Podcasts about Religious music

For this special Patron-curated episode, we asked our Patrons to send in their favorite song about religion and/or God. We got an eclectic batch of submissions, running the gamut from the holy to the heretical. Joyful noise indeed! Songs discussed in this episode: Old Time Religion - Pete Seeger; Take Care Of All Of My Children - Tom Waits; Jewish - Spirit; Run On For A Long Time - Blind Boys of Alabama; Spirit In The Sky - Norman Greenbaum; Sing About Me, I'm Dying Of Thirst - Kendrick Lamar; Dear God - XTC; There Is No God - Mrs Magician; Drinking With Jesus - Red Elvises; Being Boiled - The Human League; Amen - Otis Redding; Amen - Spacemen 3; Burn In Hell - John Lee Hooker and Canned Heat; Harvest Festival - XTC; Come By Here - Alex Chilton; The Obeah Man - Exuma; I Walk On Gilded Splinters - Dr John; Godsong - The Residents; Four Winds - Bright Eyes; You Spoke To Me - Smoking Popes; Into the Mystic - Van Morrison; Jesus Blood Never Failed Me Yet - Gavin Bryars & Tom Waits; God! Show Me Magic - Super Furry Animals; How a Resurrection Really Feels - The Hold Steady; God - Daniel Johnston; Anti-Pope - The Damned; Jesus Was A Social Drinker - Chuck Prophet; The Holy War - Thin Lizzy; A Christmas Song - Rash Of Stabbings

Silver Quintette - "Sinner's Crossroads" [0:00:00] Cross Jordan Singers - "That's What You Got To Do Today" [0:03:20] Spirit of Memphis Quartet - "I Will Trust In The Lord" [0:06:57] Montgomery Spiritual Five - "Come See About Me" [0:12:03] Brown Brothers - "Humble Down" [0:15:56] Marie Bolton and the West Memphis C.O.G.I.C. Choir - "Thankful" [0:19:01] Rosiey Hibler and Family - "Move Members Move" - Negro Folk Music of Alabama, Vol. 2: Religious Music [0:25:12] Mary Lee Bendolph and China Pettway - "Lord Have Mercy" - How We Got Over: Sacred Songs of Gee's Bend [0:25:24] Donald Smith and Doug Wyers - "Mercy Seat" - In the Spirit: Alabama's Sacred Music Traditions [0:27:51] Emma James Singers of Montgomery, Alabama - "I'm Sealed" [0:31:26] Jones Brothers - "Amazing Grace" [0:37:40] Rev. C.J. Johnson - "You Better Run To The City Of Refuge" - City of Refuge [0:39:29] Soul Stirrers - "This Friend of Mine" [0:42:26] Christian Home Baptist Church Choir - "Hezekiah, You Got To Die" [hymnchoir.org] [0:45:22] Spiritualaires of Hurtsboro, Alabama - "Packin' Up" - Singing Songs of Praise [0:52:01] https://www.wfmu.org/playlists/shows/146565

With summer vacation travels upon us, this week's episode mixes a little old with a little new. In part 1, our 2020 interview with Bill Rogan, author of "Life Ain't the Same in the Pecos League: A Rookie Manager Navigates Baseball's Most Notorious Independent League." Bill wrote the book about his 2019 season at the helm for the  Tucson Saguaros  in the independent Pecos League.  This interview was a blast to do and if you missed it in 2020, here is your chance to catch it.In part 2, our recent interview with Erik McLaren, a writer and host of Religious Wars,  a podcast that looks at history through a lens of conflicts in faith. Erik joins us to discuss his thoughts on how religious themes, ideas and images are presented in Western popular music.  The conversation includes Elvis Presley, George Harrison, Bob Dylan, Joan Osborne and many more artists, looking at how they incorporated religious and spiritual themes into their music. Thank you to Erik for sharing his time with Hooks & Runs.Bill Rogan, Life Ain't the Same in the Pecos LeagueErik McLaren: Religious Wars Podcast (https://www.religiouswarspodcast.com/)Errata: Bob Dylan won a Grammy Award in 1980 for the song "Gotta Serve Somebody" (Best Rock Performance, Male), not "Slow Train." -->Join our Discord: https://discord.gg/tT8d3pVUsN-->You can support Hooks & Runs by purchasing books, including the books featured in this episode, through our store at Bookshop.org. Here's the link. https://bookshop.org/shop/hooksandrunsHooks & Runs - www.hooksandruns.comHooks & Runs on TikTok -  https://www.tiktok.com/@hooksandrunsHooks & Runs on Twitter - https://twitter.com/thehooksandrunsAndrew Eckhoff on Tik TokLink: https://www.tiktok.com/@hofffestRex von Pohl (Krazy Karl's Music Emporium) on Facebookhttps://www.facebook.com/people/Krazy-Karlz-Music-Emporium/100063801500293/ Music: "Warrior of Light" by ikolics (Premium Beat)    

Catharus sings new songs reflecting religious traditions written by Kenan Serenbetz. Kenan is steeped in shaped-note and medieval singing. It has an old sound, but actually references more contemporary influences. The next performance of Catharus will be at the Twin Cities Friends Meeting on March 4. When Kenan talked to Phil Nusbaum, Kenan first addressed where the name Catharus comes from.

Belfast composer Anselm McDonnell on the unwanted distinction between secular and non-secular music.

Sacred Harp singer and composer Stanley Smith of Ozark talks with In Focus host Carolyn Hutcheson about the religious music that has captivated him since the age of twelve.  Next month, Smith will receive the Alabama Folk Heritage Award from the Alabama State Council on the Arts.

This week on Sh... The Internet is a Toilet, I am joined by Red from Streetlight Memoirs. We learn The Jesus Lean. "Bibles" don't roll off the tongue like "Butts". Red tries to Joe Rogan me. Master C talks about erections and James Canupp tries to sing. Patreon: Patreon.com/toiletdotshow Twitter: @toiletdotshow Email: toiletdotcompodcast@gmail.com Hotline: (401)-594-9414

We go dark talking about the history of the Yule Tide. What band could we listen to for the rest of your life? Religious Music and Heavy Metal Jocko for President? Light Politics Professional Wrestling Meta Are Superheroes considered Gods? DD214 Gaming cannot warranty the expressions and suggestions of the contents, as well as its accuracy. In addition, to the extent permitted by the law, DD214 Gaming shall not be responsible for any losses and/or damages due to the usage of the information on our website. By using our website, you hereby consent to our disclaimer and agree to its terms. The links contained on our website may lead to external sites, which are provided for convenience only. Any information or statements that appeared in these sites are not sponsored, endorsed, or otherwise approved by DD214 Gaming. For these external sites, DD214 Gaming cannot be held liable for the availability of, or the content located on or through it. Plus, any losses or damages occurred from using these contents or the internet generally. opinions expressed are our own and we do not represent any DoD or U.S. government entities as a whole. Each individual opinion is their own and does not express the expressions of DD214 Gaming. This channel is produced for mature audiences.This podcast is for entertainment purposes only. This Episode is dedicated to Elizabeth Maldonado 2.29.64-11-29-21 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/dd214gaming/message

Larry, Ty, and guests

This week, we continue moving through the history of music and talk about the religious music of the High Middle Ages! If you liked this episode, please subscribe, leave a comment, and share with your friends! Check us out in Patreon to support our channel: https://www.patreon.com/goodmusicpodcast Also, click on this link to listen to this week’s songs! https://open.spotify.com/user/lucaschrisman/playlist/1bhH8fpP24BOrPiEC3BBL7?si=nq7CV5NKRju-IKo-m5w7qA

Pt. 1 President of Pray4SafeSchools, Marilyn Jackson, talks about what her organization is doing and weighs in on the spiritual nature of campus violence. Marilyn Jackson encourages parents to talk to their children about school violence and bullying in a biblical manner. How to sign up for free daily prayer text: Text keyword P4SS to 555888. Visit pray4safeschools.com for resources. Pray4SafeSchools Resources: The 8 Point Prayer Guide addresses the underlying causes of campus violence, bullying, suicide, low academic performance, freedom of speech and religion, student needs, support community and hope, purpose and faith in God. The 8 Ways to Save Your School Campus Resource Guide offers ways for Christian students to start campus clubs, links to existing campus ministries, opportunities, and guidelines for volunteers, and PJI's legal does and don'ts.   Pt. 2 PJI staff attorney, Matthew McReynolds, gives an update on that case he has been working on involving a Southern California piano teacher who was approved and then disapproved to be a vendor at an independent study charter school.     Sign up for our Legal Insider for case updates: https://www.pacificjustice.org/legal-updates-subscription/ Donate to our work: https://www.pacificjustice.org/support/donate/ Like our Facebook page: https://www.facebook.com/PacificJusticeInstitute/  Follow us on Instagram: https://www.instagram.com/pacificjusticeinstitute/?hl=en Follow us on Twitter: https://twitter.com/PacificJustice?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

This episode ''Why read the Bible'' is the first in a four part series called Bible Reading Methods. It explores the important question Why Read The Bible?1.Explores the reasons that late John Paul 11 gave for reading the bible2.Challenges the listener to consider his/her own reasons for reading the Bible.3.Provides an exercise as a means to discovering the listener's own reasons for Reading the bible.4.Provides a suggested structure by which listeners may wish to use for becoming regular readers of the Bible.5.Want to know more: Provides opportunity for listeners to get to know Imelda's other online work and how they may stay in touch.

This week, we are once again joined by Eric Knight who wants to talk to us about religious music. Specifically choral music in schools. A lot of choral music – especially classical choral music – is religious in nature. Is that a problem? We talk about singing music with a religious theme to it and […]

As people of faith sometimes we can make some declarations that are questionable. As a person of faith should you avoid having sex to worldly music? Let's explore this....

Today's Topics:   1) Gospel -  Matthew 14:22-36,  Walking on Water   2) Good News – Our Troops that Died in the Korean War have not been Forgotten by President Trump   3) The Mass of Vatican II,  Father Joseph Fessio, S.J.   4) Sacred Music and Religious Music, a Distinction   5) The Logos of Sacred Music   6) The Spirituality of the Ancient Liturgy   7) How the Ignatius Pew Missal is bringing Chant Sacred Hymns to Parishes

This centuries-spanning concert takes its title from the violin concerto by English composer Thomas Ades, but it may just as well refer to the unexpected paths that link 20th-century French composer Francis Poulenc back to his medieval countryman Guillaume Machaut, and onward to Thomas Nee Commission recipient Tina Tallon's premiere work for orchestra & electronics. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 33161]

Hoy, el Sr. Kaminsky trae un podcast muy musical, para desgracia de muchos (os jodéis) y nos presenta tres temas con un contenido que no sería lo normal en el Sr. Kaminsky ya que el mensaje es religioso cristiano. Nada más ni nada menos. Pero el Sr. Kaminsky que es un señor antes que nada, le da una oportunidad a todo tipo de música (eso dice, aunque no es verdad) y los tres temas que suenan hoy son la hostia en vinagre santo. No os lo creéis? Allá vosotros pero os perderéis unas grandes canciones si no escucháis todo el podcast. Vosotros mismos.

On our first Episode we will go to the North of India, visit a group of old men chanting in a tiny temple in Jaipur, Rajasthan. Further North in Rishiskesh we hear an old Sadhu, who's dedication is to sing "Hare Krishna Hara Rama" every single day in a chapel at the side of the road.

In this special guest Technique Tuesday, Adam Paltrowitz of the Choral Clarity blog, explains his 5 guidelines to follow when programming religious music with your public school ensemble. This is a very insightful episode that I hope will be food-for-thought for Choir Nation. Sponsored by the Choir Nation: Redirect summer conference in OKC, June 27-30. Listen [Player]   Show Notes 5 Guidelines discussed in the episode Always explain WHY we choose any piece of music. We need to facilitate group discussions regarding each composition with our choirs. We must always be sensitive to the backgrounds of the members of our choirs. We should be educating our audiences. We need to approach programming in a balanced manner. Bio Adam Paltrowitz is a master educator, composer, conductor, and clinician. He resides in Manhattan with his wife, Blair, who is a professional Broadway actress, and his beautiful daughter, Lyla. He is currently the Director of Choral Activities at Plainview-Old Bethpage John F. Kennedy High School, on Long Island, New York. During his eighteen year tenure, his groups have toured Europe, Canada, and throughout the United States. What makes his choirs unique is his belief that anyone can sing; as a result, his ensembles are always self-selected, while maintaining the highest standard of musical excellence. He also has pioneered a philosophy that every student is a soloist. All students in his choirs continually learn and perform solo repertoire in various languages. Mr. Paltrowitz' choral program has gained great acclaim for the cultivation of eight student-run a-cappella ensembles that have performed on national and local programs. Under his advisement, these talented students write their own a-cappella arrangements, teach and rehearse fully on their own, and perform in dozens of concerts throughout the year. This approach stems from the concept of student empowerment. Adam is well-known for leading workshops with current and future music educators on topics: Motivating Students to Exceed Expectations Creating a Positive Learning Environment Building a High School Choral Program Training the Soloist in the Choral Setting. As a guest conductor, Mr. Paltrowitz has conducted at numerous festivals and events for elementary, middle school, high school, college, adult, and senior citizen choirs. As a composer, Adam is focused on writing inspiring, yet accessible music that singers of all ages can relate to. Music is intended to evoke pure emotions from the singers and in turn, touch the audience. We sing because we want to communicate. We sing in a choir because we want to communicate together. Adam's music is intended to reach people through its clarity of thought, purity of emotion, and poetic beauty and word painting. His music has been performed throughout the country. Links Adam’s Facebook Profile Adam’s Choral Clarity Blog Support the show on

Your browser does not support the audio element. Podcast (21m07s): Play in new window | Download Sacred MusicPart I: Chant and Instruments Singing the Mass vs. Singing at MassSacred music by its very nature is music that is set apart for the sacred liturgy. It is different from secular (worldly) music. We speak of sacred and profane music. The word profane does not mean wicked, sinful, or evil; rather, it means, literally "outside the temple" (from the Latin fanum, temple). Music that is admitted into the Mass is considered sacred music, in one way or another. When most Latin Catholics go to Mass, they hear lots of hymns: an opening hymn, an offertory hymn, a communion hymn, a recessional hymn. Hymns are poetic texts sung to simple melodies by the whole congregation. Although 20th century magisterial texts encouraged hymns (for instance, Pius XII in Musicae Sacrae) for their ability to inspire devotion among the faithful, hymns are not actually part of the Mass. But there is music that is part of the Mass. In fact, the Mass itself is a song. The most basic sung portion of the Mass are the calls and responses between the priest and the people: "Dominus vobiscum", the Lord be with you; "Et cum spiritu tuo", and with your spirit, and so forth. But other music belongs to the Mass as well. Chants such as the Gloria or the Gradual are examples of music sung by the choir and sometimes the people that are part of the Mass. In its 1958 Instruction on Sacred Music, the Congregation for Rites made a list of Sacred music, that is music admissible to the Mass: Gregorian ChantSacred Polyphony"Modern" Sacred Music (such as Mozart)Sacred instrumental music (mostly organ solos)HymnsIt also speaks of Religious Music, which is music that by its nature isn't appropriate for Mass, but is useful in other circumstances to raise the mind and heart to God. Among these categories, the first three include music for the texts of the Mass, and among those three, Gregory Chant holds a special place. Sacrosanctum Concilium (116), the constitution of Vatican II on the Sacred Liturgy, summarizes this nicely: The Church acknowledges Gregorian chant as proper to the Roman liturgy: therefore, other things being equal, it is to be given the first place in liturgical services.The word proper means its own. Gregorian Chant is not separate from the Roman Mass: the two grew up together. It is the Mass's own music. It's not a mere decoration of the Mass: it's part of the Mass. And so, all things being equal, it must be given the first place. But in the Middle Ages, the chant was decorated and sometimes replaced by music with multiple voices and music accompanied by instruments. In the High Middle Ages, vocal music reached such perfection in polyphony, that the Church made polyphony her own for the Roman Mass, particularly in the music of Palestrina. Later on, the music was enriched with orchestral music and other types of music. The Church permitted some of this, but never fully embraced it. Popes attempted to eliminate the operatic and the worldly or profane from this music. Still, it was never entirely forbidden.Instruments at MassThe apostolic Christians did not use instruments. Some of the Church Fathers spoke especially negatively about them. Even at the time of Thomas Aquinas, the Angelic Doctor considers them to be banned in the Sacred Liturgy. This ban continues to this day in some Eastern Churches, but in the West, they were gradually allowed, but only insofar as the could sustain, imitate, augment, and decorate the human voice. The organ became the first and only instrument fully embraced by the Church when it had suitably developed so that it had a similar subtlety to the human voice.There are some historical reasons for this, but the principle reasons why the voice is the liturgical instrument par excellence are theological, namely that the Word become flesh and sent the Holy Spirit who makes nimble the tongue.Christian worship is logos-centric. It is centered on the word, in honor of the Word of God. The Holy Spirit who spoke through the prophets also loosens the tongues of Christians to proclaim the glories of God, giving to the human voice the power to express even what is beyond words. Thus worship with words is the most spiritual worship. It is our logike latria our word-centered/rational/logical/spiritual worship.In admitting instruments to the Mass, the Church has never forgotten the word-centeredness of her worship. In fact, Pius XI writes in Divini Cultus:Voices should be preferred to instruments for no instrument, however perfect, however excellent, can surpass the human voice in expressing human thought, especially when it is used by the mind to offer up prayer and praise to Almighty God.and Benedict IX in Annus Qui in 1749 permitted certain stringed and wind instruments "only for adding some support to the singing, so that the meaning of the prayers is more clearly brought to the minds of the listeners and the souls of the faithful are moved to a contemplation of spiritual things, and are aroused to a love of God and of things divine."We can never leave behind Gregorian Chant! Its very rhythms and spirit define Sacred Music for the Roman Mass. We can never leave behind the human voice. And when we introduce new music into the Liturgy, it must be truly sacred.

 Be sure to follow WJBR right here on Blogtalkradio. Tune in and call in tonight to hear some of our favorite gospel songs. I'm in the spirit tonight and just want to play some uplifting music for you. May be old school, may be some modern day contemporary gospel, may just be positive message music, may be gospel house. The great thing about doing this show is that I can play whatever I want to play and do whatever I want to do and in that order. The only thing I can promise is that the music and conversation will be uplifting and positive. I'm getting ready for the week ahead and starting it off on a positive note!

Listen to my show at http://www.blogtalkradio.com/wjbr/2014/11/30/sunday-evening-shout-singing-contest - This segment is 120 minutes of Gospel, uplifting, inspirational and affirming MUSIC. This time, we're going to have a SINGING CONTEST, but you have to sing A GOSPEL SONG! CALL IN TO VOTE OR SING! This show promotes a message of love, acceptance and empowerment! God is Love and Love is for Everyone! If you made it to church and want a little bit more shout or didn't make it outside of bedside baptist, it doesn't make a difference. God is where you need God to be! Open your heart, feel God's love and let the music minister to you. Just keep in mind that JaVonne is no angel, just another servant! God Bless

This week we talk about religious music & we spin some cool related tunes. As well, BigJD interviews religious music artists from both Ontario and Detroit. Like us on Facebook!

Going leftfield from gospel house on this episode, but it's at the heart of what God has called us to do. This podcast contains music from the likes of: Fred Hammond, Israel & New Breed, Rick Pino plus a load more...

R. Crumb’s Record Room Pt. 5 John’s Old Time Radio Show w/ R. Crumb “Religious Music & Sermons” of the 1920’s & 30’s. Special Guest Robert Crumb plays 78 rpm records from his fabulous record collection from the South of … Continue reading →

Philosopher Dr. Diana Brickell answered questions on the morality of reverse engineering, atheists singing religious music, this-worldly success of faith-driven people, police lying to suspects, and more in this 31 July 2011 episode of Philosophy in Action Radio. http://www.PhilosophyInAction.com

Philosopher Dr. Diana Brickell answered questions on the morality of reverse engineering, atheists singing religious music, this-worldly success of faith-driven people, police lying to suspects, and more in this 31 July 2011 episode of Philosophy in Action Radio. http://www.PhilosophyInAction.com

Daniel C. Dennett, Co-Director of the Center for Cognitive Studies at Tufts University, on What Should Replace Religions?

Daniel C. Dennett, Co-Director of the Center for Cognitive Studies at Tufts University, on What Should Replace Religions?