Podcast appearances and mentions of elliot ness

Viajamos con Lalachus a los años 20, siglo XX, en concreto a la ley seca en EEUU. Fiestas clandestinas, gángsters, Elliot Ness y su pandilla de intocables. ¿Será capaz Lalachus de regresar viva y sobria al presente? 'Mochila al Pasado' es una producción de EL TERRAT en exclusiva para iVoox.

Send us a textBerly and LA recap the season seven Supernatural episode, Time After Time. Over drinks, they'll discuss lore, gore, and what they adore about the Winchesters and their adventures. Now, let's get tipsy!  CW/TW for violent and lewd commentary; listeners beware!

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Actuó durante los años 30 del siglo XX en Cleveland. Dejó, al menos, una cifra de 12 víctimas. Nunca fue atrapado, pese a que en el caso se implicó el mismísimo Elliot Ness. Ahora, las nuevas técnicas de genealogía forense podrían arrojar nuevas pistas sobre la identidad de sus víctimas. Escucha este episodio completo y accede a todo el contenido exclusivo de El Laberinto. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/622756

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Actuó durante los años 30 del siglo XX en Cleveland. Dejó, al menos, una cifra de 12 víctimas. Nunca fue atrapado, pese a que en el caso se implicó el mismísimo Elliot Ness. Ahora, las nuevas técnicas de genealogía forense podrían arrojar nuevas pistas sobre la identidad de sus víctimas. Escucha este episodio completo y accede a todo el contenido exclusivo de El Laberinto. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/622756

Send us a textOn today's episode of the Cops and Writers Podcast, we are going to the greater Cleveland area to chat with Bestselling Author, Drummer, and former Police Chief Rick Porrello.Rick's first career was as a jazz drummer. At the age of 18, he got his first big break when he started touring internationally with Sammy Davis, Jr. Despite a skyrocketing music career, Rick traded his sticks for a badge. What followed was a 33-year career as a police officer in Greater Cleveland, with the last ten of those years as chief of police.As an organized crime historian, Rick Porrello's perspective is an intriguing one. He began writing his first book during family research into the murders of his grandfather and three uncles, all of whom, he learned, were mob leaders killed in Prohibition-era violence. The Rise and Fall of the Cleveland Mafia quickly became a regional favorite.His second book caught Hollywood's eye before it was published. Hollywood snapped up To Kill the Irishman—the War that Crippled the Mafia and turned it into the movie Kill the Irishman, starring Ray Stevenson, Vincent D'Onofrio, Christopher Walken, and Val Kilmer.Please enjoy this wide-ranging conversation where we talk about everything from being on tour with Sammy Davis Jr, becoming a police officer and eventually becoming the chief of police, researching his family's organized crime roots, to writing bestselling books that become movies. In today's episode, we discuss:·      Playing the drums for Sammy Davis Jr. ·      Why Rick became a police officer and his career trajectory.·      How and why, he became a police chief. ·      Why are we, as a culture, so fascinated with organized crime?·      Omerta. What it is and what it means in mob culture.·      His father's pushback when writing the book, “The Rise and Fall of the Cleveland Mafia Corn Sugar and Blood.”.·      Elliot Ness and The Untouchables cleaning up police corruption in Cleveland.·      The book, “Kill the Irishman.” The story of Cleveland Mob Boss Danny Greene. Why he wrote this book and how it became a major motion picture.Visit Rick Porrello's website for links to his books. Check out the new Cops and Writers YouTube channel!Check out Field Training (Brew City Blues Book 1)!!Enjoy the Cops and Writers book series.Please visit the Cops and Writers website. Support the show

Father Malone (Midnight Viewing) and Mike White (The Projection Booth) join Chris to talk about Brian DePalma's The Untouchables.  Written by David Mamet and loosely based on real events, the film stars Kevin Costner as Elliot Ness, a federal agent assigned to take down the crime boss of Chicago, Al Capone (Robert DeNiro).  With an amazing cast from stem to stern, the film boasts an incredible score by Ennio Morricone. Become a supporter of this podcast: https://www.spreaker.com/podcast/the-kulturecast--2883470/support.

After crowning our International State World Champion - let's throw back to the episode that introduced one of our Final 4. Oli reveals his penchant for Elliot Ness cosplay as a childhood fan of famous kid's movie 'The Untouchables', Ryan certainly didn't skip out on HIS assignment with 'Ferris Bueller's Day Off' and then producer Will decided to send the podcast on a cocaine fueled, fever dream from another dimension with the truly original and confounding 'Streets of Fire' Learn more about your ad choices. Visit megaphone.fm/adchoices

Show Notes Free Palestine   Mamet and DePalma bring us into a slick but dangerous 1930s Chicago in 1987's The Untouchables. Fancy dress, guns, Ennio Morricone music, and snappy dialogue bring us into the fictional non-fiction world of Elliot Ness and Al Capone. Powerhouse cast, powerhouse script, quotable from begin to end, and introducing Patricia Clarkson, can this movie do any wrong. Listen to find out.   Recommendations: Furiosa (In Theaters); Geek Girl (Netflix)   Next up: The Killer (1989) (Internet Archive: https://archive.org/details/the.-killer)   Email us at latecomers@gmail.com Find Amity @ www.amityarmstrong.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

An almost-entirely fictionalized account of Elliot Ness and his quest to bring down Al Capone. The post A039: The Untouchables (1987) appeared first on .

In this episode we discuss Brian De Palma's The Untouchables, Kevin Costner's breakout role as Elliot Ness, and Sean Connery's Best Supporting Actor win. We also discuss John Patrick Shanley's career as a writer, his penchant for magical realism, and his Oscar winning script for Moonstruck. -- Instagram: https://www.instagram.com/thanktheacademypodcast X: https://www.twitter.com/thankacademypod Email us your thoughts: thanktheacademypod@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/thank-the-academy/support

Cleveland's seedy underbelly in the early part of the 20th century could rival most any major city in the US. Crime, greed, graft and corruption became routine part of daily life in Cleveland. Mayor Burton brought famed lawman, Elliot Ness to Cleveland to root out crime from within the ranks of the Cleveland Police Dept. Ness would be put to the test quickly by leading a raid on the Harvard Club, a large scale gambling racket operating just out of the city limits in Cleveland. Serving up to 1,000 patrons a night, the club was ran by mobsters "Shimmy" Patton, Arthur Hebebrand, and Daniel T. Gallagher. Find out what happens when Elliot Ness comes face to face with 20 gangsters armed to the teeth. Check out other podcast episodes like this at: https://www.ohiomysteries.com/ Mike hosts a Facebook page called "Too Late for Autographs" and explores people and their stories with Ohio ties that have passed away: https://www.facebook.com/groups/1469825446606552/?hoisted_section_header_type=recently_seen&multi_permalinks=3474200626169014 Dan hosts a Youtube Channel called: Ohio History and Haunts where he explores historical and dark places around Ohio: https://www.youtube.com/channel/UCj5x1eJjHhfyV8fomkaVzsA Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have Part two of a two part series looking into the 1930's murders committed by a killer known only as The Mad Butcher of Kingsbury Run.  The victims of this killer were killed by decapitation with some of the heads never being found.  The famous Elliot Ness was involved in the case, but it went unsolved.Support the show! Become a Lurk Patron!Vote for us in the Paranormality Magazine's Top 10 Paranormal Podcast List!To see photos we discussed in this episode, please follow us on our Social Media platforms:Lurk on FacebookLurk on TwitterLurk on InstagramWe have a new Facebook Group join in the discussion! Lurk Podcast Facebook GroupWe are also now found on YouTube- Lurk on YouTubeBackground Music Royalty and Copyright Free MusicIntro and Outro music purchased through  AudioJunglewith Music Broadcast License (1 Million)Music used :  "Broken Piano " composed and produced by "Vivek Abhishek"Music link :    • [No Copyright Music]  Broken Piano | ... SUBSCRIBE us on YOUTUBE:    • [No Copyright Music] Dark Horror Them... Follow on Facebook: https://bit.ly/33RWRtPFollow on Instagram: https://bit.ly/2ImU2JVSupport the show

This week we have Part one of a two part series looking into the 1930's murders committed by a killer known only as The Mad Butcher of Kingsbury Run.  The victims of this killer were killed by decapitation with some of the heads never being found.  The famous Elliot Ness was involved in the case, but it went unsolved.Support the show! Become a Lurk Patron!Vote for us in the Paranormality Magazine's Top 10 Paranormal Podcast List!To see photos we discussed in this episode, please follow us on our Social Media platforms:Lurk on FacebookLurk on TwitterLurk on InstagramWe have a new Facebook Group join in the discussion! Lurk Podcast Facebook GroupWe are also now found on YouTube- Lurk on YouTubeBackground Music Royalty and Copyright Free MusicIntro and Outro music purchased through  AudioJungle with Music Broadcast License (1 Million) Music used :  "Broken Piano " composed and produced by "Vivek Abhishek"Music link :    • [No Copyright Music]  Broken Piano | ...  SUBSCRIBE us on YOUTUBE:    • [No Copyright Music] Dark Horror Them...  Follow on Facebook: https://bit.ly/33RWRtPFollow on Instagram: https://bit.ly/2ImU2JVSupport the show

The Cleveland Torso Murderer also known as the Mad Butcher of Kingsbury Run was a serial killer active in Cleveland, Ohio during the 1930s. 13 victims were dismembered by the butcher who disposed of the remains in the Kingsbury Run neighborhood. Most victims came from the area known for vagrants, shanty towns, and crime. Famed lawman Elliot Ness led the investigation. Mountain Murders dives into some of the earliest victims and investigation as it heated up. Stick around for part two! Intro Music by Joe Buck YourselfHosts Heather and Dylan Packerwww.patreon.com/mountainmurderspodcastMountain Murders is featured on the Darkcast Network! Darkcast Network is a podcast network that explores the darker topics such as true crime, paranormal, history, and epidemiology.

Elliot Ness and the American Demon. Almost sounds like a Nancy Drew Mystery. I wish the story were that benign. In the mid 1930's, just after Prohibition ended, Cleveland played host to a killer whose grizzly murders rivaled that of London's Jack the Ripper. The victims were all beheaded and often their limbs were also removed earning this sadist the moniker: Torso Killer! My guest today is New York Times bestselling author, Daniel Stashower, who's here to share the story of Elliot Ness and the hunt for America's Jack the Ripper.

Basado en el juicio de Al Capone, después de que el asesino más famoso de América fue condenado a 11 años de prisión por fraude fiscal, Patrick Jeudy retrae la saga criminal que se apoderó de Chicago durante la Prohibición. Aunque en enero de 1947, el público recibió la noticia de la muerte de Al Capone con indiferencia, veinte años antes había gobernado el mundo del juego, el licor y el sexo. Nada escapó a Capone, que construyó su imperio mafioso sobre la fuerza bruta y la corrupción. Policías, jueces y periodistas estuvieron entre los muchos que comieron de la mano del sindicato del crimen, asegurando la impunidad del jefe. Hasta el día en que entró en escena el jefe de la brigada de los intocables, Eliot Ness, ese día comenzó una lucha a muerte entre los dos hombres. Pero detrás de esta historia dualista, el documental revela el retrato de una América aún salvaje, dividida entre sus mitos fundadores y sus profundas aspiraciones a la modernidad.

This little-known story tells of crime buster hero Elliot Ness's time in Cleveland serving as that corrupt cities' Safety Director-his job being to clean up the crime and corruption which plagued that city in the mid 30's. That alone would have been a full time job were it not for the presence of Ohio's worst serial killer in history, who was terrorizing the city and its inhabitants by leaving decapitated and dismembered bodies all over town for a period of 4 years. Although Ness was sure at one point that he had him in his grasp- he couldn't pull together enough evidence to convict him- and the fact that the killer was never punished for his evil deeds left Ness, according to many, a broken man. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sei solo chiacchere e distintivo! questa la celebre frase del boss Al Capone che ha reso celebre questo titolo che fa parte dei più grandi film mai prodotti! un cast d'eccezione racconterà la vera storia di Elliot Ness, un agente del tesoro che con coraggio metterà la parola fine alla morsa della Mala in una Chicago corrotta come non mai! ascoltate la puntata! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you prepared for what's to come? This bold question is the driving force behind our latest podcast episode, as we explore the miraculous and treacherous times we are living in. Drawing from the wisdom of the book of Revelation, we examine the rise of a one world currency through the advent of digital currencies. Our dialogue brings God's hand into sharp focus in the happenings around us, urging you to choose hope over fear. We delve into the urgency of spreading the gospel truth to those yet to embrace it, preparing for the return of Jesus. We push the envelope further by challenging the depth of your commitment to God's cause. Drawing inspiration from the gripping narrative of Elliot Ness and Malone from The Untouchables, we urge you to fortify your relationship with Jesus Christ. The significance of repentance isn't lost on us, as we implore you to renew your commitment to God. We provide a prayer of recommitment to aid your fresh journey with Him. Prepare to be inspired, to live with hope, and to fulfill the Lord's mission, as we navigate these turbulent times together. Support the show

While the guys skipped RIGHT over the movie 'Chicago' - they certainly didn't skip the actual city when it came to pinning down the ultimate Illinois movie. Oli reveals his penchant for Elliot Ness cosplay as a childhood fan of famous kid's movie 'The Untouchables', Ryan certainly didn't skip out on HIS assignment with 'Ferris Bueller's Day Off' and then producer Will decided to send the podcast on a cocaine fueled, fever dream from another dimension with the truly original and confounding 'Streets of Fire' Learn more about your ad choices. Visit megaphone.fm/adchoices

Our miniseries on the 1980s movies of director Martha Coolidge ends with a look back at her 1988 film Plain Clothes. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to complete our miniseries on the 1980s films of director Martha Coolidge with her little seen 1988 movie Plain Clothes.   When we last left Ms. Coolidge, she had just seen her 1985 film Real Genius get lost in the mix between a number of similarly themed movies, although it would eventually find its audience through home video and repeated cable airings throughout the rest of the decade.   Shortly after the release of Real Genius, she would pick out her next project, a comedy mystery called Glory Days. Written by Dan Vining, Glory Days was one of a number of television and movie scripts floating around Hollywood that featured a supposedly young looking cop who goes undercover as a student at a high school. Whatever Coolidge saw in it, she would quickly get to work making it her own, hiring a young writer working at Paramount Studios named A. Scott Frank to help her rewrite the script. Coolidge had been impressed by one of his screenplays, a Neo-noir romantic mystery thriller called Dead Again, and felt Frank was the right person to help her add some extra mystery to the Glory Days screenplay.     While Frank and Coolidge would keep some elements of the original Glory Days script, including having the undercover cop's high school identity, Nick Springsteen, be a distant relative of the famous rock star from whose song the script had taken its title. But Coolidge would have Frank add a younger brother for the cop, and add a murdered teacher, who the younger brother is accused of killing, to give the film something extra to work towards.   For the cast, Coolidge would go with a mix of newcomers in the main roles, with some industry veterans to fill out the supporting cast.   When casting began in early 1987, Coolidge looked at dozens of actors for the lead role of Nick Dunbar, but she was particularly struck by thirty-two year old Arliss Howard, whose film work had been limited to supporting roles in two movies, but was expected to become a star once his role in Stanley Kubrick's next project, Full Metal Jacket, opened later in the summer.   Twenty-five year old Suzy Amis, a former model who, like Arlisss, had limited film work in supporting roles, would be cast as Robin, a teacher at the school who Nick develops a crush on while undercover.   The supporting cast would include George Wendt from Cheers, Laura Dern's mother Diane Ladd, an Oscar nominee for her role as Flo in Martin Scorsese's Alice Doesn't Live Here Anymore, veteran character actor Seymour Cassel, an Oscar nominee himself for John Cassavetes' Faces, Robert Stack, the original Elliot Ness who was yet another former Oscar nominee, Harry Shearer, and the great Abe Vigoda.   The $7.5m film would begin production in the Seattle metro area on May 6th, 1987 and would last for seven weeks, ending on June 30th.    Plain Clothes would open in 193 theatres on April 15th, 1988, including 59 theatres in New York City and eight in Seattle. The reviews would be vicious on the film, with many critics pointing out how ludicrous the plot was, and how distracting it was the filmmakers were trying to pass a thirty two year old actor off as a twenty four year old police officer going undercover as an eighteen year old high school student. Audiences would stay away in droves, with only about 57k people buying a ticket to see the film during the opening three days. A performance so bad, Paramount would end up pulling the film from theatres after seven days at a $289k ticket gross, replacing every screen with another high school-set movie, the similarly-titled Permanent Record, featuring Keanu Reeves, Jennifer Rubin and Kathy Baker, which would also be the final film for Martha Coolidge's regular co-star Michelle Meyrink, who would quit acting the following year and develop an affinity in Zen Buddhism. She would eventually open her own acting studio in her hometown of Vancouver, British Columbia. Not so coincidentally, Martha Coolidge is one of advisory board members of the school.   There would be one more movie for Martha Coolidge in the 1980s, a made for television mystery called Trenchcoat in Paradise, featuring Dirk Benedict from Battlestar Galactica and The A-Team, Catherine Oxenberg from Dynasty, and Bruce Dern, but it's not very good and not really work talking about.   As the 80s moved into the 90s, Coolidge would continue to work both in television and in motion pictures.    In 1991, she would direct her Plain Clothes co-star Diane Ladd alongside Ladd's daughter, Laura Dern, in the Depression-era drama Rambling Rose. But despite unanimous critical consent and Oscar nominations for both Ladd and Dern, the first and only mother-daughter duo to be nominated for the same movie or in the same year, the $7.5m movie would only gross $6.3m.   1993's Lost in Yonkers would be the 23rd film written by Neil Simon, an adaptation of his 1991 Pulitzer Prize-winning play. Actors Irene Worth and Mercedes Ruehl would reprise their Broadway roles for the film, although Richard Dreyfuss would replace Kevin Spacey in the pivotal role as the gangster uncle of two teenage boys who go to live with their aunt after their mother dies. Despite good reviews, the $15m Lost in Yonkers would only gross about $9m.   Originally written as a starring vehicle for Madonna, the 1994 romantic-comedy Angie would instead star Geena Davis as an office worker in Bensonhurst, Brooklyn, who sets her neighborhood upside-down when she decides to become a single mother. Coolidge's highest budgeted film at $26m, Angie would gross just $9.4m, but would in the years to come become famous for being the first film of James Gandolfini, Michael Rispoli and Aida Turturro, who would all go on to star in five years later.   1995's Three Wishes is a bizarre fantasy drama with Patrick Swayze and Mary Elizabeth Mastrantonio, about two young boys whose mother starts to fall for a mysterious stranger after their father is reported missing during the Korean War. The $10m film would be the worst reviewed movie of Coolidge's career, and would barely gross $7m when it was released.   Things would turn around for Coolidge on her next film, Out to Sea. The penultimate film for both Jack Lemmon and Walter Matthau, this weak but genial romp, according to Janet Maslin of the New York Times, finds the regular co-stars on a Mexico-bound cruise ship, where they must work as dance hosts in order to pay for their trip. Also featuring Golden Girls co-stars Estelle Harris and Rue McClanahan alongside Dyan Cannon and Donald O'Connor, Out to Sea would become her highest grossing film to date, bringing in $29m worth of ticket sales.   While she would make a couple more movies, 2004's The Prince and Me and 2006's Material Girls, Coolidge would spend 1999 and the 2000s making her mark on television, directing episodes of CSI, Madame Secretary, Psych and Weeds, amongst dozens of shows, as well as the 1999 HBO film Introducing Dorothy Dandridge, which would not only win its lead star Halle Berry a number of awards including the Emmy, the Golden Globe and the Screen Actors Guild Award, it would be the first screenplay to be produced by a young writer named Shonda Rhimes. Coolidge herself would be nominated for an Emmy and a Golden Globe for Outstanding Directing of a Movie Made for Television.   But her biggest achievement in Hollywood would come in 2002, when Coolidge would become the first female President of the Directors Guild of America. And in addition to being an advisor to Michelle Meyrink's acting school, she is also a professor of film studies at Chapman University in Southern California.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Our miniseries on the 1980s movies of director Martha Coolidge ends with a look back at her 1988 film Plain Clothes. ----more---- TRANSCRIPT   From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   On this episode, we're going to complete our miniseries on the 1980s films of director Martha Coolidge with her little seen 1988 movie Plain Clothes.   When we last left Ms. Coolidge, she had just seen her 1985 film Real Genius get lost in the mix between a number of similarly themed movies, although it would eventually find its audience through home video and repeated cable airings throughout the rest of the decade.   Shortly after the release of Real Genius, she would pick out her next project, a comedy mystery called Glory Days. Written by Dan Vining, Glory Days was one of a number of television and movie scripts floating around Hollywood that featured a supposedly young looking cop who goes undercover as a student at a high school. Whatever Coolidge saw in it, she would quickly get to work making it her own, hiring a young writer working at Paramount Studios named A. Scott Frank to help her rewrite the script. Coolidge had been impressed by one of his screenplays, a Neo-noir romantic mystery thriller called Dead Again, and felt Frank was the right person to help her add some extra mystery to the Glory Days screenplay.     While Frank and Coolidge would keep some elements of the original Glory Days script, including having the undercover cop's high school identity, Nick Springsteen, be a distant relative of the famous rock star from whose song the script had taken its title. But Coolidge would have Frank add a younger brother for the cop, and add a murdered teacher, who the younger brother is accused of killing, to give the film something extra to work towards.   For the cast, Coolidge would go with a mix of newcomers in the main roles, with some industry veterans to fill out the supporting cast.   When casting began in early 1987, Coolidge looked at dozens of actors for the lead role of Nick Dunbar, but she was particularly struck by thirty-two year old Arliss Howard, whose film work had been limited to supporting roles in two movies, but was expected to become a star once his role in Stanley Kubrick's next project, Full Metal Jacket, opened later in the summer.   Twenty-five year old Suzy Amis, a former model who, like Arlisss, had limited film work in supporting roles, would be cast as Robin, a teacher at the school who Nick develops a crush on while undercover.   The supporting cast would include George Wendt from Cheers, Laura Dern's mother Diane Ladd, an Oscar nominee for her role as Flo in Martin Scorsese's Alice Doesn't Live Here Anymore, veteran character actor Seymour Cassel, an Oscar nominee himself for John Cassavetes' Faces, Robert Stack, the original Elliot Ness who was yet another former Oscar nominee, Harry Shearer, and the great Abe Vigoda.   The $7.5m film would begin production in the Seattle metro area on May 6th, 1987 and would last for seven weeks, ending on June 30th.    Plain Clothes would open in 193 theatres on April 15th, 1988, including 59 theatres in New York City and eight in Seattle. The reviews would be vicious on the film, with many critics pointing out how ludicrous the plot was, and how distracting it was the filmmakers were trying to pass a thirty two year old actor off as a twenty four year old police officer going undercover as an eighteen year old high school student. Audiences would stay away in droves, with only about 57k people buying a ticket to see the film during the opening three days. A performance so bad, Paramount would end up pulling the film from theatres after seven days at a $289k ticket gross, replacing every screen with another high school-set movie, the similarly-titled Permanent Record, featuring Keanu Reeves, Jennifer Rubin and Kathy Baker, which would also be the final film for Martha Coolidge's regular co-star Michelle Meyrink, who would quit acting the following year and develop an affinity in Zen Buddhism. She would eventually open her own acting studio in her hometown of Vancouver, British Columbia. Not so coincidentally, Martha Coolidge is one of advisory board members of the school.   There would be one more movie for Martha Coolidge in the 1980s, a made for television mystery called Trenchcoat in Paradise, featuring Dirk Benedict from Battlestar Galactica and The A-Team, Catherine Oxenberg from Dynasty, and Bruce Dern, but it's not very good and not really work talking about.   As the 80s moved into the 90s, Coolidge would continue to work both in television and in motion pictures.    In 1991, she would direct her Plain Clothes co-star Diane Ladd alongside Ladd's daughter, Laura Dern, in the Depression-era drama Rambling Rose. But despite unanimous critical consent and Oscar nominations for both Ladd and Dern, the first and only mother-daughter duo to be nominated for the same movie or in the same year, the $7.5m movie would only gross $6.3m.   1993's Lost in Yonkers would be the 23rd film written by Neil Simon, an adaptation of his 1991 Pulitzer Prize-winning play. Actors Irene Worth and Mercedes Ruehl would reprise their Broadway roles for the film, although Richard Dreyfuss would replace Kevin Spacey in the pivotal role as the gangster uncle of two teenage boys who go to live with their aunt after their mother dies. Despite good reviews, the $15m Lost in Yonkers would only gross about $9m.   Originally written as a starring vehicle for Madonna, the 1994 romantic-comedy Angie would instead star Geena Davis as an office worker in Bensonhurst, Brooklyn, who sets her neighborhood upside-down when she decides to become a single mother. Coolidge's highest budgeted film at $26m, Angie would gross just $9.4m, but would in the years to come become famous for being the first film of James Gandolfini, Michael Rispoli and Aida Turturro, who would all go on to star in five years later.   1995's Three Wishes is a bizarre fantasy drama with Patrick Swayze and Mary Elizabeth Mastrantonio, about two young boys whose mother starts to fall for a mysterious stranger after their father is reported missing during the Korean War. The $10m film would be the worst reviewed movie of Coolidge's career, and would barely gross $7m when it was released.   Things would turn around for Coolidge on her next film, Out to Sea. The penultimate film for both Jack Lemmon and Walter Matthau, this weak but genial romp, according to Janet Maslin of the New York Times, finds the regular co-stars on a Mexico-bound cruise ship, where they must work as dance hosts in order to pay for their trip. Also featuring Golden Girls co-stars Estelle Harris and Rue McClanahan alongside Dyan Cannon and Donald O'Connor, Out to Sea would become her highest grossing film to date, bringing in $29m worth of ticket sales.   While she would make a couple more movies, 2004's The Prince and Me and 2006's Material Girls, Coolidge would spend 1999 and the 2000s making her mark on television, directing episodes of CSI, Madame Secretary, Psych and Weeds, amongst dozens of shows, as well as the 1999 HBO film Introducing Dorothy Dandridge, which would not only win its lead star Halle Berry a number of awards including the Emmy, the Golden Globe and the Screen Actors Guild Award, it would be the first screenplay to be produced by a young writer named Shonda Rhimes. Coolidge herself would be nominated for an Emmy and a Golden Globe for Outstanding Directing of a Movie Made for Television.   But her biggest achievement in Hollywood would come in 2002, when Coolidge would become the first female President of the Directors Guild of America. And in addition to being an advisor to Michelle Meyrink's acting school, she is also a professor of film studies at Chapman University in Southern California.   Thank you for joining us. We'll talk again soon.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.

Elliot Ness doing succeedingly well at his job is like gangbusters gangbusting.

Jason, Harley and I learn a little bit about Elliot Ness and prohibition as we kick off Mob March.

On this edition of Parallax Views, controversial German-born filmmaker Uwe Boll has alternately been called "the world's worst director", potentially "the most misunderstood filmmaker in the business" and a "legitimate auteur", "a brutish bully inclined to lash out against his detractors", "the only filmmaker interested in investigating the likelihood of a violent response to political powerlessness" and "the only director taking the events the media treats as the country's worst tragedies seriously", and an "asshole". He's taken on his critics in a boxing match. He's worked with A-list Hollywood talents like Jason Statham, Michelle Rodriguez, Ben Kingsley, Christian Slater, Elizabeth Moss, Ray Liotta, J.K. Simmons, and Burt Reynolds. He's become known for his adaptation hit video game properties like House of the Dead, Bloodrayne, Alone in the Dark, Dungeon Siege, and Postal into movies that were slammed by gamers and critics. He's been a lightning rod for controversy due to some of his movies being financed by German tax shelters. He's also made more personal films dealing with or reflecting on social issues like Wall Street corruption and the financial crisis of 2009 (Assault on Wall Street), school shootings (Heart of America), spree murders and political violence (Rampage, Rampage: Capitol Punishment, and Rampage: President Down), prison brutality (Stoic), the Holocaust (Auschwitz), the genocide in Sudan's Darfur region (Attack on Darfur), and the absurdities of war (1968 Tunnel Rats). Boll announced his retirement from directing in in 2016 with the release of Rampage: President Down, the last movie in his trilogy following the exploits of spree killer turned political terrorist Bill Williamson (played by Brendan Fletcher). During this retirement Boll kept helping produce films made by other directors, including the opioid epidemic documentary The Decline, as well as opening his own highly-lauded Vancouver-based restaurant Bauhaus. In 2022, however, Boll returned to the director's chair with Hanau (Deutschland im Winter - Part 1) or Hanau: Germany in Winter, a docudrama exploring the disturbed mind of Tobias R. and the descent into radicalization that led him to become the first recorded mass shooter inspired by the far-right wing conspiracy theory movement known as QAnon. Now, Boll is continuing his return to cinema vis-a-vis his company Event Film. His next project is First Shift, a New York City crime/cop drama set to feature Sons of Anarchy's Kristen Renton and Shades of Blue's Gino Anthony. Also in the works for the filmmaker's comeback is a biopic of Elliot Ness of The Untouchables fame dealing with the Prohibition-era law enforcement agent's attempts to solve the Mad Butcher of Kingsbury Road or Cleveland Torso Murders case. In addition to all of this the cult film distributor Unearthed Films' is soon releasing the 2013 horror anthology The Profane Exhibit containing the Boll-directed segment "The Basement" about the depraved Austrian criminal Josef Fritzl that stars noted character actor Clint Howard and The Texas Chainsaw Massacre Part II's Caroline Williams. Despite his busy schedule, Boll made time to chat with me for this edition of Parallax Views. I'll admit that I'm not completely objective in this conversation. I think Boll's gotten a raw deal in terms of how his films have been evaluated/perceived and I make that known in this extended discussion of his career. Rather than covering the video game adaptations he's notorious for or the infamous boxing match between Boll and his critics, this conversation focuses on Boll's early German film career, his transition to making films in Hollywood, his politics and explorations of social issues like men who "run amok", a great deal of discussion about his non-video game based movies, and more. Among the topics covered throughout this episode: - Uwe's early cinematic influences; Hollywood vs. the German New Wave cinema; Werner Herzog - Uwe's German films: the irreverent comedy German Fried Movie and the arthouse spree shooter movie Amoklauf - Uwe's dealing with the theme of people, particularly men, who "run amok" (going on rampages or killing sprees); fascination with what leads people to snap mentally - Assault on Wall Street as a subversion of the Death Wish and similar revenge movies (ie: the vigilante goes after white collar criminal than pretty street thugs); the slow-burn nature of Assault on Wall Street; the 2008 financial crisis, Bernie Madoff, and what inspired Assault on Wall Street - The overt, "in your face" politics of Assault on Wall Street and the Rampage movies - Boll's school shooting drama Heart of America; the dark side of suburbia; Brendan Fletcher's portrayal of the school bully in Heart of America; Heart of America vs. Gus Van Sant's Elephant; the narrow view a teenaged mind can have about the future and how this relates to Heart of America; sometimes we change our way too late as a theme in Heart of America - Boll's prison drama Stoic; Boll made the actors, including Terminator 2: Judgment Day's Edward Furlong, sleep in a prison cell in preparation for the film; relying on the improvisation of actors to create realism; Stoic and it's scary examination of how easy it is for people to dehumanize others - Uwe's thoughts on Russia and the war in Ukraine - Was there a specific moment that led to Uwe's political awakening?; NATO, Germany, and the Cold War; the East vs. West Germany divide; the Red Army Faction and the debated death of Ulrike Meinhof - The Rampage trilogy and its main character, the teenager turned terrorist Bill Williamson; Williamson as a character who commits violent acts that disturb the viewer but also is, disturbingly, relatable in other ways (telling certain truths about the problems with society); the realism of the violence in Rampage as a deliberate contrast to Boll's early films trying to emulate unrealistic video game-style violence - The evolution of the Bill Williamson character in the Rampage sequels; 2016's Rampage 3: President Down and the Jan 6th riots; Julian Assange and Wikileaks, Edward Snowden, the NSA, and the persecution of whistleblowers; Donald Trump's lack of pardons for the aforementioned whistleblowers - Boll's Holocaust documentary Auschwitz; portraying the dehumanization of the camps and why the film included nudity (although not nudity that was meant to titillate but rather depict the stripping of human dignity that the Nazis perpetrated against Jews; the Israeli reception to Boll's exploration of Nazi death camps in Auschwitz; why Boll played an SS guard in the film - Casting real life refugees in Attack on Darfur - Films like Auschwitz and Attack on Darfur as attempts to force us to confront the reality of atrocities and genocides; why did no one intervene in Darfur?; war, profits, and exploitation; political violence, terrorism, and state violence - Who was Tobias R., the German QAnon spree shooter? Why tell his story in the docudrama Hanau: Winter in Germany; Tobias R.'s mental disturbance, isolation, manifesto, and racist, xenophobic father; the rise of Trump and the radicalization of Tobias R.; the problem of misinformation, disinformation, and the destabilization game; are we getting screwed by all sides politically?; figures like Tobias R. are not alone (ie: QAnon is a social phenomena) - The lack of common sense in the geopolitical power struggle in the world (some talk about the U.S., Russia, and China); the decline of diplomacy and the horrors of war; weapons manufacturers and war profiteering; climate change and the need to address the issues facing the environment - The historical context of Boll's irreverent comedy Postal; the War on Terror, the George W. Bush administration, and 9/11 - The censorship of the first Rampage movie in Germany - Boll's work as a producer; tax incentives and Boll's use of tax shelters (and the misperceptions people have about the use of those tax shelters); the money Boll made from DVD sales; movies like Stoic and Rampage would not have been made without the video game movies allowing Boll to make some cash to fund the later non-video game features - Advice to young filmmakers; Boll's approach to directing actors; the state of cinema today; the importance of storytelling; the problem of self-censorship in cinema; it is cheaper to shoot a movie today in many ways than it was for when Boll first started filmmaking; how to foster a good relationship with actors; taking a straightforward approach with actors; Ron Perlman's assessment of Boll's approach to working with actors - High-octane filmmaking, working on tights schedules, and practical struggles Boll and his crew face making films like House of the Dead and In the Name of the King: A Dungeon Siege Tale; taking into account the role of money in film production and being able to make one's money back; working with budgetary restraints as a filmmaker; filming Alone in the Dark and anecdote about Bryan Singer, Halle Berry, and the X-Men movies - Boll's future projects; First Shift follows a day in the life of Brooklyn cops during a 12-hour shift; making a new movie about The Untouchables' Elliot Ness and the sad story of "Mad Butcher of Kingsbury Run"; a little info about the Boll-produced documentary The Decline about the North American opioid epidemic and fentanyl deaths (Boll saw the epidemic first hand while running his restaurant Bauhaus in Vancouver); Boll's documentary on the Bandidos Motorcycle Club gang - And more!

Hoy vamos a hablar de historia. Vamos a hablar de la aparentemente archiconocida Ley Seca. Conocida por su nombre y por ser el trasfondo de muchas obras de ficción que nos han acompañado durante toda nuestra vida. Pero ¿Qué sabemos de verdad acerca de la Ley Seca? Sabemos que, durante toda la década de los años 20 en Estados Unidos, la mafia controló el negocio del alcohol ilegal durante los casi catorce años que duró la Ley Volstead, pero ¿Sabemos cuáles fueron los factores que llevaron a crear una Enmienda Constitucional para prohibir el alcohol? Vamos a tratar de indagar en un episodio de la historia que creemos esconde gran cantidad de datos muy desconocidos por la mayoría de la opinión pública, y que conviene revisar para entender un poco mejor nuestro presente. Vamos a investigar alrededor de uno de los Lobbies más poderosos de la historia de los Estados Unidos que aunaba en sus filas grupos tan diversos como las mujeres sufragistas, predicadores evangelistas o el Ku Klux Klan… Algo que ahora nos puede parecer locura pero que sorprendentemente hace un siglo se convirtió en la fuerza más poderosa del país que provocó que se aprobara la Decimoctava Enmienda que significaba la prohibición del alcohol. Y aunque parezca imposible que se puedan unir en una misma causa el sufragio femenino, el odio a los inmigrantes católicos y judíos, la germanofobia o la causa obrera que quería una vida mejor para los trabajadores alejados de la barbarie del alcohol, pues se unieron gracias a la causa de la Prohibición. Hoy tenemos una sección de Los Olvidados que no se va a referir a un grupo determinado cuya historia se encuentre en el olvido, si no a una época en la que se institucionalizó la hipocresía como norma, donde el crimen organizado llego a cotas inauditas y donde se instauraron costumbres a la hora de salir a relacionarnos que duran hasta nuestros días. Al final de la sección hablaremos sobre varias películas que tienen la Ley Seca como protagonista, centrándonos en dos de ellas en particular, Los Intocables de Elliot Ness de Brian de Palma y Muerte entre las Flores de los Hermanos Coen. Estoy bajando las escaleras en mitad de una calle, me han dicho que hay un bar clandestino escondido en este edificio. Ya escucho pequeños destellos de una banda de Jazz que está tocando en directo. Sé que todo el mundo está bebiendo hay dentro… tienen un fiestón bien montado; seguramente estará el alcalde y el jefe de policía entre la clientela, así que no tengo que preocuparme por nada. Hoy es una noche para disfrutar. Esto es La Ley Seca.

durée : 00:16:19 - Les Odyssées - par : Laure Grandbesançon. - Prêt pour un terrible face-à-face entre deux figures de légendes ? Les incorruptibles auront-ils raison de l'ennemi public numéro un ? Accroche-toi mon coco, les mitraillettes pétaradent et l'alcool interdit coule à flot dans la ville de Chicago.

Sección del programa de RPA "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 28/11/2022, décimo episodio de la octava temporada dedicado al estafador Victor Lustig, el hombre que vendió la torre Eiffel dos veces. Uno de los policías que le capturaron en 1935 confesó a Victor Lustig que le creía el estafador más fino que jamás existió. Desde luego, malo no debía ser, porque si ya es difícil venderle a un primo la torre Eiffel, Lustig la vendió dos veces. Las noticias sobre su origen son contradictorias. Es normal, ¿qué clase de embaucador iba a dejar pistas buenas sobre su existencia? Creemos que nació el 4 de enero de 1890 en Hostinné, en Bohemia, entonces Imperio Austrohúngaro y hoy Reública Checa. Él dijo que era hijo del alcalde y también de los campesinos más pobres. Lo que es cierto es que tenía don de lenguas (hablaba inglés, francés, italiano, alemán y checo) don de gentes. Empezó en los más bajos escalones del hampa y poco a poco fue ascendiendo. Se hacía pasar por un conde bohemio que huyó de la guerra y se convirtió en un timador en los transatlánticos de lujo que unían Europa y EEUU, donde mostró que la baraja de naipes no tenía secretos para él. Hizo larga carrera de falsificador de dinero e, incluso, llegó a fabricar y vender una máquina de hacer dinero, la caja de dinero rumana que imprimía un billete perfecto cada seis u ocho horas. Lustig metía en su interior un par de billetes buenos, vendía la máquina y lograba casi un día de ventaja para poder darse a la fuga. Entre su enorme catálogo de lilas se encuentra el mismísimo Al Capone. El mafioso ni siquiera se dio cuenta de la estafa y quedó encantado con Lustig. De hecho, pasaron sus últimos días en la cárcel de Alcatraz. Su gran timo fue la venta de la Torre Eiffel. La inspiración le vino leyendo un periódico que decía que el monumento eracarísimo de mantener. Lustig, transformado en alto funcionario, convocó a una reunión a los principales empresarios de chatarra. En la reunión, eligió a su primo. Se llamaba Poisson, y era lógico que el pez mordiera el anzuelo. Las 7000 toneladas de hierro del símbolo parisino eran un negocio bárbaro y Poisson aceptó pagar, además del primer plazo, un sustancioso soborno al bueno de Lustig. Cuando se dio cuenta del engaño, el conde estaba ya en Austria y tampoco iba a denunciarle Poisson para que todo el mundo se diera cuenta de que era un lila que no tenía inconveniente en pagar sobornos. Cuando el timo se olvidó, Víctor Lustig volvió a París y con otra identidad y otros pringados, vendío la Torre Eiffel por segunda vez. Es verdad que ahora si le denunciaron, así que puso un océano de por medio entre él y sus perseguidores. En EEUU perfeccionó sus técnicas de falsificación de moneda y consiguió unos billetes prácticamente indetectables. Lleó incluso a poner en peligro la confianza en el dólar. Fue entonces cuando el agente Peter A. Rubano se convirtió en su Elliot Ness particular. No lo tuvo fácil, Lustig utilizó, al menos, 47 identidades distintas y tenía más de 10 pàsaportes falsos, pero le denunció una amante despechada. Cuando le detuvieron, consiguió escapar de la cárcel con una cuerda hecha con sábanas, pero volvió a caer y le metieron en Alcatraz. Aunque lo intentó, no consiguió escapar de allí, pero finalmente le mandaron a un centro médico de Springfield (Missouri), donde murió de neumonía el 1 de marzo de 1947.

Al Capone and his mythical nemesis Elliot Ness, his actual nemesis Frank Wilson and the woman behind the scenes who laid the ground work.

A lei seca dos Estados Unidos na década de 20 e a incrível história de Al Capone versus Elliot Ness. Cineclube 80 apresenta: Os intocáveis. Confira nesse episódio, informações “quase exclusivas” sobre a história real de Elliot Ness! Anos 80 e seus filmes, em busca da fita perdida!

Ep 130 is loose! And we are investigating the horrific crimes of the Cleveland Torso Murderer, aka the Mad Butcher of Kingsbury Run.Who was killing their way around Cleveland? Why did the police fail to find any suspects? And what the hell did Elliot Ness think he was doing?The secret ingredient is...a torso, of course!Join us on Patreon to get extra episodes every week, and come and follow us on Instagram Twitter and Facebook Hosted on Acast. See acast.com/privacy for more information.

After bringing down notorious gangster Al Capone, Eliot Ness moved to Cleveland and worked on an investigation into a serial killer who terrorized the city.

After bringing down notorious gangster Al Capone, Eliot Ness moved to Cleveland and worked on an investigation into a serial killer who terrorized the city.

Kimmer Show # 481, Weekend activities, Whitehouse working conditions hit a new low, Marlen Brando and Elliot Ness discussions, Google suppresses 22milion emails, Bruce Willis selling his face? Fishing drama, #BTT, Petes Tweet, and much more on today's Kimmer-cast See omnystudio.com/listener for privacy information.

Kimmer Show # 481, Weekend activities, Whitehouse working conditions hit a new low, Marlen Brando and Elliot Ness discussions, Google suppresses 22milion emails, Bruce Willis selling his face? Fishing drama, #BTT, Petes Tweet, and much more on today's Kimmer-cast Atlanta's ONLY All Conservative News & Talk Station.: https://www.xtra1063.com/See omnystudio.com/listener for privacy information.

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In 1997 Brian de Palma brought Al Capone and Elliot Ness's prohibition battle to life with The Untouchables. Starring Kevin Costner, Andy Garcia, Robert De Niro, and Sean Connery this flick tells the story of Elliot Ness's squad of Untouchables pursuing Al Capone's ruthless bootlegging operation and his eventual capture for the obvious crime of tax evasion. This flick cost $25 million but brought back $106 million at the box office, along with a number of accolades and Connery's sole Oscar win. But, does it hold up? Listen in as we discuss blood oaths and what we are prepared to do as we try to figure out if this one should be prohibited, or if the lesson endeth with a nice cold drink.

Between 1934 and 1938, thirteen in the Cleveland, Ohio area fell victim to a killer with a taste for the macabre.  Decapitating the victims, only three of the known thirteen have names. And of those, some of the heads were never found. Police were shocked and bewildered, and when the Mayor of Cleveland brought in a prominent law man to take over, the killer only got bolder. Eighty-eight years later, no one knows who committed these heinous murders. Or do they? This is the story of the Cleveland Torso Killer.JOIN THE H2H PRIVATE FB GROUP THE IN-LAWS AND OUTLAWSSTART READING KRIS CALVERT'S BOOKS TODAY FOR FREESources used for this Podcast

What do Elliot Ness and Geraldo have in common? Has Holly finally realized her position on hunks? Will Sara ever forgive Brian De Palma for that last stair?    Support Our Show!Join us on https://www.patreon.com/coveryoureyes  Support our show!Support this show http://supporter.acast.com/cover-your-eyes. See acast.com/privacy for privacy and opt-out information.

The Untouchables is an iconic movie by Brian De Palma that kickstarted careers and told the story of Elliot Ness. Jovial Jay and Shua remember the 1987 film on Enjoy Stuff!   Al Capone may have lost his empire and died many years ago, but his legacy lives on in TV and movies. 35 years ago Brian DePalma interpreted his story in the movie The Untouchables. This week we look back and remember the legendary film.    News A new LEGO set featuring Bowzer is great for collectors and those with some coin You can bid on George Clooney's Batman nipple suit for just $40,000 Day Shift is a new vampire hunter movie on Netflix, starring Jamie Foxx and Snoop Dogg “Missing Movies”, a consortium of film artists and professionals is trying to save long forgotten films Star Wars and Marvel are crossing paths again with Alden Ehrenreich What we're Enjoying Jay was pleasantly surprised to enjoy a new Hulu show called Derek DelGaudio's In & Of Itself. A poignant performance of illusion and identity. Shua read Wil Wheaton's annotated autobiography Still Just a Geek, which paints a very true to life portrait of the actor's struggles in life.    Sci-Fi Saturdays/MCU Location Scout Be sure to check out Jay's articles on Retrozap.com. This week he revisits the 1995 film Strange Days. It tells the story of a not too distant Los Angeles future and a conspiracy. Despite the setting, it is an underrated sci-fi movie that is worth another look. And don't forget his articles on MCULocationScout.com for some great, interactive maps of filming locations.    Enjoy Movies! This week we look back for the 35th anniversary of The Untouchables. It tells the story of Elliot Ness and his quest to take down Al Capone, whose gang used American's prohibition laws to gain power and money in the 1930's. Make sure to read Jay's Cinemanalysis article about The Untouchables on RetroZap.com.    Morality themes are just one of the many reasons this movie became legendary. Brian De Palma used his classic filmmaking skills to tell this story in a dramatic and intriguing way.    And the actors' performances created the tension that kept the audiences intrigued, even though we knew some of the outcomes of the history. Kevin Costner plays Elliot Ness in one of his early film roles. Ness was the Federal Agent tasked to clean up Chicago in the 30's   Robert DeNiro plays Al Capone. He really got into his role. He even wore the same type of underwear as Capone. His performance was downright scary as you watched and wondered how far the gangster would go.    And then there's Sean Connery. His role as Jim Malone won him his only Oscar. He was a tough beat cop that helped Ness take down the bad guys in the ‘Chicago way'.    Listen in as we discuss what made this such a great movie and why you should see it again.    Have you seen The Untouchables? What did you think? Are you reading all the show notes? First person that emails me with the subject line, “Never bring a knife to a gunfight” will get a special mention on the show.  Let us know. Come talk to us in the Discord channel or send us an email to EnjoyStuff@RetroZap.com

The Untouchables is an iconic movie by Brian De Palma that kickstarted careers and told the story of Elliot Ness. Jovial Jay and Shua remember the 1987 film on Enjoy Stuff!

What Shall We Do with A Drunken Sailor? – (Make them Clean the Carpets!)It was 20 years ago today! Seven Year Itch at Coachella 2002.Q.) Where did we leave our Hearts & Where do the Flowers Grow so Very High?A.) San Francisco – Fave Venues - The Warfield and The I-Beam Lol and Budgie wannabe Steve McQueen in What Film? The American Dream is our future and Billy idol uses Lol's Optometrist  The state of California is Budgie's favourite venue!?! but who said, ‘California is not a Place, it's a State of Mind.'? Hong Kong Garden – Big Toe Boots for Budgie – for Bamboo Climbing and Drumming!Lol wears them for Taiko in LA. But did he Play in Hong Kong?Budgie and Kirk Douglas Dine together at the Holiday Inn Hong Kong.Do The Cure and The Banshees Smell Like Teen Spirit? “Cor Baby, That's Really Free!” says John Otway & Wild Willy Barret‘Hey Man, they're really digging this stuff!' says Budgie Music is Universal and Communicates!Elliot Ness and The Untouchables - an old recording to steal some magic from.Raising an older brother's records - time waits for no man  My dad and Grandad love your music!Who are Budgie and Lol? The Police & The Banshees' Surrey Sound Studios is now a Cricket shop! Is Budgie's proudest recording moment, playing bass on The Slap of Leather on Willow or Tenant on Kaleidoscope? On which ‘Short' titled recording did The Cure swap instruments? Where is Lol's fave Recording Location in the South of France, Mirador, Mordor or Miraval? Blissful solitude until who, Sailed his yacht into Nice harbour? Who is the ‘Tiny' link between, The Pope, The Cure in Orange and a Theatre in Nice! Lol Pirated which Captain's boat and went for a Sail on the High Seas?Captain Sensible, Captain Marvel, or Captain Bill?Lol landed in Antibes and Simon Le Bon piped him aboard! Budgie Sings which Sea Shanty? (The Clue is in the Title) CONNECT WITH US:Curious Creatures:Website: https://curiouscreaturespodcast.comFacebook: @CuriousCreaturesOfficialTwitter: @curecreaturesInstagram: @CuriousCreaturesOfficialLol Tolhurst: Website: https://loltolhurst.comFacebook: @officialloltolhurst Twitter: @LolTolhurst Instagram: @lol.tolhurst Budgie: Facebook: @budgieofficial Twitter: @TuWhit2whooInstagram: @budgie646Curious Creatures is a partner of the Double Elvis podcast network. For more of the best music storytelling follow @DoubleElvis on Instagram or search Double Elvis in your podcast app.

Lethal Mullet Podcast: Episode #166: The Untouchables It's a time of crime, illegal liquor, tommy-guns, great fashion and music. Enter Elliot Ness, Malone, and their Untouchables battling the empire of Al Capone. Such a classic action-drama, The Untouchables directed by the great Brian De Palma is a fantastic, operatic, action packed film starring Kevin Costner as Elliot Ness, Sean Connery in his award winning role as hard bitten beat cop Malone, Andy Garcia, Charlie Martin Smith, and Robert De Niro as Capone. With an epic score and a heart wrenching, and epic story, this is the pick of the bunch in the Capone films that have been made. Join the Mullet tonight as he goes through this epic film. Give Lethal Mullet a listen: Website https://bit.ly/3j9mvlG IHeartRadio https://ihr.fm/3lSxwJU Spotify https://spoti.fi/3BRg260 Amazon https://amzn.to/3phcsi7 For all Lethal merch: TeePublic: https://bit.ly/37QpbSc #lethalmulletpodcast #theuntouchables #eighties

Actor Robert Stack appeared in more than 40 feature films. He was nominated for an Oscar for Best Supporting Actor in the movie “Written on the Wind.” Stack also appeared in the classic comedy hits “Airplane,” and “Caddyshack” among others. He was probably best known for his role as Elliot Ness in the popular TV series “The Untouchables.” For that, Robert won the primetime Emmy award for outstanding lead actor in a drama series. He'll reveal some “untouchable” behind the scenes antics and advice for want-to-be actors.

The Cleveland History Center is two museums in one, and it features the one and only Euclid Beach Carousel! This six acre museum is located in University Circle and is within walking distance to the Cleveland Museum of Natural History. Everyone in the family will find something of interest in this museum, from shoes worn by Lebron James, to information on Elliot Ness, beautiful outdoor gardens, antique cars and planes, and unlimited rides on a working carousel from Cleveland own Euclid Beach amusement park. For more information visit their website at https://www.wrhs.org/plan-your-visit-chc You can follow The Cleveland History Center on Facebook and Instagram. The museum is located at 10825 East Boulevard Cleveland, Ohio 44106. In the heart of University circle. Go to their website to see information on their current exhibits. Heidi and Toni Explore Cleveland is produced by Heidi Johnson and Toni Gambino; all rights reserved. Please follow us on Facebook, Instagram,Snapchat and TikTok. https://exploringclevelandwithheidiandtoni.com Email: exploringclevelandht@gmail.com. The views and opinions expressed in this podcast belong to the content creators and not the business organization, affiliates, or their employees. This podcast is for entertainment purposes only. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/heidi-johnson39/support

The State Champs are in the House.  Rylee Nelson, Elliot Ness, Carson Muensch , Spencer Mellgren and Head Coach Jeff Sullivan from the Olympic weightlifting team join us live in the studio to talk about their season.  They all qualified for the National meet coming up in Las Vegas.  Listen in to hear what they

Paul Harvey - Elliot Ness

This time the gang dives into true crime, and the seedy underworld of mobsters, traffic cops, and one very deranged Doctor. Lead by Jay they tackle Elliot Ness and the Mad Butcher by A. Brad Schwartz and Max Allen Collins. Follow us on Twitter: https://twitter.com/NoctivagantPod https://mobile.twitter.com/mxrorywixhttps://twitter.com/midwestundeadhttps://mobile.twitter.com/bearishterrorTheme song by Matt Wixson Noctivagant Voice by Mike McGettiganArt by Nichelle Denzel*The views and opinions expressed by guests/books that appear on this show belong to those guests and/or authors, and may not reflect the views and opinions of the Noctivagant crew.*

This time the gang dives into true crime, and the seedy underworld of mobsters, traffic cops, and one very deranged Doctor. Lead by Jay they tackle Elliot Ness and the Mad Butcher by A. Brad Schwartz and Max Allen Collins. Follow us on Twitter: https://twitter.com/NoctivagantPod https://mobile.twitter.com/mxrorywixhttps://twitter.com/midwestundeadhttps://mobile.twitter.com/bearishterrorTheme song by Matt Wixson Noctivagant Voice by Mike McGettiganArt by Nichelle Denzel*The views and opinions expressed by guests/books that appear on this show belong to those guests and/or authors, and may not reflect the views and opinions of the Noctivagant crew.*

Señora Bonita. Amigo Amo de Casa. Ya se nos fue la semana entre quehaceres, exceles y demás menesteres. Pero cuidado, que no se vaya la semana sin la información nuestra de cada día.   -La Secretaría de Seguridad Ciudadana pondrá a dieta a Policías porque ya estámos muy pasaditos de Tuinquis… Híjole… Puras calumnias.   -Más vale tarde que nunca… Inhabilitan a ex director de Pemex tras escándalos de corrupción.   -Se viste de mujer para hacer examen de su novia y lo cachan… Y no, el examen no era de orina.   -Y en la mañanera… AMLO dice que el despido de enfermeras y médicos es propaganda del Hampa del Periodismo… Andrés Manuel… el nuevo Elliot Ness?   Súbale a su radito. Completamente en vivo desde Fórmula Universidad. Su Elegancia lo caracteriza… Su Clase lo distingue… Su sexualidad lo confunde… Chumel Torres.