Podcasts about New media art

Nació en Tijuana, Baja California, en 1975. Escritor y artista multimedia. Su trabajo se ubica entre la contracultura y la subversión creativa de los medios masivos de comunicación. Ha dirigido seminarios de narrativa interdisciplinaria en medios digitales en Sevilla, España y en Odense, Dinamarca, y coordinado talleres como Youth Creating and Communicating on hiv/aids, dirigido a niños de la calle y patrocinado por la unesco. Fue profesor invitado en la maestría interdisciplinaria de Estudios Latinoamericanos de Universität Wien y Latinameirika Institut (Austria), y en el curso Digital Storytelling en Malmó Högskola (Suecia). Fue también investigador del Centro Multimedia del cenart. Fue guionista del programa Interacción, transmitido por Discovery Channel. Fue editor de la revista Sputink, dedicada a la cultura digital. Ha dirigido festivales como Cinemátik 1.0 (primer Festival de Cybercultura en Latinoamérica) y Borderhack. La memoria de este último fue incluida en el libro New Media Art de Mark Tribe, publicado por Taschen. Actualmente administra el servidor possibleworlds.org. Su libro Metro-Pop fue seleccionado para formar parte del proyecto Biblioteca de Aula de la SEP. Participó en la antología Historias para habitar, publicada por Ediciones SM en 2004.#letras #libros #tijuana #tjpodcast #tijuanalife #tijuanaexperience

In this episode, Alinta Krauth, new media artist, is joining Scott Rettberg for a discussion about her art and interspecies communication. Tune in now! 

Send Katie a Text Message!! For art to not remain an afterthought with interior and commercial designs, we must incorporate art into the conversation early. As designers, we have a unique ability to propel up-and-coming artists forward while also inspiring more clients to bring incredible pieces of art into their spaces. But art isn't just an important cornerstone to design, it also greatly impacts our nervous systems. For this in-depth roundtable conversation, I have Mandy Theis and Dr. Stacey Denise joining me! You'll hear the artist's perspective, the designer's perspective, and a physician's perspective. And stay til the end for the Coaching Corner!In this episode, you will be able to:Discover the role of neuroaesthetics and psychology in art and design.Uncover strategic ways to connect with the best artists in your area.Learn the importance of bringing art into the design conversation early. Full Show Notes Here!

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

Filmmaker/curator Márton Orosz joins moderator George Legrady (Media Arts & Technology, UCSB) for a discussion of György Kepes: Interthinking Art + Science. They discuss the career of György Kepes and his groundbreaking work at MIT, and presenting his life onscreen. They also explore the development of the field of art and technology in the twentieth century, as well as Kepes' continued significance and legacy in the present day. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 39735]

SCULPTING WITH FABRIC. Sergio Roger graduated from Berlin's Art Academy (UdK) where he studied Sculpture and New Media Art. He has received several important awards and his work has been exhibited in international galleries such as Galleria Rossana Orlandi and Robilant + Voena in New York. Sergio's work is rooted in his life-long fascination with visual representations of beauty in ancient civilizations, especially the Graeco-Roman era and its modern counterparts. “I'm passionate and obsessed with these kinds of fabrics” “Art is the laboratory where things are taken out of the world and seen and put under the light” “In my daily life, I don't want distraction.”

In dieser Folge spricht Jacqueline Klusik-Eckert mit Julian Stalter über die lange Geschichte der digitalen Kunst und die vielen Akteur*innen dieser Kunstgattung.Die Digitale Kunst hat ihren Ursprung in den 1960er Jahren, als Künstler*innen begannen, Computer als kreatives Werkzeug zu nutzen. Der Durchbruch kam in den 1980er Jahren mit der Verbreitung personalisierter Computer und Software, die es Künstlern ermöglichten, digitale Medien als eigenständige künstlerische Ausdrucksform zu nutzen. Der Blick auf unterschiedliche Kunstwerke zeigt, wie eng die digitale Kunst auch mit der Technikgeschichte verbunden ist, sich aber auch von der Biologie inspiriert ist. Im Blogbeitrag zu dieser Folge findet man eine Liste aller genannter Künstlerinnen und Künstlern. Wo es möglich ist, wurden auch Aufzeichnungen der Werke als Links hinterlegt. Digitale Kunstwerke gehen oft über die traditionelle visuelle Wahrnehmung hinaus und integrieren Klang, Bewegung und Interaktivität. In teils experimentellen Installationen werden die Grenzen der Sinneswahrnehmung ausgelotet. Viele der multidimensionalen Werke fordern nicht nur die kunsthistorische Analyse heraus, sondern werfen auch Fragen nach der Rolle des Publikums und der Interaktion in der Kunst auf.Wichtige Institutionen, die sich mit Digitaler Kunst beschäftigen, sind das ZKM | Zentrum für Kunst und Medien in Karlsruhe, das sich auf die Schnittstelle von Kunst und Technologie konzentriert. Das Ars Electronica Center in Linz widmet sich der Förderung von Kunst und Technologie schon seit mehreren Jahrzehnten. Diese Institutionen und noch einige mehr spielen eine entscheidende Rolle bei der Dokumentation, Ausstellung und Erforschung digitaler Kunst und tragen dazu bei, ihre Anerkennung in der kunsthistorischen Landschaft zu fördern.Trotz ihrer kulturellen Bedeutung und des Einflusses auf zeitgenössische Kunst sind digitale Kunstformen in den kunsthistorischen Lehrplänen oft unterrepräsentiert. Die Debatte darüber, warum diese Gattung in der akademischen Welt nicht ausreichend gewürdigt wird, kreist um Fragen der Materialität, der Zugänglichkeit und der fehlenden Tradition. Die Trennung zwischen Kunst und Technologie sowie die Schwierigkeiten bei der Bewahrung und Ausstellung digitaler Werke sind ebenfalls Themen, die in diesem Kontext diskutiert werden.Julian Stalter M.A. ist Wissenschaftlicher Mitarbeiter im Projekt Reflection-driven Artificial Intelligence in Art History, LMU München und beschäftigt sich in seiner Forschung mit Digitaler Kunst an der Schnittstelle von Naturnachahmung und Bio Art.Begleitmaterial zu den Folgen findest du auf der Homepage unter https://www.arthistoricum.net/themen/podcasts/arthistocastAlle Folgen des Podcasts werden bei heidICON mit Metadaten und persistentem Identifier gespeichert. Die Folgen haben die Creative-Commons-Lizenz CC BY 4.0 und können heruntergeladen werden. Du findest sie unterhttps://doi.org/10.11588/heidicon/1738702Bei Fragen, Anregungen, Kritik und gerne auch Lob kannst du gerne per Mail an uns schicken unterpodcast@digitale-kunstgeschichte.de

EPISODE 1827: In this KEEN ON show, Andrew talks to the filmmaker, artist and writer Hito Steyerl about what she calls the "pyramid schemes", "on-boarding" tools and the "mean" creativity of our AI ageHito Steyerl (born 1 January 1966) is a German filmmaker, moving image artist, writer, and innovator of the essay documentary. Her principal topics of interest are media, technology, and the global circulation of images. Steyerl holds a PhD in philosophy from the Academy of Fine Arts Vienna. She is currently a professor of New Media Art at the Berlin University of the Arts, where she co-founded the Research Center for Proxy Politics, together with Vera Tollmann and Boaz Levin.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

Marco Mancuso"Chimera"Il corpo espanso per una nuova ecosofia dell'arteMimesis Edizioniwww.mimesisedizioni.itChimera. Il Corpo Espanso per una nuova ecosofia dell'arte individua un punto di incontro tra arte e design, tecnologia e scienza nell'indagine sul corpo umano in dialogo con il contesto che lo circonda. La sua unicità, quella di evidenziare e mettere a sistema caratteristiche comuni e vicinanze nelle opere e nelle pratiche di artisti e designer che pongono il rapporto tra noi e l'ambiente al centro della loro poetica. Il confronto con creativi e progettisti come Heather Dewey-Hagborg, Marco Donnarumma, Sputniko!, Margherita Pevere, Neil Harbisson e Anouk Wipprecht, consente infatti di individuare le caratteristiche di quello che viene qui definito Corpo Espanso: una chimera che abbatte i binarismi material-semiotici e consente di modellare nuovi rapporti entangled tra entità umane e non-umane. Riprendendo alcune importanti ricerche ed esperienze del Novecento e ponendole in dialogo con gli sviluppi più recenti nei campi delle neuroscienze, delle biotecnologie, della prostetica e del bodyhacking, Marco Mancuso – critico e studioso, una delle voci più autorevoli del panorama nazionale e internazionale - tramite un'inedita e radicale messa a sistema delle principali correnti del pensiero postumano, suggerisce un'alternativa agli immaginari transumani, le distopie antropocentriche e le derive ipermediali dei nostri corpi aprendo, in modo originale e coraggioso, a nuove dimensioni relazionali fluide, queer, non-gerarchiche ed egualitarie dell'essere umano su questo pianeta.Marco Mancuso è critico e curatore di arte contemporanea, nel rapporto con tecnologia e scienza e nel dialogo con gli ambiti del design, dell'architettura e del suono. Professore presso il Politecnico delle Arti di Bergamo, docente presso l'Università di Bologna e lectuter per il Node Center for Curatorial Studies di Berlino, è dottore di ricerca in Culture Digitali presso l'Università Iuav di Venezia. Si interessa a come il discorso interdisciplinare osserva le diverse modalità con cui la tecnoscienza influenza la società e il rapporto tra essere umano e ambiente, studiando parallelamente l'evoluzione delle dinamiche progettuali, produttive e di mercato della media art e dell'arte digitale. Fondatore e direttore del progetto Digicult, i suoi saggi e interviste sono apparsi sul portale e in numerose riviste, libri e cataloghi. Ha curato mostre ed eventi a livello nazionale e internazionale, partecipa a conferenze, tavole rotonde ed è stato partner di festival, media lab e istituzioni tra cui transmediale, Impakt, V2, Baltan Labs, Goethe Institut, Sonar+D, Sonic Acts, Elektra, STRP, Todaysart, Subtle Technologies. È partner del programma EMAP/EMARE, è tra i fondatori del centro studi SSH! - Sound Studies Hub dello Iuav di Venezia e ha pubblicato i libri "Arte, Tecnologia e Scienza" (2018) e “Intervista con la New Media Art" (2020) per Mimesis Edizioni.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Oggi intervisto Alessandro Cracolici, Classe 1999, Fondatore di Hypersee e giovanissimo professore alla NABA . Abbiamo parlato di New Media Art, VR, Occhi, Risvegli Spirituale e molto altro https://www.hypersee.xyz/ Seguici su Instagram: https://www.instagram.com/madeinsicilypodcast/

Episode 11 of Artist & Place with Sabato Visconti, an Italian-Brazilian new media artist based n Western Massachusetts. He was born in São Paulo, Brazil, and raised in Miami, He went on to earn a B.A. in Political Science from Amherst College. Sabato's work seeks to reconfigure traditional understanding of photography and digital media, by interrogating how hegemonic structures distort and influence individual subjects. Sabato began experimenting with glitch processes in 2011. Since then, his work with glitch and digital media has been exhibited throughout the world, including spaces like Tate Britain, ICA Boston, The SPRING/BREAK Art Show, LACDA, and the FILE Festival. His work has also appeared in Vogue, TIME, WIRED, The New York Times, AI-AP's “Latin American Fotografia 4” Anthology, and in Photographer's Forum annual “Best of Photography” books for eight straight years. This is a conversation about post photography processes, new media art and the democratizing of access to making and sharing art. It's a conversation about a digital community sharing ideas and tools to propel what is possible in photography even further. It is a conversation about mining the roots of digital creation to exploit nostalgic technologies to produce art. It's a conversation about returning to the basics to answer fundamental questions about making art and the future and hybridity of mediums. It's a conversation about our collective future with these new technologies and thinking through the role that they could play in the creative practice. Loved this conversation and I hope you do too! Lots of food for thought. Links: Sabato's work on the Tezos blockchainSabato's work at Sothebys!(Full exhibition)Sabato's Website & here. Other things discussed:Dawnia DarkstoneSky GoodmanAntonio RobertsNicolas Sassoon 3D Scanner AppFubar Glitch Art FestivalNFT NYCRefraction FestivalAmiga ForeverHauntology by Mark FisherPlease Subscribe to the show, leave a review and share this episode on social media or with friends! Check out our website for more information and follow us on @artist_and_place Steam Clock. Theme music by @GraceImago Podcast graphic design by @RobKimmel

Mikaela Milicuri is a Cypriot-born London-based art advisor who specialises in art sales, collection management and investment portfolio development. Having lived in five countries and eight cities, 'she navigates the international art market with confidence and combines her extensive art knowledge and business skills with meaningful industry connections to help her clients build collections which suit their needs and contribute to their wealth.'   Specialising in Contemporary Art and with an emphasis on Painting, Sculpture, Mixed Media, and New Media Art, she has placed several works of art by emerging and established artists in private and corporate collections. She has also pursued collection management projects in various other sectors, from Impressionism to Surrealism to NFTs. An art collector herself, Mikaela's advisory services are informed by constant research and a 7-year-long experience in the art world. Prior to founding MAA, Mikaela gained museum experience at the Peggy Guggenheim Museum, art fair experience at the 55th edition of the Venice Biennale, and a 5-year experience as a commercial art gallery director and client liaison.   Mikaela is expected to complete her PhD in the summer of 2023. She is also an Associate Fellow of the HE Academy and holds lectureship positions at UAL LCC and Royal Holloway UoL. She is also a guest lecturer at Sotheby's Institute of Art in their MA in Art Business. Her educational and tutoring capacities allow her to implement a systematic and structured experience for her clients that fosters their collecting aptitude and solidifies their growth as collectors. With an ongoing mission to empower art collectors, she is currently writing her first book: a collectors' guide through the various stages of acquiring, owning, and parting ways with art.   Links: https://www.milicuri.com/ https://pure.royalholloway.ac.uk/en/persons/mikaella-milikouri      music ‘Baby, I Miss The Internet' (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020) PRS/MCPS/PPL

Subscribe to Vinamre's Newsletter, The Dark Arts- https://www.getrevue.co/profile/vinamrekasanaa?via=twitter-profile Madhav Kohli is a Gurgaon-based artist who graduated from the College of Communication, Boston University. His recent work on AI generated images of Indians from different states earned quite a lot of attention. In this podcast, ▸ Vinamre and Madhav talk about the using AI to make Ramayana ▸ How to become a verified online personality ▸ How Puneet Superstar became a pop-culture icon Check out Madhav's AI work and memes on: Instagram: https://instagram.com/mvdhav?igshid=MDM4ZDc5MmU= Twitter: https://twitter.com/mvdhav?t=pCZ9mPWqgMpNLtm9M1iOTQ&s=09 Timestamps: 00:00 Intro 00:55 Discovering AI art 05:42 What is New Media Art? 06:40 Logan Paul and NFTs 09:00 Independent AI artists 11:57 Is AI Art real art? 15:10 The Chunkey Pandey thread 16:10 Stereotypes of Indian States 21:45 Being a controversial figure 31:20 Making Ramayana in AI 43:36 Commanding AI as a skill 49:40 Making AI Art live 56:10 Puneet Superstar affected the culture unknowingly 58:05 Playing with AI 01:10:10 Designers aren't artists? 01:14:10 Abortion and Gun rights in India 01:20:35 Verify kaise hote h? 01:25:00 Conclusion

Travis Levasseur is a new media artist living and working in Baltimore, MD. His multimedia installations have been exhibited at Big Law Country Club in Brooklyn, NY, and Terrault Contemporary in Baltimore, MD. His single-channel video work has been screened at Vox Populi in Philadelphia, PA, 2640 Space in Baltimore, MD, Macao Milano in Milan, IT, and the Borscht Film Festival in Miami, FL. He has received fellowships at the Elsewhere museum in Greensboro, NC, and Johns Hopkins University in Baltimore, MD. He is a 2019 recipient of the Robert W Deutsch Foundations Rubys Artist Grant and 2021 recipient of the Maryland State Arts Councils Creativity Grant. In 2022 he became a Baltimore Office of Promotion and the Arts Sondheim semi-finalist. He received his BFA in Film and Video from the Maryland Institute College of Art in 2013. In his free time he likes talking to electronics about their feelings.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. Mentioned in this episode:Travis Levasseur To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episodeSPONSORSforaged. a hyper-seasonal eatery: Farm-fresh seasonal plates, beer & wine served in a warm, casual space lined with greenery. each item on the menu is comprised of local and seasonal ingredients. the concept is true to chef Chris Amendola's ethos in the kitchen, one that is deeply rooted in the woods. foragedeatery.com ★ Support this podcast ★

Maria Graterol is a digital artist with a background in architecture and lighting design. Her artwork explores the connectivity between emotions and interactive elements such as motion sensors and music. Originally from Venezuela, she moved to Buenos Aires in 2015, Argentina, before emigrating to Australia around 2018. As an immigrant with two significant moves in such a short period, Graterol uses art as a medium of expression and therapy to express her emotions and experiences. Now based in Melbourne, she is developing ways to express and connect with emotions and experiment with new emerging technologies. She investigates abstract shapes can evoke emotions and connect with human experiences. She mainly uses real-time rendering software's Touchdesigner but also Notch and Cable.Gl to build her digital pieces. Links and Notes: https://www.instagram.com/maria__graterol/ https://mariagraterol.com/   *** If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes?  It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. Follow Kevin: Instagram:  https://www.instagram.com/kevinlysocial Facebook: https://facebook.com/kevinlysocial/ YouTube: https://www.youtube.com/channel/UCMvjToNiY-a1-a8Rmom1RdQ LinkedIN: https://linkedin.com/in/kevin-ly-9a766450/

In this episode, I interviewed Robert, one of our New Media Art students graduating this year from the University of the West of Scotland and I asked Robert questions around his experience of managing and completing his undergraduate dissertation. It was really interesting to learn about how Robert connected different disciplines through his research, and how his practice as a methodology informed his research findings. His dissertation investigated alternative ways of digital avatar design by incorporating psychoanalytic concepts and experimenting ways of abstraction to reveal hidden dimensions of a sitter. In addition, Robert also shared how his research project helped him develop a new portfolio and set of technical skills. I would like to special thank Robert in joining me in this episode.

What does the art of the future look like? What began with moving-image and has since exploded in popularity with the rise of NFTs, only reflects a fraction of digital art can be…In this first episode, we'll explore new media art; how we can try to define it and how it can be exhibited in a physical space, with help of Merel Van Helsdingen, Founder of Nxt Museum and Bogomir Doringer, Curator of Shifting Proximites the museum's inaugural exhibition.We dive into the work Connected by Roelof Knol and talk to Marc Mahfoud, the artworks' sound builder. Marc addresses the role of sound in new media art and elaborates how sound can deepen the experience of the work Connected by reflecting dynamics in a space aurally. Host: Viktor VanderveldeGuests: Merel Van Helsdingen Founder of Nxt Museum , Bogomir Doringer Curator of Shifting Proximites , Marc Mahfoud Sound Builder --------------------------------------------------------Credits: The Joy Definitive - pATCHESDream Escape - The TidesEther Oar - The Whole OtherAMBER - VYENThe Six Realms - I Think I Can Help You Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

In today's episode, Lina Aastrup joins as co-host. She is a curator and writer with a particular interest in contemporary photography and New Media Art that deals with political and environmental issues of our time. She recently finalised her MA thesis where she investigated the intersection of medium specific qualities of XR and its potential for disruptive art experiences.We discuss:Disruption of the intersection between art and academiaDigitalisation of art and the role of Extended Reality (XR)Political storytelling in the intersection between art and technologyThis episode's special guest is Solenne Tadros, a Jordanian Palestinian creative technologist & artist. She has a Design and Technology degree from Parsons School of Design. Solenne is a storyteller whose works reflect on social, political, and environmental matters. Her VR work has been exhibited in film festivals & exhibitions and featured in magazines like Vogue US, Vogue Espanìa, and many more.Solenne Tradros will exhibit April 27–30 in Stockholm, Sweden: PRE-EXODUS VR experience and artist talk at Accelerator. Leila Khoury Nimry was thirteen years old when she fled her home in Haifa, Palestine during the Nakba in 1948. In PRE-EXODUS she shares the memories of her childhood bedroom, illustrated and developed into a virtual reality experience, created by Jordanian artist Solenne Tadros (b. 1996). The work activates questions of memory, intergenerational trauma, forced displacement and loss of land. PRE-EXODUS will be installed at Accelerator April 28-30, with an artist talk on the evening of April 27at 6 PM to introduce the work and open up a conversation on its related themesKONST is a show by Scandinavian MIND about contemporary and future art; the interconnection with society, culture, technology, finance and lifestyle. The outlook is primarily at the art world from a Scandinavian perspective, although taking into account the global arena of artists, exhibitions, trade fairs and other current events. The host of KONST is Roland-Philippe Kretzschmar, Editor-at-large at Scandinavian MIND. See acast.com/privacy for privacy and opt-out information.

In today's episode, Lina Aastrup joins as co-host. She is a curator and writer with a particular interest in contemporary photography and New Media Art that deals with political and environmental issues of our time. She recently finalised her MA thesis where she investigated the intersection of medium-specific qualities of XR and its potential for disruptive art experiences.We discuss:Disruption of the intersection between art and academiaDigitalisation of art and the role of Extended Reality (XR)Political storytelling in the intersection between art and technologyThis episode's special guest is Solenne Tadros, a Jordanian Palestinian creative technologist & artist. She has a Design and Technology degree from Parsons School of Design. Solenne is a storyteller whose works reflect on social, political, and environmental matters. Her VR work has been exhibited in film festivals & exhibitions and featured in magazines like Vogue US, Vogue Espanìa, and many more.Solenne Tradros will exhibit April 27–30 in Stockholm, Sweden: PRE-EXODUS VR experience and artist talk at Accelerator. Leila Khoury Nimry was thirteen years old when she fled her home in Haifa, Palestine during the Nakba in 1948. In PRE-EXODUS she shares the memories of her childhood bedroom, illustrated and developed into a virtual reality experience, created by Jordanian artist Solenne Tadros (b. 1996). The work activates questions of memory, intergenerational trauma, forced displacement and loss of land. PRE-EXODUS will be installed at Accelerator April 28-30, with an artist talk on the evening of April 27at 6 PM to introduce the work and open up a conversation on its related themes Hosted on Acast. See acast.com/privacy for more information.

Stephanie and Shammi are the creators of the unique tech-art social enterprise Sensistan - a space providing immersive and interactive experiences that expand people's senses through combining technology and interactive art. To read the show notes click here.For people who are visually inclined watch the episode on Youtube. Time Stamps 00:00:00 - Intro 00:02:20 - Background Story of Sensistan 00:05:20 - NGO Circus Collective 00:09:00 - Challenges in developing Sensistan 00:18:53 - Shades of Sensistan 00:25:00 - Ansh's Installation at Sensistan 00:28:00 - Museum and Lab 00:31:25 - Night Museum 00:34:15 - Story of Sista 00:38:50 - Financing Sensistan 00:42:15 - Digital Art and future 00:45:20 - Mixed Reality 00:52:15 - Advice for young artists 00:54:00 - Moments to Remember 00:58:45 - Building Communities 01:02:04 - Space and community in Cambodia 01:10:23 - Art curation 01:16:25 - Life in Camper VanConnect with Tiny Farm Lab 

Hosted by Bethan Carrick @bethanelericarrick - the Podcast Recentering focuses on New Media Art, the cultural sector in the UK, and the environmental sustainability. More info ►► Agora Digital Art Hello and welcome. I'm Beth, your host for this new series called Recentering, which explores contemporary New Media Art through the lens of environmental sustainability. The climate crisis is at the forefront of our collective mind right now. Whilst the art world's impact on the crisis is small in comparison to industries such as construction and agriculture, it still has a part to play. In the series, I want to recenter the conversation around art and the environmental crisis, demonstrating the ways in which art can engage audiences on an emotional level on these vital topics, transcending facts, figures, and politics. I'll be discussing with new media artists, curators and creative practitioners on the ways in which they push the boundaries through that practice in order to engage audiences with the environmental issues of today. About @AgoraDigitalArt Agora Digital Art is a certified social enterprise. We are one of the most dynamic creative hubs in London. We champion artists who have something to say. We bring diverse communities and artists together. With your generous support, we will build the best digital network. ►► Donate via Paypal #DigitalArt #NewMediaArt #AgoraDigitalArt

Same but Different is a collaboration between Christal Brown and Lida Winfield, exploring their similarities and differences in a cultural commentary on race, age, and gender. 42 years young and recently orphaned, Lida grew up in the North, Christal grew up in the South, both of them grew up inhabiting small towns. Lida is white, Christal is black. As children, Christal was considered a genius and Lida was labeled dumb. At this point in their lives, Lida and Christal have both lived the rigors of being artists, professors, educators, and survivors of life. Christal Brown is the Founder of INSPIRIT and Project:BECOMING, the creator of the Liquid Strength training module for dance, an Associate Professor of Dance at Middlebury College and the CVO of Steps and Stages Coaching, LLC. Brown received a BFA in Dance and a minor in Business from UNCG and her MFA in New Media Art and Technology from LIU. Brown is a mover and a warrior of change and transformation. Brown combines her athleticism, creativity, love for people, and passion for teaching to create works that redefine the art of dance, the creation of identity and structures of power. https://christalbrown.com/ Lida Winfield is an innovative and accomplished dancer, choreographer, spoken word artist and educator, who has created original work merging storytelling, dance and visual art. As an artist, educator and keynote presenter, she has performed and taught nationally and internationally in traditional and non-traditional environments. Lida's artistic practice is inextricably linked to her role as an educator and her pedagogy is rooted in inclusion, access, and the recognition that our brains and bodies work differently and this difference is a valuable asset. www.lidawinfield.com www.batesdancefestival.org

Nació en Tijuana, Baja California, en 1975. Escritor y artista multimedia. Su trabajo se ubica entre la contracultura y la subversión creativa de los medios masivos de comunicación. Ha dirigido seminarios de narrativa interdisciplinaria en medios digitales en Sevilla, España y en Odense, Dinamarca, y coordinado talleres como Youth Creating and Communicating on hiv/aids, dirigido a niños de la calle y patrocinado por la unesco. Fue profesor invitado en la maestría interdisciplinaria de Estudios Latinoamericanos de Universität Wien y Latinameirika Institut (Austria), y en el curso Digital Storytelling en Malmó Högskola (Suecia). Fue también investigador del Centro Multimedia del cenart. Fue guionista del programa Interacción, transmitido por Discovery Channel. Fue editor de la revista Sputink, dedicada a la cultura digital. Ha dirigido festivales como Cinemátik 1.0 (primer Festival de Cybercultura en Latinoamérica) y Borderhack. La memoria de este último fue incluida en el libro New Media Art de Mark Tribe, publicado por Taschen. Actualmente administra el servidor possibleworlds.org. Su libro Metro-Pop fue seleccionado para formar parte del proyecto Biblioteca de Aula de la SEP. Participó en la antología Historias para habitar, publicada por Ediciones SM en 2004. --- Support this podcast: https://anchor.fm/francisco-javier-garcia-r/support

Welcome back, everyone! So, for the first episode of season two, we are talking about NFT. Yes, Hopefully, you have heard so about it, if not we can catch you up and we are going to talk about how this changes art. More importantly New Media Art. So, join us, and let get into it. Social media:https://www.instagram.com/digitalperspectivepod/https://twitter.com/pod_perspectiveCheck out Julio's album "Waverider"https://bit.ly/Dusknight-Waverider

Welcome back, everyone! So, for this episode, we talk about New Media Art. What is it? What artist and art are classified under it. How it is viewed by some and how we view it. So, let get some understanding and as always join us.  Follow us at:https://www.instagram.com/digitalperspectivepod/https://twitter.com/pod_perspective

Since 2001, Bitforms gallerist Steven Sacks has been exhibiting and selling digital art (though he hates that term) and building an audience and support network for artists working with new media.After Sara Ludy, one of the artists Bitforms regularly exhibits, told Hyperallergic about her plans to negotiate new more equitable contracts for any NFT she sells, I decided to speak to Sacks to hear about his experience during this pandemic period when NFTs dominate many mainstream conversations about online and digital art. He talks to me about selling art, how things have evolved, and what he expects from this new wave of change. Galleries, Sacks suggests, will always be relevant.This is the third podcast in a series of episodes and articles we will publish in the coming weeks on the topic of NFTs.Subscribe to Hyperallergic on Apple Podcasts, and anywhere else you listen to podcasts.

Un collage digitale dell'artista conosciuto come Beeple è stato venduto dalla famosa casa d'aste internazionale e pagato in criptovaluta.

Sam Fry speaks to Patrick Lichty, a New Media Artist who (at the time of recording) was based in United Arab Emirates. Patrick describes himself as a media “reality” artist, who works using a number of technologies to create his work. He works with machine drawings, 3D sculptures, video art and with artificial intelligence. With over two decades of experience exploring how media and mediation affect our perception of reality, Patrick also works as Assistant Professor of Animation at Zayed University. In the episode the pair speak about various projects that Patrick Lichty has created, including a recent project where he is using Artifical Intelligence to try and recreate his own creative sensibilities. Here are some useful links: - Patrick Lichty's website: https://patricklichty.com/ - Patrick Lichty's archive: http://www.voyd.com/ - Patrick Lichty's Instagram: https://www.instagram.com/patlichty/

Guest: Paul Shortt Hosts: Christopher Kardambikis Recorded on January 31st, 2021 Paul Shortt received his MFA in New Media Art from the University of Illinois at Urbana-Champaign and his BFA in Painting from the Kansas City Art Institute. He has participated in over 80 group and solo exhibitions both nationally and internationally. His works engage the public in physical interactions and conversation that examine everyday experiences and cultural norms often in humorous ways through books, videos, prints, and temporary public art. He has participated in over 30 national and international art book and zine fairs, such as the Printed Matter Art Book Fairs in New York City, NY and Los Angeles, CA, the Vienna Art Book Fair in Vienna, Austria, and the Editions fair in Toronto, Canada. In 2019 he published How to Art Book Fair, a practical and humorous guide to tabling, selling and participating in an art book fair. His artist books are in the collections of the Museum of Modern Art, the Whitney Museum of Art, and the Fisher Fine Arts Library at the University of Pennsylvania. He has created temporary public art projects for Baltimore Office of Promotion for the Arts “Art on the Waterfront” program in Baltimore, MD, neon signs for the Inlight light festival in Richmond, VA, and a sign and print based public art project for the Arlington Art Truck, in Arlington VA. His videos have been shown at the Museum of the Moving Image, The Phillips Collection and Whitespace Gallery. He has participated in residencies at The Luminary, in St. Louis, MO and at Montgomery College in Silver Springs, MD. Shortt has spoken about his work at the Ullens Center for Contemporary Art in Beijing, China and the Kemper Museum of Contemporary Art in Kansas City, Missouri. He has been written about in Hyperallergic, the Washington Post, Bmore Art and Review Magazine. Shortt works as an arts administrator and educator is currently based in Florida. paulshortt.com shortteditions.com --- Support this podcast: https://anchor.fm/paper-cuts/support

Aleksandra is a Digital Strategist for the Art World. She is the Co-founder of Electric Artefacts, an online venue for new media art. The platform serves as an exhibition space, destination for learning and consultancy on new media art. She is also the Director of Partnerships at .ART, the digital address for the arts community. She holds a Master’s degree in Art Business from Sotheby's Institute of Art and has experience working across galleries, auction houses and art fairs. By combining her art business knowledge with prior work in consulting and software sales, she specializes in introducing new applications to the art industry. In this episode, Aleksandra has shared her wonderful insights on New Media Art and explained how this art movement had started along with important characteristics of new media art that separate it from old media. We then discussed how technology's rapid evolution shapes this Industry and best lens used to test and maintain New Media Art. In the latter part, we discussed on the ethics, collaboration and presentation in new media art. Takeaways- What is new media art? How different is new media from old media? The different medium of collaboration and presentation in New media art Aleksandra recommends books: Digital Art - Christiane Paul Art of the Electronic Age - Frank Popper Future Art Ecosystems, Vol 1. Art x Advanced Technologies - Serpentine Galleries .art Domains (25% discount in the URL) - https://get.art/en?refdotart=innovate If this episode helped you understand and learn something new, please share and be a part of the knowledge-sharing community #Spreadknowledge. This podcast aims to make design education accessible to all. Nodes of Design is a non-profit and self-sponsored initiative by Tejj.

Dear friends, Kazakh communities in the West are small, however, we are very proud of our heritage, culture, and history. As an ethnic group, we are coming out of a colonial past and building back our nearly erased identity. The very reason why #SachaBaronCohen used our country as a subject in his comedies #Borat and #Borat2 is because our indigenous culture is still an enigma to the Western world. In this discussion Kazakh professionals from different parts of the world will share with you why these films promote violence against our people and especially children.  #WeAreNotYourJoke   #ҚазақМазақЕмес    #QazaqMazaqEmes Host: Anar Umurzak is a curious mind who aimes to bring awareness and harmony through dialogue, she is an entrepreneur and podcaster at "Let's Talk About It" and "Open School of Business". In her spare time, Anar sings and writes poetry.  Master of Science in Project Management from the George Washington University Washington DC Speakers: Adilet - is a social media activist, his #cancelBorat movement was supported by thousands of Kazakhs who were desperate to be heard. Student at Malmö University, Master in Leadership and Organization Sweden Tina Bainakova - is a social media activist, one of the first ones to speak up on and spread the #cancelborat hashtag. Netherlands Dimash Niyazov emigrated to the USA as a teenager to unite with his parents after not seeing them for almost 8 years. Dimash is a professional boxer and a New York City police officer. He's known as the best police officer and for his work out outside of force as a successful athlete, an animal activist, motivational speaker and by being the voice for the voiceless. His police motto is CPR which stands for Courtesy, Professionalism and Respect. New York, NY Ella Kelleher is a current senior at Loyola Marymount University, where she majors in English and specializes in multi-ethnic literature.  She volunteers at the Honorary Consulate of Kazakhstan in Los Angeles, where she helps young people from her native country, something she is very passionate about. Los Angeles, California. Erden Zikibay, artist and educator passionate about human rights, politics, history, and pop culture (zikibay.com). Master of Fine Arts in New Media Art from the George Mason University Rohit Talwar is a futurist keynote speaker and a strategist with over 20 years of experience business ownership. He is a CEO and a founder of Fast Future Company in publishing and strategy consulting space. He is an author and an editor of many books including "Aftershocks and opportunities: scenarios for a post-pandemic future." Rohit has an MBA from London Business School and BA with Honors in Engineering and Computer Science. England, UK David Valera, businessman and philanthropist, CEO of 4KZ and board member at KDH Foundation. New York, NY Dr. Nadya Zhexembayeva is an author of Chief Reinvention Officer Handbook "How to Thrive in Chaos" published in 2020. Called ‘The Reinvention Guru' (In Ventures magazine) & ‘The Queen of Reinvention' (TEDx Navasink), Dr. Nadya Zhexembayeva is a business owner, educator, speaker & author -- specializing in reinvention. Columbus, OH Aika Alemi, well known fashion designer, Duke University graduate, business woman with 20 years of experience both in Kazakhstan and internationally. Nur-Sultan, Kazakhstan Gaukhar Gia Noortas - filmmaker and an entrepreneur with 20+ years of an extensive corporate management experience both in her native Kazakhstan and in the US. Founder and CEO of Hollywood Film Academy®️ (USA) Los Angeles, California

Die Kunst der Zukunft will das Nxt Museum in Amsterdam präsentieren. Es ist das erste Haus in den Niederlanden, das sich ganz und gar der New Media Art verschrieben hat. Unser Reporter hält die Ausstellung für eine Offenbarung. Von Marten Hahn www.deutschlandfunkkultur.de, Fazit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

As important conversations surrounding diversity and equity are happening in industries across the US, Jaime Esposito ’14 and Stephen Hall ’13 are leading the way for more queer representation in classical music. The two percussionists and educators are also the co-founders of Spectrum Ensemble, a performance group with the goal of giving the queer community a platform to create and make music. Spectrum Ensemble’s mission is to commission and perform beautiful music while supporting the community by commissioning queer composers and using their music to fundraise for LGBTQ+ advocacy organizations. In this episode, Jaime and Stephen share insights into their work, the process of starting an ensemble, and the impact their work is having. You can catch Spectrum Ensemble’s next performance at the New Media Art and Sound Summit here on July 22. 

From Teaching Tolerance: "White privilege is—perhaps most notably in this era of uncivil discourse—a concept that has fallen victim to its own connotations. The two-word term packs a double whammy that inspires pushback. 1) The word white creates discomfort among those who are not used to being defined or described by their race. And 2) the word privilege, especially for poor and rural white people, sounds like a word that doesn’t belong to them—like a word that suggests they have never struggled. This defensiveness derails the conversation, which means, unfortunately, that defining white privilege must often begin with defining what it’s not. Otherwise, only the choir listens; the people you actually want to reach check out. White privilege is not the suggestion that white people have never struggled. Many white people do not enjoy the privileges that come with relative affluence, such as food security. Many do not experience the privileges that come with access, such as nearby hospitals. And white privilege is not the assumption that everything a white person has accomplished is unearned; most white people who have reached a high level of success worked extremely hard to get there. Instead, white privilege should be viewed as a built-in advantage, separate from one’s level of income or effort." "Systemic Racism includes the policies and practices entrenched in established institutions, which result in the exclusion or promotion of designated groups. It differs from overt discrimination in that no individual intent is necessary. It manifests itself in two ways: institutional racism: racial discrimination that derives from individuals carrying out the dictates of others who are prejudiced or of a prejudiced society structural racism: inequalities rooted in the system-wide operation of a society that excludes substantial numbers of members of particular groups from significant participation in major social institutions." Jess Garland is a Dallas based singer/songwriter, recording and performing artist.
 Jess co-produced the film and composed music for Their Lives Mattered: A Dialogue Honoring Stolen Lives by Dallas law enforcement on September 5th at Texas Theatre, the project funded by the City of Dallas’ Office of Cultural Affairs. Jess most recently received a grant from The Nasher Sculpture Center to record her single "Live Again" and create a music video on Fair Park grounds. Jess performed in Austin on July 5th for New Media Art and Sound Summit
sponsored by Church of The Friendly Ghost. Jess received a grant from the City of Dallas' Office of Cultural Affairs for her performance "Take Me Oya" in April 2019 for Dallas Arts Month at South Dallas Cultural Center. Jess received a grant for Aurora’s 2018 Future Worlds theme for her performance "Resurrecting Gaia" in October at Kettle Art Gallery. Resurrecting Gaia was featured in New York’s Vulture Magazine and also listed as a top pick of events to see by KERA’s Art and Seek and D Magazine. Jess opened for The Academy member, Gingger Shankar for Fortress Fest Presents Modern Music Series at The Modern Museum of Ft. Worth. She has composed music for Art Pena’s play, “Nameless/Endless” where she also performed at The Reading Room Gallery. Jess is also the harpist with Sunshine Village Band.
Jess is an educator and has a non-profit free music education program, Swan Strings that has been recently featured in Advocate Magazine and D Magazine. https://www.gofundme.com/f/swanstringsmusicprogram www.allwaysanotherway.com

Tune in to Episode 07 of the PA Talks series with Refik Anadol, a media artist, director, and pioneer in the aesthetics of machine intelligence. Refik creates parametric data sculptures through hypnotic audio and visual installation experiences. Embedding media design into architecture, he questions the possibility of a post-digital architectural future in which there are no more non-digital realities. Anadol is known for his prominent works such as Machine Hallucinations, and audio/visual shows for Walt Disney Concert Hall in the USA. His global projects have received a number of awards including the Lorenzo il Magnifico Lifetime Achievement Award for New Media Art and Microsoft Research's Best Vision Award. He is also a lecturer at UCLA's Department of Design Media Arts from which he obtained his second Master of Fine Arts. Watch this podcast on YouTube: https://www.youtube.com/watch?v=XnqrMa407dM&t=332s Listen on: Apple Podcasts: https://podcasts.apple.com/tr/podcast/pa-talks/id1503812708 Spotify: https://open.spotify.com/show/4P442GMuRk0VtBtNifgKhU Google Podcasts: https://podcasts.google.com/search/pa%20talks Support us on Patreon: patreon.com/parametricarchitecture Follow the platform on: Parametric Architecture: https://www.instagram.com/parametric.architecture/ PA Talks: https://www.instagram.com/pa__talks Website: https://parametric-architecture.com/patalks/

photo by Jonathan Hsu Christal Brown has the distinction of being many things. She endorses a short list of these attributes that includes the titles mother, artist, educator, disciple and coach. Brown is most well known as a dancer and choreographer due to her 20+ year career as a performer and artistic director. Brown describes herself as a person with a servant heart and a workaholic mind, who has used dance to touch and be touched by others. Brown grew up in a small, Eastern North Carolina town, where she frequently accompanied her mother to NAACP, Black Caucus, and community board meetings. This early exposure to social movements and communal responsibility undoubtedly has influenced Brown’s work both on and off stage. As an undergraduate, Brown studied Dance and Business at the University of North Carolina at Greensboro. Upon graduation, she went on to tour nationally and internationally with companies such as Urban Bush Women, Bill T. Jones, Chuck Davis, and Liz Lerman before founding her own company, INSPIRIT. Brown has served as the Founding Artistic Director of INSPIRIT for 16 years. During her tenure Brown developed curriculum for the New York Department of Education, choreographed over 75 performance works, created the Liquid Strength training module for dance, and the Project: BECOMING, self-development program for women and girls.  While developing INSPIRIT Brown completed her MFA in New Media Art and Technology at Long Island University and joined the faculty of Middlebury College in 2008. At Middlebury, Brown serves as an Associate professor  of dance, the current chair of the Dance Program and former Faculty Director of MiddCORE. Her dance career has continued to thrive in performances with the Bebe Miller Company, and her most recent choreographic works; The Opulence of Integrity and What We Ask of Flesh. Brown’s newest manifestation of love is Steps and Stages Coaching, LLC; where as a Life Mastery™ Consultant, certified by the BraveThinking Institute, Brown is able to coach, facilitate, and inspire other to pursue their dreams and create a life they truly love living. photo by Maranie What We Ask of Flesh, Kelly Strayhorn Theater photo by: Tayler Goodwin, The Project: BECOMING Box, available at www.christal brown.com.shop

Media perpetuates how technology makes us less human. Some see it as a way to bring us closer together. Has technology made you closer to other people? How do you use new mediums to create deeper connections and friendships? Kate Hollenbach and Nicky Case join us to chat about how they use their work to explore human connections. RESOURCES: Kate Hollenbach: https://www.katehollenbach.com/ Nicky Case: https://ncase.me/ Nicky’s Adventures with Anxiety: https://ncase.me/anxiety/ Host: Natalie Sun Produced by: NextArt Sound & Editing: Bryan Chen Website: http://nextart.tech Twitter: http://twitter.com/nextarttech Instagram: http://instagram.com/nextarttech Questions? Suggestions? Thoughts? E-mail us at info@nextart.tech

“They do work with… computers... and... shapes? They have a nice apartment.” How many sentences does it take for you to explain your job? Ivaylo Getov of Dandelion + Burdock and Kawandeep Virdee join us to talk about how they navigate their careers and the titles that go with it. RESOURCES: Ivaylo Getov: http://ivaylogetov.com/ D+B: https://dandelion-burdock.com/ Kawandeep Virdee: http://whichlight.com/ Medium: https://medium.com/ Kawan references Bridget Riley: https://en.wikipedia.org/wiki/Bridget_Riley Host: Natalie Sun Produced by: NextArt Sound & Editing: Bryan Chen Website: http://nextart.tech Twitter: http://twitter.com/nextarttech Instagram: http://instagram.com/nextarttech Questions? Suggestions? Thoughts? E-mail us at info@nextart.tech

You’re creative. You work in tech. What does it mean to be creative with tech? Make art with tech? What’s ‘new media’, anyways? We’re diving deeper into the work of artists that we love, and how their work has influenced culture in more ways that we can see. Every episode we’ll invite two creatives to discuss various topics around what it means to be an artist using new mediums, or old mediums in new ways. Host: Natalie Sun Produced by: NextArt Sound & Editing: Bryan Chen Website: http://nextart.tech Twitter: http://twitter.com/nextarttech Instagram: http://instagram.com/nextarttech Questions? Suggestions? Thoughts? E-mail us at info@nextart.tech

What a great way to kick off this podcast. In our debut episode, Sarah Belle Reid talks about her new album, Underneath and Sonder, how she interfaces her trumpet with electronics, her visceral performance style, using restraint in improvisation and so much more. This is part 1 in a two part interview. https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/KQFgBAP7.jpg Order Sarah's new album, Underneath and Sonder (https://www.sarahbellereid.com/store/underneath-and-sonder) https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/wVW3Ed0v.jpg Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet was developed by Sarah Reid and Ryan Gaston at California Institute of the Arts. (https://www.sarahbellereid.com/projects#/migsi/) www.sarahbellereid.com (https://www.sarahbellereid.com) Find Sarah Belle Reid on Social Media: Instagram (http://instagram.com/sarahbellereid), Facebook (http://facebook.com/sarahbellereidofficial), YouTube (http://www.youtube.com/channel/sarahbellereid), Twitter (http://twitter.com/sarahbellereid) Sarah Belle Reid is a Canadian performer-composer, specializing in trumpet and electronics, modular synthesis, and alternate forms of graphical notation for composition and improvisation. She is a co-developer of the Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet: an open-source, wireless interface that captures performance data and provides real-time extended sonic and visual control for improvisation. Reid has presented and performed with MIGSI at institutions and festivals around the world including Moogfest, Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), the International Conference of New Interfaces for Musical Expression (NIME 2015: Brisbane, Australia), New Media Art & Sound Summit (NMASS 2017: Austin, TX), University of Oregon, UT Austin, and UC Irvine's Women in Music Technology Symposium (2016), among others. As a composer, Reid’s work explores themes of time and memory imprints both in sound and physical performance—a fascination inspired by Marcel Duchamp’s writings on infrathin—as well as the integration of electronics, hybrid/new instruments, and found objects. Her compositions have been performed by renowned musicians around the world, most recently pianist Vicki Ray, Caution Tape Sound Collective (supported by Association of Canadian Women Composers and SOCAN), Los Angeles Percussion Quartet, and Vinny Golia. In 2017 her composition “Flux” for amplified percussion quartet won the Grammy-nominated Los Angeles Percussion Quartet’s Next Wave Composer Initiative. As a performer dedicated to new and experimental music, Reid has premiered over 40 works for solo trumpet, as well as multiple chamber and performance art pieces. She is a founding member of the trumpet/modular synthesizer duo Burnt Dot, dedicated to exploring open forms of spontaneous creation and electroacoustic collaboration. Additionally, Reid has worked with a wide range of musicians and ensembles in a broad range of musical genres and settings. Highlights include Charlie Haden, Wadada Leo Smith, David Rosenboom, Todd Barton, Liberation Music Orchestra, KREation Ensemble, Orchestre de la Francophonie, and the Montreal Symphony Pops Orchestra, Julia Holter, Adele, Avey Tare (Animal Collective), and Estrella TV. As a scholar, Reid has studied with music technology leaders Dr. Ajay Kapur and Dr. Perry Cook, and published technical and theoretical papers on the subjects of interdisciplinary process and collaboration, musical interface design, and alternate methods of musical notation. Reid has been an invited speaker and guest artist at Stanford University, Hendrix University, University of Oregon, University of California, Santa Barbara, University of Southern California, UC Irvine’s Women in Music Technology symposium, the European Society for the Cognitive Sciences of Music, and the international conference of New Interfaces for Musical Expression (NIME). Reid received a Bachelor of Music in trumpet performance from McGill University’s Schulich School of Music and a Master of Fine Arts from the California Institute of the Arts, where she is currently on faculty teaching music technology (Music Technology: Interaction, Intelligence, and Design), and music theory. Episode Sponsor: Boutique Pedal NYC (http://www.boutiquepedalnyc.us/)

DONATE TO SWAN STRINGS HERE --> https://www.gofundme.com/f/SwanStringsMusicProgram I love a game changer. A doer. Someone who sees a problem and just goes right in to fix it. The amazingly talented Jess Garland is changing the GAME. Jess Garland is a Dallas based singer/songwriter, recording and performing artist. She is a multi-instrumentalist, using a combination of harp and guitar loops evoking elements of ambient folk and celestial tones. Jess most recently opened for Madame Gandhi at Babes Fest 2019 in Austin on September 7th. Jess co-produced the film and composed music for Their Lives Mattered: A Dialogue Honoring Stolen Lives by Dallas law enforcement on September 5th at Texas Theatre, the project funded by the City of Dallas’ Office of Cultural Affairs. Jess most recently received a grant from The Nasher Sculpture Center to record her single "Live Again" and create a music video on Fair Park grounds. Jess performed in Austin on July 5th for New Media Art and Sound Summit sponsored by Church of The Friendly Ghost. Jess received a grant from the City of Dallas' Office of Cultural Affairs for her performance "Take Me Oya" in April 2019 for Dallas Arts Month at South Dallas Cultural Center. Jess received a grant for Aurora’s 2018 Future Worlds theme for her performance "Resurrecting Gaia" in October at Kettle Art Gallery. Resurrecting Gaia was featured in New York’s Vulture Magazine and also listed as a top pick of events to see by KERA’s Art and Seek and D Magazine. Jess opened for The Academy member, Gingger Shankar for Fortress Fest Presents Modern Music Series at The Modern Museum of Ft. Worth. She has composed music for Art Pena’s play, “Nameless/Endless” where she also performed at The Reading Room Gallery. Jess is also the harpist with Sunshine Village Band. Jess is an educator and has a non-profit free music education program, Swan Strings that has been recently featured in Advocate Magazine and D Magazine. www.allwaysanotherway.com

Artist Carla Gannis describes her digital art practice and advances in the field of New Media Art. We discuss the work of some of her idols as well as the enthusiasm and inspiration she shares with her students. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Feng, Qianhui is an architect, interactive designer and multi-media artist. She is focusing on Interactive architecture and multi-Media art, as well as immersive theatre and interactive performance. She has earned two master degrees, first one is in the major of Architectural Design and theory from Harbin Institute of Technology, and second one is in Design for Performance and Interaction from the Bartlett School of University College London. In this episode, Feng first introduced one of her architecture project, the museum of the Chinese writer Cao, Xueqin, who is the author of Dream of the Red Chamber, one of the Four Great Classical Novels of Chinese literature. The architectural project features a spatial embodiment and visualization of Cao’s literary world. The counterpart concept of space in Chinese language is kong jian 空间. Although kong 空 is translated as empty in English, but from a Daoist perspective, it actually means unlimited potentially. Thus, the space is not understood as a physical one with a determinate length and width, but rather a place of people’s life, memory, feeling, and open possibility. The conversation also covers the ideas of cang 藏 (hide), kuang 框 (frame) from traditional garden creation. After a few years of work as an architect, Feng then enrolled in IAlab in University College London to develop her knowledge in Performance and Interaction designing. Feng tried to combine her long-term interest in traditional Chinese aesthetics and contemporary media art creation. She created a new form of theatre named Inner Awareness using the design of a spatial interactive installation that will assess the relationship between performance, space and audience, thereby providing the audience with a thoroughly immersive experience. It is based on a romantic classic Chinese Kunqu Opera THE PEONY PAVILION written by dramatist Tang, Xianzu in Ming dynasty 400 years ago. THE PEONY PAVILION tells a love story through the medium of dream beyond space and time, even beyond life and death. Nonetheless, the employment of digital technology can result in a new and better theatrical interpretation; the coming together and fusion of classical drama and contemporary digital art has the potential to give the opera a new lease of life. Feng used real-time body tracking, augmented reality and projection mapping to interact with the actor’s performance to transform the theatre space into a dream world. In such a space that is artistic and dreamlike, the audiences can transcend space and time, actual and virtual, become one with Du, experience her brave and persistent pursuit of her love and then raise their own inner awareness. Furthermore, the installation can also be seen in a wider context and not only in the parameters of this one particular art form. Thank you for listening! Please don’t hesitate to contact me via duansiying@gmail.com if you would like to learn more about the details of the conversation or have any suggestion.

Rachel Clarke is professor of New Media Art at California State University, Sacramento. Her work intertwines themes of nature, culture, and technology; combining physical and virtual modes of making. Peter Williams is a new media artist specializing in interactive installation, and an assistant professor at California State University, Sacramento.

What is “new media art,” and can tapping into new technologies play a role in brand identity?

In an age in with the image friendly world of Twitter and Tumblr has made it all to easy to isolate our favorite shots in cinema, Adrian Martin wants to return us to movement. His new book, Mise en Scène And Film Style: From Classical Hollywood to New Media Art examines the historical and contemporary uses of the French term to describe how frames can turn in style, tone, and intensity, all without an edit. In this trans-Atlantic recorded interview, Adrian discusses his origins as a cinephile in Australia, how the Internet both gave him a voice and provided new challenges, and his continual search to allow films to speak to him in new ways. Finally, they discuss Gloria, a forgotten work by the legendary John Cassavetes, which takes the filmmakers intensely rhythmic style on to the streets of New York for a gangster thriller with Gena Rowlands. 0:00-2:21 Opening3:45-8:06 Establishing Shots - Hype Williams's Belly8:50-1:09:39 Deep Focus - Adrian Martin1:10:33-1:12:44 Mubi Sponsorship1:13:31-1:32:00 Double Exposure - Gloria (John Cassavetes)1:32:05-1:33:45 Close

Spark meets Amy Franceschini is a pioneer in the burgeoning field of net art, an art form that is created, circulated and experienced through the internet.