Podcasts about tezuka osamu

Our Grand Tour reaches one of its strangest destinations this week as we complete our trilogy of Tezuka Osamu-themed episodes with a look at the Animerama Trilogy, a collection of three experimental animated films for adults created by Mushi Productions between 1969 and 1973. Coinciding with the Japanese New Wave movement and the rise of ‘Pink Films,' these movies are stylistically anarchic, occasionally graphic, and range from irreverent and immature to startlingly sophisticated. Consisting of 1969's A Thousand & One Nights, 1970's Cleopatra, and 1973's Belladonna of Sadness, all directed by Yamamoto Eiichi, these films were part of a global wave of efforts to make elaborate feature animation aimed squarely at adults, and while none were successful enough to pull Mushi Pro out of bankruptcy, they have endured as a fascinating experiment from a time when anime was still finding itself – and the last film, Belladonna of Sadness, is absolutely a masterpiece within its own right. Enjoy, and come back next week as we put on our tin-foil hats, get paranoid, and watch the classic 2006 anime Welcome to the N.H.K.! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 0:31:21A Thousand & One Nights Review: 0:31:21 – 1:26:29Eyecatch Break 1: 1:26:29 – 1:27:14Cleopatra Review: 1:27:14 – 2:09:43Eyecatch Break 2: 2:09:43 – 2:09:59Belladonna of Sadness Review: 2:09:59 – 3:25:21End Theme: 3:25:21 – 3:26:22Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Fifty years after the original Dororo aired on TV, MAPPA brought Tezuka Osamu's Dororo roaring into the 21st century with a radically different take – and it's the next stop on our exciting Grand Tour! With a reimagined conception of Hyakkimaru, expanded roles for characters like Daigo Kagemitsu and Tahomaru, and a striking modern animation style, MAPPA's Dororo is a worthy reinterpretation of a classic, and a fascinating point of comparison to the original. While our hosts disagree slightly on how effective they found the series' overall approach, it comes highly recommended from both, and we enjoyed breaking it all down on today's episode. Enjoy, and come back next week as look at one of the strangest corners of Tezuka Osamu's empire, and of anime in general: The Animerama film trilogy, consisting of 1969's A Thousand & One Nights, 1970's Cleopatra, and 1973's Belladonna of Sadness. Time Chart:Theme Song: 0:00:00 – 0:01:16Intro and History: 0:01:16 – 1:12:03Eyecatch Break: 1:12:03 – 1:12:50Dororo 2019 Review: 1:12:50 – 3:06:10End Theme: 3:06:10 – 3:07:11Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our Grand Tour now takes us back to the first decade of anime, and to the work of the ‘God of Manga' himself, the one and only Tezuka Osamu! The creator of series like Mighty Atom, Black Jack, and Princess Knight, Tezuka's Mushi Productions pioneered TV anime as we know it today, and Dororo is one of the towering achievements of their 1960s output. Based on the unfinished manga by Tezuka, and directed by the great Sugii Gizaburō, Dororo is a singular samurai drama about a wandering swordsman, Hyakkimaru, who battles demons to restore the 48 missing parts of his body sacrificed by his warlord father. Along the way, he meets a young thief named Dororo, and their many adventures make for some of the earliest manga and anime to directly engage with adult themes and imagery. Like the manga, Dororo on TV had some production shake-ups, essentially changing directions halfway through when Sugii departed the series amidst disagreements with Tezuka, but make no mistake: this is one anime you do not want to miss. Enjoy, and come back next week as we leap 50 years ahead to 2019 to talk about MAPPA's recent re-interpretation of Dororo! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro to Tezuka Osamu: 0:01:15 – 0:55:24Eyecatch Break: 0:55:24 – 0:56:09Dororo History & Review: 0:56:09 – 3:32:24End Theme: 3:32:24 – 3:33:54Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Our Grand Tour continues with the second half of Dragon Ball GT, which marked the end of the 18-year ‘Toriyama Block' on Fuji TV, and the end of new Dragon Ball stories on TV until Dragon Ball Super nearly 20 years later. The first few episodes here cover the ‘Super Android 17' Arc, which is probably the very worst bit of Dragon Ball ever created, but the ‘Shadow Dragons' Saga has always had more mixed reception, including some vocal defenders. What do Sean and Jonathan make of it? Well, we aren't so hot on that one either, despite some good ideas and individual strong moments throughout. Still, diagnosing what ails Dragon Ball GT continues to make for a fascinating and fun conversation.Enjoy, and come back next week as we return to the dawn of anime with one of the great works by Japan's ‘God of Manga,' Tezuka Osamu, and the 1969 series Dororo! Time Chart:Theme Song: 0:00:00 – 0:01:16Intro and History: 0:01:16 – 0:51:03Eyecatch Break: 0:51:03 – 0:51:50Dragon Ball GT Review: 0:51:50 – 2:53:33End Theme: 2:53:33 – 2:54:34Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Here's an example of a strange action Ps2 game that entered my realm, and I been thinking about it for 4 years meaning one day to get to it.  This week it finally happened, sat down to play Blood Will Tell.  A very cool game with a unique premise of hunting down 49 demons to get your body parts back.  Come hear if this game holds up in 2025. Starring Mike Albertin, Dominic Cichocki, and Joseph Larrey.  Dominic's Podcast - https://www.youtube.com/channel/UCZWhZsc6wRmp62PWZrZ7_qA Gamer Looks at 40 - https://agamerlooksat40.com/ Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/YQRZB2sXJC

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

What is going on when a graphic novel has a twelfth-century samurai pick up a telephone to make a call, or a play has an ancient aristocrat teaching in a present-day schoolroom? Rather than regarding such anachronisms as errors, Samurai with Telephones: Anachronism in Japanese Literature (U Michigan Press, 2024) develops a theory of how texts can use different types of anachronisms to challenge or rewrite history, play with history, or open history up to new possibilities. By applying this theoretical framework of anachronism to several Japanese literary and cultural works, author Christopher Smith demonstrates how different texts can use anachronism to open up history for a wide variety of different textual projects. From the modern period, this volume examines literature by Mori Ōgai and Ōe Kenzaburō, manga by Tezuka Osamu, art by Murakami Takashi, and a variety of other pop cultural works. Turning to the Early Modern period (Edo period, 1600–1868), which produced a literature rich with playful anachronism, he also examines several Kabuki and Bunraku plays, kibyōshi comic books, and gōkan illustrated novels. In analyzing these works, he draws a distinction between anachronisms that attempt to hide their work on history and convincingly rewrite it and those conspicuous anachronisms that highlight and disrupt the construction of historical narratives. Learn more about your ad choices. Visit megaphone.fm/adchoices

Last episode you heard part one of my conversation with Nilo Rodis Jamero, design legend and wonderful person. For this episode, number 106, the first of July 2024 you'll be hearing part two of our chat…On entering the gaming industry Nilo's focus was always about inspiring and guiding production teams to craft original and iconic characters and worlds. He's real advocate for originality and imagination in design, rather than leaning on copying existing designs or using AI to assist those designs.In our conversation, Nilo shares his experiences working with the legendary John Hughes, emphasizing the value of building relationships and understanding a director's vision.We also delve into the crucial role of production design in film and the unspoken code of acceptance when a director gives their nod of approval to a set.Nilo believes that good design should shake the viewer to their core, creating a unique experience. This means a lot of iterating and refining, but through this rigorous process, truly groundbreaking concepts can emerge. Collaboration is another cornerstone of Nilo's philosophy. He believes that the creative process thrives on the participation of diverse talents, each contributing their unique expertise to the project.This collaborative spirit is what drives innovation.Now you'll know if you listened to my chat with Nilo in 2021 and last episode that he's met a lot of key figures in the industry, in this chat he talks about n meeting influential figures like Hayao Miyazaki and Tezuka Osamu. These encounters have not only inspired him but also provided valuable insights into his design and storytelling work. But it's not all work for Nilo—his passions outside of work, like Formula One racing, bring joy and fresh perspectives into his life. There's a great bit at the end of this chat when I tell Nilo I work in F1, and he becomes the fan for a moment.So, buckle up and get ready to dive into the creative mind of Nilo Rodis-Jamero. This episode is packed with insights, inspiration, and a whole lot of passion for the art of design. Donate ButtonAll the linksPeter Kuran's "The Thing" Kickstarter

Chegamos na parte final do nosso review! Hoje, Dini-Chan vai contar os pontos mais importantes dessa história emocionante e todos os detalhes sobre o anime!

Chegamos na parte 3 do nosso review! Na parte 3, Dini-Chan fala sobre o arco mais intenso do anime, onde a história avança bastante e muitas coisas são mostradas. continue conhecendo e relembrando esse anime clássico e emocionante!

Hoje trazemos a parte 2 do J Safio DROPS review. Dini-chan continua falando sobre o anime de Osamu Tezuka, seguindo apartir do episódio 8, com ainda mais emoção!

Hoje estamos estreando mais uma novidade, o J Safio DROPS REVIEW, onde Dini-Chan vai falar com detalhes sobre um anime. O primeiro é o anime de Tezuka Osamu no kyuuyaku seisho monogatari in the beginning, anime dublado dos anos 90 que conta de forma leve, mas muito próxima, muitas histórias bíblicas!

It's been in development for almost a decade and FINALLY Pluto has landed on Netflix!Based on one of Astro Boy's most iconic story arcs, The Greatest Robot on Earth, the story was rewritten in the 2000's as a mystery series, giving the franchise a more mature approach to it's storytelling and themes.So should you watch it? Well let's not beat around the bush – Yes. It's excellent even if you're not familiar with Astro Boy other than the name!But there's a LOT more buried in this series origin and it's adaptation than you might realise, including links with several other highly acclaimed anime too!All this, plus the latest anime news, plus Kyle trying to make you watch the weirdest show of the season!VIDEOS!Kawaii-Fi YouTube: https://www.youtube.com/KawaiiFiTifa's YouTube: https://www.youtube.com/thetkennedyKyle's YouTube: https://www.youtube.com/@KyleinOrbit SUPPORT USPatreon: Patreon.com/KawaiiFiBuy us a Coffee: Ko-fi.com/kawaiifi JOIN THE KAWAII-FI COMMUNITYInstagram: https://www.instagram.com/kawaiifianime/Facebook: https://www.facebook.com/KawaiiFiAnime/Twitter: https://twitter.com/kawaiifianimeTikTok: https://www.tiktok.com/@kawaiifianimeDiscord: https://discord.gg/p9ccFx8vTQ LISTEN ELSEWHERE?Smart Link: https://link.chtbl.com/KawaiiFiSpotify: https://bit.ly/Kawaii-FiSpotifyApple: https://bit.ly/Kawaii-FiAppleGoogle: https://bit.ly/Kawaii-FiGoogle EPISODE SEGMENTS00:00:00 – Show Opener00:03:22 – What We're Watching00:18:31 – Retro Classics: Pluto!00:49:21 – Anime Communique01:05:07 – Show OutroTags:anime,podcast,anime news,anime podcast,anime reviews,anime recommendation,Pluto,Pluto Anime,Astro Boy,Atom,Tezuka Osamu,Urasawa Naoki,Tezuka Macoto,Studio M2,Tezuka Productions,Netflix,Netflix Anime,Under Ninja,Frireiren,Jujutsu Kaisen,HiDive,Zom 100,Great Pretender,Gurren Lagann,Suzume,Spy X Family

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dans ce 25ème Pixel Bento nous allons parler de rejouabilité et de durée de vie. Deux concepts qui ont évolué de façon spectaculaire avec le temps, les machines et l'industrie du jeu en général. Du RPG au rogue-like, en passant par les fins cachées, le loot system, les mondes ouverts, le streaming ou encore le Game Score... de nombreux éléments ont impacté ces concepts de façons significatives, pour le meilleur, et parfois le pire. Cet épisode sera aussi une plongée dans le passé, celui des années 80 avec le sublime Huntdown, un Run-and-Gun coop, indie et pixel art; des années 90 avec le retour du RPG Chrono Cross; et même des années 50 (!) avec Tokiwa-sō, un mythique appartement tokyoïte qui a hébergé quelques-uns des plus grands noms du manga, dont un certain Tezuka Osamu ! Pause musicale : Hades - No Escape - Darren Korb Émission enregistrée le 29 mai 2022. Suivez-nous @PixelBentopod Contactez-nous pixelbentopodcast@gmail.com

Have you ever watched The Lion King?  Well, you might be surprised to learn that some people think the movie got its inspiration from Japan—and more specifically, from cartoonist Tezuka Osamu. Join host Cameron Peloso for this incredible story about the “god of Manga.” As a child, Tezuka loved to draw. He would hunt insects and draw them. As Japan entered World War II, Tezuka continued to draw and develop a new style of cartoons that would be called “Manga.” It's an important story of perseverance and doing what you love, even when it seems impossible. Today, Tezuka is one of the most famous Japanese cartoonists to ever live. Now, we'll learn more about his story. About Honest History Honest History creates award-winning books, magazines, and this show for young historians across the world. Our mission is to inspire kids to create a positive impact on history themselves. Learn more at honesthistorymag.com and @honesthistory. Credits This episode was written by Heidi Coburn and produced by Randall Lawrence. Original theme music was written and recorded by Luke Messimer.   More Enjoy this episode? Share with your friends and don't forget to rate and review. See you next time!

The creator of Atom Boy who brought Japanese cartoons to the world. Christopher Harding portrays the lives of five colourful characters from Japan's past to answer the question, "Who are the Japanese"? Beginning in the twentieth century, he works backwards through time to reveal different dimensions of Japanese identity, encompassing sport, art, culture, politics, warfare and religion. In his second essay, he describes how the artist Tezuka Osamu helped shape post war Japanese pop culture through manga and anime, Japan's instantly recognisable style of comic books and animated films, that he made famous world wide. Dr Harding places Tezuka in Japan's centuries' old tradition of satirical art, though reflects that his Disney inspired creations such as Atom Boy may leave him "one day remembered for fostering a form of popular culture that was insufficiently angry, satirical or creatively critical of politics." Dr Christopher Harding is Senior Lecturer in Asian Studies at the University of Edinburgh. His books include, "The Japanese: A History in Twenty Lives" and "A History of Modern Japan: In Search of a Nation, 1850 – the Present". Producer: Sheila Cook Editor: Hugh Levinson

La hermosa metropolis, un lugar lleno de bellos problemas, androides, y una niña la cúal será la clave para conquistar el mundo, podrán nuestros locutores detener a quienes intentan usarla para fines malvados y darle ayudarla a saber ¿quien es realmente? o simplemente se quedaran atónitos ante tal obra maestra, Descubrelo en este episodio que para nada esta grabado el mismo día que el anterior :) Contáctanos en: Correo: monitaschinasymas@gmail.com Twitter: @MasMcy Facebook: Monitas chinas y más YouTube: Monitas Chinas y Más Agradecemos a Jesús Becerril por la creación de nuestro tema: • Instagram. sant.1978 • Síguelo en su banda por Instagram: Rites of Sun Find out more at https://monitas-chinas-y-m-s.pinecast.co This podcast is powered by Pinecast.

You really need to check out show notes at historian.live for this episode. We have so many videos, images and book recommendations for this one. Also check out the mailing list at makingofahistorian.substack.com and you can get an email whenever I make a thing. This week I’m joined by my colleague, Dr. Andrea Horbinski, a PhD from Berkeley who now works for Netflix. We talk about a part of her dissertation. First I should say that her dissertation is fantastic, and in the next few years it’s likely to be a book, tentatively titled Manga’s Global Century. You need to keep a watch for it when it does because it’s an eye-opening history that traces the origins of manga from the late 19th century up to the present. We can’t talk about that whole scope in this podcast, so we talk about the story of the Astro Boy TV show. The creator of Astro Boy, Tezuka Osamu, really really wanted to make an animation. But animations were really expensive. He stumbled onto a method that would mark the entire genre of anime. First, he made the animation on the cheap, borrowing from the street performance style of kamishibai. Second, he sold the animation to TV studios at HALF the cost it took to produce, hoping to recoup costs from sales of comics and branded merchandise. It was a gamble, but it paid off. It became the model for future animes. Expensive productions would be bankrolled by merchandise sales. The entire industry was built on people LOVING anime. The people who drew the animation were apprentices who were hoping one day to become masters with their own manga and anime. The consumers were fans who supported the shows and comics they liked by buying merchandise and attending conventions. Dr. Horbinski traces this story through to the fan conventions, and to new ‘circles’ of amateur and professional creators, many of whom made genres for new audiences, like women. We end by talking about the development of Shoujo and particularly Boy’s Love comics, comics oriented towards women, that circumvented the trap of the boredom of traditional heterosexual romantic tropes by exploring same-sex relationships. It’s a fascinating discussion, and I hope you enjoy it.

Sailor Noob is the podcast where a Sailor Moon superfan and a total noob go episode by episode through the original Sailor Moon series!Anime is being targeted now by the forces of the Dark Kingdom! Can Usagi and friends learn to work together before they're felled by Nephrite's latest creations?In this episode, we discuss the anime industry in Japan, the history of anime, Toei, Tezuka Osamu, "karoshi", Slave studios, and "conveni". We also talk about winking at the camera, "bois" in Japan, Space Channel 5, Nick Cliche, we debut a new segment called "Natsukashī omoide", and a bangin' new Sailor Moon track!Moshi moshi! Babu babu!We're now on iTunes and your listening platform of choice! Please subscribe and give us a rating and a review! Arigato gozaimasu!https://podcasts.apple.com/us/podcast/sailor-noob/id1486204787Sailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttps://discord.gg/ATMBeUD

En el décimo quinto episodio de Trincheras de la Cultura Pop, Diego y Elisa abordan los fenómenos conexos del manga y el anime, que constituyen una de las expresiones más vivas de la cultura popular y que desde hace unos años han adquirido una legitimación inédita. Nos preguntamos por el pasado y el presente de ambos medios y por la evolución de la cultura que los engloba, la otaku. Bibliografía: Osamu Tezuka: A Manga Biography: https://en.wikipedia.org/wiki/The_Osamu_Tezuka_Story:_A_Life_in_Manga_and_Anime Eroguro: Horror y erotismo en la cultura popular japonesa: http://satoriediciones.com/libros/eroguro/ Permitted and prohibited desires: Mothers, Comics, and Censorship in Japan: https://books.google.es/books?id=ZBuAkps4jkUC&printsec=frontcover&hl=es#v=onepage&q&f=false Ukiyo-e, World War II, and Walt Disney: The Influences on Tezuka Osamu’s Development of the Modern World of Anime and Manga: http://fansconf.a-kon.com/dRuZ33A/wp-content/uploads/2017/08/27-Ukiyo-e-WWII-and-Walt-Disney.pdf Peregrinar al mundo del manga: https://www.elcorreo.com/planes/viajes/internacionales/peregrinos-manga-japon-otaku-20190103224955-ntrc.html Superflat o el carácter híbrido de la cultura japonesa según Takashi Murakami: https://revistas.ucm.es/index.php/ANHA/article/view/41569/39915 Ero-guro-nansensu: manga y modern girls en el Japón de entreguerras: https://revista.tebeosfera.com/documentos/ero-guro-nansensu_manga_y_modern_girls_en_el_japon_de_entreguerras.html La Era Showa y el Grupo del 24: Las mangakas de la Modernidad: https://revista.tebeosfera.com/documentos/la_era_showa_y_el_grupo_del_24_las_mangakas_de_la_modernidad.html Deseos permitidos, deseos prohibidos. Elisa McCausland en Comic Esenciales 2018: https://www.jotdown.es/2019/04/comics-esenciales-2019/

In this special episode of the Spiraken Manga Review, Xan and Gretta are joined by Doug WIlder from animecons.tv as they review an amazing work by the great mangaka Tezuka Osamu. So, enjoy as our intrepid Hosts review the amazing horror samurai action manga series "Dororo" by Tezuka Osamu, as well as the 2019 Anime adaptation released by Studio Mappa.     As they compare the original manga to its new adaptation, our hosts also discuss the history of the manga,the unique issues that the protagonist deasl with as he regains his lost body parts, the tragic nature of life in the warring states period and why it stands the test of time. Hope you enjoy----more---- Music For Episode: Intro Music - Kaen by Queen Bee. (Dororo OST 2019),  Background Music -Dororo's song by Suzuki Yoshitake & Fujita (Dororo OST 1969) ,  Ending Music -Sayonara Gokko by Amazarashi (Dororo OST 2019)    Our Instagram  https://www.instagram.com/spiraken/Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Twitter Spiraken  Xboxlive Gamertag Xan Spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Week: Do you watch the Dororo anime?

This week we wrap up our Retrospective review of Ode to Kirihito by Osamu Tezuka! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “More One Night” by Chito & Yuuri from Girls’ Last Tour, Opening, Introductions, Christmas decorations 00:01:55 - Listener Emails: Comparing manga reading habits to anime viewing habits, the zeitgeist of new media, the convenience of streaming services and digital distribution effecting how anime/manga is consumed 00:20:26 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Seamus talks about his lack of historical knowledge for Ooku: The Inner Chambers 00:26:34 - Darfox about some free samples of Aposimz, Battle Angel Alita: Holy Night and Other Stories, Shibuya Goldfish, and Junji Ito’s Frankenstein 00:37:46 - dakazu is apprehensive about diving into Tsutomu Takahashi’s Nazi story of Neun 00:43:03 - Ningen Karimenchu Tsuzuki continues Taeko Uzuki’s struggles with Schizophrenia and her loving relationship with her elder boyfriend 00:47:34 - News: Kengo Hanazawa throws some shade on Inio Asano in the 2000th issue of Big Comic Spirits 00:52:36 - Members from the Sailor Moon musical in Japan will be performing at the 2019 National Cherry Blossom Festival in Washington DC 00:53:46 - Shueisha will be releasing a special issue called Paralympic Jump in association with the Paralympics 00:54:56 - The fans of Karakuri Circus were concerned about the anime adaptation because of the limited episodes but creator Kazuhiro Fujita says it’s about getting the best moments from the series into this adaptation 00:59:54 - Next Episode Preview and Rundown: Triple Dip where we read the first volume of three different manga, including: Scum’s Wish by Mengo Yokoyari, Starving Anonymous by Yuu Kuraishi & Kazu Inabe, and The Fable by Katsuhisa Minami 01:01:55 - Main Segment Retrospective Review: Transition Song: “? no Boomerang” by Tomoko Tokugaki from The Three-Eyed One, retrospective review of Ode to Kirihito by Tezuka Osamu, we discuss the fates of the antagonists, talk about all the references to Jesus, interpret Tezuka’s disdain for doctors, praise the reoccurring artistic themes, detest the negative use of mental illness, debate forgiveness vs vengeance, explain the postmortem problems with Urabe, and wonder why the Monmow epidemic was never resolved.(covers chapters 11-20) 01:39:20 - Next Week’s Topic: Scum’s Wish & Starving Anonymous & The Fable, House Keeping, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster

On this episode we present part 1 of our Retrospective review of Ode to Kirihito! We explore the themes of discrimination in this mature series from Osamu Tezuka! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “More One Night” by Chito & Yuuri from Girls’ Last Tour, Opening, Introductions, wrestlers exposing themselves 00:03:05 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, dakazu doesn’t like how Tokumei no Kanojotachi can’t mixes fictional drama with travel guides to Japanese red-light districts 00:09:35 - Skull-face Bookseller Honda-san is very informative about the business of working at bookstores 00:13:56 - Darfox is enjoying the comedic relationships of Mitsuro Kubo’s Again!! 00:23:03 - The names of the chapters in the newest volume of Shojo Fight surprise Seamus 00:26:39 - News: Premium Japanese television channel WOWOW is doing a manga tie-in of their Para Athletes documentary series Who I AM in Weekly Young Jump magazine 00:28:06 - Volume 1 of Mob Psycho 100 has been released by Dark Horse Comics 00:31:27 - Next Episode Preview and Rundown: Retrospective on Ode to Kirihito, we will conclude our comprehensive review of this Osamu Tezuka title(covers chapters 11-20) 00:31:48 - Main Segment Retrospective Review: Transition Song: “? no Boomerang” by Tomoko Tokugaki from The Three-Eyed One, retrospective review of Ode to Kirihito by Tezuka Osamu, we discuss the duality of outdated caricatures with decent representation, praise Tezuka’s experimentation with art and paneling, question the treatment of Reika’s sexuality, debate the treatment of all female characters, explore the religious themes, examine the character of Dr. Urabe, compare this to other Tezuka works, and make predictions for how the story will end(covers chapters 1-10) 01:09:49 - Next Week’s Topic: Ode to Kirihito, House Keeping, Social Media Rundown, Sign Off Song: “wish men” by sunbrain from Beet the Vandel Buster

This week we launch our first special guest themed Gaiden series with Amelia Cook, creator of the Anime Feminist website! Get ready for a mega-sized episode as we interview Amelia about her manga/anime origins and how she started Anime Feminist. Then she joins us for a in-depth discussion about representation in manga/anime as we analyze our own positive and negative examples of female characters in shonen battle manga! Support Anime Feminist on patreon! Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Time Stamps: 00:00:00 - Intro Song: “Re:Call” by i☆Ris from Twin Star Exorcists, Opening, Introductions, 00:03:07 - Secret Origins: Amelia tells us how she began her anime/manga fandom with Castle in the Sky, Mobile Suit Gundam Wing & Urotsukidoji: Legend of the Overfiend 00:07:13 - The dark days of buying 4 episode DVDs for 20 pounds makes Amelia appreciate the accessibility of modern streaming services 00:10:33 - The lack of a space to discuss issues in anime/manga helped create Anime Feminist but also had positive and negative consequences 00:19:55 - we talk about our experience with harassment and the lessons we learned 00:29:56 - Listener Questions: Answering what future goals Anime Feminist are planning 00:34:42 - Amelia explains why proper payment & representation with writers is key 00:43:30 - Darfox asks Amelia to elaborate the process of pitching to Anime Feminist, working with an editor to shape new articles 00:54:33 - Seamus and Amelia praise the stage adaptation of Naoki Urasawa’s Pluto 00:58:37 - Next Episode Preview and Rundown: Retrospective on Ode to Kirihito, we will do a comprehensive review of this Tezuka Osamu title(covers chapters 1-11) 00:59:03 - Main Segment Machinations Gaiden: Transition Song: “Haruka Kanata” by Asian Kung-fu Generation from Naruto, we have an open discussion about representation within manga/anime 01:02:52 - Discussing the shonen battle manga heroine archetype, dakazu and Amelia share their issues on Sakura’s character arc in Naruto 01:11:09 - We lament the typical fate of female characters being reduced to moms/wives in shonen epilogues, the body proportions of characters like Orihime from Bleach are a deal breaker for Amelia 01:17:23 - Amelia explains with Black Clover and Blue Exorcist how personal experiences effect which representations are overlooked while others are jarring, dakazu doesn’t like the non-consensual male pursuit of females represented in all entertainment 01:21:40 - We discuss the various groping perverts that are seen as comedic characters in shonen manga, we examine shonen manga as a commercial product and how that effects English adaptations 01:26:11 - We explain how despite having passionate fandoms for manga such as the female MMA manga Teppu, they still might struggle in finding a market in the West, we attribute the increase of BL/Yuri releases to the fujoshi buying them out 01:31:22 - We explore female characters in sports manga, Farewell, My Dear Cramer reflects the real life popularity of female soccer for Amelia 01:37:34 - The ensemble cast of My Hero Academia help bring a little diversity to it’s female representation, Amelia makes a case for diversity of physical body types in Keijo!!!!!!!! 01:41:03 - Personally, Amelia can appreciate the representation in Please tell me! Galko-chan while disliking it due to the character designs, But Re:Zero on the other hand has such great representation it let’s her look past the cutesy moe designs 01:46:32 - Darfox and dakazu praise how the sexually active for Haru from BEASTARS isn’t portrayed as shameful female character trait, Amelia likes Scum’s Wish for giving it’s characters complex relationships with sex 01:56:04 - Darfox likes the tough but maternal growth in Reiko Tamura from Parasyte, we wonder if pairing atypical manga/anime female characteristics to non-human characters makes them more acceptable 01:58:03 - Amelia catches an ingrained generic convention in dakazu’s perception of Emma from The Promised Neverland as gender-less, we discuss how crying for Midoriya from My Hero Academia is looked down upon, the portrayal of dirty ugly men in Kaiji are praiseworthy in darfox’s eyes 02:07:50 - Seamus and dakazu praise Shojo Fight for having excellent representation of character interactions that avoid false-conflict, we praise My Love Story!! for exploring relationships after they’ve formed, Seamus appreciates manga that explores relationships between adults without the possibility of breakups in both Friday Night Lights and What did you eat Yesterday? 02:11:54 - Amelia’s favorite relationships are couples in Nodame Cantabile and Twin Star Exorcists who support and push each other to greater success, dakazu recommends Kekkaishi for Amelia 02:18:09 - Amelia stresses the importance of getting LGBTQ+ perspectives from others who can draw from their own experiences, A Place Further Than The Universe is a realistic representation of young women’s friendships 02:23:11 - Amelia had quite relatable experience with Tokyo Tarareba Girls, The end of Absolute Boyfriend resonated a lot with working women 02:30:53 - dakazu suspects the lack of fan service in Attack on Titan might have more to due with Hajime Isayama’s lack of artistic talent, the androgynous nature of Hanji ended working in favor for non-binary representation 02:35:19 - dakazu recalls how the reader attachment to transgender representation in Family Compo moves past the manga artist’s original intent, darfox appreciates Misturo Kubo’s own female perspective towards the women in Moteki 02:38:57 - House Keeping, Next Week’s Topic: Ode to Kirihito, Social Media Rundown, Sign Off Song: “Miraikei Answer” by Trustrick from My Love Story!!

This episode we look at the recent live-action adaptation of Bleach and ask ourselves the question “was this ever good to begin with?” Remember to send us emails! mangamachinations@gmail.com Follow us on Twitter! @mangamacpodcast Check out our tumblr! http://mangamachinations.tumblr.com Join our Discord server and come talk to us! http://discord.me/mangamac Timestamps: 00:00:00 - Intro Song: “Milk” by [Alexandros] from Bleach, Opening, Introductions, Birthdays 00:02:52 - Whatchu Been Reading: Transition Song: Dragon Ball Z OST “Prologue”, Reading more Seven Shakespeares makes Seamus realize he doesn’t know that much about William Shakespeare 00:09:41 - *SPOILERS* dakazu thought the ‘ending’ of Gintama was hilarious, background song: “Tenipuri te iina” by Takeshi Konomi from The Prince of Tennis 00:15:58 - Desuraba makes dakazu question the type of manga that is published on official web-manga sites 00:19:27 - dakazu is loving Yoshihiro Tatsumi’s A Drifting Life 00:23:09 - News: Inio Asano married The Teacher’s White Lie creator Akane Torikai 00:25:25 - @IyasuN translated Rene Hoshino’s An African Boy Grew up in Japan 00:28:04 - BEASTARS will be getting a French release in 2019, we discuss how English publishers of manga specifically pick titles they know will be successful in the West 00:35:03 - Junji Ito is joining a campaign against manga piracy 00:36:50 - The release of Alita: Battle Angel has been pushed back to February 14 2019 00:40:26 - The other Kaiji spin-off Ichinichi Gaishutsuroku Hanchou will be getting an anime this fall 00:44:00 - Next Episode Preview and Rundown: Retrospective on Ode to Kirihito, we will reviw this Tezuka Osamu title(covers chapters 1-11) 00:27:43 - Main Segment Manga in Motion: Transition Song: “Number One” by Hazel Fernandes from Bleach, we complain about Bleach in general, argue over the look of Ichigo, regret everything about movie version Rukia, praise the CG and action, be disappointed that they failed to make a good movie or a faithful adaptation, and question our decisions to keep doing this 01:15:57 - Next Week’s Topic: Ode to Kirihito, Social Media Rundown, Sign Off Song: “Tane wo Maku Hibi” by Kousuke Atari from Bleach

On this episode Seamus finally finishes Revolutionary Girl Utena and Mob Psycho 100, darfox starts Showa: A History of Japan, and dakazu watches Yuri!!! on Ice with his wife while checking out CANDY SAMURAI WARS! and Becchin to Mandara! Then we finally get back to our retrospective review of Osamu Tezuka’s Phoenix by discussing his most critically acclaimed volume!!!(covers volume 4-Karma)

This week dakazu loves tales of bizarre foods in "Kiritani-san cho, sore Kuunsuka!?", darfox gets to read the Dune-like "Imuri", Seamus is working to catch up on "3-gatsu no Lion", we discuss Takashi Miike manga to movie adaptation like "Blade of the Immortal", and rant about "Terra Formars". Then, things get serious during our retrospective of "Phoenix" as we share some personal feelings about the subject matter of death.(covers volume 2-Future)

The worlds of cinema and illustrated fiction are replete with exciting data for the historian of religion. Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan (University Of Hawai’i Press, 2012), by author Jolyon Thomas, sets up a robust theoretical model for examining how the concept of religion is deployed in these mediums. Thomas outlines how the category religion can be understood within the Japanese context and various reasons why religious markers and themes are reproduced in manga and anime culture. His detailed illustration of the typologies of the manga/anime/religion nexus is achieved through both narrative analysis of illustrated fiction and film, as well as ethnographies of digital and material environments. In our conversation we discussed the production and marketing elements of manga, its uses for proselytization, some ritualized responses of audiences, famous authors and their works, such as Tezuka Osamu’s Buddha, religious movements derived from manga and anime culture, the religiously nationalistic elements of Kobayashi Yoshinori’s On Yasukuni and On the Emperor, the filmic career of Miyazaki Hayao, and the role of manga in Aum Shinrikyo’s rise and fall. Learn more about your ad choices. Visit megaphone.fm/adchoices

The worlds of cinema and illustrated fiction are replete with exciting data for the historian of religion. Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan (University Of Hawai’i Press, 2012), by author Jolyon Thomas, sets up a robust theoretical model for examining how the concept of religion is deployed in these mediums. Thomas outlines how the category religion can be understood within the Japanese context and various reasons why religious markers and themes are reproduced in manga and anime culture. His detailed illustration of the typologies of the manga/anime/religion nexus is achieved through both narrative analysis of illustrated fiction and film, as well as ethnographies of digital and material environments. In our conversation we discussed the production and marketing elements of manga, its uses for proselytization, some ritualized responses of audiences, famous authors and their works, such as Tezuka Osamu’s Buddha, religious movements derived from manga and anime culture, the religiously nationalistic elements of Kobayashi Yoshinori’s On Yasukuni and On the Emperor, the filmic career of Miyazaki Hayao, and the role of manga in Aum Shinrikyo’s rise and fall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today i talk about the anime and manga called Monster. This horrow/mystery is one of the best i seen. It takes you for a ride that you think is going to end but has just started. Monster is rated mature and my contain sex, drugs, and extreme graphic violence. The anime had 74 episodes. The manga had 18 volums. To find more about then see http://tinyurl.com/6ba6f or http://tinyurl.com/72cge . Next i have for you Black Jack the manga. Made my Tezuka Osamu the legendary father of manga. it had two volumes out. Black jack is also a anime, so got check it out. Enjoy see you next week.