Podcasts about Hatsune Miku

Al and Kev talk about their favourite games this year so far Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:23: What Have We Been Up To 00:25:31: Game News 00:43:48: Story Of Seasons X Royal Zoological Society of Scotland 00:47:59: Mid-year Check-in 01:18:11: Outro Links Moonlight in Garland 1.0 Release Above Snakes Console Release Out and About Release Coral Island 1.2 Update Sugardew Island Dog Aether Wizard Life “Announcement” Trailer Fields of Mistria Merch Collection Story of Seasons x Royal Zoological Society of Scotland Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al. (0:00:36) Kev: My name is Kevin. (0:00:38) Al: And we are here today to talk about cottagecore games. (0:00:41) Kev: Wooo! (0:00:43) Al: I’m back from my holiday. Hello. (0:00:45) Kev: You… from the Isle of Men… (0:00:49) Kev: I don’t know where you were. (0:00:49) Al: All the men. Yeah, I know that’s where I was. I love man, as usual. Yes, I’m back. (0:00:51) Kev: I don’t know where you were. (0:00:54) Kev: Okay. (0:00:56) Kev: Yeah. (0:00:58) Kev: The opposite of No Man’s Sky. (0:01:00) Al: Almanska, yeah. I’m melting because I got home and it’s apparently 25 degrees and that’s too hot for me. (0:01:01) Kev: Heh. Heh heh. (0:01:10) Kev: So, look, the people, you know a lot of Americans, (0:01:15) Kev: and we love to give you a hard time (0:01:16) Kev: because those are nothing numbers for us, (0:01:19) Kev: but I will say, you know, (0:01:20) Kev: I think something a lot of Americans easily overlook (0:01:24) Kev: is you’re pretty far up north. (0:01:26) Al: Mm hmm. Yeah. Yeah, yeah, yeah, I’m further north. I’m further (0:01:26) Kev: Well, like latitude-wise, right? (0:01:28) Kev: Like you’re Canada north, which gets frosty. (0:01:32) Al: north than all America except that last (0:01:33) Kev: Yeah. (0:01:36) Kev: Yeah, so, you know, that’s fair, (0:01:39) Kev: But, but we’re still going to. (0:01:40) Kev: I’m laughing, you know. (laughs) (0:01:41) Al: Well, also, it’s interesting because like every time that someone like from a warmer (0:01:47) Al: place moves to the UK and then the experience, the UK summer, they’re like, oh, people weren’t (0:01:53) Al: just talking nonsense. It is, it’s different. And it’s hard to explain. I don’t know why, (0:01:59) Al: but it is just, it is, I don’t know. Like I don’t know, because I’ve never lived in (0:02:03) Kev: Wha- (0:02:04) Al: a hotter place. But all I will say is that lots of people who have lived in really hot (0:02:09) Al: places come to the UK (0:02:11) Al: and say that the heat is different. (0:02:13) Kev: Huh, I mmm. I don’t know I mean well (0:02:16) Kev: I will say this right like one thing you guys aren’t built for warmer temperatures generally speaking not like (0:02:23) Kev: Alright, so you know down here in the American South for instance, right? (0:02:27) Kev: We have air conditioning so you know you can go in a building and escape the heat (0:02:32) Kev: And that’s not always the case over there in there (0:02:33) Al: Yeah, my office is currently warmer than outside. So, but also I am ginger, so definitely not built (0:02:37) Kev: Yeah, there you go see so say yeah (0:02:43) Al: for heat. Yeah, yeah, I use factor 50 sun cream. All right. This episode we’re going to do, (0:02:44) Kev: Here’s biologically sensitive to pretty much everything (0:02:58) Al: uh, I think, I think Cody and Kevin insinuated that this episode would be the tales of the (0:03:03) Al: shower episode is not, that’s going to be in a couple of weeks, just because we’re having some (0:03:07) Al: scheduling things and, uh, you know, want to make sure we’ve, uh, the game has been played properly (0:03:13) Al: before it is covered. So that will be in a couple of weeks. Um, this week we’re going to talk about, (0:03:19) Al: we’re going to do a major check-in, see how we’re feeling about games for the year. Um, this is (0:03:24) Kev: Mm-hmm (0:03:24) Al: obviously not our game of the year episode that will be in five months, no, four months, four (0:03:30) Kev: Pudby (0:03:32) Al: More months! (0:03:33) Kev: That’s not I’m going to pretend you didn’t say that I’m going to pretend you didn’t say that (0:03:34) Al: That’s how time works, apparently. (0:03:41) Al: It’s halfway through August, and that means it’s four and a half months to the end of the year. (0:03:44) Kev: That’s not true (0:03:46) Al: It also means it’s nearly my birthday, but anyway. (0:03:50) Kev: Well, so get the two-third year check-in (0:03:54) Al: We are going to… We’re just calling… I said mid, not half. I said mid-years, (0:03:59) Al: Yeah, so we’re gonna talk about what we would talk about again. (0:04:04) Al: And what we think might be in the running for Game of the Year this year. (0:04:08) Al: We’ll see. I’ll be interested to see whether we’re right or not. (0:04:12) Kev: All right, I’m first question have I played enough games to come up with three? (0:04:18) Al: Ah, who cares? Before that, we’ve got a bunch of news. But first of all, Kevin, what have you been up to? (0:04:26) Kev: Oh (0:04:27) Kev: Okay, so (0:04:30) Kev: Okay, where should I start? Okay, you know, I’ll start with this (0:04:32) Kev: Okay, the battle cats mobile game with the funny you are our art in the cats. They’re goofy looking (0:04:39) Kev: I’ve discussed it on the show before (0:04:42) Kev: So that’s a game I go on and off and generally something draws me back to it and (0:04:50) Kev: The what is the number one crossover to draw me to any game out (0:04:54) Al: Oh wow, oh goodness. Number one. We had this exact same conversation a month and a half ago, (0:04:58) Kev: Number one (0:05:04) Al: and I can’t remember what the answer was, and I feel like I overthought it, (0:05:04) Kev: Probably (0:05:07) Al: just like I’m overthinking it just now. (0:05:09) Kev: You are I don’t know what but (0:05:12) Kev: It was probably the same because it’s crosses over the law. There you go (0:05:13) Al: Probably. Sonic. Ah, yay, I got it right this time. (0:05:19) Kev: Sanic in in in in the battle cats (0:05:22) Al: Sonic’s in Battlecat! (0:05:24) Kev: Yeah, it’s actually I forgot to bring it up last week (0:05:26) Kev: It was - it started two weeks ago from recording and today I think is the last day. Sorry listeners too late for you (0:05:33) Kev: He’s not but neither is (0:05:37) Kev: Hatsune Miku or (0:05:39) Kev: Street fighter, but they’re in there (0:05:40) Al: I don’t know. If somebody told me that Hatsune Miku is a cat, I would believe it. (0:05:48) Kev: you know, um, you know what, that’s fair. That’s fair. Um, here, let me, uh, as, as we do, I’ll, yeah, I’ll do the, the slack thread. (0:05:57) Kev: Um, uh, let me, I’m going to show you the art, um, because, so how these crossovers and battle cats usually work is, uh, there’ll be a banner of four characters, um, from the actual property crossover, whatever. (0:06:12) Kev: Um, uh, and, and so, yeah, the four. (0:06:18) Kev: Characters, um, and they went with the, the obvious ones, Sonic, Tails, Knuckles, and Shadow, the Hedgehog, because of course the poster children. (0:06:27) Kev: Um, but what’s fun is, uh, they’ll also introduce a series of cats, uh, as in the battle cats TM, um, that look like, or cause play as the other characters. (0:06:40) Kev: Um, and they’re quite goofy looking. (0:06:42) Kev: Um, I don’t. (0:06:42) Al: Why is there such a height disparity there? (0:06:48) Kev: I don’t know. That’s a good question. I don’t, I, that particular image, oh no, that, that particular image, I think it’s just, uh, just the, the framing, like it’s front to back. (0:06:49) Al: Like, shadow is meant to be… (0:06:56) Al: Well, no, I think, sure, for the actual sonic and shadow on the right-hand side, (0:07:02) Al: but on the left-hand side, the sonic cat is clearly like three times the height of shadow cat. (0:07:04) Kev: okay yeah oh yeah yeah okay so there’s a sonic cat that looks like shadow like (0:07:12) Kev: the regular cat like shadow cat but then you can evolve him and he turns into (0:07:16) Kev: this taller cat I don’t know why because it’s the battle cats they love to do (0:07:18) Al: Oh. Oh, so you’ll be able to get both of them as as tall or (0:07:19) Kev: weird things that’s why that’s your answer it looks like a twinkie with a (0:07:23) Kev: sonic cat yeah I’ve only seen Sonic’s evolution so I don’t know if the other (0:07:31) Kev: cats can evolve in tall forms or (0:07:34) Kev: weird forms but Sonic Cat does get weird he turns tall like a Twinkie but (0:07:40) Kev: yeah so yeah it’s I will say Battle Cats is pretty good with their collabs (0:07:46) Kev: because of course you get the characters but you also get stages which come with (0:07:52) Kev: full Sonic soundtracks there’s like four special stages that you can do on a (0:07:56) Kev: repeat in different missions and so it’s been a lot of fun the Sonic cast are (0:08:02) Kev: Actually quite quite good (0:08:04) Kev: The actual characters I pulled I got Sonic (0:08:08) Kev: So I’m happy. I got one at least (0:08:11) Kev: Calvin pulled tails, I believe but sadly we didn’t get the others (0:08:17) Kev: But what is nice these collabs will frequently come back (0:08:21) Kev: Well, maybe not frequently, but but they come back on some regularity. It is to be expected (0:08:26) Kev: So I’ll be saving up for the next time Sonic swings around but it’s it’s been good fun (0:08:32) Kev: I’m getting better and I do (0:08:34) Kev: Enjoy the game battle cats not just the the polls really got your whatever so it’s been nice to get back into the end (0:08:40) Kev: So yeah Sonic and the battle cats. It’s been a lot of fun. Oh, you know what there was an intro video (0:08:44) Kev: Let me find the intro video. Hold on. I’ll put it in you can watch it later (0:08:48) Kev: But but they did a little animation. It was good (0:08:52) Kev: So yeah aside from that, um, oh, you know what I finished monk the the detective show monk (0:09:01) Kev: It’s it’s good. I (0:09:04) Kev: Yeah, eight seasons so I kind of crushed it cuz I don’t know I’ve been binge watching but it’s like the regular show (0:09:10) Kev: I’ll watch when I get home or whatever (0:09:13) Al: Oh, it’s it’s old. I mean, I said it’s old. I mean, not super old, but like 20 years old. (0:09:16) Kev: Sorry, what was that? Oh (0:09:19) Kev: Yeah, yeah, well, that’s a thing they actually did I after I finish I have to watch (0:09:26) Kev: the (0:09:27) Kev: Sorry, I have to see (0:09:29) Kev: There’s a movie they’d made a movie in 2023 50 (0:09:34) Kev: years or so after the end (0:09:36) Kev: and I can’t wait to check that out (0:09:40) Kev: they have all the original actors they (0:09:43) Kev: look quite old but it’s still enjoyable (0:09:45) Kev: but yeah anyways my great series the (0:09:49) Kev: main actor Tony Shalab he’s he is such a (0:09:53) Kev: good actor like his performances are (0:09:55) Kev: just incredible easy recommend for (0:09:58) Kev: anyone but yeah the later seasons were (0:10:01) Kev: really good season sevens really good (0:10:04) Kev: it feels like they knew the end was (0:10:07) Kev: coming so they did a lot of stuff to (0:10:10) Kev: celebrate the series if you will so yeah (0:10:13) Kev: good good stuff was good (0:10:15) Kev: um let’s see other than that nothing (0:10:20) Kev: honestly not that much it’s been crazy (0:10:23) Kev: at work but thankfully I finally finished (0:10:24) Kev: this huge project and so I’ll finally be (0:10:26) Kev: able to partake in other things again (0:10:28) Kev: these upcoming oh wait wait one more (0:10:31) Kev: thing how could I tear a nail after my (0:10:34) Kev: last week I played the update their nail (0:10:36) Al: Oh yes. Nice. It’s just more of the same. (0:10:37) Kev: um it’s yeah turn out a good game still (0:10:40) Kev: good game the core still the same the (0:10:43) Kev: new levels the new line yes and no like (0:10:47) Kev: the center of the general purpose but (0:10:49) Kev: they introduce a lot of new mechanics (0:10:50) Kev: and and different kind of ways to solve (0:10:54) Kev: the puzzle I’ve been enjoying it of (0:10:56) Kev: course but let them fun thing they did (0:10:58) Kev: they’ll add new objectives even to the (0:11:00) Kev: old stages so let’s say I had a hundred (0:11:04) Kev: four all those areas I had a hundred (0:11:05) Kev: percent are not only like seventy five (0:11:08) Kev: percent because they had a new objective (0:11:10) Kev: so gives you a good reason to go back (0:11:12) Kev: and then try the old levels and have fun (0:11:13) Kev: with them again since it’s like a (0:11:16) Kev: procedurally generated level it’s you (0:11:18) Kev: know it’s fun every time so yeah a (0:11:20) Kev: tear in L it’s good all right out what (0:11:24) Al: Hmm. Not a huge amount because I’ve been on holiday and going on holiday with kids means (0:11:33) Al: not having a holiday. So I’ve not had a huge amount of time to do much, but I have started (0:11:36) Kev: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha. (0:11:42) Al: playing Donkey Kong, Bonanza. I’m only like an hour or so in. I mean, I’ve got a good (0:11:47) Kev: okay (0:11:48) Al: idea of how the game plays, but I’m not like super. (0:11:50) Kev: yeah (0:11:54) Al: Super far through it. I got through the tutorial level and I’m kind of like half the way through (0:11:55) Kev: why (0:11:58) Al: the next set of levels. Yeah, mostly, mostly. I am very frustrated with the camera. It is (0:11:59) Kev: okay I’ve heard that game is good like really really good (0:12:05) Kev: mostly (0:12:13) Al: fine when you’re out in the open, but as soon as you get into any like tunnel or like go (0:12:20) Al: underground. It’s super not fun. (0:12:24) Al: a great camera for that. And I think the most frustrating thing is there was a section (0:12:28) Al: in the tutorial where the camera worked really well for underground. It like kind of zoomed (0:12:33) Al: out and you could see through the ground and it was like a really nice way. But it’s I’ve (0:12:37) Al: not seen it again do that since then. And I don’t know why they don’t use that camera (0:12:41) Al: when you’re underground because like you just end up like going up against the wall and (0:12:43) Kev: Hm. (0:12:47) Al: it gets really confused. And it’s really hard to see anything. And considering it’s a game (0:12:54) Al: where you’re like smashing everything up and you’re encouraged to make tunnels through (0:12:57) Al: the ground. I don’t know why they didn’t put more effort into that camera. Not that I can (0:13:00) Kev: is there an option for that i’m gonna guess no because it’s a nintendo game (0:13:04) Al: see. Yeah, not that I can see. There’s a decent amount of controller options, but nothing (0:13:07) Kev: nintendo doesn’t believe in options heck sometimes (0:13:15) Al: for changing how the camera works other than inverted camera. (0:13:19) Kev: do you remember in was it no sword and shield they hid the audio options on an item (0:13:27) Kev: you had to talk to an NPC to get it (0:13:28) Al: Oh yeah, that was a certain field. That was bizarre. And it wasn’t even the first area. (0:13:30) Kev: no it was like motor stoke yeah I’m (0:13:35) Al: You had to get up to Motorstoke, I think. Which is like a third of the way through the game. (0:13:40) Kev: pretty sure so that was there’s a couple (0:13:42) Kev: yeah you had to pass the wilder that’s (0:13:45) Al: You couldn’t change the volume settings until you were a third. It’s just bizarre. (0:13:48) Kev: crazy yeah yeah ha ha ha ha ha ha ha (0:13:50) Al: And then you have to buy it. Yeah, that was a stupid decision. (0:13:56) Al: Like a lot of times with games, I’m like, OK. (0:13:58) Al: Sure, I don’t like that, but maybe that’s stupid, right? (0:14:02) Kev: Oh my gosh, yes, oh. (0:14:02) Al: That’s just that is literally an accessibility option, right? (0:14:05) Al: Like, come on. (0:14:06) Kev: Yep. (0:14:07) Kev: Oh my gosh, you know, I hate them, but I also love, because I just love trash fires. (0:14:16) Kev: I love bad stupid decisions like that. (0:14:19) Kev: Battle Cats actually has one. It’s like the single flaw in the entire game, because the game is very well made in my opinion. (0:14:25) Kev: And it’s a very minor, like very niche thing, but there’s, as you can imagine, (0:14:32) Kev: They have like a gallery or whatever, right? Go through the menu and, you know, go through the characters, see their stats, yada, yada. (0:14:39) Kev: Well, they have an enemy guide too, same thing, but the enemy guide is just a straight horizontal list. (0:14:48) Kev: There’s no pages, you can’t filter, you can’t search, you just have to go left to right through an entire (0:14:55) Kev: huge roster of enemies. It’s almost the worst. (0:15:00) Kev: Anyways options are good (0:15:02) Kev: Forgive people options people (0:15:04) Kev: Do good things (0:15:05) Al: So yeah, I think that’s, that’s about it. I mean, I’ve been watching through the Sandman (0:15:11) Al: show, but I’m not really talking about that because, you know, Neil Gaiman, awkward. So (0:15:15) Kev: Sand man, I wait. What is that? I don’t know what that is (0:15:18) Al: Sandman who’s a DC character at TCC, that one, but it’s the Netflix adapted it into (0:15:21) Kev: Oh, it is that one okay, okay (0:15:26) Al: a show. And they did the first season a couple of years ago, and then the whole Neil Gaiman (0:15:32) Al: and stuff, you know, because he was the one that wrote down, man. (0:15:34) Kev: Uh, yeah. (0:15:35) Al: And they were like, oh, oh, but they did manage to get the second season done without him. (0:15:44) Kev: Well, guess what, anything you do probably gives someone awful money. (0:15:44) Al: He’s almost certainly getting money for it, but whatever. (0:15:53) Al: Yes, I know, I know, I know, I know, I know. It doesn’t make me feel better. (0:15:58) Al: Yeah, so I have been watching that and I’ve mostly been managing to ignore him. (0:16:06) Al: And focus on the show and it’s good. I like it. I enjoy the show. (0:16:08) Kev: sure sure that’s cool yeah it’s wild to me the the the you know years between seasons structure (0:16:18) Kev: that netflix does um I don’t know I just I find it crazy like I was at wednesday the wednesday show (0:16:25) Kev: that was a three-year gap and it was only eight episodes I think the new season that’s insane to (0:16:26) Al: Yeah. Yeah, yeah. (0:16:33) Kev: me you remember when shows I say this someone watching monk you’d get like (0:16:38) Kev: ish episodes of season every year isn’t that great 20 to 26 (0:16:42) Al: Well, you want to have a conversation? No, I don’t like that. (0:16:48) Kev: what what (0:16:48) Al: So, right, OK, so there’s two parts to this. One, do I wish the shows that I like released (0:16:52) Kev: okay (0:16:55) Al: yearly? Probably, if they could keep the quality up, yes. But do I wish that all series were (0:16:58) Kev: yeah okay (0:17:02) Al: still 20 episodes? Absolutely not. Why would I want 20 episodes when half of them are boring? (0:17:09) Al: right, give me the eight episodes that are good, don’t give me the more that (0:17:12) Al: you don’t care about, give me what you think you want, not something that is enforced by (0:17:17) Al: studios because they need year-round episodes, like we don’t need to do that anymore and I don’t (0:17:23) Kev: Mmm, I mean (0:17:23) Al: care for it. It’s like how it’s like, oh you know, like do you complain about the fact that episodes (0:17:32) Al: aren’t always, you know, was it 48 minutes long anymore because they don’t all have to fit into (0:17:36) Al: the exact same advert blocks. Now, (0:17:39) Kev: Mm-hmm. I (0:17:42) Kev: May kind of do (0:17:42) Al: you can take that too far, Netflix with your two and a half hour season finale of Stranger Things (0:17:48) Al: season four last time. That was too far, but other than that, I mean that doesn’t, you can have (0:17:48) Kev: Yes, yes (0:17:53) Kev: Exactly (0:17:58) Al: a middle thing which is not in the extremes there. I like when episodes aren’t like necessarily (0:18:02) Al: consistent because they want to fit in what they want to fit in, that they feel fits their artistic (0:18:07) Al: expression. I like that. (0:18:08) Kev: yeah okay sure I guess okay you know here’s the call here’s the here’s the qualifier right (0:18:13) Al: Do you really miss clip episodes? (0:18:18) Kev: is it good right which is a dumb thing because that’s the question right because let’s all right (0:18:19) Al: Yes, of course. (0:18:23) Kev: let’s yeah you can look at examples on both ends of the spectrum right um look at uh look at cora (0:18:30) Kev: right that that show could have used some more episodes for sure um that that first season needed (0:18:33) Al: possibly. I mean maybe they didn’t have anything else they wanted to put in it, right? Like… (0:18:38) Kev: at least a couple more episodes at first (0:18:41) Al: Yeah, I guess my point is not like, oh, I wish we didn’t have more episodes, right? I’m not saying (0:18:48) Al: that. Like, if there’s good stuff, I want to see it. But I don’t agree with the, oh, wasn’t it (0:18:53) Al: great when every show had 20 to 22 episodes and they were all the exact same length and they (0:18:59) Al: happened. No, I don’t. I don’t long for those days. I don’t. (0:19:02) Kev: Don’t know I got a monk. It’s been pretty good the whole time. I guess it did depends (0:19:04) Al: But I just, it’s just when you, when you got the like episode, that was the clip episode, (0:19:11) Al: because they had to put out an episode and they didn’t care. They didn’t want anything. (0:19:13) Kev: Monk did not do that actually crazy, but you sure yeah, yeah, but but okay. Yes, that’s just (0:19:16) Al: Sure. But most shows did almost every show did. And some of them did it better than others, (0:19:21) Kev: Yes, yes (0:19:22) Al: but you always, every time it happened, you rolled your eyes and went, Oh, here we go. (0:19:24) Kev: Yeah, okay, you know what you’re right (0:19:26) Al: And you watched it anyway, because maybe there was something that was actually going to progress the (0:19:29) Al: story. You don’t know. It might be fully clips or it might actually do something. (0:19:31) Kev: Sure (0:19:33) Kev: Eh, I guess (0:19:34) Al: But I mean, I think the, I think the, as you say, the complication is it depends on the show. (0:19:42) Al: It depends on what they’re doing. And I don’t think it’s, it’s obviously not the case that (0:19:47) Al: creators get to do what they want all the time. Obviously I’m not, I’m not suggesting that is, (0:19:48) Kev: Okay, okay, yeah, yeah, that’s (0:19:53) Al: but I think having more freedom for that, I think is a good thing in general. And. (0:19:59) Kev: Sure, you know, okay fine. I don’t need every show to (0:20:03) Kev: How should I put this? Okay? I don’t it’s not that I want every show to be 26 episodes every year or whatever (0:20:10) Kev: but when I look at (0:20:11) Al: The numbers just getting higher and higher (0:20:13) Kev: when I look at (0:20:16) Kev: Though the Wednesday series (0:20:18) Kev: Right episodes in three years that that seems like you know that it seems cheap for lack of a better word, right? (0:20:20) Al: So, I think, well, I mean, you say that cheap, like you pay for the subscription for Netflix (0:20:32) Al: when you want to get the stuff and you watch it and then you stop subscribing, right? I (0:20:34) Kev: Sure, sure. Yeah. Yeah (0:20:36) Al: think of those sorts of shows as in the same way that people complain about them because (0:20:41) Al: they’re structured like films, I think of them in that sort of way as well, right? Three (0:20:46) Kev: That that is true (0:20:47) Al: years, three years between a film and its sequels. (0:20:50) Al: Not an unusual amount of time, and eight episodes is longer than a film would be. (0:20:51) Kev: That is very true that that’s what that’s what I’m (0:20:56) Kev: You’re right, that’s that’s what I’m not thinking here because that that is more common nowadays (0:21:00) Kev: Isn’t it where a season of a show is really just an extra-long movie like the Marvel Studios shows? (0:21:06) Kev: You’re you’re right about that (0:21:10) Kev: Yeah, that’s a good point touche (0:21:12) Al: I mean Marvel have a problem with sequels in general just now, right? Like when was the last, (0:21:16) Kev: Ah (0:21:18) Al: you know, in we got three Iron Mans and I think it was eight years or something like that and (0:21:26) Kev: Yeah (0:21:26) Al: it’s now been what four years since Shang-Chi and we haven’t even got a second yet. (0:21:30) Kev: Yeah (0:21:31) Al: Like there is a real problem they have with sequels just in general which is a whole other (0:21:34) Al: conversation and is probably part of the reason that they’re not getting big box office numbers (0:21:35) Kev: Yeah (0:21:41) Al: because most. (0:21:42) Al: There are big numbers. (0:21:43) Al: We’re always the third in a series, you know, Iron Man one didn’t make a billion. (0:21:46) Kev: Mmm, that’s a good point. (0:21:48) Al: Iron Man three did make a billion. (0:21:52) Al: Just saying also, you know, it’s things like, you know, the Marvels being called the Marvels (0:21:52) Kev: Uh, yeah. (0:21:57) Al: rather than Captain Marvel two probably would have made more money if it had done that. (0:21:58) Kev: Yeah… (0:22:01) Al: Now, there are obviously other issues with that in terms of misogyny, but that was still (0:22:04) Al: there when the first film came out and it made a billion. (0:22:05) Kev: Yeah… (0:22:06) Kev: Yeah, exactly! (0:22:07) Kev: Right, right? (0:22:07) Al: Why did the mark? (0:22:08) Al: Why did Captain Marvel make a billion and the Marvels didn’t? (0:22:11) Al: And then there’s all this other complications. (0:22:12) Al: Well, nobody has any money anymore and COVID killed everything until blah, blah, blah, blah, blah. (0:22:17) Al: But Deadpool and Wolverine made a billion. (0:22:19) Al: That was the third in the series as well, right? (0:22:22) Al: Like they clearly can make lots of money. (0:22:24) Al: They’re just not doing what they used to do, which made them lots of money. (0:22:28) Al: They make a film and it doesn’t make a lot of money. (0:22:30) Al: And they go, Oh, well, well, let’s not make a second. (0:22:31) Al: But the whole point was your first ones never make a lot of money. (0:22:34) Al: It’s the second and third that make the money. (0:22:36) Al: And also which third film in the MCU made the least money, Thor. (0:22:42) Al: Or three. Why was that? (0:22:43) Al: Cos Thor 2 was bad. (0:22:44) Kev: It was really bad is it is it hmm (0:22:47) Al: Coincidence? (0:22:49) Kev: Have we are I’m thinking got you know on our discords and slacks have we argued which of the worst Marvel films (0:22:55) Kev: I feel like that that needs to happen. Oh (0:22:56) Al: I mean, it’s I mean, it’s Star of the Dark World, right? (0:22:59) Kev: I mean I (0:23:02) Kev: Okay, I don’t want to turn but it’s probably a rise probably dark world. Yeah, I’m struggling to think (0:23:06) Al: Eternals, I’m not trying, I’m not trying to say Eternals was one of the best, but it’s not the worst, not at all. (0:23:10) Kev: It’s not as bad as dark world. Yeah, I believe a dark world (0:23:12) Al: Absolutely not. There is, I don’t think there is an MCU film that is as bad as those. (0:23:18) Kev: Yeah, that was rough. Oh I miss (0:23:22) Al: Like, I mean, try and explain this plot of that film. (0:23:29) Kev: Yeah, yeah, no there’s (0:23:30) Al: Thor’s girlfriend gets injected with something, and he has to get it out of her, (0:23:32) Kev: And they and he used to fight dark elves (0:23:34) Al: and also his mum dies, maybe, I think. (0:23:38) Kev: Did she did I don’t know why but oh god (0:23:41) Al: You can know everything about that film, just from the bit where they go back in time (0:23:46) Al: and endgame to it. That is the only bit about that film that matters. (0:23:47) Kev: They were yeah, yeah, they really didn’t see good. Oh, yeah (0:23:50) Al: It tells you everything. (0:23:53) Al: In fact, there’s more, there’s more character progression and more heart in that scene when (0:23:58) Al: he goes back than there is in the entire film. You know, when he meets his mom and he’s sad (0:24:02) Kev: There is (0:24:03) Al: because he knows she’s about to die, you know, that is more than the entire film has. (0:24:05) Kev: Yeah, you’re you’re right I did enjoy that what 15 minute bit (0:24:10) Al: And then, and then he calls for his, then he calls from y’all near and it comes for him and he’s (0:24:14) Al: so happy. He says, I’m still worthy. (0:24:18) Kev: You’re right, that was better than the entire movie. You’re right. I (0:24:23) Al: I mean, I don’t know how they, how did they make that film so long when there’s so little that happens? (0:24:29) Kev: Don’t I don’t know. I just whatever well, I will say this Kat Dennings (0:24:31) Al: Anyway, you would, you would, you would have to have a, you’d have to have a, well, yeah, (0:24:36) Al: okay, true. I mean, that’s fair. She does improve any film. But you’d have to have a really good (0:24:38) Kev: Yeah, yeah, that’s correct (0:24:44) Al: argument to convince me that that’s not the worst film. I don’t think anything even comes close. (0:24:47) Kev: Yeah, okay, you know what fair fair. I’m gonna yeah fair. I haven’t seen fantastic for (0:24:53) Al: Anyway, what was my point? Yeah. Yeah. I was watching The Sandman and then I’m probably (0:24:58) Kev: Sandman (0:25:00) Al: going to watch Weddings day after that. Cause that’s, I need to, I need to watch that next (0:25:02) Kev: Cool I like the Adams family (0:25:03) Al: season. And then where else have we got Strange, Strange New Worlds, Star Trek. That’s coming out (0:25:09) Al: just now. Need to watch that as well. Name a Star Trek that doesn’t fit that description. (0:25:10) Kev: Oh (0:25:12) Kev: Is that the one with the hot guy I don’t remember (0:25:18) Kev: Oh (0:25:21) Kev: That’s a good point, but that’s a good point (0:25:22) Al: Anyway, that’s what we’ve been up to. Maybe I’ll have more to talk about Bonanza when (0:25:32) Kev: No, we did it (0:25:34) Al: next time we’ll see. All right. We’re going to talk about some, (0:25:36) Kev: Get to the end (0:25:38) Kev: I’m saying get to the end. There’s there’s good things in that game. Mm-hmm (0:25:40) Al: I don’t think I’ll do that in a week. I have heard that the story is good, but I’ve not got (0:25:47) Al: to any point that actually matters with the story yet. Yeah. Let’s talk about some. (0:25:52) Al: Game news. First up, Moonlight in Garland, which Kevin’s probably going, Oh, I can’t remember what (0:25:59) Al: that game is. I don’t recognize that name. Well, it’s coming out of early access on the 27th of (0:26:00) Kev: CORRECT! (0:26:06) Al: August. I mean, it’s pretty much it’s. (0:26:12) Kev: Ha ha ha use the mad libs the cottagecore game mad laser you just yeah (0:26:19) Kev: There I’m looking (0:26:22) Al: Seems like it’s less farming, more community building, and it’s like a kind of town slash (0:26:29) Kev: Yeah (0:26:32) Kev: Yeah, this has a very specific (0:26:32) Al: city rather than village. (0:26:38) Kev: Aesthetic to like mid-2000s. I don’t know a (0:26:42) Al: Yeah, I was thinking Polly Pocket, but like the characters from Polly Pocket rather than the (0:26:45) Kev: Pocket Polly like it’s weird. Um (0:26:50) Kev: Yeah, yeah, yeah exactly the characters right that’s exactly I’m talking (0:26:51) Al: action. Yeah, it’s funny that we both had the same thought that that shows you where it’s at. (0:26:57) Kev: Yeah, that’s so (0:26:59) Kev: Wait, is this the one where you can do crime? No, that might be a different one. We live in the city (0:27:02) Al: No, that’s not this one. That’s not this one. No crime in this one. (0:27:08) Kev: Gosh good old cottagecore. We’re in too deep. Oh, we’re in too deep (0:27:15) Kev: All right (0:27:17) Kev: Wait, so what was the actual news here? Are we at one point a release? Okay, August 27th (0:27:22) Al: Yes, 27th of August. Next, “Above Snakes have announced their console releases coming on the 4th of September.” So that is Switch, Xbox. (0:27:30) Kev: I’m kind of surprised they’re doing console’s release was that do we cover again I I don’t (0:27:35) Al: That was a Kickstarter stretch thing. (0:27:37) Kev: even remember did we come (0:27:39) Al: I don’t know if we did a proper one on it. We had our episode where we talked about the cultural… (0:27:46) Kev: Yeah, yeah, Nami on that, yeah, yeah, I remember that. (0:27:48) Al: I don’t want to say appropriation, the cultural questions around it. (0:27:52) Al: Shall we see? (0:27:52) Kev: Yeah, yeah, I do remember that. (0:27:54) Al: I don’t know if we actually covered that. (0:27:55) Kev: But, well, you know what? (0:27:58) Kev: Hats off to them if that was a goal (0:28:01) Kev: and they’re actually doing it, right? (0:28:02) Kev: Because even games that do release from Kickstarter (0:28:05) Kev: don’t always get to the console port when they promise it. (0:28:08) Al: Absolutely. Yeah, I should probably play at some point. I do have it. I own it on Steam (0:28:19) Al: because I backed it because it came out on that period of time where I was backing basically (0:28:24) Kev: everything before you (0:28:25) Al: every vaguely cottage core Kickstarter. I’m better now. I have not backed a farming game (0:28:33) Al: on Kickstarter since Autonomica. (0:28:38) Al: I went back in April. Yeah. I have backed two Kickstarters back then, but since then, (0:28:39) Kev: So your time on rehab was successful. (0:28:41) Kev: Good, good for you. (0:28:47) Al: but neither of them have been farming. (0:28:49) Kev: Nah, look at you, progress. (0:28:53) Kev: Well, hey, that’s September 4th. (0:28:56) Kev: Oh, I don’t like how close that is. (0:28:58) Kev: How’s it going so fast now? (0:29:00) Al: I don’t know. Time. (0:29:04) Kev: Time. (0:29:07) Al: Next we have Out and About. They managed to release this time successfully. This was the (0:29:10) Kev: Your comment. (0:29:15) Kev: This time. (0:29:19) Al: one where last week they tried to release, but they accidentally, or they realized they (0:29:23) Al: hadn’t clicked the access button, which put it into review, and then it took several days (0:29:24) Kev: They deleted the button. (0:29:30) Al: so now they have actually released their early access. Congratulations to Out and About. (0:29:34) Kev: good for them they did it I don’t know the game looks fine I guess it’s walking (0:29:45) Kev: through a forest looking (0:29:48) Al: Yeah, it’s doing something different. It’s not just like, it’s not farming, it’s foraging, (0:29:52) Al: and the idea is you’re exploring, and it’s another picture-taking one as well, but (0:29:58) Al: you’re foraging for things. It’s cute. (0:30:00) Kev: Yeah, it is. It’s, uh, it’s like, uh, what is it? Uh, the, the, the, the, the hike game. Um, I forget, it kind of reminds me of that, but a little more involved. (0:30:10) Al: Oh, a short hike. Yeah. It’s much more, you know, it’s 3D, third person view. No. Yeah. (0:30:12) Kev: Yeah. It’s the one. Yeah. But you know, you’re actually foraging. (0:30:16) Kev: Yeah. Yeah. It looks like an extension of that. Not necessarily better extension, but just, you know, kind of in that vein of ideas of just going through the woods and looking at stuff. (0:30:28) Al: I’m also comparing it to Alba in my head because it was kind of similar where you’re (0:30:35) Kev: Yeah, yeah that too yeah, um yeah, okay. Well hey good good for them. They found the button finally (0:30:44) Al: Congratulations. Next we have Coral Island have announced that their 1.2 update is out. (0:30:51) Kev: Okay, why why is there someone in a dinosaur suit? (0:30:56) Al: Why not? What a silly question! I’m guessing that’s one of the spooky costumes, cause. (0:30:58) Kev: How good (0:31:00) Kev: You know, that’s a good counterpoint, okay (0:31:06) Al: So the things that are coming in this update, multiplayer, they’ve revamped their romance (0:31:11) Al: progression, adding more hearts. You can get up to a heart event, sorry, you can get up (0:31:15) Al: to 15 hearts now with heart events. So 11 to 15 are after marriage, like the stargy (0:31:22) Al: ones added in like 1.4 or something, I forget. (0:31:27) Al: But they’ve also added spooky costumes, okay? (0:31:35) Al: Like, this is one of those ones that feels weird that this feels like (0:31:40) Al: something they wanted to do for 1.0 and just didn’t, but. (0:31:43) Kev: yeah that’s it that is very much what it feels like Mitch drew I guess good for (0:31:49) Kev: them that a gate got here like yeah I am NOT gonna fault them for that because (0:31:54) Kev: it’s a game dev is hard I don’t know if you know that out oh oh I like you I’m (0:32:00) Al: Yeah, yeah, yeah, that’s fair. (0:32:02) Kev: looking I’m sorry I’m looking for the video some of the costumes the the NPC’s (0:32:06) Kev: rather pretty good there’s like a tinker the good chicken a Tinkerbell costume I (0:32:09) Kev: like that that’s good (0:32:11) Al: Yeah, there does seem to be a lot of care taken on these costumes. They’re not, they’re not just like generic things. Each person has like a unique costume and they’re all very interesting. The twins have almost the same costume, which is fun, but they’re not quite. They’re slightly different, which is based on, you know, their personality. (0:32:32) Kev: That’s fun to, yeah, that’s, yeah, I like that, that’s, that’s good, yeah, um, dressing (0:32:37) Kev: up your NPCs. (0:32:38) Kev: You know what, I take it that the dinosaur costume is a good idea. (0:32:41) Al: I’m trying to find them. So I’ve asked you motivates us that I found their spooky festival section of the video. I’m guessing that’s where you saw it. Well, I see someone as a panda. (0:32:48) Kev: Yeah, there’s near the start (0:32:51) Kev: All the twins. Oh (0:32:51) Al: I was near the start of the video. (0:32:54) Kev: Yeah, it’s near the start all that. I’m looking at the twin costumes. Those are good. Actually (0:32:59) Kev: They might be the best costumes (0:33:01) Kev: It’s a I don’t know. There’s like little blueberry monsters. I don’t know how to describe it better (0:33:09) Kev: That’s cool. What is that guy there? (0:33:10) Al: It’s definitely you have to see. (0:33:12) Kev: Yeah, there’s a guy in a black turtle. What is that is that supposed to be a costume that doesn’t look that’s just a (0:33:18) Kev: Guy in a sweatshirt and jeans. I don’t get that (0:33:22) Al: And yeah, OK, I don’t know what his I don’t know what Pablo’s costume is he trying to be Steve Jobs or something? (0:33:30) Kev: I guess with Shane. I don’t know. I don’t know (0:33:33) Al: I don’t know. (0:33:37) Al: Where’s this dinosaur costume you’re talking about? (0:33:38) Kev: Yo (0:33:40) Kev: Okay, okay, let me let me find it it’s in the video it was near the very start (0:33:45) Al: Oh, I’ve got it, I’ve got it, I’ve got it. Yeah, that’s, that’ll be a spooky costume, (0:33:47) Kev: You found it great (0:33:49) Kev: Yeah, it probably is I like it. It’s dumb. I like it what? (0:33:49) Al: because it’s pumpkins and lights around them. (0:33:55) Al: There are some silly costumes you can use as your player as well in the game that I’ve (0:33:59) Al: put on before. I can’t remember what I was dressed up as, but they, it’s not just like, (0:34:05) Al: they have a decent amount of player customization already. (0:34:08) Kev: Yeah, yeah. There’s also a collab with Fungi Swarm. (0:34:09) Al: Uh, yeah, that’s their game. (0:34:15) Al: Our other game, isn’t it? Um, uh, what, there’s, uh, redeemable items. Okay. (0:34:17) Kev: Yeah, it is. Which, yeah, but I think… (0:34:24) Kev: There’s a antler dog guy. I don’t know what that is, but, uh… (0:34:27) Al: Uh, a mythical pet outfit. (0:34:31) Kev: I don’t know what… I don’t… Okay, I don’t know what this creature is. (0:34:34) Al: “Razzi” or “Razzdi” (0:34:37) Kev: whereas the it’s an off. (0:34:41) Kev: It’s a blue reindeer dog. (0:34:42) Kev: I don’t know what else to describe it. (0:34:44) Al: Well, speaking of dogs, (0:34:45) Kev: Uhhh… (0:34:47) Kev: You! Ooh, good transition, tell me. (0:34:48) Al: for some reason we’re talking about Sugadoo Island again, (0:34:51) Kev: W-w-why?! (0:34:51) Al: this game. (0:34:53) Al: ‘Cause, dog, they’ve released a code (0:34:57) Al: that you can redeem in the game and it gives you dog. (0:35:01) Kev: But okay spotted dog, that’s (0:35:04) Al: If it’s anything like everything else in this game, (0:35:07) Al: you won’t be able to name it. (0:35:08) Al: It won’t do anything other than just follow you around (0:35:11) Al: like a blind rat, I don’t know. (0:35:14) Kev: I’m not sure how well blind rec could follow you but they do that is true you’ll fly like (0:35:15) Al: It’s not really turned on for metaphors just now. (0:35:22) Al: They have a good sense of smell. (0:35:28) Kev: a dog I have a dog they do follow you yeah that is true its name is spotted dog that’s (0:35:32) Al: Yeah, but with personality, I doubt this one a lot. (0:35:41) Kev: That’s it. (0:35:41) Al: That would, I mean I’d be surprised if it wasn’t just dog. (0:35:44) Kev: Yeah. (0:35:48) Al: Next we have Aether Wizard Life have released a what they’re calling their first announcement (0:35:56) Al: trailer but I’m confused because this game was announced multiple years ago so I don’t (0:35:57) Kev: Okay (0:36:00) Al: know how this is an announcement trailer. (0:36:01) Kev: And (0:36:02) Kev: It’s only for backers, which I don’t know you probably want to make that available. Oh, there is. Oh, okay. Let me see. Oh (0:36:06) Al: There’s a link to the actual video as well. (0:36:11) Kev: Yeah, there is. Okay. Yeah, that’s all right. I was like at the Kickstarter page (0:36:15) Kev: First of all, I don’t like this name at all. I don’t know if we covered this game, but I don’t like that at all (0:36:18) Al: No. (0:36:23) Al: This is, I don’t know if we’ve seen gameplay before. (0:36:26) Al: This is the first time seeing some of this stuff. (0:36:29) Al: The building of your house is basically (0:36:32) Al: exactly the same as the Spiritfarer building, (0:36:36) Kev: Yup! (0:36:37) Al: which I’m not complaining about because that is good. (0:36:39) Al: I like that. (0:36:40) Al: More of that, please. (0:36:40) Kev: Yeah, that modularity, it’s good. Build your castle. (0:36:44) Al: There are some, shall we say, thirsty characters (0:36:48) Kev: Oh, geez. Good. That guy, I mean, that one guy alone, he’s the worst offender. It’s the first one they show you, too. (0:36:59) Al: There’s yep, it’s uh, you’re gonna this is this is a weed game apparently (0:37:00) Kev: Good heavens. (0:37:06) Kev: Oh my gosh, that… Oh, shit. You know what? Fine. Lean into it. Just full thirst into it and just do it. (0:37:16) Kev: If you’re going to do it, go all in. (0:37:16) Al: Every game has to have a hook, I just don’t think that that is a unique hook. (0:37:22) Kev: True? That’s true. It probably worked for some people, not me, but… (0:37:27) Al: You’re definitely not you. Not you. Have you got to the other characters yet? (0:37:32) Kev: Yeah, I see the other characters like they’re (0:37:36) Kev: Is it this is hmm, this is a problem when everyone does it like everyone loses their (0:37:42) Kev: You know, it’s it’s it’s tough to stick out in the crowd, right? Like these just look generic (0:37:46) Kev: I don’t know the guy who looks like he’s dressing up like an elf (0:37:50) Kev: I don’t know and then why are there two in silhouettes? Why do you have to silhouette those characters? I feel like you shouldn’t (0:37:56) Al: for our secret. We’re going to tell you later. I don’t just like the character designs. The (0:37:58) Kev: Okay (0:38:01) Kev: There’s a girl with the ponytail of the sword (0:38:03) Al: character design’s okay. What I do find a bit weird is not the character designs and not your (0:38:11) Al: playable character design. They’re both fine. What’s weird is them both together in the same (0:38:17) Al: game. They look like very different designs. They look like they’re from different games. (0:38:20) Kev: They do (0:38:22) Kev: Right because yeah, cuz we’re looking at the (0:38:27) Kev: The oh (0:38:29) Kev: Yeah, yeah, you’re right. You’re right. Absolutely cuz these NPCs, you know very (0:38:34) Kev: Detailed sort of designs and and whatnot and you’re a little in the generic side (0:38:35) Al: much more detailed. (0:38:38) Al: I don’t dislike the playable characters design, it just feels, I think it looks bad purely (0:38:40) Kev: You’re right, I agree with it (0:38:44) Kev: Yeah (0:38:48) Al: because of how the other one. (0:38:52) Kev: you’re right it doesn’t you know what the problem is I as far as i’ve seen there’s no like (0:38:57) Kev: portrait art for your character right because yeah yeah yeah because it’s it’s a very different (0:38:59) Al: That’s what it is, it’s the portrait art of course I’m just yeah I’m looking at a bit of one of them in game and yeah they look, they look much more similar to your characters but the portrait art is so much more detail. (0:39:11) Kev: art style as as portrait arts are so frequently done but there’s not one for your your character (0:39:18) Kev: And so I don’t know it’s just I see I get what you’re saying. Absolutely (0:39:22) Kev: Um (0:39:24) Kev: But I mean even in the in-game art style like it’s there’s still a little more detail than your character (0:39:31) Kev: Because like your characters is (0:39:32) Al: It’s the face, there’s no nose. (0:39:33) Kev: Yeah, ooh, that’s a good point, right? There’s no facial features. It’s just like the eyes and the smile (0:39:39) Kev: That’s it on your the player character. You’re right. You’re super right (0:39:42) Al: Anyway, the interesting thing about this, I guess, is the magic stuff, and it does look quite detailed. (0:39:48) Al: So maybe that could be interesting. (0:39:50) Al: And then there’s some combat. (0:39:52) Kev: yeah there’s a lot of stuff going on here there’s an owl with the flower on its head and (0:39:58) Kev: I don’t even know what’s going on with these like skill trees or I don’t know there’s a lot going on here (0:40:03) Al: I think, I think they’re for like making new spells, possibly. (0:40:07) Kev: yeah honestly (0:40:08) Al: Look, I’m gonna, I’m gonna probably play it because I did back on Kickstarter, (0:40:12) Al: like the idiot that I was, but. (0:40:14) Kev: the the magic stuff I think is the bigger draw here that looks pretty interesting slash well done (0:40:19) Al: Yeah. Yeah. Agreed. (0:40:21) Kev: There’s combat (0:40:22) Kev: Magical creatures that looks fun (0:40:26) Kev: It’s wild the data will NPCs just they don’t even live up to that it’s crazy (0:40:33) Al: Next, fields of mystery, I have announced a merch collection. (0:40:37) Al: So, you know, go get your fields of mystery on merch, I guess. (0:40:40) Kev: is it good merch let’s see i’m looking (0:40:45) Al: So they they have a they have they have a pin. (0:40:47) Kev: oh goodness what is that the first the first one is the oh yeah yeah the first one they show you is (0:40:53) Al: They have a pin that you tilt and it changes between (0:40:58) Al: more clothes and fewer clothes. (0:41:00) Kev: Yeah, it’s it’s (0:41:03) Kev: Presumably it’s I don’t know the characters, but that’s datable guy and yet (0:41:07) Kev: You know you tilt it and it’s and now he’s shirtless cuz good heavens (0:41:11) Al: That’s the entire marriage. That’s all the marriage. That’s everything. (0:41:12) Kev: Oh (0:41:14) Kev: My god, it’s all that. I’m not good in the laundry. It’s just (0:41:20) Al: It’s just like the pen from Friends, which Joey had, and you click it, and the women’s clothes (0:41:27) Al: come off, right? Like, what is this? Why is this your only piece of marriage? And it’s two characters. (0:41:28) Kev: Yeah! laughs (0:41:37) Kev: Yes, too! laughs (0:41:38) Al: Two characters, one male, one female. (0:41:41) Kev: Oh, that’s incredible! laughs (0:41:41) Al: What a weird decision. (0:41:47) Kev: Oh, and… (0:41:48) Al: I need to go what I need to go read the comments. (0:41:49) Kev: Beholds in… it’s… why I need to understand how… because… (0:41:55) Al: Oh, people, people like this. (0:41:58) Kev: Oh, the first one’s “Lily, Take My Money.” Oh my goodness, these… oh! (0:42:05) Kev: This is why we’re in this cottagecore world, brain rot, dateable nonsense. (0:42:12) Kev: It’s your fault, commenters. (0:42:15) Kev: And what kills me is Fields of Mystery has that kind of 90s anime art style vibe. (0:42:23) Kev: You could play off that, right, for your merch, but no, we get to… (0:42:28) Kev: Two pins that take off the character’s clothes! (0:42:34) Al: odd decision it’s like they sit down and they go right okay we’re gonna make some merch what’s our (0:42:38) Al: first merch gonna be a poster no no not a poster like a t-shirt no not a t-shirt a pin yeah we (0:42:40) Kev: Apparently according to the commenters. (0:42:47) Al: could do a pin but what if it was a pin where they undress them I just I don’t I don’t (0:42:54) Kev: Ohh, look, alright, look, I mean, I mean, I tried to be delicate, I have kids gloves when I talk about these subjects, but look, this commenter here said it’s straight, it’s the fields of gooning. (0:43:15) Kev: Ohh, good heavens. Worst part is, it looks like it’s gonna be a huge success, so. (0:43:21) Al: Oh probably, probably. I just like what you I can’t imagine. It just it would feels like it would be even if you want it. It feels like embarrassing to own. (0:43:31) Kev: Well… (0:43:33) Al: And the whole point of pins is to show them off, right? (0:43:36) Kev: Yeah? laughs (0:43:38) Kev: You just make sure to always show it off at one angle and never ever move it to the other angle. laughs (0:43:49) Al: All right moving on to a very interesting story, a story of seasons. (0:43:54) Kev: - Yeah, okay, from the worst story to the best. (0:43:59) Al: It’s a little bit of shame we don’t have Cody on to talk about this but let’s go with it anyway. (0:44:04) Al: So story of seasons and well Marvelous, the company that makes, well they’re the European (0:44:12) Al: company that ports and not ports, they translate and publish the story of season games. (0:44:20) Al: I just know that Marvelous is the Japanese version of the company as well, (0:44:24) Al: they are the same company now aren’t they, I think. Anyway it doesn’t matter, (0:44:27) Al: anyway story of seasons company, the European part of it have made a partnership, they started in 2020, (0:44:36) Al: they

Who are the host of banter picking a fight with next? Are they bringing the sauce to the kings of crossover, Capcom? Or is that Fortnite? Funko Pop open a cold one and get to thinning about the next thing Hatsune Miku will be in.Intro/Outro:Kong Flix by Voicedbymic on instawebsite: https://blackboxentertainment.ca/Cover art:Pepper's Socials: https://linktr.ee/peppertroopaBanter on X: https://twitter.com/Banter_CastMike's Socials: https://linktr.ee/meanblazin Manny's Socials: https://linktr.ee/brogarEmail: banterbantercast@gmail.com

Review các phim ra rạp từ ngày 13/06/2025BÍ KÍP LUYỆN RỒNG - KĐạo diễn: Dean DeBloisDiễn viên: Mason Thames, Nico Parker, Gerard ButlerThể loại: Hài, Hành Động, Phiêu Lưu, Thần thoạiCâu chuyện về một chàng trai trẻ với ước mơ trở thành thợ săn rồng, nhưng định mệnh lại đưa đẩy anh đến tình bạn bất ngờ với một chú rồng.TRẠNG QUỲNH NHÍ: TRUYỀN THUYẾT KIM NGƯUĐạo diễn: Trịnh Lâm TùngDiễn viên: Hoạt HìnhĐược phát triển từ series hoạt hình ăn khách trên nền tảng YouTube Trạng Quỳnh thời nhí nhố, thuộc thể loại phiêu lưu, kỳ ảo, hài hước, xoay quanh cuộc phiêu lưu đầy nhí nhố của nhóm bạn vốn không ưa gì nhau nhưng lại buộc phải đồng hành trên hành trình thực hiện mục tiêu riêng của mỗi người và giải cứu thế giới.BỘ 5 SIÊU ĐẲNG CẤP – T16Đạo diễn: Kang Hyung CheolDiễn viên: Yoo Ah In, Ahn Jae Hong, Park Jin Young, Ra Mi Ran,...Thể loại: Hài, Hành Động, Thần thoạiThể loại: Siêu Hài, Siêu Lòng, Siêu Hài Lòng HI.FIVE – bộ phim bom tấn siêu anh hùng châu Á, pha trộn hành động mãn nhãn và tiếng cười bùng nổ. Năm người bình thường bỗng dưng "trúng số" — bất ngờ sở hữu siêu năng lực bá đạo sau một ca ghép tạng... kỳ quặc! DAN DAN DAN: TÀ NHÃN – T16Đạo diễn: Fuga Yamashiro, AbelDiễn viên: Momo (Momo Ayase): Shion Wakayama; Thể loại: Hoạt HìnhMomo và Okarun đã tới nhà của Jiji ở khu suối nước nóng để điều tra vụ việc liên quan tới gia đình Jiji. Trên đường đi, Okarun luôn phiền muộn vì bầu không khí giữa Momo và Jiji nhưng bắt đầu cảm mến Jiji vì bản tính tốt đẹp của cậu ấy. Sau khi leo lên ngôi nhà trên núi của Jiji, cả ba ngay lập tức vào điều tra. Ở phía xa, thấp thoáng bóng người quan sát họ...Cuộn Băng Quỷ Ám - T13Thể loại: Kinh dị13 năm sau sự biến mất bí ẩn của em trai, Keita vẫn sống trong dằn vặt và hy vọng. Một cuộn băng VHS từ mẹ hé lộ hình ảnh cuối cùng của Hinata trước khi cậu bé mất tích trong căn nhà hoang trên núi Mushiro. Bất chấp lời cảnh báo từ người bạn cùng phòng có khả năng ngoại cảm, Keita cùng một phóng viên và người bạn đặc biệt bước vào hành trình tìm sự thật. Nhưng càng đi sâu, họ càng bị cuốn vào những bí ẩn siêu nhiên và nỗi đau bị chôn giấu. Liệu sự thật về Hinata là điều nên được phơi bày, hay là cánh cửa dẫn đến một cơn ác mộng chưa từng kết thúc?QUỶ THA MA BẮT – T18Đạo diễn: David MidellDiễn viên: Al Pacino, Dan Stevens, Ashley Greene,...Thể loại: Kinh DịEmma Schmidt, một phụ nữ 46 tuổi, đã phải chịu đựng suốt nhiều năm với các triệu chứng đáng sợ như mất ý thức, sợ hãi các vật thánh và nhiều biểu hiện kỳ lạ khác. Sau khi điều trị tâm thần không mang lại hiệu quả, một buổi trừ tà trang nghiêm đã được sắp xếp tại một tu viện hẻo lánh, do Cha Theophilus Riesinger thực hiện và Cha Steiger giám sát. QUỶ RẠCH MẶT – T16Đạo diễn: Sueb Boonsong NakphooDiễn viên: Kwan Usamanee Vaithayanon,...Thể loại: Kinh DịMay quyết định chuyển về căn nhà ngoại ô cùng với bạn trai, Gun. Ở đây, May bất ngờ nhận được tin dữ, mẹ kế của cô, bà Po đã qua đời, bị nghi là sát hại. May dang tay cưu mang người em gái, Noon, thế nhưng nào ngờ cô ã dẫn quỷ về nhà. Liên tục trải qua những cú sốc, May hầu như không còn tin vào chính mình khi thực thể tà ác đang muốn nuốt chửng cô và gia đình. Liệu cái kết nào sẽ giành cho những bi kịch đẫm máu tiếp theo?COLORFUL STAGE! MỘT MIKU KHÔNG THỂ HÁT - KĐạo diễn: Hiroyuki HataThể loại: Hoạt HìnhChuyển thể anime do hãng phim PA Works sản xuất do Hiroyuki Hata đạo diễn và Yoko Yonaiyama viết kịch bản. Bộ anime đã được khởi chiếu tại Nhật Bản vào ngày 17 tháng 1 năm nay, và thu về 230.000 vé tương đương 300 triệu yên trong ba ngày đầu tiên (17–19 tháng 1), đứng #2 phòng vé Nhật Bản lúc bấy giờ. Phim xoay quanh Ichika Hoshino, người nghe được một bài hát của Miku mà cô chưa bao giờ được nghe cũng như nhìn thấy một Hatsune Miku mà cô chưa từng được thấy.

You've probably seen Oshi no Ko and you might recognise Hatsune Miku but but the world of J-Pop and Idols is inseparable from anime. There is an idol version of... eeeverything. Whether its mecha or zombies, idols have infused themselves with every anime genre. Join us as long term Idol fan and returning guest Sly opens the J-Pop gateway. We dive into the history of this unique genre and compare it with the rise of K-Pop as direct competition, while of course recommending the best idol anime along the way.

Summer Game Fest kicked off the season with a bang, headlined by Resident Evil 9's official reveal as Resident Evil Requiem, promising a shift in tone for its February 2026 release. The Lies of P: Overture expansion dropped immediately, while major sequels like 'Death Stranding 2: On the Beach' (June 26th), 'Mortal Shell II', and 'Atomic Heart 2' stunned fans. Surprises included the 'Scott Pilgrim EX' co-op brawler, 'Stranger Than Heaven' from RGG Studio, and Sonic Racing: CrossWorlds' wild guest roster featuring Hatsune Miku and Minecraft Steve. Not to be outdone, Xbox's showcase delivered megatons: Hollow Knight: Silksong finally got a 2025 release window, launching alongside the newly revealed Xbox Ally handheld devices (in collaboration with Asus). They also unveiled 'Call of Duty: Black Ops 7', a 'Persona 4 Revival' remake, Double Fine's charming 'Keeper' (October 17th), and the bloody 'Invincible VS' fighter. Plus, 'A Plague Tale' prequel 'Resonance' and TMNT's Michelangelo shredding in Tony Hawk's Pro Skater 3 and 4 rounded out a massive week of gaming news!0:00 Intro0:41 Updates16:08 Summer Game Fest 2025: Everything Announced https://tinyurl.com/4sbzdd3v SUMMER GAME FEST 2025 (4K60FPS) https://tinyurl.com/2s3w9ufr 57:30 Xbox Games Showcase 2025 https://tinyurl.com/2jc9wtse Showcase 2025 https://tinyurl.com/2s49b8d2 XBOX Games Showcase (4K60 FPS) https://tinyurl.com/msuvhfmc 1:26:20 Review of Showcases1:32:54 OutroLeave a LIKE and a comment, thanks for watching/listening!-----------------------------------------------------------------------------------PODCAST ►► https://anchor.fm/m2podcastAMAZON Music ► https://music.amazon.com/podcasts/091902c3-b83b-487c-8fe7-4c96787434fe/M2-PodcastAPPLE ► https://podcasts.apple.com/podcast/id1531832410BREAKER ► https://www.breaker.audio/m2-podcast-2CASTRO ► https://castro.fm/podcast/6f69d373-d879-46d9-9f1c-bcf7c4bf1741GOOGLE ► https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8zNTYwNWZiMC9wb2RjYXN0L3Jzcw==OVERCAST ► https://overcast.fm/itunes1531832410/m2-podcastPOCKETCASTS ► https://pca.st/5jghvf6eRADIOPUBLIC ► https://radiopublic.com/m2-podcast-GMZkY4SPOTIFY ► https://open.spotify.com/show/2VedhO03IRoHERJqF6Sy87STICHER ► https://www.stitcher.com/podcast/m2-podcastTUNEIN ► http://tun.in/pj3ZI #podcastJOIN THE DISCORD! ►► https://discord.gg/Kp5Gre6FOLLOW THE TWITTER! ►►https://twitter.com/m2_podcastKyleHeath Socials:TWITTER ►► https://twitter.com/mrjkheathMadMikeWillEatU Socials:TWITTER ►► https://twitter.com/madmikewilleatu

Linktree: ⁠https://linktr.ee/Analytic⁠Become A Patron Of The Notorious Mass Effect Podcast For Additional Bonus Audio And Visual Content For All Things Nme! Join Our Patreon Here: ⁠https://ow.ly/oPsc50VBOuH⁠ Join Analytic Dreamz on the Notorious Mass Effect podcast for an in-depth segment analyzing the Sonic Racing: CrossWorlds trailer from Summer Game Fest 2025. Dive into the vibrant world of Sega's latest kart-racing adventure, featuring guest racers like Hatsune Miku, Joker from Persona 5, and Minecraft's Steve. Analytic Dreamz breaks down the innovative Travel Rings mechanic, diverse tracks, and cross-platform matchmaking, set for release on September 25, 2025. Explore the game's massive roster and customization options in this exciting segment, perfect for Sonic fans and gaming enthusiasts. Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Our Grand Tour comes full circle for its final stop, as we return to the world of Dragon Ball – and the premise of Goku becoming a kid again – for the latest installment in the franchise, and the last supervised by Toriyama Akira himself: Dragon Ball Daima! Like other recent Dragon Ball stories overseen by the original author, Daima revisits concepts from earlier anime-original works – in this case, Dragon Ball GT's broad premise of Goku being turned into a kid and going on a big journey to reverse it – but now with Toriyama's authorial touch. In the case of Daima, that means a ton of great character-driven humor, an extremely rich setting in the Demon Realm, and a handful of wonderful new characters. All of it is brought to life with some of the best animation, voice acting, music, and action to ever grace the franchise, from a big group of Dragon Ball veterans and artists new to the series. The result is one of Dragon Ball's finest hours in animation, and a perfect final tribute to the singular work of Toriyama Akira. Enjoy, thanks for listening throughout this season, and we will see you all again this fall for Season 6! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:33:27Eyecatch Break: 1:33:27 – 1:34:07Dragon Ball Daima Review: 1:34:07 – 2:58:43Season 5 Wrap-up: 2:58:43 – 3:19:28Season 6 Preview: 3:19:28 – 3:27:16End Theme: 3:27:16 – 3:29:07Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Romantikku Ageru Yo” – Composed by Ike Takeshi, Lyrics by Yoshida Takemi, Original Arrangement by Tanaka Kōhei; cover Arranged and Produced by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our Grand Tour finally arrives at one of the most-requested shows in the history of Japanimation Station: the 1997 adaptation of Miura Kentaro's seminal manga masterpiece, Berserk! Created by OLM – best known for their decades of work on the Pokémon anime – this 25-episode series adapts the Golden Age arc of Miura's manga, brilliantly employing a ‘limited animation' style reminiscent of the works of Dezaki Osamu. With outstanding scripts, inspired direction, and some of the best voice acting we've ever had the pleasure to discuss, the series is a truly remarkable feat of adaptation, doing Miura's work justice in so many ways. Enjoy, and come back next week for the final installment of our Grand Tour, as we come full circle back to the world of Toriyama Akira for this year's incredible DRAGON BALL DAIMA! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:52:44Eyecatch Break: 1:52:44 – 1:53:28Berserk Review: 1:53:28 – 3:51:09End Theme: 3:51:09 – 3:52:39Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Hey Leute, ich erkläre es innerhalb der Episode noch, aber diese Ausgabe musste leider etwas später erscheinen, da ich es irgendwie geschafft habe, mich so kaputtzuhusten, dass ich den gesamten Abend nicht ordentlich länger am Stück sprechen bzw dazwischen schnell atmen konnte. Keine Ahnung, wie ich das wieder geschafft habe lol. SpeckObstler Die Zukunft von Resident Evil Ink Ribbon Radio Resident Evil 3 Nemesis Resident Evil Survivor | Steady IGN Yakuza 0: Director's Cut Preview Raidou Remastered & Puyo Puyo Tetris 2S Preview Unterstützt meine Arbeit auf Patreon oder Steady und erhaltet neben exklusiven Inhalten auch erweitertete Versionen dieses Paodcasts.PatreonSteadyHolt euch bei HOLY mit meinem Code "SPECKOBST5" für einen 5€-Rabatt bei einer Erstbestellung oder spart 10% mit dem Code "SPECKOBST"Timestamps 00:00 Intro 11:24 Update NEUE SPIELE 23:26 Deliver At All Costs 41:29 Kathy Rain 2: Soothsayer 01:00:23 Onimusha 2 Remaster NEWS 01:22:41 Lost in Cult physische Spiele 01:30:45 Hellblade 2 auf PS5 01:33:49 Neil Druckmann labert Scheiße 01:38:31 Space Marine Master Crafted Edition 01:41:42 Alex Garland Elden Ring FIlm 01:44:48 Neue Version von Snake Eater THEMA 01:51:14 AI und Gaming FRAGEN 02:09:49 Meinung zu Hatsune Miku? 02:11:44 Sind R rated Werke tiefgründiger als PG Werke? 02:14:18 Beste Spielestorys der letzten 3 Jahre? Outro 02:17:22 Die ganz besonderen Supporter

Our dirty pair of Dirty Pair episodes continues this week with a look at the theatrical feature film and cavalcade of OVAs that followed in the wake of the original TV series. Dirty Pair was so popular on the home video market that it got two feature-length OVAs – 1985's Affair of Nolandia and 1995's Flight 005 Conspiracy – and an entire ‘second season' of 10 TV-length episodes, known as Dirty Pair 2. There is some fantastic stuff among these home video releases, but the real highlight today is the 1986 feature film, Project Eden, one of the most spectacularly produced anime of the 1980s that feels a lot more like a feature-length music video than it does a conventional narrative. Whether it truly works as a Dirty Pair story is something we debate, but there's no disagreement that's an absolutely eye-popping tour-de-force of synesthesia. Enjoy, and come back next week for something completely different, as we look at the classic 1997 adaptation of Miura Kentaro's seminal Berserk! At least it is true that podcasters have no control, even over their own will… Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 0:18:44Affair of Nolandia OVA: 0:18:44 – 0:44:55 Eyecatch Break: 0:44:55 – 0:45:34Project Eden Movie: 0:45:34 – 2:10:24Dirty Pair 2 OVA: 2:10:24 – 3:11:27Flight 005 Conspiracy OVA: 3:11:27 – 3:29:28End Theme: 3:29:28 – 3:30:29Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our Grand Tour takes us back to outer space for the irreverent sci-fi comedy classic Dirty Pair! Produced by the amazing talent at Sunrise and inspired by the light novels by Takachiho Haruka, Dirty Pair chronicles the adventures of Kei and Yuri, two 19-year-old ‘trouble consultants' for the WWWA, who travel the galaxy solving problems, sometimes so aggressively they create many new ones. The original 26-episode TV series is a model of great episodic storytelling, with a series of stories that are fun, zany, clever, and sometimes even a little bit heartfelt. It's also one of the most insanely 1980s shows ever made, from the fashion to the music to the animation, and while it bears certain similarities to other caper-driven franchises like Lupin the Third, there's truly nothing else quite like Dirty Pair! Enjoy, and come back next week as we continue our Dirty Pair adventures with the 1986 film Project Eden, the 1987 OVA series Dirty Pair 2, and more! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:24:02Eyecatch Break: 1:24:02 – 1:24:41Dirty Pair Review: 1:24:41 – 3:56:13End Theme: 3:56:13 – 3:57:15Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Danny, Oscar, and Gerry talk anout Star Wars, Medabots, Wheel of Time and more. Email: Unversedpodcast@gmail.com

Before Anno Hideaki and the team at Studio Gainax changed the course of anime history with Neon Genesis Evangelion, they produced Gunbuster, aka Aim for the Top!, a 6-episode OVA with some of the era's most spectacular animation, and an overwhelming amount of personality. A mash-up of sports shows, mecha anime, high-concept sci-fi, and American 80s movies like Top Gun, there's nothing else quite like Gunbuster, and across its 6 episodes, the series showcases a huge range of ideas, themes, tones, and even styles, with the finale shifting to a truly astounding use of widescreen, black-and-white imagery. Join us as we dive into not only this great series, but the fascinating history of Anno and Gainax up to this point. Enjoy, and come back next week as we begin a two-week journey through the wild and wacky world of the 80s classic DIRTY PAIR! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:06:22Eyecatch Break: 1:06:22 – 1:07:07Gunbuster Review: 1:07:07 – 2:14:18End Theme: 2:14:18 – 2:15:49Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Our Grand Tour now takes us to the turn of the century, and the dawn of modern comedy anime, with the classic series Azumanga Daioh: The Animation! Based on the celebrated four-panel manga by Azuma Kiyohiko, which has proven itself one of the most influential series to the last 25 years of comedy manga, the TV series is a landmark in its own right, helping to crack the code of how anime can adopt short, gag-driven, mostly plotless comedy manga, and in so doing helping to birth the ‘slice-of-life' genre now beloved around the world. Historical import aside, the show is also just a ton of fun, with a memorable group of characters we follow throughout their high school years, and a tremendous vocal cast giving consistently hilarious performances. It makes for an episode where we ourselves can't stop laughing as we talk about the show – and that's always a good sign. Enjoy, and come back next week as our Grand Tour takes us back out into space for the classic Studio Gainax OVA Gunbuster: Aim for the Top! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:01:34Eyecatch Break: 1:01:34 – 1:02:18Azumanga Daioh Review: 1:02:18 – 3:01:13End Theme: 3:01:13 – 3:02:15Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

In this episode, a musical episode, we zoom in on the cat boy hacker Ling, a misanthropic, mahjong-hating computer whiz with no regard for electrical safety, and ask a legal question: How much of Hatsune Miku's Black Rock Shooter can we put in the episode without being sued?  Editor's Note: The audio in this episode is a little bit rough! We had some technical issues that should be fixed next episode. Thank you for your patience. Follow along:  https://mahjongsoul.club/character/Ling Support the show:  https://ko-fi.com/ivyfoxart Follow the show on Tumblr:  https://soul-mates-podcast.tumblr.com/ Follow the show on YouTube:  https://www.youtube.com/@Soul-Mates-Podcast Listen to Together We'll Shine: An Utena Rewatch Podcast:  https://bunnygirlbrainwave.substack.com/archive Art by Ryegarden:  https://www.instagram.com/ryegarden Music by Sueños Electrónicos:  https://suenoselectronicos.bandcamp.com/ Follow and support ash:  https://ko-fi.com/asherlark

Takahashi Kazuki's Yu-Gi-Oh! is a worldwide phenomenon that needs no introduction, since the anime has been airing in one incarnation or another every week for the past 25 years, and the card game is still going strong. But this week, our Grand Tour takes us to the most mysterious corner of the Yu-Gi-Oh! kingdom, and one many listeners probably haven't seen before: The original 1998 anime by Toei Animation, which ran for 27 episodes and one short film, adapting the first 7 volumes of Takahashi's manga. After airing on Japanese TV and releasing on VHS, the series has never been re-released, re-aired, dubbed, or distributed in any form, meaning it only survives through fan preservation efforts. And that preservation is very much worthwhile, because while this Yu-Gi-Oh! is an uneven, aesthetically wonky, and frequently bizarre series, it's also a deeply endearing one with a lot worth recommending, especially for fans of Takahashi's original manga and the material that never made it into the second, more famous anime adaptation. It also has an absolutely killer voice cast, both in the main ensemble and for the weekly guest stars, with a line-up of absolutely legendary seiyuu doing fantastic work. Like Yugi himself, this little show packs a whole lot of heart. Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:42:06Eyecatch Break: 1:42:06 – 1:42:51Welcome to the N.H.K. Review: 1:42:51 – 3:32:41End Theme: 3:32:41 – 3:33:42Enjoy, and come back next week as we return to the dawn of the slice-of-life comedy anime with 2002's Azumanga Daioh: The Animation! Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Konnichiwa Minnasan & Welcome to episode 215! In this week's episode, I'm doing another anime review of the first feature movie, Hatsune Miku! Colorful Stage! The Movie: A Miku Who Can't Sing (2025). Teen musician Ichika encounters virtual singer Hatsune Miku in Shibuya. They collaborate to help Miku create emotional music and form deeper connections.I have watched this movie and want to discuss and review this anime with you, the listeners. Especially if you're a Hatsune Miku Fan, you will enjoy this episode!!! Domo Arigatou Gozaimasu Minnasan.Here are all the Info Links to my Podcast episodes, Social Media, and Podcast Merch https://linktr.eeSmoothtokyothepodcast

Durante la charla con Joan S. Luna sobre el disco 'Debut' de Björk, nos preguntamos cómo serán los conciertos del futuro y comentamos brevemente el uso de inteligencia artificial (IA) para producir música, los espectáculos de «artistas» virtuales como Hatsune Miku, y los hologramas de Kiss. Esto es un 'extra' de una serie de episodios dedicados a Björk. Si quieres escucharlos ¡echa un vistazo a la lista completa! Y si quieres participar en la elección de los discos sobre los que charlamos en el pódcast, ¡visita discoprestado.com y date de alta gratis en mi lista de correo! Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana

WBS: Earth Day #306 - The gang is at it again. Brimstone is joined by his wing-man Alex DaPonte, Meg Suss and Brim's wife Danielle as they chat about Earth Day 2025, doing good in the world, and how Brim spent the morning at Sweetbriar Nature Preserve. They discuss Meg's upcoming tattoo of Hatsune Miku, and how the Hatsune Miku film seemed to be quite confusing. They discuss the Katie Perry Law, how ‘Get Him to the Greek' didn't age well, how a holiday playlist made a mint, and the recall when Alex got destroyed in a hot dog eating contest against Brim. They also chat about the Japanese mall in Flushing Queens, all the cool things they have there, and why Pop Mart annoyed Brim. Brim explains what gets Within Brim's Skin.

Chorar é mais legal quando tem uma pessoa bonita te consolando? Você tem pesadelos sabor novela mexicana? No Vortex de hoje @katbarcelos e @odeiopepe uma descompressão do feriadão pra volta aos temidos dias úteis. Acesse o link do Vortex e ganhe 15% de desconto na sua matrícula na Alura: https://www.alura.com.br/vortex ou CUPOM: VORTEX Desconto especial nos planos usando o nosso link no Nordvpn: https://nordvpn.com/vortexpod ou CUPOM: VORTEXPOD Host: Katiucha Barcelos. Instagram: @katbarcelos | Twitter/X: @katiucha Co-Host: Pedro Pinheiro. Instagram: @odeiopepe | Twitter/X: @OdeioPePe Nossas redes sociais: Instagram: @feedvortex Twitter: @feedvortex Reddit: r/feedvortex Grupo paralelo não-oficial do Vortex no telegram: https://t.me/+BHlkG92BfPU5Zjdh Esse grupo é dos ouvintes, para os ouvintes e pelos ouvintes. Não temos qualquer afiliação oficial ou responsabilidade por QUALQUER COISA falada neste grupo Link do post do episódio nas redes sociais: Instagram:  Twitter: Links comentados no episódio: Homem que se casou com Hatsune Miku diz que o relacionamento esfriou Os 'bonitos garotos chorões' pagos para enxugar suas lágrimas Pessoas se reúnem para o concurso anual de "espaço para fora" para ver quem ganha sem fazer nada Mc Tibiano - Depressão Tibiana  Coelho Caindo no Big Brother gringo!  Por que as mulheres japonesas estão pagando para chorar com um homem "bonito"? - Video  Os Nerds - Logs de amor === Produção: Thyara Castro, Bruno Azevedo e Aparecido Santos Edição: Joel Suke Ilustração da capa: Brann Sousa 

This week, our Grand Tour takes us to one of the most unique series we've ever covered: Gonzo's 26-episode cult classic Welcome to the N.H.K.! Based on the 2002 novel by Takimoto Tatsuhiko, this 2006 series explores Japan's hikkikomori (social withdrawal) phenomenon, modern Otaku culture, internet-era suicide pacts, and many more contemporary issues, doing it all with startling clarity, immense empathy, and a whole lot of very wacky humor. It's a finger-on-the-pulse series for Japan in the mid-2000s, but one with many resonances for viewers all over the globe, leading to a rich and engaging conversation between our hosts. There is no other show out there quite like Welcome to the N.H.K. – it almost feels like a conspiracy…Enjoy, and come back next week as we watch the Yu-Gi-Oh! series The Man doesn't want you to see: the original 27-episode Toei anime from 1998 (a.k.a. “Season Zero”). Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 1:09:15Eyecatch Break: 1:09:15 – 1:10:01Welcome to the N.H.K. Review: 1:10:01 – 3:43:42End Theme: 3:43:42 – 3:45:12Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Our Grand Tour reaches one of its strangest destinations this week as we complete our trilogy of Tezuka Osamu-themed episodes with a look at the Animerama Trilogy, a collection of three experimental animated films for adults created by Mushi Productions between 1969 and 1973. Coinciding with the Japanese New Wave movement and the rise of ‘Pink Films,' these movies are stylistically anarchic, occasionally graphic, and range from irreverent and immature to startlingly sophisticated. Consisting of 1969's A Thousand & One Nights, 1970's Cleopatra, and 1973's Belladonna of Sadness, all directed by Yamamoto Eiichi, these films were part of a global wave of efforts to make elaborate feature animation aimed squarely at adults, and while none were successful enough to pull Mushi Pro out of bankruptcy, they have endured as a fascinating experiment from a time when anime was still finding itself – and the last film, Belladonna of Sadness, is absolutely a masterpiece within its own right. Enjoy, and come back next week as we put on our tin-foil hats, get paranoid, and watch the classic 2006 anime Welcome to the N.H.K.! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro and History: 0:01:15 – 0:31:21A Thousand & One Nights Review: 0:31:21 – 1:26:29Eyecatch Break 1: 1:26:29 – 1:27:14Cleopatra Review: 1:27:14 – 2:09:43Eyecatch Break 2: 2:09:43 – 2:09:59Belladonna of Sadness Review: 2:09:59 – 3:25:21End Theme: 3:25:21 – 3:26:22Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Within Brims Skin. Alex is Checking the Door. #304 -- The gang is at it again. Brimstone is joined by his wing-man Alex DaPonte, Meg Suss and Brim's wife Danielle as they chat about goose snuggles, upcoming appearance dates, and how Danielle got kicked by a cow as a kid (a small cow). They discuss Meg's new tattoo, and why snacks don't count. They discuss still no cookies at cons, apples and oranges, the horse song, and why his mom's s mom and his dad's a horse. They also chat about the new Minecraft film being pretty decent, why Alex is banned in Florida, and the strange fascination with Hatsune Miku. Brim explains what gets Within Brim's Skin.

Fifty years after the original Dororo aired on TV, MAPPA brought Tezuka Osamu's Dororo roaring into the 21st century with a radically different take – and it's the next stop on our exciting Grand Tour! With a reimagined conception of Hyakkimaru, expanded roles for characters like Daigo Kagemitsu and Tahomaru, and a striking modern animation style, MAPPA's Dororo is a worthy reinterpretation of a classic, and a fascinating point of comparison to the original. While our hosts disagree slightly on how effective they found the series' overall approach, it comes highly recommended from both, and we enjoyed breaking it all down on today's episode. Enjoy, and come back next week as look at one of the strangest corners of Tezuka Osamu's empire, and of anime in general: The Animerama film trilogy, consisting of 1969's A Thousand & One Nights, 1970's Cleopatra, and 1973's Belladonna of Sadness. Time Chart:Theme Song: 0:00:00 – 0:01:16Intro and History: 0:01:16 – 1:12:03Eyecatch Break: 1:12:03 – 1:12:50Dororo 2019 Review: 1:12:50 – 3:06:10End Theme: 3:06:10 – 3:07:11Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Relacionamentos entre humanos e máquinas já renderam personagens icônicos na ficção científica. A babá robô dos Jetsons, os carismáticos C3PO e R2D2 de Star Wars, a assistente virtual no filme HER, até os androides autoconscientes de Westworld. O ponto é que isso não é mais só imaginação. Com a evolução e popularização das IAs generativas com memória, como o Replika ou o Character.AI, essas relações já fazem parte da realidade.​ Em 2018, o japonês Akihiko Kondo casou-se com uma cantora holográfica chamada Hatsune Miku, numa cerimônia com direito a convidados, vestido de noiva (holográfico) e votos personalizados. Kondo se tornou uma espécie de símbolo daquilo que muitos ainda encaram com estranhamento: relações afetivas com entidades artificiais. Desde então, ele tem aparecido em documentários, dado entrevistas e defendido publicamente o direito de amar quem — ou o que — quiser. No outro pólo da discussão temos o caso do adolescente de 14 anos com Síndrome de Asperger cometeu suicídio, em 2024, após desenvolver uma relação intensa com um chatbot baseado na personagem Daenerys Targaryen, de Game of Thrones. A família processou a plataforma Character.AI, levantando debates sobre responsabilidade emocional, vulnerabilidade e os limites desse tipo de vínculo. O que essas notícias causam na gente? Na maioria das vezes, estranhamento, julgamento moral e medo. É possível ver de outra forma? Eu tive a oportunidade de assistir um painel reunindo três professores que pesquisam sobre o tema, e apresentaram uma abordagem muito provocativa. A professora Jamie Banks, especialista em relações humano-máquina e cognição social da Universidade de Syracuse falou que na prática, sempre humanizamos objetos. Quem nunca deu nome a um carro ou sentiu carinho por um utensílio antigo? Quando essa relação se transfere para um chatbot com rosto e memória, é natural que o vínculo pareça ainda mais real. Ela quebra estereótipos afirmando que as pessoas que se envolvem com essas IAs não estão confusas: sabem que não há ninguém do outro lado. Mas afirmam com convicção que os sentimentos vividos são reais.​ Jessica Szczuka, faz pesquisa com foco em sexualidade, afeto e dados empíricos sobre interações com tecnologia na NYU, e apresentou dados quantitativos com pessoas que dizem estar em relacionamentos românticos com bots. A grande surpresa? A solidão não aparece como fator determinante. O que se destaca é a capacidade de fantasiar. Gente que consegue imaginar cenas, jantares, passeios e até uma vida a dois com um agente artificial. O filósofo Neil McArthur, é diretor do Centro de Ética Aplicada da Universidade de Manitoba, no Canadá, convidou para uma mudança de paradigma.. Em vez de partir do “por que alguém faria isso?”, talvez seja mais interessante perguntar “por que não?”. Para ele, o estranhamento diante desses vínculos artificiais não é novo — é o mesmo ciclo que já aplicamos a qualquer afeto considerado fora da norma: primeiro julgamos, estigmatizamos, ferimos. Só depois, aos poucos, reconhecemos, ouvimos, entendemos e trabalhamos para quebrar o tabu. Ele questiona se não podemos mudar o ciclo dessa vez, e abordar essas relações com mais interesse, curiosidade e empatia. Claro, o painel não foi ingênuo. Houve alertas sobre o uso de dados sensíveis, os riscos de manipulação emocional e até o impacto de empresas encerrarem serviços abruptamente, como no caso do Replika, que, após uma atualização em dezembro de 2024, removeu a funcionalidade de role play erótico, causando uma sensação de perda e luto em muitos usuários que mantinham relações íntimas com seus companheiros virtuais. É a partir dessas provocações que a gente quer propor uma conversa hoje. e estamos em boa companhia: Luiz Joaquim Nunes: Consultor e professor de inteligência artificial, dados, psicologia ambiental e ética, com formação em matemática aplicada e em psicologia social. Dora Kaufman: Professora e pesquisadora dos impactos éticos e sociais da IA na Pontifícia Universidade Católica de São Paulo Anuncie no Mamilos ou contrate a consultoria Milos: mamilos@mamilos.me Saiba mais em Mamilos.me

Our Grand Tour now takes us back to the first decade of anime, and to the work of the ‘God of Manga' himself, the one and only Tezuka Osamu! The creator of series like Mighty Atom, Black Jack, and Princess Knight, Tezuka's Mushi Productions pioneered TV anime as we know it today, and Dororo is one of the towering achievements of their 1960s output. Based on the unfinished manga by Tezuka, and directed by the great Sugii Gizaburō, Dororo is a singular samurai drama about a wandering swordsman, Hyakkimaru, who battles demons to restore the 48 missing parts of his body sacrificed by his warlord father. Along the way, he meets a young thief named Dororo, and their many adventures make for some of the earliest manga and anime to directly engage with adult themes and imagery. Like the manga, Dororo on TV had some production shake-ups, essentially changing directions halfway through when Sugii departed the series amidst disagreements with Tezuka, but make no mistake: this is one anime you do not want to miss. Enjoy, and come back next week as we leap 50 years ahead to 2019 to talk about MAPPA's recent re-interpretation of Dororo! Time Chart:Theme Song: 0:00:00 – 0:01:15Intro to Tezuka Osamu: 0:01:15 – 0:55:24Eyecatch Break: 0:55:24 – 0:56:09Dororo History & Review: 0:56:09 – 3:32:24End Theme: 3:32:24 – 3:33:54Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “ice” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku & Megurine Luka. https://www.thomaslack.com

Kevin and Aislinn talk about Wanderstop, the new game from the creator of The Stanley Parable Timings 00:00:00: Theme Tune 00:00:30: Intro 00:01:23: What Have We Been Up To 00:11:58: Game News 00:29:07: New Games 00:31:44: Wanderstop 01:15:33: Outro Links Pixelshire Release Date Honeymancer Early Access Release Date Space Sprouts Release Date Dave the Diver “Ichiban’s Holiday” DLC Another Harvest Moon G-Mode Game Cattle Country Optional Combat Funguys Swarm Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Kevin: Hello farmers, and welcome to another episode of the harvest season. My name is Kevin (0:00:34) Aislinn: And my name is Aislinn. (0:00:35) Kevin: And we are here to talk about cottagecore games supposedly that’s a little box. It’s whoo (0:00:40) Aislinn: Woo! (0:00:42) Kevin: I forget about that. Well, I always try to be a bit of a smart alec and adding nonsense there, but whoo (0:00:49) Kevin: Although I’m although I don’t know how much I like wooing at this game. I’m very hesitant about whoo (0:00:50) Aislinn: Woo! It’s cute, I like it. (0:00:56) Aislinn: That’s true, that’s true, you make a good point. (0:00:57) Kevin: I’m kidding. I love I love (0:00:58) Aislinn: Spoilers! (0:01:00) Kevin: We’re here to talk about wander stop the tea shop game by the I forget the actual dead team name the Stanley parable people (0:01:09) Kevin: Brace yourself because anyone who’s familiar Stanley parable knows that means things (0:01:16) Aislinn: I wholeheartedly agree. (0:01:17) Kevin: But (0:01:18) Kevin: Okay, but before we get to those things let’s talk about other things (0:01:23) Kevin: Aisling what’s what’s up? What’s been going on tell me about your sky high life? (0:01:26) Aislinn: Um, I think you already know what’s been going on. (0:01:30) Kevin: You (0:01:31) Aislinn: We’ve been very busy with work and when not working, (0:01:36) Aislinn: I’ve been very busy trying to make as much progress as humanly possible in Wandershop. (0:01:42) Kevin: Yeah (0:01:42) Aislinn: And when I’m not doing that, then I’m doing the usual like dailies on my phone of like (0:01:48) Aislinn: Pokémon Sleep, TCG Pocket. I’m hard into Neko Atsume right now. (0:01:50) Kevin: Uh-huh (0:01:52) Kevin: Okay (0:01:56) Aislinn: It’s just the original, and I want to try and get everything in Neko Atsume as much as possible. (0:01:57) Kevin: Okay, wait, what is that one do tell the name escapes me (0:02:03) Aislinn: It’s a cat collecting game. It’s a cat collecting mobile game, (0:02:07) Aislinn: and it’s literally just cat collection, and it’s so cute. It’s so cute. And there’s a new Neko Atsume (0:02:08) Kevin: oh yes okay i’m familiar with this one yes it is (0:02:14) Aislinn: that came out somewhat recently, so I’m like, I’m not gonna play that until I finish the original. (0:02:20) Aislinn: So that’s what I’ve been doing. And then if I’m not doing any of those, (0:02:22) Kevin: Sure. (0:02:25) Aislinn: that I’m doing a lot of wedding planning. (0:02:26) Aislinn: So that’s pretty much what I’ve been up to, yeah. (0:02:27) Kevin: Ahhh! (0:02:29) Kevin: Has that been on the show? Wait, has that been discussed on the show at all? (0:02:32) Kevin: I don’t, I don’t know if it… (0:02:32) Aislinn: No, it has not been discussed in the show, so. (0:02:34) Kevin: Ahh, okay, how far are we? What’s, uh, what’s our target date here? (0:02:39) Aislinn: Our tar- actually, I have not announced to, like, everyone the target date. (0:02:43) Kevin: Oh! (0:02:45) Aislinn: I’ve been keeping that, like, more on a personal note, but I can tell you June. (0:02:47) Kevin: Okay, well you got a range? (0:02:49) Kevin: Sure. (0:02:50) Kevin: Okay. Okay. Well, sure. Sure. Sure. Yeah. (0:02:52) Aislinn: Yeah, so we’re almost there. (0:02:52) Kevin: Yes. That’s correct. That’s correct. Very, um, very, very, uh, impressive dedicated you to to playing your wedding during the, the, the Go Fest this year, or whatever the thing’s called. (0:02:56) Aislinn: Yeah. (0:02:57) Aislinn: Yeah, yeah, yeah. (0:03:00) Aislinn: Literally, we’re not quite there yet. (0:03:06) Aislinn: It’s, yeah, no, each month that progresses closer and closer. (0:03:08) Kevin: Yes. That’s correct. That’s correct. Very, um, very, very, uh, impressive dedicated you to, to playing your wedding during the, the, the, the Go Fest this year, or whatever the thing’s called. (0:03:09) Aislinn: I’m like more and more just panic, panic, panic. (0:03:22) Aislinn: Well, that wasn’t that wasn’t in the works (0:03:22) Kevin: The, um, all right, but, uh, good stuff. Okay. So let’s see here. Okay. Just, just a side note on that. Have you, uh, I’d play a different kind of cat collecting game. Have you ever heard of the battle cats? (0:03:25) Aislinn: That wasn’t that wasn’t supposed to happen, but it just happened to happen and I was like well (0:03:29) Aislinn: We’re gonna see what happens with that (0:03:46) Aislinn: Um, no, what is that? I’m looking that up right now. (0:03:46) Kevin: Oh, I think I’ve talked to that on the show, but, um, (0:03:52) Kevin: you know, I’m going to tag you an image on the slack. I’m creating the, the live slack thread of me. (0:03:58) Aislinn: Wait, this looks so cute. (0:04:04) Kevin: What are you, you googled it. (0:04:04) Aislinn: I’m looking at it right now. (0:04:05) Aislinn: Yeah, of course I googled it. (0:04:08) Kevin: Okay. Because I was going to show all, but did you see the freaky ones yet? Um, yes, those are legs. Did you see the one with the buff one? That’s the last four legs. (0:04:10) Aislinn: Oh, those are legs. (0:04:19) Aislinn: I have not seen that yet. (0:04:22) Kevin: Yes. They’re kind of cute, but also terrifying. Like it’s, it’s a very cheek cheeky, like comical tone. Um, yeah. Yeah. There you go. There’s good old fish cat. And those are just the basics, right? Like this, it’s a gotcha game. (0:04:30) Aislinn: It’s a it’s a good aesthetic. I like, oh, I found the buff one. I found the buff one. (0:04:40) Kevin: So, and it’s, I think 10 years old now and they actually get a lot of crossovers. They’ve crossed over, they cross over like Hatsune Miku every six years. Um, Street Fighter was one. (0:04:50) Aislinn: Ooh. (0:04:54) Kevin: Um, Konosuba, I think lots of animes. I don’t know. Um, but it’s yeah. And on the best part, the best part about their crossover is you get both ways. You get Hatsune Miku as a playable character and then you get a cat that looks like Hatsune Miku. (0:05:00) Aislinn: You got me with Miku, that’s it. That’s the end-all for me. Miku or boss? That’s it. (0:05:13) Aislinn: Oh my god. That is wonderful. (0:05:14) Kevin: Here, I’ll see if I can find it. Um, I play that one on and off. My brother is a big, um, is a big, uh, (0:05:22) Kevin: battle cats fan more than ISO. Um, uh, but, uh, yeah, it’s, it’s a great one there. I posted a pic. You want to see it. Um, there’s your Hatsune Miku cat. Um, they literally just used the standard cat and put the costume on it. It’s, it’s hilarious. Oh, one of my favorite ones. They did Evangelion. (0:05:34) Aislinn: Oh my god! It’s so cute! It’s so good! (0:05:40) Aislinn: That’s wonderful! (0:05:46) Aislinn: Ooh, that’s sick. That’s really cool. (0:05:50) Kevin: That was a good one, that was a good one. (0:05:54) Kevin: Anyways, so anything else, I’m sorry? (0:05:55) Aislinn: Well, I will be checking out this game. (0:05:58) Aislinn: I will be checking out this game. (0:05:58) Kevin: Oh, it’s free, be warned. (0:06:02) Aislinn: Oh, perfect! That’s all I need. Free is for me. That’s it. (0:06:04) Kevin: There you go. (0:06:04) Aislinn: um that’s pretty much been it I guess actually one one little thing that I can kind of announce (0:06:06) Kevin: Aw, sick, I can’t wait to hear your thoughts on Battle Cats. (0:06:08) Kevin: It’s pretty fun. (0:06:10) Kevin: Anything else you’ve been up to? (0:06:19) Aislinn: and we’re really really hoping the best so like you know how I kept saying for today like oh i (0:06:21) Kevin: Yes, to be fair, you’re always busy so that wasn’t out of the ordinary. (0:06:23) Aislinn: have i’m busy earlier in the day and that’s we’re recording at 9 p.m eastern um yeah but it’s more (0:06:33) Aislinn: fun news so hope (0:06:34) Aislinn: we will have a new kitty or two in the household here so that’s what we were doing earlier today so i’m like I i’ve been holding that like i’ve been withholding that just for like a I wanted to get your genuine reaction like first reaction to it so (0:06:42) Kevin: Oh, oh hot off the press (0:06:54) Kevin: Oh (0:06:55) Aislinn: pause cast exclusive (0:06:57) Kevin: Podcast exclusive you heard it first here. Oh, that’s okay. Okay. You said possibly multiple. Well, yeah (0:07:05) Aislinn: yeah we’re just waiting on what I i’m not saying too much just because there’s a lot of logistics which I can tell you about later there’s a lot of logistics that we’re currently figuring out but it should hopefully work out tomorrow question mark. (0:07:11) Kevin: Sure (0:07:14) Kevin: Okay (0:07:15) Kevin: Yeah as (0:07:18) Kevin: You know, well, that’s that’s exciting. I can’t wait to hear and see them and so on but but that’s good (0:07:22) Aislinn: yeah. (0:07:24) Kevin: There should be logistics involved unlike us who a guy just kind of said. Hey, you want a free cat and handed us two kittens? (0:07:26) Aislinn: absolutely. (0:07:33) Kevin: Okay, oh they they are very love yes (0:07:33) Aislinn: but they are loved and that’s all that (0:07:34) Aislinn: matters but otherwise that’s it no not by any means (0:07:40) Kevin: Yeah that and let’s be honest cats are not the hardest to take care of (0:07:44) Kevin: You know that the hard part is cat. No, no such thing as catproofing but bracing for the uncommon storm, but (0:07:52) Aislinn: Yeah, we are definitely bracing here. (0:07:54) Kevin: Oh (0:07:55) Kevin: That’s exciting. I can’t wait to hear more. Um, congratulations. Very very excited about that (0:07:57) Aislinn: Yeah! Thank you! (0:08:00) Aislinn: What about for you? (0:08:01) Kevin: Okay, um (0:08:02) Kevin: so I will (0:08:02) Aislinn: I like your just Chicago man. (0:08:04) Kevin: Yeah, so I I don’t know if I mentioned it on this show, but I started a new job (0:08:12) Kevin: About a month and a half ago started February (0:08:15) Kevin: and (0:08:18) Kevin: I’m hit the ground running. They sent me to a trade show to man a booth (0:08:22) Kevin: and that was (0:08:24) Kevin: I was there all week this past week (0:08:26) Kevin: my feet are dead (0:08:28) Kevin: I’m ready to be chopped off (0:08:30) Kevin: not my first time in Chicago (0:08:32) Kevin: I actually went to that same event (0:08:34) Kevin: two years ago but (0:08:36) Kevin: as an attendee, not an exhibitor (0:08:38) Kevin: so yeah (0:08:38) Aislinn: Uh-huh. (0:08:40) Kevin: my role is partially sales now (0:08:42) Kevin: so I actually have to go up (0:08:44) Kevin: and pitch and talk to people and so on (0:08:46) Kevin: and so forth and try to get leads (0:08:48) Kevin: so that was (0:08:50) Kevin: busy, excited, it was good work (0:08:52) Kevin: Um, yeah. (0:08:52) Aislinn: Yeah. (0:08:54) Kevin: Um, I, I, I learned a lot trial by fire, absolutely, but good times. (0:08:58) Kevin: Um, and, and there was other enjoy it. (0:09:00) Kevin: Well, it was, it was like 90% work, but there were some nice dinners. (0:09:05) Kevin: One night we hit a piano bar. (0:09:07) Kevin: That was quite fun. (0:09:08) Aislinn: Ooooh, that’s really cool. (0:09:09) Kevin: Uh, it wasn’t, it wasn’t even, it wasn’t a super classy one. (0:09:12) Kevin: Um, it was very more bar than piano, if that makes sense. (0:09:15) Kevin: But you had the guy up there playing the songs and, and, and you can make requests (0:09:19) Kevin: and there was enough space to dance, which I did. (0:09:21) Kevin: I am a dancing machine. (0:09:22) Aislinn: Bye! (0:09:22) Kevin: fun fact. (0:09:24) Kevin: so yeah so which after a full day of standing and exhibiting wasn’t the best (0:09:30) Kevin: idea of my I pre bled my feet for the next day but but so worth it yeah yeah (0:09:34) Aislinn: Eh, it’s all in good fun. It’s all in good fun! (0:09:37) Kevin: um yeah that was uh that was fun I tried the deep dish that was good weather (0:09:44) Kevin: weather was insane it was it was snowing when I landed and like the next day we (0:09:50) Kevin: We hit 70 degrees and then two days later it hailed. (0:09:50) Aislinn: Oh, my. (0:09:54) Aislinn: Oh, my. (0:09:54) Kevin: It was a roller coaster. (0:09:56) Aislinn: Oh, my. (0:09:56) Kevin: Oh, a life first. I had a hailstone land directly into my mouth. (0:10:02) Kevin: As I said, was that hail and the duke just right in there? (0:10:06) Aislinn: Why do I feel like that’s like such a you thing? (0:10:10) Aislinn: That feels like such a you thing. (0:10:10) Kevin: Yeah, that’s… that’s correct. (0:10:12) Kevin: That is 100% correct. (0:10:16) Aislinn: I’ve never heard that before. That’s amazing. (0:10:18) Kevin: Yeah. (0:10:20) Kevin: Yup. (0:10:20) Aislinn: So it sounds like you had a great time in Chicago. (0:10:24) Kevin: Yeah, it was a lot of work, but it was a legendary time. (0:10:28) Kevin: We’ll be back in two years. Next year there’s a different trade. (0:10:30) Kevin: So actually here, right here in Atlanta, home turf. (0:10:34) Kevin: So at least I don’t have to do the major travel bit, but I’m sure it will be just as busy. (0:10:40) Kevin: But yes, good times were had, success was had by kind of me. (0:10:46) Kevin: Baby salesmen on his training wheels did little salesmen. (0:10:46) Aislinn: I’m sure you did great. (0:10:52) Kevin: Aside from that, obviously (0:10:54) Kevin: not a lot of time for games. I snuck in a few of the regulars. Marvel, Snap, Rivals, Unite, here and there on different occasions and so on. (0:11:00) Kevin: That’s all fine and all. (0:11:04) Kevin: Wander Stop, like you said, trying to squeeze in as much time humanly possible. (0:11:08) Kevin: And not even just because I want to play for the show, because I just want to play more Wander Stop. (0:11:08) Aislinn: No, me too I feel that, which we’ll definitely get into. (0:11:16) Kevin: And also, for the Mario-verse over there on the other show of Rainbow Road Radio, (0:11:22) Kevin: I play (0:11:24) Kevin: I did the same Kingdom. That’s not the little Mexican (0:11:27) Kevin: Kingdom in Super Mario Odyssey good times (0:11:30) Aislinn: Oh, sick. (0:11:31) Kevin: Yes, good. I love you mate. It’s all a replay (0:11:35) Kevin: But super enjoyable. I’m Mexican. What can I say? I’m super biased. They did I did Mario, Mexico (0:11:38) Aislinn: that game in general was just fantastic so i’m glad to hear that too that that section is like (0:11:40) Kevin: I have no complaints. They got him into sombrero (0:11:45) Kevin: It is yeah like (0:11:47) Kevin: What can I say what? (0:11:48) Aislinn: enjoyable for you (0:11:49) Kevin: She’s shocking this revisit to Super Mario Odyssey. Yeah, I’ve determined. It’s a good game (0:11:57) Kevin: Alright. (0:11:58) Kevin: Speaking of good games, I say that with an asterisk, or you have no idea. (0:12:02) Kevin: laughs Let’s talk about some game news. laughs Let’s talk about some announcements and such. (0:12:05) Aislinn: yeah (0:12:07) Kevin: Alright, take us away Ace with our first one. (0:12:09) Aislinn: all right so in game news the first game that I am looking at is pixel shire that’s going to be (0:12:16) Aislinn: releasing on the 8th of may and from what i’m looking at on the steam page it says that it is (0:12:22) Aislinn: an adventure farming sim 2d single player game from the developer capibits and it it really does (0:12:30) Aislinn: seem like a adventure farming sim 2d single player 2d single player game it also has notes about unique (0:12:37) Aislinn: RPG sandbox. (0:12:38) Aislinn: Which mixes Lifesim elements with town building, exploration, and combat. (0:12:46) Aislinn: And you can trade, you can do all the things that are normally in most farming sim games. (0:12:53) Kevin: that’s correct (0:12:55) Kevin: uh… I would (0:12:55) Aislinn: But it looks really cute! (0:12:56) Kevin: okay cs the first of all okay up (0:12:59) Kevin: the name I would imply it’s to be pixel art and it is cute (0:13:02) Kevin: uh… it is a a bit more chibi ask or or eight-bit than say uh… (0:13:05) Aislinn: Yeah. (0:13:08) Kevin: uh… stardew valley (0:13:09) Aislinn: It’s more round. (0:13:09) Kevin: uh… so you know (0:13:11) Kevin: uh… it’s a it’s different flavor (0:13:13) Kevin: uh… but there are some actually notable elements I think in here that (0:13:16) Kevin: they were talking about on first of all like you mentioned (0:13:18) Kevin: uh… sandbox as in (0:13:20) Kevin: I would say Animal Crossing New Leaf or Minecraft. (0:13:23) Aislinn: Yeah. Yeah, I think that’s really, really cool. (0:13:24) Kevin: I would say Animal Crossing New Leaf or Minecraft. (0:13:32) Aislinn: Yeah. Mm-hmm. (0:13:53) Kevin: I would say Animal Crossing New Leaf or Minecraft. (0:13:53) Aislinn: Oh, I didn’t realize that about this game too! That’s awesome! (0:14:08) Aislinn: I agree. Yeah, I like the art style. I like the kind of, I guess you could say animal (0:14:14) Aislinn: crossing aspect, but more so, more generally, the sandbox aspect of being able to, as it (0:14:20) Aislinn: says, re-sculpt the world through terraforming. I think that’s really, really cool. And honestly, (0:14:23) Kevin: Yeah, yeah, they they emphasize on the yeah, yeah, so. (0:14:25) Aislinn: any game that has animals that you can raise to, they are so cute in this game. I love (0:14:31) Aislinn: it. So, but it looks, it looks great. Like as someone, as someone has been in a stance (0:14:36) Aislinn: of like being overwhelmed constantly by (0:14:38) Aislinn: farming games. This is this is a farming game. I know. This (0:14:40) Kevin: Welcome, welcome to the show, Eastland. (0:14:45) Aislinn: is one farming game that actually does peak more (0:14:47) Aislinn: interest versus other farming games. So yeah, big props to (0:14:48) Kevin: Yeah. (0:14:51) Aislinn: them. Looks really, really cool. (0:14:53) Kevin: I have not facepalmed the one watching the trailer. (0:14:56) Kevin: So good on you. (0:14:58) Kevin: That’s a thumbs up. (0:15:00) Kevin: No, and you know what? (0:15:02) Kevin: I’m, I may jinx it, but I didn’t see any romance in there. (0:15:06) Aislinn: I’m sure there’s romance. There’s no way there’s not. There’s no way there’s not. (0:15:06) Kevin: Free free from the shackles. (0:15:08) Kevin: No, well, either way. (0:15:13) Kevin: Oh, oh, okay. (0:15:15) Kevin: Wait, hold on one second. (0:15:16) Kevin: I just want to say, okay, sorry about that. (0:15:16) Aislinn: Yeah. (0:15:18) Kevin: The jaws theme played as my puppy entered the room. (0:15:21) Aislinn: Oh, no. (0:15:21) Kevin: Um… [laughs] (0:15:23) Kevin: Um… [laughs] (0:15:25) Kevin: Okay. Alright, what’s up next? Do tell me. (0:15:28) Aislinn: All right, so the next game that I’m looking at here is Honeymancer, and it’s coming soon to Early Access. (0:15:36) Aislinn: It’s currently on March 27th. (0:15:38) Aislinn: So, yeah, or actually, yeah, that’s what it seems to look like. March 27th, Early Access, coming soon, and also another Pixel 2D-looking situation, but this is more so the tags are Indie, RPG, Pixel Graphics, Tower Defense 2D, and it looks like this is not really a farming game at all. (0:16:01) Aislinn: And when I first looked at it with the just because of the art style alone, I was like, oh, it’s another far (0:16:06) Aislinn: I’m again, I’m like, oh, wait, no, it’s not. Wait, that’s really cool. And it’s got bees and we love bees here. So (0:16:09) Kevin: Yeah (0:16:12) Kevin: Yeah, all right, so there’s a few few things going on here right first of all the premise of bear wizard (0:16:19) Kevin: That’s pretty strong already right you’re you’re setting its own bear witch excuse me (0:16:25) Kevin: You have a one you’re shooting things in combat (0:16:28) Kevin: You’re fighting off robots invading the forest with other cute neighbor animals (0:16:33) Aislinn: which the robots look so cute by the way I just again the art style I’m just like gosh I love (0:16:35) Kevin: They do (0:16:38) Aislinn: this art style it’s so cute I’m such a sucker for good art styles yeah they do it’s so cute (0:16:40) Kevin: I (0:16:41) Kevin: Yup, it is a it is a very strong art style. Absolutely. I’m again 2d pixel, but it’s a very strong one (0:16:47) Kevin: I like how even the trees kind of look like beehives. It’s a very cute little touch (0:16:53) Kevin: yep (0:16:54) Kevin: there looks like there’s (0:16:57) Kevin: Management of some kind you’re growing flowers for bees making potions. So, you know, there’s elements of cottagecore stuff (0:17:03) Kevin: But it’s not your standard you have grandpa’s farm or whatever on which is fun (0:17:09) Kevin: Special shoutouts to the as they describe it the bee dog. There’s a large bumblebee flying you around. It’s more bee than dog (0:17:17) Kevin: we the the big question which (0:17:20) Kevin: You know, we’ll have to wait is where does it land on the Cody scale of acceptability? (0:17:25) Aislinn: I know, we’ll have to stay tuned to find out, right? (0:17:28) Kevin: Is it is it is it Cheeba fight is it cartoonified enough? (0:17:34) Kevin: But I mean, it’s a pretty big bee. So I think she’s gonna be on (0:17:36) Aislinn: It is a very big B. (0:17:39) Kevin: Bigger than you. So I think I think she’s gonna be on board with this one (0:17:40) Aislinn: It really is. (0:17:44) Kevin: But there are other non giant bees that you are helping raise. So that’s fun (0:17:49) Kevin: You know, it’s hard to tell how deep they’re going into it and unexpected to be (0:17:53) Kevin: You know for on be sim but but it looks good enough. It goes into the bear honey (0:17:59) Aislinn: Yeah, no, it looks it looks really cute. It’s hard to get much information based off of just (0:17:59) Kevin: So yeah (0:18:03) Aislinn: the Steam page, but like it looks generally really cute. We’ll see you soon in early access. (0:18:04) Kevin: Yeah (0:18:06) Kevin: Yeah (0:18:09) Aislinn: If this is your type of gameplay, I think it’s worth checking out because it just the (0:18:09) Kevin: March 27th (0:18:13) Kevin: Yeah (0:18:13) Aislinn: colors alone are like really pretty too. Yeah, I love that. Uh-huh. Yeah, they feel very anime. (0:18:15) Kevin: The colors are very well done (0:18:16) Kevin: I like the expressions on the characters and the little portraits when they’re speaking they get exaggerated in cartoonish. That’s that’s (0:18:24) Kevin: Yeah. Yeah, it’s it’s fantastic (0:18:26) Kevin: I’m right because I think that’s probably a big criticism (0:18:30) Kevin: You have a lot of these cottage cores like the this character portraits are somewhat muted a lot of times (0:18:35) Kevin: I would say this one’s going for the anime eyes and everything (0:18:39) Aislinn: Yeah, I like it. I really do like it (0:18:39) Kevin: It’s great. I have one big criticism against it though (0:18:45) Kevin: And it’s nothing the game itself done, but unfortunately the title of honeymancer actually (0:18:45) Aislinn: Oh, okay (0:18:52) Kevin: I think it’s honey wizard has already been claimed by Winnie the Pooh in the Lorkana (0:18:57) Kevin: Card game have you okay? I posted it in the thread if you’ll take a look Aislin (0:19:01) Aislinn: Let me see. (0:19:02) Kevin: Lorkana the Disney TCG came out with a card called Winnie the Pooh honey wizard and (0:19:03) Aislinn: Oh my gosh, I’ve never, (0:19:07) Aislinn: I’ve never seen Winnie the Pooh look so magical. (0:19:09) Kevin: It’s pretty amazing. It’s (0:19:12) Kevin: Possibly the best card. They’ve ever come out with and so (0:19:15) Kevin: you know you do a lot of great things honeyman sir, but (0:19:16) Aislinn: Was that a pun? (0:19:20) Kevin: You got a tall tall bar or tall bear. I guess to cross to overcome there (0:19:24) Aislinn: What was that a pun though? Is that possibly you get it the pun because you said possibly possibly (0:19:28) Kevin: Do what oh (0:19:31) Kevin: Yes, yes (0:19:35) Kevin: Okay, I guess all right there all right beautiful (0:19:37) Aislinn: We got it we got we got there one way or another we got there (0:19:39) Kevin: I like this shot of the raccoon screaming in the trailer just eyes fisheyes in different directions with full vertical mouth. It’s great (0:19:52) Kevin: Yeah, all right (0:19:55) Kevin: What a speaking of moods. What do we actually I do have a mood. I don’t know what’s next. What’s next? (0:19:58) Aislinn: The next game is the next game is Space Sprouts, an exploration puzzle physics simulation 2D (0:20:01) Kevin: No, it’s (0:20:09) Aislinn: game are the tags, and it does primarily look like it’s a puzzle game where you bend the (0:20:17) Aislinn: rule of physics, experiment with unusual gadgets, and toss everything around. (0:20:23) Aislinn: I think out of the three games that we discussed so far, I think this game feels mostly up (0:20:28) Aislinn: because I’m always down for a good puzzle game, and the fact that there is physics in this too (0:20:31) Kevin: Uh huh. Yeah, in a good way. Yeah, that that that is a very specific alliterative title (0:20:33) Aislinn: really also intrigues me. It looks like it also kind of infuriates me, but I’m kind of, (0:20:38) Aislinn: oh perfect, cozy cosmic chaos feels like the perfect description for this game. (0:20:47) Kevin: and it works. Right, so space is the key thing right here, right? We’re not we’re managing (0:20:52) Kevin: a space station. And so you’re going to have gravity physics and light bending and all (0:20:56) Kevin: sorts of nonsense. There’s all in the trailer, you see the water floating around, you have (0:21:01) Kevin: a push it or whatever. So expect space shenanigans. Um, that sounds kind of cute. Like a very muted (0:21:09) Kevin: storybook looking design for these characters. Yep. Yeah. Yeah, it is a very nice looking (0:21:12) Aislinn: Yeah, I like the colors. (0:21:15) Aislinn: I’m all about the colors of all of these games so far. (0:21:18) Aislinn: All of these games look really, really nice. (0:21:21) Kevin: game. Demo out now if you are curious and full release date in just a little over a (0:21:28) Kevin: for a week on March 31st. (0:21:30) Aislinn: Almost there! (0:21:32) Kevin: Yup, so, uh, good on you space sprouts. (0:21:35) Kevin: Um, yeah, I’m sure some people hint, hint on the show. (0:21:39) Kevin: Might like, I don’t, I, I have no idea who, but I feel like somebody (0:21:42) Aislinn: I mean, I like it, I’m interested in it. (0:21:43) Kevin: on the show will want to play. (0:21:48) Kevin: Well, oh, there we, okay. (0:21:49) Kevin: That’s one down. (0:21:50) Kevin: Let’s, let’s get another, we’ll, we’ll, we’ll see. (0:21:53) Aislinn: I might be infuriated, I don’t know, but I’m also like, it’s a good type of infuriating (0:21:57) Kevin: Well, yeah, and that’s fine. (0:21:57) Aislinn: and that’s what this game looks like, so I’m into it. (0:22:01) Kevin: I’ve had the bad period on the show many, many times, possibly more than not. (0:22:07) Aislinn: It’d really be that way. (0:22:11) Kevin: All right, next up. (0:22:12) Kevin: Ooh, this is a good one. (0:22:14) Aislinn: You take the floor. (0:22:14) Kevin: I think they’d announced it. (0:22:16) Kevin: Yeah, I think they announced it during the game awards or no. (0:22:20) Kevin: Was that the jungle DLC? (0:22:21) Kevin: I feel like this was announced at some point, but if not, we got a full, (0:22:25) Kevin: uh, a more proper breakdown of Dave, the diver DLC can’t. (0:22:31) Kevin: Stop won’t stop. (0:22:32) Kevin: I mean, I mean, they’re made by the maple story desk, so they have (0:22:35) Kevin: the money to actually never stop. (0:22:37) Aislinn: Just keep going. (0:22:37) Kevin: Um, yeah, basically. (0:22:41) Kevin: Um, and so it is a, not that it is the second, um, crossover DLC this time (0:22:46) Kevin: with the like a dragon series, AKA previously known as the Yakuza series. (0:22:51) Kevin: Um, you are teaming up with itchy bond, um, and doing all sorts of shenanigans. (0:22:57) Kevin: Are you familiar with like a dragon at all? (0:22:59) Aislinn: I am like not I’ve never played the games, but like I am familiar and I remember when I heard about this (0:23:05) Aislinn: Because I heard about this like a while ago. I don’t remember how long it was long ago. It was but I was like, what? (0:23:10) Kevin: Yeah (0:23:10) Aislinn: I was like, how did the two these two worlds collide? I need to know how these two worlds collided. This is so cool (0:23:15) Kevin: Well (0:23:19) Kevin: It is and at the same time that feels appropriate for both franchises how on earth did this happen (0:23:25) Kevin: Um, I have never played one myself, but I am also familiar very familiar with the series (0:23:30) Kevin: so introduced we have (0:23:33) Kevin: Included in all these features. We have a genuine 2d beat ’em up side scroller where you can play as Ichiban and (0:23:41) Kevin: Cobra yeah, I think it plays Cobra Wow Oh Cobra’s playable. I didn’t catch that. That’s so cool (0:23:47) Kevin: There is a karaoke minigame because if nothing else what if that was included how could this be called like a dragon? (0:23:56) Kevin: We have let’s see what else here (0:23:59) Kevin: We’ve got we got several characters from the like a dragon series as staff members for your restaurant. It’s fun (0:24:07) Aislinn: I like that there seems to be the karaoke minigame. I feel like that fear feels very, like, Yakuza-esque. (0:24:08) Kevin: Ah, junk. (0:24:11) Kevin: Yeah. (0:24:15) Kevin: Oh, yeah, it is. (0:24:17) Kevin: Um, yeah, that land that launches, uh, April 10th, not terribly far away, about two weeks away. (0:24:26) Kevin: Um, so there, there will probably be a return to David diver sometime in the future. (0:24:32) Kevin: Uh, because I’m playing this. (0:24:34) Kevin: Absolutely. (0:24:36) Kevin: Um, that looks great. (0:24:36) Aislinn: It looks great, it really does look great. (0:24:40) Kevin: So I keep an eye out and then the jungle DLC is still being worked on and coming in the future. (0:24:45) Kevin: So again, can’t stop, won’t stop. (0:24:49) Kevin: Um, Dave keeps diving and doing everyone’s work. (0:24:52) Kevin: Um, all right, let’s see next up. (0:24:55) Kevin: Another series that has not yet stopped as of now. (0:24:58) Kevin: Uh, we’ve got story of seasons or I guess this one is like harvest moon proper because it’s, it’s in Japanese as of now, um, a harvest moon G mode game. (0:25:10) Kevin: Um, it, it is a port of a phone game from, what was it like 2008, I think on the harvest moon series. (0:25:16) Aislinn: Yes, it says 2008 on the Steam page, and yeah, it’s a port coming to Steam, but… (0:25:21) Kevin: Yup. (0:25:22) Kevin: Yup. (0:25:23) Kevin: So it’s a early mobile farming game and you know, that’s, that’s cool. (0:25:27) Kevin: You can see it, you can feel it kind of GBA S graphics, um, which is fun and cute. (0:25:34) Kevin: Um, you know, too bad it’s all in Japanese. (0:25:36) Aislinn: I, you know, cause I’ve been telling myself for the past like couple weeks, like I really (0:25:36) Kevin: So, this one I won’t be playing, probably. (0:25:45) Aislinn: should actively get back into learning Japanese. Cause I was learning Japanese at one point (0:25:50) Aislinn: when I was in like first grade and then I fell off cause I was a stubborn kid, long (0:25:54) Kevin: Hmm. Okay. (laughs) (0:25:55) Aislinn: story short, but like, I don’t know. Maybe if I get back into actually learning properly, (0:26:00) Aislinn: maybe I’ll pick up this game. It looks cute, but I don’t know anything about it because (0:26:02) Kevin: yeah it does (0:26:06) Kevin: yeah we can’t read a thing on it we just (0:26:10) Kevin: it’s all I can do is point and says that looks like a harvest moon game for a (0:26:14) Aislinn: I was like, “That’s a cow! That’s chicken! That’s all I’ve got!” (0:26:14) Kevin: phone (0:26:18) Kevin: there are anime pretty people that you can probably romance (0:26:22) Kevin: yeah uh… (0:26:24) Kevin: but uh… (0:26:26) Kevin: yeah uh… releasing on steam do we have a date for that (0:26:29) Kevin: And it’s coming soon. Yeah. (0:26:30) Aislinn: As of now, we do not have a date, but regardless, if you are interested in this and you can (0:26:33) Kevin: But yeah, we, yeah. (0:26:36) Aislinn: read Japanese, even if you can’t read Japanese and you are interested in it, it is coming soon! (0:26:41) Kevin: Oh man, go back to those early 2000s when you have the fan translation from GameFacts. (0:26:47) Kevin: Good times. (0:26:50) Kevin: But but yeah, you know, one thing to note, this is a second port that they’ve done in the series, (0:26:55) Kevin: which is interesting to me, suggesting that the first one was successful enough to warrant it. (0:27:00) Aislinn: I guess so. (0:27:01) Kevin: That’s pretty cool. (0:27:02) Aislinn: I’m glad. (0:27:02) Kevin: Yeah, I know nothing either. I should’ve picked up Japanese. I’m too big of a weeb not to. (0:27:03) Aislinn: I’m glad for the people that do care about this. (0:27:05) Aislinn: I know nothing about it, but I am happy for those that care about it. (0:27:12) Kevin: I mean, I know some Japanese words. I want to make them echo the journey one day, but in due time I guess. (0:27:20) Kevin: Alright, let’s see here. Next up we’ve got info on cattle country. Yes, not Kent County. Country bigger than that. (0:27:30) Kevin: We have got (0:27:33) Kevin: They say so what interesting thing (0:27:37) Kevin: The thing probably the biggest note is, you know, they’re talking about some features and whatnot, but combat is totally optional (0:27:44) Kevin: Which is kind of wild to see in these games right cuz (0:27:48) Kevin: You know most cottagecore games following the stardew template (0:27:53) Kevin: How you know have some kind of? (0:27:56) Kevin: combat stuck in there, right (0:27:58) Kevin: And it’s you know, just because it’s optional. It’s not bad here. I’m looking that you got bows and arrows (0:28:02) Kevin: And guns and all sorts of stuff (0:28:05) Kevin: But the fact that it’s optional and they’re advertising that that’s uh, that’s pretty fun (0:28:10) Aislinn: I think it’s great yeah I i don’t know why that would put that would it’s a great it’s (0:28:15) Aislinn: it’s a great thing honestly like I have nothing else to say besides like this is something that (0:28:19) Aislinn: is a great feature because if you want to do it you can do it if you don’t want to (0:28:22) Aislinn: you just ignore it’s a win-win (0:28:24) Kevin: Yup. Yup. This is another game where it looks like you can partner up with some of your neighbors or villagers and whatnot, so that’s, that’s fun. (0:28:32) Kevin: There’s, yeah, I think we’ve talked about it before, but there’s, if you look at the trailer, there’s square dancing. They’re playing a nice Western medley song. (0:28:40) Kevin: Um, you’re, it’s very, how, it’s, it’s HANU. Um, that’s what it is. We got state coaches, we got trains, all the good stuff. (0:28:40) Aislinn: Very, it’s definitely very howdy partner. (0:28:52) Kevin: Um, they’re good at ge– (0:28:54) Kevin: Hey, howdy, hey, get your snake in your boot and keep an eye out for cattle count–country. (0:28:57) Aislinn: I mean, there’s even a character named Bandit, so take that as you will. (0:29:00) Kevin: Um, again, I don’t– (0:29:02) Kevin: Yeah, there you go! Eyes required. (0:29:07) Kevin: Alright, next up, a new game, we’ve got, uh, okay. (0:29:10) Kevin: So I started looking at this, and, you know, pre-recording, you know, going over, preparing, whatnot. (0:29:15) Kevin: And I stopped because I just kept saying, “What is this?” I needed to– (0:29:20) Kevin: to put some of that energy into the recording. (0:29:24) Kevin: We are looking at a game called “Fungi’s Swarm.” (0:29:24) Aislinn: It’s so silly. (0:29:28) Kevin: Um, so, you know, G-U-Y-S, “Sworn.” (0:29:32) Kevin: Um, it is a bullet hell game. (0:29:36) Kevin: Um, it is their first dev, uh, like, dev blog. (0:29:41) Kevin: Um, and they are showing it’s– (0:29:44) Kevin: Kinda what the whole thing, right? It is a cartoony, survivor bullet hell, where you become a fungi, (0:29:49) Kevin: wield forest-crafted weapons and unleash bonkers powers against the fire killer. (0:29:54) Kevin: So you there’s a lot going on here. There’s a mushroom guy running around. There’s pumpkin vegetable monsters and bears and like vegetables. I don’t an apple bear and an apple. (0:30:08) Aislinn: There’s a there’s an easter egg for from Coral Island of a waterfowl and it’s the cutest thing I’ve ever seen (0:30:14) Kevin: What I didn’t see that’s incredible. That’s incredible. (0:30:20) Kevin: incredible you’re running around is your little fungus guy with (0:30:24) Kevin: giant watermelon acts like the waterman slice is bigger than you are (0:30:27) Kevin: it’s enormous there’s a great blaster gun thing you’ve got the powers like oh (0:30:34) Kevin: oh yeah that’s uh this is some good stuff there’s what is going on with this (0:30:40) Kevin: apple teeny it’s a half-eaten apple with a warm a very buff warm popping out of (0:30:45) Kevin: it you know there’s runs it’s oh it’s colorful it’s wacky it’s cartoony it’s (0:30:54) Kevin: magnificent I don’t what are these little for sanctuary pals you got like (0:30:58) Kevin: buzz balls with fruit stems there’s all block (0:31:00) Aislinn: I have no, not a single clue, but it looks like, it looks cute and fun, cozy and fun. (0:31:08) Kevin: yep yep (0:31:08) Aislinn: It looks like it’s a good balance of that, I feel like. (0:31:11) Aislinn: I feel like it does somehow fit into the Cottagecore game. (0:31:14) Aislinn: It just, it just somehow does fit, yes it is like a bullet hell game, but it still feels, (0:31:20) Aislinn: it feels like it’s going to be accessible enough to fall into the category of Cottagecore. (0:31:20) Kevin: Oh, yeah for sure. Um, it’s certainly caught my eye (0:31:27) Kevin: Obviously, we’re gonna be a ways off from this bad boy coming out, but I’m definitely keeping my out that is again fun guys swarm (0:31:35) Kevin: They’re good on you a lot of good news stories this week. Nothing. Nothing. Give me any heartache or anything (0:31:38) Aislinn: Honestly, yeah. (0:31:42) Kevin: That’s exciting stuff. Oh (0:31:45) Kevin: All right, and with that let’s talk about some let’s move on to something else exciting. Let’s talk about (0:31:50) Aislinn: Yeah. Oh my gosh. (0:31:50) Kevin: Wonder stuff, huh? (0:31:53) Kevin: Okay, so again, this is the tea shop simulator created by the Stanley parable dev team (0:32:01) Kevin: If you haven’t played Stanley parable (0:32:04) Kevin: You might want to pause go listen because I think we need to talk about it because that’s important for context (0:32:09) Kevin: and (0:32:10) Kevin: So important that acelin has actually played Stanley parable prior to the gay wonder stuff in preparation (0:32:17) Kevin: So let’s hear some thoughts (0:32:17) Aislinn: I did. Yeah, so I, yeah, once I found out that this game was being created by the people (0:32:25) Aislinn: that made Stanley Parable, I very much was like, I’ve always wanted to play Stanley Parable, (0:32:31) Aislinn: but I put that way up on my, I moved that way up for my backlog, because I knew and (0:32:35) Kevin: Uh-huh (0:32:37) Aislinn: I’ve heard great things about this game, which I think everyone knows about. If you haven’t (0:32:41) Aislinn: played the game, you still know the premise of the game and what the game is all about. (0:32:43) Kevin: John (0:32:44) Kevin: Yep for for (0:32:45) Aislinn: And I was very curious to check it out. (0:32:46) Kevin: Yeah for clarity. I have not played it myself, but as you said, I am very familiar (0:32:50) Kevin: I know all the secrets. I don’t feel free to let out whatever you want. Um, you just listener assume we’re spoiling whatever. Okay, it’s (0:32:53) Aislinn: Yeah, I played as many, spoiler warning for Stanley Parable, a very long time. (0:32:59) Kevin: Yes game that’s been out how long now (0:33:04) Aislinn: But the thing is, before I played Stanley Parable, I knew it was a strange game or a (0:33:08) Aislinn: very interesting game that a lot of people liked, but I didn’t know what the premise (0:33:11) Aislinn: of the game was. (0:33:12) Aislinn: So I went in pretty blind and it was an experience for sure. (0:33:17) Aislinn: It took me a while to get into because I was like, “What is happening?” (0:33:21) Kevin: Ha ha ha ha! (0:33:23) Aislinn: As I continued, I was like, “Okay, I’m starting to get it. (0:33:26) Aislinn: I’m starting to understand.” (0:33:27) Aislinn: And it was a very, very fun and fascinating and silly game. (0:33:33) Aislinn: And I did pretty much almost all of the endings except the ones like the, what was it, like (0:33:40) Aislinn: the baby one with like the dog and like the, you have to like stand up. (0:33:42) Kevin: Yeah, that’s correct. (0:33:44) Aislinn: You know that one, that one ending, we have to like be in the game for like three hours (0:33:47) Aislinn: or something. (0:33:49) Aislinn: I refused to do that one. (0:33:49) Kevin: Yeah, that’s correct. (0:33:50) Aislinn: I just watched it on YouTube. (0:33:51) Aislinn: I was like, “There’s no way I’m doing this.” (0:33:54) Aislinn: But just like that absurdity and like that confusion, I’m just like, “Yeah, no. (0:33:59) Aislinn: Okay. (0:33:59) Aislinn: I understand why people like this game now. (0:34:01) Aislinn: Like I have not experienced this in a game in a very, very, very long time.” (0:34:05) Aislinn: And it just took twists and turns and I was like, “Huh.” (0:34:09) Aislinn: And I was happy that I got to experience that before playing this game. (0:34:13) Aislinn: Cause I was curious if they were going to do things in this game that also (0:34:16) Aislinn: kind of caught me off guard and surprised me and that definitely did happen. (0:34:18) Kevin: All right, yep. (0:34:23) Aislinn: As a general notice, we’re not going to spoil like main plots of the game. (0:34:30) Aislinn: We may talk about a little bit of hint towards a little couple of things here (0:34:33) Aislinn: and there, but we’ll try our best to not spoil the game because both of us are (0:34:37) Aislinn: just about at the same point in the story and we both kind of share the sentiment (0:34:40) Aislinn: that we want y’all to check out the game and experience the not absurdity, but (0:34:47) Aislinn: just like the twists and turns of the game that also surprised me. (0:34:49) Kevin: Yep. (0:34:53) Aislinn: I was playing Wanderstop as I continued into it. (0:34:55) Kevin: Uh-huh. (0:34:56) Aislinn: Like it took me a while to get into Stanley Parable. (0:34:57) Aislinn: It took me a while to get into Wanderstop. (0:34:59) Aislinn: And as I continue, I was like start, I felt the same feeling that I felt when I (0:34:59) Kevin: Yeah. (0:35:03) Aislinn: was playing Wanderstop versus when I was playing Stanley Parable, but in just (0:35:04) Kevin: So. (0:35:07) Kevin: Mm-hmm. (0:35:08) Kevin: Right. (0:35:09) Kevin: Okay, so. (0:35:11) Kevin: Again, if someone who- so, that’s all great. (0:35:13) Kevin: And I appreciate you played it, ‘cause at least one of us can speak to it, but, um… (0:35:15) Aislinn: Well, you know about it too, you know. (0:35:19) Kevin: And so. (0:35:21) Kevin: Like. (0:35:22) Kevin: Maybe I don’t fully have heard everything, but the tone of Stanley Parable is almost… (0:35:29) Kevin: It’s very absurdist, very- almost adversarial in times, right? (0:35:32) Kevin: Like the narrator is constantly fighting against you, or you’re being sent down roads that are unpleasant, or so on and so forth, right? (0:35:39) Kevin: Like, it’s an enjoyable experience and a lot of fun, don’t get me, like, clearly, but… (0:35:45) Kevin: It is a very different vibe from a Cottagecore game, right? (0:35:49) Aislinn: Yes, very much so. (0:35:49) Kevin: So, when you- (0:35:51) Kevin: Right? (0:35:52) Kevin: And so when you hear they’re doing this- a tea shop simil- and they’re, you know, outright saying it’s gonna be a cozy game, like… (0:36:00) Kevin: What am I- what am I gonna do? I’m- I’m on guard, like, you’re the Stanley Parable people. (0:36:02) Aislinn: I know! (0:36:04) Kevin: I don’t believe a word you say, I am- (0:36:06) Aislinn: It literally says on the Steam page, “From the creator of the Stanley Parable.” (0:36:11) Aislinn: It’s the first line! (0:36:11) Kevin: Yep, so. (0:36:12) Kevin: Yup. (0:36:13) Kevin: So, I’m, you know, I’m coming into Wanderstop armed with a knife, just ready to fight back whatever this game’s- (0:36:19) Kevin: he’s gonna throw at me, right? (0:36:21) Kevin: Um… (0:36:22) Kevin: And, um… (0:36:24) Kevin: Well, I mean, shocker, it’s not the Stanley Parable, right? Like, some things carry over, like, it’s quality-quality writing. (0:36:31) Kevin: Excellent writing throughout, absolutely. (0:36:33) Kevin: There are some twists and turns, but it’s- it’s not in the insane, zany Stanley Parable way, it’s- it’s all, you know, in a narrative structure that- that fits it and whatnot. (0:36:46) Kevin: Um… (0:36:47) Kevin: I can confirm. (0:36:49) Kevin: I would call this a cozy game, but it’s a cozy game that sometimes pulls out a knife on you because sometimes I’m not ready for it. (0:36:54) Aislinn: Yes. (0:36:59) Aislinn: Yes. (0:37:00) Aislinn: Yes. (0:37:02) Kevin: I’ll get to that in a second, but the point being, there’s no secret endings, there’s no crazy insane tasks. (0:37:13) Kevin: And I tried, like one of the first things I did, like when you start the game you can run back into the force. I ran into the force like ten times. (0:37:19) Kevin: I was expecting something and nothing happened. I looked it up and there’s nothing, no insane hidden things like Stanley Parable, right? (0:37:30) Kevin: There’s some stuff, but nothing just completely insane. (0:37:36) Kevin: So yeah, it’s wild to see that they’re actually playing it straight. We’re getting a “cozy game”. (0:37:44) Kevin: So with that in mind, let’s talk about the premise, because I say (0:37:49) Kevin: “cozy” but there’s a big asterisk here because it is possibly one of the most “uncozy” openings to any game ever. (0:37:52) Aislinn: Mm-hmm. Mm-hmm. (0:37:57) Aislinn: But I loved it. I genuinely loved it. (0:37:57) Kevin: And yes, yep. So this is, and you’re not an avatar, you’re not a Stanley, a blankly avatar more or less, you are playing a character named Alta. (0:38:09) Kevin: She is a fighter, a warrior, goes into tournaments. The story starts with her description of her wanting to be the best. (0:38:18) Kevin: she’s undefeated for like three. (0:38:19) Kevin: and she just totally off her game so what does she do she seeks out help she (0:38:21) Aislinn: Very, very long time, but yeah. (0:38:45) Kevin: He seeks out Master Winters, a legendary warrior. (0:38:49) Kevin: Who she thinks can help her get a groove back. (0:38:52) Kevin: So, Alta runs through the forest, but then at some point, her body starts to fail her. (0:38:59) Kevin: She collapses, and she wakes up in this clearing in the forest, in front of a tea shop called “Wanderstup”. (0:39:06) Kevin: She meets the proprietor, a man named Boro, who is a fantastic… (0:39:10) Aislinn: Oh, he’s wonderful. I love him. (0:39:13) Kevin: He is the complete, I would say foil, like opposite foil to Alta. (0:39:16) Aislinn: Yeah. (0:39:17) Kevin: She is the most chills (0:39:19) Kevin: Zen just goes with the flow kind of guy. He’s happy. Good luck. He always cracking jokes and whatnot. Um (0:39:24) Aislinn: So sweet (0:39:26) Kevin: He’s a wonderful man. Um, he is the one who rescued Alta (0:39:30) Kevin: explains where she is and (0:39:33) Kevin: and basically suggests for her to take a break because (0:39:38) Kevin: One of the first thing she does is try to pick her her sword and she can’t (0:39:41) Kevin: Why meanwhile borrow can pick it up. No problem. And it’s just something (0:39:46) Kevin: Something going on with Arthur. She can’t fight. She can’t… (0:39:49) Kevin: She can’t lift her. (0:39:50) Kevin: if you run back into the forest like I did you just collapse and are sent back to the clearing so (0:39:54) Aislinn: I did too for context. I also did the same thing as you, because I was like, I just need to know. (0:39:57) Kevin: Yeah (0:39:59) Kevin: Yeah, it’s though it would be that (0:40:00) Aislinn: Especially again, coming off of Stanley Parable, I was like, I just need to know. (0:40:02) Kevin: it (0:40:04) Kevin: It would be the most Stanley peril thing in the world right the run out you get it ending (0:40:08) Kevin: like absolutely, so (0:40:10) Kevin: So yeah, so that um so with you know after repeated attempts if you do or you just give up (0:40:17) Kevin: Boro suggests to Ulta to just stay there (0:40:20) Kevin: and the tea shop to help out to try to rest and recover (0:40:23) Kevin: because she’s clearly suffering from over exhaustion. (0:40:27) Kevin: And and so that and already at this very 10 minute initial premise, (0:40:33) Kevin: the game is is is going at me like directly targeting me bullseye because. (0:40:39) Kevin: So, OK, you are a hard worker. (0:40:42) Kevin: You probably relate to this. (0:40:44) Kevin: I think a lot of people from our generation, how we were raised, like, (0:40:48) Kevin: you know, we a lot of people, (0:40:50) Kevin: we’re raising the very drive, like driven generation, right? (0:40:54) Kevin: Work hard, work hard, succeed, go to the next thing, right? (0:40:56) Aislinn: Yeah. Yeah. Yeah. (0:40:57) Kevin: Be the top, be first in class, right? (0:40:59) Kevin: And and I personally like my I was in the warrior, (0:41:02) Kevin: but like I graduated salutatorian in high school. (0:41:05) Kevin: Like my academic pursuits were like everything to me. (0:41:08) Aislinn: Mm-hmm. (0:41:10) Kevin: So I can relate to that very much so. (0:41:13) Kevin: And then there comes a point when life just punches you in the face (0:41:17) Kevin: And you, you know, you just, you’re, you’re knocked out a few. (0:41:20) Kevin: Notches. So I get this and I’m already very not comfortable with how personal this story has gotten. (0:41:26) Aislinn: Yeah, yeah, I really felt the anger that Alta was feeling in the beginning, not to the fullest extent, because I’m just generally not a very like angry person. But like, what, like the underlying emotions of that anger, I genuinely felt because I definitely also feel that in the sense that as a person that considers myself very hardworking as well, to be working so hard, and then to be knocked down like that, it really, really, really sucks. I get that. (0:41:34) Kevin: Yeah. Right. (0:41:54) Kevin: Yep (0:41:56) Aislinn: I definitely really felt for her right off the bat. Like immediately, I was like, Oh, this is one of those games. Oh, no, my heart. I was like, Oh, no, they really did. (0:42:00) Kevin: Yeah (0:42:04) Kevin: Yup (0:42:10) Kevin: Yup, yup. Yup. They have set the stage (0:42:15) Kevin: and and and again in right there in contrast with Boro a wonderful truly cozy character and then also the most (0:42:24) Kevin: I have possibly seen in a cottage core game (0:42:28) Kevin: But (0:42:30) Kevin: Like for me that one of the bits that really resonated is just running through the forest right getting back up going back (0:42:36) Kevin: Like I relate to that very much so to to maybe not on well (0:42:42) Kevin: Okay, I’ll say someone on the healthy levels, but or it’s let’s say it’s affected me right like I’ve definitely (0:42:47) Aislinn: We all go through it. We’re human. We all go through it. (0:42:48) Kevin: Right, right. Yeah (0:42:51) Kevin: Um, and so being forced to stop. (0:42:54) Kevin: That out of your control, that’s something I wouldn’t handle. (0:42:57) Kevin: Well, I&am

It's time for another episode of The Platformers, which means Brian, Kris, and Lucas talk about wildly obscure games, demos and what Hatsune Miku would look like if she were raised as a child soldier. Enjoy!TOPICS & TIMESTAMPS:Marvel Rivals Competitive - 0:00 |Citizen Sleeper 2 - 10:00 |Look Outside - 22:00 |He Is Coming - 36:44 |Atelier Yumia: The Alchemist Of Memories & The Envisioned Land - 45:45 |Castle V Castle - 58:41 |Carmen Sandiego - 1:04:43 |Steam Sale Games, Returnal - 1:30:00 |POTENTIAL EPISODE TITLES (EACH "+" IS A HOST VOTE):I Had To Deal With A Skunk And A Dryer Fire |++Admitting To Smurfing In Public |We Made An Adjustment To Namor's Eggs |++Brian Knows Everything About Namor's Eggs |Luna, Give Me Your Eggs! |++What If Hatsune Miku Was A Child Soldier? |[The Platformers Video Game Podcast is created, hosted, written, edited & streamed (Twitch.tv/Ribnax) by Brian ‘Ribnax' Barnett]

Our Grand Tour continues with the second half of Dragon Ball GT, which marked the end of the 18-year ‘Toriyama Block' on Fuji TV, and the end of new Dragon Ball stories on TV until Dragon Ball Super nearly 20 years later. The first few episodes here cover the ‘Super Android 17' Arc, which is probably the very worst bit of Dragon Ball ever created, but the ‘Shadow Dragons' Saga has always had more mixed reception, including some vocal defenders. What do Sean and Jonathan make of it? Well, we aren't so hot on that one either, despite some good ideas and individual strong moments throughout. Still, diagnosing what ails Dragon Ball GT continues to make for a fascinating and fun conversation.Enjoy, and come back next week as we return to the dawn of anime with one of the great works by Japan's ‘God of Manga,' Tezuka Osamu, and the 1969 series Dororo! Time Chart:Theme Song: 0:00:00 – 0:01:16Intro and History: 0:01:16 – 0:51:03Eyecatch Break: 0:51:03 – 0:51:50Dragon Ball GT Review: 0:51:50 – 2:53:33End Theme: 2:53:33 – 2:54:34Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Rolled Into One” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our new season begins with a blast from the past, as we return to the 90s for an in-depth look at Dragon Ball GT, the 64-episode, anime-only extension of Toriyama Akira's classic series. While GT has always proven divisive among Dragon Ball fans, Sean and Jonathan have never made it all the way through – and doing so turns out to be a bit of a challenge, because as much as we both love all things Dragon Ball, this particular entryis not our cup of tea. Despite the regularly fantastic vocal cast, strong animation including character designs from the great Nakatsuru Katsuyoshi, and a promising premise with a miniaturized Son Goku travelling the universe in search of Dragon Balls, the series is a creative mess, with frequently threadbare storytelling, terrible background music, and disappointing action. In this first episode, we discuss the Black Star Dragon Ball and Baby Arcs, which takes us through a few creative high points on our way to Super Saiyan 4 – but this is not, suffice it to say, our favorite stop on our Grand Tour.  Enjoy, and come back next week as we review the rest of Dragon Ball GT with episodes 41-64 and the Super 17 and Shadow Dragon Sagas.Time Chart:Theme Song: 0:00:00 – 0:01:12Intro and History: 0:01:12 – 1:33:34Eyecatch Break: 1:33:34 – 1:34:19Dragon Ball GT Review: 1:34:19 – 3:53:18End Theme: 3:13:54 – 3:54:21Subscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstation  Purely Academic: https://www.youtube.com/@purelyacademicpodcastRead Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vK“Welcome to Japanimation Station” – Music by Thomas Lack, Lyrics by Sean Chapman, featuring Hatsune Miku. “Happily Ever After” – Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Artificial intelligence has come a long way over just the past few years. It can hold conversations and manage social media, it can create art and edit videos, and it can even write blogs (though not this one). Every aspect of our lives has been touched by AI in one way or another, and that's particularly true for sound. While many podcasters, including some of my guests, now use AI tools for research and sound editing, it's also front and center in sound, from cloning voices to writing its own songs. Royalty-free music is already starting to give way to copyright-free AI music, and a variety of powerful audio content generation tools are scheduled for release later this year.But can computers replace human composers? Will listeners be able to tell the difference? And how did we get from vinyl records to virtual music? It may seem hard to believe, but the very first song written by a computer is older than cassette tapes. The Illiac Suite, or “String Quartet No. 4,” as it's officially named, was created in 1955, using pioneering techniques still found in AI today.The ILLIAC I (ill-ee-ack one) was one of the world's first computers. It was built in 1952 at the University of Illinois, and it filled an entire room. The ILLIAC I weighed five tons and used over two thousand vacuum tubes, some of which had to be replaced each night. A pair of music professors, Lejaren Hiller and Leonard Isaacson, programmed the ILLIAC to compose a string quartet using what's called “stochastic music,” music that's written using probability calculations and mathematical sequences – in this case, Markov chains – instead of human inspiration.One of the researchers who helped build the ILLIAC I was Saburo Muroga, who also built the MUSASINO-1 later that year in Japan. And, as it happens, another breakthrough in computer-generated music would emerge from Japan exactly fifty years after the Illiac Suite's release.Synthetic voices were the next step in creating digital music, and in 1961 the IBM 7094 became the first computer to sing a song, “Daisy Bell.” Another computer voice that could sing was called Perfect Paul, and it was one of the voice settings on 1983‘s text-to-speech DECtalk device. This is the speech synthesizer Professor Stephen Hawking used in his later years, and it was based on the voice of MIT researcher Dennis Klatt. The next decade brought us Auto-Tune, which can digitally modulate singing voices in real-time and has become, for better or worse, a staple of pop music.These developments all came together in 2004 as “Vocaloids,” synthesized voices that can talk and sing with perfect pitch. The most famous of them by far is Crypton Future Media's Hatsune Miku, a second-generation Vocaloid who debuted in 2007. While there have been four more generations and many more voices since then, Miku is the one who captured the public's eyes and ears. Arguably the world's first virtual celebrity, she's opened for Lady Gaga, put in a holographic appearance at the 2024 Coachella festival, and just wrapped up her latest ‘Miku Expo' world tour last December.In some ways, Miku and the Vocaloids that followed marked a turning point in synthetic voices. Older synthesizers like Perfect Paul and Microsoft Sam couldn't be mistaken for an ordinary person, but Vocaloids come closer than anything before – so close, in fact, that some music critics have said they fall into a sort of audio uncanny valley. They sound almost, but not quite, human.Now it's the year 2025, and AI has taken the stage: it's talking, singing, composing, and even creating whole new kinds of sound. Both OpenAI's Jukebox and Google's AI MusicLM can convert text into music, and Nvidia's upcoming Fugatto software is described as a sonic “Swiss Army knife” for creating sounds that have never existed, like a screaming saxophone or a trumpet that meows. Another new song-generation service by Musical AI and Beatoven.ai that's set to...

There's over 1000 tracks available in this month's Request Roulette - was Rooftop Run one of them? Tune in and find out! Chapters: 00:00:00 - Year 14 - The Best Gets Better 00:01:23 - This is Saturday Night SEGA 1 00:07:35 - #88 - CHUNITHM STAR - Hare Hare Yukai from "The Melancholy of Haruhi Suzumiya" 00:11:05 - #997 - Knuckles - Flames of Disaster 00:16:41 - #300 - Virtua Fighter 3 - JEFFRY -Coral Groove "Jeffry In The Sea"- 00:19:18 - This is Saturday Night SEGA 2 00:23:00 - #573 - Daytona USA 2: Battle on the Edge - SLING SHOT (Takenobu Mitsuyoshi Ver.) 00:27:38 - #11 - Shin Megami Tensei V - Battle -destruction- 00:32:21 - #185 - Sonic & Knuckles - Flying Battery Zone 1 00:33:44 - This is Saturday Night SEGA 3 00:38:39 - #221 - Initial D Arcade Stage - DON'T STOP THE MUSIC 00:43:25 - #30 - MADWORLD - Ride!! 00:46:10 - #110 - Hatsune Miku 39's Giving Day Concert - Butterfly On Your Right Shoulder 00:49:12 - This is Saturday Night SEGA 4 00:54:18 - #24 - SEGA AGES 2500 Series Vol.1: Phantasy Star generation:1 - Dungeon 2 00:57:08 - #34 - CHUNITHM CRYSTAL PLUS - Aoi-chan is Going to Eat Choc-mint Ice Cream No Matter What 01:02:45 - #417 - Virtua Fighter 4 - JEFFRY -A STAR OF SAND- 01:06:19 - This is Saturday Night SEGA 5 01:12:46 - #666 - Hatsune Miku: Project Mirai DX - Crux 01:15:55 - #518 - Sonic X - From Episode 1: S-Team #1 01:18:20 - #812 - Arabian Fight - Stage 3 (Desert Storm) 01:20:43 - This is Saturday Night SEGA 6 01:27:10 - #246 - Midnight Resistance - Flood of Power (BGM 1) 01:30:00 - #8 - maimai PLUS - ochamekinou 01:34:07 - #173 - A.B. Cop - STAGE 1-1 01:36:19 - This is Saturday Night SEGA 7 01:38:27 - #86 - Mad Rat Dead - Neuchatel 01:42:40 - #98 - Super Monkey Ball 2 - Ei-Ei-Poo! ~ JAZZ ARRANGE (Billiards 2) 01:45:12 - #321 - F-Zero GX - Dr. STEWART 01:47:13 - This is Saturday Night SEGA 8 01:49:04 - #624 - Virtua Fighter 3 - KAGE -Hiding "Kagemaru In The Castle"- / OST Version 01:50:56 - #41 - Etrian Odyssey III HD - Tumult - Raise Thy Sword in Pride 01:55:58 - This is Saturday Night SEGA 9 02:06:22 - #1 - CHUNITHM AIR PLUS - Beloved Tetragrammaton (Long Version) 02:11:05 - TheBitterRoost - Triumph in Failure

Dear Listeners,Recently I witnessed a devastating battle in my dreams. On the floor of a figure collecting convention, an absurdly wealthy collector was completely annihilating everyone in a quiz competition about rare and obscure scale figures. Talented sculptors, award-winning painters, and industry darlings all wept in lamentation as their knowledge proved insufficient to compete with the golden-haired man who owned not only the first Saber Lily Distant Avalon figure ever produced, but also prototypes of promotional figures including the solid gold Gundam RX-78-2 as well as every single Winter edition Hatsune Miku scale figure ever produced. Then a guy who does garage kits came in and absolutely bodied him in the last round, it was incredible....Wait, actually I think that might have happened for real.This month, Runa and Sara return to Fate/Stay Night with guest MK to read through the game's second route: Unlimited Blade Works. While the Fate route left them wanting more emotional resonance and less Shirou, the Unlimited Blade Works route delivers both in spades. Diverging from the Fate Route when Shirou uses a command seal to prevent Saber from attacking Archer and Rin, Unlimited Blade Works sees the two masters work much more closely together as they navigate their growing affections for one another while the Holy Grail War is going, admittedly, Pretty Bad for them. Not only do they suffer a devastating loss followed by an abrupt betrayal, the eighth servant Gilgamesh makes a much earlier entrance and quickly dominates the field. With Saber lost, Archer gone, and no command seals left, Rin and Shirou struggle to survive together as they piece together the mystery of Archer's identity, Shirou's future, and the magic that could help them win the Holy Grail War: Unlimited Blade Works.As always, if you enjoy our show please consider supporting us by leaving a 5 star review on whatever platform you use to listen. You can also support us on Patreon at patreon.com/sayitinred where for just a few dollars a month you can gain access to our entire backlog of bonus episodes! These bonus episodes include a wide range of topics from deep dives into games outside of the Visual Novel space to fandom histories and much more!Also, you can check out our guest, MK, experiencing even more Visual Novel excitement on the Moonshot Network where they're currently reading Virtue's Last Reward for the first time and will continue reading Visual Novels (and adjacent media) Saturdays on twitch.tv/moonshotnetwork!

So we're back with another one! We've got food crimes, we've got card news, we've been playing games, Steph has a book report, reddit put their foot down, and we talk about the Oscars some? Hey, it's fun!Check it out!Explicit language on this one."Snowdin Shopkeep Theme (Remix)" (Toni Leys - via GameChops - https://www.youtube.com/watch?v=6_fA6Pptogw)Find the show on iTunes, Google Play Podcasts, Spotify, and Simplecast.fmFind the show on YouTube: https://www.youtube.com/channel/UC6QoHk8iEsVGTpd2qdTlH-gFollow us @CharacterReveal on Bluesky, Instagram, and on Facebook!Dom is @brothadom on Bluesky, tweets, tumbles and generally on the netSteph is @captainsteph on Bluesky and Twitter, @hella_steph on Instagram, and @thesnowqueer on TumblrEric is @TindiLosi on some places on the internet as a whole, like BlueskyFind everything at: https://linktr.ee/characterreveal

The latest film from Kyoto Animation veteran Yamada Naoko – known for K-On!, A Silent Voice, and Tamako Market – arrived in American theaters courtesy GKids this weekend, and both Sean and Jonathan made trips to the theater to check it out. Now working with Science SARU, Yamada's voice is as singular as ever, and while The Colors Within returns to some familiar narrative territory for the director – high-school students forming a band – the way this story is told is singular. It's an aggressively low-key, gentle narrative about quiet but profound emotions, and it builds to a musical climax that is an absolute knockout – one we couldn't resist recording a podcast about.  Enjoy! And please look forward to Season 5 of Japanimation Station, our ‘Grand Tour' of anime, which we are excited to announce will be premiering Sunday, March 16th, 2025! Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstationPurely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuff“Welcome to Japanimation Station” – Original Music by Thomas Lack, Lyrics by Thomas Lack and Sean Chapman, featuring Hatsune Miku; “ICE” – Original Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com 

#anime #godzilla #podcast #sonicmovie3       Sean (Hawke525) and ZawarudoWrrryy talk about gaming-related stuff including news, fighting games, and much more! Topics include Genshin vs FTC; the scam involving pretending to be Brad Pitt (and Keanu Reeves); Nintendo's worst kept secret: Nintendo Switch; Godzilla and Hatsune Miku collab in Fortnite; People still fighting over Pokemon cards and much more!Sean (Hawke525) Bluesky https://bsky.app/profile/hawke525.bsky.socialZawarudoWrrryyy https://twitter.com/ZaWarudoWryyyy https://bsky.app/profile/zawarudowryyyy.bsky.socialCheck out all other episodes here! https://youtube.com/playlist?list=PLBLM4_ooiG3Zzn96gn-6lKOJLi_JQO8vZGo to https://rogueenergy.com/discount/Hawke525?ref=h3vuVa7h2KW3 to get Rogue Energy and support this channel with 10% off coupon code Hawke525►►►Shop on Amazon and support this channel at no additional cost! (Affiliate) http://amzn.to/2jhvzae►►► Check out Into the Am for more gaming-goods clothingand save 10% via coupon code: HAWKE525 bit.ly/2w2mwzhiTunes https://podcasts.apple.com/us/podcast/the-hypecast/id1053847749Spotify https://open.spotify.com/show/6iZ8oV4PnCibtkgqpyRsJx?si=AVI0dDpOQzmACqBsH2dRtAPodomatic https://hawke250.podomatic.comCheck out my shirts and stuff! www.teepublic.com/user/hawke525

Colin and Mike discuss various drama and news throughout the week, including the TikTok ban, Runescape drama, and Hatsune Miku.

In this special live episode, the boys talked about the imminent TikTok ban, Hatsune Miku in Fortnite, some insane new drums FC's, and more!

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RJ and Elle explore the life and inventions of Wolfgang Von Kempelen. His speech making machine, the great great great great great great great grandfather of Hatsune Miku, and his wondrous "Mechanical Turk" A chess playing automaton that stunned the world by defeating Chess legends and world leaders.  RJ then reveals the Mechanical's turks secret and Elle discusses the implications. RJ does a brief overview of fortune telling arcade machines, such as Zoltar.RJ and Elle then venture to a nearby mall to consult a Zoltar machine for 2 readings.Support the show

Siguenos en las redes sociales y en Discord https://linktr.ee/eytbiteros Discord: ⁠https://discord.gg/eytbiteros Podcast en VIVO todos los Lunes a las 9pm: https://www.twitch.tv/eytbiteros Facebook: https://www.facebook.com/EYTBiteros Instagram: https://www.instagram.com/eytbiteros X: https://twitter.com/EYTBiteros

In this episode, the boys talk about Fortnite Festival's one year anniversary, Hatsune Miku, and Guitar Hero Permadeath.

The twenty fifth episode of More Than Headlines, your go-to podcast for all things anime is here and it's bringing with it a tasty serving of curry that was made with love.Join hosts Brendan White and Courtney Smith every week as they dive into the latest news, rumors, and must-know updates from the world of anime. Whether you're a seasoned otaku or just getting started, this is your ticket to staying informed and entertained. Don't miss out on the freshest insights and hottest gossip in anime

This Week's Panel - ElroyOMJ, Exe the Hero   Show Discussion - The title is not what you think! Or is it? Exe and Elroy discuss darkness, Hatsune Miku, repetitive puzzles, storylines, murder, and whether or not remasters can exist within the same generation. See? Not what you think! Probably.   Games discussed: Elroy - Bright Side Riddles & Puzzles Exe - Final Fantasy 3 Pixel Remaster ----- AH101 Podcast Show Links - https://tinyurl.com/AH101Links Year of the Veiner spreadsheet - https://docs.google.com/spreadsheets/d/1VkAvMjmVmXLjRWS61eoMimaoovUz7fr7uPsD6DQPIz4/edit?usp=sharing Intro music provided by Exe the Hero. Check out his band Window of Opportunity on Facebook and YouTube

Nieuwe manschappen opgeroepen in Oekraïne voor leger, Peter Wijninga en Michiel Driebergen leggen uit wat dat betekent. Puerto Rico ontzet door uitspraak komiek Tony Hinchcliffe tijdens Trump campagneavond. Nederlanders zetten zich in voor campagnes van Donald Trump en Kamala Harris in Verenigde Staten. Japanoloog Manya Koetse verklaart de populariteit van virtuele J-popster Hatsune Miku.

Dom's off on vacation, so it's just Steph and Eric for this one! There was a State of Play, a surprise on-pod revelation, food crimes as always, new Magic cards, and a controversial twist to the first Great British Bakeoff of the season. Also, Eric accurately predicts the future of the Commander MTG format. Explicit language on this one."Vampithrillic" (Just Coffee - https://http://ocremix.org/)Find the show on iTunes, Google Play Podcasts, Spotify, and Simplecast.fmFind the show on YouTube: https://www.youtube.com/channel/UC6QoHk8iEsVGTpd2qdTlH-gFollow us @CharacterRev on Twitter and find us on Facebook!We're on Instagram @characterrevealSteph is @captainsteph on Twitter, @hella_steph on Instagram, and @thesnowqueer on TumblrEric is @TindiLosi on some places on the internet as a wholeFind everything at: https://linktr.ee/characterreveal

Today we talk about Calvin Zabo, better known as the villain Mister Hyde, made a potion to become his favorite book character: Mister Hyde, and made everything everyone else's problem. Today's mentioned & relevant media: -Journey Into Mystery (1952) #99-100, 105-106, 110-111, 635 -Fantastic Four Annual (1963) #3 -Daredevil (1964) #30-32, 142-143, 153-154, 235, 353-357 -Captain America (1968) #150-152, 182, 251-252, 291, 340, 365-367, 434-436 -Thor (1966) #293, 394, 418 -Peter Parker, the Spectacular Spider-Man (1976) #46, 88 -The Amazing Spider-Man (1963) #231-232, 433 -Avengers (1963) #273-276, 285, Annual #21 -Iron Man (1968) #228 -Avengers Spotlight (1989) #26 -Incredible Hulk (1962) #368, 418, 458 -Ghost Rider (1990) #4, 36, 51, 55 -Alpha Flight (1983) #106 -Captain America (1998) #15, 50 -Iron Man (1998) #43 -Spider-Man: Get Kraven (2002) #1 -Daredevil (1998) #35, 65 -Avengers (1998) #57 -Captain America (2002) #29, 31 -New Avengers (2004) #2, 4, 35, 56 -Toxin (2005) #1 -Young Avengers (2005) #7-8 -The Sensational Spider-Man (2006) #36-37 -The Irredeemable Ant-Man (2006) #8 -Thunderbolts: Reason in Madness (2008) #1 -Avengers: The Initiative (2007) #13 -Punisher (2009) #5 -Dark Reign: Lethal Legion (2009) #1-3 -Captain America: Who Will Wield the Shield? (2009) #1 -Hawkeye: Blindspot (2011) #1 -Thunderbolts (2006) #155-167, 169-170, 172-174 -Moon Knight (2011) #1 -Dark Avengers (2012) #176-183 -Superior Spider-Man Team-Up (2013) #6 -All-New Ghost Rider (2014) #2-7, 9-10 -S.H.I.E.L.D. (2014) #7 -Avengers Standoff: Assault on Pleasant Hill Alpha (2016) #1 -Howling Commandos of S.H.I.E.L.D. (2015) #6 -Captain America: Steve Rogers (2016) #13, 17 -Secret Empire (2017) #0 -Secret Warriors (2017) #2-5 -Incredible Hulk: Last Call (2019) #1 -Magnificent Ms. Marvel (2019) #9-11 -Ruins of Ravencroft: Dracula (2020) #1 -Ravencroft (2020) #1, 3-4 -King in Black: Thunderbolts (2021) #2-3 -Morbius: Bond of Blood (2021) #1 -Deadpool Infinity Comic (2021) #2 -Ben Reilly: Spider-Man (2022) #4-5 -Strange Tales: Thor & Jane Foster Infinity Comic (2022) #1 -Wasp (2023) #4 -Punisher (2023) #1 -Daredevil (2023) #5 -Daredevil: Black Armor (2023) #3-4 -The Amazing Spider-Man (2022) #45-46 -Absolute Batman (2024) #1 Preview Edition -Briar's best boy from the Hatsune Miku rhythym game, and the second-best boy -My Adventures With Superman (2024) #1 -ShortBox comics fair!! Thanks to Victoria Watkins for our icon! Support Capes and Japes by: Checking out our Patreon or donating to the Tip jar Find out more on the Capes and Japes website.

The fourth and potentially final TV season of the hit anime Demon Slayer: Kimetsu no Yaiba aired its fourth season this summer, adapting and expanding on the “Hashira Training Arc” of Koyoharu Gotouge's manga. We weren't able to review this season right when it finished due to work on our massive Kyoto Animation project, but now that we're between seasons we thought it was time to talk once more about one of our favorite ongoing anime. These episodes adapt a very short slice of the manga, expanding on it in really wonderful ways to give us a final stretch of in-depth character development before the chaos of the Infinity Castle Arc, which will be produced as a film trilogy in the coming years. As always, ufotable's adaptational choices are really smart and interesting to talk about, and it all builds to a season finale that's one of the best episodes in the show's history. Enjoy! We'll be going on a bit of a hiatus for now as we work on SEASON 5 of Japanimation Station, our ‘Grand Tour' through a variety of anime, which will be premiering later this winter. Time Chart:Theme Song: 0:00:00 – 0:01:15Hashira Training Arc Review Part 1: 0:01:15 – 1:06:24 Eyecatch Break: 1:06:24 – 1:06:47Hashira Training Arc Review Part 2: 1:06:47 – 2:19:08End Theme: 2:19:08 – 2:20:09Read Jonathan Lack's movie reviews and stay up to date with all our podcast projects at https://www.jonathanlack.comSubscribe to PURELY ACADEMIC, our monthly variety podcast about movies, video games, TV, and more: https://purelyacademic.simplecast.comRead Jonathan's book 200 Reviews in Paperback or on Kindle – https://a.co/d/bLx53vKSubscribe to our YouTube channels! Japanimation Station: https://www.youtube.com/c/japanimationstationPurely Academic: https://www.youtube.com/@purelyacademicpodcastSupport the show at Ko-fi ☕️ https://ko-fi.com/weeklystuff“Welcome to Japanimation Station” – Original Music by Thomas Lack, Lyrics by Thomas Lack and Sean Chapman, featuring Hatsune Miku; “Rolled Into One” – Original Music & Lyrics by Thomas Lack, featuring Hatsune Miku. https://www.thomaslack.com

Our August 2024 gaming diets are put to the test today, and Viper expresses difficulty in finding something grand enough to celebrate the big 100 that's just around the corner. Astrophysics on Bandcamp: https://astrophysicsbrazil.bandcamp.com/music Sonic and the Fallen Star OST on Bandcamp: https://hahahollie.bandcamp.com/album/fallen-star TRACKLISTING: 00:00:00 We Love Katamari - Everlasting Love 00:04:44 maimai PLUS - ochamekinou 00:08:51 Welcome to Viper's VGMture 00:17:29 KAMITSUBAKI CITY ENSEMBLE - Furachi na Kassai 00:19:48 Sonic and the Fallen Star - Life in a Greenhouse ~ Gusty Greenhouse Act 2 00:23:52 Bust-A-Move (Puzzle Bobble) - Let's Go to Pao Pao Island! (BGM1) 00:25:34 You're Listening to Viper's VGMture 00:45:35 Surprise Attack - Burning Fighter (Stage 3 BGM) 00:47:12 Ghost Trick: Phantom Detective (2023) - GHOST TRICK 00:48:34 Kirby Super Star Ultra (Hoshi no Kirby: Ultra Super Deluxe) - Masked Dedede Theme 00:49:43 This is Viper's VGMture 01:12:42 Mario & Sonic at the Olympic Games Tokyo 2020 - Story - Metropolitan Goal Kick (vs. Metal Sonic) 01:15:35 Sonic and the Fallen Star - Subspace Distortion (Supernova Mix) ~ Special Stage 01:18:40 Camellia - ＼ - Backslash (feat. Hatsune Miku) 01:25:09 Thanks for Listening! 01:28:53 Astrophysics & Hatsune Miku - Take On Me

It's the final episode of our Kyoto Vacation season, an incredibly, unexpectedly long journey that's lasted almost a full year! For this Season Finale, we thought we'd take stock of all the incredible anime we've seen from the incredible artists at Kyoto Animation. We make a Tier List of all the TV series and movies we watched this season, create a KyoAni drinking game based on the most common visuals and tropes we noticed across the studio's work, and declare our favorite shows, characters, episodes, and more. And at the end of the episode, we announce not one, but two new seasons of Japanimation Station: Season 5, premiering this winter, and Season 6, premiering in 2025. What will they be? You'll have to listen to find out! Enjoy, and come back next week for the long-awaited, one-week-only return of Weekly Suit Gundam, as we finally review MOBILE SUIT GUNDAM SEED FREEDOM! Time Chart:Theme Song: 0:00:00 – 0:01:30 Reflections: 0:01:30 – 0:31:14Tier List: 0:31:14 – 1:02:53Picking Favorites & KyoAni Drinking Game: 1:02:53 – 1:52:50Season 5 Announcement: 1:52:50 – 2:05:38Season 6 Announcement: 2:05:38 – 2:07:55End Theme: 2:07:55 – 2:09:09Make your own Kyoto Animation Tier List here https://tiermaker.com/create/japanimation-stations-kyoto-vacation-17327185   Support the show at Ko-fi ☕️ https://ko-fi.com/weeklystuffRead the book 200 Reviews by Jonathan R. Lack in Paperback or on Kindle – https://a.co/d/bLx53vKFollow The Weekly Stuff Wordcast newsletter for regular updates and extra content! https://www.jonathanlack.comSubscribe to The Weekly Stuff Podcast on YouTube: https://www.youtube.com/c/TheWeeklyStuffPodcastVisit our website and subscribe to Japanimation Station on all podcast platforms: http://japanimationstation.com/Subscribe to The Weekly Stuff Podcast on all podcast platforms: http://www.weeklystuffpodcast.com“re:CAPTURE” and “Welcome to Japanimation Station” – Original Music by Thomas Lack, Lyrics by Thomas Lack and Sean Chapman, featuring Hatsune Miku. https://www.thomaslack.com