Podcasts about honolulu museum

Stephan Jost is an art museum director who is currently the Michael and Sonja Koerner Director, and CEO of the Art Gallery of Ontario (AGO) in Toronto. Previously, he served as Director of the Honolulu Museum of Art in Hawaii, the Shelburne Museum in Shelburne, Vermont, and the Mills College Art Museum in Oakland, California. He also held curatorial positions at the Allen Memorial Art Museum at Oberlin College.  Jost serves as Past President and Nominating Chair on the Board of the Association of Art Museum Directors (AAMD) and is also on the Board of the Gershon Iskowitz Foundation. He previously served as Vice Chair on the Board of Hampshire College, where he was Board member from 2018-2022, as well as 2008-2016. He holds a BA from Hampshire College and an MA from the University of Texas at Austin in Art History. He is originally from East Lansing, Michigan and is a citizen of Canada, the USA, and Switzerland.He and Zuckerman discuss original intention, cultural urgency, having a young and diverse museum audience, when people fall in love with culture, why people care about art, being in the presence of great works of art, the optimism of the extraordinary, the innovation of decorative arts, the maintenance of power, keeping our humanity, how museums can build social cohesion, and the power of inconsistency!

On today's episode of HI Now Daily, we're live at the Honolulu Museum of Art to give you a look at their newest exhibits and help you plan your visit.  Plus, Rachel heads live to Diamond Bakery to learn more about their most iconic products.See omnystudio.com/listener for privacy information.

In this episode of The Unfinished Print, I speak with Henry Smith, Professor Emeritus in the Dept. of East Asian Languages & Cultures at Columbia University.  Together we delve into the scientific aspects of Meiji woodblock prints, exploring the trajectory of Nishiki-e during the late Edo and Meiji eras. Additionally, we examine the significance of cochineal and naphthol dyes, and scrutinize particle sizes. Henry's scholarly contributions include groundbreaking articles on subjects such as Hokusai and the Blue Revolution, with the introduction of Prussian Blue to the Japanese woodblock aesthetic during the mid to late Edo Period.  Join me in discovering how Henry's passion drew him into the enchanting world of Meiji woodblock prints, as we navigate the influence of Western collectors in Meiji Japan, exemplified by figures like English s urgeon William Anderson. Henry helps me in understanding the rich palette and the science behind Meiji prints, shaped by the infusion of imported dyes and pigments. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Publishers are given if known. The funeral procession of Meiji Emperor at Nijubashi designed by Yasuda Hanpo (1889-1947) Columbia Academic Commons  Professor Henry Smith's article on the Japanese Student movement, here. Peter Gluck - is an American architect who has won multiple awards and has designed buildings all over the world. He is the principal of GLUCK+, an architecture firm based in New York City.  Professor Carol Gluck - is a Special Research Scholar and George Sansom Professor Emerita of History, Department of History at Columbia University. She has written multiple books and articles on Japanese history.  Jane Jacobs (1916-2006) - an American-Canadian journalist, activist who had written extensively on the life and death of North American cities such as New York City, and Toronto. Her book The Death And Life Of Great American Cities, is considered a classic in urban planning for the modern city and its subsequent decline.  Robert Venturi (1925-2018) -  was an American architect and theorist known for his contributions to postmodern architecture. He, along with his partner and wife Denise Scott Brown, played a key role in shaping architectural discourse in the late 20th century. Venturi challenged the modernist principles that dominated architecture at the time, advocating for a more inclusive and eclectic approach. His book, Complexity and Contradiction in Architecture (1966) was where he critiqued the rigidity of modernist architecture and championed a more diverse and contextual approach to architecture.  Metabolism (Japan) - The Metabolism movement was characterized by a group of young Japanese architects and designers who sought to address the challenges of rapid urbanization and rebuilding after World War II. Key principles and concepts of Metabolism in Japanese architecture are megastructures, prefabrication and modularity, biology and organic growth, and technological innovation. One special notable example of Metabolist architecture was the now demolished Kisho Kurokawa's Nakagin Capsule Tower in Tōkyō. Shinjuku: The Phenomenal City - was the exhibition Henry Smith discussed in this episode. It was exhibited December 16, 1975 to March 7, 1976 at the Museum of Modern Art, New York City. More info, here. a+u magazine - also known as architecture and urbanism magazine, is a Japanese/English architecture magazine first published in 1971. More info, here.  Kōji Taki (1928-2011) - was a Japanese author, architectural critic, editor, and key figure in the Metabolist movement. He played a significant role in shaping the discourse of contemporary architecture in Japan and was instrumental in promoting the ideas of the Metabolists. Kappabashi - located in Tōkyō's Asakusa district, is a renowned destination for kitchenware and restaurant supplies. The street is lined with stores offering a diverse range of products, including traditional Japanese knives, sushi-making equipment, and unique culinary gadgets. Kappabashi is especially popular for its sampuru shops, where visitors can buy realistic food replicas commonly displayed outside restaurants. The area features a mix of large retailers and specialty stores, creating a charming atmosphere with its traditional Japanese architecture. It's easily accessible from Tawaramachi Station on the Tokyo Metro Ginza Line. fūkei hanga - are landscape images. These paintings and prints represent the natural world such as mountains, rivers, waterfalls. You can find these types of prints from the golden age of nishiki-e to shin-hanga, to today.  Sunset at Tomonotsu (1940, 9"x14") by Tsuchiya Koitsu (1879-1942) and published by Watanabe.  Mitaka - is a city located in the western part of Tōkyō, Japan. A very pretty and quiet part of the city it is famous for the Ghibli Museum, and Inokashira Park. 100 Views of Edo (名所江戸百景) - is a series of nishiki-e prints designed by Utagawa Hiroshige (1797-1858). It was published between 1856 and 1859 and consists of 118 or 119 prints, each depicting various scenes of Edo (Tōkyō). The prints show the beauty, diversity, and everyday life of Edo, capturing different seasons, landscapes, landmarks, and activities. Hiroshige's use of color, composition, and atmospheric effects contributes to the series' enduring popularity. The scenes range from bustling urban areas and landscapes to rural views, often incorporating elements of nature and traditional Japanese culture. Suruga-chō (1885) Thirty Six Views of Mount Fuji - one of Hokusai's most iconic series, known for its various depictions of Mount Fuji in different seasons, weather conditions, and different vantage points. The series includes "The Great Wave off Kanagawa." Published between 1830-1832 the series portrays Mount Fuji in different perspectives, everyday life, as well as the special importance of Mount Fuji in Edo culture. The series had a large impact on Western artists and thinkers, including the Impressionists and Post-Impressionists. Umezawa Hamlet-fields in Sagami Province (1830-31) Santa Barbara Museum of Art - is an art museum located in Santa Barbara, California, USA. Its collection contains art works from all over the world, focusing on paintings, sculpture, and paper works. More info, here.  Kobayashi Kiyochika (1847-1915) - was a painter and woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). Kiyochika captured the transitional period in Japanese history as the country underwent rapid modernization and Westernization during the late 19th and early 20th centuries. Onoguchi Tokuji Destroying The Gate at Jinzhoucheng (1895 14 3/4" x 28 9/16") published by Daikokuya. Utagawa School - was a school of print designers starting with Utagawa Toyoharu (1735-1814). He employed one point perspective (vanishing point) in his print designs, being influenced by Western perspective. The influence of the Utagawa school goes far in Japanese print history and one of its most successful. This schools print designs of kabuki portraits, beautiful women (bijin-ga), and landscapes are excellent. Some famous names attributed to the Utagawa school are Utamaro (1753-1806), Utagawa Kunisada (1786-1865), and Ando Hiroshige (1797-1858). A fine description of this school can be found, here at Artelino.  Newly Published Picture of the Battle of Jiuzan-shan in China (9 3/16" x 13 1/8") attributed to Utagawa Toyoharu Okumura Masanobu (1686-1784) - was a Japanese nishiki-e artist and print designer who lived during the Edo period. He is credited with pioneering the use of full-color printing and is considered one of the early masters of the art form. Okumura Masanobu was known for his contributions to bijin-ga and yakusha-e (actor prints). He played a role in the development of nishiki-e as a popular art form. More information can be found at Viewing Japanese Prints, here.  Large Perspective Picture of Evening Cool by Ryōgoku Bridge (ca. 1748) hand coloured Sumida River - is a major river that flows through Tōkyō, Japan. It plays a significant role in the history, culture, and landscape of the city. The Sumida River flows for approximately 27 kilometers (about 17 miles) through Tokyo, originating from Kita City and flowing into Tōkyō Bay. It passes through several wards, including Kita, Adachi, Sumida, Taito, Koto, and Chuo. The river has been portrayed in nishiki-e prints for generations, along with its bridges.  Kobayashi Kiyochika the Sumida River at Night (9.76"x14" - est. 1881) Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs. Yamayoshi Genba no jō Chikafusa (14 5/16" x 9 15/16" - 1848/49) published by Sumiyoshiya Ike no Taiga (1723-1776) - was a Japanese painter of the mid-Edo period, known for his skill in the Nanga style, which was influenced by Chinese literati painting. He is best remembered for his role in promoting a cross-cultural exchange of ideas between Japan and China in the realm of art and aesthetics during the Edo Period. Landscape with Pavilion (1750) Akita ranga painting - a style of Japanese painting that emerged in the late Edo period, particularly during the 19th century, in the region of Akita in northern Japan. The term "ranga" literally translates to "Dutch painting" and reflects the influence of European painting styles, particularly Dutch and Western techniques, which were introduced to Japan through trade with the Dutch during the Edo Period. More info, here.  Satake Shozan (1748-1785) - Pine Tree and Parakeet (68.11" x 22.83") est 1700's, painting. Shinobazu Pond - is a large pond located within Ueno Park in Tōkyō, Japan. Ueno Park is a spacious public park that is home to several museums, a zoo, temples, and beautiful green spaces. Shinobazu Pond is one of the central features of Ueno Park, and it is renowned for its scenic beauty and historical significance. hanmoto system - is the Edo Period (1603-1868) collaboration system of making woodblock prints in Japan. The system was about using, carvers, printers, and craftsmen by various print publishers in order to produce woodblock prints. The system consisted of the following professions; publisher, artist, carver, and printer. William Anderson (1842–1900) was an English surgeon and collector with a significant impact on the appreciation and understanding of Japanese art in the late 19th century. Anderson became a passionate collector of Japanese art, amassing a vast and diverse collection that included nishiki-e, ceramics, textiles, and other traditional artworks. His collection grew to be one of the most significant and comprehensive of its time. His bequest laid the foundation for the development of Japanese art studies in the West, influencing subsequent generations of scholars, collectors, and enthusiasts. ezōshiya - is a type of Japanese bookstore that specializes in selling "ehon" or picture books. Ehon are valued not only for their storytelling but also for the quality of illustrations. These books played a role in promoting visual literacy and appreciation of art in Japan. Nishiki-e had been sold at these book stores during the Edo Period.  Utagawa Kunisada (1786-1865) is widely regarded as one of the most significant woodblock print designers in Japanese history. His diverse portfolio includes prints ranging from landscapes and books to erotica and sumo. Kunisada worked during the vibrant era of nishiki-e alongside notable artists such as Andō Hiroshige (1797-1858), Katsushika Hokusai (1760-1849), and the aforementioned Kuniyoshi. This period represents a rich and abundant chapter in Japanese woodblock print history. Ichikawa Danjurō VIII as Hanzaemon published by Tamaya Sōsuke (1852) 13 9/16" x 9 3/16" cochineal - known as yōko in Japanese, is a red dye taken from the dried bodies of female cochineal insects. These insects are native to Central and South America, where they feed on the sap of prickly pear cacti. Cochineal has been used for centuries as a natural dye, valued for its vibrant red color. An article about synthetic pigments and cochineal in Japanese woodblock prints and co-written by Henry Smith can be found, here.  William Sturgis Bigelow (1850-1926) - was an avid collector of Japanese art. His extensive travels to Japan from 1882 to 1889, coupled with a close friendship with Ernest Fenollosa, enabled him to amass a remarkable collection. Bigelow's acquisitions played a pivotal role in promoting Japanese art in the Western world. World Of The Meiji Print - is a book published by Weatherhill in 1991 and written by Julia Meech-Pekarik. It describes how nishiki-e developed and evolved during the Meiji period.  Roger Keyes (1942-2020) - was a distinguished scholar of Japanese woodblock prints. His expertise was showcased in his 1982 dissertation, a comprehensive study of Tsukioka Yoshitoshi (1839-1892). Additionally, Keyes authored the book 'Ehon: The Artists and the Book in Japan' in 2006, further solidifying his significant contributions to the understanding of Japanese printmaking. Amy Reigle Newland - is a Japanese print scholar who has written various articles and books upon the subject. One of my favourite books by Newland is her book about Toyohara Kunichika, Time Present and Past: Images of A Forgotten Master (1999).  Bruce Coats - is Professor of Art History and the Humanities at Scripps College, Claremont, California. He has contributed to several books on Japanese woodblock prints, one of my favourites is Chikanobu: Modernity and Nostalgia in Japanese Prints (2006).  James A Michener (1907-1997) - was a Pulitzer Prize-winning writer, scholar, and esteemed academic known for his extensive contributions to various literary genres. Beyond his celebrated literary achievements, Michener also delved into the world of Japanese prints, demonstrating a multifaceted curiosity and intellectual versatility. His exploration of Japanese prints added another layer to his diverse body of work, reflecting a deep appreciation for Japanese art and culture. Honolulu Academy of Arts - founded in 1922 by Anna Rice Cooke, evolved into the Honolulu Museum of Art (HoMA) in 2012. Rice-Cooke's vision for a multicultural art space led to its creation, with an endowment and land donated by the Cooke family. The museum's architectural style blends Hawaiian, Chinese, and Spanish influences. Over the years, HoMA expanded, adding educational wings, a cafe, and more, while its permanent collection grew to over 50,000 pieces. In 2011, The Contemporary Museum merged with HoMA, unifying as the Honolulu Museum of Art. More info, here.  shinbun nishiki-e - the Meiji Restoration of 1868 marked a pivotal moment in Japan's history, prompting significant societal upheavals. Tōkyō, formerly Edo, became the new centre of Imperial Japan, and by 1871, the traditional feudal class system had been abolished, accompanied by compulsory education laws. This era of profound change spurred creative responses to economic challenges. Starting in the summer of 1874, innovative individuals introduced shimbun nishikie, vibrant single-sheet woodblock prints that served as colorful souvenirs. These prints, produced until 1876, were not just visually striking but also narratively engaging, recounting news articles in a format ideal for oral storytelling. Renowned artists like Ochiai Yoshiiku and Tsukioka Yoshitoshi, both students of the celebrated Utagawa Kuniyoshi, played a key role in illustrating these captivating snapshots of an evolving Japan. An excellent article on shinbun nishiki-e can be found here, from All About Japan.  Fighting Off A Wolf by Sadanobu II (1848-1940) from the Nichinichi Shinbun (9 1/2" x 6 3/4")  Satsuma Rebellion -  occurring in 1877, was a last stand against the modernization policies of the Meiji government by disaffected samurai from the Satsuma domain. Led by Saigō Takamori (1828-1877), a key figure in the Meiji Restoration. The rebellion sought to restore imperial power and resist the centralization efforts of the government. The conflict ended in a decisive government victory at the Battle of Shiroyama, where Saigō met his end, marking one of the final samurai-led uprisings in Japan's history. Suzuki Harunobu (1725-1770) -pioneered the art of nishiki-e, becoming the first to craft multi-color woodblock prints. Renowned for his exquisite designs, Harunobu's subjects often revolved around the portrayal of beautiful women, shunga (erotic art), and classical poetry. His innovative techniques and thematic choices significantly influenced the genre during the Edo period in Japan. Lovers Walking In The Snow (1764-1772) (11 1/4"x8 1/8") Emperor Meiji born Mutsuhito (1852 – 1912), was the 122nd Emperor of Japan, reigning from 1867 until his death in 1912. His reign, known as the Meiji Era, marked a transformative period in Japanese history. The Meiji Restoration of 1868 saw the end of the Tokugawa shogunate and the restoration of imperial rule, with Emperor Meiji playing a central role in Japan's modernization and westernization efforts. During his era, Japan underwent significant political, social, and economic reforms, propelling the country into the ranks of major world powers. Emperor Meiji's reign is often associated with Japan's rapid modernization and emergence onto the global stage. sōsaku-hanga -  also known as creative prints, is a printmaking style primarily, though not exclusively, characterized by prints created by a single artist. Originating in early twentieth-century Japan, alongside the shin-hanga movement, this style emphasizes the artist's direct involvement in the entire printmaking process — from design and carving to printing. While the designs, especially in the early stages, may appear rudimentary, the concept of artists producing their own prints marked a significant departure from the traditional model where a select group of carvers, printers, and publishers collaborated in the creation of woodblock prints. shin hanga - is a style of Japanese woodblock printmaking that emerged in the early 20th century, marking the end of the nishiki-e period. Originating around 1915 under the direction of Watanabe Shōzaburō (1885-1962), the art form responded to the foreign demand for "traditional" Japanese imagery. Shin hanga artists focused on motifs like castles, bridges, famous landscapes, and bamboo forests. The style was initiated when Watanabe discovered Austrian artist Fritz Capelari (1884-1950) and commissioned him to design prints for Watanabe's budding printing house. This collaboration led to the evolution of shin hanga into a distinctive new style of Japanese woodblock printing. The shin hanga movement thrived until its inevitable decline after the Second World War (1939-1945). fan print (uchiwa-e) - are crafted in the form of flat, oval fans using materials such as rice paper or silk. These prints are designed to be functional fans, allowing for practical use while showcasing artistic designs. Amy Poster - is the curator emerita of Asian Art at the Brooklyn Museum. aizuri-e - are woodblock prints made entirely with shades of blue. This style gained popularity during the Edo Period.  Keisai Eisen (1790-1848) - was a nishiki-e print designer and author during the Edo Period. His print designs are famous for beautiful women and large head prints (ōkubi-e).   surimono (date unknown - Edo Period) Hiraga Gennai (1729-1779/80) - was a versatile Japanese polymath and rōnin during the Edo period. His diverse talents spanned pharmacology, rangaku (Dutch learning), medicine, literature, painting, and invention. Notable creations include the erekiteru (electrostatic generator), kankanpu (asbestos cloth). Gennai authored satirical works such as Fūryū Shidōken den (1763) and Nenashigusa (1763), along with essays like On Farting and A Lousy Journey of Love. He also wrote guidebooks on male prostitutes, including the Kiku no en (1764) and San no asa (1768). Employing various pen names like Kyūkei and Fūrai Sanjin, he is most recognized by the name Hiraga Gennai. Yokohama-e -refers to a genre of Japanese woodblock prints depicting scenes from Yokohama, a pivotal port city during the late Edo and Meiji periods. These prints showcase the influx of international influences, featuring foreign ships, traders, and cultural exchanges. Yokohama-e captures the dynamic transformation of Japan as it opened to the world, portraying a vivid visual narrative of the city's bustling trade and encounters between Japanese and Western cultures. View of Foreigners' Houses on the Beach Street Seen From Yokohama Port (ca. 1873) by Hiroshige III (1842-1894) Sadahide Utagawa (1807-1878/79) - was a designer of nishiki-e during the late Edo and early Meiji Periods. He trained under Utagawa Kunisada and depicted medieval Japanese scenes, collaborating on the 53 Stations of the Tōkaidō, and prints related to Yokohama-e.   Battle of Ōei (ca.1848) Sir William Henry Perkin (1838–1907) was a British chemist who is renowned for his accidental discovery of the first synthetic dye, known as mauveine or mauve. This significant breakthrough occurred in 1856 when Perkin was attempting to synthesize quinine, a treatment for malaria, from coal tar derivatives. Instead, he obtained a purple-colored substance while working with aniline, leading to the creation of the vibrant purple dye. napthols - are special dyes used in making colourful fabrics on handlooms. They get their name from a specific part in their makeup called an azo group. These dyes are known for making colors really bright and long-lasting on fabrics. They help create fabrics in lots of different colors, like orange, brown, yellow, scarlet, golden yellow, black, red, violet, and more.  orpiment -  sekiō in Japanese, is a bright yellow to orange-yellow mineral composed of arsenic trisulfide (As2S3). It has been historically used as a pigment in painting and for other decorative purposes due to its vibrant color. Often found in association with realgar, another arsenic sulfide mineral, orpiment has also been employed in traditional medicine and alchemy. However, its toxic nature limits such applications, and it's crucial to note that handling orpiment, especially in powdered form, poses health risks due to the presence of arsenic. Marco Leona PhD - is the David H. Koch Scientist at Large at the Metropolitan Museum of Art. He has written several articles on Spectroscopy and art.  Estée Lauder (1906-2004) - was a pioneering American businesswoman and the co-founder of the renowned cosmetics company Estée Lauder Companies. Alongside her husband Joseph Lauder, she established the company in 1946, starting with a few skincare products she developed herself. Estée Lauder's hands-on approach to marketing and emphasis on quality turned her brand into a symbol of luxury. Initially selling to friends, she built a global beauty empire with a diverse product line including skincare, makeup, and fragrances. Today, the Estée Lauder Companies remain influential in the beauty industry, with a portfolio of well-known brands. Estée Lauder's legacy is marked by her significant contributions to the cosmetics world and her establishment of an enduring and iconic beauty brand. The Adachi Institute of Woodblock Prints - is a print studio located in Tōkyō. Established in 1994 in order to promote and preserve the colour woodblock print of Japan. More information, in English and in Japanese.  The 47 Rōnin of Akō - were a group of samurai who sought revenge for the unjust death of their master, Lord Asano Naganori, in 1701. After Asano was forced to commit seppuku (a form of ritual suicide), his loyal retainers, the 47 Ronin, meticulously planned and executed the revenge, successfully avenging their lord's honor. The story is a celebrated example of bushido (samurai code) and loyalty in Japanese history and folklore. smalt - is a deep blue pigment that has been historically used in art and ceramics. It is composed of finely powdered glass, often colored with cobalt oxide to achieve its distinctive blue hue. Smalt was popular during the Renaissance and Baroque periods as a substitute for expensive blue pigments like lapis lazuli. Artists would mix smalt with binders to create blue paint for their artworks. Smalt has some drawbacks, including a tendency to fade over time and a vulnerability to darkening when exposed to certain environmental conditions. Keiji Shinohara - is a Japanese mokuhanga printmaker who apprenticed under Uesugi Keiichiro in Ōsaka. He is the artist-in-residence at Wesleyan University in Connecticut. More info about Keiji can be found here, and here. Yamado-ike from the series Eight Views of Hirakata (2006) 11"x15": gum arabic - is a sap from two types of Acacia tree. In art it is used as a binder for pigments which creates viscosity (depending on how much or little is applied to your pigments) for your watercolours and oils. Rachel Levitas has a fine description on how she uses gum arabic in her work, here.  Bakumatsu Period -  refers to the final years of the Edo period, specifically from the mid-19th century to the early 1860s. The term "Bakumatsu" can be translated as "end of the shogunate." This era was characterized by significant political, social, and economic changes that eventually led to the overthrow of the Tokugawa shogunate and the restoration of imperial rule in the Meiji period. Bunsei Period - was a period in Japanese history which lasted from April 1818 - December 1830 CE © Popular Wheat Productions opening and closing musical credit - The Shadow of Your Smile by Dominic Farinacci, G@ Records (2023)  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                          

As a collector of mokuhanga, I am constantly exploring the reasons behind my love of collecting mokuhanga and why I make it and educate myself about it; it seems to be layered, even for my modest collection. So it is always fascinating to speak to someone who has been collecting for many years, with a deep understanding of why they collect and how they do.    I speak with mokuhanga collector Darrel C. Karl about his collection of prints, paintings and scrolls. It's one to admire. Collecting for years now, Darrel was kind enough to speak to me about his collection, how he began it, his love of preparatory drawings, collecting ukiyo-e, shin hanga, and we discussed in length his blogs, Eastern Impressions and Modern Japanese Theatre Art Prints.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Darrel C. Karl - Eastern Impressions & Modern Japanese Theatre Art Prints. Hashiguchi Goyō (1880-1921) - a woodblock print designer who also worked, albeit shortly, with Watanabe Shōzaburō. In his short life Goyō designed some of the most iconic woodblock prints ever made. “Kamisuki” 1920, and “Woman Applying Powder” 1918.  Woman Applying Make-up (Hand Mirror) 1970's/80's reprint Ishikawa Toraji (1875-1964) -trained initially as a painter, having travelled to Europe and The States early in his professional life. Painted primarily landscapes while exhibiting at the fine art exhibitions in Japan Bunten and Teiten. Famous for designing Ten Types of Female Nudes from 1934-35. He finished his career as a painter and educator.  Morning from Ten Types of Female Nudes (1934) Charles W. Bartlett (1860-1940) - was a British painter, watercolorist and printmaker. Travelling the world in 1913, Bartlett ended up in Japan two years later. Having entered Japan, Bartlett already had a reputation as an artist. Bartlett's wife, Kate, had struck up a friendship with printmaker and watercolorist Elizabeth Keith. Watanabe Shōzaburō was acutely aware of foreign artists coming to Japan, having worked with Fritz Capelari and Helen Hyde. Watanabe published 38 designs with Charles Bartlett. Bartlett's themes were predominantly of his travels.  Udaipur (1916) 8" x 11"  Paul Binnie - is a Scottish painter and mokuhanga printmaker based in San Diego, USA. Having lived and worked in Japan in the 1990s, studying with printmaker Seki Kenji whilst there, Paul has successfully continued to make mokuhanga and his paintings to this day. You can find Paul's work at Scholten Gallery in Manhattan, and Saru Gallery in The Netherlands.  Butterly Bow (2005) 15" x 11" Yamakawa Shuhō (1898-1944) - was a Nihon-ga painter and printmaker. His prints were published by Watanabe Shōzaburō and he created the Blue Collar Society in 1939 with Itō Shinsui. Made famous for his bijin-ga prints.  Dusk (1928) 14.3" x 9.5" Red Collar (1928) Otojirō Kawakami (1864-1911) - was a Japanese actor and comedian. His wife was geisha, and actress Sadayako (Sada Yakko).  Impressions - is a biannual magazine published by The Japanese Art Society of America.  Andon - is a biannual magazine published by The Society of Japanese Art.  Gallaudet University - is a private federally charted university located in Washington D.C., USA for the deaf and hard of hearing. More info can be found here.  National Museum of Asian Art - is a museum within the Smithsonian group museums and was the first fine art museum by The Smithsonian in 1923. More info can be found, here.  Vincent Hack (1913-2001) - was an American printmaker and Colonel in the United States Army. He produced mokuhanga from ca. 1950-1960. He studied in the Yoshida atelier while living in Tokyo. More information about VIncent Hack can be found in Eastern Impressions, here.  Chinese beauty and Dragon (not dated) Elizabeth Keith (1887-1956) - was a Scottish born printmaker, watercolorist, and painter. She travelled extensively before living in Japan  from 1915-1924. In 1917 she was introduced to print published Watanabe Shōzaburō and by 1919 after some work with Watanabe's skilled artisans Keith started to see some of her designs printed. Over 100 prints were published of Keith's designs. More information can be found, here.  Little Pavillion, Coal Oil, Peking (1935) Lillian May Miller (1895-1943) - was a Japan born American printmaker. Studying under painter Kanō Tomonobu (1853-1912). Miller began carving and printing her own prints by 1925 having studied under Nishimura Kumakichi.  Rain Blossoms (1928) 10" x 15" Nöel Nouët  (1885-1969) - was a French painter, illustrator and designer who designed prints for Doi Hangaten between 1935 and 1938 when Nouët was teaching in Shizuoka City, Shizuoka, Japan.  Haruna Lake (1938) Helen Hyde (1868-1919) - was an American etcher, and printmaker who studied in Japan with artists such as Emil Orlik (1870-1932). Hyde was influenced by French Japonisme and lived in Japan from 1903-1913.  A Japanese Madonna (1900) 14.5" x 3" Kataoka Gadō V (1910-1993) - was a Kabuki actor who specialized in female roles or onnagata in Japanese. He became Kitaoka Nizaemon XIV posthumously.  Natori Shunsen (1886-1960) - was a Nihon-ga painter and woodblock print designer who worked with Watanabe Shōzaburō. Shunsen's prints focused on kabuki actors, mainly ōkubi-e , large head prints.  Ichikawa Ennosuke as Kakudayu (1928) 15" x 10" Kabuki-za - is the main theatre in Tōkyō which shows kabuki performances. It was opened in 1889 and has been rebuilt several times in its history.  Kabuki Costume - is a book written by Ruth M. Shaver with illustrations by Sōma Akira and Ōta Gakkō (1892-1975). It is an in-depth book about the costuming in kabuki theatre. It was published by Charles E. Tuttle in 1966. Ōta Gakkō - was an artist and designer who also designed woodblock prints in the 1950's.  Ichikawa Jukai III (1886-1971) as Shirai Gonpachi  from Figures of the Modern Stage: no. 3 (1954) Tsuruya Kōkei - is a mokuhanga artist who lives and works in Tokyo, Japan. His prints have focused on kabuki actors; in the 1980s, he was commissioned to produce kabuki portraits by the Kabuki-za theatre in Tokyo. Recently, he has focused on cats and the masters of mokuhanga such as Hokusai (1760-1849). He printed on very thin gampi paper.  Five Styles of Banzai-Ukiyoe / Katsushika Hokusai (2017)  Yamamura Toyonari (1885-1942) - also known as Kōka, is a painter, and print designer known for his theatrical prints, actor prints, landscapes and beautiful women. He studied under printmaker Ogata Gekkō (1859-1920). Toyonari worked with carvers and printers to create his prints such as those at Watanabe's studio and also printed and carved his own prints.  February/Winter Sky (1924) 16.35" x 10.5" Sekino Jun'ichirō (1914-1988) - was a mokuhanga printmaker who helped establish the sōsaku hanga, creative print movement in Japan. His themes were of landscapes, animals and the abstract. Sekino exhibited and became a member with Nihon Hanga Kyōkai and studied with Ōnchi Kōshirō (1891-1955) and Maekawa Senpan (1888-1960).  Woman In A Snowy Village (1946) 13" x 10" Bertha Lum (1869-1954) - was born in Iowa. Having begun travelling to Japan in 1903, Bertha Lum noticed the decline of the Japanese woodblock print in Japan in the early 20th Century, deciding to take up the medium. Lum began making woodblock prints after learning in Japan from an unknown teacher during her first trip to Japan. Japan, Lafcadio Hearn (1850-1904), and China influenced Bertha Lum's prints. Lum's work focused on these themes through an American lens.  Winter (1909) 8" x 14" Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.  Scholten Japanese Art - is a mokuhanga-focused art gallery in midtown Manhattan. René Scholten, an avid collector of the Japanese print, founded it. You can find more info here. Katherine Martin is the managing director of Scholten Japanese Art. Katherine has written extensively for the gallery and conducted lectures about Japanese prints. Her interview with The Unfinished Print can be found, here.  Utagawa Kunisada III (1848–1920) - was a ukiyo-e print designer from the Utagawa school of mokuhanga. Kunisada III's print designs were designed during the transformation of the Edo Period (1603-1868) into the Meiji Period (1868-1912) of Japanese history, where his prints showed the technological, architectural and historical changes in Japan's history.  Kataoka Jūzō I as Hanako from the play Yakko Dōjōji at the Kabuki-za (1906). chūban - 10.4” x 7.5” senjafuda - are the votive slips Claire brings up in her interview. These were hand printed slips pasted by the worshipper onto the Buddhist temple of their choosing. These slips had many different subjects such as ghosts, Buddhist deities, and written characters. Japan Experience has bit of history of senjafuda, here.   Shintomi-za -built in 1660 and also known as the Morita-za was a kabuki theatre located in the Kobiki-chō area of Tokyo, today the Ginza District. It was famous for taking risks with its productions.    Meiji-za - was a kabuki-specific theatre built in 1873 and underwent several name changes until finally being named the Meiji-za in 1893. The theatre continues to this day.    Imperial Theatre - is the first Western theatre to be built in Japan in 1911 and is located in Marunouchi, Chiyoda, Tokyo. It continues to show Western operas and plays.    The John F. Kennedy Center For The Performing Arts - was built in 1971, and named after the 35th President of the United States, John F. Kennedy. The theatre is located in Washington D.C. and hosts many different types of theatre, dance, orchestras and music. More information can be found, here.    The Subscription List - also known as Kanjichō in Japanese, is a kabuki play derived from the noh play Ataka. The modern version of this play was first staged in 1840. It is performed as the 18 Famous Plays as performed by the Danjurō family of actors.     The Subscription List designed by Toyohara Kunichika (1835-1900)   Utagawa Kuniyoshi (1798-1861) - is considered one of the last “masters” of the ukiyo-e genre of Japanese woodblock printmaking. His designs range from landscapes, samurai and Chinese military heroes, as well as using various formats for his designs such as diptychs and triptychs.      Waseda University  - is a private research university located in Tōkyō, Japan. It was established in 1882. Waseda has one of the largest woodblock print databases in the world, and are free to use. More information can be found, here.    Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier. This experience made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925.      Kiso River (1927)   Toyohara Chikanobu (1838-1912) - was a painter and designer of mokuhanga. He was a samurai during the final years of the Tokugawa shogunate rule in Japan. As Chikanobu began to look more to art as a living, he studied under Utagawa Kuniyoshi where he learned Western painting and drawing techniques. He also studied under Utagawa Kunisada and Toyohara Kunichika. His print designs were of many different types of themes but Chikanobu is well known for his war prints (sensō-e), kabuki theatre prints, current events and beautiful women.      Enpo- Jidai Kagami (1897)   32 Aspects of Women - is a series of prints designed by Tsukioka Yoshitoshi (1839-1892). It was his first series of bijin-ga designs.    shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945).   Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here.   Composition in Red and Brown (1950) 19" x 15"   Saru Gallery - is a mokuhanga gallery, from ukiyo-e to modern prints, and is located in Uden, The Netherlands. Their website can be found, here.   ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century.    surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Katsushika Hokusai (1760-1849) - is one of the most famous Japanese artists to have ever lived. Hokusai was an illustrator, painter and woodblock print designer. His work can be found on paper, wood, silk, and screen. His woodblock print design for Under The Wave off Kanagawa (ca. 1830-32) is beyond famous. His work, his manga, his woodblocks, his paintings, influence artists from all over the world.     Poem by Sōsei Hōshi, from the series One Hundred Poems Explained by the Nurse. Taishō period (1912–26)s reproduction.    Kitagawa Utamaro (1753-1806) - was a painter and ukiyo-e designer during the Edo Period of Japan. His portraits of women are his most famous designs. After getting into trouble with the shogunate during the early 19th Century with some offensive images of deceased shogun Toyotomi Hideyoshi (1536/37-1598), Utamaro was jailed and passed away shortly after that.    The Courtesan Umegawa and Chubei of the Courier Firm   Tokyo University of the Arts (Geidai) - founded during the merger of the Tokyo Fine Arts School and the Tokyo Music School in 1949, TUA offers Masters's and Doctorate degrees in various subjects such as sculpture, craft and design as well as music and film. It has multiple campuses throughout the Kantō region of Japan. More information regarding the school and its programs can be found here.    Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here.   Taishō Period  (1912-1926) - a short lived period of Japanese modern history but an important one in world history. This is where the militarism of fascist Japan began to take seed, leading to The Pacific War (1931-1945). More info can be found, here.   Enami Shirō (1901-2000) - was a printmaker who is associated with ephemeral prints such as greeting cards. Also created his own larger format prints during the burgeoning sōsaku hanga movement of the early to mid Twentieth Century.      The Benkei Moat (1931) 12.5" x 9"   Kitano Tsunetomi (1880-1947) - was an illustrator, Nihon-ga painter, carver and print designer. Lived and worked in Osaka where he apprenticed carving with Nishida Suketaro. Founded the Taishō Art Society and the Osaka Art Society. Painted and created prints of beautiful women as well as mokuhanga for magazines such as Dai Osaka. The most famous of his prints and paintings is Sagimusume, The Heron Maiden.        Umekawa - Complete Works of Chikamatsu (1923)   Hamada Josen (1875 - ?) - was a painter and mokuhanga designer and studied with Tomioka Eisen (1864-1905). Designed bijin, shunga,  and landscapes after the Great Kantō Earthquake of 1923. Designed prints for Collection of New Ukiyo-e Style Beauties (1924).     December - Clear Weather After Snow from the series New Ukiyo-e Beauties (1924) 17.50" x 11.12"   Ikeda Shoen (1886-1917) - was a Nihon-ga painter who's paintings also became mokuhanga prints. Her paintings are quite rare because of her early death.      School Girls Going Home (1900) 13" x 9"   Igawa Sengai (1876-1961) - was a painter, illustrator and print designer. After serving in the Russo-Japanese war (1904-1905), he joined the Miyako Shinbun in Nagoya City. Designing prints in the 1926 he designed prints for Collected Prints of the Taishō Earthquake and in the 1930's he designed propaganda prints for the Japanese war effort. His contribution to the 1924 Collection of New Ukiyo-e Style Beauties (1924).     April - Rain of Blossoms (1924) from New Ukiyo-e Beauties.   Asian Art Museum San Fransisco - with over 18,000 pieces of art the Asian Art Museum of San Fransisco has one of the largest collections of Asian art in the United States. More information can be found, here.    Freer Gallery of Art - is a museum within the Smithsonian group of museums in Washington D.C, with a collection of Chinese paintings, Indian sculpture; Islamic painting and metalware; Japanese lacquer; Korean ceramics.    Arthur M. Sackler Gallery - is a museum within the Smithsonian group of museums in Washington D.C. It's collection contains some important Chinese jades and bronzes.    Yoshida Hiroshi: The Outskirts of Agra Number 3 from the series India and Southeast Asia (1932)     Yoshida Hiroshi: Cave of Komagatake from the series Southern Japan Alps (1928)   © Popular Wheat Productions opening and closing musical credit - The Crystal Ship by The Doors from their self-titled album The Doors (1967). Release by Elektra Records.   logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                    

For our Season 7 finale, we travel to the Honolulu Museum of Art (HoMA) to chat with an architect and a neurologist about the intersections of art, science, and nature.

Michelle and her husband own the J. Dolan restaurants – the best pizza on the island! She's also the Individual Giving Coordinator at Honolulu Museum of Art. She shared about her experiences in the Peace Corps, how traveling shaped her to desire to serve, how her family lost all of their worldly belongings in a […]

On this episode of the Japan Station podcast, printmaker Wuon-Gean Ho joins us to talk about her time living and studying in Japan, printmaking, ukiyoe and more. About Wuon-Gean Ho Wuon-Gean Ho is an accomplished printmaker and is currently a Research Associate at the University of the West England's Center for Print Research. Topics Discussed About spending time in Kagoshima as part of the JET Programme Studying veterinary medicine Getting the Monbukagakusho Scholarship and studying in Japan Studying under printmaker Akira Kurosaki About making prints inspired by Wuon-Gean Ho's time studying verinarian medicine Learning how to make woodblock prints in Japan About learning Japanese while in Japan About the process of making a woodblock print About tacit knowledge as it relates to woodblock printmaking About the gomazuri technique in printmaking Documenting printmaking techniques About the bokashi effect in woodblock printmaking About some of Wuon-Gean Ho's favorite ukiyo-e woodblock print artists About the Honolulu Museum of Art's woodblcok print collection About Wuon-Gean Ho's printmaking workshops and general work And much more! Support on Patreon & Ko-fi If you enjoy Japan Station and want to ensure that we're able to produce more episodes, then please consider becoming a patron on Patreon.com. For a minimum pledge of $1 a month you'll get early access to all JapanKyo podcasts, bonus content, and more. And for $3 a month, you'll get access to Japanese Plus Alpha, a podcast produced by me (Tony Vega) that focuses on the Japanese language and all of its fascinating quirks. Also, all pledges get a shout-out on the show and my undying gratitude. Thank you in advance! Support Japan Station on Patreon You can also do a one time donation via Ko-fi. Support us on Ko-fi Links, Videos, Etc. For more on Wuon-Gean Ho's work: Wuon-Gean Ho Website Twitter Instagram Don't forget to check out the latest episode of Ichimon Japan. What's better:JET or Eikaiwa (Good & Bad of English Teaching in Japan) | Ichimon Japan 65 Follow Japankyo on Social Media Facebook (@JapankyoNews) Twitter (@JapankyoNews) Instagram (@JapanKyoNews) Full Show Notes Get the full version of show notes at https://www.japankyo.com/category/podcasts/japanstation/

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Manga historian Ryan Holmberg introduces the influential alternative manga artist Murasaki Yamada (1948-2009) to English readers through a scholarly translation of Talk to My Back (1981-1984), Yamada's feminist examination of the fraying of Japan's suburban middle-class dreams. The manga is paired with an extensive essay by Dr. Holmberg, in which he positions Yamada's oeuvre within the history of alternative manga and Yamada's manga within her life. Alternative manga is primarily associated with male artists in the United States, but Holmberg illuminates why that came to be and how that image varies from reality through his examination of Yamada's oeuvre. Talk to My Back (Drawn & Quarterly, 2022) portrays a woman's relationship with her two daughters as they mature and assert their independence, and with her husband, who works late and sees his wife as little more than a domestic servant. While engaging frankly with the compromises of marriage and motherhood, Yamada saves her harshest criticisms for society at large, particularly its false promises of eternal satisfaction within the nuclear family. Ryan Holmberg is a comics historian and translator. He is the author of The Translator Without Talent (2020) and Garo Manga: The First Decade, 1964-1973 (2010). He has edited and translated over two dozen manga, including the 2014 Eisner Award-winning edition of Tezuka Osamu's The Mysterious Underground Men. His many essays and reviews can be found in such venues as The Comics Journal, Artforum International, and The New York Review. He has advised on exhibitions at the British Museum and the Honolulu Museum of Art, and is currently Senior Lecturer at the School of the Art Institute of Chicago. He can be found on social media @mangaberg. Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media. Her book, Alice in Japanese Wonderlands: Translation, Adaptation, Mediation, is forthcoming in 2023 from the University of Hawai'i Press. She consulted on the British Museum's exhibition on manga, and her work has appeared in the Journal of Adaptation in Film & Performance, the Journal of Popular Culture, Film Criticism, and the Washington Post, among other publications. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Shar Tuiasoa (aka Punky Aloha) is a freelance illustrator based in Kailua, Oahu. Her iconic "tita bun" and Polynesian beauties can be found EVERYWHERE and has collaborated with Apple, Facebook, Disney, Pixar, AT&T, Sephora, Benefit Cosmetics, and The New York Times as well as locally with Honolulu Magazine, Hawaii Magazine, and Hawaii Business Magazine, Honolulu Museum of Art, and Foodland. After studying Fine Art at her local community college for 6 years, Shar moved to California to earn her BFA in Illustration. She moved back to Hawaii shortly after and started Punky Aloha Studio in the summer of 2018. In this episode, we talk about how things didn't quite go as planned. Why moving home wasn't her first choice and how ultimately, her challenges became a critical part of her story. We hope you enjoy this episode! Find Shar here: https://www.punkyaloha.com https://www.instagram.com/punkyaloha/ Connect with Andrew and Kolby here: www.uncuthawaii.com https://www.instagram.com/uncut_hawaii https://www.instagram.com/kolbymoser https://www.instagram.com/_andrewtran --- Support this podcast: https://anchor.fm/uncuthawaii/support

Early numbers on returning kolea amid concerns of avian flu; The inspiration behind a new and expansive floral exhibition at the Honolulu Museum of Art; Ethnomusicologists investigate the role Hawaiian music plays in mental well-being of students on Moloka‘i

This week on Flightless Bird, David sets out to understand why Americans love their flag so much, buying nearly 150 million of them every year. Joined by Dax and Monica, David quizzes them about what it's like to go to school and pledge allegiance to the flag, before Dax recalls his colorful interactions with an American flag and a flag pole. David talks to flag expert, TedTalker and podcaster Roman Mars about what makes a good flag design, before chatting with vexillologist Tory Laitila - curator of Textiles and Historic Arts of Hawai'i at the Honolulu Museum of Art - about the dos and don'ts of flag etiquette. Thanks to first amendment attorney Floyd Abrams, we discover how the burning of a flag led to one of America's most divisive court cases.

Emily McIlroy (she/her) was born and raised in Norman, Oklahoma with her twin brother Ross. She received her BA in Studio Art from the University of Arizona in 2005, and her MFA in Drawing and Painting from the University of Hawaii at Manoa in 2011. She served many years as an instructor and an art educator for the Honolulu Museum of Art School, and the Hawaii State Art Museum and currently teaches in the drawing and painting program at the University of Hawaii at Manoa. When she's not teaching or in her studio, Emily enjoys reading, writing and walking, and swimming her way through various terrestrial and aquatic wildernesses. She lives and works in Honolulu in Pālolo Valley with her very vocal Siamese cat. In this episode, on the intersections of Painting + Prayer, we talk about: [06:10] Brandi and Emily’s early struggles in Christianity and religion and where they’ve come to now. [18:51] How choosing one discipline or tradition, like a religion, doesn’t have to mean that all the others aren’t true. In fact, it might enliven all of the other traditions even more. [25:27] The value of committing yourself to a particular tradition and sneaky ways we individually and culturally avoid intimacy. [37:27] Emily’s “Promises” blog. [47:24] Strengthening the “host” instead of attacking the “invader”—a different way to think of “health.” [55:22] The visceral nature of grief and joy. [56:32] Eve’s greatest sin wasn’t eating the apple, it was choosing the knowledge of “good” and “evil”—a dualism. [1:05:03] Meditation as a path to finding alignment. Prefer to see this conversation instead? Watch the full episode on Youtube. You can also find more on our conversation and links to everything we discussed by checking out this episode’s show notes. Listeners can follow and support Emily at her:WebsiteFacebookInstagram Support This Plus That:Send Brandi a One-Time TipBecome a Monthly Supporter Get more This Plus That:Sign up for the newsletter.Follow along on Twitter: @thisplusthatpodFollow along on Instagram:

Emily McIlroy (she/her) was born and raised in Norman, Oklahoma with her twin brother Ross. She received her BA in Studio Art from the University of Arizona in 2005, and her MFA in Drawing and Painting from the University of Hawaii at Manoa in 2011. She served many years as an instructor and an art educator for the Honolulu Museum of Art School, and the Hawaii State Art Museum and currently teaches in the drawing and painting program at the University of Hawaii at Manoa. When she's not teaching or in her studio, Emily enjoys reading, writing and walking, and swimming her way through various terrestrial and aquatic wildernesses. She lives and works in Honolulu in Pālolo Valley with her very vocal Siamese cat. In this episode, on the intersections of Painting + Prayer, we talk about: [11:13] How Emily and I came to know each other. [11:45] Emily talks about her body of work, The Lilies, as prayers. [26:28] Art as the whetstone of consciousness. [31:59] Paradox as a feature of the human mind. [38:35] Emily's story of losing her twin brother and how it’s shaped her life and work. [42:36] Where the title for Emily’s “Lilies” exhibit comes from. [45:31] Questions like “Who am I?” and “What’s my purpose” as invitations to prayer. [56:46] Thinking of death as a dimension beyond our current perception. [1:01:23] Life and death as part of the same continuum. [

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

"The truth of the matter is that there are some people who are born to be creative and they're going to be artists. And the importance of fostering that is necessary, because if we each fulfill our purpose as humans, then society is better off for it. So in other words, if I had been anything else other than what I have become, I would have only been living up to half of my potential. And so that's really important to address that. I have a lot of students whose parents don't want them to be artists because it doesn't make money, but that means they're only living up to half of their potential because they're truly meant to be artists. And so society needs to shift this understanding on what is important. "Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. · www.reembassous.studio · www.creativeprocess.info

Haunani Kay Trask (1949-2021) was a Hawaiian leader, an intellectual, an organizer, and a poet. She is a featured artist in the Hawaiʻi Triennial 2022 at the Honolulu Museum of Art through May 8, 2022. In that collaboration, Trask provides commentary for Ed Greevyʻs explosive photographs of wrenching land, access, and identity struggles in Hawaiʻi through the 1970ʻs. With the publication of her book, From a Native Daughter: Colonialism and Sovereignty in Hawaiʻi, 1993, Trask stoked a conceptual evolution for Hawaiians and non-Hawaiians alike. Known for unstinting candor, we hear an example, Trask was also a published poet. In this episode, Hawaiian composer, singer, and educator Kainani Kahaunaele offers an interpretation of Trask's poetry. Kainani embraces Haunani Kay's fierceness and follows it deeper. It is rooted in love. Love for this place, recognized through sensuality. We close with Kainaniʻs composition, Waipunalei, an example of the richness that a sensual interpretation of history and landscape can convey. Eros c'est la vie.

Episode dedicated to the memory, family and friends of Peter Cole and Johnny Fain.RIPAs I prepared for the TP interview, I learned some interesting facts about Tommy. One thing in particular caught me by surprise. The man that I had been following for the last few years on Instagram to satisfy my need of consuming beautiful longboarding imagery, was somewhat a newcomer to the art of surfing photography. Based on the incredible and mesmerizing pictures, I would have guessed he had been in the profession for a few decades and perhaps graduated from some fancy photography academy. TP's story is a great example for anyone that has an interest and curiosity of learning something new but might feel intimidated or insecure to follow through. If you set your mind and heart, you will make it happen! That is how Tommy rolls.The following is a synopsis on TP from his About section on his website www.pineapplesunrise.com"Originally from the Chicago area, Tommy Pierucki has been a Hawaii resident since 2013. Ever since first getting on a surfboard at Baby Queens in Waikiki in the early 2000s, he's been determined to spend the rest of his days giving back to, enjoying, and capturing the beauty of the islands and it's amazing people. This love drew him to work with AccesSurf, a charitable organization that helps connect those with physical and/or cognitive disabilities to the ocean. Tommy's interest in photography first truly took hold January 2018, and since then he had been featured on the the cover of Pacific Longboarder Magazine‘s 100th issue and published in Freesurf Magazine, premiered a film in the 2019 Honolulu Museum of Art Surf Film Festival as a #RisingTide filmmaker, has been a featured artist at the Green Room and currently at Koko Marina, was requested to photograph celebrities like Tom Holland (Spider-man), Halsey, and Lily Chee as they surfed, is a Toes on the Nose ambassador, and has had his photography featured by brands like Roxy, RVCA, Hawaiian Airlines, Hawaii Magazine, Honolulu Magazine, Japan Airlines, Billabong, Carver Skateboards, Hilton Hawaiian Village, Royal Hawaiian Hotel, Aqua Aston, The Surfjack Hotel, Outrigger Waikiki, Coconut Waikiki, Shoreline Hotel Waikiki, Pearl Hotel Waikiki, DoubleTree Alana, AxisGo, Aquatech Imaging Solutions, Immersion Surf Magazine, Tori Richard, Hawaii Theatre, and Prana."Thanks Tommy for your time and inspiration, thank you listeners for putting your ears on my episodes!See you in da wata!Enjoy!For private surf shoots and/or surf photography art prints connect with @tommypierucki on Instagram or his website www.pineapplesunrise.comDonations for The Longboardarian Podcast:Paypal- tupicabrera@gmail.comVenmo- tupi-cabreraor use www.ko-fi.com/longboardarian . Super Easy!Advertising or Shoutouts on future episodes?Email me at longboardarian@gmail.com for info.YOUR SUPPORT CONTRIBUTES TO THE LONG-TERM  LIFE OF THIS PODCAST.Contributors:www.sin-min.com10% discount on any order using code longboardarian.Free Shipping in the US on orders $50 and up!www.skyviewmortgage.com805-834-1150Lance WolesagleFree phone call consultation on anything Mortgage. 

Dr. Rhiannon Paget is the curator of Asian Art at the John and Mable Ringling Museum of Art in Sarasota, Florida. Ms. Paget joins me on The Unfinished Print to discuss the life and times of mokuhanga printmaker Saitō Kiyoshi, war print production of the later 19th Century and early 20th Centuries and she speaks on kabuki prints through the years.  These topics are framed through the three shows which Dr. Paget was involved in, Saitō Kiyoshi: Graphic Awakening (March 14 -August 15, 2021 @ The Ringling), Conflicts of Interest: Art and War in Modern Japan (October 16, 2016 - January 8, 2017 @ the St. Louis Art Museum), and Kabuki Modern (November 13 -July 27, 2021 @ The Ringling) Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Dr. Rhiannon Paget PhD - curator of Asian art at the John and Mable Ringling Museum of Art own Sarasota, Florida. She was also a A.W Mellon Fellow for Japanese Art from 2015-2017, and wrote for The Japan Times.  The John and Mable Ringling Museum of Art - This museum is dedicated to the arts, Western and “non-Western”from all periods of human history, focusing on education, and conservation. More info, here.  Saitō Kiyoshi (1907-1997) - was a Japanese woodblock printmaker and artist who worked in the sōsaku hanga style of mokuhanga. HIs fame outside of Japan was fairly comprehensive with his peak fame being in the 1950's and 1960's. For a comprehensive book on his life and times, Saitō Kiyoshi: Graphic Awakening published by The John & Mable Ringling Museum is an excellent source. Can be found, here. Lecture by Dr. Paget about Saitō can be found, here. Cleveland Museum of Art - founded in 1913 and opened in 1916. It has an online collection, and open access to its works in its collection. More info, here.  Honolulu Museum of Art - dedicated to art and education focusing on arts from around the world and Hawaiian culture itself. More info, here. Isamu Noguchi (1904-1988) - was a U.S born sculptor and designer who traveled the world to understand his own works. He collaborated with many artists from all over the world. More info, here.  Kiyoshi Nakashima -  an artist and designer who designed woodblock prints, in the 1980's. His most famous are his melancholy women prints. Some can be found, here.  Karl Bickle (1881-1972) - an ex newspaper man at the turn of the 20th Century Bickle who retired in Sarasota, Florida in 1935. He was influential in the opening of the Ringling Museum in 1945. More info, here. Onchi Kōshirō (1891-1955) - originally designing poetry and books Onchi became on of the most I important sōsaku hanga artists and promotor of the medium. His works are saught after today. More info, here. Paul Gauguin (1848 - 1903) - self taught artist, ex-stockbroker, travels to Brittany, France in 1886 where he sows the seeds of  his Symbolist Movement. He is famous for his works made in Tahiti, perhaps now seen as a bit naïve and privileged, these works, were expressed through painting, woodcuts and the written word. He also painted self portraits, and landscapes searching for the spiritual via colour and form. The National Gallery has a very good history of Gauguin here. François Auguste Rodin (1840-1917) - a sculptor of the human form, Auguste Rodin was a French artist who's work took off when he was commissioned by the French government in 1879. One of his most famous works is “The Gates of Hell” a commissioned work for the Musée des Arts Décoratifs, a museum which was never built. For more information about Rodin,  The National Gallery has a biography, here.  mokume - is a woodblock printing technique where, by using heavy pressure on wood which contains a heavy grain, the artist can reveal the grain in their work.  Kiyoshi Saitō Museum of Art - located in Yanaizu, Fukushima, Japan this museum is dedicated to the art and works of Kiyoshi  Saitō. Opened in 1997, the museum holds rotating shows connected to Saitō's works. Museum website can be found, here. Boston Museum of Fine Arts - a museum with a rich history with Japanese artwork, especially woodblock prints. It holds the largest collection of Japanese art outside of Japan. Many of their woodblock prints are held online, here. A video on YouTube found, here, describing the MFA's history, and its collections.  Fukushima Prefectural Museum of Art - opened in 1984 in Fukushima City, Fukushima, this museum contains works from Japan and all over the world. The website is in both Japanese and English, and can be found, here.  Ms. Paget uses the Japanese words for certain woods which mokuhanga printmakers can use. They are:  kiri - a paulownia wood keyaki - Japanese zelkova tree Steady Gaze - is a print which Saitō produced in 1952, with two cats staring in different directions with two different backgrounds, one red (Animal)  and one blue (Two Cats).  I found another Steady Gaze cat print from 1950 and sold as a scroll. It can be found, here.  Edward Munch (1863-1944) - was a painter from Norway who is collectively famous for his painting, The Scream, painted in 1893. More info can be found, here.  Pieter Cornelius Mondrian (1872-1944) - a Dutch artist who's work helped found De Stijl in 1917, a group of Dutch painters who helped codify Mondrian's abstraction and industrial design. Mondrian has a wide spectrum of works and styles created throughout his career. More information can be found, here from the Guggenheim. Aizu, Fukushima, Japan - is a geographical area located in West Fukushima Prefecture, , Japan. It has a long history and is one of the nicest areas in Japan that I have visited, Tourist information can be found, here.  Toyohara Kunichika (1835-1900) -  was a Japanese woodblock designer of the Utagawa School of artists. His work flourished in the Meiji Period (1868-1912) of Japanese history, a period of immense change politically, economically, and industrially. Some of Kunichika's works can be found, here.  Kobayashi Kiyochika (1847-1915) - was a woodblock print designer famous for his war prints on the First Sino-Japanese War (July 25, 1894- April 17, 1895). More info, here. Toshihide Migita (1863-1925) - a woodblock designer known for his own print designs of the First Sino-Japanese War, kabuki portraits, bijin-ga, and landscape. More info, here. Pearl Habor woodblock prints - are a series of woodblock prints produced in 1942. One such print, found here, was designed by Hasegawa Sadanobu III (1881-1963).  Russo-Japanese War (February 8, 1904 - September 5, 1905) - was a war between the Imperial Russian and Imperial Japanese military taking place in China. Information about its background can be found here at history.com, and here.  Andreas Marks - is a scholar and Mary Griggs Burke curator of Japanese and Korean Art and Director of the Clark Center for Japanese Art at the Minneapolis Institute of Art.  print panels - artworks, like woodblock prints, can come in various numbers of panels. Single panels is one print, diptychs are two panels, triptychs are three panels, quadriptych his four panels, pentaptych is five panels.  Kawase Hasui (1883-1957) - was a woodblock designer who began his art life as a painter.  He worked predominantly with Watanabe Shōzaburō (1885-1962) designing some of the most famous woodblock prints from the Watanabe atelier such as Winter Moon over Toyama Plain, here.  Ogata Gekko  (1859-1920) - was a woodblock print designer during the Meiji Period (1868-1912) of Japanese history. Famous for his war prints of the Sino-Japanese War (1894-1895.) more info, here. Yokoyama Taikan (1868-1958) - was a Nihon-ga painter who exhibited around the world. His work, such as Mount Fuji in Japan has been deemed to have been nationalistic and proto-fascist. A great book on the subject is, “The Politics of Painting: Fascism and Japanese Art during the Second World War (University of Hawai'i Press, 2019) Hitler Youth - was a  a youth organization formed in 1922 to indoctrinate children in Nazi propaganda, to be better prepared  to fight in the German military. More info, here.  Teiten - started in 1919 until 1934, Teikoku Bijutsu Tenrankai, was one of several  (Bunten, Shin Bunten, Nitten, and Shin Nitten) Japanese Fine Arts Exhibition's held yearly in Japan. Teiten was famous for creating a platform for creative woodblock printing. Minami-za - is a kabuki theatre located in. Kyōto, Japan. more, info here. Yamamura Kōka (1885-1942) - was a woodblock print designer and artist who helped design many prints for Watanabe as well as for his Publishing Committee for Yamamura Kōka's prints. more info here. Yotsuya Kaidan -  ghost play, predominantly performed in kabuki. Staged for the first time in 1825. It has been performed steadily in kabuki since its first performance. more info, here. Heron Maiden (Sagi Musume)- is a Japanese folk-tale which is a very famous kabuki dance expertly performed by Bandō Tamasaburō V.  Watch, here. Bromide photography - is a type of early Twentieth Century commercial photography found in Japan , usually photos of geisha, kabuki actors, and sports people. Junichiro Sekino (1914-1988) - was a woodblock printmaker and illustrator who studied with Onchi Koshiro (1891-1955).  More info, here. Yakusha-e - is a Japanese word for kabuki actor prints. More info, here. First Thursday Society - started by Onchi Kōshiro in 1939 to develop sōsaku hanga. more info from Ronin Gallery, here.   opening and closing credit music - Tom Petty & The Heartbreakers  - Anything That's Rock 'n' Roll (1976) Gone Gator Records © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***            

NOAA recently announced that summer 2021 was the hottest on record. During this episode, Jenna is joined by Taylour Chang and Nā‘ālehu Anthony to explore the visually dynamic and spiritually arresting, Artists of Hawai‘i Now exhibition at the Honolulu Museum of Art, featuring bold, boundary-pushing works from 18 artists. This exhibition couldn't be timelier. It provides an urgent and necessary call to act on topics that are challenging our world—Indigenous rights, the environment, and a range of social concerns.

The head of the Healthcare Association of Hawaii shares how two local oxygen producers helped the state avert a crisis; an Oʻahu farmer and farming instructor provides insight into the increase in ʻulu theft around the state, and ways to increase community agricultural efforts; and the Honolulu Museum of Art discusses the new exhibit it hopes will stimulate conversations around community issues

Today we celebrate an old account of Linnaeus’s floral clock. We'll also learn about the garden life of an American actor who was best known for his brilliant performances in horror films. We hear an excerpt about the color yellow in the garden - it has the power to lift our spirits. Yellow flowers are little day-brighteners. We Grow That Garden Library™, with a book about 250 years of plant history in England. And then we’ll wrap things up with the story of a tradition involving Black-Eyed Susans, or maybe they aren’t Black-Eyed Susans...   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Curated News Grasses: A Sensory Experience | chrishowellgardens.com | Chris Howell   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group.   Important Events May 27, 1873 On this day, out of Pratt’s Junction, Massachusetts, there was a detailed post about how to make a floral clock. “Please tell the girls if they think country life dull... they can pass many happy hours… studying the plants about them.  I saw it stated that Linnaeus had what he termed a floral clock, and a few of the flowers forming it were given with their time of blossoming: Yellow Goat's Beard, 3 a.m.  Chicory, 4 a.m. Sow Thistle, 5 a.m. Dandelion, 6 a.m. ;  Lettuce and White Water Lily, 7 a.m.  Pimpernel, 8 a.m.  Field Marigold, 9 a.m.    May 27, 1911 Today is the birthday of the American actor Vincent Price. Known for his performances in horror films, Vincent also enjoyed gardening. He especially loved cymbidium orchids, and he had hundreds of them growing on the shady side of his California home. He also grew wildflowers, cactus, poinsettia, and geraniums in his multi-level garden. And when he walked home in the evenings after his performances, he would keep his eyes peeled for discarded plants and trees. After bringing them back to his garden, he would nurse them back to health. Vincent had many ponds, including an old bathtub that he had repurposed as a pond. He loved the bathtub pond so much that he placed it in the center of his garden. But there was another unique aspect of Vincent’s garden: a totem pole. Vincent had bought the totem pole from the estate of John Barrymore. Barrymore stole the 40-foot tall totem pole from an abandoned Alaska village. Barrymore had his crew saw the totem pole into three pieces before loading it onto Barrymore's yacht. Once he arrived at his home in California, Barrymore removed the remains of a man that were still inside the totem. Then he reassembled it and displayed it in his garden. After buying the totem from the Barrymore estate, Vincent put the totem in his garden. The carved images of a killer whale, a raven, an eagle, and a wolf watched over his garden until he donated the totem pole to the Honolulu Museum of Art in 1981. The totem pole remained safe in a climate-controlled basement for generations until a University of Alaska professor named Steve Langdon tracked it down in Hawaii sometime after the year 2000. Steve learned about the totem pole after stumbling on an old photo of Vincent Price. He was standing next to the totem pole in his garden. Langdon had an immediate reaction to the photo. He recalled, "It was totally out of place. Here's this recognizable Hollywood figure in a backyard estate with a totem pole ... that was surrounded by cactus."  By 2015, Steve was finally able to return the totem pole back to its ancestral tribe in Alaska. When Vincent Price died from Parkinson's disease and lung cancer in 1993, his family honored his wishes and scattered his ashes in the ocean along with petals from red roses. Vincent had cautioned his family not to scatter his ashes in Santa Monica Bay. He said it was too polluted. Instead, his family found a spot off of Point Dume. At the last minute, they had decided to include Vincent’s favorite gardening hat in the service. The hat was made of straw and had a heavy wooden African necklace around the brim, and so Vincent’s ashes were scattered on the water accompanied by red rose petals and his old straw hat.   Unearthed Words “I nodded, appreciating the wisdom of her words.‘Yellow is the colour of early spring,’ she said, ‘just look at your garden!’ She gestured towards the borders, which were full of primulas, crocuses, and daffodils. ‘The most cheerful of colours,’ she continued, ‘almost reflective in its nature, and it is, of course, the colour of the mind.’ ‘That’s why we surround ourselves with it!’ laughed Phyllis, ‘in the hope that its properties will rub off.’‘Nonsense dear,’ said Mrs. Darley dismissively, ‘Yellow light simply encourages us to think more positively. It lifts our spirits and raises our self-esteem in time for summer.’I immediately made a mental note to surround myself with the colour of the season and, like Phyllis, hoped that some of its properties would rub off on me. ― Carole Carlton, English Author of the Mrs. Darley series of Pagan books and owner of Mrs. Darley's Herbal, Mrs. Darley's Pagan Whispers: A Celebration of Pagan Festivals, Sacred Days, Spirituality, and Traditions of the Year   Grow That Garden Library Plants by Kathy Willis  This book came out in 2015, and the subtitle is From Roots to Riches. In this book, Kathy Willis, the director of science at Royal Botanic Gardens at Kew, writes about 250 years of England’s love affair with plants. Kathy explores the fascinating history that accompanied some of the most important plant discoveries. Using a Q&A format, Kathy reveals the impact of 100 Objects, with each chapter telling a separate story - an important aspect of remarkable science, botany. This book shares some never-before-seen photos from Kew's amazing archives, and the stories underscore just how important plants really are to our existence and advancement as a species. This book is 368 pages of the important history and future of plants. You can get a copy of Plants by Kathy Willis and support the show using the Amazon Link in today's Show Notes for around $4   Today’s Botanic Spark Reviving the little botanic spark in your heart May 27, 1873 On this day, the First Preakness Stakes ran at the Pimlico (“PIM-luh-co”) Race Course in Baltimore, Maryland. The Preakness Stakes is named for the colt who won the first Dinner Party Stakes at Pimlico. Held on the third Saturday in May each year, the race takes place two weeks after the Kentucky Derby and three weeks before the Belmont Stakes. The race is also the second jewel of the Triple Crown, and it’s nicknamed "The Run for the Black-Eyed Susans" in reference to the blanket of flowers placed over the winner. Black-Eyed Susans are the state flower of Maryland. Although the Preakness is sometimes referred to as "the race for the black-eyed Susans," no Black-Eyed Susan is ever used. When race organizers realized that the race's timing didn’t coincide with the late summer to early fall bloom of Black-Eyed Susan, they found some yellow daisies and hand-painted the centers of the blossoms with a little dash of black lacquer to make them look like Black-Eyed Susans. The Black-Eyed Susan was designated the state flower of Maryland in 1918. The Black-Eyed Susan or Rudbeckia Hirta's history begins in North America. After the flower was brought to Europe in the 1700s, Carl Linnaeus named them to honor his old teacher and mentor Olaus Rudbeck. On July 29, 1731, Linnaeus wrote with admiration about his old professor, Rudbeck, saying: "So long as the earth shall survive and as each spring shall see it covered with flowers, the Rudbeckia will preserve your glorious name." Black-Eyed Susans are a favorite of gardeners. They bloom continuously from about mid-July until the first frost. The Black-Eyed Susan is a great pollinator plant. As a member of the daisy family, they offer that daisy shape and give the garden a warm yellow color that is perfect for ushering in autumn. All that Black-Eyed Susans require is the sun. All gardeners need to do is enjoy them and remember to cut a few to bring indoors; they are a fantastic cut flower. Black-Eyed Susans play nice in bouquets, and they also look great as a solo flower in a vase. There have been new varieties of Black-Eyed Susans introduced over the past couple of decades. In honor of the 150th anniversary of the city of Denver, the Denver Daisy was introduced in 2008. It is a cross between the Rudbeckia hirta species and the Rudbeckia prairie sun. One of my personal favorites is the Rudbeckia hirta 'Cherry brandy.' Imagine a red Black-Eyed Susan, and that's basically Cherry brandy. Simply gorgeous. Black-Eyed Susans are important to wildlife. They offer food and shelter for birds and animals; rabbits, deer, and even slugs like to eat this plant. As most of us know that the monarch and the milkweed co-evolved together, the Silvery Checkerspot butterfly and the Black-Eyed Susan did the same. The Silvery Checkerspot lays her eggs on Black-Eyed Susans, which are the food source for the little baby caterpillars after they hatch. In floriography, Black-Eyed Susans symbolize encouragement and motivation.   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

Learn more about the podcast at: www.treespeechpodcast.com, and IG: treespeechpodcast We are grateful to have spoken with Karen Hampton during our premiere episode. Hampton is an internationally recognized conceptual fiber artist, addressing issues of colorism and kinship. Hampton's art practice is the synthesis of memory, history, time and cloth. A student of cultural relationships, seeks to break through stereotypes and address issues related to being a Black woman. Using her training in the fiber arts and anthropology, she brings together the roles of the weaver, the dyer, the painter, the embroiderer, and the storyteller. Karen Hampton's artwork is held in the collections of the Ruth and Elmer Wellin Museum, Hamilton College, Clinton, New York, and the Honolulu Museum of Art, Honolulu, Hawaii and she received the coveted Eureka Prize from the Fleishhacker Foundation in 2008. Hampton is an Assistant Professor at Massachusetts College of Art and Design, Boston, MA. You can learn more about her at https://www.kdhampton.com/ Tree Speech's host, Dori Robinson, is a director, playwright, dramaturg, and educator who seeks and develops projects that explore social consciousness, personal heritage, and the difference one individual can have on their community. Some of her great loves include teaching, the Oxford comma, intersectional feminism, and traveling. With a Masters degree from NYU's Educational Theatre program, she continues to share her love of Shakespeare, new play development, political theatre, and gender in performance. Directing credits include: Silent Sky (Elliot Norton Winner for Best Production – Fringe, Flat Earth Theatre), A Bright Room Called Day, Julius Caesar (co-director), The Merchant of Venice, Die Kleinen (Parts 1 & 2), The Lion in Winter, Extremities, Flight, Pippin, James and the Giant Peach, and Peter and the Starcatcher. Dori's original plays have been produced in New York, Chicago, and Boston, including: The Great Harvest, The Principal Stream, Name of a Woman, Six Wings to One, and most recently The Elm Tree with Alight Theater Guild. More information at https://www.dorirobinson.com The Black Walnut Tree, by Mary Oliver My mother and I debate: we could sell the black walnut tree to the lumberman, and pay off the mortgage. Likely some storm anyway will churn down its dark boughs, smashing the house. We talk slowly, two women trying in a difficult time to be wise. Roots in the cellar drains, I say, and she replies that the leaves are getting heavier every year, and the fruit harder to gather away. But something brighter than money moves in our blood–an edge sharp and quick as a trowel that wants us to dig and sow. So we talk, but we don't do anything. That night I dream of my fathers out of Bohemia filling the blue fields of fresh and generous Ohio with leaves and vines and orchards. What my mother and I both know is that we'd crawl with shame in the emptiness we'd made in our own and our fathers' backyard. So the black walnut tree swings through another year of sun and leaping winds, of leaves and bounding fruit, and, month after month, the whip- crack of the mortgage. This week's episode was recorded in Massachusetts on the native lands of the Wabanaki Confederacy, Pennacook, Massa-adchu-es-et (Massachusett), and Pawtucket people, and was produced by Jonathan Zautner and Alight Theater Guild, a 501(c)(3) created to advance compelling theatrical endeavors that showcase the diversity of our ever-changing world in order to build strong artists whose work creates empathy, challenges the status quo and unites communities. Alighttheater.org. Logo design by Mill Riot. --- Send in a voice message: https://anchor.fm/treespeech/message

Noel Quiñones is a Puerto Rican writer, performer, and community organizer from the Bronx. As a writer, he's received fellowships from Poets House, the Poetry Foundation, CantoMundo, Candor Arts, and SAFTA (Sundress Academy for the Arts). His work has been published in POETRY, the Latin American Review, Rattle, Kweli Journal, and elsewhere. As a performer, he's featured at Lincoln Center, Harvard University, BAM, the 9/11 Memorial & Museum, and the Honolulu Museum of Art to name a few. He is the founder and former director of Project X, a Bronx-based arts organization, and a current M.F.A. candidate in poetry at the University of Mississippi. Follow him at noelpquinones.com or online @noelpquinones.

Funding relief for Honolulu arts and culture; Hawaii Craftsmen debut Downtown Arts Center; Honolulu Museum of Art reopens; Book and music festival tackles big issues; Addressing Hawaii's housing issues; Interview with Na Hoku Song of the Year producer

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

In this Aloha Friday episode, it's all about the arts and food! The Honolulu Museum of Art and Bishop Museum's plan for re-opening after the Governor's shutdown order is lifted, how the public can help after our local longline fishing industry crashed, a check-in with Maui County's foodbank, and great tips for cooking while quarantined.

I am excited to share my interview with Brooklyn based painter, Emily Marie Miller! Emily's work has been published in ArtMaze Mag and Playboy. She recently showed in the group exhibitions Seed, curated by Yvonne Force, at Paul Kasmin Gallery in New York City and A Fairly Secret Army, curated by Paul Whiting, at Wildpalms Gallery in Düsseldorf. She had her first solo show in New York City open at Barney Savage Gallery in TriBeCa this past fall and she has two shows coming up this summer with her work in them, a group show at Monya Rowe Gallery in NYC this summer and at the Honolulu Museum of Art.   In this interview, we talk about her figurative work and I love how she describes painting “as a spiritual dance with the unconscious”. Emily is also an astrologist and you can follow her on Instagram at @zodiacpainter where she pairs paintings and art with what is happening astrologically. Very cool, in this episode, she even does a mini reading on me! If having a reading is something you are interested in you can check out her site and use the code ILIKEYOURWORK for 10% off!   TOPICS COVERED: -Disney Princesses and Survivalists -Body Contortion -Painting Bodies -Resetting to make work -Her exhibitions -How she got into Astrology -What artists can gain through astrology -Her work as an Astrologist and my mini reading   RESOURCES: I Like Your Work Podcast Studio Planner Instagram Submit Work   Emily Marie Miller Website Personal Instagram Astrology Instagram- Zodiac Painter Astrology Website

"The truth of the matter is that there are some people who are born to be creative and they're going to be artists. And the importance of fostering that is necessary, because if we each fulfill our purpose as humans, then society is better off for it. So in other words, if I had been anything else other than what I have become, I would have only been living up to half of my potential. And so that's really important to address that. I have a lot of students whose parents don't want them to be artists because it doesn't make money, but that means they're only living up to half of their potential because they're truly meant to be artists. And so society needs to shift this understanding on what is important. "Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. · www.reembassous.studio · www.creativeprocess.info

Reem Bassous received her Bachelor of Arts from The Lebanese American University in Beirut. Lebanon and her master of Fine Arts from The George Washington University in Washington DC. She started teaching drawing and painting in 2001 at The George Washington University, taught at the University of Hawai'i at Manoa for 9 years, and is currently an instructor at Leeward Community College at the University of Hawaiʻi. Bassous' work is in permanent collections which include the Honolulu Museum of Art and Shangri La Museum for Islamic Art, Culture and Design. www.reembassous.studio · www.creativeprocess.info

Matt visits with the curator of Asian Art at the Honolulu Museum of Art, Shawn Eichman. We learn more about Shawn’s unique role at the museum, and discuss the exciting exhibition on display until January, called Contemporary Landscapes of Li Huayi. https://honolulumuseum.org

Get excited to see 'Worlds of Ursula K. Le Giun' by hearing the stories behind making the film from Director Arwen Curry on docupod. Arwen talks about reading Ursula's books since she was a child, how she initially reached out to her, and her successful kickstarter campaign. Plus she talks about her favorite memory with Ursula, what it taught her about taking criticism, and why we need Ursula's work now more than ever. For more about the film: www.WorldsOfUKL.com For more docupod: www.docupod.co The film on Twitter: Twitter.com/WorldsofUKL The film on Instagram: Instagram.com/WorldsofUKL The film on Facebook: Facebook.com/WorldsofUKL Tiffany on Twitter: Twitter.com/SpecialSays Tiffany on Instagram: Instagram.com/SpecialSays_ Screenings: -Berkeley Public Library- Saturday 3/30 -Sebastapol Documentary Film Festival- Sunday 3/31 @ 1pm, Robert Brent Auditorium SCA -University of Florida- 4/4 -Cinema Politica Concordia- 4/8 -Los Angeles Valley College- 4/10 -Minneapolis St. Paul International Film Festival- 4/10 -Phoenix Film Festival- 4/5-15 Date TBA -Rialto Cinemas in Berkeley, CA- 4/11 -Fort Meyers Film Festival- 4/11 -Women+Film Festival in Denver, CO- 4/12 -Honolulu Museum of Art- 4/12 & 4/13 -Belfast Film Festival in Belfast, Ireland- 4/16 -Alamo Drafthouse Winchester, VA- 4/21 -Leeds Film City- 4/14 -Smith Rafael Film Center in San Rafael- 4/25 @ 7pm

Its good to be back thanks for staying tuned and staying stoked. For your patients I have a super extra long episode for you. I share with you what happend to me and my kidney while in Japan during the month of October. Mahalo to the staff f at Mishima Hospital for helping stay alive. We visit with Michael Miller from Tiki's Grill & Bar about his new position on the board of the Hawaii Food Bank. You can Help out and make a donation to the food bank here http://hawaiifoodbank.org We feature music from Kalani Pe'a, Eric Hutchinson, Kahulanui, Willie K, Steff Mariani and comedy as well as a lesson in pigeon from Andy Bumatai. (Hey Andy i think i mispronounced your name several times I'm sorry but i stay dyslexic but still love you) Here are the show notes Aloha and welcome back to Hawaii Posts Hawaii’s only weekly update for weather surf and island events I’m your host Tom e Gaupp a.k.a. Tom e Stokes It’s good to be back and i thank you for staying tuned and staying stoked. In this our 11th episode we have our 777 followed by in interview with Michael Miller a new board member with the Hawaii Food Bank and we will close out the show with a few songs from our events featured artist The month of october was a wild month and I actually made a podcast for the first 2 months but fell short of posting it on my way to the airport. I was in Japan for a few weeks with my family while at Tokyo Disneyland nearly collapsed from abdominal pain, I thought it was just kidney stones but upon the insistence of my wife and father inlay i was taken to the emergency room and diagnosed with acute kidney infection, Pyelonephritis, caused by passing massive kidney stones that caused tearing in the ureter which is the tube between the kidney and the bladder. I was admitted to Mishima hospital for 7 days. It was pretty serious, my blood test revealed deadly levels of bacteria and high white blood cell count. The doctor braced me to prepare for the worse but hope for the best. I was on the verge of sepsis or septicemia which is a blood infection which could lead to septic shock which has a 50% mortality rate. Dr. Suzuki and Dr. Okubo and the whole staff at Mishima Hospital worked hard to heal me and by the grace of God i was cured in 5 days. But its a long road to recovery. It was pretty scary at first, being in a foreign land far from home. My Japanese is pretty limited but i am always trying to learn more and improve my japanese vocabulary. I speak survival japanese I can from greeting to and direction i talk about the weather, food and nod politely but i needed to communicate with the medical staff at the hospital if i wanted tell them how i felt and what i needed or just wanted to know what was going on inside my body. While in the hospital i used google translator app to converse with the doctors, nurses, pharmacist food service and staff. I am blessed to have a loving wife with caring in-laws. Both my mother and father inlaws came to my room several times to check in on me and bring me some much need snack and my favorite VitaC1000 dinks. My wife had to travel on with my boys, because the trip was for my kids and a chance for my wife to visit the grave sites of her recently deceased. Hospitals are no place for kids to hang out so off to Legoland and Kyoto they went. It’s safe to say that most of you may never spend a single day in a Hospital but let me tell you. The staff is so kind and caring the facilities are clean and well managed and the food, i ate everything they served me and enjoyed every bit of it. I tried new foods that prior to my stay in the hospital, might have otherwise passed up for the more popular japanese food such as my go-to sushi plates and udon noodles. But in the Mishima Hospital the dishes were more like japanese country cuisine bamboo shoots, nabe, wide varieties of fish, salads and side dishes. Needless to say after my first two days as i started to regain my health i ate very well. Fortunately i still have my mother and father in my life. My Dad sends my a prayer book from “Today” every two moths, i found it interesting that the first night in the hospital the lesson and prayer was titled “The Stone”. My mom is a retired nurse form the Ohio State University hospital and she is my personal medical assistant always there to help me understand what is wrong with me my wife or kids. She offered insight and loving comfort which was greatly needed at that time Laying in my hospital bed It game me plenty of time to think about my life, loved ones and the direction i would wish to proceed. I busted out some sophmorish artwork to keep up with my 4Buckeyes comic strip (learning that i can’t draw very well and i miss my computer to generate clean graphics and much better text … because my handwriting is worse than my 4 y.o. son) As Sinatra would sing in the standard “My Way”, “Regrets i have a few but then again too few to mention”. I decided that i would confess to this audience and anyone there after that i am not perfect, that i have said and done things that i wish i could take back or do again with a little more love in my heart. I resolved to be a better person every day and practice the golden rule of doing unto others as i would have them do unto me. I asked god for forgiveness, a chance to heal and the strength improve upon my life every day after. I was scared so reached out to my friend and family asking for their thoughts and prayers, something i never have done before but in the darkness of my hospital room thousands of miles from home, i cried in pain and was overwhelmed with sorrow and guilt wanting to be a better husband, father, son and friend to all. With great delight i received the thoughts and prayers from those i asked. It built up my spirit and health. Let me tell you Humility and Prayer works. Remarkably i was healed faster than 7 days the doctor predicted, I was discharged after 5 days and got to re-join my family and travel on to Osaka. Still weak and sore and irritable i realized that changing my was would take time tobe the better person i desire to be. I thank God, my family, friends and the entire staff at Mishima Hospital. Dr. Suzuki, Dr. Okubo, Then nurses Hitomi, Nagisa, Yuka, Yutom, Kaho, Yuka, Azumi, Tomoko. The food service staff Kotomi and Mieko. The pharmacist Yuichi Naito I have a few check ups with my doctor and urologist coming up in the near future but i am on the road to recovery, feeling better. I have started new exercise routines to strengthen my body mind and spirit. While there are many causes for Kidney Stones, Hydration may be the best prevention flushing your system of Oxalate excessive vitamin D or protein. In the last 10 years i have been drinking lots of water but the fact is my stones have been forming all my life and working in the hot sun as a life guard and surf cameraman over the years may have caused dehydration. I think back to my youth and realize that i didn’t drink enough water, even though i was a swimmer surrounded by water i just didn’t drink enough water. My kids take water to school and refill their bottles while at school. I remember this days in school waiting my turn at the drinking fountain and those friendly taunts and teases while i took my turn drinking “Hey save some for the fish!”. My best advise is stay hydrated. I just wanted to share that with you Now on with the show…… Here is your 7 7 7 forecast for Weather Surf and Events for all of the hawaiian islands 7 Day Weather Currently its 84 and sunny Winds have shifted from the typical NE tradewinds to south east winds with bings with it a little more humidity, vog and a good chance of epic sunsets. Light Trades will return on friday november 8th The next 7 days will be mostly sunny with occasional passing showers in the morning and evenings temperatures will range from 69-72 lows and highs from 79-84. Next thursday the 15th we have a good chance of more frequent precipitation https://www.timeanddate.com/weather/usa/honolulu Sun this week sunrise today was 6:38 and the sun set today is at 5:51 providing you with 11hr 13min of daylight losing an average 56 sec of sunlight every day next thursday the 15th sunrise will be 6:42am and sunset at 5:51 giving you 11hr 7min of daylight https://www.timeanddate.com/astronomy/usa/honolulu Our moon phase this week today its at a waxing minimum of 1.7% …. just a teeny tiny sliver that will be nearly invisible since the moon rise is at 7:37 am and moon set at 7:07pm The moon is waxing so that sliver will become a half moon by next thursday the 15th with the moon rise at 1:16pm and will be setting at 12:02am with a rumination of 55.7% In the night Sky Jupiter will set shortly after the sun around 6:45 and visible only aft the sun sets Mercury will set after the sunset @ 7:10 and visible in western sky Saturn is visible directly above after sunset and the will set around 9:10pm Mars will be the prominent planet in the evening setting around 12:50am If you have binoculars you can see Neptune which sets at 2:13a Uranus which will set at 5:32 Venus is a early bird shining bright rising at 5:12a in the east just before sunrise constellations Directly above is Pegasus North - Ursa Minor NW - Draco and Hercules W - High in the sky is Aquila SW - Capricornus above the horizon, Sagittarius along the horizon S - from the horizon looking up you will see Tucana, Pieces and Aquarius SE - Eridunus and cetus above that E - you’ll see Orions left side on the horizon and Pices higher in the East NE - from horizon and above you will see Auriga Perseus & Triangulum SURF High Tides at sunrise and sun set with the lows mid day North Shores: on the rise through the weekend saturday 4-6 with 6-10 faces sunday peaking at 5-8 thats 8-14 faces (2stories) then dropping but expect more bumps and swells throughout the week. West Shores: 2-5 (3-8 faces) Saturday and peaking at 3-6 (5-10) dropping on monday East Shores: holding at 1-2 (2-4faces) sunday may see a secondary swell around 2to 4 (3-7) South Shores holding at 1-2 Events Big Island Hawaii Kona Coffee Cultural Festival OCCURS BETWEEN: FRIDAY, NOVEMBER 9, 2018 - SUNDAY, NOVEMBER 18, 2018, 10:00AM - 5:00PM 48th Annual Kona Coffee Festival, Kona Coffee Cultural Festival on Alii Dr. in Kailua Kona 100% Pure Kona Coffee Half Marathon OCCURS ON: SATURDAY, NOVEMBER 10, 2018, 6:30AM - 11:30AM Come and join us for the 3rd annual 100% Pure Kona Coffee Half Marathon. Run the scenic coastline of Kailua-Kona from Coconut Grove Marketplace Hilo Hula Tuesday At The Bandstand OCCURS BETWEEN: TUESDAY, NOVEMBER 13, 2018 - TUESDAY, DECEMBER 18, 2018, 11:00AM - 12:00PM Every Tuesday from 11 a.m. to 12 noon our well-known local entertainers provide a program of Hawaiian music and hula at this FREE event in Historic Downtown Hilo at the bandstand across from the Hilo Farmers Market.   Maui Above the Fold: New Expressions in Origami OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SATURDAY, DECEMBER 1, 2018, 10:00AM - 5:00PM Gallery hours: Tue – Sun 10 am - 5 pm (Also open before Castle Theater shows and during intermission) Maui Chef's Table OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SATURDAY, DECEMBER 29, 2018, 6:00PM - 9:00PM AN INTERACTIVE, MULTI-COURSE DINING EXPERIENCE Dive into a menu of dishes inspired by The Mill House Chefs' personal stories and told through Maui's seasonal ingredients Hula O Nā Keiki OCCURS BETWEEN: FRIDAY, NOVEMBER 9, 2018 - SATURDAY, NOVEMBER 10, 2018, 8:00AM - 9:00PM Kā'anapali Beach Hotel is proud to host its 28th annual Hula O Nā Keiki – Maui's only children's solo hula competition. This year's event will be held November 9-10, 2018 in the Kanahele ballroom. Chinese Heritage Festival in Lahaina OCCURS ON: FRIDAY, NOVEMBER 9, 2018, 10:00AM - 8:00PM Lahaina celebrates the town's enduring Chinese heritage Oahu Bruno Mars will be in town doing 3 shows tonight Nov 8, sat nov 10, sunday nov 11 Peter Gene Hernandez, known by his stage name Bruno Mars, is an American singer-songwriter and record producer. Raised in Honolulu, Hawaii, by a family of musicians, Mars began making music at a young age and performed in various musical venues in his hometown throughout his childhood. He graduated from high school and then moved to Los Angeles, California Hawaii International Film Festival (38th Annual) OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SUNDAY, NOVEMBER 18, 2018 Established as the premier international film of the pacific at the Regal Cannery Theaters 735 Iwilei Rd Bishop Museum Presents the "Rapa Nui: The Untold Stories of Easter Island" Exhibition OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SUNDAY, MAY 5, 2019, 9:00AM - 5:00PM More than 150 cultural treasures and never-before-seen biological specimens from Bishop Museum’s collections will be on display together for the first time in the Celebrating the 150th Anniversary of the Meiji Restoration and Immigration to Japan Exhibition OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SUNDAY, JANUARY 6, 2019, 10:00AM - 4:30PM In 1868, Japan underwent a political revolution. With the coronation of Emperor Mutsuhito (known commonly as the Meiji Emperor), the Imperial Family regained political control, and the feudal stratocracy Honolulu Museum of Art @900 S Beretania HIC Pro OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - FRIDAY, NOVEMBER 9, 2018, 8:00AM - 4:00PM The HIC Pro annually kick-starts the North Shore’s competitive surf season and is characteristically graced with monstrous surf and high drama. The event takes place at Sunset Beach, which is one of the world’s most preeminent deep-water big wave spots that spans across a stadium-sized venue Royal Hawaiian Band At Kapiolani Bandstand OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - SUNDAY, NOVEMBER 25, 2018, 2:00PM - 3:00PM Founded in 1836 by King Kamehameha III, it is the only band in the United States with a royal legacy. With cultural roots dating back to the time of the Hawaiian monarchy, the mission of the Royal Hawaiian Band is to promote and foster hawaiian music The Music of Pink Floyd OCCURS ON: FRIDAY, NOVEMBER 9, 2018, 7:30PM - 10:00PM Any Colour You Like - https://youtu.be/bK7HJvmgFnM Windborne Music and Brody Dolyniuk are back! Last season we brought you The Music of Journey and The Music of Led Zeppelin – this season, we're bringing you Windborne's Rock Symphony The Music of Pink Floyd, featuring singer Brody Dolyniuk. World War One Centennial and Veteran's Day Commemoration OCCURS ON: SUNDAY, NOVEMBER 11, 2018, 6:00AM - 8:30PM In Commemoration of the 100th anniversary of the end of WWI there will be a full day of activities at or around the Waikiki Natatorium War Memorial. Hawaiian Pro OCCURS BETWEEN: MONDAY, NOVEMBER 12, 2018 - SATURDAY, NOVEMBER 24, 2018, 8:00AM - 4:00PM The opening event of the Vans Triple Crown of Surfing, the Hawaiian Pro has created a local legacy that sets the bar for competition and initiates the start of peak surf season on Oahu. The break at Haleiwa Ali‘i Beach, simply referred to as ‘Haleiwa’, offers a wide variety of rideable Vans Triple Crown of Surfing OCCURS ON: MONDAY, NOVEMBER 12, 2018, 8:00AM - 4:00PM The Vans Triple Crown of Surfing has been crowning the greatest competitive surfer of the North Shore's infamous big wave season alongside elite World Champions for 36 years. Oahu attracts the world's best athletes to a 7-mile stretch of coastline in Haleiwa from October through December, Diamond Head Arts & Crafts Fair 2018 OCCURS ON: SUNDAY, NOVEMBER 11, 2018, 9:00AM - 2:00PM Enjoy your day doing your Christmas shopping early at this community event for the whole family, featuring Made in Hawaii arts and crafts, plants, food, entertainment and cultural events and lots of free parking. With more than 200 crafters and handmade crafts, @ Kapiolani Community College BLUE NOTE HAWAII FEATURES Kalani Pe’a No ‘Ane’i - https://youtu.be/UqPBOkks5_Y OCCURS ON: FRIDAY, NOVEMBER 9, 2018, 6:30PM - 11:00PM Kalani Pe’a will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Kalani's soulful voice showcases his many influences growing up, but his love for our culture keeps it right where it needs to be," said Jaz Kaiwikoʻo. Peʻa was determined in perpetuating Hawaiian Eric Hutchinson Eric Hutchinson - a million bucks on a queen motel bed (The FlowerSchool Sessions https://youtu.be/Bwjy7V8sfVw OCCURS BETWEEN: SATURDAY, NOVEMBER 10, 2018 - SUNDAY, NOVEMBER 11, 2018, 6:30PM - 11:00PM Eric Hutchinson will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Singer, songwriter, performer, producer, DJ - Eric Hutchinson is a constantly evolving musician, driven by his passion and curiosity for all things musical and creative Kahulanui E Mau - https://youtu.be/hqR6zkTcbYI OCCURS ON: MONDAY, NOVEMBER 12, 2018, 6:30PM - 11:00PM Kahulanui will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. GRAMMY® nominated and Nā Hōkū Hanohano Award-winning group Kahulanui is a nine-piece Hawaiian Swing Band from the Big Island of Hawaii, comprised of four horns, guitar, bass, ukulele, drums and steel. Willie K You Ku’uipo - https://youtu.be/txQj9pOCPMY OCCURS ON: TUESDAY, NOVEMBER 13, 2018, 6:30PM - 11:00PM Willie K Will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. The Hawaiian phenomenon Willie K is undoubtedly the only artist in the world who can go into an Irish pub in the middle of Maui and play anything from indigenous acoustic Hawaiian music to jazz, reggae, rock Stef Mariani Stay Gold https://youtu.be/5JUxDux2rt0 OCCURS ON: WEDNESDAY, NOVEMBER 14, 2018, 6:30PM - 11:00PM Stef Mariani will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Stef Mariani delivers sensitive folk melodies and driven lyrics that come together to form a passionate sound straight from the heart. Andy Bumatai Presents Hawaii Comedy Showcase Hawaiian Pidgin 101 - Ethnicities https://youtu.be/e_LVtykh09w OCCURS ON: THURSDAY, NOVEMBER 15, 2018, 6:30PM - 11:00PM Andy Bumatai Presents Hawaii Comedy Showcase will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. The Blue Note is very proud to present this showcase of the hottest comedians in Hawaii and hosted by our friend and Hawaiian Comedy Legend, Andy Bumatai! ♫ Mr. Sun Cho Lee ♪ (with lyrics) ♫ Keola & Kapono Beamer Mr. Sun Cho Lee - https://youtu.be/kS2YLvGGtwY Kauai In the Kitchen - Poipu Food & Wine Festival OCCURS ON: THURSDAY, NOVEMBER 8, 2018, 8:00AM - 6:00PM Cook with some of Poipu's finest Chefs at this year's Poipu Food Wine Festival. Participate in a hands-on cooking class with some of Poipu’s top chefs in their own restaurant. Classes at $50.00 per person per class will be limited in size and include a tasting and a commemorative gift. NTBG Free Weekly Hula Show OCCURS BETWEEN: THURSDAY, NOVEMBER 8, 2018 - THURSDAY, DECEMBER 26, 2019, 2:00PM - 2:45PM Come out the National Tropical Botancial Garden South Shore Visitors Center and experience a traditional hula performance. Wahine Comedy Festival (4th Annual) OCCURS BETWEEN: FRIDAY, NOVEMBER 9, 2018 - SATURDAY, NOVEMBER 10, 2018, 8:00PM - 10:00PM The Female Comics of Hawaii present the 2018 4th Annual Wahine Comedy Festival at Trees Lounge in Kapaa on Veteran's Day weekend: Friday 11/9 and Saturday 11/10 8-10pm both nites. Enjoy original standup comedy. Na Hoku comedy album winner Brandi Morgan from Oahu headlines

Matt sits down with Chris Edwards and Kim Coffee-Isaak of Hawaii Craftsmen, celebrating its 51st Statewide Juried Exhibition at the Honolulu Museum of Art School Gallery. Listen in as Kim and Chris share their creative insights on this timeless event. http://www.hawaiicraftsmen.org/page-1853256

Show Notes HiP 010 9/23/18   Featuring music from: Kelii Mawae The Brian McKnight 4 Jeff Peterson DeAndre Brackensick Shawn Pimental Rodney Cazimero Kumuhau Na Leo Pilimehana Brother Noland For more information and some accompanying videos for music and events, please go to Hawaiiposts.com and view the show notes for HiP 010 Weather Ref: timeanddate.com Currently  86 and mostly sunny winds from the east at 10mph Humidity currently 57% on the rise 75% tonight Forecast This week  Highs 84-89 next thursday being the hottest throughout the week the chance of early morning and late evening showers increase tuesday has the greatest percipitation predicted winds will remain calm between 5-15 from the east sunday thru tuesday we will have some south winds  bringing up the humidity.   Sun Rise 6:20  Sun Set  6:28 Friday daylight 12h 1m   Next Thursday Sun Rise 6:21  Sun Set  6:22   Remember we lose 1:12 seconds of day light each day just over 8 minutes a week     Our Night Sky   Moon is currently 90% full illumination On its way to the Harvest Moon on Sept 24   Most years, the Harvest Moon is in the month of September, but around every three years, it occurs in October, as it does in 2017   Harvest Moon is the most well-known of all the Full Moon names. Some sources claim the name originates from ancient Native American month names, while others point out that Harvest month was recorded as early as in the 700s in both Anglo-Saxon and Old High German languages. In ancient times, it was common to track the changing seasons by following the lunar month rather than the solar year, which the 12 months in our modern calendar are based on.   The most common Native American names for the September Full Moon is Full Corn Moon and Barley Moon, and these names do not vary with the equinox.     Regardless of where the name originated, the astronomical significance of the Harvest Moon is the same all over the Northern Hemisphere. The Full Moon closest to the September equinox is astronomically special because the time between one moonrise to the next becomes shorter around this time.   Normally, the Moon rises on average 50 minutes later every day in a lunar month, which is the time it takes the Moon to travel through all the Moon phases. However, for a few days around the Harvest Moon, the Moon rises less than 50 minutes later than the day before. In the old days, the early moonrise for a few days around the equinox meant that farmers could work and harvest their crops for a longer time in the evenings.   Moon Rise Today 4:44p Next Thurs 8:34   Constellations Pisces  e Phoenix se horizon Aquarius s Saggitarius sw Scorpius sw horizon   Institute for Astonomy http://www.ifa.hawaii.edu/publications/starcharts/  Mercury is to close to the sun ti be visible setting at 6:34p Venus8:10p Jupiter 9:15p Saturn12:00a Mars 2:14a Uranus 8:45a SURF REPORT North  Flat to a half foot (lake haleiwa offers great diving beaches and water sports) South 1-2 on the holding may have south swell  tuesday — high tides mid days East 2-3 declining to 1-3 which will hold throught the week West Flat to a half foot (lake haleiwa offers great diving beaches and water sports) Currently NO Advisories for Hawaiian waters Island Events!!! Friday to Thursday night Sept 21 - 27 2018   information ref: https://www.gohawaii.com     Kaua’i Kauai Mokihana Festival 2018 OCCURS BETWEEN: SUNDAY, SEPTEMBER 23, 2018 - SATURDAY, SEPTEMBER 29, 2018   The Kauai Mokihana Festival, September 23-29, 2018, Presents: September 23, 10a, Kapaa First Hawaiian Church Service, 4-1320 Kuhio Hwy. Stories of Hawaii CraftFood Fair Hula Competition: Solo/Group Flowerless Lei Contest. Free and donations are accepted   Art Kaua`i 2018 OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SATURDAY, OCTOBER 27, 2018, 12:00PM - 6:00PM   The Kauai Society of Artists presents its 33rd Annual Art Kauai--the premier art exhibition for artists to display their original artwork in the categories of Ceramics, Fiber, Glass, Metal, Painting, Photography, Sculpture and Wood.  The Kauai Society of Artists Gallery  Kukui Grove Caner…. in Lihue   Sunday Farmers Market - Kalalea Anahola Farmer's Hui OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SUNDAY, FEBRUARY 17, 2019, 10:00AM - 2:00PM   A Hawaiian style market featuring local farmers and artisans with their fruits, vegetables, plants/flowers, crafts, jewelry, lei, plate lunches, etc. The market is sponsored by the Kalalea Anahola Farmer's Hui. The Kalalea/Anehola Farmer's Hui is a nonprofit farmer's organization Hokualele Market Place in Anahola   Hanapepe Friday Night Festival & Art Walk OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - FRIDAY, SEPTEMBER 28, 2018, 5:30PM - 9:30PM   Come join the festivity! Every Friday evening, Old Town Hanapepe is bustling with fun & activity! With a wide variety of shopping, local crafters, several excellent restaurants, a dozen art galleries, stilt walkers, classics cars, live music and entertainment, there is always something   Kelii Mawae of Molokai song: "Wai Ulu"   Hawaiian Slack Key Guitar & Ukulele Concert - Honoring Kelii Mawae of Molokai OCCURS ON: SUNDAY, SEPTEMBER 23, 2018, 3:00PM - 5:00PM   Award winning traditional Hawaiian slack key guitar & ukulele concert featuring songs & stories telling its history. Gift Drawing. Family Friendly. Tickets $25 Hanalei Community Center, Malolo Road in Hanalei   Oahu It Comes in Threes: An Evening of Quick Comedies OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SUNDAY, SEPTEMBER 23, 2018, 9:30PM - 10:30PM   A night of hilarity is sure to ensue at Late Night's Production of It Comes in Threes: An Evening of Quick Comedies. This performance features three one-act comedies, including Christopher Durang's The Actor's Nightmare, Kennedy Theater on the UH campus     The Brian McKnight 4 - The Sequel OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SATURDAY, SEPTEMBER 22, 2018, 6:30PM - 10:30PM The Brian McKnight 4 will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Brian McKnight is a New York based R&B and soul musician whose smooth sound has earned him 16 Grammy nominations,   Aloha Festivals Waikiki Hoolaulea OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 7:00PM - 10:00PM The Annual Waikiki Hoolaulea is Hawaii's largest block party. Thousands of people will take to the streets along Kalakaua Avenue for food, fun and entertainment. There will be performances by the various genres of Hawaiian music and hula halau (hula schools). Hawaiian crafts and flower leis and In Downtown Waikiki Hawaii's Woodshow™ (26th Annual) OCCURS BETWEEN: SATURDAY, SEPTEMBER 22, 2018 - SUNDAY, OCTOBER 7, 2018, 10:00AM - 5:00PM Hawaii's Woodshow™ is the premier statewide exhibition of exquisite woodwork by talented woodworkers from Hawaii and abroad who submit entries showcasing the versatility and beauty of Hawai‘i woods across design mediums including furniture, woodturning, sculpture and musical instruments. Honolulu Museum of Art on Victoria Street Ohio State Alumni Gamewatch at Giovani Pastramis OHIO v Tulane @9am 4 Buckeyes   UH FOOTBALL SATURDAY @ 6p Saturday Sep. 22 Duquesne Dukes (HC) Aloha Stadium, Honolulu, HI   Unreal: Hawaiʻi in Popular Imagination OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SUNDAY, JANUARY 27, 2019, 9:00AM - 5:00PM Bishop Museum’s new exhibition “Unreal: Hawaiʻi in Popular Imagination” presents rare images and objects drawn from one of the largest private collections of Hawaiʻi-themed printed ephemera. The exhibition gives visitors a unique opportunity to see the breadth of Hawaiʻi-themed commercial art     Day at Queen Emma Summer Palace (42nd Annual) OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 9:00AM - 4:00PM   Join the Daughters of Hawaiʻi for their 42nd Annual Day at Queen Emma Summer Palace. Enjoy a festive day of Hawaiian music and hula performances. MC are Kimo and Leilani Kahoʻāno. Musical entertainment include Royal Hawaiian Band, Punahou Alumni Glee Club, Jerry Santos   Waikiki Artfest OCCURS BETWEEN: SATURDAY, SEPTEMBER 22, 2018 - SUNDAY, SEPTEMBER 23, 2018, 9:00AM - 4:00PM   Our Waikiki Artfest is located in Kapiolani Park at the Diamond Head end of Waikiki. We host approximately 60 fine artists and Made in Hawaii handcraft artisans who create and display their own artwork for sale. We have casual entertainment shave ice, and great food for our guests.   Eat The Street - Honolulu Oktoberfest OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 5:00PM - 9:00PM   This year the Honolulu Oktoberfest is moving to a new location, the Bishop Museum! The upscaled event this year will include German and Hawaiian live music, German food, lawn games and plenty of Oktoberfest Beers from all around the world. This year's Collectable mug will also come with a collectible bottle opener   Local Comedy Showcase at the Dragon Upstairs OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 7:30PM - 9:30PM Come to our diverse local comedy showcase at the Dragon Upstairs in Chinatown! These comics are very talented and unique and are guarenteed to make you laugh out loud. Spend a date nite or meet new friends at this monthly comedy show. Coe Snyder hosts and Shannon Canton, Lance Liverman, Paco Loco   Slack Key with Jeff Peterson OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 12:00PM - 12:45PM Jeff Peterson is one of Hawaii’s most versatile and respected musicians. His passion for the guitar has allowed him to shine as a solo artist and has given him the opportunity to collaborate with a wide variety of artists from Hawaii, the mainland and abroad. His focus on Slack Key guitar   Hawaii State Library on King Street next to the palace   Living History Day OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 9:00AM - 4:30PM Living History Day 2018 When: Saturday, September 22, 2018, 9 am – 4:30 pm In affiliation with Smithsonian Magazine’s Museum Day Live!, Pacific Aviation Museum Pearl Harbor will bring America’s history during World War II to life at its annual Living History Day.   Na Wahine O Ke Kai - End Of Race In Waikiki (40th Anniversary) OCCURS ON: SUNDAY, SEPTEMBER 23, 2018, 8:00AM - 3:00PM   Hale O Lono Harbor, Molokai, to Waikiki Beach, Oahu (41 miles) Race Time: Race is scheduled to begin at 8 a.m. Race Day  Sunday, September 23, 2018: Pule: 7:00 a.m. Race start: 8:00 a.m. Finish Time: Approximately 1:00 p.m.  1st Finishers, at Waikiki Beach Event Ceremonies: 12:00       DeAndre Brackensick & Shawn Pimental OCCURS ON: SUNDAY, SEPTEMBER 23, 2018, 6:30PM - 11:00PM DeAndre Brackensick & ShawnPimental will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. California native DeAndré Brackensick found his start to singing in his local gospel church. Although he is widely known for his run to the Top 8 on American Idol Season 11   Rodney Cazimero OCCURS ON: TUESDAY, SEPTEMBER 25, 2018, 6:30PM - 11:00PM Rodney Cazimero will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. Rodney composed 14 original songs on his first CD, Kohala Moon and received 2 Hoku Hanohano Nominations. He is currently a featured solo singer with the famous Royal Hawaiian Band. Doors open at 5:00pm    Kumuhau OCCURS ON: WEDNESDAY, SEPTEMBER 26, 2018, 6:30PM - 11:00PM Kumuhau will be performing at Blue Note Hawaii with 2 shows nightly at 6:30pm & 9:00pm. The dynamic group of musicians have over 50 years of experience, collectively, in the Hawaii music scene. Doors open at 5:00pm and 8:30pm respectively.   Molokai Molokai Canoe Festivals Presents - 5th Annual Kulaia Hoolaulea OCCURS ON: FRIDAY, SEPTEMBER 21, 2018, 5:00PM - 10:00PM In remembering the early years of the Molokai Hoe along with the Aloha Festivals Hoolaulea at Hale o Lono, this was Molokai's version of kulaia. The festivities lasted an entire weekend and the spirit of aloha radiated to all; including our Molokai community, paddlers, visitors and spectators from   Na Wahine O Ke Kai - Start In Molokai (40th Anniversary) OCCURS ON: SUNDAY, SEPTEMBER 23, 2018, 8:00AM - 3:00PM   Hale O Lono Harbor, Molokai, to Waikiki Beach, Oahu (41 miles) Race Time: Race is scheduled to begin at 8 a.m. Race Day Sunday, September 23, 2018. Pule: 7:00 a.m. Race start: 8:00 a.m. Finish Time: Approximately 1:00 p.m.     Maui   Maui Sunday Market OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - SUNDAY, OCTOBER 28, 2018, 4:00PM - 8:00PM   Don't miss this week's "Maui Sunday Market." Held each Sunday, from 4 pm to 8 pm, in the Kahului Shopping Center parking lot, this popular event features island vendors (crafters, artisans, food purveyors, and more); entertainment; food trucks; and activities showcasing Hawaiian Cultural   Chinese Moon Festival in Lahaina OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 5:00PM - 9:00PM   Lahaina pays tribute to the island's harvest of locally grown produce as well as honored traditions from China during its annual Moon Festival at the Wo Hing Museum and Cookhouse on Front Street. A display of colorful lanterns and offerings to the moon goddes   Festivals Of Aloha - Aloha Friday OCCURS ON: FRIDAY, SEPTEMBER 21, 2018, 5:00PM - 9:00PM   Wind down your week with a heart warming Hawaiian event, at the piko (center) of Maui, Queen Kaahumanu Shopping Center. Free to the public, come enjoy and evening of Hawaiian music, hula and more!       Hawaii Big Island   Hula Arts At Kilauea: Aloha Friday Program - Lei Making with Kaipo AhChong Ukulele Master Wes Awana, Master Lei Maker, Randy Lee OCCURS BETWEEN: FRIDAY, SEPTEMBER 21, 2018 - FRIDAY, DECEMBER 28, 2018, 11:00AM - 1:00PM   The lei is a Hawaiian flower garland that is worn for many different special occasions.  The lei also represents and symbolizes a variety of celebrations from friendship, love, welcoming, departures and everything in between.  Come join agriculture farmer Kaipo AhChong TEMPORARILY at Volcano Art Center   Cool Fusion: Festival of 1000 Bowls (12th Annual) OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 11:00AM - 2:00PM The Donkey Mill Art Center is serving up its 12th annual Cool Fusion: Festival of 1000 Bowls, featuring oodles of noodles, handmade ceramic ware, live performances by Kona Dance and Performing Arts, Big Island Music Academy, and more! And did we mention gelato?   O Kau Kakou 5th Annual Kau Coffee Trail Run 2018 OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 7:00AM - 2:00PM   The 5th Annual Kau Coffee Trail Run       The Kau Coffee Trail Run offers moderate to highly-challenging 5K, 10K and 1/2 marathon races through macadamia nut and coffee fields along the beautiful slopes of rural Kau on the southern side of Hawaii Island.  Race Date: September 22, 2018     Registration starts May 1st     Race Start Time: 7:00am    Register online at: https://www.webscorer.com/register?raceid=128145        Sponsored by: Kau Coffee Mill, County of Hawaii, State of Hawaii   Na Leo Pilimehana OCCURS ON: SATURDAY, SEPTEMBER 22, 2018, 7:00PM - 9:00PM   Na Leo Pilimehana, which in Hawaiian means "voices blending together in warmth," is the most popular, most award-winning and top-selling female Hawaiian group in the world. Na Leo consists of three childhood friends, Nalani Jenkins, Lehua Kalima, and Angela Morales. Kahilu Theater in Kameula   Brother Noland @ Royal Kona Resort Sept. 27 - 7pm Brother Noland: Composer, Innovator, Traditional Hawaiian Man Brother Noland has deeply influenced contemporary Hawaiian music and is widely considered as the “Father of Jawaiian Music.” Fluid in both Slack Key and standard guitar tunings, Brother Noland goes wherever the music carries him. “As far back as I can remember,” Noland says, “I was always surrounded by the beautiful sounds of Hawaiian music.” Brother Noland is popular for his unique interpretations (or “Nolandization”) of songs yet remains respectful of traditional Hawaiian music and culture. Born and raised in Kalihi-Palama on the island of O’ahu, Brother Noland is most famous for his original song “Coconut Girl,” which birthed the “Jawaiian” contemporary style (fusion of Hawaiian & Reggae) music. He has won numerous Nā Hōkū Hanohano Awards including Best Reggae Album and his music is featured in several movies including “Pineapple Express” and “Snakes in the Plane.” He is regularly featured in Slack Key Guitar festivals around the islands.    

33! Ryan is on his way back from the mainland, so Josh is flying solo into the new year. After recapping the outstanding event that friend of the show Dr. Akiemi Glenn and the Popolo Project put on at the Honolulu Museum of Art, featuring Ta-Nehisi Coates and two excellent films, Josh examines Supreme Court nominee Brett Kavanaugh's troubling views on Native Hawaiian rights (shoutout to Mazie Hirono and Civil Beat's Nick Grube), a new twist in Honolulu's biggest law enforcement corruption case, and the sad passing of Maka, the world's oldest monk seal, -- at the Waikiki Aquarium. Then, it's our big feature story of the week: who is the Hawaii GOP bringing to its Constitution Day fundraiser, and why should you care? Josh shares the illustrious biographies and "greatest hits" of Stephen Moore, Candace Owens, and Turning Point USA's Charlie Kirk, and discusses how Trumpism and the conservative media victim/grifter complex might consume our local Republicans just as they have devoured the national Republican Party. UPDATE: After recording, we found out Kirk and Owens are going to be at UH Manoa Campus Center on 9/20, hosting a TPUSA event/troll session called "White Privilege Is a Myth: Change My Mind." So that should be....interesting? We had no idea there was a TPUSA Chapter at UH, but it's probably just for the kids who couldn't name enough breakfast cereals to join the Hawaii Proud Boys. We conclude with a special shoutout to a previous guest and a new track ("My Vibe") from our good friend TTA. Ryan will be back next week, but until then, please like, share, subscribe, and rate us wherever you get your podcasts! PS: Stay dry tomorrow everyone!

Matt is joined by Michael Ceballos and young filmmakers Phoenix Valentine, Rosemary Kulhavy-Sutherland, and Allen Carmichael, to discuss the second Cultural Animation Film Festival (CAFF) at the Honolulu Museum of Art’s Doris Duke Theatre. http://caff2018.twiddleproductions.com/index.html 

Joining Matt is the dynamic artist and educator, Hannah Craft. Born in Virginia, Hannah is well-traveled and educated through the US and many parts of the world. She has been honing her craft in Hawaii since 2014, as well as managing the Outreach programs at the Honolulu Museum of Art School. https://honolulumuseum.org/11984-art_school

Matt sits down with UH Professor, Poet, and Scholar, Joseph Stanton. Joe has nearly 50 years at UH Manoa, pursuing his passions and creating works in literature, poetry, art history and sports. His new book is out in bookstores, and soon Joe will be teaching poetry at the Honolulu Museum of Art. http://www.hawaii.edu/art/people/faculty+staff/?p=151

Joining Matt is Maya Portner, a visual artist and UH Manoa instructor. Maya has exhibited her work nationally and internationally and is the most recent recipient of the Catharine E.B. Cox Award for Excellence in Visual Arts – bestowed by the Honolulu Museum of Art. http://www.hawaii.edu/art/people/faculty+staff/?p=448

Joining Matt for the first show of 2017 is Lesa Griffith, Director of Communications for the Honolulu Museum of Art. Lesa shares her Top 5's: 5 noteworthy HMA highlights from 2016, and 5 exciting things to look for in 2017 at the Museum! http://www.lesagriffith.com

Joining Matt are Jasmine Takanikos and Bliss Lau, instructors at the Parsons School of Design in New York City. Both are in Honolulu this week for a progressive and innovative workshop at the Honolulu Museum of Art entitled “Centering Your Brand.” http://honolulumuseum.org/events/15964-centering_your_brand_workshop_bliss_lau_and_jasmine_takanikos

Matt chats with Taylour Chang, the bright and energetic new director of the Doris Duke Theatre at the Honolulu Museum of Art. Taylour brings her accomplished film making artistry to the Doris Duke Theatre, carrying on its rich tradition of showcasing the innovative edges of the theater experience in Honolulu. https://honolulumuseum.org

Venture into the exotic, creative world of Tokyo street fashion with Sarah Oka, Curator of Textiles at the Honolulu Museum of Art. Listen in as Sarah gives us an in-depth look into this whimsical, often fantastic, fashion fringe that could only be described as an expressive world unto its own. Sarah crafted and curated the show displayed at the HMA directly from her own travels and exposure. http://blog.honoluluacademy.org/tag/sara-oka

Joining Matt is Aaron Padilla, Director of Spalding House, the Tantalus venue of the Honolulu Museum of Art. Aaron will share the excitement and context for the current show “Plastic Fantastic,” as well as the adventurous mission of his curatorial team. https://honolulumuseum.org/11981-spalding_house

Renowned local artist Solomon Enos and exhibit curator Joshua Tengan join Matt to discuss the provocative show "CONTACT" showing at the Honolulu Museum of Art School Gallery. http://www.solomonenos.com

Joining Matt is Christine Koroki, one of the organizers of Pecha Kucha Honolulu. Listen in as we discuss this unique presentation format as well as announce the theme and 10-speaker list for this Friday night's "Pecha Kucha #26" being held at the Honolulu Museum of Art School Courtyard. https://www.pechakucha.org/cities/honolulu

Matt spends the hour with Ms. Healoha Johnston, the Curator of Arts of Hawaii at the Honolulu Museum of Arts. Born and raised in Hawaii and steeped in experience from years on the mainland, Healoha is a fresh new face to the Honolulu Museum team, joining in early 2015 as its first ever curator focused exclusively on Hawaii's singular art history and its relationship to our community and the broader art world. http://honolulumuseum.org/events/lectures_performances/15315-artists_hawaii_public_lecture_assistant_curator_healoha_johnston

Stephan Jost from the Honolulu Museum of Art stops by for a conversation with Matt. http://blog.honoluluacademy.org/tag/stephan-jost

Discussion of John Barrymore’s theft of the pole (Kooteeya) from the unoccupied village of Tuxican, Prince of Wales Island, its subsequent travels and trophy display on the estates of Barrymore and later that of fellow actor Vincent Price, its incongruous transfer to the Honolulu Museum of Art, and its recent discovery there by Prof. Langdon in February, 2013 will highlight the presentation. Now stored in the basement of the Museum, the fate of the pole is presently being considered. Professor Stephen J. Langdon, UAA Anthropology Department, is author of the book The Native People of Alaska and recipient of prestigious 2012 Edith R. Bullock Prize for Excellence. (Note: Lecture recording finishes at 57:31. Q & A has sound gaps)

Discussion of John Barrymore’s theft of the pole (Kooteeya) from the unoccupied village of Tuxican, Prince of Wales Island, its subsequent travels and trophy display on the estates of Barrymore and later that of fellow actor Vincent Price, its incongruous transfer to the Honolulu Museum of Art, and its recent discovery there by Prof. Langdon in February, 2013 will highlight the presentation. Now stored in the basement of the Museum, the fate of the pole is presently being considered.

Stephan Jost discusses how the Honolulu Museum of Art works to serve its military community. 

Stephan Jost discusses how the Honolulu Museum of Art works to serve its military community. [25:56]

Stephan Jost discusses how the Honolulu Museum of Art works to serve its military community. [25:56]

Stephan Jost discusses how the Honolulu Museum of Art works to serve its military community. [25:56]