Podcasts about Oratorio

Présentée par Jean. Dans ce septième épisode de la deuxième saison de MetalGate consacré au à la musique de l'ère classique, votre animateur vous parle bel canto, Epica, Oratorio, Mozart, Evanescence et de plein d'autres choses...  

Under the direction of Dr. Gerry Kreitzer, the Cedar Rapids Concert Chorale has been preparing for their upcoming performance of the Grammy-nominated three-part Oratorio by Craig Hella Johnson, Considering Matthew Shepard. The music celebrates and honors the life and legacy of Matthew Shepard, a young gay man who was brutally attacked and murdered in 1998.  … Continue reading

durée : 00:16:15 - Le Disque classique du jour du jeudi 13 février 2025 - Une nouvelle version de ce vaste oratorio de Franz Liszt qui raconte l'histoire de Jésus : un véritable défi par ses dimensions et sa virtuosité que relèvent ensemble le Collegium Vocale de Leipzig, le Chœur Philharmonique de Dresde, le Merseburger Hofmusik et Michael Schönheit

durée : 00:16:15 - Le Disque classique du jour du jeudi 13 février 2025 - Une nouvelle version de ce vaste oratorio de Franz Liszt qui raconte l'histoire de Jésus : un véritable défi par ses dimensions et sa virtuosité que relèvent ensemble le Collegium Vocale de Leipzig, le Chœur Philharmonique de Dresde, le Merseburger Hofmusik et Michael Schönheit

To mark his inauguration as Chief Conductor of the Bavarian Radio Chorus and Symphony Orchestra, Sir Simon Rattle chose Joseph Haydn's oratorio The Creation. After two concerts on September 21 and 22, 2023 in Munich's Herkulessaal, the work was performed on September 24 in the historic basilica of Ottobeuren in Upper Swabia, together with the three outstanding soloists Lucy Crowe (soprano), Benjamin Bruns (tenor) and Christian Gerhaher (baritone). This album comes from these inaugural concerts.  

Cosa Pública 2.0 - Vi. 07 Feb 2025 1. Trump 2. Trump 3. Andrés Aguilar, Oratorio. 4. Desaparecidos Iniciamos en @CosaPublica2, con @rmartinmar y @jestradax. Escúchanos en el 104.3 FM y https://t.co/hvSFWSLuuu https://t.co/nAQ4wLRAFU— Radio Universidad de Guadalajara (@RadioUdeG) February 7, 2025

durée : 00:27:48 - Cantate : 248/6 « Herr, wenn die stolzen Feinde schnauben » (Oratorio de Noël) - La Cantate BWV 248/6 « Herr, wenn die stolzen Feinde schnauben » / « Seigneur, lorsque enragent nos arrogants ennemis » est la 6e partie de l'Oratorio de Noël ; elle correspond à l'Epiphanie. Bach l'a composée à partir de musiques préexistantes sur un texte de Picander pour le 6 janvier 1735.

durée : 00:06:48 - Le Bach du matin du vendredi 27 décembre 2024 - Notre Bach du matin est un Bach de circonstances puisqu'il s'agit d'un Oratorio de Noël. Le chœur et l'orchestre baroque d'Amsterdam nous interprètent la cinquième partie racontant le voyage des Rois Mages, sous la baguette de Ton Koopman.

durée : 00:06:48 - Le Bach du matin du vendredi 27 décembre 2024 - Notre Bach du matin est un Bach de circonstances puisqu'il s'agit d'un Oratorio de Noël. Le chœur et l'orchestre baroque d'Amsterdam nous interprètent la cinquième partie racontant le voyage des Rois Mages, sous la baguette de Ton Koopman.

Andrés Amorós nos deleita esta Nochebuena con piezas de Bach y Haendel como el Oratorio de Navidad: Jauchzet o El Mesías.

Las autoridades guatemaltecas recuperaron a casi 160 niños, a los que miembros de la secta judía ultraortodoxa Lev Tahor sustrajeron de un albergue donde se encontraban en custodia. Este grupo está siendo investigado por diferentes denuncias de violación de derechos humanos.  La policía de Guatemala recuperó el lunes a casi 160 niños, a los que miembros de una secta judía ultraortodoxa, Lev Tahor, sustrajeron de un albergue donde se encontraban en custodia. Tras un allanamiento de la propiedad, este grupo está siendo investigado por diferentes denuncias presentadas en los últimos meses y algunas otras que datan de varios años.  La finca se encuentra a 60 kilómetros de la ciudad de Guatemala. Entre los casos más graves, se investigan posibles embarazos forzados, casos de violación y de maltrato. Julio Saavedra, Procurador General de la Nación de Guatemala dio más detalles a los micrófonos de RFI.  “No se cuenta con antecedentes del estado en el que se encuentra la población que reside en la comunidad derivado que no se le permite el ingreso a ningún tipo de institucionalidad. Se tiene conocimiento que los niños niñas y adolescentes no reciben una educación integral e igualitaria, al no permitir que las niñas y adolescentes mujeres tengan acceso a la misma. No se cuenta con registro de los niños, niñas, y adolescentes que residen dentro de la comunidad. El cuarto derecho es uno de los más graves y se relaciona con embarazos en niñas y adolescentes; se tiene conocimiento que las mismas son obligadas a casarse a temprana edad y obligadas a concebir. Dentro de la información obtenida de las distintas denuncias recibidas se cuentan con antecedentes de abuso sexual físico y psicológico, así como falta de alimentación”. Lev Tahor funciona desde la década del 80 y se establecieron en Guatemala en 2013.  “Los antecedentes se remontan a por lo menos el año 2014, cuando esta comunidad judía ultraortodoxa toma la decisión de asentarse en el territorio guatemalteco. Por último, se asentaron en el municipio de Oratorio, departamento de Santa Rosa; esto es en el al sur del territorio guatemalteco en el kilómetro 94 desde la ciudad de Guatemala. Ese asiento lo hicieron en una finca que adquirieron y allí se desarrollaron todas sus actividades”, agregó. Desde la secta calificaron las investigaciones como persecución religiosa y denuncias falsas. Las autoridades estiman que este grupo estaría conformado por 50 familias principalmente de Guatemala, Estados Unidos, y Canadá.   

Las autoridades guatemaltecas recuperaron a casi 160 niños, a los que miembros de la secta judía ultraortodoxa Lev Tahor sustrajeron de un albergue donde se encontraban en custodia. Este grupo está siendo investigado por diferentes denuncias de violación de derechos humanos.  La policía de Guatemala recuperó el lunes a casi 160 niños, a los que miembros de una secta judía ultraortodoxa, Lev Tahor, sustrajeron de un albergue donde se encontraban en custodia. Tras un allanamiento de la propiedad, este grupo está siendo investigado por diferentes denuncias presentadas en los últimos meses y algunas otras que datan de varios años.  La finca se encuentra a 60 kilómetros de la ciudad de Guatemala. Entre los casos más graves, se investigan posibles embarazos forzados, casos de violación y de maltrato. Julio Saavedra, Procurador General de la Nación de Guatemala dio más detalles a los micrófonos de RFI.  “No se cuenta con antecedentes del estado en el que se encuentra la población que reside en la comunidad derivado que no se le permite el ingreso a ningún tipo de institucionalidad. Se tiene conocimiento que los niños niñas y adolescentes no reciben una educación integral e igualitaria, al no permitir que las niñas y adolescentes mujeres tengan acceso a la misma. No se cuenta con registro de los niños, niñas, y adolescentes que residen dentro de la comunidad. El cuarto derecho es uno de los más graves y se relaciona con embarazos en niñas y adolescentes; se tiene conocimiento que las mismas son obligadas a casarse a temprana edad y obligadas a concebir. Dentro de la información obtenida de las distintas denuncias recibidas se cuentan con antecedentes de abuso sexual físico y psicológico, así como falta de alimentación”. Lev Tahor funciona desde la década del 80 y se establecieron en Guatemala en 2013.  “Los antecedentes se remontan a por lo menos el año 2014, cuando esta comunidad judía ultraortodoxa toma la decisión de asentarse en el territorio guatemalteco. Por último, se asentaron en el municipio de Oratorio, departamento de Santa Rosa; esto es en el al sur del territorio guatemalteco en el kilómetro 94 desde la ciudad de Guatemala. Ese asiento lo hicieron en una finca que adquirieron y allí se desarrollaron todas sus actividades”, agregó. Desde la secta calificaron las investigaciones como persecución religiosa y denuncias falsas. Las autoridades estiman que este grupo estaría conformado por 50 familias principalmente de Guatemala, Estados Unidos, y Canadá.   

durée : 00:25:18 - Cantate BWV 248/3 : " Herrscher des Himmels, erhöre das Lallen " (Oratorio de Noël) - La Cantate BWV 248/3 « Herrscher des Himmels, erhöre das Lallen » / « Souverain des cieux, écoute mes murmures » est la 3e partie de l'Oratorio de Noël ; elle correspond au 3e jour de Noël. Bach l'a composée à partir de musiques préexistantes sur un texte de Picander pour le 27 décembre 1734.

George Frideric Handel (1685-1759) was a German-British Baroque composer. His most famous work, the 1742 oratorio Messiah with its "Hallelujah" chorus, is among the most popular works in choral music. The text from Messiah was compiled from the King James Bible and the Book of Common Prayer. Handel was born, raised, and trained in German Prussia but settled in England where he spent the bulk of his career and was buried in London’s Westminster Abbey. American Conservative University podcast at https://amzn.to/3ZMEq7g George Frideric Handel books at https://amzn.to/49zkBDW NYC Metropolitan Opera books at https://amzn.to/41nHkAE Mormon Tabernacle Choir books at https://amzn.to/4gbiMzw ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Books: https://amzn.to/3k8qrGM Audio Credit: American Conservative University podcast, The Story of the Writing of “The Messiah” by George Frideric Handel with the Metropolitan Opera Soloists and The Tabernacle Choir, narrated by Martin Jarvis. Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Camille Saint-Saëns (1835-1921) Oratorio de Noël Op.12per soli, coro, organo, archi e arpa. Prélude (dans le style de Seb. Bach), per organo e archiRecitativo: “Et pastores erant”, per soprano, contralto, tenore e baritono solisti, organo e archi; Coro: "Gloria in altissimis", per coro misto, organo e archiAria: "Exspectans Expectavi", per mezzosoprano solista, organo e archiAria e coro: “Domine, ego credidi,” per tenore solo, coro femminile, organo e archiDuetto: “Benedictus”, per soprano e baritono solisti, organo e arpaCoro: “Quare fremuerunt gentes,” coro misto, organo e archiTrio: “Tecum principium”, per soprano, tenore e baritono solisti, organo e arpaQuartetto: "Laudate coeli", per soprano, mezzosoprano, contralto e baritono solisti, organo e archiQuintetto e coro: "Consurge, filia Sion", per tutti e cinque i solisti, coro, organo, archi e arpaCoro: “Tollite hostias,” per coro misto, organo e archiDeutsche Radio PhilharmonieDirettore: Christoph PoppenRuth Ziesak, SopranAnja Schlosser, Mezzosoprano (Alt)Claudia Mahnke, MezzosopranJames Taylor, TenoreNikolay Borchev, BaritonoKonzertchor Darmstadt, direttore Wolfgang Seeliger

Pochi compositori si sono guadagnati una cattiva reputazione come quella di Antonio Salieri, il compositore che, secondo popolari chiacchiere, avvelenò Wolfgang Amadeus Mozart. Questa voce è nata, o almeno si è diffusa, grazie all'opera teatrale Amadeus di Peter Shaffer e al successivo adattamento cinematografico. Era una commedia eccezionalmente buona e un film eccellente. Ma ecco la verità . . . Salieri non ha ucciso Mozart. Mentre Salieri e Mozart erano effettivamente contemporanei e probabilmente erano in competizione per varie commissioni, la portata della loro rivalità è stata notevolmente esagerata. Chi era Salieri? Antonio Salieri è stato un importante compositore italiano dell'epoca classica, noto per le sue opere, le sue sinfonie e la sua musica da camera. Nato il 18 agosto 1750 a Legnago, città della Repubblica di Venezia, Salieri mostrò una precoce attitudine per la musica. Riconoscendone il talento, i genitori lo iscrissero a lezioni di musica con musicisti locali. Poi, all'età di 16 anni, Salieri si trasferì a Venezia, dove studiò con l'eminente violinista e compositore italiano Giuseppe Tartini. Durante il suo soggiorno a Venezia, Salieri affinò le sue abilità di violinista e compositore, attirando l'attenzione dell'élite musicale viennese. Nel 1766 Salieri si recò a Vienna, dove continuò la sua educazione musicale sotto la guida di Christoph Willibald Gluck. Vienna si rivelò un terreno fertile per la fiorente carriera di Salieri, che si affermò rapidamente come figura di spicco nel panorama musicale della città. Il talento e la dedizione a Salieri valsero il patrocinio dell'imperatore Giuseppe II, grazie a cui nel 1788 fu nominato compositore di corte. Questa prestigiosa posizione fornì a Salieri le risorse e il supporto per comporre opere, tra cui Axur, Re d'Ormus (1788), Les Danaïdes (1784) e la sua versione di Falstaff (1799), giusto per citare qualche esempio. Le sue opere furono ben accolte ed eseguite nei teatri di tutta Europa, consolidando la reputazione di Salieri come uno dei principali compositori del suo tempo. Oltre alle sue composizioni operistiche, Salieri scrisse anche un numero considerevole di brani strumentali, tra cui sinfonie, concerti e musica da camera. Anche se in genere non si percepisce il genio di Mozart nelle sue composizioni, esse sono caratterizzate dalla loro eleganza melodica, dalla ricchezza armonica e dall'orchestrazione magistrale, che riflettono lo stile del periodo classico. Nei suoi ultimi anni, Salieri continuò a comporre in modo prolifico e rimase una figura influente nella comunità musicale viennese. Ha fatto da mentore a una nuova generazione di compositori, fra cui Ludwig van Beethoven e Franz Schubert, lasciando un'eredità duratura sullo sviluppo della musica classica. Antonio Salieri morì il 7 maggio 1825 a Vienna, lasciando dietro di sé un corpus di opere ricco e variegato che continua a essere apprezzato ed eseguito fino a oggi. Nonostante le successive polemiche che circondano il suo rapporto con Mozart, i contributi di Salieri al mondo della musica permangono come testimonianza del suo talento e della sua dedizione. Alcune composizioni di Salieri Opere Armida. Falstaff. La Scuola de' Gelosi. Un'opera buffa. Opere corali La Passione di Gesù Cristo. Oratorio per coro, orchestra e solisti. Requiem in Do minore. Opere orchestrali e concerti Sinfonia in re maggiore (“La Veneziana”). Concerto per pianoforte e orchestra in si bemolle maggiore.

George Frideric Handel (1685-1759) was a German-British Baroque composer. His most famous work, the 1742 oratorio Messiah with its "Hallelujah" chorus, is among the most popular works in choral music. The text from Messiah was compiled from the King James Bible and the Book of Common Prayer. Handel was born, raised, and trained in German Prussia but settled in England where he spent the bulk of his career and was buried in London’s Westminster Abbey. American Conservative University podcast at https://amzn.to/3ZMEq7g George Frideric Handel books at https://amzn.to/49zkBDW NYC Metropolitan Opera books at https://amzn.to/41nHkAE Mormon Tabernacle Choir books at https://amzn.to/4gbiMzw ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Books: https://amzn.to/3k8qrGM Audio Credit: American Conservative University podcast, The Story of the Writing of “The Messiah” by George Frideric Handel with the Metropolitan Opera Soloists and The Tabernacle Choir, narrated by Martin Jarvis. Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Nuevo programa en el que esta semana comenzamos hablando de COMUNICACIÓN en mayúsculas, con Juan Vizuete, Asesor de Comunicación y Profesor de Oratorio y Debate – con “Marina de Empresas”, conoceremos a: “BEWOMAN360º”, con su CEO, Carmen Olivares “DVELAS”, con su CEO, Enrique Kahle -en “Nuestros anuncios de ayer y [...]

A new U.S. administration leads to shifting priorities in Israel, the story of an Israeli grandmother held hostage by Hamas, and a musical tribute to Creation. Plus, Steve Watters on a meaningful Christmas tradition and the Tuesday morning newsSupport The World and Everything in It today at wng.org/donate.Additional support comes from Knox Theological Seminary. Reformed, flexible, integrated certificate and post-graduate degree programs designed for you and your calling in ministry. Request more information about our fully online, accredited programs at Knoxseminary.edu/world.And from Dordt University, where students strive to become all that God created them to be and thrive intellectually, socially, and spiritually – until all is made new.Advent reading resources:Jotham's Journey by Arnold YtreeideThe Mystery Hidden for Ages by Sally MichaelGood News of Great Joy by John PiperCome, Let Us Adore Him by Paul TrippLove Came Down at Christmas by Sinclair FergusonRepeat the Sounding Joy by Christopher AshRecapturing the Glory of Christmas by Albert Mohler, Jr.

C'è tanta gioia ed un pizzico di orgoglio nella parole di Don Simone Stocco, il parroco di Villaverla pronto ad inaugurare domani il nuovo bar oratorio completamente ristrutturato e pronto a diventare punto di riferimento per la comunità di fedeli, ma non solo. Spazi che ritornano alla gente, assieme ad una sala per le feste attrezzata di tutto punto.

Giacomo Carissimi (1605-1674) - Oratorio di Daniele Profeta 1.       Nella famosa terra di Media, 00:002.       Daniele, oh scorta fida, 01:443.       Signor, al tuo senno d'huopo, 02:524.       Gl'imperi più grandi, 05:555.       Sì, son degni di te, 07:036.       Vedea la schiera de' ministri regi, 08:007.       Dunque n'andrà, 09:138.       E' Dario sì folle, 09:399.       No no, non sia vero, 10:1010.   Ma quai mezzi useremo, 10:5611.   Io credo già d'haver oprato in parte, 11:1012.   Addio, miei cari e fidi, 13:1813.   Signor, s'al giusto arridi, 13:4114.   Sì sì, pèra l'indegno, 14:5315.   Ohimé, che sento, 15:2516.   Dario, non più s'indugi, 16:1717.   Nell'udir che fé Dario, 18:1618.   Oh dignità reale, oh grave peso, 19:0219.   Ciò fra sé disse, 23:4720.   Non più udita ferita, 24:0421.   Poiché la schiera infame, 25:0722.   Queste dure ritorte che mi cingono, 25:2523.   Hor, chi sospende, 27:5624.   Rompete pur gl'indugi, 28:4225.   Taci, lingua perversa, 29:5926.   Oh, se il mio Dio, 30:3927.   E pur osi dannar, 31:0528.   S'uccida, s'estingua, 32:05 Ensemble SeicentonovecentoFlavio Colusso, conductor

TESTO DELL'ARTICOLO ➜ https://www.bastabugie.it/it/articoli.php?id=7944L'ORATORIO COME DIO COMANDA (IN 4 PUNTI) di don Armando BosaniA partire dalla mia esperienza da ragazzo, ho imparato a vivere un'equazione: oratorio uguale a domenica, una domenica con tanti ragazzi alla Santa Messa del mattino, il catechismo, il gioco, la preghiera; e la presenza di adulti debitamente coinvolti in questo ambiente umano ed ecclesiale. È proprio questa la parola vincente per la trasmissione della fede, e che rende l'oratorio una strategia ancora vincente: ambiente.Ma si deve trattare di vero oratorio, perché purtroppo, con il passare degli anni, esso è divenuto una mera esperienza ludica, a volte sportiva, senza alcuna connessione con la vita sacramentale, spesso disattesa, né con il catechismo, incastrato da qualche parte nei giorni feriali. E per lo più facoltativo.Non mi sono mai rassegnato a questa metamorfosi dell'oratorio: volevo a tutti i costi rivitalizzare l'oratorio domenicale che vedevo chiaramente come la condizione indispensabile perché i ragazzi facessero un'esperienza positiva della vita cristiana e continuassero quindi a frequentare anche dopo la cresima, divenuta ovunque il sacramento dell'addio.L'educazione cristiana non può fare a meno di un'esperienza significativa e coinvolgente, ben più ampia della semplice ora di catechismo, e ben più cristiana di una partita di calcio.Ho così riscoperto e riproposto con energia quel circolo virtuoso catechesi-liturgia-animazione, in cui il legame organico fra le tre componenti mi pare costituisca il nucleo, l'essenza della tradizione oratoriana ambrosiana. Se si pensa infatti la catechesi fuori dalla vita dell'oratorio, la Santa Messa staccata dalla catechesi, l'oratorio staccato da entrambe, non si realizza quell'ambiente in cui il ragazzo viene educato "per immersione".LA MIA ESPERIENZAI risultati di questa impostazione, che cerco di realizzare ormai da oltre quarant'anni? Positivi, sia per la frequenza alla Messa e la possibilità di educare ad una partecipazione corretta alla liturgia, sia per l'effettivo inserimento nella vita della parrocchia, sia per la percentuale di presenze nel dopo cresima, sia per l'alto coinvolgimento dei genitori che, dopo un primo momento di perplessità, scoprivano la bellezza di rimanere nel proprio paese, di partecipare a qualche momento comunitario con i figli, di stare insieme, senza essere imbottigliati in chilometri di coda per inseguire il mito del week-end.Nella mia esperienza è stato ed è fondamentale stabilire alcuni punti fermi che si ispirano a questa tradizione e che - è bene dirlo - mantengono l'identità dell'oratorio, tenendolo lontano dall'essere uno strumento della "pastorale del muretto", ossia uno strumento di recupero: l'oratorio ha ben altra funzione, che, se correttamente attuata, saprà svolgere anche - indirettamente - questa funzione. Come scriveva ormai trent'anni fa l'indimenticabile don Gioacchino Barzaghi, salesiano, «l'oratorio, per sua natura, è prima di tutto preventivo, e poi di recupero. Se fosse quasi esclusivamente di recupero avrebbe in sé una pericolosa contraddizione in termini, cui lo stesso don Bosco ad un certo punto della sua azione si trovò costretto a porre dei correttivi. Questo per far tacere per un momento la troppa retorica spesa al riguardo. Sono tutte affermazioni che mi sentirei di provare puntualmente, se ne avessi lo spazio».PUNTI FERMIDunque, veniamo a questi punti fermi.1. La conservazione del valore sacro della domenica come giorno del Signore, e non giorno della privacy familiare o del week-end. Si tratta del terzo comandamento e non credo si possano facilmente trascurare i diritti di Dio in nome dei diritti dell'uomo. Non ribadirlo con forza mi sembra un cedimento alla mentalità materialistica del nostro tempo e una pessima testimonianza di fronte alla radicalità con cui altre religioni vivono il loro giorno sacro.2. La convinzione che una catechesi che non realizzi un inserimento del ragazzo (e quindi della famiglia) nella vita della parrocchia è solo un'infarinatura superficiale, che non può aspirare alla realizzazione di una vera formazione cristiana. E come la farina, viene portata via da un semplice vento leggero.3. Non si possono sostituire la catechesi e l'istruzione religiosa con altre attività di animazione. Non possiamo permetterci di creare confusioni con attività parascolastiche e di annacquare l'immagine dell'oratorio. Che deve essere diverso dalle altre attività: come si può esigere con rigore la presenza dei ragazzi per attività che possono benissimo essere vissute (forse meglio) anche in altri ambienti e istituzioni?4. La vita cristiana è caratterizzata anche dalla gioia, dalla fraternità e dalla condivisione, che il ragazzo deve poter sperimentare concretamente. E dove, se non in un ambiente in cui può trovare concretamente la comunità cristiana (adulti, giovani, coetanei) e non solo un gruppetto o la classe di catechismo? E quando, se non la domenica, il giorno del Signore?L'oratorio, in un tempo di profonda e diffusa crisi educativa, non ha semplicemente ancora qualcosa da dire: ha una soluzione. L'oratorio oggi non lascia: raddoppia. Perché è chiaro che di fronte all'offensiva anti-educativa, la Chiesa deve avere sul piano educativo una offerta altra, una proposta qualitativamente distintiva, forte e integrale. Se l'oratorio si limitasse ad essere un posto per evitare che i ragazzi frequentino cattive compagnie, e, per questa ragione, facesse proposte banali, oppure - che non è affatto meglio - aspirasse a diventare il luogo di divertimento "della concorrenza", avrà il suo triste destino segnato. Ma è possibile, realistico e necessario puntare più in alto, con un po' più di fiducia in una "formula" che non proviene da improvvisati gruppi di esperti, ma poggia sull'esperienza secolare della Chiesa ambrosiana.

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LATE SUMMER AND EARLY AUTUMN OF ARCADE CANNOT BE STOPPED! Join the HG101 gang as they discuss and rank Sega's 1998 arcade mech battler. Then stick around for Ben Esposito's 2018 indie hit!  This weekend's Patreon Bonus Get episode will be WACKY RACES — one of those licensed NES cash-grabs that licensed the wrong license, perhaps! Donate at Patreon to get this bonus content and much, much more! Follow the show on Bluesky to get the latest and straightest dope. Check out what games we've already ranked on the Big Damn List, then nominate a game of your own via five-star review on Apple Podcasts! Take a screenshot and show it to us on our Discord server! Intro music by NORM. 2024 © Hardcore Gaming 101, all rights reserved. No portion of this or any other Hardcore Gaming 101 ("HG101") content/data shall be included, referenced, or otherwise used in any model, resource, or collection of data.

In Episode 415 of Things We Said Today, Ken Michaels, Allan Kozinn and Darren Devivo speak with Evans Mirageas, the artistic director of the Cincinnati Opera, about the company's decision to present “Paul McCartney's Liverpool Oratorio” as a fully-staged opera during its 2024 Summer Festival. [The news segment runs from 2'12” to 9'30.” The interview with Evans follows.] The performances are July 18, 20, 21, 25 and 27, and the cast includes Andrew Owens as Shanty; Jacqueline Echols McCarley as Mary Dee; Kayleigh Decker as Miss Inkley, Chief Mourner and Nurse, and Kevin Short as Headmaster, Preacher and Mr. Dingle. The production is directed by Caroline Clegg, with sets and costumes by Leslie Travers. For more information: https://www.cincinnatiopera.org/liverpool-oratorio             As always, we welcome your thoughts about this episode of the show or any other episode. We invite you to send your comments about this or any of our other shows to our email address thingswesaidtodayradioshow@gmail.com, join our "Things We Said Today Beatles Fans" Facebook page and comment there, tweet us at @thingswesaidfab or catch us each on Facebook and give us your thoughts. And we thank you very much for listening. You can hear and download our show on Podbean, the Podbean app and iTunes and stream us through the Tune In Radio app and from our very own YouTube page.  Our shows appear every two weeks. Please be sure and write a (good, ideally!) review of our show on our iTunes page. If you subscribe to any of our program providers, you'll get the first word as soon as a new show is available. We don't want you to miss us. Our download numbers have been continually rising, as more people discover us and it's all because of you. So we thank you very much for your support!             Be sure to check out the video version of Things We Said Today on our YouTube channel, https://www.youtube.com/channel/UC-zgHaPfL6BGmOX5NoyFE-A. The audio version can be found at Podbean: https://beatlesexaminer.podbean.com/ as well as at iHeart Radio, Apple podcasts and other distributors of fine podcasts.             MANY MANY WAYS TO CONTACT US:             Our email address: thingswesaidtodayradioshow@gmail.com             Twitter @thingswesaidfab             Facebook:  Things We Said Today video podcast      ALLAN on Facebook: Allan Kozinn or Allan Kozinn Remixed.             Allan's Twitter feed: @kozinn             The McCartney Legacy's website: https://www.mccartneylegacy.com/             The McCartney Legacy on Facebook: McCartney Legacy, and on Twitter: @McCARTNEYLEGACY             The McCartney Legacy YouTube channel: https://www.youtube.com/channel/UC8zaPoY45IxDZKRMf2Z6VyA             KEN's YouTube Channel, Ken Michaels Radio: https://www.youtube.com/channel/UCq_Dkp6fkIsYwGq_vCwltyg             Ken's Website Beatles Trivia Page: https://www.kenmichaelsradio.com/beatles-trivia--games.html Ken's other podcast, Talk  More Talk: A Solo-Beatles Videocast You Tube channel:  https://www.youtube.com/@talkmoretalksolobeatles             Ken's Weekly Beatles radio show "Every Little Thing" On Demand:  http://wfdu.fm/Listen/hd1%20recent%20archives/             Ken's e-mail:  everylittlething@att.net Ken's Facebook Page: https://www.facebook.com/ken.michaels.31/ DARREN's radio show can be heard 10pm to 2am Monday through Thursday and 1pm to 4pm Saturday on WFUV 90.7 FM (or 90.7 FM HD2), or at wfuv.org, or on the WFUV app.             Darren on Facebook: Darren DeVivo, and Darren DeVivo: WFUV DJ and Beatles Podcaster Darren's email: darrendevivo@wfmu.org

Send us a Text Message.Today's crossword had eight, count'em, eight debut answers, including every computer programmer's favorite, DEBUGGER, the unsung hero of software development. A number of other clues  didn't make it into the grid but deserve a shoutout, including 61A, Currently happening, AFOOT (and we can hear the British accent in our heads when we say it

La nueva serie de Netflix protagonizada por el Hot Priest, Andrew Scott, adapta la primera novela de Patricia Highsmith sobre el personaje de Tom Ripley. Con Ripley nos vamos hasta Italia de ruta Caravaggio y nos perdemos en la costa de Amalfi, Roma, Nápoles, Palermo y Venecia. Te contamos cuáles son sus localizaciones reales y algunas de las trampas que ha hecho el equipo de esta serie en blanco y negro. Además de decirte si hay opciones de seguir viajando con Ripley en una segunda temporada.Sobre las más de 200 localizaciones y sets de la serie: https://www.netflix.com/tudum/features/ripley-series-locations-costumes-black-white-cinematographyLa villa de Dickie en Atrani, que de hecho está en Capri: https://www.airbnb.com/rooms/43472356?Pio Monte della Misericordia en Nápoles: https://piomontedellamisericordia.it/en/Palazzo Sanfelice en Nápoles: https://palazzosanfelice-sanita.com/en/index.htmlGalleria Borghese en Roma: https://galleriaborghese.beniculturali.it/en/San Luigi dei Francesi en Roma: https://www.turismoroma.it/en/places/san-luigi-dei-francesi-st-louis-frenchPiazza di Pietra en Roma: https://maps.app.goo.gl/LXFQpizVZnJTr6QD6Ponte Sant'Angelo en Roma: https://maps.app.goo.gl/YLuw9ZoUoXDi9Gf26Santuario di Santa Rosalia en Palermo: https://www.santuariosantarosalia.it/Oratorio di San Lorenzo en Palermo: http://www.amicimuseisiciliani.it/amicideimusei/Top 10 de crímenes en el mundo del arte según el FBI https://www.fbi.gov/investigate/violent-crime/art-crime/fbi-top-ten-art-crimesPalazzo Contarini Polignac en Venecia: http://www.palazzocontarinipolignac.com/¡Síguenos en redes!Instagram @vuelodeidapodcastYouTube @vuelodeidaTikTok @vuelodeidaX @vuelodeida

In the first-ever live HBGC show, the gang interviews NES developers John Vanderhoef and Greg Caldwell. John is the Byte Off Award-winning creator of the Orebody series, including Hunt the Wampus, Orebody: Binder's Tale, and Oratorio. Greg Caldwell is a member of Retrotainment Games, developers of classic homebrew titles Full Quiet, Haunted Halloween '85 and '86, and Garbage Pail Kids: Mad Mike and the Quest for Stale Gum. Find more about the Orebody series at its Twitter / X page. For Retrotainment Games, check out their website. As always, find links to our social media and more at: ⁠⁠http://homebrewgameclub.com

A two-time Obie Award-winning director and choreographer, Lee Sunday Evans is the Artistic Director of Waterwell. She recently directed The Poisoner, currently playing at La MaMa. Some of Lee's other credits include Oratorio for Living Things, Dance Nation, the Courtroom, Sunday, In the Green, Miller, Mississippi, Home and Porto. Lee is also directing the Broadway-bound musical adaptation of A Wrinkle in Time.  This episode was recorded April 12, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

This weekend, PAC NYC presents “Number Our Days: A Photographic Oratorio.” With music by Luna Pearl Woolf, a Concept and Libretto by David Van Taylor, “Number Our Days” is based on Jamie Livingston's 18 year long “Photo Of the Day” project.

durée : 00:50:10 - Oratorio de Pâques BWV 249 « Kommt, eilet und laufet » / « Venez, hâtez-vous et courez » - Bach compose l'Oratorio de Pâques « Venez, hâtez-vous et courez » BWV 249 à l'occasion de sa deuxième fête de Pâques passé à Leipzig (1er avril 1725). Basée sur la musique d'une cantate profane, cette œuvre est ensuite rejouée pour plusieurs fêtes de Pâques à Leipzig dans les années qui suivent.

What does singing pure vowels mean? How do I do it? In this episode I give a brief introduction on how to do it! I use the piece, "I Know that My Redeemer Lives" from the Messiah to explain how consonants should be used in the pure vowel space and NOT take you out of your resonance. Questions? DM me! I'm on all the socials :) Check out my singing course...jammiehampton.podia.com15% off foot creamhttps://nskn.co/rU59a215% off the Lumi Spahttps://nskn.co/E0OR4XFollow Jammie on Instagram & Tiktok@jammiehampton Facebookhttps://www.facebook.com/jammie.hamptonYouTubehttps://youtube.com/user/JammieHampton

La mañana del ocho de abril de 2022, Óscar R. esperaba el bus para ir a trabajar a una empresa que distribuía alimentos en tiendas de gasolineras. Ese día llevaba documentos para aplicar a un nuevo trabajo como motorista de un camión blindado. Quería ganar más dinero que en su trabajo anterior que le pagaba 400 dólares. Tenía 33 años y no logró llegar a su destino en Santa Tecla. Casi una semana después de decretado el régimen de excepción, fue arrestado. Siete meses después, fue liberado, lo que da testimonio de que su captura fue injustificada. Este es el relato de lo que Óscar perdió sin deber nada. La Policía lo capturó bajo la acusación de ser pandillero, pese a que no tiene tatuajes ni antecedentes delictivos relacionados con esos grupos, razón por la cual la Fiscalía pidió su libertad, según documentos del expediente judicial. “¿Cómo voy a ser pandillero, si yo y mi familia hemos sido víctimas de las pandillas?”, pregunta Óscar. Él intentó migrar a Estados Unidos tres veces después de que en 2012 su hermano fuera tiroteado por la pandilla Barrio 18, facción Revolucionarios. Regresó en 2016. Seis años después de fallar en su huida, fue capturado y testigo durante siete meses de las condiciones de los reos del régimen. El Faro ha podido comprobar con documentos que Óscar estuvo preso en el penal de Mariona, entre abril y octubre de 2022. Él fue uno de las más de 75,000 personas que han sido capturadas en los casi dos años que lleva el régimen de excepción. Óscar asegura que vio el asesinato de un recluso perpetrado por los custodios. “Un custodio le agarró la cabeza mientras otro le pegaba con un palo, con el agarradero de la macana. Y de ahí lo estrelló contra el muro”, recuerda. Asegura que los presos de su celda fueron amenazados por el director de Centros Penales, Osiris Luna, y da testimonio de que, para alguien como él, la vida después del régimen es inviable: “El año pasado fui como a 20 entrevistas y me piden la solvencia policial y los antecedentes”. Las muertes violentas y los tratos inhumanos que Óscar describe en esta entrevista coinciden con cientos de casos documentados por organizaciones de derechos humanos como Socorro Jurídico Humanitario, Cristosal y el Movimiento de Víctimas del Régimen. Desde el inicio del régimen de excepción, el 27 de marzo de 2022, El Faro ha solicitado datos oficiales al Ministerio de Justicia, Policía y Centros Penales, pero toda esa información ha sido declarada reservada. La poca información disponible es la que proporcionan funcionarios en entrevistas televisivas. En noviembre de 2023, el ministro de seguridad Gustavo Villatoro dijo que 90 reos del régimen murieron en las cárceles. Por su parte, el diputado Christian Guevara dijo en un programa de televisión que las muertes en las cárceles demostraban que no “eran niños de kínder”, apuntando a que se trataba de riñas entre reos y rechazando cualquier responsabilidad estatal. Hasta el 24 de marzo de 2024, Socorro Jurídico contabilizaba 235 reos muertos bajo el régimen de excepción. Dos años después de su captura, 17 meses después de que el sistema lo liberara y admitiera que su detención fue un error, aún debe viajar todos los jueves desde Oratorio de Concepción, en Cuscatlán, hasta un juzgado de San Salvador, para firmar un libro que le garantiza su libertad condicional. Su familia le ayuda para pagar los cinco dólares semanales de pasaje que necesita para cumplir con el requisito judicial. Él no tiene ingresos, los antecedentes de su detención durante el régimen no le dejan conseguir trabajo. “Hasta ahorita no he podido encontrar trabajo porque me da temor ir a sacar los antecedentes y la solvencia porque yo he escuchado que muchos ahí quedan porque a veces los policías andan de malas y si les caistes mal te revocan las medidas y te llevan otra vez para adentro, entonces hasta el día de hoy no he podido trabajar”, dice. El Faro entrevistó a Óscar el 12 de marzo de 2024. Este es su relato.

JR sings with The Oratorio, is prepping for his role in The Great Gatsby, a Live Radio Play, he's going back to New York City, and has finally ordered a new license plate for his new car. www.wiiay.com --- Support this podcast: https://podcasters.spotify.com/pod/show/threethingswithjr/support

CARISSIMI: Jephte “Cum vocasset in proelium” (Oratorio a 6) (27.38). Los Músicos de Su Alteza. Dir.: L.-A. González. Il lamento di morte di Maria Stuarda (8.42). E. Kirkby (sop.), A. Rooley (laúd). Cain (6.01). Hassler Consort. Dir.: F. Raml.Escuchar audio

The Bach Society Houston performs a holiday-appropriate work for orchestra and chorus.

DescriptionJoseph Haydn's The Creation was inspired by Handel's Messiah and Milton's Paradise Lost. Take a minute to get the scoop!Fun FactThe first of the oratorio's three parts begins with “Representation of Chaos,” an orchestral prelude that uses stark chords and shifting harmonies to portray the formlessness and disorder that preceded the Creation. The six days of creation occupy the remainder of the first and all of the second part, with each day introduced in recitative by the archangels Raphael (bass), Uriel (tenor), and Gabriel (soprano).__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Live from Meigs Field, it's the final Untitled Beatles Podcast! Of 2023, that is! Unless you know something we don't? What is you [sic], a cop? If so, are you as effortlessly bouncy as the cop in "Hot Cop", the Village People's #2 Billboard Disco Charts smash from '78? #HotCop Anyhoo, it's onto Side 2, as we continue to deep dish “Band On The Run”, Paul's most beloved album that doesn't feature the word “Oratorio”. And because Tony, T.J., Producer Casey, and Sir Paul are all obviously Americans, we'll consider the US version that includes the powerhouse single, “Helen Wheels”, not to mention much more memorable Macca music. Plus, we'll examine this album's rough beginning in Lagos and unmatched legacy within Paul's recorded catalog, the celebrated cover and packaging, and also:

December 24, 2023 PM, Various.Our Scripture reading was Matthew 2:12ff

Camille Saint-Saëns schrieb sein Oratorio de Noël als 23jähriger innerhalb von 12 Tagen. Von der Uraufführung am ersten Weihnachtstag 1858 nahm kaum jemand Notiz. Doch heute zählt das Werk mit seinen warmen Kantilenen und aparten Klangwirkungen zu den meist aufgeführten Oratorien im Advent. Von Michael Lohse.

Una nueva forma para viajar, a traves de las grandes obras musicales del genero clasico. Conducido por Juan Fernando Villafuerte Ex colaborador de la Deutsche Welle de Alemania y la Elizabeth Trabanino, Directora de Radio Clasica, quienes a traves de una tertulia contaran las historias que se esconden detras de las operas a manera de poner en contexto al publico sobre el origen de estas grandes composiciones.

It's the Premium Edition Lounge, where we interview Barry and only Barry. Today we are talking about Premium Edition Games' Fall 2023 Direct which is currently available to pre-order. This includes Anuchard, Lonesome Village, and Sunshine Anthology. Click here to order your copy! We also talked about some other exciting games, like Oratorio for the NES, Jim & Dill: The Legend of Weed N' Stiff for the NES, and Jim & Dill 2: Bobson's Revenge for the NES as well! We discussed a Kickstarter that has already fulfilled but that Premium Edition will be helping out with the physical release of Kristala! If you missed out because we were late getting this to you, then follow Premium Edition and the Kickstarter to stay informed - and never rely on the Classic Gaming Brothers to be timely. Check out: https://premiumeditiongames.com/ You can also check out: http://nintendofuse.com/ And be sure to follow them on Twitter: https://twitter.com/PremiumEdition1  -- Send us feedback on episodes at ClassicGamingBrothers@gmail.com (and have a chance at winning a free game!), comment on our Facebook or shoot us a DM. -- Make sure to like our pages and subscribe to our podcast on your favorite streaming service we are now on most of them (iTunes, Stitcher, Google Music, Google Podcasts, Spotify, TuneIn, iHeartRadio, and apps like Podcast Addict). -- If there is a service we aren't on yet that you want to hear us on, let us know. -- Check us out on Twitch at https://Twitch.tv/classicgamingbrothers and YouTube @Classicgamingbrothers. -- We have a website, it is at https://www.classicgamingbrothers.com -- Intro/Outro song is "The Black Kitty" by Rolemusic from the album "The Black Dot".

"Salvation: A Gospel Oratorio" tells the unknown story of the Rev. David George & the origins of the Black Baptists Church in North America. Set in the late 1700's, in the days leading up to the civil war, Rev. George's escape from Slavery inspired many people to find out the source of his strength of overcome hardship. He built a church community that spread from the American Southern colonies to Nova Scotia, Canada, to Sierra Leone, Africa — but his impact has largely been forgotten today. Written and Researched by Obediya Jones-Darrell, this story consist of traditional Spirituals with music written for choral performance by Soprano, Mezzo-soprano, Alto and Baritone singers as it would have been heard in the late 1700's. Obediya Jones-Darrell (Music composer & Librettist) Dylan Kirby (Recording engineer) Narration read by Carl Amazou Nicole Brown (Soprano) Sharon Bryson (Mezzo-soprano) Kimona Smith-Barr (Alto)   Binge on all of our audio shows at atlantafringe.org/fringe-audio or wherever you enjoy podcasts.

Welcome to another episode of The Gamerheads Podcast!  We sat down with Barry from Premium Edition Games to unpack their recent Direct and the exciting array of games announced. From the unique rhythm shooter Oratorio,  to the intricate two-part series, Jim and Dill, Barry gives us an inside look at these NES games that will get a physical release with Premium Editon Games.We also plunged headfirst into the chilling realms of Camp Sunshine and Sunshine Manor, two horror and adventure games. We then took a leisurely stroll through the heartening landscape of Lonesome Village, a creation by the talented Mexican team Ogre Pixel.We also discuss games that we're currently playing - Super Mario Bros Wonder, Slay the Princess, Killer Frequency, Gargoyles Remaster, Haunted House, and more!And of course, being the Halloween season, we are visited by our...friend...Retro Games Frankenstein, and the Bride of Retro Games Frankenstein as they challenge us to another game to play.So sit back and relax and enjoy this fun-filled journey through gaming goodness!Support the showHere are a few ways you can support Gamerheads!Leave us a review!Not only does your review help fellow gamers discover our podcast, but it also provides valuable insights for us as content creators. Your feedback serves as a compass, guiding us in crafting episodes that cater to your interests, addressing topics that matter to you, and enhancing your overall listening experience. Your words have the power to influence the direction of future episodes and ensure that we continue delivering content that captivates and engages. Review us on Apple Podcasts! Review us on Spotify! Join our Discord!In The Gamerheads Podcast Discord, you'll find a haven for lively discussions, where you can chat about the latest releases and share your gaming experiences with fellow gamers.Join our Patreon today https://www.patreon.com/gamerheadsFollow us on Twitter - https://twitter.com/GamerheadsPodMusic: Jeff Dasler - RecusedScott Gratton - Wheel IntroVarious Artists - Return to Control

In this episode, Adam and Budi discuss an article in The New York Times Magazine entitled "Why Culture Has Come to a Standstill" by Jason Farago. Mentioned in this episode:Oratorio for Living ThingsThe Church of CraftSupport the showPlease help us send BRIGHT LIGHT BURNING to COP28 in Dubai. Support us on our GoFundMe FundraiserIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Support the Theatre of Others - Check out our Merch!Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: https://www.purple-planet.comAdditional compositions by @jack_burmeister

"The repertoire will always have some sort of example of something that you're talking about in music theory, and it helps really build that connection between the studying of music and the doing of music. The more and more I teach theory, the more little leaves I uncover, and I'm able to help students make that connection more and more every year."John Guarente is Professor of Choral Ensembles and Music Theory at South Puget Sound Community College. He leads the SPSCC Choirs and teaches courses in music theory, popular music, and music appreciation.Dr. Guarente previously served on the faculty at Lakeland University in Wisconsin and the College of Central Florida. He has held teaching and conducting positions with schools and organizations including the University of Miami, Miami Choral Academy, Marion Civic Chorale, the Civic Chorale of Greater Miami, and Highland Park Community Chorus.An active composer and arranger, John has fulfilled commissions for colleges and universities including Florida International University and Hawai'i Pacific University. In 2020, he wrote the music and lyrics for SPSCC's Alma Mater, "The Waves of South Puget Sound." John has prepared and conducted choirs for groundbreaking recording artists such as Passion Pit and Juanes. In working with adult and collegiate choirs, Dr. Guarente has conducted numerous major works including Handel's Judas Maccabaeus, Saint-Saëns's Oratorio de Noël, Mozart's "Coronation" Mass, Faure's Requiem, and Vivaldi's Gloria. As a baritone soloist, his singing engagements have included such choral-orchestral literature as Orff's Carmina Burana, Handel's Messiah, Dvorak's Te Deum, and Szymanowski's Stabat Mater.John received his doctor of musical arts degree from the University of Miami, and holds a master of music in choral conducting and a bachelor of arts degree in music from Rutgers University. He is an inductee of Pi Kappa Lambda: The National Music Honor Society, and is an active member of the American Choral Directors Association, the National Collegiate Choral Organization, the College Music Society, and the National Association for Music Education.To get in touch with John, you can find him on Facebook (@johnguarente), Twitter ( @johnguarente), or Instagram (@johnguarente). You can also email him at jguarente@spscc.edu.Choir Fam wants to hear from you! Check out the Minisode Intro Part 2 episode from May 22, 2023, to hear how to share your story with us. Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Conny Méndez was born in Caracas, Venezuela on April 11, 1898, the daughter of distinguished author and poet Don Eugenio Méndez y Mendoza and Doña Lastenia Guzmán de Méndez y Mendoza. She devoted many years of her life to the theatre, as producer, director and actress in productions benefiting the International Red Cross Society during the years when the Society was under the direction of Chairwoman Doña Margarita de Guinand.   Her Musical output consists of more that forty compositions, the best known of which are in a folkloric vein and are still available in international record stores. Her classical and romantic works cover a wide range, including an Oratorio in the sacred tradition. She is the author of numerous poems as well as composer of all lyrics for her music, and has performed at many international concerts featuring her own music.  In 1946, she founded the Christian Metaphysics Movement in Venezuela, and began to dedicate herself completely to this esoteric teaching, bringing her writings and lectures to the major cities of Central and South America.   The Seven Principles are: Mentalism, Correspondence, Vibration, Polarity, Rhythm, Cause and Effect, and Regeneration. These Principles act as one. Perhaps the best way to understand this concept is to think of Principle as a seven-sided jar. Each side is distinct, yet each is joined to the others, and without any one of them the vessel would be incomplete—and it wouldn't hold water. Complete, it is a vessel of infinite capacity.

Jörg Widmann is also recognized as an internationally acclaimed clarinet soloist, so we begin the Bonus Room by talking about that aspect of his career. We also discuss further how he balances his schedule between composing, clarinet, and conducting (spoiler alert... he really doesn't!), and then we talking about a number of different subjects, such as different national styles of composing, poetry and literature, and performing on period instruments. We conclude our discussion by going back to the beginning of it... combining curiosity with doubt, as they both can point to the future.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

In Part 2, we continue our discussion about composition, including aspects such as revision, notation, writing in bursts rather than with a regular schedule (and why composing for very long hours is a joy), separating composing from clarinet and conducting, dealing with being writer's block, and working with Pierre Boulez. We end Part 2 by talking about his conducting career... how he got started, and his work with the Irish Chamber Orchestra.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Jörg Widmann is one of the most versatile and fascinating classical artists in the world today. He is one of the world's most recognized modern composers, with premiers by major orchestras around the world. He has also appeared as a clarinet soloist with many of the world's top ensembles. As a conductor, he was the Music Director of the Irish Chamber Orchestra for ten years. His body of work is amazing, so I wanted to find out... how has he been able to accomplish so much in such a short time? He was gracious enough to take time out of his very busy schedule to speak with me.A defining quality for Jörg is his curiosity. He talks about how this curiosity began in his childhood. While discussing his curiosity and studies at Juilliard, we fall into the subject of German vs. French clarinet systems. We then use three pieces to discuss in depth how he approaches composition: His massive oratorio ARCHE, his Ad Absurdum, written for trumpeter Sergei Nakariakov, and finally, the Trumpet Concerto he wrote for Håkan Hardenberger. Jörg also talks about the similarities in his mind between Miles Davis... and Pierre Boulez.Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.