Podcasts about wigman

Welcome to the Last Episode of House Jam with Me on Data Transmission Radio. This is a blend of house, amazing vocals, melody and a few of my edits in the end of the show. Thanks Everybody for your support . Feel free and follow my instagram @pauldjanderson . Listen all 12 episodes on my Soundcloud or YouTube. ⚡️Like the Show? Click the [Repost] ↻ button so more people can hear it!

1. Mr Quest & Richie SK ft. Jayline: Jungle Ting 2. Magic Touch & Dan Electric, Switch Effex ft. Jayline: Ghetto Mysery 3. Nurock: Pleasure Style 4. Wu Cryple & MaxLI: Shadows 5. Chase & Status: Original Business 6. Chase & Status ft. Burro Banton: Delete 7. Ego Trippin: Batman Riddem 8. Duoscience: Nervous 9. Duoscience: Reflects 10. Duoscience: Navegantes 11. Duoscience: Say 12. Karacha: Bad Day (VIP) 13. Dysta: Spiral 14. Dysta: Gravity ft. Desant 15. Nitty: Do You Want More 16. Waeys: Objection (Simula rmx) 17. Vani: How I Do It 18. Grizzla: Remember 19. Pengo: Active 20. DJ Release: Release Yourself 21. El Pablo & DRZ: Cat Fight 22. Basscee: Need U 23. Shuddah: Surrender 24. Bennie: Mercenary 25. Gino & MC Spyda: Swing & Dip 26. Rottor: Gally 27. Rova: On The Phone 28. Jaybee: Everybody 29. Samstone: Thumpy 30. Zapya: Hunky Dory 31. Acuna ft. MC Spyda: Don't Stop 32. TC: Tap Ho (Alphaze & Sinu8 rmx) 33. Sudley & Rendah: Comedown 34. Concentrate: Z By Z 35. Skantia: Yoyo Bop (145Aywon edit) 36. Toxinate: Caffeine 37. Skantia: 2Drill 38. Platinum Breaks: Real Badman 39. El Pablo: By My Side 40. Roche & Rova: Venom 41. EV: Cuppa Tea (Gray rmx) 42. Napes: Every Soundboy Shutup 43. Klimate: Another One VIP 44. Rendah: Frequency 45. Jay Danko: Tell Em Fi Don 46. Comet & Until Dawn: Promises 47. Tesen: Watch Me Go 48. Bennie: Tell Em Boy 49. Critical Impact: Ten9Eight (Scythe rmx) 50. Bost & Bim: Dub Monster (VIP) 51. Teddy Killerz & MC Spyda: Run (Bennie rmx) 52. Shreddy: Sting 53. Zone 2: No Censor (Slonkers bootleg) 54. H8TO: Mafia 55. Gray & Donae'o: Squat Rave (Locked Off) 56. Foes: Really You VIP 57. Euphonique & Carasel: Big Flame Emojis 58. Tesen: Echoes 59. Crossy: Dutty Wine (Visulant rmx) 60. 4K & Conni: Confessions 61. ACP & SKPY: Braindead 62. WHTKD: Not Missin U (Amplify & Clarkey bootleg) 63. Rendah: Hokey Pokey 64. Migzy: Turn Up Da Bass 65. Izuk: Simulation Theory 66. Danger: One More Time 67. Menace: A4 68. YoungJakeyy & Feed The Fire: Molly 69. Roche & Magenta: Cryptic 70. DJ Zinc & Riko Dan: London 71. Reaktiv: Close To Me 72. El Pablo & Curt: Bacardi 73. Wigman ft. B-Don: Militant 74. Arcando: Don't Tell Me (VIP) 75. Entity: Madness 76. Gino: Big Nu Boomer 77. Primate & Captain Bass: Body 78. Document One: Too Lazy 79. Tyler Gray: Impact 80. Subcortex: No Phones 81. Samstone: Ins & Outs 82. Agro & Rova: Biggest & Baddest 83. Samstone: Ins & Outs 84. Creeds: Push Up (Gino rmx) 85. Atmos: Panic Attack 86. CLB & 9MM: Meditation 87. Chase & Status ft. Popcaan & IRAH: Censor VIP 88. Simula: Cold Shoulder 89. Sub Zero: Bounce 90. H3 ft. Natty D: Uprise 91. Upgrade: The Visitor 92. Nexus: Premonition 93. Disrupta: Come In 94. Sammy Virji: Never Let You Go (Gino rmx) 95. Jenks: Hennessy 96. Contact Point & Magenta: Dance 97. Basstripper: Deserted 98. Sota: Dogged 99. Jam Thieves: Sonic 100. John B: A Die Hard Christmas (Yippee Ki Yay It's Christmas Day)

LIVE RECORDING FROM THIS IS HOUSUPA THE RETURN TO BRIXTON

In deze aflevering ontvangt Teddy Tops niemand minder dan schrijver Adriaan van Dis (https://www.adriaanvandis.nl/). Zijn essay De kolonie mept terug'' (https://www.atlascontact.nl/boek/de-kolonie-mept-terug/) kwam eerder dit jaar uit. Adriaan deelt zijn cultuurtips: Boek: Jo (https://www.bol.com/nl/nl/p/jo/9300000152015683/), De wereld van Wigman (https://www.bruna.nl/boeken/de-wereld-van-wigman-9789077767955), Plundering (https://www.zuidafrikahuis.nl/product/antjie-krog-plundering/), Beter wordt het niet  (https://www.bol.com/nl/nl/f/beter-wordt-het-niet/9300000017953148/) Tentoonstelling: De grote Indonesië tentoonstelling (https://www.nieuwekerk.nl/tentoonstellingen/de-grote-indonesie-tentoonstelling/), Oog in Oog  (https://allardpierson.nl/bezoek/tentoonstellingen/oog-in-oog-de-mensen-achter-mummieportretten/) Film (bioscoop): Selling a Colonial war (https://www.eyefilm.nl/en/whats-on/selling-a-colonial-war/1128191), Perfect Days  (https://www.imdb.com/title/tt27503384/) Film (online): Golda (https://www.imdb.com/title/tt14454876/), Maestro  (https://www.imdb.com/title/tt5535276/) Als je een cultuurtip wil delen met Teddy en de redactie, stuur ons dan vooral een mailtje: eenuurcultuur@vpro.nl

Kathryn (Thern) Anderson started her dance training at the U of M in 1968 with Margret Dietz, Heidi Hauser and Judith Mirus.  In 1971 she joined Margret's Company, Choreogram ,and danced there until 1976.  She then moved to Port Townsend, WA to work with Meg Robson, then to Portland Oregon to dance with Spira, and started Oregon Dance Consort with other dancers from the Wigman tradition. She was in New York from 1980 to 1987, studying at the Erick Hawkins studio, Floor Barre with Zena Rommet, Bartenieff Fundamentals, Anatomy and Kinesiology, Ideokinesis at NYU, Subtle Self with Judith Blackstone and Klein technique with Barbara Mahler.In Washington D.C. from 1987until  1993 she taught through Liz Lerman's Dnce Exchange, working with senior adults, psychiatric outpatients and hospitalized children.  In addition, she taught many children's Creative Movement classes at Jane Bittner Dnce Studio in Olbey MD.Back to Minnesota since 1993,  she has performed with Sharon Varosh, Maureen Koelsch, a children;s show with Linda Aus,”Seca” by Marciano Silva dos Santos, “Orphans” with Off leash Area, Pam Gleason,, “Invisible” with Paula Mann and as a guest artist with Christopher Watson Dance  Co.In the Twin Cities, she has taught at Zenon, TU Dance, “Dancing your Story” with Mary Waster through TU Dance and Aroha Philanthropies, Patrick's Cabaret and currently teaches Modern Dance at Tapestry.

Neste programa, Lud (a IPAcondriaca) e Leandro (a Flor do Desejo e do Lupúlolá) voltam a um dos temas preferidos: lúpulos brasileiros! Para essa atualização sobre o tema, conclamamos a atenção do Victor Marinho (Dádiva) e Felipe Wigman (Viveiro Van de Bergen). Saiba quais são as expectativas mais recentes sobre a produção e uso do lúpulo brasileiro! Qual é o nosso gargalo para o desenvolvimento desse cultivo tão lindo? Devemos apostar em lúpulo de aroma ou amargor? Lúpulo produzido no Brasil é sinônimo de preço mais em conta? Também é um apaixonado por lúpulo brasileiro? Com certeza vai curtir esse programa que fizemos: https://surradelupulo.com.br/surra-de-lupulo-inovacao-no-lupulo-brasileiro/ E o apoio ao Surra de Lúpulo, hein? Vire um Mecenas: https://apoia.se/surradelupulo Conheça nossos Mecenas Empresariais: Cerveja da Casa https://www.cervejadacasa.com/ Cervejaria Uçá https://www.cervejariauca.com/ Iris Pay https://www.irispay.com.br/ Prussia Bier http://www.prussiabier.com.br/ Viveiro Van de Bergen https://vandebergen.com/ The Beer Agency

WHO REMEMBERS RED CARPET THIS WAS A ONE OFF LIVE 2 hour RECORDING FEATURING SUPA D WIGMAN GEMINI COLDSTEPS SPIDEY G DOG T

Voltamos a falar sobre lúpulo! Lud (a IPAcondriaca) e Leandro (o Professor Pardal) falaram com Gabriel Fortuna (engenheiro agrônomo) e Felipe Wigman (da Van de Bergen) sobre as inovações que o mercado tem trazido para o cultivo de lúpulo. Nesse programa falamos sobre as variedades mais cultivadas no país e quais são foram as inovações criadas para tais plantações, como os viveiros estão fisgando os produtores de cervejas para o lúpulo nacional e quais são as barreiras de acesso e interesse. Adentramos na questão de comprovação de qualidade dessa matéria-prima, as características mais valorizadas pelos cervejeiros e as adaptações às condições climáticas do Brasil. Nós falamos sobre lúpulos outras vezes. O Lúpulo Brasileiro com a Teresa Yoshiko https://open.spotify.com/episode/4eZF9k3bKd88utHVF08TSu?si=1d5a7d981aea4327 Uma mesa sobre o lúpulo brasileiro com Ana Pampillón e Guilherme Hoffmann https://open.spotify.com/episode/3DWATSzfVQ4QTKeZIF5QUS?si=f7b6aa879385483e Cultivo de lúpulo no norte do Brasil com Paulo Jordão https://open.spotify.com/episode/75mtHm6YtkDFgdURHu2wav?si=f349bfbcf06b4f20 Ajude a gente a inovar nesse mundo de cervejas, apoie o Surra de Lúpulo. https://apoia.se/surradelupulo Conheça nossos Mecenas Empresariais: Cerveja da Casa https://www.cervejadacasa.com/ Cervejaria Narcose https://www.cervejarianarcose.com.br/

Mary Wigman, eigentlich bürgerlich 1886 als Marie Wiegmann in Hannover geboren, zählt zu den wichtigsten Wegbereiterinnen des sogenannten Ausdruckstanzes in Deutschland. Als Choreographin wirkte sie vor allem mit ihrer eigenen Tanzgruppe von Dresden aus und stand in engem Austausch auch mit bildenden Künstlern wie Ernst Ludwig Kirchner. Darüber hinaus hinterließ sie aber auch tiefe Spuren als Tanzpädagogin, bei der u.a. Gret Palucca, Margarete Wallmann und Harald Kreutzberg lernten. 1922 war der neue Stil der Wigman, wenig überraschend, noch sehr umstritten. Erich Vogeler versucht im Berliner Tageblatt vom 29. April eine Lanze für sie zu brechen, artikuliert zugleich aber doch auch einige Vorbehalte. Hier gelesen von Paula Leu.

In 1914, Mary Wigman created a dance that would shatter the rules about what dance was supposed to look like. A trio of images by Charlotte Rudolph of Wigman came through the Photography department at Sotheby's recently. Aimee gets to the bottom of what these images had to do with the Suspiria remake and why everyone was so upset about modern dance.

Contrary to rumors Magento Open Source is indeed alive and here to stay for a long time to come. Willem Wigman talks about the two different support models of Magento Open Source and how this will benefit the community. Long Term Support from Adobe will be called the Magento Open Source LTS version. This is a very common practice in Open Source software. The Short Term Support or STS version of Magento will be supported by the community. We also talk about the benefits of a cleaner more streamlined version of Magento Open Source LTS and how this will increase the ROI of merchants all over the world using any version of Magento.

MOBCAST SPECIAL VOLUME 3 RICHY - KENNY HAYES - ESSENTIAL BOUNCE - MATT WIGMAN LIKE-SHARE -ENJOY

Here we are! After getting hung up on the wonderful world of Hyvä themes and the amazing future in store for the Magento frontend, we're finally back to talk about the Magento revolution. You might also call it the “Magento fork” or “The Mage-OS distribution”. Willem has much to say about where Magento might be in 3-5 years and how MOSCA's plan is moving forward. SHOW NOTES 1:30 Where will Magento be in 3 years, and why was the open letter written and published in September of 2021? Why are “microservices”, “SaaS” and “PWA” all sore spots for Willem? Why is Willem not ready to give up on the Monolith structure of Magento Open Source and why did they decide that the open letter was the right path to take to change? 8:55 What were the core intentions behind creating and maintaining a Magento Open Source clone? Is it more of a precautionary action to keep Adobe in check, or a hostile takeover? 12:15 How has the community responded to this movement and is that response changing as time goes on and the idea normalizes? 12:58 The Poland event in September, big names who showed up at the drop of a hat to talk about the future of Magento, and the history of where this whole idea really started (back when Ben Marks was involved). 14:58 Adobe's initial response to their plans and how “fork” really wasn't the right word to describe their plans. 16:33 The actual technological explanation of what the Mage-OS Distribution will look like, how it will be structured, and when the community might gain access to it. Willem gives us a peek behind the curtain on what needs to happen regarding funding, leadership and the logistical aspects of this startup. 21:14 Joseph asks Willem to step outside of the Magento community for a few minutes and talk about a few things from a truly objective perspective. Joseph brings up the great merchant exodus that we are seeing away from Magento, and asks Willem for his honest opinion on where Magento is at in its lifecycle. 29:17 Several months after the call for a Magento Open Source roadmap, Adobe came out and defined their roadmap, indicating that OS would only be getting maintenance fixes and security fixes in the future. Willem shares his opinion on what we can see from Adobe in the next 5 years and what our responsibilities might be to pick up their slack. 32:53 What conversations are taking place in the task force meetings regarding community and ongoing innovation. 39:01 Why the Magento community is so special, and why it's a shame if Adobe doesn't “celebrate and harvest that energy”. 41:41 How the market has changed in the last 5 years and where Magento is really positioned in the market at the moment, taking into account the Big Commerce and Shopify boom at that time. Check out Hyvä HERE Connect with Willem: LinkedIn Twitter Connect with Joseph: LinkedIn Twitter Do YOU have an incredible debugging story to share? Send your story to logan@swiftotter.com and you might be our next podcast guest! This podcast exists to inspire, educate and entertain eCommerce developers who are serious about improving their skills and advancing their careers! Have you joined the free SwiftOtter Slack community? It's exploding and we don't want you to miss out. Go to SwiftOtter.com/Slack to join for free and get plugged into what might be the best group of collaborating ecommerce developers around! [Special thanks to TrendingAudio for our awesome theme music]

In deze aflevering bespreken we de poëzie van Menno Wigman en zoomen we in op de bundels Slordig met geluk en Mijn naam is Legioen. Wat was Menno Wigman voor iemand en hoe is zijn carrière verlopen? Charlotte is geen groot poëzielezer en vraagt aan Ellen hoe het precies zit. Wat is poëzie? Hoe lees je poëzie? En wat is het doel van een gedicht?

We thought this episode was going to be about MOSCA and the Mage OS Distribution, but we spent so much time talking about something else (something very important) that we decided to do two episodes with this special guest. Willem Wigman has been around the Magento ecosystem for about 10 years. After freelancing, pushing hard with Magento 1, and then burning out on the transition to Magento 2, Willem found himself back to working on Luma and hating it. He developed such a disdain for Luma that he ended up deciding to fix it by reinventing the wheel, and that is where we got Hyvä, a Magento front-end that makes sense. Why does it make sense? Let's dive in and see! SHOW NOTES 1:12 Who is Willem Wigman, where did he come from and why does Hyvä exist? 3:26 Why shouldn't every website be on PWA and how to decide if that is the right option or not. He believes every website doesn't need to act like an app, and that loading speed, situational logic and actual purchase psychology all have to all be taken into account. 9:14 Why exactly is Hyvä so much better than Luma? 12:12 Why it's actually GOOD that Hyvä is not free, but is paid tool, and how we can look forward to this great tool expanding and improving quickly. Willem explains his vision for a “Hyvä ecosystem”. 16:24 A quick introduction to MOSCA and the Mage OS Distribution, what Willem thinks about Monolith vs Microservices/de-composed front-end. He explains why a lot of people started to give up on Adobe's plan for Magento and why he thinks this new energy in the community is helpful. 21:06 Willem suggests that if Hyvä isn't a good idea for a merchant, it's pretty likely that Magento wasn't a good option in the first place. Joseph and Willem just plainly say it: “Magento 1 to Magento 2 is a downgrade (regarding loading speeds)” and they discuss the realities of when Magento isn't the right fit at all. 26:56 When is Hyvä probably NOT the right solution? What will you have to re-write with Hyvä, as opposed to when you use PWA solutions, etc. 30:55 What have been the biggest challenges agencies face in the first 6 months using Hyvä and what should they anticipate when they incorporate this new tool? Willem compares it to learning a new dialect within the same language, and insists that most skeptics end up changing their mind, accepting any minor downsides for the sake of all of the great upsides. 34:14 How Hyvä is built with debt and legacy code in mind, and defends against decay and future maintenance. Due to its stable format, Hyvä has seen very few unhappy customers, and many of their customers have said that 1000 euros is a “steal” for what they are getting. 40:19 Willem's mysterious book recommendation for us! “Good friends buy each other this book” -Willem Check out Hyvä HERE Connect with Willem: LinkedIn Twitter Connect with Joseph: LinkedIn Twitter Do YOU have an incredible debugging story to share? Send your story to logan@swiftotter.com and you might be our next podcast guest! This podcast exists to inspire, educate and entertain eCommerce developers who are serious about improving their skills and advancing their careers! Have you joined the free SwiftOtter Slack community? It's exploding and we don't want you to miss out. Go to SwiftOtter.com/Slack to join for free and get plugged into what might be the best group of collaborating ecommerce developers around! [Special thanks to TrendingAudio for our awesome theme music]

Jim Lieberthal has worked creatively in Minneapolis since 1982 : as a dancer, choreographer, actor, writer, producer and now filmmaker. He started this journey originally in music, playing the cello for 11 years. His efforts have also combined work with actors and dancers with alternate abilities, including seated dancers, and dancers utilizing mechanical assists.Work performed included 17 years of Nutcrackers, a TV series for children on PBS (“The Folk Book”) utilizing techniques of Noh and Kabuki Theater from Japan, and moments in the movie Purple Rain. He studied Wigman, Horton, Modern Jazz, Kabuki and Noh theater along with Ballet as the principal pillars of his performing and choreographic efforts.He has received a McKnight Fellowship for Choreography (“Mer-Peace” 1988) and a Sage Award for Performance (“Listen” – choreography by Rosy Simas 2013). He has produced 3 evenings of original work, including commissions by Kanopy Dance and Threads Dance Project. Currently, he is in collaboration with multiple artists creating a Theatrical/Dance/Poetry film to encourage people to deeper dialogue in their conversations (premiering online in 2022 - “Heart Gears Shifting”).He has immense gratitude to many of the most wonderful talents in the Twin Cities area, combiningideas and talents to create hybrid works of theater and dance residing between the poles of ballet andmodern dance, many speaking to social and interpersonal issues.

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Welcome to Talk Commerce. Where we talk about how merchants, agencies, and developers experience commerce. This week we interview Willem Wigman with Hyva, the revolutionary new Magento theme that will change your life! Did I say change your life? Yes, this shows how powerful the Magento community still is and continues to be! We talk about the origin of the name, not to spoil anything, but it's good. We discuss the impact on site speed for merchants and how Google is changing the game for your website and how it is ranked. If you are a merchant you need to share this episode. If you are an Agency you need to get on board with Hyva and get your Devs teams there too. This episode was recorded on June 9th, 2021

A Wellington axe-throwing company has taken aim at getting a liquor licence.Sweet Axe Throwing has applied to Wellington City Council's Licensing Committee for an on-premises licence, claiming it won't make things dangerous.The conditions of the licence would see customers limited to two drinks each over a two-hour axe-throwing session, with any intoxicated people barred from participating.Anyone who consumed alcohol before they arrived would also be turned away from the venue.Police have objected to the application, raising concerns over how drinking would impact the safety of the activity.Sergeant Jo Wigman said her main concern was the high risk involved in axe throwing."Alcohol itself is a risk-increasing factor. It directly impacts behaviour, and increases the risk of harm."Wigman confirmed her own research hadn't uncovered any instances of injuries related to axe-throwing in New Zealand, or overseas.Sweet Axe Throwing Co-owner Lloyd Bombell said it was the perception of danger that made axe-throwing exciting, but in reality it was completely safe."We run a very tight ship. It's a controlled environment, with an 'axe-pert' [instructor] monitoring the situation closely every second. You'd be safer in here than crossing a busy street."He said alcohol would only make axe throwing risky if it was consumed without the strict regulations they were proposing."If we just gave someone an axe and said 'fire away' then of course it would be dangerous. But we work closely with our customers to make sure they do it properly. Two drinks over the space of two hours shouldn't impact that in a significant way."Bombell said the licence would be extremely helpful in offering the venue as a sociable, relaxed, fun environment for various functions."Corporations want to come here for team-building exercises, we have birthday parties, stag-dos. Why would they choose us if we can't satisfy all their amenities?"Liquor licensing inspector Joanne Burt said she agreed that when you took axe-throwing out of the equation, Sweet Axe Throwing had proposed safe and responsible conditions for supplying alcohol.She said her concerns related to spectators at the event, and the possibility of them passing unfinished drinks to others in the throwing area.Sweet Axe Throwing general manager Krista Mackie argued that customers were always being watched by three people - the server, the "axe-pert", and a staff supervisor."People listen to us because they don't want to get kicked out, or asked to sit and not participate. When you threaten to take away their toys, they're more likely to follow the rules."She said the only injuries that had occurred at the venue was when someone slipped and bumped their head, and another time where someone needed a band-aid after picking an axe up the wrong way.The hearing is expected to continue tomorrow.text by Kasharn Rao

Part 2 of 2.This is the second part of my conversation with Luke Wigman.Part two, covers everything Luke’s done since his accident in Afghanistan and the rehabilitation he went through – including those incredible events he’s taken part in and how he’s become a world-class endurance athlete.Full show notes can be found in part 1 of this conversation.Join the Connections Untold community:InstagramFacebook

Part 1 of 2 “Don’t be scared to fail at something…the more you do, the more you get out your comfort zone, the stronger you become.”Luke Wigman has an incredible story to tell. Back in 2011 whilst on a routine foot patrol in Afghanistan, he stepped on an IED bomb, which led to the eventual medical discharge from his distinguished career as an RAF Regiment Gunner.Nearly 10 years on, Luke is now a world-class endurance athlete – taking part in global events, such as the Invictus Games and the World Marathon Challenge (7 marathons, 7 continents, 7 days!), all for incredible causes to help other veterans, as he was once helped.One of the things that really stood out for me in this conversation is the opportunities that Luke has really grabbed on to though connection, and though collaborating and meeting other people. In doing so, Luke has created chances and put himself in the way of luck. It goes back to that message that Luke, and many of my other guests on the show have said time and time again, that if you want make positive changes in your lives, you have to be willing to put the time and take the necessary small changes, to get there. So whether it’s thinking about resilience, realising how lucky we are to be alive, asking for (and accepting) help when we need it, getting out of our comfort zones and not being afraid to fail - I hope you get as much out of this conversation as I did. To do full justice to Luke journey, I’ve split the episode into a part one and two, part one details Luke’s career it the military and everything leading up to his accident, eventual rehabilitation and medical discharge from the RAF. Part two, covers off everything he’s done since – including those incredible events he’s taken part in and how he’s become a world-class endurance athlete. Big thanks to Luke for sharing his story with us and for the incredible work he does to support others.Join the Connections Untold community:InstagramFacebookUseful Info:Luke’s websiteLuke’s new challengeOther episodes you may be interested in:#4 Marion Hart: Our negative experiences don't define us#5 Greg Searle MBE: If not now, when? If not you, who?#7 Brett Turner: If your world isn’t right, change your world#9 Paul Ledger: Building a better relationship with our emotions#10 Ryan Romano: TED speaker on vulnerability and developing your self-identity

PROPHECY OF HOUSE LIVE STREAM

De komende tijd verschijnt eens in de twee weken op vrijdagavond ‘Het Verloren Kwartiertje’ — een fragment van rond de vijftien minuten, geplukt uit het archief van onze mooiste Avondenprogramma's. Deze keer hoor je gedichten die Lieke Marsman en Menno Wigman voordroegen op een avond rond de zwartgallige grap: De Bittere Lach en de Literatuur (3 maart 2017). Zowel lichtvoetige humor als mistroostiger grappen komen voorbij. Mooi toeval is dat het uitgekozen werk, van henzelf en anderen, laat zien hoe de ene dichter de andere kan inspireren. Maar stel je dat vooral niet al te rooskleurig voor. Er is bovengemiddeld veel gemeenheid in dit kwartiertje: poëzie is, vrij naar Wigman, zeker niet altijd ‘een vorm van naastenliefde’. Lieke Marsman is schrijver, dichter en vertaler. In 2010 debuteerde ze met het alom geprezen Wat ik mijzelf graag voorhoud. In 2014 verscheen haar tweede bundel De eerste letter. In 2017 publiceerde ze de roman Het tegenovergestelde van een mens en Man met hoed (verzamelde gedichten en vertalingen). Menno Wigman (1966-2018) was een veelbekroond en alom geprezen dichter, vertaler, essayist en bloemlezer. Van 2012 tot 2014 was hij stadsdichter van Amsterdam. Slordig met geluk (2016) was zijn laatste bij leven verschenen bundel. Postuum verschenen in 2019 Verzamelde gedichten.

1975 - Het symposion (vervolg). Lezing van Maarten over de trouwring. Met: Leslie de Gruyter (Bert de Vlaming), Marjon Brandsma (Kaatje Kater), Dimme Treurniet (Jacobo Alblas), Krijn ter Braak (Maarten Koning), Rob van de Meeberg (professor Wigman) en Walter Crommelin (Buitenrust Hettema).

013: Rudolf von Laban wurde 1879 in Ungarn geboren und ist 1958 in England gestorben. Er war Tänzer, Choreograph und Tanztheoretiker – ebenso studierte er Musik, Architektur und Kunst. Als kleiner Junge war Laban bei einem Auftritt von Derwischtänzern¹, dieses Erlebnis prägte Ihn tief – sodass der Tanz und die Bewegung auf Ihn eine lebenslange Faszination hatte. Die 1920er Jahre waren wohl eine ganz besondere Zeit.

In 2011 he stood on a landmine in Afghanistan which left considerable damage to his left leg, after numerous operations and a long rehabilitation program Luke managed an amazing comeback and started to challenge his limits by entering the hardest marathons in the World. He took 2nd place in both the North Pole and Antarctica Marathons, and 1st place in the even more challenging Volcano marathon. He didn’t only succeed at marathon distance as he took gold in the 1500m in both the 2012 & 2014 Invictus games which contributed to his team being awarded the Helen Rollason award during the 2014 Sports Personality awards night which is presented for the outstanding achievement in the face of adversity. If that wasn’t enough Luke went on to compete in the world marathon challenge of completing 7 marathons in 7 continents in 7 days, clocking and average pace of 3:09:32 which was the fastest time recorded for this event from someone in Britain. This is a really gripping and inspirational story of never giving up, staying positive, and trusting in the process, its episodes like this that make the podcasts worthwhile truly outstanding....

★ THE NEW ALBUM!!!★ www.BounceCD.com★ SIGNED TRIPLE CD & ULTIMATE USB!!!!!Episode 18 is here - ending the year and decade LOUD - featuring guest mixes by MATT WIGMAN & KRITIKAL MASS!!!!THE BOUNCE HEAVEN PODCAST; For the car, bus, gym, pre-party, afterparty and every party in between! WE ARE THE BOUNCE GENERATION!www.Bounce-Heaven.co.uk

Prophecy Of House - Takeover - 3 The Hard way Warming you up for the Boxing Day Bonanza! This Set Features Antonio Pascal, MC Creed, Supa D, Wigman, Snoops, DJ IC DJ Bobby Digital, Elliot Ness & Dagz - 3 The Hard Way! 19/12/19 Warming you up for 3 The Hard Way Boxing Day Special @Club Aquarium, Old Street Shoreditch. Don't forget to tune into dejavufm.com for you real underground fix! Follow @ProphecyOfHouse, @TheStatment @MyVibeMyTribeLondon

PROPHECY OF HOUSE BOAT PARTY CROATIA 2019

EACH AND EVERY WEDNESDAY AT AQUUM CLAPHAM HIGH ROAD

The hilarious EDI PATTERSON (Vice Principals, The Last O.G.) joins BCC for a discussion about her many haunted homes, shouting at ghosts, and a strange encounter in the world famous Groundlings theater! Meanwhile Bryce recounts a classic Sasquatch encounter: The Snelgrove Lake Incident! BCC is produced by Riley Bray. Our theme song is “Come Alone,” by Suneaters, courtesy of Lotuspool Records (www.lotuspool.com) If you like the show, please rate and review us on iTunes! To support the podcast, check out our Patreon Page (www.patreon.com/bigfootcollectorsclub) and unlock multiple reward episodes every month. MERCH is available here: https://www.teepublic.com/user/bigfootcollectorsclub To submit to LISTENER-FILES: email: bigfootcollectorsclub@gmail.com  Beware the Wigman!!

Igor Stravinsky’s Le Sacre du printemps is arguably the most influential score composed for dance in the last century. Premiered to an unsuspecting Parisian audience in 1913, this Modernist ballet was subtitled ‘Scenes of Pagan Russia,’ a moniker that evoked the rituals of pre-Christian society. Vaslav Nijinsky’s groundbreaking choreography shocked audiences with its visceral embodiment of primeval spirituality, and Sacre has subsequently been re-staged by a wide variety of classical and contemporary choreographers across the world, including Mary Wigman, Martha Graham, Pina Bausch, and Maurice Béjart. This paper focuses on a distinctly non-Western version of Stravinsky’s score, namely Min Tanaka’s Butoh choreography of 1987. Tanaka’s work, with stage settings by Richard Serra, was premiered a year after the death of his mentor Tatsumi Hijikata, one of the ‘founding fathers’ of the Butoh form. In this paper, I draw comparisons between Tanaka’s stark movement vocabulary and Western embodiments of Sacre, including those of Bausch and Wigman, in order to chart a cross-cultural dialogue in dance performance since the 1913 premiere. With his controversial work, Nijinsky explored new levels of primitive ritualism in performance. He induced a company of classically trained dancers to revert to a primordial form of movement, enacting their ritual through a new choreographic vocabulary derived from elements of Central Asian folk dance. Stravinsky’s score has come to be an ongoing source of inspiration for choreographers exploring non-Western ritual from 1913 to the present day, and I posit that Tanaka’s Sacre symbolises the logical conclusion of this dialogue between Eastern and Western performance. I argue that avant-garde dance performance throughout the twentieth century has been shaped by an amalgamation of cultural elements, and that, ultimately, this inter-cultural dialogue represents Nijinsky’s enduring Modernist legacy.

War of words, live from the Crossing Border festival 2006. Typeradio discussed with 4 guests the limitations and strength of the written and spoken word. The guests included the most discerning book designer of the Netherlands Tessa van der Waals, furiously renowned European poet Menno Wigman, Fluxus legend Willem de Ridder – whose spoken words have no limit and worldwide acknowledged type designer Gerard Unger – whose knowledge of the letter form exceeds all others. Listen to Menno Wigmans point of view. Writing is imitation. The do-it-yourself attitude. Graphic Designers are punks. Bembo, Charlotte & Dolly. Crossing Border :: about Menno Wigman (in dutch) :: File Download (8:25 min / 8 MB)