. (www.shavannacalder.com) Spread Empathy

Zane has appeared most recently in Sunday (Atlantic Theater Company, dir. Lee Sunday Evans). Other selected theater includes Dead Poets Society (CSC, dir. John Doyle), Mercury Fur (The New Group, dir. Scott Elliott), and Skylight (McCarter Theater, dir. Emily Mann). Film/TV: “Room 104” (HBO, dir. Lila Neugebauer), Margot at the Wedding (dir. Noah Baumbach), Alba & June (short, dir. Pepi Ginsberg), and Minyan (upcoming, dir. Eric Steel, premiering at Berlin Film Festival 2020). Zane also wrote a television pilot which was optioned by Sony.

Elizabeth talks to two kids who are getting ready for their big holiday performance of A Christmas Carol at the McCarter Theater in Princeton. They discuss acting and stuffed animals.

Robert Caro is a historical biographer unlike anyone else writing today, with the Pulitzer Prizes, National Book Awards, and other honors to prove it. But to call his books biographies seems to miss the mark: they’re so rich in detail, so accurate, and at the same time so broad in scope, that they’re more like epics of American history. David Remnick sat down with Caro at the McCarter Theater, in Princeton, New Jersey, on the occasion of the publication of “Working,” a volume of Caro’s speeches and other writings. They covered Caro’s early years as a newspaper reporter, his determination to tackle a project—the rise to power of Robert Moses—that no one had accomplished, and finally his chronicle of the life of Lyndon Johnson. Caro has completed four volumes on Johnson, with a fifth, covering the Presidency, in the works. Remnick asks about Caro’s singular method of interviewing in depth, and Caro describes his interview with Sam Houston Johnson, the president’s brother, which Caro conducted at the National Park Service’s Lyndon B Johnson Boyhood Home historic site. “I took him into the dining room,” Caro recalls, and told Johnson to sit where he had sat as a child. “I didn’t sit where he could see me . . . . I sat behind him. So I said, ‘Now tell about these terrible arguments your father used to have with Lyndon at the table.’ At first it was very slow going, you’d have to keep prompting him. But finally he was just shouting it out: ‘Lyndon you’re a failure, you’ll always be a failure. And what are you, you’re a bus inspector!’ And I felt he was back in the moment. So I said, ‘Now Sam Houston, I want you to tell me again those wonderful stories you told me before, that everybody tells about Lyndon Johnson.’ And there was this long pause. And then he says, ‘I can’t.’ And I said, ‘Why not?’ And he says, ‘Because they never happened.’ And without me saying another word, he starts to tell the story of Lyndon Johnson, which is a very different story of a very ruthless young man.”

Playground tantrums. Modern angst. Hungarian dance festivals. In Kate Robin's Inside Voice, dive into the secret lives of parents. Directed by Rebecca Taichman (Tony Award winner for Broadway's Indecent, Lincoln Center Theater, La Jolla Playhouse, Yale Repertory Theater, McCarter Theater), the cast features Patch Darragh (Broadway's Our Town, "Weeds," "The Path," Sully) and the playwright herself ("One Mississippi," "The Affair," "Six Feet Under")! After the play, the artists and host Claudia Catania discuss showrunners, women on TV, and the role of fear in theater.

"on miracle plays" [SIGN]         Theatrical Sherlockians probably know Ken Ludwig best for his play , which focused on William Gillette and won an Edgar® Award from the Mystery Writers of America for the best play of 2012. More widely cultured individuals know that he is an internationally-acclaimed and Tony® Award-winning playwright whose work has been performed in more than 30 countries in over 20 languages. He has had six shows on Broadway and six in the West End - including Lend Me a Tenor, Moon Over Buffalo, and Crazy For You.     Ken Ludwig was kind enough to join us on the show to discuss his latest project: Baskerville: A Sherlock Holmes Mystery directed by Amanda Dehnert, which opens the  in the Kreeger Theater in Washington, DC before moving along to  in Princeton, NJ. The previews run January 16 - 21, 2015 and tonight - January 22 - is its official opening night at Arena, running through February 22. The play runs at McCarter Theater from March 10 - 29, 2015.     He describes the production as an adventure with comedic exuberance, and one that is as much about the theater as it is about Sherlock Holmes and Dr. Watson. And with just five actors playing 40 parts in a variety of accents and disguises. But Ludwig is quick to note that it is respectful of the characters and of Sir Arthur Conan Doyle.     Questions naturally arose as the discussion continued: How does one represent such various settings as railway stations, Dartmoor, Baskerville Hall, the streets of London, etc. that are vastly different from the traditional "living room / sitting room" setting we're used to seeing in the theater? How is the hound brought to life? We also probed at what initially drove Ludwig to Sherlock Holmes and discovered that he managed to work the character into his professional life fairly quickly.     When we asked Ken answered to the questions of why The Hound of the Baskervilles and why now with: "There's a Hound in all of us."     Listen in for the full conversation and see the links below to buy tickets in Washington or Princeton. And if you live on the west coast, Ken mentions a summer appearance in San Diego...         Burt and Scott also discuss just a smidge of the BSI Weekend - including the first-ever appearance of a selfie stick at the event - and ask for your input on our programming. The Editor's Gas-Lamp this time is a variant: the poem "The Detective's Farewell" from the June 1974 issue of The Baker Street Journal (Vol. 34, No. 2).       Links:  for the Granada Sherlock Holmes series. (Amazon)  (January 16 - February 22, 2015)  (March 10 - 29, 2015)  by Ken Ludwig (Amazon)   Many more links, articles and images are available in our  and , as well as on the  on Google+ (still growing, now at over 2,200 members), as well as through our accounts on ,  and .         Please , ,  or  and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.     Your thoughts on the show? Leave a comment below, send us an email (ihearofsherlock AT gmail DOT com), call us at (774) 221-READ (7323).     And above all, please let our sponsors know that you heard us rant and rave about their excellence during the program:  (check out the new ) and , where you should get  in now to secure all four issues and a very special Christmas Annual.   --  

The resident theatre panelists -- Randall Arney, Artistic Director of Steppenwolf Theatre; Zelda Fichandler, Artistic Director of the Acting Company; Emily Mann, Artistic Director of McCarter Theater; Mac Pirkle, Artistic Director of Tennessee Repertory Theatre; Michael P. Price, Executive Director of Goodspeed Opera House; and Tony Award winner Lloyd Richards (for Fences), Artistic Director of Eugene O'Neill Theatre Center -- discuss the beginnings of regional theatre as a place to develop new plays and playwrights, relationships with commercial theatre, marketing and building a subscriber base, and diversity in playwrights and audiences.

The resident theatre panelists - Randall Arney, Artistic Director of Steppenwolf Theatre; Zelda Fichandler, Artistic Director of the Acting Company; Emily Mann, Artistic Director of McCarter Theater; Mac Pirkle, Artistic Director of Tennessee Repertory Theatre; Michael P. Price, Executive Director of Goodspeed Opera House; and Lloyd Richards, Artistic Director of Eugene O'Neill Theatre Center - discuss the beginnings of regional theatre as a place to develop new plays and playwrights, relationships with commercial theatre, marketing and building a subscriber base, and diversity in playwrights and audiences.

 Our Town is a story of character development that details the interactions between citizens of an everyday town in the early 20th century through their everyday lives (particularly the lives of George Gibbs, a doctor's son, and Emily Webb, the daughter of a newspaper editor). Our Town was first performed at the McCarter Theater in Princeton, New Jersey on January 22, 1938. It next opened at the Wilbur Theater in Boston on January 25, 1938. Its New York City debut was on February 4, 1938 at Henry Miller's Theatre, and later moved to the Morosco Theatre. The play was produced and directed by Jed Harris.[3] It won the Pulitzer Prize for Drama in 1938. Go To GoDaddy, use the promo code blu19 and save 10%