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Episode 168 Chapter 28, Moog Analog Synthesizers, Part 1. Works Recommended from my book, Electronic and Experimental Music Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 28, Moog Analog Synthesizers, Part 1 from my book Electronic and Experimental music. Playlist: EARLY MOOG RECORDINGS (BEFORE 1970) Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1. Emil Richards and the New Sound Element, “Sapphire (September)” from Stones (1967). Paul Beaver played Moog and Clavinet on this album by jazz-pop mallet player Richards, who also contributed some synthesizer sounds. 02:21 01:44 2. Mort Garson, “Scorpio” (1967) from Zodiac Cosmic Sounds (1967). Mort Garson and Paul Beaver. Incorporated Moog sounds among it menagerie of instruments. Garson went on to produce many solo Moog projects. 02:53 04:04 3. Hal Blaine, “Kaleidoscope (March)” from Psychedelic Percussion(1967). Hal Blaine and Paul Beaver. Beaver provided Moog and other electronic treatments for this jazzy percussion album by drummer Blaine. 02:20 06:58 4. The Electric Flag, “Flash, Bam, Pow” from The Trip soundtrack (1967). Rock group The Electric Flag. Moog by Paul Beaver. 01:27 09:18 5. The Byrds, “Space Odyssey” (1968) from The Notorious Byrd Brothers (1968). Produced by Gary Usher who was acknowledged for having included the Moog on this rock album, with tracks such as, “Goin' Back” (played by Paul Beaver), “Natural Harmony,” and unreleased track “Moog Raga.” 03:47 10:48 6. The Monkees, “Daily Nightly” from Pisces, Aquarius, Capricorn, and Jones Ltd. (1967). Moog effects provided by Micky Dolenz of the Monkees and Paul Beaver. 02:29 14:40 7. Jean Jacques Perrey and Gershon Kingsley, “The Savers,” a single taken from Kaleidoscopic Vibrations (1967). The first Moog album by this duo known for their electro-pop songs. 01:48 17:08 8. Wendy Carlos, “Chorale Prelude "Wachet Auf" from Switched-On Bach (1968). The most celebrated Moog album of all time and still the gold standard for Moog Modular performances. 03:34 18:54 9. Mike Melvoin, “Born to be Wild” from The Plastic Cow Goes Moooooog (1969). Moog programming by Paul Beaver and Bernie Krause. 03:03 22:28 10. Sagittarius, “Lend Me a Smile” from The Blue Marble (1969). This was a studio group headed by Gary Usher, producer of The Byrds, who used the Moog extensively on this rock album. 03:09 25:30 11. The Zeet Band, “Moogie Woogie” from the album Moogie Woogie(1969). Electronic boogie and blues by an ensemble including Paul Beaver, Erwin Helfer, Mark Naftalin, “Fastfingers” Finkelstein, and Norman Dayron. 02:43 28:40 Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.
The Ballycogley Players have made it to the RTE All Ireland Drama Festival Finals in Athlone! Joining me in studio are director Pat Whelan and cast members Trish Boyce and Siobhan Murphy to chat about their laugh-out-loud production of Lend Me a Tenor. Catch them at the O'Reilly Theatre, Wexford, on April 23rd, in Gorey Little Theatre on May 1st, and back at the NOH on May 5th and 6th.
A surprise phone call lead award-winning playwright, the most performed of his generation, Ken Ludwig into the world of murder mysteries, becoming the chosen playwright for the Agatha Christie estate. Ken Ludwig has had six shows performed on Broadway and eight in London's West End, and many of his works are a standard part of the American repertoire. His 35 plays and musicals have been performed in over 30 countries in more than 20 languages and are produced throughout the United States every night of the year. His 1989 comedy Lend Me a Tenor scored three Tony Awards and was produced on Broadway and in London by Andrew Lloyd Webber. He's also a big Shakespeare fan. His book How to Teach Your Children Shakespeare was a bestseller.
Send us a textIn her decades spanning career, Cassidy Janson has lit up all corners of the London theatre scene. From the Landor Theatre to the Menier Chocolate Factory to understudying Elphaba in Wicked to winning an Olivier for her role as Anne Hathaway in & Juliet, Cassidy Janson is a definitive West End leading lady. Having performed in concerts for some 10 years, she has established herself as a singer and songwriter as well as a bona fide West End star. Her most recent credits include Jerry's Girls, Florence in Chess and Carole King in Beautiful: The Carole King Musical. Ahead of her special concert at the Vaudeville Theatre as part of the Westway Sessions, Cassidy Janson sat down to talk about her love for gigging and how a meeting with a jive band led to her performing all around the world, introducing her to new audiences everywhere. In our conversation, Cassidy looks back at milestone moments like taking over the lead role in Beautiful and also originating parts in shows like & Juliet and Lend Me a Tenor. She looks back at her time in off-West End hits like Dessa Rose fondly and we hear her thoughts on how the industry has changed over the years as well as whether or not audience etiquette has gotten worse too. It's a fascinating exchange and we look forward to what Cassidy Janson has to offer in the next few decades of her career.Support the show
Jay Schueller and Mary Ellen Sauser discuss the Pine City Heritage Players' show "Lend Me a Soprano."
Martha Hoffman shares her depth of knowledge and insights about dog temperament, especially when evaluating for hearing dogs, dog behavior, and observations from living in Bali and observing the Bali Heritage Dogs. This one is not to be missed! To learn more from Martha: Her book is Lend Me an Ear: Temperament, Selection and Training of the Hearing Ear Dog Martha's Patreon is https://www.patreon.com/c/faunabotanica/posts Facebook is https://www.facebook.com/martha.hoffman2 The dog photos on the promo for this track are Bali Dogs taken by Martha Hoffman
On the Saturday October 12, 2024 edition of The Richard Crouse Show we meet Paul Gilligan. He writes and draws the syndicated comic strip Pooch Café with Andrews McMeel, which runs in over 250 newspapers around the world and has been twice nominated by the National Cartoonist Society for best strip. He is also the author-illustrator of Pluto Rocket: New in Town, King of the Mole People and its sequel, Rise of the Slugs. Today we'll talk about his new book the graphic memoir Boy vs. Shark. In the book, ten-year-old Paul is terrified of sharks, but when he forces himself to see the movie Jaws to keep up with his more daring friends, he is traumatized into imagining a shark living in his bedroom. Then, we'll spend some time with Victor Garber. On the big screen, you know the London, Ontario born actor from his roles in Godspell, Titanic, Sleepless in Seattle, The First Wives Club, Legally Blonde and many others. On television, he is best known as Jack Bristow in the ABC series Alias, and he originated roles in the Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Noises Off, Lend Me a Tenor, Arcadia and Art. This month he will receive a Lifetime Achievement in Entertainment Award from The Forest City Film Festival in his hometown.
New Hampshire Unscripted talks with the performance arts movers and shakers
It's time for WKXL's NH Unscripted to talk about upcoming productions and auditions around the state. The NH professional season is pretty much wrapped and now it's time for the community theater groups to step forward and get some of good loving and attention! Groups we highlight today are the Pittsfield Players, Powerhouse Theatre, tKapow, Discovering Magic (Mr. Pinard), Lend Me a Theater, Jean's Playhouse, the Players Ring, and lastly, the Winnie. We toss in some quick hits for the NH Film Festival and the Music Hall, drop some info and deets on upcoming guests and episodes and voila! Another award winning episode!!!
It's time to talk about upcoming productions and auditions around the state. The NH professional season is pretty much wrapped and now it's time for the community theater groups to step forward and get some of good loving and attention! Groups we highlight today are the Pittsfield Players, Powerhouse Theatre, Kapow, Discovering Magic (Mr. Pinard), Lend Me a Theater, Jean's Playhouse, the Players Ring, and lastly, the Winnie. We toss in some quick hits for the NH Film Festival and the Music Hall, drop some info and deets on upcoming guests and episodes and voila! Another award winning episode!!!
On the Saturday October 12, 2024 edition of The Richard Crouse Show we meet Paul Gilligan. He writes and draws the syndicated comic strip Pooch Café with Andrews McMeel, which runs in over 250 newspapers around the world and has been twice nominated by the National Cartoonist Society for best strip. He is also the author-illustrator of Pluto Rocket: New in Town, King of the Mole People and its sequel, Rise of the Slugs. Today we'll talk about his new book the graphic memoir Boy vs. Shark. In the book, ten-year-old Paul is terrified of sharks, but when he forces himself to see the movie Jaws to keep up with his more daring friends, he is traumatized into imagining a shark living in his bedroom. Then, we'll spend some time with Victor Garber. On the big screen, you know the London, Ontario born actor from his roles in Godspell, Titanic, Sleepless in Seattle, The First Wives Club, Legally Blonde and many others. On television, he is best known as Jack Bristow in the ABC series Alias, and he originated roles in the Broadway productions of Sweeney Todd: The Demon Barber of Fleet Street, Noises Off, Lend Me a Tenor, Arcadia and Art. This month he will receive a Lifetime Achievement in Entertainment Award from The Forest City Film Festival in his hometown.
What to listen for:The Dames of Detection, are joined by Martha Hoffman, who is acclaimed for her work with the San Francisco SPCA in training rescue dogs as service animals. Martha unravels the mysteries behind canine temperaments suitable for service work, focusing on the essential trait of positive sound reactivity.As Robin, Crystal, and Martha circle back to the art of training dogs, they reveal the challenges of encouraging independence while keeping them tuned in to their handlers, especially in tasks like sound work or scent detection. The conversation takes a turn into the compelling strategies used in training for bed bug detection, where precision is king. By the end of this episode, you'll have a new appreciation for the complex dance of independence and obedience in our four-legged friends. And, don't miss part two of this convo next week!Key Topics:Training for Sound Work and Hearing Dog Careers (05:03)Dog Behavior and Training with a Focus on Sound Reactivity (11:12)Evaluating Dog Confidence and Temperament for Public Access Work (17:11)Find - Re-Find, and the “Ping Pong” Method (23:36)Accessing Martha's Selection Criteria via Her Book, Lend Me an Ear (27:38)Overly Independent Dogs are Not Ideal for Sound Work (29:46)Martha's Work in Bedbug Dogs (37:00)5000 Hours of Observation (41:54)Resources:marthahoffmanfrenchies@gmail.commartha@sdgamesintl.orgFacebook, Hearing Dogs Open Forum (Facebook Group), InstagramBooks:Lend Me An Ear: The Temperament, Selection and Training of the Hearing Ear DogCracking the Canine Code: Unleashing the Secrets of Your Dog's Body Language (Martha's photography illustrates this dog behavior book)We want to hear from you:Check out the K9 Detection Collaborative FB page and comment on the episode post!K9Sensus Foundation can be found on Facebook and Instagram. We have a Trainer's Group on Facebook!Scentsabilities Nosework is also on Facebook. Here is a Facebook group you should join!Crystal Wing K9 Coach can be found here at CB K9 and here at Evolution Working Dog Club. Also, check out her Functional Obedience Class here.You can follow us for notifications of upcoming episodes, find us at k9detectioncollaborative.com
Since arriving into the UK 20 years ago, Damian Humbley has become one of the most eminent figures on the musical theatre scene. After taking over the role of Walter in The Woman in White at the Palace Theatre, Damian has since taken on roles such as Seymour in Little Shop of Horrors, Charley in Merrily We Roll Along and is now appearing in the all-star cast of Stephen Sondheim's Old Friends. A lifelong Sondheim aficionado himself, he tells us about his love of Sondheim and how amazing it feels to be working alongside such established talents on Old Friends. In this exclusive interview, Damian Humbley looks back over his career, telling us about how the theatre scene has changed and is continuing to evolve. After recently starring in The Great British Bake Off musical, we hear him talk about how it's becoming increasingly challenging creating shows that are as commercially successful as they are critically. After the show premiered in Cheltenham, the show made its way to the Noel Coward Theatre where it had a modest run and gained new fans as well. Old Friends also marks the first time Damian has returned to the Gielgud theatre having previously starred in the acclaimed but short-lived production of Lend Me a Tenor. It's interesting to hear Damian provide his insight and analysis of what is currently happening across the theatre landscape as he looks ahead to the next 20 years of his career. He remains committed to creating high quality pieces of art and shares his hopes of working on more Sondheim pieces going forwards.Stephen Sondheim's Old Friends runs at the Gielgud Theatre until 6th January 2024
J. Smith-Cameron is an Emmy and Tony-nominated stage, film, and television actress who most recently starred as “Gerri Kellman” on HBO's SUCCESSION. She can be seen starring in the Peacock film THE YEAR BETWEEN, as well as the miniseries WACO: THE AFTERMATH on Showtime. Her film credits include VENGEANCE, 84 CHARING CROSS ROAD, HARRIET THE SPY, YOU CAN COUNT ON ME and MARGARET. On tv she's had recurring roles on RECTIFY, TRUE BLOOD and DIVORCE and has appeared in countless others. Her Broadway credits include Lend Me a Tenor, Our Country's Good, Night Must Fall and After the Night and the Music. Her extensive Off-Broadway work includes As Bees in Honey Drown, for which she won an Obie Award, Fuddy Meers, The Starry Messenger, Sorry, Juno and the Paycock and Peace for Mary Frances. I LOVE this chat! J shares her journey from childhood through the season finale of SUCCESSION. It's a master class in acting and a truly fun-filled conversation with fascinating insights, funny anecdotes and inside tidbits from one of the most beloved, successful television shows of all-time. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy and Matty Rosenberg @ Radio Free Rhiniecliff Associate producer Jennifer Hammoud Music by Andrew Hollander Design by Cricket Lengyel
Jerry Zaks currently directs his 26th Broadway show, The Music Man. He has received four Tony Awards and been nominated eight times. He's also received four Drama Desks, two Outer Critics Circle Awards, and an Obie. His credits include Mrs. Doubtfire, Hello, Dolly!, A Bronx Tale: the musical, Steve Martin's Meteor Shower, Nantucket Sleigh Ride, Shows For Days, Sister Act, The Addams Family, Guys and Dolls, Six Degrees of Separation, Lend Me a Tenor, House of Blue Leaves, The Front Page, A Funny Thing...Forum, Smokey Joe's Café, Anything Goes, La Cage aux Folles, Little Shop of Horrors, The Man Who Came to Dinner, The Foreigner, A Bronx Tale, Laughter on the 23rd Floor, and the original production of Assassins. He began his career directing the extraordinary plays of Christopher Durang including Sister Mary Ignatius..., Beyond Therapy, Baby with the Bath Water, and The Marriage of Bette and Boo. He directed the award-winning film Marvin's Room, starring Meryl Streep and Diane Keaton; and Who Do You Love, which was featured in the Toronto Film Festival. Mr. Zaks is a founding member, and serves on the board, of the Ensemble Studio Theater. He received the SDC's George Abbott Award for Lifetime Achievement in the Theatre. Philanthropic/Activist Causes: Ensemble Studio Theatre
With a Broadway career spanning over 50 years, Tovah Feldshuh takes us through her journey as she shares her life as an actress, wife, and mother. While she loves politics, it's her love of people that motivates her to fight for what she believes in and help in every way that she can. Initially determined to go to Harvard Law School to stay close to her father, her brother encouraged her to apply for the McKnight Fellowship in acting and was eventually chosen as one of the four to attend the fellowship. This trajectory change was the beginning of Tovah's pursuit of becoming an actor, which to her is "so much cheaper than therapy". Tovah talks about her role as Mrs. Brice in "Funny Girl" and bringing a level of humanity and relatability to her character, and her memoir, “Lilyville: Mother, Daughter, and Other Roles I've Played” which explores mother-daughter relationships, and her complex relationship with her mother. Married for 46 years, she shares what makes their marriage work. Tovah intends to keep acting for as long as she can, mainly motivated by her love of people and making connections. Tovah Feldshuh is an actress, singer, and playwright who's been a Broadway star for more than four decades now, which earned her Tony Award nominations and two Emmy Award nominations. She made her Broadway debut in the 1973 musical "Cyrrano". Her other stage credits include "Saravá", "Lend Me a Tenor", "Golda's Balcony", “Dreyfus in Rehearsal”, “Lend Me a Tenor”, “Golda's Balcony”, "Irena's Vow", "Pippin", and "Yentl". She made her cabaret debut with her act, "Tovah: Crossovah! From Broadway to Cabaret", followed by "Tovah: Out of Her Mind!" and was selected as Best Cabaret Artist of 2000 by the Boston Globe. Tovah has also appeared in numerous tv shows, including "Ryan's Hope", "Holocaust", "Mariah", "As the World Turns", "Law & Order", "Flesh and Bone", "The Walking Dead", "Crazy Ex-Girlfriend", and "Star Wars Resistance". Her film credits include "Kissing Jessica Stein", "Just My Luck", "She's Funny That Way", and "Armageddon Time". Tovah is currently playing Mrs. Brice in the Broadway revival of "Funny Girl", and is the author of the memoir, “Lilyville: Mother, Daughter, and Other Roles I've Played”. Connect with Tovah: Instagram: @tovahfeld Website: www.tovahfeldshuh.com Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Email me at feedback@thetheatrepodcast.com. I want to know what you think. Learn more about your ad choices. Visit megaphone.fm/adchoices
Born in Sydney in 1937, Kevin Jacobsen began his working life in a chartered accountant's practice. An adept piano player, he devoted all his spare moments to music. In 1957, he and his brother Colin, joined with John Bogle, Lawrie Erwin and Dave Bridge to form the KJ Quintet. After some success changed their name to Col Joye and the Joy Boys, adding younger brother Keith. Almost immediately they scored a booking on Bill McColl's Jazzarama concert in October 1957. After this came an engagement to play at the Capitol Theatre in Sydney as a curtain raiser for the film The Tommy Steele Story, an appearance on TV's Bandstand and a recording contract. While Col Joye went on to become a ‘teen idol' and an enduring pop legend, Kevin left the band and began managing artists and promoting concerts. He and Col set up Col Joye enterprises and their own publishing company. In 1965, with Col and Tony Brady, Jacobsen founded ATA Allstar Artists, which encompassed a record label, a recording studio, event promotion and production, and artist representation. Initially Jacobsen presented local acts – including, of course, Col Joye and the Joy Boys – but before long he began importing overseas attractions. It was to mark this change of direction, that ‘Kevin Jacobsen Productions' was created. He claims that in the 1970s and 1980s he toured more artists than any other Australian promoter. Eventually he started producing theatrical shows and arena spectaculars, frequently working in partnership with other promoters. Among his early successes was a tour by the affable Irish comedian Dave Allen; one of his disasters was The Evil Knievel Thrill Spectacular, whose infamous American daredevil star failed to deliver either thrills or spectacle. In 1987 Jacobsen presented Michael Jackson's first Australian tour. In 1988 he was commissioned by the Queensland Government to mastermind ‘Queensland Day' celebrations in the presence of the Duke and Duchess of Kent, and by the Federal Government to produce the Royal Bicentennial Concert in the presence of the Prince and Princess of Wales. In 1989 he presented the sell-out concert event Legends of Rock. In 1995 he was the first promoter outside the USA to be invited by the Disney organization to present the stage version of Beauty and the Beast. Its run of two years in Melbourne and 15 months in Sydney grossed $58 million. Also that year he produced the television series Gladiators for the Seven Network. The gross takings for his 1997 presentation of The Three Tenors at the Melbourne Cricket Ground were the largest in Australian history for a single concert – $15 million. In 1999 he presented The Bee Gees – One Night Only, the first live performance at Stadium Australia – the Olympic Stadium. In 2000 Barbra Streisand's four stadium concerts in Sydney and Melbourne achieved the highest grosses anywhere in the world for this artist, more than $23 million. The year 2001 brought Shout! – The Legend of the Wild One, an all-Australian production based on the life of Jacobsen's old friend, Johnny O'Keefe. It toured Australia to record crowds, winning Mo and Green Room Awards and an ARIA for Best Cast Album. In 2002 Jacobsen presented a sell-out Elton John concert tour, plus Fame – The Musical, which toured throughout Asia, and two sensationally successful arena shows: the classic Australian rock anthology Long Way to the Top and the brilliantly innovative The Man from Snowy River Arena Spectacular. Other Jacobsen theatrical ventures have included Oscar Wilde's Diversions and Delights, Girls' Night Out, A Chorus Line, Camelot (with Richard Harris), Lend Me a Tenor, Return to the Forbidden Planet, Walt Disney's World on Ice and Stars of the Bolshoi Ballet, as well as massive open-air productions of Aida and Turandot. Among the many artists who have toured under the Jacobsen banner are Slim Whitman, KISS, Simon and Garfunkel, Bob Marley, Shania Twain, Billy Joel, John Denver, Pearl Jam, Cyndi Lauper, Julio Iglesias, Ba
Career Conversations Q&A with Victor Garber, current star of HELLO DOLLY!, moderated by BroadwayWorld's Richard Ridge of "Backstage with Richard Ridge!" VICTOR GARBER originated roles in the Broadway productions of Sweeney Todd, Noises Off, Lend Me a Tenor (Tony Award nomination), Arcadia, and Art. Additional Broadway credits include Deathtrap (Tony nomination), They're Playing Our Song, Little Me (Tony nomination), The Devil's Disciple, Damn Yankees (Tony nomination), and Present Laughter. Off-Broadway: Assassins, Follies (City Center Encores!). Film: Sicario, Self/less, Argo, Milk, Legally Blonde, Titanic, The First Wives Club, and Sleepless in Seattle. Television: Alias (three Emmy Award nominations), Frasier (Emmy nomination), Will & Grace (Emmy nomination), Life With Judy Garland: Me and My Shadows (Emmy nomination), Power, The Orville, Deception, Eli Stone, Justice, Web Therapy, The Big C, Nurse Jackie, Damages, Glee, Annie, Rodgers & Hammerstein's Cinderella, and The Music Man.
Affectionately known as SLD in the industry, Sophie-Louise Dann is undisputedly one of the most impressive leading ladies in the West End, having taken on roles in musicals, plays and even in opera. With a long list of credits, in unsurprising to see that decades into her career, she remains one of the most formidable actresses of her generation. Currently playing Madame Morrible in Wicked in the West End, there seems to be no end in sight for what Sophie-Louise might achieve. Having already played a solo cabaret at The Crazy Coqs, performed Sondheim at the Chatalet in Paris and workshopped various roles, we look forward to what ever else she has planned for the future.In this special interview, Sophie-Louise Dann sits down to talk about her love for watching young talent grow and taking on a mentoring role when working with younger actors. Indeed, she shares much praise for the young ensemble actors she's currently working with on Wicked and offers encouragement to those wanting to join the industry. As we talked through some of her credits, Sophie-Louise mentions in particular her fondness for Lend Me a Tenor which she describes as having changed her career path and led her to this place today. A powerful soprano, she earned rave reviews for her portrayal of Diana Divane, later earning an Olivier nomination for that role. During our interview, we also hear her hint towards potential future work as well as sincere reflections on her career highlights. Throughout our conversation, she remained highly spirited and her infectious laugh and smile radiated throughout the chat.Wicked continues it's run at the Apollo Victoria Theatre, London and is currently booking to 28 May 2023.
On Friday's show: Texas health officials won't publish new data on deaths related to pregnancy until after the next legislative session. We'll discuss why with the Houston Chronicle's Julian Gill. Also this hour: A Constitutional law scholar discusses why the Second Amendment right to bear arms may or may not apply to 18- to 20-year-olds, why some states can have more restrictions on gun purchases than the federal government, and whether any limits on assault-style gun purchases would pass Constitutional muster. Then, we break down The Good, The Bad, and The Ugly of the week. And Ken Ludwig, America's preeminent comic playwright, had his first commercial success with the play Lend Me a Tenor. We learn why, more than 30 years later, he revisited it and rewrote it with women in the lead roles as Lend Me a Soprano, which debuts tonight at The Alley Theatre and runs through Oct. 9.
For Video Edition, Please Click and Subscribe Here: https://youtu.be/39lU5PjEjPo JUDITH “JUDY” BLAZER began her career in opera, oratorio, and recital in New York City and throughout Italy. She moved into Broadway theater with leading roles in Me and My Girl (Sally), A Change in the Heir (Prince Conrad), Titanic (Lady Caroline), Neil Simon's 45 Seconds from Broadway (Cindy), LoveMusik (Brecht's mistress) featuring the music of Kurt Weill, and A Gentleman's Guide to Love & Murder (Miss Shingle). Off-Broadway, she has appeared in Candide (the Old Lady) and Sweeney Todd (the Beggar Woman) with New York City Opera, The House of Bernarda Alba (Magdalena) and Hello Again (The Nurse, Drama Desk nomination) for Lincoln Center Theater, and Richard Greenberg's Hurrah at Last (Gia) at the Roundabout Theater. She also performed a solo work for Primary Stage's Inner Voices series, Whida Peru: Resurrection Tangle. A few regional theater credits include: Long Wharf Theater (Maria in Twelfth Night), McCarter Theater (title role in The Night Governess), Paper Mill Playhouse (Eliza in My Fair Lady, Maria Merelli in Lend Me a Tenor and most recently the sequel, A Comedy of Tenors). Judy sang at the Met as a soloist in Twyla Tharp's Everlast with the American Ballet Theater and played Bessie Thomashefsky in Michael Tilson Thomas's touring concert documentary The Thomashefskys (on PBS' Great Performances in 2012). Other TV credits include Leonard Bernstein's New York, and In Performance at the White House on PBS; regular appearances on As the World Turns (Ariel), The Guiding Light (Marissa), and two episodes of Law and Order. Judy is heard on over twenty recordings.
Let's hear it for the girl! We are back for another summer episode and we dive into the nitty gritty of life on the Great White Way with Tony nominated actress and singer, Jennifer Laura Thompson. You might know her from the original Broadway productions of Footloose, Wicked, Urinetown, Lend Me a Tenor, Nice Work if You Can Get It, and Dear Evan Hansen. We cover our deep and abiding love of Urinetown as well as the stress of stepping into the bubble as the first replacement Glinda in Wicked. Plus, playing a killer on Law and Order: SVU, reading your reviews, being bound and gagged at the Tonys, and the possibility of playing Little Edie in a revival of Grey Gardens. S-T-A-U-N-C-H! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Claim to Fame tv show on ABC Frankie Jonas Kevin Jonas' other reality show as a contractor? Whoopi's relative yes she's on the show JoJo Siwa is an icon We are sad about the loss of Olivia Newton-John Starred as Hope Cladwell in original Broadway cast of Urinetown the musical. Cast included John Cullum, Nancy Opel, Jeff McCarthy, and Hunter Foster Was a replacement Julie Jordan in national tour of Carousel The Henry Miller Theatre (now the Stephen Sondheim) had sound effects making it sound run down All That Chat very much still around Cast performed "Run Freedom Run" at the Tonys and JLT was bound and gagged for the entire number NYC is due for a Urinetown revival and JLT wants to play Penelope Pennywise this time around Broadway debut was in Footloose (1998) Bonnie Tyler's "Holding Out for a Hero" was JLT's big number Today Show was a nightmare (here she is performing with the cast) Played Connor's mom in the Pasek and Paul musical juggernaut, Dear Evan Hansen for 2.5 years on Broadway Dee Hoty played JLT's mom in Footloose The much maligned film adaptation of Dear Evan Hansen was not something she watched First replacement Glinda in Wicked on Broadway. JLT 5'7" and had to fit in Kristin Chenoweth's (4'11") bubble Idina Menzel fell through the stage while performing with JLT Shoshana Bean (first Broadway replacement Elphaba) currently in Mr Saturday Night on Broadway Attacks Emily Deschanel in her ep of Law and Order: SVU (Season 3, ep 17 “Surveillance”) Meloni was most method Performed with cast of Dear Evan Hansen for the Macys Day Parade Ben Platt talked less on show days than Idina Menzel Starred in revival of Lend Me a Tenor on Broadway with Tony Shalhoub Anthony LaPaglia Was in the NY Philharmonic Philharmonic production of Company production of Company as Jenny, the character who gets stoned JLT is halfway to EGOT: Grammy for cast recording of DEH and a Emmy for performance on The Today Show Wants to win a Tony for Edie in Grey Gardens or Pennywise in Urinetown Performed "For Good" on set of The View with Idina Little Fish the musical Trailer of Bernadette Peters and Debra Monk in Mozart in the Jungle Got very into Couples Therapy (Showtime) We love Orna Guralnik. Found out she's Israeli and won't discuss her sexuality
Victor Garber is a four- time, Tony Award nominated actor who originated roles in the Broadway productions of Deathtrap, Sweeney Todd, Noises Off, Lend Me a Tenor, Arcadia, and Art. Additional Broadway credits include: They're Playing Our Song, Damn Yankees, Present Laughter, and most recently, as Horace Vandergelder in the hit Broadway revival of Hello, Dolly! opposite Bernadette Peters. He also originated the role of John Wilkes Booth in the seminal, off- Broadway production of Stephen Sondheim & John Weidman's Assassins. Film credits include: the Academy Award winning best pictures, Titanic and Argo, as well as, Sicario, The Town, Milk, Legally Blonde, The First Wives Club and Sleepless in Seattle. Television credits include: Alias (three Emmy Award nominations), Frasier (Emmy nomination), Will & Grace (Emmy nomination), Life with Judy Garland: Me and My Shadows (Emmy nomination), Damages, Glee, The Orville, Web Therapy, Schitt's Creek, Family Law, and many, many others
Please join my friend Michael Park and his Dear Evan Hansen leading ladies Rachel Bay Jones and Jennifer Laura Thompson in The Locher Room. This talented trio will reminisce about their time working together on the Tony Award-winning musical, their careers and also help me celebrate the one year anniversary of The Locher Room.We all have Michael Park to thank for suggesting I use StreamYard for that first As the World Turns episode I hosted on April 3, 2020. One year and 140 episodes later - THANK YOU, MICHAEL!Michael is well known to daytime audiences for creating the role of Jack Snyder on As the World Turns for which he won two Daytime Emmy-Awards for Outstanding Lead Actor in 2010 and 2011. He is also known to Broadway audiences for creating the role of Larry Murphy in Dear Evan Hansen. Michael played this role for over 1,000 performances earning a Grammy Award for Best Musical Theater album. Michael originated the role of two other Broadway characters Michael in Smokey Joe's Cafe and Angus Tuck in Tuck Everlasting. Michael's other TV credits include the recent Dash & Lily, Stranger Things, Tales of the City, House of Cards and so much more.Rachel Bay Jones is best known for originating the role of ‘Heidi Hansen' in the Original Broadway Cast of Dear Evan Hansen, and received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and Drama League Nomination for her performance. Rachel has appeared on TV in the hit ABC series “Modern Family,” CBS' “God Friended Me,” and in the feature film “Ben Is Back,” opposite Julia Roberts. She stars in the feature film “Critical Thinking,” directed by and opposite John Leguizamo, and in the upcoming Amazon television series “Panic.” Rachel's debut solo album “Showfolk” can be purchased on iTunes and Amazon.Jennifer Laura Thompson made her Broadway debut in 1998 as Ariel Moore in Footloose. She also originated the role of Hope Cladwell in both the off-Broadway and Broadway productions of Urinetown and received a Tony Award nomination for the 2002 Best Leading Actress in a Musical category for her performance. Jennifer created the role of Cynthia Murphy playing opposite Michael Park in Dear Evan Hansen. She, like Michael, played the role for over 1,000 performances. Her other Broadway credits include, Diana Diana in the Broadway revival of Lend Me a Tenor, Eileen Evergreen in the musical Nice Work if You Can Get It and playing the first replacement for the role of Glinda in the Broadway hit, Wicked. Jennifer has also appeared Off-Broadway in a variety of productions. She has also made guest appearances on television's Law & Order: Special Victims Unit, Tales of the City, Person of Interest and Elementary. Original Airdate: 4/2/2021
What happens when the city that barely ever sleeps finds out one morning that it can’t wake up? All the joe has lost its jolt. This is a job for the woman detective who sees all, Harriet Eyeball, Private Eye in “The Coffee Caper,” an all-improvised Noir Radio Drama based on listener suggestions. Tune in as The EDGE troupe members Todd Erler, Cynthia Lair, Susan MacPherson, Chris Soldevilla, Ken Ballenger, John Ellis, and Andrew Shields tackle the case. TODD ERLER Todd is very lucky. He had the good fortune of being trained in the art of improv in the early nineties by some of the Chicagoans who were pioneers in that field. Since then Todd has led two and a half improv groups, taught improv classes, worked with Unexpected Productions in Seattle and now gets to perform with The EDGE. Todd teaches in the amazing Odyssey program for the Bainbridge Island School District. He is also a musician who writes and performs his own music and plays Irish pub tunes locally as one half of the duo Rye and Barley. Sometimes Todd is cast in shows at BPA or with Island Theater's library plays. He even gets to direct a show every now and then. At one time Todd was the artistic director of the Jewel Box Theater in Poulsbo and wrote an improv blog called “Improvmantra.” CYNTHIA LAIR Cynthia has authored three cookbooks, Feeding the Whole Family (currently in its fourth edition), Feeding the Young Athlete, and the latest – Sourdough on the Rise (admit it, you love bread too), which hit the ground baking in 2019. She’s been a professor at Bastyr University since the movie Pulp Fiction gave us a start (look it up). Find out “How to Cut an Onion” via her Tedx Rainier talk on YouTube. Improv has become her new occupation as she is also a company member and teacher for Unexpected Productions at the Market Theater. She claims, “Doing improv balances real and imaginary life for me. With the real part being what happens on stage.” SUSAN MACPHERSON Susan started taking Improv classes in the early 1980's as a way to bypass the “Seattle Freeze” (the phenomenon where it is very hard to make friends when new to the city). She improvized her way right past that and went on the be one of the first founding women in Seattle TheatreSports as well as performing with None of The Above, Seattle Improv, and Unexpected Productions for many years before joining The EDGE. For money, she has managed retail stores, had her own line of jewelry for 10 years at Pike Market, been a breakfast chef at an all-treehouse resort owned by the Treehouse Master (Pete Nelson), and finally settled on work she absolutely loves for the last 22 years helping new families as a Postpartum Doula and Certified Baby Sleep Consultant. (Yes, she can get babies to sleep.) Susan is the proud mother of Geo- scientist, Carson, who is going for her Ph.D. in Geo-Hazard Mitigation. In Susan’s non-existent spare time, she can be seen camping in “Primrose”, her 1970-vintage, British caravan. CHRIS SOLDEVILLA Chris has done Improv in Boston, L.A. as well as here on Bainbridge and teaches improvisors young and old at his acting/improv workshop The Studio Bainbridge. He has appeared on screens big and small and locally in BPA’s productions of One Flew Over the Cuckoo's Nest, Twelve Angry Men, True West, and The Tempest. He got acclaim for his roles in Swinging Hammer’s American Buffalo and Glengarry Glen Ross. Chris approaches life like he does improv: he makes it up on the spot…and asks complete strangers for suggestions. Online at www.thestudiobainbridge.com. KEN BALLENGER Ken has been performing in the Seattle area for over 30 years. You may have seen him on stage, in commercials, and if you were alert at a few low budget movies, you may have spotted him. He is one of the founding members of The EDGE. In addition to performing he has taught workshops, practices karate, and, now retired, is enjoying life and carving things with a chain saw. JOHN KENYON ELLIS John is happy to be back for season 24 of The EDGE. “Thanks Bainbridge for supporting The EDGE for all these years!!” Besides Improv, John has appeared on this stage in Noises Off, Annie, Born Yesterday, Guys and Dolls, A Midsummer Night’s Dream, As You Like It, ‘Art’ and Sylvia. He appeared as Falstaff in Merry Wives at Bloedel, and he most recently played a dream role as Andrey Botvinnick in InD’s production of Walk in the Woods. John was awarded the Island Treasure in 2018 for his years in The EDGE and on stage. “Miss you Frank! ONWARD!” ANDREW SHIELDS Andrew has been called “a musical genius,” “phenomenal,” “immensely talented,” and “an unending source of irritation.” During his Wonder Bread years Andrew was fortunate to study piano under someone who studied under someone who studied under Liszt who studied under Beethoven who studied under Mozart. Andrew has a BA in Music from Stanford, where he won the Undergraduate Prize in Composition. More recently, he wrote the music, lyrics, and script for the original Reefer Madness: The Musical, as well as music, lyrics, and (with fellow EDGE member John Ellis) script for the musical Harry Tracy: A Bainbridge Bandit. He has music-directed shows at BPA, ACT, Village Theater, Tacoma Actors’ Guild, the Bathhouse Theater, and Second Story Repertory, among others, and played Harold Hill in The Music Man and Tito Merelli in Lend Me a Tenor at BPA. In his spare time Andrew practices medicine and spends time with his phenomenal wife and two immensely talented daughters.
Episode 61 | In Episode 61, Antoinette Coaches from Session 9 of her book, "Crazy Enough to Jump". This session is called, "Lend Me a Hand Will Ya". It's all about help with varying aspects from defining help to discussing how to help yourself and others. Connect with Antoinette Randall. Visit www.antoinetterandall.com, Email: Info@antoinetterandall.com, YouTube: Kick Start with Ann, Facebook: Antoinette Randall, Instagram: @annrandallspeaks Thanks for listening. We hope you've been inspired and uplifted. Contributions of all sorts are appreciated. Acts of kindness support Antoinette's mission to inspire more lives through various platforms. To Subscribe or support, please select the appropriate links!
For the video interview, click here: https://youtu.be/_e6WYrdLL8w SPECIAL OFFER FROM TOVAH: Anyone who pre-orders the hardcover and sends me a copy of their receipt and their address to info@concertsbytovah.com will receive a personalized autographed bookplate. Her memoir, LILYVILLE: Mother, Daughter, and Other Roles I’ve Played, comes out April 13 for Mother’s Day. https://www.amazon.com/Lilyville-Mother-Daughter-Other-Played/dp/0306924021/ TOVAH FELDSHUH is a six-time Emmy & Tony nominee. Additionally, for her theatre work, she has won four Drama Desks, four Outer Critics Circle Awards, three Dramalogues, the Obie, the Theatre World, and the Helen Hayes and Lucille Lortel Awards for Best Actress. On Broadway: Yentl, Cyrano, Rodgers & Hart, Dreyfus in Rehearsal, Sarava!, Lend Me a Tenor, Golda's Balcony, Irena's Vow, and Berthe in Pippin. On TV: The Walking Dead, Law & Order, and Crazy Ex-Girlfriend where Feldshuh can be seen singing the dignified showstopper "Where's the Bathroom?" Films include: Kissing Jessica Stein, A Walk on the Moon, Brewster's Millions, Just My Luck, The Idolmaker, and most recently, Ms. Feldshuh's award-winning performance as Prime Minister Golda Meir in Golda's Balcony, now a film entitled Golda's Balcony: The Film. Follow Tovah’s travels around the world on Instagram @tovahfeld. https://www.imdb.com/name/nm0271165/bio https://en.wikipedia.org/wiki/Tovah_Feldshuh
Our February 5 episode of the Bainbridge Pod Accomplice showcases original songs written and performed by Dr. Andrew Shields, whose one-of-a-kind lyrics have amused and delighted audiences of The EDGE Improv for nearly two decades! Dr. Shields will be interviewed by BPA Communication and Development Coordinator, Matt Longmire. Dr. Shields has been called “a musical genius,” “phenomenal,” “immensely talented,” and “an unending source of irritation.” During his Wonder Bread years Andrew was fortunate to study piano under someone who studied under someone who studied under Liszt who studied under Beethoven who studied under Mozart. Andrew has a BA in Music from Stanford, where he won the Undergraduate Prize in Composition. More recently, he wrote the music, lyrics, and script for the original Reefer Madness: The Musical, as well as music, lyrics, and (with fellow EDGE member John Ellis) script for the musical Harry Tracy: A Bainbridge Bandit. He has music-directed shows at BPA, ACT, Village Theater, Tacoma Actors’ Guild, the Bathhouse Theater, and Second Story Repertory, among others, and played Harold Hill in The Music Man and Tito Merelli in Lend Me a Tenor at BPA. In his spare time Andrew practices medicine and spends time with his phenomenal wife and two immensely talented daughters.
In this week's episode we chat with Kerry Ellis has starred in the West End and on Broadway and achieved chart-topping success as a recording artist. Kerry originated the role of Meat in London in We Will Rock You, and was the first British Elphaba in Wicked before transferring to Broadway. Kerry talks to us about what she's been up during Lockdown, her West End debut, being the first British Elphaba and the Proud Cabaret on the Southbank. We also chat with multi Olivier Award nominee Sophie-Louise Dann's extensive career has encompassed the worlds of musical theatre, opera, TV and film. In the West End Sophie’s starred in Spamilton, The Girls, Bend It Like Beckham, Lend Me a Tenor and Made In Dagenham. We chat to Sophie-Louise about what's she's been up to to celebrate her Birthday, Zooming with the W.I. and her brand new cabaret, May I Have A Moment? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Two-time Olivier award nominee Sophie-Louise Dann is best known for originating roles in West End musicals such as Lend Me a Tenor, Bend it Like Beckham, The Girls (the Calendar Girls musical) and Made in Dagenham. She’s also been in the musical pastiche productions of Forbidden Broadway and Spamilton. You can see her this coming Saturday live in person, or on a livestream, as she returns to the stage at Crazy Coqs, in London, with her solo show May I have a Moment?. Buy tickets here or at BrasserieZedel.com Follow Sophie-Louise on Facebook, Twitter and Instagram. Follow Backstage With... online, on Twitter, Instagram and Facebook. You can send Mikey your guest requests and questions on Twitter and Instagram, or email Mikey@backstagewith.com.
Lauren Port has spent the last 11 years casting in NYC, the last 10 years at Caparelliotis Casting where she worked on a number of Goodman productions over the years, including Father Comes Home From The Wars, Parts 1, 2 and 3, Uncle Vanya, The Sign in Sidney Brustein’s Window, Disgraced, Sweet Bird of Youth and Soups, Stews, and Casseroles, 1976. Also In that time, she worked on the casting of countless Broadway/Off Broadway and other regional theatre productions. Some Broadway highlights include: Junk, Meteor Shower, A Doll’s House Part 2, The Front Page, It’s Only a Play, Disgraced, Fish in the Dark, Holler If Ya Hear Me, The Trip to Bountiful, Grace, Death of a Salesman, Seminar, Stick Fly, Bengal Tiger at the Baghdad Zoo, Lend Me a Tenor, and Fences. Lauren is a proud member of the Casting Society of America. @strawbryportcake
This weeks episode was a special one for me, I'm on holidays in Sunny (humid and rainy) Tugun QLD with my family and being a family man I thought it's time I had a very special guest on, my Pop Angus Catchpole :) In a way we are the very same people but we also have very different thoughts and opinions on life and things within it so I really was keen to sit down and record one of our chats. Being that he is 86 years young I really go deep on the life questions, the things he has seen, wars, inventions, family, career to name a few. We talk what it was like growing up as a kid/young adult, meeting my Nanny, his ailments and advances in modern medicine, difference in opinion, his achievements and what he's proud and a hell of a lot more. Listen in, we may all learn a thing or two - Lend Me our Ears.
Playwright Ken Ludwig has a resume most theater folks would envy: his ear and eye for humor has given him hit after hit. His first play on Broadway was Lend Me a Tenor which had already opened in London where it garnered some Olivier Awards. (When it opened on Broadway, it picked up a Tony). He followed this with Crazy for You—a play inspired by the music of George and Ira Gershwin. This tune-packed extravaganza delighted audiences as much as the critics—it ran for five years and won the Tony Award for best musical. His extraordinary run of plays include Twentieth Century, Moon Over Buffalo and Leading Ladies. His most recent play just had its world premiere at Arena Stage here in Washington DC. It's a two-hander called Dear Jack, Dear Louise, and it's based on the correspondence between his parents during World War II. While it has amusing moments, no one would call this laugh-filled, nor is it meant to be. It's simply a story of two people who get to know one another and fall in love through their correspondence. In this podcast, Ken Ludwig takes us behind the scenes of writing and mounting a play, why so many of his plays are set in a theatrical environment and his deep life-long love affair with theater.
Playwright Ken Ludwig has a resume most theater folks would envy: his ear and eye for humor has given him hit after hit. His first play on Broadway was Lend Me a Tenor which had already opened in London where it garnered some Olivier Awards. (When it opened on Broadway, it picked up a Tony). He followed this with Crazy for You—a play inspired by the music of George and Ira Gershwin. This tune-packed extravaganza delighted audiences as much as the critics—it ran for five years and won the Tony Award for best musical. His extraordinary run of plays include Twentieth Century, Moon Over Buffalo and Leading Ladies. His most recent play just had its world premiere at Arena Stage here in Washington DC. It’s a two-hander called Dear Jack, Dear Louise, and it’s based on the correspondence between his parents during World War II. While it has amusing moments, no one would call this laugh-filled, nor is it meant to be. It’s simply a story of two people who get to know one another and fall in love through their correspondence. In this podcast, Ken Ludwig takes us behind the scenes of writing and mounting a play, why so many of his plays are set in a theatrical environment and his deep life-long love affair with theater.
Playwright Ken Ludwig has a resume most theater folks would envy: his ear and eye for humor has given him hit after hit. His first play on Broadway was Lend Me a Tenor which had already opened in London where it garnered some Olivier Awards. (When it opened on Broadway, it picked up a Tony). He followed this with Crazy for You—a play inspired by the music of George and Ira Gershwin. This tune-packed extravaganza delighted audiences as much as the critics—it ran for five years and won the Tony Award for best musical. His extraordinary run of plays include Twentieth Century, Moon Over Buffalo and Leading Ladies. His most recent play just had its world premiere at Arena Stage here in Washington DC. It’s a two-hander called Dear Jack, Dear Louise, and it’s based on the correspondence between his parents during World War II. While it has amusing moments, no one would call this laugh-filled, nor is it meant to be. It’s simply a story of two people who get to know one another and fall in love through their correspondence. In this podcast, Ken Ludwig takes us behind the scenes of writing and mounting a play, why so many of his plays are set in a theatrical environment and his deep life-long love affair with theater.
Playwright Ken Ludwig has a resume most theater folks would envy: his ear and eye for humor has given him hit after hit. His first play on Broadway was Lend Me a Tenor which had already opened in London where it garnered some Olivier Awards. (When it opened on Broadway, it picked up a Tony). He followed this with Crazy for You—a play inspired by the music of George and Ira Gershwin. This tune-packed extravaganza delighted audiences as much as the critics—it ran for five years and won the Tony Award for best musical. His extraordinary run of plays include Twentieth Century, Moon Over Buffalo and Leading Ladies. His most recent play just had its world premiere at Arena Stage here in Washington DC. It’s a two-hander called Dear Jack, Dear Louise, and it’s based on the correspondence between his parents during World War II. While it has amusing moments, no one would call this laugh-filled, nor is it meant to be. It’s simply a story of two people who get to know one another and fall in love through their correspondence. In this podcast, Ken Ludwig takes us behind the scenes of writing and mounting a play, why so many of his plays are set in a theatrical environment and his deep life-long love affair with theater.
Kat and Alex chat with their friend and colleague Brenny Rabine. The coach, facilitator, and actor shares a story about being told about your inner strength and how we can approach helping to grow strength in others. We discuss performing, deciding to make the career you want to have against expectations, and some of the realities of being a working actor. Brenny Rabine Brenny Rabine combines over 30 years of theater experience with nearly two decades of teaching, facilitation, and training. Brenny is a member of the Dramatists Guild, Inc. As a playwright, her work includes the NYSCA grant winner Catching Babies and holiday favorite Santa’s List. Her acting roles include Rita in Educating Rita, Susie in Wait Until Dark, Maggie Saunders in Lend Me a Tenor, and Lucia Pechenik in A Shayna Maidel. Brenny’s essays have been published in Saratoga County Living, The Sun and Journal for Living. Brenny has also appeared or provided voice talent and is an actress, known for Gotham (2014), Street Fighter: The New Challengers (2011) and The Beauty Inside (2011).Brenny holds a Masters of Arts degree in English with a concentration in Composition Studies from University at Albany. A list of her acting roles and a ridiculous number of pictures can be found at www.brennyrabine.com.TwitterIMDB ________________________________________________________Send us your advice from kids for our collaborative project, questions, comments, episode ideas or your very own Dare to be Human stories to hello@daretobehumanpodcast.com, join the conversation on our Facebook or leave us a message at 518-212-7886! We record at The Mopco Improv Theatre in Schenectady, NY where you can come visit us sometime! Original music by Mark S. MerittLogo by Derek WalkerEdited by Mary DarcyRecorded at The Mopco Improv Theatre
On this edition of Bagels and Broadway... Award winning playwright Ken Ludwig, best known for "Lend Me a Tenor," talks about the world premiere of his new play, based on his parent's courtship, Broadway performer Marty Thomas (Xanadu, Wicked,The Secret Garden) joins Valerie as they discuss his brand new CD, "Slow Dancing with a Boy", opera diva Cristina Fontanelli shares her story behind producing and performing in her "Christmas in Italy" annual show, and food entrepreneur and "banana expert" Steve Gelerman tells Valerie about a non-dairy beverage, Banana Milk, along with fun facts about bananas. See omnystudio.com/listener for privacy information.
New Hampshire Unscripted talks with the performance arts movers and shakers
Mo Demers discusses all the fun she had during her 18yrs with The Pittsfield Players and then chats about the joys and pitfalls of having a theater company like her group Lend Me a Theater.
Broadway, TV and Film actor Jay Klaitz took time away from his brand new (super cute) baby to chat with us in our third ever episode of Take Me To Coffee. We talked all things theatre (he is a legend of Broadway with Lend Me a Tenor, Rock of Ages and High Fidelity under his belt), why he volunteers his time as a mentor to younger people, what it was like to shoot on Jessica Jones and Vinyl and what's ahead for his new production company. ☕️☕️☕️ Who doesn’t want free advice from people that are wildly successful and probably more good looking than we are? In most careers, mentorship is a built-in part of the process, but as theatre people, Andrew (Hamilton) and Jess (Broadway Unlocked) always wished they had more opportunity and acess. Which is exactly why each week they’re taking you to coffee with some of the most incredible folx they can find, from Broadway to TV to YouTube to Sports to Historians to Entrepreneurship. We set up the coffee date and you become a part of the podcast as our guests answer your most burning questions. All without anyone having to leave the comfort of the internet (or put pants on tbh). If you’re like us, and wish you had more access to smart, funny people who can help inspire you, this is your podcast! Anything goes on TM2C, so buckle up and leave us a VideoAsk to be a guest on the show and be mentored on air. Oh! And come hang out with us on the internets! Twitter/Insta/FB @tm2cpodcast Jess @jessicaryannyla Andrew @theandrewcall ☕️☕️☕️ This episode was produced by wonderwoman Emily Ho. Check her out on the Insta: @mediaby.emily Special Guest: Jay Klaitz.
Continuing with the tradition of theatre companies producing theatre about theatre, 6th Street Playhouse is presenting Ken Ludwig’s 1995 door-slamming farce Moon Over Buffalo. The backstage comedy runs through February 3. Buffalo, New York’s Erlanger Theater is hosting the repertory company of George and Charlotte Hay (Dodds Delzell & Madeleine Ashe), grade-B actors and grade-A hams who never made it big on stage. Content to spend their waning years touring second-rate theatres and playing roles more appropriate for actors half their age, they’re on the ropes when word comes to George that Frank Capra is coming to see them perform and possibly cast them as replacements for Ronald Coleman and Greer Garson in a big-budget period film. Charlotte doesn’t believe George as she’s just found out he’s been lying about an affair he had with company ingenue Eileen (Victoria Saitz) who happens to be carrying George’s child. Charlotte announces she’s running off with family friend/attorney Richard (Joe Winkler) which sends George into a drunken spiral. Charlotte finds out the Capra story is true, so it’s up to Charlotte, her recently returned daughter Rosalind (Chandler Parrot-Thomas), her daughter’s ex-lover and current stage manager Paul (Robert Nelson) and Charlotte’s hearing-impaired mother Ethel (Shirley Nilsen Hall) to sober up George in time for the matinee. There’s also the confusion over Rosalind’s current fiancé Howard (Erik Weiss), a TV weatherman who is mistaken by Charlotte for Capra and by George as Eileen’s vengeful brother, and a concluding performance of Noël Coward’s Private Lives mashed up with Cyrano de Bergerac. Director Carl Jordan has a terrific cast of comedic talents running, jumping, stumbling and rolling through Ludwig’s tale which comes off as a lesser knock-off of his superior Lend Me a Tenor. All the elements are there (mistaken identity, feuding lovers, running jokes, etc.) but at its core it’s a hollow re-do that starts slowly before hitting its stride. More problematic, the characters as written simply aren’t very likeable. The show only works if you care about the characters and want them to get out of their mess. I just didn’t. The set by Jason Jamerson is solid – literally, as it has to withstand two hours of door slamming – and it’s one of the better sets seen recently on 6th Street’s stage. The cast is game and their timing is great with each squeezing some laughs out of their characters. Delzell gets to play half the show soused, Parrot-Thomas is quite delightful as Rosalind, and while Weiss’s physical comedy is always fun to watch, I’d really like to see him do something different with his next role. Moon Over Buffalo is a case where the whole is less than the sum of its parts. 'Moon Over Buffalo' runs Friday through Sunday through February 3 at 6th Street Playhouse in Santa Rosa. Friday and Saturday evening performances are at 7:30pm; the Sunday matinee is at 2pm. There’s a Thursday, January 24 performance at 7:30 pm For more information, go to 6thstreetplayhouse.com
Ken Ludwig is a Tony Award-winning playwright whose 25 plays and musicals have spawned six Broadway productions and seven in London’s West End. His first trip to Broadway materialized when an English director friend passed along the play that would become Lend Me a Tenor to a “producer friend" you might have heard of: Andrew Lloyd Webber. He loved the play, and six months later, it opened in the West End. Not long after that, Tenor hopped across the pond to Broadway. Referred to as "America’s preeminent comic playwright,” he’s received acclaim for his original works (Lend Me a Tenor, Leading Ladies) as well as his adaptations of literary classics like Treasure Island and The Three Musketeers. For a man of his talent, he’s exceedingly humble and not sensitive about his writing. In this podcast, he discusses his recent adaptation of Agatha Christie’s Murder on the Orient Express, which found him taking notes from the Queen of Mystery's grandson, “How would legendary Belgian detective Hercule Poirot deliver this line?” More highlights from Ludwig include the joy when great actors breathe life into his words, the seemingly daunting task of teaching children Shakespeare, how writing plays longhand gives a better connection to the material, and, as an author who’s penned stories about both Sherlock Holmes and Hercule Poirot, he gives his own take on who is the better detective. 1K is affiliated with the 100 Words Film Festival and powered by OrthoCarolina. 1K is hosted by Scott Galloway. Produced and edited by Jordan Snyder. Music composed by Jason Hausman. Recorded at Concentrix Music and Sound Design.
Jerry Zaks is a stage and television director, and actor. He won the Tony Award for Best Direction of a Play and Drama Desk Award for directing The House of Blue Leaves, Lend Me a Tenor, and Six Degrees of Separation and the Tony Award for Best Direction of a Musical and Drama Desk Award for Guys and Dolls. He made his Broadway acting debut in the original production of Grease and made his directing debut with the off-Broadway production of Beyond Therapy. He has also directed many other productions such as Girl Crazy, Stairway to Paradise, 101 Dalmatians Musical, and the Broadway production of Sister Act. His screen credits include Outrageous Fortune, and Husbands and Wives. He received the George Abbott Award for Lifetime Achievement in the Theater in 1994. He’s the go-to guy if you’ve got a musical that’s supposed to make people laugh. And we talked about what it takes to make people slap their knees, as well as . . . How he agreed to direct a show even though he didn’t know what directing really was. The best advice he ever got, which made him change his attitude overnight. Why his rehearsal rooms are CLOSED to everyone but the actors. How (and why) Guys and Dolls wasn’t working and what he and his choreographer did to fix it. What a show has to do within its first ten minutes, or it’s sunk. Once on This Island, Winner of the 2018 Tony Award for Best Revival of a Musical, is the sweeping, universal tale of Ti Moune, a fearless peasant girl in search of her place in the world, and ready to risk it all for love. Check it out here: onceonthisisland.com Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Maggie Yates and Anna Jensen discuss theatre, arts, and culture in Santa Barbara and beyond. PCPA presents, “Lend Me a Tenor“ Elements Theatre Collective presents, “Stupid Fucking Bird“ SBCC presents “High Society“ Peter Frisch Studio On The Verge Summer Repertory Showstoppers presents, “Sweeney Todd“ American Theatre Magazine, “The Review That Shook Chicago“
Anna Jensen and Maggie Yates discuss summer theatre events in Santa Barbara. On The Verge Summer Repertory Theatre PCPA presents “Lend Me a Tenor” UCSB presents Launch Pad Summer Reading Series SBCC presents “High Society” Showstoppers Teen Ensemble presents “Sweeney Todd” Spotlight Productions presents “Rent”
Tovah Feldshuh portrays Mrs. Bunch, Rachel’s domineering mother, on the CW awardwinning musical series Crazy Ex-Girlfriend, which was recently renewed for a third season. Ms. Feldshuh is widely known for her starring turn as Deanna, the head of Alexandria, on AMC’s hit series The Walking Dead. Prior to that, she recurred on the Starz’ ballet series Flesh and Bone as ballet master Ivana. Ms. Feldshuh received her first Emmy nomination for Helena, the Czech freedom fighter, in the NBC mini-series Holocaust, and her second nomination for her continuing role as defense attorney Danielle Melnick on NBC’s Law & Order, a role she recently reprised for Chicago Justice. Ms. Feldshuh starred opposite Tommy Lee Jones in The Amazing Howard Hughes, James Woods in Citizen Cohn, Bill Cosby on The Cosby Mysteries and The Cosby Show, Richard Dreyfuss in The Education of Max Bickford, Piper Perabo in Covert Affairs, America Ferrara in Ugly Betty, and in The Good Wife, with Julianna Margulies, among others. Ms. Feldshuh recently displayed her theater skills as Berthe in the Tony Award-winning Musical Pippin. Her show, Golda’s Balcony, by William Gibson, became the longestrunning one-woman play in Broadway history, and she also starred in Yentl, Sarava, Lend Me a Tenor, and Irena’s Vow. For her work on the New York stage, she has earned four Tony nominations for Best Actress and won four Drama Desks, four Outer Critics Circles, the Obie, the Theatre World and the Lucille Lortel Awards. Film audiences recognize Ms. Feldshuh from Kissing Jessica Stein (for which she won a Golden Satellite Award), A Walk on the Moon, The Idolmaker, Lady in the Water, Just My Luck, Brewster’s Millions, The Blue Iguana, among others. Ms. Feldshuh recently completed filming roles in Peter Bogdanovich’s She’s Funny That Way with Jennifer Aniston and Owen Wilson, Angelica with Janet McTeer, and Jena Malone, Unreachable by Conventional Means, The Life, and the title role in Glinda, a film that centers on a widow of jazz musician reclaiming the joy of life, which was selected as the “Best in Fest” at the 2014 Palm Beach Film Festival. Ms. Feldshuh, long known for her commitment to social justice causes, is a graduate of Sarah Lawrence College, has taught at Yale, Cornell and New York Universities. She was awarded two honorary Doctor of Humane Letters degrees and is the recipient of the Eleanor Roosevelt Humanities Award, the Hadassah Mother of the Year Award, and the Israel Peace Medal. Ms. Feldshuh is married to New York attorney, Andrew Harris Levy. They have two children, Garson Brandon and Amanda Claire.
In FRP 005, Deb and Joe visited Ridgedale Players in Troy (248-988-7049). “The overture is about to start, You cross your fingers and hold your heart, It's curtain time and away we go, Another op'nin', another show” Joe and Deb space on the show of origin of that song while introducing the big opening week in Detroit community theatre. Joe was sure that the Cole Porter tune is in Anything Goes, so of course it can actually be found in Kiss Me Kate. Show openings include Once Upon a Mattress at Richmond Community Theater, Assassins at Avon Players, Plaza Suite at Village Players of Birmingham, The 25th Annual Putnam County Spelling Bee at Barefoot Productions, Lend Me a Tenor at Clarkston Village Players and the season kickoff fundraiser of I’ll Be Waiting at Rosedale Community Players, Disney’s The Little Mermaid at Stagecrafters and You’re a Good Man Charlie Brown at our host theater, Ridgedale Players. As the hosts offered each cast to “Break a Leg,” Deb explained the origin of that phrase. You can find many of these in an article by Eddie Deezen. Our special guests this week are Eileen White and Aaron Filipski of Ridgedale to talk about their new season (You’re a Good Man Charlie Brown, The Haunting of Hill House, Urinetown – The Musical and Picasso at the Lapin Agile. Eileen and Aaron discuss the two things Ridgedale Players are known for: great theater and serving sandwiches after each showv performance, a tradition dating back to the Great Depression. Subscribe to Front Row Podcast in iTunes, or visit our website. Contact the show directly via email info@frontrowpodcast.com or leave your comments on our hotline at 248-631-4077.
In FRP 005, Deb and Joe visited Ridgedale Players in Troy (248-988-7049). “The overture is about to start, You cross your fingers and hold your heart, It's curtain time and away we go, Another op'nin', another show” Joe and Deb space on the show of origin of that song while introducing the big opening week in Detroit community theatre. Joe was sure that the Cole Porter tune is in Anything Goes, so of course it can actually be found in Kiss Me Kate. Show openings include Once Upon a Mattress at Richmond Community Theater, Assassins at Avon Players, Plaza Suite at Village Players of Birmingham, The 25th Annual Putnam County Spelling Bee at Barefoot Productions, Lend Me a Tenor at Clarkston Village Players and the season kickoff fundraiser of I’ll Be Waiting at Rosedale Community Players, Disney’s The Little Mermaid at Stagecrafters and You’re a Good Man Charlie Brown at our host theater, Ridgedale Players. As the hosts offered each cast to “Break a Leg,” Deb explained the origin of that phrase. You can find many of these in an article by Eddie Deezen. Our special guests this week are Eileen White and Aaron Filipski of Ridgedale to talk about their new season (You’re a Good Man Charlie Brown, The Haunting of Hill House, Urinetown – The Musical and Picasso at the Lapin Agile. Eileen and Aaron discuss the two things Ridgedale Players are known for: great theater and serving sandwiches after each showv performance, a tradition dating back to the Great Depression. Subscribe to Front Row Podcast in iTunes, or visit our website. Contact the show directly via email info@frontrowpodcast.com or leave your comments on our hotline at 248-631-4077.
Tune in for a special edition of That's Entertainment as I interview actor Justin Bartha from the hit NBC show, "The New Normal." Justin is best known for his character "Doug" in "Hangover" and "Hangover II." Justin will reprise that role in "Hangover III" when it is release this summer in theaters. Justin is also known for his portrayal of Riley Poole, partner to Nicholas Cage's character in the world-wide sucessful movie "National Treasure" and in "Holy Roller" with actor Jesse Eisenberg. Justin has also done a successful run on Broadway in "Lend Me a Tenor" and now he can be seen as "David" along with his partner as they become dads for the first time as a gay couple looking for a surrogate to have a baby for them in "The New Normal." The show also stars Andrew Rannells, Georgia KIng, Nene Leakes and Ellen Barkin and tonight is the show one hour season finale. Tune in on Tuesday, April 2 at 11:30am ET as I talk with actor Justin Bartha.
Lend Me a Tenor is a terrific new musical that started life in Utah, and ended up on the stage of the Gielgud Theatre this summer. We trace its journey, and that of its creative team, Peter Sham and Brad Carroll, and along the way we learn about what makes a good collaboration, the transition from […]
Discover Lend Me A Tenor's luxurious automated set, with interviews from the director Ian Talbot, the set designer Paul Farnsworth and the star of the show Matthew Kelly, in the eighth Lend Me a Tenor featurette!
Meet Lend Me A Tenor's Michael Matus who plays Tito Merelli "Il Stupendo", the great Italian tenor, in the sixth Lend Me a Tenor featurette! tenorthemusical.co.uk
Meet Lend Me A Tenor's Sophie-Louise Dann who plays Diana Divane, the Prima Dona of Cleveland Grand Opera, in the fifth Lend Me a Tenor featurette! http://www.tenorthemusical.co.uk/
Meet several members of Lend Me A Tenor's cast as they have their wigs fitted by Danuta Finbow, in the fourth Lend Me a Tenor featurette! http://www.tenorthemusical.co.uk/
Meet the Director of Lend Me A Tenor, Ian Talbot in the second Lend Me a Tenor featurette! http://www.tenorthemusical.co.uk/
Meet the scene and costume designer of Lend Me A Tenor, Paul Farnsworth in the third Lend Me a Tenor featurette! http://www.tenorthemusical.co.uk/
Meet the Star of the show, Matthew Kelly in the first Lend Me a Tenor featurette! http://www.tenorthemusical.co.uk/
Veteran director Jerry Zaks (Tony Award winner for Best Direction of a Play in 1986 for “The House of Blue Leaves”, in 1989 for “Lend Me a Tenor”, and in 1991 for “Six Degrees of Separation”; 1992 Tony Award winner for Best Direction of a Musical for “Guys and Dolls”) talks about his role as Creative Consultant on “The Addams Family” since joining the production after its opening in Chicago and the work he has planned for “Sister Act” as a result of seeing its current London staging. He also talks about his introduction to theatre while a student at Dartmouth; his early years as an actor in productions including “Grease” and “Tintypes”; his role in the founding of Ensemble Studio Theatre; finding Christopher Durang's “Sister Mary Ignatius” and why a nice Jewish boy was drawn to a play about a nun; how he fully made the shift from acting to directing; his relationships with playwrights Durang (“Beyond Therapy”, “Baby With the Bathwater”, “The Marriage of Bette and Boo”), Larry Shue (“The Foreigner”, “Wenceslas Square”) and John Guare (“The House of Blue Leaves”, “Six Degrees of Separation”); how he approached productions of such revered classics as “Guys and Dolls” and “Anything Goes”; why he likens his relationship with actor Nathan Lane to that of orchestra conductor and concertmaster; his plans for the new revue of Randy Newman songs “Harps and Angels”; and why he's always hoping to provide his audience with an "ecstatic experience.
"Lend Me a Tenor"'s Tony Shalhoub talks about the challenge of playing farce, including the shifts from rehearsal room to theatre to playing in front of a live audience, how you can suddenly "lose" a consistent laugh, whether the actors ever crack each other up on stage, and why he's lost 20 pounds since starting the run. He also talks about his journey from Green Bay, Wisconsin to the University of Maine to -- with considerable prodding -- the Yale School of Drama; the experience of working in both student productions and with professional actors at Yale Rep during his Drama School days; his continuing education over four years as a member of the company at Cambridge's American Repertory Theatre, under the leadership of his former Yale dean Robert Brustein; his Broadway debut in Neil Simon's gender-reversed "The Odd Couple" -- and why he turned down the role that ultimately went to Kevin Spacey in "Lost in Yonkers"; how he healed after the loss of his own father by playing a yearning son in Herb Gardner's "Conversations with My Father"; why he has appeared twice in "Waiting for Godot", at A.R.T. as Pozzo and for CSC in New York as Didi opposite John Turturro, and why he'd like a chance to do the play yet again; and the continuing "problem" that prompts him to pick up stakes every so often and put himself in the position of starting over again as a novice. Original air date - June 23, 2010.
"Lend Me a Tenor"'s Tony Shalhoub talks about the challenge of playing farce, including the shifts from rehearsal room to theatre to playing in front of a live audience, how you can suddenly "lose" a consistent laugh, whether the actors ever crack each other up on stage, and why he's lost 20 pounds since starting the run. He also talks about his journey from Green Bay, Wisconsin to the University of Maine to -- with considerable prodding -- the Yale School of Drama; the experience of working in both student productions and with professional actors at Yale Rep during his Drama School days; his continuing education over four years as a member of the company at Cambridge's American Repertory Theatre, under the leadership of his former Yale dean Robert Brustein; his Broadway debut in Neil Simon's gender-reversed "The Odd Couple" -- and why he turned down the role that ultimately went to Kevin Spacey in "Lost in Yonkers"; how he healed after the loss of his own father by playing a yearning son in Herb Gardner's "Conversations with My Father"; why he has appeared twice in "Waiting for Godot", at A.R.T. as Pozzo and for CSC in New York as Didi opposite John Turturro, and why he'd like a chance to do the play yet again; and the continuing "problem" that prompts him to pick up stakes every so often and put himself in the position of starting over again as a novice. Original air date - June 23, 2010.
Monk star Tony Shalhoub joins Robin Milling backstage at the Music Box Theater to talk about his histerical turn as the general manager of an opera company in the comedy farce, Lend Me a Tenor.
The producing team of the 1986 Tony-nominated play The House of Blue Leaves -- press representative Merle Debuskey, executive producer Bernard Gersten (whose tenure as Executive Producer of Lincoln Center Theater has scored them numerous Tony Awards including the recent revival of South Pacific, Coast of Utopia and Contact), playwright John Guare (Sweet Smell of Success and Tony Winner for the 1972 musical version of Two Gentlemen of Verona), advertising representative James Russek, and director Jerry Zaks (Tony Award winner for Best Direction in 1986 for The House of Blue Leaves, 1989 for Lend Me a Tenor, 1991 for Six Degrees of Separation and 1992 for Guys and Dolls) -- discuss how they came to work on this mid-1960's domestic comedy at Lincoln Center Theatre, first in the off-Broadway Mitzi E. Newhouse Theater, then transferring to the much larger Vivian Beaumont Theatre which presented its own challenges, eventually moving to the Plymouth Theatre on Broadway; the economics of producing, subscriber base, and ticket prices at a not-for-profit theater; finding key designers; casting sessions, working with strong actors, and maintaining quality performances in an extended run.
The first Sunday of every month is an all request show. This is from April 4, 2010. Also, a review of the Broadway revival, "Lend Me a Tenor."
With more than 200 years of combined theatre experience among them, our guests - stage veterans Philip Bosco (1999 Best Actor Tony for Lend Me a Tenor), two-time Tony Award-winning actor John Cullum (for Shenandoah and On the Twentieth Century), Marian Seldes (who won a Tony for 1967’s A Delicate Balance and received a Special Tony Award for Lifetime Achievement in 2010) and Tony Award Winner Carole Shelley (1979 Best Actress Tony for The Elephant Man) -- discuss the breaks that got each of their careers started; how they handle the situation on stage when they or their co-stars forget their lines; how they feel about serving as understudies; the audition process; their successes and failures; and they share stories of working with such other legends as Sir John Gielgud, Joseph Papp, Morris Carnovsky, Lee J. Cobb, George C. Scott, Geraldine Page, George Cukor, Myron McCormick and Ruth Gordon. Stage Veterans 2009 also includes a short tribute to the late Robert Prosky, who appeared on the prior Stage Veterans edition of Working in the Theatre in 2005.
The panel of Broadway actors -- Joan Allen (The Heidi Chronicles and 1988 Best Actress Tony winner for Burn This), Ed Asner (Born Yesterday), Philip Bosco (1999 Best Actor Tony for Lend Me a Tenor), Pauline Collins (Shirley Valentine), Nancy Dussault (Into The Woods) and Madeline Kahn (Born Yesterday and Tony winner for The Sisters Rosensweig) -- talk about the first time they fell in love with performing, auditions, how their careers have evolved, and the difference in stage and film work.
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